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MAX B t h e

wav y

b a b y

For the first time ever, a street artist is dropping a Blu-Ray disc. 1h30 of unreleased footage at the highest resolution [1080p]. Throwback Footage, Live Show, Studio Performance, Lifestyle, Interview... Max B like you have never seen before. The entire content has been Directed & Edited professionally by @MasarMasar.

Pre-orders are now available

masartv.com

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IT STARTED AS PHOTOGRAPHY 10 WINTER 2011 DIZZMAG.COM

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meet dizz

Since 2009, DizzPhotography has established itself as a brand that brings photography to the next level, offering undeniable diversity and quality to every shot taken. With the launch of his next business venture, Dizzmag it is only appropriate to introduce the man behind the camera and movement-Dizz. Dizz first realized his interest in fine arts over a decade ago, when he attended De La Salle high school’s visual art program in Ottawa, Canada. At school his concentrations were in sculpting, painting, carving, sketching, and live drawing but outside of De La Salle he got involved with the art of hip-hop, performing under the name “Dizzy_Kid”.

After six years of experimenting as an independent artist Dizz saw the struggles in standing out in the rap industry, and decided to move his talents into another stream. During his time in hip-hop he had the opportunity to work with other performers, and with an eye for art he began to be critical of the visuals used on mixtapes and other promotional platforms.

Naturally he decided to explore this avenue becoming involved with graphic design, however, he did not stop there.

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It wasn’t until Dizz ran into recording artist Joseph taking photographs at Bluesfest in Ottawa, that he really became intrigued with the idea of photography as his next medium to explore. After seeing a number of shots taken by Joseph with his FujiFilm, Dizz decided to go in that direction beginning with personal photoshoots, and shooting performing artists for promotional use. As his photography work evolved Dizz still had no clue that he would eventually make a complete brand out of his newly found talent.

The pivotal moment to establish DizzPhotography came to him after meeting an artist named NinaFoxx, at Badboy’s studio in Manhattan where his cousin, Black keys worked as one of Diddy’s sound engineers.

NinaFoxx was familiar with Dizz’s work, and decided to move forward booking him for a shoot. After the shots went public on Facebook the outcome was overwhelmingly positive as feedback from her fan base became explosive. It became a snowball effect of success, and Dizz knew he had what it took to brand himself as an independent photography company.

He decided to merge his hip-hop background with photography to form what is now ‘DizzPhotography’, and from there the rest is history.

Over the span of just three years, DizzPhotography has spread from its roots of Ottawa, Canada to Montreal, New York, and New Jersey shooting celebrities, live events, nightlife, and models. As a natural progression, Dizz has decided to expand his brand and present Dizzmag, to both Canada and the US. Dizzmag and DizzPhotography will collide, bringing exclusive photos shot by DizzPhotography to life fueling the Dizz movement across state lines, provinces, and country borders. As the Dizz movement stretches across new platforms, he promises to bring the same virtues that DizzPhotography has thrived on. With that being said, Dizz and his team (LieFocals, Wonder, & Jenna) are pleased to present to you-DIZZMAG. ♠ DIZZMAG.COM WINTER 2011 13

T

The Holland Tunnel

Increase in Full Effect WORDS Chela Perez IMAGES DizzPhotography

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he times they area-changin’, are the words Bob Dylan crooned in his 1963 hit. As a very popular song, it describes how he depicted society and politics during that era. It leads me to wonder what he would sing about in this day and time. I guarantee you that it wouldn’t be anywhere near, or as slow paced as the 1963 version...especially with the increase in fare/toll hikes! It is quite interesting how the lack of jobs in the US has caused so many financial increases in travel.

Isn’t it ironic? *in my Alanis Morrisette voice* Here are two choice questions, that BEG does not have concrete answers for. Firstly, how are commuters supposed to afford this increase without an increase in pay? Secondly, how are unemployed commuters supposed to commute to a job they don’t even have? So many questions, yet not enough answers.

The neighboring states (New York and New Jersey) have come to an agreement on this fare increase.

The issue more than mildly, perturbs me. One specific mode of transportation – the Holland Tunnel – is one of the routes most heavily affected. Built in 1920, and opened November 13, 1927, it’s named after the Chief architect, Clifford Milburn Holland. This tunnel’s toll, along with the others, has increased dramatically. In

the 1940’s it only cost $1.00, it is now $12 for cars and trucks, $9.50 with E-ZPass (during peak hours) and $7.50 with E-ZPass (off peak hours). I hear you screaming through the pages, yes I know... absolutely ridiculous!

To add insult to injury, the Port Authority of New York and New Jersey (PANY/NJ) will be implementing a $2.00 increase in 2014, during peak and off-peak hours, as well as $2.00 surcharge for the 25% of toll payers who only use cash. So how does this really affect you? Aside from the daily commuter, this creates an issue for residents who travel from New Jersey who want to enjoy the night life of the City. It has become entirely too costly to enjoy partying anymore. Considering the fact that the “Tunnel” goes from Jersey City into lower Manhattan, it’s the most convenient route for party-goers.

However, for what it costs to travel

to the City, pay an entry fee for the lounge/nightclub of their choice, PLUS DRINKS...it isn’t worth it.

The average “spirited” beverage ranges from $8.00-$14.00, and that depends upon the venue and the quality of the drink selection.

This increase has become an issue in more ways than one for many residents on both sides. In essence, all it did was force commuters to invest in E-ZPass or utilize public transportation, all to “save money” and to help fund the $33 billion/10 year capital to provide 167,000 jobs.

Eh, I guess you will see an improvement after the next decade. In the meantime you’ll be keeping liquor stores in business, PATH train employees paid, and reducing traffic.

That’s the REAL capital plan!!

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WORDS DIZZMAG IMAGES DizzPhotography 16 WINTER 2011 DIZZMAG.COM

t was a hot day in July, but that didn’t stop neighbourhood onlookers, and fans from joining A-Mafia in Hamilton Place, Harlem for the “King of My City” video shoot. Alongside DJ Kay Slay, A-Mafia took to the streets that he reps to shoot the video, which was directed by Masar Productions, who has done work for artists like Dipset and Max B. Lie Focals of DizzMag was on set of the high-energy shoot, surrounded by people wearing “A-Mafia or Die” t-shirts, and motorcyclists who came out to burn rubber in the basketball court of the park where scenes were being shot. The full video is available on Masar TV’s Youtube channel available at www.youtube.com/masartv.

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WORDS DIZZMAG PHOTOGRAPHY DIZZPHOTOGRAPHY

On September 3rd, 2011, thousands of fashionistas gathered to Ottawa’s busy Rideau Street to await the Grand Opening of Forever 21. The Internationally recognized fashion chain opened their first store in Canada’s capital, which spans over 16 thousand square feet in the Rideau Centre shopping mall.

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Ottawa shoppers browsed through the latest fashion trends offered by the brand, while listening to a live DJ and the presence of Ottawa’s own HOT 89.9. As the main event photographers, DizzMag invites you to take an exclusive look into Forever 21’s Grand Opening.

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A breath of fresh... retail WORDS SARAH LEE SWAGGER PHOTOGRAPHY DIZZPHOTOGRAPHY

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une 30th, 2011 marked the inception of VERO MODA into ottawa’s St. Laurent shopping centre.

Be Inspired- by the essence of Scandinavian style and elegance. VERO MODA is designed for modern day women with the understanding that she cannot be ‘type cast’. With styles created to compliment a woman’s versatility, moods, and individual lifestyle; VERO MODA celebrates today’s women, believing that each one of them is unique and an inspiration to one another.

VERO MODA is ‘ageless’. We understand that today’s women transcend ‘labels’, and that fashion is about ‘emotions and inspiration’ rather than age groups and lifestyles.

VERO MODA has something for every woman and fits each women’s different sense of style. In store, our sales representatives are trained to provide our clients with a 15 minute stylist consultation that can be booked in advance. Our ‘stylists’ will advise you on the fits that are right for you and help you pair and accessorize your VERO MODA wardrobe to fit your personality and lifestyle.

VERO MODA prides itself upon efficiency in delivering the season’s hottest trends to our clients; which means consistently evolving in terms of our staff, partners, suppliers and most importantly you - the customer.

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trend REPORT t h e

o f f i c i a l

D i z z M a g

Wide contrast striped motif, draped front, dropped shoulder sleeves, knitted wide belt, knee length. A perfect addition to your fall wardrobe, and an excellent layering piece.

Double slanted zip detail, cropped length, collarless design, and wearable throughout all four seasons. A must have.

WORDS: Sarah Lee Swagger

2011 was about building & the ongoing evolution of personal style. carry over trends from the “70’s are a definite factor; think saturday night fever meets studio 54. the two main aesthetics were “70’s bohemian & “70’s sophisticated glamour, think bold colour palettes, flowing ivory coloured dresses or onesies, sequins, rustic aztec prints & shimmering fabrics.

All over leopard print, classic point collar, button fastening at cuffs, patch breast pocket, and at the reverse is a curved dropped hem for lengthened coverage. An amazing focus piece against solids.

Long Leopard Shirt $80-Vero Moda

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Leopard Print Silk Crepe de Chinese Blouse $1,240-Roberto Cavalli

Striped Knit Long Cardigan $152-Vero Moda

Chunky Wool Merino Knit Cardigan $895-Missoni

Aztec print, dark rustic color palette, true to size. A versatile addition to a fall wardrobe.

Embroidered Straight Leg Pants $425-3.1 Phillip Lim

Coated Cotton Blend Biker Jacket $1,195-Gucci

Gold Zip Biker Jacket $336-Vero Moda

Cropped styles, zipper at cuff detail, slanted pockets, and a press stud tab to waistband. Perfect for work & play.

Dakota Legging $35-Vero Moda Leather Paneled Cropped Pants $915-Junya Watanabe

Cropped Leather Trousers $399-Vero Moda

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1

The most important rule is to have a clean face and clean tools.

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Use either a matte, nude, or shimmering white/ nude eye shadow as a highlighter.

Place this in the corners of your eyes, and under the arch of your eyebrow to open the look of your eyes.

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IAMBEAUTIFUL by: Dolce MakeUp

Reveal your beauty as Dolce Makeup gives you tips on how to highlight your own natural features.

With these hints from DizzMag’s make-up artist, Lauren Dolce, you can stand out in a crowd without 30 WINTER 2011 DIZZMAG.COM

spending hours in a studio. These simple tricks will make your face look flawless, and make you say, “I AM BEAUTIFUL”.

Use a warm wet sponge and dab foundation on your face, don’t rub it in.The warm, wet sponge is best for blending. Rubbing it in can make the hairs on your face appear noticeable, not to mention we can see where your foundation starts and stops.

Use concealer on blemishes and under eyes. If you don’t have concealer, you can also use nude eye shadow primer. I actually prefer this because it’s not as heavy and thick as a concealer, and it dries into a powder. If you don’t have either of these, just wet your sponge and use loose powder.

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Another place you may not have thought of is placing the eye shadow on the middle of your top and bottom lip, this will make them look fuller. And across your cheek bones to give yourself the “hollywood glow”.

You can put this on before and after blush or bronzer.

Also, vaseline and lip balm can be used on your eyebrows if you don’t like to fill them in. Using a little of either product on your brows will take away the “dusty” look.

