DM&Co. ART FINDER Artists
DM&Co. ART FINDER
Born in (1971)
Maubeuge, France
MichaĂŤl Picoron
3
“From dawn to dusk” est un finaliste dans cette année Pro Hart Outback Art Prize. (SOLD)
“Bathed in sunlight” 100 x 100 cm.-Oil on polycotton
“Winter Flowers” 123 x 123 cm. -oil on poly cotton (currently with Rochfort Gallery)
“The Spirit of place” 140 x 240 cm.-Oil on canvas
“Deep in the mangroves” 180 x 180cm. - Oil on canvas - SOLD -
LEAH THIESSEN No.
1. 2. 3. 4.
Description
"Bathed in sunlight" : 2,600€ "Winter Flowers" : 3,600€ "The Spirit of place" : 12,500€ "Deep in the mangroves" : 7,000€
NATALIA TEREBINOVA-SAATCHI ART I was born in 1986 in Togliatty, USSR. It was a wonderfull country, wonderfull people, kind and nature, I remamber we did not close the door for the night, because it was not nessosary! First time before school, my family lived in the same place, I lived in a fairytale!) Then we were going to a new place to a 5 floor dormitory, where was a lot of children my age, a lot of fun and we played all the time. I was rised by a granny and aunt. I'am very lucky, I have three mothers!))) And also I liked all the paint!) My first paintings was like a ladies - my mothers - in a big square dresses like in XVI century!) ) A-ha-ha)) Four last classes at school I also stadying in artschool it was the first professional steps, that help me to get to university. I paint the states inside of me, a whirlwind, a dance, a storm, and balance, and passion. This is my inner world, which I am aware of. All these states are present in nature, as well; it consists of abstract patterns. To me, painting is a very deep investigation process, when philosophy and creativity become one. I work with two states - static and dynamic. The best art is created. Education: Base Art Course, Art school, Togliatty, Russia. 1999 - 2003 Faculty of Graphic Design, Togliatty State University, Togliatty, Russia, 6 years of classical painting and drawing. 2003 - 2009 Exhibitions: 2010 - 2017 Work acquired by private collectors in Moscow
“Beautiful Foot” 106 x 76 inch.- Acrylic, Art paper
“Whrilwind 8” 109 x 106 cm.- Acrylic, Art paper
“S5” 20 x 8.3 inch.- Oil, Art card board
“CHIC-1” 50 x 20 inch.-Oil, Art card board
“Forms 1-2” 100 x 31.5 inch.- Oil, Art card board
“Whrilwind 12” 106cm. x 106cm.- Acrylic, Art paper
NATALIA TEREBINOVA No.
1. 2. 3. 4. 5. 6.
Description
“Beautiful Foot” : 3,975$ “Whrilwind 8” : 2,750$ "S5" : 1,330$ “CHIC-1” : 1,890$ “Forms 1-2” : 6,120$ “Whrilwind 12” : 3,475$
VICTORIA ELIZABETH KIFF
VICTORIA ELIZABETH KIFF-Fine Artist Painter/Printmaker The images have an internal approach to landscape. Memory, thoughts, experience and stories, contribute to the formal presentations of landscape into an outwardly visual aesthetic. The places of historic reference, are reflected in the paintings, as are the historical paths taken through the layering of images, paper, mediums and oil paint. The paintings are highly sensual images that appear to engage with a hidden narrative of time and events. Education Kingston University: Foundation in Art and Design 1992-1993 Central St Martins School of Art: BA Hons Fine Art- Painting, photography and film. 1993-1996 City Lit London Printmaking 2004-2008 Coming soon: Metamorphose Solo Exhibition at Cameron Contemporary Art Gallery Brighton cameroncontemporaryart.com 5th October - 22nd October 2018
“Transparent Parlour” Oil on paper 45 x 50 cm
“Romney Marsh” 76 x 91 cm. -Oil on canvas-Sold
“The Lovers” Collagraph print in Midnight Blue 28 x 32 cm.
“Carandas Bear” Collagraph print in Van Dyke brown 15 x 20 cm.
“Nostrum Of The Sea” oil on paper 44 x 54 cm.
“Ayr Stone Green-White” Oil on canvas 90 x 110 cm.
“Pearlash” Oil on board 50 x 60 cm.
“The Phantom Ship” Oil on paper 51 x 64 cm.
VICTORIA ELIZABETH KIFF No. 1. 2. 3. 4. 5.
6. 7. 8.
