DOPE Magazine - Nevada - The Women's Issue - December 2017

THE WOMEN’S ISSUE DECEMBER 2017 FREE

DEFENDING OUR PLANT EVERYWHERE

FEATURE THIS IS WHAT A FEMINIST LOOKS LIKE

TRAVEL IS THERE WEED IN IBIZA? LIFESTYLE THE CINEMATIC EVOLUTION OF THE FEMALE STONER

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DECEMBER 2017 | THE WOMEN’S ISSUE

EDITOR’S LETTER T

his December marks a first for us here at DOPE Magazine. In your hands is our first ever issue dedicated specifically to Women. TOKiMONSTA, a Los Angeles-based Music Producer, graces our cover and openly discusses her third full-length album, Lune Rouge, and what it’s like recovering from brain surgeries that left her unable to comprehend her greatest passion: music. She’s back in full force and has brought listeners one of her best albums to date!

Diving in, this issue highlights British trans activist Charlie Craggs and her globe-trotting Nail Transphobia campaign. She sets up pop-up manicure shops and, acting as manicurist for a day, talks openly about what it’s like to be trans. She’s manicured children and grandmothers alike, educating the public one session at a time. We also touch base with trans activist Buck Angel to discuss men, feminism and his vagina. This piece is an exploration of privilege, feminism and a man’s place in the feminist sphere.

We catch up with the ladies over at Titan Hemp, Amy Ansel and Tanya Hart, to discuss why hemp hasn’t taken over the world yet. They’re currently working alongside True Hmong Global and over 4,000 local Thai farmers to secure the future of hemp production. Pairing this with Titan Bioplastics, their sister company focused on sustainable production sciences—definitely something worth writing home about.

TOP VIDEOS

TOKIMONSTA

UNDER A NEW MOON.

KANYA SESSER

NO LEGS, NO LIMITS.

Our travel writer visits Ibiza to discuss cannabis on the notorious party island, and Jonah Tacoma reports back on his travels to Oregon, where he had the pleasure of visiting local cannabis grows.

This issue is packed with stories and products from the very people who make this industry possible—Women. Don’t forget to check our website during the month of December for an indepth look into more fascinating females in the cannabis space.

CHEF MIGUEL

FOOD AS A LIVING ART.

Stay DOPE! The DOPE Editorial Team

To view these and more DOPE videos, visit: DOPEMAGAZINE.COM/VIDEOS

RECENTLY CORRECTED ARTICLES We would like to note two errors made in our October and November 2017 issues: In our piece on Humboldt Legends in October, we erroneously noted that they have been growing since the 1980s. They have been growing since the 1970s. In our November Eastern Washington garden review on Bodhi High, we incorrectly spelled the owner’s name Sam Kannell. It is in fact, Sam Kannall.

DOPEMAGAZINE.COM DOPE MAGAZINE AND THE ENTIRE CONTENTS OF THIS PUBLICATION ARE COPYWRITTEN BY 2016 DOPE MAGAZINE LLC. ALL RIGHTS ARE RESERVED AND THE INFORMATION CONTAINED HEREIN MAY NOT BE REPRODUCED IN ANY MANNER, IN WHOLE OR IN PART, WITHOUT WRITTEN PERMISSION FROM DOPE MAGAZINE LLC.

We regret the errors.

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THE WOMEN’S ISSUE

TABLE OF CONTENTS

DECEMBER 2017

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FEATURE BRITAIN’S RISING TRANS ACTIVIST CHARLIE CRAGGS

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CULTURE THE FUTURE OF CANNABIS IS FEMALE

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LIFESTYLE DOPE ON THE ROAD WITH JONAH TACOMA OREGON-GROWN

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EDITOR’S CHOICE THE LEVO MACHINE

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TRAVEL IS THERE WEED IN IBIZA?

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#SCOUTEDBYDOPE

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FEATURE THIS IS WHAT A FEMINIST LOOKS LIKE

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FEATURE TITAN HEMP AND BEYOND

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COVER FEATURE MUSIC PRODUCER TOKIMONSTA: UNDER A NEW MOON

COVER PHOTOGRAPHER: JORDAN SWENSON

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CULTURE VAN DER POP MEETS DOPE

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GROW WHY WE USE THE FEMALE PLANT

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CULTURE THE CINEMATIC EVOLUTION OF THE FEMALE STONER

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INDOOR LIGHTING SC

CE

C O V E R F E AT U R E

WRITER / LUNA REYNA PHOTO / JORDAN SWENSON

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I

f you follow astrology or believe in the power of the moon, you know this year birthed many divine lunar marvels, including the Great American Eclipse on August 21st. The last time the moon totally eclipsed the sun from coast to coast was almost 100 years ago, and like any new moon, a solar eclipse represents the end of one cycle and the beginning of something new. Lunation that appears red has a message all its own; red is often affiliated with stubbornness, confidence, courage, passion, aggression, honesty and standing out in the spotlight. A red moon is said to represent selfawareness and our ability to survive and thrive, both of which encapsulate the story behind TOKiMONSTA’s latest release, Lune Rouge, meaning “red moon” in French. “A red moon is a rare and pretty awesome event from a scientific perspective,” she told us, “and to me means significant change.”

Producer and DJ TOKiMONSTA was born Jennifer Lee to Korean immigrants. She sat across from us at Ace Galler y in Los Angeles, fitting right in with the collection of contemporary art. Lee is a woman who always speaks with intention. Comfortable, but not outspoken; easygoing but direct. Lee’s last nine releases have propelled her from creating beats in her dorm room on Fruity Loops software to traveling the world, producing unique albums with their own individual soundscape and story.

Each album keeps you captivated from start to finish, a feat few artists can accomplish in an industry that seems focused on the next big single.

Lune Rouge is her third full-length album, recorded after two brain surgeries for a rare neurovascular condition called Moyamoya.

The procedures left her unable to comprehend language: “I could still think thoughts,” Lee explains, “but all the words I knew were gone.

I even tried texting people, and my texts were complete gibberish. It was almost like suddenly I spoke a different language than everyone else.” She had to relearn to walk, and most devastating of all, she was unable to comprehend her greatest passion: Music. “All music just sounded like noise,” she recounted to Pitchfork recently. “I remember being like, ‘Ooh, this is weird! This is metallic, harsh nonsense to me.’”

Her recovery was grueling, but there were more struggles to come. Body reeling from surger y, she suffered perhaps the most universal ache: “My boyfriend broke up with me—after my surgery, after taking care of me,” Lee reveals. “I got dumped by someone I loved a lot while I was still recovering from surgery, still slightly unable to walk, still working on my language, still unable to make music.” But being the woman she is, she took the blow with elegance and grace and created art from the heartbreak. “That moment was probably the worst I’ve ever felt in my entire life. But that sadness allowed me to regain some clarity. I knew I had to overcome it.”

And she did, painting a picture of grief and triumph with fellow artists like Malaysian singer-songwriter Yuna. “We could talk for ages when we got in the studio together,” she told us. And as she noted in the press for her new album: "I'm super grateful to have created a song with Yuna . . . I was a fan of hers for a while, so I have to shout out the world wide web for allowing two people on different continents the ability to create together. The message of the track is really more than unwanted phone calls, but the idea of people deciding to show up only when they need you.”

The last verse of their collaborative song, “Don’t Call Me,” illustrates their message of anger and weariness at a two-faced ex: “Funny how when you see you're glowing up, Wanna try and make it up Suddenly just showing up Where were you when I was crying?

Left me on the floor just dying Can't come to the phone, realign Now you wanna be my friend, but I ain't buying it”

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“I AM GRATEFUL EVERYDAY FOR THIS LIFE I GET TO LIVE. I WOULD SAY EVERY CITY HAS GIVEN ME SOMETHING SPECIAL I GET TO HOLD ON TO FOR THE REST OF MY LIFE.” 24

Lee has never been one to shy away from a challenge, however. Don’t let her gentle demeanor fool you. She has shattered barriers for women and women of color in the electronic music industry, often unknowingly, explaining time and time again that “[she’d] rather be last in someone’s top 20 producers than be their top female producer.” Lee doesn’t want a pass because she’s a woman, but simultaneously understands that “electronic music is traditionally 1) male and 2) white,” as she explained to Kore Asian Media. “There aren’t a lot of minorities, period, in dance music, and even fewer women . . . As a role model, I want other women to see what I’ve done and know that they can do it, too.”

“I don’t think I deserve any passes, either,” she continues. “Don’t book me just because I’m a female producer. But when it comes to integration, let’s fight for it—let’s get women into the Top 10 DJs of the world list.” Lee understands that there’s still room for intersectionality in the electronic world: “It’s something I’m aware of and try not to focus on outwardly, but I’m proud of the music I make. If it touches you, there’s nothing more important.” Lee’s contributions to the electronic music scene have illuminated how powerful women in the industry can be— when they’re given the chance.

With influences like Björk and Missy Elliot, we should expect nothing less. Both have been powerhouses in their own right for decades, and artists Lee hopes to work with one day.

“They have always been my childhood heroes,” she proclaims. “They set themselves apart by being explicitly unique and different, yet not pretentiously so. The autonomy they have in how they control their craft is also something I respect a lot.” Depressingly, in 2016 it was estimated that only roughly seven percent of the Audio Engineering Society’s members

were women, and no woman has ever won a Grammy for producer of the year for a nonclassical piece. Even Björk had to set the record straight that she did indeed produce much of her 2001 album, Vespertine, explaining, "It feels like still today, after all these years, people cannot imagine that [a] woman can write, arrange or produce electronic music."

