mAtlas material 10/11
Darragh Quinn Emily Kehoe Smith Esmaeil Bemena Jayne Thompson Khalid Al-Shairrawi Kirs!n Zuk Lewis Benmore Louise Wylie Stephen McCullough Thomas Hetherington Zainab Aryan
Ana-blog analogue;
a physical object or quan ty used to measure or represent another quan ty
blog;
(abbrevia on for “web-log”) a website where entries are wri!en in chronological order and commonly displayed in reverse chronological order
Ana-blog was a physical forum for sharing and discussing ideas in the Material studio. The exercise lead to the iden!fica!on of common themes within our work. mAtlas outlines these themes by analysing and documen!ng the process involved.
Themes
Landscape Narra ve Mapping Memory Process Culture Posi oning
Culture
Landscape
Narra ve
Posi oning
Thema c Distribu on
Mapping
Process
Memory
Thema c Links
Individual Posts
Darragh Emily Eshmaiel Jayne Khalid Kirs n Lewis Louise Stephen Thomas Zainab
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g
Regions b
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Protec ve Structure for Hamar Cathedrals Ruins Lund & Slaa o Arkitekter Posted by: Emily
Process
Ref: Lund & Slaa o Arkitekter; Informa on Book,Statsbygg,Oslo, 1998
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Adjus ng Founda ons John Hejduk Posted by: Jayne
Narra ve
Ref: Hejduk, John, Adjus ng Founda ons, Monacelli Press, New York 1995.
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Fluidcity Dominic Stevens Posted by: Darragh
Landscape
Ref: Stevens D., Rural, Mermaid Turbulence, Leitrim, 2007
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Signal tower detail Belmullet, Co. Mayo Posted by: Emily
Narra ve
Ref: Photograph by Emily Kehoe Smith
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Typologies Bernd and Hilla Becher Posted by: Emily
Process Narra ve
Ref: Becher, B. and H. Typologies, The MIT Press, London, 2003
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Landscape with a church and village Jacob Van Ruisdael 1665-1670 Posted by: Lewis
Posi oning Landscape
Ref: Sverre Fehn ‘Building On The Horizon’
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Fogo Island Long Studio Saunders Posted by: Zainab
Posi oning Landscape
Ref: www.archdaily.com/95325/fogo-island-long-studio-saunders-architecture
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Irish Signal Tower (1806) Glosh Hill, Co. Mayo, Ireland Posted by: Emily
Landscape Posi oning
Ref: Photograph by Emily Kehoe Smith
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City of Culture, Galicia Peter Eisenmann Posted by: Kirs n
Landscape
Ref: Eisenman P., Blurred zones :inves ga ons of the inters al, Monacelli Press, New York, 2003
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The Fascina on of Islands Simon & Tom Bloor Posted by: Darragh
Posi oning Memory
Ref: Simon & Tom Bloor, The Fascina on of Islands, Exhibi on Pamphlet, 2011
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The working hand Gerrit Thomas Rietveld, Sonsbeek Sculpture Pavilion, Arnhem, 1954 Posted by: Stephen
Process
Ref: Juhani Pallasmaa: The Thinking Hand existen al and embodied wisdom in architecture [Chichester : Wiley, 2009.]
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Rachel Whiteread House - 1993 Posted by: Tom
Narra ve Memory
Ref: Lingwood J., Rachel Whiteread :house, Phaidon Press, 1995.
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Lines Tim Ingold, 2007 Posted by: Emily
Mapping
Ref: Ingold, T. Lines: A Brief History, Routledge. 2007
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The Dovecote Studio Haworth Tompkins Posted by: Zainab
Narra!ve
Ref: h p://www.ps .com/2010/02/pic-the-dovecote-studio.html
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Patrick Geddes Ci es in Evolu on Posted by: Darragh
Culture Mapping Landscape
Ref: Geddes P., Ci es in Evolu on, 1915, William & Norgate, London, 1915
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Furry Cup Meret Oppenheim Posted by: Khalid
Posi!oning
Ref: Meret Oppenheim :from breakfast in fur and back again, Bielefeld : Kerber Verlag, 2003
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sketch of the â&#x20AC;&#x2DC;pe t maisonâ&#x20AC;&#x2122; on lake leman Le Corbusier Posted by: Emily
Landscape Posi!oning
Ref: Loos, A. and Le Corbusier, Raumplan versus Plan Libre, 010 Publishers, Ro erdam, 2008
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Sonorous Map (Wester Ross) Norman Shaw Posted by: Darragh
Landscape Mapping
Ref: Shaw N., Highland Landscape Aesthe cs, University of Dundee, Dundee, 2003Publishers, Ro erdam, 2008
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Civilisa on and its Discontents Sigmund Freud Posted by: Khalid
Posi!oning
Ref: Freud S., Hogarth Press, London, 1973
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Window Wall Le Corbusier Posted by: Esmaeil
Posi!oning
Ref: Leatherbarrow D. and Mostafavi M., Surface Architecture, MIT Press, Cambridge MA, 2002
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â&#x20AC;&#x2DC;One may enclose space with walls and bury it underground, but architecture is always connected to the worldâ&#x20AC;&#x2122;
An -Object Kengo Kuma Posted by: Kirs!n
Landscape Posi!oning
Ref: Kuma K. , AA Publishers, London, 2007
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‘The actual disrup!on of the earths crust is at !mes very compelling.’
Double Nega ve Michael Heizer Posted by: Kirs!n
Landscape
Ref: Hiezer M., Effigy Tumuli, Harry Abrams Publishing, New York, 1990
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Ideas Made Manifest DRU Exhibit Posted by: Darragh
Process
Ref: Quinn D., Design Research Unit, Dundee, 2010
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Perth City Archives Posted by: Stephen
Memory Narra!ve
Ref: Photograph by Stephen McCullough
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-notes for a discussion of realism in architecture â&#x20AC;&#x153;nowadays, complained Mr.K., countless people pride themselves on being able to write thick books all alone, and this meets with the general approval (â&#x20AC;Ś) There is no thought then which could be adopted and no formulation of a thought then which could be quoted. How little they need to do so! A pen and a bit of paper is all they can present! And without help, only with the pitiful material that a single man carry in his arms, they erect their huts! The largest buildings they know are the ones that can be built by a single man!
Reality As History Mar n Steinmann Posted by: Khalid
Memory
Ref: Steinmann M., Reality as History, A+U, 1976
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Theatre of Science Aldo Rossi Posted by: Khalid
Memory
Ref: Aldo Rossi, translated by Finch Allibone. Aldo Rossi Architect. Milan: Electa Spa - Milano, 1987
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Oral Transmission - Sketches Arthur Watson Posted by: Darragh
Culture Process
Ref: Watson A., and Cocker D., Leaving Jericho, John David Mooney Founda on, Chicago, 2003
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Soane Museum John Soane Posted by: Stephen
Culture Process
Ref: Buzas, Stefan: Sir John Soaneâ&#x20AC;&#x2122;s Museum, London. [Berlin : Ernst Wasmuth Verlag, 1994]