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Place a matte eye shadow a level or two darker then your skin tone in the crease of your eyes, this will make the highlighter more noticeable.

Line the top of your lid with eyeliner. The best way to get a clean line is by using a sharp angle brush with a creamy liner, this will make your eyelashes look fuller and your eyes will appear more defined.

Experiment with mascara on your top and bottom lashes.

Always use an eyelash curler before and after using mascara if you want really sexy lashes. Warm up the eyelash curler first with your blow dryer, but be careful it gets hot quickly!

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dolcemakeup

makeup by

What Brush to use!?

We all have trouble figuring out which brush to use but it’s so simple. How the brush looks is how the result is going to look. For example, if you have a large, loose fluffy brush that means the colour will go on soft and light. A tight small brush will hold more pigment.

makeup model: EllyDwayne (@EllyDwayne)

Tips * * *

* *

Use a clean canvas and tools Warm wet sponges are best for blending Eyeshadow primer can also be used as concealer Hightlight your feautures Warm Up your eyelash curler

Just incorporating one of these tips into your daily routine can make a difference in your appearance.

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IMA DIZZ MODEL JESSICA LO

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SHEEK MINGLING

THE

SHEEKLOUCH BDAY BASH HOSTED BY

GHOSTFACE KILLAH WORDS DIZZMAG IMAGES DizzPhotography

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n Friday, September 30th, 2011, Sheek Louch made his way to Club CIC in Orange, New Jersey to celebrate his birthday bash, hosted by Ghostface Killah of of the Wu-Tang Clan. The crowd of over 200 enjoyed a set by DJ Naim of the Big Dawg Pitbulls DJ Crew, created by Hot 97’s own Funkmaster Flex. While keeping the energy flowing throughout the night, DJ Naim included dedications to Sheek Louch and Ghostface Killah, playing tracks

by The Lox and Wu-Tang Clan.

Todd Smith of the Indianapolis Colts was also in attendance to celebrate the occasion.

GHOSTFACE KILLAH

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THE

WORD IS 1stLadyEl

I N T E R V I E W

WORDS DIZZMAG IMAGES Biggs Photography & twitpics

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that pain was crazy. I felt my nerves all through my neck, it was crazy. Other than that, all of the other ones weren’t that bad at all. Shouts to my tat artist Ease from Black Work, he’s done most of them.

DIZZMAG: Shouts to you for taking that pain. I know men that cant. Lol. Lets dig a little into the business side of things that allows you to hold the title, “The Queen of Jersey”. What got you into throwing events? Tell us a little about your beginning experiences.

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s many females in this industry fall as quickly as they rise, Jersey City native 1st Lady EL easily pushed passed the stats, and maintained her relevance in the entertainment game, with much accomplished. Just passing the 10 year anniversary of her company, “The Murda Mami’s”, she continues to conquer with her trademark event “Celebrity Sundays” at the Gentlemen’s club, Jersey Girls. Drawing the attention of many in the tri-state area, she has featured a long list of celebrities which include Kevin Hart, DJ Envy, Pinky & Kapri Styles {Adult Entertainment stars}, Chris Douglas Roberts {Guard-Forward - Milwaukee Bucks}, Noreaga, Raekwon, and many more.

Winning over the hearts of celebrities and people where ever she travels, Lady El has maintained an image of class as the entertainment prototype. Her positive attitude and ambition glows in her pictures, words, and actions. We had the chance to catch up to 1st Lady El for an exclusive no holds barred interview.

And it goes a little something like this.....

DIZZMAG: Whatup El!! Before we get into it let the people know the area code you rep that birth this icon we refer to as 1st Lady EL?

DIZZMAG: That’s great and its a huge dedication to your city! Shouts to 201 the movement as well. You’re a big tattoo fanatic, correct?

1st Lady El :201. I was born in medical center, and raised in Jersey City all my life. Salute to my city, very proud of the unity they have been showing lately, that was always my dream. Glad I got to witness it.

And I def got it tatted on my wrist, “201”. :)

1st Lady El :I Definitely am. I always say my favorite accessories are my tattoos. I have 11 of them so far.

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It was definitely more difficult because I am a woman, but I’m a hell of a business person... period!

They had no choice but to respect it.

DIZZMAG: True and we see that you’re well respected. We know branding & networking is a huge part of becoming great in this industry, so how did you become so known, popular, and well respected by so many in this industry?

1st Lady El : Great question homie. Basically, because I do so much more than promoting. People st always put me in the promoter box, but I’m so 1 Lady El : I kind of just fell into it, shouts to Fuquan from Lokey Entertatinment. I met him much more than that. I’m a business woman and when I was a freshman in college, and he saw hustler by nature. I do promotions, marketing, event something in me and always told me I would be a planning, bookings (for DJ’s, artist, porn stars etc.), great promoter, because people loved to be around artist development, management etc.. I feel like me and respected me. This year it marks 10 years wonder woman sometimes, I’m everywhere almost of being in this game, I’ve done events at every club every night of the week. One thing about me is I’m you can think of in and out of state. I am blessed big on not burning bridges, that’s why I’m highly to still be doing it. I’m one of the last promoters respected in this game, I don’t play dirty. I handle standing. Honestly, its crazy to me that there’s really my business and I’m about that money. less than a handful of female promoters in the game.

DIZZMAG: And I’m sure that’s why so many I always say I’m not your typical woman, I always go people trust you with their career and your left when they go right. constantly rewarded from helping others. So, DIZZMAG: 10 years? That’s a blessing! were there ever any moments in your career where you felt this promo game wasn’t for 1st Lady El : Was it more difficult because you’re a you? If so, what inspired you to keep going? woman or was that an advantage?

DIZZMAG: Wow 11?! Is that experience painful, or are you used to it by now?

1st Lady El : Honestly its a stress reliever for me, the only tat that hurt me was the one on my shoulder, DIZZMAG.COM WINTER 2011 39

1st Lady El : I have those moments all the time. Not playing dirty is a gift, and a curse at the same time.

The game is 98% crab in the barrel promoters who do play dirty, and sometimes you get tired of playing political, but I learned to laugh at the bullshit and keep moving forward. I must be doing something right if they’re constantly on my heels lol.

DIZZMAG: LOL! Word up. They say bad business and gimmicks is a quick come up, and loyalty and good business generates longevity.

Radio last year on www.DTFRadio.com every Thursday 7pm-9pm Est, and its been a great look for us. We also launched the Murda Mamis Motorcycle Crew a year ago as well, and my girls get busy on them 2 wheels. People go crazy when we all roll together, we are a big family. Salute to all the Murda Mamis. We are selective as to who we add to the crew, but If someone is interested they can reach me BossLadyMM@gmail.com ,and we can definitely discuss it.

DIZZMAG: That’s great that you’re providing opportunities for women. Y’all definitely 1st Lady El : I agree with that 150%. are just as powerful as men when y’all DIZZMAG: So how did you come up with collaborate. You have a huge following the name the, “Murda on twitter and your Mami’s?” always showing love to the people, which goes 1st Lady El : It’s crazy, a long way because you we were at Club Foxes in don’t have that “She’s Jersey City on a Wednesday Hollywood” feel to you. night. We used to promote How difficult is it to that, and it was the craziest remain on the playing college party. DJ Ran said, ground with the majors, “damn El ya’ll killing it, and still connect with the ya’ll murdering it mami”, locals?

I said, “yup we the Murda Mamis”... and the rest is 1st Lady El : The majors history. I started printing sometimes think I’m crazy for up shirts, jackets etc., still being so connected to the and just went on a crazy people, but the people is who marketing plan to get the name popping. Thankfully keep me going. They motivate me daily so I will we are still relevant and well respected in this game, always show love, its in my nature. I have always it’s a blessing. been the type of person to show love from the intern, to the top dog. You never know when that intern will DIZZMAG: I remember foxes, that was the be that top dog. spot. No wonder it was so dope! So, who does the Murda Mamis consist of and how DIZZMAG: Great way to see things. Shows can females become a murda mami? your humility too! Tell us a little about your 1st Lady El : There’s a whole lot of Murda Mamis.

We have DJs, radio personalities, models, business women, biker,s etc. We launched Murda Mamis 40 WINTER 2011 DIZZMAG.COM

most memorable moment in the industry?

1st Lady El : It definitely has to be the day I met Jay Z, who is my favorite artist. I was in the studio with DIZZMAG.COM WINTER 2011 41

THE

its definitely for entertainment, and it’s educational for the people. We tend to ask and speak about the things other shows won’t and the people love it.

DIZZMAG: Ok, finish the next few sentences for us: Word is 1st Lady El is a certified...

Hustler.

Word is Lady El always wanted to be...

Beanie Siegel & Peedi Crakk, who are family to me.

We were in there cracking jokes, and in walks Jay. It felt like everything stopped. Lol. The crazy part is that he put his book bag down, walked up to me and said, “hey I’m Jay”, and shook my hand. I thought that was so dope because it’s like, “duhhhh I know your name”. It showed me the type of person he was; good dude, humble, yet confident...the perfect balance. And of course he’s a Sagittarius like me, lol.

So I love him even more.

I see them. I’m blessed to have nothing but sexy women around me all the time ;)...and kissing a girl here and there never hurt either lol.

(Laughs Hysterically). I’m sure its a few guys who would love to trade places with you.

DIZZMAG: Wow. That has to be an amazing feeling considering his impact on the game.

Ok, it’s time to get a little up close and personal! You ready?

DIZZMAG: Lol. I hear that. Not only do you do promotions but there are other ventures you’ve gotten into as you mentioned earlier.

You currently have Murda Mami’s Radio, so tell the people how you got into radio and how far you plan on taking it?

1st Lady El :Yup, lets do it.

DIZZMAG: We see you have great relationships with some beautiful women entertainers and constantly have breasts and booty in your face on twitter (laughs). So tell the people what’s your preference?

1st Lady El : Everyone’s favorite question, “do I fuck with women?” lol. I never had sexual relations with a woman, I appreciate a woman’s beauty. I’m far from a hater, but I love men. I can’t see myself giving up wang for pussy lol. Definitely not my thing, but I do show love and big-ups to beautiful women when 42 WINTER 2011 DIZZMAG.COM

DIZZMAG: So does 1st Lady El have a man?

1 Lady El : Right now, 1st Lady EL is focused on herself and her movement. I plead the 5th on this question lol. st

1st Lady El : We started doing Murda Mamis radio for fun but I really see how people love the show we are definitely planning on taking it to the next level, God willing.

DIZZMAG: We’re always tuned into your radio shows here at DizzMag and the topics are usually about sex. Does that make 1st Lady EL a freak, or is it just for the listener’s entertainment?

1st Lady El : LOL. I mean everyone is a freak but

MURDA MAMIS show

the best that she can be.

every Thursday 7pm-9pm

Word is The Murda Mami’s are the...

www.DTFRadio.COM

hottest women in the game.

Word is New Jersey is a place where... stars are born.

Word is your favourite quote is... “thoughts become things”.

Now I love, “thoughts become reality” (my own quote).

Nice! Word is your favorite place to be is ... home with my family, or Jersey Girls On Sundays LOL. Word is you like it... hot, lol.

Thank you for the opportunity, much appreciated.

