Explore the websites below and open the door to your creative future.
Santa Fe, New Mexico, USA
santafeuniversity.edu
Creative
Careers
Design your success.
Milan, Italy
naba.it
San Diego, California, USA
newschoolarch.edu
Auckland, New Zealand
mediadesignschool.com
Milan, Italy
domusacademy.com Connect to aspiring creatives around the world. Join the Frontier. WeAreTheFrontier.com.
01
Introduction
02
Careers in Design
03
Careers in the Arts
04
Design and Art Education PLEASE NOTE: The arrow [ ] points out clickable links to degree programs, schools, and companies.
Students creating a painting for naba’s street art in the yard contest, 2012. Artwork by Tybet & Ester, http://bianchester.tumblr.com/.
Contents
01
Introduction
02
Careers in Design
03
Careers in the Arts
04
Design and Art Education PLEASE NOTE: The arrow [ ] points out clickable links to degree programs, schools, and companies.
Students creating a painting for naba’s street art in the yard contest, 2012. Artwork by Tybet & Ester, http://bianchester.tumblr.com/.
Contents
Introduction
PAGE 02
Still from the animated film Cookies and Scream, Media Design School, Auckland, New Zealand.
01
Across the world, in every sector of the economy, creative businesses are thriving. Whether you picture yourself working in entertainment, design, advertising, fashion, the fine arts, or in another of the many creative fields, the opportunities are vast.
-
INTRODUCTION > PAGE 03
Introduction
PAGE 02
Still from the animated film Cookies and Scream, Media Design School, Auckland, New Zealand.
01
Across the world, in every sector of the economy, creative businesses are thriving. Whether you picture yourself working in entertainment, design, advertising, fashion, the fine arts, or in another of the many creative fields, the opportunities are vast.
-
INTRODUCTION > PAGE 03
IN CREATIVE INDUSTRIES* IN THE UNITED STATES MORE THAN
3.3ARE EMPLOYED MILLION PEOPLE
BY ARTS-RELATED BUSINESSES† AND AROUND THE GLOBE
MULTITUDES *European Commission, “Green Paper: Unlocking the potential of cultural and creative industries,” 2010, on the Internet at http://ec.europa.eu/culture/documents/greenpaper_creative_ industries_en.pdf (viewed online Sept. 19, 2012). †Americans for the Arts, “2012 Creative Industries Reports,” on the Internet at http://artsusa.org/information_services/ research/services/creative_industries/default.asp (viewed online Oct. 12, 2012).
PAGE 04
And the opportunities extend beyond the creative industries. Today more than ever before, organizations prize original, out-of-the-box ideas. They value people who can apply their critical-thinking skills to ap-
proach business challenges in new ways. This means that designers and artists are working as innovators across all areas of business. The “creative workplace” is the wave of the present—and the future.
If you’re passionate about design or art, if you dream of doing what you love, you can ride this wave. Your talent, skills, knowledge—your creative mind—can add value to the world. Getting there is a matter of making decisions that enable you to follow your passion. The decision to earn a degree in design or the arts is one of the most important choices you can make along this path.
“
Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. Steve Jobs, Co-founder and CEO of Apple Inc.
(un)tangled, final fashion show of NABA’s BA in Fashion Design program, 2012. Photo by Sette Secondi Circa.
MORE THAN
5 ARE EMPLOYED MILLION PEOPLE
The creative job market is continually expanding. Rapid advances in media technology are opening new positions for professionals in filmmaking, digital design, gaming—really, everywhere technology and creativity intersect. Growing prosperity in China and other world markets is creating increased demand for designer and luxury goods.
“
IN THE EUROPEAN UNION
IN CREATIVE INDUSTRIES* IN THE UNITED STATES MORE THAN
3.3ARE EMPLOYED MILLION PEOPLE
BY ARTS-RELATED BUSINESSES† AND AROUND THE GLOBE
MULTITUDES *European Commission, “Green Paper: Unlocking the potential of cultural and creative industries,” 2010, on the Internet at http://ec.europa.eu/culture/documents/greenpaper_creative_ industries_en.pdf (viewed online Sept. 19, 2012). †Americans for the Arts, “2012 Creative Industries Reports,” on the Internet at http://artsusa.org/information_services/ research/services/creative_industries/default.asp (viewed online Oct. 12, 2012).
PAGE 04
And the opportunities extend beyond the creative industries. Today more than ever before, organizations prize original, out-of-the-box ideas. They value people who can apply their critical-thinking skills to ap-
proach business challenges in new ways. This means that designers and artists are working as innovators across all areas of business. The “creative workplace” is the wave of the present—and the future.
If you’re passionate about design or art, if you dream of doing what you love, you can ride this wave. Your talent, skills, knowledge—your creative mind—can add value to the world. Getting there is a matter of making decisions that enable you to follow your passion. The decision to earn a degree in design or the arts is one of the most important choices you can make along this path.
“
Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. Steve Jobs, Co-founder and CEO of Apple Inc.
(un)tangled, final fashion show of NABA’s BA in Fashion Design program, 2012. Photo by Sette Secondi Circa.
MORE THAN
5 ARE EMPLOYED MILLION PEOPLE
The creative job market is continually expanding. Rapid advances in media technology are opening new positions for professionals in filmmaking, digital design, gaming—really, everywhere technology and creativity intersect. Growing prosperity in China and other world markets is creating increased demand for designer and luxury goods.
“
IN THE EUROPEAN UNION
flexibility, the ability to solve problems and
communicate, the ability to learn new skills, to be creative and
innovative, and to strive for excellence.
Joseph M. Calahan, Director of Corporate Communications, Xerox
“
We firmly believe design
In this booklet, you’ll meet design and art school graduates who have become real-world designers, developers, artists, and entrepreneurs. You’ll see how they’ve put their education and their love to create into practice. Some have founded their own companies or brands. Others are up-
and design thinking is a significant vector of innovation and therefore growth.
Brad Jakeman, Global Beverage Group President, PepsiCo
and-coming innovators working within established firms.
You’ll meet architect Armando Ramos, who designed an astoundingly complex museum façade in Mexico City; Sarah Hasted, who co-owns one of the top photography galleries in New York City; and Christophe Pillet, a world-renowned product and interior designer based in Paris.
Armando Ramos Architect
All of these creative professionals have earned degrees in design or the arts. All tell their inspiring stories of how they have succeeded in some of today’s most exciting industries. These are the inventive thinkers who are changing the world.
Sarah Hasted Gallery owner
Watch the video to hear about their experiences, and read on. Christophe Pillet Designer
PAGE 06
INTRODUCTION > PAGE 07
Top: ©Isaac Matthew White. Middle: Courtesy Hasted Kraeutler Gallery, NYC. Bottom: ©Romain Cabon
in the workplace:
Construction Management students in class at new school of architecture and design, San Diego, USA
you’ll have access to faculty members who are as passionate as you about doing the work they love. You’ll make connections with industry insiders that could lead to career opportunities. You’ll work on projects that are directly relevant to your aspirations. You’ll immerse yourself in your medium and hone your craft. But what may be most important is that you’ll learn how to think flexibly and solve problems in original ways, a skill that can lead to a fulfilling career in any profession.
students in skills needed
“
Because at a design or art university,
“
“
Arts education aids
flexibility, the ability to solve problems and
communicate, the ability to learn new skills, to be creative and
innovative, and to strive for excellence.
Joseph M. Calahan, Director of Corporate Communications, Xerox
“
We firmly believe design
In this booklet, you’ll meet design and art school graduates who have become real-world designers, developers, artists, and entrepreneurs. You’ll see how they’ve put their education and their love to create into practice. Some have founded their own companies or brands. Others are up-
and design thinking is a significant vector of innovation and therefore growth.
Brad Jakeman, Global Beverage Group President, PepsiCo
and-coming innovators working within established firms.
You’ll meet architect Armando Ramos, who designed an astoundingly complex museum façade in Mexico City; Sarah Hasted, who co-owns one of the top photography galleries in New York City; and Christophe Pillet, a world-renowned product and interior designer based in Paris.
Armando Ramos Architect
All of these creative professionals have earned degrees in design or the arts. All tell their inspiring stories of how they have succeeded in some of today’s most exciting industries. These are the inventive thinkers who are changing the world.
Sarah Hasted Gallery owner
Watch the video to hear about their experiences, and read on. Christophe Pillet Designer
PAGE 06
INTRODUCTION > PAGE 07
Top: ©Isaac Matthew White. Middle: Courtesy Hasted Kraeutler Gallery, NYC. Bottom: ©Romain Cabon
in the workplace:
Construction Management students in class at new school of architecture and design, San Diego, USA
you’ll have access to faculty members who are as passionate as you about doing the work they love. You’ll make connections with industry insiders that could lead to career opportunities. You’ll work on projects that are directly relevant to your aspirations. You’ll immerse yourself in your medium and hone your craft. But what may be most important is that you’ll learn how to think flexibly and solve problems in original ways, a skill that can lead to a fulfilling career in any profession.
students in skills needed
“
Because at a design or art university,
“
“
Arts education aids
Design
Design Design Design Design Design Design Design Design DesignDesign 02 Design Design Design Desig n i s r e e Design r a CDesign Design Desig DIGITAL DESIGN
GRAPHIC DESIGN FASHION DESIGN INTERIOR DESIGN ARCHITECTURE
PRODUCT AND INDUSTRIAL DESIGN
Design
Design Design Design Design Design Design Design Design DesignDesign 02 Design Design Design Desig n i s r e e Design r a CDesign Design Desig DIGITAL DESIGN
GRAPHIC DESIGN FASHION DESIGN INTERIOR DESIGN ARCHITECTURE
PRODUCT AND INDUSTRIAL DESIGN
Digital Design
Today, consumers download video, music, games, books, and more to their computers and mobile devices. This evolution is constantly expanding the range of career possibilities in the field of digital design. Whether you want to create visual effects or animated characters for movies, design or program imaginative new video games, or develop smartphone apps that do things nobody’s ever thought of before, earning a university degree in your specialty is the best place to start.
PAGE 10
Stills from the animated film cookies and scream, Media Design School, Auckland, New Zealand
02
The digitization of media content has radically changed the ways entertainment is delivered.
You’ll learn how to use industrystandard tools and practices, work to strict production deadlines, and collaborate in teams.Your studies can open doors to the world’s best animation, film, gaming, and Web design studios. CAREER OPTIONS
3D ANIMATION AND VISUAL EFFECTS
GAMING
3D production manager
Game designer
Animation programmer
Game modeler
Visual brand identity designer
Game programmer
Animation coordinator
Technical director
3D modeler
Art director
Technical director
Graphics programmer
Lighting artist Character designer
MOBILE/WEB DESIGN
Motion designer
Web designer
Content designer
App developer
Storyboard artist
User interaction designer
Visual effects artist
Mobile designer
Video production editor
Digital video producer
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE11
Digital Design
Today, consumers download video, music, games, books, and more to their computers and mobile devices. This evolution is constantly expanding the range of career possibilities in the field of digital design. Whether you want to create visual effects or animated characters for movies, design or program imaginative new video games, or develop smartphone apps that do things nobody’s ever thought of before, earning a university degree in your specialty is the best place to start.
PAGE 10
Stills from the animated film cookies and scream, Media Design School, Auckland, New Zealand
02
The digitization of media content has radically changed the ways entertainment is delivered.
You’ll learn how to use industrystandard tools and practices, work to strict production deadlines, and collaborate in teams.Your studies can open doors to the world’s best animation, film, gaming, and Web design studios. CAREER OPTIONS
3D ANIMATION AND VISUAL EFFECTS
GAMING
3D production manager
Game designer
Animation programmer
Game modeler
Visual brand identity designer
Game programmer
Animation coordinator
Technical director
3D modeler
Art director
Technical director
Graphics programmer
Lighting artist Character designer
MOBILE/WEB DESIGN
Motion designer
Web designer
Content designer
App developer
Storyboard artist
User interaction designer
Visual effects artist
Mobile designer
Video production editor
Digital video producer
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE11
© Oliver Hilbert/MDS
VFX Animation Production Coordinator
© Luca Deriu
3D images created by Luca Deriu for PlaySys
Stills from the animated TV series the wotwots
Chrissy Metge
Luca Deriu 3D Production Manager PlaySys in Milan, Italy
Weta Digital in Wellington, New Zealand
Nationality: Italian
Nationality: New Zealander
“You learn so much about what brings a character to life, whether it’s a robot or a human being—how do you get the audience to relate to it? There are so many physical and technical challenges. An animator has to be so many things. ‘Artist’ isn’t enough to describe what they do—sometimes they have to be a mechanic or a doctor.”
After earning his degree at NABA, Luca
In the animation business, people typi-
founded PlaySys, a digital design agency
cally work on short-term contracts for
that creates 2D and 3D graphics as well
specific movies and TV shows. Since
as video and animation productions.
getting her first break on the TV series bro’Town, Chrissy has coordinated animators on the show The WotWots for Weta Productions and the feature Legend of the Guardians for Animal Logic in Sydney. In
“In 3D computer graphics, it’s hard to do everything ourselves from beginning to end. A good job depends on good interaction and cooperation between me and my contributors. The creation of a team and joining forces and knowledge is an essential part of my career—I could not sleep thinking of having to face alone the projects that
In a project for Honeywell, PlaySys designed a catalog cover, a promotional short movie entirely in 3D, and an iPhone app. Other PlaySys clients include Fanta, Lavazza, Mercedes-Benz, Lindt, and
“Being trained as an animator at Media Design School gave me a fantastic personal
Singapore, she managed the Animation
await me tomorrow. Good teamwork always gives good results.
understanding of how hard animators work at their craft. So now when I manage
and Crowds department for Lucasfilm’s
“My training at NABA was a great base that allowed me to become who I am today.
author of manuals, video training cours-
animators and need to ask them to work even harder, I know what I’m asking them
first fully animated feature (the details
And it was an excellent testing ground for my professional experience. I had meetings
es, and articles about Autodesk 3ds Max
because I have used the tools and have been there myself.”
are secret, but Chrissy says the film will
and classes with teachers who encouraged me to challenge myself and go beyond my
and 3D computer graphics.
Watch the video and hear Chrissy talk about her animation career.
be “beautiful and unique when completed”). She’s now coordinating a team of animators on the Superman movie Man of Steel for Weta Digital.
limits. Now, I love teaching and seeing how new generations learn and innovate ways to use new technologies.” Hear about Luca’s career in 3D graphics in this video.
Swatch. Luca teaches at NABA and is the
Degree: B.A. in Media Design and Multimedia Arts, 2007 School: NABA, Nuova Accademia di Belle Arti Milano
Diploma: 3D Animation, 2001 School: Media Design School PAGE 12
CAREERS IN DESIGN > PAGE 13
© Oliver Hilbert/MDS
VFX Animation Production Coordinator
© Luca Deriu
3D images created by Luca Deriu for PlaySys
Stills from the animated TV series the wotwots
Chrissy Metge
Luca Deriu 3D Production Manager PlaySys in Milan, Italy
Weta Digital in Wellington, New Zealand
Nationality: Italian
Nationality: New Zealander
“You learn so much about what brings a character to life, whether it’s a robot or a human being—how do you get the audience to relate to it? There are so many physical and technical challenges. An animator has to be so many things. ‘Artist’ isn’t enough to describe what they do—sometimes they have to be a mechanic or a doctor.”
After earning his degree at NABA, Luca
In the animation business, people typi-
founded PlaySys, a digital design agency
cally work on short-term contracts for
that creates 2D and 3D graphics as well
specific movies and TV shows. Since
as video and animation productions.
getting her first break on the TV series bro’Town, Chrissy has coordinated animators on the show The WotWots for Weta Productions and the feature Legend of the Guardians for Animal Logic in Sydney. In
“In 3D computer graphics, it’s hard to do everything ourselves from beginning to end. A good job depends on good interaction and cooperation between me and my contributors. The creation of a team and joining forces and knowledge is an essential part of my career—I could not sleep thinking of having to face alone the projects that
In a project for Honeywell, PlaySys designed a catalog cover, a promotional short movie entirely in 3D, and an iPhone app. Other PlaySys clients include Fanta, Lavazza, Mercedes-Benz, Lindt, and
“Being trained as an animator at Media Design School gave me a fantastic personal
Singapore, she managed the Animation
await me tomorrow. Good teamwork always gives good results.
understanding of how hard animators work at their craft. So now when I manage
and Crowds department for Lucasfilm’s
“My training at NABA was a great base that allowed me to become who I am today.
author of manuals, video training cours-
animators and need to ask them to work even harder, I know what I’m asking them
first fully animated feature (the details
And it was an excellent testing ground for my professional experience. I had meetings
es, and articles about Autodesk 3ds Max
because I have used the tools and have been there myself.”
are secret, but Chrissy says the film will
and classes with teachers who encouraged me to challenge myself and go beyond my
and 3D computer graphics.
Watch the video and hear Chrissy talk about her animation career.
be “beautiful and unique when completed”). She’s now coordinating a team of animators on the Superman movie Man of Steel for Weta Digital.
limits. Now, I love teaching and seeing how new generations learn and innovate ways to use new technologies.” Hear about Luca’s career in 3D graphics in this video.
Swatch. Luca teaches at NABA and is the
Degree: B.A. in Media Design and Multimedia Arts, 2007 School: NABA, Nuova Accademia di Belle Arti Milano
Diploma: 3D Animation, 2001 School: Media Design School PAGE 12
CAREERS IN DESIGN > PAGE 13
slide to smile iPhone app
© Ignazio Lactignola
gemvara customization page
Still from the game bloons tower defense by Ninja Kiwi
© Stephen Harris
Stephen Harris
Ignazio Lacitignola Senior Interaction and UX Designer Gemvara in Boston, USA Nationality: Italian
Game Designer and Co-owner
At Gemvara, an online retailer that sells Ninja Kiwi Game Studio
high-end, fully
in Auckland, New Zealand
games for a top advertising agency by day and designed games with his brother by night. When Bloons, in which the player pops balloons using a dart-throwing
jewelry,
on the Gemvara website work, look, and
Nationality: New Zealander After graduation, Stephen programmed
customizable
Ignazio designs how user interactions feel, while keeping branding consistent throughout the entire user experience.
“Now, my responsibilities include management and guiding the business direction.
“I love solving complex interaction problems and creating rich experiences, which re-
But my true calling is still game design. In design, you choose the rules of the game,
quires knowledge about physiology and human behavior. It takes me back to thinking
the structure, how many levels it has, etc. Each level should leave the player feeling
on a very human level, where the solution often lies in simplicity and instinct.
like he has accomplished something, but hungry to do the next bit. That’s an art, not
“At NABA, I learned how to transform ideas into tangible projects through design
their favorite combination of setting, met-
processes and principles that are universal and applicable to any type of design. This
al, and gem that also fits their price range.
