mAtlas

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mAtlas material 10/11

Darragh Quinn Emily Kehoe Smith Esmaeil Bemena Jayne Thompson Khalid Al-Shairrawi Kirs!n Zuk Lewis Benmore Louise Wylie Stephen McCullough Thomas Hetherington Zainab Aryan

Ana-blog analogue;

a physical object or quan ty used to measure or represent another quan ty

blog;

(abbrevia on for “web-log”) a website where entries are wri!en in chronological order and commonly displayed in reverse chronological order

Ana-blog was a physical forum for sharing and discussing ideas in the Material studio. The exercise lead to the iden!fica!on of common themes within our work. mAtlas outlines these themes by analysing and documen!ng the process involved.





Themes

Landscape Narra ve Mapping Memory Process Culture Posi oning


Culture

Landscape

Narra ve

Posi oning


Thema c Distribu on

Mapping

Process

Memory



Thema c Links



Individual Posts

Darragh Emily Eshmaiel Jayne Khalid Kirs n Lewis Louise Stephen Thomas Zainab


a

e

d

h

g


Regions b

c

f


a



a


Protec ve Structure for Hamar Cathedrals Ruins Lund & Slaa o Arkitekter Posted by: Emily

Process

Ref: Lund & Slaa o Arkitekter; Informa on Book,Statsbygg,Oslo, 1998


a


Adjus ng Founda ons John Hejduk Posted by: Jayne

Narra ve

Ref: Hejduk, John, Adjus ng Founda ons, Monacelli Press, New York 1995.


a


Fluidcity Dominic Stevens Posted by: Darragh

Landscape

Ref: Stevens D., Rural, Mermaid Turbulence, Leitrim, 2007


a


Signal tower detail Belmullet, Co. Mayo Posted by: Emily

Narra ve

Ref: Photograph by Emily Kehoe Smith


a


Typologies Bernd and Hilla Becher Posted by: Emily

Process Narra ve

Ref: Becher, B. and H. Typologies, The MIT Press, London, 2003


b



b


Landscape with a church and village Jacob Van Ruisdael 1665-1670 Posted by: Lewis

Posi oning Landscape

Ref: Sverre Fehn ‘Building On The Horizon’


b


Fogo Island Long Studio Saunders Posted by: Zainab

Posi oning Landscape

Ref: www.archdaily.com/95325/fogo-island-long-studio-saunders-architecture


b


Irish Signal Tower (1806) Glosh Hill, Co. Mayo, Ireland Posted by: Emily

Landscape Posi oning

Ref: Photograph by Emily Kehoe Smith


c



c


City of Culture, Galicia Peter Eisenmann Posted by: Kirs n

Landscape

Ref: Eisenman P., Blurred zones :inves ga ons of the inters al, Monacelli Press, New York, 2003


c


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The Fascina on of Islands Simon & Tom Bloor Posted by: Darragh

Posi oning Memory

Ref: Simon & Tom Bloor, The Fascina on of Islands, Exhibi on Pamphlet, 2011


d



d


The working hand Gerrit Thomas Rietveld, Sonsbeek Sculpture Pavilion, Arnhem, 1954 Posted by: Stephen

Process

Ref: Juhani Pallasmaa: The Thinking Hand existen al and embodied wisdom in architecture [Chichester : Wiley, 2009.]


d


Rachel Whiteread House - 1993 Posted by: Tom

Narra ve Memory

Ref: Lingwood J., Rachel Whiteread :house, Phaidon Press, 1995.


d


Lines Tim Ingold, 2007 Posted by: Emily

Mapping

Ref: Ingold, T. Lines: A Brief History, Routledge. 2007


d


The Dovecote Studio Haworth Tompkins Posted by: Zainab

Narra!ve

Ref: h p://www.ps .com/2010/02/pic-the-dovecote-studio.html


e



e


Patrick Geddes Ci es in Evolu on Posted by: Darragh

Culture Mapping Landscape

Ref: Geddes P., Ci es in Evolu on, 1915, William & Norgate, London, 1915


e


Furry Cup Meret Oppenheim Posted by: Khalid

Posi!oning

Ref: Meret Oppenheim :from breakfast in fur and back again, Bielefeld : Kerber Verlag, 2003


e


sketch of the ‘pe t maison’ on lake leman Le Corbusier Posted by: Emily

Landscape Posi!oning

Ref: Loos, A. and Le Corbusier, Raumplan versus Plan Libre, 010 Publishers, Ro erdam, 2008


e


Sonorous Map (Wester Ross) Norman Shaw Posted by: Darragh

Landscape Mapping

Ref: Shaw N., Highland Landscape Aesthe cs, University of Dundee, Dundee, 2003Publishers, Ro erdam, 2008


e


Civilisa on and its Discontents Sigmund Freud Posted by: Khalid

Posi!oning

Ref: Freud S., Hogarth Press, London, 1973


e


Window Wall Le Corbusier Posted by: Esmaeil

Posi!oning

Ref: Leatherbarrow D. and Mostafavi M., Surface Architecture, MIT Press, Cambridge MA, 2002


f



f


‘One may enclose space with walls and bury it underground, but architecture is always connected to the world’

An -Object Kengo Kuma Posted by: Kirs!n

Landscape Posi!oning

Ref: Kuma K. , AA Publishers, London, 2007


f


‘The actual disrup!on of the earths crust is at !mes very compelling.’

Double Nega ve Michael Heizer Posted by: Kirs!n

Landscape

Ref: Hiezer M., Effigy Tumuli, Harry Abrams Publishing, New York, 1990


g



g


Ideas Made Manifest DRU Exhibit Posted by: Darragh

Process

Ref: Quinn D., Design Research Unit, Dundee, 2010


g


Perth City Archives Posted by: Stephen

Memory Narra!ve

Ref: Photograph by Stephen McCullough


g


-notes for a discussion of realism in architecture “nowadays, complained Mr.K., countless people pride themselves on being able to write thick books all alone, and this meets with the general approval (‌) There is no thought then which could be adopted and no formulation of a thought then which could be quoted. How little they need to do so! A pen and a bit of paper is all they can present! And without help, only with the pitiful material that a single man carry in his arms, they erect their huts! The largest buildings they know are the ones that can be built by a single man!

Reality As History Mar n Steinmann Posted by: Khalid

Memory

Ref: Steinmann M., Reality as History, A+U, 1976


h



h


Theatre of Science Aldo Rossi Posted by: Khalid

Memory

Ref: Aldo Rossi, translated by Finch Allibone. Aldo Rossi Architect. Milan: Electa Spa - Milano, 1987


h


Oral Transmission - Sketches Arthur Watson Posted by: Darragh

Culture Process

Ref: Watson A., and Cocker D., Leaving Jericho, John David Mooney Founda on, Chicago, 2003


h


Soane Museum John Soane Posted by: Stephen

Culture Process

Ref: Buzas, Stefan: Sir John Soane’s Museum, London. [Berlin : Ernst Wasmuth Verlag, 1994]





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