Nature is not a place to visit, it is home. Gary Snyder
The award-winning Bronte Tree House featuring WoodWall® in Eveneer® Frosted Oak Architect Madeleine Blanchfield Architects Photographer Anson Smart
PETER MADDISON ANSWERS YOUR QUESTIONS PLUS TV HOUSE EXCLUSIVE LEWISHAM HOUSE
IT’S KITCHEN MAKEOVER TIME!
84 PAGES OF
NEW PROJECTS Why they work What they have Who created them
19 taps to top off your design BUSHFIRE-PROOF YOUR HOME
Issue 9.3 AUS $9.95* NZ $12.99 (Incl. GST)
WHAT IS PASSIVE HOUSE DESIGN? MEET THE 2020 TILER OF THE YEAR
FUTURISTIC FANTASY Explore this travel writer’s dream home outside Hobart
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CR EDIT S
PETER MADDISON ANSWERS YOUR QUESTIONS PLUS TV HOUSE EXCLUSIVE LEWISHAM HOUSE
IT’S KITCHEN MAKEOVER TIME!
84 PAGES OF
NEW PROJECTS Why they work What they have Who created them
19 taps to top off your design BUSHFIRE-PROOF YOUR HOME
Issue 9.3 AUS $9.95* NZ $12 99 (Incl GST)
WHAT IS PASSIVE HOUSE DESIGN?
EDITORIAL Editor Angela Young Editor-at-Large Peter Maddison Deputy Editor Cassie Haywood Sub-Editor Michelle Segal Contributors Carrol Baker, Pete Colquhoun, Chris Knierim, Louise Smithers Art Director Kate Podger Plans Anthony Allars, Joel Sawyer
MEET THE 2020 TILER OF THE YEAR
FUTURISTIC FANTASY Explore this travel writer’s dream home outside Hobart
COVER IMAGE Lewisham Pod Rhiannon Slatter ADVERTISING ENQUIRIES AND BOOKINGS NSW Advertising Team Leader Anthea Hamilton P: (02) 9887 0311 M: 0414 319 271 E: ahamilton@umco.com.au Vic, SA & Tas Advertising Manager Natalie Grosso M: 0420 477 422 E: ngrosso@umco.com.au Vic Kitchens, Bathrooms & Heating Specialist John Oliver P: (03) 9694 6430 M: 0417 316 820 Qld Business Development Consultant Liane Rothwell P: (07) 3351 8725 M: 0488 424 232 E: lrothwell@umco.com.au Advertising Production Brendan Alder Advertising Art Director Martha Rubazewicz
Chairman/CEO Prema Perera Publisher Janice Williams Chief Financial Officer Vicky Mahadeva Associate Publisher Emma Perera Circulation Business Development Manager Mark McTaggart Creative Director Kate Podger This magazine is printed on paper produced in a mill that meets Environmental Management System ISO14001. Grand Designs Australia issue 9.3 is published by Universal Magazines, Unit 5, 6-8 Byfield Street, North Ryde NSW 2113. Phone: (02) 9805 0399, Fax: (02) 9805 0714. Melbourne office, Level 1, 150 Albert Street, South Melbourne Vic 3205. Phone: (03) 9694 6444, Fax: (03) 9699 7890. Printed in Singapore by Times Printers, timesprinters.com. Retail distribution: Gordon and Gotch, Australia. Distributed in Singapore and Malaysia by CARKIT (FE), Singapore, Phone: 65 62821 960. This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Enquiries should be addressed to the publishers. The publishers believe all the information supplied in this book to be correct at the time of printing. They are not, however, in a position to make a guarantee to this effect and accept no liability in the event of any information proving inaccurate. Prices, addresses and phone numbers were, after investigation, and to the best of our knowledge and belief, up to date at the time of printing, but the shifting sands of time may change them in some cases. It is not possible for the publishers to ensure that advertisements which appear in this publication comply with the Competition and Consumer Act 2010 (Cth) and the Australian Consumer Law. The responsibility must therefore be on the person, company or advertising agency submitting the advertisements for publication. While every endeavour has been made to ensure complete accuracy, the publishers cannot be held responsible for any errors or omissions. * Recommended retail price ISSN 2200 – 2197 Copyright © Universal Magazines MMXX ACN 003 026 944 umco.com.au Please pass on or recycle this magazine.
Grand Designs® is a trademark of, and is licensed by, FremantleMedia Australia. All rights reserved. Grand Designs® is produced by FremantleMedia Australia Pty Ltd for Foxtel Management Pty Ltd. ©2019 FremantleMedia Australia Pty Ltd. Licensed by FremantleMedia Australia. All rights reserved.
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GRAND DESIGNS
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CON TENT S
46 44 REGULARS 24 Ed’s letter 26 Editor-at-large 28 Tiler of the Year 33 Design forum 34 Architecture snapshot 36 Project diary 39 Book club CREATIVE EDIT 42 Tapware 44 What’s hot 50 Favourite 5 52 Travel inspo IN PROFILE 46 Idle Hands Fabrications 48 Kate Ballis FEATURES 56 Bushfire-proof your house 146 Passive house EXPERT ADVICE 190 Architecture 192 Building
Inside
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143 HOUSES 66 TV house Lewisham An apple isle gem among the gum trees 78 Overseas project — Bumpers Oast Cone-tipped towers reincarnated into curvy family delight 90 One Mani House This quirky home is disrupting the design model 102 Couldrey House A powerful piece that’s not your average Queenslander 112 The Boulevard Views of the Yarra lap at the heels of a rammed earth prodigy
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LVL Masked from the street, this surprise package is marvellous to behold Turn House A black-bricked beauty that’s perfect for stargazing
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KITCHENS 154 Hotel at Home 158 Mixing it up in the kitchen 166 Cooking with class 172 Style 101: 4 popular looks 174 HIA-CSR Housing Awards OUTDOOR PROJECT 182 All decked out
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ED ITO R’S LET T ER
From the Editor Mentionables Ocean House, Rob Mills Architecture. Photography by Caitlin Mills Bumpers Oast, Acme Architecture. acme.ac Moby Dick chair. designlibero.com
pring, once again, h has sprung, and it feels good to be looking forwa ard to brighter days than 2020 has shown us so farr. It feels good, too, to be able to congratulate 2020’ss Tiler of the Year (p28) on a job fantastically well done, and to give credit long overdue to a group of tradies whose talents aren’t sung ne early loudly enough. Second (and third) waves of coro onavirus aside, we’re emerging from the pandemic’s stro onghold with plenty of new life lessons, but what about that t previous catastrophe that seems almost forg gotten — the deadly bushfire season? The threat of climate change certainly isn’t receding, and one thing we really need to take from the summer of 20 019/2020 is the importance of bushfire-proof housing, which we tackle on p56. On a more cheerful note, we’re also delving deep into kitchens this issue — awa ard-winning ones, inspirational ones and a bumper crop of makeover ideas. We’re also examining the very interresting idea of passive house design, something our beloved Editor at Large Peter (and his UK counterpart Kevin) is alwayss pleased to see in action. Hop to p146 to learn all about that. As always, all the home projects adorning these pages are truly inspiring (particularly the Tasmanian TV treat on the cover), but my favourite has to be the genuinely unique project from the UK you’ll find on p78. Gorgeous curves and majestic cones make for a grand design indeed. Something we can enjoy on these shores is the Victorian villa providing travel inspiration on p52,, and also this simply beautiful Moby Dick chair by Morelato, which h cleverly ticks my “elegant interior design” and “wildlife” boxe es all in one. Anyway, that’s quite enough from me (literally — I’m handing the reins back to April, so farewell!). Get reading and be inspired.
Angela ANGELA YOUNG EDITOR
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GRAND DESIGNS
Truly b reathta king.
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ED ITO R-AT- LAR GE
From Peter Maddison
ecently I’ve found myself reflecting on the way housing has developed during the last 10 years. There’s been a recurrence of certain directions, which I shared with Richelle Hunt on ABC Radio recently. I hope the ruminations around house development might change your outlook on what a house means. Earth houses, underground houses, small bushfire container sourced and pre-built seem to be garnering much interest. These housing types, along with the “tiny house” movement, are being explored by many brave homeowners. The idea of sustainability has become more accepted as standard and not an optional extra plug-on. People are looking to produce buildings that are more efficient than the mandatory 6-Star rating ensconced in the National Construction Code. People want to make our society carbon-neutral and are prepared to spend upfront on building structure and systems that help the world, as well as making them independent and, in the long term, better off financially. Of all these building types, which works best? Is there a clear change in direction for Australia’s housing type? Unfortunately, there’s no simple answer because Australia is such a diverse country climatically and geographically. I find the underground house the most interesting. It’s
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Rivett Man Cave from Grand Designs Australia series 8 , episode 7
probably the most extreme of all decisions when considering a “new building”. We’re currently filming three of them — in outer Melbourne, Mount Kosciuszko and Coober Pedy. Underground houses work environmentally in any climate, and best in extreme climates because being underground evens the temperature 24 hours a day, with fluctuations of only a few degrees each side of 20. The ground has thermal mass, so it doesn’t fluctuate. The big foible in building underground is waterproofing and getting solar access. One might think that by going underground the need for an architect would be negated — far from it! Check out series 8, episode 7, the Rivett Man Cave in ACT. Peter Bullen engaged local architect Nabil Adhami, which resulted in a building filled with light, highly individual, personalised and full of character. It does what all good buildings do; it provides shelter, a place to sleep, cook, ablute and, the secret ingredient, a place to nourish the soul. The design intent of the Man Cave was around an underground workshop where Peter can make as much noise as he likes, where the living quarters are small and the overall cost is modest (about $650K from memory). The bonus is a beautifully landscaped roofscape that attracts local birds and where Peter grows vegetables. In an age when sustainable building and comfort levels are top of the agenda, perhaps this building type is the way of the future, particularly in climates where there are extremes in temperature.
PETER MADDISON EDITOR-AT-LARGE
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TOM SAMUELS, WINNER “There’s so much hard work that goes into tiling, so it’s fantastic to see that others appreciate the skill and effort required”
Photography Byron Keane
WE HAVE A WINNER! After careful consideration from the judges and then you, the Australian voting public, the Tiler of Year has been crowned!
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H
omeowners all over Australia enjoy stunning bathrooms, kitchens, driveways and more thanks to the unique skills and dedication of tilers, so Grand Designs Australia, National Tiles and Mazda decided to get together and award these trade heroes the recognition they deserved — thus the Tiler of the Year Awards was born. After diligent judging from our very own editor Angela Young along with founder of Kate Walker Design, Kate Walker and National Tiles head of procurement Camron Whittaker, the 10 finalists were chosen and presented for public voting. The result? Huge congratulations to Tom Samuels (@TileSmart), from Cronulla, New South Wales, for his victorious Burraneer steam room tiling project, which earned him the inaugural National Tiles Tiler of the Year award as well as a brand-new Mazda BT-50 Dual Cab Pickup with Boss Sports Pack! Tom was over the moon with his win. “I still just can’t believe it,” he says. “With so many incredible entries I never imagined I’d even make the top 10.” Left speechless when he saw the incredible prize, Tom noted: “It’s such a significant acknowledgement of my work, and the messages of support and congratulations I’ve received from friends, colleagues, the public and my fellow tilers has been amazing. There’s so much hard work that goes into tiling, so it’s fantastic to see that others appreciate the skill and effort required.” After the Ben Richardson Building crew had worked their construction magic on the spa room (Ben, who nominated Tom, is pictured with the winning tiler and his prize Mazda, left), it was up to Tom to embark on the intimidating tiling job — a process that took several months. “The preparation itself was quite a mathematical exercise and a bit of an engineering feat with all the curved walls and the joins that had to line up,” he recalls. The family of four who benefited from Tom’s hard work were genuinely thrilled with his win, and more than happy with their steam room, describing
T IL E R OF T H E Y E A R 2020
ANGELA YOUNG, JUDGE — GRAND DESIGNS AUSTRALIA “I was seriously impressed with the standard of the entries in the competition. The range of different designs and styles showed such imagination and finesse, and close up it was clear the attention to detail was incredible. It’s great to see so much fantastic tiling work going on around the country, upholding these traditional skills that deserve our respect.” GRAND DESIGNS
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the last-minute inclusion as a “very indulgent luxury” they’re delighted they opted for. Finalists Sam Greiner and Joel Grenfell, who came second and third in the competition, thoroughly enjoyed participating in this year’s awards, with Sam commenting: “It’s been so interesting; getting to see what other tilers are doing so you can appreciate their work and get inspired by what they are doing is great.” For Joel, his craft is a challenge he enjoys every day. “You need to be patient, to work clean and to have a great vision about what the end result will look like,” he says. “And you have to be very fussy and make sure all of the lines are square and that the finish is perfect. It’s a physical job, and after a big day you really feel it on your knees and your back. But when you know you’ve executed a job to perfection it’s all worthwhile.” Congratulations to everyone who participated to help make the 2020 National Tiles Tiler of the Year Awards a huge success, and here’s to another year of outstanding tiling projects from Australia’s best tradespeople in 2021.
KATE WALKER, JUDGE — KWD “As a designer who works with tiles and tilers throughout the year, I was so inspired and delighted to see so many talented tilers putting forward such a high standard of work. The quality of the tile set-outs, the waste positions and the full-height tiling was a joy to see, and I was so impressed by the degree of difficulty displayed in a wide range of installations. Being fastidious about quality and attention to detail, I was really thrilled to see such a wide variety of tiles and tiling layouts executed with such precision. Congratulations to all who entered, and well done to the finalists and, of course, the winners!”
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T IL E R OF T H E Y E A R 2020
CAMRON WHITTAKER, JUDGE — NATIONAL TILES “The response we’ve had from the tilers and public around Australia was amazing! I was really blown away by some of the stunning projects using tiles to create world-class living spaces that will stand the test of time due to the dedicated work of the tilers involved. A big thank you to all our entrants from around Australia — well done to all!”