Ultimately, we’re currently experiencing yet another shift in consciousness and women are leading the charge, ready for progress. Lune Rouge, like the eclipse or a red moon, is about more than astronomy or music—it’s about culture. It has the potential to elevate us in celebration of duality and enlightenment. Just as many see the 2017 Great American Eclipse as a gift to our divided nation, we should also see the raw release of Lune Rouge as a disruption to the autonomy men have held over the music industry, and recognize the beauty behind the generosity of Lee’s latest release. “I faced some of the most difficult and uplifting moments of my life,” imparts Lee. “Seeing myself at the edge of my own mortality and how I chose to move past [it] is a story told in this album. Each song is its own story and vision, and the album is this overlaying theme of personal freedom and joy.”

“As a woman, I am proud and happy with who I am,” Lee has shared—as all women should be— and we are proud to highlight her as the cover of our Women’s Issue. With the music and film industries finally openly discussing the value of women in their respective fields, as well as recognizing systemic problems that place less value on women than their male counterparts, we hope this shift in consciousness will lay the foundation for men to stand with women; for women to work together until there is real accountability and an acceptance of an equal artistic evolution.

FOR MORE OF TOKIMONSTA, VISIT: WEBSITE: TOKIMONSTA.COM SOUNDCLOUD: @TOKIMONSTA INSTAGRAM: @TOKIMONSTA

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F E AT U R E

“WE ARE MORE THAN PUNCH LINES AND PUNCHING BAGS” WRITER / KATIE CONLEY

PHOTO / COURTESY OF CHARLIE CRAGGS

“O

mg as if! Acting like I’m Beyoncé or something.” I’m emailing with C h a r l i e C ra g g s , a 2 5 - ye a r - o l d British transgender activist and current rising star. She’s responding to my excitement about doing a story on her, and for all her accolades—creating the Nail Transphobia project, filming a reality docu-series with HuffPo called New Activists, profiles in publications from The Guardian to Vogue, a recent book launch—Charlie remains humble.

And hilarious.

Her Nail Transphobia campaign is what started it all. Nail kit in tow, with the goal of using “nails as a catalyst for conversation,” Charlie travels “around the U.K. to galleries, museums, festivals and schools/colleges, basically just public spaces,” and sets up a pop-up manicure booth. Charlie does strangers’ nails for free and answers any questions they have about what it’s like to be trans, hoping to shed light on her experiences one manicure at a time. She wants the campaign to be “accessible to everyone,” hence her preference to set up shop in public.

“If I was throwing private events in private spaces,” she maintains, “mostly just LGBTQ people, feminists and progressive people would come.” All the proceeds from her line of nail decals, available on the NailTransphobia Etsy page, help fund Charlie’s Angels, her “free self-defense classes for trans and non-binary femmes.”

Violence against members of the trans community has increased in recent years.

According to The Independent, a U.K.-based publication, hate crimes against members

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of the trans community saw a “sickening 170 percent rise” as of summer 2016. When Charlie holds discussions via Nail Transphobia, she wants to bring about social and political change; with her self-defense classes, she’s trying to save lives. “I’ve painted the nails of people of all different races, religions, sexualities and genders, from 5-year-olds to 85-year-olds,” she explains. She’s bringing her campaign to the U.S., and her goal for 2018 is to “do more international events and take my message further.”

Her book, To My Trans Sisters, is out now.

As an editor, Charlie collected nearly 100 letters from trans women—a sort of “‘What we wish we knew,’ from how to deal with that five o’clock shadow to how to deal with transphobia,” she tells me. The letters are penned by figures from “80-year-old tech pioneer Lynn Conway, [whose] inventions changed the way the world works to America’s Next Top Model’s Isis King, who changed the way the world sees us as trans people. I like to call it an ‘encyclopedia of trans excellence.’” In her typical, hilariously brash style, she jokes, “It’s a really good book, you should definitely buy it . . . and I’m not just saying that because I wrote it and the royalties will be paying for my boob job. JK, Miss Thing!” Miss Thing being me. She zigzags effortlessly between cheeky humor and unfaltering passion.

Reflecting on her hopes for the future of trans representation in the media, Charlie notes that “positive representation of trans people in the media is so important; it helps the public to understand trans people, but also helps trans people to understand

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“PEOPLE THINK THERE’S ALL THESE NEW RULES WHEN DEALING WITH TRANS PEOPLE, AND THAT THEY HAVE TO WALK ON EGGSHELLS, BUT ALL YOU HAVE TO DO IS TREAT US THE WAY YOU’D TREAT ANYONE ELSE.” – ACTIVIST CHARLIE CRAGGS

themselves and see their potential.” We have movies and television shows such as Tangerine, Transparent and Orange is the New Black, but we still have a long way to go. “For so long,” Charlie continues, “the only time you’d see us in the media was when we were being mocked or when we’re being killed, and this has a damaging effect on both the public’s perception of us and our perceptions of our own selves as trans people. But we are more than punch lines and punching bags.”

I ask Charlie how she feels about being in the spotlight, and she retorts, “It’s about fucking time.

I have a lot to say.” And she doesn’t take her new platform lightly, recognizing that social media has made it easier to spread her message—“anyone anywhere in the world can make a post about something they feel passionately about, and it has the potential to go viral and be seen by millions of people”—but has also led to slacktivism, people pretending to care about a cause while putting in a minimal amount of effort; a few retweets here and there bookended with a pat on the back.

But how can we become allies to those in the trans community? Charlie states that “it’s pretty much common sense, and just a case of treating us like anyone else . . . People think there’s all these new rules when dealing with trans people, and that they have to walk on eggshells, but all you have to do is treat us the way you’d treat anyone else; you (hopefully) wouldn’t ask any other stranger about their genitals or what surgery they’ve had, you (hopefully) wouldn’t listen to your friends and family make bigoted comments about any other marginalized group. It’s really that simple.” Speak up when you hear ignorant comments, and intervene if you see someone being harassed in public. Silence condones hate.

Her burgeoning fame does have some strange drawbacks. Charlie tells me that there’s an odd conspiracy theory out there, scribed by a deranged, transphobic author, that she is actually Twilight actress Kristen Stewar t. Yep. The anonymous author believes an Illuminati-esque group farms out gorgeous celebs to pose as trans people to normalize male attraction to trans women. “It’s scary,” Charlie admits, “but also flattering . . . Just to confirm, though, I’m not Kristen Stewart. If I was,” she jokes, “I wouldn’t be doing this interview because I’d be too busy sucking Robert Pattinson’s dick.”

My final question entails what’s next on the docket for Charlie Craggs. “Girl, a rest hopefully,” she quips.

“I’m exhausted!”

FOR MORE OF CHARLIE CRAGGS, VISIT: WEBSITE: NAILTRANSPHOBIA.COM INSTAGRAM: @CHARLIE_CRAGGS ESTY: @NAILTRANSPHOBIA

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C U LT U R E

AN EDUCATIONAL EVENING WITH STYLE WRITER / ANDREA LARSON

H

ave you ever wondered what your sister, friend at the gym or fellow PTA parents would think of you if they knew you consumed cannabis? Fear of judgment, being misunderstood and unfair stereotypes are all valid reasons as to why many women still hide their cannabis use. We are slowly beginning to expunge many of these fears, however, as cannabis becomes normalized and understood on a medical level. Van der Pop SESSIONs were designed to shed light on the power of the plant and educate women on why they shouldn’t be ashamed of turning to a legal, non-pharmaceutical option for dealing with stress, depression, anxiety or pain—and the list goes on. DOPE staff had the privilege of attending a Van der Pop SESSION, and despite working in a

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PHOTO / JORDAN SWENSON AND JIM LANGER pro-cannabis environment, we all left the SESSION with a better understanding of what it means to be a woman who uses cannabis in 2017.

As the ladies arrived at a beautiful loft space in downtown Seattle, they were greeted by women who are making a living—and killing it, I might add—in the cannabis arena. We mingled as we took in the breathtaking view of the Puget Sound and Olympic Mountains before breaking into small groups for an evening of fabulous, handson tutorials. Each station, hosted by female professionals, gave us the opportunity to learn something new about not only ourselves, but the brilliant happenings in cannabusiness.

STATION 1 | BOND / VASHON VELVET Duni Disston of BOND and Susie Gress of Vashon Velvet sat on a bed tucked away in a nook in the loft. The setting was well-suited for the topic at hand—sex. Yep, sex.

Vashon Velvet is in the business of growing artisanal, boutique cannabis in Washington State. Susie spoke of cannabis’ ability to reignite intimacy between couples, and they currently grow and harvest a strain that cannabis consumers are raving about.

Some of Gress’ close friends, originally skeptical of smoking weed again (for many, it had been decades since their last puff) gush to her about her strain’s ability to bring them closer to their partner than they had been in years. It was almost as if they were reignited with their youth, reliving their younger years with their partner.

Disston excitedly spoke to us of the wonders that BOND Sensual Oil has provided her clients; couples who had lost their spark came together for an experience unlike anything they’d felt in a long time. Many of the SESSION attendees, while shy at first, began asking questions about some of their intimacy concerns. In the end, that is why April Pride, Van der Pop Founder, began bringing woman together under one roof to discuss cannabis.

SESSION is a safe place where woman can share their needs, feel supported and walk away with solutions to some of their most basic needs.

STATION 2 | LEVO Chrissy Bellman, LEVO Founder, and Olivia Harris, COO, had a treat in store for us: infused Pistachio Matcha Snack Balls. And the best part? We got to make them ourselves. We pulled up our sleeves with big smiles on our faces—it felt like baking cookies with grandma again, but this time our cookies had an extra special ingredient. The LEVO machine is incredible, and having had the pleasure of seeing the device in action more than once, I can state that with certainty. Chrissy and Olivia are one-of-a-kind, and were there to answer any infusion or recipe questions we had. Making cannabis treats in the kitchen with friends is not only fun, but a healthy get-together where everyone gets to leave with a goodie bag in tow.