Description
"Transparent Parlour" : 490€ "Romney Marsh" : 2,100€ "The Lovers" : 200€ "Carandus Bear" : 140€ "Nostrum of The Sea" : 660€ "Ayr Stone Green-White" : 2,600€ "Pearlash" : 1,300€ "The Phantom Ship" : 1,150€
HELEN VERGOUWEN
La sculpteur Hélène
Vergouwen valorise l’énergie plastique de l’acier corten et le travail de la texture dans son approche du matériau. Alor sque traditionnellement la pratique de la sculpture implique une approche par soustraction (de la matière), l’artiste fonctionne à l’inverse : elle matérialise le vide, elle le cerne avec vigueur en jouant du dialogue entre formes courbes et angulaires. Ne recelant aucune iconographie, ses sculptures utilisent les volumes et les plans abstraits pour se concentrer sur les notions d’énergie, de tension, de rythmes et de contraste. Hélène Vergouwen appréhende, en effet, l’espace comme un système de forces et de rapports, de sorte que ses assemblages de formes déterminent des tempos, des ponctuations rythmiques qui ne cèdent jamais à la tentation du lyrisme. Une certaine rigueur prévaut dans ce travail, notamment dans l’élaboration des Signes métalliques (Titres ?) dont la verticalité et le caractère construit sont régis selon une stricte loi d’orthogonalité. Mais l’artiste, qui ne cède jamais à la tentation de la formule, ne renonce pas à défier les lois de l’apesanteur en érigeant des structures dynamiques sur un seul point d’équilibre (Titre ?). Hélène Vergouwen fait également preuve d’une grande inventivité créatrice dans ses œuvres de format plus modeste, où les oppositions entre éléments angulaires et arrondis, surfaces pleines et évidées conservent la même vigueur plastique. Avec la série (Titre ?), elle renonce ainsi à la texture brute de l’acier Corten pour s’intéresser à la notion de surface. Recouvrant les plans blancs de ses sculptures d’un réseau graphique noir d’une densité variable, elle confère une dimension picturale à son travail qui modifie la perception habituelle que l’on en a. L’appréhension de ces réalisations est effectivement moins immédiate, plus ambivalente, et elle exige une attention accrue dans la lecture des formes. Ainsi, l’œuvre d’Hélène Vergouwen échappe à toute tentation de classification hâtive : mêlant syntaxe picturale et expression sculpturale, elle s’empare de la surface et de l’espace pour affirmer la liberté des pratiques. Domitille d’Orgeval
343 2009 Cortensteel 46 x 30 x 27.8 cm.
507 2016 Cortensteel 72 x 52 x 28 cm.
Helen Vergouwen Emotions fixed in Corten steel
In her studio Helen has a full inventory of her work. It consists of sketches, drawings, watercolors, painted and designed objects and paper, wood, ceramic, aluminum, bronze and steel models. This inventory constitutes the basis for larger works and for commissions. Sometimes these studies and models are used later, sometimes they are transformed or not, to make reliefs and sculptures. Helen Vergouwen’s primary focus lies in the form. Earlier in her career this form was an extension of a linear design or a painting, and later these were made part of an installation and in the last ten years they became mostly architectural objects or sculpture. Although most of her work is geometric in shape, she also creates more irregular, organic shapes. After a period of making panels, she did drawings. The panels, made of wooden frames of different sizes, covered in linen canvas, were installed individually or in a group where the panels could be interchangeable. The drawings were made on wood panels or on paper with structural elements in wood or steel and small reliefs made of several laminated layers. In this last series of works the individual panels are provided with a fine layer of transparent varnish, a structure of small pierced holes or were sometimes painted or embellished with a linear design. In almost all the objects the structure of the materials and the juxtapositions play an important role: open-closed, rough-smooth, embellished with designs or not, space-remaining space. The differences and the combinations of forms, these special perceptions evoke the notion of a map, a square, architectural elements within open spaces, enclosures or intersections. The point of departure is always the form and the result is a haphazard shape or a shape born from a play of lines that unites important places, events or experiences. The objects may be viewed from all sides. They have hidden facets. At the turn of the century, many of the shapes were made in a larger format. In wood or in bronze and especially in Corten steel. Helen Vergouwen has also made a series of small sculptures in steel, black and round in shape, conceived and drawn in pencil with a ruler, converted by a professional with the help of a CAD CAM program. The shapes were subsequently cut by a specialist and welded by Vergouwen. The small objects, which have nothing but a wall to hold them – become sculptures in steel that have a very strong sense of expression. The language of the sculptures is that of geometric abstraction wherein firm lines and facets are born from intuition rather than established rules.
476 2014 Cortensteel 63 x 50 x 37 cm.
503 2016 Cortensteel 65 x 50 x 35 cm.
532 2018 Cortensteel 51 x 52.5 x 100 cm.
435 2014 Cortensteel 137.5 x 84.5 x 45 cm.
485 2015 Cortensteel 200 x 50 x 65 cm.
481 2014 Cortensteel 65 x 30 x 37 cm.
HELEN VERGOUWEN No.
Description
1.
343/2009 : 2,450€
2.
507/ 2016 : 3,500€
3.
476/ 2014 : 3,850€
4.
503/2016 : 3,850€
5.
532/2018 : 6,750€
6.
435/2014 : 6,125€
7.
485/2015 : 7,000€
8.