I def support you and Dizz, and your movements as LOL. Word is ______ can get it. well. I can be reached on twitter of course, follow me Meek Millz, LOL. I’m joking by the way, lol. @1stLadyEL and my direct email is BossLadyMM@ Word is when 1st Lady El isn’t promoting she gmail.com Salute to all the Murda Mamis out there, thank you for believing in my vision. Also to my is... brother DJ Envy for always having my back. Much thinking of her next move. love to everyone who supports us, thank you! I do this for us.

That was fun! Thanks for the time EL. We Check for my R&B Artist “April” coming soon. appreciate you, and support you in anyway we can. Tell the people what you NEED them Also for my fam “Money Malc” who is signed to Universal. ♠ to know…..

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HARLEM MOTHER'S

S.A.V.E. WORDS DIZZMAG IMAGES dizzPhotography

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ith gun violence on the rise in Harlem, New York, two extraordinary women have taken matters into their hands to help eradicate the violence in their own city streets. Jackie Rowe-Adams and Jean CorbettParker, are the co-founders of Harlem Mothers Stop Another Violent End (S.A.V.E.), a not-for-profit organization founded in November, 2006. For some, street violence is a distant issue in their city, however, for Jean and Jackie the problems hit closer to home.

Twenty-nine years ago, Jackie lost her first son to gun violence in Harlem, and fourteen years later she lost her second son, as he was murdered during a shooting in Baltimore, Maryland. As she recounts the events she simply says, “I lost my first son 29

years ago but it still seems like just yesterday�. Sadly, Jackie is one of the many mothers in Harlem left to deal with the emotional aftermath of losing children to street violence. Her close friend and co-founder of Harlem Mothers S.A.V.E., Jean Corbett-Parker also lost her son to gun violence just over ten years ago.

As a parent, you are never prepared to deal with the death of your own children, but for these two women they were able to take their traumatic experiences and use them to have a positive impact on society.

Jackie Rowe-Adams, and Jean Corbett-Parker first met at a support group through Safe Horizon, a victim assistance agency in New York. After sharing their stories with eachother, they decided to bring advocacy efforts to Harlem and founded Harlem Mothers S.A.V.E., almost five years ago.

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emphasis on encouraging parents to ensure their children are not involved in violence, by doing simple things as she says, “know who your kids are and who they are hanging out with, go to the PTA association meetings, check their rooms, check their backpacks.

The first thing parents say is “oh that wouldn’t be my child” but, “yes, that could be your child.”

Aside from education and prevention, Harlem Jean Corbett-Parker Jackie Rowe-Adams Mothers S.A.V.E. offers a family to family support Through their organization, they have three group that meets once to twice a month, offering main aims they that use as a basis for their efforts; bereavement counselling to those who have lost activism, education, and victim services. When I was loved ones to violence. When it was founded in 2006, speaking with Jackie, she was in the midst of preparing there were five members and now that number has for their upcoming, “Cash For Guns” campaign in increased to over fifty, showing the impact of their collaboration with the NYPD. The campaign strives community outreach. Not only have the numbers grown, but just this past August to start at the roots of gun they acquired a permanent violence, by offering two“know who your kids location on Frederick Douglass hundred dollars for every Boulevard, in Harlem. The are and who they are gun an individual turns in, location came to them with the hanging out with, go to no questions asked. This hand of Inez Dickens of New year “Cash For Guns” was the PTA association York City Council, who told on October 22nd, and as meetings, check their a land developer she would Jackie describes the efforts rooms, check their approve of their project if they she states, “even if there is backpacks. The first gave back to the community. only two guns turned in off thing parents say is The developer agreed to do so, the street, that’s still two “oh that wouldn’t be and handed the location over less than before”. to Harlm Mothers S.A.V.E. my child” but yes, that Not only does Harlem as a headquarters for their could be your child.”

Mothers S.A.V.E. see the organization. importance of removing Through hard work, dedication, and persistence the weapons from the source, but also in educating both parents and youth as a preventative measure. Harlem Mothers S.A.V.E. has been able to expand The group has visited different schools in the area, their advocacy work, however they have yet to receive speaking to students and parents about the effects large sources of funding that would support their of gun violence, and ways to avoid it. Jackie put an initiatives. They have received funding on a smaller scale through places such as New York City Council,

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The Brady Center to Prevent Gun Violence, and assembly funding, but still seek monetary donations to continue their efforts. Aside from donations, they also do a number of fundraisers such as flea markets to help raise funds to support their programs.

Their main mission at Harlem Mother S.A.V.E. is to curtail the violence in Harlem, and offer a safe haven where parents and family can have someone to talk to. As Jackie recalls the emotional pain of losing a child she says, “when something like this happens you don’t know where to turn and who to talk to.

When you tell a friend they say they have an idea of what you’re going through but when you’re with peers that have lost and experienced the same things you have you feel like home, you feel like family”.

When I asked Jackie about how they hope to advance in the future, she wants to expand their efforts with work training and programs to prepare youth for job readiness. They currently offer an etiquette class for young women to teach them how

to dress and behave as a proper lady. She hopes that these types of class offerings will help keep youth on the right path, and help prevent the involvement in street violence. Overall, they want to continue to have a place to advocate for the eradication of gun violence through prevention. As Jackie Rowe-Adams, and Jean Corbett-Parker continue their efforts with Harlem Mothers S.A.V.E., it is obvious that their work makes them everyday heroes.

To Donate to Harlem Mothers S.A.V.E please make checks payable to: Harlem Mothers S.A.V.E. Manhattanville Station P.O. Box 1685 New York, NY 10027 To visit, volunteer, or get involved with Harlem Mothers S.A.V.E. they are located at: 2471 Frederick Douglass Blvd. New York, NY OR available by phone at (212) 928-0150 ♠ DIZZMAG.COM WINTER 2011 47

da matrix reloaded WORDS DizzMag IMAGES Have you ever wondered what it would be like to roam through the minds of some of the great innovators, such as Russell Simmons, Jay-Z, Steve Jobs, or even Mark Zuckerburg? Well, Damien William, aka “DWI” ,owner of Da Martix Studios is readily accessible!

Making a benchmark by successfully surpassing a decade in the entertainment industry, Da Matrix Studios has grown to be one of the largest, and most recognized Internet Radio shows. Based out of New York, he has positioned himself to serve as a 48 WINTER 2011 DIZZMAG.COM

platform for new and underground artists, as well as developing a team of DJ’s, radio hosts, artists, and producers to help them gain buzz in these streets.

DWI has moved from DJ/Producer, to an innovator becoming capable of the things most people would say, “You can’t do…”.

The key to his success has been empowering others to believe in themselves through his influence, and the opportunities he provides.

We caught up with DWI and got a chance to be influenced!

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DizzMag: Whatsup Damien! Before we get into it, let the people know the area code that you rep that birthed the mastermind we refer to as DWI. DWI: 718 Bronx, New York, 10469.

DizzMag: And if it wasn’t for the Bronx...

DWI: This rap ish probably wouldn’t be going on.

DizzMag: Nice! A true hip-hop head I see.

So you go by the nickname DWI, where did that name come from? I’m sure people begin assuming when they hear it, that they know what it means.

DWI: I wanted something catchy. It’s an acronym for Damien Williams Influence or (Damien) Will Influence.

DizzMag: That’s pretty dope! You took your real name and an acronym that is normally deemed negative, and you added a positive It almost makes your efforts limitless. twist to it. It’s definitely a hard name to forget DWI: Right! And as an engineer, I preach that to all artists when they ask if it’s possible. and that’s what you want in this industry.

DWI: Yes, and it stays in the papers.

DizzMag: (Laughs) Word up! Let’s talk about your company, Da Matrix Studios. What exactly does Da Matrix Studios consist of and how long ago did you start it?

DWI: It started in 1999 after I saw The Matrix (movie). I love the concept that rules do bend in The Matrix and anything is possible, so when I created my home studio that’s what I went with. It consisted of production and recording in the beginning, then in 2002 I was approached by Jessie Jess to do a show on 91.9 FM promo radio.

DizzMag: The fact that you pass that knowledge on says a lot about your character.

So that leads me to this next question. Most people start off as rappers, producers, DJ’s, band players, working promotions for record labels, etc. Before they embark on projects like Da Matrix Studios, tell us about how you got started in hip hop?

DWI: I started as a sampling producer and blend DJ. I have a great ear for music and what sounds good, and I love to produce.

DizzMag: Is producing and blending DizzMag: Wow! That’s a brilliant way to use something you still do? Or is operating Da the movie concept to your advantage, and it’s a Matrix Studios your sole focus? strong analogy about how you connected that DWI: As of now, Da Matrix is my focus including to what your capabilities are in this industry. building and branding our new radiovision shows.

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We have sixteen weekly shows to date, but I do want from the age of 13 doing about six to eight live shows to work with my young production squad and get on FM. In 2005, I moved to internet doing like 12 some placements. shows and last year I was doing 20 shows. Recently, we’ve moved to a loft with double the space.

DizzMag: Sixteen shows in seven days? That’s impressive to say the least. What was your DizzMag: It sounds like a success story to me. vision and purpose for creating Da Matrix Your story is most definitely equivalent to the Studios, and how did you the transition from success Neo had in The Matrix movie. With your start in 1999, to FM Radio in 2002 with your recent expansion of Da Matrix Studios Jesse Jess, up until where you are now? and moving into a bigger location, tell us a DWI: My purpose after creating a format to do pre- little about that and what you offer now, along recorded radio was to create a new lane for myself. with the internet radio shows.

grateful to have you mentoring their careers, especially your young production crew.

With that being said, how was the journey of getting people to buy into your vision in the beginning, and do you plan on continuing to expand employee wise?

DWI: With Da Matrix “Reloaded”, we have more space to do bigger shows with four different set-ups.

We have the broadcast set-up, a stage with a DJ, and that talk show set-up with couches for a more one-on-one look. We also built a booth that can be used in the recording and production rooms. We are about to open up a production school for DJs, broadcasters, and producers. The space can also be DizzMag: Which grew to be what you have used as a rehearsal studio for bands, dance groups, now? and singers. There’s also access to 1000 square feet of DWI: Over 10 years it went from my apartment on rooftop to do outdoor events and interviews.

235th street near Burger King in the BX (Bronx) hosting three shows, to a commercial location in DizzMag: Wow! Your vision for this is out 2004 on Boston Road and Fish Ave, where I grew up of this world. I’m sure those around you are

DWI: Fred Da Godson, I have worked with him from DizzMag: As we (DizzMag) wish you much the bottom and he is now getting the light on him that continued success, I want to know your he deserves. I worked on his first project. I produced biggest influence was through all of this? a track that he and Sha Stimuli did (“Hurry Up”) and DWI: If I had to name the one influential person I engineered his sessions. I also had him on over ten from the start, I would say my dude Beans. He gave of my radiovision shows, he is a great lyricist. me all the tools and knowledge to hustle and learn DizzMag: Fred Da Godson is looking real big computer programs. He sets my computers up until out here for New York and repping the Bronx, this day and is still in my corner. I also have a mean we’ll shout out to Fred for real. Well DWI, it team of people that do it for the love of the vision. was great choppin’ it up with you. I learned DizzMag: Shouts to Beans and your team for a lot and I’m sure the readers will benefit real! Like I said earlier, the sharing of positive from this interview. We’ll be tuned in heavy energy is always good when someone is willing to DaMatrixStudios.com to see more of Da to help another brother/sister out because it Matrix Reloaded and we’re sure there will be obviously produces positive results. Speaking a “Da Matrix Revolution”. Do you have any of helping out, let’s talk hip-hop. You support last words for the people? a lot of independent artists on your shows. DWI: I want everyone to check out my show of Why do you feel that’s so important? six years “N.e.x.t.u.p Radio”, the home of the new

I wanted to add something more to my skills and services to separate myself from just being a beat maker and engineer. After adding two new shows, more people wanted their own shows. The station at the time (91.9 FM) was a pirate station that needed more content, so I would do (their) shows from Da Matrix Studios.

