Ting_Portfolio by Dorthy

TING LU | selected works 2016 - 2020

Gallery One_Art Enveloping Spring 2020 | Eric Schall Group Work Role: Leader | Design | Rendering | Model-making 2020 Studio Nominated

ACADEMIC WORKS

Opportunities to RE•DRESS the ch With the aim of creatively reducing catalyze urban environments with n

The idea is to create a destination also for visitors to enjoy art and be

haracter of Chicago’s city streets exist in aging, underutilized structures. g the cities’ carbon footprint, adaptive reuse can revitalize, densify and needed new developments and programs.

n specifically designed for artists and students to inhabit and employ, but e surrounded by it on a grand scale. GALLERY ONE 2

South Facade

Mural in the Neighborhood

Apply Mural on the Envelope

Advertising the art work

6.26

Gallery Amenities Luxury Units Residential Units Nursery + Garden Office Elevator 6.26

LED Art Projection

6.26

Book store/Gift shop Restaurants

6.26

South Facade

Wrap the Building with LED Art Projection

6.26

Push the Circulation to the South, Make Two Buildings Part to Whole

6.26

Public Circulation through Art Rooms

6.26

ACADEMIC WORKS

GALLERY ONE 3

Public Elevator I

Art Room IV

Staircases connected to Art Rooms

Art Room V

Art Room VI

ACADEMIC WORKS

Public Elevator II

Art Room I

Art Room II

Staircases connected to Art Rooms

Ramps

GALLERY ONE 4

Poured Concrete with Glazed Glass Glazed Curtain Wall Curved Channel Glass

Curved Channel Glass

Electrochromic Glass

Zinc Paneling Glazed Curtain Wall Media Mesh Wall

ACADEMIC WORKS

GALLERY ONE 5

Goose Island Adaptive Boathouse Spring 2019 | David Brininstool & Andrew Metter Group Work Role: Leader | Design | Rendering | Model-making Weil Loebl Scholarship Awarded

ACADEMIC WORKS

Buildings today are more about the bu of design weakens the relationship be reformation of spaces in accordance w idea is to strengthen the receptivity of

uilt environment rather than the un-built or landscapes. This secluded approach etween a building, it’s context and ecology. Adaptability, on the contrary, means with the environmental variations that happen within a year, month or a day. The f the built and survive through these changes in a better way.

BOATHOUSE 6

Two Cores

Semi-expansive Spaces (Cold Season)

Solid Walls

Solid Panels and Void Openings

Bridge Connected to Two cores

Full-expansive Spaces (Warm Season)

Modular System

Solid Walls and Glass Openings

Concept / Strategy To achieve adaptation is to change the configuration of the building with regard to the needs/activity/season so that it is better suited to those requirements. The focus is on design features to make it flexible enough that it caters to the most dense and sparse area requirements throughout the year and metamorphosis gives the building the flexibility to change its forms during different seasons. ACADEMIC WORKS

BOATHOUSE 7

ACADEMIC WORKS b bo oa at b te o ex a xh t hib e ibit x iti h ioon ib n it io n

Freestanding Freestanding Freestanding panels panels panels are areare fully fullyfully opened opened opened ininwarm warm in warm season season season

to r T in Tra g ra in T inin ra ing in g ( in (ppr

DD iin n D iinng in g in

T Tra rai n T inEin T ra inxg ra in gh(i in in (bppir in g rtooiof g (p feens ro ss fe siioon s na s al) io l) n a l)

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B B

TT r

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s sp po or s rttin p ing o g rt in g

aa B rraai f Toa inni C feet rat- inn a tee imn gg fe rria

TT rra ai T innin ra ing in g i

In Inf foor In rmm fo aat rm tiio on

c ca afe f c ette a eri fe ria te a ri a

B Bo oa B att--m o ma a ak t- ki m inn a gg k in g

E Ex xh hi E ibbi x ittin h ing ib g it in g

L Lo oc ck L kee o rr c ro k roo e

re res sti re tinng s g ti n g

C Co ou C unnt o teer u r n t

B Bo oa B att--s o sto a tor t- rin s ing to g ri n g

E Ex xh hi E ibbi x ittin h ing ib g it in g

O OO Op ppp eee en nnn eee ddd ed

D g

in in

fe l)

