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From a breath-taking blend of MudŽjar architecture, unique crafts and traditions, and fragrant flora and diverse fauna, emerges Cole & Son’s latest collection SEVILLE. With graphic architectural prints in sun-drenched antique palettes to vibrant botanicals and primary-toned ceramic tile motifs, SEVILLE captures all the ebullience of southern Spain. cole-and-son.com
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NEWS & SHOPPING 17
OBJECTS OF DESIRE The latest design must-haves, from furniture to lighting
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NEWS Update lamps with vibrant shades and discover a new brand offering traditional Moroccan pottery and textiles LEATHER BOUND Smart pieces covered in this timeless material PASSION FOR PATTERN Classic striped fabrics with a bold twist STYLE REPORT Our round-up of the zeitgeist of the season – from 1970s nostalgia to the resurgence of handcrafted homeware FINE DINING Celebrate the enduring appeal of wood with a tactile timber table COMFORT ZONE Sit back and relax on an elegant chaise lounge MEDIA COVERAGE Sleek units to contain and conceal your tech SELECT STYLE Charming cushions
24 26 41
55 57 58 61
from independent names
33 94 104 110 120 129 138
INSPIRATION SCULPTURAL MATTER The art of displaying shapely designs and organic forms to striking effect ARTISTIC INHERITANCE A collection of art by the owner’s grandfather gives this LA home unique charm YOUNG AT HEART Designer Clare Gaskin’s mix of joyous colour and pattern adds lively personality to a London flat SARTORIAL FLAIR This fashion executive’s cool New York townhouse perfectly reflects his innate sense of style FRENCH CONNECTION Architectural practice De Rosee Sa gave a Notting Hill penthouse Parisian-style chic HISTORIC REVIVAL Antiques and earthy colours complement the character of an Arts & Crafts home in Tasmania STRUCTURAL ENGINEERING Topiary and evergreens chosen for their striking shapes make this Somerset garden stunning
COVER PHOTOGRAPH STEPHEN KENT JOHNSON/OTTO
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Oxford Gardens by Designers Guild is an uplifting shade of blue BRIGHT PROSPECTS How to choose lighting for a scheme that’s both functional and fabulous ALL FIRED UP Three garden designers share their top tips for autumn MASTERWORKS Beautiful rooms (and a garden) from our favourite designers, with plenty of inspiration and ideas for your schemes DOs & DON’Ts WITH KATHARINE POOLEY The interior designer on her decorating ground rules
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LIFESTYLE ONE TO WATCH Studio Madder OUT & ABOUT Events and launches WE LOVE A rural Hertfordshire retreat MY GARDEN LIFE Charleston’s new gardener, Harry Hoblyn THE SUSTAINABLE LIFE Sebastian Cox on woodland coppicing OFF THE SHELF A book of spectacular homes by photographer Simon Watson MOVERS & SHAKERS Daniel Reynolds BOWLED OVER Yotam Ottolenghi’s big flavour dishes to share with friends MY LIFE IN TEN Antiques dealer Max Rollitt reveals what matters to him
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10 H O M E S A N D G A R D E N S . C O M
JULIAN CHICHESTER
JULIANCHICHESTER.COM london
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Happy D.2 Plus. Design and technology perfectly combined. The perfect combination of iconic design and innovative technology: the bathroom classic Happy D.2 Plus with harmoniously rounded corners in new variants. The unique Duravit technologies like the patented c-bonded open up new, individual solutions. Design by sieger design. Duravit London, open now. For more information visit www.duravit.co.uk
With this issue, we take the temperature of design today. In a special 12-page report, news and shopping editor Jo Bailey beautifully rounds up the style zeitgeist, covering 1970s nostalgia, the rise of weaving, sustainable thinking and much more. In the back section, our Masterworks feature showcases rooms designed by some of the world’s best-renowned names and reveals the thinking behind each decision. For our garden inspiration story, we asked three top names to tell us what to do outdoors this month. This new season has crept up on us, and so it’s time to think about the now and the next. F OL L OW US ON Instagram @homesandgardensuk Twitter @homesandgardens Facebook @homesandgardens Pinterest @homesgardensuk
With this letter, I’d also like to reveal the 2020 version of our annual Design Awards. In response to this year’s tumult, we felt it appropriate to rethink the event into a celebration of real talent, a chance to recognise the brilliant people, both established and new, on the British design scene. The judging panel included myself, Kit Kemp, Sebastian Cox, Charu Gandhi, Barbara Chandler and last year’s Designer of the Year Lulu Lytle. We each submitted nominations and we thrashed out the shortlists on a Zoom marathon. It was
PHOTOGRAPH JAKE CURTIS
my most inspiring workday for some time. Hearing these leading lights champion expertise and debate brilliance was thrilling. Head to homesandgardens.com to see the selections; all winners will be revealed on Friday 11 September. SARAH SPITERI, EDITORIAL DIRECTOR
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HOLLOWAYS
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EDITORIAL ENQUIRIES 161 Marsh Wall, London E14 9AP homesandgardens@futurenet.com Editorial Director Sarah Spiteri Executive Editors Kate French and Pip McCormac Group Creative Director Emma Williams Group Chief Sub-Editor Jennifer Spaeth Commercial Editorial Operations Director Jane Akers Acting Commercial Editorial Operations Director Lizzie Hudson Homes Content Team Editorial Director Rhoda Parry Houses Editor Vivienne Ayers Interiors Editor Emma Thomas Associate Editor Busola Evans News & Shopping Editor Laura Vinden Acting News & Shopping Editor Jo Bailey News & Features Editor Thea Babington-Stitt Travel & News Editor Patrick Hamilton Courtney Homes Content Shoot Co-ordinator Areesha Richards Associate Art Hub Director Alison Walter Art Editor Meredith Davies Senior Designer Christopher McPhail Head of Subs Operations Maxine Clarke Hub Chief Sub-Editor Carly Rigley Senior Sub-Editors Marian McNamara and Karen Wiley Editorial Production Manager Nicola Tillman Deputy Editorial Production Manager Clare Willetts Art Production Designers Chris Saggers and Phil Dunk Group Production Manager Stephen Twort Production Controller Victoria Ling Advertisement Copy and Make-up Barry Skinner DIGITAL Digital Director Sarah Rafati Digital Content Director Holly Boultwood Acting Digital Content Director Stephanie Wood Digital Editor – Homes Group Amy Cutmore Senior Content Editor Jennifer Ebert SUBSCRIPTIONS Online orders: www.magazinesdirect.com Homes & Gardens is published 12 times a year by Future Publishing Limited. One-year full subscription rates for 12 issues including postage & packing: UK £61.65; Europe €157.60; Rest of world £157.95. For subscription enquiries please call 0330 333 1113, overseas call: +44 330 333 1113 (Lines are open MondayFriday, 9am-5pm UK Time) or email help@magazinesdirect.com. The US annual subscription price is $157.60. Airfreight and mailing in the USA by agent named Worldnet Shipping Inc., 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Subscription records are maintained at Future Publishing Limited, 3rd floor, 161 Marsh Wall, London E14 9AP. Air Business Ltd. is acting as our mailing agent. All prices include postage and packaging. US Postmaster: Enquiries and address changes should be sent to: Future Publishing Ltd, Rockwood House, Haywards Heath, West Sussex RH16 3DH or call +44 330 333 1113 (Lines are open Monday-Friday, 9am-5pm UK Time) or email help@magazinesdirect.com. BACK ISSUES Safeship Fulfilment, support@mags-uk.com, 01795 662976
Tithe Barn - circa 1325 Larvik table - 2020
GOOD DESIGN IS TIMELESS
Inspirational living and dining furniture Holloways, Lower Court, Suckley Worcestershire,WR6 5DE www.holloways.co.uk
EDITORIAL COMPLAINTS We work hard to achieve the highest standards of editorial content, and we are committed to complying with the Editors’ Code of Practice (ipso.co.uk/IPSO/cop.html) as enforced by IPSO. If you have a complaint about our editorial content, you can email us at homesandgardens@futurenet. com or write to Homes & Gardens, Future PLC, 161 Marsh Wall, London E14 9AP. Please provide details of the material you are complaining about and explain your complaint by reference to the Editors’ Code. We will endeavour to acknowledge your complaint within five working days and we aim to correct substantial errors as soon as possible.
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S H OP PING
OBJECTS OF DESIRE Shoppi ng e d it or Jo Ba i ley pick s her key pie c e s for t h i s mont h (Clockwise, from top left) Le Parc wallcovering in FP609001, £1,872 per panel, Pierre Frey Dakota bar stool, £1,314, Julian Chichester Kingsley wall light, £492, Porta Romana Viewpoint III artwork, £480, Emily Forgot Diamond Bow tiles, from £190sq m, Popham Design Live armchair in Moss, £2,250, Federica Biasi for Gallotti&Radice Handblown Italian glasses, £26 each, The Edition 94 →
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SH OPPI NG
(Clockwise, from top left) Ripple table, £1,650, Vogel Furniture for Hadeda Scrolling Fern Frond fabric in Sorolla Red, £260m, Soane Britain Baby Baobab lamp with shade, £590, Ilala x Samarkand Designs Black organic mirror, £150, John Lewis & Partners Sage green fringe linen napkins, £144 for four, Once Milano x &YOU Craftmaker’s chair, £950, Susie Atkinson Striped vase, £29.99, Zara Home
18 H O M E S A N D G A R D E N S . C O M
FOR
Discover the Wilderie Collection CLARKE-CLARKE.COM @clarke_clarke_interiors
N EWS
THE HOT SEAT This season sees the launch of the Tessa armchair, £3,116, designed by Antonio Citterio for Flexform. Made from turned Canaletto walnut with a backrest and seat woven using textured paper rush cord, it’s a beautifully handcrafted piece that feels ‘of the moment’ yet built to last. The range includes a bench, ottoman and coffee table.
TABLE TALK String Furniture is partnering with Stockholm-based design practice TAF Studio to launch the Museum side table. Created to commemorate the reopening of Sweden’s Nationalmuseum after five years of renovation, the table’s design features an adjustable top. Made from aluminium and available in a range colours, the table (£290, utilitydesign.co.uk) is a new addition to String Furniture’s much-loved modular shelving systems.
SO FARR, SO GOOD
LIGHTEN UP
FEATURE JO BAILEY
Inspired by a mutual love of colour and pattern, Pooky has joined forces with Matthew Williamson to debut a vibrant collection of 11 lampshade designs, launching this October. The designs have been developed using Matthew’s signature intricate patterns to offer a cheerful update for your favourite wall fittings, floor lamps or table lights. Available in varying sizes, from £35, at pooky.com
Designed with a spirit of mixing pattern and colour with confidence, Christopher Farr Cloth’s first collection of cushions and throws offers a diverse range of printed textiles from its extensive archives. Lucky for us, some of our favourite designs have been chosen for the collectable range of cushions, including Carnival by Michael Szell; Mille Feuille by Raoul Dufy and Belge by Barron & Larcher, £250 each.
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ODE TO MOROCCO As many of us long for sunnier climes, new homeware brand Memòri is offering a slice of Morocco for your home – minus the sunshine. Using only natural and local materials combined with ancestral techniques, the handmade pottery is fired using an open fire, allowing for creative results. Each textile is spun by hand using wool and natural vegetable dyes, meaning no two pieces are the same. Shown is the Tabsil Circle plate, £68.28.
CHECK IT OUT Taking a modern approach to reimagine the humble check and stripe, Romo’s new Oxley collection of decorative weaves displays a fresh twist on a classic. With a hint of retro charm, the colour palette offers a gentle nod to the 1970s, while still feeling right for a contemporary interior. We’ve got our eye on the Lavin design, shown here on the sofa in Sorbet, £85m.
Instag ram inspiration
DOWN TO EARTH The Earth Collection is a new muted paint range from Earthborn, consisting of five soft shades. Inspired by the great outdoors, the colours are themed around natural elements. The collection includes Grassy, a hazy grey-green evoking misty mountains; Skipper, reminiscent of still ocean waters; and Up Up Away, a relaxed and soothing cloud-like neutral, all £43 for 2.5ltr of Claypaint.
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Having recently completed his BA in Architecture, this autumn sees @reubarchi join a Bloomsbury-based firm to specialise in conservation and classicism. How would you describe your account? It celebrates the ephemeral details of vernacular architecture. The simple things people discount and often do away with. What is your USP? Expect the simple beauty of thoughtfully functional details with the judicious use of ornament where it will have the most impact. Who would you recommend we follow and why? @nicholas.keeble for the finest architecture of every period, @restorationhouserochester follows the restoration of one of England’s chief dwellings, and @tina.pasco whose style is no frills but lots of beauty.
S HOPPING
LEATHER BOUND
(Clockwise, from top left) Ricasso Barrel table lamp base, £2,400, Aimee Betts at The New Craftsmen Racetrack mirror, £1,850, Edelman Leather Stitched leather double coat hook, £150, Rose Uniacke Evelin chair, £1,538, C. Ballabio for Porada Albany desk, from £4,990, Tom Faulkner Wyatt napkin rings, £75 for four, Ralph Lauren Home at Amara Strap table, £270.99, Preben Lind at Lind DNA Leather PomPom pouffe, £2,932, Lisa Hilland for Svenskt Tenn
24 H O M E S A N D G A R D E N S . C O M
FEATURE JO BAILEY
A n inter iors cla ssic, this mater ial is hav ing a resurgence
farrow-ball.com Is that Farrow & Ball paint we used wipeable?
farrow-ball.com/modern-emulsion/claims
Yes Why, what you up to? Moving a ton of compost What?? Where? Through the house to the back garden. You’re not??? Yeah, borrowed Kev’s wheelbarrow
MODERN EMULSION R E M A R K A B LY U N M A R K A B L E
PA S S IO N F OR PA T T E R N (Top row) Mirador in Kalimba, £65m, Harlequin at Style Library. New Haven Stripe in Coral, £90m, Thibaut. Managua in Nude, £62.30m, Camengo (Middle row) Trianon Stripe in Azure, £92m, Soane Britain. Costa in Onyx, £185m, Serena Dugan at The Fabric Collective. RAE in J0101-02, £59m, Jane Churchill at Colefax and Fowler (Bottom row) Asher in Sorbet, £77m, Romo. Ishi in Paprika and Mist, £45m, Sanderson at Style Library. Rebozo in Multi, £98m, Baker Lifestyle at GP&J Baker
26 H O M E S A N D G A R D E N S . C O M
FEATURE JO BAILEY
The staple str ipe ha s had a bold revamp
PRESENTS
A NEW FORMAT DELIVERING THE BEST IN GLOBAL DESIGN
CONNECT CONVERSE CREATE 13 SEPTEMBER
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ONLINE & TAILORED VISITS FOR TRADE PROFESSIONALS TO THE WORLD’S PREMIER DESIGN DESTINATION ABBOTT & BOYD • ALEXANDER LAMONT + MILES • ALTFIELD • ALTON-BROOKE • ANDREW MARTIN • ART RUGS GALLERY • ARTE • ARTERIORS • ARTHUR H LEE & SONS LTD • ARTISANS OF DEVIZES • BAKER • BAKER LIFESTYLE • BEAUFORT COLLECTION • BELLA FIGURA • BRUNSCHWIG & FILS • C & C MILANO • CECCOTTI COLLEZIONI • CHASE ERWIN • CHRISTOPHER HYDE LIGHTING • CIRCA LIGHTING • COLE & SON • COLEFAX AND FOWLER • COLLIER WEBB • COLONY • DAVID HUNT LIGHTING • DAVID SEYFRIED LTD • DAVIDSON LONDON • DE LE CUONA • DECCA • DEDAR • EDELMAN LEATHER • ESPRESSO DESIGN • ETHIMO • FLEXFORM • FRATO • GALLOTTI&RADICE • GEORGE SPENCER DESIGNS • GLADEE LIGHTING • GP & J BAKER • HARLEQUIN • HOLLAND & SHERRY • HOULES • IKSEL – DECORATIVE ARTS • INTERDESIGN UK • JACARANDA CARPETS & RUGS • JASON D’SOUZA • JEAN MONRO • JENNIFER MANNERS • JENSEN BEDS • JULIAN CHICHESTER • KRAVET • KVADRAT AT HOME • LEE JOFA • LELIEVRE PARIS • LEWIS & WOOD • LINCRUSTA • LIZZO • MARVIC TEXTILES • MCKINNEY & CO • MCKINNON AND HARRIS • MORRIS & CO • MULBERRY HOME • NADA DESIGNS • THE NANZ COMPANY • NINA CAMPBELL • NOBILIS • OFICINA INGLESA FURNITURE • ORIGINAL BTC • PAOLO MOSCHINO FOR NICHOLAS HASLAM LTD • PERRIN & ROWE • PHILLIP JEFFRIES • PIERRE FREY • PORADA • PORTA ROMANA • POTTERTON BOOKS • RESTED • RUBELLI • SA BAXTER DESIGN STUDIO & FOUNDRY • SACCO CARPET • SAMUEL & SONS • SAMUEL HEATH • SANDERSON • SAVOIR BEDS • SIBERIAN FLOORS • SIMPSONS • SONJA BROWN TEXTILES • STARK CARPET • STUDIOTEX • SUMMIT FURNITURE • SUTHERLAND PERENNIALS STUDIO • TAI PING • TH2 • THREADS AT GP & J BAKER • TIM PAGE CARPETS • TISSUS D’HELENE • TOLLGARD • TOPFLOOR BY ESTI • TUFENKIAN ARTISAN CARPETS • TURNELL & GIGON • TURNSTYLE DESIGNS • TURRI • VAUGHAN • VENTURA • VIA ARKADIA (TILES) • VICTORIA + ALBERT BATHS • VILLEROY & BOCH • WATTS OF WESTMINSTER • WEST ONE BATHROOMS • WHISTLER LEATHER • WIRED CUSTOM LIGHTING • WOOL CLASSICS • ZIMMER + ROHDE • ZOFFANY • PLUS HOUSE GUESTS IN THE DESIGN AVENUE
To register and for details about the new appointment-booking facility for trade only visit www.dcch.co.uk @designcentrech | #Focus20AtDCCH All products shown sourced from Design Centre, Chelsea Harbour. See dcch.co.uk/focus/press
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ORANGERIES
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LI F ES TY L E
FEATURE JO BAILEY PHOTOGRAPHS KATHERINE UXBRIDGE
In her workspace at her home in Anglesey, Jesse experiments with citric acid, soda ash and iron to modify dyes derived from foraged finds
O N E T O WA T C H Specialising in nat ural dyes for use in tex tiles and ar t, St udio Madder g r ew f r om Je s s e Ha r r i s’ de si r e t o ex plore the colours that can be made f rom found and waste items
Q
Tell us a little bit about your background? I studied at Edinburgh College of Art and went on to work in the interiors and creative industry in London for six years. I’ve been interested in natural dye for a while and in 2019 when I went freelance, I was able to enrol on a course with Zoe Burt at Morley College. I fell in love with the process and Studio Madder has organically grown from then on. →
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L IFES T YLE
Q
Where do you look to Jesse has worked on a series of canvases to display her naturally dyed materials
find inspiration? My natural surroundings are a constant source of inspiration, that’s one of the reasons I moved out of the city and to Wales. I read a lot of blogs by natural dyers, there is an amazing global community of dyers who are happy to share their findings – in particular Jenny Dean, whose book Wild Colour has been a bible to me as I’ve learnt about natural dye. In terms of artists or designers, it’s hard to pinpoint just a few – but I love the work of Ellsworth Kelly and Rothko.
Q
Can you explain your technique and the different pieces of equipment you use? There are key stages that I follow when preparing fabric: washing, scouring and mordanting. These ensure the fabric can absorb as much of the dye as possible. I make my dye baths out of foraged plants and flowers, as well as food waste. I’ve got bags and containers full of onion skins and avocado stones. It’s very rewarding to use something that would otherwise go in the bin to create colour! My equipment comprises of four ceramic heatplates, stainless-steel pots, bowls, spoons, sieves and a host of different recycled containers that I keep the dyes I’ve made in.
“I’M CURRENTLY COLLABORATING WITH MILLINER IONA MONTGOMERY ON LIMITED-EDITION, NATURAL-DYED TURBANS”
Q
How has your work evolved over time? The final canvas pieces are still in their infancy and just one aspect of Studio Madder. I’m excited to see where I can take my work, but my knowledge and skills as a natural dyer are constantly growing and evolving with each experiment. There are so many factors that influence the final result; location, season and quantity of dye material.
30 H O M E S A N D G A R D E N S . C O M
Q
Q
then moved to Malawi in Africa and then to Anglesey in Wales. Plans to find a permanent studio have been put on hold due to Covid-19, so currently I work in the garden and out of the back of my van!
take too much and check what you’re picking – some things are poisonous. I’d recommend doing a workshop as a great way to learn the basic steps.
Tell us a bit more about your studio? I’ve moved around a lot in the last two years. My studio started on the kitchen table of a flat in Brixton, it
Advice for someone wanting to explore natural dying? Get outside and go foraging, keep your food waste and experiment. Be mindful when out foraging, don’t
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studiomadder.com
A collection of stunning fabrics inspired by the National Trust.
stylelibrary.com/sanderson @sanderson1860
Green A collection of authentic National Trust colours including original shades from the homes of Winston Churchill, George Bernard Shaw and Beatrix Potter. Available now. om 80
Order your free colourcard, or find your nearest stockist at littlegreene.com Colour Consultancy service available nationwide
I NS PIR AT ION
Sculptural matter Caref u lly curated d isplays of shapely f ig ures and organic forms ta ke centre stage this sea son STYLING HANNAH FRANKLIN PHOTOGRAPHY JAKE CURTIS
HOME EXHIBIT Grouping pieces together under glass is a stunning way to show off your collectables. Glass Virtue cabinet, £1,400, Robert Shackleton at Princelet. Limited edition Womb Relax armchair, £7,878, Eero Saarinen for Knoll at The Conran Shop. Nibbe table, £260, Galvin Brothers. Sympoiesis vessel, £410, Viv Lee at
Toast. Pablo stoneware ceramic candlestick, £550, Abigail Ozora Simpson. Soft dish, £225, Soft Soft Hard Group by Naomi Bikis at M.A.H Gallery. Hand-built stoneware in 04 Sand, £200; 03 Black, £175, both Tracy Dixon
Ceramics. Petal Spine VI vase by Julie Nelson, £900; Fortune vessel by Ateme Ceramics, £350, both M.A.H Gallery. Tenanted vessel 2018 in olive ash, £2,000, Forest + Found. Zitoune blanket, £475, Lrnce at A New Tribe →
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CURVES IN ALL THE RIGHT PLACES As the striking furnishings and lighting here show, sculptural can be beautiful and useful. Take a seat. Pebble sofa, £6,950, by Fred Rigby at House of Grey. Totem sculpture, from £11,000, Tom Faulkner. Velvet cushion, £98, Kirsten Hecktermann. Note stool in walnut, £710, Edward Collinson. Mug, £30, Lucy Rutter at Toast. Satin white cylindrical stoneware vessel, £950, Abigail Ozora Simpson. Tide IV vase by Julie Nelson, £700; Curve painting by Laura Wickstead, £350; rustic wooden plinth, price on request, all M.A.H Gallery. Land jar 2020 in burnt alder, £2,800, Forest + Found. Armchair, as before. 9602 floor lamp, £863, Gubi. Interior With Table rug, £7,350, Doodles collection by Faye Toogood at Monologue London →
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IN THE CORNER This armchair, with its softly undulating lines, sits snugly in a nook, as shimmering brass mobiles catch the light as they sway gently above. Tilda armchair, £2,591, Love Your Home. Hebe large natural floor lamp, £480, Ferm Living at Rose & Grey. Ekero side table, £1,452, Tollgard & Castellani for
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Porada at Design Centre Chelsea Harbour. Land jar 2020 in spalted maple, £2,800, Forest + Found. Satin white stoneware cylindrical vessel, £950, Abigail Ozora
Simpson. Vintage geometric wooden shapes from a large set, £850, Bleu Furniture. Starling brass mobile, £80; Fulmar brass mobile, £100, both Catherine’s Studio
I NS PIR AT ION
QUIET BEAUTY For those with a love of ceramics, a collection of vessels on a humble window shelf is a pleasing way to enjoy sculptural pieces on a smaller scale. Asymmetric vase in Sand (just seen), £44, A New Tribe. Stoned block bowl, £50, Amara. Petal Spine VI vase, £900;
Tubular Loop vase, £220, both Julie Nelson at M.A.H Gallery. Black stoneware, £60; Sand stoneware, £80,
both Paper Collection at Tracy Dixon Ceramics. Black stoneware sculpture, £950, Abigail Ozora Simpson →
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DINING DRAMA For a showstopping moment, a striking table and pendant hit the spot. Every piece here, from the shapely chairs to the tabletop vessels, draws the eye, inviting your gaze to dance across the space. Alan table, £5,873, G&O Buratti for Porada at Design Centre Chelsea Harbour. Pebble chairs, £495 each, Fred Rigby Studio. Anders large banana fibre shade, £2,875, Pinch. Sand Storm and Sand and Steel tableware, from £60, Khayni.
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Matte white sculptural stoneware candlestick, £350, Abigail Ozora Simpson. Ceramic Ponti bird, from £300, Julie Nelson. Land jar 2020 in burnt alder, £2,800, Forest + Found. Falling Silk artwork by Studio Earle, £2,000, M.A.H Gallery.
(On cupboard) White satin bobbin vessel, £1,250, Abigail Ozora Simpson. Hand-built 04 Sand stoneware vessel, £200, Tracy Dixon Ceramics. Darwin’s dove, from £300, Julie Nelson. Candlestick, as before. Plaster sculpture, £800, M.A.H Gallery
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BATHING SANCTUARY Not your everyday sanitaryware, this washbasin feels truly unusual, especially when pared with a sculptural console and artistic accessories. Who said the practical bathroom cannot also be a space for luxuriating in the beauty of coveted and collected pieces? Onyx basin, £450; tree trunk pedestal washstand, £1,890; brushed brass basin filler, £895, all Indigenous. Magicus console table, £750, Oka. Volta lamp in White, £525, A New Tribe. Linen hand towel, £16.99 for a pair, LinenMe, is similar. Paloma candlestick, £550, Abigail Ozora Simpson. Kudu seagrass rug, £155, French Connection. Linen curtains, £59.99, H&M Home. Mug, £30, Lucy Rutter at Toast. Sand Bar utensil holder in Mineral, £100, Khayni. Toothbrush, £15, Labour and Wait. Stoned Alexis soap dish, £45, Amara &
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We l c o m e t o o u r s t y l e r e p o r t f o r t h e s e a s o n; a f o c u s o n t h e n e w M O V E M E N T S A N D M O O D S. We ’ v e c o v e r e d b o t h t h e l a r g e a n d the small. A celebration of W O M A N H O O D and the rise of 1970 s N O S T A L G I A ; the impor tance of sustainable desig n and the endur ing A R C H s h a p e. T h i s t i m e i s a l s o characterised by a R E T U R N T O C R A F T. At Home s & Ga rden s we are pa ssionate in our suppor t of a r t i s a n s a n d m a k e r s. D i s c o v e r t h e W E A V E R S who are br ing ing back the loom and our edit of F U T U R E H E I R L O O M S. FEATURE JO BAILEY
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THE COLLECTION Two industry heavyweights join forces to create this season’s most exciting new designs When we heard that Morris & Co had teamed up with interior designer – and Morris enthusiast – Ben Pentreath (pictured), we knew we were in for something special. The Queen Square collection, named after the street that once housed the Morris & Co factory, revives Blackthorn and Daffodil from the archives, alongside cherished designs such as Willow Bough, all of which Ben has reimagined in olive green, burnt orange and vivid turquoise across 18 fabrics and papers.
