stain, bloom, moon, rain (2020) Perusal Score by David Mettens

DAVID CLAY METTENS

stain, bloom, moon, rain for Large Ensemble

Full Score

2 Flutes (2nd doubles Piccolo)

Instrumentation Instrumentation Instrumentation

2 Flutes (2ndPiccolo doubles Flute (doubling andPiccolo) Alto Flute) 2 Oboes (2nd doubles EnglishHorn) Horn) 2 Oboes (2ndEnglish doubles English Oboe (doubling Horn) Clarinets Bb b Clarinet in B-flat Bass Clarinet) 22Clarinets ininB(doubling Alto Saxophone in E-flat (doubling Baritone Saxophone in E-flat) Bassoons 22Bassoons Horn in F

2 Horns in F

Horns in F 22Percussionists 2 Trumpets C Glockenspiel 2 Trumpets ininC1: Percussion Trombones Flutes (2nddoubles doubles Piccolo) Vibraphone Trombones 2222Flutes (2nd Piccolo) with aluminum Oboes (2nd doubles English Horn) foil preparation (F4, G4, C5, D5; movement I. only) Flutes(2nd (2nddoubles doublesEnglish Piccolo) 2222Oboes Horn) Flutes (2nd doubles Piccolo) (low, medium-low, high, and very high) (withaasuspended suspended cymbal invert overone oneofofthe thedrums) drums) b 4 Triangles cymbal totoinvert over 22Timpani Clarinets bdoubles 2Clarinets Oboes(with (2nd English Horn) 2Timpani ininBBdoubles Oboes (2nd SplashEnglish CymbalHorn) 22Percussion Bassoons 2Bassoons Clarinetsin inBplayers) Bb b Sizzle Cymbal 2Percussion Clarinets (2(2players) 5 Shakers (arranged from high to low on a padded/foam surface) Bassoons 22Bassoons *,*Suspended *,*Small Percussion1:1:Bongos Crotales(2(2octaves), octaves),Sizzle SizzleCymbal Cymbal , SuspendedCymbal Cymbal , Small Tam-tam, Tambourine Percussion Crotales Tam-tam, Tambourine 2 Horns in F 2 Horns in F * * *, Suspended *, Bass Percussion2:2:Conga Vibraphone, Triangle,Sizzle SizzleCymbal Cymbal , SuspendedCymbal Cymbal , BassDrum Drum (tuned low) Percussion Vibraphone, Triangle, Horns in F Trumpets in C Horns in F 2222Trumpets in C Thesizzle sizzlecymbal cymbal and suspendedcymbal cymbalmay maybebeshared sharedbetween betweenthethetwo two percussionists. Bassand Drum **--The suspended percussionists. 2 Trumpets in C 22Harp Trombones Percussion Trumpets in C2: Crotales (2 octaves) 2Harp Trombones 2Trombones Trombones Marimba (5 octave) 2Celesta Ÿ~~~~~ (with a suspended cymbal Celesta withtoaluminum foil preparation (Bb2, F3; movement I. only) œ œ œ b œ œ œ œ # œTimpani Timpani toinvert invertover over one drums) a suspended cymbal one ofofthethedrums) œ œ >œ .Yœ # œ (with ≈ Thai Gongs (C#4, D4,over E4,one F4,ofF#4, G4, A4, Bb4, flat on a towel-covered surface behind the upper range of ≈ Œ (with Timpani (withPiccolo) asuspended suspended cymbalto toinvert invert drums) Flute (doubling Timpani aPiccolo) cymbal over one of thethedrums) Flute (doubling Ÿ~~~ the Marimba keyboard, sometimes suspended) Strings (minimum 10.8.6.4.2) Strings (minimum 10.8.6.4.2) œ ≈ œ œ œ œ b œ œ œClarinet Clarinet B-flat (doubling Bass Clarinet) Percussion (2players) players) œ œ >œ .Y # œ ininB-flat (doubling Bass Clarinet) Percussion (2 Medium-Large China Cymbal Œ ings ngs≈ Percussion (2 players) Horn inFF (2 *,*Small Percussion players) Horn in Percussion 1: Crotales octaves), SizzleCymbal Cymbal*,*Suspended , SuspendedCymbal Cymbal , Small Tam-tam, Tambourine Percussion 1: Crotales (2(2octaves), Tam-tam, Tambourine Large CymbalSizzle David ClaySuspended Mettens David Clay Mettens mposers'Sinfonietta Sinfonietta mposers' Ÿ~~~~ * * œœ œ œ # œ œ œ œ * * > Unravelings Unravelings 1: Crotales (2Triangle, octaves), Sizzle Cymbal ,Suspended Cymbal ,, Small Tam-tam, Tambourine Percussion Crotales (2Triangle, octaves), Sizzle Cymbal Cymbal Tam-tam, Tambourine Pedal Bass Drum *,,*Suspended *,,*Small œ œ b œ œ œ œ # œœ Percussion œœ œœ œœ #..# œœPercussion 2: Vibraphone, Triangle, Sizzle Cymbal , Suspended Suspended Cymbal Bass Drum # Percussion œœ ––Vibraphone, 2:1: Vibraphone, Sizzle Cymbal Cymbal Bass Drum Vibraphone, Small High Bongo, Guiro, and Wind Gong (with 2-3 coins taped to the front gong) ≈ #Percussion Percussion Small Triangle, High Bongo, Guiro, and Wind Gong (with 2-3 coins taped to the front of of thethe gong) (doubling Piccolo) David Clay Mettens doubling Piccolo) David Clay Mettens for the Eastman Graduate Composers' Sinfonietta for the Eastman Graduate Composers' Sinfonietta *Suspended Tam-tam *,the *,*Bass ≈ ŒThesizzle Vibraphone, Triangle, Sizzle Cymbal ,theSuspended Cymbal , BassDrum Drum 2:2:Medium Vibraphone, Triangle, Sizzle Cymbal Cymbal -The sizzlecymbal cymbal andsuspended suspended cymbalmay may beshared shared between twopercussionists. percussionists. **Percussion -Percussion and cymbal be between two

Instrumentation Instrumentation Instrumentation Instrumentation

Instrumentation Instrumentation

PerformanceNotes Notes Performance

2 suspended 2and Ÿ~~~~~ Piano Assistant) (with Assistant) *3--The The sizzlecymbal cymbal suspended cymbalmay maybebeshared sharedbetween betweenthethetwo two percussionists. *(with sizzle and percussionists. > 4 44 !! 22 Piano 3 4 33 cymbal œ # œL œ#œ . Harp Harp ! ! ! ! Harp #L œ J K b n # J K b n # . 44 Œ Gossamer 44Œ qHarp 4(33 44than 4 cents) tone partial tone(33 cents)lower lower than , ,approximating approximatingananuntempered untempered7th 7th partial œ4sixth Œ Gossamer q==50 50# 4sixth 2 2 Harp 2 Violins Piano 2 Violins Celesta 44 3 Flutes 44 doubles 33Piccolo) 44 ! ! 22 ! ! 3 3 ! ! 4 4 33 2Celesta (2nd 2Celesta (2nd doubles Piccolo) ! ! ! ! ! ! Celesta & 4B43Flutes 4 4 4 4 4 4 4 &Œ 44 !! Viola 4 4 4 4 4 4 4 Viola B quarter tone lower µ quarter tone higher tone lower µ quarter tone higher ∑quarter(2nd 2 Oboes doubles English Horn) 2 Oboes (2nd doubles English Horn) jet whistle 2 Violins jet whistle . Cello 22Flutes (2nd Cello Flutes (2nd doubles Piccolo) ±10.8.6.4.2) Strings (minimum 10.8.6.4.2) AA doubles ±. Piccolo) Strings (minimum b Viola b 2 Clarinets in B 2 Clarinets in B Strings (minimum 10.8.6.4.2) (minimum œœ bœDouble Oboes (œ(2Strings p7 of Bass GBass ), ((2nd of Indicates that of of anan untempered 7th7th or or 11th partial 2p7 Oboes doubles Horn) 22 bDouble 44(4p11 JG) j the p11 ofjjG) Indicates that theperformer performershould shouldtrytrytojettoapproximate approximatethetheintonation intonation untempered 11th partial Jœ10.8.6.4.2) b œ. Horn) ‰‰doubles ‰‰ English ÓEnglish ˘œ(2nd Ó ∑œjjofœœœGb), b œ #œ > Cello whistle J ∑œ nœnœœ œ̆ 44 œ jet whistle œ œ œ 4 . . b y Bassoons ± ± instruments, the thethe reference fundamental is given in concert Ÿ~~~~~ AAofoftransposing thegiven given fundamental.InInthe thecase case transposing instruments, reference fundamental is given in concert !! Vib.Vib. ininBbBbœbyb œ œ ofof " fundamental. œœ!!@œœ œœ @ n œ 2 >Clarinets 2 222Bassoons JClarinets 2 3 p f .. # # œ#œ # œœ@ 3 3 p f ≈ ≈ # œ œœ b œœ b œœ œœ œœ‰œœ œœ@4 b œThe b œ œ œhornplayers b œshould should correcting thethe intonation. 22 b œPerformance 44 4‰these players produce these without correcting intonation. 44 ŒŒŒ # #œœ Œ Œ n"œn œ œ œ œjœj pitch. Jpartials 4 œj jœproduce j jJpartials 22Bassoons Œ pitch. ‰ ‰Ó Ówithout Bassoons Œ4 ‰ ‰The ‰ J J horn Notes 4 n œ 4 4 n œ 4 œ œ 4 b yb y 6 22Horns in Horns f F finFF!! jetjetwhistle General !! whistle General 3. 3. 3 3! ! General General ± ± General pp f f œ 2 Pno. Harm. General 2œ >≈ œ œ Ÿ~~~~~~~~ General o in 23Ÿ~~~~~~~~ Trumpets inFinœtrills C ≈ ŒHorns Œ Pno.>in oHarm. F All are half-step trills. 2 Trumpets C œ 2 Horns All trills are half-step trills. œ # œ œ œ # œ 2 œ 3 3 œœ ‰‰ jtone ŒŒlower ‰ . b bn n# ,#Œ,approximating jtone J42JJ42JTrombones KTrombones ŒLLL sixth KKŒTrumpets (33 cents) an 4Œ Œ R than 4 th partial thuntempered sixth (33 cents) lower than approximating an untempered œœtone œin th partial jetjet whistle b y œ Sixth-tone (31 cents) lower than untempered 7an partial Trumpets C whistle Sixth (33 cents) lower than approximating untempered 7.7th partial sixth tone (33 cents) lower than an untempered 7th K L b y .7th 2 in C Sixth (33 cents) lower than ,an approximating an untempered 7 partial ! sixth tone (33 cents) lower thanb bn n# ,#,, ,approximating approximating an untempered 7th ! ± œ œ ± 2 Pno.Pno. Harm. 2 Harm. ≈ œ œ 22 ‰ ∑ o 222Trombones o pp ! f f 44 µ µquarter Trombones 2Winds 3lower 3the BTimpani quarter tone tone 3 3 j jquarter-toneŒhigher, Winds m M 3 higher ! Œ ‰ B quarter tone lower quarter tone higher d + z X S A O p i = ! ! Œ ‰ Œ Œ Œ and three-quarters-tone higher jD B quarter tone lower µ quarter tone higher Timpani (with a suspended cymbal to invert over one of drums) 4 8 4 4 Quarter-tone (50 cents) lower, three-quarters-tone lower, 2 4Œ to invert tone µ quarter tone higher suspended cymbal over one of43the drums)œ œ œ œ b yb y 4B quarter(with ! ! a8lower ‰ œ .Winds Winds 4 pizz. 4 !! tongue ≈ tonguepizz. œTimpani œofbofœthethe 3cymbal (with a asuspended cymbal totoinvert over one drums) 21to approximate the intonation of an untempered 7th or 11th partial 3 Timpani (with suspended invert over one drums) ≈ œ œ Œ Œ œ œ œ Ÿ~~~~~~~ 44≈ œŸ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 j 3 (gradually p7 ofoof G ),),(4(from p11 of G) Indicates that the performer should try p microtonal t. An alternate fingering trill (also known as a timbre trill or microtonal trill) Ÿ~~~~~~~ 3 4 j 3 ( p7 G p11 of G) Indicates that the performer should try the intonation untempered 7th or 11th partial change normal tone ! ! Ó Œ Œ œ ( p7 Indicates that the performer should try toto intonation of of anan untempered 7th7th or or 11th partial = + p f f the G key t. An alternate fingering trill (also known as a timbre trill orapproximate trill) o gradually change from normal tone > Percussion (2 players) ! ! Ó Œ Œ Gradual transition from one technique to another 44 d 3 (#4œ4) toPercussion 4fingering (breathy, G ),44((2 p11 ofAn G) Indicates that the performer should try toapproximate approximate the intonation of an untempered 11th partial alternate or timbre trill -o Gplaying key œp7 (# œ )ofunfocused players) 4 An alternate fingering or timbre trill j o f tone > the given fundamental. case transposing instruments, the reference fundamental is given given in concert concert CCj unfocused œ j tone j the œfundamental. œœ breathy, + ∑œ In ofof the given fundamental. the case of transposing instruments, reference fundamental is given given in concert concert j œ 35œJ35toPercussion œfundamental. given In transposing instruments, thethe reference fundamental is in *,of *,*Small Ó ofof œ In t.Ÿ~~~~~~~~ (2 players) piano intonation the given Inthe thecase case ofSuspended transposing instruments, the reference fundamental is in 24f>the 34+Cymbal *of 1:1: Crotales (2 octaves), Sizzle Suspended Cymbal Tam-tam, Tambourine tongue pizz. @ match t.Ÿ~~~~~~~~ œ œ (2 players) match piano intonation f ‰Percussion Œ ! œœæ (Œ# œ)œ@ œœ BB Winds O œ(∑@# O )Percussion œ œ Percussion Crotales (2 octaves), Sizzle Cymbal , Cymbal , Small Tam-tam, Tambourine tongue pizz. œ 4 3 3 œ œ pitch. The horn players should produce these partials without correcting the intonation. Gradual change from normal tone to breathy, slightly unfocused tone 3 ! # Œ Œ ! Ó Œ ‰ ‰ Œ Ó œ 4 3 O OO3# Oshould J J pitch. The horn players should produce these partials without correcting the intonation. pitch. The horn players produce these partials without correcting the intonation. Gradual change from normal tone to breathy, slightly unfocused tone Fl. 3!j Brass 4 4 ! # Œ Œ Ó Œ ‰ ‰ Œ Ó * * * pitch. The horn players should produce these partials without correcting the intonation. Fl. & 3 3 j 4 4 3 O O b O Brass & 4 4 1 ! Percussion 1: Crotales (2 octaves), Sizzle Cymbal , Suspended Cymbal , Small Tam-tam, Tambourine * * Percussion Cymbal Bass Drum 38 ‰‰bbœtoæ1 œæ3Fcompletely 3Percussion j.2: 44octaves), j4 43 ,,*Small O! !O b OSizzle flf Kœæ!æ œ@@2: !! flf 8breathy "Vibraphone, !! (24Triangle, ! ! 4,*44Suspended ÓSuspended Œ Œ Œ Cymbal Percussion 1: Crotales Tam-tam, Tambourine æœæunfocused O3# O Cymbal 3 Vibraphone, Triangle, Sizzle Cymbal , Cymbal , Bass Drum " Ó Œ 4 œ 4 3 p Ÿ~~~~ $ 4 4 breathyŸ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ to completely unfocused C osizzle *with *,*Bass unfocused, KGradually œGradually œcymbal $ .Gradual oo >œ .Yow(3*##Percussion > completely change from breathy, unfocused tone totovery airy C cymbal and cymbal may bebeslightly shared between the two percussionists. osizzle 2:2: Vibraphone, Triangle, Sizzle Cymbal ,*with Suspended Cymbal Drum cover the opening of the harmon mute one hand. > completely Gradual change from breathy, slightly unfocused tone very unfocused, airy *oœ)--The The andsuspended suspended cymbal may shared between the two percussionists. 5 Sizzle o++All Vibraphone, Triangle, Cymbal , Suspended Cymbal , Bass Drum 3 33 Ÿ~~~~~~~~ cover the opening of the mute one hand. ! 5 harmon 3œ Percussion œ œ P f Ÿ~~~~~~~~ Flute harmonic trills: While trilling between two fingerings, change partials to obtain the indicated harmonics. trills are half-step trills. r p j j 2 3 P Œmay are half-step trills. jsizzle f . cymbal ‰‰ ŒŒŒ œ # œ jŒœŒ œ‰Œ Harp "cymbal !suspended half-step trills. sizzle bebeshared thethe two percussionists. œtrills ‰+/j(# œ˘œ)@@j *œ*æœ-Œ -The Jœ @œœAll All areand half-step trills. j. œœtrills @œ! pHarp "cymbal !4suspended RH C # (slow) The and cymbal mayshown shared between two percussionists. Œ œœ fingerings ∑4 inbetween œœ@Ÿ~~~~~~~~ # +/-t.RH C # (slow) Ÿ J ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Fundamental are the parts as diamond noteheads and the sounding pitches are normal œ œ œ œ bbœStrings œ œ œ æ @ œ # O # œ ( ) O ( ) œ œ œ œ œ ˘ b œ Ÿ~~~~~ œ. 3 t.œŸ.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙˙ ˙ .˙ . > > 3 >œbJ.œJ# œ Strings œ . 4 4œR ‰œ. .Œ 3 Harp breathy to completely unfocused noteheads above them. ‰ Œ Œ # J ! ! Celesta # œ #œ b Cl. J C Harp breathy to completely unfocused œ . o B p & 4 4 R‰ Œ Ó Ó 4 43 ‰ Œ 3 Œ # J # œŒ Celesta 3 C Œ o B b Cl. Œ Horn p & 3 π 3 3 sempre Horn 3 3 1 1 3 2 r! ‰! 3 . $ Œ ƒƒ ! j 3 ! j3 j 3 Winds 1 Celesta Celesta ! 4j‰bracket jindicates Winds Winds j !!∑œ œ œ Winds ‰ Œ ‰ ‰ Œ Œ ! ! horn A note name with a dashed indicates The note name is the sounding ∑ Ó @ j $ @ @ jj "G " a natural @ 1 ! @ 4 @ j @ @ G @ œ œ œ œ œ œ œ ‰ Œ ‰ ‰ Œ Œ A note name with a dashed bracket a natural horneffect. effect. The note name isfingerings the sounding @ æ @ @ @ . @ @ @ and should always be interpreted as unmeasured tremolo. b œ b œ œ b œ œ œ @ @ G reed 4 t.ŸŸ~~~~~~ @ G Oboe extended: Pull the reed almost entirely out of the instrument to produce a distorted, multiphonic timbre on in Strings (minimum 10.8.6.4.2) th # œ œ œ œ œ æ @ . œ . K œ œ œ œ œ œ œ œ œ œ œ œ tongue pizz. d œ œ and should always be interpreted as unmeasured tremolo. b œ b œ œ b œ œ œ d œ œ Strings (minimum 10.8.6.4.2) th fundamental, but the written pitches are transposed for Horn in F. Play this figure as the 6 œ œ œ œ . Œ ∑ + + œ+ œ pizz. œ + œ œfor œ 10.8.6.4.2) K tongue # œ # œ d œ œ t. œ~~~~~~ d œ > > œ œ œ fundamental, but the written pitches are transposed Horn in F. Play this figure as the 6 œ œ 4 3 Strings (minimum 3 œ œ # œ # œ K the first octave. Use a lot of air pressure and a firm embouchure. Distortion increases as the oboist takes in more Ÿ~~~~~~~ Ÿ~~~~~~~ Œthrough ! pa!asas ‰ ‰ Œ Œ Do not ! ! position for ! ! ∏ F‰ ‰or th(also œœ K4œ3œ "œ"(minimum œmicrotonal œ œ fundamental. An fingering trill (also known timbre trill oror microtonal ‰‰ JœJ œ ‰Hn. Œ Ó& ‰An Œalternate ŒŒŒ Œ 10.8.6.4.2) !! trill t.Ó& An alternate fingering known aaatimbre trill trill) 4 44change valve 4 43 œD) r p Ÿ~~~~~~~ Ÿ~~~~~~~ Œ 14 partials of sounding G th(also œ 3 (written alternate fingering trill (also known as a timbre trill or microtonal ‰ ‰ Œ Hn. t.t.pt.pStrings An alternate fingering trill known as timbre trill microtonal trill) 3Œ r p p through 14 partials ofthe a3sounding G Notes (written D) fundamental. Do not valve position forglissando, 4 >9 start immediately, of ∑the reed, with touching thevalue. thread. The in resulting pitch sounds about achange half-step lower than the 2 at ? ∑3 Œ almost rthe All glissandi beginning note parentheses show the general speed or pace of of the G key ‰ . lips ‰ b œj≈of j the j Notes the bracketed passage or “correct” the intonation of any of the partials. 4 4 " F immediately, at the beginning of note value. in parentheses show the general speed or pace the glissando, > -G 9 œstart ∑o key œ œ3 œ œ jAll ∑glissandi # œ œ œ œ œ f the bracketed passageœ or of any œ œ the œ intonation . “correct” " F of the partials. " # FFwritten pitch. f œœo œœ > +Brass should not be emphasized in any way. j bongo > œbut " Brass Ÿ ~~~~~~ tongue pizz. j ƒ∏ should not be emphasized bongo œbut ˙. 44 4 3 3 Brass F‰ pizz.y j Œ Ÿœ~~~~~~ tongue Brass ÷F+÷General Œ Œ4 Œ Œ in anyt. t.œway. Œ Œ œ pizz. y ! ! ! 4 3 ‰ Œ œ pizz. Piano Assistant ŒŒfy ŒŒAssistant !! Trill ÓÓ the ‰ ‰toJ Janother ‰ ‰3Œharmon Ó!Ó∑ mute Œ Œfnote Œhand. D aŒnote fingering that microtonal on y Œ OR a! very 4 trill, depending ! ! 4 r ‰same 44 from 3"while >ojGeneral OOO # OBisbigliando: ∑cover ++++Gradually onPiano 4Play 4for Gradually the the mute one General " O∑O OO bbOOPerc. Œopening Œharmon "with ‰making ! 3 subtle D cover opening ofofofofthe with one hand. o r the given rhythm exactly in time a glissando from the first to last pitch. o f f 4 & Gradually cover the opening the harmon mute with one hand. œ General # O œ ˙ œ œ œ œ œ œ œ œ 3 œ Gradually cover the opening the harmon mute with one hand. B Perc. ‰ œ context, ease, and availability of alternate fingerings. match piano intonation Play the given in Œtime while making glissando from œœ (33 > >untempered JJ &KKpiano bend n n#3,#of3b,approximating O The tone lower than partial œ LLœ11sixth œ the œrhythm œ to œ œŒ b œ Œ œ œ43 3 b œbcents) œ œopposite œexactly Œ an Œuntempered Œa7th bpartial œ b3œ harmonics, Œ Œ the44 first Œ Œlast bstrings, œ b œpitch. Œ Œ and ‰ ‰Jglissando match piano intonation Perc. assistant stands atat the piano and reaches inside to produce b 4 pluck & # non. vib. sixth tone (33 cents) lower than approximating an 7th f œ b œ Œ Œ Œ Œ Œ b œ Œ JStrings K L b n # >fJ J > sixth tone (33 cents) lower than , approximating an untempered 7th partial Perc. The piano assistant stands the opposite end of the piano and reaches inside to produce harmonics, pluck strings, and glissando & 4 4 # non. vib. 3 J13Ebdifferent Kj L 3sixth b n # , 1.approximating œplastic credit7th 3 3 œ . plectrum œ œ an(af#untempered tone of (33 cents) lower than partial "will 5 2 2 4 3 Strings over areas the strings with a fingernail and card work). The pianist plays only on the 3 ˘ Score ? Strings 3 ÓÓP ! Œ 3 J " "will work). The 3pianist plays only on the ∑425 Œ Brass ∑œœ strings Œœfingernail ≈tone J and 4Score 3 Strings over of anquarter plectrum (a plastic credit card 442"the B œdifferent . . 4œ3. Kb ˙œ . . areas ˘œ ∑ !BB≈quarter Œ 4with lower µ higher P nquarter 3 o 3 J 4 K˙tone 4 keys. 4 o o 3 o o3 3 o œ quarter tone lower µ tone higher 3 D 4 man 3 3 o Œ quarter tone lower µ quarter tone higher 3 # trill o o o o references keys. >am ! # ‰ ‰ Œ Œ Œ Œ Œ Œ Œ bœ o œ A name with a dashed bracket or arrow indicates “natural horn” playing. The note name is the sounding ∏ F +carried..." Cnote key $ K œ K œ K œ K œ R "Sleeping I is based on a melodic fragment from Alban Berg's Mombert setting "Schlafend trägt mich," Op. 2, no. 2. I scatter ( ) ( ) ( ) ( ) D - G key 4 4 4 3 B quarter tone lower µ quarter tone higher a2& # F b œ ! # ‰ ‰ Œ Œ Œ Œ Œ Œ Œ Œ ( ) ( ) + C trill key $ j oœo key œconnection Kœ ) Op. Rpitches I am carried..." isbut based onwritten a melodic fragment from( KAlban Berg's Mombert setting "Schlafend man(mich," 2,the no.bracketed 2. I scatter references ) match ( Kœ ) trägt ( Kœ ) -G 4the 4 11 ˘should piano intonation 12 & ˘œ"Sleeping and always be interpreted as unmeasured tremolo. j # œ 3. isare b œ b œ b œ ˙ fundamental, the transposed for Horn in F. Do not change valve combinations for ( ) ( ) j œ œ œ f j to this melody throughout, but perhaps most noticeable the poetic between Mombert's imagery and atmosphere and form of my piece. In a . P should always be∑Obe interpreted unmeasured tremolo. match piano intonation ∑ ‰ (toand Œœand œ should ‰), ( throughout, BG p11 G) Indicates the performer should try to between approximate thefollowing intonation ofthe anatmosphere untempered 7th or 11th partial + this œœof always interpreted unmeasured tremolo. jofmelody ?asthat #of O The nG) OG) œ j should non. vib. rmark J over frthe most isJany the poetic connection Mombert's imagery and and form of3isor my piece. In a P J(p7 bbut O interpreted Œnoticeable ≈return assistant nodes on the low strings to produce the harmonics: thof th7th œ ∑ Pno. JG and should always be asas unmeasured tremolo. p7 ), ((passages p11 that the performer should try to approximate the intonation anth,untempered 7th 11th partial O perhaps bIndicates O+ Indicates ), p11 that performer try to approximate the intonation of an or 11th partial + œ of œœof 3 should 3 3untempered Pno. or “correct” the intonation of of the partials. The “out of tune” quality of the 7 , 11 and 13 partials + dream, Mombert's speaker traverses a great distance to home, passing a landscape whose rough outlines and blurry forms appear only in peripheral # O n O œ non. vib. J 2 b œ O b O The assistant should mark nodes on the low strings to produce the following harmonics: ! ‰ ?fdream, ? 4 3 O b O of the given fundamental. In the case of transposing instruments, the reference fundamental is given in concert ( p7 of G ), ( p11 of G) Indicates that the performer should try to approximate the intonation of an untempered 7th or 11th partial 4 2 3 2 4 3 3 3 3 3 ! # b distance ‰ 7th2to ‰ home, Œcase Œ7thtransposing Œ4th Œinstruments, Œ One Œfundamental Œgiven Œdisappear speaker traverses aPartial great return passing over a musical landscape whose rough outlines andthe blurry forms appear only inconcert peripheral 4?In œœfundamental. b aœfundamental. 5th ‰ Œ Ó 5th! 5th & 4reference 4 3 >œ .2ŒMy ˘Mombert's ? 4Œ with O K ˙ œ ∏ F of the given In the case of transposing instruments, the reference fundamental is given in concert . of the given the of the is in vision. piece transports the listener through hazy sonic landscape of overlapping ideas. idea emerges and comes into focus, only to especially desirable. numbers are sometimes included for clarity. Fingerings appear fundamental note 4 3 2 4 4 4 4 4 4 ! # ‰ ‰ Œ Œ Œ Œ Œ Œ Œ Œ b œ # O n O # œ b ˙ b ˙ All glissandi start immediately, at the beginning of the note value. Notes in parentheses show the general speed or pace of the glissando, 4th 5th Œ ‰ Œ Ó ! Œ 7th 7th 5th 5th & 4 4 œœglissandi partial partial .. #2# My partial partial partial partial O bO œœ Œ piece œother, .Notes ofWispy the given In case ofoNotes transposing instruments, the reference fundamental is œthe given indisappear concert pitch. The horn players should produce these partials without the intonation. vision. transports the listener through athe hazy landscape ofK˙overlapping musical ideas. One idea emerges and comes into focus, only toIn 22âimmediately, 44atthe œ Ithe œ correcting œ intonation. 4start 4oplayers 4 4 4 3 œfundamental. $ at beginning ofsonic the note value. in parentheses show the general speed or pace of the glissando, n O b ˙ b ˙ All glissandi start immediately, the beginning of the note value. in parentheses show the general speed or pace of glissando, fl ∑Ó O b O O OOŒ # OAll ! o o o o o o again, as another comes to the fore. lines in strings and flutes wind around each and rumbles ascend from the depths of the orchestra. a partial partial partial partial partial partial and bracket/arrow in the parts. pitch. The horn players should produce these partials without correcting the pitch. The horn should produce these partials without correcting the intonation. 4 4 œ the œ speed All start atany the beginning of the value. ineach parentheses show general or pace oforchestra. theœ glissando, Œ not Œâimmediately, Œ$wind butglissandi should be emphasized in way. °‰as fl& Ó ∑ ! fore. P ostrings oshould oœ Ithe o ( KœNotes omolto o chorale. o This again, as comes to the lines in the and flutes around and rumbles ascend from the oftotherest In a j end, jnote b Wispy œin ˙way. "depths pitch. The horn players produce partials without correcting the sul. pont. other, 4 4 ) these ord. moment ofanother clarity near the Berg's vocal line appears complete bass line of a) oradiant subsides, and theintonation. piece comes on an extended but should not be emphasized in any molto sul. pont. (# œ ) $ IV/4. but should not be emphasized any way. ° œ f P 35 ( b œ œ ˙ ˙ œ " ( ) ˘ J 2 œ molto sul. pont. K œ > pizz. (the ) bass ( ) K œ # œ 3 II/3. & # œ ord. ( ) ( ) ord. moment of clarity near the end, Berg's vocal line appears complete as line of a radiant chorale. This subsides, and the piece comes to rest on an extended but should not be emphasized in any way. molto sul. pont. ( ) ! ‰ œ IV/4. # œ # œ œ % œ ) 4O dream world. 35 >pizz. . ( Kœ ) of( (the ˘œ ( ) œ (œb‰œ.) melody in the strings, concluding with a final evaporation Ÿ~~~~~~~~ ∏ πOII/3. 4 Œ 3 pizz. 3 All trills are half-step trills. ( #. œ ) Œ ( œ ) ‰ ord. . ∑ P ∑ œ # œ # % Œ Œ # ‰ Œ ‰ ‰ Ó ) r œ œ j Ÿ~~~~~~~~ Vln. 1 O O & 4 4 3 . in key the strings, with atrills. final ofinthe dream world. pizz. P Vln. 1 &melody jet whistle # trill All trills are half-step @Jevaporation 4 toŒlast pitch. @R time ? 3 concluding Play the given rhythm exactly while making a glissando from the first All trills are half-step trills. . . . +œCœ . & Œ Œ # ‰ Œ ‰ ‰ Œ ‰ ‰ Ó " r J O O O O O œ œ j æ Ÿ~~~~~~~~ R $ Schlafend trägt man mich Sleeping, I am carried @ 4 to to 4 @a glissando ±±.giventrills. jetthe whistle œœŒtrills are half-step given rhythm in intime while making glissando from thethe first lastlast pitch. ∑ Œ ˙ All ‰ man Œwhile Playthe rhythm exactly time making from first pitch. & p@J ?exactly &bfæ+œœCœœœ# jtrillj key pj jPlay j@R2time O O" p O O O Rhomeland. Schlafend trägt mich I am carried @bJœtoaSleeping, b œ n œ @ œ f " $ œ Play the given rhythm exactly in while making a glissando from the first to last pitch. in mein Heimatland! my Duration & p b œ n œ 2 p O2n O O˙b O œ + œ jœ4 œ # œ j œJ bfJœœsul.œœ#pont. 2n œ sul.f pont. œ"homeland. n4œ sul tasto œ Heimatland! $ p b œto! mybafar !inœ mein 2œ œichœ her,b œ molto ‰≈molto ‰ suljÓsultasto˙tasto Ferne Œ J sul. Œ#4 O2˙n O O b O O Ob Ob O+ œ 44 ‰‰ b ± 4 4 44 ÓÓ ! ŒŒœ œJ .ŒBetween J 2 4 komm . œ molto sul.From pont. ! 3 I come, molto pont. sul tasto j ˙ 4 r 4 j ! ‰Winds ‰ Ó Winds j Œ pthe 3 I come, rehearsal F ‰∏ and4 H, assistant aüber plectrum toich glissando over the mid-range strings between the bridge and the 4 4b œover Ferne komm her, From afar 44 œ jπuses rstrings œassistant œ 4jœ depths, b ± b# ˙ Winds Gipfel, über Schlünde, over peaks, over j 4 3 ! ∑Vln. 2 hitch Œ&Between ‰ Œ ca. 14 minutes . rehearsal F and H, the uses a plectrum to glissando the mid-range between the references ˘ ‰ Œ Œ ‰ ‰ !bybridge ! Winds p ∑ ∑ 4 œ 3 a melodic œfarthest œ œofœ depths, œb˙# 4man 4 3 â ˙pin b œ I am carried..." is based on fragment from Alban Berg's Mombert setting "Schlafend trägt mich," the Op. 2,a no. 2.and I scatter über Gipfel, über Schlünde, over peaks, over ˘œ"Sleeping (at the very end of the string, from the keyboard), but not on a section strings dampened ribbon. The p 4 ˘ . œ œ œ œ œ œ über ein dunkles Meer over a dark sea ‰ Œ Œ ‰ ‰ ! ! fon J> P 6farthest & 4man 4 âglassy, I am carried..." isfingering based atrill melodic fragment from Alban Berg's Mombert setting "Schlafend trägt mich," 2,aform no. Imy scatter references ‰ . Vln. œ 2 œ "Sleeping ‰melody Œ I(at am is of based fragment from Alban Berg's Mombert setting "Schlafend man mich," Op.Op. 2, 2. I2. scatter references 3melodic hitch the very from the but notover on section strings dampened byno. ribbon. The >f œ"microtonal 3carried..." 6 end œfstring, Ÿ~~~~~~~ ˙ pin œthedistinctly œonamost œnoticeable œhomeland. œ" œofträgt this throughout, but perhaps is6" like the poetic connection between Mombert's imagery and the atmosphere and of piece. In a über ein dunkles Meer aadark sea +metallic C #keyboard), trill key " " t.to"Sleeping An alternate (also known as a timbre trill or trill) Ÿ~~~~~~~ is brittle, and not pitched, a guiro. P 2 R Œ sound p f in mein Heimatland. to my & t. An alternate fingering trill (also known as a timbre trill or microtonal trill) "Sleeping I am carried..." is based on a melodic fragment from Alban Berg's Mombert setting "Schlafend trägt man mich," Op. 2, no. 2. I scatter references > ‰ " > Ÿ~~~~~~~ œnot œgreat œtrill œ œ toœinknown œthepoetic this melody throughout, but perhaps is" like poetic connection between Mombert's imagery the atmosphere form of"my piece. j#timbre to perhaps most noticeable isreturn the between imagery andand the"and atmosphere andand form ofonly my In aIn a 4home, trill key guiro. "microtonal t.tothis alternate fingering (also as aCconnection trill trill) Ÿ~~~~~~~ œthroughout, œAn œ brittle, œalternate œ œ pœbut œtraverses œ œœEadistinctly œmost œtasto˙œnoticeable œ(also sound isMombert's glassy, and pitched, a+Mombert f pont. " dream, distance passing over asul. landscape whose rough outlines blurry forms appear inpiece. peripheral f melody Heimatland. toMombert's my homeland. œspeaker œknown œmein molto or molto sul. pont. sul tasto &sultrill P). All rights reserved. t.this An fingering as ametallic timbre trill microtonal trill) jor -œAlfred (1872-1942) j # œ œ to melody throughout, but perhaps most noticeable is the poetic connection between Mombert's imagery and the atmosphere and form of my piece. In a œ œ > # O n O + œ dream, Mombert's speaker traverses a great distance to return home, passing over a landscape whose rough outlines and blurry forms appear only in peripheral ∑ reserved. ÓP transports ‰ listener ‰Mombert dream, speaker traverses aœE great to sonic return home, passing whose rough outlines andand blurry forms only to in disappear peripheral sul. molto sul. sul tasto tasto O b over O (1872-1942) rights j pont. ideas. œdistance œ One œ sulidea MyŒpont. piece the through a hazy landscape ofŒ overlapping musical emerges comes intoappear focus, only ‰P).jAll ‰vision. Œ>˙ Mombert's O molto b Oaœ landscape - Alfred Jfwith Jhome, œ œ 6 a > # O n O + œ r 1 œ @ œ @œ ≈ œ@ œJ This ! “guiro” sound contrasts a fingernail glissando over the strings from F3 to G4 (and eventually higher). The pianist sets dream, Mombert's speaker traverses great distance to return passing over a landscape whose rough outlines and blurry forms appear only in peripheral > 4 3 O around œ œOne œidea œ3œthrough œ œ πa!inhazy œ4One Brass vision. piece transports the listener through athe sonic landscape of overlapping musical ideas. emerges comes into focus, toIn Transposed Score @ My piece transports listener sonic landscape of overlapping musical ideas. emerges andand comes onlyonly to disappear B ˙˙! r“guiro” ‰hazy Œ over Œthe ‰b O O œb ‰Oœfrom ‰ . idea ! into ! disappear ∏ Brass @vision. again, as. My another comes to the fore. Wispy lines strings and flutes wind each other, and rumbles ascend from the depths offocus, the orchestra. a ‰ Œ ! Œ Œ 4 4 ? This sound contrasts with a fingernail glissando strings F3 to G4 (and eventually higher). The pianist sets 4 3 œ œ 4 4 J J R " " " " 44œ bb1 œœœ@ œ œœœœ@. Vla. 3 4 Jofœeach œsostenuto œlineinaappears œThe œ assistant Brass Transposed Score . ascend #Berg's @˙œasnotes vision. My piece transports the listener through hazy sonic landscape of overlapping musical ideas. One idea emerges and comes into only toInextended disappear B ‰ strings Œ ring Œ wind ‰ca. ‰subsides, ! comes ! a . ofanother from F3 to E4 on the pedal, which out during the glissando. should quickly Brass œ œ seven @ @ again, as comes to fore. Wispy lines in the strings and flutes around each other, rumbles ascend from depths offocus, the orchestra. ‰ Œ ! ! Œ ‰ Œ Vla. œ œ œ ˙ 4 4 again, another comes to the fore. Wispy lines the and flutes wind around other, andand rumbles from thethe depths ofdampen the orchestra. aIn ? moment clarity near the end, vocal complete as the bass line a radiant This and the piece to rest on an 2 Duration 9 minutes œ œ ˙ œ œ œ 4 4 J J 3chorale. # ˙ + o . R f " " " " p ∑ Ó ‰ ‰ Œ J J â + o Gradually cover opening ofappears the harmon mute with one hand. seven from F3theto E4 on the sostenuto pedal, which ring out during the glissando. The assistant should quickly dampen fthe ‰ œJp ≈ J ‰ moment Œ strings Œ of clarity Gradually the the harmon mute with one hand. again, comes to the fore. Wispy lines inof the strings flutes wind around each other, and"(G4, rumbles ascend from the depths ofon a J Berg's Jdream near the end, vocal line complete as the bass of a9radiant This subsides, and piece comes toorchestra. rest anIn extended Duration -line ca. minutes these the palm of his or hand after the glissando, but allow highest pitch A4, and finally D5, not P moment of clarity near Berg's vocal line appears complete as the bass line of a radiant chorale. This subsides, and thethe piece comes tothethe rest on on an extended 3chorale. + ord. o f asnotes melody inanother thewith strings, concluding with aopening final evaporation of the4and world. pend, â + " molto Gradually cover opening of the harmon mute with one hand. f 6 5 o sul. pont. Gradually the opening of the harmon mute with one hand. b O ∏ πevaporation j strings these theconcluding palm ofBerg's his hand after thecomplete glissando, but allow thea radiant highestchorale. pitch (G4, A4, and finally D5,comes not on p P moment of near the end, vocal line appears as the bass linejof This subsides, and the piece toO the rest on anO extended ord. melody in clarity thewith strings, withor a final of the dream world.