B a k

tin g

r B ai o n a in tm g a k in

E h

x g

T ra

n r

E x h

in g

m a k

B o a t-

O ff i

o m

ib it in

Op en ed

BOATHOUSE 8 Freestanding panels closed in cold season

ACADEMIC WORKS

BOATHOUSE 9

ACADEMIC WORKS

BOATHOUSE 10

ACADEMIC WORKS

BOATHOUSE 11

Miamiopolis_The Living Bridge Fall 2019 | Susan Conger-Austin & Paul D. Endres Group Work Role: Design | Rendering | Model-making Scholarship Nominated

ACADEMIC WORKS

By 2050, it is estimated that Miami wil rising sea levels. This will result in the we propose the creation of a new com long bridge.

ll lose a significant portion of its current landmass due to climate change driving e displacement of people inhabiting the coastline today. To respond to this crisis, mmunity in the sky - a living bridge to house 100,000 inhabitants along a 4-mile-

LIVING BRIDGE 12

ACADEMIC WORKS

LIVING BRIDGE 13

ACADEMIC WORKS

LIVING BRIDGE 14

Magnetite

ACADEMIC WORKS

Whirl

Flyover

Eye

Vortex

Trenchant

Absorbtal

LIVING BRIDGE 15

HIGH

NEW YEAR PARTY

MUSICAL

FIREWORKS

ART PERFORMANCE

OUTDOOR CINEMA

INTENSITY

SCULPTURE OPENING CELEBRATION

LITTLE HAITI

COFFEE

LIGHT SHOW

COFFEE

TO THE TOWER

DINE IN

OPENING CELEBRATION

DANCE PARTY

PICNIC

GALLERY

SHOPPING

EVENT

BEACH PARTY

NIGHT CLUB

ART DECO FLEA MARKET

HUMAN DENSITY

BAR

WALKABLE SPACE ART CENTER

LIBRARY

LOW

BEACH VIBE

DOWNTOWN VIBE

MAGNETITE

ACADEMIC WORKS

WHIRL

FLYOVER

EYE

VORTEX

TRENCHANT

ABSORBTAL

TALL

CATTAIL, 10

FEET POND CYPRESS, 60

MAIDENCANE, 6

V E G E T A T I O N

FEET

POND CYPRESS, 60

BALD CYPRESS, 80

FEET

POND CYPRESS, 60

FEET

TALL REEDS, 10 PHRAGMITES, 10

WIREGRASS, 2

FEET

ROYAL FERN, 7

FEET

CRAPE MYRTLE, 30

FEET

FAKAHATCHEE GRASS, 6

FEET

CUBAN ROYAL PALM, 70

SWEET BAY MAGNOLIA, 60

FEET

RED MANGROVE, 40

EUROPEAN FAN PALM, 15

FEET

PLUMBAGO, 10

PANIC GRASS, 5

INCH

FEET

LOW MARSH, 6

FEET

AREACA PALM, 25

FEET

PURPLE LOVEGRASS, 3

SHORT

INCH

FEET

LOUISIANA IRIS, 5

FEET

WILD SAGE, 5

FEET

WAX BEGONIA, 1

FEET

YELLOW BUTTERFLY PALM, 30

FEET

SOCIETY GARLIC, 2 AUTUMN FERN, 2

YELLOW BUTTERWORT, 3

SEDGE, 3

YELLOW BUTTERFLY PALM, 30

INCH

FEET

GROUNDSEL TREE, 12

FEET GOLDENROD, 6

FOOT

FEET

LEMON BACOPA, 4

BLACK MANGROVE, 30

FEET

FEET PEACOCK GINGER, 2

FOXTAIL CLUBMOSS, 1

JAMAICAN DOGWOOD, 50

FEET

DAISY BUSH, 6 SAVANNAH MEADOW BEAUTY, 16

CARPENTARIA PALM, 40

SIMPSON’s STOPPER, 30

HELICONIA, 15 CUTOVER MUHLY, 3

FEET

PANIC GRASS, 5

TALL REEDS, 10

FEET

LAKE HYGROPHILA, 3 PERENNIAL PEANUT, 0.5

FEET

KALANCHOE, 1

BUR MARIGOLD, 5

FEET LEMON BACOPA, 4

FEET

INCH

BEACH SUNFLOWER, 4

FEET

FEET PURPLE LOVEGRASS, 3

FEET

Fresh Water

SALT WATER

MAGNETITE

WHIRL

FLYOVER

EYE

VORTEX

TRENCHANT

ABSORBTAL

LIVING BRIDGE 16

ACADEMIC WORKS

LIVING BRIDGE 17

KERR’S RESIDENCE

PROFESSIONAL WORKS

NEW FLOOR TRUSSES FOR NEW RAISED FLOOR

001B 001A 003

16" OPEN WEB WOOD FLOOR TRUSSES @ 16"O.C.