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STATION 3 | VAN DER POP A VdP SESSION is designed to offer women a safe place to consume cannabis and talk about their cannabis use in an open, non-judgmental environment. VdP Founder April Pride spoke to us about her initial concerns moving into the professional cannabis space. As a mother, she wanted to create a company that was viewed as a forward-thinking business entity built on traditional business models. She spoke to us the evening of our SESSION and shared with us some of the new products VdP is creating. We had the opportunity to try out VdP’s innovative new beauty line that includes sleek, odor-concealing Italian leather stash bags, balms, serums and even CBD capsules for the woman on the go. The best part of the evening was the sense of community April has created through the VdP SESSION; she’s an inspiration in the cannabis arena, and a true advocate for what it means to be a working woman today.

If you’re looking to attend a VdP-hosted SESSION in your area, sign up for the VdP newsletter at vanderpop.com/sign-up-for-cannabis-news WEBSITES LEVO: LEVOOIL.COM BOND: BONDSENSUALOIL.COM IG| BONDSENSUALOIL VASHON VELVET: VASHONVELVET.COM FB| @VASHONVELVET

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C U LT U R E

GENDER, RACE AND DISENFRANCHISEMENT IN THE CANNABIS INDUSTRY WRITER / CHRISTINA CASSEN

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WOMEN IN CANNABIS It’s clear that the cannabis industry is a burgeoning one, and we’ve all heard the encouraging narrative that women are leading the way in the green arena. But is it true? We can look to author Hanna Rosin, who recognized the rise of the economically powerful woman and the associated cultural shift with her 2010 article in The Atlantic, “The End of Men,” which she followed with a book of the same name in 2012. Rosin explores the ways in which the U.S. patriarchy is ending, and how women are becoming the more dominant sex: “Men dominate just two of the 15 job categories projected to grow the most over the next decade: janitor and computer engineer. Women have everything else— nursing, home health assistance, child care, food preparation.” Apparently, women now have cannabis, too.

Marijuana Business Daily published a report in October 2015 that showed 36 percent of executives in the cannabis industr y are women, compared to a 22 percent average for all U.S. industries. Then, from August to September 2017, they published four installments of a series of charts regarding women and minorities in the cannabis

industry; the updated statistics show 27 percent of executives in the cannabis industry are women, compared to a 23 percent average for all U.S. industries. While it’s encouraging that the cannabis industry is more populated with women than other enterprises, should we be content with these figures—and potentially complacent? After all, according to the U.S. Census, 50.8 percent of the country is female, so the cannabis industry is hardly equal—yet.

It’s worthwhile (or, at least, it’s fun!) to explore why the cannabis industr y is so female-dominated. Whether or not you believe that the female cannabis plant has an agenda to bridge the gender gap and feminize our culture, we have evidence that the latter is underway. Women are uniquely poised to suppor t the female cannabis plant by normalizing it with our families and communities, make smoking weed as normal as drinking wine, and raise the next generation without the stigma currently associated with cannabis. Women are also well-suited to the more compassionate side of the industry, particularly with medical cannabis, having historically played the role of nurturer and caretaker.

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MINORITIES IN CANNABIS Are women excelling in the cannabis industry while minorities are being left behind? What role are women playing in the whitewashing (or ushering in the gentrification) of the cannabis industry? Historically, Latino and black men have been the ones mass incarcerated by the War on Drugs. We know that systematic racial prejudice drove cannabis arrests in communities of color; the American Civil Liberties Union and Human Rights Watch report that in 39 states that provided sufficient data, black people are four times more likely to be arrested for cannabis possession than white people, although they use cannabis at similar rates. The word marijuana itself (or "marihuana" in some cases) has received a negative connotation as a result of a 1937 federal campaign to criminalize cannabis by associating it with the people of Mexico.

In a 2017 report, Marijuana Business Daily revealed that "the percentage of minorities holding executive positions at cannabis businesses stands at 17 percent, according to first-of-its-kind data," compared to a 13 percent average for all U.S. industries. DrugWarFacts. org reported in 2015 that 33,280 people whose most serious offense was a drug charge are incarcerated in state prison, and the Drug Policy Alliance provides further detail that the “proportion of people incarcerated for a drug offense in state prison who are black or Latino . . . is 57 percent.�

There are an estimated 19,000 black and Latino people incarcerated in state prison whose most serious offense

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was a drug charge.

According to Marijuana Business Daily, there are at least 165,000 workers in the cannabis industry, and we can extrapolate that 44,550 of the total are female, given the assumption that women comprise an average 27 percent of the cannabis industry. Imagine the impact if every woman in a position of power within the cannabis arena hired a black or Latino person who was previously jailed for a drug charge—we could change the tide of racial inequality and begin to repair the effects of systematic racial prejudice associated with the War on Drugs. Women may not be the majority in cannabis yet, as evidenced by unequal and recently reduced female representation, but women could make an impact by partnering with those who have also faced adversity, rising together for true equality. *To read more on the criminalization of Mexican people The Latino Threat by Leo Chavez is a great starting point.

WE ’ RE ALL IN IT TOGETHER White women seem to benefit from this recent feminine cultural shift, as well as the varied opportunities in the booming cannabis industry—more so than their minority counterparts. White women should consider the impact of their success and how they can help the minorities who came before them in cannabis. We have the opportunity to set a precedent of equality in the cannabis industry if we are mindful and consciously drive towards this intention. Meanwhile, cannabis maintains its illegal, Schedule I federal status. The Drug Enforcement Administration considers crystal methamphetamine, cocaine and PCP to be safer than toking up. We have the opportunity—and responsibility—to continue to fight the stigma attached to cannabis. Women will shape the future of our beloved plant and its blossoming industry. Join us.

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I

t was just past noon and we were making good time as we crossed over the Columbia river into Portland, Oregon. Fall was settling in, and many of the outdoor grows that dotted the landscape were already being prepped for harvest. While recreational cannabis came to the state in 2014, Oregon was the first state to decriminalize simple possession, setting the groundwork for a full-scale paradigm shift in the U.S. Our destination was Blissful Botanicals, a 3,000-plant outdoor grow just outside Oregon’s largest city. We stopped by Clay Wolf Extraction in Clackamas to link up with good friend and longtime industry regular Pat Emerson before heading further into the rural countryside.

While tales of California’s Humboldt Triangle a re wo r l d - re n ow n e d , t h e g row s c e n e i n Oregon has been quietly exploding for years.

Temperatures have been consistently rising in the area—and across the country—causing California’s coveted green belt to slowly migrate north. The migrating climate became a doubleedged sword as grape growers began to follow the shift north, finding themselves in direct competition with cannabis farmers over the agricultural land required for licensed outdoor grows in the state.

We asked Pat what it was like to be a part of the cannabis community in Oregon. “After seven years,” he told me, “it’s still an honor to be in an industry based on helping people.” Pat got his start in the legal industry just as I had—both of us began as volunteers. I smiled to myself, thinking about how differently things could have gone.

I’d been a small time pot dealer for most of my life, bouncing from one school to another—and eventually from one jail to another. By the winter of 2011, my daughter was four years old. I was beginning to abandon all hope of a life outside the ordinary. I was running a small landscaping

business I had started in college, and winters in the Pacific Northwest meant little to no work.

My plan to subsidize my income with a small basement grow was not going as well as years past. Medical cannabis was in full swing, and there was no competing with dispensaries that carried more flavors than an ice cream shop.

It was time to join the movement, and I walked into the country’s first cannabis farmers market and volunteered to work for free.

Back to Oregon. We veered off onto a small country road, heading east for a pit stop at Old Apple Farm. It was a surprise stop and my first visit. A row of giant hoop houses dominated the scenery, and some of the crew were tossing hatchets at a large cedar round as we pulled in.

Michael Getlin introduced himself as the owner and I was struck by how young he was. No one on the farm seemed to be over 30. The place had a sort of commune feel that immediately put me at ease, allowing me to relax from the long morning on the road. Farm dogs intertwined themselves between our legs, making circles through the pack of newcomers as they made their own introductions. Michael fired up a giant barbeque pit before leading us towards the rows of hoop houses.

As we finished our tour of the gardens and prepared for lunch, I found myself thinking back to what had attracted me to a career in cannabis.

And it wasn’t the free weed or a chance at fame.

What started as a way to supplement my income ultimately led me to something greater. We had a community in cannabis, and it didn’t matter if you were black, white, yellow or brown. If you believed in the plant, then you were one of us.

You had a place. America had been divided long before we were born; cannabis was a chance at something more for a generation that had otherwise been marginalized.

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It was another half hour on the road before we would reach our destination at Blissful Botanicals. The harvest was in full steam, and some 2,000 plants were already being processed as we arrived.

Piles of untrimmed branches filled the shop tables and an army of young trimmers and farm hands buzzed around like bees, paying little mind to our intrusion. Owner and head grower Eric lead us through the shop doors and into the sun to see the remaining thousand plants.

“This is the fun part,” he grinned. “This is where all the work comes together and we get to see the final product. It’s the wild west right now. It’s a new industry, and we’re still getting everything figured out.” He led me down the small hill into the large, open air garden. A 12-foot security fence marked the perimeter. Just like the last farm, these were young kids getting their start in the world.

Eric didn’t seem to be a day over 25 and oversaw his million-dollar operation with an optimistic enthusiasm that seemed to pervade the workplace.