481/2014 : 3,150€
TATIANA CARAPASTOL Born in 1973 in Leova, Moldova. In 1996 she graduated at the Faculty of Plastic Arts and Design at the Ion Creanga University, Chisinau. After the separation of the Republic of Moldova from the USSR, the great crisis pushes the artist to emigrate to Italy. In 1999 he settled in Venice and this facilitates his insertion into the artistic fabric with a crescendo of collective and personal exhibitions: Udine, Treviso, Padua, Venice (Fondazione Bevilacqua La Masa and Arsenale), Trani and Barletta (IV Biennale 2009), Brighton (collective exhibition 2013), Arte Fiera Padova 2014, Orler tv 2014 -2015, Lecce 2015-2016. Present at important fairs like Padua, Milan and Buenos Aires. Permanent collection of the Museum of Contemporary Art LĂŹmen Arte of Vibo Valentia.
She has collaborated with galleries in Italy and abroad: Artexpo Gallery Miami U.S.A. Polin Gallery Treviso Juris & Pearl Venice Gallery Galleria Schiavetti ForlĂŹ Gallery The Gianicolo Perugia Contemporary Art Gallery Foggia ArtStudio San DonĂ di Piave (VE) Burano Prize 2005 - 2006 - 2007 Environment Award Giulianova Marche 2008 Special Prize of the President medal Lorenzo the Magnificent VII Florence Art Biennial 2009
"Sensations" : 2015 - Acrylique, technique mixte sur toile 80x100 cm.
"Pensée" : 2015 Acrylique sur toile 80 x 100 cm.
"Pensées" : 2007 - Avrylique sur toile - 100 x 80 cm
"Pensée" : 2015 - Acrylique sur toile 80x100 cm.
TITIANA CARAPOSTOL No.
1. 2. 3. 4. 5.
Description
"Sensations" 2015 : 2,100€ "Pensée" 2015 : 2,100€ "Instinct" 2010" : 2,100€ “Pensées" 2007 : 2,100€ "Pensée" 2015 : 2,100€
E N C A O U A
“Tohu va-Bohu” 2013 - Oil on canvas Earth’s memory series 81x130cm.
SANDRA ENCAOUA French artist, born in Paris in 1974. She lives between Paris and Miami. Her works have been exhibited in United States, France, Belgium, Italy and Switzerland. Sandra has been honored with the Award of Arts-Sciences-Letters 2017 by the French Academy of Arts-Sciences-Letters in Paris. She was featured 'Artist of the Day' 2015 by the famous website Saatchi Art and won the 2013 competition of 'Young Talent' in France. Her paintings are listed on Drouot dictionary of artists since 2012. She is fascinated by nature and raw elements and create her paintings in a changing, violent and free world. The Series “Earth's Memory” show visions of elements where nature goes back to its fundamental essence and where its greatness crushes. The Series "People'' tries to unravel the truth of the Subject. The Series ''Judaica” asks us about History and its meaning. Her painting is diluted, superimposed, thickened; it mixes and intertwines until it forms the desired pattern. Flamboyant reds mix with shining whites, bright turquoise meets the heat of ochres and the evanescence of pinks.
ART BASEL Miami 2015, Uhma Spa, USA. Made in France Exhibit Miami, Pop-up Gallery, USA. Personal Exhibition Paris, Gallery de Marmont, France 27e International Contemporary Art Fair, Belgium Artistic' Art Fair 2014, St Germain en Laye, France Artshopping 2014, Carrousel du Louvre, Paris Single Exchange in Creation 2013, France Selected 9th International Biennial of Art 2013, Italy 5th Art Salon St Germain en Laye 2013, France Laureate of the 2013 Young Talents, France Art'Nimes 2012, France International Sale of Contemporary Art 2012, Switzerland
“Sound of soul” 2015 - Oil on canvas Earth’s memory series 81x116cm.
“Berechit” 2013 - Oil on canvas Earth’s memory series 81x116cm.
“Blue wave”
2013 - Oil on canvas Earth’s memory series 81x116cm.
“Storm” 2013 - Oil on canvas Earth’s memory series 81x116cm.
“Mystic Sky” 2015 - Oil on canvas Earth’s memory series 76x116cm.
SANDRA ENCAOUA No.
Description
1.
"Tohu va-Bohu" : 3,200€
2.
"Sound of soul" : 3,400€
3.
"Berechit" : 3,400€
4.
"Blue wave" : 3,400€
5.
"Storm" : 3,400€
6.
"Mystic Sky" : 2,300€
ARNAUD SAGNIER - Photographist My collages are inspired by the 50s. I try to combine, mix past and present and offer an urban and contemporary testimony. Using the codes of advertising, I compose, I play with the forms, the colors, the typos. I create from posters, clippings, a pop and rhythmic visual for a harmonious, original and surprising graphic rendering.
ARNAUD SAGNIER No.
Description
1.
"ORESMAN" : 450€
2.
"REMPLACANT" : 420€
3.
"YOU" : 525€
4.
"MAGGY" : 300€
5.
"Winston in Paris" : 375€
6.
"SHOWGIRL" : 420€
7.
"PESPIPOOL" : 480€
8.
"MILKY GIRL" : 525€
9.
"BLONDY" : 525€