General General

Instrumentation Instrumentation Instrumentation Instrumentation

Performance Notes Performance Notes Performance Notes Performance Notes Performance Notes Performance Notes

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Performance Notes Performance Notes Performance Notes Performance Notes

Program ProgramNotes Notes

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Program Notes Program Notes Program Notes Program Notes

Program Note In October 2016, I came across a collection of 9th and 11th century Japanese poems, in English translations by Jane Hirshfield. I was struck by the simplicity of these aphoristic poems, as well as the immense range and depth of their emotional content, exploding out of their modest, five-line forms. I’ve returned to them as sources of inspiration for my music a number of times over the last four years, first with Into the empty sky for sextet and electronics, and then in two groups of settings: In this world for soprano and large ensemble and Ink Dark for mezzo-soprano and string quartet. As much as the poetry already aligned with the hazy dream worlds and delicate textures of my earlier music, its varied imagery also pushed me to expand my compositional language to incorporate new gestures, sound worlds, and musical juxtapositions. My piece for the Grossman Ensemble, stain, bloom, moon, rain, explores four such images that recur throughout the poetry collection. In the first movement, stains manifest as soft, sustained dissonant harmonies or noisy additions to the characteristic sounds of the instruments, like metaphorical guitar distortion pedals. At the beginning of the second movement, a simple dyad gradually blooms outward into richer and richer harmonies. The latter half of the movement re-imagines these dyads as luminous chimes accompanying distant solos. The final movement re-contextualizes several of the musical ideas and poetic images from the preceding two movements, reflecting the poets’ practice of recycling the same images with new emotional valences. Rain alternately suggests aging, loneliness and dejection, or a cool balm to relieve burning, racing thoughts. Here, it transforms harsh or brittle points into a blurry watercolor of bleeding colors and dripping harmonies.

stain, bloom, moon, rain

Score in C

David Clay Mettens

for the Grossman Ensemble

I. stain

Still, but intense q = 84

Flute

3 &4

∑

Oboe

3 &4

∑

Clarinet in B b

3 &4

∑

2 4

∑

3 4

∑

4 4

Alto Sax

3 &4

∑

2 4

∑

3 4

∑

4 4

Horn in F

3 &4

∑

2 4

∑

3 4

∑

4 4

∑

2 œi 4 ‰ J

∑

3 ã 4

∑

Piano

∑

43 b ˙ . i F ∑ 43

∑ ∑

∑

3 &4 ? 43

n œœ

∑

œœ

∑

° sempre ad lib.

Still, but intense q = 84

Violin I

3 &4

Violin II

œ œ

˙.

thai gong (suspended)

∑

42 ‰ 42

∑

bœ

n œœ ∑

re ∑

3 &4

> bœ œ Aœ

∑

b >œ

∑

4 4

∑

œi Œ ‰‰JŒ 3 π ∑

∑

? 43

∑

Harp

∑

3 &4

3 4

∑

Percussion 2

3 4

2 4

Percussion 1

high triangle

lS co

3 ˙.i ã 4 F 3 &4

med.-low triangle

bœ œ

∑

bœ œ œ œ 3 œ J œ 4 3

∑

bœ

b˙. p

∑

n œœ 3

bœ ˙

∑ œ œ

bœ

∑

4 4

bœ

44 44

∑

3 &4

∑

Viola

B 43

∑

Cello

? 43

∑

Fl.

4 &4

∑

Ob.

4 &4

∑

B b Cl.

4 &4

∑

3 4

∑

2 4

∑

3 4

∑

4 4

∑

A. Sx.

4 &4

∑

3 4

∑

2 4

∑

3 4

∑

4 4

∑

Hn.

4 &4

∑

4 ã 4

∑

4 ã 4

∑

3 4

∑

4 4

∑

2 4

∑

3 4

4 &4

∑

Pno.

? 44 4 &4

∑ bœ

? 44

nœ œ nœ œ J ∑

b >œ

43 b ˙ . i F ∑ 43 43

∑

thai gong (suspended)

∑

∑ ∑ ∑

∑

>œ b œ . b >œ . 3 b >œ œ œ œ œ œ œ n œœ œ J œ 4 3 3 f ∑ ∑ 43

42 42 42

∑

œ. bœ œ 5

p ∑

∑ ∑

43 43

∑

> bw b œ œ bœ œ œ. bœ œ œ œ œ 34 44 R R œœ 5 p5 π f 44 ∑ ∑ ∑ 43 b˙.

∑

b œ≤ . ˙ 3 J ≈ 4 ∏ ∑ 43

B 44

∑

? 44 Ó

‰

∑

Vln. I

4 &4

∑

Vln. II

4 &4

Vla.

Vc.

∑

4 &4

≈ œJ . i F

lS co

Hp.

∑

Perc. 2

4 &4

Perc. 1

Œ ‰ Jœ i Ó F ∑

low triangle

O O

3 ∏

# >O i J f

stain, bloom, moon, rain - Score in C

con sord. (regular mute)

∑

44 44

∑

œ J‰

poco string.

∑

B b Cl.

∑

2 4

∑

3 8

∑

2 4

∑

3 4

A. Sx.

∑

2 4

∑

3 8

∑

2 4

∑

3 4

Hn.

∑

œi 24 ‰ ‰ J Œ 3 P ∑ 42

2 4

∑

Fl.

Ob.

Pno.

∑ ∑

∑

? &

b >œ p

∑ n œœ

bœ œ bœ ˙ ∑

œ.

bœ œ

∑

bœ bœ

nœ œ

∑

b >œ f

∑

> bœ œ œ œ œœ b b œœ ˙˙ ∑

∑

crotales

42 œœ 42

soft mallet

p3 ∑

∑

3 8

∑

38 38

∑

#œ

38 38

j 42 ‰ ‰ # œ IŒ p ∑ 42

lS co

∑

24 o ˙ P 24 ∑

43 3 4 43 43 43

38 # œ œ œ 42 œ b œ b œ

∑

3 4 œ œ ∑ 43

poco string.

∑

Vln. I

Vln. II

Vla.

Vc.

very high triangle

Hp.

∑

high triangle

Perc. 2

œi . R ‰ Œ p

Perc. 1

med.-low triangle

∑

stain, bloom, moon, rain - Score in C

∑

Ob.

3 &4

B. Cl.

∑

3 &4

∑

A. Sx.

3 &4

∑

2 4

∑

Hn.

3 &4

∑

2 4

Perc. 2

Hp.

42 Œ

∑

3 ã 4 34 o & bœ ? 43

∑

j œ π

bœ

œ π

∑ ∑

∏ b˙ 42

œI

3 &4

Vln. II

3 &4

Vla.

B 43

Vc.

? 43

b˙.

practice mute

∏

∑

42 42

∑

OOoPOpoo

Vln. I

oboe

w. i

sizzle cymbal

bœ bœ

tam tam beater

w. I P

∑ ∑

∑

con sord. (regular mute)

B bw. bw. 32 ∏ b ww . b . 32 ∏ "f" practice mute n ww .. 32 ∏

+ ˙ P

3 2 bw. p

stain, bloom, moon, rain - Score in C

p ww . .

p ww .. p

˙˙ . 22 . 22

˙.

∑

Stark q = 72

œœ J ‰ 43

∑

j ‰ 43 œ

∑

3 4

∑

+ 3 ˙. 4

+ 2 w 2

∑

3 4

∑

2 2

∑

3 4

∑

2 2

∑

∑ w. w.

2 2

∑

b w . I (flutter/clear pedal?)

practice mute

q = 96

˙˙

∑

w. I p

32 32

∑

soft mallet

Suddenly frozen h = 42

∑

2 4 ˙ ∏

+ w

3 3 34 ∑ 42 & #œ #œ bœ nœ f 5 b œ # œ ? 43 # œ n œ n œ œ œ 42 b œ n œ œ œ bœ bœ bœ

+ 3 nw. 2 ∏

3 2

scrape with triangle beater

∑ bœ

tam tam

soft mallet

2 4 ‰

∑

3 &4

vibraphone

∑

b ww . b . 32 ∏ bass clarinet 32 bw. π 3 ∑ 2

3 2

∑

Pno.

2 4

∑

3 &4

∑

Perc. 1

3 ã 4

Fl.

Suddenly frozen h = 42

∑

q = 96

lS co

3 &4 21

∑

∑ w w

ww 22 22

2 . 2 ˙

∑

22 Ó

b œI

∑

∑ ˙. ˙.

Stark q = 72

43 43 43 j 3 œ‰ 4

π ˙˙ . .

π ˙˙ .. π

∑

5 27 alto3 flute

Perc. 1

Perc. 2

Hp.

Pno.

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

3 4

∑

4 4

∑

+ j & œ ‰Œ ∏ ã

Po ? œ

œo i Œ

∑

Vln. I

Vln. II

Vla.

& & B

∑ ˙. ˙.

∑ ∑ ∑

˙˙ . .

˙˙ ..

j Oœ ‰

∑

‰O œ > 3

∑

P oi Œ ‰œ 3

œo i

∑

π ‰ j b œ ˙ .I

∑

w w

ww 44

3 j j Oœ ‰ b œO œO . ≈ 44 ‰ ‰ b œO . > π

j Oœ œO P 3

3 j œO ‰ Œ Œ ‰ œO b œO > > π

stain, bloom, moon, rain - Score in C

b œo i Ó ‰ 3

∑

w w

44 3

∑

w w

∑

3 4

∑

π Fo o i 44 ‰ ‰ œ Œ Œ œ i Œ J J 44

∑

˙˙ . .

œO >

∑

˙. ˙.

? O œ > p

4 4

oi o ‰ œ ‰ ‰ Jœ i Œ

˙. ˙.

senza sord.

Vc.

Hn.

∑

3 j b3œ j3 j ‰ 3 j‰ Œ Œ ‰ 3 œ œ- œ œ- œ œ - œ œ œ œ 4

lS co

B. Sax.

3 j 44 ‰ ‰3 j œ œ œ œ œ π P

B. Cl.

‰œœ œ œ œ 3

Ob.

∑

Alto Fl.

j j3 j ‰ & œ- œ œ- œ œ p

43 43

43 43 43 3 3 j b O Oj j ‰ 3 œO b >œ œ >œO œO 4 P

C 3 34 j & œ- œ F 3 &4 33

Alto Fl.

Ob.

j3 j ‰ œ- œ œ

∑

3 j3 34 ‰ œ - œ œ œ- œ œ œP ∑ 43 3

j œ œj ‰ œ œ -

j ‰ ‰ œ œ œ j œj œ œ œ -œ œ 3

‰œ

∑

B. Cl.

? 43

∑

2 4

∑

3 4

∑

B. Sax.

3 &4

∑

2 4

∑

3 4

∑

Hn.

3 &4

∑

2 4

∑

3 4

∑

3 ã 4

∑

2 4

∑

3 4

∑

3 ã 4

∑

3 &4

∑

Pno.

? 43 œo 3 &4 ? 43

3 &4 33

Vln. I

Vln. II

Vla.

Vc.

œo i ‰ 24 34 ‰ œo œ œo œ œo i Œ Œ Œ j J J 3 3 3 bœ œI 42

∑

˙ ˙

œ bœ œ bœ

∑

œ 34 œ

˙˙ 42

˙˙ ..

? 43 O O œ œ >p >

∑

˙˙ . 34 . & B 43

42 j Oœ ‰

2 4

∑

˙˙ . 34 .

˙˙

43 ∑

˙˙ ..

3 3 3 3 ‰ O Oj O Oj 4 œ œœ œ O œ >p >

4 4

∑

4 4

∑

4 4

∑

oi o ‰ œ ˙i 3

Œ ‰ j b œ œI #œ œ #œ œ

‰ j bœ

∑

œ œ œ œ

b˙. p

∑

3 4

bœ ∏

4 4

lS co

3 &4

∑

Hp.

2 4

∑

Perc. 2

3 &4

Perc. 1

j ‰œ œ œ œ œ œ bœ P F p ∑

∑

o o ‰ œ œJ œ i Œ 3

˙.

#˙.

∑

o œ

bœ

˙. ˙.

˙. #˙.

˙˙ . .

˙˙ ..

j Oœ œO ‰ ‰ œO >

Oœ œOj > 3

stain, bloom, moon, rain - Score in C

j Oœ œO >

3 3 ‰ O Oj O Oj ‰ œ œ œ œ > >

o o œ œ Jœ 44 3

44 44

∑

b˙.

˙. ˙.