For example, he designed the customization flow on the site’s new product details page, making it seamless for users to find
monkey, “spread like wildfire across the
a science. I find it really satisfying when I get it right.
Internet,” Stephen and his brother quit
“The Media Design School course was immensely beneficial. They ran it like a game
three-year immersion in art education made it possible for me to start my own career
Next, he’ll be working on Gemvara apps
their day jobs. “It’s been a nonstop ride
studio in some respects. They gave us very difficult tasks and very short deadlines.
and find my true passion. I probably would be doing something very different right
for the iPhone and iPad.
ever since,” Stephen says. Today, their
They told us specifics about why certain things in a game would be fun. It was incred-
now without it. But I’m glad it happened because I’m in a position where I don’t even
ibly relevant to what I do.
consider what I do to be work—it’s simply what I love.”
company, Ninja Kiwi, has made about 50 games and employs 19 people. Diploma: Game Development, 2005 School: Media Design School PAGE 14
“I like so many things about my work. I really like working in a company that I built from nothing. I like having very flexible hours. I like designing games and playing
Degree: B.A. in Industrial and Interior Design, 2008 School: NABA, Nuova Accademia di Belle Arti Milano
them—and when I play them, knowing that it’s work-related. It’s just a dream job under any definition.” CAREERS IN DESIGN > PAGE 15
slide to smile iPhone app
© Ignazio Lactignola
gemvara customization page
Still from the game bloons tower defense by Ninja Kiwi
© Stephen Harris
Stephen Harris
Ignazio Lacitignola Senior Interaction and UX Designer Gemvara in Boston, USA Nationality: Italian
Game Designer and Co-owner
At Gemvara, an online retailer that sells Ninja Kiwi Game Studio
high-end, fully
in Auckland, New Zealand
games for a top advertising agency by day and designed games with his brother by night. When Bloons, in which the player pops balloons using a dart-throwing
jewelry,
on the Gemvara website work, look, and
Nationality: New Zealander After graduation, Stephen programmed
customizable
Ignazio designs how user interactions feel, while keeping branding consistent throughout the entire user experience.
“Now, my responsibilities include management and guiding the business direction.
“I love solving complex interaction problems and creating rich experiences, which re-
But my true calling is still game design. In design, you choose the rules of the game,
quires knowledge about physiology and human behavior. It takes me back to thinking
the structure, how many levels it has, etc. Each level should leave the player feeling
on a very human level, where the solution often lies in simplicity and instinct.
like he has accomplished something, but hungry to do the next bit. That’s an art, not
“At NABA, I learned how to transform ideas into tangible projects through design
their favorite combination of setting, met-
processes and principles that are universal and applicable to any type of design. This
al, and gem that also fits their price range.
For example, he designed the customization flow on the site’s new product details page, making it seamless for users to find
monkey, “spread like wildfire across the
a science. I find it really satisfying when I get it right.
Internet,” Stephen and his brother quit
“The Media Design School course was immensely beneficial. They ran it like a game
three-year immersion in art education made it possible for me to start my own career
Next, he’ll be working on Gemvara apps
their day jobs. “It’s been a nonstop ride
studio in some respects. They gave us very difficult tasks and very short deadlines.
and find my true passion. I probably would be doing something very different right
for the iPhone and iPad.
ever since,” Stephen says. Today, their
They told us specifics about why certain things in a game would be fun. It was incred-
now without it. But I’m glad it happened because I’m in a position where I don’t even
ibly relevant to what I do.
consider what I do to be work—it’s simply what I love.”
company, Ninja Kiwi, has made about 50 games and employs 19 people. Diploma: Game Development, 2005 School: Media Design School PAGE 14
“I like so many things about my work. I really like working in a company that I built from nothing. I like having very flexible hours. I like designing games and playing
Degree: B.A. in Industrial and Interior Design, 2008 School: NABA, Nuova Accademia di Belle Arti Milano
them—and when I play them, knowing that it’s work-related. It’s just a dream job under any definition.” CAREERS IN DESIGN > PAGE 15
02
From magazines to mobile interfaces, from graffiti
Graphic Design
are in high demand by a vast range of businesses.*
to corporate logos, from advertising to 3D animation—everywhere, the synergy of colors, words, and symbols conveys ideas and messages to a target audience. This means that graphic designers They are hired to create brand identity, printed material, ads, and websites. And advances in technology continually open the field to new media. Today’s designers are in a unique position to shape our culture and our responses to the environment around us. *Bureau of Labor Statistics, “Occupational Outlook Handbook: Job Outlook,” 2012, on the Internet at http://www.bls.gov/ooh/arts-and-design/graphic-designers.htm#tab-6 (viewed online Sept. 10, 2012).
PAGE 16
Images from the BFA in Graphic Design Senior Thesis Exhibition, Santa Fe University of Art and Design. Inset: Hip-hop artist Bukue One’s graffiti workshop at SFUAD.
The world is becoming a more visual place.
Through a university education in graphic design, you’ll learn foundational theories about color and composition, develop expertise with the most current tools, and apply design philosophy and ethics to your work. You’ll create a portfolio of real-world projects and make important industry connections that will help you launch your career. CAREER OPTIONS
Graphic designer
Art director
Production artist
Social media/guerrilla advertising designer
Illustrator Visual brand identity designer Packaging designer Publishing designer Marketing communications designer Creative director Art director
Digital media/Web designer Web production specialist Web editor User experience designer 2D and 3D animation designer Special effects designer Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 17
02
From magazines to mobile interfaces, from graffiti
Graphic Design
are in high demand by a vast range of businesses.*
to corporate logos, from advertising to 3D animation—everywhere, the synergy of colors, words, and symbols conveys ideas and messages to a target audience. This means that graphic designers They are hired to create brand identity, printed material, ads, and websites. And advances in technology continually open the field to new media. Today’s designers are in a unique position to shape our culture and our responses to the environment around us. *Bureau of Labor Statistics, “Occupational Outlook Handbook: Job Outlook,” 2012, on the Internet at http://www.bls.gov/ooh/arts-and-design/graphic-designers.htm#tab-6 (viewed online Sept. 10, 2012).
PAGE 16
Images from the BFA in Graphic Design Senior Thesis Exhibition, Santa Fe University of Art and Design. Inset: Hip-hop artist Bukue One’s graffiti workshop at SFUAD.
The world is becoming a more visual place.
Through a university education in graphic design, you’ll learn foundational theories about color and composition, develop expertise with the most current tools, and apply design philosophy and ethics to your work. You’ll create a portfolio of real-world projects and make important industry connections that will help you launch your career. CAREER OPTIONS
Graphic designer
Art director
Production artist
Social media/guerrilla advertising designer
Illustrator Visual brand identity designer Packaging designer Publishing designer Marketing communications designer Creative director Art director
Digital media/Web designer Web production specialist Web editor User experience designer 2D and 3D animation designer Special effects designer Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 17
Cisneros Design in Santa Fe, USA
Marco Pupella Managing Director IDEAS@TheGoodCompany in Milan, Italy
Nationality: Italian Marco Pupella’s distinguished career in advertising has included positions as a creative director at DDB, an executive cre-
Nationality: American
ative director at BBDO, and the regional creative director of the EMEA region at
While earning his degree, Fred interned with William Field Design, a position that
“[At the internship], I was supposed to work 8 to 10 hours a week, but I was there 20
led to full-time employment after gradua-
to 30 hours—while taking a full load of courses. But the difference was, in my design
tion. After a decade at William Field, Fred
classes, all my projects were real. They were not just hypothetical. My stuff was ulti-
founded Cisneros Design, which, at 10
mately printed and published.
staff members, is still growing. Fred di-
Saatchi & Saatchi. He has created major campaigns, both print and television, for clients such as Audi, Campari, Coca-Cola, Fiat, Kodak, Kraft, Procter & Gamble, Pepsi, Volkswagen, and many other well-known
“All my professors were working artists. They held me to a very high standard and
companies. He has won numerous inter-
pushed me really hard to develop and execute concepts, and to expect more from my-
national awards for his work, including
self. And with the smaller environment, I had so much access to faculty. You build a
multiple Mobius, FAB, and New York Fes-
eros Design’s clients include Davis Funds
whole different rapport.
tival awards. In 2012, he left the world of
and Selected Funds, Maryville University,
“So many times, clients come in here and they say, ‘We need an ad campaign.’ And
and Century Bank.
we say, ‘Well, you actually need more than that—you’d be better off starting with a
rects projects on the level of messaging, strategy, and concept while remaining heavily involved in actual design. Cisn-
Degree: B.F.A. in Studio Art, 1987 School: College of Santa Fe (now Santa Fe University of Art and Design)
logo.’ The most fun projects for us are helping an organization name their company and figure out their identity. Taking that approach, being consultive and strategic, serves our clients well.” Watch the video to hear about Fred’s career as a graphic designer.
PAGE 18
Advertising campaigns for Campari (DDB Milan, with Sofia Ambrosini) and m&m’s (BBDO Dusseldorf, with Katja Luckas)
© Chris Corrie
President/Creative Director
Graphic design projects for clients including joel nakamura, casita concept construction, cisneros design, and anasazi restaurant
Fred Cisneros
large agencies to become managing director of IDEAS@TheGoodCompany, a brandnew small advertising agency.
[Advice for graduates beginning their advertising careers:] “They should never stop dreaming, and at the same time, they should stay grounded. They should never be
Degree: B.A. in Graphic Design and Art Direction, 1987
happy about the first great idea, but keep digging for the next one. But most of all, they
School: NABA, Nuova Accademia di Belle Arti Milano
first one who gets to the office and the last one to leave; take with them all they can
should steal, steal as much as they can. Steal knowledge, stimulus, and visions. Be the take: In other words, they should live their passion.” CAREERS IN DESIGN > PAGE 19
Cisneros Design in Santa Fe, USA
Marco Pupella Managing Director IDEAS@TheGoodCompany in Milan, Italy
Nationality: Italian Marco Pupella’s distinguished career in advertising has included positions as a creative director at DDB, an executive cre-
Nationality: American
ative director at BBDO, and the regional creative director of the EMEA region at
While earning his degree, Fred interned with William Field Design, a position that
“[At the internship], I was supposed to work 8 to 10 hours a week, but I was there 20
led to full-time employment after gradua-
to 30 hours—while taking a full load of courses. But the difference was, in my design
tion. After a decade at William Field, Fred
classes, all my projects were real. They were not just hypothetical. My stuff was ulti-
founded Cisneros Design, which, at 10
mately printed and published.
staff members, is still growing. Fred di-
Saatchi & Saatchi. He has created major campaigns, both print and television, for clients such as Audi, Campari, Coca-Cola, Fiat, Kodak, Kraft, Procter & Gamble, Pepsi, Volkswagen, and many other well-known
“All my professors were working artists. They held me to a very high standard and
companies. He has won numerous inter-
pushed me really hard to develop and execute concepts, and to expect more from my-
national awards for his work, including
self. And with the smaller environment, I had so much access to faculty. You build a
multiple Mobius, FAB, and New York Fes-
eros Design’s clients include Davis Funds
whole different rapport.
tival awards. In 2012, he left the world of
and Selected Funds, Maryville University,
“So many times, clients come in here and they say, ‘We need an ad campaign.’ And
and Century Bank.
we say, ‘Well, you actually need more than that—you’d be better off starting with a
rects projects on the level of messaging, strategy, and concept while remaining heavily involved in actual design. Cisn-
Degree: B.F.A. in Studio Art, 1987 School: College of Santa Fe (now Santa Fe University of Art and Design)
logo.’ The most fun projects for us are helping an organization name their company and figure out their identity. Taking that approach, being consultive and strategic, serves our clients well.” Watch the video to hear about Fred’s career as a graphic designer.
PAGE 18
Advertising campaigns for Campari (DDB Milan, with Sofia Ambrosini) and m&m’s (BBDO Dusseldorf, with Katja Luckas)
© Chris Corrie
President/Creative Director
Graphic design projects for clients including joel nakamura, casita concept construction, cisneros design, and anasazi restaurant
Fred Cisneros
large agencies to become managing director of IDEAS@TheGoodCompany, a brandnew small advertising agency.
[Advice for graduates beginning their advertising careers:] “They should never stop dreaming, and at the same time, they should stay grounded. They should never be
Degree: B.A. in Graphic Design and Art Direction, 1987
happy about the first great idea, but keep digging for the next one. But most of all, they
School: NABA, Nuova Accademia di Belle Arti Milano
first one who gets to the office and the last one to leave; take with them all they can
should steal, steal as much as they can. Steal knowledge, stimulus, and visions. Be the take: In other words, they should live their passion.” CAREERS IN DESIGN > PAGE 19
Clockwise from top Emirates mobile game europin, Pampers Olympics golden dreams print ad Emirates immerse in europe outdoor promotion
© Michael Tam
spot, is to believe in yourself. Believe that you’ve the hunger, the inner strength, and
—Jorge Frascara, author
the creativity—that you can prevail.”
of Communication Design: Principles, Methods, and Practice
Michael conceptualizes campaign ideas
“I think the ecstasy you feel when you’ve finally cracked a tough brief is simply priceless. It has to be the most rewarding aspect of being an ad creative. Advertising is such a tough, draining industry at times.
for how to sell his clients’ products and
“But I’ve noticed that every time I have difficult moments, I’ve always been able to
services. He also creates layouts, art di-
draw extra strength from the knowledge I learned from the best tutors and mentors I
rects the studio’s designs, presents work
had at Media Design School. I can just say to myself, all right, I did this before when
to clients, and works with photographers
I was at school—I can do it again.
and film directors for print and TV ads. His job has taken him to Europe and China. Diploma: Creative Advertising, 2007 School: Media Design School
09 PAGE 20
“Whether it’s job hunting or cracking a tough brief, don’t give up. Creative people are always insecure, because we have to venture into the unknown and there’s never an
“
Saatchi & Saatchi in Hong Kong
As an art director for Saatchi & Saatchi,
“
absolute right and wrong answer. So the only way forward, when you’re in a tough
Art Director
(born in Hong Kong)
—Steve Jobs
Good graphic design solutions to communication problems can improve the flow of information in society and, therefore, substantially and positively affect education, social well-being, and the daily enjoyment of life. In addition, good graphic design solutions can also have a positive economic impact.
Michael Tam
Nationality: New Zealander
“ “
DID YOU KNOW?
Design is not just what it looks like and feels like. Design is how it works.
GRAPHIC AND INDUSTRIAL*
DESIGN
THE VIDEO GAME† INDUSTRY
the global graphic design and industrial design industries are expected to generate
is expected to continue growing at a rapid pace for several years to come, with game-related spending reaching
$ 43.50
$112
BILLION IN 2012
and employ more than
500,000 PEOPLE
BILLION BY 2015 MOBILE GAMING will grow from
15% 2010
20%
2015
IBISWorld, “Global Graphic Designers: Market Research Report,” 2011, on the Internet at http://www.ibisworld.com/insutry/global/global-graphic-designers.html (viewed online Sept. 10, 2012).
*
† Gartner, “Market Trends: Gaming Ecosystem, 2011,” on the Internet at http://www.gartner.com/DisplayDocument? ref=clientFriendlyUrl&id=1724014 (viewed online Sept. 10, 2012).
CAREERS IN DESIGN > PAGE 21
Clockwise from top Emirates mobile game europin, Pampers Olympics golden dreams print ad Emirates immerse in europe outdoor promotion
© Michael Tam
spot, is to believe in yourself. Believe that you’ve the hunger, the inner strength, and
—Jorge Frascara, author
the creativity—that you can prevail.”
of Communication Design: Principles, Methods, and Practice
Michael conceptualizes campaign ideas
“I think the ecstasy you feel when you’ve finally cracked a tough brief is simply priceless. It has to be the most rewarding aspect of being an ad creative. Advertising is such a tough, draining industry at times.
for how to sell his clients’ products and
“But I’ve noticed that every time I have difficult moments, I’ve always been able to
services. He also creates layouts, art di-
draw extra strength from the knowledge I learned from the best tutors and mentors I
rects the studio’s designs, presents work
had at Media Design School. I can just say to myself, all right, I did this before when
to clients, and works with photographers
I was at school—I can do it again.
and film directors for print and TV ads. His job has taken him to Europe and China. Diploma: Creative Advertising, 2007 School: Media Design School
09 PAGE 20
“Whether it’s job hunting or cracking a tough brief, don’t give up. Creative people are always insecure, because we have to venture into the unknown and there’s never an
“
Saatchi & Saatchi in Hong Kong
As an art director for Saatchi & Saatchi,
“
absolute right and wrong answer. So the only way forward, when you’re in a tough
Art Director
(born in Hong Kong)
—Steve Jobs
Good graphic design solutions to communication problems can improve the flow of information in society and, therefore, substantially and positively affect education, social well-being, and the daily enjoyment of life. In addition, good graphic design solutions can also have a positive economic impact.
Michael Tam
Nationality: New Zealander
“ “
DID YOU KNOW?
Design is not just what it looks like and feels like. Design is how it works.
GRAPHIC AND INDUSTRIAL*
DESIGN
THE VIDEO GAME† INDUSTRY
the global graphic design and industrial design industries are expected to generate
is expected to continue growing at a rapid pace for several years to come, with game-related spending reaching
$ 43.50
$112
BILLION IN 2012
and employ more than
500,000 PEOPLE
BILLION BY 2015 MOBILE GAMING will grow from
15% 2010
20%
2015
IBISWorld, “Global Graphic Designers: Market Research Report,” 2011, on the Internet at http://www.ibisworld.com/insutry/global/global-graphic-designers.html (viewed online Sept. 10, 2012).
*
† Gartner, “Market Trends: Gaming Ecosystem, 2011,” on the Internet at http://www.gartner.com/DisplayDocument? ref=clientFriendlyUrl&id=1724014 (viewed online Sept. 10, 2012).
CAREERS IN DESIGN > PAGE 21
Fashion Design
If you’ve got an eye for style, a degree in fashion design can launch your career as a professional trendsetter and tastemaker. Today’s fashion designer also serves as a manager and an art director and manages each project from concept to production and beyond. If you study fashion, you’ll learn how the field is influenced by culture, time, and place. You’ll gain in-depth knowledge of the fashion sector, including issues related to design, production, marketing, and retail.