Sofa in Daffodil in Archive, £89m; blue cushion in Willow Bough in Olive/Turquoise, £79m, both Ben Pentreath for Morris & Co at Style Library
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THE I N N O VAT I O N Exciting new textiles made using cutting-edge techniques push the boundaries Known for its experimental style, Kirkby Design has launched two hi-tech collections. Futurebound comprises nine decorative weaves created with methods that use electric needles to punch pattern into velvet, metallic yarn to form shapes, and cross-dyed crushed velvet (where fabric is dyed twice to achieve a two-colour effect). The second range is Volume, which features 11 fabrics with an abundance of texture, including Brush (below), a soft long-pile cotton weave that takes inspiration from the world of high fashion.
THE DESIGN DETAIL Spherical shapes offer an inspired sculptural aesthetic With Porta Romana you can expect one thing: the unexpected. This autumn is no different with Tree of Moons, its new table lamp which gives a firm nod to sculptural design. Other brands celebrating the sphere this season include Le Berre Vevaud at The Invisible Collection, with its remarkable Victoria bench, and Baker’s Pearl mirror masterpiece.
Chair in Brush in Glacier, £206m, Volume collection at Kirkby Design
Tree of Moons lamp, £1,220; Bongo shade, £355, both Porta Romana
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THE CRAFT MOVEMENT
MOMOKA GOMI @momokagomi Through her training to become a kimono dresser at the age of 17, Momoka Gomi began to appreciate the value of textiles. Fascinated by the combination of creative freedom and mathematical
DALIA JAMES @daliajamesstudio Coming from a family of makers, Dalia James was encouraged to continue the family tradition of working with her hands. In 2012, after graduating with a degree in textiles, she invested in an
MAJEDA CLARKE @majeda_clarke After studying textiles and graduating with a First, Majeda Clarke then went on to win the Cockpit Arts/ Clothworkers’ Foundation award. An investment in an Arm Loom enabled her to
restrictions in weaving, she sought a career as a textile artist. Her second-hand 1960s dobby loom requires no electricity to operate,
eight-shaft Ashford table loom, which has served her well ever since. Keen to explore a more sustainable approach, Dalia introduced
become a viable practice in a modern market, as it has a computer that stores patterns in its memory making lifting the shafts easier. Her
meaning her fabrics are woven using 100 per cent human power. The slow pace inspired Momoka, and she now creates beguiling cushion covers and long, trailing scarves.
bamboo as a new material to work with alongside spun silk. Noting Josef and Anni Albers as some of her influences, her vivid fabrics often experiment with colour and geometric forms.
background as Bengali born but brought up in Britain influences her style, inspired equally by European aesthetics and by the patterns and enlivening shades seen in traditional Indian motifs.
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PHOTOGRAPHS (MAJEDA CLARKE) CHRIS PROCTOR; (MOMOKA GOMI) JONNY GUARDIANI; (DALIA JAMES) JOAN FERNANDEZ BLASCO
As we renew our interest in handcrafted design, these weavers explain how they have revived one of the world’s oldest techniques
THE SPIRIT Bold colour and pattern evoke nostalgic familiarity The design world has been paying homage to 1970s style for a number of years. Curvy shapes, playful patterns and saturated colours have all been used by brands such as Cole & Son and Designers Guild to great effect, as joyful as they are uplifting. And it looks as though our love affair with the era is set to continue. This autumn sees the launch of Claybrook’s brilliant tile collection, the aptly named Vintage Vibes, which was inspired by tiles that Claybrook’s creative director, Rob Whitaker, found when undertaking a renovation of a 1973 townhouse. And it’s not just Claybrook getting all groovy - see also Ligne Roset, an undulating lined pattern fabric range at Dedar Milano and even some lighting at Zara Home.
(Clockwise, from above) T vases, £209 each, Marie Christine Dorner at Ligne Roset. Lamp, £69.99, Zara Home. Pukka chair, from £1,514; stool, from £544, both Yabu Pushelberg at Ligne Roset. Filmflam fabric, £209.50m, Dedar Milano. Vintage Vibe tile, £55sq m, Claybrook. Fandango fabric, £216m, Dedar Milano
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T H E PA L E T T E Tobacco is looking smoking hot for the autumn Not as rich as chocolate nor as sickly as caramel, woody tobacco tones evoke a calm yet cool interior. As warmer hues replace the greys that have dominated interiors for years, these hard-working brown-based shades can be used as a fundamental all-over colour or as a neutral accent against a brighter palette. Kelly Wearstler, queen of all things zeitgeist, offers her latest collection of fabrics and wallpapers, designed for Lee Jofa, in a spectrum of toasty tones – so it really must be the hot hue right now. (Clockwise from top left) Kelly Wearstler V collection fabrics, from £117m; wallpapers, from £508 a roll, all Kelly Wearstler for Lee Jofa at GP & J Baker. Tigris fabric in Tobacco, £105m, Larsen at Colefax and Fowler. Scribe fabric in Mocassin, £167m, Mark Alexander
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Tit for Tat candlestick, £145, Anissa Kermiche
THE SHAPE Arches remain ahead of the curve As some trends come and go, others seem to stick around. We’ve seen an abundance of arches over the past few years, from architectural elements, such as doorways and windows, to furniture and homeware, including mirrors, rugs and lighting, or to great effect as headboards. And the shape is continuing into the new season, with designers embracing its curve and honouring its rich history. Now, however, the focus is on the more
THE INSPIRATION
classical style of arching seen in romantic buildings. Interpretations from brands such as Zoffany and Oka have caught our eye.
Celebrating the symbol of femininity in all its glory Throughout history, the female form has long been a source of inspiration for great paintings, sculpture and photography. In recent years, we’ve seen a resurgence of artists illustrating the female body or body parts. One designer who has certainly made her mark is Anissa Kermiche, with her distinct Love Handles vase and Tit for Tat candlestick all the rage.
(From top) Montacute wallpaper in City Grey/Fig Grey, £115 a roll, Zoffany at Style Library. Gustaf sideboard, £3,225, Oka
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Arundel round dining table, £1,925, Neptune
Bud vases, £110 set, Grain & Knot
THE FUTURE CLASSICS A new wave of designers are crafting treasures from wood Now, more than ever, we seek items expertly led to a resurgence in young British craftspeople creating the ‘heirlooms of the future’, using the versatility of wood to do so. Henry Tovey, furniture designer at Neptune, says, ‘When creating a piece designed to stand the test of time, it’s important to consider the materials you are crafting it from, as well as the techniques.’ (From top) Christo four-poster bed, £10,065, Pinch. Brodgar chair with drawer, £3,400, Gareth Neal and Kevin Gauld at The New Craftsmen. Shake sideboard, £3,995, Sebastian Cox at Benchmark
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PHOTOGRAPH (BENCHMARK) PETR KREJCI
handmade from high-quality materials. This has
Artist KG Nilson linked up with Arket to create blankets and cushions based on his art
THE NEW INFLUENCE Artists pave the way for cool, contemporary homeware The art world has always had an influence on the interiors industry, with designers often considering art an essential part of any scheme, sometimes even the origin. So it’s no wonder that brands are embracing our appetite for creativity in everyday design by commissioning artists to create attainable items for the home. Lifestyle brand Arket and artist KG Nilson (above) have come together to launch a limited-edition collection of soft furnishings using geometric artwork lifted from his extensive archive. Meanwhile, Joana Vasconcelos, the youngest artist to exhibit at the Palace of Versailles, has reinterpreted six iconic pieces from Roche Bobois’ collections, as well as designing rugs and cushions depicting her own organic shapes.
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THE FUTURE It’s all about sustainable and ethical design choices With the environment at the forefront of our minds, it’s no wonder more and more brands are taking the necessary and responsible steps in creating ethical and sustainable choices. One company that’s paving the way is Silo, the world’s first zero-waste restaurant, based in Hackney, east London. As well as delivering a responsibly sourced menu, the venue’s furniture and fittings, designed by Nina+Co, have been created using materials that would otherwise have been wasted, such as cork, mycelium and even seaweed. Also, this year sees Naturalmat launch its luxurious, yet wholly organic bed linen, which meets the highest production standards. In addition, Mater is reimagining garden furniture using plastic waste found in our oceans and designed with a circular economy in mind.
Luxury Organic 500 thread count bed linen, from £22 for a pair of pillowcases, Naturalmat
Ocean outdoor chairs, £234 each; Ocean outdoor dining table, £395, all Mater at Heal’s
Silo restaurant in Hackney, London, designed by Nina+Co
THE FOCUS Designers turn their minds to new ways of working As we navigate our way through the events of recent months, many of us have had to make adjustments – both big and small. Millions of workers, while lucky to have the option, have been forced to work remotely; setting up a makeshift desk in the corner of bedroom, tapping away on a laptop around the kitchen table, all while checking what’s in view when on a video conference call. The concept of working from home certainly isn’t a new one, however, will it become ‘the new norm’ – and how will our homes need to adapt? Designers are ahead of the game and rethinking furniture to meet this alternative working life.
THE MATERIAL Frosted glass is the biggest story in lighting
PHOTOGRAPH (SILO) SAM A HARRIS
This year, lighting design is all about glass and its treatment. Whether frosted, mottled, fluted or rounded, all are in beautifully soft translucent hues. Just as traditional stained glass was designed to evoke a sense of wonder, the modern day equivalent creates a cool and serene atmosphere for the home. Lucio chair with laptop table, £3,350, Sebastian Wrong at Established & Sons
(Clockwise from top left) Orlena ceiling light in Emerald Green, £95, Habitat. Gourami glass table lamp, £295, Oka. Bonfire table lamp, price on request, Studiopepe at Gallotti& Radice
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THE INTERIOR LOOK Dust off your artefacts – it’s time to put them on display While exploring some of the world’s most beautiful abodes, one current theme within interior design is the concept of styling your home as though it were an art gallery. On first impression, this idea may sound a little cold and uninviting but in practice it’s about monochromatic walls used as a backdrop to create charming vignettes. By playing with scale and using beloved items to reflect your personal aesthetic, you can channel your inner artist, à la Oliver Gustav, Copenhagen-based creative
Oliver Gustav’s inspirational studio/ gallery in Copenhagen
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PHOTOGRAPH NICOLE FRANZEN. TAKEN FROM LIVE BEAUTIFUL BY ATHENA CALDERONE (ABRAMS, £30)
consultant, who makes his studio space (pictured) look effortlessly cool. &
A different perspective Some furniture is made for the here and now. Some is built to stand the test of time. At Neptune, we believe that the best can do both. Because good design never gets old.
Book an appointment to chat to one of our friendly designers – on us. neptune.com
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Wo o d t a b l e s d e l i v e r a n e n d e a r i n g t i m e l e s s n e s s 1. Bevel extendable table, €2,715, Ferm Living 2. Gillear dining table in Grey Wash, £1,850, Oka 3. Celia walnut extending curved dining table, £995, Habitat 4. Macau dining table, £3,747.60, Julian Chichester 5. Large Moreton six-seater dining table in natural oak, £1,750, Neptune 6. Kigumi round dining table, £835, Case at Heal’s 7. Botticelli extendable dining table, £1,210, Perch & Parrow 8. Achille dining table with square base, £2,340, Vincent Sheppard at Lagoon
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Chaise lounges for read ing and rela x ing 1. Oscar in Kvadrat Molly, £3,267, Matthew Hilton for SCP 2. Earl Grey in Navy, £2,213, Love Your Home 3. Catalina, £2,830, Arteriors 4. Soderhamn in Finnsta Turquoise, £335, Ikea 5. Calibri, from £2,510, Sacha Lakic for Roche Bobois 6. Romain, £3,012, Emmanuel Gallina for Porada 7. Wind in Caramel Cafe, £1,338.30, Broste Copenhagen 8. Isaac in Pumice house basket weave, £840, Sofa.com
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MEDI A COV ER AGE 1. Blaine, £2,095, Andrew Martin 2. Cortes, £3,326.40, Julian Chichester 3. Tamaroa, £975, La Redoute 4. Dita, £1,578, Pagnon and Pélhaître for Ligne Roset 5. Century, £518.50, Maisons du Monde 6. Galloway, £1,395, Oka 7. Pictograph, £1,699, West Elm 8. Monument, £1,895, Gabriel Tan for The Conran Shop
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FEATURE JO BAILEY
Smar t desig ns to hold and hide your tech
mood muse
wallpaperdirect.com designerpaint.com Make your home your own
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Beaut if ul cushions f rom independent names to k now 1. Parallel, £90, Collective-Stories 2. Tuft I, £200, Renée Rossouw at Hadeda 3. Saffron Spot, £180, Louisa Loakes 4. Cymbeline, £375, Tibor 5. Improvisation Number 3, £145, Ottoline 6. Coral, £405, Saved NY x Fee Greening at Matchesfashion 7. Sienna & White Striped Blok, £270, Shepherd England at The New Craftsmen 8. Suzani, £185, Pentreath & Hall 9. Kirby Azure, £95, Wicklewood
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INTRODUCING OUR NEW BEDROOM RA NGE WE’RE THRILLED TO REVEAL OUR COLLABORATION WITH NATURALMAT, WHICH COMBINES SUSTAINABLE MATERIALS WITH SERIOUS STYLE
We’ve long been fans of Naturalmat for its laudable sustainable ethos – it won the Queen’s Award for Sustainable Development – and its dedication to craftsmanship, plus the fact that its mattresses and bedding are utterly cosseting and comfortable, so we’re delighted to have designed a range together. Featuring three statement beds with matching storage solutions, alongside luxurious organic bedding and bed linen, we think it’s your best chance at a perfect night’s sleep.
SWEEPING CURVES We’re so taken by the Rosemoor bed, with its shapely curves that start on the headboard and flow down to the bed base. Padded with layers of organic lambswool, it is both a stylish and a comfortable focal point. From £1,950
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An extra high back with contemporary buttoning is seriously chic. The Clovelly’s bed base is topped with a thick, springy sheet of coir for an extra layer of comfort. We’ve thought through every last detail, so the storage bench features one large drawer instead of a lift-up lid. From £1,660
From a Global Organic Textile Standard (GOTS) certified mill in India, these crisp, ultra smooth and soft sheets are ethically and sustainably planted, grown, woven and sewn. The thread count is 500 and they wash beautifully. We love the two-tone edges. From £155
A mini version of our stately Clovelly with its big buttons and dainty feet, the Buckland is an endearing single-size bed for children. Complete the look with the treasure chest-style storage box. Choose from a range of 18 bright cotton linen covers. From £865
Elegantly raised off the ground to match the Rosemoor bed, this box is a real beauty. From £850
Find out more at naturalmat.co.uk/ homesandgardens
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Design that lasts a lifetime
PHOTOGRAPHS (LIVING ROOM) CHRIS EVERARD; (KITCHEN) TI-MEDIACONTENT.COM; (DINING AREA) TI-MEDIACONTENT.COM
Online this month
TIMELESS STYLE Creative schemes for classic living rooms NEW LOOKS FOR 2020 Our pick of the season’s latest fabrics and wallpapers STYLISH STORAGE IDEAS Clever tips and tricks from designers on how to maximise your space
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OUT
ABOUT
Th is month, w r it er Fiona McCa r thy ex plore s the most excit ing happenings on the desig n scene
PHOTOGRAPH (PAINTING THE TOWN) DOMINIC BLACKMORE
HIGH CONCEPT Anoud Khaled launches &YOU this month, a new online multibrand interiors and lifestyle concept store with an impressive roster of brands under its umbrella. Independent designers such as Lara Bohinc, Kana London and Lina Saleh sit next to Campbell-Rey’s vividly striped mouth-blown Murano tumblers (shown), Once Milano’s Italian hand-cut, sewn and dyed table linen and sculpted wool wall hangings by LA-based textile artist Taiana Giefer (usually working to commission only). ■ andyoulifestyle.com
PAINTING THE TOWN Stop by Andrew Martin’s vibrant pop-up on Sloane Avenue to explore the new range of eco-friendly water-based performance paint – the kaleidoscopic wall of colour, boasting a riot of 114 shades, is in itself mesmerising. Then revel in founder and creative director Martin Waller’s treasure trove of wonderfully surreal sculptures, quirky accessories and large-scale plexiglass photography (and even one-of-a-kind racing cars here and there), mixed in with the company’s own designs for sofas, armchairs, sideboards and coffee tables. ■ andrewmartin.co.uk
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ALL ABOUT THE CRAFT There’s lots going on, appropriately socially distanced of course, for this year’s London Craft Week (30 September-10 October). There will be events both physical and virtual and talks, including Kit Kemp in conversation with ceramicist Kate Malone (pictured), mediated by Grant Gibson at Ham Yard Hotel. ■ londoncraftweek.com
AROUND THE WORLD IN 14 COLLECTIONS As most of us won’t be travelling so much this year, online collectible design gallery Adorno is bringing the world to us instead. From 12-20 September, its Virtual Design Destination will showcase furniture, textiles, ceramics, sculpture and art within 14 country pavilions by talent from nations such as Belgium and Iceland to Latvia, Lithuania and Poland. Set against 3D virtual backdrops (as shown here for the
DON’T MISS: Focus/20 (13-18 September). Along with talks and webinars, many of the Italian brands at Design Centre, Chelsea Harbour (dcch.co.uk) will be launching new pieces.
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RAINBOW BRIGHTS As the first port of call for anyone interested in artisanal work, The New Craftsmen is launching several pieces destined to go straight on to your wish list. Under the enticing name ‘Ways of Seeing’, it is debuting rainbow-hued bobbin tables by Alfred Newall (shown). There will also be talks and installations at the company’s Mayfair showroom. ■ thenewcraftsmen.com
PHOTOGRAPH (AROUND THE WORLD) MARK COCKSEDGE
Swedish pavilion, curated by Paola Bjäringer, featuring the Troxler light by Studio Kajsa Willner), two collections will launch each day, over seven days, and all pieces be available to buy via Adorno. ■ adorno.design
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THE ART OF PRECISION As part of Project Earth, a major new sustainability initiative at Selfridges this autumn, ceramics brand 1882 Ltd’s ‘Seven Sisters’ collaboration with designer Bethan Gray will be on show (and for sale) at the store’s Fount Bar in the Accessories Hall. Each piece of the earthenware collection, its name taken from bottle kilns that were once where 1882 Ltd’s founder Emily Johnson’s family had factories in Stoke-on-Trent, has been hand-thrown by 1882 Ltd’s craftsmen and then hand-painted by Bethan with her glorious Dhow pattern in shades of lavender or cobalt blue. ‘Not an easy feat as the clay is super-absorbent, allowing no margin for error,’ says Emily. 1882ltd.com, bethangray.com, selfridges.com ■
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W E LOV E Bi rch: a bra nd-new cou nt r y ret reat i n Her t ford sh i re that is so much more than simply a hotel THIS intriguing new venue in countryside 30 minutes outside of London is hard to define. Though it has bedrooms, it is not quite a hotel. You can become a member, but it is not really a club. And though its setting is in a grandiose country house, and its decor befitting a building with such wonderful historical panelling, the style edges on contemporary, too. The founders ask us to think of it as an escape from the stresses of modern life and urban living, and, looking at the long list of activities and pursuits on offer when you’re there, it could be just the place to unwind. In grounds that sprawl beguilingly over 55 acres, you
FEATURE PATRICK HAMILTON COURTNEY
can learn to throw in the pottery studio, discover the art of foraging in the garden, pick up a brush in an art class or an instrument in the music room, and get your hands messy in the interactive bakery. And top London chef Robin Gill, of the much-acclaimed The Dairy in Clapham, has taken over the food for a menu of nature-inspired fare at The Zebra Riding Club. The quirky name sums up Birch’s whole approach to hospitality – welcoming, whimsical and wonderful. NEED TO KNOW ■ Double rooms from £240 per night. ■ The events programme changes regularly, so look out for beekeeping classes, wood carving and guided meditation. ■ birchcommunity.com
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Matki-ONE Pivot Contemporary style, technical innovation. Shower Doors beautifully engineered in the UK
F O R A B R O C H U R E A N D N E A R E S T B AT H R O O M S P E C I A L I S T C A L L 01 4 5 4 3 2 8 811 | W W W. M AT K I . C O. U K | M AT K I P L C , B R I S TO L B S 3 7 5 P L
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FEATURE TERESA CONWAY PHOTOGRAPH KATHY CRISP
MY GARDEN LIFE Ha r r y Hobly n t ook t he rei n s at t he gardens at Charleston, the former residence of the Bloomsbur y Group, t h i s ye a r a nd love s t he wonde r o f n a t u r e
Q
Tell us a bit about yourself ? As a child I grew up in the countryside and I’ve always loved nature and the outdoors. My dad had a farm in France that I would spend time working on. This experience continued into adulthood as I spent time travelling the world working and living on various farms – including a spell on a coffee farm in Colombia. This all contributed to an interest in working outdoors. I have →
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a passion for plants like some might have for music – for me horticulture is a whole world of wonder.
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What sets Charleston apart from other gardens?
One of my favourite quotes relating to the garden is from Angelica Garnett. She said: ‘The garden here was not a gentleman’s garden or a gardener’s garden, it was always an artist’s garden’. Charleston is very much focused on vibrant coloured plants, which were intended to create a palette for the artist residents. If you look through their paintings you can see that they are alive with colour, just like the gardens here.
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What plants would you say are most representative of the ‘artist’s garden’?
about creating a vast canvas.
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What areas of the garden have you been experimenting with recently? I’ve been trialling a Japanese edible flower called shungiku, a variety of
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The gardens at Charleston have now reopened for pre-booked visits
“I FEEL AN AFFINITY TO THE BLOOMSBURY GROUP AS I ADMIRE THOSE WHO MANAGE TO COMBINE GARDENING WITH SOME FORM OF ARTISTRY”
chrysanthemum that is a common ingredient in Japanese cooking. If all goes well I hope it will feature on the Charleston menu at some point.
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How can people bring a touch of Charleston’s unique style to their own garden? The whole ethos behind the garden at Charleston is that it is a tool for
spawning creativity. You should choose plants that you are drawn to visually, that you love as standalone pieces for vases. Let self-seeders do their thing and allow things to run wild a bit. Charleston has also always been a space where food is grown. During the COVID-19 crisis we had a glut of lettuce, which we gave to a local food charity in Brighton. &
PHOTOGRAPH PAULPP/ALAMY STOCK PHOTO
Cardoons and artichokes were a favourite of the Bloomsbury Group because of their amazing architectural forms. Silvery foliage is seen throughout the garden thanks to Santolina chamaecyparissus – cotton lavender – and Dianthus allwoodii ‘Alice’. Hollyhocks and red-hot pokers can also be found – they were once cut and displayed in vases to be painted by Vanessa Bell. I like to recreate some of the floral displays that you can see in the artwork of the Bloomsbury Group. Some gardens have a cohesive colour scheme, Charleston is very much
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THE SUSTAINABLE LIFE This month, Seba st ian Cox sor t s the wood f rom the t rees – respect f u lly coppicing and ponder ing what to plant nex t
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here is a particular pale shade that birch or hazel hold in that first cut in the autumn. This custard-cream is so pure in an otherwise autumnal wood, it’s tempting to reach down and eat the chips. I always make the first cut with an axe before starting the chainsaw, an odd ritual I’ve fabricated out of respect, easing the woodland into its felling season, but also acknowledging the woodmen managing Broome Wood with axes and
PHOTOGRAPH CHRIS HARRIS/ALAMY STOCK PHOTO
billhooks for a thousand years before me. I’m sure the birds know the sound of an axe or hook through generationally passed knowledge, so my first cut is also a request for their permission, demonstrating my understanding of the old ways. Nonsense, possibly, but I like to show intent towards nature’s needs through an understanding of our more connected past. As we are approaching that first reflective cut, the great diarist and forefather of silviculture John Evelyn comes to mind. I think of him today because this October marks his 400th birthday. He wrote a significant book called Sylva, published in 1664. It was a book where sustainability links to economic and political might, and has shaped the woodland, and indeed the nation, we have today. We often think of woodlands as places that look back, but those who manage them are looking forward, often beyond their own lifetimes. Sylva was looking hundreds of years onwards, making plans for forests with purpose. I often wonder what John would make of our modern relationship with trees; woodlands offer such value to us; carbon sequestration, urban escape, pollution filtration, biodiversity services, fuel and fibre supply, and yet woodlands are under threat from us too, through poor management by saw, spade or unbalanced ecosystem. The future of forests is unknown, but it does look promising. In the recent general election campaign, tree saplings became political confetti. I prefer a political promise of acres of land left to self-establish as wood-land than a zillion trees planted, but there is still
need for slipping a sapling into cut turf where natural woodland succession happens slowly. The Woodland Trust offers good advice on how to get involved with tree planting, and now is the time of year to do so. After we coppice this autumn, we’ll be inter-planting our mixed woodland with species such as wild service, cherry and crab apple to boost the arboreal biodiversity. This century there will be great commercial demands on woodlands as industries discover new and exciting uses for tree fibres or fuel, many of which I welcome if they work with wood as habitat, too. We must educate ourselves on the nuances of these complex organisms and ecosystems in order to manage or protect them better. A great place to start is a book; The New Sylva was written by Gabriel Hemery for today’s silvicultural predicament. As Gabriel writes, ‘Caring for trees and forests is an intergenerational responsibility’, and he’s right. What we do now with our trees and forests is not for us, but for generations after us. So we must take responsibility with spades, axes, billhooks, and our own understanding of these generation-spanning life-givers, and aspire to leave a legacy as thoughtful and purposeful as John’s. &
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OFF THE SHELF
FEATURE JO BAILEY PHOTOGRAPHS SIMON WATSON
Ta k e a t r i p d o w n i m a g i n a t i o n l a n e w i t h a n e w b o o k t h a t showca ses the beaut if u l homes of fa scinat ing creat ives
Architect Roberto Baciocchi has modified the interior walls of his 16th-century home in Arezzo, Italy, creating large geometric shapes that still expose the ancient plaster walls
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Clandeboye, a beautiful early 19th-century estate in County Down, Northern Ireland, is managed by Lindy Guinness, the Marchioness of Dufferin and Ava
WITH a career that spans over 30 years, internationally renowned interiors photographer Simon Watson has captured some spectacular homes belonging to fascinating people. The stories presented in his aptly titled book, The Lives of Others: Sublime Interiors of Extraordinary People, are exactly that – a handful of remarkable residences that he’s explored over the years. With an innate ability to capture intimacy, Simon takes the reader on a personal journey, revealing not only the creativity and personality of each dwelling and their esteemed inhabitants, but also his own experience from each encounter. Displaying an interesting collection of art from around the world, Christian Louboutin’s 18th-century apartment in Paris is every bit as avant-garde as you’d expect. While architect Roberto Baciocchi’s nonconformist fusion of a traditional 16th-century Tuscan house mixed with the sort of high-contemporary design that would usually be found in Milan is thrilling. No doubt this book will be a conversation-starter and on many a coffee table. The Lives of Others: Sublime Interiors of Extraordinary People
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by Simon Watson (£50, Rizzoli)
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Christian Louboutin’s 18th-century two-floor Parisian apartment on a small street just off Rue des Capucines
L IF E ST Y L E
The decorative flourishes in this Austrian castle, home to design curator Alice Liechtenstein and her family, are all original, from the early 18th-century Chinese wallpaper to the patterned kachelofen (wood-burning clay stove)
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MOVERS
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SHAKERS
Sculptor and ceramicist Daniel Rey nolds WORDS FIONA McCARTHY PHOTOGRAPHY DAMIAN RUSSELL
Inside Daniel’s studio in south London hangs one of his sought-after kinetic sculptures, ‘Dreaming Dreams’
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gainst the bright white backdrop of Daniel Reynolds’ south London studio, located in a charming Victorian cobbled
mews, it’s easy to see the playfulness with which the sculptor twists and turns his ‘spaghetti-like’ Rope Abstraction forms and jostles hand-sculpted circles, rectangles, cubes, trapeziums and perforated discs in gently-rotating kinetic mobiles. While not formally trained in ceramics – ‘I learnt to make moulds literally in an afternoon’s adult education class’ – clay has played an integral role in Daniel’s work since he graduated in the mid-1980s with degrees in sculpture and painting, three-dimensional and
Details of sculptures, sketches and work tools in the studio
furniture design. His porcelain pieces, cast in the shape of man-made objects (plastic bottles, oil cans and teapots) and vegetables, such as the 12 porcelain onion vases he was commissioned to create for Christie’s Dressing the Table: Contemporary Fine Dining auction in January, often take months to make. For his large sculptural vessels, many made big enough to sit on the floor, Daniel uses the traditional pot building technique of coiling stoneware clay on a non-mechanised turntable then glazes them with naïve geometric patterns. In contrast, the shadow play of his Rope Abstraction sculptures ‘literally massage the eye, keeping you entertained,’ he enthuses. ‘The longer you look at them, the more shapes you see within them because of the layering of one hoop behind another.’ Daniel’s mobiles, which today hang in London’s Ham Yard Hotel and the New Art Centre in Wiltshire, owe much to hours spent as a child, growing up in Caracas, staring up at American sculptor Alexander Calder’s gigantic ‘Floating Clouds’ mobile spread across the ceiling of the Universidad Central de Venezuela’s Aula Magna auditorium. In these, Reynolds intertwines geometric shapes ‘that everyone can relate to,’ he
Daniel hand-finishing an oval cut-out element for a commission of a new sculpture
enthuses, while also wanting the colours and shapes of the elements to ‘accentuate elements like the light and breeze filling a room.’ More importantly, he hopes his pieces bring joy. Clients such as Sir Ian McKellen, James Nesbitt and Kit Kemp certainly think so. ‘It’s important my pieces make them feel good.’ → ■
danielreynoldsstudio.com
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Daniel working on a bespoke kinetic sculpture
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A preliminary sketch for a pair of bespoke lamp bases to be hand built in stoneware clay
One of Daniel’s geometric pots; above: a close-up of ‘Dreaming Dreams’ kinetic sculpture
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BOW LED OV ER YOTAM OTTOLENGHI’S LATEST RECIPES, WRITTEN WITH IXTA BELFRAGE, FOCUS ON THE JOY OF VEG, ON BIG SHARING PLATTERS AND ON EVEN BIGGER FLAVOURS PHOTOGRAPHY JONATHAN LOVEKIN
Try Yotam’s salad of grilled figs and ricotta with a rice wine dressing (recipe on page 88)
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CHAAT MASALA POTATOES SERVES 4 AS A SIDE 750g baby new potatoes, cut into 1cm-thick slices 2 tbsp olive oil 1 tsp chaat masala ½ tsp ground turmeric 250g Greek-style yogurt ½ small red onion, thinly sliced 1 green chilli, thinly sliced 1½ tsp coriander seeds, toasted 1½ tsp nigella seeds, toasted salt FOR THE CORIANDER CHUTNEY 30g fresh coriander 1 green chilli, deseeded and chopped 1 tbsp lime juice 60ml olive oil FOR THE TAMARIND DRESSING 1½ tbsp tamarind paste 1½ tsp caster sugar ¼ tsp chaat masala
Preheat the oven to 220C/Gas 8. Put the potatoes and 2 tsp of salt into a pan and top with water to cover by 4cm. Boil, then simmer for 6 minutes. Drain, then transfer to a parchmentlined tray and toss with the oil, chaat masala, turmeric, tsp of salt and a grind of pepper. Roast, stirring once or twice, for 35 minutes, or until golden. ■ Put all the ingredients for the chutney into the small bowl of a food processor with ¼ tsp of salt and blitz until smooth. Set aside until needed. ■
COOK’S TIP Make extra coriander chutney and tamarind sauce to brighten up sandwiches, to spoon over eggs, or serve with tofu or fish. The chutney will keep in the fridge for a week and the sauce for 2 weeks.