4 4

44 44 44

j 4 O 4 œO œO œO >œ > > 3

4 j & 4 œ œj œ œ- œ œ œ œj œ 40

j j œ ‰ œ- œj œ œ- œ 3

‰ œj œ œj . ≈ ‰ . œr w -

accel.

Ob.

4 &4

B. Cl.

? 44

B. Sax.

4 &4

Hn.

4 &4

∑

4 ã 4

∑

4 ã 4

∑

4 &4

∑

lS co

Alto Fl.

∑

4 &4

∑

Pno.

? 44 4 &4

œ bœ

o œ

o œ œ J 3

∑

w 4 w &4

Vln. II

Vla.

ww 4 &4 B 44

3 ? 44 O j j3 œ œO œO b œO œO œO œO > > > > P 3

Vc.

o œ

œ #˙.

∑

o œ œ œ J 3

o ‰ Jœ ˙

∑

‰ œJ œ π

‰ j bœ œ ∏

˙. ∑

∑

œ b˙.

œ œ J ‰Œ

Vln. I

∑

˙.

? 44 ‰ j bœ ˙.

∑

o ‰. œ R

∑

j æ ‰ œæ œ . π

very soft mallets

œæœœ œ

marimba prepared with aluminum very soft mallets

j ‰ b œæ œæ ∏

‰ j bœ œ œ

æ æ . œ b œœ ˙˙ . æ

(B b/B n) buzz

b œ œI

œI

˙æ˙˙ ˙ ∑

∑

b ˙i

∑ ∏ ‰ j bœ œ bœ œ

accel.

∑

w w

œœ J ‰Œ

∑

œœ J ‰Œ

∑

‰ b œj œ J ∏

˙w

b˙

j Oœ œO œO >

‰ Oj O Oj . ≈ Œ œ- œ œ .

stain, bloom, moon, rain - Score in C

vibraphone prepared with aluminum

∑

œ œ f

∑

j Oœ ‰ œO > p

≈

+ + ‰ . œr ˙ π

∑

? 44 œ œo œ n œo J 3

Hp.

∑

Perc. 2

j œ ‰

∑

Perc. 1

∑

‰

b >œ f

n œœ

bœ bœ ‰ J ∏ b b œœ ‰ J ∏ œœ ‰ J ∏

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

Vln. II

Vla.

sub.

bw π

+ & ˙ f ã

æ & ˙˙˙˙ f ã

? w w æ f ? ? &

& & B

+ ˙

œœœ i Œ œI p ∑

œœ ‰ Œ J p

∑

œ p

> œ bœ

b œœ

ww ww ‰ j & bœ π

ord.

ff " ˙

∑

2 4

∑

+ + j œ ‰ ˙ p

+ œ

∑

Ó ∑

œ œ

p œœ

b œœ

gentler

p œœ p

42 2 4

œ œ œ f

∑

gentler

∑ ∑

+ ˙. p

3 4

∑

∑ ∑

∑

˙ ˙

ff " œœ œœ ˙˙ "

∑

ff " œœ œœ ˙˙ . .

ff "

3 4

#œ n œ œ nœ œ

œ ‰ ˙ J π

œ œ œ œ

∑

œ œ œ

∑

2 4

#œ

3 4

2 + + 3 +j 3 + 4 œ œ œ 4 ˙. F

∑

ff " ˙˙ . .

ff " ˙˙

∑

˙. ˙.

2 4

∑

‰ ‰ œ œ J 3 π

∑

A tempo, intense q = 84

? b˙ . b ˙. F

+ + + œ œ œ f

∑

b˙.

w w

j œ œ ‰Ó

+ j ‰ ‰ +j œ œ p

∑

œ œ œ f

j œ œ ‰Ó

baritone saxophone

m.s.p.

Vc.

? bw π

Vln. I

œ œ

∑

B. Sax.

. & ˙

∑

34 Œ Œ œ œ œ 5 ∑ b œ œ œ- œ . œ œ- . # œ > f œ ‰ ∑ 42 œ œ œJ 43 ˙ J 3 π F

lS co

B. Cl.

∑

Ob.

Alto Fl.

A tempo, intense q = 84

n œœ

∑

. bœ œ. œ J 42 ˙˙ 42 p 24 ˙˙ p

∑

stain, bloom, moon, rain - Score in C

∑

˙. ˙.

" "

˙˙ . .

f ˙˙ . 34 . "f" . 34 ˙˙ . "f"

3 2 œ œ œj 3 ˙ . 4 4 F

gentler

∑

˙˙ .. ˙. p

9 51

Perc. 1

Perc. 2

Hp.

Pno.

∑

fade in singing/distortion

∑

4 4

∑

4 4

∑

4 4

∑

thai gong (suspended)

∑

+ & œr ‰ . ∏ ã

Œ Œ

remove aluminum preparation

∑

∑ ∑

Vln. II

Vla.

Vc.

‰ b JΔ œΔ π

F ˙Δ F

Vln. I

Œ̇ .

∑ ˙. ˙. ˙˙ . . ˙˙ ..

& œ ≈ ? œO Ȯ ∏ π

∑ ∑

∑

‰

∑

∑ b b ˙˙ .. π ˙˙ .. π

Ȯ ..

œ œ œ J

∑

œ œ œ. bœ œ

p ∑

. .

œœ

bœ ˙

œœ # œ ˙

≈Œ Œ

œ œ. œ bœ

˙ I. P

∑ œ bœ œ œ œ œ œ.

∑ b ≥˙ . n ˙.

# ≥˙ . F

stain, bloom, moon, rain - Score in C

∑ #œ œ

F b ≥˙ .

∑

bœ ˙ bœ ˙ ‰ J

j Oœ ..

Hn.

∑

lS co

B. Sax.

∑

B. Cl.

œ. œ ˙

Ob.

& œ ≈ œ œ #œ p

Alto Fl.

∑

œ œ œ ∑

b œ≤ ˙ bœ œ bœ ˙ œ œ ‰ ‰. R J π π ≤ ˙ b œ œ œ J ‰ ‰. R π π n œ œ ‰ ‰ . # Rœ ˙ J π π

∑

4 4

44 44 44 44 44 44 44 4 4

∑

B. Cl.

? 44

∑

7 8

∑

B. Sax.

? 44

∑

7 8

∑

Perc. 2

Hp.

Pno.

∑

4 ã 4

∑

4 &4 Ó

‰ j Œ œI P ∑

4 &4

∑

thai gongs (suspended)

4 &4 ? 44 4 &4 ? 44

Vln. I

4 &4

Vln. II

4 &4

Vla.

4 &4

Vc.

? 44

∑ œ bœ œ œ bœ 5

∑ b˙ ˙

F b ˙≥ F

#˙ F ∑

∑

2 4

∑

2 4

j‰ Œ œΔ J

7 8

∑

‰ œj Œ I

bœ. œ. ≈ ‰ J

œ. J ≈‰

nœ. ≈ ‰ J

∑

2 4 42

Œ.

œΔ p

œ œ œ bœ f

∑

4 4

∑

bœ. œ. bœ.

p b ˙≤

bœ. ∑

≥œ œ 42 f ≥œ b 42 f ≥ 24 b œ f 42

voice gliss.

˙Δ

œI

œ J ‰

stain, bloom, moon, rain - Score in C

85 85 5 8

œΔ

j ‰ 85 œΔ J 85 5 8 85

∑

Ó ∑

‰ œj Œ I

∑

œ œ œ bœ œ nœ œ œ œ œ Nœ œ bœ œ

85 ≈ 85

3 bœ bœ bœ bœ œ œ œ œ œ œ œ 5 44 b œ b œ œ 8 œ œ

bœ œ J ‰

∑

œ bΔ

∑

44 44

Δ ∑

∑

p b ˙≤

42 Œ

voice gliss.

j b œ ‰ 85 F

4 4

∑

‰ œjΔ J P

4 b˙. 4 π

nœ œ œ bœ œ œ bœ 2 J Œ 4 3 3 nœ œ bœ bœ 24 œ œ b œ b œ œ Œ

b ˙≤ b˙

4 4

∑

2 4 Œ

∑

78 b œ œ œ b œ b œ œ 78

Œ.

j œΔ ‰ J

lS co

Perc. 1

4 ã 4

fade in singing/distortion

F 24 œΔ F 42

Hn.

4 &4 Ó

πo P 7 ‰ j œ œ 8 ˙ Δ Δ œΔ . . ‰J π P

Ob.

Alto Fl.

p ‰ œj œ œ . Œ Œ bΔ. π ∑

4 j & 4 œœ ‰ Œ Ó J 4 ∑ &4 58

b ˙≤ . b ˙.

œ bœ J f

p b ˙≤ .

bœ J f

p b ˙≤ . p

∑

bœ J f

‰ 85 ‰ 85 ‰ 85 85

5 &8

B. Cl.

? 85

Hn.

5 bœ &8 π 5 &8

‰

splash cymbal

Perc. 2

Hp.

Pno.

5 ã 8

5 &8

‰

∑

43 œΔ . b Δ œΔ f ∑ 43

∑

3 4

˘ œ ‰ F

bœ

œΔ

œ æ

˘œ æ ‰ F

œ æ π

œ æ

˘œ æ ‰ F

∑

5 &8

j œ F

Œ. ∑

? 85

∑

pedal bass drum

Œ j œI

‰

∑

œ œ b œ œ b œ n œ œ œ œ œ. 5 ‰ &8 3 F 5 ƒ b œ œ œ bœ bœ œ . 5 bœ bœ ‰ &8 ≈

˘ œ ‰ F

poco string.

Vln. I

5 &8

Vln. II

5 &8

Vla.

5 &8

Vc.

? 85

b œ≤

˘ bœ

p b œ≤

ƒ ˘œ

p ≤ b b œœ p

∑

‰ ‰

ƒ ˘œ œ ‰ ƒ

‰

3 4 Œ 43

‰ j œΔ œ J

œ œ œ bœ nœ œ bœ . œ œ

3 F 5 ƒ bœ bœ œ œ b œ b œ œ b œ b œ. ‰ 5

b œ≤

˘ bœ

p # œ≤

ƒ ˘œ

p ≤ b b œœ ∑

3 8 3 8

∑ ∑

43 43

‰ j Œ œI ∑

∑ ∑ ∑

38 38 38 38

∑

‰

∑

43 3 4 43 43

œ .I

∑

43 43

œ œ œ bœ œ œ bœ œ œ 3 4 3 3 3 F 3 3 3 3 bœ bœ œ œ bœ 4 bœ œ bœ bœ

# œ≤ . p # œ≤ .

p ≤ b b œœ ..

p >œ . >œ œ >œ œ >œ . II >œ . 34 38III b œ . æ F

stain, bloom, moon, rain - Score in C

3 4 3 4

∑

38 38

‰

œΔ

3 8

∑

3 4

∑

3 bœ bœ œ œ bœ bœ œ bœ 3 8 bœ 4

‰

ƒ ˘œ œ ‰ ƒ

œΔ . .

∑

‰

∑

43 œ I

Œ.

œI F

∑

3 4

j 3 œ 4

Perc. 1

soft mallets 58 œ ã æ π 5 &8

j œΔ J F

∑

B. Sax.

Œ.

Ob.

œΔ

lS co

5 &8

poco string.

Alto Fl.

43 43 43 43

Alto Fl.

3 j & 4 b œΔ J 67

a tempo

‰

reed extended

6 6 6 6 6 r . 3 4 ‰ ≈ œ # œ œ œ &4 œ #œ œ œ #œ œ œ œ œ 4 #œ #œ œ œ œ œ œ œ œ œ œ # œ œ œ œ œ œ ƒ

oboe (multiphonics/distortion)

snarling

. ? 43 æ æ æ œæ n œæ ≈ œ œ n œ n œ œ œ ≈ æ æ æ œæ œæ 44 œæ ≈ æ æ æ œæ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 85 œ œ œ œ œ œ œJ ‰ ‰ 43 Aœ œ bœ bœ œ b œ b œ æ æœ æ æ æ æ æ æœ æ æ æœ æ æ æ æ æ æœ æ æ æ æ æ æ æ æ æ æ æ æ æ œ Aœ 6 6 ƒ 6 6 6 snarling

Hn.

Perc. 1

Perc. 2

loco

? 43 œæ œæ # œæ œæ ≈ æ æ æ œæ œæ œæ œæ n œæ œæ œæ œæ ≈ æ 44 æ æ œæ œæ ≈ æ œ œ œ ≈ Œ nœ bœ bœ œ bœ bœ œœœ ææ æ ææ f 6 snarling j Δ Δ. 34 ? 4 ‰ ∑ & 4 œ ˙. p 3 ã 4 3 &4

4 4

∑

ƒ soft mallet 34 ˙ . i ã œ f pedal bass drum 3 &4

med.-large china cym.

∑

3 &4

Vln. I

Vln. II

Vla.

Vc.

a tempo

5 8

∑ ∑

5 8 Œ

∑

˙˙

w w

44 ‰ 44

P j œ °

∑ ˙. ∑

j Δ ‰ ‰ 43 œ ƒ splash cymbal ˘ with stick œ Œ J 43 f 3 ∑ 4 with stick

∑

jŒ b œ b œ œ bœ œ bœ f 6 roaring 85 jŒ œ œ œ œ œ bœ bœ 85

43 43

œ. œ.

œ œ

85 ≈

œ ‰ 3 4 œ fl f 43 œœ .. œ.

85 œœœ

sa 44

˙.

34 ≥œ ‰ & J ƒ 3 ≥ & 4 n˙. ƒp ≥ 34 b œœ œœ .. & ƒp ? 43 vib. ord. ˙. > ƒ 67

5 8 Œ

4 4

3 ˙. &4 ƒ

5 Δ 8 œ

Œ.

44 ww w

Pno.

? 43 # ˙˙ .. n˙ . ƒ ? 43 #˙. n˙.

≈ æ œæ œæ œæ œæ 85 æœ ‰ . œ R

∑

4 4

∑

(F n/F b) buzz

Hp.

B. Sax.

B. Cl.

∑

. 85 œ œ # œ # œ # œ œ # œJ ‰ ‰ 43

lS co

Ob.

∑

43 43 43

∑

44 w

85 œ

œ.

44 ww

85 œœ

œœ ..

44 œ

≤ œ p

˙.

stain, bloom, moon, rain - Score in C

85 œ

j ‰ ‰ 43 œ ƒ

m.s.p.

3 &4 70

Ob.

∑

3 &4

∑

reed extended

œ œ #œ #œ ƒ

# œ n œ œ œ œ œ œ œ 44

? 43

∑

B. Sax.

? 43

∑

Hn.

? 43

∑

4 Ó 4

3 & 4 b˙. i p sub. ? 43 ∑ P ? 43 ∑

∑

lS co

Pno.

∑

3 & 4 b œ œ n œ ˙i >p

∑

3 ã 4

thai gong (suspended) soft mallet

? 43

Vln. II

Vla.

Vc.

sub.

∑

34 III ˙ . & p> 3 > & 4 n˙. 70

Vln. I

∑

3 & 4 b ˙˙ .. > ? 43

j ‰ # œœ œ ƒ ‰ j #œ œ

(F n/F b) buzz

∑ ∑

∑

‰

˙ ˙

j œ

med.-large china cym. pedal bass drum

‰

∑

j œ ‰

w w

44 Ó

3 4 43 43 43

(enough time to get to upper register?)

j ‰ b œ b œ œ bœ œ bœ p 6 roaring f j ‰ œ œ œ œ œ bœbœ

?≈

44 w

sub. vib. ord.

44 ww

˙˙

œœ œœ

∑

3 4

sub. vib. ord.

molto vib. (wide)

non cresc.

3 4

non cresc.

˘œ J f

44 w

molto vib. (wide)

∑

3 4

44 ww w

‰

∑

4 4

sub. vib. ord.

molto vib. (wide)

non cresc.

∑

˙˙ ˙

Hp.

∑

Perc. 2

4 Ó 4

∑

3 &4

∑

Perc. 1

3 ã 4

# œ# œ ≈ ≈ œ œ œ# œ œ# œ nœ nœ œ œ# œ Œ œ œ œ 6

æ œæ æ æ æ ‰ œ œ # œ œ ≈ b œ b œ œæ œæ œæ œæ œæ æ 44 b œ b œ œ œ œ ≈ ≈ œ œ œ œ œ n œ œ b œ œ œ n œ Œ nœ œ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ 3 6 6 6 f 6 3 # œ# œ œ nœbœ#œ œ œ œ œ œ æ æ æ æ æ œ œ œ æ 4 œ œ œ Œ ‰ æb œæ b œæ œ œ œ ≈ œœœœ 4 æ æ æ æ ≈ ≈ œ œ æ œ œ æ æ æ æ æ æ æ æ æ æ æ ææ æ æ æ 6 f 6 6 6 j Δ Δ Δ Δ 4 Δ ‰ Œ 4 œ ˙ ˙ œ œ p ƒ 6

B. Cl.

∑

Alto Fl.

‰

j œ > ƒ

ord.

˙ ˙

˙˙

44 ≤ ˙. p

stain, bloom, moon, rain - Score in C

j ‰ œ ƒ m.s.p.

G piccolo # >œ n œ œ . >œ œ . 74 œ œ 3 &4 f

œ 44 J ‰ Œ

Ob.

3 &4

∑

B. Cl.

? 43

∑

B. Sax.

? 43

Hn.

Hp.

∑

4 4

∑

3 4

∑

2 4

? 43

∑

4 4

∑

3 4

∑

2 4

3 ã 4

∑

4 4

∑

3 4

∑

2 4

3 ã 4

∑

3 &4

∑

? 43

∑

P ? 43 3 &4

Pno.

3 &4

√ b >œ ƒ b >œ

n œœ

G 3 &4 Œ 74

Vln. I

Vln. II

Vla.

Vc.

4 4

34 ˙≤ . &

∑

œ œ . >œ œ œ . >œ

∑

œœ

∑

œ.

≤ ‰ . œœ œœ R π

44 ˙˙ 44 ˙ 44 ˙˙ &

44 Ó

molto vib. (wide)

˙˙ F ˙ F

molto vib. (wide)

˙˙ F

‰ ‰

2 4

b >œ œ ‰ J ƒ b >œ œ n œ œ ‰

42 42 42

43 ˙˙ ..

˙˙ ..

43 ˙ .

˙.

43 ˙˙ ..

˙˙ ..

n œ n œ 43 œ . d >œ œ b >œ œ +>œ . b œ # œ #œ #œ œ #œ > ƒ warmer, espress. f ord.

‰

∑

II III

∑

œ. ≈ Jœ .

≤ 34 b ˙˙ .. & ? 43

3 4

∑

lS co

3 &4

Perc. 2

nœ

∑

Perc. 1

Picc.

# >œ

ferocious

stain, bloom, moon, rain - Score in C

œ n >œ œ

œ 24 R ‰ . &

∑

44 Ó

‰

2 & 4 ≈ œ œ œ # œ # œ œ # œ œ œ # œ 44 œ F ƒ

∑

reed extended

? 42 ≈ æ æ æ œæ æ æ æ œæ œæ œæ # œæ œ bœ bœ œ œ œ F ƒ 6 œ ? 42 ≈ æ æ æ œæ œæ œ # œ # œ # œ œ œ bœ bœ æ æ æ æ æ æ 6 F ƒ j Δ Δ ? 42 ≈ . œ. œ p

∑

4 4

∑

3 4

∑

4 4

∑

2 &4

4 4

Hn.

Perc. 1

2 ã 4

∑

œ. 2 ã 4 ≈ æJ p 2 &4

Perc. 2

(F n/F b) buzz

Hp.

j ? 42 ≈ # œœ .. œ. ƒ ? 42 ≈ j #œ . œ.

Vln. I

2 & 4 œœ J

Vln. II

2 & 4 Jœ

Vla.

Vc.

24 œœj & 2 &4

j 44 œœ œ

œœ œ

‰

Œ ∑

3 4

∑

4 4

∑

‰

3 4

∑

4 4

∑

‰

∑

j œ œ

∑

4 4

∑

‰

∑

44 Ó

‰

∑

44 Ó

44 ww≤ p

∑

molto vib. (wide)

43 ˙˙ .. f

≤ œ œœ 43 ˙˙ ..

44 ˙ .

molto vib. (wide)

non vib.

43 ˙˙ .. f

∑

stain, bloom, moon, rain - Score in C

> œ nœ nœ #œ

√ # >œ œ >œ nœ J ‰ ‰ & ƒ # >œ œ b >œ n œ #œ œ n œ ‰ &

44 ww 44 ww f

molto vib. (wide)

44 ww

6 > > > > > > > > > . 44 ≈ 3 4 œ œ œ n œ œ œ b œ d d +œ nœ 4 bœ bœ bœ œ ≈ Œ Ó œ #œ œ 4 bœ bœ bœ bœ bœ > 5 f ƒ 6

# >œ

∑

non vib.

44 b w≤w p

3 4

‰ P ‰

44 j bœ bœ œ bœ œ bœ p f roaring 6 44 ?≈ j œ b œ œ œ œ bœ ?≈

2 &4 Œ 78

∑

‰

∑

Pno.

œ æ

œ œ

2 &4 Œ

4 4

44 ˘œ J f 44

med.-large china cym.

soft mallets

4 4

j Δ œ ƒ ˘œ J

lS co

B. Sax.

B. Cl.

Ob.

Picc.

nœ #œ #œ bœ œ

Perc. 1

Perc. 2

Hp.

Pno.

∑

Vln. II

Vla.

Vc.

∑

œ. nœ J ‰ Œ ƒ

∑

3 4

∑

3 4

∑

3 4

∑

œ d >œ œ œ œj >

‰

> > > ‰ d œJ œ œ œd œ œ ‰ 43 J

3 4

∑

? (√) n >œ >œ & nœ ≈ œ ≈ Œ & 82

Vln. I

> ≈ b œ œ œ œ d œ œd œ œ œ œ œ œ 6 F

> œ n œ n œ # œ >œ

nœ

b œœ

≈ Œ

& œœ

œœ

& œœ

œœ

& b œœ

œœ

& ‰

∑ Ó Ó

œœ ˙˙ P

∑

œœ ˙˙

non vib.

P >œ œ 3 n œ œ œ b œ >œ œ œ >œ œ ≈ bœ bœ bœ

∑

non vib.

Hn.

∑

lS co

B. Sax.

# >œ

B. Cl.

∑

Ob.

Picc.

H 82 > œ œ nœ ≈ Œ & ƒ

√ # >œ # >œ

> œ n œœ

‰

n >œ œ nœ ≈ œ ‰. Œ R R

œ b >œ n œ n œ # œ œ œR . œ nœ bœ ‰ Œ

ww "f"

non dim.

molto vib. (wide)

œ n >œ . >œ

non dim.

molto vib. (wide)

œ . # >œ œ

∑

molto vib. (wide)

ww "f"

3 4

> bœ

stain, bloom, moon, rain - Score in C

non dim.

œ J

‰

>œ # >œ œ œ b œ bœ bœ 5

> œ

> œ œ . 43

Ob.

3 &4

∑

B. Cl.

? 43

∑

? 43

∑

5 3 ‰d >œ . œ >œ . d >œ œ . œ 2 œj ‰ 4 &4 J > 5 5

3 ã 4

∑

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

2 4

∑ ∑

3 &4

∑

? 43

∑

? 43

2 4

∑

3 ã 4

∑

3 &4

∑

œ æ

(D n/D b) buzz

24 ‰ # b œœj f 42 ‰ j bœ bœ

ƒ œ. J

∑ œœ

42 ‰

j bœ ◊

3 & 4 ˙˙ ..

42 œœ

3 . & 4 ˙˙ .

42 œœ

3 ˙. & 4 ˙.

œ 42 œ

34 >œ . # >œ œ >œ œ # œ . & >

j 42 œ ‰

∑

3 4

∑

‰

3 4

∑

‰

3 4

∑

3 4

∑

3 4

∑

43 P 43

∑

˘œ J f

‰

˘œ J f

‰

Œ ∑

3 4

∑

˙˙

œ œ

˙ ˙ √ # >œ

∑

> #œ n œ # œ 43 ƒ > #œ # >œ œ œ n œœ œœ n œ # œ 43 43 ˙˙ ..

b ˙˙

˙. 43 ˙ .

non vib.

>œ

˙˙ p

>œ

loco

non vib.

. 43 ˙˙ .

˙˙ p

non vib.

p Œ

œ R Œ ‰.

‰

splash cymbal

med.-large china cym.

œ. J

∑

œ 42 ‰ æJ p 42

∑

3 &4

> #œ œ nœ #œ 3 4 œ

Perc. 2

3 &4

b œ. J

bœ 2 4 ‰ ≈ ≈ b œr b œ œ œ œ œ ƒ œ 2 ‰ œ œ #œ #œ œ #œ œ œ 4 æ æ æ æ ææ æ æ æ 6 F3 3 nœ nœ 2 ‰ æ æ b œæ b œ b œ œ n œ 4 œ bœ æ æ æ æ æ æ 6 F

Perc. 1

Hn.

reed extended

B. Sax.

∑

Picc.

# >œ

lS co

3 &4 86

‰

# >œ J

stain, bloom, moon, rain - Score in C

∑

˙˙ .. f

˙˙ ..

molto vib. (wide)

˙˙ .. f

molto vib. (wide)

œ R Œ ‰. ƒ œ Œ ‰. R

˙˙ ..

≥ > > ≤r > > > > > > 43 # œ + œ n œ d œ œ Œ ‰ Jœ œ d œ . b œ + œ ˙ > 5 5

18 92

Perc. 1

Perc. 2

Pno.

Vln. II

Vla.

Vc.

∑

& ?

∑

∑ r Δ Δ Œ ‰. œ œ R p

∑

& ã Œ &

∑

œi ‰ J p

soft mallet

?‰

∑ ∑

(√) > œ #œ #œ Œ & nœ > œ #œ #œ Œ & nœ & ˙˙ ..

Œ Œ

∑

˙˙ .. æ P

∑

œœ ‰ Œ J ∏

∑

‰ œ #œ #œ #œ #œ ≈ ‰ Œ 3 ƒ 3

B b clarinet

≈‰ Œ æ æ æ æœ œ œæ œ # œ ƒ f 3 ∑ ‰ æ b œæ b œæ œ œ ≈ ‰ Œ œ æ æ 3 f ƒ j Δ Δ #Δ Δ . ≈ Œ Œ ˙. œ. J P splash cymbal ˘œ œ J ‰Œ ∑ ‰ æJ f ∑ ∑

∑

Œ Œ ‰ b œœ ˙˙ .. æJ æ π ∑ ∑

reed extended

˙˙ .. æ P

‰

∑

∑ œœ .. æJ p f ‰ j œ

≈

(E n/E # ) buzz

∑

˙˙ ..