SAM GREINER — 2ND PRIZE
JOEL GRENFELL — RUNNER-UP
GRAND DESIGNS
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1/20 ENERGY CRESCENT, MOLENDINAR QLD 4214 P 07 5594 9860 | INFO@SMARTJOINERY.COM.AU
WWW.SMARTJOINERY.COM.AU
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DE SI G N FO R U M
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01/ Under restaurant, Norway Fancy a bite on the sea floor? Under restaurant and research centre is the first of its kind in Europe, half-sunken at the southernmost point of the rugged Norwegian coastline. The 34m monolith juts out of the water from its resting spot on the seabed 5m below. The rough, half-metre-thick concrete form doubles as a durable shell to withstand the pressure of rough waters and an artificial reef for limpets and kelp to inhabit. Peer into the water through the restaurant’s massive window, which casts an extraordinary bluegreen glow around the room. The interior grows darker and more intense as you go deeper. Photography by Inger Marie Grini and Bo Bedre Norge. snohetta.com 02/ Australian Interior Design Awards 2020 This year the program celebrated design in its many forms, from Hecker Guthrie’s retail creation for Script Skincare to the Budge Over Dover project by YSG (pictured) that took home accolades for residential design and decoration. Organisers noted the entries’ cohesive focus on the human experience and how functional can be exceptional. The Sustainability Advancement Award was granted to Jackson Clements Burrows Architects for its Gillies Hall design. Photography by Prue Ruscoe. australianinteriordesignawards.com
Get social Click to explore the wonders of our architectural environment E D I T E D BY C A S S I E H AY WO O D
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03/ Agape at Artedomus What does a bathroom look like? What can it look like? This outdoor collection evaluates bathroom rituals and extends them beyond four walls. The range consists of 14 products, from basins and countertops to ‘tubs, showers and accessories. Some are new, others revisited with durable materials. The Petra basin features Cementoskin — an advanced cement resistant to dirt, while the Bell washbasin’s hardy Petit Granit marble is a statement of durability. artedomus.com 04/ Teâshí Coffee Table Branching up like a tree, lightning or veins, the Teâshí (Japanese for “limb”) coffee table is an exploration and ordering of these natural phenomena. The brainchild of David Michael Miller, it draws on the geometric precision of a fractal of Sierpińksi’s triangle. The metalwork is art in itself, welded by hand, sand-blasted and painted. Artist Chris Trueman’s spray- and hand-painted finish is simultaneously cosmic and grungy. edenicdesign.com
W: completehome.com.au N: completehome.com.au/e-news-signup F: facebook.com/granddesignsau I: instagram.com/granddesignsau P: pinterest.com.au/granddesignsau
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01
ARCHITECTURE
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PARCHMENT WORKS HOUSE
snapshot Standout architecture that goes above and beyond E D I T E D BY C A S S I E H AY WO O D
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When the owners of this property approached Will Gamble Architects, the disused cattle shed and former parchment factory ruins seemed only a hindrance. The architects, however, saw potential in the history and offered another solution to celebrate what was and what could be. Thus, the idea of “a building within a building” was born. In keeping with the rural UK setting and to complement these ruins, the house utilises a palette of “honest materials” mostly upcycled from the site — a cost-effective and sustainable solution. Existing steel beams in the cattle shed were exposed, stone walls were re-pointed and washed in lime for a mottled effect, and a concrete plinth shaped to create a monolithic “skirting” along the base. The result is a marriage of old and new, tradition and modernity, as well as a sensory exploration of timeless materials. Photography by Johan Dehlin. willgamblearchitects.com
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RUCKERS HILL HOUSE
Ruckers Hill in Melbourne is no stranger to heritage homes. What differentiates the Ruckers Hill House by Studio Bright is the playful capture of its Edwardian heritage with regards to form, colour and materiality. The home is all about possibility and versatility, interior spaces able to be modified — with the drawing of a curtain — from living room to impromptu theatre. Curves are out in full force, with the shape of an “inverted Roman aqueduct” appearing poolside or as windows to the garden. The clean, white-brick exterior belies the warmth brimming inside, from the timber-walled kitchen to bathrooms in millennial pink or green-blues. Attention-grabbing, sensory and designed with a creative spirit, the unique features culminate for an incredibly striking home. Photography by Rory Gardiner. studiobright.com.au
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SNA PSH OT
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FLOATING HOUSE
The Floating House appears like a largerthan-life treehouse soaring to the tree line, with an urban setting hidden from view by dense vegetation. The core of the building goes up rather than out, with an external staircase spiralling up the floors. Standing tall on a vertical slope in the heights of Mexico City, the structure relies on nine supportive “roots” and mimics its woodsy surrounds. Described as a “bridge between nature and shelter” by the architects, the home trades heavy, spacious rooms for lightness and integration. Local materials sheath the structure and intermingle with airy design features such as floating stairs, open decks and a timber-and-glass materiality. Photography by Studio Chirika. talleresque.com
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THREE ANGLE HOUSE
With clients trading the city for the sea, something open and light was required. Three Angle House evolved from the desire to maximise three distinct views: Mornington Bay to the north, Mount Martha Reserve and Point Nepean to the west, and the distant Melbourne skyline to the south-west. The perspectives of the house were naturally overlaid for energy efficiency, the southern side of the home clad in fibre cement while the ocean-facing side enjoys an abundance of glazed glass and sliding doors. Blackbutt and concrete details are contrasted throughout the space to create a soft mixture of light and dark. Once the angles started, they didn’t stop, manifesting in larger ways such as the feature skylight’s triangular shape or “legs” burying into the hillside, as well as smaller ways such as the details of the concrete benchtop. Photography by Elise Scott. m-a.com.au
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CASA BIBLIOTECA
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The Brazilian Casa Biblioteca or “Library House” was designed for a renowned scholar of political thought. It was to be a retreat away from the bustle of the city, for reflection, reverie and, occasionally, work. Situated atop a steep clearing in the Atlantic Forest of São Paulo, the design follows the slope of the hillside in a series of terraces. Each of the three terraces grows in openness as you follow the central staircase down the site’s inclination. The uppermost tier is the most protected from view and affords the bedroom extra privacy. The second level hosts the studio, while the last terrace is a living and dining area that enjoys the entirety of the floorto-ceiling windows and surrounding nature. The single-glass facade simultaneously opens to the environment and nods to the ’50s iconic “paulistana” style through the repeated motifs of the iron profiling. Photography by Ricardo Bassetti. atelierbranco.com
GRAND DESIGNS
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DETA IL S HOUSE Plateau Project LOCATION Bilgola Plateau BUDGET Approx. $500,000 DUE TO COMPLETE June 2021
F
JOIN US ON
a journey … Grand Designs is all about the journey of home design, so join us as we set out to follow one from birth to (eventual) fruition … WO R D S A N G E L A YO U N G
? is! love th
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or several years, international model Phoebe Ghorayeb and her husband, fashion photographer Georges Antoni, dreamed of moving to Sydney’s Northern Beaches into their perfect home — one that could accommodate Georges’ huge family (all 13 of them!) and Phoebe’s British family when they come to visit. Since having two young daughters — Valentina and Siddy, aged two and 11 months — the couple decided to dive in and purchased a four-bedroom 1960s-style property on one level (with granny flat) in Bilgola Plateau, backing onto the Angophora Reserve and with unobstructed views of Pittwater. Their renovation plans? Bold and exciting. “We want a house that’s welcoming, liveable, usable,” Phoebe explains, adding comfortable and creative to the list. Given both Phoebe and Georges’ professions revolve around the design industries, it’s not too surprising that having the opportunity to create their own home is something of an obsession they’ve happily embraced. “Based on our jobs, design is a very important aspect of our lives and the opportunity to add this aesthetic to our dream home is very exciting for us. “We’re building a place of sanctuary to escape the crazy of life,” Phoebe reveals of their plans, which have reached (and passed) development approval phase. “Somewhere we can create lasting memories with our children, and a place to chill out and relax, and somewhere for friends to spend a long weekend, eating, swimming and sleeping.” Having enlisted the help of Dan Raymond, of Rama Architects, the couple hope to begin their renovations in October, with an end date of mid-2021 in mind. “The house was built in the first wave of postmodernism (mid-century) and we’re hoping to retain its modernist skeleton but interject influences that are personal to our family,” Phoebe says, citing inspiration from Lebanon, England and, one of their favourite places, Italy (where they got married). “We’ve done extensive research into international modernist design as well as Australian modernist design, and the foundation of our work with Dan is true to those Australian modernist principles. One of the key design aspects that we’d like to adhere to is strictly using stone, timber, and other natural products to provide raw native texture to the house.” The idea is to focus on a few key zones, some to bring the family together, others to provide sanctity and alone time. “The house has two heartbeats,” Phoebe says. “First and foremost is the kitchen, as food is what binds our family together. And the second is the alfresco pool area, where we hope to spend many days enjoying our families’ company.” The process will cover three major aspects: shifting
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PHOEBE SAYS “We’ve passed the DIY IKEA marriage test several times, so we’re well equipped!”
ABOVE & BELOW The house in Bilgola Plateau as it currently stands TOP LEFT Floor plans of the proposed changes, drawn up with the help of Rama Architects OPPOSITE TOP Georges and Phoebe with their daughters Siddy and Valentina OPPOSITE BELOW One of the many moodboards Phoebe and Georges have pieced together for ideas and inspiration so far
all the bedrooms to an extension level that will sit above the current garages; the reconfiguration of the main house to be a modern, open-plan living area with a raised pitched roof (a nod to its modernist history); and the indoor/outdoor pool area that acts as a conduit between the two buildings. The couple’s research has been enthusiastic and widespread, spanning Instagram and Pinterest digitally, and involving driving to the outskirts of Sydney to look at marble, tile and timber options. Georges has also drawn up inspiration mood boards for each room as well as collating physical boards with colour, material and texture inspiration. “We’ll be using local builders for the main construction of the house but we’re going to get our hands dirty when it comes to the installation of some of the internal features,” Phoebe says. “We’ve passed the DIY IKEA marriage test several times, so we’re well equipped!” With the goal to enhance the home’s practicality, rather than change its feel, this will be an exciting project to watch. Don’t miss the next issue of Grand Designs Australia to catch up on how Phoebe and Georges are faring …
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Dexter
Woody
Clou Xtra
Manufactured in Austria, the Austroflamm range of wood-burning fireplaces are a magnificent example of combining patented technology with a market leading contemporary design. All Austroflamm fires come with the unique Keramott Lining, a material that excels by offering an exceptional ratio between thermal insulation and heat conduction. As a consequence, the combustion chamber reaches higher temperatures sooner, meaning the glass stays cleaner and the bricks maintain their light appearance. Austroflamm are one of Europe’s most respected manufacturers and now available in Australia.
www.castworks.com.au
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R E VI EWS
SUNSHINE COAST DESIGN SUNSHINE COAST COUNCIL | $50 Readers from sunny Queensland — this one’s for you. The Sunshine Coast Council has produced a design guide to inspire and inform on the ways architecture can shape the homes and lives of local residents. A plethora of contributors from architects and designers to planners and developers offers wisdom on best-practice design and creating a broader community we all can love. Sunshine Coast Design asks the question, “We often hear how much ‘extra’ good design costs to build, but … how much ‘extra’ does bad design cost to the people who use it …?” Lucky for you, you can read this book free online or pick up a hard cover from selected bookstores. If you’re looking to renovate, build or learn about Queensland design, this guide makes a great starting point.
Book club Expand your horizons with … WO R D S C A S S I E H AY WO O D & A N G E L A YO U N G
TOTAL DESIGN GEORGE H. MARCUS HARDIE GRANT BOOKS | $39.99 There’s more to modern design than meets the eye. Presenting a veteran chronicler’s take on modernist architecture as art is Total Design. George Marcus offers an intimate tour of a range of homes dating back to the Arts and Crafts movement of the mid19th century, all the way to the unified wonders of the 21st century. Each project showcases the unity between design, furniture, decorations and colour, and how they culminate in something captivating. Some architectural giants are featured within the pages, from the resoundingly famous Frank Lloyd Wright to Mies van der Rohe, Eero Saarinen and Gio Ponti.
TREEHOUSES, TOWERS AND TEA HUTS: THE ARCHITECTURE OF TERUNOBU FUJIMORI
CHROMATOPIA DAVID COLES | THAMES & HUDSON | $34.99 How much do you know about colour? Chromatopia offers insight into the history of more than 50 pigments, detailing their origins, crafting methods and usages. From the first crafted colours of chalk white and bone black (a colour that’s as fascinating as it sounds) to the lapis lazuli, dragon’s blood and saffron of the Mediaeval period, there’s a lot to read about. David Coles also explores the colours that advancing technology has created, from the chemical bright blue of YInMn to the lightdeflecting Vantablack. The book was surprisingly gripping and a fascinating insight into the many colours that often fill our homes.
MAURO PIERCONTI HARDIE GRANT BOOKS | $130 Japanese architect Terunobu Fujimori is known for his movement away from traditional techniques and into the realm of attentiongrabbing, unusual design. Fujimori’s projects have included everything from tea huts built on stilts to nest-like, hand-made structures crafted from materials that could’ve been taken from a forest floor. Treehouses, Towers and Tea Huts is a comprehensive monograph of Fujimori’s boldest projects, accompanied by detailed photographs, sketches and drawings and a section dedicated to his architectural models.
TOM KUNDIG: WORKING TITLE TOM KUNDIG PRINCETON ARCHITECTURAL PRESS | $160 Tom Kundig is one of America’s most recognised architects. In his latest monograph, Working Title, he opens the door to 29 striking and innovative projects, including seven that have never been published before. Sketches, plans and imagery fill the large-format pages so you can soak up each design. His projects draw on a site’s context and reflects his sensitivity to how people interact with built and natural environments. A must-have book for design lovers and industry members, readers can admire the globe-spanning projects curated for this book, from residences to cafes and workplaces.
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STAY AT HOME The Rocket Espresso movement for better espresso in the home starts here.
For Australian stockists visit espressocompany.com.au
Creative
Edit Take a look at what’s happening in the world of architecture and interior design 42 Tapware 44 What’s hot 46 In profile 50 Favourite 5 52 Travel inspo
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Tap in to YOUR STYLE Create a signature look in your kitchen or bathroom with this standout tapware
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01/ Saracom basin mixer, 6 star. caroma.com.au 02/ Essence two-hole basin mixer in brushed cool sunrise. grohe.com.au/en_au 03/ LUNA wall-mounted washbasin faucet. graff-designs.com/en 04/ HydroTap CELSIUS all-in-one in brushed rose gold. zipwater.com 05/ Axia basin bath hostess set. phoenixtapware.com.au 06/ Square kitchen mixer tap. meir.com.au 07/ Round pull-out kitchen mixer tap. meir.com.au 08/ Zitto kitchen mixer. meir.com.au 09/ Kado Classic wall basin set. reece.com.au 10/ HV1 one-handle mixer in 05 Orange. vola.com 11/ Elvire Progressive basin mixer. caroma.com.au 12/ Ametis wash basin mixer. graff-designs.com/en 13/ 4322 built-in basin tap with hands-free operation. vola.com 14/ Only One tap. pacojaanson.com.au 15/ Perrin & Rowe Mayan bibcock taps with crossheads. englishtapware.com.au 16/ 590V one-handle mixer in 25 Pink, photo by Alex Wilson. vola.com 17/ Milli Axon wall basin set. reece.com.au 18/ Perrin & Rowe Deco three-hole basin set. englishtapware.com.au 19/ BOLD basin set with handwheel taps by IB Rubinetterie. pacojaanson.com.au
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Maximalist at heart Move e over minimalism. Maximalism is here to take your space up a notch with a style where more is more
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01/ Daffodils, ginger pot by Lucy Culliton. kingstreetgallery.com.au 02/ Slavia eight-light crystal chandelier in silver leaf. beaconlighting.com.au 03/ Wink fringed pendant light in candy. audenza.com 04/ Dolly fringed ottoman. circlehome.com.au 05/ Oly black patent leather scatter cushion. cocorepublic.com.au 06/ Jonathon Adler Brigitte sofa. sweetpeaandwillow.com 07/ Cannes table lamp. montauklightingco.com 08/ Arro metal vase in forest. thedesignedit.com.au 09/ Zakkia bottle vase in brass. thedesignedit.com.au 10/ Crochet chest. bocadolobo.com/en 11/ ESSEX swivel chair. brabbu.com 12/ Cakebread Pile High Club cushion in Golden Harvest. fentonandfenton.com.au 13/ Marble fruit bowl, large. williams-sonoma.com.au 14/ Kind of Blue by Lisa Madigan. jameslane.com.au 15/ Alessandra pot in cement white. ozdesignfurniture.com.au 16/ Pendu vase in stone mushroom. ozdesignfurniture.com.au 17/ Parque sculpture in blackwash. ozdesignfurniture.com.au 18/ Mojow YOMI sofa wood. loopeedesign.com 19/ Versailles sofa. bocadolobo.com/en
W HAT ’S HOT
INSPO Maximalism doesn’t have to mean lots of patterns. Layer it up with texture and colour for a modern twist on an old favourite Photo by Proper Hospitality. kellywearstler.com
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Idle Hands Devil’s work indeed, from this highly creative duo WO R D S A N G E L A YO U N G P H O T O G R A P H Y L AU R E N B A M FO R D
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ollectively, artist Rickie-lee Robbie and metal fabricator Kieran Meegan make up the creative workshop that is Idle Hands. Despite their credentials, however, neither consider themselves designers. “We connect more with the idea of a maker or craftsperson,” Kieran explains. “Rickie studied printmaking and drawing at VCA, so we’re both creative people and felt like we needed a new outlet. That’s how we came to furniture design. We both really enjoy form, and the functional aspect of furniture and product design makes sense for us in applying creativity and problem solving to a project.” Starting Idle Hands in 2015, the pair were, in their own words, “complete newcomers”. “We’ve learnt a lot and have definitely found our rhythm,” Kieran tells me. These days they divide their time between designing their own products and working with artists, architects and interior designers on custom fabrication work. They enjoy both. “It’s great to make our own work, but it’s also fun working with other creative people; we get to be part of things we wouldn’t otherwise and it’s an opportunity to keep learning,” he says. Idle Hands’ style is minimal and contemporary. Steel is where Kieran’s experience lies thus far, so they’ve almost exclusively focused on that material, which has tended to create a natural visual language across the small collections of products. “Within each collection there’s a vibe or feature that we focus on across the pieces,” he reveals. “We both spend a lot of time observing the environment around us and noticing small elements that might translate into a new feature or product. “We both love architecture, too, and I think that’s a pretty constant inspiration for us, especially when we’re travelling.” Being around other designers also provides a guiding light. “For us in Melbourne, we see a pretty small but active design community that really connects to and supports one another,” Kieran says. “I’m not sure if that’s uniquely Australian, but maybe the smaller population here makes people work together more.” Issues with design protection concern the two. “You can see it having an impact, it disheartens everyone in the industry to see designers’ work taken by larger companies. On a more positive note, it’s really great to see institutions such as the NGV getting behind design and making it more accessible through things such as Melbourne Design Week and the Rigg Design Prize.” Idle Hands’ biggest success so far is also the very fi rst product the team produced — the Jex Vinyl Stand. “It’s really cool to know we made each one by hand here in Melbourne and now they’re in people’s homes all over the world. We’ve sold them to almost every continent — I think the most remote so far went to Iceland!”
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KIERAN SAYS “My hope is that we soon see the end of cheap and disposable furniture and people looking forward and buying quality pieces that they keep”
A favourite is Platform 5, a customised version of one of their pieces for Fringe Furniture, made in brass with one of Rickie’s illustrations engraved into the surface. “It’s a beautiful piece and it was exciting to incorporate Rickie’s drawing into our furniture practice,” Kieran says. “Making it in brass and learning how to braze was also a new skill for me.” “Australian made” is important for Rickie and Kieran. “There’s just so much more transparency about supply chains and the impact on the environment. It also reduces travel and supports other local businesses.” Their use of steel is
a key sustainability credential, ensuring their pieces can always be recycled. “I think the industry is becoming more sustainable,” Kieran says. “My hope is that we soon see the end of cheap and disposable furniture and people looking forward and buying quality pieces that they keep. I think that’s definitely going to be a challenge for the industry, especially in getting the general public on board. “Design protection needs to be addressed, too. If we want to have locally made designs we need laws to help the industry support those people.” idlehands.design
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Kate Ballis A study in magical hyperrealism, in all its infrared glory WO R D S C A R R O L B A K E R
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aw and art might seem to be careers that are oddly juxtaposed, but talented artist and lawyer Kate Ballis found a way to do both. She graduated with an Arts/Law degree from the University of Melbourne and, while working overseas as a lawyer, afforded herself the opportunity to add to her artist’s portfolio. For a while she juggled dual careers in law and art, before ultimately making a life-changing decision. “Eventually I didn’t have time to give both careers my full attention, so I took a massive leap of faith,” she says. Now Kate is a full-time artist who describes her style as magical realism — a surreal hyperreal. “I always use photography as a way of visualising the unseen, capturing invisible (infrared) energy and rendering the familiar foreign or mystical,” she says. Kate produces her captivating art using a combination of digital and infrared photography. She uses a Sony A7RIV converted to full spectrum, coupled with a mix of coloured filters that combine to illustrate a unique narrative in each piece. Much of Kate’s work centres on photographing landscapes, modernist architecture and images of nature that appear abstract in form. She draws her inspiration from nature, mythology and the esoteric. Among her works there are monolithic peaks soaring skyward, icy rivulets like molten liquid lava tumbling down to the water below, and trees laden with branches of soft pastel-pink leaves.