004A

OPEN ABOVE

NEW GIRDER TRUSS FOR NEW STAIR OPENING

EXISTING 2X10 FLR JTS @ 16"O.C. TO REMAIN

005

NEW GIRDER TRUSS FOR NEW STAIR OPENING

001C

EXISTING 2X10 FLR JTS @ 16"O.C. TO REMAIN

EXISTING FLOOR FRAMING TO REMAIN

004B

FIRE POLE

PAINTED STEEL CANOPY ABOVE

100B

100A

UP 5R with 12" Treads

18" OPEN WEB WOOD FLOOR TRUSSES @ 16"O.C. WITH SLEEPER FOR ROOF SLOPE AS NEEDED

105

45" SHALLOW BASE

24" SHALLOW BASE

24" DWR+DOOR BASE

OVEN STEAM

21" TRASH PULLOUT 45" SS SINK 48" SINK BASE

30" CAB 30" OVEN + 30" STEAM OVEN

103 OPEN WALL SHELVES 30"H DESKTOP

33" CORNER BASE OPEN WALL SHELVES

TILE 21" LOW DOOR BASE

FIRE POLE

36" RANGE TOP+36" RANGE HOOD W/ EXTERNAL BLOWER 24" DWR+DOOR BASE

24" DWR BASE

ENGINEERED WOOD FLOORING THROUGHOUT ALL LIVING SPACES

104

DISHWASHER

36" RANGE TOP DRAWER BASE

15" DOOR BASE

107A

UP 15R

DN 11R

DRYWALL NICHE FOR OWNER'S CABINETS

DISP+WATER FILT

107B

36" REF/FRZ 36" CAB ON TOP

18" TALL CAB PULLOUT

UP 7R

106A

NEW OPEN RISER, STAINED OAK TREAD, PAINTED STEEL MONO STRINGER, WITH STAINED WOOD HAND RAIL AND CABLE RAILING

BENCH AND SHOE RACK BY OWNER

REF

ENGINEERED WOOD FLOORING THROUGHOUT ALL LIVING SPACES

107C

ENGINEERED WOOD 24" DWR+DOOR BASE

36" DWR+DOOR BASE

21" DWR BASE

106B

PAINTED STEEL CANOPY ABOVE

101

102A

ENGINEERED WOOD FLOORING THROUGHOUT ALL LIVING SPACES

18" OPEN WEB WOOD FLOOR TRUSSES @ 16"O.C. WITH SLEEPER FOR ROOF SLOPE AS NEEDED

110

108

102B

DRYWALL NICHE FOR BUILT-IN BY OWNER

MICROWAVE 24"WALL

24"WALL

24"WALL RG

24"WALL

36" OPEN SHELVES

21" DWR BASE

NEW ALUMINUM CABLE RAILING

202B

18" WALL CAB

WOOD FLOOR

LAUNDRY CHUTE BELOW

202A

18" WALL CAB

ALL BRICK PARAPET WALLS AND CAPS TO BE REPAIRED AND FLASHED AS NEEDED TO PREVENT WATER LEAKS

TILE FLOOR

NEW RAI

NEW RUBBER ROOFING BELOW

NEW ALUMINUM CABLE RAILING

PROFESSIONAL WORKS

BUILT-IN SOAKING TUB

TREX ROOF D NEW RUBBER BELOW

ENGINEERED WOOD FLOORING THROUGHOUT ALL LIVING SPACES

200B

200A

204

16" TUB SEAT

14" OPEN WEB WOOD ROOF TRUSSES @ 16"O.C. WITH SLEEPER FOR ROOF SLOPE AS NEEDED

UP OPEN SHELF 203

16" SHOWER SEAT

PITCH DOWN

SHOWER NICHE

201

ENGINEERED WOOD FLOORING THROUGHOUT ALL LIVING SPACES TREX ROOF DECKING ON NEW RUBBER ROOFING BELOW

002

2444 W 16TH ST. CHICAGO, IL 60608 773.888.1156 WWW.DWDW.CO

LAUNDRY CHUTE ABOVE

109

W ALUMINUM CABLE ILING