DWI: It’s been easy to get people aboard because I have the personality, good leadership skills, and my brand is so broad that I can help more than one man at once. I am still looking to add to my growing team and connect with people that can take me into my second decade of success.

DWI: It’s important because I’ve been there (in the position as an artist) wanting to add my talent to the culture of hip-hop, and get the light shined on me, and become respected. Now, I feel I have the power to return it (provide opportunities) for thousands of new people yearly.

DizzMag: What’s your take on artists starting independent labels versus seeking a deal with

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major labels?

DWI: My take on that is there are more independent artists, networks, and producers that if they just worked on their own fan base by marketing and handling business, there would be no need to chase majors.

DizzMag: Great advice DWI! Well, before we let you go, we want your opinion on who is building or built their brand from the ground up on the independent level that you’re paying attention to?

extraordinary urban people. It’s on every Monday at 8 pm. I want to encourage people to network and be influential. I have to shout my son Daijian, he is my new influence at 9 months. I had him on my 10th year.

I also want to show you (1st Wonder), DizzMag, and Candis (SheIsHipHop) appreciation for supporting my movement. ♠

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Legendary

HIP P O h dizzmag

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L.A

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Lamar Hill, better known as L.A., is a founding member of legendary Harlem hip-hop group, The Treacherous Three. The group, which also featured DJ Easy Lee, Spoonie Gee, Special K, and Kool Moe Dee, have released a number of classic hip-hop singles in the late 1970s to early 1980s. Some of their hits include “Feel the Heart Beat”, “At the Party”, and “Whip It” featuring Philippe Wynn, former lead singer of The Spinners. They have also made highprofile appearances in iconic hip-hop movies like Wildstyle and Beat Street.

After acquiring a record deal when he was in just his teenage years, L.A. Sunshine has left a remarkable imprint in the hip-hop industry of the 80’s, and he lives on to tell his story. In his autobiography titled L.A. Sunshine: A True Story, The Real Accounts, the rap pioneer discusses his life in vivid details which delves into his sexual victimization at the young age of seven. He also touches on personal moments and his rise to fame as a member of The Treacherous Three.

Known for his extreme wordplay and dazzling dance routines on stage that kept the crowd in awe, he reminds us what hip-hop lacks now. L.A. Sunshine these days rarely listens to hip-hop saying, “To see it come to the point that it has, it’s depressing. I’m a true believer that music enters your DNA and brings something out of you, and I prefer not to have that in my DNA”.

He continues, “Great hip-hop music will have to cross my path, I wouldn’t search for it. I would have to listen to ten songs to find one that interests me”.

This is not a surprising statement, as many hip-hop lovers who have lived to see the music of eras like the 80s and 90s feel the same way.

Up until the recent closing of the high-profiled Rice High School in Harlem, New York, L.A. Sunshine had the honor of being the assistant basketball coach. With a love for children and the passion to have a positive influence on them, he took on the role of motivating and instilling confidence in 56 WINTER 2011 DIZZMAG.COM

the players. He played organized ball growing up, so with his love for basketball and inspiring the youth in a positive way, this was the perfect way for him to give back.

L.A. Sunshine hopes that his book will inspire others who have been abused as children, or those who have fallen victim to drug abuse. Public Enemy front man Chuck D. wrote the forward for the book, while Run-DMC, the co-founder of DMC handled the outro for L.A. Sunshine: A True Story, The Real Accounts.

L.A. Sunshine: A True Story, The Real Accounts can be purchased at www.truehiphopmemoirs.com.

we’d be successful today. It’s just a matter of “at what cost”? As well as what the masses deem as “successful”.

3 “Finish this sentence” facts with Treacherous Three’s own LA Sunshine

3 Questions with Treacherous Three’s own LA Sunshine Q: Name one of your biggest accomplishments personally and one on the entertainment level.

A: Coming to the realization that my life’s joy truly comes from seeing others happy. The gratification received when I see the positive influence I have been able to provide all the young people that I’ve worked over the years, will always be with me.

Simply seeing others happy! I must say that the greatest accomplishment to date is seeing the book project all the way through from beginning to end.

Just setting out to do something of that magnitude,

coupled with the trials and tribulations associated with it makes it easily by far the most gratifying accomplishment to date.

What I currently listen to___ Solely depends on my state of mind. At most times you can catch me listening to old school R&B. That’s always been my preference before, during, and since my hay day.

My favorite artist of all time is___ If you were to ask that question to everyone that knows anything about me, they would all reply in unison MICHAEL JACKSON! Hands down!

If I could go back I would___ be a lot more caring about the people I placed in my circle. I’d also have a greater appreciation for quality times that I’ve had.

Lastly, I would never pick up a drug seeing how it has had such a negative impact on my life.

3 Quotes about the book L.A. Sunshine: Q: How does it feel for people to consider you A True Story, The Real Accounts with LA Sunshine legendary due to the legacy you built with your team?

“The book affords me the opportunity to share A: People tend to use words like legendary too loosely in my opinion. Too many times there are artists that proclaim to be legends, simply because they are or were part of the game. But as for the Treacherous Three, I think it’s a testament to my groups creativity, innovative style, and willing to try to raise the bar for future emcees. It’s also great to know that the love, passion, artistry, and FUN put into our work did not go unnoticed.

Q: Do you feel the Treacherous Three or a team like it would succeed in this era of music, or is the change that took place sufficient for hip hop?

my experiences with the world, hoping to ease the burden someone else may have from child and drug abuse, depression, disloyalty, pseudo friends, family and enemies.” – L.A. Sunshine “I am a huge supporter in letting people know that their reality is not as isolated as they may believe, and I think my life story in black and white does just that.” - L.A. Sunshine “This project was done for me. It wasn’t just the sense of accomplishment, but more about the cleansing, purging, and therapy that the process provided.” - L.A. Sunshine

A: Music, like all things are made to evolve. Without us laying the blueprint, there wouldn’t be the here and now, at least as we know it. Sure, I believe DIZZMAG.COM WINTER 2011 57

#iBangzWitDizz

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NINA FOXX / D a R eal H B I C 2 0 1

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SAME-SEX MARRIAGE legal in

NEW YORK WORDS Shannon Elayne IMAGES dizzPhotography & Shannon Elayne

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July 24, 2011--Bronx County Courthouse, New York, USA At the end of the first heat wave of the season, the air is still oppressively humid. A solid police presence including officers, sergeants in cars and on bikes control the non-existent crowds. Throngs of Pentecostal protestors, bands of supporters and media blitz fell short of expectations in arguably the most important day in civil rights of this generation.

On June 24, 2011, the New York State Legislature voted in favor of same-sex marriage, making New York the seventh jurisdiction (six states plus D.C.) that allow same-sex couples to legally marry. This day was the first that ceremonies could be performed. In anticipation of the volume of gay couples seeking to get married on the first legal day at the Justice of the Peace, New York City Mayor Michael Bloomberg created a lottery system for the couples to be selected. Couples needed to sign up online. A technical gaff on the online form listing “bride” and “groom”, was quickly changed to “Spouse 1” and “Spouse 2.”

To the delight of all, every lottery entrant could be accommodated, which was over 800. The City of New York was prepared for action. Mayor Bloomberg posted at each of the five borough courthouses, staff members to supervise and direct, police to control, and Department of Transportation to block the streets and suspend parking around the courthouses. “You know we don’t play...it’s running smoothly; how we do everything,” a Bloomberg staffer boasted about the highly organized planning.

At the Bronx County Courthouse, a tranquility hovered with zero excitement.

The rear exit was a ghost town. Only one major media outlet was outside with no family, no friends, and three curious. One onlooker, dressed in clergy garb waited at the exit. The Rev. Dr. Mary Jacobs, of the United Church of Christ (President Obama’s church) not only supports gay marriag,e but has also been in a same sex relationship for over two

decades. She is just as elated for other couples as herself, and is registered at Bed, Bath & Beyond with plans to wed later in the year.

During the conversation with Rev. Dr. Jacobs, Daniel Figueroa III, Chief of Staff for Peter M. Rivera, Assemblyman of the 76th District, approached. His voice carried beyond the necessity of the three persons standing in front of him, and announced that Carmen Hernandez, a strong gay rights activist, was actually inside marrying her long-time same sex partner. Mr. Figueroa held up for presentation to Ms. Hernandez and her bride, an original Marriage Equality Act signed by New York State Governor Andrew Cuomo, as a gift of appreciation and celebration of her efforts. Both the new Mrs. Hernandez-DeAlmas and Mrs. DeAlmasHernandez graciously accepted the Proclamation sealed in a case with a pen inside, and kissed for the cameras.”We have to bring the 60’s into the 21st Century,” said Mr. Figueroa, commenting on why same-sex marriage is a progressive movement that is about equality and justice for all human beings. ♠ DIZZMAG.COM WINTER 2011 61

GO DJ! take a walk in the life of a DJ with DizzmaG WORDS DIZZMAG PHOTOGRAPHY DIZZPHOTOGRAPHY

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rooklyn-born DJ Nasty has been making a name for himself in the DJ scene over the years, beginning with his come-up in the North Jersey area through the college scene. Dubbed as “The Tri-State Great”, DJ Nasty has deejayed alongside some of the most recognized DJ’s, down to the hottest upcoming ones. Despite his surroundings, he is known to get the crowd’s attention no matter who is on with him. Dizzmag got a chance to hang out with DJ Nasty, and he wants you to know that DJ’s have a life too! So...GO DJ!

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DIZZMAG: How’d you get the name DJ Nasty?

DJ NASTY: It’s a long story, but let’s just say I was known for making tapes before mixtapes (laughs).

I’m nasty on any set!

DIZZMAG: When did you first realize becoming a DJ was something you wanted to make a career out of?

DJ NASTY: I have always been into music. In high school I was always the backpack kid that knew all the new music. I always had new mixtapes and exclusives on cassette. Everyone knew that if it was new I would have it, so deejaying was definitely the next step for me. At my first party I got paid $100 to do a basement party at one of my friend’s houses.

I thought I was the shit! I had a total of 9 records, a reggae mix cd, and I thought I was the best DJ in the world. The part that really got me was the $100 I made while having fun playing music. In my head, I realized if I could DJ three parties a week that $300 that was more than I was making (working) at Walmart. Three hundred dollars a week for a teenager in (the year) 2000 was good money, so from that point on I was on a mission.

DIZZMAG: Walk us through a day in the life of DJ Nasty on the weekdays and the weekend?

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DJ NASTY: I wake up every morning and while I’m getting ready I’m usually listening to new music. I have a radio in almost every room in my house. Whether I’m listening to the radio, an up and coming artist mixtape, or one of my club mixed from the night before, I’m always listening.