PAGE 22
Inset image: Jeans Stories. Il manual del denim, Exhibition in collaboration with DeN Store, Federmoda, Camera di Commercio di Milano, NABA BA in Fashion Design. Photo by Laura Ferri
Images from Abraham Han-Gul Kwon’s collection the translator—i’m not the person you think in collaboration with 7 for All Mankind, MA in Fashion Design, Domus Academy.
02
Fashion is a language that visually embraces the essence of the contemporary world.
You’ll study how to make clothing and accessories elegantly functional as well as attractive, and you’ll examine how to serve different audiences, tastes, and needs. Studying in Italy and especially Milan, you’ll have direct contact with a fashion culture that is unique in the world. CAREER OPTIONS
Fashion designer
Stylist for TV and film
Accessories designer
Visual merchandiser
Trend searcher/cool hunter
Marketer of luxury goods
Fashion buyer
Event manager
Art director
Brand manager
Celebrity assistant
Retail manager
Product manager
Merchandising manager
Style consultant
Communications manager
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 23
Fashion Design
If you’ve got an eye for style, a degree in fashion design can launch your career as a professional trendsetter and tastemaker. Today’s fashion designer also serves as a manager and an art director and manages each project from concept to production and beyond. If you study fashion, you’ll learn how the field is influenced by culture, time, and place. You’ll gain in-depth knowledge of the fashion sector, including issues related to design, production, marketing, and retail.
PAGE 22
Inset image: Jeans Stories. Il manual del denim, Exhibition in collaboration with DeN Store, Federmoda, Camera di Commercio di Milano, NABA BA in Fashion Design. Photo by Laura Ferri
Images from Abraham Han-Gul Kwon’s collection the translator—i’m not the person you think in collaboration with 7 for All Mankind, MA in Fashion Design, Domus Academy.
02
Fashion is a language that visually embraces the essence of the contemporary world.
You’ll study how to make clothing and accessories elegantly functional as well as attractive, and you’ll examine how to serve different audiences, tastes, and needs. Studying in Italy and especially Milan, you’ll have direct contact with a fashion culture that is unique in the world. CAREER OPTIONS
Fashion designer
Stylist for TV and film
Accessories designer
Visual merchandiser
Trend searcher/cool hunter
Marketer of luxury goods
Fashion buyer
Event manager
Art director
Brand manager
Celebrity assistant
Retail manager
Product manager
Merchandising manager
Style consultant
Communications manager
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 23
Images from the dockers khakis Spring/Summer 2012 catalogue. Levi Strauss & Co.
Paul Dillinger
Senior Director of Color, Concept, and Design for the Dockers® Brand Levi Strauss & Co. in San Francisco, USA
Silvio Betterelli Fashion Designer Silvio Betterelli brand in Milan, Italy Nationality: Italian
Nationality: American Silvio founded his own brand, Silvio Betterelli, in 2009 after winning a prize in a
as a Fulbright scholar and worked as a de-
contest for new designers organized by
signer in top New York fashion houses for
Vogue Italia and Altaroma, a high-fashion
16 years. Now at Levi Strauss & Co., Paul is
show. He has won design awards in inter-
responsible for the seasonal design direc-
national competitions and presented his
tion of the Dockers brand and for develop-
collections at events such as the Fashion
“It was an amazing feeling when what I studied began to be my everyday life, then my real job. I live my life differently now—I hardly do something that is not connected with my work. Even
ing the concept presentations and color
“I think it’s important for designers to take responsibility for their social and environ-
palettes for the Global Dockers assort-
mental impact; to understand the consequences of their design decision beyond the
ment. As the first fashion designer to be
first prototype. Designers need to consider both the meaning and objective value of
shapes and structures; he might exagger-
awarded a prestigious Aspen Institute First
the single garment as well as the implications of that garment’s industrial produc-
ate the line of the sleeves or skirt to cre-
surprises and inspiration for my projects.
Mover Fellowship, he is taking concrete
tion: Is this design sufficiently useful or innovative to warrant the cost in energy,
ate “sublime proportions.” Fine handiwork
steps toward social and environmental
“I always start designing with dresses, because I
materials, chemical effluence, and water consumption associated with the large-scale
and precise cuts make his materials ex-
sustainability in the industry, including de-
can focus on the entire body. I enjoy drawing with
industrial commercialization?
clusive and precious. He partners with the
pencils, shaping the fabric on the whole figure.
veloping a new business model that intentionally limits ROI (return on investment) in favor of higher ethical standards. Degree: Master in Fashion Design, 1995 School: Domus Academy PAGE 24
“The outcome of this proposed business model . . . would be a communication platform that could reject traditional and frivolous features of editorial appeal and celebrity endorsement, instead favoring messaging strategies that celebrate environmental stewardship, community development, and social responsibility.” Watch Paul in action at Levi Strauss in this video.
Grand Prix of Tokyo and Milan Fashion Week. His designs employ contemporary
company Sps Manifatture, which produces and sells his designs. Degree: B.A. in Fashion Design, 2005 School: NABA, Nuova Accademia di Belle Arti Milano
Black vest detail from silvio betterelli aw 2011 collection Grey dress from silvio betterelli ss 2011 collection photos by Graziano Ferrari
Paul attended Domus Academy in Milan
drinking a simple morning coffee in a café is not just a coffee anymore, but a chance to find some
Then I concentrate on other elements to create my total look. A dress should never be recognized as a piece of the season before, unless this is a precise and fixed strategy. It should be worn years after and still seem supermodern.” CAREERS IN DESIGN > PAGE 25
Images from the dockers khakis Spring/Summer 2012 catalogue. Levi Strauss & Co.
Paul Dillinger
Senior Director of Color, Concept, and Design for the Dockers® Brand Levi Strauss & Co. in San Francisco, USA
Silvio Betterelli Fashion Designer Silvio Betterelli brand in Milan, Italy Nationality: Italian
Nationality: American Silvio founded his own brand, Silvio Betterelli, in 2009 after winning a prize in a
as a Fulbright scholar and worked as a de-
contest for new designers organized by
signer in top New York fashion houses for
Vogue Italia and Altaroma, a high-fashion
16 years. Now at Levi Strauss & Co., Paul is
show. He has won design awards in inter-
responsible for the seasonal design direc-
national competitions and presented his
tion of the Dockers brand and for develop-
collections at events such as the Fashion
“It was an amazing feeling when what I studied began to be my everyday life, then my real job. I live my life differently now—I hardly do something that is not connected with my work. Even
ing the concept presentations and color
“I think it’s important for designers to take responsibility for their social and environ-
palettes for the Global Dockers assort-
mental impact; to understand the consequences of their design decision beyond the
ment. As the first fashion designer to be
first prototype. Designers need to consider both the meaning and objective value of
shapes and structures; he might exagger-
awarded a prestigious Aspen Institute First
the single garment as well as the implications of that garment’s industrial produc-
ate the line of the sleeves or skirt to cre-
surprises and inspiration for my projects.
Mover Fellowship, he is taking concrete
tion: Is this design sufficiently useful or innovative to warrant the cost in energy,
ate “sublime proportions.” Fine handiwork
steps toward social and environmental
“I always start designing with dresses, because I
materials, chemical effluence, and water consumption associated with the large-scale
and precise cuts make his materials ex-
sustainability in the industry, including de-
can focus on the entire body. I enjoy drawing with
industrial commercialization?
clusive and precious. He partners with the
pencils, shaping the fabric on the whole figure.
veloping a new business model that intentionally limits ROI (return on investment) in favor of higher ethical standards. Degree: Master in Fashion Design, 1995 School: Domus Academy PAGE 24
“The outcome of this proposed business model . . . would be a communication platform that could reject traditional and frivolous features of editorial appeal and celebrity endorsement, instead favoring messaging strategies that celebrate environmental stewardship, community development, and social responsibility.” Watch Paul in action at Levi Strauss in this video.
Grand Prix of Tokyo and Milan Fashion Week. His designs employ contemporary
company Sps Manifatture, which produces and sells his designs. Degree: B.A. in Fashion Design, 2005 School: NABA, Nuova Accademia di Belle Arti Milano
Black vest detail from silvio betterelli aw 2011 collection Grey dress from silvio betterelli ss 2011 collection photos by Graziano Ferrari
Paul attended Domus Academy in Milan
drinking a simple morning coffee in a café is not just a coffee anymore, but a chance to find some
Then I concentrate on other elements to create my total look. A dress should never be recognized as a piece of the season before, unless this is a precise and fixed strategy. It should be worn years after and still seem supermodern.” CAREERS IN DESIGN > PAGE 25
Fashion Designer, Founder of Nevra Karaca No7
Celya bag, everyday bag with rich details frida, small pocketbook, crocodille skin and multi-material closure pochette, evening bag with thick gilded chain
Clothing from the Nevra Karaca No7 S-S collection, 2012 Photos by Sedef Delen
Nevra Karaca
Gyorgyi Lenart Junior Accessories Designer Trussardi in Milan, Italy Nationality: Hungarian
Taypa Textile in Istanbul, Turkey
At Trussardi, Gyorgyi mainly works on
Nationality: Turkish
handbags, Trussardi’s focus. She transforms
On Parisian runways last fall, Nevra show-
her supervisor’s sketches into neat and
cased the Spring/Summer 2012 collec-
legible drawings, adding technical details.
tion of her designer brand Nevra Karaca
She also designs a correct rendering of the
No7. The collection—with its sculptural,
final product so that producers, suppliers,
3D quality—reflects Nevra’s background
product managers, and merchandisers will
in costume design. Its symmetrical geometric forms and striped patterns refer to the extraordinary floor-length hair of the members of the Seven Sutherland Sis-
have a clear overview of each upcoming
“I find bags an essential accessory, a
collection. Her other duties include trend
must-have in every woman’s wardrobe.
research, visiting leather fairs and factories,
They contain what you really are, pieces
developing technical drawings for metal
of your personality. A cool bag can refashion your whole look. I love to study
ters, a singing group from the early 1900s.
“This is the second brand that I have created under the sponsorship of Taypa Textile,
Its unusual fabrics include felt, laminated
accessories, and re-visioning and correct-
where I am employed. I work with the support of a communications team and a
satin, wool, synthetic leather, and tulle.
ing handbag prototypes, together with her
production team, as well as PR agencies based in Paris and Istanbul. My designs are
design team. While she tightly collaborates
carried by global companies such as Marks & Spencer, Debenhams, and H&M.
with the head designer under the direction
The palette is dominated by black and white, with touches of blue and green. It is further distinguished by “striving
“Making 3D and experimental clothing excites me. I like to combine commercial and
to have a world-class sewing and fabric
artistic disciplines by using true-life and original stories as a point of departure.
quality,” Nevra says.
My collection asks the question, ‘What if the Sutherland Sisters lived in the future?’
Degree: M.A. in Fashion Design, 2005 School: Domus Academy PAGE 26
“My education at Domus Academy helped me learn to think globally. It helped me to reach my career dreams faster.”
of the creative director, she also makes her
the details of a bag: stitching, metal accessories, and finishings. I believe that quality lies in details.
own creative recommendations that often
“Overdesigning things doesn’t make
come to life in the final product.
them prettier, cooler, or smarter—sim-
Degree: B.A. in Fashion Design, 2007
plicity with good taste is worth much more.”
School: NABA, Nuova Accademia di Belle Arti Milano CAREERS IN DESIGN > PAGE 27
Fashion Designer, Founder of Nevra Karaca No7
Celya bag, everyday bag with rich details frida, small pocketbook, crocodille skin and multi-material closure pochette, evening bag with thick gilded chain
Clothing from the Nevra Karaca No7 S-S collection, 2012 Photos by Sedef Delen
Nevra Karaca
Gyorgyi Lenart Junior Accessories Designer Trussardi in Milan, Italy Nationality: Hungarian
Taypa Textile in Istanbul, Turkey
At Trussardi, Gyorgyi mainly works on
Nationality: Turkish
handbags, Trussardi’s focus. She transforms
On Parisian runways last fall, Nevra show-
her supervisor’s sketches into neat and
cased the Spring/Summer 2012 collec-
legible drawings, adding technical details.
tion of her designer brand Nevra Karaca
She also designs a correct rendering of the
No7. The collection—with its sculptural,
final product so that producers, suppliers,
3D quality—reflects Nevra’s background
product managers, and merchandisers will
in costume design. Its symmetrical geometric forms and striped patterns refer to the extraordinary floor-length hair of the members of the Seven Sutherland Sis-
have a clear overview of each upcoming
“I find bags an essential accessory, a
collection. Her other duties include trend
must-have in every woman’s wardrobe.
research, visiting leather fairs and factories,
They contain what you really are, pieces
developing technical drawings for metal
of your personality. A cool bag can refashion your whole look. I love to study
ters, a singing group from the early 1900s.
“This is the second brand that I have created under the sponsorship of Taypa Textile,
Its unusual fabrics include felt, laminated
accessories, and re-visioning and correct-
where I am employed. I work with the support of a communications team and a
satin, wool, synthetic leather, and tulle.
ing handbag prototypes, together with her
production team, as well as PR agencies based in Paris and Istanbul. My designs are
design team. While she tightly collaborates
carried by global companies such as Marks & Spencer, Debenhams, and H&M.
with the head designer under the direction
The palette is dominated by black and white, with touches of blue and green. It is further distinguished by “striving
“Making 3D and experimental clothing excites me. I like to combine commercial and
to have a world-class sewing and fabric
artistic disciplines by using true-life and original stories as a point of departure.
quality,” Nevra says.
My collection asks the question, ‘What if the Sutherland Sisters lived in the future?’
Degree: M.A. in Fashion Design, 2005 School: Domus Academy PAGE 26
“My education at Domus Academy helped me learn to think globally. It helped me to reach my career dreams faster.”
of the creative director, she also makes her
the details of a bag: stitching, metal accessories, and finishings. I believe that quality lies in details.
own creative recommendations that often
“Overdesigning things doesn’t make
come to life in the final product.
them prettier, cooler, or smarter—sim-
Degree: B.A. in Fashion Design, 2007
plicity with good taste is worth much more.”
School: NABA, Nuova Accademia di Belle Arti Milano CAREERS IN DESIGN > PAGE 27
Interior Design
how to transform an empty room into something lived in, used. As you earn your degree in interior design, you’ll explore how to innovate freely within the boundaries of the profession. You’ll learn how to approach design from both the intuitive and technical sides, including concept development, liaising with project stakeholders, and managing and executing the design. An interdisciplinary curriculum will encourage you to develop a highly experimental attitude.
PAGE 28
Top: branch office interior designed by Emeline Paik for cadence korea, 2012 Bottom: branch office interior designed by Emeline Paik for bmw, 2012. Photos by Kwang-Ook Kim Inset: NewSchool student at work in studio, San Diego, California
02
Interior design involves questions of how to animate and enliven an existing space—
Milan offers a wide range of historical and contemporary examples; its long tradition of experimenting with and finding practical solutions to the problems of living and dwelling makes it an ideal laboratory for studying interior design and taking the first steps in your career. CAREER OPTIONS
Interior designer Architectural CAD technician Project manager Design director Commercial designer Furniture designer Space planner Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 29
Interior Design
how to transform an empty room into something lived in, used. As you earn your degree in interior design, you’ll explore how to innovate freely within the boundaries of the profession. You’ll learn how to approach design from both the intuitive and technical sides, including concept development, liaising with project stakeholders, and managing and executing the design. An interdisciplinary curriculum will encourage you to develop a highly experimental attitude.
PAGE 28
Top: branch office interior designed by Emeline Paik for cadence korea, 2012 Bottom: branch office interior designed by Emeline Paik for bmw, 2012. Photos by Kwang-Ook Kim Inset: NewSchool student at work in studio, San Diego, California
02
Interior design involves questions of how to animate and enliven an existing space—
Milan offers a wide range of historical and contemporary examples; its long tradition of experimenting with and finding practical solutions to the problems of living and dwelling makes it an ideal laboratory for studying interior design and taking the first steps in your career. CAREER OPTIONS
Interior designer Architectural CAD technician Project manager Design director Commercial designer Furniture designer Space planner Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 29
Designer Christophe Pillet Agency in Paris, France
Claudia Salazar Design Director/Senior Associate Gensler in San Diego, USA
Nationality: French
Nationality: Mexican
Christophe Pillet is an internation-
With a bachelor’s in interior design and a
ally renowned designer who has won
master’s in architecture, Claudia draws on
awards and acclaim for the broad spec-
her knowledge of both fields in her work
trum and exceptional quality of his
for Gensler. She works with Gensler’s global
work. He has served as an architect for villas and hotels in France, designed the interiors of opulent restaurants in Morocco and luxurious shops around the world, created innovative chairs for Tacchini, and directed the design of a wide range of accessories and other products for Lacoste. At his agency, he generates
Top right: interior of carl zeiss vision office Bottom right: interior of Taylormade adidas ashworth golf office Photos by Ryan Gobuty/Gensler
© Stephen Schirotto/Gensler
Top: hotel sezz st. tropez, ©Manuel Zublena Bottom: restaurant maison blanche, Casablanca
© Romain Cabon
Christophe Pillet
Microsoft account, directing the design of
“Today, variety is a prevailing factor in workplace design.
Microsoft workplaces across North Amer-
You find kernels of surprise throughout the space. People are
ica and Latin America. She often encour-
giving up their personal offices for the ‘we’ spaces like game
ages the “highly creative workplace” ap-
rooms, hub areas, comfortable lounge spaces. There is a lot
proach, moving away from private offices
of wall space for ideation. The productivity goes up, there is
to more open, collaborative spaces “so
a sense of belonging, the culture changes in a positive way.”
that new generations can feel they have the opportunity to innovate.”
“Most of the time when I design, it comes from inquiry; it
ideas and sketches, and his staff of 18
“If I make something, it has to bring a certain value to the people—something new. I
interior architects and product design-
also try to stay very simple in what I’m creating. Sometimes architects and designers
ers develop his ideas. While attending
make things that you need too much knowledge, too much initiation, to understand. I
Domus Academy in 1985, he studied
want my product to be very easy to understand. But even if it’s obvious, that does not
with professors who were designers in
mean that the product is not substantial, is not rich.”
the idea of designing with a human-centered focus that is
“I spent an amazing year at Domus Academy where I met, professionally, everyone
not about the designer or the award, but about making peo-
Degree: Master in Design, 1986 School: Domus Academy PAGE 30
you should expect to meet during your life. It’s an immense luck, having the chance to collaborate with and breathe the same air as these people. It’s more than studying—it’s a substantial part of your life.”