Kate began shooting her Infra Realism series in 2017, and in 2018 a book of the same title was released globally. Her show, Liminality, recently featured at Gallerysmith in Melbourne. “Liminality uses infrared photography to explore the deep fairy mythology of the Isle of Skye,” she explains. A rather surprising fact about nature-lover Kate’s stunning art is that with the use of infrared photography, she gains a unique perspective of a plant’s health. “That is mind blowing and kind of becomes a source of inspiration in itself,” she says. The Infra Realism series has been very popular, and her Avalon of the Heart series has been afforded many accolades. “People are really resonating with the mystical aspects of my Avalon of the Heart series, which seems like you’ve stepped into a fairytale or distant memory,” Kate reveals. Her philosophy on art and life is inspiring. “Be in the present moment, tune in to your heart and spread the love to Mother Nature and fellow humans,” she says. The quiet serenity about Kate’s pieces is introspective and calming, as well as evocative and deeply moving. “I love that there’s a piece of my soul and passion in every artwork that can live beyond my own heart,” she adds.
KATE SAYS “Eventually I didn’t have time to give both careers my full attention, so I took a massive leap of faith”
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PAN TREETOP CABINS, NORWAY
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Cabin fever Check out our favourite cabins for living spaces that are small but perfectly (and sustainably) formed WO R D S A N G E L A YO U N G
This project was started in 2016 by Kristian Rostad and Christine Mowinckel, who were living on a farm in Finnskogen, Norway. Using locally available resources, they created an eco-friendly and sustainable tourist project. The vision of architect Espen Surnevik was to create something that would settle easily into the landscape without affecting the natural environs too much. The angle and placement ensure optimum natural light at any time — the large glass facades let natural light pour in, adding ambience while heating up the living area. Though they’re in a remote part of the forest, the cabins (which have room for six people) have all mod cons, such as floor heating, rain shower, a fully supplied kitchen and a cosy fireplace. Photography by @travelsbymarc. panhytter.no
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Outback dome home anyone? This funky little geodesic dome hut represents sustainable living the Northern Territory way. Situated at the Earth Sanctuary world nature centre, and home to one of the centre’s owners and his family, the structure was built in 2012 using such materials as E-therm and foam insulation and a strand-woven bamboo floor. Solar power, an Envirolet toilet, recycled plastic decking, and wide-span sun shading for the 64 windows adds up to an extremely eco-friendly — and very cute — living space. Photography by D&T Falzon. earth-sanctuary.com.au
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ASHEN CABIN, US
This quirky cutie is part of a creative and critical response to the destructive Emerald Ash Borer beetle. Leslie Lok and Sasa Zivkovic, assistant professors of architecture at Cornell University and co-principals of design firm HANNAH, designed and constructed this full-scale prototype cabin home, which advances the use of robotics and 3D printing in timber and concrete construction, in rural New York. Mature ash trees compromised by the beetle
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haven’t been usable as a source of lumber for home construction partly because of their irregular geometries, meaning infested trees are usually left to decompose or are burned for energy. Using compromised ash for construction binds the carbon to the earth and offsets the harvesting of other timber species. A great example of using a waste material for sustainable housing design. Photography by Andy Chen.
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LUMIPOD, FRANCE
This particular LUMIPOD sits quietly in the French Alps, offering views from bed like no other cabin. Its minimalist design incorporates a stylish bedroom, shower area, toilet and wardrobe in a spherical 18sqm. Following the Shou-sugiban Japanese tradition, it’s wrapped in a black exterior cladding, while inside the wall cabinetry and floor are made of natural oak and the ceiling is covered with a cosy felt fabric. It’s the 5m-diameter Lumicene curved glass window in aluminium frames sliding between two rails, allowing the interior space to be smoothly transformed into an outdoor space, which really makes
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this cabin special. And the option to have one of your own is set to arrive on Aussie shores in the not-too-distant future, so get excited. Photography by Kevin Dolmaire. lumi-pod.com/en
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ZEROCABINS, CHILE
These kit cabins are essentially self-sustainable off-grid tree-houses. They have a structural base that allows optimal angles for capture of their only two inputs — sun and rainwater — just like a tree. Developed by a small team of scientists rather than architects, they’re designed to operate autonomously, without using or depending on fossil fuels, thanks to rainwater collection purified by reverse osmosis, water reuse (shower to toilet), plus a sewage system (Lombrifiltro), photovoltaic system and heating systems. Set on 2m-high timber piles to avoid rodent and humidity damage (and to maximise views), the timber frame is assembled without nails, and biodegradable insulation along with thermally efficient glazing systems mean minimal active heating and cooling systems usage. zerocabin.travel/en/home
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AN ELECTRIC
weekend Solar, sustainability and style meet in one gorge-ous location WO R D S C A S S I E H AY WO O D P H O T O G R A P H Y T E S L A , C L I F F TO P AT H E P B U R N
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ustralia is facing some big questions about the future of energy and what works practically for the Australian home and lifestyle. Making the case for solar, the awardwinning Clifftop at Hepburn is a series of villas, chalets and glamping spaces nestled into the heart of Daylesford, Victoria. This cosy accommodation is a delight, located an hour and a half north-west of Melbourne’s CBD and a short 10-minute drive from such local treats as a lavender farm, spa, The Mill Markets and cider tasting. We stayed at Evoke, one of three beautiful villas that face the sheer drop of the gorge. Robin Larsen of TreeARC designed the interior and exterior of the villas, choosing the colours, materials and, of course, structure of these charming spaces. The striking oxidised metal sheeting of the facade is gorgeous and rustic, complemented by circle cut-outs at the east point for a distinctly modern edge. In contrast, the gorge-facing side of the house is composed of pure, transparent materials to best soak up the northern sunshine and incredible ravine views. Come rain, hail or shine, the captivating scenery was the showpiece of the stay. While these luxury villas were created with sustainability in mind — built with an array of reused materials, a water tank and northern orientation — it wasn’t until the end of 2019 that Clifftop teamed up with Tesla and made the switch to solar. Each villa boasts a 5kW solar system and Powerwall — Tesla’s home battery system designed to enable self-consumption of solar power and reduce reliance on the grid — as well as a wall connector to charge Tesla’s all-electric cars. These unobtrusive features were the crowning glory of the building, showcased with pride but so sleekly designed it didn’t draw attention. An iPad at the entryway of the accommodation controlled the stereo and mapped out the real-time energy transfer between the solar panels, grid, home and car. The villa relies almost solely on the solar panels, though at times of high energy use, electricity can be pulled from the grid for a bit of a boost. Since the solar system sends energy to the grid more often than not, the net usage remained in the positive throughout our stay! Tesla kindly lent us a Model 3 for the weekend so we could try the full eco-system, experiencing not only the solar home, but the solar lifestyle! Driving an electric vehicle (EV) is a unique experience; the engine is just as quiet at 10km/h as it is at 110km/h. Much like an iPhone, Tesla EVs are continuously being updated for new features, games, and recently even the BETA auto-steer mode, which drives for you, keeping the car in your lane and with a safe gap between vehicles ahead. The whoopee cushion and rainbow road features were also fun to play with, while romance could be instantly added with the fireplace feature for some jazzy tunes and a cracking wood fire appearing on the central screen. Everything was smooth and intuitive, including charging the car overnight at the villa, with the wall connector placed externally for easy access. It was definitely hard to leave those beautiful interiors. Industrial and rustic aesthetics met seamlessly, with steel elements and black pendant lights complementing reclaimed timber and comfy leather furniture. The slightly lowered living room was kept simple with timber rafters and a recessed TV wall, so upon entry the tech is tucked away from view. Clever! My favourite feature was undoubtedly the integrated reading nook stacked with pillows and throws for cosy metime — and still that amazing vista. The freestanding wood fireplace easily warmed the room, the perfect offset to a chilly evening. The kitchen is set slightly above and packed with all the niceties of your own so you can dine in with ease. Narrow windows above the bench line allow light to shine on stainless-steel tops and warm the contrasting black walls and timber elements. The gantry and pendant lights are integrated for an asymmetrical look I’ve not seen before — another idea I want to take home for my own kitchen! Clifftop at Hepburn was named Australia’s No.1 Romantic Getaway and a large factor in this recognition had to be the bathrooms. The
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master ensuite features a huge double rain showerhead, a spa and a gorgeous concealed sink. Alongside the spa is a long, narrow window, so greenery is never far from sight but privacy is still assured. Oversize circle mirrors make the bathrooms feel even bigger. In the second bathroom, a stunning blackmarble bathtub takes centre stage, with a shower and similar sink-and-mirror combo completing the moody retreat feel. Once you’ve remotely lifted the smart blinds, you’re greeted from bed with gorgeous views into the ravine. Outdoor areas just below each villa are equipped with different seats to enjoy the location, whether a gigantic pod-like structure to curl up in or a suspended day bed slowly swaying from beneath a viewing platform. The whole villa is incredibly tactile and contrasts dark colours with warm timbers and soft furnishings perfectly. Even the shower tiles have a marvellous texture that adds to the whole space. I found inspiration in every nook and corner, and it was incredibly exciting to see where energy technology is advancing. Clifftop at Hepburn felt like a little piece of the future, where luxurious comfort and unassuming style create a haven that thrives off the sun. clifftopathepburn.com.au | Villas: 3 | Rates: From $395
P ROJE CT TE AM ARCHITECT Robin Larsen, TreeARC SOLAR SYSTEM Tesla LIGHTING About Space FURNITURE Schots Home Emporium FIREPLACE Oblica BATH Apaiser OUTDOOR DAYBED Zome by KODAMA
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Mood Board 01
Colour Palette Earthy tones of timber and cognac are softened with pale textiles and soft furnishings
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SPECIA L F EAT UR E BUSHFIRE-PROOF HOUSING
IN THE
line of fire The 2019/20 bushfire season was like no other Australians had ever experienced. Fuelled by high winds, extremely dry conditions and searing temperatures, raging fires decimated more than 46 million acres of bushland, claimed 33 lives, killed billions of native wildlife and destroyed more than 3000 homes WO RD S C AR ROL BAK E R
onger hotter summers and drier winters, along with more people living on the fringe of national parks and parcels of bushland, are among the factors putting more Australians and their homes at risk. Kate Cotter, CEO of the Bushfire Building Council of Australia, says many homes are literally in the line of fire. “There are one million properties within 100m of bushland, and this is where 85 per cent of our losses occur,” she says. At least 90 per cent of properties in bushfire-prone regions have not been built to bushfire standards and of the 10 per cent that have, it’s estimated from building loss surveys that 50 per cent are either non-compliant, aren’t maintained to standard or are exposed to risks not covered by regulation (such as house-to-house ignition). Bushfires destroy homes in several ways, including through direct flame contact, radiant heat, and/or burning embers. Justin Leonard, research leader of bushfire adaptation at the CSIRO, says more than 90 per cent of homes lost in past bushfires burnt down without being affected by a large bushfire front or the radiation from it. “They’re ignited by a combination of ember attack and low-level surface fire that either directly ignites the house or ignites adjacent features that then ignite the house,” he explains. Justin says reducing risk factors starts with being proactive by getting a qualified fire assessor to determine your site risk level. Architect Rob Brown, from Casey Brown Architecture,
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says it can be a complex process to assess risk levels, which is why homeowners need to get a professional onboard. “A bushfire consultant will look at things such as the region where you live, assess your asset protection zone, the slope and aspect of the house, and surrounding vegetation,” he says. “Everything is specific to the risk and circumstances of the particular site.” The Australian Standards AS3959 has different classifications or Bushfire Attack Levels (BALs), which determine the risk of fire threat. This ranges from BAL-Low to BAL-12.5, BAL-19, BAL-29, BAL-40 and BAL-FZ (flame zone). The higher the rating, the more that’s required in building safeguard measures to reduce fire threat. But Australian fire experts like Kate don’t believe these measures are stringent enough. “With this system, if you have a BAL-Low rating, timber cladding is still allowed and I don’t believe you should use combustibles on the outside of a house,” she says. Dr Ian Weir, research architect and senior lecturer in Landscape Architecture at QUT’s School of Design, concurs: “I believe the extraordinary biodiversity of Australia’s bushfireprone landscapes should be the driver for design innovation rather than land clearing,” he says. Using an holistic design approach (incorporating landscape, architecture and industrial design processes), bushfire features are integrated into his designs in such a way that they can be used on a daily
Photography: Getty Images
BUSHFIRES DESTROY HOMES IN SEVERAL WAYS … • DIRECT FLAME CONTACT • RADIANT HEAT • BURNING EMBERS
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THIS PAGE Metal shutters can close in case of fire at Bangalley, North Avalon. Photography by Charlie Baker. caseybrown.com.au
basis rather than just once in an emergency. Working on the principle that homes should be able to defend themselves against fire, the buildings his company designs exceed the minimum requirements of AS3959. Justin also believes there’s still much work to be done. One of the critical issues he sees is the sense of disconnectedness people have from natural processes such as fire that shape the landscape. “This disconnection means there’s often a lack of personal responsibility to understand and adapt to these processes,” he says. “This often leads to homeowners choosing a minimum compliance path through the regulation processes and assuming that this adequately resolves the risk or issue.” If building in a fire risk zone, Justin says it’s vital to learn as much as possible about fire behaviour, vegetation response to fire, and building performance in fires. “The way a homeowner builds and maintains their home, maintains the surrounding landscape and responds during a fire event are all critical to managing fire risk,” he emphasises. There are many things you can do to reduce the risks, some of which are relatively simple. Kate recommends to first remove all combustibles within 10m of the house. “This includes mulch, vegetation, plastic water tanks, and on high-risk days put outdoor furniture, shoes and door mats inside,” she says. “The second thing is seal up any gaps, which can be done with a $20 bottle of silicone.”
A GROWING CONCERN
BE PREPARED Being physically equipped for bushfire puts you in a stronger position emotionally if the unforeseen happens and a bushfire takes hold. Kate Cotters says: “Research on disaster resilience shows people who have thought about what they’d do and put effort into preparing not only react better during a disaster, they have much better outcomes.”
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If you live in a bushfire-prone area, technological advancements in materials, plus research into safer building methods and construction practices, are helping to build more fire-resilient homes. And you don’t have to live in a cement bunker (though they can be cool). There are plenty of striking architecturally designed homes built with fire safety in mind. Kate says no matter what the design, the key is to not build with combustible materials. “You also need a well-sealed secure roof with a wind load that’s higher than legal requirement,” she says. “And include ember guards where you want air flow. For example, with a timber sub floor we recommend steel mesh with a small aperture (1.8mL holes); air can flow through, but embers can’t get in.” Earth walls, double brick and concrete walls are excellent choices, as are steel framing, choosing steel roofing over tiles and, if you’re building with timber, opting for more fire-resistant timbers such as blackbutt and spotted gum. If a fire does breach the security of the home’s exterior, Kate says there are some design principles which, if applied in the home’s construction, give those inside more time to flee. “These include multiple exits out of one room
SP E CI AL FE AT UR E BUSHFIRE-PROOF HOUSING
THIS PAGE Baldwin O’Bryan Architects designs are constructed from stabilised compressed earth blocks. baldwinobryan.com
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SP E CI AL FE AT UR E BUSHFIRE-PROOF HOUSING
Bushfire architect Ian Weir’s Camera Botanica (and below). Photography by Ian Weir. ianweirarchitect.com
H (Heath) House. Photography by Andrew Halsall. ianweirarchitect.com
“THE EXTRAORDINARY BIODIVERSITY OF AUSTRALIA’S BUSHFIREPRONE LANDSCAPES SHOULD BE THE DRIVER FOR DESIGN INNOVATION” — DR IAN WEIR
so people don’t become trapped,” she says, “and fire separation walls in the roof cavity buys you more time if the roof ignites. You also need a place that offers shielding if a fire approaches, such as a non-combustible deck and supports, which can be made of fibre-cement material and should contain no plastics or timber.” Many potentially dangerous hazards seem innocent enough, until a fire is in the vicinity. “If you have a plastic rubbish bin sitting alongside your house and the plastic melts, it will burn hot enough to ignite your home’s cladding,” Kate warns. “Polycarbonate roofing can also melt and set timber decking on fire.” With gas bottles, you should be careful in which direction the pressure release valve faces. Having a reticulated supply, a tank suitable for firefighter access, and pump and hose connected are also important. Despite all the concerns, it’s still possible to build a stylish and functional home with fire safety in mind. Rob says enlisting the guidance of an architect who’s well versed in building for fire safety is definitely a step in the right direction. “The architect’s job is to incorporate all of the guidelines and the recommendations from the consultant’s report, taking into consideration the financial cost, the aesthetics of the building, how it fits with the owner’s lifestyle, and how it maximises the inherent potential and qualities of the site,” he says. “The aim is to create a home that for 99.9 per cent of the time is comfortably liveable and feels connected to the environment so the owners can enjoy it — but if a bushfire comes, they’ll be prepared.” One project Rob’s company designed had a national park surrounding the site on three sides.
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SPECIA L F EAT UR E BUSHFIRE-PROOF HOUSING THESE PAGES Ocean House, Lorne. Sea frontage can mean different fire risks for different sides of a home. Photography by Caitlin Mills. robmills.com.au
It was classed as BL-FZ (flame zone) — the highest rating — but it had a water frontage so a lesser fire risk (BAL-40) was applied to the front of the home. “Basically, there’s an inner house made of timber, and outside that was the metal sheeting and shutters. The space between contained the verandahs and decks,” he says. In the case of a fire, the metal shutters could completely close it off. Nothing flammable was used on the flame sides while at the front water side, where the views are, there’s an open deck, which also has fire shutters and fire glass. “We used Corten steel, which achieves a rusty red colour,” Rob explains. “It contrasts with the rest of the building, which is black, so there’s an aesthetic, as well as a functional response to the fire risk.” The roof is metal, there are water tanks dedicated for firefighters to use if needed, and major trees are cleared within the asset protection zone.