ALL BRICK PARAPET WALLS AND CAPS TO BE REPAIRED AND FLASHED AS NEEDED TO PREVENT WATER LEAKS

DECKING ON R ROOFING

FLOOR PLANS

KERR’S RESIDENCE 19

. dwdw DOES NOT WARRANT OR MAKE ANY REPRESENTATIONS WITH RESPECT TO THE ACCURACY OF THE DATA. THE RECEIVER WILL COMPARE THE DATA WITH AVAILABLE HARD COPIES. dwdw ALONE RETAINS ALL OWNERSHIP, COPYRIGHT, AND OTHER T FOR WHICH IT WAS PRODUCED. THE RECEIVER SHALL MAKE NO CLAIM NOR INITIATE ANY ACTION IN LAW OR EQUITY AGAINSTdwdw WITH RESPECT TO ANY DEFECT ERROR OR OMISSION IN THE DATA. THE RECEIVER AGREES TO THE FULLEST EXTENT ARISING OUT OF OR RESULTING FROM THE USE OF ELECTRONIC DATA.

PROFESSIONAL WORKS

WINDOW SCHEDULE

THE RECEIVER OF ELECTRONIC TRANSMISSION BY USE THEREOF UNDERSTANDS AND AGREES AS FOLLOWS: "THE ELECTRONIC DATA TRANSMITTED ("DATA") MAY BE ALTERED DURING TRANSIT AND TRANSLATION. dwdw DOES NOT WARRANT OR MAKE ANY REPRESENTATIONS WITH RESPECT TO THE ACCURACY OF THE DATA. THE RECEIVER WILL COMPARE THE DATA WITH AVAILABLE HARD COPIES. dwdw ALONE RETAINS ALL OWNERSHIP, COPYRIGHT, AND OTHER INTELLECTUAL PROPERTY INTERESTS IN THE DATA. THE RECEIVER WARRANTS THAT IT WILL NOT REPRODUCE OR OTHERWISE MAKE USE OF THE DATA IN ANY ENDEAVOR NOT DIRECTLY RELATED TO THE PROJECT FOR WHICH IT WAS PRODUCED. THE RECEIVER SHALL MAKE NO CLAIM NOR INITIATE ANY ACTION IN LAW OR EQUITY AGAINSTdwdw WITH RESPECT TO ANY DEFECT ERROR OR OMISSION IN THE DATA. THE RECEIVER AGREES TO THE FULLEST EXTENT PERMITTED BY LAW TO DEFEND, INDEMNIFY, AND HOLD HARMLESS dwdw FROM AND AGAINST ALL CLAIMS, DAMAGES, LIABILITIES, AND COSTS (INCLUDING REASONABLE ATTORNEY'S FEES AND COSTS OF DEFENSE) ARISING OUT OF OR RESULTING FROM THE USE OF ELECTRONIC DATA.

KERR’S RESIDENCE 20

FRIENDS SUSHI

PROFESSIONAL WORKS

USE EXTRA IMOLA LET IT BEE WHITE TILE, IF NOT ENOUGH, USE PNT-1

TES:

NEL

E1.4

E1.5

E1.9

E1.10

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E1.7

E1.8

D PANEL; PNT-3

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E1.13

ANEL .1.13

CUSTOM PLANTERS BY STOREFRONT WINDOWS

KEY PERSPECTIVE

PROFESSIONAL WORKS

E1.1

FRONT ELEVATION

NEW LARGE PANEL

DISCLAIMER: All drawings are property of our company. Th shared, copied or reproduced of our company. This print subject to return upon re

E1.1A

E1.1B

E1.1A

E1.1B

E1.1A

E1.1B

E1.1A

E1.1B

E1.1A

2444 W. 16 CHICAGO, 773.888 WWW.DWD

E1.1B

ENLARGED RCP PLAN

RCP PLAN E1.1

ARCHITECT

800-808 N STATE ST.