Pat locked me in a bear hug, his 6’5” frame nearly squeezing the air out of me as we said our goodbyes and prepared for the trip back home. The road that led us both here had not been a straight one—but ultimately, it took us down the same path. For us, cannabis was a fork in the road, a divergence from the mundane into the exciting possibilities of a world where two poor kids, born to poor parents, could suddenly find themselves carving a niche in an eight billion-dollar industry.

FOR MORE OF JONAH TACOMA, VISIT: WEBSITE: DABSTARS.COM INSTAGRAM: @JONAH_TACOMA

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M

ost people know that weed comes from a female plant, and if you didn’t, you do now! What most people don’t know is why. I’ve heard guesses ranging from “females grow buds and males are hemp plants” to “the males impregnate the females, so we get buds”; both are catastrophically wrong. What’s the deal with male and female plants, and why does it matter?

The main reason, plain and simple: We don’t want seeds. The lovely flower we’ve all come to know and love is grown to be ‘sin semilla,’ or without seed. The way you keep the seeds out? Keep the males out. When males release their pollen, this pollen sticks to the female pistils (the little white hairs you see growing out of cannabis flowers), which act as the plant’s sexual organs. And you know what comes next…babies! Once the female flowers are pollinated, they push all their energy into seed production. This is where problems begin to arise.

When female cannabis plants start to

develop seeds, they slow their production of cannabinoids (chemical compounds such as THC and CBD)—usually the reason we’re growing the plant to begin with! The higher the seed production, the lower the amount of cannabinoids produced. Aside from a less potent product, the weight to value ratio is thrown off. The seeds are heavier, making the apparent density heavier, and all you get is more seed and less of what you wanted (cannabinoids).

Now, this isn’t to say male cannabis plants are bad—you’re probably wondering how we even keep creating crops if we kill all the males.

Cloning has become the preferred method of propagation for most cannabis growers, due to the consistency of the genetics and a zero percent risk of males entering the grow space. By cutting off a small branch from a vegetative plant and placing it in an ideal soil environment, it will grow roots and begin to vegetate itself: A clone. This technique has been used by all types of vegetable growers for decades!

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Breeders and certain hemp producers, however, demonstrate praise for male cannabis plants typically reser ved for females. For breeders seeking the next best combination of genetics, males play as crucial a role as females in genetic outcome; males are often judged by their vigor, growth style and scent. Similarly, many international hemp farms produce hemp seed for oil, fiber, protein and more, and the only way to get seeds is to have males pollinate the females.

Much like breeders, the higher the quality of males, the better the subsequent harvest will be—notwithstanding various environmental factors, of course.

As far as the flower, bud or ganja you grab from your local pot shop? That’s always going to be female. Yes, even CBD flowers are only female. So the next time someone tells you seeds in your sack is a good thing, or that “hemp plants are only male,” let them know they better stop lying about your favorite lady—Ms. Sinsemilla is the only thing you’ll be putting in your pipe!

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C U LT U R E

FROM VAMPY VIXENS TO LAID BACK CHICKS AND PTA MOMS WRITER / LISSA TOWNSEND RODGERS

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F

rom Reefer Madness to Pineapple Express, marijuana has been depicted on-screen for decades. But while the dude with the doob has become a trope, ladies’ par ts in these films have either been exaggerated into ridiculousness or downplayed into oblivion. As more and more women become cannabis users, will they finally get their fair share of stoner screen time?

In the late ‘30s, a slew of films warned of the deathly menace of marijuana.

During this era, Federal Bureau of Narcotics head Harry J. Anslinger mounted his antimarijuana campaign, largely fueled by sordid stories about the horrors of marijuana; he testified before Congress that marijuana causes “women to seek sexual relations.” A slew of films warning of (and wallowing in) the menace of demon weed immediately followed.

T h e s e p re a c hy p o t m ov i e s a l l owe d characters (and audiences) plenty of sin and sex before a final five minutes of repentance.

In Marihuana, a group of ladies declare, “We tried their giggle water, now let’s try their giggle weed!” and wind up stripping for a nude swim, leading to vague images of naked white backsides in the water overdubbed by endless, shrill laughter.

Weedsploitation movies featured two kinds of women: The platinum-blonde pot pusher and the big-eyed brunette who gets her life ruined by dope. Both appear in Assassin of Youth. Doused in peroxide and mascara, Linda struts into a party, whips off her cape and pulls out a handful of doobs, announcing, “No credit—cash offers only,” surrounded by a bevy of evening-gowned young ladies clutching bills. At the same time, sweet young Marjorie smokes a joint—

then sets her clothes on fire, tries to stab her boyfriend and lapses into a coma.

During the ‘40s, marijuana paranoia gave way to the horror of war, but at the end of the decade, She Shoulda Said No brought weedsploitation back with a dash of protoreality TV: Star Lila Leeds, who was caught in a highly publicized pot bust with Robert Mitchum. The arrest emphasized his badboy image and brightened his star power, but the bad girl label immediately ended Leeds’ career. Here, she begins as a naïve dancer putting her brother through college, but winds up as a dope-dealing trollop, puffing and passing through a series of droll montages, horror-movie Theremins whining menacingly as the smoke rises. It was a kickoff to the ‘50s, when tight-sweatered loose ladies indulged in the devil’s lettuce in movies like High School Confidential and on the covers of pulp novels such as Reefer Girl.

Through the ‘60s and ‘70s, the sexual revolution and the rise of the drug culture turned the potentially dangerous druggie into a simple, sexy stoner chick. From the girls in the graveyard with Peter and Dennis in Easy Rider to the groupies that latch onto Cheech and Chong in Up in Smoke, they’re along for the ride, defanged versions of the sex-anddrug-crazed vamps of the ‘30s.

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Women smoking pot made it into big-budget films with 1980’s Nine to Five, about three secretaries versus their boss. The scene in which Lily Tomlin, Jane Fonda and Dolly Parton toke up on some Maui Wowie and share surrealist fantasies about overthrowing the asshole in charge is the film’s comedic zenith. It also provided the rare filmic glimpse of grownass, successful women getting high to unwind and enjoy themselves— something Nancy Reagan’s “Just Say No” campaign would soon put a stop to.

The ‘90s brought in a new batch of stoner movies—Friday, Half-Baked, The Big Lebowski—but women remained on the sidelines, often with a slightly disapproving gaze. The few who managed to roll with the boys were throwbacks to the ‘70s, both in cutoffs-and-a-bong style and (lack of) substance; Bridget Fonda in Jackie Brown, Milla Jovovich in Dazed & Confused. But there was 30 minutes of real women smoking on a 1993 episode of Roseanne where Roseanne, her husband and sister try to relive their hippie days by getting stoned—each one with their own distinct high style, from goofy to paranoid to “This isn’t working!”

With the new millennium, ladies began playing a less passive role. The 2002 British film Saving Grace concerns an upper-class British widow whose husband has not only left her bereft, but broke. She applies her green thumb to her gardener’s straggly pot plants and grows a huge, healthy, mortgage-paying crop. She even hits London to sell it, dressed up in a white suit and picture hat like teatime Superfly—the drug-pushing sexpot in it for dollars and debauchery turned into a humble housewife trying to keep a roof over her head.

A similar plot also powered the series Weeds, although this time the pot-dealing widow was younger, prettier and in California. The show’s ads styled star Mary-Louise Parker in a similar busty pinup style to the girls who used to grace ‘50s novels, and her move from mom paying the bills to mogul, felon and cartel associate puts her closer to the wicked women of the ‘30s.

“WITH THE RISE OF WEB SERIES AND STREAMING SERVICES, THE FEMALE BUD BUDDY COMEDY FINALLY HAD A PLACE TO BLOSSOM.”

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The aughts were about the stoner adventure/comedy, although as a dudes-only genre. In 2009, Smiley Face offered a female protagonist, with Anna Farris as an unemployed actress who eats a plate of pot brownies and embarks on a strange, solo journey through L.A. Unlike Harold, Kumar, Franco, Rogen or any of the Hangovers, all of whom emerge from their shenanigans unscathed, Farris ends her exciting day with a suspended sentence and a few hundred hours of community service.

With the rise of web series and streaming services, the female bud buddy comedy finally had a place to blossom. While not every episode of Broad City is centered around cannabis, it usually wafts across the screen at some point each episode. And, for all the overthe-top nuttiness, the show is rooted in smoker reality, from the friend who never has their own weed to being out and scrounging through your apartment for stray nugs, to getting high and busting your credit card at Whole Foods.

And as consuming marijuana has become more common among older women, TV has followed suit.

Grace and Frankie brought back those potsmoking O.G.s, Fonda and Tomlin, as a mismatched but devoted pair of pals—of course, hippie artist Frankie is a regular cannabis consumer, but when uptight businesswoman Grace gets high with her daughters, it shows how women are really smoking now.

Netflix’s Disjointed stars Oscar-winner Kathy Bates as a California dispensary owner; it’s a 30-minute laugh track that drips with hippie references and pot puns. As marijuana merges into the mainstream in society, it also becomes part of mainstream media: The dangerous dame pushing the demon weed has become a mellow mom proffering pot brownies. After all, when Hollywood gives you a sitcom, it’s means they’re no longer scared of you—and no one else is, either.

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A R TEIDCILTEO TR I’ TS L CE H O I C E

THE LEVO MACHINE OIL INFUSION MADE EASY! WRITER / LUNA REYNA

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PHOTO / COURTESY OF LEVO OIL

lthough the LEVO machine may look like a colorful espresso machine, it’s actually a sleek, easy-to-use oil infusion appliance. LEVO uses controlled heat to transfer flavor, scent, color and nutrients from a variety of botanical ingredients (cannabis flower, for example) into the carrier (oil or butter) of your choice. No mess, no stress and complete control over not only the dosage of your infusion, but the strain as well.

