PREDEAL
Dora Economou
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PREDEAL Mrs. Dalloway said she would buy the flowers herself. For Lucy had her work cut out for her. I picked up the crystal vase we liked to use instead of a donation box, but it slipped and crashed on the marbles in the floor spattering a thousand raindrops across the kitchen–fresh as if issued to children on the beach. How lucky to experience matter built to host water revealing evidence of thirst encrypted within its molecular structure. I swept the particles under my working bench, said I’d bring them outside later. Tables are key landmarks on the psychogeography of the studio. I load a lot of stuff under them leaving the plots in between clear for narratives to be performed. The frames are gradually dressed into solid precipice. Most of my materials I collect from the street. Most of my friends do so too. Often, we come across the same things but we came from different places, headed to different ends. Occasionally, we arrive at the same place simultaneously and have to sit on each other’s lap. Around town, the inside and the outside are never comprehensively designated. I have to open the window and walk back into the room so as to get outside. I don’t go out scavenging for things, they find me.
But it takes a certain learned skill to get to recognize them: City girl sauntering the city plains - on lazy legs and distracted eyes- reaping the crops. Trials leave traces of memories on matter. In crime series, the forensic surgeon reconstructs the crime and recovers the murderer by tracing evidence of the lethal weapon on the tissue around the wound. Technically, there can be no murder without a body, but I could be a murderer without committing a crime. One early spring evening of 2009, we found ourselves in a debased resort planted in the Romanian part of the Transylvanian Alps. The light was outstanding -too strong for our eyes, too weak for the camera lens though -, disclosing in color the zombie edifice and follies. We didn’t bring any significant mementos back. As it’s often the case, there was too much spare space in our luggage to choose wisely. But we carried the scent of the name and promised to use it one day. The time has come. Please, give me PREDEAL. Dora Economou Athens, May 2014
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p. 6-7: p. 8-9: p. 10-11: p. 12-13: p. 14: p 15: p. 16-17: p. 18-19: p. 20-21:
UNDER THE VOLCANO [2014] KAPAmount, wood, crystal 82 x 125 x 81 cm COLD EARTH [2014] plasticine 4 x 100 x 100 cm THE HEALER [2014] Forex 40 x 118 x 60 cm SUB-ROUTINES [2014] plastic 70 x 108 x 21 cm SONS & BITCHES [2014] silicon, foam,ash, metal 15 x 15 x 90 cm THE ALPINE GRACIERS MELTING [2014] plastic 16 x 355 x 2 cm SILENCIO GETS TO CARRY [2014] wood, foam, aluminum foil, 35 mm film 100 x 210 x 11 cm PRECLIMAX [2014] lead 40 x 118 x 60 cm WEATHER FORECAST [2013] Forex 46 x 70 x 70 cm
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p. 22-23: p. 28-31: p. 33: p. 34: p. 36-37: p. 38-39: p. 40-43: p. 46-47:
VASE WITH EIGHT SUNFLOWERS 2 color printouts 148 x 214 cm THE SLEEPING GYPSY [2014] KAPAmount, ribbons 60 x 700 x 60 cm Giselle [2014] KAPAmount, Forex 100 x 15 x 14 cm VLASSIS [2014] lead, wood, napkins 20 x 54 x 40 cm EACH EYE REPODUCED THE ENTIRE ANIMAL[2014] foam, 35 mm film 100 x 40 x 40 cm VASE WITH EIGHT SUNFLOWERS 3 b&W printouts 148 x 360 cm DON’T KILL YOUR FRIENDS [2013] transparent packing tape 39 x 88 x 61 cm PREDEAL [2014] LED sign, nail varnish 10 x 100 x 20 cm
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Dora Economou PREDEAL 13 June - 31 July 2014 The Breeder Athens 45 Iasonos st, GR 10436, Athens T/F. +30 210 3317527 gallery@thebreedersystem.com