Whisk together all the dressing ingredients with 1½ tsp of water and set aside. Spread the yogurt out on a platter. Top with coriander chutney, swirling it through. Drizzle with half the tamarind dressing, and top with
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the potatoes, onion and chilli. Drizzle over the remaining tamarind, then sprinkle over the seeds and serve. →
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GRILLED FIGS WITH SHAOXING DRESSING SERVES 4 AS A STARTER 8 ripe purple figs, halved (320g) 1 tbsp soy sauce 2½ tbsp maple syrup 2 tbsp Shaoxing rice wine (or dry sherry) 2½ tsp Chinkiang vinegar (or half the amount of balsamic vinegar) 60ml olive oil 2 red chillies, finely sliced (20g) 1 lemon, skin finely shaved to get 5 strips 60g rocket 140g ricotta
Preheat the oven to its highest grill setting. Toss the figs in a bowl together with the soy sauce and 1½ tbsp of maple syrup, then arrange, cut side up and spaced apart, on a parchment-lined tray. Make sure there is no overhanging parchment that could burn. Roast for 12 minutes
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until the figs are soft and caramelised, but still holding their shape. ■ Return the figs and cooking juices to the same bowl, along with the Shaoxing rice wine, Chinkiang vinegar and the remaining tbsp of maple syrup. Gently mix, then set aside for at least 1 hour (or overnight) for the flavours to come together. ■ Heat the oil in a saucepan on a medium heat and, once hot, fry the chillies for 3 minutes, stirring to separate the slices. Add the lemon strips and fry for 30 seconds until fragrant, then immediately pour into a heatproof bowl and set aside to infuse for 30 minutes (or overnight). ■ Arrange the rocket on a platter and top with the figs and dressing. Dot with the ricotta, finish with the infused oil, chillies and lemon, and serve.
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POLENTA WITH BRAISED EGGS SERVES 4-6 250g sweetcorn 200g baby spinach 10g parsley, roughly chopped 10g dill, roughly chopped 20g coriander, roughly chopped, plus 1 tbsp 5 spring onions, finely sliced 4 garlic cloves, crushed 150g coarse polenta, not quick-cook 50g Parmesan, finely grated 520ml whole milk 450ml vegetable or chicken stock 40g unsalted butter, cut into 2cm cubes 150g feta, roughly crumbled 8 eggs 2 tbsp olive oil ½ tsp chilli flakes salt and black pepper
Preheat the oven to 180C/Gas 4. Pulse the corn in a processor until roughly chopped, then transfer to a bowl. Add the spinach, herbs, 4 of the spring onions, garlic, polenta, Parmesan, 1½ tsp of salt and a grind of pepper, stirring
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to mix. Put this mixture into a highsided ovenproof pan, then add the milk, stock and butter, stirring to mix. ■ Bake for 20 minutes, then remove from the oven, whisk and return to the
COOK’S TIP Use coarse cornmeal polenta here rather than the quick-cooking kind as it won’t yield the result you want. This is a great brunch dish, but will work equally well for lunch or a light dinner with a green salad.
oven for another 20 minutes. Give the polenta a whisk – it should be smooth and not set – then stir in half the feta. Increase the oven to 200C/Gas 6. ■ Make wells in the polenta, cracking an egg into each and adding salt and pepper. Sprinkle over the remaining feta and bake for 12-14 minutes. ■ Combine the extra coriander and remaining spring onion in a bowl with the oil. Spoon this all over the polenta, followed by the chilli. Serve at once. →
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ONE-PAN ORECCHIETTE PUTTANESCA SERVES 4 50ml olive oil, plus 2 tbsp to serve 6 garlic cloves, crushed 1 x 400g tin of chickpeas, drained 2 tsp hot smoked paprika 2 tsp ground cumin ¾ tbsp tomato paste 40g parsley, roughly chopped 2 tsp lemon zest 3 tbsp baby capers 125g green olives, pitted and halved 250g small, sweet cherry tomatoes 2 tsp caster sugar ½ tbsp caraway seeds, lightly toasted and crushed 250g dried orecchiette 500ml vegetable or chicken stock salt and black pepper
Put the first six ingredients and ½ tsp of salt into a large sauté pan, for which you have a lid, and place on a medium-high heat. Fry for 12
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COOK’S TIP It’s quick and super practical to make this dish because the pasta actually cooks in the sauce. Try it and you may not feel the need to boil pasta ever again.
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minutes, stirring occasionally. Remove one-third of the chickpeas and set aside to use as a garnish. ■ Combine the parsley, lemon zest, capers and olives. Add two-thirds of the parsley mixture to the pan, along with the tomatoes, sugar and caraway seeds, and cook for another 2 minutes on a medium-high heat, stirring often. Add the pasta, stock, ¾ tsp of salt and 200ml of water, and bring to a simmer. Reduce the heat to medium, cover and cook for 12–14 minutes, or until the pasta is al dente. Stir in the remaining parsley mixture, drizzle with the remaining 2 tbsp of oil and garnish with the fried chickpeas and a good grind of pepper.
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AUBERGINE WITH CRISPY GARLIC SERVES 6 AS A SIDE 4 medium aubergines 175ml olive oil 6 garlic cloves, finely sliced 2½ tbsp white wine vinegar 1 green chilli, finely chopped 15g mint leaves, finely sliced 15g coriander leaves, finely sliced 15g dill, finely chopped 1 tsp lemon juice salt and black pepper
Preheat the oven to 210C/Gas 7. Cut the aubergines into 3cm chunks
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and put them into a large mixing bowl with 100ml of oil, ¾ tsp of salt and a good grind of pepper. Toss together and spread out over two large, parchment-lined baking trays. Roast for 35 minutes, stirring the aubergines and swapping the trays halfway through so they cook evenly, until a dark golden-brown. Remove from the oven and leave to cool. While the aubergines are roasting, heat the remaining 75ml of oil in a small saucepan on a medium-high heat and line a plate with kitchen paper. Once the oil is very hot, fry the garlic, stirring to separate the slices, until pale golden, about 1 minute. Use
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a slotted spoon to transfer the garlic to the paper-lined plate, reserving the oil. Sprinkle the fried garlic with a little salt and set aside. Put the aubergine into a large bowl with the vinegar, chilli and 3 tbsp of the garlic-frying oil. Toss together, then add the herbs and mix well. Transfer to a serving plate, drizzle over the lemon juice and serve with the fried garlic scattered on top. &
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Recipes taken from OTTOLENGHI FLAVOUR by Yotam Ottolenghi and Ixta Belfrage (£27, Ebury Press)
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ARTISTIC INHERITANCE The owner of this Los Angeles home has filled it with design classics and a collection of art by her grandfather WORDS JULIET BENNING PHOTOGRAPHY STEPHEN KENT JOHNSON/OTTO
FAMILY ROOM Exposed rafters deliver lofty proportions that make room for a tree. The plant adds to the space’s organic feel. Charlotte Perriand stool and Paavo Tynell’s Chinese Hat floor lamp, sourced at Galerie Provenance
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I NS PIR AT ION SITTING ROOM A gallery wall is reflected in the large antique overmantel mirror. The curves of the sofa reflect the shape of the coffee table. Pierre Jeanneret Easy chair; Elmwood coffee table designed by Pierre Chapo; brass lamp by Pierre Folie, all sourced at Galerie Provenance
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SITTING ROOM Compiled entirely of Benjamin Abramowitz’s work, Sheila was assisted by art advisor Tiffiny Lendrum when curating this wall of art
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or Sheila Bouttier, inheriting a large collection of artwork was a blessing that prompted not only a new home but also her business, Galerie Provenance. As the only grandchild of the late acclaimed American artist Benjamin Abramowitz, Sheila and her husband Brett are the custodians of
as I became more involved in finding objects and furniture for the house, I realised it could be a new career avenue.’ Inspired by Ellen DeGeneres’ Home book, Sheila took a thoughtful, curated approach to furnishing the new property. ‘I love the way Ellen’s home contains mid-century French antiques and artefacts, as well as primitive pieces to create this
many of his works and decided that, as well as needing more room for their two growing children, they wanted a spacious new home to display the artwork.
really interesting look with a lot of texture and patina. I discovered some amazing European designers and met people who taught me about
The collection, spanning 70 years, is managed by Sheila and her mother, Susan Rosenbaum. ‘As the catalogue is so vast and varied it became my mission to find a way to display it,’ Sheila says. Keen to keep the children in the same school, the couple didn’t move far from their previous 1930s Los Angeles abode. ‘It had always been Brett’s
design and antiques. I founded Galerie Provenance to help source furniture and artefacts for designers and private collectors, working by appointment.’ Her home has become the ‘shop window’ for her business. Opting for mostly crisp, white walls, her own collection of art, curios and design classic pieces punctuate the bright and spacious rooms.
dream to build his own home, so we began searching for a plot of land. We found one at the bottom of a cul-de-sac that was tucked away, had plenty of great spaces for the garden, yet was close to the things we needed,’ says Sheila. The book California Homes by Studio William Hefner turned out to be the key to unlocking the couple’s architectural goals. ‘I bought it for Brett’s birthday because we loved the homes in it. When we realised they were all the work of one architect we knew he would be the ideal candidate.’ With William Hefner commissioned, Brett threw himself into achieving his vision, deliberating over the finest details. ‘Brett had previously considered architecture as a career choice so he pored over the plans. He had a strong vision for many of the design elements in the house, for example
Towards the back of the house, in a departure from the main living spaces, the more formal office and dining room take on a darker, moody character that is offset by the huge steel-framed windows. Eager that her children were able to live carefree in the house, Sheila also planned for plenty of resilient, high-traffic spaces. ‘I wanted it to be liveable, so while there are a few chairs that are design classics and beautiful to look at, there are also plenty of comfy upholstered seats, which strike a balance. I chose the 1930s pine kitchen chairs by Swedish designer Axel Einar Hjorth because I knew they’d be easy to clean when my son spills maple syrup on them,’ she laughs. In a remarkable marriage between high culture and welcoming comfort, Sheila and Brett have created the perfect home for both family and art. &
he knew he wanted to open the front door and see straight through to an outdoor fireplace,’ Sheila explains. Her own journey and that of the interior, was a revelation that would change the course of her life. ‘I’d been working in TV for more than 20 years, but
Architecture by Studio William Hefner, williamhefner.com. Furnishings and antiques sourced by galerieprovenance.com. Artwork by Benjamin Abramowitz, benjaminabramowitz.com
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KITCHEN Every room has a curated look. Here, elegant crockery is displayed in the glass-fronted cabinets while more practical kitchenware is hidden in drawers. Table and chairs by Axel Einar Hjorth, sourced from Galerie Provenance. Find similar marble work surfaces at Marble City. Gachot stools, Thomas Hayes Studio. Pendants by Alison Berger at Holly Hunt
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HALLWAY The sideboard was chosen for its rich patina. Source a similar sideboard at Vinterior. Sculpture by Benjamin Abramowitz
COURTYARD PATIO A fireplace wall makes this feel like a proper room. Wall lights designed by William Hefner
SITTING ROOM An antique wardrobe provides a dramatic backdrop to the modernist shapes of the chair and art. Sculpture by Benjamin Abramowitz
INSIDER INSIGHT Sheila Bouttier shares her loves and inspiration
MOST SUCCESSFUL PART OF THE PROJECT Finding a way to showcase the incredible artwork of my grandfather, Benjamin Abramowitz, in virtually every room.
GREATEST INDULGENCE The steel windows and doors were probably the biggest splurge.
WHAT’S ON YOUR COFFEE TABLE I have a mid-century Japanese Ikebana that is quite sculptural. It is a piece that people often comment on when they come into my sitting room.
WORDS TO LIVE BY Try to add pieces with age and history into your home. They are often one-of-a-kind artefacts that individually can make a striking statement.
SMALL CHANGE, BIG IMPACT Our architect, William Hefner, added honed Indiana Buff limestone thresholds into each room, which had a major impact and was a unique touch.
ONE THING YOU WOULD NEVER FOREGO Small artefacts that tell a story and older pieces that have a lot of depth and patina and soul.
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PLAYROOM The classic scheme is one that will grow with the children. Black stools, Summer Studio Design
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MASTER BEDROOM Elegant double doors make a focal point of the fireplace beyond. Wood tones offer warmth to the serene grey scheme. Sheepskin Philip Arctander Clam chair, sourced at Galerie Provenance. Painting by Benjamin Abramowitz. Walls in Pavilion Gray, Farrow & Ball
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I NS PIR AT ION MASTER EN SUITE A huge wall mirror gives an impression of more space. Even in this practical room Sheila has introduced artistic furnishings. Vintage chair by Guillerme et Chambron, sourced by Galerie Provenance. Tap, Waterworks. Cabinets in Pavilion Gray, Farrow & Ball
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KITCHEN The botanical paper offers a lively contrast to sleek cabinetry in an inky blue, with the bar stools introducing a pop of red. Feu d’Artifice in Petit Pois wallpaper, Edmond Petit at Turnell & Gigon. Indigo Blue cabinets in high gloss and super matt, Eggersmann Design. Island worktop in Steel Grey granite, Stone Age
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YOUNG AT HEART Interior designer Clare Gaskin has nimbly balanced the contemporary with the classic in a renovation that brings to the fore the spirited personality of her empty-nester client WORDS RACHEL LEEDHAM PHOTOGRAPHY NICK SMITH
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ake a homeowner keen to push the envelope with her decorative choices and an interior designer known for her spirited use of colour and pattern and you have the perfect recipe for schemes that are brimming with personality. Such was the case with this two-storey flat, a conversion within a rather grand house located
favourite colour, so these factors were the driving force behind many of our choices,’ Clare observes. Over the years, the owner had amassed a large collection of antiques and art and now a ruthless edit was called for. ‘Quite a lot of what she owned was inherited and it wasn’t necessarily to her taste, so she agreed to part with a lot of pieces. I think that what she has kept is a much better reflection
right next to Wimbledon Common. The owner, an active empty nester, had been living in the property for more than 40 years
of who she is,’ notes Clare, who had some of the antiques restored, including a set of Regency mahogany dining chairs, which were reinvented
before she approached interior designer Clare Gaskin. ‘It was after her husband passed away that she started to recognise the shortcomings of the layout,’ recounts Clare. ‘As someone who loves to cook, she was tired of being shut away in a small kitchen when she entertained her friends, while the most beautiful space in the house, the front room,
with upholstery in an iridescent velvet weave. It was important that the home should feel as welcoming for one as it does for a crowd and Clare has reflected this with the seating: a slender armchair in the kitchen is one of a pair and can be brought into the sitting room when required, while the two ottomans can be separated to create another
was only ever used for special occasions.’ The relocation of the kitchen was the springboard for the entire project: Clare suggested moving it from a small room into one of the two key reception spaces, knocking through to the front room so that it became the main living and dining space. ‘It overlooks a lovely tree-lined road and has wonderful light, so it made absolute sense to enjoy this room to the full,’ says Clare, who also remodelled the upper level so that each of the three bedrooms now has its own en-suite bathroom. Accessing the living space entails walking through the kitchen, so it was important that the cook space should create an impact. An arresting botanical wallpaper featuring a predominantly monochromatic design punctuated with pops of green was teamed with contemporary inky-blue cabinetry in a mix of high gloss and matt finishes. ‘A lot of the wallpapers
perch when the owner hosts her book club. Bespoke cabinetry was designed to house all manner of requests, from folding director’s chairs for bridge evenings to a complete filing system for the client’s administration. ‘She had been using one of the bedrooms as her study but to free up this room for regular visits from her young grandson, we moved the desk into the hallway and created a bespoke cabinet to provide a small home office,’ says Clare. Peppered throughout the home are objects that tell a very personal tale: a contemporary woven tapestry depicting Wimbledon Common lends colour and texture to the hallway, while a wasp nest – one of many discovered in the roof when the ceilings were taken down – was placed beneath a glass dome to become an intriguing piece in the sitting room. ‘My client’s personality definitely shines through,’ says Clare. ‘This is very much her story.’ &
and fabrics used throughout the apartment reflect my client’s love of plants and birds, while blue is her
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Clare Gaskin Interiors, claregaskin.com
KITCHEN ‘Social’ was one of the key words in the design brief for the cook space and plentiful seating and a wine rack fulfilled it. Bespoke chair in Criss Cross in Indigo, Christopher Farr Cloth. Cardiff floor lamp, It’s About RoMi. Cricova wine rack console table (customised to fit), Oka
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SITTING ROOM An eclectic marriage of styles infuses this room with vibrancy. Included in the mix are a card table and a George III demilune table from the owner’s collection of antiques. Simple Shade pendant in Deepsea Ecru Marl, Naomi Paul. Julianne ottomans in Concrete velvet, Made
INSIDER INSIGHT Clare Gaskin shares her style inspiration
BIGGEST SUCCESS Reflecting our client’s love of texture, pattern and colour, and achieving a balance of the contemporary and older pieces.
GREATEST INDULGENCE As in many projects, it would have to be the bespoke joinery.
SMALL CHANGE, BIG IMPACT Reframing some of the existing artwork. The previous ornate frames weren’t to our client’s taste and simpler, more contemporary, ones have changed the focus when you view them.
WORDS TO LIVE BY Every great dream begins with a dreamer.
NEXT GAME CHANGER IN DESIGN Our homes have become more important this year and I expect us to want them to be more flexible.
SECRET ADDRESS Maison Auclert in Paris. I love jewellery and this tiny boutique is a gem, offering really unusual pieces with a story.
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MASTER BATHROOM A feature wall of tiles laid in a herringbone pattern elevates the scheme. Lampas wall tiles in Peacock, Topps Tiles. Evolve Concrete floor tiles, Minoli. Looe wall light in Dark Bronze, Tekna
BEDROOM The oversized headboard allows for the bed to be split into two singles. Above hangs a painting that is part of a striking triptych by Greek artist Alekos Kontopoulos. Headboard in Lost and Found in Indigo, Christopher Farr Cloth
MASTER BEDROOM The wallcovering was an instant hit with the owner who loves florals. Artemis in Dove Grey wallpaper; cushion in Artemis in Petrol, both House of Hackney. Biella bed linen, Designers Guild. Pumpkin table lamp with Saffron silk lampshade, both Porta Romana
HALLWAY An Australian textile artist was commissioned to create this landscape artwork inspired by Wimbledon Common. Hand-dyed woven tapestry, Natalie Miller
SARTORIAL FLAIR Aged leather, faded rugs and iconic designs give this fashion executive’s New York home unique charisma WORDS JULIET BENNING PHOTOGRAPHY STEPHEN KENT JOHNSON/OTTO
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DINING ROOM Everything is full of personality – from the rich hues to the spiky palm. Walls in Down Pipe, Farrow & Ball. Table, BDDW. Find Niels Otto Møller chairs at 1stdibs. Art by Raymond Pettibon (below) and Jake Messing (right)
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aving lived in London for five years, Joshua Schulman’s previous home of New York beckoned him back with a new job opportunity and the chance to reunite with his partner, now husband, Jim Conley. ‘Jim had been living in my old apartment, so with my return we decided to start looking for a home we could share together,’ says Joshua, who is a long-term
but still feel accessible. On top of it you can add a
fashion and retail executive while Jim works as a marketing executive at Twitter. ‘Like any hunt for property in Manhattan, we
years to figure out where the true lines were and what the natural flow had been,’ says Cliff. ‘We painted the stairwell, which acts as a central spine
had our ups and downs, but as soon as we walked into this house we knew we had found the right one,’ Joshua says of their period townhouse near Gramercy Park, an area known for its brownstone properties and tree-lined streets. ‘The building had started life as a family home that had then been converted into several flats. But fortunately
for the entire building, the palest grey. From this soft landing we were able to use more saturated and playful colours in the rooms off it. It was what the building told us to do.’ With Joshua ‘a huge fan of Farrow & Ball’ and later being appointed to the company’s board, the brand was an obvious choice for the period setting. ‘For me, choosing
the previous owners had done a good job of reintegrating it into a single house.’ Enlisting the design eye of Cliff Fong, the owner of LA design firm Matt Blacke Inc and the showroom Galerie Half, a meandering and joyful collaboration ensued. ‘The three of us had so much fun hiking through the city scouring out thrift stores and flea markets,’ says Cliff. Having known the couple for decades and with many mutual friends, Cliff had an intuitive understanding of Joshua and Jim’s taste. This enabled him to create an interior that captures the personalities of the couple, although Joshua concedes that his own style has shifted somewhat since working with Cliff. ‘In the past, my aesthetic had been colder with more hard edges, but the house lent itself to a softer direction, mixing different period pieces, rugs, textiles and paints, which Cliff always has a strong opinion about.’
paint colours is one of the most fun aspects of a project,’ he enthuses. ‘It can seem intimidating, but once you get the samples on the wall you can really begin to express the aesthetic.’ Set against a palette of mostly blues and grey variations, the tonalities of aged leather and wood add warmth and depth, balancing out the contemporary pieces. ‘New leather can look flat, whereas when it’s aged it helps validate a room,’ says Cliff. ‘I also wanted to take pieces that are recognisable and iconic out of their normal dialogue to create something unique.’ A chaise upholstered in pinstripe is a nod to Joshua’s career in fashion. ‘I’ve always considered that fashion and interior design are interrelated, sharing much of the same dialogue,’ says Cliff. Like a much-loved outfit, this New York home is certain to wear well. &
‘A faded rug is like a great pair of jeans,’ says Cliff. ‘You can dress it up or down. It can look luxurious,
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wonderful mixture of high and lower-end design, like dressing with a combination of vintage and couture pieces. I’ve always loved textiles and anything that is reflective of brilliant handiwork.’ Careful to preserve the elaborate architectural detailing, the trio spent 18 months on the renovation. ‘It almost felt like an archaeological process where we were chipping away at layers of changes over the
Interior design by Cliff Fong at Matt Blacke Inc, mattblackeinc.com
LIBRARY A mid-century chair faces the garden in this space designed for listening to records and reading. Find a Mogens Koch chair and Charlotte Perriand sideboard at 1stdibs. Persian rug, Woven. Tibetan sheepskin stool, The White Company, would work here. Artwork by Karine Laval
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DINING AREA The house is dressed with stunning vintage pieces, including this circular table and striking chairs. Find a Pierre Chapo table and chairs and a Florian Schulz pendant light at 1stdibs. Paintings by Joanne Fleming
SITTING ROOM Faded rugs play a key role in the interiors. ‘They are like a great pair of jeans,’ says Cliff. ‘You can dress them up or down.’ Illum Wikkelsø chairs, Morentz. Art by William Monk. Walls in Manor House Gray, Farrow & Ball. Speaker, BDDW
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KITCHEN Clean lines were chosen for the fireplace and cabinets to make the cook space, which has a living area (right), pared back. Find a similar soapstone kitchen worksurface at The Marble Store. Source vintage George Nakashima stools at 1stdibs. Rug, Woven. Walls in Purbeck Stone, Farrow & Ball. Artwork by Christian von Thum
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LIVING AREA Rich black tones in the textiles and furnishings complement the steelframed windows. Find a Kaare Klint sofa and a Franco Albini pouffe at 1stdibs. Walls in Purbeck Stone, Farrow & Ball
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INSIDER INSIGHT Cliff Fong shares his loves and style vision
GO-TO COLOUR A very light grey. It’s friendly and gives good reflected light on skin and on food.
MOST SUCCESSFUL PART OF THE PROJECT The relationship with the client. It felt like all the stars and planets were lined up. Everything flowed very nicely.
SECRET ADDRESS I’m never too proud to do some legwork and go to thrift stores and flea markets. I’m a scavenger at heart and I love finding something great in an unexpected place.
SMALL CHANGE, BIG IMPACT The use of deeper colours, which allowed us to be more playful. The tone became punchy and fun.
DESIGN HEROES Mid-century designers like Charlotte Perriand, Eileen Gray and Jean Prouvé.
FAVOURITE BUILDING The Louisiana museum, outside Copenhagen (louisiana.dk). It’s a beautiful, modern, clean and restrained structure.