Œ ‰ œj œ . d œ œ b ˙ >f > >

j œ ‰Œ P

molto vib. (wide)

˙˙ .. f

˙˙ ..

œœ

˙˙ .. f

˙˙ ..

œœ

˙˙ ..

œœ

molto vib. (wide)

∑

stain, bloom, moon, rain - Score in C

∑

˙˙ ..

∑

j‰ Œ Œ œΔ J π ∑

∑

˙˙ ..

non vib.

∑

˙˙ ..

non vib.

∑

˙˙ .. P ˙˙ .. P

˙. & ˙.

∑

non vib.

. & ˙˙ .

∑

very soft mallets

. b œœ ˙˙ . æJ æ π

prepared with aluminum

∑

sizzle cymbal

marimba

& Œ

∑

∑ Œ

Vln. I

˙Δ .. F

∑

? Hp.

Hn.

‰‰ j œΔ œΔ ˙Δ .. J 3 π ∑ ∑

lS co

B. Sax.

B. Cl.

∑

Ob.

alto flute

Picc.

>œ > # œ nœ #œ Œ

ord.

#œ

œœ J

‰Œ

œœ J

‰Œ

non vib.

œœ

non vib.

∑

bœ. π

19 100

Perc. 1

Perc. 2

Hp.

Pno.

Vln. II

Vla.

Vc.

emerge from Clarinet

∑

4 œ œ Jœ ˙ Œ Œ ‰ b œ & 4 3 3 ∏

œ.

œ œ P

œ œ J ‰ π

molto

espress.

∑

4 4

∑

4 4

∑

4 4

∑

˙Δ .. π

∑

œΔ F

œΔ ˙Δ ..

∑

Δ Δ . Œ ˙. π ∑

j nΔ Δ ˙ P

Δ ˙

Δ Δ œ ˙

nΔ œ

∑

4 4

∑

˙. I

∑

& 100

Vln. I

œ. J ≈Ó

∑

Œ ‰ œJ ˙ . p ˙ ˙

44 w

∑

& Œ Œ ‰ b œ 44 ˙ 3 ∏ & ˙.

∑

44 Ó

˙ ˙ ˙

∑

Hn.

∑

lS co

B. Sax.

∑

B b Cl.

∑

Ob.

œ œ. œ ˙

œ œ ‰. R π

Alto Fl.

∑

∑ œ œ f

molto vib. (wide)

˙ F

≤r ‰. O O œ œ π

espress. emerge from Clarinet

∑

w w

œO œO .. œO Ȯ F

œO

molto vib. (wide)

˙ ˙

∑

stain, bloom, moon, rain - Score in C

j Oœ .. ≈ Ó

∑

Ob.

j ‰ Œ œΔ J ∑

B b Cl.

∑

? Δ ˙

j Δ ‰ Œ œ J

Perc. 2

Hp.

Pno.

∑

& & ˙ & ˙

107 Vln. I

Vln. II

Vla.

Vc.

˙ & ˙ & ˙ &

∑ ∑

∑

3 4

∑

3 4

‰

+ j œ π

sizzle cymbal

œ. ≈ æJ ∏

œi

brushy, hushed

OOoPOOpo

œi

œ œ ‰ Œ J ∏ non vib.

j œ ‰ Œ ∏ non vib.

Œ Œ Œ Œ

43 43

∑

∑ ∑

p œ

+ U U j œ ‰ Œ Ó

+ w

+ ˙.

with fingertips

œnon vib. œ J ‰ Œ ∏

∑

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ b œ b œ œ ∏ π ∏ ∑

∑

Perc. 1

∑

lS co

Hn.

B. Sax.

& ˙Δ

Alto Fl.

107

∑ ∑

˙˙≤ .. ∏ ≤ n ˙˙ ..

∑

non vib.

˙˙

molto vib. (wide)

non vib.

U ˙

molto vib. (wide)

ww p

non vib.

U ˙

molto vib. (wide)

non vib.

w p

stain, bloom, moon, rain - Score in C

∑

molto vib. (wide)

ww p

∏ ≤ b ˙˙ .. ∏ practice mute ≤ ˙. ∏

˙ ˙ ˙

II. bloom / moon

3 &4

∑

Ob.

3 &4

∑

B. Cl.

? 43

∑

4 4

∑

3 8

∑

3 4

∑

3 8

∑

3 4

∑

A. Sx.

3 &4

∑

4 4

∑

3 8

∑

3 4

∑

3 8

∑

3 4

∑

Hn.

3 &4

∑

4 4

∑

3 8

∑

3 4

∑

3 8

∑

3 4

∑

3 ã 4

∑

4 4

∑

3 4

∑

3 8

∑

3 4

∑

3 ã 4

∑

4 wsofti mallets 4 wI p ° 44 ∑

3 8

∑

? 43

∑

44 ∑ p ? 43 Œ ‰ b œœ œœ iI 4 4 J

∑

lS co

111 Smooth, flowing q = 96

∑

3 & 4 ˙˙ .. iI P ? 43 ∑

∑

∑ ∑

43 ˙˙ .. iI P 34

∑

43 ˙˙ ∏

Hp.

∑

? 43

plucked

Pno.

Vln. I

Vln. II

3 &4

° J

∑

44 44 44

∑

44 ˙˙ π

Vla.

∑

Vc.

? 43

∑

j 3 œœ œœ œœ .. ≈ 8 p

∑

j 43 Œ Œ ‰ œœ ˙˙ ∏

∑

con sord. (regular mute)

44 ˙ ∏

œ œ œ œœœœ 3 8 3 π ∑

∑

œ œ 43 Œ Œ ‰ J ∏ 43

3 8

∑

˙i 43 Œ b ˙ I 43 ˙˙ .. iI P 34

practice mute

∑

j 3 4 Œ Œ ‰ œœ ˙˙ .. iI

∑

B 43

∑

111 Smooth, flowing q = 96

3 &4

3 8

Perc. 2

3 &4

vibraphone (motor off )

Perc. 1

Fl.

œœ p

œ œ œ œ œ- œ œ œ œ 3 8 5 p

stain, bloom, moon, rain - Score in C

∑

∑ ∑

3 4

∑

∑ œœ p

34 œ œ œ œ œ œ- œ œ œ œ ∏ p 5 43

∑

Fl.

∑

Ob.

∑

3 8

∑

3 8

∑

œ ˙ 3 4 ‰ . Rœ ˙ π 3 ∑ 4

3 8

∑

3 4

3 8

∑

3 4

Perc. 2

Hp.

Pno.

j & ‰ œœ ˙˙

Vln. II

Vla.

Vc.

3 8

∑

? b ˙˙ .. &

∑

B ?

∑ ∑

38 o 38 b œœo ..

j & ‰ œ œ œ œ œ œ- œ œ œ œ 38 ∏ P &

∑

118 Vln. I

∑

ord.

œ p

∑

con sord. (regular mute)

3 4 œœ °

∑

œœ ‰ Œ Œ J

∑

2 4

∑

2 4

∑

2 4

∑

2 4

∑

œœ i 3 4

∑ ∑

∑

œ ˙i 43 ‰ . b œR ˙ I

43 Œ 43 43

∑

Œ ∑

∑

38 b œœ OO i 43 JI π P

∑

˙˙ I..

∑

˙˙ ..

œœ œœ œœ

∑

bass clarinet

∑

lS co

Perc. 1

+ œ p

∑

Hn.

+ + j ‰ & œ œ ∏

A. Sx.

∑

B. Cl.

Ÿ~~~~~~~~ o œo œ œ b œ œ O nO p ∑

flute

118

∑

Œ ‰ œœj œœ P p plucked i ‰ . œœ ˙˙ .. I R plucked

K ≤ Œ ‰ œj œ ∏

∑

˙˙ .. Ii

≤ œ œ Œ ‰J ∏ œ≤ œ Œ ‰J ∏

∑

˙. pochiss.

˙.

pochiss.

stain, bloom, moon, rain - Score in C

œ œj ˙ π 3

pochiss.

con sord. (regular mute)

∑

˙.

∑

Œ j œ ˙ ∏ œ3œ ˙ J π

2 4

∑

j 42 œ ˙ bœ œ F p molto j

3 3 j 42 j œ œ ˙ œ œ π moltoF p

con sord. (regular mute) 3

œ œ ˙ J 3 π

œ 42 œ ‰ Œ b œ œ J J JF p 3

molto

œ ˙ J œ œ J 42 3 F 3p

molto

23 126 Fl.

∑

Œ Œ ‰

Ob.

∑

2 4 œ p 42

∑

3 4

∑

4 4

∑

3 4

∑

2 4

∑

3 4

∑

4 4

∑

3 4

∑

3 o 4 #˙. ∏

4 4 œ.

∑

+ j Ó œ p

∑

Hp.

Pno.

∑

Vln. II

Vla.

Vc.

4 w 4 w

˙˙

∑

2 4

∑

3 4 Œ

3 4

∑

2 4

∑

3 4

∑

2 4

∑

3 4

∑

œœ # œœ œœ I 43

∑

2 4

∑

∑ Œ ‰ œj œ ∏

alto saxophone

∑

3 4 Œ

∑

Œ ‰ œœj °

∑

∑ 43 p ? ‰ . b œœ œœ iI 43 R

∑

∑ P b œ ‰ Jœ œœ

∑

44 Ó

∑

∑ ∑

43 43

44 Œ

∑

& ˙

43 œr ‰ . Œ Œ

44 Ó

& ˙

43 œr ‰ . Œ Œ

44 œ #œ P

126 Vln. I

3 4 # ˙˙ .. p

∑

3 4

B B ˙

∑

≤ ˙ 43 ∏

œ # œ 4 œ# œ J 4 3 P

œ 43 R ‰ . Œ Œ

∑

Perc. 2

4 4

∑

L j 3 j‰ Œ Œ 4 n œ œ œ œ P ∑ ∑ 43 3

∑

lS co

Perc. 1

3 4

œœ iI

Hn.

A. Sx.

∑

B. Cl.

44 Ó

≈ œœj .. œœ P plucked

≤ ≈ œj . œ ∏

∑

œ œœ Ó

œ œœ

œ. œ ≈J ∏

∑

oo ˙ . 43 b ˙ .

3 œ œ œ 4 ≤j ‰ œ œ 43 ∏ œ≤ œ 3 ‰ J 4 ∏

œ œ œ 3 4

stain, bloom, moon, rain - Score in C

∑ ≤ ≥ 3 j œ #œ œ œ p ≤ j3 œ #œ œ œ p ≥œ # œ œ œ≤ J 3 p

42 42 42

∑

∑ ≥ 3 œ œj œ F ≥ 3 j œ #œ œ F

24 œ # ≥œ œ J 3 F œ # œ œ œ≤ 2 œ n ≥œ œ J 4 J 3 3 p p F

∑

43 Œ

L 43

i Œ œœ I p

plucked

˙. p

43 ˙ . p 43 ˙ p

34 ˙ . p

‰ Jœ

24 133

Perc. 1

Perc. 2

Hp.

Pno.

∑

& ˙˙

œœ p

5 8

∑

5 8

∑

44 ˙ p œ 4 4 p

reed ord.

side key (top 2) Ÿ~~~~ 3 œœœœ ‰ 5 ∑ 8 8 F3 3 j ‰‰ 5 8 œœ 8 œœ œœ .. p ∏

∑

2 4 ˙˙ ∏

∑ ˙ b˙ P œ bœ ˙ J 3

j œœ ‰ Ó

4 4 œœ p

43 ‰ . Rœ œ b œ œ œ . 38 p f j 43 œ . ≈ Œ

3 4

∑

3 8

3 4

∑

3 8

∑

5 8

∑

2 4

∑

3 8

∑

5 8

∑

4 4

∑

3 4

∑

3 8

∑

5 8

∑

2 4

∑

5 8

& ˙˙ ..

∑

∑ ∑

∑

Vln. II

∑

∑ ∑

∑

p i ‰ b œJœ I 42

ord. œœ i 58 œ Œ œ P ∑ 85

Vln. I

B œ Jœ œ œ

2 4 ˙I -̇

∑

Po 58 b œœo ..

Vc.

∑

(Marimba)

∑

133

Vla.

2 4

œœœ 5 8 P5 ?

j bœ œ F j œ œ F j bœ œ F œ œ J F

3 8

nœ p œ p œ

p œ

∑

5 8

38 b œœ .. F

marimba

∑

38 Œ 38 38 38

42 œœ ..

j 3 œœ 8

24 œ œ

œ œ 38

5 8

∑

4 4

∑

Hn.

∑

∑ ∑

∑

3 8

∑

3 4

∑

o n œ i 85 œ . J

85 œœ .. P 58

plucked

‰ 85 b œ (œ) f pizz.

∑

44 œ ‰ Œ J 44 j ‰ Œ œœ

œœ

≤ 44 ˙ p

arco

∑

85 œœ ..

4 œœ 4 Ó

∑

58 œ œ œ .

œ œ 44 Ó

38 œ (œ )‰ 85 f pizz.

3 4

∑

lS co

A. Sx.

∑

B. Cl.

∑

Ob.

∑

Fl.

Ÿ~~~~~~~~~~~~~~~~ o œo o œ œ œ nœ œ 58 2 4 b œ n O O œ p ∑ 85 42

∑

stain, bloom, moon, rain - Score in C

≤ 44 ˙ p

arco

∑

Ó Ó

≥ ˙ b˙ F 3 ≤ ≥ b˙ b ˙port. sempre P F 3 b ≥˙ b ˙≤

∑

≤ 34 . œ b ≥œ œ f ≥ 34 ≤ . œ #œ bœ f ≥œ ≤. b œ 43 œ port. sempre P F f port. sempre ≥ ≥ ≤ 3 bœ b ˙ 43 œ . # œ ˙ f F port. sempre 3

38 œ œ . 38 œ œ . 38 œ œ. 3 8 œ œ . 38

Fl.

Ob.

B. Cl.

M 140 3 & 8 œ ‰ 43 p 3 &8 ? 38

∑

A. Sx.

3 &8

∑

Hn.

3 &8

∑

3 4

3 ã 8

∑

3 ã 8

Ÿ~~~~~~~~~ œo œo 5 ‰ jbœ œ 8 n O O œ p

∑

3 4 Œ

∑

Ÿ~~~~~~ ‰ œ œ œ œJ ‰ sim. side key

∑

j œœ ‰ p

∑

5 8

∑

3 4

∑

? 38

∑

43 Œ

Hp.

3 &8

∑

Pno.

3 &8 ? 38

∑ ∑

Vln. II

Vla.

Vc.

43 43

∑

M ≤ j 3 ≥ 3 &8 #œ 4 œ œ gliss. P p 38 ≤ b œj 3 ≥ gliss. & 4 œ #œ P p ≥œ ≤ bœ 3 3 b œ B8 J 4 nœ P 5 p ≥ 3 ≤ b œj 3 j ‰ &8 œ 4 œ P p

∑ ∑

j ‰ œ ∏

œœ‰

j œ ‰ ∏

?‰

∑ Po o ‰ b œœ ii Œ J

oi ‰ œJ i œ

j œ œ (J) ‰ f pizz.

∑

7 8

∑

3 8

∑

‰ 78 œ bœ œ œ F

∑

3 8

∑

3 4

∑

7 8

∑

3 8

∑

3 4

∑

38 3 8

∑

j œœ ‰ ‰

5 8

∑

3 4

∑

∑ ∑

bœ 85 œ

≥ 5 ‰ Œ œn œ œœ P ≥ gliss. j œ œ ‰ Œ P ∏ ≥ Oi œ œ b œœ œœ O I gliss. P ∏ P

∑

85 Œ

∑

bœ œ

7 ˙ œœ .. 8 #˙ p ° 78 ∑

5 8

Ÿ~~~~~~ 3

side key (c3)

lS co

∑

o œ i 43 ˙ i J

140 Vln. I

i ‰ b œœ I Œ J F

? 38 Œ

3 4

Perc. 2

∑

Ÿ~~~~~~ 5 œ œ œ œ Œ. 8

∑

3 &8

side key

85 bœ f

85 Œ 85 Œ

85 œ

‰ 78

∑

78 ˙

p b œœ iI 78 J

∑

∑ pizz.

Ÿ~~~~~~~~~~~~ o œo œ œ 3 4 b œ n O O œ p ∑ 43

∑

5 8 Œ

Perc. 1

3 4 ˙˙ ∏

∑

œ.

∑

≤ 78 ≥ Œ. œ (œ) #œ. bœ f p arco pizz. ≤ ≥ ‰ 78 œ œ œ. b œ (œ) f p f arco pizz. 78 ≥œ œ b œ≤ . ‰ œ œ () f p f arco ≥ ≤ (œ) Œ . 78 œ b œ & œ . f p

stain, bloom, moon, rain - Score in C

arco

Po 38 b œœo ..

38 38

≥ œ.

f ≥ œ. f ≥ b œœ

Í ≥ 38 œ . f

3 4

ord. œœ 38 œ œ P 38 ∑

3 4

43 43 43 43

O 3 O 4 J P 43

Perc. 1

Perc. 2

Hp.

Pno.

3 &4 3 ã 4 3 &4 3 ã 4

œ œ

p °

Vla.

Vc.

3 8

∑

3 8

2 4

œ. P

∑

3 8

∑

2 4 2 4

œ œ œ 98 π ∑

œ œ

p °

∑

? 43

∑

3 &4

∑

? 43 3 &4

# ˙˙ ..

? 43 3 &4

3 &4

38 38

∑ j œ ‰Œ Œ p

3 Ȯ &4 ( ) p B 43

o 38 b œœo ..

∑

Vln. II

o Œ œ p

∑

146 Vln. I

O O

˙. p

O J

Œ Œ

38 ‰ 38

œ œœ

œ 98

∑ ∑ ∑

∑

‰ Ó.

42 42

2 4

∑ ∑

p O O

2 4

∑

4 4

∑

2 4

∑

4 Ó 4

#œ œ œœ œ œ œ œ

∑ O.

∏ °

œœ ˙

∑

42 42

∑ ˙ P

∑

stain, bloom, moon, rain - Score in C

∑

≤ ≥ ≤ 3 42 Œ Œ b œ 44 œ œ œj œ f p ≤ 3 3 ≤ ≥ 44 jœ 42 Œ Œ b œ œ œ #œ f p ≤ 3 ≤ 24 Œ Œ b œ 44 ≥œ b œ œ œ J 3p f ≤ 3 ≤ ≥ j 2 4 4 ŒŒ œ 4 œ œ œœ 3 f p 3

98 ‰ . ≥j œ . œ. œ. >f p ≥j œ 9 Œ 8 ‰. bœ . J ‰ ‰ Œ. >f ≥ . > 9 ‰. bœ. O 8 J f

∑

b ˙˙ ..

≥ 98 ‰ . j . œ . œ > f

∑

4 4

∑

98 Œ .

∑

F 98 ‰ . b œ i. Ó . J

# ˙˙

j3Œ Œ œ p

2 4

98 Œ .

∑

38 b œœ OO 42 J π P 3 8

∑

9 8

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ o œo œ œ œ œo ˙o OO

∑

Hn.

match/blend with Cl.

lS co

A. Sx.

B. Cl.

Ob.

Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ oœ # œo o o o œo # œo n œo # œo o œ o 146 œ œ 34 O O œ œ Jœ ‰ 3 œ œ 2 O O œ œ 9 œJ ‰ ‰ œ œ œ O O 2 œ œ œ 4 œJ ‰ Œ & 8 œbœ O nO 4 8 4 4 œ O nO O 3 3 P3 p F p p P ∑ 3 38 98 ∑ ∑ ∑ &4 42 42 Œ Œ œ 44 œ œ 3 F side key Ÿ~~~~~ 34 Œ Œ 3 2 9 2 4 ∑ ∑ ∑ & 4 8 4 ∑ 4 œ bœ bœ 8 F side key (c3) Ÿ~~~~~ œ 3 3 98 ∑ ∑ ∑ 42 42 ∑ 44 &4 Œ Œ œ œ 8 F

∑

j œ ˙

j œ‰

j œ œ ˙ > f

j œ‰

bœ f

sub.

œ œ œ

sub.

n3œ ˙ bœ J > F

œ J‰

sub.

j œ‰

j œ œ ˙ > F 3

sub.

∑

42 ∑

˙o .

44 bO . p

∑

42 ∑

B. Cl.

∑

3 4

∑

A. Sx.

∑

2 4 4 ∑ ? 4 Œ ‰ # œj ˙ ∏

Hn.

∑

3 4

∑ ∑

2 4 ∑

4 4

2 4 ∑

4 4

∑

42 ∑

∑

42 ∑

Hp.

∑

42 ∑

Pno.

∑

N & Ó

153 Vln. I

Vln. II

Vla.

Vc.

& Ó B Ó &

∑

‰ b œ œ 43 ˙ 3 π ‰ b œ œ 43 ˙ 3 π bœ œ 3 ˙ ‰ 4 3 π

∑

2 4 ∑

w p

˙. P

wi 4 wI 4 P

∑

42 ∑ 42 ∑ 42 ∑

2 œ bœ 4 ˙ 2 œ bœ 4 ˙ œ bœ 2 ˙ 4

43 ˙ œ b œ 42 ˙ π

∑

43 Œ # œ . P

44 Œ ‰ # # œœœ ˙˙˙ #œ ˙ æJ æ ∏ 44 ∑

very soft mallets

˙˙ ˙˙ æ

3 4

#w p

∑

Perc. 2

œ & J‰Œ Ó

˙. P

Perc. 1

˙ P

œ Œ Œ

‰ j œæ ˙æ ∏ ∑

wæ p

∑

44 b w ƒ 44 b w ƒ 44 w ƒ

œœ œœ æ

∑

3 4

∑

3 4

∑

2 4

∑

3 4

2 4

∑

3 4 æj ‰ Œ Œ œ ∏ 3 ∑ 4

3 4

∑

Œ Ó

∑

œ. bœ ˙. p

˙.

œ. bœ ˙.

˙.

œ. bœ ˙.

œ bœ ˙.

œ. œ ˙.

vib.

stain, bloom, moon, rain - Score in C

43 ∑

∑

j 2 œ 4 ˙ 2 4

∑

44 bw ƒ

∑

˙˙ ˙˙ æ P

∑

bass drum

very soft mallets

∑

3 4

j‰ Ó œ ∏

lS co

3 4

44 b ˙ . p

œo

O O F

Ob.

42 ∑

œo

Fl.

N ~~~ 153 œo & J‰Œ Ó p

43 43 Œ 43 Œ 43 Œ

∑

∑ III

œ œ bœ F œ œ bœ F œ œ bœ F

43 Œ # œ œ œ F

2 4

3 4

∑

42 œ œ 43 42 œ œ 43 42 œ œ 43 42 œ œ 43

Perc. 1

Perc. 2

Hp.

Pno.

3 3 &4 œ œ œ œ p

& 43

∑

ã 43

∑

& 43 # ˙˙˙˙ ... iI P. ° ã 43 ?3 4 & 43

∑

2 4

∑

7 8

∑

7 8

o j 7 ∑ 8 Œ ‰ œ IŒ . œo œo œo oœ œo œ œo 78 œ œ #œ

œ œœ œ œ

œœ œ 7 œœ œ œ œ 8

(rapid alternation between normal/harmonic finger pressure) II III

(rapid alternation between normal/harmonic finger pressure)

>IIœ œ n 3 & 4 bœ ‰ J π ßp

+ 24 œ 2 4

>œ œ 7 >IIœ œ ‰J 8 ‰J ßp ßp

Œ.

> œ ‰ œ 78 œ ‰ Œ J J ßp ∑

∑

2 4

∑

o œo # œ J 2 4

+ ‰ j œ > F

∑

7 8

∑

2 4

∑

3 4

3 5 7 2 8 œ œ œ œ œ œ 4 œœœœœœ P p + + + + 78 24 ‰ j œ. ˙ œ œ > F p

7 8

∑

>œI >II œ 2 # ‰ ‰ J 4 œ ßp

∑

2 4 Œ

∑

78 Œ o j o Œ œIœI o o 78 œ . i Œ œ

42 42

# œo

∑

œ œœ œœ 78 œ # œ 24 # œ

q dO

II 78 œ >œJ >œ > III

sim.

78 >œ . Oœ .. Ó

sim.

stain, bloom, moon, rain - Score in C

∑

3 4 43 3 4

∑ o œ ∑

o ‰ œj 43

>œ . > œ œ œ

43 43

F >œ . > œ œ œ 3 4 >œ œ >œ 3 ≈ œ 4 II

œ >

œ‰ J

3 4

∑

>œ

œ R ‰ . 43

sim.

I > 42 # œ

3 œ 4

∑

III

> > ‰ œJ œ œ 42 Jœ ‰ Œ

∑

œo

II I > œ œ . 78 ‰ ‰ J J ≈ >œ

ßp

+ ˙ p

‰ j œI

œ 2 J‰ 4 Œ

œ œ

j ‰ # œœ i œœ I P °

78 œ œ œ œ œ œ œ 42 # œ

III 24 ‰ œj œj . ≈ 78 Œ . > ßp

q dO

2 4

2 4 Œ

∑

‰ j 78 œI

œ 2 #œ œ œ J 4

∑

œo

∑

7 8

œ #œ J 42 œ # œ

(rapid alternation between normal/harmonic finger pressure)

> B 43 œ Œ & ‰ œ œ J π ßp & 43 n ˙ . π

q dO

œ ‰ 7 œ œ ≈ œ >œ . Œ J 8 > ßp ßp ßp >œ

j ≈Œ 3 n œ œ . &4 > ßp

161 III q d O

3 2 4 œ œ œ

2 4 Œ

∑

Faster, shimmering q = 104

Vc.

‰ j Œ œI F

√ œ œ œ œ œ #œ œ 3 &4 P œ œ œ œ œ œ & 43 œ

q dO

Vla.

7 8

∑

thai gong (suspended)

Fo œo œ n œo œ o œ œ ?3 œ 4

∑

3 7 œ œ œ 8 œ œ œ œ- œ œ œ œ P p + + + + 78 ˙ œ œ œ. p

∑

7 8

∑

q dO

Vln. II

+ ‰ j œ > F

vibraphone

Vln. I

∑

Hn.

∑

lS co

A. Sx.

?3 4

∑

B. Cl.

42 Œ

Ob.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œo œo . ˙o œo ‰ J 78 42 J ‰ Œ π harmonics sim.

∑

Fl.

O Ÿ~~~~~~~~~~~~~~~~~~~~~ Faster, shimmering q = 104 o 161 ˙ . œo œo Œ Œ 78 & 43 O . O ∏ p j 78 ∑ & 43 œ . ≈ Œ Œ π

∑

& 43

∑

E. Hn.

& 43

∑

& 43

∑

Perc. 1

Perc. 2

Hp.