My day mostly involves networking, promoting, listening to, and organizing both new and old music. As a DJ, you have to network. If you are not out making business contacts, then you will not survive in this business. Promoting yourself as a DJ is also key. Whether it’s from social networking, physical flyers, radio, or mass email...I’m a walking talking billboard. Every other word that comes out of my mouth is either DJ Nasty, my next event, or my next mixtape.

DIZZMAG: How often do you have to check for new music releases?

DJ NASTY: Everyday...all day! My inbox is full of new music. I feel like every upcoming artist in the world has my email. I don’t mind it, but it does take a lot of time to sort through the garbage to find good quality new music.

DIZZMAG: Are there any other DJ’s you work with or do you fly solo?

DJ NASTY: I have a group of DJ’s that I work with. We definitely look out for each other and

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DJ NASTY: On average, I deejay about four spots a week, and on busy weeks it’s everyday.

DIZZMAG: Traveling for a set; is that something you enjoy or prefer doing?

DJ NASTY: I love to travel and I prefer it. It puts me out of my comfort zone and I love challenges.

DIZZMAG: A lot of DJs have preset sets, how tough is it to please a brand new crowd?

DJ NASTY: I’m not one of those DJ’s. None of my sets are preset, nor do I play prerecorded mixes. To please a new crowd you have to feel them out. Once you figured out the kind of songs they want to hear or the style of DJing they like, go HAM and don’t stop. work together on certain projects.

DIZZMAG: What’s the one thing you like to do either right before a set, or right after a set?

DIZZMAG: What platforms do you use to DJ (e.g. events, mixtapes, radio stations)?

DJ NASTY: I’m mainly a club DJ. I started out as a mixtape DJ, but I use every platform possible from hosting mixtapes, online radio shows, and hosting unsigned and signed artist mixtapes.

DJ NASTY: Before I do a set I like to grab something to eat, and I prefer not to listen to any music at all. After a set it’s the same thing during my DIZZMAG: What are your future plans as a ride home from the club. I take that time to reflect DJ? Where do you plan to be 5 years from and get ready for the next night. now?

DJ NASTY: My future plans as a DJ is to be on a major (radio) station in one of the major markets.

I would also like to get involved with producing. I DJ NASTY: Deejaying is a noble job. We have four think that’s most likely the next step for me. I have a to five hours to make sure that people forget about good ear for music and I think as a DJ I will have an their personal issues and have a good time, although advantage.

90% of deejaying is what you do outside of the booth and the studio. All major nights that are normally DIZZMAG: Any last words for the people? spent with your family, we (DJ’s) spend in the club DJ NASTY: Yeah. Shout out to everybody that’s working. One of my favorite quotes is “Respect the been supporting me throughout the years, and a DJ”, we definitely have a tough job. special shout out to all the promoters and artists that I have worked with. Special shouts to Fresh Air DIZZMAG: What’s the average amount of Ent., and Black Diamond. Look out for my website spots you DJ in per week? coming soon. www.ITSANASTYWORLD.COM ♠ DIZZMAG: What’s the one thing everybody overlooks about DJs?

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DIZZMAG #NECKBREAKER

PHOTOGRAPHY BIGGS PHOTOGRAPHY

Born in the beautiful islands of Trinidad, MzSade is a woman with a plan who has more to her than the eye beholds. She is a woman with many passions including dance, modeling, and fashion, but her love for modeling turned into a reality when she entered the modeling world in 2007. She’s used dancing and modeling to express herself in many ways. With positive vibes radiating from her everywhere she goes, MzSade can best be described as an easygoing, humble, down-to-earth, sweet, confident, and determined Trinidadian woman. We present to you a woman who encapsulates both inner and outer beauty and DizzMag’s first NeckBreaker, MzSade.

/MzSade_

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rom peaking album sales, a North American tour, and an outstanding performance at Hot 97’s Summer Jam, 2011 can be said as the year of Chris Brown. Within a mere week of being on store shelves, his latest album ‘F.A.M.E’ sold over a quarter million copies, showing fans that he still has what it takes to create chart-topping hits.

It wasn’t long after their release that singles from the album such as, “Deuces”, “Look at Me Now”, and “Yeah 3x” started blaring through speakers nationwide. “F.A.M.E.” offered collaborations with icons of the hip-hop world including tracks with Lil Wayne, Busta Rhymes, and Ludacris making it one of the hottest albums of 2011, but Chris Brown didn’t stop there On June 5th, 2011 Chris Brown delivered a memorable performance at Hot 97’s annual Summer Jam concert series. With diverse vocals, an intimate chair dance with a fan, and guest appearances by Busta Rhymes, Tyga, and Kevin McCall, Chris Brown tore up the stage, giving fans a taste of what was to come on his upcoming tour.

On September 12th, 2011 he kicked-off the beginning of his North American tour starting in Toronto, Canada. The tour, which moved across the United States and Canada brought his latest album to life with iconic dance moves, elaborate stage sets, and his own musical talents. This proved yet again that Chris Brown’s talents were stronger than ever. With charttopping hits, record album sales, and unforgettable performances, 2011 was a notable year for Chris Brown, and we can’t wait to see what 2012 has in store for him.

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n June 5th, 2011, over 50,000 people from all over the United States made their way to New Meadowlands Stadium in New Jersey to witness history in the making, at Hot 97’s annual Summer Jam. From the second you entered the gates, you could feel the energy around you heighten while fans waited to hear music from the hottest artists in hip-hop, ranging from Rick Ross to Lil Wayne. Despite the rain and dark skies, crowds gathered in the early afternoon to start the day off with the preshow in the parking lot prior to the main event.

The pre-show proved to be just as epic as the main event, filling the stage with artists like Florida’s own Ace Hood who got the crowd started, and was later joined by GunPlay of Maybach Music Group. As crowds filtered in from different states including Virginia, New York, and Jersey, it started to be a battle of the cities as the stage got torn up by freestyle battle rappers from all over New York. The winner of the Boost Battle was Matrix of Brooklyn, New York, who won the opportunity to perform on Summer Jam’s Festival Village Stage. Artists like Pusha T and Yelawolf performed, amping fans up for the main event to take place later that night.

Early that evening, thousands of people swarmed

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the entrances of the stadium as it opened up to feature headline artists in the hip-hop industry. As people made their way to their seats, you passed anxious fans, moms escorting their younger kids, and out-of-town guests anticipating the start to Hot 97’s renowned event. Members of the Hot 97 family were all in the building to kick-off the headlining acts, including Cipha Sounds, Peter Rosenburg, Miss Info, DJ Enuff and Angie Martinez.

In the mix was legendary DJ’s Mister Cee and Funkmaster Flex, both who have been respected and reigning figures in the hiphop radio industry for well over a decade. The DJ’s joined the stage between artists, keeping the crowd hyped for the show.

One of the highlights was when Mister Cee represented his roots of Brooklyn, New York by doing a tribute mix to Brooklyn, and iconic rapper Biggie Smalls.

There was one stage, and all eyes were on it as Pittsburgh’s own Wiz Khalifa took to the stage in his signature look wearing a collared long sleeve, khakis, and Ray Bans, with an Oakland Raiders hat.

As the opening act, he got the crowd started as he performed his single “Taylor Gang”, a tribute to his own crew of followers. He didn’t disappoint, as he covered all his hits performing both “Roll Up” and “On My Level”. Before leaving the stage, Wiz was sure to represent his own city of Pittsburgh with

“I have been going to Summer Jam events since I was 13 years old but this Summer Jam 2011 I was in awe the entire time.

I just enjoyed a twelve-hour day of music that to me will never be topped!”.

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“Black and Yellow”, his first top single in the US. Just when you thought the crowd was ready, Waka Flocka Flame entered the stage with unstoppable energy as he brought his debut album, “Flockaveli” to life with performances of “Bustin’ At Em’” and “Hard In Da Paint”. Fans didn’t know what was in store for them until the medley of “No Hands” started playing, and it became a collision of two cities. Waka Flocka, of Atlanta, was joined by Washington native, Wale as the duo performed this latest single, signifying the beginning of a night full of surprise guest appearances.

As Waka Flocka Flame exited the stage, it didn’t take long for this next act to get the crowd jumping again. Decked out in shades and a bowtie, Brooklyn’s own Fabolous, who has been dominating the hiphop industry for close to 15 years, was next to deliver an explosive set. With multiple chart-topping hits under his belt, fans didn’t know what to expect of the set-list. The audience became more than satisfied when Fabolous urged everyone to put their hands up for his 2010 single, “You Be Killin Em’” which he performed with Ryan Leslie.

He tore it up with songs like “Oh My”, and “Everything, Everyday, Everywhere”. As his set came to a close, Fabolous showed appreciation for the all the fans who came out to Summer Jam by giving shout-outs to his own city of Brooklyn along with Queens, The Bronx, Long Island, and Jersey.

It became a showcase of New York Talent, as the spotlight made a transition from Fabolous to Lloyd Banks. Banks dominated the stage with singles such as “Any Girl”, and “So Forgetful”, but the best was yet to come. Lloyd Banks made it more than memorable by bringing Fabolous back, with Ryan Leslie, and Swizz Beatz for “Start It Up”. Not one person was in their seat, and that didn’t change as Mobb Deep came out bringing the audience back to 1995 with the classic, “Shook Ones Part II”.

Lloyd Bank’s set was one full of surprises as Def Jam’s Jeremih came out as the duo played “I Don’t Deserve You”, leaving the crowd barely able to keep up with the constant special guest appearances.

However, it didn’t end there when he had yet to deliver what was arguably his top performance of the night. The crowd became ecstatic, as he brought Juelz

Fabolous Swizz Beatz

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Jeremih Santana of the Diplomats to the stage for “Beamer, Benz, or Bentley”. As the pair played Lloyd Bank’s hit of 2010, the audience still wasn’t prepared for what else Summer Jam had in store for them.

With an array of classic hip-hop artists by his side it was difficult to top Lloyd Banks set, but Chris Brown was ready to bring his all to the stadium. As Chris Brown came out, the energy of the fans became undeniable as he opened with a dancing medley, proving his talents spread across more platforms than just hip-hop. He got the crowd going as he did his own dancing rendition to “Teach Me How to Dougie”, followed by his own song “She Ain’t You” from his latest album, “F.A.M.E.”.

As the medley of “Wet The Bed” shot through the speakers, Chris Brown placed a chair in the center of the stage giving the audience a cue that a special someone would be accompanying him. As he gave a shoutout to the women of the audience he made one young woman’s evening extra memorable as he brought her on stage during “Take You Down”. As he 84 WINTER 2011 DIZZMAG.COM

stripped out of his American Flag tank he gave her a seductive routine, including a lapdance heating up the entire stadium.

After Chris Brown lit up the stage with his own solo hits, he continued to impress the crowd with his vocals as he began to sing “Deuces”. Of course it wouldn’t be the same without Kevin Mccall, and Tyga who then joined him to perform the top-selling hit. Brown’s set was unforgettable, and became even more notable as Busta Rhymes took the stage to deliver a jaw-dropping feature during “Look At Me Now”. While demonstrating his double-time rapping abilities, it became clear that Rhymes never lost his touch as a legendary MC in the industry.

The evening was far from over, and already fans had experienced a historical line-up of industry artists. While many headliners were from the younger generation of hip-hop, The Diplomats were next to bring back classics like “Dipset Anthem”. Juelz Santana, Cam’Ron and Jim Jones united as they performed ,”Salute”.