Degree: Master of Architecture, 1998 School: NewSchool of Architecture and Design
Technology company lobby. Photo by Claudia Salazar/ Gensler.
the famous Memphis Group.
comes from empathy. I think about the journey of the employee during the day: They go through certain levels of activity and energy. Where do you want to put places where they can go and recharge, re-energize, rest? I try to cultivate
ple’s lives better. That’s why I get up in the morning.” Watch the video and hear about Claudia’s career in interior design. CAREERS IN DESIGN > PAGE 31
Designer Christophe Pillet Agency in Paris, France
Claudia Salazar Design Director/Senior Associate Gensler in San Diego, USA
Nationality: French
Nationality: Mexican
Christophe Pillet is an internation-
With a bachelor’s in interior design and a
ally renowned designer who has won
master’s in architecture, Claudia draws on
awards and acclaim for the broad spec-
her knowledge of both fields in her work
trum and exceptional quality of his
for Gensler. She works with Gensler’s global
work. He has served as an architect for villas and hotels in France, designed the interiors of opulent restaurants in Morocco and luxurious shops around the world, created innovative chairs for Tacchini, and directed the design of a wide range of accessories and other products for Lacoste. At his agency, he generates
Top right: interior of carl zeiss vision office Bottom right: interior of Taylormade adidas ashworth golf office Photos by Ryan Gobuty/Gensler
© Stephen Schirotto/Gensler
Top: hotel sezz st. tropez, ©Manuel Zublena Bottom: restaurant maison blanche, Casablanca
© Romain Cabon
Christophe Pillet
Microsoft account, directing the design of
“Today, variety is a prevailing factor in workplace design.
Microsoft workplaces across North Amer-
You find kernels of surprise throughout the space. People are
ica and Latin America. She often encour-
giving up their personal offices for the ‘we’ spaces like game
ages the “highly creative workplace” ap-
rooms, hub areas, comfortable lounge spaces. There is a lot
proach, moving away from private offices
of wall space for ideation. The productivity goes up, there is
to more open, collaborative spaces “so
a sense of belonging, the culture changes in a positive way.”
that new generations can feel they have the opportunity to innovate.”
“Most of the time when I design, it comes from inquiry; it
ideas and sketches, and his staff of 18
“If I make something, it has to bring a certain value to the people—something new. I
interior architects and product design-
also try to stay very simple in what I’m creating. Sometimes architects and designers
ers develop his ideas. While attending
make things that you need too much knowledge, too much initiation, to understand. I
Domus Academy in 1985, he studied
want my product to be very easy to understand. But even if it’s obvious, that does not
with professors who were designers in
mean that the product is not substantial, is not rich.”
the idea of designing with a human-centered focus that is
“I spent an amazing year at Domus Academy where I met, professionally, everyone
not about the designer or the award, but about making peo-
Degree: Master in Design, 1986 School: Domus Academy PAGE 30
you should expect to meet during your life. It’s an immense luck, having the chance to collaborate with and breathe the same air as these people. It’s more than studying—it’s a substantial part of your life.”
Degree: Master of Architecture, 1998 School: NewSchool of Architecture and Design
Technology company lobby. Photo by Claudia Salazar/ Gensler.
the famous Memphis Group.
comes from empathy. I think about the journey of the employee during the day: They go through certain levels of activity and energy. Where do you want to put places where they can go and recharge, re-energize, rest? I try to cultivate
ple’s lives better. That’s why I get up in the morning.” Watch the video and hear about Claudia’s career in interior design. CAREERS IN DESIGN > PAGE 31
Top and middle: branch office interiors for cadence korea, 2012 Bottom: branch office interior for bmw, 2012
© Moo-kyung Koh
Interior Designer/Assistant Project Manager Steven Leach Associates Korea
BETWEEN 2009 AND 2010 italian exports of textiles, clothing, leather, and accessories rose by
“
“I believe that creativity will be the currency of the 21st century.” —Gerald Gordon, Ph.D.,
€4.19 MILLION
totaling
€37.28
“
Emeline Kyueun Paik
DID YOU KNOW?
President/CEO, Fairfax County Economic Development Authority (Virginia, USA)
MILLION IN 2010*
in Seoul, Korea *Italy in Figures, National Institute of Statistics, “Imports and Exports by Sector of Activity, 2009–2010,” on the Internet at www.istat.it (viewed online Sept. 10, 2012).
Nationality: Canadian At Steven Leach Associates (SLA) Korea, Emeline develops projects from concept to final drawings. This includes consulting with clients, producing schematic designs, studying material finishes, and
“What I like most about interior design is that my thoughts
auditing customer sites. A pre-eminent
and ideas can become real. When the space I imagine in
interior design consultancy group in East
my head becomes tangible, the feeling is indescribable.
and Southeast Asia, SLA designs offices for BMW Korea and Cadence Korea, as well as automotive showrooms for KIA, Infiniti, Nissan, Jaguar, Chrysler, and Fiat. Degree: Master in Interior and Living Design, 2007 School: Domus Academy
“I am Korean raised in North America, so I was exposed to different cultures at an early age. At Domus Academy, my classmates came from more than 20 different countries, living as foreigners in Milan, studying, sharing, and surviving their youth for the same goal: to be better designers. Then I realized that we are not so different after all and background sometimes can be meaningless. The 40 of us motivated and inspired each other throughout the year and still do today even from thousands of miles away.”
PAGE 32
Even more companies where our alumni are living their dreams:
VERSACE / WARNER BROS / SWATCH / THE DISNEY CHANNEL / BMW / NBC / CALIFORNIA SHAKESPEARE THEATER / SEGA GAMEWORKS / PININFARINA / HBO / VOGUE JAPAN / CIRQUE DU SOLEIL / LOS ANGELES OPERA / AUDI / ARTEMIDE / MSN.COM / NIKE / CANON / ERMENEGILDO ZEGNA / VOLKSWAGEN / NOKIA DESIGN / MTV / AG INTERACTIVE / MCCANN WORLDGROUP / LUCASFILM / GAMELOFT / MPC / INDUSTRIAL LIGHT & MAGIC / MICROSOFT / DREAMWORKS CAREERS IN DESIGN > PAGE 33
Top and middle: branch office interiors for cadence korea, 2012 Bottom: branch office interior for bmw, 2012
© Moo-kyung Koh
Interior Designer/Assistant Project Manager Steven Leach Associates Korea
BETWEEN 2009 AND 2010 italian exports of textiles, clothing, leather, and accessories rose by
“
“I believe that creativity will be the currency of the 21st century.” —Gerald Gordon, Ph.D.,
€4.19 MILLION
totaling
€37.28
“
Emeline Kyueun Paik
DID YOU KNOW?
President/CEO, Fairfax County Economic Development Authority (Virginia, USA)
MILLION IN 2010*
in Seoul, Korea *Italy in Figures, National Institute of Statistics, “Imports and Exports by Sector of Activity, 2009–2010,” on the Internet at www.istat.it (viewed online Sept. 10, 2012).
Nationality: Canadian At Steven Leach Associates (SLA) Korea, Emeline develops projects from concept to final drawings. This includes consulting with clients, producing schematic designs, studying material finishes, and
“What I like most about interior design is that my thoughts
auditing customer sites. A pre-eminent
and ideas can become real. When the space I imagine in
interior design consultancy group in East
my head becomes tangible, the feeling is indescribable.
and Southeast Asia, SLA designs offices for BMW Korea and Cadence Korea, as well as automotive showrooms for KIA, Infiniti, Nissan, Jaguar, Chrysler, and Fiat. Degree: Master in Interior and Living Design, 2007 School: Domus Academy
“I am Korean raised in North America, so I was exposed to different cultures at an early age. At Domus Academy, my classmates came from more than 20 different countries, living as foreigners in Milan, studying, sharing, and surviving their youth for the same goal: to be better designers. Then I realized that we are not so different after all and background sometimes can be meaningless. The 40 of us motivated and inspired each other throughout the year and still do today even from thousands of miles away.”
PAGE 32
Even more companies where our alumni are living their dreams:
VERSACE / WARNER BROS / SWATCH / THE DISNEY CHANNEL / BMW / NBC / CALIFORNIA SHAKESPEARE THEATER / SEGA GAMEWORKS / PININFARINA / HBO / VOGUE JAPAN / CIRQUE DU SOLEIL / LOS ANGELES OPERA / AUDI / ARTEMIDE / MSN.COM / NIKE / CANON / ERMENEGILDO ZEGNA / VOLKSWAGEN / NOKIA DESIGN / MTV / AG INTERACTIVE / MCCANN WORLDGROUP / LUCASFILM / GAMELOFT / MPC / INDUSTRIAL LIGHT & MAGIC / MICROSOFT / DREAMWORKS CAREERS IN DESIGN > PAGE 33
Architecture
PAGE 34
and seeing it come to life. On a daily basis, architects are part of this complex process of creatively translating concepts into physical wonders. Of course, formal education leading to licensure is essential for work in this field. Aspiring architects must study the most current technologies, learn sustainable building practices, and explore professional development strategies.
Jason Jablonski, thesis project san diego public library, Master of Architecture 2009, new school of architecture and design, San Diego, USA
02
Few experiences could be more satisfying than designing a building
Architects must be versed in the latest standards for building and construction materials, worker safety, energy efficiency, environmental protection, and risk mitigation. And they must develop a highly refined sense of good design. CAREER OPTIONS
Architect Landscape architect Construction manager Urban and landscape designer Urban planner Environmental sustainability and renewable energy consultant Consultant in architectural design studios, engineering offices, urban management offices, real estate companies, etc. Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 35
Architecture
PAGE 34
and seeing it come to life. On a daily basis, architects are part of this complex process of creatively translating concepts into physical wonders. Of course, formal education leading to licensure is essential for work in this field. Aspiring architects must study the most current technologies, learn sustainable building practices, and explore professional development strategies.
Jason Jablonski, thesis project san diego public library, Master of Architecture 2009, new school of architecture and design, San Diego, USA
02
Few experiences could be more satisfying than designing a building
Architects must be versed in the latest standards for building and construction materials, worker safety, energy efficiency, environmental protection, and risk mitigation. And they must develop a highly refined sense of good design. CAREER OPTIONS
Architect Landscape architect Construction manager Urban and landscape designer Urban planner Environmental sustainability and renewable energy consultant Consultant in architectural design studios, engineering offices, urban management offices, real estate companies, etc. Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 35
Director and Architect FREE NYC in New York, USA Nationality: Mexican Armando was working as director of business development for Gehry Technologies when he heard about a project that the firm FREE was handling in Mexico City. The Museo Soumaya’s façade would have a double-curved surface that wraps around 360°, a feat of architectural engineering “unprecedented in Latin America,” Armando says. He called FREE and asked if they had figured out how to construct the façade’s skin. He helped them develop a strategy based on creating families of hexagons—42 different families comprising 16,000 individual
“Every single project, you’re thinking of something that’s never been done. You’re
hexagons—that interlock with each oth-
starting the project from zero. You’re trying to communicate about all these compo-
er, their size contracting or expanding
nents, sometimes with people that you’ve never worked with before.
based on their position on the surface.
“Try to get as much experience as possible in every single part of our field. Be flexible—don’t stay in one place. Do everything that you can, from modelmaking
Following the incredible success of this project, FREE hired Armando away to direct their 14-employee New York office.
to drafting to 3D work to parametrics to roles like marketing and business development, project management. It’s a very complex career. And you get to be good at all these things.” Watch the video for more about Armando and his work. PAGE 36
Degree: Master of Architecture, 2003 School: NewSchool of Architecture and Design
CAREERS IN DESIGN > PAGE 37
Detail from Museo Soumaya in Mexico City, © Jason Sidelko/Gehry Technologies
© Isaac Matthew White
Digital rendering of 1 Frederick Douglas Circle, Harlem, by Vanguardia Design Development and FREE NYC
Armando Ramos
Director and Architect FREE NYC in New York, USA Nationality: Mexican Armando was working as director of business development for Gehry Technologies when he heard about a project that the firm FREE was handling in Mexico City. The Museo Soumaya’s façade would have a double-curved surface that wraps around 360°, a feat of architectural engineering “unprecedented in Latin America,” Armando says. He called FREE and asked if they had figured out how to construct the façade’s skin. He helped them develop a strategy based on creating families of hexagons—42 different families comprising 16,000 individual
“Every single project, you’re thinking of something that’s never been done. You’re
hexagons—that interlock with each oth-
starting the project from zero. You’re trying to communicate about all these compo-
er, their size contracting or expanding
nents, sometimes with people that you’ve never worked with before.
based on their position on the surface.
“Try to get as much experience as possible in every single part of our field. Be flexible—don’t stay in one place. Do everything that you can, from modelmaking
Following the incredible success of this project, FREE hired Armando away to direct their 14-employee New York office.
to drafting to 3D work to parametrics to roles like marketing and business development, project management. It’s a very complex career. And you get to be good at all these things.” Watch the video for more about Armando and his work. PAGE 36
Degree: Master of Architecture, 2003 School: NewSchool of Architecture and Design
CAREERS IN DESIGN > PAGE 37
Detail from Museo Soumaya in Mexico City, © Jason Sidelko/Gehry Technologies
© Isaac Matthew White
Digital rendering of 1 Frederick Douglas Circle, Harlem, by Vanguardia Design Development and FREE NYC
Armando Ramos
Government Architecture in San Diego, USA
openness—a lot of amenities you rarely find in an adult facility such as jail or prison. It’s much more redeeming to work with progressive clientele on that type of project, where you can actually create attractive buildings whose physical environments actively contribute to the welfare and well-being of those who live and work there. “My favorite thing is working with clients and making them happy. Creating unique solutions to complex planning and operational issues. You’re often working with very diverse owner teams, where you have a number of stakeholders with opposing interests. So consensus building is a big part of what I do on a regular basis.”
John MacAllister Director KMD Architects in San Francisco, USA
Nationality: American
Nationality: American
As an intern in the public sector, Pamela is working toward her licensure as
When KMD hired John in 1996 to work
an architect. She works in a capital im-
in its Justice division, he became inter-
provements department that handles
ested in the “humanity of architecture”
the construction, renovation, and asset
and how to apply evidenced-based de-
management of government buildings
sign within juvenile justice, detention,
and other structures. Pamela completed a
and mental health treatment facilities.
rotation at the Pentagon looking for ways
He has built more than 35 juvenile facili-
to make projects more cost-efficient, and
ties, including the San Mateo County Youth
she helped create a hangar design for the
“I designed an airfield landing pad for practice landings and takeoffs of the Joint
Services Center, which has won multiple
Joint Strike Fighter program. Trained as a
Strike Fighter plane on a ship deck. The plane has vertical takeoff and landing ability,
awards for its environmentally friendly and
pilot, Pamela used to own a military air-
and it puts out a lot of heat, so you need a specialized landing pad to accommodate
humane design. John lectures around the
plane, and she would fly to military bases
the weight and heat. I used AutoCAD to design layouts with different square footage
country and internationally, encouraging
around the country to participate in aero-
amounts within the parameters. The pad was configured to imitate the deck of the
architects to apply principles of humaniza-
kind of ship the plane would be landing on.
tion to prison and related environments.
“My job involves a lot of communication, interpreting, and finding the balance or the
John and his work in architecture are featured in this video.
batic air shows. “It was exciting to know that I could combine that interest with architecture,” she says. Degree: Master of Architecture, 2010 School: NewSchool of Architecture and Design PAGE 38
solution that accommodates the needs of the customer as well as complies with all the codes and regulations that exist for construction in general and for government projects. I enjoy seeing projects from beginning to end, seeing the customer excited about the changes that are made in their facilities.”
Degree: Bachelor of Architecture, 1990 (Valedictorian) School: NewSchool of Architecture and Design
kmd, san mateo youth services center, 2006 © 2006 Steve Whittaker/www.whittpho.com
Intern Architect
dential in nature, so you have a greater opportunity to play with color, light, and
© 2006 Steve Whittaker www.whittpho.com
Administration and training buildings for government employees.
© Cooper Dressler
Pamela Salisbury
“Due to their special populations of youth at risk, juvenile facilities tend to be resi-
Government Architecture in San Diego, USA
openness—a lot of amenities you rarely find in an adult facility such as jail or prison. It’s much more redeeming to work with progressive clientele on that type of project, where you can actually create attractive buildings whose physical environments actively contribute to the welfare and well-being of those who live and work there. “My favorite thing is working with clients and making them happy. Creating unique solutions to complex planning and operational issues. You’re often working with very diverse owner teams, where you have a number of stakeholders with opposing interests. So consensus building is a big part of what I do on a regular basis.”
John MacAllister Director KMD Architects in San Francisco, USA
Nationality: American
Nationality: American
As an intern in the public sector, Pamela is working toward her licensure as
When KMD hired John in 1996 to work
an architect. She works in a capital im-
in its Justice division, he became inter-
provements department that handles
ested in the “humanity of architecture”
the construction, renovation, and asset
and how to apply evidenced-based de-
management of government buildings
sign within juvenile justice, detention,
and other structures. Pamela completed a
and mental health treatment facilities.
rotation at the Pentagon looking for ways
He has built more than 35 juvenile facili-
to make projects more cost-efficient, and
ties, including the San Mateo County Youth
she helped create a hangar design for the
“I designed an airfield landing pad for practice landings and takeoffs of the Joint
Services Center, which has won multiple
Joint Strike Fighter program. Trained as a
Strike Fighter plane on a ship deck. The plane has vertical takeoff and landing ability,
awards for its environmentally friendly and
pilot, Pamela used to own a military air-
and it puts out a lot of heat, so you need a specialized landing pad to accommodate
humane design. John lectures around the
plane, and she would fly to military bases
the weight and heat. I used AutoCAD to design layouts with different square footage
country and internationally, encouraging
around the country to participate in aero-
amounts within the parameters. The pad was configured to imitate the deck of the
architects to apply principles of humaniza-
kind of ship the plane would be landing on.
tion to prison and related environments.
“My job involves a lot of communication, interpreting, and finding the balance or the
John and his work in architecture are featured in this video.
batic air shows. “It was exciting to know that I could combine that interest with architecture,” she says. Degree: Master of Architecture, 2010 School: NewSchool of Architecture and Design PAGE 38
solution that accommodates the needs of the customer as well as complies with all the codes and regulations that exist for construction in general and for government projects. I enjoy seeing projects from beginning to end, seeing the customer excited about the changes that are made in their facilities.”
Degree: Bachelor of Architecture, 1990 (Valedictorian) School: NewSchool of Architecture and Design
kmd, san mateo youth services center, 2006 © 2006 Steve Whittaker/www.whittpho.com
Intern Architect
dential in nature, so you have a greater opportunity to play with color, light, and
© 2006 Steve Whittaker www.whittpho.com
Administration and training buildings for government employees.