Pno.

5 4 4 œœœœœ˙ p F

ã 43

∑

4 4

& 43

∑

4 œœ 4 p °

& 43 ?3 4 & 43 & 43

∑

œo (√) œœ

œœ

>œ 3 &4 II

& 43

∑ q dO

legato

44 >˙ F

senza sord.

∑ ∑

∑

2 4

∑

4 4

∑

œœ j # œœ œœ ‰ # œœ œœ

j œ ‰ œœ œœ

∑

œœ

# ˙˙ ..

∑

III

nO P

legato

j O ‰Œ p

O ‰ ‰ j œ œ O O Œ J p

III

œ p

normal/harmonic finger pressure) >œI (rapidœalternation between pizz. i ˙ J‰ 4 ? Ó 4 & 43 Œ ßp f

j œœ 3

2 4

∑

j ‰ OO OO OO OO # œœ ˙˙ p P P

œœ

∑

III IV

4 4

˙ f

4 4

œ 44 ˙

44 œ π

∑

œ ‰ ‰ œj 4 œj ‰ Œ 4 J > II

∑

24 ‰ 3 œ œ p 2 ∑ 4 2 4

III

j >œ œ 3 ‰ œ œ &4 >

senza sord.

Vc.

œ œ

œ 4 #˙ 4

j‰ Œ œ

∑

q dO

III

Vla.

œ œ

∑

j œ œœ F 3

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ o o œ œ œ œ œ ‰ œj 44 œ P p π

∑

# œœ œœ i œœ J ‰ Œ P

44 œ i o f o œ œ œo 4 w œ 4

q dO

Vln. II

˙˙ ..

∑

j‰ œ

large sus. cym. 44 ˙ i Ó p 44 ∑

∑

& 43

168 Vln. I

∑

3 3 & 4 #œœœ ˙ P p + 3 & 4 ˙.

ã 43

Hn.

4 4

j œœ

A. Sx.

english horn

B b Cl.

44 Ó

Ÿ~~~~~~~~~~~~~~~~~~~~ o o œ #œ œ œ ‰ œjœ œ O O 42 P π

Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ o o œœ #œ œ #œ ‰ # œj œ œ nO O p π

lS co

168

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ P œo # œo œo œ œ œ œ 44 œ œ O O π p

# œœ

j œ œ œ F

∑

stain, bloom, moon, rain - Score in C

∑

˙˙ ∑

∑

≤ 24 ‰ 3 œ œ p ≤ 3 42 ‰ b œ œ p

senza sord.

j‰ Œ œ

∑

∑ 3

24 ‰ b œ≤ œ 3 p arco

œœ ˙˙ .. j ‰ œœ 44 œœ

∑

44 Œ

# œœ i œœ J ‰ Œ

∑

≥ 44 ˙ f 44 ≥˙ f 44

∑

≥˙ f

˙ ˙ ˙

≤

˙ p ≤

b˙ p ≤ b ˙˙

Perc. 1

Perc. 2

Hp.

Pno.

∑

œœ & J ‰ Œ ã

∑

œœ iœœ i

& Œ ?

∑ ∑

& 174

Vln. II

Vla.

Vc.

≥

j œ bœ F ≥ 3 B j œ œ F ≥ ? œœ b œ J 3 F

43 b b œæœ p 43

æ œæœ œœ œœ

∑

≥ O.

≤ 4 Œ ‰ j œ œ 4 p

≥ O. f

≤ 43 b ˙ π

+ + j œ œ ‰Ó ∑

∑

Fo œi ‰ J 85

∑

Œ ‰ j œ œ p

4 œ 4

Ȯ≥ ..

III

43 Œ Œ

∑

43 Œ Œ 43 Œ Œ

∑

p O p

Oœ p

√ > ‰ œJ F ‰ œj >

3 4 43

œ 58 œ œ # œ œ 43 œ 85 œ œ œ œ 43

Q ≤ ≥ ≤ 5 Ó ‰ œ œ 43 œ œ œ œ O 8 F non dim. p ≤ 5 j‰ Œ ‰ 3 ≤ 34 ≥ O œ œ b œ œ b œO 8 bœ œ F non dim. p IV ≤ ≤ ≥ j‰ Œ ‰ 3 43 œ œ b œ œ n O 85 O bœ œ F non dim. p II ≥œ œ b œ œ O≤ ≤ b œ 5 b œ œ Oœ ‰ Œ ‰ 3 4 8 J 3 F non dim. p

stain, bloom, moon, rain - Score in C

3 4

58 Œ o o j 43 œI œI

senza sord. IV 3

+ + + 5 ‰ j 8 œ œ œ. Í ∑ ∑ 85

43 Œ Œ

# œœœœ iiI J‰Œ Ó π

∑

≤

œ œ Jœ ‰ Œ J 3 p

∑

j j‰ Œ œ œ œ p 3 j œ œj ‰ Œ œ p

∑

take two brass mallets & two med.-hard marimba mallets 3 œæœœ 44 œœ .. ≈ Œ Ó ∑ 4 œ æJ fmolto 44 ∑ ∑ 43

∑

œ œ œ‰ J œ π + œ F

# œœœœ ˙˙˙˙ ... j 4 . Œ ‰ æœ æœ 4 œ œ æ æ p P ° 44 ∑ ∑

∑ 3

43 43

∑

Vln. I

œœ œœ œœ

4 Œ ‰ j œ œ 4 œ p F + 44 ˙ . ∑ p 44 ∑

∑

85 œ œj ‰ ‰ p B b clarinet bisbig. ~~ >œ œ 3 5 ∑ 4 8 Œ R≈ P bisbig. ~~~~~~ j 5 3 4 Œ Œ ‰ œ 8 œ ‰ ‰ Jœ > P P

Hn.

3 4

∑

Q 85

3 ‰ œ œ 43 œ œ œ œ œ F

lS co

A. Sx.

∑

B b Cl.

E. Hn.

Fl.

Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ o o oœ œo o o o o o o œo o o œ œ œ o 174 œ œœœ œ œ œ œœ œ J‰ Œ 44 & J ‰ OOOO O 43 J ‰ Œ O O O O O O P p p 3 F 3 3 3 44 & j j‰ 4 j ˙. œœ b œ œ œ œ œ œ œ œ œ œ p f 3 4 ∑ ∑ ∑ & 4 4

O O. œO œO .. O O. Oœ Oœ ..

43 43 43 43

3 &4 Œ

B b Cl.

3 &4

A. Sx.

3 & 4 #œ

bisbig.

Perc. 2

Hp.

Pno.

42 œj ‰

Vc.

∑

44 ˙ F

+ œ

∑

+ 4 ‰ 4 ˙ f 44

∑

3 &4

∑

3 ã 4

∑

? 43

∑

3 &4

∑

o.i ? 43 # ˙

(√) 3 #œ œ Œ &4 3 & 4 #œ œ Œ

24 ‰ o j o œI œI 42 Œ Œ

∑

42 ‰

œ #œ œ œ œ

3 3 2 j & 4 Oj ‰ 4 O œ œ O > f non dim.

oi 58 # œ n œo i.

j‰ O

85 O œ

j‰ Oœ

42 O

85 O

j O ‰

O ? 43 œJ ‰ b >œ œ O 42 O J 3 f non dim.

O 85

O J ‰

3 34 j ‰ 2 & O j b O 4 Ȯ œ bœ œ b œ > non dim. f

sub. II

sub.

non dim.

+ j‰ Œ œ p ∑

œ Ó

œ œ œj œj œ f 3

> ‰ Jœ P

∑ Ó

+ ‰ j œ f

Œ ∑

∑

~~~ œ 3 5 œ œ ‰ 8 4 P ~~ >œ bisbig. . 5 3 8 ‰ J œ 4 P bisbig.

58 + œ 85

∑

+ œ p

‰ 43 43

∑

œ 58 # œ œ n œ n œ 44 œ Œ Ó

85 O

3 j O B 43 Oj ‰ bœ œ >f

nœ œ 42 ‰ œ œ œ œ 85 # œ œ n œ n œ 44 œ Œ Ó

Faster q = 108

accel.

œœ

Faster q = 112

∑

+ 58 œ p 85

3 ã 4

∑ 3

bisbig. bisbig. ~~~ > 5 4 œ # ‰ J 8 œ. ≈ œ. 4 J > P P

2 4 Œ

24 ‰ +j + œ œ f ∑ 42

sub.

Vla.

~~~~~~ bisbig. > 2 ‰ œ œ 5 ‰ j ‰ œ 4 œ Œ Ó 4 J 8 4 œ œ P P

sub.

Vln. II

∑

bisbig.

∑

3 + ‰ Œ &4 j œ

180 Vln. I

~~~

lS co

Perc. 1

œ f

j œ œ

∑

Hn.

∑

accel.

E. Hn.

Faster q = 108

Fl.

accel.

3 &4

180

≥ 3 ≤ 4 ‰ 4 ˙ ˙ ˙ >f p ≥ 3 ≤ 4 ‰ 4 b˙ ˙ ˙ >f p ≥ 3 ≤ IV ‰ 44 b ˙ n ˙ >f p b ˙ >≥ ˙ ≤ b˙ ‰ 44 ˙ f p3 accel.

stain, bloom, moon, rain - Score in C

œi ‰ ‰ J 43 œo i œo . i 85 ‰ J 43

i ‰ Jœ 85 œ i

Œ ∑

≥ j‰ œ œ > f ≥ j‰ œ nœ f > ≥ nœ ‰ nœ J > f œ >≥ J ‰ #œ f

‰

œ #œ

œ œ 58 œ # œ œ œ 43

œ ‰ œ œ 85 œ œ œ œ œ 43 Faster q = 112

85 œj ‰

Œ.

j œ œ œ

85 œj ‰

Œ.

œ œ œ J

85 œJ ‰

Œ.

œ œ œ J

œ 58 J ‰

Œ.

œ œj œ 3

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

42 ‰ œj œ

43 # œ # œ

2 4

3 4

3 &4

2 4

3 &4 Œ Œ

Vln. II

Vla.

Vc.

∑

3 ã 4

∑

3 ã 4 ? 43

3 &4

∑

? 43 Œ ‰ J

(√) œ #œ œ œ œ 3 J &4 ‰‰ f œ œ 3 œ &4 J‰‰ œ œ

3 4 3 4

∑

42 42 Œ

∑

3 4

∑

œœ œ œ œ #œ # œ 3 ≈ ‰J J‰ 4

34 ≥ # œ & œ œ f p accel.

3 ≥ &4 œ œ œ p f ≥ B 43 œ œ œ f p ≥ ? 43 b œ œ œ f p

œ œ œ œ

≈ œ œ œ 43 œ œ ‰ Jœ œ ‰ J

42 Œ

24 ‰ ≤j œ œ P ≤ 42 ‰ j œ œ P 24 ‰ ≤j œ œ P ≤ 24 ‰ b œj œ P III

≥ 34 # œ #œ

≤ œ

≥ 43 œ œ

≤ œ

34 ≥œ œ ≥ œI 34 œ

œ≤ œ≤

≥ œ

f ≥œ f ≥œ f

j 2 œ ‰ ‰ 4

9 + 8 #˙. f

+ œ. p

˙. i 98 ˙ . I f 9 8

∑

triangles

≤ ‰ œ œ œ > 3

œ‰

œ œ œœ ∑

b œ. ‰ 68 J 68

to oboe

. . j œ œ œ # œJ ‰ ‰ 2 n œ b œ. j ‰ 4 #œ b œ. F f f . b œ œ 2 n œJ ‰ Œ 9 bœ bœ ‰ Œ. ‰ 8 4 f F

Œ.

crotales

98 ˙ . i F >œ . 98

œ.

f œ.

œ #œ

œ. nœ #œ œ

œ œ > 3 ≤ œ‰ œ œ > III œ >≤ ‰ bœ œ 3

stain, bloom, moon, rain - Score in C

#œ. #œ. œ bœ bœ bœ

6 8 6 8

+ 2 j ‰ Œ 4 œ

6 8

∑

glockenspiel

2 4 œ œ bœ f P ∑ 42

6 8 68

marimba

med.-hard mallets 24 œ Œ 68 f

∑

œ bœ ‰ 6 J 8 ƒ œ #œ œ nœ œ bœ bœ bœ 2 œ bœ j‰ 6 4 #œ bœ 8 42

Faster still q = 120 ( q. = 80)

98 j ‰ ‰ œ . #œ f

pizz.

e=e

≤

Œ.

brass mallets

‰‰ j œ œ p 3 Œ ‰ ‰ b œj œ & 98 f OOoPOpOO œ #œ œ œ nœ œ Œ 98 œ œ œ nœ œ Œ 9 œ 8

≥ #œ f

#œ

9 Œ 8

∑

œ bœ bœ bœ n œ œ

98 #˙.

œ #œ œ‰ œ œ > bisbig. ~~ bisbig. ~ >œ œ . œ œ ‰ ≈ Œ Œ J J P P bisbig. ~~ bisbig. ~ >œ œ . œ œ œ Œ ‰J J ≈ J ‰ Œ P P

2 4

∑

34 œ i ‰ Jœ i Œ & f œo i

186 Vln. I

~~~~~~ œ œ 2 œj. ≈ Œ 4 bisbig.

œ #œ

piccolo

lS co

A. Sx.

3 & 4 œ œ #œ œ f bisbig. > bisbig. 34 œ ‰ œJ œ & P

∑

Faster still q = 120 ( q. = 80)

e=e

B b Cl.

∑

E. Hn.

∑

Picc.

3 &4

186

accel.

#œ.

nœ 42 ƒ

arco

œ F

98 #˙.

j 2 œ ‰ ‰ 4 Œ

98 O .

j ‰ ‰ 2 ‰ b œJ b œ ‰ 6 O 4 J 8 f

non dim.

98 O .

non dim.

III

pizz.

O ‰ ‰ 42 Œ J

#œ F

#œ J‰ 6 8 f pizz.

A. Sx.

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

Vln. II

Vla.

Vc.

∑

‰ b œ b œ 42 œ f

6 & 8 Œ. 6 nœ & 8 nœ #œ F + 6 & 8 #œ. f 6 ã 8

6 & 8 bœ F ã 68

œ & 68 J œ

∑ bœ

bœ ∑ bœ bœ.

? 68

∑

& 68 & 68

(√) nœ #œ

B 68 Œ . ? 68

I arco

∑ ∑

2 4

∑

2 4 ˙

+ 6 8 œ. f

∑

6 8

∑

6 nœ œ 8 J f

68 n œ .

42 ˙

bœ bœ 24 œ #œ nœ

∑

œ J

œ. p ‰

∑

œ . J n œJ ‰ ‰ 78 ‰ œ œ f . 68 œ n œ. ‰ ‰ œ œ 78 œJ ‰ ‰ f f

6 œ 8

bœ 2 ˙ J 4 ƒ

nœ nœ bœ bœ bœ 2 œ 4 #œ

& 68 O . > f > & 68 O .

∑

2 4

œ ‰ 68 Œ J

b œ. ‰ ‰ 42 J f + 2 4 œ. p

œ. & 68

192 Vln. I

∑

+ 7 8 œ. 7 8

œ. œ. f

+ œ f

∑

œ b œ. b œ 6 ‰ 8 ‰ J ‰ ‰ f bœ œ. 6 J ‰ 8 J ‰ ‰ ‰ bœ bœ f œ. J

+ + j ‰ 68 b œ . œ f p 6 8

œ œ bœ 6 œ bœ 8 J #œ P sub.f 68 ∑

7 œ. œ œ 8 78

œ J œ. œ.

7 ‰ œ œ 8 78 œ .

∑

œ J

∑

68 O ‰ ‰ 42 Œ O. J bœ œ. > non dim. arco > O. bœ. œ. 42 Œ # œ œ . 68 Ȯ .. > f non dim. O J ‰ ‰ 2 Œ 6 Ȯ . 4 bœ œ. 8 . > non dim.

78 œ . œO .. >œ Oœ > pizz. œ œ 78 j ‰ ‰ O ƒ 78 O . œ. 78 Oœ ..

nœ & ‰ J n œJ ƒ pizz.

stain, bloom, moon, rain - Score in C

68 68

+ 2 j‰ Œ 4 œ

6 8

∑

2 4

∑

6 8

∑

2 4

∑

+ œ. p

bœ.

2 4 œ

nœ 42

∑

œ œ ƒ

6 8 68 6 8

∑ œ

68 68

∑

œ œ. J ≈ 42 œ 24 œJ . ≈

68 68

> b œ b Oœ J

24 >œ Oœ Oœ

42 œ b œO œO >

∑

42 Œ

j b œ b œO >

bœ bœ 6 J ‰ ‰ Œ. ‰ J 8 f pizz.

24 œ f

#œ.

‰ 68

∑

42 Œ

68 œ .

j ‰ 6 >œ O œ 8 J ƒ arco 68 œj O Œ > ƒ

bœ œ œ œ œ œ bœ œ bœ œ nœ œ œ œ œ # œ œ bœ œ 78 68 ‰ 68 œ œ bœ œ œ œ 68 œ b œ œ b œ b œ b œ ‰ 68 n œ œ œ œ 78 œ œ œ

>O 68 O . j ‰ ‰ 42 œ œ O œ œ. > non dim.

6 ‰ bœ œ ‰ bœ bœ 2 8 4

∑

B b Cl.

bœ œ œ œœœœ œ bœ œ bœ . œ œ nœ œ œ œ œ œ œ #œ ≈ œ 7 bœ œ 2 J ≈ 68 J ‰ 68 8 4

6 &8

24 œ

lS co

E. Hn.

#œ

nœ bœ bœ

6 &8

nœ #œ

Picc.

192

Oœ≤

∑

F &

A. Sx.

Hn.

nœ b œ. œ. 6 n œ 78 &8 J ‰ ‰ F ƒ b œ. b œ b œ 6 J ‰ ‰ 78 &8 ‰ f 6 &8 6 ã 8

Perc. 1

Perc. 2

Hp.

Pno.

∑

6 #œ. &8 œ. 6 ã 8

6 &8

nœ.

∑

? 68

78 ‰ b œ n œ n œ

bœ. ∑

(√) #œ #œ #œ nœ nœ nœ 68 & nœ bœ 68 # œ # œ n œ n œ &

Vln. I

6 & 8 Œ.

Vln. II

6 & 8 Œ.

198

bœ.

bœ œ pizz.

6 >œ . # Oœ .. Œ . &8 f

∑

3 œœ 4 nœ 43 Œ Œ

‰ 78 Œ .

nœ

n œ œO Œ >f

pizz.

78 b >œ . b Oœ .. Œ arco

œ > f

‰

∑

œ #œ #œ œœœ F œ J

∑

68 b œ .

Œ.

68 b O . Œ . bœ. œ. >f ∑

‰

2 4

∑

9 8

2 4

∑

9 8

∑

œ J‰ Œ Œ f

˙.i

high triangle

œ bœ

vibraphone (motor off )

∑ ∑

œ nœ 43 43

#œ #œ

P °

#˙. i F

∑

43 Œ Œ # œ f

arco

∑

IV arco

œ f

arco

stain, bloom, moon, rain - Score in C

æ # # Ȯ .. ƒ> # >OO .. æ ƒ

≤ œ f

∑

crotales #œ

43 Œ Œ

bœ 2 nœ 3 œ œ 98 4 3 F

≤ Oœ 68 Œ j b œj ‰ ‰ 43 Œ Œ ? n œ œ f pizz.

to baritone saxophone

∑

œ 43 n œ

œ #3 œ 2 œ 3# œ œ æJ æ 4 æ æJ æ f œ bœ bœ 2 nœ 3 4 nœ œ 3 f

œ‰ Œ Œ J ƒ

œ b œ b œ ‰ 43 ‰ J n œ

68 b œ b œ b œ . J 68

#˙ æ p œ

?œ

∑

‰ b œJ 68 b œ .

3 4 Œ Œ

legatissimo

bœ bœ œ nœ œ œ bœ 6 bœ œ bœ œ œ 3 nœ œ œ 78 œ 8 4 78 b œ b œ œ n œ œ œ b œ 68 b œ b œ b œ œ œ 43 n œ œ n œ œ

> . b œ . Oœ . 78 Œ . f

∑

6 Oœ ‰ ‰ ‰ œ œ 7 ‰ b œ œ ‰ œ ‰ b œ 6 &8 J 8 J J 8 ƒ ƒ arco

Vc.

∑

match Vcl.

Vla.

∑ Œ

∑

34 Œ Œ b œ P

oboe

bœ n œ. œ. œ. b œ 6 b œ J ‰ ‰ 8 bœ ‰ Œ. f . n œ. œ b œ ‰ J ‰ ‰ b Jœ 68 b œ ‰ œ b œ b œ œ f f

j 7 bœ. œ 8 f

i 68 # ˙ a. œ # œ # œ . & ‰ marimba crotales

∑

œ J

B b Cl.

∑

bœ nœ œ œ 68 œ œ b œ œ œ 43

lS co

E. Hn.

6 &8

bœ bœ œ nœ œ . œ œ œ bœ

Picc.

bœ bœ bœ œ œ . œ nœ

6 &8

198

— # Ȯ J ‰# æ ƒ p # >O . æ ƒ

highest note possible sul C

∑

42 42 42

98 98

∑

∑ ∑ ∑

98 &

98 98 98

æ 42 Ȯ P

24 Ȯ æ P

O 42 O æ P

O 42 æ P

Œ.

43 Œ

Ob.

9 & 8 bœ p

‰ Œ.

Œ.

B b Cl.

9 &8

∑

3 4 Œ

A. Sx.

9 &8

∑

3 4

Perc. 1

Perc. 2

Hp.

Pno.

9 &8 9 &8

F 98 o & bœ. 9 &8

o œ.

Vc.

o œ.

34 o œ

∑

9 &8

∑

98 # OO .. & π

9 # # Ȯ .. &8 π ? 98

b b Oœ ..

non trem.

‰

43 Œ 43 Œ

Oœ ..

large sus. cym.

œ æ p

soft mallets

‰

∑

O 43 OJ ‰ ‰

Oœ ..

34 Oœ ‰ Œ J O. 34 œJ . ≈ ≤ bœ P

non trem.

≤

j œ P

≤ œ P

n ≥OO f

œ æ

‰ Œ.

Œ.

98 #œ

‰ Œ.

Œ.

œ.

3 4

9 8 b˙. π 9 8

∑

œ bœ bœ nœ 44 œ n œ 98 #˙. 3 3 F p °

≥ O f

œ.

3 4

bœ œ œ œ bœ œ bœ bœ b œ 98 43

œ i‰ Œ Ó J F 44 ∑ ∑

≤ ≈ œ P

F 3

œ ‰ Œ Ó J f

∑

√ #w #œ œ # œ # œ # œ œ œ 44 Œ 7 P f œ œ 44 œœ Œ bœ bœ

OO ..

Oœ ..

œ J F

∑

#œ œ nœ œ nœ nœ #œ œ bœ nœ 3 #œ #œ. 98 & æ æ æ æ æ æ æ æ æ 4 æ æ æ J P (fast, tight trem.)

non trem.

Vla.

bœ œ nœ bœ œ bœ nœ 3 œ bœ bœ 4 J

non trem.

Vln. II

43 Œ

∑ bœ nœ

j œ

44 # ˙ # ˙ # ˙ æ æ æ 3 f p œ bœ bœ nœ 44 œ nœ

4 4

∑

43 œ

∑

# œ œ # œ 44 # œ œ œ nœ œ

43 œ.

9 ã 8

nœ p

≈ #œ œ f

œ 34 J ‰ bœ p

∑

9 & 8 b˙. p

204 Vln. I

9 ã 8

œ.

∑

Hn.

? 98

b˙.

œ. æ

lS co

Picc.

9 &8

204

∑

≥ 44 # Ȯæ.. # > ƒ 44

# OOæ

P ≥> 44 # # Ow æ ƒ # O≤ 44 æ P

stain, bloom, moon, rain - Score in C

OO .. æ

∑

98 o bœ. 98

o œ.

∑

#œ œ nœ œ nœ bœ j #œ œ æO ‰ 9 3 œ 8 æ æ æ æ æ æ æ bæœ æ 4 P P 98 # OO ..

non trem.

π 98 # # Ȯ .. π

non trem.

b b Oœ ..

non trem.

Oœ ..

OO ..

Oœ ..

∑

Ob.

3 &4

∑

B b Cl.

3 & 4 œj ‰ ? 43 Œ

nœ

nœ p

œ œ œ #œ

Hp.

Pno.

3 ã 4

j ‰ œ

3 ã 4 Œ

‰

3 &4

∑ œ nœ

bœ J

Vln. II

Vla.

Vc.

‰

34 o Œ & œI 3 &4 Œ ? 43 Œ

œ œ œœ

œ æJ π

œ.

œi Œ

P ∑

≤ nœ P

non trem.

n OO

O O

( ) æ æ f

24 b œ b œr œ 5 F

j œ‰ ‰ Œ

2 4

∑

5 8

∑

3 8

∑

œ ‰ Œ 42 J

∑

5 8

∑

3 8

2 4

∑

5 8

∑

3 8

4 4

∑

4 ˙ 4 π 4 4 44

∑

œ bœ bœ

bœ nœ

r b œ 42 b œ b œ œ

j œ‰ ‰ Œ

œ J ‰ Œ.

∑

58 # # Oœ Oœ .. π non trem.

#O 85 O

OO ..

non trem.

OO æ

Ȯ

bœ

Ȯæ

Ȯ æ

œ.

bœ ‰ J bœ œ bœ P ∑

F ∑

≥ æ # # Oœ >ƒ ≥ # OOæ > ƒ >O≥ # # œ æ ƒ # ≥O

#œ #œ ˙ œ # œ # œ # œ œœ 6

44 w π œ bœ bœ bœ nœ 44 bœ 3 3 p

∑

œ æ

√

34 OO ‰ ‰ ‰3 ≤ & J j œ œ P ≤ 3 Oœ ‰ Œ œ ‰ &4 J 3 P O. ? 43 œJ . ≈ ≤ bœ p

œ.

‰

5 8

∑

Œ œœ

5 8

œ ‰ Œ. J π

œ œ bœ bœ 5 nœ J œ Œ. 8 3 p P

p œ œœ Œ bœ bœ

nœ 34 æ n œ b œ & æ æJ

∑

3 &4 œ

3 &4

œœ œ J

∑

208 Vln. I

œ J π

5 8

Perc. 2

‰

Perc. 1

? 43 Œ

Hn.

b˙ π

∑

œ œ bœ bœ 5 nœ J œ Œ. 8 P 3 F

‰

baritone saxophone

B. Sax.

∑

Picc.

lS co

3 &4

208

85 85

∑

44 44

‰ œ # œæ œæ# œæ 44 æJ P

O æ

O æJ ‰ ‰ 44

stain, bloom, moon, rain - Score in C

∑

bœ œ bœ #œ bœ bœ Œ ‰ J 85 p ∑ ∑ 85

∑

# Oœ≤ .. # 42 p

Œ.