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BEDROOM A deep blue colour has been used on the walls and woodwork for a cocooning effect. Walls in Hague Blue, Farrow & Ball. Patchwork bedspread, sourced at Loveland Provincetown
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SITTING ROOM Statement antiques and contemporary art add a decorative edge, as do the trumeau-style mirrors in the alcoves. Hendricks sofa, Habitat. Lucite coffee table, Sunbury Antiques Market. Table lamps, Pooky
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FRENCH CONNECTION Architectural and design practice De Rosee Sa has imbued a Notting Hill penthouse with a chic Parisian feel WORDS ALI HEATH PHOTOGRAPHY ALEXANDER JAMES
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KITCHEN The elegant bistro table and Thonet chairs are reminiscent of a Parisian cafe. Kitchen design, De Rosee Sa. Basalt stone work surface, MGLW. Thonet chairs, Aram Store. Monochrome 1960s collage, Sunbury Antiques Market
STAIRCASE Claire designed the new staircase that leads to the penthouse. The panelled walls were created with beading. Artwork, from various antique markets; similar at Brownrigg. Walls in Dulux 30YY 56/060
STUDY To switch the tempo, the home office is swathed in dark and bright hues. Cabinetry in Dulux 90BG 08/075. Bespoke blue lacquer and brass desk, De Rosee Sa. Rug, Sunbury Antiques Market. The Art deco chair is a restored eBay find
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or Claire Sa and Max de Rosee, the husband-and-wife team behind De Rosee Sa, shaking things up is what they do best. Their creative skills, renowned in the industry, span talents in architecture, interiors and bespoke product design: this Notting Hill project is the culmination of all three. ‘The penthouse was a dream to design,’ says Claire. More Parisian Haussmann than archetypal London box, it spans the length of the building, with five floor-to-ceiling windows that create an open rhythm between the spaces. ‘With such volumes and
sinks and chic brass fittings and fixtures. Carefully curated art captivates the eye at every turn – a
the rare lateral flow, we wanted to instil a French feel, reminiscent of elegant Paris apartments.’ The penthouse was stripped back to the bare concrete slab: roof removed, spaces rebuilt and the layout reconfigured to form an empty canvas – now transformed as a celebration of considered design with unique finishes and contemporary art. As part
covetable collection, symbiotic of the couple’s passion for the creative arts and their love of mixing highend with antiques and bespoke works, commissioned from within the team’s in-house studio. ‘I invest a lot of personal time in projects and tend to go off-grid, obsessing about finding the right wall lights or searching out the perfect desk chair – like
of the build, the lift shaft was extended up a level, providing private access to the penthouse. As you emerge from the lift, with its dark aluminium walls and black-and-white chevron marble tiles, the aesthetic merges into an altogether more light-filled space: think panelled walls in white and soft greys, punctuated by pops of warm red, blue and green. Claire has layered bespoke De Rosee Sa designs, showcasing the company’s passion for distinct handcrafted pieces: a sophisticated narrow cane bench that gently traces the curve of the banister – painstakingly made to Claire’s exacting design; a study desk and sitting room coffee table; and classic floor-to-ceiling mirrors in statement ‘trumeau’ style, which further enhance the Parisian aesthetic. The kitchen, a classic De Rosee Sa design, combines practicality with built-in joinery and display for decorative objects. The charming bistro table and
the art deco one I sourced for the library and had reupholstered,’ says Claire. ‘Old pieces add soul and patina and turn a project into a home, not a show space. I think antiques and bespoke finishes should trigger a visceral reaction – when that happens the wait is so worthwhile.’ Alongside stunning statement pieces, Claire has cleverly mixed in select high-street finds to complement the feel. ‘The combination of high-low stops rooms looking overly designed or formal. Spaces have to feel liveable, a place where you can truly unwind and relax.’ It’s no surprise that the De Rosee Sa team are in demand. ‘We are currently finishing a wonderful listed Georgian house and are working on a 30-bedroom boutique hotel in Portugal,’ says Claire. The hotel, another personal project, will involve the transformation of a derelict 16th-century listed farmhouse overlooking the sea. This new venture is
Thonet chairs add an air of informality. Refined natural materials have been used throughout: solid oak floors, bespoke Carrara marble
sure to be something rather special, too. & ■
De Rosee Sa, deroseesa.com
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HALLWAY The stunning bespoke staircase exudes period elegance and the artwork is highlighted by its position in the panelling. Banister designed by De Rosee Sa and made by Sobart Construction & Joinery. Bespoke bench, De Rosee Sa. Artwork, commissioned by De Rosee Sa
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MASTER BEDROOM All of the joinery, which provides display and storage, is new even though it looks like an original feature. Panelling in Dulux 50YY 47/053. Chest of drawers, Distressed But Not Forsaken at Notonthehighstreet.com. Pink table lamp, Pooky
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INSPIRAT IO N MASTER BEDROOM A chic French-style bed adds a touch of Parisian glamour to the pared-back scheme. Bed, Graham and Green. Rug, West Elm. For similar antique table lamps, try No1 Lewes. Byram curtain fabric, Colefax and Fowler. Artwork, De Rosee Sa
INSIDER INSIGHT Claire Sa shares her loves and style vision
BIGGEST INDULGENCE Soane Britain wall lights – expensive but beautiful.
SMALL CHANGE, BIG IMPACT Add beading to walls to create a panelled effect. Painting over, or even just adding a wide architrave around a window can make an amazing difference.
THE NEXT GAME CHANGER IN DESIGN 3D printing possibly and definitely recycling. Jennifer Manners makes wonderful rugs from plastic bottles – this has to be the way forward.
DESIGN HERO It changes regularly – at the moment I’m studying Steven Gambrel’s careful moulding details; and always Mies van der Rohe, one of the great pioneers of modernist architecture.
BEST GIFT YOU HAVE GIVEN A monogrammed bathrobe, which I sewed myself!
FAVOURITE INSTAGRAM ACCOUNT @filipa_de_abreu (a design ambassador for Tory Burch). She has great design taste and a wicked sense of humour.
LIFT AND LOBBY AREA The striking lift has a certain je ne sais quoi, in keeping with the stylish and luxurious penthouse aesthetic. Marble tiles, Topps Tiles. Wall lights, Astro Lighting
MASTER BATHROOM Oak chevron flooring runs through the entire apartment, creating a sense of flow. For similar flooring, try Oak Artisans. Bathroom design, De Rosee Sa. Cabinetry, Sobart Construction & Joinery. Bath, Burlington Bathrooms
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HISTORIC REVIVAL An Arts and Crafts home located in an iconic area of Tasmania has been given a new lease of life with William Morris prints and a moody palette WORDS ALI HEATH STYLING SARAH ANDREWS PHOTOGRAPHY MARNIE HAWSON
KITCHEN-DINER Antique furniture, including a French zinc-topped table and English oak chairs, ensures timeworn charm. Antique dining table and chairs, Sally Beresford
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KITCHEN The beautiful dresser is a family heirloom and home to a collection of antique Poterie du Soleil pottery. For similar pottery, try Gilli Hanna Decorative Antiques. For a similar dresser, try Brownrigg
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DINING AREA The owners took a bold design decision here and tiled up to the ceiling in favourite zellige tiles. Zellige tiles, Tiles of Ezra. Similar antique chandelier, Lots Road Auctions. Similar kitchen units, deVOL
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SITTING ROOM The walls have been lime-washed in a dark grey shade that provides a dramatic backdrop for the pale furnishings. Walls in Blue Spruce lnterno lime wash, Porter’s Paints. Chairs, inherited from Emma’s grandmother, are covered in antique linen
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tep over the threshold of Ethelmont Rise, the beautiful home of Emma and Stuart Burgess, and you are immediately immersed in a sense of nostalgia. Timeworn pieces fill this special property – from the mustard lampshades that are original to the house to the handsome antique dresser, a family heirloom that is now filled with warm yellow
a wonderful escape for us and our three girls: Isabella, 18, Molly, 12, and Charlotte, nine.’ In 2018, Emma enlisted the design services of Australian stylist Sarah Andrews, who helped to create a scheme for the house. Two years on with the renovations complete, the property is now also rented occasionally via Airbnb. ‘The structure of the house was sound, but decoratively it needed a lot of
vintage French pottery from Poterie du Soleil. ‘The ochre tones have informed the colour palette throughout this house,’ says Emma.
work,’ says Emma. Peeling bedroom wallpapers were stripped back and replaced with William Morris designs. ‘Ceiling timbers were restored and carpets
The hillside Arts and Crafts house has picturesque views down to the River Derwent and across to Sandy Bay from the front, while from the back, you look up to dramatic Mount Wellington. ‘The mountain and water influence the feel of each day,’ says Emma. Built originally in 1929 on the Ethelmont Estate owned by Charles Ernest Webster, the house
pulled up – but we left surfaces unsanded as we were keen to preserve the original integrity,’ she says. While Stuart acted as project manager, Emma worked her magic filling the space. ‘I am an avid collector and love the mix of antiques, newer details and more decorative finds. I am constantly on the hunt – eBay, Gumtree, our local antiques
was first lived in by the Clennett sisters, followed by an elderly couple. ‘You can feel the palpable sense of history: spaces had been left largely untouched and our renovation has been very respectful of the Arts and Crafts architecture.’ The chalet-style house retains its original sash windows – lovingly restored – and has three bedrooms. Upstairs, there is a twin room with antique beds, said to have come from the Ritz hotel in Paris, while downstairs there are two elegant doubles. At the end of the hallway, a family space leads into a kitchen and dining area. A salvaged window was added and the kitchen now has views out to the garden and the mountain beyond. The couple bought the property four years ago to use as a bolthole away from the hectic bustle of their lives in Sydney, where Emma is a headteacher and Stuart is a horticulturist. ‘I discovered Hobart in
emporiums.’ In the kitchen, a 200-year-old French dining table is juxtaposed with contemporary painted units – upcycled from the family’s Sydney home – while zellige tiles from Morocco are teamed with classic brass hardware. In the bathroom, an antique cabinet has been repurposed by Stuart with legs removed and modern basins added, to create a bespoke vanity. ‘Stuart has a very practical, can-do attitude,’ says Emma. ‘He is very tolerant of my ideas and I love that he is able to turn them into reality!’ The house, painted in warm lime-wash shades of Blue Spruce, Chintz Grey and Triple Lead by Porter’s Paints, is punctuated with textiles in softer tones of rust, pale pink and oatmeal. Everywhere you look there are abundant floral arrangements. ‘Everything in our house has been lovingly put together,’ says Emma. ‘It is a very soulful place and we all feel very sentimental about coming home.’
my 20s – it has a great cosmopolitan feel and a way of getting under your skin,’ says Emma. ‘It is
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To find out more, see @ethelmontrise on Instagram
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INSIDER INSIGHT Emma Burgess shares her style vision and loves
SECRET ADDRESS Drill Hall Emporium in New Norfolk, Tasmania, and La Maison in Sydney.
BIGGEST INDULGENCE The amazing zellige tiles in our kitchen.
GO-TO DESIGNERS Sarah Andrews and Sibella Court.
MUSEUM TO VISIT Musée de l’Orangerie in Paris.
NEXT GAME CHANGER IN DESIGN The importance of sustainability. LAST EXHIBITION YOU VISITED Sydney’s Archibald Prize, Art Gallery NSW.
DESIGN HERO William Morris. LAST PIECE OF ART YOU BOUGHT A handstitched paper dress lithograph by Tasmanian Simone Pfister.
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MASTER BATHROOM Textured mottled grey walls set off opulent details, such as the exquisite antique screen and freestanding bath. York bath, Victoria + Albert. Similar screen, Streett Marburg
SITTING ROOM This space has wonderful views of the River Derwent and Sandy Bay
MASTER BATHROOM An antique cabinet was converted into a distinctive washstand. Basins, Victoria + Albert. Mizu Drift taps in Matte Black, Reece. Wall lights, Fat Shack Vintage. Similar portraits, Brave Fine Art
BEDROOM The colours in the William Morris wallpaper are picked up in the upholstered bed and painted bedside table. Rosehip wallpaper, Morris & Co. Bed, Lavender Hill Interiors
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INSPIRAT IO N
BEDROOM Dark wood and deep blues are combined in this elegant space. The framed prints are 1930s photographs of the area. Bramble wallpaper, Morris & Co. Desk, Pottery Barn. For a similar antique English oak chair, try The Oscar Collective
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STRUCTURAL ENGINEERING Louise Dowding has created an architectural display in her walled Somerset garden with clever use of topiary and plants chosen for their shape WORDS VANESSA BERRIDGE PHOTOGRAPHY MARK BOLTON
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Lawns and planting are structured by box bushes, hedging and topiary. A bumpy box hedge separates formal planting from the vegetable garden
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to be a quintessential English garden. Grass paths, framed by clipped box and espaliered apples, converge beneath an old pear tree. But the detail is created less conventionally by architectural planting rather than flower colour. ‘I look at leaf performance first,’ says Louise Dowding. ‘A good flower is just a bonus.’
and hawthorn. Within this strong pattern, Louise favours plants with good seedheads, hips and berries to ensure a long season of interest. Planted near the house are spiky-leafed papyrus (Cyperus alternifolius), red orache (Atriplex hortensis) and black elder (Sambucus nigra ‘Black Lace’), with splashes of late-summer colour from a bright red dahlia (‘Bishop’s Children’) and deep
Louise and her husband, Fergus, moved to Martock in 1996. Both had worked in antiques in London, but Somerset-born Fergus wanted to return to his roots.
blue Salvia ‘Amistad’. The sitting terrace by the conservatory, framed by three crataegus trees, is the most intensively planted and colourful area. Around
After two years searching, they found their ideal home in Yews Farm. The cobb farmhouse, with timbers dating from the late 13th century, was refronted with local Ham stone in about 1630. ‘It’s in the centre of a market town,’ explains Louise, ‘but open to the surrounding countryside at the back. A perfect combination.’ The square, three-quarter acre garden is enclosed
it are pots of aeoniums, pelargoniums, astelia and a tender white euphorbia, with sedums, Rosa rubrifolia, the South African bulb Tulbaghia violacea and Ceratostigma willmottianum in surrounding beds. Further from the house, the self-seeded gravel garden is home to Onopordum acanthium, Miss Willmott’s ghost (Eryngium giganteum), wild parsnip
within old stone walls, keeping it deer, badger and rabbit-free. Louise, who studied sculpture, worked briefly for eminent garden designer Penelope Hobhouse: Penny’s influence can be seen in the garden’s strong lines and sculptural planting choice. Louise removed everything except the characterful pear, a fig tree and a thuja against the wall and created a very green garden to complement the honey-coloured house. ‘I wanted to make the flow of the garden more logical – everything has a reason for being where it is.’ The garden’s design has been trial and error. Initially, Louise planted fashionable grasses, but finding them dead and dull in winter, she burned them after a few years, keeping only Calamagrostis x acutiflora ‘Karl Foerster’ and Deschampsia cespitosa ‘Goldtau’. Inspired by the aged, irregular topiary at Levens Hall
(Pastinaca sativa) and biennial umbellifer Ligusticum lucidum. Louise likes its sturdiness, erect habit, and ability to survive in ‘really shocking conditions’. The ornamental garden is divided by yew and beech hedging from a cutting garden, full of dahlias, including favourites such as cherry-red ‘Apache’ and the self-supporting ‘Babylon Bronze’. Beyond is Fergus’ preserve, six acres of orchard. Each year, Fergus makes hundreds of litres of cider, apple juice and vinegar, as well as growing vegetables for the Dowdings and their two university-aged daughters, and raising pigs and hens. ‘We are more or less self-sufficient,’ says Louise, ‘and we swap grazing on one of our fields for beef.’ &
t first glance, Yews Farm appears
and Packwood House, Louise planted box through the garden, clipped into spirals, mitres, segmented shapes and bumpy lines of hedging. These give winter structure, as do mopheads and roundels of thuja, bay,
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Yews Farm, East Street, Martock, Somerset TA12 6NF (01935 822202; fergus.dowding@btinternet.com; @dowdinglouise) will be open for the National Garden Scheme by arrangement from May to August 2021 for groups of 20+. There will be an NGS public open day in June (date to be confirmed: see ngs.org.uk for details).
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The green berries of Crataegus x lavalleei ‘Carrierei’
Red berries of Crataegus persimilis ‘Prunifolia’ overhang Linaria purpurea and seedheads of Ligusticum lucidum
Veronicastrum virginicum ‘Lavendelturm’
Dahlia ‘Babylon Bronze’ is a big showy flower that doesn’t need support
“THE GARDEN IS LOGICAL – EVERYTHING HERE HAS ITS REASON FOR BEING WHERE IT IS” OWNER Louise Dowding
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Looking down the garden from the self-seeded area
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Seedheads of biennial Ligusticum lucidum, Kniphofia ‘Green Jade’ and Atriplex hortensis bring colour and a relaxed contrast to the formal box topiary
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Espaliered ‘Kidd’s Orange Red’ apple is underplanted with Mexican fleabane (Erigeron karvinskianus)
GARDEN GUIDE ORIENTATION The cultivated garden is south-facing and completely walled. SOIL TYPE Neutral clay loam, thin in places over former farmyard stone. SPECIAL FEATURES Topiary and hedging defining the formal garden; extensive herbaceous planting; self-seeded garden; large and productive vegetable garden; orchard; cutting garden.
“MY FAVOURITE PLANT RIGHT NOW IS THE BRIGHT RED, FRINGED DAHLIA ‘APACHE’ – I LIKE ITS SPLIT ENDS AND NEAT SHAPE” OWNER Louise Dowding
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Pots of Aeonium ‘Zwartkop’ and Pelargonium ‘Precision Red’ on the terrace
Amaranth with feathery spikes of flowers in striking pink
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Crataegus persimilis ‘Prunifolia’ berries
A box spiral acts as a plinth for a hawthorn with a thuja mophead against the wall behind
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“WITH STUNNING HOUSES AND GARDENS, EXPERT INSIGHT FROM INTERIOR DESIGNERS AND FASCINATING STORIES FROM INNOVATIVE MAKERS, A SUBSCRIPTION TO HOMES & GARDENS IS THE ULTIMATE INSPIRATION RESOURCE” Sarah Spiteri, Editorial Director
H&G PA RT N E R SH I P
A BSTR ACT A PPROACH C ont emp or a r y A mer ic a n a r t i s t Jef f Mu h s’ sig n at u r e s t y le shines throug h in his oil paint ings and concrete scu lpt ures
area known for its natural beauty, artist Jeff Muhs has always drawn inspiration from his surroundings. Passionate about drawing and painting from a young age, he’d head out with his father – a hunting and fishing guide – from sunrise to sunset and pick up ideas for his work. After studying at the School of Visual Arts in Manhattan, where he learned the traditional techniques of oil painting, Jeff moved back to his home town, where he has lived and worked ever since. From his hand-built studio, he works primarily with oil on canvas but also experiments with concrete to create striking sculptures. How would you describe your style? I think of my paintings like a reflection in a puddle. Each piece is a landscape, with nature’s beauty distilled and rearranged into its most basic forms – light, colour and space. Some people have said that they look like stone or marble. Tell us a little bit about your sculptures… While oil on canvas is my main medium, I’ve always
my first house that I discovered concrete as a medium. I became fascinated by it and have been experimenting ever since. Unlike my paintings, my sculptures are driven primarily by process and form; I love discovering new ways to make interesting shapes. Talk us through how you create your artwork… I spend a lot of time visualising and planning the work I’m about to undertake, winding myself up like a spring until the tension is released and the actual creating begins. It can take anything from 20 minutes to a month to make a painting. Any investment advice? I would say you should consider art as an investment in your quality of life, so always seek out pieces that resonate deeply with you. BUY ONLINE AT RUNWAY GALLERY Showcasing contemporary, fashionfocused works from celebrated artists, online Runway Gallery enables you to snap up original prints for your home. Browse and buy at runway-gallery.com
been a sculptor. I learnt the art of wood sculpting as a child from my father, but it wasn’t until I built
Next month, meet Evi Antonio, known for capturing the emerging and unexpected beauty found on London’s walls and streets, as she takes us on a journey where her love for nature and urban landscape collide in perfect harmony.
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FEATURE TARA KING ARTWORK (FROM LEFT) CAPSHEAF; BUTTERFLY COUNT; CHARTING TOTALITY, ALL JEFF MUHS AT RUNWAY GALLERY LIVING ROOM PHOTOGRAPH DAVIDE LOVATTI/TI-MEDIACONTENT.COM
HAVING grown up in the Hamptons, New York, an
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COLOUR OF THE MONTH ASSOCIATE EDITOR BUSOLA EVANS EXTOLS THE MOOD-LIFTING QUALITIES OF OXFORD GARDENS BY DESIGNERS GUILD
A warm blue with a hint of grey, this offering from Designers Guild brings in a touch of heritage while remaining modern and fresh. Reminiscent of summer skies, Oxford Gardens is uplifting yet equally soothing, quiet yet strong – the perfect balance needed in these unsettled times. It also has surprising decorating versatility. Its perfect partners are similarly warm tones – think burnt orange, deep reds, soft pinks and kicks of mustard. Marrying the shade with antique pieces also gives a contemporary spin to an otherwise traditional scheme. Walls in Oxford Gardens No 181 perfect matt emulsion, £50 for 2.5ltr, Designers Guild
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BRIGHT PROSPECTS
LIGHTING FOR DINING Proportion is key – the aim is glow without glare and an even pool of light that doesn’t leave the edge of the table, or diners, marooned in shadow. This is impeccably demonstrated in the East Hampton home of American decorator Robert Stilin, where a mid-century metal design strikes the right note over a vintage table and chairs (1stdibs.com is a good place to hunt for vintage lighting). ‘Even though I keep it dimmed quite low, the way it glows from the end of each arm creates a great mood,’ says Robert. Ideally, the gap between the base of an overhead light and the top of a dining table should be 75-100cm – this gives functional illumination while still feeling cosy.
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FEATURE AMY BRADFORD PHOTOGRAPHS (LIGHTING FOR DINING) STEPHEN KENT JOHNSON; (ON THE WIRE) POLLY WREFORD/TI-MEDIACONTENT.COM
GOOD LIGHTING WILL TAKE A HOME FROM HUMDRUM TO SPECTACULAR – HERE’S WHAT TO CONSIDER TO SWITCH ON THE STYLE AND BRILLIANCE
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ON THE WIRE There’s an art to choosing pendants that are the right size for a room, but if you’re in doubt – and if you have tall ceilings, like this entrance – it pays to err on the larger side. ‘Overscaling is a secret trick of the interior design trade,’ says Philippa Thorp, director of decorating firm Thorp. This black wire chandelier is expansive without feeling heavy, echoing both the proportions of the table beneath and the mirror on the wall opposite. Filigree designs such as this Ligne Roset Parachute light can cast complex shadows around the room, but if you want to soften the effect, take another tip from Thorp. ‘I tell all my clients to use pearl bulbs in order to create a gentle glow,’ she says. →
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PLAYFUL CONTRASTS This home shows how striking wall lamps can be when used with a statement wallpaper, like this trompe l’oeil-effect panel from the Kit Kemp for Andrew Martin collection. These Nicholas Haslam Coco sconces (£740 each) set the trees aglow when switched on. To recreate the effect, use wall lamps to throw key features into relief – be it an architectural detail or artwork. If you’re trying to focus the eye on a pattern detail, remember that placement isn’t the only element to consider – you’ll also need to choose a lamp that creates the right wash of illumination. Think about whether the pool of light is directed upwards or downwards and whether you want a diffused or focused effect.
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PHOTOGRAPHS (PLAYFUL CONTRASTS) POLLY WREFORD/TI-MEDIACONTENT.COM; (NATURAL WORLD) DAMIAN RUSSELL/TI-MEDIACONTENT.COM; (GOLD RUSH) MARY WADSWORTH
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“I LOVE TO LIGHT UNEXPECTED FEATURES IN A ROOM, BUT THIS SHOULD BE SUBTLE, NOT OBVIOUS – PEOPLE SHOULD FEEL AS THOUGH THEY HAVE DISCOVERED THESE ELEMENTS FOR THEMSELVES, WITHIN A BALANCED SCHEME” RACHEL CHUDLEY, founder, rachelchudley.com
NATURAL WORLD
GOLD RUSH
LANTERN GLOW
If your scheme is inspired by nature, lighting can easily be a jarring element. In their Shoreditch loft, architects Zoe Chan Eayrs and Merlin Eayrs (aka Chan + Eayrs) have chosen a Mycelium pendant lamp by Sebastian Cox (£360), made using waste wood, to chime with the organic textures and soft greens.
In this hallway designed by Gunter & Co, a constellation of Solstice wall lights by Porta Romana (£648 each) is deployed as an arresting pause point. ‘Using them in a decorative way rather than as something purely functional creates a unique effect,’ says founder and creative director Irene Gunter.
Lighting a long, narrow space – like this kitchen belonging to interior designer Beata Heuman – presents particular challenges. Heuman made the space feel brighter by installing a reflective glass ceiling and placing a colourful lantern (her own Dodo Egg design, £1,080) at either end. →
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“WITH ARCHITECTURAL LIGHTING, SUCH AS CONCEALED TRACKS OR SPOTLIGHTS, THINK OF YOUR ROOM AS A CANVAS WITH AREAS IN FOCUS AND AREAS IN DARKNESS. WANT TO HIGHLIGHT AND WHAT YOU WANT TO KNOCK BACK INTO SHADOW” JO LITTLEFAIR, co-founder and director, Goddard Littlefair, goddardlittlefair.com
SHADOW PLAY
RED ALERT
TWIN PEAKS
‘Position lights in the living room to showcase different features,’ says Lucy St George, co-founder of Rockett St George. Here, an Applique Pivotants wall lamp by Serge Mouille (£3,634, Twentytwentyone) highlights favourite artworks, while its smaller arm illuminates a dark corner.
If lighting is the jewellery of the home, then these coral-red sconces (Bronte by Porta Romana, £1,224 each, CP Hart) in this bathroom designed by Kit Kemp for CP Hart could be the ultimate statement earrings. Aim for designs with a distinctive shape, colour or texture – or, as in this case, all three.
Focusing on symmetry and materials can increase the impact of a lighting scheme – as seen in interior designer Paolo Moschino’s kitchen. Pairing the brass Harper lights by Paolo Moschino for Nicholas Haslam (£750 each) with rattan chairs creates a dynamic contrast and directs the eye upwards.
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PHOTOGRAPHS (SHADOW PLAY) PAUL RAESIDE/TI-MEDIACONTENT.COM; (TWIN PEAKS) PAUL MASSEY/TI-MEDIACONTENT.COM; (PATTERN PAIRING) ALECIA NEO/TI-MEDIACONTNET.COM
ASK YOURSELF WHAT YOU
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PATTERN PAIRING This children’s bedroom in Singapore-based interior designer Elizabeth Hay’s home is a masterclass in clashing patterns. Matching a bedside lamp to a key piece of furniture – in this case, the headboard – brings the scheme together and makes the animal theme feel more sophisticated. Hay used a print called Small Elephant by Les Indiennes for the lamp and headboard, and mixed up the scale of patterns in the rest of the room for a vibrant effect. The larger the lamp, the bolder your pattern should be to make an impact. For a small interior design project such as this, consult a firm like Ensemblier, which specialises in bespoke headboards and can help create something similar. →
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“I LIKE TO HAVE AT LEAST THREE CIRCUITS IN A ROOM, ALL ON DIMMERS. IN THE EVENINGS, THIS CREATES A LAYERED, SOFT LIGHT, BUT IT ALSO HELPS TO BRIGHTEN THINGS UP DURING THE DAY WHEN THE WEATHER IS GREY AND CLOUDY”
IN THE ZONE
TALL STORY
Pendant lamps don’t have to be hung centrally – in this snug, designed by Studio Duggan, they’re just as effective in a more offbeat setting. ‘We wanted this space to be warm and inviting at night, so we avoided downlights and lit intimate pockets of the room instead,’ says founder Tiffany Duggan. ‘There’s a mix of table lamps, floor lamps and a trio of tasselled pendants for a cosy vibe.’
Decorator Irene Gunter of Gunter & Co has cleverly accentuated the height of this bedroom with two simple yet playful touches – an oversized headboard and Kelly Wearstler’s statuesque Linden porcelain lamp for Visual Comfort (£730, LuxDeco). ‘The soft glow complements the room’s main lighting – LED strips which are tucked in behind the contemporary coving,’ reveals Gunter.