© Cooper Dressler
Pamela Salisbury
“Due to their special populations of youth at risk, juvenile facilities tend to be resi-
Product and Industrial Design
PAGE 40
Design permeates our world. The objects we live with, the cars we drive, the way we punch the keys of our smartphones. A degree in design explores these multifaceted applications and teaches you how to think in a way that solves design problems. A product or industrial designer combines art, science, and technology to create innovative products.
Elvin Akkan, hide & seek, ma in Product Design 2012 at naba in Milan, Italy, in collaboration with Bosch and Zanotta Inset: Photo of exhibition lost in translation, Domus Academy in Milan, Italy
02
An interaction designer creates the user experience for digital products, systems, and services. A visual brand designer helps define the identity of a company by creating not just graphics but a rich and attractive environment that encourages consumers to share the brand’s values. CAREER OPTIONS
Product designer
Visual brand designer
Industrial designer
Communications designer
Car and transportation designer
Set designer
Interaction designer
Lighting designer
Service experience designer
Media designer
Food designer
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 41
Product and Industrial Design
PAGE 40
Design permeates our world. The objects we live with, the cars we drive, the way we punch the keys of our smartphones. A degree in design explores these multifaceted applications and teaches you how to think in a way that solves design problems. A product or industrial designer combines art, science, and technology to create innovative products.
Elvin Akkan, hide & seek, ma in Product Design 2012 at naba in Milan, Italy, in collaboration with Bosch and Zanotta Inset: Photo of exhibition lost in translation, Domus Academy in Milan, Italy
02
An interaction designer creates the user experience for digital products, systems, and services. A visual brand designer helps define the identity of a company by creating not just graphics but a rich and attractive environment that encourages consumers to share the brand’s values. CAREER OPTIONS
Product designer
Visual brand designer
Industrial designer
Communications designer
Car and transportation designer
Set designer
Interaction designer
Lighting designer
Service experience designer
Media designer
Food designer
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN DESIGN > PAGE 41
High-back armchair: Lui5, Fratelli Boffi, 2009 Aluminium low table, set of 3: DS-9045, de Sede, 2010
© Max&Douglas
“I am particularly interested in exploring geometry, mechanisms, and the possibilities offered by a given material. Good design has to be synthetic, meaning that shape and function are aligned, with no unnecessary gestures. And it has to transmit emotion, to have a spirit. For me, the key moment is when an object takes on shape. “Domus was a perfect introduction to Italy as an industrial country that takes design very seriously. And a great opportunity to meet amazing present and future professionals from all over the globe. It helped me achieve my goal of inventing things.”
Philippe Bestenheider Furniture Designer, Owner
Francisco Gomez Paz Designer
Philippe Bestenheider Design Studio in Milan, Italy and Crans-Montana,
Francisco Gomez Paz studio
Switzerland
in Milan, Italy Nationality: Argentinian
Nationality: Swiss Top left Synapse lamp by Luceplan, 2011, photo by Ivan Sarfatti Top and left hope lamp by Luceplan, 2009, photo by Tom Vack
From 2001 to 2006, Philippe served as a
Francisco Gomez Paz is an internationally
senior designer for Patricia Urquiola, a
acclaimed designer who is perhaps best
renowned furniture designer. In 2007 he
known for his Hope lamp, designed for Lu-
opened his own studio, where he now col-
ceplan. Francisco studied Fresnel lenses and
laborates in small teams to design seating,
historic chandeliers in his quest to create a
tables, and shelving systems for European
“meta-crystal” out of molded polycarbonate
furniture companies. His unique and im-
leaves whose surfaces contain concentric
aginative designs have won him interna-
microprisms. The result is a beautiful con-
tional acclaim. He received the Premio dei
temporary chandelier that throws a light he
Premi, an Italian award for innovation, for
describes as “playful and happy,” with many
“My curiosity is 360 degrees. One project informs the next one. The more projects I do
reflections but no glare. Now Luceplan’s
from different fields, the more fun I have, and the more interaction I find between them.
best-selling product, the Hope lamp won
“Design comes from the essence of things: Slowly, the essence comes to the exterior
Alice, an elaborate, ultra-luxurious arm-
part of the object, transforming the shape. Design is something completely holistic. It’s
chair made of glossy aluminum and gold-
impossible to describe it as one single element. It’s not just about technique of produc-
en anodized cloverleaf elements.
the prestigious Compasso d’Oro award and the Prize of Prizes for Innovation in Design given by the President of Italian Republic. Degree: Master in Design, 1998 School: Domus Academy PAGE 42
the chair Nanook, which he designed for Moroso. For Galleria Nilufar he designed
tion, shape, the human being—but about all those things. Design is also heuristic. It’s
Degree: Master in Design, 2000
not a linear process—it’s full of different intersections, changing of directions. Many
School: Domus Academy
trials, many errors. And it’s an amazing tool to take humanity another step forward. It’s a big satisfaction, when you feel your work can be useful.” Colored “snowflake” chair: Nanook, Moroso, 2009
CAREERS IN DESIGN > PAGE 43
High-back armchair: Lui5, Fratelli Boffi, 2009 Aluminium low table, set of 3: DS-9045, de Sede, 2010
© Max&Douglas
“I am particularly interested in exploring geometry, mechanisms, and the possibilities offered by a given material. Good design has to be synthetic, meaning that shape and function are aligned, with no unnecessary gestures. And it has to transmit emotion, to have a spirit. For me, the key moment is when an object takes on shape. “Domus was a perfect introduction to Italy as an industrial country that takes design very seriously. And a great opportunity to meet amazing present and future professionals from all over the globe. It helped me achieve my goal of inventing things.”
Philippe Bestenheider Furniture Designer, Owner
Francisco Gomez Paz Designer
Philippe Bestenheider Design Studio in Milan, Italy and Crans-Montana,
Francisco Gomez Paz studio
Switzerland
in Milan, Italy Nationality: Argentinian
Nationality: Swiss Top left Synapse lamp by Luceplan, 2011, photo by Ivan Sarfatti Top and left hope lamp by Luceplan, 2009, photo by Tom Vack
From 2001 to 2006, Philippe served as a
Francisco Gomez Paz is an internationally
senior designer for Patricia Urquiola, a
acclaimed designer who is perhaps best
renowned furniture designer. In 2007 he
known for his Hope lamp, designed for Lu-
opened his own studio, where he now col-
ceplan. Francisco studied Fresnel lenses and
laborates in small teams to design seating,
historic chandeliers in his quest to create a
tables, and shelving systems for European
“meta-crystal” out of molded polycarbonate
furniture companies. His unique and im-
leaves whose surfaces contain concentric
aginative designs have won him interna-
microprisms. The result is a beautiful con-
tional acclaim. He received the Premio dei
temporary chandelier that throws a light he
Premi, an Italian award for innovation, for
describes as “playful and happy,” with many
“My curiosity is 360 degrees. One project informs the next one. The more projects I do
reflections but no glare. Now Luceplan’s
from different fields, the more fun I have, and the more interaction I find between them.
best-selling product, the Hope lamp won
“Design comes from the essence of things: Slowly, the essence comes to the exterior
Alice, an elaborate, ultra-luxurious arm-
part of the object, transforming the shape. Design is something completely holistic. It’s
chair made of glossy aluminum and gold-
impossible to describe it as one single element. It’s not just about technique of produc-
en anodized cloverleaf elements.
the prestigious Compasso d’Oro award and the Prize of Prizes for Innovation in Design given by the President of Italian Republic. Degree: Master in Design, 1998 School: Domus Academy PAGE 42
the chair Nanook, which he designed for Moroso. For Galleria Nilufar he designed
tion, shape, the human being—but about all those things. Design is also heuristic. It’s
Degree: Master in Design, 2000
not a linear process—it’s full of different intersections, changing of directions. Many
School: Domus Academy
trials, many errors. And it’s an amazing tool to take humanity another step forward. It’s a big satisfaction, when you feel your work can be useful.” Colored “snowflake” chair: Nanook, Moroso, 2009
CAREERS IN DESIGN > PAGE 43
like a living organism, adapting to its environment and improving itself constantly. It should be focused on one thing: improving our life on this planet without destroying it in the process.
Sander Brouwer
“Learning from successful design professionals [at Domus
Design Leader, Bauknecht and KitchenAid
Academy] and being surrounded by interesting and talented people from all over the world changed my vision about design
Whirlpool Corporation in Milan, Italy
and life forever. Recognizing the strategic role of design in our
Nationality: Dutch
lives and facing each project with extreme passion and honesty
Rodrigo Torres Product Designer Design by Rodrigo Torres in Milan, Italy
At Whirlpool, Sander is responsible for
are some of the learnings that are present in every aspect of my
aligning the aesthetics among appliance
work today.
categories and for driving innovation with-
“Dream big! Do this job with passion, tenacity, and excellence ...
in the company to discover new business
all the rest will come in its time.”
users in multiple aspects of their daily life,”
Hear more of Rodrigo’s insights about design education in this video.
such as furniture, lighting, and what he calls
opportunities. He works across multiple design categories on projects that have a large impact on the business of the com-
KitchenAid® Pedestal kitchen trolley for the iconic Artisan standmixer and creating
ple to execute large concepts. His accolades include twice winning Colombia’s “Lapiz
to the product launch in the market. I see the design process as a puzzle where each
de Acero” design award for his Morfeo and
piece falls into its right place.
Manta chairs. His clients include Nike, Ales-
“Each design category has its own particular character. The expertise of a certain
of appliances with digital art, encouraging
design category can be utilized in the ideation of another category. Knowing the DNA
consumers to experience innovative de-
of multiple design categories can enrich others.
Degree: Master in Design, 2007 School: Domus Academy PAGE 44
“disruptive objects,” such as a whimsical
“I like to see an idea evolve into a real product, from the first sketch on a piece of paper
an art gallery that merges the aesthetics
sign in their kitchen.
rigo “creates objects that will interact with
ing from a virtual network of talented peo-
guages, creating customizable products, His recent projects include designing the
As owner of Design by Rodrigo Torres, Rod-
coat hanger. He designs on his own, draw-
pany, such as designing visual brand lanand developing communication strategies.
Nationality: Columbian
“To me, a product should tell a story. This story is a fundamental element of the
si, and Poliform. He says he enjoys solving design problems related to collective memory, language and communication, interactivity, and human rituals and behaviors.
product. In a world that is saturated by objects or products, people want to experi-
Degree: Master in Design, 1999
ence a product by its ability to translate their desires. Often, the story becomes more
School: Domus Academy
important than the actual product.” 09 CAREERS CAREER IN DESIGN > PAGE 45
Top: manta chair, Poliform, photo by Alessandro Ruffini; manta armchair, Poliform, photo by Alessandro Ruffini; fold chair, Poliform. Left: Twister coathanger, Busso. Bottom: ics high stool and ipsilon low stool, Poliform.
© Alessandro Ruffini
art gallery hoods, 2012, Whirlpool.
“Design is a career that is quite young, so it’s constantly evolving,
like a living organism, adapting to its environment and improving itself constantly. It should be focused on one thing: improving our life on this planet without destroying it in the process.
Sander Brouwer
“Learning from successful design professionals [at Domus
Design Leader, Bauknecht and KitchenAid
Academy] and being surrounded by interesting and talented people from all over the world changed my vision about design
Whirlpool Corporation in Milan, Italy
and life forever. Recognizing the strategic role of design in our
Nationality: Dutch
lives and facing each project with extreme passion and honesty
Rodrigo Torres Product Designer Design by Rodrigo Torres in Milan, Italy
At Whirlpool, Sander is responsible for
are some of the learnings that are present in every aspect of my
aligning the aesthetics among appliance
work today.
categories and for driving innovation with-
“Dream big! Do this job with passion, tenacity, and excellence ...
in the company to discover new business
all the rest will come in its time.”
users in multiple aspects of their daily life,”
Hear more of Rodrigo’s insights about design education in this video.
such as furniture, lighting, and what he calls
opportunities. He works across multiple design categories on projects that have a large impact on the business of the com-
KitchenAid® Pedestal kitchen trolley for the iconic Artisan standmixer and creating
ple to execute large concepts. His accolades include twice winning Colombia’s “Lapiz
to the product launch in the market. I see the design process as a puzzle where each
de Acero” design award for his Morfeo and
piece falls into its right place.
Manta chairs. His clients include Nike, Ales-
“Each design category has its own particular character. The expertise of a certain
of appliances with digital art, encouraging
design category can be utilized in the ideation of another category. Knowing the DNA
consumers to experience innovative de-
of multiple design categories can enrich others.
Degree: Master in Design, 2007 School: Domus Academy PAGE 44
“disruptive objects,” such as a whimsical
“I like to see an idea evolve into a real product, from the first sketch on a piece of paper
an art gallery that merges the aesthetics
sign in their kitchen.
rigo “creates objects that will interact with
ing from a virtual network of talented peo-
guages, creating customizable products, His recent projects include designing the
As owner of Design by Rodrigo Torres, Rod-
coat hanger. He designs on his own, draw-
pany, such as designing visual brand lanand developing communication strategies.
Nationality: Columbian
“To me, a product should tell a story. This story is a fundamental element of the
si, and Poliform. He says he enjoys solving design problems related to collective memory, language and communication, interactivity, and human rituals and behaviors.
product. In a world that is saturated by objects or products, people want to experi-
Degree: Master in Design, 1999
ence a product by its ability to translate their desires. Often, the story becomes more
School: Domus Academy
important than the actual product.” 09 CAREERS CAREER IN DESIGN > PAGE 45
Top: manta chair, Poliform, photo by Alessandro Ruffini; manta armchair, Poliform, photo by Alessandro Ruffini; fold chair, Poliform. Left: Twister coathanger, Busso. Bottom: ics high stool and ipsilon low stool, Poliform.
© Alessandro Ruffini
art gallery hoods, 2012, Whirlpool.
“Design is a career that is quite young, so it’s constantly evolving,
Art Art Arts ArtArt
the Arts art Art Art Art the Arts art Art art Art the Arts
art art Artart Artart
03
Art arts Arts Art
e h t n i s areer CArts FILM/VIDEO, PHOTOGRAPHY OTHER FINE ARTS ARTS MANAGEMENT
the Arts the Arts
Art Art Arts ArtArt
the Arts art Art Art Art the Arts art Art art Art the Arts
art art Artart Artart
03
Art arts Arts Art
e h t n i s areer CArts FILM/VIDEO, PHOTOGRAPHY OTHER FINE ARTS ARTS MANAGEMENT
the Arts the Arts
Film/Video, Photography
If you earn your degree in filmmaking or photography, you’ll be encouraged to make personal work that challenges prevailing political, cultural, and aesthetic conventions. You’ll work closely with mentors who are renowned artists in their field.
china-italy, Flavio Mancinelli and Alberto Segramora, Master in Photography and Visual Design at NABA in Milan, Italy Inset: Artu Gunhan Arin, exchange student at Santa Fe University of Art and Design, © Tanana Rivera.
03
Film-based media offer a way to tell stories, create characters, and expose the truth— or construct a world of illusion.
A degree in filmmaking or photography can open doors in the worlds of entertainment, media, fine art, and business. CAREER OPTIONS
FILM/VIDEO Filmmaker
Multimedia artist/animator
Producer
Lighting technical director
Director
Postproducer
Production assistant Documentarian
PHOTOGRAPHY
Multi-camera director
Fine art photographer
Cinematographer
Photojournalist
Screenwriter/scriptwriter
Documentarian
Film and video editor
Photo editor
Special effects coordinator
Digital asset manager/archivist
Set designer
Photo studio production manager
Art director
Production assistant
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
Printer
CAREERS IN THE ARTS > PAGE 49
Film/Video, Photography
If you earn your degree in filmmaking or photography, you’ll be encouraged to make personal work that challenges prevailing political, cultural, and aesthetic conventions. You’ll work closely with mentors who are renowned artists in their field.
china-italy, Flavio Mancinelli and Alberto Segramora, Master in Photography and Visual Design at NABA in Milan, Italy Inset: Artu Gunhan Arin, exchange student at Santa Fe University of Art and Design, © Tanana Rivera.
03
Film-based media offer a way to tell stories, create characters, and expose the truth— or construct a world of illusion.
A degree in filmmaking or photography can open doors in the worlds of entertainment, media, fine art, and business. CAREER OPTIONS
FILM/VIDEO Filmmaker
Multimedia artist/animator
Producer
Lighting technical director
Director
Postproducer
Production assistant Documentarian
PHOTOGRAPHY
Multi-camera director
Fine art photographer
Cinematographer
Photojournalist
Screenwriter/scriptwriter
Documentarian
Film and video editor
Photo editor
Special effects coordinator
Digital asset manager/archivist
Set designer
Photo studio production manager
Art director
Production assistant
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
Printer
CAREERS IN THE ARTS > PAGE 49
© Fernando Bayona
© Tanana Rivera; right and below: © Riffraff New Media/SFUAD
Fernando Bayona Fine Art Photographer
Artu Gunhan Arin
Milan, Italy;
Freelance Cameraman
Madrid and Granada, Spain Nationality: Spanish
stultifera navis from the series what never was, 2012
Santa Fe, USA Nationality: Turkish Artu began his undergraduate studies at Istanbul Bilgi University in Turkey and spent his senior year as an exchange student at Santa Fe University of Art and Design (SFUAD). After graduation, he worked on the set of Longmire, the Warner Bros./A&E crime drama series that filmed at Garson Studios on SFUAD’s campus. He began as a producer’s assistant, then moved up to the position of digital utility on Longmire’s camera crew. After the season wrapped, Artu says, “I was planning to move to L.A., but L.A. started to move here. I get more jobs here in Santa Fe than I could imagine in L.A.” Degree: B.A. in Television Reporting and Programming, 2012 School: Istanbul Bilgi University (exchange student at Santa Fe University of Art and Design) PAGE 50
“Being on set is amazing. You have to be there really early, set up really fast. You have
“What I like about being a photographer is that I can physically materialize imaginary
to be a team player. You have to be willing to work with everything you have. If I have
realities. I try to generate a story, which in turn solidifies some characters that need a set
to be there at 5 a.m., 10 p.m., it doesn’t matter—as long as I’m on set, I feel alive, and
design and some materials to configure it and so, little by little, like a small snowball roll-
my dream of being a cinematographer is coming along step-by-step every day. That
ing down a slope, it builds and builds. I work like a scriptwriter to generate dialogues. In
makes me proud and happy.
this way, past and future lives define the characters that I insert in my settings. Inspira-
“I love camera operating and lighting. I love the idea of me being the eye for everyone
tion is not an aim, but rather a process, during which all these detours take place.”
and telling them the story the way I see it.” Watch Artu on set in this video.
