Based in Winchester, Hampshire, in Southern England, Tamsyn Warde is currently studying for her MA in Photography on the highly regarded course at Falmouth University. Her successful submission On These Magic Shores was made in her home county and remains a work in progress which she started a couple of years ago.
‘Most of us have memories of the games that we played as children’, she explains. ‘You will often hear the romantic recall of days gone by when children played freely in the street. This is reflected in the images made during the 20th century which feature children playing outdoors in a time before digital gaming and the implications of pictorial consent. On These Magic Shores is a project exploring the spaces in which children play now. I’m interested in how play has changed as we move forward, particularly after the pandemic. It’s not unusual to move through urban spaces with no sign of how or where children are playing. Green spaces can be eerily quiet where previously groups of kids would hang out. Playgrounds created for children are numerous and designed by adults to appeal to their imaginations and enhance their physical, psychological, and social development. Play spaces are created in shopping centres, sports centres, and motorway service stations all as an aid to entertain children so that adults can go about their business.’
She is clearly fascinated by the way that children’s minds can run wild in their fantasy worlds. Not only is she capturing their imaginations on fire, she is also triggering memories of her own childhood and inviting the viewer to do the same. ‘My project is a snapshot of how children are playing today, an exploration of play indoors and outside, play organised by adults or children, children playing in groups or alone. I want to photograph children as they go about their lives and capture them in their own play worlds.’
Inevitably, sensitivity and permission are required to shoot subject matter like this. ‘It’s a challenge to photograph children on the street when they aren’t known to me, and rightly so. I must be very strict with my boundaries to protect the kids, and myself. I always get consent from parents and make sure that the kids are aware that I have permission before I make any images.’
On her selection in the Student category, Tamsyn says ‘Last year I was a winner in both The Portrait of Britain and The Portrait of Humanity awards. I’m now honoured to have been chosen (for DPA 23 competition) and I’m very much looking forward to working with my allocated mentor and furthering my practice.’