From oils and butters for cakes and cookies to salad dressings and dips, the LEVO machine makes infusing your own ingredients simple and fun.

But the benefits don’t stop at cannabis infusion. The LEVO machine can infuse any herb—rosemary, basil, clove, even fruits and vegetables—making it impeccable for homemade wellness products such as body scrubs, massage oils, salves, lip balms, facial serums, hair treatments, body creams and soaps. The topical possibilities are limitless, as are the gift opportunities for friends and family; flower-infused olive oil for the siblings and a homemade, lavender-infused body scrub or rosemary hair treatment for mom makes holiday shopping a whole lot easier. The best part? No messy straining or cleanup. The LEVO Machine comes with dishwasher-safe components that pop right out, leaving your kitchen clean—more time to enjoy your creative infusions!

There are no emulsifiers, solvents or additives required to infuse, and no pre-set temperature and time settings, allowing you creative control over your recipe. For novices, there’s an extremely helpful Time & Temperature Calculator on the LEVO website. Select your herb and oil of choice and a handy chart displays everything you need to know about the infusion, as well as important ingredient information to ensure your pairing choice will be successful. Classy aesthetics aside, the simplicity of the LEVO machine alone makes this a worthwhile purchase.

The full autonomy and control you have over your ingredients, allows you to personalize your ingestion method and enjoy the medicinal benefits of cannabis and other herbs. We are overthe-moon elated with the LEVO machine!

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MY HUNT FOR CANNABIS ON THE NOTORIOUS PARTY ISLAND WRITER / SESHATA

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I

biza is world-famous for its high-paced, frenetic atmosphere and clubbing lifestyle—not usually my “thing,” but as one of my best friends was celebrating her birthday, I was persuaded to join in on the action for a few days. While I was there, I set aside some time for fact-finding about the local cannabis scene to see what Ibiza has in store for the everyday stoner. We stayed in Sant Antoni de Portmany, the island’s “original party town,” which is situated on the northwest of the island. Like many other Spanish holiday destinations, it’s absolutely full of English tourists, with a healthy sprinkling of Italians, Germans and Dutch.

Unlike other destinations such as Magaluf or Benidorm, Ibiza does have a certain air of sophistication. In general, it attracts a more affluent, “classy” crowd—the lavish nightclubs charge high prices for both entry and drinks, and attire is expected to be smart and sexy. The island’s main party towns get astonishingly crowded during the summer, but it’s less likely to be full of half-naked, vomiting British teenagers than other holiday hotspots. We avoided the peak-summer crowds on this visit, opting to wait until the

first week of October to attend the closing parties of the big clubs. The clubs themselves were full of late-season partygoers, but the streets were otherwise peaceful and relatively empty of tourists.

Being distracted by clubs, alcohol and ner ve-grating house music, I didn’t do anything cannabis-related for the first few days. I did keep my eyes open for signs of people smoking weed, but didn’t really notice much at all—at first. I started to wonder if Sant Antoni was even weed-friendly. Maybe with this much house music, the only available drugs would be cocaine and MDMA! I had often been told of Ibiza’s cannabis growing community, but I was obviously in the wrong part of the island.

While slightly drunk and stumbling homewards on our third night, however, I randomly encountered a Gambian dude who kindly offered to help me out with some herb.

We negotiated a jaw-droppingly exploitative “tourist” price for his tiny bags of dark-green, leafy schwag. As soon as we’d exchanged cash for goods, I made my excuses and went off to find my friends, who’d impatiently wandered off by then.

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Getting back to our apartment, I realized the bud was practically unsmokable—but given my semi-drunk state, I didn’t really care so much. Toking resentfully on my subpar, blindingly-expensive joint, I resolved to find something better the next day. Of course, once I was focused on the mission, things started to fall into place pretty quickly. I managed to find my first local Spanish contact and made arrangements to meet later that day. Unfortunately, high winds elsewhere on the island meant my motorcycle courier couldn’t make it to me. I went back to the drawing board.

Walking along the beach later that day, I quickly detected the fragrant aroma of top-shelf herb. The fine scent appeared to be wafting from a shirtless tattooed guy standing on the beach, overlooking the bay. He turned out to be a grower, originally from the U.K., and was more than happy to help me out—providing I kept any identifying information to myself. He confirmed what I’d been told several times previously: Ibiza is full of growers and extract artists.

Finding decent product is easy most of the time, and the local climate yields outdoor crops of particularly high quality.

Finding this new friend ticked a much-needed box for me, but I still had to complete my final stage of investigation into the local scene. Readers are no doubt aware that Spain has a large number of Cannabis Social Clubs scattered around its territories. I’ve personally covered the scene in the Canary Islands, Barcelona and the Basque Country, so I wanted to find out more about local clubs. According to Weedmaps, there are nine Cannabis Social Clubs on the island: Six in Ibiza town, and three in Sant Antoni. Throughout Spain, clubs are all members-only and make it policy to only serve local residents.

In locations such as Barcelona, however, it can be very easy to circumvent the “local resident” rule and gain membership to multiple clubs. In more closed-off locations it can be much harder, but good networking can help get one’s foot in the door. In some cases being a journalist helps; in others, it has quite the opposite effect!

I asked my Spanish friends for a connection to a Sant Antoni club, but was disappointed. I tried to email, text and call the most promising club on the list and got nothing in return but silence. I decided not to go and turn up on the doorstep, figuring it’d be a wasted trip.

Eventually I managed to get a contact to a highly-rated club in Ibiza Town, the island’s capital. I was running out of time on the island, but on my way to the airport I managed to make a quick detour to stop off and say hello. Out of respect for the establishment, I am not able to give any concrete details about the place itself. The scene in Ibiza is tightly-closed, and the club owners have to deal with suspicious law enforcement agents. However, I can say that the staff were friendly and helpful, the weed appeared to be of high quality, and the establishment was clean and beautifully designed.

On this sophisticated party island, it seems that the cannabis clubs also maintain top-shelf standards! We can only hope that Spain continues to liberalize its laws so we can all visit these remarkable establishments in a free and open environment.

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PURPLE MONKEY AND HUMBLE PRIDE GLASS INFUSED TEAS AND WHIMSICAL, PRODUCE-THEMED PIPES! WRITER / LUNA REYNA

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urple Monkey owner Wy Livingston is a self-proclaimed foodie and tea-lover; she’s traveled Europe and Asia to engulf herself in the culture, and even picked tea in Japan’s plentiful tea fields. Based out of Colorado, Purple Monkey and its parent company, Better Baked LLC, felt launching a THC-infused tea line only made sense. Besides tea, Purple Monkey makes infused sweeteners, with coffees, cocoas and creamers to soon follow. “You don’t have to teach someone how to drink tea and coffee,” Livingston explains. “It’s part of their daily ritual, so if they are looking for a discrete way to elevate, it’s the perfect product.”

The varying flavors come in both recreational and medicinal dosages, with the option of adding Infused Honey Buzz Sweetener for more kick to your beverage. As winter approaches, a warm cup of tea is perfect to cozy up with on a quiet morning or rainy evening. With caffeinated (Earl Grey) and herbal (Strawberry Kiwi and Monkey Mango) options, there’s a tea for any time of day!

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FLAVORS STRAWBERRY KIWI (HERBAL) MONKEY MANGO (HERBAL) EARL GREY (CAFFEINATED)

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lass blowing is an art form that takes time, patience, dedication and creativity—all of which Humble Pride Glass has an abundance of, creating a clever array of everything from peaches to chili peppers, bananas and even eggplant glass pipes. If you don’t like to eat your fruits and veggies, why not smoke out of them? They say an apple day keep the doctor away (or peach, or pineapple...).

These adorable pipes make the perfect holiday gift for the stoner in your life, or a whimsical treat to yourself to brighten up your smoke accessories. Custom orders are available, and customer service is Humble Pride Glass’ forte. The company is based out of Eugene, Oregon, a town where glass art is featured regularly at the local farmers market—no doubt a source of inspiration for these produce-themed pipes!

PRICE: $32-$80, VARIES BY PIECE WEBSITE: HUMBLEPRIDEGLASS.COM FACEBOOK: @HUMBLEPRIDEGLASS INSTAGRAM: @HUMBLEPRIDEGLASS

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F E AT U R E

ACTIVIST BUCK ANGEL ON MEN, FEMINISM AND HIS VAGINA WRITER / SCOTT PEARSE

W

hen Buck Angel walks into a room, you’d likely notice nothing out of the ordinar y. The well-muscled physique, the shaved head and the tattoos may make the timid a little wary. But in conversation, that perception quickly changes. “I talk about my vagina all the time,” he reveals. Buck is many things: Man, entrepreneur, motivational speaker, adult film performer, human rights activist—and formerly a woman.

PHOTO / ELLEN STAGG

Though Buck always considered himself a feminist and had an outspoken role as a woman he describes as a “butch dyke,” it was after he transitioned that his true role in feminism became apparent. “When my outside matched my inside,” he explains, “I was able to understand myself better than I ever had. I was able to be a man who embraced his past as a woman.”

With great privilege comes great responsibility “My whole life changed when I became a man,” Buck acknowledges. “People acted so differently to me. A lot of men don’t know they’re privileged because they’ve always been privileged. Now that I’m a man, I can literally walk wherever I want to walk and never have fear. But if I was the person I was before, I would never feel comfortable doing that. People say awful things to you when you’re a butch woman with tits.”