Fernando is a renowned fine art photographer whose works have been exhibited in major galleries in New York, Buenos Aires, Berlin, Rome, Osaka, and Barcelona. He has received numerous international awards and grants, including from Magnum Photos, and has published five books of his work. While earning his degree at NABA, Fernando produced his well-known series Milkabouts, in which the trajectory of airborne milk is frozen by the camera. “It allowed me to join the world of sculpture and photography through complex mise-en-scène—which are nothing but photographed sculptures,” he says. It’s a technique he has carried into other series involving complex sets and up to dozens of characters. Degree: Master in Photography and Visual Design, 2008 School: NABA, Nuova Accademia di Belle Arti Milano CAREERS IN THE ARTS > PAGE 51
© Fernando Bayona
© Tanana Rivera; right and below: © Riffraff New Media/SFUAD
Fernando Bayona Fine Art Photographer
Artu Gunhan Arin
Milan, Italy;
Freelance Cameraman
Madrid and Granada, Spain Nationality: Spanish
stultifera navis from the series what never was, 2012
Santa Fe, USA Nationality: Turkish Artu began his undergraduate studies at Istanbul Bilgi University in Turkey and spent his senior year as an exchange student at Santa Fe University of Art and Design (SFUAD). After graduation, he worked on the set of Longmire, the Warner Bros./A&E crime drama series that filmed at Garson Studios on SFUAD’s campus. He began as a producer’s assistant, then moved up to the position of digital utility on Longmire’s camera crew. After the season wrapped, Artu says, “I was planning to move to L.A., but L.A. started to move here. I get more jobs here in Santa Fe than I could imagine in L.A.” Degree: B.A. in Television Reporting and Programming, 2012 School: Istanbul Bilgi University (exchange student at Santa Fe University of Art and Design) PAGE 50
“Being on set is amazing. You have to be there really early, set up really fast. You have
“What I like about being a photographer is that I can physically materialize imaginary
to be a team player. You have to be willing to work with everything you have. If I have
realities. I try to generate a story, which in turn solidifies some characters that need a set
to be there at 5 a.m., 10 p.m., it doesn’t matter—as long as I’m on set, I feel alive, and
design and some materials to configure it and so, little by little, like a small snowball roll-
my dream of being a cinematographer is coming along step-by-step every day. That
ing down a slope, it builds and builds. I work like a scriptwriter to generate dialogues. In
makes me proud and happy.
this way, past and future lives define the characters that I insert in my settings. Inspira-
“I love camera operating and lighting. I love the idea of me being the eye for everyone
tion is not an aim, but rather a process, during which all these detours take place.”
and telling them the story the way I see it.” Watch Artu on set in this video.
Fernando is a renowned fine art photographer whose works have been exhibited in major galleries in New York, Buenos Aires, Berlin, Rome, Osaka, and Barcelona. He has received numerous international awards and grants, including from Magnum Photos, and has published five books of his work. While earning his degree at NABA, Fernando produced his well-known series Milkabouts, in which the trajectory of airborne milk is frozen by the camera. “It allowed me to join the world of sculpture and photography through complex mise-en-scène—which are nothing but photographed sculptures,” he says. It’s a technique he has carried into other series involving complex sets and up to dozens of characters. Degree: Master in Photography and Visual Design, 2008 School: NABA, Nuova Accademia di Belle Arti Milano CAREERS IN THE ARTS > PAGE 51
Promotional photo for 1600 Penn, 20th Century Fox Television, 2012
COWBOYS & ALIENS / LONGMIRE / BLESS ME, ULTIMA / GAME CHANGE / ODD THOMAS / HAYWIRE / THE SUNSET LIMITED / LEGION Alumni of Media Design School have worked on such blockbuster films as:
AVATAR / THE ADVENTURES OF TINTIN / THE HOBBIT: AN UNEXPECTED JOURNEY / X-MEN: FIRST CLASS / THE AVENGERS / HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 / PIRATES OF THE CARIBBEAN: ON STRANGER TIDES / THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER
Joe Wiseman 20th Century Fox Television in Los Angeles, USA Nationality: American A fellow alumnus from Santa Fe hooked Joe up with his first TV job, as a production assistant on Caroline in the City. In 1998, while working as a writer’s assistant on Dilbert, he wrote a spec script with
“You’re on this crazy conveyor belt that doesn’t slow down. There’s future stories
his friend Joe Port. Their script got them
to come up with, there’s current scripts to rewrite, there’s scripts that are going into
hired as writers for Season 2, and the two
production next week, and scripts that you’re shooting, and every one of them needs
have been collaborating together ever
your attention. It’s a real juggling act.
since, writing for sitcoms such as Just Shoot Me!, Son of the Beach, The Office, New Girl, and now 1600 Penn. Degree: B.A. in Moving Image Arts (Film), 1994 School: College of Santa Fe (now Santa Fe University of Art and Design)
PAGE 52
“But when you have to throw out a story and come up with a new one overnight, it’s great that there are 10 really smart, funny people there to help you do it. Ultimately, it’s great to be creative and funny for your job. I try not to take that for granted. “It was a lot of luck, but it was also being prepared for that luck. And doing a good job on the less glamorous projects so that people like you. It’s important to have people like you and to be a nice person. It helps when people are rooting for you.”
Still from the animated film finishing touch, Media Design School, Auckland, New Zealand.
Writer/Producer for 1600 Penn
“
We need people who think with the creative side of their brains—people who have played in a band, who have painted … it enhances symbiotic thinking capabilities, not always thinking in the same paradigm, learning how to kick-start a new idea, or how to get a job done better, less expensively. —Annette Byrd, GlaxoSmithKline
“
© Joe Port
Film students at Santa Fe University of Art and Design have interned on the sets of:
Promotional photo for 1600 Penn, 20th Century Fox Television, 2012
COWBOYS & ALIENS / LONGMIRE / BLESS ME, ULTIMA / GAME CHANGE / ODD THOMAS / HAYWIRE / THE SUNSET LIMITED / LEGION Alumni of Media Design School have worked on such blockbuster films as:
AVATAR / THE ADVENTURES OF TINTIN / THE HOBBIT: AN UNEXPECTED JOURNEY / X-MEN: FIRST CLASS / THE AVENGERS / HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 / PIRATES OF THE CARIBBEAN: ON STRANGER TIDES / THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER
Joe Wiseman 20th Century Fox Television in Los Angeles, USA Nationality: American A fellow alumnus from Santa Fe hooked Joe up with his first TV job, as a production assistant on Caroline in the City. In 1998, while working as a writer’s assistant on Dilbert, he wrote a spec script with
“You’re on this crazy conveyor belt that doesn’t slow down. There’s future stories
his friend Joe Port. Their script got them
to come up with, there’s current scripts to rewrite, there’s scripts that are going into
hired as writers for Season 2, and the two
production next week, and scripts that you’re shooting, and every one of them needs
have been collaborating together ever
your attention. It’s a real juggling act.
since, writing for sitcoms such as Just Shoot Me!, Son of the Beach, The Office, New Girl, and now 1600 Penn. Degree: B.A. in Moving Image Arts (Film), 1994 School: College of Santa Fe (now Santa Fe University of Art and Design)
PAGE 52
“But when you have to throw out a story and come up with a new one overnight, it’s great that there are 10 really smart, funny people there to help you do it. Ultimately, it’s great to be creative and funny for your job. I try not to take that for granted. “It was a lot of luck, but it was also being prepared for that luck. And doing a good job on the less glamorous projects so that people like you. It’s important to have people like you and to be a nice person. It helps when people are rooting for you.”
Still from the animated film finishing touch, Media Design School, Auckland, New Zealand.
Writer/Producer for 1600 Penn
“
We need people who think with the creative side of their brains—people who have played in a band, who have painted … it enhances symbiotic thinking capabilities, not always thinking in the same paradigm, learning how to kick-start a new idea, or how to get a job done better, less expensively. —Annette Byrd, GlaxoSmithKline
“
© Joe Port
Film students at Santa Fe University of Art and Design have interned on the sets of:
03 Other Fine Arts
If you have this capacity—whether through painting, sculpture, music, acting, dance, or writing— you would do well to nurture and develop it with formal training. A degree in a fine arts discipline can refine your skills, deepen your understanding of your craft, and guide you toward finding your artistic voice. You’ll be mentored by artists who are producing award-winning work in their field. You’ll have opportunities to experiment with new media and collaborate with classmates in other programs. Your knowledge and skills can also translate to a multitude of applications in the arts management and business worlds.
PAGE 54
Sara Ricciardi, happy carretto, in collaboration with Bosh and Zanotta, ma in Product Design 2012 at naba in Milan, Italy
The ability to create a work of art is a rare gift.
And the connections you make with faculty members, fellow students, and community members can help you launch your career. CAREER OPTIONS
VISUAL ARTS
MUSIC
Visual artist
Musician
Painter
Composer
Printmaker
Songwriter
Sketch artist
Recording engineer
Exhibition designer
Recording editor
Illustrator
Band manager
PERFORMING ARTS
Booking agent
Actor
Music publisher
Director
CREATIVE WRITING
Producer
Screenwriter/scriptwriter
Choreographer
Playwright
Dancer
Author
Stage manager
Novelist
Set and costume designer
Poet
Scenic artist
Marketing writer
Sound designer
Copy writer
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
Developmental editor Copy editor
CAREERS IN THE ARTS > PAGE 55
03 Other Fine Arts
If you have this capacity—whether through painting, sculpture, music, acting, dance, or writing— you would do well to nurture and develop it with formal training. A degree in a fine arts discipline can refine your skills, deepen your understanding of your craft, and guide you toward finding your artistic voice. You’ll be mentored by artists who are producing award-winning work in their field. You’ll have opportunities to experiment with new media and collaborate with classmates in other programs. Your knowledge and skills can also translate to a multitude of applications in the arts management and business worlds.
PAGE 54
Sara Ricciardi, happy carretto, in collaboration with Bosh and Zanotta, ma in Product Design 2012 at naba in Milan, Italy
The ability to create a work of art is a rare gift.
And the connections you make with faculty members, fellow students, and community members can help you launch your career. CAREER OPTIONS
VISUAL ARTS
MUSIC
Visual artist
Musician
Painter
Composer
Printmaker
Songwriter
Sketch artist
Recording engineer
Exhibition designer
Recording editor
Illustrator
Band manager
PERFORMING ARTS
Booking agent
Actor
Music publisher
Director
CREATIVE WRITING
Producer
Screenwriter/scriptwriter
Choreographer
Playwright
Dancer
Author
Stage manager
Novelist
Set and costume designer
Poet
Scenic artist
Marketing writer
Sound designer
Copy writer
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
Developmental editor Copy editor
CAREERS IN THE ARTS > PAGE 55
Guia Buzzi together with the staff at Teatro Comunale di Treviso, Italy © Giancarlo Rado
Left and center photos ©Vittore Buzzi
Stills from Bonnie and Clyde with Claybourne Elder, ©Nathan Johnson
Melissa van der Schyff Actress and Singer
Guia Buzzi
New York, USA
Freelance Set and Costume Designer
Nationality: American
Milan, Italy
Melissa played the female lead in a revival of Big River that started in a small L.A. thea-
Nationality: Italian
tre and made it all the way to Broadway, where it played for a special limited engagement and then toured for a year. The half-hearing, half-Deaf cast was collectively awarded the 2004 Tony Honor for Excellence in Theatre. In winter 2011, she played a starring role in Bonnie & Clyde on Broadway to high acclaim, winning a Drama Desk Nomination and an Outer Critics Cir-
“[At Santa Fe], you felt known, you didn’t feel like a number. I think that’s very impor-
cle Nomination for Outstanding Featured
tant. Especially in creative arts, where you can feel so vulnerable because the art is you.
Actress in a Musical. In between major
“Our teachers prepared us to have a professional work ethic. Things like showing
productions, Melissa acts in regional theatres and does TV, film, and voiceover work. Degree: B.F.A. in Theatre with an emphasis in Acting, minor in Contemporary Music, 1995 School: College of Santa Fe (now Santa Fe University of Art and Design) PAGE 56
up on time, memorizing your lines, and having a technique. Because it’s one thing to have natural talent, which some people have, but it’s another thing when you’re doing a show for a year—how do you continue to have your voice not give out on you, or how do you play that scene over and over and keep it fresh? The training at Santa Fe prepared me for being a craftsperson as well as doing something for the fun of it and doing what came naturally.”
Guia’s most recent commission was designing the sets and costumes for a production of Mozart’s The Magic Flute— updated to a present-day setting in the Amazon forest—at Teatro Amazonas in Manaus, Brazil. Next, she’ll work with Margherita Palli to design an exhibition in Moscow about Italian excellence, commissioned by the Italian government. Guia has worked on operas and exhibitions throughout Europe and in Russia, China, and the United States. She is also a teacher at NABA. Degree: B.A. in Theatre Design, 1995 School: NABA, Nuova Accademia di Belle Arti Milano
[For the exhibition Turin at Work about the industrial development of the Italian city Turin after WWII and the mass immigration of southern Italians to the north:] “I imagined a typical day of a worker in a factory such as Fiat who in the morning leaves his house and goes to work by tram. I reconstructed the poor apartment of an immigrant, a 1950s tram, and some rooms in the factory. Visitors could sit in the tram and from the windows saw streets passing, moving from one suburb to another and finally arriving at the factory. “The effect was impressive, thanks to 1950s videos that made the environment real. You could see the factory entrance where the worker clocked in and a corner where the cars were assembled, with a real Fiat 500 hanging on a moving airtrack, accompanied by a terrible thumping noise.” CAREERS IN THE ARTS > PAGE 57
Guia Buzzi together with the staff at Teatro Comunale di Treviso, Italy © Giancarlo Rado
Left and center photos ©Vittore Buzzi
Stills from Bonnie and Clyde with Claybourne Elder, ©Nathan Johnson
Melissa van der Schyff Actress and Singer
Guia Buzzi
New York, USA
Freelance Set and Costume Designer
Nationality: American
Milan, Italy
Melissa played the female lead in a revival of Big River that started in a small L.A. thea-
Nationality: Italian
tre and made it all the way to Broadway, where it played for a special limited engagement and then toured for a year. The half-hearing, half-Deaf cast was collectively awarded the 2004 Tony Honor for Excellence in Theatre. In winter 2011, she played a starring role in Bonnie & Clyde on Broadway to high acclaim, winning a Drama Desk Nomination and an Outer Critics Cir-
“[At Santa Fe], you felt known, you didn’t feel like a number. I think that’s very impor-
cle Nomination for Outstanding Featured
tant. Especially in creative arts, where you can feel so vulnerable because the art is you.
Actress in a Musical. In between major
“Our teachers prepared us to have a professional work ethic. Things like showing
productions, Melissa acts in regional theatres and does TV, film, and voiceover work. Degree: B.F.A. in Theatre with an emphasis in Acting, minor in Contemporary Music, 1995 School: College of Santa Fe (now Santa Fe University of Art and Design) PAGE 56
up on time, memorizing your lines, and having a technique. Because it’s one thing to have natural talent, which some people have, but it’s another thing when you’re doing a show for a year—how do you continue to have your voice not give out on you, or how do you play that scene over and over and keep it fresh? The training at Santa Fe prepared me for being a craftsperson as well as doing something for the fun of it and doing what came naturally.”
Guia’s most recent commission was designing the sets and costumes for a production of Mozart’s The Magic Flute— updated to a present-day setting in the Amazon forest—at Teatro Amazonas in Manaus, Brazil. Next, she’ll work with Margherita Palli to design an exhibition in Moscow about Italian excellence, commissioned by the Italian government. Guia has worked on operas and exhibitions throughout Europe and in Russia, China, and the United States. She is also a teacher at NABA. Degree: B.A. in Theatre Design, 1995 School: NABA, Nuova Accademia di Belle Arti Milano
[For the exhibition Turin at Work about the industrial development of the Italian city Turin after WWII and the mass immigration of southern Italians to the north:] “I imagined a typical day of a worker in a factory such as Fiat who in the morning leaves his house and goes to work by tram. I reconstructed the poor apartment of an immigrant, a 1950s tram, and some rooms in the factory. Visitors could sit in the tram and from the windows saw streets passing, moving from one suburb to another and finally arriving at the factory. “The effect was impressive, thanks to 1950s videos that made the environment real. You could see the factory entrance where the worker clocked in and a corner where the cars were assembled, with a real Fiat 500 hanging on a moving airtrack, accompanied by a terrible thumping noise.” CAREERS IN THE ARTS > PAGE 57
standing of myself as a writer, my own voice in the larger literary world. It was the first time I was introduced to the idea of being a writer as a profession. I thought that to be a writer you had to be Robert Frost or Shakespeare, and they were dead. All of a sudden there was this whole community of people who were trying to create literature. “You have to work at it, every day, if you can. And to be tenacious about the process of evolving as a writer. Because a lot of the early poems that you write aren’t good. They aren’t good,
Danielle Cadena Deulen Author and Professor University of Cincinnati in Cincinnati,
but that doesn’t mean they’re a failure. Usually, the early poems
Guia Buzzi together with the staff at Teatro Comunale di Treviso, Italy photo by Giancarlo Rado
© Dana Henderson
“[Studying at Santa Fe] marked the beginning of my under-
are a way for you to learn what you need to learn for the next attempt to write.”
Nationality: American
“Lovely Asunder brims with poems of intense lyric beauty, confronting the dark wealth of the human heart. ‘How do we know, without words / to say it, that you are the summation of a lifetime / of desire?’ Deulen asks in the poem ‘Interrogation’—we can begin to know by reading this book.” —DANA LEVIN, author of Wedding Day and In the Surgical Theatre “Lovely Asunder delves into the grave depths of desire. Bristling with passion, fierce in their self-scrutiny, these exquisite poems tightrope between the intimate and the metaphysical. At once lovely—beautiful, harmonious, inspiring—and asunder—broken, fragmented, distinct—the poems embody paradox with their elaborate and baroque music and their austere and harrowing vision. ‘Lord,’ a speaker asks in the poem ‘Hearth,’ ‘save me from the ordinary world.’ The poet saves us from the ordinary at every turn with her extraordinary juxtapositions, with her uncanny images, and with her breathtaking ability to see from original and oblique angles the world afresh in all its seductive strangeness.” —ERIC PANKEY, author of The Pear as One Example: New and Selected Poems “At one point in her riveting new collection Deulen promises to ‘go / further inland, like a lenient / hurricane.’ I’d say she’s more of a lyric hurricane; wreaking exquisite havoc on an imperfect world, she has the power to excavate the ‘sound / we are born hearing, and so don’t hear.’ Often, she faces pain head-on, like the songbird in these two of the book’s many memorable lines: ‘A goldfinch flies into briars, gets stuck / It quivers in there—little glint of light.”