38 38

∏ ‰ j 38 #œ ◊

#œ œ #œ #œ 3 ‰ æJ 85 æ æ #æœ # œ 8 æ æ F

punta d'arco

∑

∑ ∑

≤ 58 b O . b œ. π 85

Œ.

œO

bœ 3 æJ 8 p

punta d'arco

B‰

Oœ # # Oœ J 85 J ‰ ‰ # # Oœ P

Ob.

3 &8

B b Cl.

3 &8

B. Sax.

? 38

Hn.

3 &8

Pno.

Vln. II

∑

j œ . ≈ ‰ Œ.

3 4

∑

2 4

∑

3 4

∑

4 4

œ ‰ ‰ æJ 98 # œ . # œ . # œæj. ≈ ‰ Œ . æ æ π Ø airy

∑

3 4

∑

2 4

∑

3 4

∑

3 4

∑

2 4

œ. π

3 ã 8

9 8 #œ.

∑

9 8

∑

9 8

∑

3 &8

∑

3 ã 8

∑

3 &8

∑

38 n œ b œ œ 9 # œ . b œ . b œ . b œ . œ . 8 & π 38 9 ∑ ∑ 8 & 3 &8 ? 38

∑ œ. (◊)

43 43

˙.

œ. molto sul tasto

43 43

B 38 n œ # œ œ 98 æ. æ # œæ. # œæ. œ ‰ ‰ 43 #œ #œ. æJ æ æ æ ∏ molto sul tasto

Vla.

Vc.

∑ ∑

? 38 # # Oœ

punta d'arco molto sul tasto

∑

˙i

∑

crotales

∑

3 4

low triangle

n˙.

j ‰ 98 ‰ . # œæ . # œæ. æ j ‰ ‰ 43 # œ . œæ ∏

√ ˙˙ .. ˙˙ ..

∑

∑ ∑

42 42

∑

34 Œ ‰ œJœ œœ iI p

∑

nœ ‰. Œ Œ R

∑

Quasi Tempo I q = 92

˙˙ .. 34 ˙˙ ..

˙˙

sempre l.v.

∑

34 ˙˙ .. iI

∑

vibraphone

soft mallets (rubber or wood wrapped with moleskin) n n ˙ 34 ˙ .. iI ∑ ∑ 42 ˙˙ P

∑

38 n œ # œ œ 9 # œ . # œ . . b œ . œ . 8 æ & #œ æ æ æ æ æ æ æ ∏ 38 ≥ . 98 ∑ & Oœ . p

214 Vln. I

∑

Hp.

∑

Œ.

Perc. 2

98 œ ‰ ‰ Œ . J ∏

Perc. 1

œ.

3 &8

Quasi Tempo I q = 92

lS co

Picc.

214

˙. i

high triangle

∑

∑ ∑

˙˙ .. ˙˙ ..

44 4 4 4 4

∑

44 44

loco 34 Œ ‰ œJœ œœ iI

∑

stain, bloom, moon, rain - Score in C

˙.

practice mute

38 222 Fl.

4 &4

∑

Ob.

4 &4

∑

B b Cl.

4 &4

∑

5 8

∑

3 4

∑

7 8

∑

3 4

∑

2 4

∑

3 4

B. Sax.

4 &4

∑

5 8

∑

3 4

∑

7 8

∑

3 4

∑

2 4

∑

3 4

Hn.

4 &4

∑

5 8

∑

3 4

∑

7 8

∑

3 4

∑

2 4

∑

3 4

5 8

∑

œi 3 Œ Œ ‰ J 4

∑

Pno.

∑

4 &4

∑

34 œœ iI ˙ i ˙ I

∑

√ ˙˙ 34 ˙˙

4 &4 4 &4 4 &4 4 &4

222 Vln. I

Vln. II

4 &4

Vla.

B 44

Vc.

? 44

∑

∑ ∑ ∑

œ œœœœœœœ F3

∑

3 Œ ˙˙ i 4

∑

34 Œ ˙˙

∑

‰ 85

∑

7 8

∑

œœ œœ œœ œœ

œ ˙ 43 Œ Œ ‰ J ∏

∑

œœœœ

∑

∑ ∑

2 œ.i ‰ 3 4 4 π 2 3 4 ∑ 4

∑

34 ˙˙ .. iI

∑

˙˙ .. 34 ˙˙ ..

∑

œ- œ œ œ œ p

Œ Œ.

∑

stain, bloom, moon, rain - Score in C

o 24 ˙ I p 42 ∑

∑

3 4 3 4

∑

lS co

4 &4

∑

7 8

∑

5 8

∑

Hp.

4 ã 4

4 &4

Perc. 2

∑

Perc. 1

4 ã 4

med.-low triangle

∑

42 42

∑

œ œ œ œ œ œ- œ œ b œ œ p ∑ ∑

∑

43 43 43

42 Oæ. ‰ 43 ∏ ord.

∑

∏

∑

non dim.

∑

OO . . 3 æ ‰ 4 ∏ #ord. O. æ ‰ 43 ∏ ord.

Fl.

3 &4

Ob.

∑

42 ∑

∑

3 &4

∑

42 ∑

∑

B b Cl.

3 &4

∑

2 4 ∑

4 4

∑

A. Sx.

3 &4

∑

2 4 ∑

4 4

∑

Hn.

3 &4

∑

con sord.

2 4 ˙

3 3 4 œ œ b œ œj j3 4 J n œ œ œ- ˙ b ˙ P

7 j ‰ Œ 8 œ ∏

4 4

7 8

Pno.

3 ã 4

34 œœ iI ‰ j Œ & b œI

j ‰ bœ œ b b œœ œœI

(√œ) œ 34 œœ & p 3 &4 Œ

œœ n œloco œ œœ œœ œœ œœ

3 &4

∑

thai gong (suspended) crotales

3 &4 Œ

229 Vln. I

∑

j ‰ bœ œ b b œœ œœ ∑

42 ∑

‰ œœj iŒ Œ 42 ∑ I ∑

∑

√ œœ ˙˙ œœ ˙˙ ‰ J

42 ∑ 42 ∑ 42 ∑

∑

42 ∑

∑

∑ ∑

4 4

∑

44 44 44

∑

3 4

∑

4 4

3 4

∑

4 4

3 4

∑

4 4

∑

7 8

∑

7 Œ 8

Œ.

∑

∑ ∑

∑

∑ ∑

∑

42 ∑

∑

Vln. II

3 &4

∑

42 ∑

∑

Vla.

B 43

∑

42 ∑

∑

Vc.

? 43

∑

42 ∑

∑

œi Œ ‰ œJ I 78 ∑

∑

44 44

7 8

3 &4 Œ

∑

lS co

Hp.

3 ã 4

Perc. 2

œi ∑ ‰ J Œ Œ 42 ∑ p œ œi p œœ œœ i 2 ∑ ‰ J I 4 ∑ lontano

Perc. 1

‰ bœ ˙ J π

229

∑

78 Œ 78

œi œ√ œœ Œ ‰ J 78 78

∑

78 Œ

∑

stain, bloom, moon, rain - Score in C

∑ Œ

Oæ. ∏ œ œ œ œ œ œ œ bœ œ Œ. p 5 OO . . Œ Œ æ ∏ #O. æ Œ Œ ∏

∑

34 œœ iI ˙ i ˙ I

o œ I. 43 p 43

∑

œ Œ ‰ J 78 ∏

∑

œ i. 3 Œ Œ ‰ Jœ i 4 4 4 p π i ˙ ˙ 3 4 4 Œ 4 p

˙˙ 34 ˙˙

∑ ∑

34 Œ ˙˙

44 44 44 44

œœ œœ i œœ œœ 4 4 44

∑

Ob.

4 &4

∑

B b Cl.

4 &4

∑

A. Sx.

4 &4

∑

Hn.

4 &4

∑

4 ã 4

∑ ∑

∑

4 ã 4

∑

4 &4

∑

4 &4

∑

Pno.

4 &4 4 &4 4 &4 4 &4

236 Vln. I

Vln. II

4 &4

∑

bœ π

∑ ∑

Vla.

B 44

∑

Vc.

? 44

∑

œœ œ œ p ∑

3 4

3 4 3 4

∑

take 3 glock. mallets

œ J‰Œ Œ p œ‰Œ Œ J π ∑

œ ˙

3 4

∑

j ≈Œ Œ ‰ j 43 æœ æœ œæ œæ . π P p œœ ˙˙ ... b œœ ˙˙ . 3 Œ œ .I æJ 4 æ œ I . b n œœ .I f F π ∑ ∑ 43 43

∑

Very slow q = ca. 46 slow

˙.

‰ . œr ˙ . p slow ≤ bœ ˙. p

fast

Ȯ ..

senza sord. slow II

∑

√˙ . ˙. ˙˙ ..

∑

≤ œ p

∑

2 4

∑

3 4

∑

2 4

∑

3 4

∑

lontano

3 4

3 5 3 5r 5 œ b œ 42 œ j 4 œ bœ œ. nœ. ˙. ˙. J nœ œ n œ œ 3 F p high triangle ˙.i 2 3 ∑ ∑ ∑ 4 ∑ 4 glockenspiel P soft mallets (blend with Piano) j 2 3 ∑ ∑ ∑ ‰ b b œœ œœ œœ 4 ∑ 4 bœ œ œ π tam tam 2 3 ∑ ∑ ∑ ‰ æj æ 4 ∑ 4 œ ˙ ∏ sempre ˙˙ .. iI ∑ ∑ ∑ 42 ∑ 43 P

‰ bœ ˙ J π

∑ ∑

b˙.

∑

lS co

Hp.

b˙ p

n˙ b ˙˙

∑

A tempo q = 92

Perc. 2

4 &4

with mute

Perc. 1

∑

Fl.

Very slow q = ca. 46

4 &4

236

fast

&˙

∑

Ȯæ.. f

Oæ. f

. 43 b b Ȯ . æ f fast Ȯ 43 Ȯ .. æ f

b b Ȯ ..

fast

slow

∑

42 42 42 42

A tempo q = 92

∑ ∑

43 43

∑ ∑

∑

∑ œ ‰ J p ‰ œœœ J

œ œ œœ b œœ œ œ

∑

stain, bloom, moon, rain - Score in C

41 244 Fl.

∑

Ob.

∑

B b Cl.

∑

4 4

∑

3 4

∑

2 4

∑

3 4

∑

A. Sx.

∑

4 4

∑

3 4

∑

2 4

∑

3 4

∑

3 4

∑

3 4

∑

Pno.

ã ˙æ.

œœ b n œœ œ bœ

∑

œ nœ œ

œ nœ

& œœœ b b œœœ œœœ

œœ b b œœ œ bœ

4 w 4 w w 44 wæ

∑

4 4

∑

44 w

3 4

∑

43 ˙æ. 43 43 43

44 w ww

∑

Œ ˙æ.

∑

‰ # œœj œ n œœ œ œœ œ π

∑ ∑

∑

43 43

b˙.

∑

3 4

2 4

∑

Œ Œ

bœ

2 4

2 4 œœœ

42 ˙æ

∑ œœ œ

& œœœ # œœ œœ œ œ

3 4 œ œ. bœ œ

lS co

Hp.

∑

3 j 44 #œ ˙ #˙

Perc. 2

‰

Perc. 1

& œj ‰ Œ

Hn.

œ ‰ J pj ‰ b œœœ

œ œ œœ b œœ œb œ

3 4 43

∑

42 42

∑ œ bœ

42 œœœ b b b œœœ

œœ œ p

˙æ.

∑ ∑

43 43

œœ b b œœœ œœœ œ

∑ #œ

P 43 n # œœ n œ

œ #œ œ œ #œ œ œœ œœ œœ

∑

244 Vln. I

∑

Vln. II

Vla.

Vc.

stain, bloom, moon, rain - Score in C

42 250 Fl.

∑

Ob.

∑

B b Cl.

∑

4 4

∑

3 4

∑

4 4

∑

3 4

A. Sx.

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

œ œ œj œ

4 4

∑

4 4

Pno.

4 4

∑

& œ

œ œ œ

œœ ? nœ

œœ œœ œœ œ œ œ

∑

wæ

∑

∑ nw

p bw 44 b b ww

3 4

∑

take hard vib. mallet, wire brush, wire brush, hard glock. mallet

n www π wæ

3 4

3 4 ˙æ.

∑

˙æ.

∑

lontano

b œ . n œj œ

˙æ.

lS co

Hp.

œ œ œ œœ œœ œœ

4 4

∑

3 3 Œ ‰ ‰ œj œ 4 π

∑

∑ ∑ ∑

molto

3 4

∑

4 4

∑

4 4

∑

3 4

∑

œI Ø

3 4

∑

Perc. 2

& # œœ œ

4 4

Perc. 1

∑

œ bœ nœ œ œ. œ ˙ F 3

Hn.

∑

250 Vln. I

∑

Vln. II

∑

Vla.

∑

Vc.

∑

stain, bloom, moon, rain - Score in C

3 &4

Hn.

3 &4

Perc. 2

Hp.

Pno.

j‰ ≈ j ≈ j œ œ. œ. flƒ fl fl

∑

cuivré

∑ glockenspiel +̆ +̆ +̆ deadstrokes j j j 3 œ œ œ . . ‰ ≈ ≈ &4 œ œ. œ. J J vibraphone J f fl+ fl+ fl+ 3 ∑ ã 4 & 43

∑

√ ˘œ ˘œ ˘œ 3 & 4 # œœJ ‰ ≈ œœ ‰ ≈ œœ ‰ R R ƒ j r r 34 œ ‰ ≈ œ ‰ ≈ œ ‰ œœ œœ œœ & œ œ œ fl fl fl √˘ b œœ œ˘œ œ˘œ 3 & 4 Jœ ‰ ≈ œR ‰ ≈ Rœ ‰ ƒ˘ ˘œ ˘œ b œœ œ œ 3 & 4 b œJœ ‰ ≈ œRœ ‰ ≈ œRœ ‰

Vln. I

Vln. II

Vla.

Vc.

Jagged q = 84

3 &4

257

∑ ∑

[con sord.]

‰ ‰ n œj fl +œ nœ dœ bœ œ dœ > P Œ

∑

˙ f

Ȯ

œ Oœ ‰

b Ȯ 3 œ Oœ ‰ & 4 b˙ f ˘œ ˘œ . ˘œ . B 43 œ ‰ ≈ œ . ≈ œ . J J J ƒ ˘œ ˘œ . ˘œ . B 43 œ ‰ ≈ œ . ≈ œ . J J J ƒ

‰

bongos

j œ fl

>œ œ œ œœ œ‰ Œ +̆ p molto j Œ Œ ‰ œ œ J fl+ ∑

with wire brushes

∑ ?

marimba

œ>œœ f

hard mallets

∑

pizz.

∑

pizz.

˝ j ‰ œ ƒ

nœ >f

∑

pizz.

∑

pizz.

œ >f œ >f

˘œ RŒ

∑

‰. ‰. Œ ‰.

r‰ + + + + ‰ œ fl + œ n œ d œ b œ > P

rŒ œ fl

‰

j œ fl

> ‰ œ œ œ œ‰ +̆ p molto r œ Œ Œ œ R fl+ ∑

˘œ ‰ # œœ J j ‰ œœ œœ fl b œ˘œ ‰ Jœ b ˘œœ ‰ b œœ J

‰.

‰. ‰. ‰.

œœ ‰ œ J

˘œ # œœ Œ R r œœ Œ œœ fl b œ˘œ œ Œ R b ˘œœ b œœ Œ R

‰ ‰

˘œ œœ J j œœ œ fl œ˘œ œ J ˘œ œœœ J

˝ O. O ‰ œ œ œ. œ. ≈ ‰ j Œ œ f ƒ pizz.

arco

‰ ‰ b œ b Oœ b œ . b Oœ .. ≈ ‰ arco

#œ

f arco ˘œ ‰ ‰ Jœ #œ ƒ arco ˘œ ‰ ‰ Jœ œ ƒ

∑

äœ . ˘œ

Œ ∑

+ + + ++ +

∑

‰.

∑

˘œ ‰ J

Perc. 1

3 ã 4

∑

j j j œ ‰≈ œ. ≈ œ. flf fl fl

alto saxophone

∑

˘œ Œ J ‰ 42 ∑

2 4

j ‰ 42 œ fl

∑

3 4

∑

3 4

++++ + + + + j œ . œ Œ n œ ‰ 42 œ œ œ œ # œœ œœ œœ œœ 43 â fl fl œœœœ œœœœ p poco tenuto f œ. œ â fl

richer, more upper partials

less

more pressure on drumhead

conga

2 ‰ with wire brushes 3 4 œ 4 œ +̆ +̆ π molto ‰. r j 2 3 œŒ œ ‰ 4 ∑ 4 œ. œ œ J â fl+ fl+ med.-large china cym. ˘œ 3 2 Œ . ‰ ∑ 4 R 4 F j ∑ Œ Œ & ‰ b b œœœœ 42 43 P ˘œ äœ . ˘œ ∑ # œœ .. œœ Œ œœ ‰ 42 43 J j 3 œœ .. œœ Œ œœ ‰ 42 ∑ 4 œœ œœ .. œœ â fl fl b œäœ .. œ˘œ œ˘œ 3 œ . œ Œ œ ‰ 42 ∑ 4 J ˘œ b äœœ .. ˘œœ 3 b œœ .. œœ Œ œœœ ‰ 42 ∑ 4 J ∑

A. Sx.

∑

lS co

B b Cl.

flute

Ob.

Jagged q = 84

Ÿ~~~~~~~~~~~~~~~ 34 b ˙ œ ‰ & J Í ˘ ˘ ˘ 34 œJ ‰ ≈ œJ . ≈ Jœ . & f 3 ∑ &4

257 Fl.

III. rain

‰. ‰.

˘œ pizz. œ ‰ œ R > f ˘œ pizz. œ ‰ R œ f

stain, bloom, moon, rain - Score in C

Ȯ

‰ œ 42 p

#œ 3 4 ƒ

b˙

b Ȯ ‰ pizz. œ 42 p

#œ 3 4 ƒ

pizz.

nœ >f

‰

œ‰ œ

‰

pizz.

f äœ . ˘œ pizz. bœ œ. œ Œ ‰ p arco pizz. äœ . ˘œ b œ. œ Œ ‰ œ p

ƒ œ ƒ

∑

Ob.

3 &4

œ ‰ ˘œ J œ . fl â

œ. œ. ‰

Perc. 1

Perc. 2

Hp.

Pno.

3 &4 3 ã 4

Vln. II

Vla.

Vc.

Œ ‰

j ‰ œ fl

3 ã 4

∑

3 &4

∑

3 &4 3 &4 3 &4

√ ˘œ ‰ . # œœ ‰ R œœ ‰ œ . œœ œ . fl â √ b œ˘œ ‰. œ ‰ R b œœ b œœ ‰ n œœ .. œ . fl â

3 &4 Œ

263 Vln. I

œ. œ â fl

++++ + #œ #œ œœœœ œ œœœœ œ p f

sim.

∑ + +̆ >r j 3 & 4 ‰. œ ‰ œ Œ œ œ R J >+ fl+

3 &4

# œ. œ. ‰

j œ‰ œ Œ fl œ . fl â

3 &4 Œ

3 &4 Œ B 43 Œ B 43 Œ

˘œ œœ Œ J j œœ Œ œœ fl

œ˘œ œ J ˘œ œœœ J

pizz.

‰ œ p

pizz.

‰ œ p ‰

‰

++++ œ œœœœ œœœœ p

sub.

œ. œ. ‰ ≈

œ œ p >

sim.

ƒ >œ > # ≈ b œœ bœ

bœ

pizz.

‰ bœ p

pizz.

∑ ‰. Œ

42 Œ

Œ + œ œ œ

+ œŒ œ œ f

2 4 Œ

∑ #œ f

œ f

P sub.

bœ

sub.

f f

bœ

P sub.

∑

bœ. ≈ J p

3 4 3 4

2 4

∑

3 4

œŒ f

2 4

∑

3 4

˘œ RŒ F Œ

2 4

∑

42 Œ

≈ b œœ .. J F ≈ b œœ .. J

42 Œ

b b œœ .. ≈ J

42 Œ #œ

42 Œ

#œ Œ f œ Œ f

42 Œ

œ f

42 42

F ≈ b b œœJ ..

∑

> ≈ b œJ . f

˘œ # œœ ‰ J ƒ j n œœ ‰ œ fl ˘ b n œœœ œ J ‰ ƒ >œ œ

> ≈ b œJ . f

arco

>˙ . > b˙.

43 ?

stain, bloom, moon, rain - Score in C

‰

˘œ ˘œ ≈ œœ ‰ ≈ œœ ‰ R R r r ≈ œœ ‰ ≈ œœ ‰ œ œ fl fl

œ œ #œ. #œ. >

improvised accents

œ #œ. œ # >œ .

Ȯ ..

improvised accents

b Ȯ ..

˘œ ˘œ . œ ‰ ≈ œ. J J ƒ

˘œ . ≈ œJ .

œ > ƒ

œ # >œ .

arco

‰ j Œ œ >

arco

∑

bass drum

#œ. >

hard vib. mallet

œ˘œœ œ˘œœ ≈ œ ‰ ≈ œ ‰ R R

∑

arco

∑

˘œ . ≈ J

j‰ ≈ j ≈ j œ œ. œ. flƒ fl fl

œI Œ >f

b >œ

∑

‰

j j j œ ‰ ≈ œ. ≈ œ. flf fl fl

large sus. cym.

b >œ

˘œ . ≈ J

∑ +̆ +̆ +̆ f 3 œj ‰ ≈ œj . ≈ œj . 4 œ œ. œ. J J J fl+ fl+ fl+

∑

42 Œ

∑ ∑

∑

2 4

Hn.

A. Sx.

3 &4

B b Cl.

˘œ . ≈ J

3 &4

˘ ˘œ . bœ J ‰ ≈ J f ˘œ ˘œ . J ‰ ≈ J f ˘ ˘œ . œ J ‰ ≈ J f

lS co

Fl.

≈ #œ œ

263

nœ. ≈ J p

∑ ∑ √ b >œ f

bœ bœ œ œ œ

∑ ∑ ∑ œ œ œ ˙ œ ˙ > ˙.

Ȯ ..

b˙.

b Ȯ .. ∑

œ >œ ˙

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

∑

& Œ

‰ ∑

j #œ >

2 4 2 4

∑

œ œ

42 42 42

œ #œ œ #œ

Vln. I

& ˙.

Vln. II

& b˙.

b Ȯ ..

∑

‰ j #œ >

˘œ J

˘œ ‰ ‰ J

œ #œ. œ > f P

‰

˘œ J 3 4

∑

äœ . >œ ‰

˘œ J 43

∑

äœ . >œ

‰ b œj 43 b˙. > ƒ

2 œ #œ. 4 œ #œ.

sub.

∑

∑ ∑

less

42 b ˙

b Ȯ

#œ. œ #œ. œ œ >

∑

äœ . œ. ˘œ ≈ J

∑

b œ b Oœ œ Oœ ‰ 43 b œ F f äœ . >œ pizz. œ. œ 3 Œ 4 #œ F pizz. äœ . >œ œ 3 Œ 4 F

stain, bloom, moon, rain - Score in C

pizz.

4 4

j œ ‰ œ fl ˘ ˘œ œœ

∑

4 4

∑

j ≈ bœ . bœ. â >œ œ äœ .

2 4

pizz. O O 3 œ œ œ œ ‰ 4 œ F f

œŒ f

∑

˙. ˙.

2 4

∑

4 4

∑

2 4

4 4

˘œ RŒ f

j œ ‰ œ fl

more pressure on drumhead

∑

j œ ≈ . nœ . â

˘œ . äœ . œ. œ. 42 ≈ J ≈ J ƒ œ #œ. >

3 4 œ p 3 4

∑

√ ˘œ ˘œ ˘œ äœ . >œ äœ . ˘œ ≈ # œœ ‰ ≈ œœ .. # œœ ‰ ‰ œœ # œœ .. œœ ‰ œœ J J J J R r j j j j ≈ œœ ‰ ≈ œœ .. ≈ œœ .. œœ ‰ œœ .. ≈ Œ b œœ œœ .. b œœ .. œœ b œœ .. â â â fl fl √ b œ˘œœ œäœ .. b œ˘œ œ˘œ b œäœ .. œ>œ œ˘œ ≈ œ ‰ ≈ œJ . Jœ ‰ ‰ Jœ œ . œ ‰ Jœ R b ˘œœ œœ b œäœ .. œ>œ j ? œ œ œ œ . b œ ‰ ‰ œ ‰ œ # #œ. œ & J J œ #œ. œ #œ œ Ȯ

4 4

+ + +richer, + more upper + + +partials + + + + + + + + 3 ≈ # œ œ œ 42 # œ œ œ œ Œ 4 œœœœœœœœ œœœ œœœœ œ #œ œœœœœœœœ œœœ œœœœ f f p

∑

42 ˙

2 4

≈ j ‰ j 43 j ‰ Œ j ‰ ‰ j #œ. œ . #œ œ #œ. œ #œ â œ fl fl â > œ fl >

2 4

Ȯ ..

Vc.

˘œ ‰ ‰ J

(√) b œ œ bœ & b œ n œ b œ œ œ A œ œ ‰ 42

268

Vla.

œ #œ. >

∑

˘œ J

2 4 ≈ j ≈ j œ. œ. â fl

∑

˘ ä 24 ≈ œJ . ≈ œJ . ˘œ . äœ . 2 4 ≈ J ≈ J

∑

b äœ . >œ

A. Sx.

∑

˘œ ‰ ‰ J

lS co

B b Cl.

‰

b ˘œ J

Ob.

& Œ

äœ . J

Fl.

b >œ

b ˘œ . J ≈ 42 ≈

268

b >œ

med.-large china cym.

42 ‰ .

42 42

∑

œ œ

nœ œ œ

bœ œ œ Œ

#œ œ œ Œ 42 ƒ œœœ 24 Œ ƒ

ƒ ƒ

Hn.

∑

3 4

∑

4 4

∑

3 4

∑

3 4

∑

4 4

∑

i 4 & 4 ‰ œJ Œ Ó sempre l.v. f vibraphone œi 4 &4 ‰ J Œ Ó

3 4

∑

4 4

3 4

∑

4 ã 4

∑

j 4 &4 ‰ œ Œ Ó flf 4 &4 ‰

j Œ Ó œ ƒfl

Hp.