POSITIONING
RETROFIT TING EXISTING HOMES While new homes are now required to comply with construction fire rating standards, there’s no legal obligation to modify existing properties built before the rules were introduced. It’s only a requirement if any work you’re doing to a home triggers a building or planning permit.
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Another project example Rob designed was a double-brick home with a metal roof. “It was located by the ocean and was exposed to the great southern storms,” he says. “It posed a different fire threat and was located in a more suburban area.” This home was classed as BAL-29 and BAL-FZ and they were able to use custom BAL-29 timber windows with specialty timber, glass and a tight seal. “In this case it was more about subtlety and locating the building away from the potential threat,” he says. “Also, different functions of the house which weren’t critical to living (such as the garage, for example) were positioned in the flame zone area.” There are many other home styles that can be built with fire safety in mind, some of which are design triumphs. Sean O’Bryan, from Baldwin O’Bryan Architects, has designed eco-friendly and affordable fire-resistant houses (that can be built for about $1500 a square metre) constructed from stabilised compressed earth blocks. “It’s a highvolume low-cost solution designed specifically for where the threat of bushfire exists,” Sean says. The building envelope design is super-resistant to ember attack. “There are no valleys, gutters or under-storeys to the building and no ridgeline, so nothing the embers can get underneath,” he explains. If fire does sweep through the area, magnesium oxide panels and shutters completely isolate the building from the fire. Looking at the bigger picture, governments and organisations are continuing to work together to pave the way for smoother processes to improve fire safety around construction. With more education, and homeowners subsequently taking ownership of and embracing these new practices, mankind and nature can continue to live in harmony with each other.
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SYDNEY Suite 1 6b Cowper Wharf Road Woolloomooloo NSW 2011 1300 766 889
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Code Green is internationally recognised for its innovative design and construction practices. Specialising is creating sustainable structures and urban areas, our company provides consultancy, design and construction management services. Our vision is to integrate green space into urban environments and incorporate ecologically sound development into the core and character of each project. The spaces in which we live and work should sit mindfully in our world and be sympathetic to existing space and streetscapes. Numerous local government, major commercial construction projects and innovative residential builds are currently using the expertise, creativity and deep knowledge of the Code Green Team.
Houses Indulge in the cream of the architecture crop
Photography Rory Gardiner
66 Lewisham TV house 78 Bumpers Oast 90 One Mani House 102 Couldrey House 112 The Boulevard 124 LVL 134 Turn House
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HOME AMONG THE GUM TREES This Apple Isle gem is part love letter, part pod paradise and Tasmanian through and through WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y R H I A N N O N S L AT T E R
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DETAILS HOUSE Lewisham House LOCATION Lewisham, Tasmania INITIAL BUDGET $250,000 FINAL COST $320,000
here the terrain is rugged and the gum trees grow thick, one intrepid travel writer decided to lay down roots in the most majestic of settings. Welcome to Alice Hansen’s Grand Design in the sleepy seaside town of Lewisham, 40 minutes outside Hobart. The small but mighty home looks at ease in its rugged setting. Jutting out from the side of a hill, the high-end digs are curated with an abundance of Australian-made materials and local craftsmanship. Remote and largely unspoiled, Tasmania’s dramatic coastline always appealed to Alice’s wild, free-spirited heart, and it is here she has based her home. Unlike traditional homes, the pod-like structures forfeit steel in favour of an all-timber assemblage. “For something so small, this house makes a huge statement,” says Grand Designs Australia host Peter Maddison. “The home’s futuristic glass facade is in striking contrast to its earthy, sawn hardwood walls.” The pods were manufactured 20km offsite in Cambridge. Timber framed in Tasmanian oak and braced in plywood, the pods are incredibly light and super-strong. “Lewisham house is like this plane, it’s up off the ground, you’re not getting bracing off terra firma,” Peter notes. “It’s held up and the fuselage of the house is holding those two pods together against wind and load.” If good things come in small packages, this 40sqm bespoke house overlooking Tiger Head Bay must be the best little piece of architecture Tassie’s seen in some time. When asked if she was concerned about the close confines, Alice jokes that a tour of the place can be completed in 23 seconds. “You can only exist in one room at a time, and I think this is plenty big enough because the design has allowed it to have a nice open feel.” Built to snatch views from every vantage point, the material palette of rich timbers and matt hues mirrors the landscape outside. Star gazing from bed was one of three non-negotiables Alice stipulated in her brief. An outdoor bath and a statement fireplace rather than a TV as the focal point also made her top three. The internals are distilled into one large room encompassing a galley kitchen, bathroom and
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T V H OUS E LEWISHAM HOUSE Homeowner Alice Hansen with show presenter Peter Maddison
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WE LOV E THE FORGED-STEEL FIREPLACE EXPERTLY CRAFTED BY INDUSTRIAL SCULPTOR PETER MATTILA
laundry at the rear and the sitting area, lounge, dining and bedroom nook at the front. A sense of openness is achieved using cleverly disguised storage built into the walls, under furniture and in various other nooks and crannies. The sand dunes surrounding the Southern Ocean and vistas out to Frederick Henry Bay are captured through floor-to-ceiling glazing. “I love it,” Alice beams. “Being inside is like being wrapped in Tasmania, and that’s what I always dreamt of. It brings together all the things that I love, whether it’s the design, the simplicity,
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the smaller space or the uncomplicated living that I’m hoping to embrace.” Hydrowood timber from Lake Pieman, on the north-west coast of Tasmania, is the wooded wonder used to fashion the floors, the couch and the bath. As the name suggests, the timber comes from a part of the forest submerged half a century ago under a man-made lake built for the production of hydro-electricity in the 1980s. Among the more prolific sassafras and celery top pines populating the eerie underwater forest were the rarer Huon pines Alice had in mind for her outdoor tub.
T V H OUS E LEWISHAM HOUSE
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1100 small pieces of Huon pine make up the unique outdoor bath
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“As soon as I discovered Huon pine I got pretty passionate about it,” Alice recalls. “There’s nothing like this anywhere on the planet. It’s so unique, so why not make a bathtub from something out of this lake?” Reclaiming the timber was originally thought impossible, but a bit of ingenuity saw the timber unearthed and given new life 350km away in Lewisham. “There are 1100 little pieces — each one different — that make up the tub,” Alice enthuses. “It’s like a small boat.” Back inside, the $9000 custom-made hanging fireplace was forged from steel by Hobart-based industrial sculptor Peter Mattila. Alice can study embers or look out to the ocean on her bespoke hydrowood oak and leather couch. Crafted by Simon Ancher Studio, it resembles a museum piece and feels like a soft leather cloud. Aside from being total knockouts, each piece of furniture fits like a glove and is highly functional. Intended to work together, the furniture contributes to the usability of
T V H OUS E LEWISHAM HOUSE Water views are available from everywhere in the pod, including bed
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this small home. Take the side tables by Alan Livermore, for example, which act as seats and storage as well as side tables. “This little pod is a mini oasis destined to be a magnet for friends and family. Perched high on the site, it’s moody, elegant and utterly alluring,” Peter concludes. “As a writer, Alice has devoted her life to creating stories, and that’s exactly what she’s done here. So many elements of this delightful, inventive little house have a fabulous story — whether it’s about the craftspeople who have created them or the places they have come from. This is so much more than just a simple passion project. I like to think of it as Alice’s love letter to Tasmania.”
E D I TO R’ S FAVOU R I T E THE HUON PINE OUTDOOR BATHTUB, MADE FROM 700-YEAR-OLD TIMBER UNEARTHED FROM THE DEPTHS OF LAKE PIEMAN
L E GEN D 1 Deck 2 Outdoor bath 3 Kitchen 4 Dining 5 Bathroom 6 Bedroom 7 Living 8 Day bed 9 Storage
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FIXTURES & FITTINGS Bathtub Hydrowood Fireplace Pete Mattila Blacksmith Sofa Simon Ancher Studio Sink Lindsey Wherrett Ceramics SERVICES Landscaping Olivier Graham
T V H OUS E LEWISHAM HOUSE
Plenty of storage is cunningly concealed in sleek cabinetry
The Lindsey Wherrett ceramic basin is a highlight in the bathroom
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TV HOU SE LEWISHAM HOUSE
01 01 Colour Palette Tasmanian oak is undoubtedly the star of this show, contrasting beautifully with black elements in furniture and that stunning fireplace. Grey tones in accessories help introduce an element of calm into the natural drama
01/ The Hearth suspended ďŹ replace. aurorasuspendedďŹ rres.com 02/ Arlequin cow hide h rug in grey gold. zanui.com.au 03/ Eames House Bird. lucdesign.com.au 04/ Craig reclaimed dining table in black. interiorsecrets.com.au 05/ Split Philo planthoned tilt bowl. granddesignshomecollection. com.au 06/ Hydrowood Tasmanian oak, oak Pelle Nevada lleather eather and steel sofa. Phottography by Anjie Blair. simonancherstudio.com.au 07/ Linderman buff ffet in Tasmanian oak/m marri. ozdesignfurniture.com.au 08/ Iwaki cushion in Cotton Snow. ozdesignfurniture.com.au
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THE MARINO The luminous depth of this stainless steel suspended fireplace is so alluring, with its luxurious functionality and ability to rotate 360 degrees, which combines not only excellent heat performance, but also precision for optimal control of where the heat is directed into the room. Designed and engineered out of marine grade stainless steel, with durability that will stand the test of time, the Marino is the ultimate in flexibility and style.
aurorasuspendedfires.com
AUSTRALIAN MADE
Oast OF THIS
world
Cone-tipped towers designed for drying hops are reincarnated into a comfortable family home with curves at every turn. We’ll drink to that! WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y J I M S T E P H E N S O N
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OV E R S E A S P R OJ E CT BUMPERS OAST
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“ALL WINDOW OPENINGS HAVE REVEALS FORMED BY THE WALLS FOLDING INTO THEM, WHICH INCREASES THE LIGHT REFRACTION COMING INTO THE ROOMS” — FRIEDRICH LUDEWIG
DETA IL S HOUSE Bumpers Oast LOCATION Kent, UK COST £900,000 DATE COMMENCED 2012 DATE COMPLETED 2018
Interior plywood cladding lends a gliding air to the stair
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omprising a cluster of four shingle-clad towers, Bumpers Oast is a Rapunzel short of a full-blown fairy tale in the heart of Britain’s south-east countryside. The ACME-designed digs are a modern representation of traditional local houses used to dry hops in the all-important beer brewing process. Instead of housing trapped, long-haired beauties, the tops of these towers were used for the hanging of hops between the 15th and 19th centuries. No longer a temperate shelter for dangling bushels, this contemporary oast sees luxury drip from the ceiling and wash over the entire home. The low-energy structure is home to a circle-loving family fond of round-shaped living quarters and the idiosyncrasies that accompany curved residences. The hypnotising ombre exterior was erected using six shades of Kent-style tiles that fade from deep red to light orange. A whopping 41,000 tiles encase the facade and display the impeccable local craftsmanship employed to create them. Within the facade are 290 custom eave tiles that soften the transition between the upright and pitched exterior, with 70 undulating junctions connecting the roundels. The central roundel atrium sports a hefty 6.6m diameter and the four main towers surrounding it have 4.9m diameters. The tower roundels are proportionately accurate when compared to the traditional oast buildings they imitate, and it is this sense of authenticity that makes the project so special. Where the project differs, however, is in the heavily insulated timber frame. Unlike traditional oasts made of solid brick walls, Bumpers’ timber frame structure improves the sustainability of the home.
OV E R S E A S P R OJ E CT BUMPERS OAST A bird’s-eye view of the four cones surrounding the home’s central atrium provides another example of the home’s unique qualities
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ED ITO R’ S FAVO UR IT E THE HELICAL STAIRS LEADING TO THE BEDROOMS
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OV E R S E A S P R OJ E CT BUMPERS OAST
Each tower stands slightly apart from its neighbour, leaving inwardand outward-facing views ripe for the picking. A central area spanning three levels connects the towers and features an orchard space. “This was made possible by assembling the frame with thick timber modules, topped by cones manufactured offsite and then craned into position,” explains project architect Lucy Moroney, who just happens to hail from Sydney. Interior plywood cladding and overlapping plywood shingles in the roof cones continue throughout the house. Curved furniture ensures optimal use of floor space, evident when appraising the bespoke curved timber units in the kitchen. Microcement countertops and polished concrete floors break up the timber and disperse modern undertones.
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OVERSEAS P ROJ E C T BUMPERS OAST
WE LOV E THE CURVED JOINERY, SUCH AS THE BUILT-IN BEDROOM FURNITURE
RIGHT The layout of the home is wonderfully open plan, despite a feeling of separation thanks to the individual towers
Helical stairs bordered by slender curving plywood balustrades meander to the split-level bedrooms, where 6m-tall conical voids take your breath away. The master suite enjoys a dressing room on the upper level, which leads to the fully appointed ensuite, while the kids’ rooms are designed with a separate zone for study or play below the bedroom. “All bedrooms are on the first floor, and each one has its own private staircase to an upper level in the roof cone, creating a building that is entirely communal on the ground, shared on the first, and full of secluded treehouse-like retreats on the second floor,” Acme director Friedrich Ludewig says. Screenless, open-plan niches define the bathrooms, which extend built-in storage for users’ convenience. “Microcement is used in the bathroom to pick up on the materials downstairs and to accommodate the unusual geometry of the interiors,” he emphasises. Mosaic walls line the downstairs bathroom, where grey tones adopt matt and gloss finishes to pick up and reflect light around the moody room. “All window openings have reveals formed by the walls folding into them, which increases the light refraction coming into the rooms,” Friedrich adds. From hanging hops to domestic bliss, it’s fair to say the transformation of Bumpers Oast is well worth a toast.
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L E GEN D 1 Central atrium/dining 2 Living 3 Kitchen 4 Bedroom 5 Bathroom 6 Study 7 Laundry 8 Cloakroom 9 Terrace 10 TV room
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Bedroom Ensuite Bedroom Ensuite Master bedroom Ensuite Sleeping gallery Sleeping gallery Master sleeping gallery
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ARCHITECT ACME, acme.ac BUILDER Harry Barnes Construction
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STRUCTURAL TEAM Electrical Terry Baker Electrical Contractor Structural engineer Stanley Fyffe Associates Timber frame design & fabrication Northern Timber Systems Roofing Swift Roofing
FIXTURES & FITTINGS Joinery Masson Joinery; Wood Works Brighton Polished concrete floor Contemporary Concrete Floors
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Light timber, concrete and white form the base of quite a Zen palette here. Accents of pale pink and greens keep the feel contemporary
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01/ Industrial Concrete wallpaper. luxewalls.com.au 02/ Flora suspension lamp. slamp.com/en 03/ New Zealand sheepskin. tigmitrading.com 04/ Tank decanter. tomdixon.net/en 05 / Brew tray stainless stteel. tomdixon.net/en 06/ Saarinen oval dining table with carrara top. knoll.com 07/ CH24 Wishbone chair by Hans J. Wegner. carlhansen.com/en 08/ Head Above Water 02 0 art. innovateinteriors.com.au
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The bee’s knees A quirky home disrupting the design model, turning its nose up at conventionality and attesting to the importance of good design WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y B E N H O S K I N G
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P R OJ E CT ONE MANI HOUSE
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D E TAI LS HOUSE One Mani House LOCATION Fitzroy North, Victoria DATE COMMENCED 2017 DATE COMPLETED 2019
E D I TO R ’S FAVO U RI T E THE DINING TABLE WITH BOOTH-STYLE SEATING FOR UP TO 18
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his is not your traditional type of home,” says Mani Architecture founder Sara Tonini, and after inspecting this one-of-a-kind structure we are inclined to agree. Whether it’s the bee-shaped letterbox adorning the front yard, the striking facade of layered timber shingles and arched doorways, or the pastelpink bathroom, there’s no denying this Melbourne home is a little offbeat. But that’s exactly why we love it. “Mani” is the Italian word for hands, and all hands were on deck when Mani Architecture designed this adaptable, future-driven family home in Fitzroy North. The project is the firm’s attempt to break the elitist stigma that tends to engulf luxury homes like the stench from a tin of rancid Russian caviar. Rather than reiterate stereotypes, Mani Architecture harnessed an inclusive approach to reveal that good design needn’t be reserved for the uber rich and, likewise, everyday domestic design needn’t be mundane. “We want to change that stigma; we want to educate, we want to teach and we want to showcase the importance of well-designed and executed spaces,” Sara articulates.
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WE LOVE THE BUILT-IN 10-PERSON SOFA IN THE LOUNGE ROOM
Sectioning off the kitchen, dining terrace and garden feels natural, not forced
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The bespoke dining table is a sight to behold
Instead of the typical client/ architect arrangement, this design began slightly differently. Looking for a project they could pour their full creative energy into, Mani Architecture is both the client and the designer, eliminating the propensity for cookiecutter outcomes. The plans were pitched to developers as a real-life test case for the importance of sound design decisions regardless of budget. Custom inbuilt furniture is found at every turn, enhancing the personality of the spaces and maximising every usable centimetre of the tight 305sqm floor plan. The bespoke dining table is a built-in beauty that seats up to 18, but does so without taking over the entire area. Similarly, the in-built 10-seat sofa in the lounge room is evidence of the architects’ commitment to spacesaving customisation. Like a musk stick, the pink bathroom (just one among an array of
colourful water closets) is a delicious shade of pink that looks good enough to lick. Bathed in natural light, the bold bathroom is the result of an architectled project, one unhindered by client questioning and homeowners’ tendency to opt for safe, conventional choices. Proof that daring, colourful alternatives can constitute savvy design resolutions, the bathroom is nothing short of pastel perfection. The two-storey home makes way for four bedrooms, each with built-in beds and walk-in robes. Multiple points of entry make the dwelling highly flexible, ensuring its suitability for extended family visits and positioning it as a leasable space. Skylights help the sun penetrate the home and lower the need for artificial heating and lighting during the day. The exterior of the home takes the traditional approach to cladding and turns it on its head. The layering of the timber shingles is immediately
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The ambitious pink bathroom is a standout
individual and effective at bringing a sense of rebellion to the uniformity of the streetscape. “We chose materials that were local, but also smart in terms of how they age and wear over time, which also contributed to cost considerations,” Sara explains. Lovers of all things local, the architects chose to showcase the handiwork of artisans located in and around the Melbourne area. One example is the pink and black basins in the pink bathroom, made by a local ceramicist and adding further drama to the unique space. “This process ensures not only original design solutions, but will often result in a better outcome, all while supporting local creatives,” Sarah says. “This handmade and locally driven approach is true to the core of Mani Architecture.” When size and budget restrain our architectural desires, boring houses come to pass and litter our neighbourhoods. Thankfully, Mani Architecture has produced a blueprint for quirky and adventurous homes that are flexible, futurefriendly and full of life.