ARKANSAS
The University of Arkansas Press Fayetteville
Lovely Asunder POEMS BY DANIELLE CADENA DEULEN
Reprinted with the permission of University of Arkansas Press and University of Georgia press, respectively.
POETRY
Covers from the books lovely asunder and the riots
3DEULEN_cover:Layout 1 12/9/10 11:42 AM Page 1
—JACQUELINE OSHEROW, author of The Hoopoe’s Crown
PAGE 58
for all films released around the world reached
India saw a
SALES
up
LOVELY ASUNDER
School: College of Santa Fe (now Santa Fe University of Art and Design)
HOLLYWOOD
BILLION IN 2011
DEULEN
Degree: B.A. in Creative Writing and Literature, 2001
GLOBAL BOX OFFICE
$ 32.6
poem you write, which will be better. So nothing is lost in the
USA
Danielle has enjoyed remarkable success for a young writer, with two major book publications in 2011. Her first collection of poems, Lovely Asunder, won the Miller Williams Arkansas Poetry Prize and was published by the University of Arkansas Press. Her collection of essays, The Riots, won the AWP Prize in Creative Nonfiction and was published by the University of Georgia Press. She is currently an assistant professor of poetry at the University of Cincinnati.
DID YOU KNOW? MOVIES
42% INCREASE
in the number of Hollywood movies shot in the country between 2010 and 2011†
3% OVER 2010’S TOTAL*
2010
2011
*Motion Picture Association of America, Inc., “Theatrical Market Statistics 2011,” on the Internet at http://www.mpaa.org/ resources/5bec4ac9-a95e-443b-987b-bff6fb5455a9.pdf (viewed online Sept. 10, 2012). † Ernst & Young, “Indian film industry to drive growth with Hollywood collaboration,” May 2012, on the Internet at (http://www. ey.com/IN/en/Newsroom/News-releases/Press-Release_Indian-film-industry-to-drive-growth-with-Hollywood-collaboration (viewed online Sept. 10, 2012).
CAREERS IN THE ARTS > PAGE 59
standing of myself as a writer, my own voice in the larger literary world. It was the first time I was introduced to the idea of being a writer as a profession. I thought that to be a writer you had to be Robert Frost or Shakespeare, and they were dead. All of a sudden there was this whole community of people who were trying to create literature. “You have to work at it, every day, if you can. And to be tenacious about the process of evolving as a writer. Because a lot of the early poems that you write aren’t good. They aren’t good,
Danielle Cadena Deulen Author and Professor University of Cincinnati in Cincinnati,
but that doesn’t mean they’re a failure. Usually, the early poems
Guia Buzzi together with the staff at Teatro Comunale di Treviso, Italy photo by Giancarlo Rado
© Dana Henderson
“[Studying at Santa Fe] marked the beginning of my under-
are a way for you to learn what you need to learn for the next attempt to write.”
Nationality: American
“Lovely Asunder brims with poems of intense lyric beauty, confronting the dark wealth of the human heart. ‘How do we know, without words / to say it, that you are the summation of a lifetime / of desire?’ Deulen asks in the poem ‘Interrogation’—we can begin to know by reading this book.” —DANA LEVIN, author of Wedding Day and In the Surgical Theatre “Lovely Asunder delves into the grave depths of desire. Bristling with passion, fierce in their self-scrutiny, these exquisite poems tightrope between the intimate and the metaphysical. At once lovely—beautiful, harmonious, inspiring—and asunder—broken, fragmented, distinct—the poems embody paradox with their elaborate and baroque music and their austere and harrowing vision. ‘Lord,’ a speaker asks in the poem ‘Hearth,’ ‘save me from the ordinary world.’ The poet saves us from the ordinary at every turn with her extraordinary juxtapositions, with her uncanny images, and with her breathtaking ability to see from original and oblique angles the world afresh in all its seductive strangeness.” —ERIC PANKEY, author of The Pear as One Example: New and Selected Poems “At one point in her riveting new collection Deulen promises to ‘go / further inland, like a lenient / hurricane.’ I’d say she’s more of a lyric hurricane; wreaking exquisite havoc on an imperfect world, she has the power to excavate the ‘sound / we are born hearing, and so don’t hear.’ Often, she faces pain head-on, like the songbird in these two of the book’s many memorable lines: ‘A goldfinch flies into briars, gets stuck / It quivers in there—little glint of light.”
ARKANSAS
The University of Arkansas Press Fayetteville
Lovely Asunder POEMS BY DANIELLE CADENA DEULEN
Reprinted with the permission of University of Arkansas Press and University of Georgia press, respectively.
POETRY
Covers from the books lovely asunder and the riots
3DEULEN_cover:Layout 1 12/9/10 11:42 AM Page 1
—JACQUELINE OSHEROW, author of The Hoopoe’s Crown
PAGE 58
for all films released around the world reached
India saw a
SALES
up
LOVELY ASUNDER
School: College of Santa Fe (now Santa Fe University of Art and Design)
HOLLYWOOD
BILLION IN 2011
DEULEN
Degree: B.A. in Creative Writing and Literature, 2001
GLOBAL BOX OFFICE
$ 32.6
poem you write, which will be better. So nothing is lost in the
USA
Danielle has enjoyed remarkable success for a young writer, with two major book publications in 2011. Her first collection of poems, Lovely Asunder, won the Miller Williams Arkansas Poetry Prize and was published by the University of Arkansas Press. Her collection of essays, The Riots, won the AWP Prize in Creative Nonfiction and was published by the University of Georgia Press. She is currently an assistant professor of poetry at the University of Cincinnati.
DID YOU KNOW? MOVIES
42% INCREASE
in the number of Hollywood movies shot in the country between 2010 and 2011†
3% OVER 2010’S TOTAL*
2010
2011
*Motion Picture Association of America, Inc., “Theatrical Market Statistics 2011,” on the Internet at http://www.mpaa.org/ resources/5bec4ac9-a95e-443b-987b-bff6fb5455a9.pdf (viewed online Sept. 10, 2012). † Ernst & Young, “Indian film industry to drive growth with Hollywood collaboration,” May 2012, on the Internet at (http://www. ey.com/IN/en/Newsroom/News-releases/Press-Release_Indian-film-industry-to-drive-growth-with-Hollywood-collaboration (viewed online Sept. 10, 2012).
CAREERS IN THE ARTS > PAGE 59
Arts Management
PAGE 60
Arts management encompasses a wide range of roles in education, entertainment, and both the for-profit and nonprofit art worlds. With a degree in arts management, you’ll develop a solid understanding of business principles and a strong foundation in multidisciplinary art practices.
Design Dancer, performance event at Salone del Mobile 2012, in collaboration with Cosmit Theatre and Exhibit Design School, 2012—Fashion Design BA at NABA in Milan, Italy Photo by Miro Zagnoli
03
The business side of art and design can be just as fascinating and creative as the artistic side.
You can apply this understanding across the field—whether you can picture yourself as a theatre manager, cultural event planner, museum director, or an entrepreneur skilled in creative thinking. CAREER OPTIONS
Gallery owner/manager
Arts and cultural program director
Museum director
Cultural events planner
Art dealer
Creative services director
Curator
Public relations officer
Conservator
Museum cataloguer
Art educator
Theatre manager
Entrepreneur
Band manager
Art/music/theatre critic
Marketing writer
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN THE ARTS > PAGE 61
Arts Management
PAGE 60
Arts management encompasses a wide range of roles in education, entertainment, and both the for-profit and nonprofit art worlds. With a degree in arts management, you’ll develop a solid understanding of business principles and a strong foundation in multidisciplinary art practices.
Design Dancer, performance event at Salone del Mobile 2012, in collaboration with Cosmit Theatre and Exhibit Design School, 2012—Fashion Design BA at NABA in Milan, Italy Photo by Miro Zagnoli
03
The business side of art and design can be just as fascinating and creative as the artistic side.
You can apply this understanding across the field—whether you can picture yourself as a theatre manager, cultural event planner, museum director, or an entrepreneur skilled in creative thinking. CAREER OPTIONS
Gallery owner/manager
Arts and cultural program director
Museum director
Cultural events planner
Art dealer
Creative services director
Curator
Public relations officer
Conservator
Museum cataloguer
Art educator
Theatre manager
Entrepreneur
Band manager
Art/music/theatre critic
Marketing writer
Career options may require additional experience, training, or other factors beyond the successful completion of a degree program.
CAREERS IN THE ARTS > PAGE 61
Co-owner and Curator
Darrah Wills Assistant Registrar
Hasted Kraeutler Gallery
Georgia O’Keeffe Museum
in New York, USA
in Santa Fe, USA
Nationality: American After graduating with a degree in photography and practical experience garnered during four photography-related internships, Sarah moved to New York and launched her career in the gallery world. She created a photography department for a Manhattan gallery and curated its exhibitions for 10 years. She co-founded her own gallery, Hasted Hunt, in 2005. Now with a new partner since 2009, Hasted Kraeutler occupies a ground-floor space on “the best street” in Chelsea, two doors down from Gagosian. The gallery represents contemporary and vintage photography, plus a few world-renowned sculptors and painters. “We are having the best year ever,” Sarah says. “Life and New York have been good to me.” She has taught at Parsons since 2003. Degree: B.F.A. in Photography, 1991 School: College of Santa Fe (now Santa Fe University of Art and Design) PAGE 62
Nationality: American Darrah was able to parlay her senior-year internship with the Georgia O’Keeffe Museum into a part-time, and later a full-time, job after graduation. As assistant registrar, she documents and catalogs pieces in the museum’s collection, which includes more
“When you’re making art and working toward your B.F.A., you learn a lot about materials. When I [started working] here, I already knew the differences between a
than 2,000 works. She travels with the artwork as a courier to national and international exhibitions, making sure the pieces
“Growing up in Santa Fe, I was very involved in the art world—but I knew that I
watercolor and a drawing, such as what kind of light levels they can take, why they
didn’t want to be a starving artist, which is one of the reasons why I was so ambi-
might be more fragile than paintings, and the proper way to handle and transport
tious and made sure I opened all the doors for myself.
them. I didn’t know everything, but I knew enough to get me going. That, combined
“It’s difficult to own a gallery in New York. It’s terrifying and exciting all at the same
with the many art history classes I took, was a strong foundation for being able to
time. It was thrilling to see my name on the door, anticipating what would come next.
work in an art museum environment.
Munich to Helsinki. She is working toward
I am always striving to make the gallery bigger and better, strategize the careers of
“All the artists I learn about here at the O’Keeffe—their technique, their history of
her graduate degree in art conservation,
my artists, and discover how we can achieve our goals successfully. A lot of this busi-
correspondence, their materials—all of those things really feed me personally as an
and she exhibits her own charcoal draw-
ness is intuition. I have been doing this for over 20 years, and you have to work so
artist. When I come home, I’m tired from working, but I’m also inspired and energized
hard to make your dreams come true. Nobody sees those dreams but you. Only you
to work on my own art. One feeds the other.”
can make them come true.” In this video, learn how Sarah’s arts education helped launch her career as a gallerist.
Hear Darrah talk about jobs in arts management in this video.
are secure, maintained at a stable temperature, and packed and unpacked with extreme care. Recently, she accompanied an exhibition from Rome to Munich and
ings in regional shows. Degree: B.F.A. in Studio Art, 2008 School: College of Santa Fe (now Santa Fe University of Art and Design) CAREERS IN THE ARTS > PAGE 63
Top: Belen, NM, Charcoal on paper, 48 x 64 inches, 2006 Bottom: Club Business, Charcoal, aerosol, and pastel on paper, 24 x 36 inches, 2011
© Patti Rowe
Photos courtesy of Hasted Kraeutler Gallery, NYC
Sarah Hasted
Co-owner and Curator
Darrah Wills Assistant Registrar
Hasted Kraeutler Gallery
Georgia O’Keeffe Museum
in New York, USA
in Santa Fe, USA
Nationality: American After graduating with a degree in photography and practical experience garnered during four photography-related internships, Sarah moved to New York and launched her career in the gallery world. She created a photography department for a Manhattan gallery and curated its exhibitions for 10 years. She co-founded her own gallery, Hasted Hunt, in 2005. Now with a new partner since 2009, Hasted Kraeutler occupies a ground-floor space on “the best street” in Chelsea, two doors down from Gagosian. The gallery represents contemporary and vintage photography, plus a few world-renowned sculptors and painters. “We are having the best year ever,” Sarah says. “Life and New York have been good to me.” She has taught at Parsons since 2003. Degree: B.F.A. in Photography, 1991 School: College of Santa Fe (now Santa Fe University of Art and Design) PAGE 62
Nationality: American Darrah was able to parlay her senior-year internship with the Georgia O’Keeffe Museum into a part-time, and later a full-time, job after graduation. As assistant registrar, she documents and catalogs pieces in the museum’s collection, which includes more
“When you’re making art and working toward your B.F.A., you learn a lot about materials. When I [started working] here, I already knew the differences between a
than 2,000 works. She travels with the artwork as a courier to national and international exhibitions, making sure the pieces
“Growing up in Santa Fe, I was very involved in the art world—but I knew that I
watercolor and a drawing, such as what kind of light levels they can take, why they
didn’t want to be a starving artist, which is one of the reasons why I was so ambi-
might be more fragile than paintings, and the proper way to handle and transport
tious and made sure I opened all the doors for myself.
them. I didn’t know everything, but I knew enough to get me going. That, combined
“It’s difficult to own a gallery in New York. It’s terrifying and exciting all at the same
with the many art history classes I took, was a strong foundation for being able to
time. It was thrilling to see my name on the door, anticipating what would come next.
work in an art museum environment.
Munich to Helsinki. She is working toward
I am always striving to make the gallery bigger and better, strategize the careers of
“All the artists I learn about here at the O’Keeffe—their technique, their history of
her graduate degree in art conservation,
my artists, and discover how we can achieve our goals successfully. A lot of this busi-
correspondence, their materials—all of those things really feed me personally as an
and she exhibits her own charcoal draw-
ness is intuition. I have been doing this for over 20 years, and you have to work so
artist. When I come home, I’m tired from working, but I’m also inspired and energized
hard to make your dreams come true. Nobody sees those dreams but you. Only you
to work on my own art. One feeds the other.”
can make them come true.” In this video, learn how Sarah’s arts education helped launch her career as a gallerist.
Hear Darrah talk about jobs in arts management in this video.
are secure, maintained at a stable temperature, and packed and unpacked with extreme care. Recently, she accompanied an exhibition from Rome to Munich and
ings in regional shows. Degree: B.F.A. in Studio Art, 2008 School: College of Santa Fe (now Santa Fe University of Art and Design) CAREERS IN THE ARTS > PAGE 63
Top: Belen, NM, Charcoal on paper, 48 x 64 inches, 2006 Bottom: Club Business, Charcoal, aerosol, and pastel on paper, 24 x 36 inches, 2011
© Patti Rowe
Photos courtesy of Hasted Kraeutler Gallery, NYC
Sarah Hasted
Trussardi in Milan, Italy Nationality: Italian
As the assistant of the communication manager in Trussardi’s first-line press office, Federica’s duties are wide ranging. She sends press kits to journalists, gathers clothing and accessories for photo shoots, provides information for photo credits and captions, and handles the mailing list and seating chart for fashion shows. She also coordinates the communication activities for the organization of fashion shows and other events. Degree: B.A. in Fashion Design, 2008 School: NABA, Nuova Accademia di Belle Arti Milano
“NABA gave me a solid knowledge in the field of fashion, widening my background and giving a firm footing to my work experience. I know how to create a piece of clothing, from the planning stage to production. I know how to lay out a collection and draw a textile design. I gained important technical knowledge about different materials and colors. Such a wide education led to many possibilities. “From my earliest years, fashion was a world that fascinated me. At the beginning I wanted to become a stylist, but soon I was aware that it wasn’t suitable for me; I couldn’t give the best of myself, and in this world, it’s necessary to know in what you’re clever and skillful, in order to be up to the challenge. I know that I can give my best with communication. I love meeting new people and staying in contact with many people. “In my field, a lot of passion and tenacity are necessary, as well as determination. The biggest satisfaction is doing what you love and you’ve always dreamt to do.”
PAGE 64
n esig d and k r o s ner etw n g i s io de tfol d r n o a s ep rtist nlin a o with s an i u r o tie ct y e Fron n con d n rk a o w r you Upload your portfolio, showcase your e s a c work with the Frontier community, and w sho
Illustration by Hexagono Design, www.wearethefrontier.com
Fashion Press Office Assistant
Triumph Inspiration Award—National Final 2012, Alina Bianca Ciobotaru, the butterfly effect, Project in collaboration with Triumph, MA in Fashion Design, Domus Academy
Federica Piovesan
n t ca a h gt blo
y t i v i t a e r c r u o y . e s r k e i t Ta n o r F w e N ! to r e i t n ro F h t i W . orld w the d n u aro
. bal o l g from go d n ma o c tier. n o r F The e r A We n i Jo
get the chance to earn scholarships from top design schools around the world. Create a beautiful, easy-to-maintain portfolio page that you can share anywhere.
Compete and collaborate with peers from all over the world to win amazing prizes.
Keep up with what’s happening in art and design through the Frontier blog.
Trussardi in Milan, Italy Nationality: Italian
As the assistant of the communication manager in Trussardi’s first-line press office, Federica’s duties are wide ranging. She sends press kits to journalists, gathers clothing and accessories for photo shoots, provides information for photo credits and captions, and handles the mailing list and seating chart for fashion shows. She also coordinates the communication activities for the organization of fashion shows and other events. Degree: B.A. in Fashion Design, 2008 School: NABA, Nuova Accademia di Belle Arti Milano
“NABA gave me a solid knowledge in the field of fashion, widening my background and giving a firm footing to my work experience. I know how to create a piece of clothing, from the planning stage to production. I know how to lay out a collection and draw a textile design. I gained important technical knowledge about different materials and colors. Such a wide education led to many possibilities. “From my earliest years, fashion was a world that fascinated me. At the beginning I wanted to become a stylist, but soon I was aware that it wasn’t suitable for me; I couldn’t give the best of myself, and in this world, it’s necessary to know in what you’re clever and skillful, in order to be up to the challenge. I know that I can give my best with communication. I love meeting new people and staying in contact with many people. “In my field, a lot of passion and tenacity are necessary, as well as determination. The biggest satisfaction is doing what you love and you’ve always dreamt to do.”