Chris Br own

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With over 40 people including their entourage and members of the audience joining them, they celebrated their longevity in the world of hip-hop.

Performing newer hits like “Speaking In Tungs” members of Dipset proved they were more than unstoppable. Jim Jones then welcomed Maino to the stage for “Keep It Rockin”, and he did just that by keeping the crowd alive, while Olivia brought her soothing vocals with a performance of “December”.

As the night continued, anticipation escalated as Rick Ross and Lil Wayne had yet to take the stage.

The famed Rick Ross of Maybach Music Group made a monumental appearance as he came out in his signature look of shades and chains with an eyepopping yellow print cardigan. The crowd erupted as he performed an array of hits including “MC Hammer” and “Blowin’ Money Fast”, but it wasn’t until rap legend Diddy came out for “O Let’s Do It” that the entire set became momentous.

As the last headling acts of the night Rick Ross and Lil Wayne’s set became fused together, to deliver a mind-blowing experience to concert-goers. As Lil Wayne’s first performance at Summer Jam since he was released from jail, the crowd showed nothing but support for the rapper. The fans became one as young teens, older teens, moms, and dads all welcomed the rapper to the New Meadowlands Stadium showing him love while mouthing the words to every song.

As Lil Wayne was joined by members of his Young Money family, he gave constant appreciation for the

support he received from his fan base throughout his time behind bars. In the midst of giving his thanks he performed solo hits such as “A Milli” and “6 Foot 7”, but the most impressive acts were what was ahead.

He gave the fans more than they deserved as he, and Rick Ross brought “9 Piece” and “John” to life as highlighted moments of the night.

To wrap up what was an unforgettable night for all 50,000 plus fans, Drake and DJ Khaled took to the stage with Rick Ross and Lil’ Wayne for “I’m On One”. To say the crowd was hyped up was an understatement. As the four artists performed the single it concluded what was a day of hip-hop history, as the stage was owned by legendary rappers, industry icons, and newcomers.

While catching up with a fan, Ty of Brooklyn, New York she best described the event by saying, “I have been going to Summer Jam events since I was 13 years old but this Summer Jam 2011 I was in awe the entire time. I just enjoyed a twelve-hour day of music that to me will never be topped!”.

She best encompassed the overall feeling of the audience as Hot 97’s Summer Jam brought the tristate area memorable performances, by the top leaders in hip-hop. As the evening came to a close it was guaranteed that fans did not leave disappointed, and although it may be difficult to top Summer Jam 2011 there is no doubt that Hot 97 will be able to bring a monumental event to the area next year.

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hen we think of Ottawa’s most renowned tattoo studio, two words come to mind-Planet Ink. With August 15th marking Planet Ink’s ten-year anniversary Dizzmag got the chance to get a glimpse into the world of one of their leading artists, Tiffany.

From her personal life to her artistic goals Tiffany shared every aspect of her place in the expanding tattoo industry with us.

Raised in a small town in Ontario, Tiffany realized her love for this artistic expression from the young age of 9. She was mesmerized by the premise of tattoos as she explains, “I love that you can put a piece of art on your skin and it would stay there”. Her growing passion for art landed her a full scholarship at the White Mountain Academy of the Arts where she attended for a year specializing in pencil crayon drawing.

With her undeniable creativity and talent Tiffany decided to immerse herself into the explosive tattoo industry just over six years ago. She began her career on a three-month apprenticeship working with Jimmi Roberts, owner of Planet Ink Studios.

After just three short months Tiffany turned her apprenticeship at Planet Ink into a full-time artist position.

Although there are many aspects which make Tiffany’s work unique, one which sets her apart is the intricate detailing found within her portraits.

When asked to explain her favourite pieces she says, “I like bright, realistic pieces with black & grey, if I could do portraits all day I would”. Although Tiffany has an eye for realistic portraits she still ensures every piece she does is based on her own style. She explains “I like to take real things and pick them apart and make them my own”.

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When Tiffany was asked to describe her artistic influences she simply stated, “Everything. I saw a lamp once and used that as a reference, it could be anything. I try to keep it everyday life so you’re not just mimicking other people’s style”. Aside from her surroundings she drags influences from diverse artists like Salvador Dali and has completed pieces based on his surrealist paintings including his famous elephants on stilts concept.

From just a glance of Tiffany’s work you can see her love for the art of tattooing in every piece that she does. She says, “some tattoo artists see it as a way to make money but to me it is more about the art than the money”. As a single mother of her 14-year old son she uses him as inspiration and explains, “I would rather do something I love to do rather than just make money and there isn’t a day that I don’t love going into work and doing what I do”.

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Tiffany plans on staying exactly where she is at Planet Ink Tattoo Studio located on the busy Rideau Street in Downtown Ottawa. She hopes to use the creativity and uniqueness found in her work to do more obscure celebrity portraits like her current work-in-progress of Steven Buscemi from the Wedding Singer. She also has plans to eventually go to Europe to attend their world-famous tattoo conventions expanding on her own growing techniques and style. Wherever she ends up it is sure that her love for the art of tattoos will lead her there.

When I asked Tiffany to sum up her favourite part of working in the tattoo industry she did not hesitate to say, “I get to be myself. I get to be surrounded by art all day long”. ♠

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I GOT INK

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TATTOO CONTEST WINNER

BAWSE BROOKLYN, NY

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BAWSE: First and foremost I would like to thank everyone that voted for me, without them this wouldn’t have been possible. BBT, KIR, LMG and DIVAS DIZZMAG: What pushed you to get your first tattoo? Did you always picture yourself having so many?

BAWSE: I got my first tattoo when i was a Freshman in high school, I got “ Big Ralph” on my right shoulder. At the time everyone was calling me by that name, and my best friend Keith dared me. I thought that was going to be my last one, but little did I know....

DIZZMAG: Describe your tattoos. How many tattoos do you have?

Where are they? What are they?

BAWSE: I stopped counting because it comes to a certain point that it’s just additions to previous work. I have a full sleeve on my right arm, half of a sleeve on my left arm, and my whole chest done.

On my right arm sleeve I have the ‘Big Ralph’ piece, my sister’s name on my wrist, my mom’s name ‘Rose’ in Chinese lettering with a rose at the end, and the name ‘Justin’ for my youngest son in graffiti lettering. I also have my favorite scripture (Isaiah 54:17) from the bible that says, “no weapon formed against me shall prosper”. I’m a Pisces, so I have some fish scales on the inside of my arm. I also have the words ‘’Plan B’’ next to some cracking bricks, because in life you always have to have a plan B. The bricks show that life is an everyday struggle, no matter what it will crack me but I won’t break.

I also have a smoking 5star, it looked real hot so I got it, a zipper on the inside web of my arm that’s half-way unzipped showing the inside ligaments of my arm, and a spider web on my shoulder with a spider working its way

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down (thanks Shan for the idea). That completes my right arm sleeve.

On my left shoulder I have my oldest son’s name with praying hands that says, “God bless Stephan”. On my whole forearm, from my wrist to my elbow I have a cross with a detailed banner that says, “Marcel Celestin, July 29th, 1930 to Dec 5th, 2009”, for my grandfather who passed away two years ago.

On my chest I have a crown with my last name, “Celestin” underneath it (thanks La Reina for that idea). Around the crown & name, I have a crescent done by DVS and my cousin Rich of lostdesignstudios, it was a two man job.

download now

HotNewHipHop.com/Rnbapril

DIZZMAG: What is the most significant tattoo to you, and why?

BAWSE: It has to be the one with my grandfather’s memorial, because he meant the world to me. He died on a Saturday, and on the following Monday I got it done.

DIZZMAG: Do you have any ideas of what you want to get tatted in the near future?

BAWSE: Yeah, tattoos are addictive I’m always thinking of a new tattoo. I plan on getting the faces of my grandfather and grandmother on my rib cage, but that will be later in the future. I will also be adding the saying, “L’Union Fait La Force”, which means with union there is strength. I would put that on the top of my chest.

DIZZMAG: What’s your favorite tattoo?

twitter.com/RnBApril facebook.com/RnBApril

BAWSE: My favorite is the one on my chest. It’s my last name, and my grandfather took that name more seriously than anything. It represents him, my family, and generations to come. His legacy will never be forgotten.

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LIEfocals brings the truth WORDS DIZZMAG PHOTOGRAPHY DIZZPHOTOGRAPHY

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H

ailing from Jersey City, New Jersey LieFocals, born Lionel Peterson has been making a name for himself on the Hip-Hop scene from the young age of 14. LieFocals started to get the feel for hip-hop back in the 80’s, listening to artists such as Big Daddy Kane, KRS One, and Mc Lyte. From listening to the talent of these verterans, it soon birthed a young lyricist hungry to follow the same blueprint his influences mapped out. This drove him to start out as a freestyle rapper, but eventually his talent led him to work with artists such as DJ Cloud 9, Wu-Tang Clan, Raekwon, Mobb Deep, and Method Man. He used these experiences with successful artists as a motivation to focus on making a name for himself as an independent artist. In 2000, he decided to break from his management company, and three years ago he took the next step and established his own entertainment company entitled IMF Entertainment Inc..

LieFocals continues to strive to push his own music to the limits and with his new single “Power” dropping, Dizzmag got a chance to catch up with LieFocals to talk new music, his own influences, and his thoughts on new-age hip-hop.

DIZZMAG: How do you feel about the mainstream hip-hop music we’re hearing today?

LIEFOCALS:I respect Kanye West for his creativity and diversity, and I respect artists like 50 Cent and Jim Jones for their business mind and LIEFOCALS: I feel like its basically watered down. drive. I respect a lot of talent out there thats being underlooked like Lupe Fiasco, who has a lot to say.

The real hip hop cats that actually have a story I also respect Jadakiss, Styles P, and Sheek Louch aren’t being heard in today’s music, because it is as these people bring the real to music, they really being watered down with all the other music that don’t sugarcoat anything. I really respect anyone has no substance. You have people that really have with a strong business mind in terms of their music something to say on their tracks who talk about real issues in society. I dont think the regulators are and who they decide to bring out. If theyre out there to help what a creative person has already prepared to deal with what is going on right now. A started, then they’re looking for longevity in music. lot of things need to be expressed, but instead they If I do something in music I would want to bring on just put something on the radio that has something someone to build on that legacy, and I would want to do with getting money and females... but for me everyone to follow in my footsteps. It’s all about thats too easy. Anybody can do a song about how much money you get and how many chicks you have, bringing good music to the table and recognizing good quality. but at the end of the day politics are whats really making the world spin. You have some rappers DIZZMAG: What are your own personal spitting some real issues, and they are unfortunately influences and motivations for doing music being overlooked. that help you stay on track?

DIZZMAG: So with that being said, who are some of the new-age artists that you have respect for and why?

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LIEFOCALS: I’ve been finding myself dreaming and remembering my dreams that are a result of what I went through earlier that day. My vision is

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based on the things that I go through and how I wake up feeling, if I wake up feeling a certain way that’s the type of song im going to do. I’m not afraid to say what I want to say, and I want people to see it from my own eyes. What really motivates me is stories, whether it is my story or another person’s story. I can bring stories to life and let the world listen to real-life things. I could make up songs but I would rather write what im feeling or what I want to feel in the future.