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PHOTOGRAPH (TALL STORY) MARY WADSWORTH
LUCY VAUGHAN, co-founder, Vaughan, vaughandesigns.com
DE SIGN
INSIDER INSIGHT ILLUMINATING IDEAS AND DESIGN KNOWLEDGE FROM THE EXPERTS OVERHEAD LIGHTING While overhead
potential for unusual shapes than ever before – the
lights are often used only occasionally, most designers consider them essential. ‘I use them to
Soft Architecture range by Flos, for example, allows you to build statement lighting into plasterwork.
bridge the gap between floors and high ceilings,’ says Deborah Bass, founder of Base Interior. ‘Because ceilings are a blank canvas, unlike floors, pendants help to link a whole space together,’ adds designer Lee Broom, who also uses them to zone different areas. While not seen as the most atmospheric light source, they can make a space feel cosier, argues
Don’t feel you have to match everything – designer Shalini Misra loves a mix of minimalist and maximalist styles – however, do match lamp trims, switches and door fittings for a harmonious look.
Siobhan Kelly, associate director of David Collins Studio. ‘A ceiling in shadow flattens a room.’
renovating. ‘Work out where you want fittings before tiling or decorating, as chasing out walls is messy and expensive later on,’ says Emma Finch, director
MOOD ENHANCING A good balance of
of Hector Finch. The colour temperature of bulbs is vital for ensuring comfort. ‘It’s measured by the Kelvin rating – the lower, the warmer and softer the light,’ explains Mark Holloway. ‘A rating of 2700 has the warmth and cosiness most of us crave.’ Brighter, whiter bulbs are best kept for task-oriented areas. In bathrooms, all lights within 60cm of a water source
wall, table and floor lamps is comparable to theatre lighting, says Daniel Blaker, creative director of Nulty. ‘Your eyes are drawn to what the stage designer wants you to see; it’s the same in the home,’ he advises. ‘Often, it’s artwork, display shelves or a view.’ The overall effect, says decorator Martin Brudnizki, should be to have depth and interest at various levels. ‘By illuminating the space around you softly, you avoid a harsh, unflattering glare,’ he explains. Karen Howes, CEO of Taylor Howes, focuses on details by lighting alcoves, ceiling mouldings, staircases and joinery – concealed LED strips that create washes of light are great for this.
DECORATING WITH LIGHT ‘I like to think of decorative lighting in the same way as art,’ says Mark Holloway, owner of Holloways of Ludlow. LED technology has had a huge impact on lighting design in the past few years, which means more
PRACTICAL MATTERS Planning a lighting scheme should be one of the first things you do when
must be IP-rated to keep out moisture. IP44 is suitable for most areas, but around a bath or in a shower enclosure they should be IP65 or 67. &
“WHEN LAYERING LIGHTING IN A SPACE, THINK ABOUT IT AS A WAY TO GUIDE THE EYE AROUND THE ROOM, AND POSITION IT AT LOW, MEDIUM AND HIGH LEVELS” KELLY WEARSTLER, founder, kellywearstler.com
THE SOURCEBOOK: LIGHTING AND LAMPSHADES JIM LAWRENCE
VAUGHAN
CTO LIGHTING
BERT FRANK
An invaluable resource for lampshades, this brand also excels at timeless light fittings in brass and fluted glass (including elegant IP-rated designs for bathrooms). Ceiling roses, switches and sockets complete the offering, jim-lawrence.co.uk
Artists and designers Michael and Lucy Vaughan sell lighting for every imaginable purpose, and their selection of table lamps and sconces is one of the most original around. Swing-arm wall lights are another highlight, vaughandesigns.com
Having worked with David Collins Studio, Philippe Starck and hotelier André Balazs, this specialist is well placed to deliver the bespoke lighting project of your dreams. It also sells its own range of modern designs, ctolighting.co.uk
This creative British brand’s lights are a winning mix of industrial and vintage styles, with a pleasingly substantial, handcrafted feel. The long Kernel and Colt pendants work well over kitchen islands and dining tables, bertfrank.com
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Tom’s garden ‘the Barn’ in its autumn guise, with towering eupatorium and grasses creating a sense of abundance
ALL FIRED UP We a s k e d t h r e e t o p g a r d e n d e s i g n e r s t o s h a r e t h e i r k n o w- h o w o f p l a n t s w e s h o u l d b e g r o w i n g t h i s a u t u m n – ge t r e a d y t o b e i n s p i r e d
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TOM STUART-SMITH COMBINES THE MUTED COLOURS OF NATIVE TREES WITH COLOURFUL FLOWERS FOR SEASONAL SPARKLE My garden here at the Barn in Hertfordshire looks beautiful in autumn. Asters are a mainstay in the borders and my favourites include the tall violet and yellow Symphyotrichum novae-angliae ‘Violetta’ and delicate pale blue Symphyotrichum turbinellum. Some rudbeckias such as R. maxima are also still in flower in October in our prairie garden and the seed heads then extend
FEATURE ZIA ALLAWAY PHOTOGRAPHS (PORTRAIT) EVA VERMANDEL; (CRAB APPLE) GETTY IMAGES; (TOM’S GARDEN) MIENEKE ANDEWEG-VAN RIJN/ALAMY STOCK PHOTO
their appeal later in the season. The compass plant, Silphium laciniatum, is another good late flower for a naturalistic garden if you have space for it – the sturdy stems of yellow daisies can reach over 2.5m (8ft) and look spectacular in large clumps. These flowers all thrive in sun. I’m not a great fan of vibrant autumn colour in our countryside setting, where bright red or orange leaves can look a bit like graffiti against the subtle russets and soft yellows of oaks and other native trees. However, they can work very well in an urban or more enclosed outdoor space. I do love autumn fruit, though, and often use Viburnum betulifolium for its translucent red berries in my garden designs. Crab apples and hawthorns are very good choices too, providing fruit for the birds, as well as more muted autumn colours. As the nights start to draw in, I like to spend the evenings planning my garden, deciding what new plants or combinations I want to experiment with. Late September and early October are also the best times for planting hardy plants, so that they can establish before the winter. ■
tomstuartsmith.co.uk
The buttery leaves and bright fruits of the crab apple ‘Evereste’ add pops of colour to the autumn garden
“THE NUTTY RICH RUSSETS OF THE OAKS IN THE AUTUMN GARDEN ARE FOR ME THE BEST OF ALL”
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MARIAN BOSWALL LOOKS TO NATURE FOR INSPIRATION AND ADDS ELEMENTS OF SURPRISE TO HER DESIGNS FOR AUTUMN The lockdown has helped us to realise how closely we are connected to nature and this has fuelled a trend coming through in designs this autumn. Instead of keeping rabbits and deer out, we’re embracing them with tough plants that they don’t usually touch, such as sun-loving echinaceas and the bright pink aster, Symphyotrichum novae-angliae ‘Andenken an Alma Pötschke’. In shadier areas, I’m using Cyclamen hederifolium and the dainty Succisa pratensis, an English native that thrives in moist soil. I like to include a few surprises, too, and the pink and blue berries of the harlequin glorybower (Clerodendrum trichotomum) and vibrant mauve beads of beautyberry (Callicarpa bodinieri var. giraldii ‘Profusion’) do the job perfectly.
“AS PLANTS RETURN TO THE EARTH IN AUTUMN, I AM REMINDED THAT THIS IS A TIME OF REST AND RENEWAL”
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marianboswall.com
PHOTOGRAPHS MARIAN BOSWALL
Succisa pratensis, known as the devil’sbit scabious, lends a naturalistic note to an informal border
For wildlife and foraging, try an edible hedge of goji berries, mulberries and lingonberries. Taking a lead from Isabella Tree’s book Wilding, I also let a tiny patch of my garden go wild a few years ago and was excited when nightingales nested in the brambles this summer. To keep my soil productive without chemicals, in autumn I add a teaspoon of biodynamic horn silica or a sprinkling of biochar under a layer of compost – it’s like putting money in the bank for the plants the following year. I buy mine from The Biodynamic Association (biodynamic.org.uk) and Carbon Gold (carbongold.com). I’ve learned more about rewilding through the Garden Masterclass (gardenmasterclass.org) series of lectures – and you can find out more about designing your garden, too, from its experts.
Echinaceas offer flowers in early autumn and pretty seed heads later in the season
A star of the autumn garden, the bright red leaves of the liquidambar tree take centre stage at this time of year
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BUTTER WAKEFIELD WELCOMES IN AUTUMN WITH ROSE-TINTED FADING FLOWERS AND TREES CLOTHED IN FIERY FOLIAGE Hydrangeas are my favourite shrubs for autumn and one of the best is Hydrangea paniculata ‘Limelight’. It’s an absolute joy when the huge white flower heads take on beautiful shades of dusky pink as the weather cools. In the herbaceous border, I always include salvias, such as the tall ‘Black and Blue’ and ‘Amistad’, for autumn colour. Both have glorious dark purple
PHOTOGRAPHS (LIQUIDAMBAR TREE) ANNE GILBERT/ALAMY STOCK PHOTO; (PORTRAIT) EVA SCHWANK; (HYDRANGEA) BUTTER WAKEFIELD
flowers and bloom right up to November in my London garden. I’m also keen to keep the wildlife happy and leave a patch of ivy for the bumblebees and other pollinators, which feast on the late flowers. Birds then step in to take the berries that follow. Like many people, I’ve found my garden very nurturing in these difficult times, and love the way each season heralds exciting new colours and textures. For a fiery autumn showstopper, try the sweet gum, Liquidambar styraciflua ‘Worplesdon’. This beautiful tree is ideal for a medium-sized to large garden and sports star-shaped leaves that turn bright red in autumn. In a smaller garden, I would use a pleached Persian ironwood tree (Parrotia persica ‘Vanessa’), which produces a rainbow of red, yellow and orange leaves in October. Fruit trees are another great choice, providing food for birds and insects as well as people. My main jobs for the autumn are moving plants, tying in my climbing roses and planting bulbs – I like to fill large pots with a jumble of narcissi, anemones and grape hyacinths, as well as tulips, for a riot of colour the following spring. ■
butterwakefield.co.uk
The flowers of Hydrangea paniculata ‘Limelight’ are green when they open, then turn white and take on pink hues in autumn
“I LOVE THE WAY THE SOFT SUN SLANTS THROUGH THE GARDEN IN AUTUMN, GENTLY ILLUMINATING THE BORDERS”
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M A STERWORKS IN THIS DREAM ROOM SPECIAL, LEADING DESIGNERS DIVULGE THE IDEAS AND INSPIRATION BEHIND THEIR STRIKING SCHEMES
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The Beauty of Bespoke
Smart Blinds for Luxury light control
Book a consultation: 0800 688 8118 or visit thomas-sanderson.co.uk
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L I V I N G S PAC E B Y TURNER POCOCK BESPOKE JOINERY AND HANDSOME ARCHITECTURAL DETAILS SET THE MOOD IN THIS RESTORED ARTIST’S STUDIO 1.
THIS IS THE MAIN living area of an artist’s studio in a west London mews built in the 1870s. There was a tremendous sense of scale combined with large expanses of glazing that flood the room with beautiful light. Our brief was to work with these elements but at the same time create a warm and comfortable house.
2.
While the core of the detailing is contemporary, such as the brass inlays in the floors and polished plaster walls, every decision was taken respecting the building’s origins as a Victorian artist’s studio. The dramatic staircase provides the backbone to the space; it has an almost liquid feel that contrasts with the angular Crittall windows.
FEATURE ARABELLA YOUENS PHOTOGRAPH ALEXANDER JAMES
3.
WE LIKE TO LAYER PATTERNS, large and small, and mix furniture from different eras to create spaces that evolve over time but always feel fresh. Here, our favourite element was the bespoke joinery, which is bold in colour and has individual detailing. It keeps the joinery simple in form but adds interest. Having established the practice in 2007, Bunny Turner and Emma Pocock have developed a reputation for crisp and artfully executed schemes with strong character. Turner Pocock, 020 3463 2390, turnerpocock.co.uk
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Joinery in Down Pipe estate eggshell, £64 for 2.5ltr, Farrow & Ball. Jagger armchairs, £775 each, Andrew Martin. Bespoke sideboard, Julian Chichester. Elsa table lamps in Olive, £116 each, Pooky
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RECEPTION HALL BY STUDIO V ERO
DESIGNERS ROMANOS BRIHI AND VENETIA RUDEBECK HAVE DEVISED A FLEXIBLE ENTERTAINING AREA
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THIS IS A LARGE ANTEROOM that stands between the main entrance lobby and kitchen breakfast room of an apartment we decorated in Chelsea. The owners use it both for informal entertaining as well as somewhere to host guests prior to sitting down to dinner in the main dining and drawing room.
2.
Each area of the apartment has an individual ‘talking point’ yet they all link to one another. We created themes such as hand-painted monochrome walls in the entrance, which are picked up and echoed in the fireplace and joinery in this room. Equally, the yellow velvet on the chairs here is subsequently communicated on some brass detailing in the kitchen.
3.
IT WAS IMPORTANT for our clients that this space had a clear purpose. Key to achieving this was redesigning the existing built-in storage and solid linear limestone fireplace that spanned the entire width of the wall. Instead, we designed joinery that is both a library display and a working bar, and replaced the fireplace with a modern iteration of a classical design boasting clean architectural lines in black marble.
4.
The dividing screen is an interpretation of an antique original. The mix of blacked steel, antique brass and mirror are replicated opposite on the custom stairway. It creates a powerful divide, yet its open design allows glimpses into the adjacent room and beyond to the terrace.
Central table with a lacquer base and ebony circular top; fireplace in Nero Marquina marble; screen in bronze and brass, custom designs, all Studio Vero. Dining chairs in Celestial Diamond, £240m, Soane Britain; and Hanover velvet, £104m, Altfield. Artwork by Jeremy Annear
FEATURE ARABELLA YOUENS PHOTOGRAPH PAUL MASSEY
5.
FOR THE FURNITURE, our clients’ brief was to blend styles by Jean-Louis Deniot and Kelly Wearstler – essentially bridging Parisian style with bold and eclectic accents. The chairs were designed to be delicate yet form a strong statement in the space, using slight linear legs in blacked steel offset by rich ochre yellow fabrics. Founded six years ago, Studio Vero is a London-based interior design practice led by creative directors Romanos Brihi and Venetia Rudebeck who share a cool,
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cosmopolitan aesthetic. It is known for its considered spaces and collaborations with celebrated artists and artisans. Studio Vero, 020 3818 0210, studio-vero.com
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SITTING ROOM BY TA MSIN JOHNSON THE SYDNEY-BASED DESIGNER’S AIM WAS TO DELIVER A YOUTHFUL INTERPRETATION OF A TRADITIONAL AESTHETIC 1.
THIS 1930S HOUSE in Sydney was in an unloved state when my clients, a couple with a young family, bought it. There’s a sense of maturity about the property, which I particularly wanted to underline in the formal rooms, but bearing in mind the youthful sensibility of my clients, it was important not to overdo this, too.
2.
Double doors lead into the formal living area from the hallway; I was keen to keep the spaces delineated as opposed to open-plan. While keeping original features, such as high skirting boards and decorative cornicing, we introduced a contemporary whimsy with fresh white walls and generous linen sofas with custom-made beach-ball cushions.
3.
ART AND ANTIQUES are
FEATURE ARABELLA YOUENS PHOTOGRAPH ANSON SMART
important to me: I come from a family of antique dealers. My clients understand beautiful objects in the same way that I do, using pieces that are more obscure. They like one-offs or custom-made and appreciate the value of old things being as important now as they will be in the future. Noted for her laid-back yet elegant schemes, Inchbald-trained Tamsin
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Johnson is one of Australia’s leading decorators. Tamsin Johnson Interior Design +61 (0) 412 866 986; tamsinjohnson.com
Linen sofas with beach-ball cushions; coffee table with stone top and concrete legs; side tables in dip-dyed concrete, all bespoke by Tamsin Johnson. Antique flatweave rug, Nazar Rug Galleries. Antique pendant light, The Country Trader
“THE COUPLE DIDN’ T WANT TO LIVE IN A HOME THAT WAS TOO GROWN-UP – THEY WANTED SOMETHING INTERESTING THAT WOULD ALSO AGE WELL OVER TIME” TAMSIN JOHNSON, interior designer
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Beautiful Traditional Timber Windows and Doors High quality windows and doors, made in the UK. Preserving the character of your home, while incorporating double glazing, where permitted. Trusted trader
01344 868 668
www.sashwindow.com
BE INSPIRED.
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ST U DY BY CHARLOTTE CROSLAND THE DECORATOR HAS TRANSFORMED AN UNDERUSED ROOM WITH COLOUR AND MID-CENTURY FURNITURE 1.
This is the rear end of a double sitting room in a London townhouse. French doors lead to a pretty balcony with views over the garden. The clients wanted the option to open it up as a double reception room for entertaining, as well as closed off as a home office.
2.
PREVIOUSLY IT WAS a rather dark and narrow space, so we removed a chimney breast to enlarge the room and lightened it with a soft pink on the walls. Doing this also provided a flat wall with no alcoves, which is ideal for placing furniture and hanging art.
3.
Overall, my aim was to create a contemporarymeets-traditional look. The double doors, with an updated Shaker-style on the panel, create a design statement for the whole room. Then I added pieces
FEATURE ARABELLA YOUENS PHOTOGRAPH JAKE FITZJONES
of mid-century furniture – it’s a style that works well in a scheme that is carefully balanced between modern and classic. ■
Charlotte Crosland established her
practice in 2000 and has become renowned for her effortless style that breathes comfortable grandeur into her projects. Charlotte Crosland Interiors, 020 8960 9442, charlottecrosland.com
Walls in Setting Plaster estate emulsion, £47.95 for 2.5ltr, Farrow & Ball. Natural seagrass carpet in fine herringbone, £32.67 sq m, Sinclair Till. White linen curtains with leading edges in Garden of Eden, £652m, Chelsea Textiles
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SUNROOM BY VEERE GRENNEY A WHIMSICAL SPACE THAT ENJOYS BREATHTAKING VIEWS OVER THE STRAIT OF GIBRALTAR
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DE S IGN
1.
This room is essentially an extension of the drawing room in my house in Tangier. It’s an entry point into the house so could be a hall and, back in New Zealand where I grew up, it might be known as a sunroom. It’s rather an extravagance of a space but I’ve always thought that any beautiful house should have this kind of room.
2.
THE HOUSE FACES due north, towards Europe, affording the room wonderful sunlight in the mornings; I often sit here to have coffee to enjoy the views through the French doors, which are often open throughout the summer. They lead out to a marvellous balcony with a decorative iron railing.
3.
Inspired by Elsie de Wolfe, who began a vogue for treillage rooms in the early 20th century, I clad the walls and ceiling with intricate trellis work using the skilled local craftsmen. Today, you might see this approach in Florida. The walls all have borders in a different trellis design to add another dimension and interest.
4.
IN THE MIDDLE of the room is an original Jansen
Bowood chintz curtains, £79m, Colefax and Fowler. Vintage dining table by Maison Jansen. Wall sconces, price on request, Veere Grenney Associates
FEATURE ARABELLA YOUENS PHOTOGRAPH SIMON BROWN/INTERIOR ARCHIVE
table, which I bought at Christie’s 20 years ago: it’s extremely heavy with a Belgian blue marble top and iron legs, but the overall look is softened by the fact that they are covered in faux bamboo. When there’s a large lunch party, I remove the indoor plants and transform the space into another dining room as the table seats 10 people.
5.
The one thing I’ve added recently is a lovely big Moroccan lantern, which lends the room another atmosphere at night. With the curtains closed, it’s cosy and atmospheric but on a still night, I leave them open and watch the light of the boats on the Strait twinkling on the sea. ■
Leading decorator Veere Grenney has a reputation for
leaving his crisp, tailored and unfailingly elegant decorative imprint on projects across the world. Veere Grenney Associates, 020 7351 7170, veeregrenney.com
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BEDROOM BY DE GOURNAY REDISCOVERED PANELS FROM THE BRAND’S PAINTING STUDIO WERE THE CATALYST FOR THIS SCHEME CREATED BY HANNAH CECIL GURNEY
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DE S IGN
1.
These wallpaper panels are in Askew, one of the early designs dating back to when my father started the business in the early 1980s and was testing colour palettes and taking inspiration from antique chinoiserie samples. He disliked the colour and consigned them to the archives. Decades later, when I chanced upon a box, I fell for them immediately.
2.
I’M DRAWN TO WARM COLOURS; it might have something to do with London weather. I’m not sure it would work so well in California, but the effect here is to create an uplifting space whether it’s night or day. Even when the clouds are grey, it feels vibrant and this mix makes my home feel happy and welcoming.
3.
The joinery was existing and ugly; by putting a moulding on the front of the floating shelves and covering them in pink velvet with an overlapping trim on the front, I’ve tried to soften their design. I had the lampshades made from inexpensive Indian material.
4.
I FOUND THE SCONCES in my father’s attic and had the linen shades made by Besselink & Jones. We fitted them within the wall panel, but it can look just as good to have wired wall lights. Not only are you then less committed to having them in a particular place, but you can have the wire wrapped in a colour to match the paper or paint behind and they disappear into the background.
Askew chinoiserie wallpaper, £1,020 a panel; porcelain lamp bases, £4,060 each; Louis XVI bed, from £13,814, all de Gournay. Linen quilt, €620, Once Milano. Patterned cushions in Le Manach, £312m, Pierre Frey
FEATURE ARABELLA YOUENS PHOTOGRAPH DOUGLAS FRIEDMAN
5.
On the bed, to add another accent, I’ve put a selection of cushions in different fabrics, from our own plain green velvet with a pom-pom trim to a lively geometric pattern that adds a fun, visual contrast to the wallpaper. Daughter of the founder of esteemed hand-painted chinoiserie wallpaper experts de Gournay, Hannah Cecil Gurney is now a director of the Chelsea-based firm.
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de Gournay, 020 7352 9988, degournay.com. de Gournay: Hand-Painted Interiors by Claud Cecil Gurney is published by Rizzoli in October priced at £59.95.
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BEDROOM BY WA L D O W O R K S ARCHITECT AND INTERIOR DESIGNER TOM BARTLETT USED CUBIST CUES AND BLOOMSBURY HUES IN THIS SOPHISTICATED SPACE
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DE S IGN
1.
AN ART COLLECTOR, our client had done some restoration work at Charleston, the house artist Duncan Grant shared with Vanessa Bell in Sussex, and owned a few of his paintings. The starting point for this bedroom was a look at colouration. It’s not about creating a colour scheme to match a piece of art – more about finding a natural harmony. We borrowed from the plaster pigment-tinted world of Charleston as a starting point but wanted to ensure the end result wasn’t too decorative, hence the unusual combinations of blue, lime and pink and yellow.
2.
Spaces should have a story that guides every decision. Here, it’s the interplay of the Charleston hues with the Christopher Farr Omega Workshop rug. This is the most important element in the room – and the biggest investment. We looked at the pattern of repeating circles framed by squares and re-emphasised this story in the circular pendant, the artwork above the bed and the shape of the bed itself.
3.
WE PICKED OUT or designed much of the furniture in this bedroom. Unusually for contemporary designers, we like four-poster beds but stripped of details. This one is made of steamed oak that is lacquered on the inside to give a slight colour variation. The bedside tables are our interpretation of a Georgian two-tiered design, while the Aldo Rossi roll-top carteggio introduces a hint of the 1980s.
4.
This bedroom is on the lower ground
Omega Workshop Bloomsbury rug, price on request, Christopher Farr. Ceiling pendant, Cameron Peters Fine Lighting. Walls in Middleton Pink estate emulsion, £47.95 for 2.5ltr, Farrow & Ball. Vintage Jacques Grange Bilboquet lamps in White terracotta. Curtains in Decortex DX-3905, £267.12m, Turnell & Gigon
FEATURE ARABELLA YOUENS PHOTOGRAPH TOM MANNION
floor, so it was important to maintain the quality of light as much as possible, which is why we chose the lemon-yellow fabric. People make the mistake of choosing dark fabrics for curtains, not realising that it will darken the room. ■
Tom Bartlett founded Waldo Works with Sasha
von Meister and Andrew Treverton over 10 years ago; together they are known for creating deeply comforting interiors which have resonance. Waldo Works, 020 7242 4681, waldoworks.com
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GARDEN BY B U T T E R WA K E F I E L D IS IT POSSIBLE TO CREATE AN IDYLLIC PASTORAL FEEL IN A SMALL CITY PLOT? THIS SPACE PROVES YOU CAN SAYS LANDSCAPE ARCHITECT ULA MARIA
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DE S IGN
1.
OFTEN ASSOCIATED with countryside grandeur, the use of topiary specimens in this Butter Wakefield design proves they can look just as home in smaller spaces. Placed among an abundance of flowers, their sculptural presence provides a sense of rhythm and order.
2.
Country gardens are often dominated by subtle pastels. Pale lilacs and dusky pinks contribute to the soft, hazy atmosphere. Here Butter has paired pastels with fresh, zesty green foliage to help elevate the appearance of the soft-hued flowers.
3.
THE QUINTESSENTIAL country garden will always contain wildflowers and so making room for them in a small city space is an easy way to get the look. From common knapweed and ox-eye daisies to cornflowers and poppies, there are plenty to choose from and by planting wildflowers you’ll also be creating important habitats for insects, birds and bees.
4.
Butter has used a mix of pots and planters as a way of injecting the flair of the countryside garden into a small space. You could even create a mini cut-flower or kitchen garden using everything from large urns to tiny terracotta pots. Herbs such as rosemary, mint and thyme will also thrive in pots provided there is good drainage.
5.
FURNITURE can be used to enrich the country
A cosy seating area nestled under a large magnolia provides shelter and shade. The romantic planting includes wildflowers and herbs in shades of pink, white and purple and topiary shrub specimens. Find out more at butterwakefield.co.uk
FEATURE ULA MARIA PHOTOGRAPH JASON INGRAM
garden aesthetic you are trying to achieve. Beautifully crafted timber or ornate metal furniture is most likely to work best. Although sometimes adding details such as throws and cushions will be all it takes to give your space a country feel, the truth is, the more comfortable the outdoor furniture, the more likely you are to use it. From a childhood spent in rural Lithuania to winning the RHS Young Designer of the Year in 2017, author and
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landscape architect Ula Maria has developed an affinity with garden spaces that stimulate the senses and connect us with nature through our memories and experiences. Her book Green: Simple Ideas for Small Outdoor spaces (£20, Mitchell Beazley) is out now
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TRAVEL CLASSICAL SPAIN – SEVILLE, CÓRDOBA & GRANADA
TIMELESS PROVENCE
7 days from only £499pp Departures from March to November 2021
8 days from £969pp Departures from April to October 2021
HOLIDAY INCLUDES:
HOLIDAY INCLUDES:
■ Experience beautiful Seville on a tour led by a local guide
■ Tour of colourful Cassis and a boat trip to see the stunning Calanques
■ Enjoy the authentic tastes and traditions of tapas on an evening introduction to these delicious Spanish appetisers in Seville
■ Guided walking tour of Aix en Provence, Provence’s stylish capital
■ Explore the mountain fringed city of Granada and visit the outstanding Alhambra Palace
■ Take a walking tour of Arles, the capital of Roman Gaul, and see its iconic amphitheatre immortalised by Van Gogh
■ Visit historic Córdoba and take a guided tour of the Mezquita, probably the world’s most beautiful mosque
■ Tour of the Camargue, one of France’s finest nature reserves
■ Marvel at the natural drama of Ronda, a city spectacularly situated across a plunging gorge
■ Visit the Pont du Gard, one of the ancient Romans’ largest aqueducts
■ Visit Avignon, home of the Popes’ Palace and a famous medieval bridge
■ Tour of the Luberon Hills and its timeless Provençal villages ■ Return scheduled flights or standard class reserved seat on Eurostar and TGV from London St Pancras, plus all hotel transfers
■ Return flights from a selection of regional airports, plus all hotel transfers ■ Six nights in three-star superior and four-star accommodation, with breakfast ■ The services of our experienced and insightful tour manager
DUBROVNIK & THE DALMATIAN COAST
OUR PROMISE Book with complete confidence*
8 days' half-board from only £1,069pp Departures from April to October 2021
■ Seven nights in a choice of four star to four star superior accommodation, with breakfast and four dinners ■ The services of our experienced and insightful tour manager
PUGLIA, LECCE & VIESTE – UNDISCOVERED ITALY 8 days from only £919pp Departures from April to October 2021
HOLIDAY INCLUDES: ■ Explore Dubrovnik, Byron’s ‘Pearl of the Adriatic’, with its medieval and Baroque centre, on a tour led by an expert guide
HOLIDAY INCLUDES: ■ Discover Lecce, the ‘Florence of the South’, and its many stunning architectural gems with a local guide
■ Marvel at the rushing waters of the Krka National Park’s dense and dramatic interlocking waterfalls
■ See the instantly recognisable trulli houses of Alberobello with their conical roofs, set against undulating countryside
■ Cross the iconic Stari Most bridge, now returned to its former glory in Mostar, once Europe’s border with the Ottoman Empire
■ Enjoy a guided tour of medieval Matera and its astonishing cave village hewn entirely from rock
■ Immerse yourself in the history of Emperor Diocletian’s monumental palace in Split, brought to life by the intimate knowledge of a local guide
■ Tour the old town of Bari with a local guide and see its remarkable Romanesque cathedral ■ See the beautiful Foresta Umbra nature reserve
■ Discover the delights of medieval Trogir, one of Dalmatia’s most alluring old ports
■ Learn the craft of pasta making and enjoy a light lunch at a family run osteria
■ Explore the dramatic Dalmatian Coastline, visiting picturesque Cavtat and a restored watermill
■ Visit one of the many revered olive oil mills here to witness how the oil is produced
■ Return flights from a selection of regional airports, plus all hotel transfers ■ Seven nights in four star accommodation, with breakfast and dinner
■ Seven nights in conveniently located four star accommodation, with breakfast, one lunch and six dinners, including two at carefully selected local restaurants
■ The services of our experienced and insightful tour manager
■ The services of our experienced and insightful tour manager
■ Return flights from a selection of airports, plus all hotel transfers
TO BOOK OR FOR A FREE BROCHURE, CALL 01283 742330 OR VISIT HAGRIVIERA.CO.UK Additional entrance costs may apply. Prices are per person, based on two sharing, and are correct at time of print, subject to finite availability. Images used in conjunction with Riviera Travel. Offer operated by and subject to the booking conditions of Riviera Travel Ltd. ABTA V4744, ATOL 3430, a company wholly independent of Homes & Gardens, published by TI Media Limited. *See website for full details.