E1.1A

E1.1B

E1.2

ISSUE DATES

DATE CREATE 04.16.2021

REVISIO

DESCRIPTION:

PROJECT # : DRAWN BY: CHECKED BY:

KEY PERSPECTIVE

CEILING MILL

CEILING PLANTER STRUCTURE 04

ELEVATION DISCLAIMER: All drawings are proprietary and the exclusive property of our company. This/These print(s) shall not be shared, copied or reproduced without expressed permission of our company. This print is loaned in confidence and subject to return upon request by our company.

ARCHITECT

CEILING PLANTER STRUCTURE

CHICAGO, IL 60610

800-808 N STATE ST.

2444 W. 16TH ST. CHICAGO,IL 60608 773.888.1156 WWW.DWDW.CO

CEILING PLANTER ELEVATION

FRIENDS SUSHI 22

PROFESSIONAL WORKS

FRIENDS SUSHI 23

Step Reveal_Hybrid Linked Housing Fall 2018 | Thomas E. Brock Group Work Role: Design | Rendering | Model-making Scholarship Nominated

ACADEMIC WORKS

By 2050, it is estimated that Miami wil rising sea levels. This will result in the we propose the creation of a new com long bridge.

STEP REVEAL 24

Buildings Orientation concept

Circulation

Concept Steppenwolf theater is located in a residential area, most of the buildings are three to five stories. In order to keep minimize the proportion of the tower footprint by enlarge the co-housing footprint

ACADEMIC WORKS

Enclosure the height, we tried to

Co-housing Space Concept Le Corbusier’s Unite d’Habita-tion was used as a fundamental precedent to allow cross ven-tilation through the unit. This project pushed that concept from 2 dimensional to 3 dimensional.

Unconventional Co-Housing Floor Plan 3 + 6

Unconventional Co-Housing Floor Plan 2 + 5

STEP REVEAL 25

ACADEMIC WORKS

STEP REVEAL 26

ACADEMIC WORKS

STEP REVEAL 27

Outdoor Library_Temporary Event on Mining Rocks Intro to Architecture studio at Columbia University_ Summer 2016 Manhattan, NY Emanuel Admassu Individual Work ACADEMIC WORKS

Defining barriers as either having eith things) or “soft boundaries” that is pe can reverse their status such as signa person’s movement by making them b

her a “hard boundary” that is impermeable (such as geometric lines or artificial ermeable (such as organic lines or natural things). But some unique elements age. Some signages like “Stop!” have the opposite meaning - they accelerate a y pass the road.

OUTDOOR LIBRARY 28

Reverse the condition. Inside space can also be outside space, vice versa. Reverse the condition. Inside space can also be outside vice versa. Reversespace, the condition. Inside space can also be outside space, vice versa.

Hard Boundaries Now we are on theNow we are on the rock. I feel like Now we are Ionam therock. I feel like I am rock. Irock. feel like I ampart of the rock. part of the part of the rock.

Soft Boundaries

I used to climb upon the rock. But where

the rock now? I used to climb uponI used to isclimb upon the rock. But wherethe rock. But where is the rock now? is the rock now?

Now we are on the rock. I feel like I am part of Now wethe arerock. on the rock. I feel like I am part theare rock. Nowofwe on the rock. I feel like I am part of the rock. I used to climb upon

the rock. But where Boundaries is the rock now?

I used to climb upon the rock. But where isI used the rock now?upon to climb the rock. But where is the rock now?

Boundaries Boundaries

Boundaries

Height

Penetrability and Memories

Boundaries

Penetrable Boundaries

Physical Way

ACADEMIC WORKS

Hard Boundaries

Soft Boundaries

Visual Way

OUTDOOR LIBRARY 29

ACADEMIC WORKS

OUTDOOR LIBRARY 30

ACADEMIC WORKS

OUTDOOR LIBRARY 31

ACADEMIC WORKS

3D PRINTING | GRASSHOPPER 32

ACADEMIC WORKS

RHINO | ILLUSTRATOR 33