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Clever skylight positioning ensures the home is flooded with light in all the right places
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LOVERS OF ALL THINGS LOCAL, THE ARCHITECTS CHOSE TO SHOWCASE THE HANDIWORK OF ARTISANS LOCATED IN AND AROUND THE MELBOURNE AREA
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L EGE N D 1 Porch 2 Shared entry 3 Main house entry 4 Bedroom Airbnb unit 5 Ensuite 6 WIR 7 Lounge 8 Study nook 9 Powder room 10 Store 11 Butler’s pantry 12 Laundry 13 Service area 14 Kitchen 15 Dining 16 Plunge pool 17 Barbecue area 18 Sunken dining 19 Garden shed 20 Bedroom 21 WIR 22 Ensuite 23 Bathroom 24 Bedroom 25 Bedroom
Rich timber panelling in the bedroom evokes a luxe hotel feel
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A plunge pool is a great little addition
Another of the ensuites goes for a far moodier tone
PR OJE C T TEA M ARCHITECT Mani Architecture, maniarchitecture.com.au
FIXTURES & FITTINGS Pool Form Pool Design Steel windows/stairs Tescher Forge Timber windows Elite Windows & Doors Appliances Smeg Tapware Phoenix Tapware Fixtures Rogerseller Files & pavers Classic Ceramics Terrazzo Signorino Ceramic basins Glost Studios Joinery Daniel Poole Lighting Artemide; About Space
FURNITURE & FURNISHINGS Curtains and bed linen Hale Mercantile Co Decor and styling MAA Furniture & Interiors; Marigold Interiors Rugs Nouvelle Nomad Décor Panama Hardwoods ART Fine line drawings René Lieu Paintings Kate Gorman Ceramic sculptures Jan Vogelpoel Photography Molly GarciaUnderwood Masks Panama Hardwoods Sculpture Violeta Gordana
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PROJECT ONE MANI HOUSE
Mood Board 01
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Colour Palette With pale-oak bespoke furniture all over, the palette in this house is gentle and refined. Moroccan-style accents from rugs and accessories add colour, with unique pieces dotted throughout 01/ The Quiet Landscape by Brenda Meynell. bluethumb.com.au 02/ Ilka pendant. aboutspace.net.au 03/ NewHaven vessel. ozdesignfurniture.com.au 04/ Embera Panama Mask — Monkey. panamahardwoods.com 05/ Natural Tianna timber dining table. templeandwebster.com.au 06/ Real Good chair, marine blue. bludot.com.au
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Traditional gilding re-invented Bringing you unique surfaces of rarefied beauty
Contemporary gilding Reverse painting on glass Verre ĂŠglomisĂŠ
METAL INC
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NOT YOUR AVERAGE QUEENSLANDER A powerful piece of architecture with extruded mortar and tonnes of precast concrete WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y R O RY G A R D I N E R
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P R OJ E CT COULDREY HOUSE
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E D ITO R ’ S FAVO U RI T E THE CONCERTINA-LIKE TIERED BRICKWORK FRAMING THE FRONT DOOR
DE TAI L S HOUSE Couldrey House LOCATION Bardon, Queensland COST $1m DATE COMMENCED January 2019 DATE COMPLETED January 2020
ightweight, elevated Queenslanders are a dime a dozen in the Sunshine State, but Couldrey House breaks the mould with its heavyset connection to the earth. Designed by Peter Besley from Assemblage and tucked away in the foothills of Mount Coot-tha, the Bardon abode is surprisingly light and airy. The building approach was as bold as the landscape from which it now emerges. The exterior is strong and unmoving thanks to extensive masonry work. As Peter explains, the structure is intended to look and feel heavy, so the rectangular brick envelope was an important feature in achieving the desired weightiness. Long, thin and off-white, the bricks (and matching
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white mortar) set the stage for a robust material palette. Adding to the building’s imposing nature is a street frontage devoid of windows, a deliberate attempt to shield against the harsh western aspect. A concertina of brickwork accentuates the front door and imparts a whimsical permanence. “We wanted to create a feeling of both solidity and being ensconced, but also otherworldly,” Peter notes. If you shouldn’t judge a book by its cover, then you shouldn’t assume Couldrey House is stagnant and airless because of its windowless facade and heavyset stature — the home still manages to snatch prevailing breezes. Optimal orientation, sliding doors and windows work alongside thermal mass
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Positioning the living spaces on the higher floor provides impressive views
A skylight directs natural light straight into the kitchen
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cooling methods. A total of 30 9m concrete floor and roof units aid natural heating and cooling. A microclimate of planting beds surrounding the home also helps cool the interior as the plants soothe the sides of the structure and soften its impact. The building is closed to the west and south and open to views and breezes to the north and east. A large photovoltaic array resides on the roof and powers a sophisticated air-conditioning system that modulates humidity and purifies the air. “To my knowledge this is one of the only houses in Australia that cools by utilising both breezes and thermal mass together,” Peter explains. “It mimics the ‘cathedral effect’, like walking into Notre Dame on a hot summer’s day and finding the interior cool and moody. I love it, and it brings a whole architectural lexicon of masonry, weight and masses with it.” A tandem act of solar hot water and immersion hot water keeps the busy household running smoothly.
P R OJ E CT COULDREY HOUSE
WE LOVE THE PARED-BACK, MONOCHROMATIC INTERIOR COLOUR SCHEME
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ABOVE Timber elements add colour against the white palette 13
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Bedroom TV room Hall Laundry Store Kitchen Dining Living Terrace WC Study
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ARCHITECT Peter Besley, peterbesley. com; Assemblage, assemblage.co BUILDER TM Residential Projects
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STRUCTURAL TEAM Structural engineer Projex Partners FIXTURES & FITTINGS Timber joinery Allkind Air conditioning AirSmart Fireplace Skantherm
P R OJ E CT COULDREY HOUSE
“WE WANTED TO CREATE A FEELING OF BOTH SOLIDITY AND BEING ENSCONCED, BUT ALSO OTHERWORLDLY” — PETER BESLEY
Despite the structural essence of the home remaining consistent throughout the project, Peter reworked much of the detailing in order to make the building process simpler, inject richness into the design or to utilise a particular material more effectively. “The house superstructure and roof use large planks of precast concrete. Each plank weighs nearly four tonnes and spans 9m,” he says. “This long span plus the scheme’s high ceilings provide surprising lightness inside.” Unlike the easy feel of the house, craning the precast concrete into place was arduous and ranks as one of the build’s most challenging aspects. A minimal interior palette is thoughtful and serene, while the layout is somewhat more controversial. Flipping the program on traditional domestic floor plans, this four-bedroom family home boasts living zones on the upper level instead of the ground floor. The owners’ three teenage children spend a sizable chunk of their days in the TV/games room. Their parents, meanwhile, can often be found in the large open-plan kitchen, dining and living space, or relaxing on the upper external terrace. At its core, Couldrey House is a structure that pays homage to its landscape — not with frilly battens and pitched corrugated iron roofs, but with a subtlety and strength inherent in the Australian landscape.
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Colour Palette The zen ambience of the Couldrey House comes from a minimal palette of grey, white, beige, timber and steel
01/ Neolith Basalt Grey. cdkstone.com.au 02/ LEDlux Contempo pendant in brushed chrome. beaconlighting.com.au 03/ MFL By Masson Tanimi GU10 up/ down wall sconce. beaconlighting.com.au 04/ HydroTap CELSIUS tap. zipwater.com 05/ Taurus sideboard. satara.com.au 06/ L’Art lounge chair. fomudesign.com 07/ Marble Inlay Ollio table. eclipsefurniture.com.au 08/ Positano Eucalypt rug. tribehome.com.au
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Rammed glam Views of the tree-lined Yarra River lap at the heels of Green Sheep Collective’s three-level rammed earth prodigy WO R D S LO U I S E S M I T H E R S PHOTOGR APHY EMMA CROSS
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P R OJ E CT BOULEVARD HOUSE
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D E TAI LS HOUSE Boulevard House LOCATION Ivanhoe East, Victoria INITIAL BUDGET $1,800,000 FINAL COST $2,500,000 DATE COMMENCED May 2015 DATE COMPLETED October 2016
he Goldilocks effect underpins the success of this Ivanhoe East home in that the scale, materiality and design details sit just right on the sloping site and provide just enough for the family of four who own the property. “It was important the home achieve a fine balance between the very large houses in the area, and the idea of more humble, liveable and engaging spaces,” says Shae Parker McCashen, director of Green Sheep Collective. “This building could not be big for big’s sake. Every space had to work hard within its purpose and within its context.” Thick, rammed earth walls ground the house and reveal the framework’s numerous lines and plugs. Boasting unique natural beauty and texture, the appearance of the 400mm walls changes as the sun makes its daily pilgrimage from east to west across the sky. As well as its robust nature and ability to create privacy, the rammed earth also warms the house with its significant thermal mass.
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P R OJ E CT BOULEVARD HOUSE
W E LOVE THE COURSED ASHLAR BLUESTONE CLADDING WITH BANDING THAT REDUCES THE SCALE OF THE BUILDING
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P ROJECT BOULEVARD HOUSE The home seems almost to change shape when seen from different angles
Deep windows offer ample space for seating within the rammed earth walls
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Practical and picturesque, the walls create and define the two east-west pavilions, which are connected by a central core and use passive solar design principles to allow all rooms in the house to take advantage of north sun and cross ventilation. Steel window surrounds intersect the walls to create deep window reveals that form window seats and benches, which cantilever outside the building and frame views towards the city. “Deep window reveals create playful spaces to sit and unwind, to engage with the architecture and its materiality, prepare a meal or sit and enjoy the garden,” Shae adds. The substantial three-level home is highly responsive to its climate, orientation, slope, view and neighbourhood context. Three bedrooms, a mezzanine play area and shared bathroom are perched on the upper level, while the middle (ground) floor houses the guest bedrooms, study and third bathroom along with the primary living spaces and external deck, leading to a 25m lap pool and considered landscaping. A storage area and laundry join the showroom-style garage and workshop at basement level.
EDI TO R ’ S FAVO U R I TE THE OFF-FORM RAMMED EARTH WALLS THAT HIGHLIGHT THE LINES AND PLUGS OF THE FRAMEWORK
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Every inch of space is well used in the design
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The design utilises every inch of the site, with the building stretching into adjacent spaces to increase energy efficiency and occupant satisfaction. The footings are even used to create hidden rooms for storage beneath the pool. Timber makes a prominent impression inside, where the material was used to cover the walls, floors and ceilings to subdue the atmosphere and offer a sense of cosiness. “Externally, timber features strongly to humanise the building while contributing to its reduced carbon footprint,” Shae says. “The timber fins on the front facade define the two levels of the building, temper light and heat, and provide privacy while helping to ground the building and separate it from the street.” The home connects communal and intimate spaces using double- and triple-height voids, split levels, private courtyards and linking bridges. For example, a double height in the kitchen and dining area connects the open mezzanine play area, connecting the zones but ensuring their separation at the same time. Capturing the northern aspect of the site made
Timber is used throughout the three levels of the home
Large void spaces welcome in light and air
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P ROJECT BOULEVARD HOUSE
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STRUCTURAL TEAM Structural engineer Z.S. Consulting Rammed earth contractor Earth Structures Group SERVICES Pool contractor Aquarius Pools Electrical MSE Air conditioning Fine Edge Air Conditioning Hydronic heating Foster Hydronic Rainwater tanks Waterplex Pool heating Sunbather
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P R OJ EC T T EA M ARCHITECT Green Sheep Collective, greensheepcollective.com.au BUILDER City to Sea Construction
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FIXTURES & FITTINGS Silvertop Ash timber cladding Radial Timber Sales Aluminium windows AWS ThermalHEART Spotted gum floors Hurford Hardwood Tanami Render on 100mm foam Unitex Render Pool cover Sunbather Timber windows Elite Windows& Doors Bluestone cladding De Fazio Ceiling fans Big Ass Haiku
“THIS BUILDING COULD NOT BE BIG FOR BIG’S SAKE. EVERY SPACE HAD TO WORK HARD WITHIN ITS PURPOSE AND WITHIN ITS CONTEXT” – SHAE PARKER MCCASHEN RIGHT & BELOW RIGHT Colourful tiles really brighten the bathroom spaces
it easier to implement natural lighting, heating and cooling. “As this home is located on a steep site, with views to the golf course and city beyond, the aim is to create a grounded sense, but to simultaneously reduce its apparent scale,” Shae says. “It’s designed to be light, open to the garden and give an expansive sense of space, but at the same time convey a number of potentially conflicting ‘moods’ — bold yet nurturing, open yet private, connected yet defined.” Protective and approachable, Boulevard House is an exemplar of passive solar design that was built to last and destined to satisfy.
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Colour Palette Timber flooring and rammed earth create a natural feel to the home. Pops of greenery with blue and green tiles keep the feeling fresh
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01/ Airfusion Type A 60 R C Fan in Black. beaconlighting.com.au 02/ Acorn pendant light. danishred.com.au 03/ Dave occasional chair. sovereigninteriors.com.au 04/ Succulent pot. ozdesignfurniture.com.au 05/ African agave in tub pot. thedesignedit.com.au 06/ Carlsen side table. thedesignedit.com.au 07/ Mikoh 1 light touch table lamp. beaconlighting.com.au 08/ Olnee rammed earth. olneerammedearth.com.au
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indoor + out
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PROJECT LVL | LIFT VERTICAL LATERALLY
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Surprise
PACKAGE
A modern addition masked from the street and marvellous to behold WO R D S LO U I S E S M I T H E R S PHOTOGRAPHY SAM NOONAN
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PROJECT LVL | LIFT VERTICAL LATERALLY LEFT The architects were inspired by the steel details and material compositions within the Neue Nationalgalerie in Berlin by Mies van der Rohe
DETA ILS HOUSE Lift Vertical Laterally (LVL) LOCATION Forestville, SA INITIAL BUDGET $600,000 FINAL COST $620,000 DATE COMMENCED 2017 DATE COMPLETED Mid-2019
“AN INTENSE PLAY OF LINEAR GEOMETRIES IS ORCHESTRATED THROUGH USE OF MATERIALITY” — BENJAMIN EDWARDS
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tanding outside this restored double-fronted sandstone villa in Adelaide’s south-west, you’d never guess the architectural acrobatics happening behind the scenes. LVL is the surprising and highly contemporary addition completed by Ply Architecture, invisible from the street but a transparent illustration of proficient modern design. The brief was to explore the refinement and composition of the pre-established heritage proportions and insert these principles into a modernist pavilion space. “Although the addition formally disconnects from the existing dwelling, it’s spliced and bonded through the central hallway physically and materially, blurring the attributes of each space,” Benjamin Edwards, director of Ply Architecture, explains. “At the point of opening the front door, you’re emotively pulled through the space to the rear, where a large open-plan living volume expands linear in an east-west direction.” Slotting the addition between the existing dwelling and the pool proved problematic, but the architects’ exploration into the ideals of point, line and plane have culminated in perfection. The resolved architectural outcome and resulting addition is sympathetic to its site context and maximises sight lines to outdoor landscaped areas.
E D I TO R’ S FAVO URI T E THE HIGHLY REFLECTIVE OXIDE CONCRETE FLOORING
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PROJECT LVL | LIFT VERTICAL LATERALLY
Inspired by the steel details and material compositions within the Neue Nationalgalerie in Berlin by Mies van der Rohe, exposed steel enfolds the pavilion, binding it to the earth, while large glazed voids enclose the structure without hindering its connection to the great outdoors. A large pool licks the perimeter of the facade and filters soft natural light into the home. “An intense play of linear geometries is orchestrated through use of materiality,” says Benjamin, who notes the deep oxide concrete floor balanced by extensive, rhythmic blockwork with “calculated coursing detail”. A prime example of the linear legwork put into the building is the tactile batten ceiling, which promotes light and shadow when exposed to light. The batten ceiling visually guides you through the house, where the pool throws soft aqua light around the home and draws the eye upwards. The kitchen screens a study nook, wine store, pantry and laundry, opening out onto a hidden service courtyard. “Although the space is large and open, there is a sense of enclosure and warmth,” Benjamin explains. “A shift and play of scale and volume combined with a layering of materiality create a sense of drama and movement. Once stationary,
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the liner movement pauses and draws different visual cues.” The original four-bedroom home was renovated prior to the insertion of LVL. The works formalised a monochrome colour palette that now seamlessly stretches into, and outside, the addition. Matt black is a prominent textural feature, as seen in the masonry blockwork offset by linear planes of bright white plasterboard. The blockwork acts as a thermal mass radiating heat in cooler months, while overhanging upper rooms stamp out harsh light with shadow in summer. Operable windows give fresh air easy access for supreme cross ventilation and hydronic underfloor temperature control stretches the length and breadth of the slab and under the pool. More than just a place to store the homeowners’ wheels, a new garage conceals the latest portion of the home from the street and fashions a private inner yard. “The garage displays a modern slant from the character home in elevation, hinting at something special happening beyond as you gain dappled views through,” Benjamin says. Visually exciting and more functional than its owners could ever have hoped for, LVL sets the bar for concealed but unforgettable additions to character homes.