DIZZMAG: If you could describe LieFocals in one sentence what would it be?

LIEFOCALS: I AM MUSIC. I love music and I feel music, and I’m hoping that everyone will feel my music.

LIEFOCALS: Right now I’m on various mixtapes, mainly coast to coast volumes. I’m on DJ Nel-ENel’s “Go Hard Or Go Home” mixtape with headline industry artists, like Swizz Beatz and J-Roc. DJ NelE-Nel is currently working on a mixtape called “The Game Plan”. Shoutouts to DJ Nel-E-Nel from Jersey City. You can also see my videos on youtube (www. youtube.com/alieneyetv). I refuse to put my music on iTunes when I dont have the funding to promote myself the proper way when i do get the funding to promote and market my music the proper way I will put it up on iTunes. I dont want to give precious music away for free.

DIZZMAG: You bring up DJ Nel-E-Nel quite a bit, want to tell us a bit about DJ Nel-E-Nel and his place in the hip-hop industry?

DIZZMAG: What sets you apart musically from other artists that are also out there trying to establish themselves?

LIEFOCALS: DJ Nel-E-Nel is a very well known icon from Jersey City that paves the way for a lot of upcoming rappers to get their shine on. I grew up LIEFOCALS: My voice. I also have a way with with DJ Nel-E-Nel, and I was the first guy to rap on words, I have always been told that. This is shown in a DJ Nel-E-Nel mixtape. Now he’s elevated from my style of rap, and the way I put my wordplay into doing blends mixtapes to trying to promote artists a song to make it catchy and to make you remember on a DJ Khaled level. it.

DIZZMAG: Aside from DJ Nel-E-Nel who are DIZZMAG: Tell us a little bit about your some other artists you’ve worked with in the upcoming music? past?

LIEFOCALS: I’m working on an LP, I’m not sure what im going to call it, but basically im going to give the world LieFocals. I want them to know me and know how I think. You’re going to get an artist like you used to get back in the day and think ,“I like him because hes him...not because he sounds like someone else”. I want to introduce the world to LieFocals and let them see the world through my eyes.

DIZZMAG: Aside from your upcoming LP where else can we find LieFocals music ?

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LIEFOCALS: I also worked with artists like Meedah, Pressure, and Snoop Dogg. I actually did a song for one of Snoop Dogg’s California juniorleague football teams (The California Cowboys), and he liked it so much that he put it on a compilation cd (Snoop Youth Football League) with all the other chosen theme songs for the teams. Jinx Da Fiddler, producer for Black Wallstreet was the one who actually pluggged me into doing the song for Snoop Dogg.

DIZZMAG: You’ve been surrounded by the

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industry for over twenty-years now, from the age of 14. What do you feel has been the biggest accomplishment of your career this far?

respected because of the calibre of music that I do.

When I do rap people tend to ask themselves, “what kind of message is he giving this time?”. There is always a message with the music. If you have a message with your music it tends to give you power LIEFOCALS: It would have to be just myself growing up both mentally and musically-now I know and causes people to look your way when you have something to say. what songs to put out there. Before I would just record and record and I thought that was the way to DIZZMAG: Speaking of some of your go, but right now I’m at the point that I treat a song tracks, who is the man who makes a cameo like a project. So with that being said, I would say throughout your video for ‘Whatever’? gaining my level of elevation right now.

LIEFOCALS: His name is Ski Bop and he’s a guy I DIZZMAG: What is the message you want to grew up with. He turned negative into positive and get across in your newest single ‘Power’? he’s very well known in Jersey City. I figured if I was doing a song like ‘Whatever’ that is basically sending LIEFOCALS: Basically the theme with ‘Power’ a message to hip-hop about fraudulent MC’s, he is that when I have the mic, I make people listen. would be the one to validate or co-sign the message.

They’re going to listen to what I’m saying because I’m such a seasoned artist, and my wordplay is so

DIZZMAG: Where did the name LieFocals come from? Is there any meaning behind it?

LIEFOCALS: LieFocals was a name given to me by members of the Wu-Tang Clan because they noticed how I always sat back and observed. I always observed everything around me with my glasses on, so instead of calling me “bifocals” they called me LieFocals LOL. I would analyze everything and when I spoke it was from everything that I absorbed. If somebody would ask me a question and I gave an answer, it would be an intelligent answer. its like I saw things differently and put things in my own words. When i put things in my own words people liked it either conversation- wise or music-wise.

That, and i was a nerd in school LOL. DIZZMAG: How would you describe the music of LieFocals in one sentence?

LIEFOCALS: My music is my personality, musically.♠

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INTRODUCIN’ DIZZMAG artist hannibull 110 WINTER 2011 DIZZMAG.COM

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HANNIBULL: It more or less started with “Yo! MTV Raps” on MTV. I would watch groups like Naughty by Nature and A Tribe Called Quest. At that point in time it was about energy and having your own personality that drew me to each character in the rap game, especially Busta Rhymes.

DIZZMAG: How long have you been making music?

HANNIBULL: About 2002 I started, I just picked up a pen and paper and tried.

DIZZMAG: What is the most meaningful song to you and why?

HANNIBULL: “The Realest”. It’s because I was talking about my situation, a run in with the law and about how i got shot. Friends left me for dead.

I learned from then on not to really jump into other people’s business, so its a powerful song to me.

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hrough his unstoppable energy and lyrics, Hannibull has been making a name for himself throughout the New York rap game. As a Brooklyn native, Hannibull is no stranger to struggle.

From run-ins with the law and having his own life on the line, he has overcome these past personal experiences and used them to shape him into the artist that he is today. Music is all about telling a story, and Hannibull does just that by pouring out the realities of his own life into every track he makes.

As part of his self-made empire, Dizz has taken on a new level to his brand to include DizzMag Artists.

As the first chosen DizzMag Artist, Hannibull has what it takes to stand out from his surroundings. Dizz first met Hannibull in Bed Stuy, Brooklyn in 2010, and from there the rest is history. “Dude has so much energy!

His delivery is spectacular. A good artist can paint any picture he’s that nice”, says Dizz. Without wasting anymore time, we wish to introduce you to the first DizzMag Artist, Brooklyn’s own Hannibull.

DIZZMAG: Tell me a bit about yourself?

HANNIBULL: I’m from Brookyln, raised in a single family household. I dabbled in drugs when I was younger and got in trouble with the law a few times, but I survived.

DIZZMAG: How do you feel about being the first DizzMag artist?

HANNIBULL: A privilege, Dizz is about his bizness.

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DIZZMAG: Who are influential people you have worked with, and what has helped to shape you into the artist you are today?

HANNIBULL: There’s a list of people that I have collaborated with, including Mister Cee and DJ Green Lantern. Just radio and music videos in general help shape me.

DIZZMAG: How has your music evolved over the past ten years?

HANNIBULL: Energetic, inspiring, and they’ll arouse you sexually.

DIZZMAG: Is making music your main ambition, or do you hope to move in other directions ?

HANNIBULL: I am going to go into other directions. Making music is just a gateway to explore other types of business. I want to get into philanthropy work, but making music is my passion.

DIZZMAG: Where do you hope to see yourself in 5 years from now?

HANNIBULL: Five years from now hopefully i’ll be around the four-hundred to five-hundred million dollar mark in a self-business, and I’ll be able to employ over five to ten thousand people. It would help change some of this economy that’s going on hopefully.

DIZZMAG: Where can we find your music?

HANNIBULL: Pretty much it was having children that turned my life completely into a positive. If it wasn’t for children I don’t know how I would have changed, but I still think I have work to do.

HANNIBULL: It went from me worrying about being super lyrical to being more personal in my music. I like to talk about things around me and things that I know. I’m angrier and more hungry than I’ve ever been, and you can hear it out in my music. There’s people that have the opportunity but don’t entertain the people. I know I can entertain the people...IM HANNIBULL.

DIZZMAG: How did you start to gravitate towards making rap music?

DIZZMAG: How can your lyrics and messages in your music best be described?

HANNIBULL: Shoutouts to Jenna, Dizz, and the whole DIzzMag staff. ♠

DIZZMAG: How were you able to turn negative situations that came into your life into a positive?

HANNIBULL: Right now you can find my music on my youtube channel (www.youtube.com/ MrHANNIBULL) , the DizzTV channel (www. youtube.com/dizzPhotography), datpiff.com, and reverbnation.com.

DIZZMAG: Anyone you want to give shoutouts to?

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A Lioness ON THE PROWL WORDS Shavaughn “VaughnySweet” Morris PHOTOGRAPHY DIZZPHOTOGRAPHY

Since the debut of her mixtape in February of 2011, this sassy; yet fierce femcee from Brooklyn named Candis, aka @SHEISHIPHOP, has been moving at speeds unimaginable to any underground artist.

As recently nominated 2011 UMA’s (Underground Music Awards) Best Female Rapper of the Year (past winners include Nicki Minaj, Remy Ma, and Lil Mama), Candis has performed in front of the likes of Hip-Hop legends such as Roxanne, Shante, and Suga T at the 2nd Annual Female Hip-Hop Honors Awards in Los Angeles. She was named ‘artist of the week’

by DJ Kouture in Missouri, and has her most current single “Love You Baby”, available on iTunes, Amazon, Rhapsody, iHeartRadio and more.

As a strategist seeking to pounce on her next prey, she’s currently working on her newest project to be released in the second quarter 2012, in addition to a compilation with the team that enabled her to breathe life into the masses, F02 Music Group; which is slated for release in in February. With countless hits (over 6,000) on her current project – sponsored

by Datpiff.com – the self-titled mixtape @SHEISHIPHOP; the underground and mainstream worlds are just another jungle for her to tame.

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graduating this year with her BA in Economics from Rutgers University in Newark. So don’t get testy with her green, she’s got that on lock!

An intellectual, an inspiration, a survivor, a woman, a goddess…Supernatural with the words; heavenly with the flow….A “sista with a voice like her name was CoCo”…

-She is Candis…the epitome of Hip Hop.

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In 2008, they both parted from the studio situation they were in.

This was still good for Munchdawg because it placed him in the middle of the industry with much to offer.

Prior to the ending in 2008, Munch met a fellow friend of Boot Camp, named Yuk aka Wayne White. As one door closed, another opened for Munch. Wayne introduced him to an Indie Label that produced Audio as well as Video.

While filming MTV, Style Network, and a few reality shows,

Munchdawg had the chance to show his camera work, and at the same time improve it. Things started to take a turn for the worst, and Munchdawg had to part from this situation as well. But again, as one door closed, another had opened for Munchdawg. By this time, a legend was born.

By starting his own DVD company with a camera and a bag of ambition, SAYITAINTSODVD has become the meaning of “The Grind”. Everytime a door closed,

Munchdawg’s grind had become more independent. Everytime another door opened, “The Grind” became even more important and relevant. No matter what your grind is, the ups and downs are needed lessons that prepare you for more advanced ups and downs that are sure to follow. Needless to say that a few hundred projects later, SAYITAINTSODVD is dedicated to keeping “The Grind” alive and does not plan on going anywhere but up!!

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PH ymm PHOTOGRA k ’ A n DIZZ S Rah WORDOTOGRAPHY PH

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hawndale “Munchdawg” Dockery was born December 26th, 1980 in the Park Slope area of Brooklyn, New York. He later moved to Flatbush Brooklyn and attended P.S. 41 and JHS 275 for elementary and intermediate school in Brownsville, Brooklyn.