ABTA No. V4744
&
DOs DON’Ts WITH K ATHARINE POOLEY THE AWARD-WINNING INTERIOR DESIGNER AND LUXURY BOUTIQUE OWNER REVEALS HER DECORATING GROUND RULES
IMPACTFUL ARTWORK DOs ■
Allow art to breathe. There is
something very beautiful about hanging a small, singular piece on a large expanse of wall. ■
Install a picture rail system, if you like to move art around – they look particularly smart. ■ Pay attention to framing. Contemporary canvas pieces look wonderful in a sleek tray frame with a shadow gap. A traditional frame with a gilt slip adds finesse. ■ Go with what you love but do ask professionals if you need to – a trusted gallery owner or picture framer will be able to help.
DON’ Ts ■
“ILLUMINATE ART – LIGHTING WILL FEATURE LIZZIE HUDSON
BRING PAINTINGS TO LIFE. INVEST IN DISCREET, DIRECTIONAL LIGHTING OR SIMPLY POSITION A TABLE LAMP UNDER ARTWORK”
Resist charging ahead. Arrange groupings on the floor in the space you are considering to get an idea of what scale and positioning works. ■ Steer clear of painted frames; they often just look unfinished. Even if the frame is narrow, always consider a gilt or lacquer finish; it’s what the painting deserves. ■ Avoid hanging a gallery wall in a large room. Instead choose two big, striking pieces. Collections of smaller items work in compact spaces, such as hallways. ■ Don’t shy away from mirrored frames; the clean lines work in bedrooms and bathrooms. →
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DES IG N
TRIMMINGS DOs ■
Use trims to tie a scheme together – they’re perfect for adding an extra punch of colour. Pick out a hue from artwork or other accessories in the room.
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Enhance existing items such as headboards or lampshades. Trims can be added to make them more interesting and give them a new lease of life. ■ Give greater impact to curtains by layering border trims onto
contrasting fabrics to ensure a striking finish. ■ Attach delicate details such as trims with shells, toggles and other small items. They add gentle texture and a beautiful finish to blinds and other window dressings.
DON’ Ts ■
DOs
DON’ Ts
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Involve your child in the design. A room that reflects their personality is sure to be popular.
■
■
Hang patterned paper. It will instantly make the space feel inviting. Create a feature wall or use the paper on wardrobe doors. ■ Install plenty of storage and use every nook and cranny. ■ Give a nod to past times. A model ship or beautiful doll’s house will
■
still resonate with today’s young.
glider) is as important as a lovely cot.
Try not to shy away from playful design. There is something sad about a room that is tonal and beige.
Remember durability. Use child-appropriate washable fabrics and hard-wearing surfaces. ■ Be careful not to overwhelm the space. A busy wallpaper on every wall will make it difficult to relax. ■ Don’t forget functionality. A nursing chair (like Olli Ella’s Mo-Ma
“INSTEAD OF PATTERNED CURTAINS USE A TIMELESS PLAIN CURTAIN FABRIC AND ADD INTEREST WITH A POM-POM LEADING EDGE, TRIM OR RIBBON DETAIL”
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Simply using a plain fabric as a piping on a patterned cushion allows the main fabric to shine, instead of overpowering it. ■ Don’t add a delicate trim to any upholstery. It won’t cope with the inevitable wear and tear, and will make the whole piece look very worn, even if it’s not.
PHOTOGRAPH (CHILDREN’S BEDROOMS) ANDREW BEASLEY
CHILDREN ’S BEDROOMS
Not everything needs a trim.
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Description Price Qty Subtotal Pair of Orange & Lemon Trees 1-1.2m tall potted Trees £49.97 680021 with FREE Citrus Feed SAVE £17.00! 680019 Additional Orange Tree - 1-1.2m tall potted Tree £29.99 680020 Additional Lemon Tree - 1-1.2m tall potted Tree £29.99 These SPECIAL OFFERS go perfectly with your Citrus Tree Collection Strawberry ‘Sweet Colossus’ £6.49 320072 6 Plug Plants SAVE £6.50 HALF PRICE! of Giant Plant Fleeces (1.6 x 1.2m) 150006 Pair £8.99 Protect Your Trees From Winter Frosts JOIN THE YOUGARDEN CLUB - Get £20.00 FREE vouchers & SAVE 10% on EVERY ITEM you order! 820005 Renewal Subscription Membership*: Was £20.00 NOW 75% OFF - SAVE £15.00! £5.00 820001 1 Year Membership: Was £20.00 NOW 50% OFF - SAVE £10.00! £10.00 DON’T FORGET: Deduct 10% (10p in every £1) if you joined the YouGarden Club: *We’ll automatically renew your membership every year, so you can keep saving - AND the price will NEVER go up... GUARANTEED! Add PP&I £6.99
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THE ELECTRIC RANGE
MODERN EFFICIENCY, CLASSIC GOOD LOOKS.
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193
Max Rollitt
MY LIFE IN TEN... THE ANTIQUES DEALER AND INTERIOR DESIGNER ON WHAT IS IMPORTANT TO HIM 1.
Thomas Chippendale is my design hero. As both cabinetmaker and interior designer he translated classical architecture into a look that was quintessentially English.
2.
Mauny’s wallpaper 287C is a favourite of mine. It’s so lush, indulgent and joyful.
3.
A design rule worth noting is to have something in a room that is out of character, recognising that nothing is completely perfect.
4.
Apart from good coffee, the other everyday luxury I can’t do without is decent cutlery.
5.
One shop I always enjoy visiting is Joshua Lumley in Kent for antique oriental and European rugs. He deals honourably and we share an aesthetic around colour, patination and the acceptable limits of wear.
6.
A new design name I discovered recently is Vicky Lindo, a ceramicist who uses traditional forms but her ornamented pieces tell delightful contemporary tales.
7.
The object I own that means a great deal to me is a cutlery tray circa 1880 stamped underneath by the maker, a woodcarver and
8.
A book I bought recently is 19th-Century Fashion in Detail by Lucy Johnston. It’s a useful cross-reference to my own work.
9.
Finding the Hall of Clestrain, a classical house in a remote part on Orkney, is a special memory. It’s derelict but has been bought by the John Rae Society with plans to restore it.
1 0 . If I hadn’t diverted to antiques and design I’d have been a psychotherapist: now I call it client management! &
194 H O M E S A N D G A R D E N S . C O M
(From top) Max Rollitt; Mauny 287C wallpaper; Hall of Clestrain; 19th-Century Fashion in Detail by Lucy Johnston (published by Thames & Hudson/V & A); Joshua Lumley carpets gallery; Gannet & Rabbits platter, Vicky Lindo
FEATURE CELIA RUFEY PHOTOGRAPHS (HALL OF CLESTRAIN) JAMES GRIEVE PHOTOGRAPHY ORKNEY
lamplighter from Bristol.
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KITCHENS
STUDIO KITCHENS by CHARLIE SMALLBONE
The Ledbury Shaker 4b Ledbury Mews North Notting Hill London W11 2AF 020 7566 6794 ledburystudio.com
CONTENTS
KEY LOOKS 6 3D SURFACES Fluted and scalloped
DREAM KITCHENS 22 SURFACE APPEAL A mix of materials
forms bring fluidity to kitchen design
creates impact in this standout scheme
9 MESH FRONTS Textural panels that offer a glimpse inside the cupboard
10 SHADES OF RED Deep tones, from burgundy to terracotta, warm up units
26 NEW DIRECTIONS Rich colour combines with innovative design
30 INDUSTRIAL EDGE Texture brings depth of character to this urban kitchen
13 CREATIVE FLOORS Daring and
34 MODERN COUNTRY A smart
energising patterns underfoot
contemporary-classic space
15 METAL INLAYS Crisp, polished detailing to enhance door fronts
INNOVATIONS 39 KITCHEN NEWS Inspirational designs, new launches and products
INSIGHT & IDEAS 18 THE KITCHEN EXPERT Interior designer Beata Heuman shares kitchen layout advice and trend predictions
47 HOW TO RENOVATE YOUR KITCHEN Three industry experts reveal tips on layout, design, lighting and surfaces
52 ME & MY KITCHEN Chef Melissa Hemsley shows us her favourite room
Editorial Director Sarah Spiteri Executive Editors Kate French and Pip McCormac Supplements Editor Busola Evans Group Creative Director Emma Williams Group Chief Sub-editor Jennifer Spaeth Commercial Editorial Operations Director Jane Akers Homes Content Team Editorial Director Rhoda Parry Art Editor Christopher McPhail Sub-editors Catherine Law and Andrea Johnson Editorial Production Manager Nicola Tillman Publisher and Head of Homes Network Joanne O’Hara Brand Director Kate Bragazzi Regional Advertising Business Director Kim Milroy OCTOBER 2020 Published by Future Plc, 161 Marsh Wall, London E14 9AP. Printed by Walstead UK Limited. Distributed by Marketforce (UK) Ltd, 3rd floor, 161 Marsh Wall, London E14 9AP. ©Future Plc 2020
HOMESANDGARDENS.COM
5
KEY LOOKS COLOUR, TEXTURE AND UNEXPECTED MATERIALS PLAY PIVOTAL ROLES IN THIS YEAR’S MOST INSPIRING KITCHEN TRENDS
6 HOMESANDGARDENS.COM
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3D SURFACES Last year’s supremely popular fluted glass trend is moving into non-transparent materials for 2020 as we seek out new ways to enjoy surfaces with fluidity and vigour. While three-dimensional tiles often follow architectural and geometric forms, on kitchen cabinetry the emerging shapes feel far more mellow. Alongside fluted designs, such as this stunning Corian island in Rowson Kitchens’ showroom, we’re also seeing ribbed and scalloped surfaces coming through. For example, Smallbone of Devizes has gone extra-wide with the scallops on its new Icarus collection for a really dynamic, high-impact result. The beauty of taking a three-dimensional approach, says Annika Rowson, director of Rowson Kitchens, lies in the way it provides depth and interest, without overpowering. ‘As the light changes through the
FEATURE LINDA CLAYTON PHOTOGRAPH STUDIO WEIR
day, so the shadows move and
Smoked Oak bespoke kitchen designed by Annika Rowson of Rowson Kitchens. Cirrus White surface, from £350sq m, Corian. Closet Bar handles in Smoked Bronze, £130 each, Buster & Punch. Bubble pendants, from £414 each, George Nelson for Herman Miller at Nest
shift across the surface to create new ever-moving patterns,’ she says. ‘I like to use a pared-back palette of materials in soothing, complementary tones, and let texture bring it all to life.’
HOMESANDGARDENS.COM 7
Made in Britain, Built to Last www.roundhousedesign.com West End | Clapham | Fulham | Richmond | Cheltenham | Guildford telephone 020 7297 6220 | sales@roundhousedesign.com
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The Mulberry Collection kitchen, shown in European Oak and Calacatta Oro marble, starts at £70,000, Smallbone of Devizes
MESH FRONTS One of the smartest kitchen trends we’ve seen lately, mesh or grate panels provide a glimpse of what’s inside cupboards. Lanserring makes an impact with full-height doors in intricately woven brass, while at Plain English the mesh has a more utilitarian feel. For Smallbone of Devizes, the use of mesh in its Mulberry kitchen (above) stemmed from a desire to introduce subtle industrial notes. ‘The original design was a bespoke commission in New York’s SoHo and we took inspiration from the industrial surroundings,’ explains Nick Bell, design and sales director, Smallbone of Devizes. ‘Mesh adds interest to an eclectic mix of materials and can be used to complement other metal details such as handle finishes and lighting.’
HOMESANDGARDENS.COM 9
DES IG N
Bespoke Middleton Heritage kitchen painted in Huguenot by Mylands of London. Kitchens, from £25,000, Middleton
“REDS AND BURGUNDIES ARE RICH, TRADITIONAL SHADES
Plain English bespoke kitchen painted in Rusty Red, Colour Collection No 1. Kitchens, from £35,000, Plain English
The Unit kitchen by Cesar, in Rosso Jaipur Fenix laminate, from £20,000, Espresso Design
THAT LEND CHARACTER AND COSINESS. SOFTEN STRONG TONES ON FLOOR-TO-CEILING CABINETRY WITH GLAZED SECTIONS THAT REVEAL MELLOW, YELLOW INTERIORS”
SHADES OF RED Our love affair with dramatic dark cabinetry is far from over but this year things are warming up. Move over blacks, deep blues and greens, because rich reds are radiating their way into the heart of the home. Pure primary reds are still a bit 1990s; instead, this trend steers us towards muddier tones with tints of nature-led orange and brown. ‘Perhaps it’s a yearning for the light and warmth of Southern climes that’s behind the current demand for reds, burgundies and terracottas,’ suggests Merlin Wright, design director at Plain English. ‘Warm colours are positive and inspiring and complement other Mediterranean hues such as blues, greens and yellows. Experiment with different tones to suit the light and scale of your room.’
10 H O M E S A N D G A R D E N S . C O M
PHOTOGRAPHS (MIDDLETON) JULIA TOMS; (ESPRESSO DESIGN) ANDREA FERRARI
JASPER MIDDLETON, design director, Middleton
A different perspective Some furniture is made for the here and now. Some is built to stand the test of time. At Neptune, we believe that the best can do both. Because good design never gets old.
Book an appointment to chat to one of our friendly designers – on us. neptune.com
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Kitchen, A Villalobos. Painted in Chrome Green Advance High Gloss, £28 for 0.94ltr, Benjamin Moore. Elenco Gold porcelain tiles, £935sq m, Ann Sacks at West One Bathrooms. Similar flooring, Cardiff Essential Plus tiles, £88sq m, Terrazzo Tiles
PHOTOGRAPH ERIC PIASECKI/OTTO
CREATIVE FLOORS Eyes down: this year’s most dynamic design story is underfoot. ‘Energising, interesting kitchen floors are becoming a must,’ says Alberto Villalobos, principal of New York-based design studio A Villalobos. ‘The kitchen floor is the perfect place to be more daring, and introducing strong pattern will give your cooking space incredible depth and dimension.’ The latest flooring is working extra hard thanks to ever-innovative installation techniques. Forget fluid connections; material or colour switches at unexpected junctures feel more modern. For example, the alternating tile formation lends extra punch to this terrazzo floor designed by A Villalobos. ‘The flooring adds colour, excitement and texture, enlivening this kitchen,’ says Alberto.
H O M E S A N D G A R D E N S . C O M 13
since 1908
Individual tailormade solutions for luxurious kitchens 0207 078 9640 | EGGERSMANN.COM
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The new STC No 1 kitchen collection, shown here in Polished Nickel and Eucalyptus, starts at around £125,500, St Charles New York
“LITHE AND REFINED STRIPS OF CRISP POLISHED NICKEL FOLLOW THE LINES OF TRADITIONAL DOOR MOULDINGS, CREATING A CALMING AND ORDERED VISUAL EFFECT” KAREN WILLIAMS, creative director, St Charles New York
METAL INLAYS Following the lines of traditional door mouldings, but swapping wood for metal, this trend offers a long-overdue alternative to standard Shaker or Georgian designs. The look is very tailored and upmarket; little wonder we’ve spotted examples at bespoke ateliers, such as Clive Christian and McCarron & Co. Think more Chelsea penthouse, less Cornish bolthole. Choose to have the metal set proud, as in this new design by luxury US brand St Charles New York (above) incorporating the handles, or fitted flush into the surface. There’s a notable swing back towards silvered metals, such as polished nickel and chrome. Pitched against dark timber doors, these strips of bright, shiny metal cut a sharp silhouette.
H O M E S A N D G A R D E N S . C O M 15
Art inspires technology
Invite nature to flow into your home, harmonising with the textured steel finish of the LG SIGNATURE Wine Cellar and Refrigerator.
Breathing nature into a room is an art form. This is why LG SIGNATURE partnered with B&B Italia, an Italian modern furniture pioneer, to enhance the livability of homes without sacrificing style. The essence of LG SIGNATURE is a passion for craftsmanship and pushing the limits of innovation for a better life.
Technology completes art
The Art of Essence
THE KITCHEN EXPERT Int er ior desig ner Beat a Heu ma n sha res her k it chen layout adv ice and reveals the latest trends
Q
Q
resurgence of colour and personality in kitchens, which is exciting.
that rotates – for lower corner cupboards. I use Hafele.
How do people want their kitchens to look and feel at the moment? This is gravitating towards a quite traditional, wholesome and crafty feel rather than a shiny and streamlined look. There’s a
Q
What colours should we keep an eye out for? I think soft yellow is going to have a bit of a moment in kitchens soon. I really like Hay by Farrow & Ball and Aeoli by Paint & Paper Library.
Q
What’s a good area to use dramatic design in? The splashback – it’s a great place to be experimental. As you often have this made bespoke to fit the space anyway, you might as well take the opportunity to introduce more of an interesting colour, shape or material.
Q
Are there any particular styles of storage on trend in kitchen design? For me, it’s glass-fronted cabinets – they make the space feel bigger because you can see through to the depth of the cupboard, and you can also quickly find what you’re looking for. They feel cleaner than having open shelving, with the pane of glass helping to reduce any dust setting inside the cupboard.
18 H O M E S A N D G A R D E N S . C O M
Any practical storage tips?
Use larder shelves that pull out all the way so you can reach things that are stored at the back of them easily, which is usually impossible. And choose magic corners – the shelving mechanism
Q
What’s an easy way to add interest to a kitchen? Have a bit of fun with handles on cupboard doors. You touch them every day and they add character. Ours are made bespoke in Florence, but try contacting your local brass foundry – it can be surprisingly affordable to have something unique made. I also really like designs by Chloe Alberry and Armac Martin.
Q
What’s trending for kitchen floors? Chequerboards – I’ve done quite a few kitchen floors half in natural wood and half in wood that has been stained a colour. Chequered lino flooring can also look very cool, especially in a relatively small space, and it’s very practical – try Forbo, which has a lot of choice.
Q
What are your favourite kitchen brands? Plain English is an amazing company. And deVOL’s kitchen tap is very beautiful. I like Smeg for cookers and Dualit for kettles and toasters – both are modern with a retro edge.
Q
Do you have any universal
kitchen layout rules? Put the sink underneath the window so that you wash up with a nice view and it can be a positive, calming moment. It is much more of a dreary chore when staring at a wall.
Q
What’s a common kitchen design mistake? Cabinet doors more than 30cm wide. Countertops are usually 60cm deep and cabinets 30cm deep. If the doors are any wider, they jut out when open. I was in a kitchen like this recently and I kept hitting my head.
Q
Do you have any design tips from your own kitchen? I built my tall fridge into a blue freestanding cabinet. There’s an exact replica of my kitchen in Germany, as one of my clients loved it so much.
“I REALLY LIKE PUSHING THE BOAT OUT A LITTLE BIT WHEN IT COMES TO KITCHEN DESIGN, ADDING A LOT OF PERSONALITY AND DOING SOMETHING DIFFERENT”
I NT E RV IEW
Stylish low-hanging pendants, mismatched stool seat covers and art all add character to this scheme. Kitchen, Beata Heuman
FEATURE AMY MOOREA WONG
Carrara marble and grasscloth wallpaper make a statement here. Kitchen, Beata Heuman. Cabinets painted in Woodland Pearl 1, Dulux
H O M E S A N D G A R D E N S . C O M 19
ALDERLEY EDGE ESHER
tomhowley.co.uk
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22 H O M E S A N D G A R D E N S . C O M
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GRAND STYLE
The owner of this new home, built by Domvs London, came to us to design and build the kitchen. The architectural details of the room were already in place, and really very beautiful – neo-classical with a grand Georgian-inspired air. The kitchen may lack traditional windows, but a long skylight and glazed doors to the garden fill the space with natural light.
2
FOCAL POINT
From the entrance hall with its impressive chandelier, there’s a clear sightline through the main reception room, then the dining room and finally the kitchen. The core emphasis of our brief was to make that view full of impact. We placed the island unit, encased in beautifully book-matched Coffee Brown marble, in prime position to draw attention.
H O M E S A N D G A R D E N S . C O M 23
“A PALETTE OF RICH BROWNS WITH HINTS OF BURNT ORANGE AND BRONZE CREATES A WARM ATMOSPHERE” GARY SINGER, creative director, Eggersmann Design
3
FINE TEXTURE
The cupboard doors are a new composite wood called Maro Ebony, which has an embossed, grain-like texture that changes with the light in the most incredible way. Manmade using sustainably grown timber, it has a three-dimensional grain effect that emulates rare, exotic wood. Like the marble, it has subtle flecks of orange that add extra warmth and interest.
24 H O M E S A N D G A R D E N S . C O M
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SMART DETAIL
5
IN CONTRAST
The simplest-looking kitchens are often the most technically challenging. A lot of thought went into making this kitchen look effortless, such as the shadowline around the ovens, which acts as recessed handles for all the surrounding units, and the inset stone sink drainer. They may be small details but once you notice them, you really appreciate what they bring to the overall design.
Pocket doors are increasingly popular and great for creating an unobtrusive backdrop that pushes a statement island such as this into focus. Behind this door (shown open in main picture) there is 1.5m of workspace, enough for a washing-up station, coffee machine and toaster. The interior is in the same material as the rest of the kitchen, so it looks good when open or closed.
FEATURE LINDA CLAYTON PHOTOGRAPHS BEN ROBERTSON/7AM STYLIST ALEX KRISTAL
GET THE LOOK Kitchen, around £80,000, Eggersmann Design. Coffee Brown marble, around £550sq m, cut and installed by Stewkley Stone. BOP250102 oven, £3,207; BOP251102 oven, £3,207; BSP251100 combi steam oven, £3,212; BMP250100 combi microwave, £3,342; DVP221100 vacuuming drawer, £2,298; WS461100 warming drawer, £1,026; VG491211 gas hob, £4,252; DF260165F dishwasher, £1,195; RW466364 wine fridge, £8,136; RB492304 fridge freezer, £9,475, all Gaggenau. Downdraught recirculating extractor, £6,500, EMB. Tara Ultra mixer tap, £835; Tara Ultra boiling water tap, £1,916, both Dornbracht. All supplied by Eggersmann Design
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Based on the King’s Road, Eggersmann Design is the flagship London showroom for Eggersmann, one of
Germany’s most innovative high-end kitchen manufacturers. Eggersmann Design’s creative team has established a reputation for making the impossible possible, conceiving contemporary, technically precise kitchens enriched by the natural beauty of exotic stones and timbers.
H O M E S A N D G A R D E N S . C O M 25
NEW DIRECTIONS MELISSA KLINK, HEAD OF DESIGN AT HARVEY JONES, TALKS US THROUGH THE THINKING BEHIND THIS UNIQUE KITCHEN IN A CUTTING-EDGE NEW BUILD
26 H O M E S A N D G A R D E N S . C O M
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STRIKING LOOK
Homeowner Andrea Peterson and her husband built this house from scratch with the help of Dwell Architecture & Design. The open-plan living space is double-height in parts, looking up to the glass balustrade of the landing above. Andrea wanted a modern, clean look for the kitchen to reflect the contemporary architecture and fit well with some of the more classic elements. The Linear range by Harvey Jones bridges that look beautifully.
2
TAP CHOICES
While boiling water taps are getting safer all the time, it was felt that a separate boiling tap would be better than a three-in-one model so the children could be issued with an outright ban. When you choose brass fittings, bear in mind that the patina will change over time if they’re not treated. Harvey Jones organised a special coated finish for the brass taps so they will stay looking the same as the handles and other brass details.
H O M E S A N D G A R D E N S . C O M 27
3
ISLAND UNIT
The kitchen takes up less than half of the 10x7m room and Andrea wanted to contain it at one end, next to the pantry, with a square island to help demarcate the space. The unit houses the downdraught extractor and has useful full-depth storage on all sides.
28 H O M E S A N D G A R D E N S . C O M
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4
DOOR DETAIL
5
ON THE SURFACE
For the handles, we went for three different styles featuring the same brass finish. They aren’t placed symmetrically on the door fronts, which might bother some people, but they visually tie in with the unit sizes and don’t look out of place. The beauty of Harvey Jones’ Linear kitchen is that the slab door design acts as a blank canvas, allowing for the different handles to create a variety of looks.
Bisecting the quartz worktop with a strip of oak was Andrea’s idea, which began as a way of hiding the necessary join and ended up being a favourite design feature. The idea originated from concrete floors that Andrea had seen, with coloured resin poured in the expansion gaps. Here, the strips of oak were precision-cut to avoid unhygienic gaps in the worktop.
GET THE LOOK
FEATURE LINDA CLAYTON PHOTOGRAPHS DARREN CHUNG
Kitchen, Linear range; painted in Railings by Farrow & Ball, from £18,000, Harvey Jones. Skyscraper handles in Raw Brass, from £13.99 each, Dowsing & Reynolds. H7860BP ovens, £3,649 each; ESW7010 warming drawers, £1,149 each; KM7897FL 90cm induction hob, £2,899; DA6890 Downdraught extractor, £2,299; G4982 SCVi Integrated dishwasher, £999, all Miele. Pro3 Nordic square Twintaps in stainless steel, £1,440, Quooker. Vault Smart Divide stainless steel sink, £823, Kohler. Smoked Oak flooring, from £72sq m, Antares Wood Floors. Firstlight 3474AB Empire 1 pendants in Antique Brass, £85.44 each, Ocean Lighting. Midas bar stools, £175 each, Rockett St George
■
Established in 1977, Harvey Jones was one of the first British makers to rework the classic Shaker look in kitchen
form. The company now has 32 kitchen showrooms nationwide and its portfolio has expanded to five stylish in-frame designs, spanning minimalist to ornate styles, all handmade to order in the Cambridgeshire workshops.