ABOVE Character and tradition sit happily alongside modern minimalism OPPOSITE Views to the outside space, including the pool, are highly valued
WE LOV E THE BATTEN CEILING, WHICH EMPHASISES THE LINEAR DESIGN PRINCIPLES OF THE HOME
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PROJECT LVL | LIFT VERTICAL LATERALLY
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GR O U ND FLO O R PL A N LEFT The bathroom offers a truly Zen experience, overlooking a cute bonus courtyard
PR OJEC T TEA M ARCHITECT Ply Architecture, ply.net.au BUILDER City to Sea Construction INTERIOR DESIGNER Kirsty Felice, Ply Architecture
SERVICES Engineering Herriot consulting engineers FIXTURES & FITTINGS Joinery Farquhar Kitchens Masonry Austral Masonry Appliances Gaggenau Cooktop with extractor system Bora Stone benchtops Caesarstone Cladding James Hardie Matrix cladding Roofing Revolution Roofing Switches and power outlets Clipsal Saturn Zen
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“THE MONOCHROMATIC INTERIOR REFERENCES THE EXTERNAL FORMS, SCALING THEM DOWN AND EXPLORING THE FUNDAMENTALS OF POINT, LINE AND PLANE” — BENJAMIN EDWARDS
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P ROJECT LVL | LIFT VERTICAL LATERALLY
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The palette here is essentially monochrome with timber accents. Pops of blue come from the pool 01/ Cafe Grind Matt tile. nationaltiles.com.au 02/ Jube pendant. mondoluce.com 03/ Venice box frame mirror arlington oak. reece.com.au 04/ Issy Z8 vanity 3 drawer with semi-inset basin. reece.com.au 05/ Seabreeze soy jar candle. buckleyandphillips.com.au 06/ Woodland lip stool. globewest.com.au 07/ Luxury organic cotton towels. ecodownunder.com.au 08/ Olsen freestanding acrylic bath. schots.com.au 09/ Round freestanding bath spout. meir.com.au
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Turn, turn, turn! A black-bricked beauty with incredible cabinetry and walls of glazing perfect for daydreaming or stargazing WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y DA N I E L F U G E
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P R OJ E CT TURN HOUSE
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LEFT Timber decking combines beautifully with concrete paving and greenery in the courtyard BELOW The original home was left virtually untouched
DETAILS HOUSE Turn House LOCATION North Fitzroy, Vic INITIAL BUDGET $500,000 FINAL COST $633,000 DATE COMMENCED May 2017 (concept design); February 2019 (construction) DATE COMPLETED October 2019
f one good turn deserves another, then this aptly named project may be the inspiration you need to create your own grand design. Fronting the North Fitzroy property was a single-storey Victorian home that possessed renovated period rooms and a dated lean-to accommodating the kitchen and dining room. The living areas were dark and the lean-to ceilings were low, with a significant disconnect between the house and the garden. Rebecca Naughtin Architect was summoned to alleviate the structure’s downfalls and create a new kitchen and living area at the rear. An incredibly detailed brief proposed a reimagined abode that maximised space, privacy and light via innovative design and environmentally sustainable principles. The curve in the boundary line and proximity to a public laneway — and corresponding issues surrounding privacy and noise — dictated the design solution. “Given the brief was to provide privacy and easy maintenance when graffitied, brick was a natural choice as it offers a solid acoustic barrier to the laneway,” Rebecca Naughtin notes. Replacing the rickety lean-to is a new kitchen, dining and lounge area and adjacent courtyard. Aside from remedial work on the old sitting room, the original, renovated two-bedroom home was left untouched. Removal of the existing shed and garden made way for a more useful outdoor courtyard and garden space, one that connects effortlessly to the interior.
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P R OJ E CT TURN HOUSE
“BRICK WAS A NATURAL CHOICE AS IT OFFERS A SOLID ACOUSTIC BARRIER” — REBECCA NAUGHTIN
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WE LOV E THE EUROPEAN OAK SHELVING WITH BRASS ROD SUPPORTS IN THE KITCHEN
Internally, the home is elegant and timeless while oozing industrial-style comfort. A column was introduced to the 90-degree corner, replacing the silicon butt joint in the glass, to create cohesion between the cabinets and window frames. The column also frames the garden to welcome charming views into the house. European oak softens the dark concrete floors (with hydronic heating) and steel-framed windows, while brass detailing highlights the marble benchtops and ties in with the brass rod supports holding up the oak shelving. A similarly industrial exterior is punctuated with steel portal frames and reeded grass. Walls of glass and clerestory windows increase solar light and boost ventilation throughout the extension, which reads as a seamless continuation of the Victorian home. “We wanted to maintain a sense of intimacy in the space so we retained the ceiling height from the original house throughout the living and kitchen space, with a bulkhead soaring to 4.5m at the glazed facade,” Rebecca explains. The house is customised to within an inch of its life, particularly the kitchen. Prolific cooks, the owners can now prepare meals in a space that boasts a mix of open and hidden storage and a dedicated appliance bench. “Originally the design was purely about function, then we were able to shift our focus to form, which in itself is
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P R OJ E CT TURN HOUSE A soaring 4.5m bulkhead lets light flood the living areas, despite the original low ceiling
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functional,” Rebecca says. “We measured all of our clients’ appliances and looked at how they worked to make sure everything would fit. The client even provided a manifest of forks, spoons and knives!” With owners who clearly value organisation and bespoke customisations, it’s no wonder the AV and tech components of the home are personalised to ensure their complete satisfaction. “The house doesn’t necessarily fit into a style category as it draws inspiration from the context and functional requirements of the brief,” Rebecca concludes. With curves in all the right places and a place for everything under the sun, Turn House definitely has us in a tizzy.
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P R OJ E CT TURN HOUSE
E D I TO R’ S FAVOU R ITE THE DOUBLE-GLAZED STEEL-FRAMED WINDOWS THAT OFFSET THE CURVE OF THE BRICKWORK
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“THE HOUSE DOESN’T NECESSARILY FIT INTO A STYLE CATEGORY AS IT DRAWS INSPIRATION FROM THE CONTEXT AND FUNCTIONAL REQUIREMENTS OF THE BRIEF” — REBECCA NAUGHTIN PR OJEC T TEAM ARCHITECT/INTERIOR DESIGNER Rebecca Naughtin Architect, rnarchitect.com.au BUILDER Clancy Constructions
STRUCTURAL TEAM Structural engineer AM-A Consulting Engineer
Hydronic heating warms the living room
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FIXTURES & FITTINGS Lighting Est Lighting; Artemide; Mondo Luce Steel windows and doors Steel Window Design Tapware The English Tapware Company Cabinets Fineform Joinery Heating and cooling Mercury
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01/ Sola pendant by David Trubridge. mondoluce.com 02/ Jorden three-seater leather sofa. schots.com.au 03/ Noguchi coffee table in black ash. livingedge.com.au 04/ Finn Juhl 45 chair. danishred.com.au 05/ Wool handloomed rug in box red. sydneyrugsonline.com.au 06/ Elegante Terrazzo Darth Honed. nationaltiles.com.au
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The
Source Get down to the nitty-gritty of the functional elements of your home 146 Build style focus — passive house
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AGGRESSIVELY
passive A “passive house” design means you can step back and let your home do the work to keep you comfortable. This type of build is gaining momentum in Australia, favoured for its energy efficiency and consistent interior temperature. Come heatwave or wintry blast, it’ll be remarkably pleasant inside WO RD S CAS S IE H AY WOOD
ustainability is key for 21st century home design. Not only is it better for the planet, but an eco-friendly, “healthy” home can boost your mood and save you cash. For decades Australian architects have been using a model known as “passive solar design”. This build type allows for improved efficiency and encourages design principles such as orientation, cross-flow ventilation and shading for effective application. Residents are still required to be “active” to maintain the benefits of this style, despite its name. Taking your home’s thermal comfort and efficiency up a notch is the “passivhaus” or “passive house” standard. The concept of passive house has been around formally for almost 30 years, the first passive house being built in Germany in late 1991. With technology advancing (particularly in window and ventilation systems), the passive house construct has become a more accessible and effective option. The design and subsequent certification of a passive house is still relatively new in Australia, but is gaining momentum, with more architects, builders and homeowners making the change. “The passive house approach focuses on a high-quality and well-insulated building envelope in order to create buildings with high levels of internal comfort,” says Daniel Wolkenberg, director of Poly Studio. “The main benefit of passive house construction is a highly energy-efficient house requiring only a small amount of energy for heating and cooling throughout
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the year. Over the lifetime of the building, this results in a big reduction in operational carbon emissions and much lower energy bills.” A passive house is created with five key elements: airtightness, thermal insulation, mechanical ventilation heat recovery, high-performance windows, and a construction without thermal bridges. Specifically, the certification for a passive house build requires strict maximum heating/cooling demands and airtightness of 0.6 air changes per hour at 50 Pascals of air pressure. Almost completely eliminating the air leakage of a building is a feature that differentiates passive houses from other constructs such as passive solar. Due to this, a certified passive house focuses not only on energy for cooling or heating (renewable or otherwise), but also maintaining an internal temperature of 20–25ºC year-round in every room, come heatwave or winter chill.
SKIN DEEP DESIGN Andy Marlow is director of Envirotecture and board member of the Australian Passive House Association. He describes passive house as a “fabric first” approach. “By focusing on getting the external skin of the building (walls, roof, floors, windows, doors, shading) right, everything else can be easy. These are also the most expensive items to retrofit later.” If you’re tossing up between passive solar design or a passive house, you’re already heading in the right direction. The benefits
T H E S OUR CE BUILD STYLE FOCUS
THIS PAGE A House for All Seasons by Poly Studio. Photography by Tatjana Plitt
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THIS PAGE Sapphire passive house by Blue Eco Homes
THERMAL BRIDGE /’
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Sometimes known as a thermal highway. A path that heat can pass along, regardless of insulation. Thermal bridges are formed when the insulation layer is bypassed, allowing heat to be transferred through a wall, window, ceiling or floor.
are clear for any eco-friendly home, and with thoughtful design your home can be comfortable and beautiful. There are a few factors that particularly differentiate the two. “Solar passive is based on orientation to the sun and cross ventilation. You’re required to ‘work’ the house to make it run effectively,” says Joe Mercieca, managing director of Blue Eco Homes. “For example, cross ventilation is only effective if windows are open and closed at appropriate times; when it’s too hot or too cold, no one likes their windows open. Heating or cooling in the home (and the money paid to run them) is lost through the windows being opened.” Your lifestyle will dictate which type of build works better for you. “If you have a higher tolerance for temperature fluctuations and enjoy having your doors wide open for most of the year, regardless of what’s happening outside, then passive solar is probably best for you,” Andy points out. “If your tolerance for temperature fluctuations is more limited, bearing in mind tolerance decreases as we age, then maybe you need more control of your indoor environment.” A passive house perk you may not expect is the reduction of noise, dust and even creepy crawlies in a home. There simply aren’t the same avenues for these things to enter a house. You also don’t have the guesswork of solar passive homes. “A certified passive house (CPH) is based on science and building physics to deliver a healthy indoor environment with ultimate
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T H E S OUR CE BUILD STYLE FOCUS comfort — all while using very little energy,” Joe says. “It’s tried and tested to work well in hot and cold climates.” Andy agrees, noting: “A CPH home works because of a rigorous design process and quality assurance process; passive solar design may work. Currently in Australia, no system in the residential sector actually verifies ‘as built’ performance. A CPH home can and generally does use 70 to 90 per cent less energy for heating or cooling than a standard home. CPH ensures you get what you paid for.”
THE PRICE IS RIGHT A common misconception is that going sustainable costs you an arm, leg and a kidney — it simply isn’t true. While the figure varies between builders, Andy says if you’re building a custom-designed home, the construction cost premium is close to zero! Others in the industry estimate a small price tag, worthwhile for the long-term gain. “From my experience there’s probably about a five to 10 per cent cost premium for incorporating passive house measures such as airtightness, improved insulation and high-performing windows,” Daniel explains. “However, by building to the passive house standard, heating and cooling systems can be much smaller, which helps to offset some of the additional cost. Depending on the size of the house, the energy savings are likely to be around $1000 to $2000 per year.” Even when it comes to building the home itself, increasing numbers of builders are equipped with the accreditation and attention to detail to meet the strict criteria. While it’s easier to build a new passive house than retrofit, the EnerPHit Certificate is the equivalent award for an existing home with the right adjustments. “A passive house requires planning, science and testing throughout the build to ensure it works how it should,” Joe says. “You can’t ‘half build’ one of these homes. Going only part-way with a passive house will make issues worse. The additional airtightness without proper ventilation will cause unhealthy air quality within the building, leading to condensation, mould and health issues.” As in many areas, technology is progressing to create more eco-friendly options for the savvy homeowner. Efficient windows are an essential component in a sustainable space, and companies have more options suitable for an airtight home. Edith Paarhammer of Paarhammer Windows and Doors notes that windows are often the weakest link in a building envelope. “The whole window, including frame and glass, requires a low U-value (heat conductivity) ratings,” she says. “To meet these standards, glass should generally be double- or triple-glazed with one or two layers of low-E glass included. Multi-point hardware and seals,
Paarhammer combination — fixed panes, tilt window for ventilation and lift-slide door for outside access
Internal water tanks can add thermal mass to a building, helping the building work better — while looking good! Thornleigh House by Envirotecture. Photography by Brandee Meier
LEFT Paarhammer tilt-&-turn window with frame internals in Victorian ash with clear low-VOC finish and aluminium cladding on the outside to reduce maintenance
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ABOVE Pairing indoor window coverings with external products is ideal for those looking to improve their home’s sustainability and energy consumption. The Luxaflex Evo MagnaTrack awning and Specta fibreglass sunscreen fabric eliminate up to 95 per cent of solar heat BELOW Luxaflex Duette Architella shades feature a honeycomb-within-a-honeycomb cell structure that creates four fabric layers, trapping air and insulating the window
Windows such as Dowell’s ThermaLine were specially developed to help achieve passive house standards. Insulated frames and double low-e or triple glazing ensure the correct U-value for a home
as well as the correct installation of windows, is vital in achieving excellent energy efficiency.” There can sometimes be confusion over a window product’s U-value, as the ratings differ from country to country. Australia often has comparable products to international sources, however, so you don’t need to look far!
MATERIAL WORLD The right insulation goes a long way in energy efficiency, as determined by the needs of your local climate. Tasmania will require a more heavyduty material and thickness compared to sunny Cairns. Insulation solutions are becoming more versatile, with everything from HempCrete (airtight, fire- and mould-resistant and certified Net Zero) to Knauf Insulation’s Earthwool (non-hydroscopic, noncombustible and rot-proof) made from recycled glass bottles. Insulation needs to be thick enough, as well as continuous to create a passive house. The Australian Passive House Association explains that minimising thermal bridges means “keeping penetrations through the insulation to an absolute minimum, and if not avoidable then using materials that are less
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conductive to heat (i.e. timber in place of metal) and/or incorporating thermal breaks (whereby a material that doesn’t conduct heat well separates the two conductive elements). Otherwise your wonderfully insulated building will have a number of thermal highways that will cause increased energy consumption and increased condensation risk, affecting thermal comfort”. “Heat recovery ventilation systems are a crucial technology in passive house buildings,” Daniel explains. “They provide fresh air to bedrooms and living spaces and extract air from wet areas. The warmth or cool of the air being exhausted is transferred to the fresh outside air, which preserves the internal air temperature. As they operate at low velocity, the system is very quiet and also doesn’t require much energy to operate.” Another common misconception about a passive house is that you’ll be living in an airtight box. “Contrary to some ill-informed opinions, you can still open your doors and windows in a passive house as often as you wish,” Andy points out. “However, the question becomes ‘do I need to?’. You won’t need the fresh air (it comes from the ventilation system) but if it’s a great day and you want to open up, go for it!”
WHY PASSIVE HOUSE? • • • •
• • •
Improved health, comfort and environmental impact Up to 90 per cent energy saving in the home Improved fresh indoor air 24/7 using a ventilation system throughout the house A reduced carbon footprint using less energy, sustainable materials, waste management onsite, energy-efficient appliances and waterefficient tapware Reduced auxiliary heating and cooling Maintained humidity to reduce exposure to mould and other toxins Energy positive with the addition of solar panels (i.e. the house uses less energy than it produces, charging a battery and sending the remainder to the grid) Joe Mercieca
T H E S OUR CE BUILD STYLE FOCUS
Freshwater House by Envirotecture. Photography by Kayle Barton
Passive house by Logikhaus. Photography by Tony Sheffield/ Highlife Magazine Southern Highlands
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brings you
THREE STYLISH and NATURE INSPIRED COLLECTIONS
Choose zenstone as your destination for high-end stone & porcelain Designed for Australian architectural and design spaces, Zenstone’s three collections Aurea Stone, Lumina Stone and Litex Surfaces will fit any design brief, both indoor and outdoor, from kitchens, bathroom, flooring, cladding to fireplaces. Take your design space to the next level with products designed and sourced by Zenstone from around the world to bring you the best. Zenstone’s collections come with a lifetime stain warranty thanks to its exclusive NEOS technology. Aurea Stone, has to be seen to be believed, the most realistic match to natural marble, perfected through its unique Phi technology.
