STAND D11
PHILP WOLFHAGEN ‘The second 5 days of April’, 2013, oil and beeswax on linen, 62 x 131 cm, (5 panels, 5cm spaces)
MARION BORGELT ‘Bloodlight Strip: Fig. 10’, 2015, canvas, acrylic, timber, pins, perspex shadow box, 73 x 73 x 11 cm
ELGER ESSER 'Ile Madame’, France, 2011, C-Print, DiaSec Face, 142 x 184 x 5 cm, edition of 7+ 1AP
MARION BORGELT ‘Bloodlight Strip: Fig. 9’, 2015, canvas, acrylic, timber, pins, perspex shadow box, 73 x 73 x 11 cm
ELGER ESSER ‘Hornby’, 2015, 103 x 123 cm, Hahnemühle Ultrasmooth 100% cotton rag, edition of 7 + 1 a.p.
MARION BORGELT ‘Luna Tango: No. 3’, 2015, Oil on canvas with end frames, 120 x 120 cm
ELGER ESSER ‘Wollongong’, 2015, framed, Hahnemühle Ultras. 100% cotton rag, 103 x 123 cm, ed. of 7 + 1 a.p.
MARION BORGELT ‘Bloodlight Strip: Fig. 9’, 2015, canvas, acrylic, timber, pins, perspex shadow box, 73 x 73 x 11 cm
MARION BORGELT ‘Lunar Swell: No. 3’, 2015, Dutch gold leaf, hoop pine ply, MDF, Umber, polyurethane, 35 x 184 x 16 cm
MARION BORGELT ‘Lunar Ebb and Flow: No. 4’, 2015, Bending ply, hoop pine, MDF, acrylic, polyurethane, 34.5 x 198 x 168 cm
MARION BORGELT ‘Moonlight Tsukimi No. 2’, 2014, Radiata pine, duck eggshell, beeswax, Perspex plinth, black Perspex panel, timber base, 65 x 340 x 80 cm
CLEMENS KRAUSS ‘Konstellation #5291’ 2015, oil on canvas , 50 x 50 cm
CLEMENS KRAUSS ‘SUll Face’ 2014, oil on canvas 60 x 90 cm
CLEMENS KRAUSS ‘The Untranslatability of Die offene Gesellschaft ist nicht ganz dicht I’ 2015, acrylic on board, 25 x 40 cm
CLEMENS KRAUSS ‘Konstellation #1399’, 2014, oil on canvas, 60 x 40 cm
CLEMENS KRAUSS ‘Untitled (Non Linear)’, oil on canvas, 50 x 60 cm
CLEMENS KRAUSS ‘Co–Dilusion’,2014, oil on canvas, 50 x 60 cm
CLEMENS KRAUSS ‘Subtitle 2’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm
CLEMENS KRAUSS ‘The Untranslatability of Die offene Gesellschaft ist nicht ganz dicht II’ 2015, acrylic on board, 25 x 40 cm
CLEMENS KRAUSS ‘Re-Radiation Charisma’, 2015, oil on canvas, 40 cm x 60 cm
CLEMENS KRAUSS 'From the series CHROMOSOMES', 2009, 110 x 150 cm, Oil on canvas
CLEMENS KRAUSS ‘Subtitle 1’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm
CLEMENS KRAUSS ‘The Untranslatability of Die offene Gesellschaft ist nicht ganz dicht III’ 2015, acrylic on board, 25 x 40 cm
HELEN PYNOR ‘The Accidental Primate 1’, 2014, Pigment print, face-mounted on acrylic with shadow frame 80 x 120 cm, Edition of 5 + 1AP
JANET LAURENCE ‘Botanical Residues (after the Great Glasshouse)’, 2005, duraclear, photographs on acrylic, 24 x 30 cm,
JANET LAURENCE Botanical Residues (a]er the Great Glasshouse), 2005, duraclear, photographs on acrylic, 30 x 49 cm,
JANET LAURENCE ‘Botanical Residues (after the Great Glasshouse, 2005, duraclear, photographs on acrylic, 158 x 50cm
ISIDRO BLASCO ‘QVB’, 2013, C-print on museum board, wood and hardware, 80 x 125 x 21 cm
ISIDRO BLASCO ‘Opera’, 2013, C-print on museum board, wood and hardware, 38 x 78 x 9 cm
JON CATTAPAN ‘Continuing Underground II’, 2006-2013, oil on linen, 185 x170 cm
JON CATTAPAN ‘Raft City No. 5’, 2015, oil and acrylic on linen, 168 x 196 cm MIRA CALIX ‘ὀνοματοποιία, Movement 2’, 2015, custom electronic and sensors, paper, gall ink, base, 25 x 25 x 12 cm, dimensions variable
TIM JOHNSON ’Clifford and Two Dancing Men', acrylic on linen, 31 x 31 cm
TIM JOHNSON 'CP 2', 2015, acrylic on linen, 20 x 30 cm
LI HONGBO ‘Smart doll III’, 2012, paper, glue, edition of 1, framed, 78 x 48 x 8 cm
TIM JOHNSON 'CP 1', 2015, acrylic on linen, 20 x 30 cm
LI HONGBO ‘Bone I’, (parts) 2012, paper, glue, size variable, edition of 2
TIM JOHNSON & CLIFFORD POSSUM TJAPALTJARRI ‘Two Dancing Men’, 1989, acrylic on linen, 150 x 90 cm
LU SONG ‘Spring Creek’, 2013, oil on canvas, 160 x 120 cm
LU SONG ‘What Could Go Wrong’, 2012, oil on canvas, 100 x 80 cm
KEI TAKEMURA Renovated Sculpture Series POA
EMMA FIELDEN ‘Axis Mundi: The Point I +II’ Crushed ferrite ceramic magnets, neodymium magnets, glass mirror Installation dimensions variable