4 &4 4 &4 4 &4 4 &4

Pno.

Vln. I

4 &4

∑

>œ ˙ . ‰ æJ æ f √ >œ i ‰ # œœ I Œ Ó J ƒ j ‰ œœ Œ Ó b œœ fl √ b œ>œ ˙˙ .. ‰ Jœ ˙ . ƒ b >œœ ˙ . ‰ b œœ J

œ 43 æ p 43 43

X [pizz.] œ 274 4 &4 ‰ J Œ Ó ƒ

Vc.

∑

∏

j œ

bO O O

∑

2 4

∑

4 4

∑

3 4

∑

2 4

∑

4 4

∑

3 4

∑

2 4

∑

4 4

∑

3 4

∑

2 4

∑

4 4

∑

42 Œ

∑

∑ ∑

i 24 # ˙ P o 24 # ˙ I

44 44 44

∑

√ bœ ≈ b œ œ 44 p 44 44

∑

œ bœ ‰ ‰ J ‰ ‰ J 42

∑

˙.

œ œ 4 3 &4 ‰ J Œ Œ ‰ J 4 Œ ƒ f bœ B 44 ‰ J Œ Ó ƒ arco Oœ d'arco Ȯ .. bpunta ? 44 ‰ æJ æ

O bO O

43 Œ

[pizz.]

Vla.

bœ

˙˙ .. 43 ˙ .

[pizz.]

Vln. II

Perc. 2

∑

glockenspiel

Perc. 1

∑

A. Sx.

no A key (w/ Th B b)

lS co

B b Cl.

∑

Ob.

Fl.

X b ˘œ 274 4 J Œ Ó &4 ‰ f ˘ 44 ‰ œJ Œ Ó & f ˘œ 4 &4 ‰ J Œ Ó f

43 43

œ ‰‰JŒ 3

œ Œ RŒ 5 f Ȯ .. æ

œ 44 ‰ J ‰ Œ 3

œ ‰ J 44 Ó Œ

œ ‰J‰ Œ 3

œ ≈ R ‰. Œ

44 Œ

Oœ O Ȯ œ 44 æJ æ æ 3

œ J ‰ 43 Œ

œ RŒ

œ J Œ ‰

œ. 43 ‰ J Œ

Oœ O Oœ œ æ æ 43 æ

sub.

stain, bloom, moon, rain - Score in C

bœ

b˙

Oœ Oœ Oœ b O b œ 2 Ȯ æ æ æ æJ 4 æ 3

44 ∑

44 44

j œ

bO O nO

Ob.

4 &4 Ó

B b Cl.

4 &4 Ó

A. Sx.

4 &4 Ó

Hn.

4 &4 Ó

Hp.

Vln. II

Vla.

Vc.

‰

œ ‰ J f + 34 # œj ‰ œ œ flf

44 ‰ j . œ ˙ ∏

3 4

4 &4

∑

4 &4

∑

4 ã 4

∑

44 # ˙ . i & Fo 4 & 4 # ˙ I.

Pe ∑

4 &4 Ó

4 &4

∑

4 &4

44 ‰ j œ œ ∏

34 >œ œ œ œ œ Œ Í √ >˙ . 43 # ˙˙ .. ƒj Œ 43 b n œœœ ‰ Œ œ fl √ b ˙>˙ .. i 43 ˙ . ƒ> bœ œ ˙ 34 b œœœ

∑ ‰

F ≈ j œœ . b œœ ... >

∑

4 &4 Oœ ? 44 æJ

∑

œ œ f œ. f œ

∑

4 ‰ j 4 œ œ ∏

lS co

(√) bœ 44 b œ b œ bœ œ œ œ œ œ ‰ & œ nœ nœ œ œ

279 Vln. I

j ‰ œ fl ƒ i 3 4 ˙. f ˙ .i 3 4

4 &4 Pno.

≈ j bœ . >p

‰

Perc. 2

≈ j œ. p + + + #œ ≈ œ œ œ œ P

Perc. 1

≈ j œ. p

b ˘œ J 43 f ˘ 34 œJ f

Œ Œ

5 f punta d'arco Oœ O b Oœ œ æJ æ 43 æ 3 ∏

j œI

∑

4 ‰ j Œ 4 œI p

‰

∑

44 Ó

‰

∑

√ œ f

bœ

nœ

bœ

∑

bœ ‰ J ‰ 3

œ 44 ‰ J

œ RŒ

stain, bloom, moon, rain - Score in C

4 4

Oœ æ

∑

œ œ ‰ ‰ J ‰ ‰ ‰ J 44 Œ 3

4 4

44 b œ & AO

279 Fl.

A b key depressed

Oœ Oœ æJ 44 æ

Œ œ R Œ Oœ æ

œ RŒ Oœ æ

bœ ‰ ‰ J 3

‰

bœ R Œ b b Oœ Oœ æR æ p

bœ J

282

Hn.

Perc. 1

Perc. 2

& ˙

œ œ œ bœ œ bœ f P 6

bongos

& Œ

Hp.

Pno.

ã‰

Vla.

œ æ

Nœ œ p

bœ Œ

3 4

molto

∑ ∑

∑

j æ b b œO P bœ ‰ J

& Œ

‰

& Œ bœ & ≈ R ‰.

Œ Oœ .. æJ

arco

j ‰ œ flƒ

∑

44 œ

œ bœ

j œ π

4 Œ 4

‰ n œj π

4 4 ˙

‰ d œj ˙ π

˙ .i f ˙i

∑

j 4 œI 4 p

∑

glockenspiel

‰

∑

√ œ bœ œ œ œ œ œ 4 bœ nœ #œ œ ≈ nœ ≈ œ œ œ œ nœ œ 34 œ œ œ 4 nœ æ æ œ f π P √> ˙. 44 ∑ 43 # ˙˙ .. ƒj 44 ∑ Œ 43 b œœœ ‰ Œ œ fl √ b ˙>˙ .. 44 ∑ 43 ˙ . ƒ b >œ œ ˙ œ 44 ∑ 43 œ

∑

j œ ‰ fl f

Œ ‰

O ? œ æ

∑

Vc.

j > œ œ > æ f ∑

282

Vln. II

‰

with wire brushes

Vln. I

j œ f

& #˙ ∏

(√) bœ

œ œ bœ œbœ bœ f P

& ˙

∑

lS co

A. Sx.

B b Cl.

œ œ bœ bœ œ œ Œ

& ˙

Ob.

∑

Fl.

˘ Y bœ J ‰ Œ 43 f ˘ 34 Jœ ‰ Œ f ˘œ J ‰ Œ 43 f

æ œO

Y 43

≈ Ó

bœ œ ‰ J ‰ ‰ ‰ J 44 Œ 3 f3 œ œ œ 44 Œ

bœ

pizz.

œ. f œ f

œ RŒ

˙o i

pizz. I

stain, bloom, moon, rain - Score in C

>œ

44 ‰

œo i Œ J

Œ œ RŒ

œ œ ‰ J ‰ ‰ ‰ J

œ RŒ Œ

‰

œ RŒ œo i

œ J

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

& ‰ ‰ b Jœ ˙ . 3 π & w

& w

‰

& w & &

∑

(√) œ œ œ œ ≈ ≈ bœ & ≈

Vln. II

Vla.

‰

‰ n œj Œ flf +œ nœ dœ bœ œ dœ > P

≈

‰

œ œ œ bœ

Œ Œ

nœ flf + + + + + + sub.

œ flf

‰

glockenspiel >œ œ œ œ œ œ ‰ œJ i Œ Fœ œ p ‰ J F

n >œ ‰ n n œœ J f

& Œ

œ ‰ ‰ J Œ

‰

bœ ‰ J

& Œ

œ & ≈ R ‰. Œ œo i ‰ Œ ‰ & J 3

Œ bœ RŒ

‰

˝ j œ ƒ nœ > f

œ R ≈ ‰. B ‰ nœ > 5 f

oi ‰ œJ Œ

‰

> œ f

‰ #œ

‰

f œ œ

f œ ‰ &J #œ f

‰.

œÓ

stain, bloom, moon, rain - Score in C

j œ fl

3 4

∑

œ bœ

œ. ≈J

bœ f

Œ ∑

bœ. ≈ J

≈ ≈

˝ j œ. ƒ nœ > f

œ bœ J ‰ ‰ ‰ ‰ J B ≈ nœ > 3 3 f Ó

œ 43 43 43

Œ b b œœ ‰ b b œœ J ˘ ‰ b b b œœœ J

Œ œ

bœ

‰

f˘ œ ? ≈ n n œœ ‰ R

3 4

‰

œ R

+œ œ nœ dœ bœ > P

bongos

bœ. ≈ J

b ˘œ J

> ≈ œ œ œ œ œ ‰ p

bœ

√ bœ œ #œ œ nœ œ œ œ &‰

√ b œœ i ‰ œJ I Œ fbœ œ œ ‰ b œœ J

b ˘œ J

+ + + + +

sub.

∑

b ˘œ J

∑

j Œ œ fl

bongos

∑

ord.

with wire brushes

∑

Vc.

∑

‰

bœ flf

285 Vln. I

∑

A. Sx.

B b Cl.

Ob.

∑

Fl.

lS co

285

b ˘œ ‰ J f ˘œ ‰ J f ˘œ ‰ J f

> ≈ œ f

43 43

bœ J

‰

#œ #œ

‰ ‰

œ ‰

43 43

∑

Ob.

3 &4

∑

B b Cl.

3 &4

Perc. 1

Perc. 2

Hp.

Pno.

3 &4

∑

3 ã 4 Œ

3 &4

∑

ã 43

? 43 Œ

(√) ˙˙ 3 & 4 ˙˙ & 43

∑

bœ. & 43 ≈ J

Vln. II

Vla.

Vc.

& 43 & 43

bœ œ f

∑

œ ‰ ‰ J ‰ 3

bœ œ œ œ œ f

? 43 Œ

5 8

# >œ

œ # >œ .

5 8

2 4 œ .

œ˘œœ J Œ

˝ j œ ƒ œ > œ > > œ

5 8

∑

5 8

œ œ. >

#œ >

5 8

∑

2 4

5 8

∑

(√) bœ #œ œ nœ œ Œ nœ œ & 43 f & 43

œ >œ .

2 4

> œ œ œ 2 œ 4

∑

288 Vln. I

+œ #œ dœ nœ > π P

# >œ

24 œ œ >œ b œ b œ n œ n œ 85 #œ > F f 42 42

‰

. > 24 œœ # # œœ . > 24 œœœ # # # œœœ

‰ œ p bœ p

b œ. J

# œ. J

‰

∑

‰

∑

‰

∑

+ + + + + + + +3 +

dœ bœ nœ dœ bœ Dœ œ dœ bœ > π P

j #œ >

‰

œœ œ>œ ..

œ P

∑

# >œ J

∑

∑ ∑

‰

85 85

∑

œ π

œ P

∑

‰

∑

‰

∑

b b b œ˘œœ J

‰

bœ p

bœ > f bœ > f bœ >f

stain, bloom, moon, rain - Score in C

∑

‰

∑

arco

œ π

∑

dœ bœ nœ dœ bœ Dœ œ dœ bœ > π P

∑

œœœ œ>œœ ...

+ + + + + + + +3 +

conga

˘ 58 b b b œœœ J

∑

with wire brushes

∑

b œ 42 p

b œ. J

∑

Hn.

2 œ. 4 f . œ 2 4 f

∑

3 &4 Œ

A. Sx.

œ >œ .

lS co

& 43

>œ

Fl.

288

œ.

∑

œ œ.

œ 3

bœ >f

nœ

bœ >f

œ œ

œ 3

nœ

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

& & ã &

œ P

j ‰ œ π

∑

3 4

∑

˘ ? b b b œœœ J

œ.

F bœ >f bœ >f bœ >f

œ 3

‰

∑

44 Ó

‰

∑

44 ≈ +r ‰ bœ > F

Ÿ~~~~

side key

bœ œ > F + + dœ bœ > P

∑

bœ

p b˙. b˙. f

44 Œ 44

∑

44 Œ

∑

∑ nœ œ Œ

3 j 4 œ œ bœ.

3 j nœ 4 œ bœ.

Z b˙. Í bœ ƒ bœ f bœ f

∑

>œ

bœ bœ bœ bœ #œ œ Aœ bœ bœ bœ bœ nœ nœ nœ 4 nœ nœ ≈ œ œ œ 4

marimba

œ J œ

senza sord.

‰

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 44 œ œ œ œ œ œ œ œ œ≈ œ œ œ π 44 ∑ ∑

∑

bO O bO

5 shakers

∑

#O O

j œ œj

with hands/fingertips

∑

‰

∑

Vla.

‰

44 Ó

∑

Vc.

∑

Vln. II

+ + + + + + + +3 + 3 + 4 j‰Œ Œ dœ bœ nœ dœ bœ Dœ œ dœ bœ bœ > π P

∑

292 Vln. I

∑

#œ ‰ J π

lS co

A. Sx.

∑

B b Cl.

44 Ó

∑

Ob.

∑

Fl.

∑

292

j bœ

44 Œ Œ Œ

‰

bœ p

Œ B

stain, bloom, moon, rain - Score in C

bœ

b œi b œI J

‰

∑

nœ ∑ œ

bœ

nœ

bœ

nœ

≈ œ

#œ œ œ

œ œ J 3

poco sul pont. arco

Ÿ~~~~~~~~~~ 44 ≈ œj . œ œ œ fl F poco sul pont. ˘ arco j 44 ≈ œœ . . œ œœ œœ J Ÿ~~~~~~~~~~~ fl F

j ‰ b b œœœ fl P

Ÿ~~~~~~~~~~ ˘ b 44 ≈ œJ . œ œ œ F poco sul pont. arco

‰

‰ b œj f

‰

pizz.

j bœ f

pizz.

j bœ f

pizz.

52 296

Perc. 1

Perc. 2

Hp.

Pno.

nœ dœ bœ Dœ

+ & ≈ b œr ‰ >

Vla.

Vc.

dœ bœ nœ dœ > P

‰

∑

side key Ÿ~~~~~~~~~~~~~~ œ Œ œ nœ bœ œ > F

+ + + +

Dœ œ dœ bœ > P

‰

bœ

∑

b >œ

‰.

+ j bœ fl

‰

j b œœ ‰ bœ fl P

& Œ ? &

Aœ

nœ

‰.

# œ b >œ a >œ b œ A >œ A œ œ b œ œ b œ œ œ œ nœ œ ≈ nœ ≈ F b œi b œI r Œ ‰ J ‰ . n b œœœ ‰ . fl f F ∑

bœ œ œ ≈ œ œ

>œ

œ > Nœ

>œ b œ ≈

bœ

∑

& &

bœ

∑

œ 3

bœ œ J

Ÿ~~~~~~~ pizz. j j œ ‰ j ‰ & ≈ œ. bœ fl F f arco ˘ Ÿ~~~~~~~ j j pizz. œœ . . œœ j B ≈ J J ‰ bœ ‰ fl f F arco Ÿ~~~~~~~ ˘ b œ ‰ pizz.j B ≈ Jœ . ‰ J bœ F f

‰

j œ

‰

j bœ

‰

j bœ

n >œ f

‰

œ b œ. J

arco

œœ. J

arco

‰

. ‰ # œJ

arco

3 4

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r 3 #œ 4 œ œ œ #œ œ bœ œ œ œ œ œ œ π

+ r 3 bœ 4 fl

A >œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ≈ œ œ œ bœ œ œ œ œ œ side key (c3)

#œ P

Ÿ~~~~~~~ bœ. bœ œ ‰. âf fl Ÿ~~~~~~~ äœ . œ ˘œ ‰. f Ÿ~~~~~~~ n äœ . œ ˘œ . ‰ f

stain, bloom, moon, rain - Score in C

∑

œ 34 œ œ œ ≈ œ œ œ œ œ œ œ π P ∑ 43 43

∑

>œ b >œ b œ n >œ n >œ b >œ œ nœ bœ nœ bœ nœ 43 p f

# œi œ R I 43 f 43

# œ A >œ . a >œ b œ b œ œ œ Aœ nœ œ nœ œ F ∑ œ

3 4 ≈

+ j bœ ‰ fl

side key

∑

œ bœ bœ #œ nœ nœ œ œ

arco

Vln. II

+ + + +

‰.

>œ œ œ œ œ œ œ œ œ œ œ œ œ ≈ œ œ ≈ ≈ œ œ œœœ ã œ œ œ œ œ œ œ œ œ p ∑ ∑ &

296 Vln. I

+ + + +

‰

side key Ÿ~~~~~~~~ ‰ bœ œ œ œ > F

p F

bO O bO ‰ 3

r r bœ œ œ R 43 O Œ O O#O O #O

Hn.

P ~~~~~~~~~ & bœ bœ ‰

#O O

j œ

lS co

A. Sx.

œ J

no A key

B b Cl.

˙.

Ob.

nœ

Fl.

∑

bœ

j œ

sub.

∑

nœ 43 43 43

# œ.

∑

>œ >œ œ.

>œ b >œ

nœ ≈

b >œ

∑ œ. J

≈

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ 43 ˙ . n œ R π Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ 3 ˙. œ R 4 π

# Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ ˙. œ R 43 π

Ob.

B b Cl.

j œ F

‰

j œ F

‰

Perc. 1

Perc. 2

Hp.

Pno.

Vln. II

Vla.

Vc.

ã &

≈

b >œ

j n œ & n # œœ fl ? & & &

4 4

Œ ?

4 4

>œ

nœ ‰

∑

b >œ > œ œ ≈ œ n œ 44 b œ J 44

∑

44 ≈ œ p

≈ bœ ‰

pizz.

∑

arco ord.

‰

n œi > 44 ≈ œ Œ œ

j j ‰ bœ nœ F ƒfl arco pizz. ord. ˘ ≈ # œ ‰ j n Jœ ‰ #œ F ƒ

œ J F

++++ œœœœ œœœœ œœœœ

pizz.

44 ≈ œ p

pizz.

44 ≈ nœ p

pizz.

4 4

42 ˙

Δ w f

2 Δ 4 ˙

4 4

f ++++ +++++ + +++ + +3 + + +3 + # œ œ œ œ ≈ œ œ œ œ œ ≈ œ ≈ œ œ œ 42 # œ œ œ œ œ œ 44 œœœœ œœœœœ œ œœœ œœœœœœ œœœœ œœœœœ œ œœœ œœœœœœ f

∑

∑ ∑

∑

44 ≈ #œ p

‰

arco

& bœ fl f f ˘ B #œ

‰

˘ œ ‰ J ƒ

≈

pizz.

≈ ‰ œ n œj ‰ J fl bœ F ƒ

˘œ

2 4

+œ ˙

∑

>œ > b >œ > n œ œ b œ b œ œ œ œ n œ N œ 44 b œ. J

sub.

œ flf

∑

#œ œ R π

++ +++++++ ++ #œ œ ≈ œœœœœœ œœ œœ œœœœœœœ œœ p o j Δ . Δ. ≈ œ . ˙. π

>œ œ ≈ >œ œ 4 œ œ œ œ œ œ œ 4 œj ‰

ã &

44 ≈ j œ. p

∑

299 Vln. I

‰.

f w

Hn.

‰.

A. Sx.

>œ R 44 b œR ≈ ‰ f

‰.

#œ œ R π

∑

Fl.

44 Ó

lS co

299

∑

44 44

# œ œ œ œ ≈ œ œ œ œ œ ≈ œ ≈ œ œ œ 42 # œ œ œ œ œ œ 44 3 3 ƒ œ œ œ œ ≈ œ œ œ œ œ ≈ œ ≈ œ œ œ 42 œ œ œ œ œ œ 44 3 3 ƒ œœœœ œœœœœ≈œ œœœ 2 œœœœœœ 4 ≈ ≈ 4 4 3 3 ƒ

n œ œ œ œ ≈ œ œ œ œ œ ≈ œ ≈ œ œ œ 42 œ œ œ œ œ œ 44 3 3 ƒ stain, bloom, moon, rain - Score in C

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

Vln. II

Vla.

Vc.

4 œ. Œ &4 > ƒ œ j Δ ? 44 ‰ Œ œ ƒ 4 ã 4 ‰.

œ>œ .. 4 J &4 f

vibraphone

B 44 œ B 44 œ

f ˘œ . ≈ J f ˘œ . ≈ J f

+ j ≈ & œ . fl f +̆ œœ ≈ R ‰

∑ œ bœ œ œ Œ ≈ œ œ nœ > f ƒ ∑

? 44

4 œ &4

≈ Œ

4 &4

AA 44 œ &

rŒ œ fl

4 &4 Œ

b œœ . œœœ ... . & 44 > ƒ ? 44

bass drum

4 ã 4

303 Vln. I

∑ Œ œœ œœ >

œ. >

+ j œ ‰ fl ‰.

œ bœ œ œ Œ œ œ nœ f > ƒ arco œ bœ œ œ Œ ≈ œ œ nœ > f ƒ

ƒ + r ≈ œ ‰ > ƒ

rŒ œ fl

œ>œ .. J f

≈ Œ

pizz.

œ œ ≤ œ.

∑

3 4

∑

3 4

∑

3 4

∑

3 4 ≈ œj . fl

∑

‰.

r œ œ œ nœ > f Œ

œœ œœ >

‰. ‰.

arco

œ f ƒ m.s.p. ≤. II œ . œ ‰ f ƒ

r œ œ f

‰.

3 4

∑

ƒ bœ bœ J f

b œ >œ R nœ ‰

n œ 43 ‰ .

bœ bœ J

43 Œ 43

nœ

r œ œ œ nœ f

bœ œ bœ œ

œ œ

b >œ ƒ b >œ ƒ b >œ

43 ≈ j œœ .. œœ .. fl

stain, bloom, moon, rain - Score in C

‰.

∑

n œ 43 ‰ .

b œ >œ R nœ ‰

n œ 43 ‰ .

b œ >œ R nœ ‰

r œ bœ œ œ nœ œ œ nœ f ƒ b >œ ord. œ b œ œ r œ nœ œ œ nœ ord.

‰

∑

Ó arco

‰.

b >œ

m.s.p.

bœ œ ‰

∑

b ˘œœ n œœ ≈ R ‰

b œœ . œœœ ... . >

œ œ bœ œ œ ≈ J. ≈ œ œ nœ > ƒ f ƒ arco pizz. œ œ. b œ œ ≈ ≈ J œ œ œ nœ > ƒ f ƒ ≈

œ.

˘œ œœœœ ≈ R ‰

arco

>œ .

A. Sx.

ƒ 44 œ . & > ƒ

œ ≈ R ‰ ƒ >œ ≈ R ‰ œ ƒ >œ ≈ R ‰ œ ƒ >œ ≈ R ‰

B b Cl.

4 &4

b >œ

# >œ .

Ob.

ƒ >œ .

œ Œ

˘œ . ≈ J f ˘œ . ≈ J

Fl.

AA >œ . # 303 4 &4

lS co

≈

Aœ œ œ

rŒ œœ œœ > ≈ ≈

Aœ œ œ Aœ œ œ

Aœ œ œ ≈ ≈ nœ œ œ > > > b œ >œ > Aœ œ œ 34 ≈ > ≈ nœ ≈ ≈ œ œ 3 4 ≈

≈

bœ œ

rŒ œ fl

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

Vln. II

Vla.

Vc.

˘œ

f f

Œ bœ

Œ Œ

∑

bœ

Nœ

bœ bœ

b >œ b >œ bœ

nœ ‰

∑ bœ

Nœ

b >œ b >œ

4 Ó 4

∑

44 Ó

∑

4 Œ 4

>œ

œœ œ œ œœŒ

4 Œ 4

∑

4 Ó 4

5 shakers

∑

œ. œ. œ. œ. ≈ J

∑

b œ. . œ. œJ ‰ 4 Ó ‰ 4

≈

44 Ó

o œ F

bass drum

œ bœ. œ nœ bœ. nœ

∑

bœ œ œ bœ ‰ J 44

# ˘œ . œ. . b œ. nœ #œ . œ ≈ ∑

2 4

˘œ . ≈ J 43

>œ .

˘œ . ≈ J 43

>œ . œ

+ j ‰ ≈ œj 3 . 4 œ & fl ƒ molto

bœ

Nœ

b >œ

≈ j bœ . p Œ

sub.

+ + œ. œ Œ >

œ>œ .. 3 J ≈ Œ 4 f 43 43

∑

œœ œœ

∑

bœ bœ ‰ J Œ

43 43

‰.

2 4 2 4

∑ Œ ∑

œ bœ œ r œœ œ nœ bœ œ f > F b ˙i

>œ œ . b ˘œ . A ˘œ A >œ >œ . >œ œ b >œ œ b œ j b œ 44 œ ≈ œ. œ nœ bœ nœ ‰ ‰ œ Œ œ nœ J m.s.p.

ord.

ord. >œ œ . ˘œ . A >œ >œ . >œ œ b >œ œ n ˘œ bœ œ 44 œ ≈ œ. œ nœ bœ nœ œ œ ‰ ‰ œ Œ J J

43 3 4

m.s.p.

stain, bloom, moon, rain - Score in C

2 4

∑

˘ b >œœ .. b >œ ˙ ˘ b œœœ ... b œœ œ . 3 œœ .. œœœœ ˙˙˙˙ ‰ œœ ≈ J 4 J ƒ ∑ 43 j ‰ Œ œœ œœ

ord. A >œ >œ . >œ œ b >œ œ b œ b œ œ. ˘œ 4 b >œ œ . m.s.p. n œj j nœ & N œ œ ≈ œ. œ 4 nœ ‰ ‰ œ Œ nœ œ fl m.s.p. ord. ˘œ > . bœ œ ˘œ . b œ b >œ A >œ >œ . >œ œ b >œ œ A 4 bœ œ nœ ‰ ‰ J Œ B N œ œ ≈ œ. œ 4 nœ bœ nœ œ J

bœ

3 4

j 5:3œ

∑

œ. œ. J ‰ 4 Ó 4 44 Œ

>œ . nœ

˘œ . ≈ J 43

‰ Œ œœœœ œ F ƒ vibraphone + j ‰ œ Œ fl

A >œ >œ >œ œ b >œ œ bœ œ ‰ 4 œ≈ œ œ nœ bœ J 4 nœ œ

∑

. # œ. . b œ œ Œ

∑

306 Vln. I

f ˘œ

‰ Œ

b ˘œ . b >œ . b œ ≈ J 43 Œ

A. Sx.

˘œ

‰

œ. b œ. n œ. J ≈

lS co

B b Cl.

f ˘œ

b œ.

Ob.