H O M E S A N D G A R D E N S . C O M 29
INDUSTRIAL EDGE ROSE WILKINSON, CO-FOUNDER OF STUDIO CLEMENT, COLLABORATED WITH ROUNDHOUSE TO CREATE THIS SMART KITCHEN FILLED WITH URBAN CHARACTER IN A CONVERTED WAREHOUSE
30 H O M E S A N D G A R D E N S . C O M
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FRESH LOOK
The previous owners had converted the warehouse into a residential property some 10 years ago but it needed refreshing. The new owner is a passionate cook and wanted to make the kitchen, previously tucked into the corner, the main focus. This is where you enter the main living area, from the ground-floor lobby, so we worked with Roundhouse to achieve a kitchen that performs well and looks good.
2
COOL CONTRAST
We then added black-stained oak cabinetry for texture and depth, and an Iron Corten finish on the island for an industrial touch. In contrast to the marble surfaces, this unit is a much more contemporary piece, which is why we went for this thinsheet material look. The waterfall edge grounds the island, giving it solidity, while the trough of herbs breaks up the expanse of the metal surface.
H O M E S A N D G A R D E N S . C O M 31
“A HOMELY FEEL WAS CREATED WITH AN ARTFUL MIX OF TEXTURE, COLOUR AND INTERESTING FINDS” ROSE WILKINSON, co-founder, Studio Clement
3
LIGHTING OPTION
The vaulted space dictated what we could do with lighting and extraction. We wanted the lighting to have an industrial feel above the island, but with cosier appeal around the marble worktop area, where we opted for more decorative wall lights. We were able to integrate lighting into the extractor, which enabled decent task lighting along the island’s full length.
32 H O M E S A N D G A R D E N S . C O M
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SURFACE ISSUES
5
STYLISH STORAGE
The design concept was industrial luxe, drawing on the building’s history and the owner’s lifestyle and taste. The scheme started with the Calacatta Viola marble. We always go to the stoneyard to select the right piece, looking for colour, movement and beautiful veining. Going for a chunky depth gives the marble some industrial ‘weight’ and takes out some of the delicacy of this classic stone.
The pantry is inside a disused lift shaft. We kept the original lift doors and retained the mechanisms and call buttons for their sense of history. We went for maximum storage, with a wine cooler and a worktop for small appliances. The green cabinetry felt like a natural choice and stepped away from the owner’s signature red used elsewhere in the property.
FEATURE LINDA CLAYTON PHOTOGRAPHS PETER LANDERS
GET THE LOOK Metro bespoke kitchen in Back Rough Sawn Oak; pantry in RAL 6012 Black Green lacquer, from £35,000, Roundhouse. Calacatta Viola marble, from £850sq m, Superior Stone. Iron Corten sintered stone worktop (island), from £600sq m, Neolith. Bespoke extractor, £5,930, Westin. ICBSO30PM M Series Professional Single ovens, £7,440 each; ICBG365P/S Professional gas cooktop, £3,120, both Wolf. ICB648PRO 1219mm side-by-side fridge freezer in stainless steel, £27,600, Sub-Zero. KBX110 70 Kubus undermount sink, £367, Franke. Pro3 Nordic square Twintaps in stainless steel, £1,440, Quooker. G6665 SCVi XXL dishwasher, £1,073, Miele. UWTES 1672 built-in wine cooler, £1,470, Liebherr. Jielde Loft wall lights, £160 each, Holloways of Ludlow. Carl Hansen CH56 bar stools in walnut and leather, £765.85 each, Chaplins
■
Founded by architects, Roundhouse has been at the forefront of UK kitchen design for almost 25 years, with
understated style combined with innovative materials and finishes. Each made-to-measure kitchen is crafted in Malvern, at Roundhouse’s state-of-the-art, virtually carbon-neutral factory. ■ Studio Clement interior architecture specialist Rose Wilkinson joined forces with stylist Hannah Birtwistle to form Studio Clement in 2017. Together they apply their spatial design, colour and material-selecting skills to a wealth of projects, commercial and residential, delivering results that are as individual as their clients.
H O M E S A N D G A R D E N S . C O M 33
MODERN COU N TRY MARTIN MOORE DESIGNER PAM BAKER APPLIED HER ERGONOMICS KNOW-HOW AND EYE FOR CONTEMPORARY-CLASSIC STYLE TO CREATE A TIMELESS AND HARD-WORKING SPACE
34 H O M E S A N D G A R D E N S . C O M
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ENDURING STYLE
This is a seven-bedroom new-build house with a neo-classical feel: high ceilings, large windows and fabulous country views. The developer had planned to put in an ultra-modern kitchen but the owners bought in time to get the classic style they prefer. Must-haves included two ovens, a large sink area and a glamorous bar.
2
DEFINED ZONES
I was presented with an open-plan space in which to create a kitchen/ dining/living area. The island plays a pivotal role, providing prep space and an informal eating zone. Food storage is always best contained in one area to reduce ingredient-gathering trips, so we went for a large, double pantry with adjacent fridge and freezer.
H O M E S A N D G A R D E N S . C O M 35
3
HIDDEN BONUS
The bar is neatly concealed behind tall bifold doors in the sitting area. I love the element of surprise when the doors are opened to reveal the beautiful interior, complete with glassware, drawers and wine cooler. Using glass shelves and a mirror ensures everything glistens and sparkles. Even the shelf supports are mostly glass – they virtually disappear to create a floating shelf effect.
36 H O M E S A N D G A R D E N S . C O M
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COLOUR CHOICE
5
FINISHING TOUCH
Fitted cabinetry inspired by our New Classic collection is featured throughout, including in the TV/sitting area. The rich, dark paint is our own French Grey and was chosen to reflect the neo-classical architecture of the house, while the polished-quartz worktops and pale flagstone flooring help keep the scheme light.
Splashbacks can be tricky. Anything too adventurous or bold can overpower or quickly date but playing it safe is often boring. Antiqued mirror is a great solution and very popular with our customers. It brings a vintage feel that’s more interesting and softer than a standard mirror, and you don’t have to worry about greying grout lines. We recommend a decent upstand or, better yet, a cook’s shelf behind the oven to reduce splashes on the glass.
FEATURE LINDA CLAYTON PHOTOGRAPHS DARREN CHUNG
GET THE LOOK Unistone Quartz worktops in Carrara Misterio, from £400sq m, including installation; Antiqued mirror splashback, £1,848; New Classic White gloss tiles, £78sq m, all Martin Moore. EX975LVV1E 90cm FlexInduction hob, £1,569; HM676 G0S6B Active Clean oven with microwave, £1,549; HB632GBS1B single oven, £729; BI630DNS1 warming drawer, £544; SN658D02MG dishwasher, £759, all Siemens. Iron Tones undermounted sink 6625-0, £1,022, Kohler. Pro3 Classic Nordic boiling water tap, £1,150, Quooker. Oberon C Spout tap and rinse, £543.72, Perrin & Rowe. IKB 3576 integrated fridge, £1,296; SIGN 3576 integrated freezer, £1,449; UWKes1752 wine cooler, £1,679, all Liebherr. Sediments Olimpia porcelain floor tiles, £49.90sq m, County Tile Warehouse. Browning Lantern pendants, £275 each, Neptune. Similar stools, Clover, £199 each, Danetti
■
Founded in 1975, Martin Moore was one of the first companies to produce handmade kitchens. Still family run,
it designs and builds bespoke kitchens, utility rooms, pantries, dressing rooms and freestanding pieces of furniture. Its classic English-style kitchens and furniture are entirely made to order in its Yorkshire workshop; the company has eight UK showrooms, including in London.
H O M E S A N D G A R D E N S . C O M 37
NEWS
KITCHEN NEWS THE LATEST LAUNCHES, INNOVATIVE PRODUCTS AND INSPIRATIONAL DESIGNS
CLEAN AIR ACT The Vela Gold-finish cooker hood combines powerful performance and halo LED lighting. Air is purified and odours eliminated using the latest Plasma filter technology, while the adjustable height makes it suitable for any ceiling. It measures H490xDia410mm (plus 100-2000mm cord length), £921, from Caple.
FLYING HIGH Inspired by the shape of a bird’s wing as it prepares for flight, the Icarus kitchen by Smallbone is defined by its curved cabinet fronts, crafted by hand from Rift Cut Oak veneer. It also features suspended ‘floating’ glass cabinets, each panel also curved and made by a specialist glass atelier. From £200,000.
FEATURE AMELIA THORPE
DRINKS STATION With space to hold 65 bottles, the LG Signature LSR200W multi-temperature wine cellar, H1793xW700x D735mm, £5,999, has a holographic sensor underneath the door which can be activated by your foot to open the cabinet automatically – a real bonus if your arms are full of bottles.
NATURAL BEAUTY Formed more than 980 million years ago and said to be one of the hardest natural stones in the world, anorthosite is also resistant to heat stains and scratches. It is quarried in Norway by Lundhs, which has just launched its Real Stone Tile Collection, including Rectangular Antique tiles, 30x7.5x1cm, £250sq m, shown here with a bespoke worktop, from £970sq m, Lundhs.
H O M E S A N D G A R D E N S . C O M 39
NEWS
DRAMATIC MIX 3 OF THE BEST BOILING WATER TAPS BLACK MAGIC Flex Black 100°C boiling and mains hot and cold water tap in one, complete with pull-out hose, H412x220mm reach, £1,490, Quooker.
An island unit wrapped in honed Calacatta marble contrasts with fumed variegated eucalyptus-veneered cabinetry to inject great style and personality into this kitchen. The scheme is finished with a distressed-brass worktop and splashback and the ceiling in gold and silver leaf to reflect maximum natural light. Kitchens, from £50,000, Chamber Furniture.
SHINE BRIGHT Prothia Brushed Nickel 3-in-1 filtered steaming 98°C hot and mains hot and cold water tap, H352x201mm reach, £649, Abode. ALL GOLD Omni Contemporary Modern Brass 4-in-1 filtered 100°C boiling, filtered cold and mains hot and cold water tap, H345x230mm reach, £1,400, Franke.
MADE TO LAST
INDIVIDUAL STYLE The handcrafted character of these Zellige tiles – shown in Dirty Pink and White – is evident in their unique, irregular finish. Each one is made using clay from Morocco, which is chiselled, dried and kiln-fired before an enamel glaze is applied by hand. No two tiles are identical, 10x10x1cm, £153.60sq m, Otto Tiles.
40 H O M E S A N D G A R D E N S . C O M
Turned by hand on a lathe by furniture maker Edward Collinson, the Low Back bar stool, H84xW50xD46cm, £1,140, shown here in American Black Walnut, celebrates the simplicity and strength of its traditional method of construction. The stool is also available in Natural, Fumed or Ebonised Oak, Walnut or Maple, and with leather upholstery.
NE WS
Empira Black quartz surface with satin sheen natural finish, from £550sq m, Caesarstone
LIGHT TOUCH The Collar Pendant light, by German designer Sebastian Herkner for Gubi, is made from mouth-blown glass topped with a chic steel collar in a matt terracotta finish. This works as a reflector to diffuse a warm-toned glow over a dining table or island while you’re socialising. The light measures H28xDia42cm and costs £472, The Conran Shop. Regiment matt island with Excava quartz top and brass detail, from £25,000, Life Kitchens
Cosmic Black leatherfinish granite island. Bespoke kitchens from £45,000, Extreme Design
STATEMENT ISLANDS Striking materials are being used to accentuate the role of the island as the centrepiece of a
PUNCHY PATTERN The handmade finish of these decorative tiles creates a pleasingly imperfect feel, with their rustic colours contrasting fabulously here with an orange mixer tap from Vola. Bazaar Pallazzo glazed terracotta tiles, 150x150x12mm, £166.40sq m, Mandarin Stone.
42 H O M E S A N D G A R D E N S . C O M
sociable kitchen. Marble, quartz and brass details all feature in the latest designs, often providing a contrast to the rest of the cooking area. Whether it’s dark and dramatic, a clever mix of surfaces or a deeply veined pattern, the key element of this look is unique style and eye-catching appeal.
TRULY UNIQUE KITCHENS THAT DEFY CONVENTION EXTREME-DESIGN.CO.UK 020 3369 6028
NE WS
HIDDEN ASSET Choosing the right extractor for an island hob can be tricky, but the NikolaTesla Switch certainly makes it easier. The four-zone induction hob has a built-in extractor, concealed by a glass and cast-iron ring, offering a powerful extraction rate of 5.1m per second. From £2,725, Elica.
MAKING HISTORY Danish company Vipp’s pedal bin is now available in a limited-edition Light Blue to mark the 70th anniversary of founder Holger Nielsen’s purchase of an American car that influenced his distinctive design. Only 70 Heritage bins will be made so they’re sure to become a collector’s item, H52x Dia30cm, £319, Vipp.
ALL BAR ONE Cleverly extending from a large island unit, this cantilevered walnut breakfast bar creates an eye-catching feature. Supported by a cunningly engineered concealed support structure, the bar accentuates the clean-lined design of the space. Kitchens from £35,000, Woodstock Furniture.
HANDLE WITH CARE Inspired by the shape of a blacksmith’s anvil spotted while browsing in a reclamation yard, Tom Howley’s burnished-brass Harper handle will add a standout finishing touch to his painted kitchen cabinetry. Bespoke kitchens start at £20,000, Tom Howley.
IN THE DARK Neptune’s ever-popular Suffolk collection – made from timber and renowned for its less-is-more aesthetic – has a new look for autumn. It now comes hand-painted in Ink, a deliciously dark shade that injects instant sophistication and is the perfect backdrop for crockery and glassware. Suffolk kitchen in Ink, from £12,000, Neptune.
H O M E S A N D G A R D E N S . C O M 45
HANDMADE IN THE UK VIRTUAL HOME VISITS MON-SUN SHOWROOMS NATIONWIDE Request a free brochure 0800 389 6938 harveyjones.com
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H O W T O R E N O VA T E YOU R K ITCHEN Three industr y ex per ts g ive their planning adv ice on how to achieve the dream space
Always allow 1200mm between an island and the perimeter cabinetry. Kitchen, from ÂŁ20,000, Tom Howley
Pendant lights above an island turn it into a stylish focal point. Kitchen, from ÂŁ20,000, Tom Howley
LAYOUT & LIGHTING
FEATURE AMELIA THORPE
T O M H O W L E Y, D E S I G N D I R E C T O R O F T O M H O W L E Y B E S P O K E K I T C H E N S , R E V E A L S W AY S T O O P T I M I S E A K I T C H E N D E S I G N
I see every cabinet as an individual piece of furniture that should have good scale. But successful kitchen design comes not just from the scale of one unit, but from how they all work together and the practicality
storage, and the key appliances you want to include. American fridge freezers are generally 900mm wide, built-in fridge freezers 600mm or 1200mm wide, built-in ovens 600mm wide and range cookers usually
oven. When it comes to lighting, I like to include spotlights in the ceiling and under cabinets to illuminate the working zones, and some pendant lights above the island to enhance its role as the focal point of the design.
of the layout. The units need to be in proportion to each other and designed to suit the size and shape of the room, with a sense of symmetry. Think of the cabinetry in zones for preparing, cooking, washing up and
between 900mm and 1200mm wide. Always allow 1200mm between an island unit and the perimeter cabinetry, and no less than 900mm so that you can move around easily and open a dishwasher or built-in
Make sure lights are dimmable and, ideally, on different circuits, so that you can create a variety of moods for dining and relaxing through to cooking and cleaning, plus highlight different zones, such as a drinks area.
H O M E S A N D G A R D E N S . C O M 47
Photo: Morten Rakke
NATURAL STONE FOR KITCHEN WORK SURFACES Crafted by nature 300 million years ago, Lundhs Real Stone is one of the most compact natural materials, making your worktop withstand heat, stains and scratches from daily wear and tear. The complex blend of beautiful feldspar crystals differs from one slab of rock to another, creating subtle distinctions that make every surface unique. Each Lundhs Real Stone is delivered with a certificate of authenticity stating the origin of the stone – your own unique piece of Norway. Discover the beauty and diversity of Lundhs Real Stone, order samples and find your nearest store at lundhsrealstone.com
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Antiqued copper and dark oak pack a visual punch against rich blue. Wall in Marine Blue, Little Greene. Kitchen, from £50,000, Ledbury Studio
Ageing metals make a striking finish for kitchen cabinetry. Kitchen, from £50,000, Ledbury Studio
SURFACES CHARLIE SMALLBONE , DESIGN DIRECTOR OF LEDBURY STUDIO, O N H O W T H E C L E V E R U S E O F M AT E R I A L S C A N E N H A N C E A P R O J E C T
Most cabinetry doors are wood or painted wood, but I also like to bring in glass, stone and metal finishes to create accents and make the design more interesting. Metal finishes on cabinetry and worktops can be finished differently, so always check with your supplier on how best to clean them. Most of our metal
from the cooking areas where they
Italiana, and ultra-compact surfaces,
will need less upkeep. When it comes to worktops, thickness is not linked to performance, with the standard thickness from 20mm to 30mm. Thicker worktops look better from a furniture-design standpoint, so I would recommend 30mm. When choosing surfaces,
such as Neolith and Dekton. They’re ideal for busy kitchens and come in realistic, interesting effects, such as polished concrete and terrazzo. With splashbacks it is important to have a height of at least 450mm to protect the wall, such as behind a sink or hob. There is also a great choice of
finishes are lacquered, so a wipe with a damp cloth is sufficient. However, some finishes are ‘live’, which means that they will change over time and require specific maintenance. These surfaces need to be restricted to ‘non-core’ zones of the kitchen, for example, away
granite and marble have long been popular, but quartzite, such as Bianco Macaubus, is a current favourite among natural materials, because it is harder than granite and has the beautiful veining of marble. I also use engineered quartz surfaces, such as those by Caesarstone and Stone
materials, from verre églomisé (gilded glass) to book-matched marble and patterned tiles. The choice depends on the room: a dramatically veined stone splashback can really set off a simple kitchen, while a more subtle material may be better suited to a room with striking cabinetry.
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STORAGE & DESIGN K AT I E F O N TA N A , C R E AT I V E D I R E C T O R O F P L A I N E N G L I S H A N D B R I T I S H S TA N D A R D C U P B O A R D S , D I S C U S S E S T H E L AT E S T L O O K S
Back kitchens, laundry rooms and pantries are in favour because they are practical storage additions to a busy home. A walk-in pantry doesn’t require as much space as you may think. Even a small area of about 1000x1000mm, with an outwardopening door, can be useful with enough room for you to stand inside. In a confined space, floor-to-ceiling shelves with a 200mm to 300mm depth allow every item to be on show. A former cloakroom can be adapted to have a small undercounter
Units and a central worktable on legs introduce a lighter feel. Kitchen, from £35,000, Plain English
Open shelving is a good alternative to wall-towall joinery, giving the kitchen room to breathe. Kitchen, from £35,000, Plain English
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600mm-wide fridge and a worktop at one end, with shelves on one or more walls. We avoid pocket doors on our cupboards as they involve fragile hardware, but traditional hinged bifold doors work in tight spaces. Try to plan a back kitchen in advance, if possible, as plumbing, especially drainage, can be expensive to retrofit. Where space allows, freestanding furniture is also popular. Too much fitted joinery can overwhelm a room, while freestanding larders and cupboards allow a scheme to breathe and leave wall space free for artwork. A freestanding cupboard should be as big as possible, ideally 1200mm wide, but it must suit the scale of the room. If space is tight, a narrow (900mm wide) or shallow (350mm deep) cupboard can be useful and contain a surprising amount. A worktable on legs, instead of a fitted island, introduces a lighter feel, and should be built to 910mm, the same height as the worktop, as it is intended to be used while standing with a straight back or while sitting on a stool.
ME & MY KITCHEN
THE CHEF ON HER GO-TO COOKING POT, THE NEED FOR A HUGE ISLAND AND WHY SHE IS IN LOVE WITH HER PANTRY CUPBOARD
52 H O M E S A N D G A R D E N S . C O M
FEATURE AMY MOOREA WONG
Melissa Hemsley
I NSIGH T
1.
Everything revolves around the kitchen; it takes up half of the ground floor with ceiling-height windows that flood it with light. It was designed by my boyfriend Henry Relph and our friend Paul Cochran, an amazing carpenter who handmade it. He’s passed away now, and we treasure his work.
2.
I wanted a huge island because it’s my workplace – I spend all day at it recipe testing or teaching classes and it’s big enough to have 16 people around it chopping and cooking together. It’s in Richlite, a sustainable material made from recycled paper.
3.
The pantry cupboard is my favourite piece in the room. It’s got big drawers, shelves, a wine rack and a solid-marble countertop. I can’t stop buying Vitsoe shelves. They’re covered in beautiful jars from Qäsa Qäsa, made by artisans in Malawi, a lot of Kilner jars and piles of mismatched crockery.
4.
My must-have piece of kitchen tech is my cooktop with built-in extractor system from Bora, which sucks steam downwards – it’s really sleek, and great not to have a hood in the way while I’m filming. My Quooker boiling water tap and Aarke sparkling water maker are also brilliant.
5.
I recently realised we eat from the same bowls from the Leach Pottery in St Ives every night. We really love bowl food! I also have handmade oil dishes from Aerende. My go-to object is my old, pale-blue Le Creuset pot – I’ve always got a stock or soup simmering. My champagne coupes from Soho Home also get a lot of use. We drink everything from them, from gin and tonic to milk to have with a biscuit!
6.
Because I’m always cooking, if I’m not careful the house would constantly smell of onions. So to counter this I use scented candles from Self Care Co and flowers from Arena Flowers. I also like to bring in lavender and rosemary from the garden.
(From top) Cast-iron round casserole pot in Coastal Blue, £195, Le Creuset. Roebling cut-crystal coupe, £76 for two, Soho Home. Small pouring dishes, £17 each, Aerende. Blantyre storage jars, £39 each, Qäsa Qäsa. Aromatherapy Pine and Cedar candle, £25, Self Care Co
H O M E S A N D G A R D E N S . C O M 53
BATHROOMS
L O N D O N
0333 011 3333
Happy D.2 Plus. Design and technology perfectly combined. The perfect combination of iconic design and innovative technology: the bathroom classic Happy D.2 Plus with harmoniously rounded corners in new variants. The unique Duravit technologies like the patented c-bonded open up new, individual solutions. Design by sieger design. Duravit London, open now. For more information visit www.duravit.co.uk
CONTENTS
KEY LOOKS 7 SPA SERENITY Subtle tones and natural materials ensure tranquillity
8 COCOONING CURVES Hard lines are softened with sculptural organic shapes
DREAM BATHROOMS 14 WIDE OPEN SPACE Curved fittings accentuate a glamorous en suite
19 SMOOTH CLASSIC Rich colour enhances a traditional scheme
9 BIG FRILLS Bring in nostalgic charm
22 PICTURE PERFECT A peaceful
with fabric swags and vintage artwork
country bathroom inspired by art
10 STRIKING STONE Marble goes from
26 TALL ORDER Muted elegance is
strength to strength in bathrooms
INNOVATIONS 30 BATHROOM NEWS Inspirational designs, new launches and products
key in this striking modern space
INSIGHT & IDEAS 12 THE BATHROOM EXPERT How our spaces should look and feel, according to designer Martin Brudnizki
34 HOW TO RENOVATE YOUR BATHROOM From layout to flooring
38 ME & MY BATHROOM Fashion designer Alice Temperley invites us into the space she calls her refuge
Editorial Director Sarah Spiteri Executive Editors Kate French and Pip McCormac Supplements Editor Busola Evans Group Creative Director Emma Williams Group Chief Sub-editor Jennifer Spaeth Commercial Editorial Operations Director Jane Akers Homes Content Team Editorial Director Rhoda Parry Art Editor Christopher McPhail Sub-editors Catherine Law and Andrea Johnson Editorial Production Manager Nicola Tillman Publisher and Head of Homes Network Joanne O’Hara Brand Director Kate Bragazzi Regional Advertising Business Director Kim Milroy OCTOBER 2020 Published by Future Plc, 161 Marsh Wall, London E14 9AP. Printed by Walstead UK Limited. Distributed by Marketforce (UK) Ltd, 3rd floor, 161 March Wall, London E14 9AP. ©Future Plc 2020
HOMESANDGARDENS.COM
5
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KEY LOOKS WITH RELAXED SHAPES AND NATURE-LED PALETTES, THIS YEAR’S BATHROOM TRENDS ARE PITCHED TO RESTORE MIND, BODY AND SOUL
Clyde bath in Carrara marble, £6,648; Clyde vanity units in Antique Brass and Carrara marble, £5,994 each; Pelham taps in Antique Brass, £498 each; Kew wall lights in Antique Brass, £390; Everdon mirrors, £558 each, all Porter Bathroom
SPA SERENITY One of the few positives to come out of living in lockdown has, for many, been the chance to enjoy a slower pace of life FEATURE LINDA CLAYTON
without the daily commute, crammed social calendar and consumer pressures. The future still holds uncertainty so our homes are likely to remain our favourite sanctuaries in the months to come. ‘Today, creating a space of calm quietude is more important than ever for our wellbeing,’ says Lisa Persse, co-founder of Porter Bathroom. ‘We recommend creating a bathroom that combines muted tones and natural materials to calm both body and mind.’ A balanced layout based on symmetry and order will also aid relaxation. In the bathroom of this Irish country home, the honed Carrara marble surfaces of the bath and two vanity units work in harmony with the room’s soft lighting to soothe the senses.
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Oblique wall tiles in Sand and Dark Grey, £47.76sq m; Casablanca Mono Decor 10/12 Hexagon floor tiles, £48sq m, all porcelain, Mandarin Stone
“MOULDINGS AND CURVES
Wet room designed by Decus Interiors. Brasilia Spine cement tiles in Milk and Coral, from £238sq m, Popham Design at Day True
Kalos wash basin with circular mirror, from £4,172, Massimo Iosa Ghini for Devon & Devon
THAT SOFTEN STRAIGHT LINES REPRESENT THE BEST OF CONTEMPORARY BIOPHILIC DESIGN, CREATING EMBRACING SPACES WHERE PURITY AND SOFTNESS COEXIST IN HARMONY”
COCOONING CURVES Organic lines are shaping up to be big news in bathrooms, softening our sanctuaries into more cosseting spaces. ‘This trend is all about creating a cocooning environment that will help you unwind physically and mentally,’ says Mandarin Stone’s creative director Louisa Morgan. Curves are abundant in nature, so there is a biophilic link at play. ‘On a simpler level, curves serve as a welcome relief to the straight lines and hard edges typically found in bathrooms.’ Bath and basin shapes are becoming increasingly refined, almost sculptural in form, thanks to the latest material innovations, such as manmade composites and ultra-thin ceramics. Also, most glaziers can cut a curve into your shower screen for an elegant silhouette.
8 HOMESANDGARDENS.COM
PHOTOGRAPH (DECUS INTERIORS) ANSON SMART
SARA RAMUNDO, product design manager, Devon & Devon
DE SIGN
Walls in Paris Grey chalk paint; bath and chequerboard floor in Old Violet chalk paint, both £21.95 for 1ltr; finished in chalk paint lacquer gloss, £21.95 for 750ml; shower curtain in Linen Union in Antoinette/Old White, £39.95m, all Annie Sloan
BIG FRILLS We’ve already revived tasselled lampshades, fringes and swag pelmets in our living rooms, revelling in the gentle nostalgia of a bygone age. Now bathrooms are getting the same treatment. ‘Incorporating some luxury and joy into this domestic epicentre is exactly what we need in these turbulent times,’ says colour and paint expert Annie Sloan. ‘Simply adding a sumptuous swag of beautiful fabric will make the space feel more indulgent, secluded and spiritually restorative.’ Choose muted, antiqued linens and muddied paint colours to achieve an authentic time-worn edge. A blowsy frilled shower curtain, stencilled floorboards and some vintage artwork is all it takes to dress simple sanitaryware up to the nines.