Buck may have gained the privilege inherent to men, but his path is by no means as smooth as someone who has retained their gender from

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birth: “I receive threats from people because I’m a man with a vagina. My vagina makes people go insane.”

“I’m a man, you can see I’m a man,” he continues. “I walk the world very masculine, no one has a clue. Even when I get naked sometimes, people don’t know what they’re seeing. That said, I get into situations where people think they’re being fucking cool and talk shit about women. Of course, they don’t know that I used to be a woman. Now what do I do?

Do I say something? As a feminist man, I have to say something.”

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'

A man s place The question of where men fit into the feminist movement is contentious. It’s a women’s movement, and it would be problematic for men to be prominent at its forefront. Having lived as both genders, Buck brings a unique perspective to the question of how men can best aid women in the movement toward equality.

“I have a chance of having a bigger voice,” says Buck. “As men, we already have a voice. It’s a very difficult thing, because some women will get upset about men even having this conversation. This is what I believe: If men don’t start having a conversation, we will never see true change.”

“My history does make me entitled to have an opinion,” Buck asserts. “Many people will say that when I transitioned I lost my right to this conversation, but I lived as a woman for 28 years, and I still have a vagina. And not to say my vagina is feminine, because it’s not. But I lived a life as a woman.”

Men as allies The problem with men being involved in this conversation is that our male voices already take up so much space. The male voice is perceived as credible, informed, respected.

This assumption of competence doesn’t often apply to women until they prove they’re capable of the same qualities. But without the space, without inherent privilege, where do women stand in the fight against the patriarchy?

Buck’s solution? Men need to give over some of the space they currently occupy. “Sometimes we’re going to have to use our male privilege to open doors,” Buck explains. “I’m in such a unique, powerful space to see this from both sides. That’s why I encourage my male friends—if you hear anything that makes you cringe, it’s your job to speak up and support women. Having gained male privilege, I couldn’t imagine myself not using it.”

“THIS IS WHAT I BELIEVE: IF MEN DON’T START HAVING A CONVERSATION, WE WILL NEVER SEE TRUE CHANGE.” – BUCK ANGEL, TRANSGENDER ACTIVIST AND EDUCATOR

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When we come together Feminism’s goals are as numerous and varied as the issues women face simply because of their gender. Women are denied access to jobs, paid less than male counterparts, experience less physical security than men; history is not complete without understanding their subjugation and oppression. A woman’s experience is impossible for men to truly comprehend.

Unless, of course, you were once a woman.

Buck has such an important role to play in this conversation, a n d h e e n c o u ra g e s m e n t o get active and get educated: “Feminism needs men in order to move forward, and I don’t think that’s an anti-feminist statement.

In order to create equality, we need to all be on the same page.”

A voice in any conversation is a privilege—and it’s what you do with your privilege that counts.

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F E AT U R E

A SUSTAINABLE DREAM COME TRUE WRITER / DAVID BAILEY

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W

e’ve all heard the call for a hemp revolution—ever ything from replacing our paper and cotton clothing to the powder in our protein shakes; even switching composite plastics to hemp or some variation thereof. Many have gone as far as to say that hemp could save the world.

And they’re not wrong. After all, hemp has a seemingly never-ending list of uses that only grows larger by the day. For example, it cleans and nurtures the soil it grows in, matures in as little as three to four months, is naturally resistant to pests, molds and mildews, and could effectively replace multiple heavily polluting industries. If all this is true, however, and Jack Herer illuminated the hemp-laden path of the future 32 years ago, why the hell isn’t everything hemp? Why are we still making cotton clothes, clear-cutting forests for lumber, and worst of all, making tons of plastic each year that cannot biodegrade, be recycled or largely even reused?

Now this is where most would expect a rant about The Man keeping us down. Not to say those arguments don’t have some validity, but there’s a simpler problem holding hemp back: production. Everyone wants hemp, but affordable hemp isn’t currently available.

Without an existing large-scale hemp production industry, processing and final products are substantially more expensive than less sustainable products. And as we all know, price is king. Without a way to get rid of hemp, farmers aren’t incentivized to grow it, so unless a government or massive corporation steps in, it almost seems like an impossible problem—to most.

What if you could unite Thailand’s thirst for sustainable agriculture and a higher GDP with

Western manufacturing and consumerism?

Imagine connecting 4,000 farmers over 350,000 acres of land to grow industrial hemp, simultaneously combining existing technologies in hemp graphene, bio-plastics, bio-fuel and more with the primary producers and purchasers in need of said goods. Going green is en vogue, but so far no one has been able to deliver a reasonable, sustainablyminded business model.

Titan Hemp, a Seed to Sale™ hemp company and their sister company, Titan Bioplastics’ a bio-composite company, have bridged this gap. Uniting decades of experience in global alliances, distribution, bio science and brand development, they saw over the fog of red tape. While most hemp companies focus on marketing the final product, they neglect to highlight the green replacement capabilities hemp has long been championed for. By pairing a scalable industrial production and processing model with the support for scientific advancements, Titan Hemp and Titan Bioplastics will provide industry leaders with a sustainable alternative that’s price equivalent, even competitive.

Most businesses start from the ground up.

In the case of hemp, a traditional business might grow the plant, process it and create hemp-derived products, all with the hope of someday making it big enough to expand their efforts. A typical ‘ground up’ business model doesn’t have a chance against corporate structures like cotton or plastics manufacturing; these big businesses can effectively shut out the competition, and have practically engrained themselves into the fiber of almost everything we purchase.

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P l a s t i c s m a n u f a c t u r i n g i s a s eve ra l h u n d re d - b i l l i o n - d o l l a r i n d u s t r y t h a t ’s developed rapidly over the past 15-20 years.

Unfortunately, this industry is also the leading cause of material pollution, resulting in as high as 6.3 billion tons of plastic waste since its creation. Along with the need for an ever-adaptable product, substantial investments into the machinery and science of bio-plastic productions are crucial. By providing a one-for-one, interchangeable and sustainable alternative ingredient blend that can be utilized in existing equipment and processes, Titan Hemp and Titan Bioplastics effectively replace unsustainable products and processes with sustainable ones.

Amy Ansel and Tanya Hart, Titan Hemp co-founders, have a way of seeing through problems that have held up generations of hemp activists. They combined their entrepreneurial spirits with decades of experience, pairing the corporate world with international connections. Each possessing their own specific assets and abilities, the duo is unstoppable—and it shows in their success. Barely a year and a half has passed since embarking on the project, yet these two women have unfolded a juggernaut of a mission.

Now back to Thailand. Titan Hemp has secured an exclusive Alliance Partnership with True Hmong Global, representatives of Highland Research and Development Institute (HRDI) and True Hmong’s 4,000 locally

contracted farmers, to grow up to one million acres of industrial hemp annually. This will make Thailand the largest hemp-producing country in the world before they even achieve 50 percent growth capacity. Because of Thailand’s specific hemp phenotype, which is bred to finish quickly, the crop can be cycled three times annually in the tropical climate, allowing farmers full-time, year-round work.

Not to mention, farmers make more money per acre, yet another incentive to grow hemp at the local level. The HRDI was created by the Royal Program as a governance over the nation’s industrial hemp program, based on Queen Sirikit’s 2003 initiative to monetize industrial hemp, while simultaneously working towards the minimization of chemical use in farming and manufacturing. After 13 years of slow growth and movement, thanks to Titan Hemp, the project is finally underway. With this said, Titan isn’t stopping in Thailand, they are continually developing industrial hemp pipelines, including within the USA, Uruguay, Peru, EU and Canada.

With projects moving forward (and quickly opening a new market), Titan has also directed their energies toward development partnerships, like with one of the world’s leading bio composite scientists, David Abecassis and their JV, Titan Bioplastics.

Perhaps the most exciting opportunities available are in the production of hemp plastic composites and hemp graphene. Graphene is a strong, atom-thick layer of carbon with

I believe you can better understand the vision and direction of a company when you know who’s standing behind it. The lifelong dedication and trajectory of these two women gives as much (or more) virtue to their works as the noble mission behind it.

AMY ANSEL In the early ‘90s, Amy received an internship with Microsoft straight out of high school. Her passion for technology quickly developed into a career managing global partnerships both for and with Microsoft. While fulfilled and challenged by her career, Amy knew it was time for a change. As a Washington native and long-time Seattleite, she boldly ventured into the cannabis and hemp space: Amy became the first female voice on AM radio reporting about the cannabis industry, and has continued to open doors and minds ever since. Her experiences abroad and exponential success in technology, alongside h e r h e m p a d vo c a c y, g a ve b i r t h t o t h e s e e d s o f Titan Hemp.

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TANYA HART Tanya is a native of the UK, but has spent a lifetime in the US, with nearly three decades working in the wine industry. She built a number of successful businesses, including a chain of fine wine shops and a restaurant, consulted, travelled extensively, and appeared regularly on local Chicago TV as a wine expert. Tanya moved her family from Chicago to Seattle in 2014 to be close to family. Like many hemp entrepreneurs, Tanya’s passion for the product opened doors, and her drive and vision for a global environmental agenda around hemp, earned her recognition. Tanya’s brother introduced her to Amy and recognizing the strength of their business backgrounds and vision, they became fast friends and business partners.

potential uses for improved performance in solar panels, water purification systems, batteries, touch screens and above all, super capacitors. Current graphene production costs are barely affordable on a research level at $2,000/g (roughly $1.8 billion/ton), whereas hemp bio-waste graphene can be produced at a measly cost of $5,000/ ton. Titan’s affordable and sustainable hemp supply allows the exploration of this technology on a whole new plane.