PAGE 64
n esig d and k r o s ner etw n g i s io de tfol d r n o a s ep rtist nlin a o with s an i u r o tie ct y e Fron n con d n rk a o w r you Upload your portfolio, showcase your e s a c work with the Frontier community, and w sho
Illustration by Hexagono Design, www.wearethefrontier.com
Fashion Press Office Assistant
Triumph Inspiration Award—National Final 2012, Alina Bianca Ciobotaru, the butterfly effect, Project in collaboration with Triumph, MA in Fashion Design, Domus Academy
Federica Piovesan
n t ca a h gt blo
y t i v i t a e r c r u o y . e s r k e i t Ta n o r F w e N ! to r e i t n ro F h t i W . orld w the d n u aro
. bal o l g from go d n ma o c tier. n o r F The e r A We n i Jo
get the chance to earn scholarships from top design schools around the world. Create a beautiful, easy-to-maintain portfolio page that you can share anywhere.
Compete and collaborate with peers from all over the world to win amazing prizes.
Keep up with what’s happening in art and design through the Frontier blog.
Design
Design
and Art Education Design Design Education Education Art Design and Art Education 04 Education 04 t r Design and Art A d n a n g i Design and Art s e DEducation Education Design NABA, NUOVA ACCADEMIA DI BELLE ARTI MILANO DOMUS ACADEMY MEDIA DESIGN SCHOOL NEWSCHOOL OF ARCHITECTURE AND DESIGN SANTA FE UNIVERSITY OF ART AND DESIGN
Design
Design
and Art Education Design Design Education Education Art Design and Art Education 04 Education 04 t r Design and Art A d n a n g i Design and Art s e DEducation Education Design NABA, NUOVA ACCADEMIA DI BELLE ARTI MILANO DOMUS ACADEMY MEDIA DESIGN SCHOOL NEWSCHOOL OF ARCHITECTURE AND DESIGN SANTA FE UNIVERSITY OF ART AND DESIGN
NABA, Nuova Accademia di Belle Arti Milano Milan, Italy In Milan, trends are set and good design is a way of life. Where better to turn your passion for design and art into a career? At NABA, Nuova Accademia di Belle Arti Milano, you’ll learn both traditional and innovative approaches to fine art and design. You’ll apply the theory and techniques you learn to actual projects with leading media and design companies. And you’ll participate in Milan’s thriving contemporary art scene by visiting world-famous fashion houses and exploring design galleries and professional studios. NABA offers both bachelor’s and master’s degrees, and its programs cover a wide spectrum of fields: painting and visual arts; fashion, product, and interior design; graphic, communications, and media design; theatre design—and more.
Domus Academy BACHELOR’S DEGREE PROGRAMS Design Fashion Design Graphic Design and Art Direction
Milan, Italy Study with some of today’s most influential design leaders in Milan, a world capital of design. Domus Academy connects students with the design industry so they can take their career to the next level. Its one-year master’s courses
ONE-YEAR MASTER’S PROGRAMS Accessories Design Business Design Design
Media Design and Multimedia Arts
span a wide, multidisciplinary range of the design field, from interaction design
Design & Marketing of Luxury Goods
Painting and Visual Arts
to product design to fashion to architecture. You’ll work on practical projects
Fashion Design
Theatre and Exhibit Design
with leading companies and make invaluable connections to prestigious firms.
Fashion Management
You’ll learn from professional designers who are talented and inspiring edu-
Fashion Styling and Visual Merchandising
MASTER OF ARTS DEGREE PROGRAMS Communication Design Design, with specializations in Interior Design and Product Design
cators. And you’ll be surrounded by Milan’s vibrant culture of design. Domus Academy, founded in 1982 by Italian designers, has been nominated three times
Interaction Design
by Businessweek magazine as one of the best design schools in the world. Domus
Interior and Living Design
Fashion and Textile Design
Academy projects have been exhibited in the Venice Architectural Biennial 2004
Service and Experience Design
Film and New Media
and 2010 and at the Centre Pompidou in Paris.
Vehicle Design & Mobility Urban Vision and Architectural Design
Visual Arts and Curatorial Studies ACADEMIC MASTER’S PROGRAMS
Visual Brand Design
Photography and Visual Design
naba.it
PAGE 68
domusacademy.com
DESIGN AND ART EDUCATION > PAGE 69
NABA, Nuova Accademia di Belle Arti Milano Milan, Italy In Milan, trends are set and good design is a way of life. Where better to turn your passion for design and art into a career? At NABA, Nuova Accademia di Belle Arti Milano, you’ll learn both traditional and innovative approaches to fine art and design. You’ll apply the theory and techniques you learn to actual projects with leading media and design companies. And you’ll participate in Milan’s thriving contemporary art scene by visiting world-famous fashion houses and exploring design galleries and professional studios. NABA offers both bachelor’s and master’s degrees, and its programs cover a wide spectrum of fields: painting and visual arts; fashion, product, and interior design; graphic, communications, and media design; theatre design—and more.
Domus Academy BACHELOR’S DEGREE PROGRAMS Design Fashion Design Graphic Design and Art Direction
Milan, Italy Study with some of today’s most influential design leaders in Milan, a world capital of design. Domus Academy connects students with the design industry so they can take their career to the next level. Its one-year master’s courses
ONE-YEAR MASTER’S PROGRAMS Accessories Design Business Design Design
Media Design and Multimedia Arts
span a wide, multidisciplinary range of the design field, from interaction design
Design & Marketing of Luxury Goods
Painting and Visual Arts
to product design to fashion to architecture. You’ll work on practical projects
Fashion Design
Theatre and Exhibit Design
with leading companies and make invaluable connections to prestigious firms.
Fashion Management
You’ll learn from professional designers who are talented and inspiring edu-
Fashion Styling and Visual Merchandising
MASTER OF ARTS DEGREE PROGRAMS Communication Design Design, with specializations in Interior Design and Product Design
cators. And you’ll be surrounded by Milan’s vibrant culture of design. Domus Academy, founded in 1982 by Italian designers, has been nominated three times
Interaction Design
by Businessweek magazine as one of the best design schools in the world. Domus
Interior and Living Design
Fashion and Textile Design
Academy projects have been exhibited in the Venice Architectural Biennial 2004
Service and Experience Design
Film and New Media
and 2010 and at the Centre Pompidou in Paris.
Vehicle Design & Mobility Urban Vision and Architectural Design
Visual Arts and Curatorial Studies ACADEMIC MASTER’S PROGRAMS
Visual Brand Design
Photography and Visual Design
naba.it
PAGE 68
domusacademy.com
DESIGN AND ART EDUCATION > PAGE 69
Media Design School
NewSchool of Architecture and Design
Auckland, New Zealand
PROGRAMS
New Zealand is famous for its digital design and post-production industries.
Bachelor of Art & Design (3D Animation & Visual Effects)
San Diego, California, USA
Bachelor of Creative Technologies (Game Art)
With a degree from NewSchool of Architecture and Design (NSAD), you
Bachelor of Media Design with majors in Interactive Design, Motion Design, Graphic Design
San Diego, where coastal town meets metropolis—an ideal laboratory for
And Auckland’s Media Design School excels in all aspects of digital media design education—visual effects, 3D animation, gaming, Web design, creative advertising, and more. In Media Design School’s innovative courses, you’ll get hands-on training in the very latest technologies. You’ll have the chance to work on real-world projects with top production studios, gaming companies, Web design firms, ad agencies, and graphic design shops, where your efforts will be mentored and critiqued by talented and passionate industry experts. Media Design School operates like a professional studio, with students working to strict production deadlines and weekly creative briefs. Its exacting standards are why Media Design School students and faculty members have collected more than 250 awards over the past decade. And the school’s vibrant creative culture is energized by students from all over the globe.
mediadesignschool.com AUCKLAND NEW ZEALAND
PAGE 70
Bachelor of Software Engineering (Game Programming) Diploma in Creative Advertising Diploma in Digital Creativity (Foundation Studies) Graduate Diploma in Creative Technologies (Advanced 3D Animation with Maya)
can help lead the next wave of sustainable design. NSAD is located in
UNDERGRADUATE PROGRAMS Bachelor of Architecture Bachelor of Arts in Architecture Bachelor of Interior Design Bachelor of Science in Construction Management
bachelor’s and master’s degrees in architecture, construction manage-
Bachelor of Science in Digital Media Arts, with specializations in Graphic Design and Interactive Design
ment, interior design, digital media arts, and more. NSAD boasts small
GRADUATE PROGRAMS
exploring urban conditions. It offers superb hands-on training through
classes, talented faculty members, and outstanding facilities. Its flexible
Master of Architecture
class schedules are designed to accommodate your lifestyle, whether
Master of Construction Management
you’re a working adult or a dedicated student, and whether you’re just beginning your career or a veteran in the field. NSAD is everything you
Master of Science in Architecture
need to become a highly skilled, and highly desirable, professional.
newschoolarch.edu DESIGN AND ART EDUCATION > PAGE 71
Media Design School
NewSchool of Architecture and Design
Auckland, New Zealand
PROGRAMS
New Zealand is famous for its digital design and post-production industries.
Bachelor of Art & Design (3D Animation & Visual Effects)
San Diego, California, USA
Bachelor of Creative Technologies (Game Art)
With a degree from NewSchool of Architecture and Design (NSAD), you
Bachelor of Media Design with majors in Interactive Design, Motion Design, Graphic Design
San Diego, where coastal town meets metropolis—an ideal laboratory for
And Auckland’s Media Design School excels in all aspects of digital media design education—visual effects, 3D animation, gaming, Web design, creative advertising, and more. In Media Design School’s innovative courses, you’ll get hands-on training in the very latest technologies. You’ll have the chance to work on real-world projects with top production studios, gaming companies, Web design firms, ad agencies, and graphic design shops, where your efforts will be mentored and critiqued by talented and passionate industry experts. Media Design School operates like a professional studio, with students working to strict production deadlines and weekly creative briefs. Its exacting standards are why Media Design School students and faculty members have collected more than 250 awards over the past decade. And the school’s vibrant creative culture is energized by students from all over the globe.
mediadesignschool.com AUCKLAND NEW ZEALAND
PAGE 70
Bachelor of Software Engineering (Game Programming) Diploma in Creative Advertising Diploma in Digital Creativity (Foundation Studies) Graduate Diploma in Creative Technologies (Advanced 3D Animation with Maya)
can help lead the next wave of sustainable design. NSAD is located in
UNDERGRADUATE PROGRAMS Bachelor of Architecture Bachelor of Arts in Architecture Bachelor of Interior Design Bachelor of Science in Construction Management
bachelor’s and master’s degrees in architecture, construction manage-
Bachelor of Science in Digital Media Arts, with specializations in Graphic Design and Interactive Design
ment, interior design, digital media arts, and more. NSAD boasts small
GRADUATE PROGRAMS
exploring urban conditions. It offers superb hands-on training through
classes, talented faculty members, and outstanding facilities. Its flexible
Master of Architecture
class schedules are designed to accommodate your lifestyle, whether
Master of Construction Management
you’re a working adult or a dedicated student, and whether you’re just beginning your career or a veteran in the field. NSAD is everything you
Master of Science in Architecture
need to become a highly skilled, and highly desirable, professional.
newschoolarch.edu DESIGN AND ART EDUCATION > PAGE 71
BACHELOR OF ARTS (B.A.) DEGREE PROGRAMS
Santa Fe University of Art and Design
Arts Management (B.B.A.)
Creative Writing
Boasting more than 250 fine art galleries and the highest concentration of
Photography
artists in any U.S. city,* Santa Fe is a mecca for creatives working in all genres.
Studio Arts
It’s also home to an outstanding art school: Santa Fe University of Art and
Theatre Design
Design. SFUAD is a collaborative, multidisciplinary arts environment where
Theatre Performance
you can immerse yourself in your medium and deepen your knowledge of your craft. Small classes foster mentoring relationships with faculty mem-
Digital Arts
cilities, such as state-of-the-art darkrooms, professional-level performance
Film
venues, and a soundstage where film students have the unique opportunity to intern on Hollywood productions. SFUAD’s wide range of bachelor’s degree programs—from graphic design to creative writing, from studio art to music—is only one of many factors that set it apart from other art schools. *Motion Picture Association of America, Inc., “Theatrical Market Statistics 2011,” on the Internet at http://www.mpaa.org/
Santa Fe University of Art and Design/Nuova Accademia di Belle Arti Milano
BACHELOR OF FINE ARTS (B.F. A.) DEGREE PROGRAMS
bers, artists who are actively working in their field. It offers outstanding fa-
PAGE 72
Santa Fe University of Art and Design/Media Design School
Contemporary Music
Santa Fe, New Mexico, USA
santafeuniversity.edu
Study Abroad Programs
Graphic Design Studio Arts Theatre, with specializations in Acting, Dance, Design/Technical, and Music Theatre *Source: “The Most Artistic Cities in America,” the Atlantic, Nov. 30, 2011, on the Internet at http://www.theatlanticcities. com/arts-and-lifestyle/2011/11/most-artistic-citiesamerica/592/ (viewed online June 21, 2012).
NewSchool of Architecture and Design/Media Design School
NewSchool of Architecture and Design/Domus Academy
SFUAD graphic design students spend a semester or their senior year at Media Design School in an individualized program of study. They earn their bachelor’s degree from SFUAD and a certificate or diploma from Media Design School, depending on the duration of their stay.
Essential Business Practices for Creative Enterprises A new course, Essential Business Practices for Creative Enterprises, will be offered at most of the schools highlighted in this booklet. This course will expose students to the essential
Two-degree opportunity: SFUAD students spend one year at NABA as part of their studies to earn a B.F.A. in Graphic Design from SFUAD and may also be eligible to receive a B.A. in Graphic Design from NABA.
business principles and practices
Foundation Year in Milan: Graphic design students spend their freshman year at NABA and can continue their studies at SFUAD or NABA.
intellectual
NSAD digital media arts students can take classes in a study abroad program with MDS. If they meet certain requirements, NSAD students may be eligible to receive a certificate from Media Design School along with their diploma from NSAD.
dents to work at small- to medium-
NSAD’s Bachelor of Interior Design program includes a study abroad period at Domus Academy in Milan, Italy, for students in the third year of the program. The workshop, included in the NSAD tuition price, exposes students to international design and enables them to work with global experts in the field.
related to the creative industries. Topics include employment vs. selfemployment, marketing strategies, property,
financing,
business ethics, and innovation and ideation. The course prepares stusized firms—where they may need to take on business responsibilities in addition to creative ones—or to start their own design and art business.
DESIGN AND ART EDUCATION > PAGE 73
BACHELOR OF ARTS (B.A.) DEGREE PROGRAMS
Santa Fe University of Art and Design
Arts Management (B.B.A.)
Creative Writing
Boasting more than 250 fine art galleries and the highest concentration of
Photography
artists in any U.S. city,* Santa Fe is a mecca for creatives working in all genres.
Studio Arts
It’s also home to an outstanding art school: Santa Fe University of Art and
Theatre Design
Design. SFUAD is a collaborative, multidisciplinary arts environment where
Theatre Performance
you can immerse yourself in your medium and deepen your knowledge of your craft. Small classes foster mentoring relationships with faculty mem-
Digital Arts
cilities, such as state-of-the-art darkrooms, professional-level performance
Film
venues, and a soundstage where film students have the unique opportunity to intern on Hollywood productions. SFUAD’s wide range of bachelor’s degree programs—from graphic design to creative writing, from studio art to music—is only one of many factors that set it apart from other art schools. *Motion Picture Association of America, Inc., “Theatrical Market Statistics 2011,” on the Internet at http://www.mpaa.org/
Santa Fe University of Art and Design/Nuova Accademia di Belle Arti Milano
BACHELOR OF FINE ARTS (B.F. A.) DEGREE PROGRAMS
bers, artists who are actively working in their field. It offers outstanding fa-
PAGE 72
Santa Fe University of Art and Design/Media Design School
Contemporary Music
Santa Fe, New Mexico, USA
santafeuniversity.edu
Study Abroad Programs
Graphic Design Studio Arts Theatre, with specializations in Acting, Dance, Design/Technical, and Music Theatre *Source: “The Most Artistic Cities in America,” the Atlantic, Nov. 30, 2011, on the Internet at http://www.theatlanticcities. com/arts-and-lifestyle/2011/11/most-artistic-citiesamerica/592/ (viewed online June 21, 2012).
NewSchool of Architecture and Design/Media Design School
NewSchool of Architecture and Design/Domus Academy
SFUAD graphic design students spend a semester or their senior year at Media Design School in an individualized program of study. They earn their bachelor’s degree from SFUAD and a certificate or diploma from Media Design School, depending on the duration of their stay.
Essential Business Practices for Creative Enterprises A new course, Essential Business Practices for Creative Enterprises, will be offered at most of the schools highlighted in this booklet. This course will expose students to the essential
Two-degree opportunity: SFUAD students spend one year at NABA as part of their studies to earn a B.F.A. in Graphic Design from SFUAD and may also be eligible to receive a B.A. in Graphic Design from NABA.
business principles and practices
Foundation Year in Milan: Graphic design students spend their freshman year at NABA and can continue their studies at SFUAD or NABA.
intellectual
NSAD digital media arts students can take classes in a study abroad program with MDS. If they meet certain requirements, NSAD students may be eligible to receive a certificate from Media Design School along with their diploma from NSAD.
dents to work at small- to medium-
NSAD’s Bachelor of Interior Design program includes a study abroad period at Domus Academy in Milan, Italy, for students in the third year of the program. The workshop, included in the NSAD tuition price, exposes students to international design and enables them to work with global experts in the field.
related to the creative industries. Topics include employment vs. selfemployment, marketing strategies, property,
financing,
business ethics, and innovation and ideation. The course prepares stusized firms—where they may need to take on business responsibilities in addition to creative ones—or to start their own design and art business.
DESIGN AND ART EDUCATION > PAGE 73
Explore the websites below and open the door to your creative future.
Santa Fe, New Mexico, USA
santafeuniversity.edu
Creative
Careers
Design your success.
Milan, Italy
naba.it
San Diego, California, USA
newschoolarch.edu
Auckland, New Zealand
mediadesignschool.com
Milan, Italy
domusacademy.com Connect to aspiring creatives around the world. Join the Frontier. WeAreTheFrontier.com.