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Architect RyanArc Architects, ryanarc.com.au Photography Andrew Pritchard
Kitchens
Take some cues from these cutting-edge design ideas 154 Hotel at Home 158 Mixing it up in the Kitchen 164 Cooking with Class 166 Style 101: 4 Popular Looks 174 HIA-CSR Housing Awards
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A
HOTEL AT HOME For this frequent-flying Melbourne couple, it was time to bring some hotel luxury back to their own home with a modern revamp and high-quality surfaces WO R D S C A S S I E H AY WO O D P H O T O G R A P H Y I M P R E S S P H OTO G R A P H Y
DETAILS Homeowners: Con Caccamo and Adele Knipe Stonemason: Cutting Edge Stone Kitchen benchtop and splashback: Aurea Stone ‘Spirals’ exclusive to Zenstone Bedroom and ensuite surfaces: Litex Stone ‘Pietra Gray’ exclusive to Zenstone Cinema and kids’ retreat surfaces: Lumina Stone ‘Soapstone’ exclusive to Zenstone
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fter staying in top luxurious hotels on their travels, homeowners Con Caccamo and Adele Knipe set the bar high when it came to renovating their own home. Their design brief was for a modern space created with high-quality, durable materials that were easy to maintain. The exceptionally busy couple with five children desired a place to slow down and entertain after their intense work schedules. The original house was dated, aiming for French provincial but not quite hitting the mark. The kitchen in particular lacked functionality and wasn’t conducive to larger family gatherings. Con and Adele wanted a benchtop that would serve as both a working desk and eating/hang-out space so the family could gather in one spot. Similarly, the bathrooms didn’t suit the needs of the household. This space had an abundance of tiling — and unfortunately grout lines — which didn’t match the low-maintenance standards the couple had in mind. The complete overhaul included the incorporation of three types of beautiful Zenstone surfaces that created a sense of connection between spaces, as well as providing a seamless finish to each room. The kitchen was re-designed to include more storage, modern features and hard-wearing surfaces for high-traffic areas. The Aurea Spirals stone with a silk finish was used for the benchtop and splashback as it’s an easy-clean surface that doesn’t streak or mark when wiped. With a family of seven, the kitchen faces a lot of wear and tear with all sorts of spills, from beetroot to
wine, so an ordinary surface wouldn’t do. The highquality surfaces used throughout the home were the highlight for the couple, fitting with their design inspirations and considerations. The stunning surfaces didn’t stop there. Zenstone’s Litex Pietra Gray porcelain borders the bedroom fireplace, tops the bedside tables and continues into the ensuite to dramatic effect. The bathroom was completely changed by these large-format slabs that provided a seamless look and wrapped around different features. Lumina Soapstone decks the cinema and kids’ retreat area, the black matt finish and Neos technology protecting the stone from fingerprints and stains. For Con and Adele, it was worth spending big for quality, durability and peace of mind, and the cost shows in the appearance. Zenstone offered a lifetime stain warranty on its finishes, which was the biggest concern for the couple when working with silk and matt finishes. Built not long before COVID-19 entered Australia, this home was put to the test with the family spending more time at home, running a business and homeschooling. Safe to say, they were overjoyed with the results! zenstone.com.au
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Minimal style appliances shown here
THE BEAUTY OF CHOICE CHOOSE FROM FOUR APPLIANCE STYLES TO COMPLEMENT YOUR KITCHEN DESIGN
ямБsherpaykel.com/styles
MIXING IT UP IN THE
kitchen
Photography by Andrew Hives. whitepebbleinteriors.com.au
Looking to freshen up your kitchen without a complete and costly overhaul? Maybe your contemporary kitchen needs a little industrial edge, or your coastal-look space could use an infusion of the Hamptons. Step outside the box and create your own signature-style kitchen WO RD S C AR ROL BA K E R
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K I TCH E N S MAKEOVER
Inject character alongside minimalism with timber. Photography by Prue Ruscoe. brookeaitkendesign.com.au
tyle is by definition a fluid concept, as many styles borrow certain elements from others. French Provincial and Hamptons share the same cool elegance — whites and lighter tones, with hints of colour. While Hamptons has more of a coastal vibe, French Provincial can be more detailed, more ornate. Industrial and minimalist are both simple and understated. Combined, the edgy look of industrial bodes well with the sleek minimalist look. Contemporary and modern can also be minimalist; throw in some warm timber features and slimline profiles and you have a Scandi element in the mix. Coco Chanel famously said: “The most courageous act is still to think for yourself. Aloud.” And she wasn’t wrong. Be brave and create your own signature kitchen. Play with textures and experiment with colours. Gather fabric swatches and samples of timbers, tiles and metals as well as imagery of things you love.
Brooke Aitken, from Brooke Aitken Design, says when assisting clients, she often begins with a few simple questions. “I ask, what makes you feel good? What makes you happy? Then we dig a little deeper and discover the looks they like might be a contemporary kitchen and also a Hamptons-style kitchen. It might be a contemporary kitchen, but with a detail on the stone or a pencil round tile, so it has a softer feel like the Hamptons-look.”
HARMONY BETWEEN STYLES When blending styles, it’s not just a case of throw in a pop of colour here or replace a kitchen knob or two there, although ultimately that can be part of the process. Creating a signature kitchen begins with the basic materials — the cabinetry, handles, door fronts, benchtops, tapware and splashbacks. Darren James, from Darren James Interiors, says he likes to let the materials speak for themselves. “I love the design to be super
simple, but then I’ll grab some elements from other styles to highlight it,” he says. “For example, one look I love is adding industrial elements to a modern minimalist interior. With the minimalist aesthetic of an interior you can keep details simple and let the materials do the talking.” Darren says paring things back can pave the way for a fluid crossover of styles. “If you want a Hamptons look with more modern elements, reduce the mouldings. To get clean lines you can still have profile fronts, which gives it a more a modern take, but have a squarer edge or finer benchtop,” he says. Perhaps you like the idea of minimalist but find it a little cold? Darren says the key is to introduce natural elements. “Natural timber and adding greenery soften spaces and adds more warmth,” he says. Even styles that you might think seem far removed from each other can find common ground by mixing up an element or two.
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THIS PAGE Soften industrial edges with natural elements. Photography by Rix Ryan Photography. darrenjames.com.au
D E S I GNE R T I P Frances Conway, White Pebble Interiors: “Working with tones is key — are you a cool or warm colour palette person? People generally wear the colours they like to be surrounded by. It can be jarring if you have warm and cool elements sitting together. Not only your kitchen, but your whole home should be warm or cool.”
Frances Conway, from White Pebble Interiors, says industrial and Hamptons can definitely go together, for example. “Lighting and metal elements traditionally associated with industrial style can be used in Hamptons … beaten-metal light fittings are a soft industrial style you can use in Hamptons instead of the traditional glass pendants,” she says. Less is more. If you’re refreshing your kitchen with some style elements, ideally it should balance and not be a mish-mash of styles dominating the space. It can help to introduce just a few elements that cross over to another
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style (unless eclectic is who you are, of course) and some designers have been able to create extraordinary kitchens that are exactly that. Understanding scale is important. Scale defines the size of one object in relation to another and how they both sit within a space; it needs to be in proportion. A slimline benchtop, for example, might not sit well with chunky French country chairs. Don’t be afraid to unleash your creativity, however. It’s okay to experiment with looks you love, according to Brooke. “I don’t think there’s any style you can’t play with as long as you do it
K I TCH E N S MAKEOVER
Photography by Prue Ruscoe. brookeaitkendesign.com.au
with care and an aesthetic eye,” she says. “That’s the way design continues to grow and evolve when designers move away from one look and slowly move into something else.” Like most western countries, Australia could be doing much more to reduce waste. Updating your kitchen instead of replacing all of it is one way to help keep discarded goods out of landfill. “Why throw things away when they aren’t broken?” Darren asks. “You can just change and update your kitchen by bringing it back to life with a fresh new look.” Reclaimed or refurbished elements can cost a fraction of new and inject character into a space. For example, some retro kitchen chairs at an island bench will add a dash of modernism to a contemporary kitchen. Remember to tailor your textures. Just as different cabinet styles can co-exist in harmony in a kitchen, so too can textural elements. The smooth shiny surface of a stainless bench and concrete walls in an industrial design can offer a welcome contrast with a warm earthy timber tabletop or island bench you might ordinarily find in a Scandi kitchen.
These black stools contrast nicely with the softer kitchen design. Photography by Chris Groenhout. whitepebbleinteriors.com.au
COST-EFFECTIVE STYLE CHANGES A new kitchen can cost anywhere from $25,000 upwards, more if you enlist the services of a professional kitchen designer or architect. With an open-plan room, installing a completely new kitchen can have a flow-on effect to your budget if you need to replace fixtures, fittings and other elements in other spaces to integrate them with the new kitchen. Moving plumbing and gas fittings and replacing custom cabinetry can be very costly in a kitchen makeover, but there are smaller changes that can create a big impact for a fraction of the price. One relatively small modification that can bring dramatic change is the kitchen splashback,
Photography by Rix Ryan Photography. darrenjames.com.au
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Choose integrated appliances such as Fisher & Paykel’s integrated columns refrigerators and freezers for a seamless look in your kitchen.
Some simple additions can make for a seriously classy kitchen. Photography by Brock Beazley Photography. phoenixtapware.com.au
Brooke notes. “Splashbacks introduce texture, colour and light into a kitchen and it’s a fairly easy change that can modernise a dated one.” If you’re short on bench space and want to add a modern feel, Brooke suggests swapping electric hotplates for induction. “Updating from an old electric hotplate to a supercontemporary induction hotplate is a great idea — and when you aren’t using the hotplates you can use it as extra bench space,” she says. Changing handles is another inexpensive way to update a tired kitchen. Frances says new handles can completely change the look. “Leather-
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style handles can create a soft industrial look, and a timber concave knob can lend itself to a Scandinavian-style kitchen,” she says. Resurfacing benchtops costs a fraction of replacing them, and refreshing cabinetry fronts is another budget way to give a kitchen a new look if the carcasses are in good condition. You can also buy laminate paint to change the colour of kitchen cupboards. To modernise a dated dark kitchen, Frances says you should paint it white. “It can be revolutionary — such a game changer for the look and feel within that space. Add some new handles and you have a brand new kitchen!” she says.
montauklightingco.com
DES IGNER TI P Darren James, Darren James Interiors: “If you’re changing appliances, keep the same brand as typically the sizing doesn’t change too much. Change the brand and it can be an ever-soslight difference that will affect how it fits into the space.”
K I TCH E N S MAKEOVER
Mix and match with colour, texture and style. designshanghai.com
maisonvalentina.net
DES IGNER TI P Brooke Aitken from Brooke Aitken Design: “Hanging art on the wall in the kitchen makes a huge difference to the space for relatively little cost. You might find you don’t have to change the kitchen at all.”
Accessorising with stools or chairs is also an effective way to inject new style. Darren says it’s an easy change that can reap dividends. “A timber upholstered seat, high or low back, curved or rounded, sits within the classic element,” he explains. “If you want to change it to modern, it’s a bit more refined so mix in leather or metal.” Ultimately, confidence is key. Putting yourself in the hands of design experts who can guide you in the right direction can not only save you time and money, but introduce ideas you might never have thought of. Frances says designers can also access products homeowners can’t. “I often get comments like, ‘I’d never have found anything like that, I had no idea where to go’,” she says. “It’s our job to be ahead of the market. We also have the confidence and experience.” Frances says designers can also push you out of your comfort zone — just a little — which yields some surprising results. “I’ll often say to my clients, ‘I’m going to show you a red herring.’ It’s not on brief, but it’s something that’s come out of our creative process. They’ll often go with the red herring!”
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SPONSORED CONTENT
COOK WITH CONFIDENCE F I S H E R & PAY K E L’ S N E W TO U C H S C R E E N OV E N WITH GUIDED COOKING REMOVES THE GUESSWORK, P R OV I D I N G P E R F E C T R E S U LTS .
The world of food is changing, and as exposure to different cultures, flavours and ingredients grows, so too does the emergence of new cooking methods. From novice to expert, guided cooking allows you to experience new cuisines and perfect classic dishes with confidence. Fisher & Paykel’s new touchscreen oven features clever guided cooking technology for perfect results. Whether you’ve been cooking all your life or just starting out, the high resolution touchscreen interface with an accompanying dial allows you to cook by food type, function or recipe — either following prompts to the letter or branching out to create a dish with your own signature twist. Beautiful to use, the oven has a generously sized internal cavity allowing you to create several perfectly cooked dishes at once with the right heat to match what you’re cooking. A calibrated food probe monitors cooking in real time, so you can perfect recipes such as the flavourful and tender Scotch Fillet Roast. Supported by AeroTech technology, heat is circulated evenly and precisely, while ActiveVent ensures optimised moisture levels for perfect results. Cleaning is a breeze with pyrolytic self-cleaning technology that breaks down food residue at a very high temperature, leaving a light ash which is removable with a damp cloth. Whether you’re seeking weekday convenience or meeting the demands of the weekend gourmet, this touchscreen oven offers 16 oven functions including Air Fry, Dehydrate and Slow Cook, making cooking a truly rewarding experience. Considered design is a hallmark of all Fisher & Paykel appliances. Choose the style that best suits your aesthetic vision, with the tasteful stainless steel and black contrasts of the Contemporary style, or monochromatic black finishes of the Minimal style. Available in black or stainless steel finish, choose a 60cm or 76cm, single or double oven. Discover more at fisherpaykel.com
Clockwise from left: OB60SDPTDB1 Built-in Oven, 60cm, Pyrolytic, 16 Function, 85L; Guided Cooking; Perfect the Scotch Fillet Roast with ease.
KITC HEN PR OJ EC T RYANARC KITCHEN
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Cooking with class With a halo skylight and limestone floors, this kitchen is heaven sent WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y A N D R E W P R I TC H A R D
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KITC HEN PR OJ EC T RYANARC KITCHEN
W E LOV E THE FEATURE SKYLIGHT NESTLED INTO THE WHITE CEILING BATTENS
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esigned by Seamus Ryan from RyanArc Architects and built by Kre8 Constructions, this is a kitchen where “slaving over a hot stove” never looked more enticing. The previous cooking space — a dark kitchen with a questionable layout, insufficient storage and poor functionality — did not do the existing home justice. As part of an open-plan extension filled with functional spaces and earthy finishes, the new kitchen is light and luscious. “The new openplan kitchen, dining and living space overlooks the garden and pool with natural finishes and light-filled open areas that create an instant sense of calm,” project architect Seamus Ryan explains. “The space has its own unique ‘get away’ feel.” A feature skylight hovers above the kitchen island, illuminating the area and craning necks in the process. “The open ceiling has been recessed in a number of key locations, allowing for Velux skylights and stained-timber batten ceilings,” Seamus explains. “The kitchen’s circular opening in the lower crisp-white ceiling allowed for a large offset skylight.”
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KITC HEN PR OJ EC T RYANARC KITCHEN
E D I TO R’ S FAVOU RI T E THE USE OF A WINDOW OVERLOOKING FOLIAGE INSTEAD OF A SPLASHBACK
A sneaky benchtop window that intensifies the sense of depth and space joins the circular skylight in a mission to infiltrate the area with sunlight. Placed below the bookshelf, the window naturally highlights the workbench and offers glimpses of the manicured garden. Finally, and most importantly, the northern 12m glazed stacking wall that sits adjacent to the kitchen drenches the area in light and takes advantage of the sunny orientation. The stark white ceiling is complemented by darker surfaces and fi xtures, such as the black surfacemount Pip cylinder light and dark-brown Bottega oak cabinetry, as well as the Silba Grey marble kitchen island and benchtops. “The design’s simple layout has been layered with architectural details, quality materials and luxurious finishes,” Seamus notes. Indeed, his proclivity for quality over quantity is evident when appraising the Seville Silver Limestone floors and high-end appliances, including Oliveri sink and tap and Miele oven, cooktop and fridges. Coming in at $4500 per square metre, the project has been completed with exceptional finishes and superior attention to detail.
P ROJ EC T T EA M ARCHITECT RyanArc Architects, ryanarc.com.au BUILDER Kre8 Constructions CABINETMAKER Zeel Kitchens
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SANITARY FIXTURES + KITCHEN FITTINGS Sink Oliveri Professional Tap Oliveri Vilo in black Oven, cooktop and fridges Miele Flooring Seville Silver Limestone by Bernini Stone benchtop Silba Grey marble by Bernini Lighting Faze Surface Pips and downlights; mood strip lighting to uplight timber battens Windows Double-glazed stacking wall, Avanti Cabinetry Bottega oak cabinetry Accessories Vintec wine cooler
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01/ SCANDI A look born from three countries that often rank highly as the best places to live in the world, can you blame us for wanting to take a leaf out of their book? Scandi design incorporates hues of natural timber, crisp whites and soft greys to culminate into a minimalist yet inviting interior aesthetic. These elements create a soothing ambience ideal to unwind in after a long day of work. A Scandi space embraces the daily rituals of life and is functional at its core — easy-clean surfaces and open shelves are a must for a personalised, low-maintenance kitchen. For a harmonious Scandi home, pull certain elements such as a tile or cabinetry details and incorporate them in the laundry and bathroom.
STYLE 101: 4 POPULAR LOOKS Check out what’s trending in interiors with The Kitchen Collective’s round-up of its most beloved home collections
The Kitchen Collective is a full-service solution for creating a luxe, personalised home. Taking care of everything from measuring and designing to project managing the whole renovation, the team’s years of experience and extensive qualifications ensure they can build a space you’ll love. The showroom in Mentone, Melbourne, offers curated collections of nine different designs, including the ever-popular Hamptons, Style, Contemporary and Scandi looks. An Australian first, get the whole picture of what your home could look like with VR technology so you can visualise a collection in your choice of colour and finishes. thekitchencollective.com.au
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02/ CONTEMPORARY Bold and playful, this look featuring dark navies and crisp whites enables a balanced colour palette to bring soul and expression into the heart of the home. Complement these neutral tones with the soft hues of timber to add warmth and texture to a space. Waterfall benchtops, chrome fixtures and built-in appliances can maintain a kitchen’s smooth lines, while allowing the colours and finishes to take centre stage. A contemporary space doesn’t take itself too seriously and can be complemented wonderfully with colour, whether through a bright tap, unusual pendant light or simply styled with fresh flowers. Contemporary looks are loved for their feeling of “home” and enduring aesthetic — it’s easy to see why!