There is where he began his rap career through underground street battles, claiming his position within the neighborhood hip-hop entourage.

Collaborating with another Brooklyn artist by the name of D-Real, Munchie began to build

somewhat of a music network.

Through this network, he would later join two other artists, Darkside and Krimetime, creating their rap group by the name of “The Breathtakers”. Munchdawg’s involvment with D-Real would allow him access to the then Brooklyn super-group “Boot Camp Click,” which contained Smiff -N- Wessun, Blackmoon, Heltah Skeltah,O.G.C., The Reps, and The Bucktown Juveniles.

After highschool, Munchdawg spent some time out of New York finding himself. After a few short months, he would reunite with Rock from Heltah Skeltah, and he would give him a track board and

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3 dat players. After purchasing a beat machine, Munchdawg would stay in the house until the wee hours of the night teaching himself to mix and master his own tracks, until they were good enough to rap over.

His energy and work ethic would get him introduced to another Brooklyn ProducerRapper by the name of Temp who was said to have the same ethic.

Once the first song was a classic banger, the tag-team became official and they created music all day and night for some time. While Temp worked 9 to 5, Munchdawg was in the studio producing and learning the ins and outs of the studio business as well as filming.

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I AM AN AMBASSADOR WORDS Isabelle Avudria PHOTOGRAPHY DizzPhotography

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I

n a city where Rap is short-winded, Ottawa Rapper S.C.R.I.P.T remains a firm voice amid the murmurs, stand-ins, and unsung heroes abound in the music genre. Few rappers are as relentlessly vicious as S.C.R.I.P.T. Since his debut in 2008, He’s brought with him a tenacious message of strength, perseverance and hope.

Nowhere is this message any clearer than in his video “Where do we go”, which chronicles the struggles of the troubled youths with the aim of calling attention to social injustices that children are often the subjects of , especially kids in the system.

“When we shot the video the message I wanted to portray is that sometimes a helping hand can reach you even in the darkest places. Its for us to keep an open mind and a positive heart in order to keep going and move forward.”

Having been raised in foster care himself since the age of 12, S.C.R.I.P.T. masterfully incorporates his story and reasoning into his artistic expression, sharing with his audience the product of a hostile environment. As an emcee, S.C.R.I.P.T. is no newcomer to the limelight. He has shared stages with Hip Hop heavyweights including RZA, Raekwon, Kardinal Offishall, and Royce Da 5’9 to name a few.

In the meantime, since his debut he has released four videos, two EP’s, and is now gearing up for a

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move across the border into the American Hip Hop industry. When asked how it feels to have performed with such notable artists he said, “Just to be around them is special for a multitude of reasons, I mean some of these artists I grew up listening to and have had an influence on my relationship with Hip Hop in someway. I get a certain energy from that, it’s crazy.

I use it in my stage presence”. It’s the same energy he says that fuels an insatiable appetite for progress and success.

“What it all boils down to is recognition. If I’m on stage with a big name, it doesn’t mean someone believes in me and my team, it means someone sees my potential and trusts I can match the energy of those artists and maybe even surpass that. It’s a part of my competitive spirit”.

As for the team he works with, S.C.R.I.P.T. says he surrounds himself with a close circle of like-minded individuals. He credits a large part of his success to his producer Stunnin R’s, who has produced both of his EP’s, and all four released video singles. So what’s next for S.C.R.I.P.T.? The answer is simple: progress.

“This life is only one of many, so what I do today will affect many tomorrow. Please know that I’m just like you in everyway possible, and if you see a difference between you and I. then my friend I believe you’ve yet to free your mind from the mirrors that surround you.”

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L JUST CALL ME

PILLZ WORDS Shanequa Garcia PHOTOGRAPHY Linny Estevez

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ong Island, New York artist Anthony Oldham, better known as Pillsbury (Pillz), is the hottest topic amongst upcoming and unsigned hip hop artists.

Managed under Canada and New York based company Sparxx Vizion Entertainment, Pillz has become one of the greatest, anticipated, and rapidly known artists in the New York area.

Pillzbury’s style is within the lines of hardcore, and poetic, with the additions of his story lines of the hood and ongoing life situations.

Growing up in Amityville, New York, Pillz’s influences included local artists such as De La Soul, Rakim, and Leaders of The New School. In his own words they were considered, “pioneers”. Pillzbury mastered hip hop at a very young age, growing up and parlaying on the block of Overland Avenue, he says that block “tells a story”. His love for the hip hop game began with his Uncle, DJ Timmy Tim. Pillz was so fascinated with hip hop and its state, he imitated artists like Big Daddy Kane, and Chuck D. His first album purchased was by Brand Nubian. As time went on and hip hop became a greater interest to him, one of Pillz’s influences was a local rapper named Natti, whom he calls his ‘Big Bro”. As he says, Natti introduced him into the game on a wider level.

Through hard times and trying to make it in the hip hop game on the streets of Amityville, Pillzbury faced an unfortunate occurrence, which landed him incarcerated for 8 years. During his incarceration he worked even harder on his lyrical skills, and watched as the hip hop game went sour. He does not feel he is playing “catch up”, however he does not feel he where he is “supposed” to be in the industry. After his release from prison, Pillz began his journey in the hip hop game once again. He is now considered one of the hottest amongst unsigned, New York artists. With his pure, hardcore, yet analytical style of flow, Pillz has been pursued by a few of the greatest. He is now managed under Sparxx Vizion Entertainment, where he has climbed and has become known nationwide.

Pillzbury’s style is influential and mind-blowing, and his freestyle rap is beyond words speak able! In an interview with Pillz, he says he has love for today’s hip hop game, but the game doesn’t love real players.

One of his tightest mottos is, “I’m not threatened by none of these rap n****s, I’m taking it back to the streets.” He proves this motto through some of his illest tracks including, “Drama”, “Show and Prove’, “Incarcerated Freestyle”, “I’m On It” and many more.

Be on the lookout for Pillz worldwide. Real Hip Hop is about to be re-incarnated! You can catch up with all of Pillzbury’s tracks at: facebook.com/pages/Official-Pillzbury-SparxxVizion/245067872179246 reverbnation.com/officialpillzburysparxxvizion youtube.com/user/himhimize twitter.com/sparxxvizion SPARXXVIZIONSTAFF@GMAIL.COM

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pressure BUST PIPES WORDS Cynthia M. PHOTOGRAPHY MD

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t the age of 16, Darryl Sanford known to the entertainment industry as Pressure has done more than most teens do all day.

Wake up, write down a hot 16, head to school, hit the studio to record, attend a scheduled photo shoot, then do it all again.

With a style all his own and a swagger that captures the eye of many, Pressure is a Hip Hop phenomenon that writes his own lyrics and delivers them with a powerful confidence that puts him amongst the best in the game. Pressures talents doesnt stop there, he is an amazing graphic designer that designs and develops his own CD artwork, and has now began 124 WINTER 2011 DIZZMAG.COM

recording, mixing and producing his own music and videos.

Born on July 29, 1993, in Jersey City, New Jersey growing up in Curries Woods Housing Projects, also known as “Da Woods”, he has been no stranger to negativity. But as quoted from one of his songs entitled “Pressure 4 Mama” he spits “As a single mother she raised me with her best ability, responsibility is what I was shown with positive energy”. Pressure obviously decided to take another route. Inspired by such musical influences such as Method Man, Dmx, Jadakiss, Fabolous, Joell Ortiz, Lloyd Banks, Joe Budden, Drake and Juelz Santana he began rapping at age 9 and by the time he reached 11 he wrote his

1st song. As his skills began to develop his number 1 fan, Deneter S. Sanford (his mother) decided to buy him the recording tools he needed to take it to the next level. After 3 short years of perfecting his craft, Pressure put a few songs and mix tapes together.

Through a father figure and mentor Richard “Big Sing” Singletary, his music landed in the hands of Jersey City’s own production duo The Dream Team (Produced for 50 Cent, LL Cool J, Az, etc...) Together they have been working on his debut album, mix tape series entitled “Apply That Pressure”, and Pressure’s Online Music Videos directed and filmed by Now Is The Time Productions. As a sophomore in Henry Snyder High School he is an exceptional student

and is heavily involved in the media arts program.

Throughout his up and coming career, Pressure has been noticed and watched by many Hip Hop Legends such as: DJ Kid Kapri, Eric B. (Eric B & Rakim), Treach (Naughty by Nature) and many more just to name a few. Also, he has performed live at The Time Square Art Center, 201 The Movement Tour and even opened up for two of the Greatest Oldies groups ever “Blue Magic and Black Ivory”. Appeared on a new Hip Hop TV Show Pilot Rappers Delight, UBATV. COM’s Street Heat Video Show, and online radio shows like 97.5 FM Elite Radio, 15 Minutes Of Fame Radio and Show Me The Money Radio. Pressure is on the rise, Stay Tuned !

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The Will To Succeed Exceeds My Will To Breathe …

WORDS Patricia Khoury PHOTOGRAPHY DizzPhotography

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owadays a lot of people aim to be in the music industry, but it takes a real voice to compete. It also takes more than just vocals to be respected as an artist. You have to have the guts, will, and passion. Cluny Michel, known as Noushka (a childhood nickname that her father gave to her), possesses these traits. Originally from the Ottawa-Gatineau area, some people have come to watch her perform and don’t expect much, but she proves them wrong. This girl has got talent, and Stunnin’ R’s Entertainment, her production team’s main goal is to show us what this girl is all about.

Her voice makes a statement that leaves people speechless. This nineteen year-old girl puts her heart into her work, no joke! Some people just sing for the fame, but for Noushka, singing defines her and her life. Her energy is amazing. Not only does she know how to sing, she also knows how to dance. Look at it this way, we all know how Beyonce owns the stage with her moves and voice, Noushka has that similar reflection. She’s got style and personality, and one might compare her to Whitney Houston in her early years.

Giving off a powerful vibe wherever she goes, Noushka has participated in, and won many local talent shows. To add to her accomplishments she has had an exclusive interview with Radio Canada, performed in the opening act for Gregory Charles at 126 WINTER 2011 DIZZMAG.COM

the Gatineau Hot Air Balloon Festival in 2008, and on top of all that she has three singles which she is ready to release. As an artist who takes her work seriously, she plans to release a flawless video before taking the next step. Noushka is currently working on her first French music video entitled “La Fin De Semaine”, which is being put together by DizzPhotography in association with DizzMag. Let’s not forget that this girl has accomplished all of this at a very young age.

She has been an artist working with Stunnin R’s for the past two years, and he knows that this girl has what it takes to make it to the top. As a person, Noushka catches people’s attention with her spontaneous smile and personality that’s full of life.

She has confidence and believes in her dreams, no matter how long the journey is. She says, “I’m in no rush. I’m still very young and my voice is only getting better”.

With no limits to her music, Noushka’s the type of artist that is willing to take on any challenge and pull it off. Dragging influences from music ranging from R&B, jazz, techno, and even classical tunes, Noushka has been also been able to tackle combining French and English music into one. Noushka is persevering and willing to do whatever it takes to make her dreams become a reality. After the hard work that she has done, there is no doubt that one day she’ll be in that spotlight and own it.

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