We may be 32 years late to Jack Herer’s hemp revolution, but it’s better late than never. Titan Hemp and Titan Bioplastics are aligning hemp production and manufacturing with consumer-demanded products and research—the major stumbling block that has held back industrial hemp. Instead of focusing on a single problem or solution, these two women looked beyond to what could be and built from there. The advancement of the hemp industry in technologies, production and consumer goods will quickly begin to share a common thread, and I believe it will start with Titan.

WEBSITE: TITANHEMP.NET WEBSITE: TITANBIOPLASTICS.COM

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LIFESTYLE

GANJA GODDESS GETAWAY WRITER / CHRISTINA CASSEN

P

PHOTO / CIERA LAGGES

icture this: An overnight glamping retreat for female-identifying individuals—or goddesses—using cannabis as a power ful therapeutic tool to enhance spiritual practice and promote creativity. This is Ganja Goddess Getaway (GGG).

GGG started in August 2016 with a mission to help connect women to one another and to the cannabis plant. The organization’s main values are inclusiveness and radical self-love.

The GGG sisterhood is diverse: Goddesses come from all walks of life, including the LGBTQ+ community, traveling from around the world to attend the event in California; mothers and daughters bring a true familial vibe to the gathering. Some women arrive solo and quickly form new and lasting friendships, while others bring no or limited experience with cannabis and leave dabbing alongside the more experienced goddesses.

GGG events feature gif t bags and a seemingly unlimited supply of herb in all its glorious forms, including flower, passed joints and blunts, edibles, topicals and a dab bar. GGG retreat activities have included educational workshops, women in cannabis panels, belly dancing and yoga classes, horseback riding, hiking, swimming, arts and crafts, campfire and s’mores, drum circles, sound baths, massage and holistic therapy such as healing intuition and hypnosis. And the food at GGG is on point! Deliciously unreal meals and snacks satisfy goddesses’ munchies and the temptation to indulge— although there are always healthy vegan and gluten-free options, as well.

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Ever y Sunday at 4:20 P.M., connect with the goddesses on social media (#SisterSeshSunday) and “sesh with your sisters with the purpose of fostering radical self love in each of you, then take that goddess energy and spread it everywhere.

That’s how women smoking weed with a purpose can change the world!”

During the kickoff of the GGG retreat I attended this fall, founding CEO Deidra Bagdasarian, or “Miss Bliss” of Bliss Edibles, set the mood for the weekend by warmly welcoming the goddesses and dropping this wisdom: “Cannabis is like a mirror, in that she will show you your true self and hold your hand as you fix yourself.” Goddesses are empowered to use cannabis to connect to the divine within, so that she may more deeply connect with others in this place of unity and oneness. Cannabis helps us to truly discover ourselves, shed our masks and open ourselves to genuine human connection. Personally, I felt welcomed, loved and at peace in a safe, soothing space where we celebrated cannabis without shame. I left my first GGG experience feeling transformed.

GGG expresses our fundamental right to an altered state of consciousness, and illuminates the path for women to explore the healing and transformative power of cannabis. Goddesses are encouraged to bring the GGG sense of community home to spread to all: Friends, family and the world at large, including those outside of ganja. GGG recognizes that women are uniquely poised to support the female cannabis plant by normalizing it with our families and communities, to make smoking weed as normal as drinking wine, and to raise the next generation without the stigma currently associated with cannabis.

Simply put, the women of GGG are using cannabis to become the best and most authentic version of themselves. Anyone can get high; for this tribe of goddesses, however, it’s less about blazing and more about blossoming—together.

INSTAGRAM: @SISTERSESHSUNDAY INSTAGRAM: @GANJAGODDESSGETAWAY

Check out GanjaGoddessGetaway.com for GGG’s upcoming schedule in California (“Weed Prom” in Oakland in December, Couples Retreat in February, Northern and Southern California Retreats in March, and Ganja Mamas Retreat in May). GGG hopes to expand outside of California in 2018.

“CANNABIS IS LIKE A MIRROR, IN THAT SHE WILL SHOW YOU YOUR TRUE SELF AND HOLD YOUR HAND AS YOU FIX YOURSELF.” – DEIDRA BAGDASARIAN, GANJA GODDESS GETAWAY CEO AND “MISS BLISS” OF BLISS EDIBLES 77

STRAIN

MIDNIGHT, ANY TIME OF DAY

BALANCE ACHIEVED WITH TIKUN OLAM’S SOOTHING STRAIN WRITER / JENNIFER TRAMAGLINO

K

PHOTO / DOPE FOTO

nown for producing restorative, healing strains, Tikun Olam developed Midnight for its pain-relieving, anti-inflammatory, high-CBD profile. Bred as a true hybrid, Midnight’s deep violet leaves are adorned with sparkling crystals exuding the fragrant, spicy scents of myrcene, caryophyllene and limonene.

I sampled this sweet strain various times of the day and felt relaxed, at ease and exceptionally grounded while still enjoying a subtly elevated state of mind. All traces of aches and pains faded away as I melted into bliss. An almost perfectly balanced 1:1 THC:CBD strain, Midnight shows up right on time, day or night.

PRODUCED & PROVIDED BY CW NEVADA FOR TIKUN OLAM WEBSITE: TIKUNOLAMUSA.COM INSTAGRAM: @TIKUNOLAMUSA

C BD

THC

TESTED AT: CONFIDENT CANNABIS confidentcannabis.com

7.5% 9.7%

AVAILABLE AT CANOPI - BLUE DIAMOND 6540 BLUE DIAMOND RD LAS VEGAS, NV 89139 CANOPI – 3RD STREET 1324 S 3RD ST LAS VEGAS, NV 89104 CANOPI - NORTH 2113 N LAS VEGAS BLVD NORTH LAS VEGAS, NV 89030

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C O N C E N T R AT E

GO WITH THE FLO A SMOOTH CO 2 WRITER / MADELEINE JEAN

PHOTO / DOPE FOTO

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ighttime is my valuable ‘me time,’ and I need to make the most of it. Usually I’m reaching for my indica pen to magically send me off to dreamland, but not today. I got the kids to sleep and eagerly went for my KandyPen. Flo, from W Vapes, is an organic, CO 2-extracted oil that is 100 percent pure. It’s packaged with two pre-filled, shatter-resistant glass syringes. It was easy to use and a clean application. I decided something this pure would be best with a ceramic atomizer. It was a good call. I added about half the syringe. It was all I needed to feel focused, relaxed and centered. I got a good two-hour boost and fell asleep with no issues. Equally exciting, my six a.m. alarm was the next thing I encountered and I awoke feeling well-rested and motivated for the new day.

PRODUCED & PROVIDED BY W VAPES WEBSITE: WVAPES.COM INSTAGRAM: @WVAPES TWITTER: @W_VAPES

C BD

TH C

TESTED AT: DIGIPATHLABS digipathlabs.com

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CANNACOPIA MARIJUANA DISPENSARY 6332 S RAINBOW BLVD #105 LAS VEGAS, NV 89118

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S TAY G O L D E N .

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S TAY L I T @ G R E E N A N D G O L D S U P P LY C O . C O M

Keep Out of Reach of Children. For use only by adults 21 years of age and older.

EDIBLE

A SWANKY PARTY IN YOUR MOUTH GLACÉ CHOCOLATE BON BONS WRITER / LILA LEEDS

PHOTO / DOPE FOTO

G

lacé edibles are gold-dusted, exotically flavored chocolate delicacies. “Most edibles have a strong cannabis odor and taste, and while some people like that, a lot of people don’t. Our goal from the beginning was to make edibles that tasted just as good as their non-infused counterparts,” says Autumn McCray, co-founder and CEO of Libra Wellness, makers of Glacé.

Their chocolate bon bons are especially delicious with a fragile, dark chocolate shell surrounding a rich, slightly liquid chocolate center. I found that they took about 40 minutes to take effect, and the high—while not overwhelming—was definitely present. And it’s a rather fun one, with a bit of a sense of the absurd; I found movies funnier, and even my own jokes seemed to land better than usual.

Glacé also makes the bon bons in raspberry and passion fruit varieties alongside their decadent chocolate bars. McCray, Libra and Glacé “plan on launching new flavors on a regular basis, including some seasonal flavors,” so keep your eyes peeled for even more decadent options!

PRODUCED & PROVIDED BY GLACÉ EDIBLES INSTAGRAM: @GLACEEDIBLES LIBRA WELLNESS INSTAGRAM: @LIBRAWELLNESSNV AVAILABLE AT REEF DISPENSARIES 1366 W CHEYENNE AVE #110 & 111 NORTH LAS VEGAS, NV 89030 THE+SOURCE 2550 S RAINBOW BLVD #8 LAS VEGAS, NV 89146 SHANGO LAS VEGAS 4380 BOULDER HWY LAS VEGAS, NV 89121 AND OTHER RETAILERS

“We didn’t want to just do traditional edibles. We wanted something that screamed Vegas. When people come to Vegas, they want something extraordinary, something different—something they can’t get back home.”

-Autumn McCray, Co-Founder and CEO of Libra Wellness

TESTED AT: CONFIDENT CANNABIS confidentcannabis.com

36.3 MG THC PER BONBON

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STORE

THE SAHARA WELLNESS WAY WHERE CANNABIS MEETS COMPASSION WRITER / LISSA TOWNSEND RODGERS

PHOTO / BRIE SEAVEY

THE PEOPLE

THE PRODUCT

“Our dispensary is a little bit different,” says Brenda Gunsallus, one of the Partners of Sahara Wellness. “We’re here to educate people.” She founded the dispensary because she wanted a business that would help people, and “even though it’s recreational now, we’re seeing a lot more patients because some people were shy about getting their cards—but now they can come in and get their medicine,” she remarks.