Fl.

b ˘œ

306

b ˘œ

œ bœ œ r œ œ nœ bœ œ œ f œ bœ œ ‰. r œœ œ nœ bœ œ f ‰.

bœ ‰ . b œr œ œ œ œ œ n œ œ f œ bœ œ œ nœ ‰ . b œr œ œ œ & f

2 4 42 42 42 42 42 42 42 42 2 4 42

B b Cl.

2 &4

A. Sx.

& 42 ‰

Hn.

& 42 Œ

Perc. 1

Perc. 2

Hp.

Pno.

Vln. II

Vla.

Vc.

3 4

œ œ.

œ J P

ã 42

+ j bœ F

‰ ∑

3 4 43 43

& 42

∑

ã 42

∑

& 42

bœ

œ œ

? 42

∑

? 42

& 42

∑ bœ bœ

nœ

bœ bœ

œ œ œ œ

œ œ

43 43 43

œ.

> ƒ œ. > ƒ

+ j œ ‰ ƒfl

nœ J

> œ J

‰

> œ J

‰

> œ J

‰

œ bœ œ bœ

nœ nœ

œ bœ

b >œ b >œ b >œ

bœ nœ >

43 43 3 4 43

œ ≈ œ ≈ œ œ

≈

‰

Œ Œ

n >œ . ƒ n >œ . ƒ n >œ . ƒ

nœ. > ƒ

œœ œœ > nœ œ œ œ

œ. œ . 3 ≈ 4

bœ ≈ . œ. 43

+ + + 58 ≈ j ‰ b œ 3 œ. œ. 4 fl fl

∑

b >œ . >œ . œ.

œ. >

+ j œ ‰ fl

œ Œ

˘œ . ≈ J

œ Œ

˘œ . ≈ J

r‰ œ fl

j Œ œI

œ œ

∑

œ ‰ J ƒ

pizz.

b œœ . .. n b # œœœœ œ R 85 ≈ J Œ

‰.

œ œœœœ

œ J ƒ

pizz.

œœ œœ >

b b b œœœœ ≈ 85 fl 85

œ J œ J

m.s.p.

∑ ∑ ∑

‰.

œœ .. J f

bœ . n n n œœœœ ... . 43 > 43 œ œ 43

‰.

bœ 5 œ. bœ œ 3 R 8 ≈ J ‰ 4

‰

5 8

œ ‰

stain, bloom, moon, rain - Score in C

j ‰ ‰ 43 œ ƒ œ. J ƒ

∑

œ R 85 ≈ œJ . ‰

œ≤ . ≈ J f ≤ II œ . ≈ J f

‰ ‰ 43

+̆ œœ ≈ R ‰

≈ Œ

‰.

m.s.p.

?‰

ä 5 œ. 8 ≈ J

‰

äœ . # œ. œ. 85 ≈ J œ ≈ 43

∑

> œ œœœœ ‰ J

‰

# ˘œ

. b äœ . œ. œ œ≈ 85 ≈ J 43

b œ 5 äœ . ≈ 8 ≈ J fl

∑

ƒ n ˘œ nœ ‰ J ƒ

bœ . n n n œœœœ ... . 43 > ƒ 43

bœ œ bœ 2 nœ B4 œ œ & 42 b œ

bœ

∑

& 42

œ bœ #œ #œ

bœ 2 & 4 bœ

310 Vln. I

∑

>œ .

‰

˘œ

& 42

Ob.

∑

Fl.

> œ J

lS co

& 42

310

b >œ .

≤ œ.

f œ≤ . f

œœ œœ >

œ ƒ

‰

r ‰. œ œ œœ

œ. ≈ J

. ≈ œJ

œ ‰

j œœ œœ >

˘œ œœœœ ≈ R ‰

j œ ‰ œ œ >

ord.

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

#œ œ #œ œ J & 3 Í & & & ã & ã & &

? &

#œ œ

Vln. II

Vla.

Vc.

5 4

‰

√ # # ˙˙ .. # # ˙˙ ..

# # œœœ œœœ ? œœj œœ & n œœ œœ 3

∑

b b Ȯ

≤ Œ ‰ ‰ œJ œ 3

∑

œ J ‰ Œ 43

∑

Œ Œ

∑

4 œ 4 p

43 ˙ . > P

crotales

∑

Œ 44

∑

Œ 44

∑

Œ 44

∑

Ó Ó

∑

˙˙ .. ˙.

F i œ 3 i œ I œœ ‰ I b œœ œœ i44 I 44

∑

q dO

˙. ˙.

œ 4 œ 4

˙ f

Ȯ ˙ .

Ȯ ..

44 ˙ . p

∑

34 # ˙ .i p o 34 ˙ . i f

∑

n # œœœ ˙˙˙ .. ii .I ‰ 3 p # œœœ ˙˙˙ ... iiI ‰ œ ˙. I

œ 44 œ

j œ œ ‰ Œ 44 ∏

˙˙ . .

4 4

∑

q ˙d O

#˙ 5 ˙ 4 f

Oœ J ‰ F

ord.

∑

# ˙˙ ˙ 45 ˙ 54 # ˙˙˙

∑

˙i ˙I f

arco

∑

Œ 44

√ # w arco 45 ∏

∑

3 4

54 # ˙ i # ˙I f #˙i œ œ Œ n œ 45 f œ ƒ n œ Œ ‰ ‰ œJ 45 3

∑

brass mallets

∑

~~~~~~~~~~~~~~~~~~~~~~ 4 œj . ≈ Œ Ó ˙ ˙. 4 j‰ Œ Ó œI f

45 45

4 w 4 p

∑

˙.

œ J‰ Œ

bisbig.

∑

#˙. # ˙.

5 #˙ 4 f

œ œ π o Œ Œ œ p

f ˙

314 Vln. I

≈Œ Ó

A. Sx.

lS co

B b Cl.

n˙

Ob.

‰ #œ œ

Fl.

bœ œ

~~~~~~~~~~~~~~~~~~~~~ ˙. œ. 44 J p ˙. ˙ 44 p

314

bisbig.

∑

œ # œ- œ- œ œ œ œ œ œ # œ œ œ œ œ œ J 43 3 ∏ 3 F 7 F q d>O ˙˙ œœ œœ ˙˙ œœ 3 Œ 4 F p F p dO q> ˙ œ œ ˙ #œ ˙ œ œ ˙ œ Œ 43 p F p F Ȯ ..

œ Oœ ˙ . Ȯ .. F

stain, bloom, moon, rain - Score in C

> Œ 43 œ

o Œ Œ œ i 44

Oœ

∑ œ œ #œ J

˙˙

œ œ. dO œ œ . qœ ˙ .

˙ Ȯ

44 œ J ‰ 44 Œ 44 4 4

˙ Ȯ Œ 44

Picc.

4 &4

Ob.

4 &4

320

Perc. 2

4 &4 ˙ > F 4 &4

∑

4 &4

∑

j œ ‰ ∏

∑

4 4

∑

4 4

3 4

∑

4 4

4 ã 4

∑

& 44

∑

3 4

∑

4 4

4 ã 4

∑

44 # w i & p

Pno.

4 &4

∑

Vc.

∑

Hp.

Vla.

œ ‰ Œ J p

∑

Vln. II

3 4 ˙ > F 3 4

4 &4

Vln. I

j œ ‰ Œ ∏

∑

? 44

∑

BB (√) #œ œ œ œ œ œ œ #œ 320 4 J &4 F q d> O œ 44 œ & F q d>O #œ œ B 44 F 4 > &4 œ

˙˙ ˙ ˙

Oœ

Ȯ

43 43

∑

Œ Œ

> 43 œ

F F

∑

#œ œ #œ œ œ

f 3 q d>O œ 34 œ F q d>O #œ 34 œ

p p

o 34 ˙ . i

o ? 44 wi

# ˙ .i

vibraphone

Perc. 1

lS co

Hn.

∑

#œ ˙ J π

piccolo

A. Sx.

∑

43 ‰

B b Cl.

œ. J

˙˙

p ˙ ˙

Oœ ˙

Ȯ

∑

√ œ œ nœ œ ≈ ‰ J p ˙˙

œœ J ‰

˙ ˙

œ œ J ‰

stain, bloom, moon, rain - Score in C

Ȯ

∑

œ Oœ ‰

œ #œ J

∑ œ

˙.

œ ‰ œ œ 3 ∏

˙˙ ..

q dœ O

‰

?‰

q œd O

œ œ

q dœ O

3 ∏

˙. ˙.

˙.

44 44 44 44 44

A. Sx.

Hn.

4 &4

∑

4 ‰ + + + + + + Ó &4 œ œ œ bœ œ bœ π

∑

4 ‰ with wire brushes Ó &4 œ œ œ bœ œ bœ p

∑

3 4

∑

4 ã 4 ‰ œjI Œ p

vibraphone

4 ã 4

∑

thai gongs (flat surface)

4 &4 ‰ œ œ œ œ œ œ Ó p with wire brushes

Pno.

4 &4

∑

? 44

4 &4

Œ œœæ.. π

44 œœ ‰ & J π œ B 44 œJ ‰ π ? 44 œJ ‰ π

∑

+ + + +

∑

‰.

+ + + + + Œ r bœ œ œ œ œ ∏

æO Œ ∏

‰.

Œ r bœ œ œ œ œ π ∑

œ œ œ œ Œ p

‰.

r Œ œ œ œ œ #œ π

œ bœ œ bœ π Oæ. p

∑

œ bœ œ bœ p

∑

ord.

∑

π j œ.œ ◊

‰

∑

˙.

∑

∑ ˙.

∑

j œ. ≈Œ

∑

œ. J ≈Œ

∑

fast circular bowing

œ p

∑

fast circular bowing

œ p

j ≈Œ #œ .

fast circular bowing

œ p

œæb œæ œæb œæ œæ œæ Œ ∏ π ∑

∑

j æœ œæ . ≈ Œ œ œ. p ∑

(√) w

π j Œ œ.œ ◊

∑

lateral/side-to-side/"swishing" tremolo

∑

? 44 ‰ 325

Vc.

3 j 4 œœ ‰ Œ

∑

Hp.

Vla.

˙˙ p

3 4

æ Ó O ∏

∑

Vln. II

∑

j 4 & 4 ‰ Oæ æ. p

4 &4

Vln. I

∑

bass drum with fingertips

Perc. 2

œœ π

∑

3 4

air, blend with Picc. & others

Perc. 1

∑

lS co

B b Cl.

Ob.

∑

Picc.

6 j 4 & 4 ‰ œæ œæb œæ œæb œæ œæ œæ Ó π ∏ airy, very little pitch 4 ∑ &4

325

stain, bloom, moon, rain - Score in C

60 330 Picc.

∑

Ob.

∑

B b Cl.

∑

4 4

∑

3 4

∑

4 4

∑

A. Sx.

& ≈

∑

4 4

∑

3 4

∑

4 4

∑

4 4

∑

3 4

∑

4 4

∑

4 4

∑

3 4

∑

4 ‰ jŒ Ó 4 œI ∏ 4 ∑ 4

∑

43 ‰ # œ œ œ œ œ # œ Œ p 43 ∑ ∑ 43

∑

& ≈ œ #œ ≈ Œ

Hp.

∑

Pno.

∑ ∑

(√ œ) & J ‰ Œ

330 Vln. I

4 4

∑

√ Œ #œ œ p

44 44

∑

Vla.

B ?

∑

Vln. II

Vc.

∑

3 4 ‰ œ œ œ œ œ #œ Œ p

∑

nœ œ

43 œ #œ 3 ˙. J 4 3 p

bass drum with fingertips

œ œ

≈Œ

lS co

& ≈

Perc. 2

Perc. 1

œ œ

≈Œ

Hn.

+ +

∑ ∑

44 ∏ 44 ‰ j Œ œœ ◊.

∑

44 œJ ‰ Œ

∑

Ó Œ

∏

œ #œ ˙ p

∑

stain, bloom, moon, rain - Score in C

∑

& # # ww π

A. Sx.

∑

Hn.

∑ sizzle cymbal

Perc. 2

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

œi J p

œ æ ∏

‰

∏

œæ œæ œæ p

∑

CC 336 (√) #w & π &

# œœ

∑

œœ

3 4

∑

2 4

∑

# œœ

Hazy q = 84

∑

∑ ∑

ord.

bœ ∏

˙ Ó Ó

2 4

34 ‰ . # n œœr œœ œœ œœn œœœ œœœ# œœœœ œœœœ œœœœ 42 # œœ œœ œœ œœ œ œ π ∑ 43 42 sim.

‰ # œœ J π

3 4 œ bœ bœ bœ p P

43 œ

43 b œ

‰

∑

43 ˙˙ 43

# # œœ .. œœ œœ œœ .. # œœ ˙˙ p ∑ œ ‰ J Ø

3 4

∑

j # œœ ∏

2 4

∑

œ π

2 4

‰

∑

3 4

∑

{ { & # # # œœœœ œœœœ œœœœ # œœœœ œœœœ # œœœœ œœœœ œœœ œœœ œœ œœ œœ œœ œœ ‰ œ œ # œœ œœ œœ œœ œœ I p ? ∑

∑

j œœ

3 4 Œ

∑

(downward strum) sim.

∑

j‰ 3 4 æ æ #œ œ

3 4 œœ

ww p

Perc. 1

with fingertips

# œæ

lS co

B b Cl.

∑

# œæ 3

Ob.

flute

Fl.

Hazy q = 84

CC & Ó

336

3 4 bœ bœ bœ p P 3

ord. IV

Œ bœ bœ p3 P ord. II b œ b œ Œ p3 P

stain, bloom, moon, rain - Score in C

∑

Fl.

Ob.

2 &4

B b Cl.

2 &4

A. Sx.

2 &4

Hn.

2 &4

∑

2 ã 4

∑

2 ã 4

∑

2 &4

∑

Pno.

∑

4 4 4 4

˙˙

œæ

∑

3 4

∑

3 4

∑

‰

j œœ

˙˙ .. p

∑

œ æJ

‰

∑

2 &4

j3 œæ œ æ p

2 & 4 # # œœœœ # # œœœœ œœœœ # œœœœ œœœœ # œœœœ œœœœ œœœ #œ p ? 42 ∑

3 44 ‰ Œ # # # # œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœI ∏ 44 ∑

43 Œ

2 & 4 # œœ p ? 42

Hp.

∏

œæ

Vln. I

2 &4

Vln. II

2 &4

339

n œœ

Perc. 2

‰

# œœ

Perc. 1

‰

lS co

j æœ

2 &4

339

∑

# œœ

œœ ..

# œœ ∑

œœ

œœ # œœ ..

∑ Ó

‰

Vla.

B 42

∑

Vc.

? 42

∑

stain, bloom, moon, rain - Score in C

≤j bœ π

∑

r ‰ . n n b œœœœ p

∑

3 34 b œ b œgliss. œ œport. œ p F π

43 b œ b œ b œ œ œ port. gliss. π F p 3

port. 43 b œ b œ œ œ œ

p 3 F π II b œ b œ b œ œ œ34 p 3 F π

Ob.

B b Cl.

A. Sx.

Hn.

Perc. 1

Perc. 2

‰

bœ æJ ∏

∑

& & n b ˙˙ .. p

& Œ

j œ. œ. P

j œ π

‰ ∑

Vln. II

Vla.

Vc.

‰ ‰

j b b œœ œœ ∏

gliss.

∑

j bœ œ P

∑

‰ bœ ˙ 3 ∏ ˙˙ ..

2 4 ˙ ˙ p

j ‰ Œ œœ

∑

‰ bœ ˙ æ æ 3 π

vibraphone

∑

3 4

Œ Œ

3 ˙ 4 p

2 œ 4 Jœ œ

œ b œœ œœ 43 œæ æœ æœ p

œ œ 42 æ œæ

43 Œ

‰ # œœœ œœœ œœœ œ œ Œ # œ œ œ # œœœ œœœI ∏ ∑

∑

& bœ p ?

œœ b œœ .. œœ œœ b œœ ..

b œœ

∑

r œ ‰.

∑

œ.

r œ ‰.

∑

bœ.

œ . R ‰

b O Ȯ ‰b œ

∑

& œ

œœ

& œ

B œ

? œ

∑

œ p

œ.

primary voice (bring out)

bœ p bœ p bœ

œ.

∑

œ R ‰.

∑

stain, bloom, moon, rain - Score in C

∑

24 Oœ Oœ Oœ J 3

∑

43 Œ

. 34 b Ȯ . F 43 Œ

œœœ iI ‰ J

j ‰ œæ ∏

marimba

& b œœœœ œœœœ œœœœ # œœœœ œœœœ œœœœ # œœœœ œœœœ œœœœ ‰ I ‰ ? ∑

342 Vln. I

∑

Pno.

≈ Œ

∑

Hp.

‰

∑

j æœ

œæ

œ æ p

œ æ

lS co

Fl.

& Œ

342

∑

p ‰ n œjI

∑

‰ n œj ∏

A b key depressed

A. Sx.

Hn.

Perc. 1

Perc. 2

Hp.

Pno.

œ & J ‰ Œ π &

& ‰ j #œ ˙ ∏ ã

Vln. II

Vla.

Vc.

j #œ œ π

j œ #œ 3

∑

˙ π

∑

& Œ ? & &

∑

Œ ∑

œœ œ æ

# œi ‰# œI J F

˙˙˙ ˙ æ

∑ ∑

bœ ˙ P

∑

‰

∑ œœ

˙˙ F

˙ F

+ + ‰ . n œr œ π

j ‰ æœ œæœ . œœœæœ bœ . ∏

œœæ œœ

4 4

+ ˙ F ∑

˙˙æ ˙˙

∑

˙˙˙ ... ˙. æ

# œi ‰# œI Œ J

bœ œ ‰J F

∑

œ 44 œœ œ æ

Œ ˙˙ .. p ˙. p

‰ . œœ œœ R π

44 Œ ‰ 44

44 44 ˙˙ 44 ˙ ˙ j 4 4 œ œ ∏

stain, bloom, moon, rain - Score in C

∑

œœœ # # # œœœ œ æ æ

œ œ. 4 œ œ 4 P 44

∑

œ J

p p

43 3 4

‰

3 4

+ j œ ‰ Œ Ó p

3 4

œœæ œœæ ˙˙ œœ æ

˙˙˙ æ

œœœ b œœ ˙˙ æ æ æ

∑

3 4 3 4

œœ ‰ æJ ∏ œœ æJ

∏

43 43

‰

43 43

∑

bœ œ œ bœ

F ∑

œœ œœ b œœ œœ

∑ bœ ˙. ‰ æJ æ ∏

punta d'arco

∑ ˙˙ f

j œœ ‰ Œ ∏

‰ Ó

˙˙æ ˙˙ P

# œi # œI Ó J

j œ

AOO bOOnO

˙.

4 + 4 ˙ 4 4

∏

‰ Ó

bœ. 4 w Œ ≈J 4 ∏ r 4 w ‰ . œœ œœ 4 w π

∑

Oœ j B J ‰ ‰ #œ œ # œ œ π ? . ˙

œœ # #3# œœœ œ œ æJ æ P

bœ œ. ‰J F

∑ ∑

j œ

∑

& Œ

#œ #œ œ #œ œ #˙. F

∑

44 j œ œ

? æ# œæ œ # œœ œ œ œ œ æ æ

∑

sim.

b˙.

347 Vln. I

‰

lS co

B b Cl.

& Œ

english horn

Œ AOO bOOnO

E. Hn.

‰.

∑

Fl.

j œ

347

r bœ œ

œœ Ó

˙ œœ ‰ æ J ∏

punta d'arco

œ Œ ‰ æJ 43 ∏

∑

punta d'arco

3 4

Ob.

3 &4

B b Cl.

3 &4

A. Sx.

3 &4

Hn.

3 &4

Pno.

∑

j œœ

˙˙

Vln. II

Vla.

Vc.

∑

3 ã 4

∑

? 43

∑

? 43

∑

3 Œ ‰ # # # # œœœœ œœœœ 44 # # # # œœœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œ œ Œ œ œ œ œ œ œ œ # œœœ œœœ π 44 ∑ ∑ 3

34 æœ æœ æ & 34 œ œ & æ æ æ œ œ 3 B4 æ æ æ 3 &4

œœ b b œœ R 5 π

DD œ 44 æ p

œ æ

œ æ p

œ æ

bœ æ p

œ æ

‰ œ œ æJ æ æ ∏ punta d'arco

bœ æ p

4 4

œ æ

∑

˙æ

œ ‰ æJ ∏

œ æJ ‰ ∏

Ó j œ œ 3

Œ j æœ ‰

> 6œ œ # œ # œ œ ≈œœ π F molto

suddenly more aggressive

∏

˙ æ

∑

# œœ

stain, bloom, moon, rain - Score in C

# œœ

∑

≤ œ π

# œæ

≈ # n # # œœœœ œœœœ œœœœ œœœœ # œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœ œœœ œœœ œœœ œœœ #œ œ #œ œ œ ∏ P ∑

∑ œ ‰ æJ ∏

œæ

∑

3 bœ & 4 œ œœ œœ b œœ p 3 F ? 43 ∑

œ æ ∏

5 shakers

lS co

‰

‰ # œæ ∏

∑

4 4

3 &4

Œ ∑

∑

4 4

‰

∑

3 ã 4

∑

∑ j œœ

# # ww p

4 4

3 &4

∑

352 Vln. I

‰

œ æ

j æœ ‰

j æ b œ œæ π

Hp.

∑

œ æ

Perc. 2

Œ bœ æ ∏

Perc. 1

DD 44

Fl.

3 &4

352

‰ #œ π 3

j œ

‰

˙. ∑

œœ # œœ

Ob.

B b Cl.

A. Sx.

Hn.

Perc. 1

Perc. 2

ã &

œæ n œæ ˙ æ P

œæ

˙æ π

∑

∑ ‰

j # œ # œ ˙˙ .. π

crossfade shakers

œ æ

∑

∑ ‰.

355 Vln. I

Vln. II

‰

& # # œœ # œœ œœ œœ œœ # œœ P p ? ∑ & &

˙ P

overtake Vla., yearning

∑

j œ ‰Œ ∏

‰

Vla.

Vc.

B &

∑

suddenly more aggressive

nœ

∑

3 4

∑

3 4

∑

3 4

∑

j æœ œæ ∏

&‰

3 3 3 34 # # # œœœœ œœœœ # œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

∑

bœ œ ˙ b œ b œ bœ > p F

œ ‰ ≈ # >œ œ # œ a œ # œ J ∏ F

43 n # œœ ..

œ ∑

stain, bloom, moon, rain - Score in C

j # œœ œœ

œ - - - - œ- Œ 3 3 ∏ murmuring, brushy

overtake Vla., yearning

suddenly more aggressive sub.

#˙

∑

j n œ œ # œœ œœ # œœ .. π ∑

∑

3 r œœœœ # # # # œœœœ œœœœ œœœœ œœœœ œœœœ n œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ n œœœœ œœœœ ∏ p ∑

∑

‰ œæj œæ ∏

3 4

∑

j 5œ :3œ

Pno.

∑

& # # # # œœœœ # œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ Œ ?

∑

˙ æ

43 43

j œœ ‰

˙˙ .. p

∑

˙ .. ˙ æ p

j æœ ‰

∑

Hp.

∑

œæ p

lS co

Fl.

355

43 43

œ - - - - œ3

murmuring, brushy

∑

∏

& œæ # œæ. π

œæ

Ob.

∑

B b Cl.

∑

Perc. 2

Hp.

Pno.

∑

& œæ

358 Vln. I

Vln. II

Vla.

Vc.

j 3# œ œ always supporting Strings

EE Œ ≈

∑

5 8 œ P

œ.

3 4

sizzle cymbal

œ. æ ∏ ∑

with fingertips

∑

85 œ π 85

∑

scrape with rattan

∑

≤ #˙ π 3

≤ œ #œ #œ #œ œ œ #œ 6

#œ ?

≥ 58 # œ F

stain, bloom, moon, rain - Score in C

œ ‰ Œ J ∑

∑

˙. 34 # ˙˙ .. p 43

∑

34 ˙≤ œ œ œ #œ œ >f > > > p 3 j 3 ≤ #œ #œ œ 4 #˙ p

œ # œj

34 # ˙≤ p 3 #˙ 4

œ œ J

#œ œ. J

> 5 œ œ œ # œ œ >œ œ # œ 8 5

∑

34 œ i Œ Œ p 3 ∑ 4

∑

≥ 58 œ F

#œ

‰

∑

85 # œ

œI

∑

43 œ P 43

large sus. cym.

œ #œ œ bœ œ œ Í > F

>œ œ ‰ j œ # œ œ >œ >œ > > > F Fp 5

≤

œ 34 J ‰ Œ ∏

always supporting Strings

85 œæ F 5 8

∑

& B

˙æ. ∏

∑

œ.

lateral/side-to-side/"swishing" tremolo

∑

& œœ # œœ .. ˙˙

85 œ

#œ ∏

œæ. # œæ œæ

& # ˙˙ .. # ˙˙ .. ? ∏

∑

con sord.

∑

bass drum with wire brush(es)

∑

‰

lS co

Perc. 1

∑

85 Œ

Hn.

A. Sx.

˙. π

Fl.

358

j œ œ 3

œ œ J 3

68 362 Fl.

∑

Ob.

∑

B b Cl.

∑

A. Sx.

∑

44 # w # w p 44 ∑

Hn.

∑

4 4

∑

Pno.

362 Vln. I

& œ

∑

œ.

j # # œœ œœ ∏ ∑

∑

œ # œ- 3

- - -

& œ

œ # œ- -

- - -

B œ

œ # œ- -

- - -

?œ

œ # œ- -

- - -

murmuring, brushy

Vla.

Vc.

- - # œ-

- - œ-

murmuring, brushy

Vln. II

lS co ∑

3 3 ‰ . # # œœr œœ œœ œœ œœ œœ œœ œœ # # œœ œ œ œœ . œ œ # œœ œœ œœ œœ œœ œœ œœ œœ # œœ # œœœ œœœ œœ .. œœœ œœœ ∏ p ∑ ∑

œœ # œ ˙ & œ ?

4 4

Hp.

∑

Perc. 2

Perc. 1

∏

- - œ3

∏

# œœ

44 44

∑

4 4

stain, bloom, moon, rain - Score in C

∑

thai gongs (flat surface)

with wire brushes lateral/side-to-side/"swishing" tremolo

# wæw ∏

44 Œ Ó # # # œœœœiI ∏ 44 ∑

œœ .. # œœ œœ

j œœ ‰

˙˙ ..

∑

∑ ∑

∑

fast circular bowing

#w p

fast circular bowing

w p

#w p

fast circular bowing

#w p

˙æ˙ .. p

∑ œ ‰ Œ Ó J œ ‰ Œ Ó J nœ J ‰ Œ Ó bœ ‰ Œ Ó J

j œœ ‰ ∏