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10 H O M E S A N D G A R D E N S . C O M
PHOTOGRAPH (CHERIE LEE INTERIORS) RAY MAIN
This basin countertop is made in Avalanche Brazilian marble, from £924sq m, Cullifords
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STRIKING STONE Marble is a luxurious material that’s here to stay thanks to its inherent timelessness. That said, nature’s finest creation is not immune to trends. If last year was all about classic white and grey, in 2020 marble choices are definitely taking a darker, more dramatic approach. ‘We are finding our clients are more open than ever to being steered away from traditional white and grey shades. Natural stone is still sought after but it’s being chosen in bolder colours and formats to create striking statements in the bathroom,’ reports Cherie Lee, director of Cherie Lee Interiors. Vein patterns are also moving away from the lightning-fork aesthetic, familiar on Carrara and Arabescato marble, towards more swirly patterning. Like oil on water, rippling veins are sensuous, unstructured and easy on the eye. Joints on connecting slabs are also less obvious, making it easier to clad larger areas but, actually, a little goes a long way.
A similar bathroom featuring Port Laurent marble in black and gold would cost around £20,000, Cherie Lee Interiors
H O M E S A N D G A R D E N S . C O M 11
THE BATHROOM EXPERT A rchitect and desig ner Mar t in Br ud nizk i on how t o d a y ’s b a t h r o o m s p a c e s s h o u l d l o o k a n d f e e l
How would you describe what a modern bathroom should be? The bathroom has fast become more than just a room where we wash, but an extension of our living area, a place we can relax in and
Q
Q
bathroom material? Marble is a must. It’s wonderfully serene while also having a monumental feel – use it for vanity units.
those candlelit baths. Avoid centred recessed downlights as they’re too harsh; use pendants or walls lights and ensure you have a dimmer in an easy-to-reach place.
enjoy, evolving very much like the kitchen did years ago. As such, it’s important to consider how this room
How would you work with marble in the bathroom? People are turning to the past more
Q
Q
functions around your life – try placing the vanity unit, a comfortable armchair and a large bath in one area, while creating a more private space for the shower and loo.
and more, and when you look at Roman baths or Renaissance palazzos, the marble or terrazzo was always coloured and chunky. Modernise it by contrasting coloured stone with simple white walls.
London – in the ladies’ Powder Room we covered the ceiling in silk flowers. In The Mews House there we used floor-to-ceiling jungle-patterned mosaic, complete with a crocodileshaped double basin in green onyx.
Q
Q
Q
How should a bathroom feel? It’s the most private space in the home, so it needs to connect with the user, but then having too many personal belongings can seem odd in a bathroom. You need to feel comfortable, but also clean and protected. As well as seating, plants and artwork all contribute to creating a homely feel without over cluttering.
What’s your favourite
What role does colour play in a stylish bathroom? Colour can be nice, but the overarching theme must be light and fresh. It’s important to use pale tones and shades; I’m thinking Brimstone, Bleu Turc, Olympian Green, Lavender or Rose by Edward Bulmer. If full colour feels scary, then borders in an interesting tile create a good accent.
Which are your most talked-about projects? Probably spaces at Annabel’s club in
What’s your own bathroom like? Actually very simple – white marble tiles with contrasting hexagon and subway-style shapes. I use Euromarble for natural stones, which has access to the best quarries in Europe, and Balineum for tiles.
Q
When creating a bathroom, what factors should you consider?
Q
How do you deal with lighting in the bathroom? It is extreme – either very bright so
Q
What are your go-to bathroom brands? Drummonds is a wonderful company, and great for modern versions of the classic British bathroom look. I’ve
Maximise the view from the window. There’s nothing better than sitting in the tub and looking out across a vista. It’s important to design a space that is easy to maintain, as it’s used every day, and storage is vital – try to incorporate accessible yet concealed places for toiletries.
you can see your face properly in the morning, or low and moody for
designed pieces for them and use them in all of my projects.
12 H O M E S A N D G A R D E N S . C O M
“I HAVE ALWAYS LOVED COLOURED MARBLES AND TERRAZZO, AND I’VE BEEN SEEING A LOT MORE OF THEM LATELY”
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Martin’s Soho Beach House Miami bathroom features a custom-made bath and Ann Sacks tiles
FEATURE AMY MOOREA WONG PHOTOGRAPH (MARBLE BATHROOM) JAMES MCDONALD
A marble vanity unit creates two separate zones in this space. Brassware, Dornbracht. Bespoke vanity and bath, Martin Brudnizki Design Studio
The use of aged mirrors adds a softness of light to the pink bathroom at The Ivy in London’s Covent Garden
H O M E S A N D G A R D E N S . C O M 13
W I DE OP E N S PAC E INTERIOR DESIGNER IRENE GUNTER USED SENSUOUS CURVES AND CLOUD MOTIFS TO SOFTEN THIS ELEGANT OPEN-PLAN EN SUITE
14 H O M E S A N D G A R D E N S . C O M
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FRESH START
This is the master en suite in a London Victorian house. We were going to refurbish the original bathroom, which had been fitted with Carrara marble, but the layout felt wrong, with dividing walls for the shower and loo. The owners wanted it to be spacious and spa-like; they decided to cut their losses and start again.
H O M E S A N D G A R D E N S . C O M 15
2
CLEAR VISION
Quite radically, there’s no bathroom door; it opens directly onto the bedroom, pretty close to the bed in fact. It does mean the bathroom has borrowed light from the bedroom, but we had to be extra robust with the ventilation and chose a powerful extractor vented through an extra-wide channel above the bath. We thought about privacy for the windows too, with both blackout blinds and sheers.
16 H O M E S A N D G A R D E N S . C O M
3
CURVED LINES
The most obvious spot for the bath was under the window. We then worked out how to allow enough space to walk around it – there’s nothing spa-like about a bath that’s wedged in. Curves were the solution. We designed a curved vanity and a shower enclosure to match. Bending glass is costly but the result lends structural integrity. Without frames or supports, the shower enclosure feels barely there.
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CHIC APPROACH
5
WALL DECOR
We went to town with the lighting to bring in extra glamour and sparkle. The brass pendants above the vanity unit were chosen because they look so lovely, while the wall lights either side of the mirrors produce good light for applying make-up. Porta Romana’s Scallop Shell wall lights by the window are just amazing and work beautifully with the cloud-motif wallpaper.
We often put this Cole & Son wallpaper on ceilings, so it made a nice change to use it on walls. Initially we considered marble for the panels, but felt that it would look too harsh. The wallpaper is well away from any direct contact with water, but we applied a coat of decorator’s varnish as a precaution. It’s worth doing a test sample to make sure you still like the colour as the varnish can deepen it slightly.
FEATURE LINDA CLAYTON PHOTOGRAPHS MARY WADSWORTH STYLING HANNAH FRANKLIN
GET THE LOOK Bespoke vanity unit and mirrors, around £25,000, all Gunter & Co. Calacatta Lusso M426 quartz, from £199.99sq m, Classic Quartz Stone. Barcelona bath, from £3,675, Victoria + Albert. Bespoke curved shower, from £4,200, Glasstrends. Purist thermostatic shower valve, £1,454; contemporary round rain shower head, £1,567; Purist deck-mounted three-hole basin mixer taps, £1,237 each; Purist floor-mounted bath filler, from £2,624, all in Vibrant Brushed Bronze by Kohler; Sterlingham Morville 9-440 towel warmer, from £1,644; Duravit Darling loo, £609, all West One Bathrooms. Nuvolette 114/28055 wallpaper, £50sq m, Cole & Son. Orb pendant lights, £1,026 each; Scallop Shell wall lights, £1,230 each, all Porta Romana. Visual Comfort Dresser long glass rod wall lights, £604 each, Best & Brown
Inchbald School of Design graduate Irene Gunter has one of the most enviable portfolios in the industry. Her look is understated luxury with plenty of personality. Thanks to meticulous attention to detail, design flair and dedication to product innovations, Gunter & Co’s Chelsea-based studio is always in high demand.
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WWW.AQATA.CO.UK
DE SIGN
SMOOTH CL ASSIC DRUMMONDS WAS INTERIOR DESIGNER ROISIN LAFFERTY’S GO-TO WHEN SEEKING HIGH-QUALITY FITTINGS TO MAKE THIS BEAUTIFUL MONOCHROME SPACE SING
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BOLD STYLE
The brief called for a luxurious bathroom that was striking yet timeless. The owners also requested twin basins and ample storage, while quality was the most important element for the fittings themselves. The overall style was chosen to complement the late-Victorian character of the property.
HOMESANDGARDENS.COM
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DESIGN TRICK
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STRONG PALETTE
Placing one mirror on top of another is a favourite feature of mine and adds a layer of interest. This trick is especially useful when going for a really wide expanse of mirror to bring in maximum light, as we did here. Sometimes I use a brass frame around the smaller mirror, but having decorative wall lights positioned over the mirror called for a more subtle approach.
When planning a monochrome look, consider the proportions of the room, as this type of colour scheme can become garish and loud if the scale of its elements is too large. However, in this generously sized space, the pattern on the floor tiles is relatively understated. The marble countertop also brings a timeless element, but again, we controlled the amount used to maintain a tranquil feel.
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TIMELESS CHOICE
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VITAL DETAIL
The quality of Drummonds’ bathroom fittings is incomparable. We went for brassware in classic shapes with a Nickel finish, which has a lovely aged charm without being too glitzy. The wide twin washstand was chosen to accentuate the room’s generous size, while the pedestal-style legs create a lightweight, floating feel. A stool fits underneath the countertop so that it can be used as a vanity.
The rug-like feature of the tiled floor creates a focal point with depth of pattern. We offset this with crisp white Arabescato marble from Miller Stone on the double vanity unit and within the shower area. The panelled woodwork and the side of the bath are painted a rich off-black with a hint of blue to ensure the beautiful fittings and the marble surfaces stand out.
FEATURE LINDA CLAYTON PHOTOGRAPHS BARBARA CORSICO
GET THE LOOK Wye freestanding bath, from £3,570; Coll lever floor-standing bath and shower mixer, from £2.376; Double Lowther vanity with Arabescato marble, from £7,980; Coll lever deck-mounted three-hole basin mixers, from £1,170 each; Mull Classic shower controls, from £1,632; 300mm shower rose with Classic shower arm from ceiling, from £804; five-bar floor-mounted heated towel rail, from £2,742; Derwent double wall lights, from £654 each, all in Nickel, all Drummonds. Square Black Victorian floor tiles, £73.44sq m; Greek Key border tiles, £5.95 each, all Original Style. London Class Chelsea encaustic tiles, £75sq m, Mainzu. Cranleigh pendant light, £298, Abigail Ahern. Walls and woodwork painted in Railings estate eggshell, £64 for 2.5ltr, Farrow & Ball
Established in 1988 to source architectural antiques, Drummonds now manufactures its own classically inspired bathroom fittings and brassware, which are traditionally crafted using artisanal techniques. ■ Róisín Lafferty set up Dublin-based Kingston Lafferty Design in 2010 and has built a reputation for experiential interiors, filled with texture and meaning. She was recently appointed president of the Institute of Designers in Ireland.
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H O M E S A N D G A R D E N S . C O M 21
PICTURE PERFECT INTERIOR DESIGNER CHARLOTTE CROSLAND’S VISION FOR THIS PEACEFUL COUNTRY SCHEME WAS INSPIRED BY A LOVE OF FINE ART AND GLORIOUS VIEWS OF THE GARDEN
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RELAXED MOOD
This is the master en suite of a late 17th-century house; the client wanted the design to feel more like a living room than a bathroom. Because the house is listed, the pipework could only go along the back wall, so the layout was slightly restricted. I placed the bath in front of the window with a view of the garden and there’s a chaise longue at the other end. Wall lights create a relaxed feel, while pale-green walls tone with the master bedroom.
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DES IG N
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CLASSIC THEME
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EXTRA TOUCHES
The simple Shaker-style design of the panelling around the walls and the roll-top bath creates a fresh but warm atmosphere. Countertops for the basins and bath are in a natural stone, which is almost concrete-like with a delicate touch of blue. I like to include a surface around a standalone bath as somewhere to keep things, such as soap and a book, within easy reach.
I love artwork in bathrooms but always choose it carefully so that it enhances the overall design; in this case, serene and calming. I went for a collection depicting one subject rather than a mix, and chose botanical images to keep the pretty theme going and to reflect the client’s beautiful garden. The mirrored-glass frames, matching the cabinets, add a little glamour.
Jazz Four steel bath, £1,025, C.P. Hart. Gotham metal double vanity unit, £4,935; Pharmacy mirrored cabinets, £2,700 each, all in Nickel, Balineum. Classic undercounter basins, £403 each; Classic White lever three-hole basin mixer taps, £697 each; Classic White lever bath tap set, £1,316; Godolphin thermostatic shower valve with La Chapelle shower rose and Classic shower handset, £2,976; Classic floor-mounted towel warmer, £1,519; Classic back-to-wall loo, White ceramic lever and Classic Mahogany loo seat, £1,373, all in Silver Nickel, Lefroy Brooks at West One Bathrooms. Harmony shower enclosure in Nickel, Majestic Showers. Astonian steel shower tray in White, £531, Aston Matthews. Bateig Blue Stone countertops, around £5,000, Stone Fashion. For similar flooring, try Leafy Lane Rustic Oak engineered floor, £84.76sq m, Naked Floors. Opera wall lights in Nickel with Ivory shade, £488 each, Holloways of Ludlow
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Award-winning interior designer Charlotte Crosland studied at Chelsea Art School before working for an
architectural firm, then Charles Hammonds of Sloane Street. In 2000, she set up Charlotte Crosland Interiors, with a small team that works mainly on residential projects but also show homes and commercial premises.
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FEATURE LINDA CLAYTON PHOTOGRAPHS RADU PALICICA
GET THE LOOK
B athro om lighting
drummonds-uk.com +44 (0)20 7376 4499
TALL ORDER CONRAN AND PARTNERS’ LEAD DESIGNER TIM BOWDER-RIDGER ENLISTED C.P. HART TO DELIVER A PERFECTLY PLANNED BATHROOM AT THE TOP OF LONDON’S ICONIC CENTREPOINT TOWER
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ELEGANT SPACE
This master en-suite bathroom is located on the top floor of Centrepoint, enjoying both complete privacy and spectacular unobstructed views across London’s skyline. We placed the vanity unit well away from the window to help avoid glare and reflection of sunlight on the mirror. The bath is near the door to the terrace, so the owner can gaze at the vista while bathing.
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REFINED FINISH
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WALLS & FLOOR
We selected all of the elegant sanitaryware and brassware from C.P. Hart to ensure the elements work beautifully together, leaving the owner the chance to make the space their own. Dornbracht’s Lulu brassware, with its modern simplicity, is particularly captivating. We chose the Platinum Matt finish for its smooth feel, depth of colour and warm hue.
We sourced the Bleu de Savoie marble stone from Marbrerie Yelmini in Saint-Amour, France. It is quarried in varying shades, from blue-grey to dark grey, and has a beautiful crystalline bluish background interspersed with delicate veining. When planning to use a lot of stone in one room, we always look for types with inherent colour variation that will bring life and interest to the space. Choosing floor tiles in a lighter variety of the same stone ensures the two areas work in harmony.
FEATURE LINDA CLAYTON PHOTOGRAPHS PAUL CRAIG
GET THE LOOK Lulu deck-mounted mono basin mixers, £1,310 each; Lulu floor-mounted bath mixer with hand shower, £6,114; Lulu shower systems, including diverters, rain shower, hand shower and body jets, £4,068 each; Lulu robe hooks, £145 each; Lulu loo roll holder, £388, all in Platinum Matt, Dornbracht at C.P. Hart. Saneux undermounted basins, £399 each; Bette Starlet oval bath, £5,598; Duravit Starck 3 loo, £554, all at C.P. Hart. The vanity unit is bespoke; for a similar style try Zone fourdrawer vanity unit in Light Oak, £1,479.95, C.P. Hart. The Bleu de Savoie marble was supplied by Marmi Stone; for private homes, try Lapicida, from £695sq m
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Conran and Partners is an architecture and interior design practice founded by Sir Terence Conran. The
company’s portfolio extends around the world, embracing a rich and varied range of buildings and spaces. ■ Seeking out the latest, greatest bathroom fittings from around the globe is one of C.P. Hart’s finest talents. The award-winning bathroom design team has been creating residential bathing spaces for more than 80 years.
H O M E S A N D G A R D E N S . C O M 27
Art inspires technology
Breathing nature into a room is an art form. This is why LG SIGNATURE partnered with B&B Italia, an Italian modern furniture pioneer, to enhance the livability of homes without sacrificing style. The essence of LG SIGNATURE is a passion for craftsmanship and pushing the limits of innovation for a better life.
Technology completes art
With its air-purifying filter system that eliminates dust and Gentle Care cycle that protects your most precious garments, the LG SIGNATURE TwinWash™ is much more than a beautiful work of art.
The Art of Essence
BATHROOM NEWS THE LATEST LAUNCHES, INNOVATIVE PRODUCTS AND INSPIRATIONAL DESIGN
NEW NATURAL SOOTHING SPRAY The PureRain spray in Grohe’s showerhead creates large droplets to emulate summer rain. Rainshower 310 Mono with 422mm arm in Brushed Cool Sunrise finish, £866.65, Grohe.
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Retro style and earthy tones blend beautifully here. The Vintage 80 vanity unit, shown in Clay, has subtly grooved doors, while brass detailing adds a note of glamour. Vanity unit, from £1,528; Daisy handles, £19.50 each; Sonate basin and countertop, £1,087, all You collection by Dansani.
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TERRAZZO TONES Whether in terrazzo (cement speckled with marble, stone or glass) or made from terrazzo-effect porcelain, these tiles tick all the retro boxes. 1 Terrazzo Bosello tile, 20x20cm, £99sq m, Fired Earth. 2 Piazza Geo Graphite terrazzo-effect porcelain tile, 80x80cm, £70sq m, Ca’Pietra. 3 Fragments Terrazzo tile, 60x60cm, £89sq m, Domus.
DECORATIVE DETAIL
ON THE CURVE The latest addition to Duravit’s Happy D.2 Plus collection by Sieger Design is the curvaceous C-shaped basin vanity unit, £3,712, in White Satin Matt, which perfectly complements the matching freestanding bath, £4,225.
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FEATURE AMELIA THORPE
Hand-painted and finished with hints of gold, the Azriel porcelain basin, H16xDia42cm, creates a luxurious focal point. It costs £900, London Basin Company.
N EWS
ITALIAN CONNECTION Named after the Italian word for ‘breathtaking’, Mozzafiato is a range of evocatively patterned anti-slip porcelain tiles for floors and walls from Claybrook. Each design also carries the name of a beautiful Tuscan town: shown here, Mozzafiato Manciano, 19.6x19.6x1cm, £45sq m.
IN THE SAME VEIN
BOLD MOVE The epitome of clean geometric style, Ex.t’s Frieze One High basins and units, £2,704 each, are suspended from a central band, which is available in a choice of materials and colours, from £342. This creates a defined area for shelves, towel hooks and soap holders. Available from West One Bathrooms.
Inspired by Brazilian Invisible Blue marble, these Arena porcelain floor and wall tiles are difficult to distinguish from the real thing thanks to latest reproduction technology. Available in 100x100cm and 180x100cm formats, from £70.80sq m, Mandarin Stone.
WITH A TWIST Decorative rope and reed tubing make this wall-mounted Colonnade IV LG023 towel warmer stand out, as does the beautifully worn vintage feel of the Antique Copper finish. It measures H775xW475xD125mm and costs £1,122, Vogue UK.
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NE WS
STANDING TALL Give your bathroom the feel of a luxury spa with a stylish standalone bath tap. Designed, engineered and made in the UK, the sleek single-lever Hoxton 3440 floorstanding thermostatic bath-shower mixer makes an elegant partner to any statement freestanding tub. It is shown here in chrome, H97.5cm with a reach of 23cm, £2,520, from Perrin & Rowe.
SIDE BY SIDE Inspired by art deco style, the handsome Carlton ceramic double basin is a timeless design that has been in production since the 1940s. Its simple silhouette works with all tap styles, from vintage to modern, while the wall-hung design frees up the floor area, accentuating a spacious feel, even in a smaller bathroom. It measures H200x W1250xD540mm, £798, Aston Matthews.
IN THE PINK
ROUNDED UP British luxury shower manufacturer Matki has launched the EauZone Plus Radius-20 frameless enclosure to create a modern steamlined feel in your wet room. Engineered from 10mm solid safety glass, it has been innovatively curved to achieve a gently rounded edge. The 1000mm Radius-20 wet room panel with 800mm return panel, shown here, costs £2,466.
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Bespoke By Burlington, created by designer Julie Ingham, heralds a new era for bathrooms. Classic design is combined with intricate floral and art deco illustrations, or a vintage colour palette. Edwardian basin and standard pedestal in Confetti Pink, £798, Burlington Bathrooms.
Showrooms open by appointment Call 0345 600 1950 or visit www.cphart.co.uk
H O W T O R E N O VA T E YOU R BATHROOM Three industr y ex per ts g ive their planning adv ice on how to achieve the dream space
The optimum size for a shower enclosure is 1200x900mm. Framed screen, from £900, West One Bathrooms
Brass detail adds warmth to this cool white and grey scheme. Bathrooms, from £9,000, West One Bathrooms
LAYOUT & LIGHTING
First, consider whether you can improve the size of your room, perhaps by moving a partition wall and stealing space from a landing. Think about the fittings required: if you rarely use a bath, for instance, it
for a shower enclosure; try not to go any smaller than 800x800mm to avoid feeling cramped. Baths vary in length from the usual 1700mm to more than 2000mm or down to a hip bath at 1200mm. A freestanding bath needs
include a mix of bright lights for when you’re cleaning and soft illumination for a relaxing soak in the bath. Dimmable ceiling LED spotlights can be combined with small LED spots around the edge of
may be better to devote your space to a larger shower. A sloping ceiling can dictate the position of fittings, as can the plumbing. Moving the WC, for example, may have cost implications. As to size, 1200x900mm is popular
space around it so it’s the focal point of the room. Basins come in different sizes, and you’ll need to allow at least 700mm width for a loo. All lighting must be IP rated and suitable for bathroom use. Try to
the floor, which will wash up the wall, and LED strips in shower niches. Lights either side of a mirror will cast an even glow, while low-level lighting on a sensor will help you navigate your way to the loo at night.
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FEATURE AMELIA THORPE
L O U I S E A S H D O W N , H E A D O F D E S I G N AT W E S T O N E B AT H R O O M S , D E S C R I B E S H O W T O M A K E T H E M O S T O F Y O U R S PA C E
I NT E RV IEW
FLOORING & SURFACES R O B W H I TA K E R , C R E AT I V E A N D P R O D U C T D I R E C T O R O F C L AY B R O O K S T U D I O , R E V E A L S T H E L AT E S T T R E N D S
Recycled glass mosaics are a sustainable choice for walls. Confiserie Blush triangle mosaic, £79.88sq m, Claybrook
Hotels have been a major influence on recent bathroom design, leading to the popularity of marble. Porcelain tiles are ideal for using with this look, as they are now available in just about every colour and pattern. For flooring, porcelain tiles are super-practical, washable and waterproof, and made from a material of consistent quality. Now porcelain can replicate marble, stone, timber and terrazzo so cleverly that you can’t tell the difference from the real thing. Most porcelain tiles for indoor use are 10mm thick. Some manufacturers make tiles as thin as 4mm, but personally I would choose 8mm to 12mm for most indoor floors to ensure it is strong enough. Porcelain tiles are ideal for use with both wet (water) and dry (electric) underfloor heating systems and are good conductors of warmth. The type of underfloor heating recommended can vary depending on the size and shape of the room and its subfloor, but it is important to use a flexible adhesive and grout during installation to allow for thermal movement. The adhesive must be fully dry, which generally takes about seven to 10 days, before underfloor heating can be used. Many people are opting for porcelain floor tiles with glazed tiles or glass mosaics on walls, or metro tiles fixed in vertical, rather than horizontal brick-bond, patterns. While tiles
Porcelain tiles that replicate terrazzo make for durable flooring. Trousdale Hughes tile, £56.95sq m, Claybrook
might run all the way up to the ceiling in the wet zones, in other areas of the bathroom, half-height wall tiling offset with a lovely paint colour above ensures plenty of character.
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IN TERV I EW
Recessed space behind a wall mirror can offer extra concealed storage
STORAGE & TEXTURE
Good storage is essential, especially if you want to make your bathroom as calm as possible, with surfaces clutter free. Bespoke fitted furniture is a good way of providing storage. A recessed cupboard behind a wall
is perfect for toiletries and cosmetics and if there’s room, I include a built-in laundry basket and a cupboard for towels. Wall niches in the shower area, built into a stud wall, are ideal for bottles. Again, sizing is key. A
tactile materials where I can, including veneers and solid timbers and painted finishes on cabinets. Blinds, sheers and curtains made from outdoor fabrics, such as those available at Perennials Fabrics, are
mirror can offer shelf space but it is important to get the sizing right – 120mm is a practical depth. It’s useful for shaver sockets and toothbrushes; I would advise one shaver socket per basin. A vanity unit
height of 300mm by the same width works for bottles of shampoo and conditioner, for instance. If you think you need more space, you can double the height to 600mm and include a shelf within the niche. I like to use
ideal for use in a bathroom. Curtains create a softer feel, and provide privacy and a luxurious look, so they are particularly useful in listed properties where it may not be possible to install double glazing or shutters.
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PHOTOGRAPH (STUDIO WESTMAAS) REBECCA REID
I N T E R I O R D E S I G N E R K AY W E S T M A A S O F S T U D I O W E S T M A A S S H A R E S H E R S O L U T I O N S F O R K E E P I N G C L U T T E R AT B AY
N A P O L I I N R A L 7 0 0 1 M AT T
A WORLD OF COLOUR Victoria + Albert’s new colour service allows you to personalise the exterior of our freestanding baths and basins to coordinate with the rest of your bathroom design. Choose from a spectrum of 194 RAL colours, in gloss or matt finishes. www.vandabaths.com
B AT H S | B A S I N S | B R A S S WA R E | A C C E S S O R I E S
Alice Temperley ME & MY BATHROOM
FEATURE RACHEL LEEDHAM PHOTOGRAPH (PORTRAIT) TOMO BREJC
THE QUEEN OF BOHEMIAN GLAMOUR ON CREATING A BATH INSPIRED BY DISCO, HER LOVE OF ANTIQUES AND WHY AUBERGINE IS THE NEW BLACK
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The plinth was already here when we moved in nine years ago, probably to stop the bath crashing through the floor. I love the fact that it’s in the centre of the room, as the light comes through on different sides depending on the time of day. I had the plinth painted with a Union Jack to resemble the cover of my first book, True British.
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I have disco balls hanging around the house and I love the dappled reflections they give, so I created a ‘disco bath’, covering it with pieces of broken mirror. I did it one evening over a bottle of wine with my friend, model Jade Parfitt. I have been asked so many times where it’s from that I should probably launch a line in mirrored baths…
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The aubergine colour on the wall is a favourite shade that I have also used in my sitting room, as well as in my Bruton Street store and on the exterior of my former house in London. It’s a warm, earthy neutral that beautifully offsets everything – I much prefer it to, say, navy or black.
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I’m not a fan of carpet in a country house and prefer to stick to either wooden floors or natural matting, which I have used here in my bathroom. To add to that warm, lived-in feel, I have layered it with vintage rugs.
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My house is very much a pick-and-mix; I collect things as I go along and the mirrors, dressing table, rugs and chandelier are all pieces that I have found at haunts such as Sunbury Antiques Market at Kempton Park in Surrey or my local auction house, Lawrences in Somerset. The chandelier is on a dimmer switch and it casts a lovely soft light across the ceiling.
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My bathroom is my refuge where I go at the end of the day to read. I always have fresh flowers in there and Epsom salts for the bath, as well as lots of scented candles. My favourite is the woody, heady fragrance of the Brown candle by Hotel Costes.
(From top) Napoleon III-style chandelier, circa 1920, £1,695, Norfolk Decorative Antiques. 19th-century gilt gesso mirror, £680 a pair, Lawrences Auctioneers. True British by Alice Temperley, £40, Rizzoli. Seagrass Fine Herringbone carpet, £32.45sq m, Alternative Flooring. Anatolian kilim, £450, Lawrences Auctioneers. The Brown candle, €55, Hotel Costes
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