“You can teach people about cannabis and you can teach people about business, but you can’t teach people to care about people.”

Sahara Wellness is particularly welcoming to the older and/or first-time cannabis user, and unlike some dispensaries, which can run at drive-thru speed, Gunsallus’ staff is trained to be generous with time and information. What does she look for in a budtender?

“A big heart. You can have all the training in the world and you can know all about the plant, but if you don’t care about that patient, this is not the dispensary for you.”

Sahara Wellness offers a wide range of products, and the staff helps customers find the right format for their high. “[Budtenders] need to explain the edibles, the concentrates, the vapes, because if these new people try it and have a bad experience, they’ll be against the product forever,” asserts Gunsallus. Some may think Las Vegas means money is no object, but Gunsallus is aware that some of her customers are on a budget: “I have people who ride a bus once a month to get their medicine.” With her clientele in mind, you can usually find $10$12 grams and reasonably priced eighths. Sahara Wellness is also developing their own house brand, Circle S Farms, and is opening a 35,000-square-foot cultivation facility.

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“YOU CAN TEACH PEOPLE ABOUT CANNABIS AND YOU CAN TEACH PEOPLE ABOUT BUSINESS, BUT YOU CAN’T TEACH PEOPLE TO CARE ABOUT PEOPLE.” – BRENDA GUNSALLUS, SAHARA WELLNESS PARTNER

420 E SAHARA AVE LAS VEGAS, NV 89104 (702) 478-5533 HOURS: MON-SUN: 7AM-1AM FACEBOOK: @SAHARAWELLNESS INSTAGRAM: @420SAHARAWELLNESS TWITTER: @SAHARAWELLNESS 420SAHARA.COM

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BEAUTY

FEETISH SPA’S CBD PEDICURE WRITER / LISSA TOWNSEND RODGERS

PHOTO / BRIE SEAVEY

WEBSITE: FEETISHSPA.COM INSTAGRAM: @FEETISHSPA

O

ne of the things that makes Las Vegas unique is its love of themed businesses. Only in Vegas can you find cowboy-styled restaurants or mock-mafia hangout bars. Fittingly, the downtown spa Feetish offers themed pedicures, including one that takes its inspiration from CBD and hemp products. Called “The Grateful Ped,” it includes a refreshing, green-tinted foot soak, as well as a warm stone massage, lavish use of CBD lotion and a hemp butter stick applied to dry areas. If you want to hear “Sugar Magnolia” or “Truckin’” while your tootsies are being groomed, that can be arranged, too!

“As far as I know, I’m the only one in town offering CBD

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spa treatments,” says Feetish owner Andrea Lipomi. “People are really enjoying the themed pedicures,” she adds. “At most places, a specialty pedicure is just a longer pedicure with a bath bomb. No one’s taking it to this level.” She wanted to offer these kinds of unusual treatments when she opened Feetish five years ago after working at resort spas on the Strip. The small, gothic-styled space is crammed with intriguing tchotchkes and unusual beauty products that lend themselves to exotic uses; another of Feetish’s themed treatments is “The Walking Ped,” which lets clients play zombie as they wiggle their toes in red-tinted pedi-gel.

“CBD and hemp are really nourishing. From a skincare

“AT MOST PLACES, A SPECIALTY PEDICURE IS JUST A LONGER PEDICURE WITH A BATH BOMB. NO ONE’S TAKING IT TO THIS LEVEL.” – ANDREA LIPOMI, OWNER OF FEETISH SPA

perspective, they’re both really healing, anti-inflammatory and have self-regenerating properties,” Lipomi asserts.

Those soothing qualities also make the pedicure ideal for those who have been on their feet all day, whether as a double-shifting cocktail waitress or tourist in see-it-all mode.

Likewise, it can soothe lingering swelling or discomfort from an old sprain or tear.

The lotion is by Peacekeeper Cause-Metics, who produce a number of CBD topicals, and the moisturizing stick by Posh is “all-purpose. It’s got shea butter and hemp—good for lips, for face, for feet, head to toe,” explains Lipomi, adding, “it smells like the ‘90s—the early ‘90s—you’d go into

a smoke shop, that incense-y smell. It takes me back to a good time.” While there are no psychoactive properties in any of the products used in “The Grateful Ped,” the pedicure does leave one in a most mellow state.

At Feetish, Lipomi offers a variety of other services, including facials, manicures and massages—although the latter has led to the occasional bewildering email from conventioneers who are hoping to get that kind of Vegas massage. “It’s almost a running gag at this point.

I screenshot them and post them on my Facebook,” she laughs. “The weirder, the better.” Only in Vegas!

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E N T E R TA I N M E N T

WRITER / RADIOHASH PHOTO / ASHLEIGH CASTRO

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“W

e, we came to fight. It’s your disgrace, smash up your place, that’s just polite!” My eyes are closed, power fist up, head bangin’ and booty shakin’ to the some of the most sensational lyrics, guitar riffs, drums and bass lines; the DJ brings it back home to Bay Area Hip-hop and funk where the band, The Coup, started—scratchin’, slidin’, funkin’ like a turntable MASTER. In this case, a mistress, a “Turntable Queen”—Pam The Funkstress! Wooing the crowd with her trademark tricky finish, her very own invention: The “Titty Scratch.”

“I’m the one that created that scratch . . . It’s called the Titty Scratch,” explains Pam Warren, the Funkstress herself.

“I was going to New York in ’94 or ’95 with The Coup, and they wanted me to do this Battle New York at the Zulu Nation conference or something . . . I listened to Lady of Rage on Afro Puffs and she said, ‘Let me loosen up my bra strap and

let me hit you with this raw rap.’ I said wait a minute, ‘Let me loosen up my bra strap?’. . . I learned to take my bra off while DJing. When I went to the Zulu battle . . . everyone went crazy. I threw my bra out I said, ‘Let me loosen bra strap and-uh . . . let me loosen up my bra strap and-uh . . .’

And it just became my signature thing.”

Pam struggled to define herself as a performer and competitor in a male-dominated world. In 1994, she got together with two emcees: Boots Riley and E-Roc, members of The Coup from East Oakland, one of the most socially conscious, politically charged and underrated hip-hop groups to date. Boots Riley is not only a lyrical genius, he has a sense for real talent. He’s worked with some of the best at what they do, and Pam was his select DJ. Pam also became the select DJ of the one of the most wellknown, funky, lyrical, musical and talent-sensitive geniuses

“I LISTENED TO PRINCE WHEN I WAS A KID. HE WAS ON MY WALL. YOU KNOW WHAT I’M SAYING, TO ACTUALLY HAVE DJED WITH HIM AND MEET HIM—IT WAS JUST REALLY HUGE.” – PAM THE FUNKSTRESS

of our time, who dubbed her “Purple Pam.” Yes, his Royal Badness himself, Prince, made her his last-known recruit when he picked her up on the last tour before his passing.

“I feel like he is with me every day,” says Pam. “When he first passed, I felt his spirit in my room.”

“I’m blessed, and to be able to have The Man himself call upon me . . . there’s no words that can express how I feel, you know,” she tells me with tears in her eyes. “I listened to Prince when I was a kid. He was on my wall. You know what I’m saying, to actually have DJed with him and meet him—it was just really huge . . . Prince is on that Michael Jackson, Elvis Presley-type of status. Man, I’m just honored . . . that I was part of that before he left, and just to think if he was still here, where would we be right now.”

A few years ago, Pam and I would have conversations

about Prince in the DJ Booth. She called it a prediction, I called it math; I said if Prince ever saw her perform, he’d pick her up. Despite her rising fame, Pam is still just as humble and warm as the day we met. Those that experience Pam are glad when she forgets she’s human and reveals her superpowers.

There are two wall murals of Pam, both in Oakland: One on 30th & West and another on 8th and Capital. Pam’s constantly growing, and is currently exploring a more EDM sound to take on the globe. Her future plans for giving back involve opening up a DJ school for young women. Multitalented, Pam is also another type of table queen: A chef.

She has a catering business and a restaurant—Piccadilly in Foster City—which she’s leaving in capable hands while she focuses on her music.

IG/TWITTER: @pamfunkstress

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RECIPE

DECADENT DARK CHOCOLATE CLUSTERS THE PERFECT HOLIDAY CANNACANDY! WRITER & PHOTO / LAURIE AND MARYJANE

D

oes chocolate make you happy? Wait, let me answer that: Yes, it actually does. Dark chocolate has significant health benefits, both mental and physical.

Dark chocolate—the darker, the better—is a significant source of antioxidants and lowers blood pressure. Chocolate also boosts serotonin levels, which helps with depression.

If chocolate is your jam, then this dessert has your name written all over it.

Dark Chocolate Clusters: Creamy, crunchy and chewy! The tender raisins in this recipe add a touch of sweetness. These clusters make a delicious holiday gift for the special woman in your life. Or man, ‘cause men are special, too!

For more of Laurie and MaryJane, visit: LAURIEANDMARYJANE.COM

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INGREDIENTS Yield: 30 clusters 2 cups Melted dark chocolate 2-4 tbsp. Canna-butter or canna-coconut oil, melted 3/4 cup Toasted slivered almonds 1/4 cup Toasted coconut flakes 1/4 cup Raisins

INSTRUCTIONS Place the melted chocolate in a glass bowl, then add the infused oil or butter. Stir well. Add almost all of the ingredients, leaving just a handful’s worth to sprinkle over the chocolate before it sets. Place the candies on parchment paper by the heaping teaspoon. Immediately sprinkle with the remaining nuts, coconut and raisins. Let them set for at least an hour before eating.