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03/ STYLE A fusion of contemporary elegance and sleek design, this dramatic and striking scheme exclusive to The Kitchen Collective is at the forefront of modern design. The Style collection draws on sleek and moody features to make an impact, complete with discreet or finger-pull handles, eye-catching stone flowing from the benchtop into the splashback, and statement appliances that are made to be admired. This edgy look can be softened with metallic details, whether switching up a matt black tap for a brushed gold, or styling with trailing plants for a splash of vibrant colour. This powerful look is for all the blackkitchen lovers who enjoy the clean aesthetic of modern minimalism.
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04/ HAMPTONS Originally inspired by a group of villages called The Hamptons on Long Island, New York, this look encapsulates elegant coastal living enriched by a calming neutral palette. The Hamptons is all about family and entertaining, so open-plan spaces, tonnes of natural light and plenty of texture (think: subway tiles!) will help you achieve this beachy aesthetic. Pair Shaker-style cabinetry fronts with accent drawer pulls for a timeless finish to your beautiful kitchen. Continue these features into your butler’s pantry, laundry and bathroom for a seamless transition between spaces. Introduce large-format tiles and marbles into your bathroom, alongside chrome fittings, for a true Hamptons haven. 04
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HIA-CSR HOUSING AWARDS
Kitchen Awards
Photography Urban Cam Photography
Each year, Australia’s best kitchens are recognised by the HIA Kitchen Awards. The awards acknowledge the talents of designers, manufacturers and installers to plan safe, functional and innovative kitchens and bathrooms. Congratulations to ThinkDzine, the winner of the Kitchen Design Award, and Trend Connection Homes, the winner of the Kitchen in a Display Home Award.
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We are curious design thinkers connected by the passion for combining simplicity and style to enhance an interior experience. Together with Cesar, Intarsio is a geometric explosion of warmth, texture and craftmanship. We are ThinkDzine, an award-winning interior design studio that strives to achieve a unique balance between creativity and functionality. Designing for your life.
thinkdzine.com.au The Alex, 16/40-42 O’Riordan St, Alexandria NSW 2015 | T. 1300 429 724 | E. enquiries@thinkdzine.com.au
Thinking Laterally An old terrace gets a complete facelift, with an award-winning kitchen to boot WO R D S A P R I L O S S I N G T O N P H O T O G R A P H Y U R B A N C A M P H OTO G R A P H Y
ppearing almost futuristic with its cutting-edge fi xtures, appliances, lighting and finishes, it’s hard to believe this modern kitchen was once part of a dilapidated old terrace. The back part of the home was completely remodelled to make the kitchen the central part of the connection between the formal living spaces and courtyard. The use of natural materials was very important for the homeowner and this definitely brings the space back down to
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earth, making it the perfect family kitchen for cooking and entertaining. The homeowner’s other requests included a more formal meal area with seating in the kitchen. This was also achieved by the drop-down table that connects to the cooking zones. They also wanted small appliances to be hidden but accessible and for a luxurious feel to be created. The styling brief was for the kitchen to be modern but warm and incorporate texture. Designer Dean Welsh of ThinkDzine was
required to maximise space while taking into consideration the stairs to the upper floor, the courtyard external doors and exit door to the garage areas, as well as the position of the roof skylight and how it could be detailed with the layout. He also had to work in harmony with the concrete ceiling and the look of the stairs. Dean says his favourite part of the renovated space is “the use of wood veneer with a carved rebated handle detail that keeps the door finish flat and not obscured. Combining the natural wood veneer texture
K I TCH E N S HIA-CSR HOUSING AWARDS
DETAILS Designer: Dean Welsh Joinery and benchtop (supply and installation): ThinkDzine Cabinet finish: Cesar Maxima 2.2 in Dark Oak
Benchtop: CDK Stone Super White Dolomite
with the natural honed dolomite stone creates a luxury design statement.” With sustainability and reducing toxins in mind, the wood veneer was made from FSC certified wood from responsibly managed forests and was finished with vegetable oil. Additionally, the doors and open shelves were painted with chemical-free white water-based acrylic. With form, function and sustainability in mind, it’s easy to see why this standout kitchen took home the 2019 HIA-CSR Housing Awards Kitchen Design Award. thinkdzine.com.au
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K ITCHENS HIA-CSR HOUSING AWARDS
TRUE BLUE
Hamptons Style An award-winning kitchen oozing individuality and bathed in blue highlights WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y U R B A N S A B O M E D I A
itchens designed to replicate the Hamptons aesthetic are nothing new, but this Trend Connection Homes kitchen is a little slice of Hamptons heaven, and one worthy of a place on your next vision board. Functionality and luxury are comfortable companions inside the Madison 35 five-bedroom display home, where the kitchen’s show-stopping design grabs your attention with little more than a flutter of its Electrolux cooking appliances. The kitchen is arranged around a large window perched above the stone benchtop. A remote-controlled flush ceiling-mounted
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rangehood keeps the window free from the visual impairment of a canopy rangehood. Classy cabinets and a bold island bench shake up the Hamptons aesthetic. “As well as keeping up with the luxurious and relaxed feel of the classic Hamptons look, we wanted to create a bold statement that would make the home a standout,” a spokesperson from Trend Connection Homes explains. “While we love the soft, feminine feel of the Hamptons look, we wanted Madison 35 to showcase masculine features. This is why we opted for the bold blue island to contrast against the soft and delicate white cabinetry throughout the remainder of the kitchen.”
The centrally located kitchen enjoys a scullery and walk-in pantry with a wide 1200mm island. The island combines Polyurethane cabinetry with decorative end panels, 40mm natural quartz stone, a butler’s sink, pull-out bin, built-in microwave and integrated dishwasher, along with the drawers and push-to-open cabinets to the entire barback. For all its opulence and pizzazz, this kitchen was surprisingly modest in price, coming in just under $31,000. Affordable and delectable, the kitchen is a trendsetter we’re more than happy to follow. trendconnection.com.au
DETAILS Designer/builder: Trend Connection Homes Cabinetry: Knebel Kitchens island cabinetry is Tesrol design 510 in Dulux Stream UD; main kitchen cabinetry is Tesrol design 510 in Blossom White Cooktop: Electrolux 90cm induction cooktop Oven: Electrolux 90cm freestanding gas cooktop and electric oven Flooring: Aspire Luxury Hybrid flooring in Twilight Mist Stone: Quantum Quartz 40mm Natural Quartz in Michelangelo to island and 20mm to main kitchen Sink: Turner Hastings: Novi single-bowl white Butler sink Tap: Abey Exposed brushed nickel Breach tap Lighting: LED downlights, pendants in main kitchen over island Accessories: Hettich handles, Lorica Pewter Look drawers, Essa Pewter Look cabinets
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Outdoors Exceptional outdoor design and landscaping
Photography Peter Brennan Photography
182 Coogee garden
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OUTDOOR COOGEE GARDEN
Funky timber features BRING THIS SPACE TO LIFE This Coogee property was given a new life with creative timber solutions and an injection of tropical-inspired greenery, creating that holiday experience right in the backyard WORDS C A S S A N D R A E L L I OT T IMAGES P E T E R B R E N N A N P H OTO G R A P H Y
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he clients of this Coogee home needed a repair, rebuild and an addition to their yard. They wanted better access to the garden terraces and the rear studio, which sits at the very top of the steep garden. They needed to repair and rebuild retaining walls to provide better safety, and they wanted to increase their privacy from neighbouring properties. Andrew Lane from CALDESIGN teamed up with The Other Side Landscapes to design and build a space that met the clients’ needs in a very innovative way. They began by ridding the property of the abundance of invasive weeds and overhauled the plants. By selecting plantings in a subtropical style that focused on density, lushness and were also low maintenance, the space was instantly refreshed. The original design of the garden set out the proposed locations of the main feature and structural plants. This layout was underpinned by the grouping and location of the understorey layer, which is two to three tiers of groundcovers and cascading plants, low and medium shrubs and climbers as well as accent plantings. Micro-factors such as views, shade and soil condition also helped inform this process.
The homeowners love to travel, and the team drew inspiration from some of their favourite locations. Their love of tropical and subtropical environments is now recreated in their very own backyard. The design played to the relaxed lifestyle and lush vegetation in the layered terrace plantings, the plant-fringed path and stairs, the hidden reading nooks and the creative, custom timber elements. This property is unique, which meant that there were also some unique challenges along the way. Building access was an overriding issue regarding the type, weight and bulkiness of materials that could be incorporated into the design. However, the greatest challenge was the design of a unique and interesting entry feature that would work on multiple levels, being functional as well as aesthetically pleasing. It also had to provide additional privacy, dress the boring paling fence and complement the house and the feel of the new garden. It was no easy task. They say teamwork makes the dream work, and in this case that couldn’t be truer. The clients’ dream entryway required teamwork and great communication between all parties. CALDESIGN collaborated closely with the owners, offering a succession of concept drawings, discussions and design detailing
ABOVE The horizontal screen battens were created with mixed hardwood colours to provide additional tonal interest. This contrasts nicely with the matt black vertical paling fence TOP The simple, custom built-in bench seat at the end of a meandering path is located under a young Sydney red gum and overlooks the house and garden through Kentia palms
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OUTDOOR COOGEE GARDEN
and refinement. Once they were pleased with the design, there was also close collaboration and co-ordination with the carpenter to ensure it was a success. The new garden is very low maintenance, requiring minimal care and water. It includes masses of carbon-absorbing vegetation and provides much higher levels of afternoon shade to the home’s living areas in summer. Andrew describes this space as a subtropical garden. “It’s a lush east coast style with touches of Bali and Sri Lanka and has Mediterranean influences around the sunnier courtyard area.” The use of treated, dressed and roughsawn hardwood timber was chosen in lieu of heavier materials due to access constraints. “The site’s extremely steep with lengthy, winding steps to reach the entry and rear garden from the street,” Andrew explains. The walling materials selected were purely functional. H4 treated pine sleepers and logs were used to repair and build new garden terrace retaining walls around the space. As part of the design, it was noted that the walls were always going to be covered over with dense foliage, and therefore structural integrity and functionality overrode any aesthetic concerns.
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However, the fencing and screening requirements presented an opportunity to add artistic expression and a creative touch to the entry part of the garden. The custom horizontal slat sculpture is mounted proudly along the painted boundary fence and was a creative solution to the privacy issue. To keep with the informal, rustic nature of the garden and to stay within the budget, rough-sawn mixed hardwood timber was used for screen battens. By using three different batten lengths, a seemingly random horizontal pattern was added to the design. The mixed hardwood colours provide additional tonal interest, all set against the vertical paling fence, which was painted matt black for added contrast. When it comes to rejuvenating a tired old space, there’s always some room for creativity. In this instance, a cedar storage enclosure was required to hide some garden tools and the end product is a beautifully crafted focal point in the space. The curved cedar storage enclosure evokes the form of the trunks of the large gum trees in the area and really stands out as a key design element at the entry area. It incorporates functionality and visual interest, setting the tone for this relaxing and truly unique property.
TOP LEFT A unique design feature that also offers functionality, roughsawn western red cedar slats were used to clad the curved ‘storage shed’ frame, which was designed and fabricated specifically for this project TOP RIGHT Lightweight, treated pine was used for decking, step-treads and garden path steppers, which is a great budget-friendly option
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01/ BEYOND TIME
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Hot products & SERVICES
Sit back and relax in the Glenaire swivel chair by Justin Hutchinson. This exceptional occasional chair, made locally in Melbourne, is part of Kett’s 2020 collection and exemplifies comfort and style. You can choose the fabric or leather to best suit your home and tastes. A slow-release memory foam guarantees seating comfort, while the curved back (comprised of feather/down) and gentle swivel allows you to unwind with ease. Available exclusively through Cosh Living, try this seat for yourself at one of its showrooms. coshliving.com.au
02/ FIRED UP Morsø created the 6612 fireplace with the idea of wanting something more than just a functional heating appliance. The brand wanted to challenge the typical interpretation of style and function, and set new standards to captivate a viewer with surprising elegance. The 6612 convector fireplace features a combination of cast iron, glass, and an elliptical shape that’s complemented by a unique double door that maximises the glass area and provides a 180-degree view of the flames. Slim teak legs and gold-tinted vermiculite bricks decorated with the Morsø squirrel are the finishing touches to this stylish fireplace. castworks.com.au
03/ TRANSF-AWNING YOUR HOME
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Windows are a seriously underestimated feature of a home. Allowing light, air and sometimes the cat into the home, windows are an essential element of creating a liveable space. Dowell’s Multi-Transom Awning window is one style that offers durability, low maintenance and an attractive appearance. Every aspect of the window is manufactured to Dowell’s exacting performance and aesthetic standards, from its smooth operation to elegantly styled sashes. Integrated tubular mullions and transoms with concealed fixings bring superior strength, while a patented continuous anti-rattle hook hinge system ensures quiet operation. Fully integrated flyscreens and high-performance Low-E glass options are also available for the perfect finish. dowell.com.au
S H OP P I N G HOT PRODUCTS & SERVICES
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04/ HIGH STANDARDS
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The main things you want in a kitchen mixer are practicality and convenience. Designed and hand-built in Australia, Faucet Strommen’s Pegasi M pull-down kitchen mixer delivers just this. Equipped with a tough, flexible rubber hose (complete with a lifetime warranty) and a non-scratch polymer nozzle, it will stand the test of time. This mixer is made from solid brass in 20 colour finishes for durability and unmatched freedom of artistic expression. Let the tap do the hard work in your kitchen. faucetstrommen.com.au
05/ SHOW YOUR METAL Love the look of metal but hindered by its lack of flexibility? Metal Inc works with leading liquid metal technology to create bespoke interior and exterior finishes. Designed by artists and crafted here in Australia, these innovative true metal products include statement entrance doors, cabinets, luxurious wall coverings and custom-made furniture. Designing with metal is no longer limited by the weight or rigidity of the material. Metal Inc studio creates surfaces using gold, brass, bronze, iron, zinc, aluminium and the list goes on. They’re combined with unique textures such as craquelure, shagreen and snake skin, so your options are limitless. Metal Inc artists also specialise in gold gilding and reverse glass painting. metalinc.com.au
06/ STEAM DREAMS Turn up the heat and sweat out your worries with your very own sauna. The Full Spectrum sauna from iHealth Saunas offers the latest in infrared heater technology and design. The sauna can be installed almost anywhere with a flat surface and a power point, from a spare bedroom to a garage space, or even outside undercover. No plumbing, water or permits are required. With free delivery Australia-wide and space for two or three people, grab a friend and get ready to relax. ihealthsaunas.com.au
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07/ THE CHOICE IS YOURS Form follows function, but good design enjoys both. Combine gorgeous views and functionality with a glass “wall” statement that offers light, access and energy efficiency. Each glass panel can operate independently so you can combine sliding, bifold or French doors with tilt-and-turn or fixed windows. Each home will have different requirements, so double- and triple-glazing options ensure you can choose a glass best suited to your location for optimum light levels and insulation. German hardware provides secure multi-point locking and the exterior can feature powder-coated aluminium cladding for low maintenance. Create your own combination with Paarhammer. paarhammer.com.au
08/ IN YOUR ELEMENT
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Winter may have passed, but it’s hard to forget the seeping chill that it brings each year. Plan for year-round comfort by investing in a fireplace now, so next year you won’t be caught out. The Element 1200 is one of Real Flame’s bestselling fireplaces, with a power-balanced flue allowing total flexibility during installation and an impressive 5.2-star energy rating to keep your bills low. It’s also time to get smart, with a full remote as a standard feature and Wi-Fi capability through an app so you can control your fire from your smart device. No more coming home to a cold house! realflame.com.au
09/ VALUE FOR MONEY Starting from humble beginnings, Trend Connection Homes opened its doors in 2011 as an answer to Sydney home buyers looking for a pleasant and easy homebuying experience for exceptional value. With a variety of designs from single to double storey and granny flat or narrow lot homes, there’s a lot of options to choose from. Customisation is available at every point of the process, from picking your external facade down to choosing your kitchen appliances. Trend Connection Homes strives to give its clients a quality home with a great value for money. trendconnection.com.au
10/ MATCHY-MATCHY
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Say hello to the Calissa collection: Schots Home Emporium’s first matching bedroom-bathroom furniture range. Comprising contemporary wall-hung bathroom vanities, bed frames, bedside tables and chests of drawers, it can create complete harmony between the bedroom and ensuite. These exclusive designs are made from solid timber and are hand-worked to give each piece a unique stamp of authenticity. Of course, matchy-matchy doesn’t mean you can’t mix things up. Have your choice of two oak finishes and three handle finishes for a perfect match, or subtle differences to characterise each space. Enjoy the possibilities. schots.com.au
11/ COVER UP Research shows that up to 30 per cent of total temperature loss from your home occurs through uncovered windows. Luxaflex Duette Architella Shades are a chic and innovative window covering that provides superior energy efficiency. The unique design features a patented cell-within-a-cell honeycomb construction, creating three insulating air pockets to trap air, reducing the loss of warm air in winter and helping to regulate home temperatures. It’s time to take your thermal comfort up a notch. luxaflex.com.au
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12/ TWIST ON TRADITION There’s something to be said for a design that embraces the past while being relevant to the present. The Axia wall mixer set provides a fresh take on a traditional style, with an asymmetrical design and a unique handle featuring a rotating outer dial and fixed central indicator face. Each mixer has been meticulously crafted with crisp detailing and a strong presence. It’s no surprise that Axia’s innovation and cutting-edge design has been recognised internationally, winning prestigious Red Dot Best of the Best, iF Design and Good Design awards. phoenixtapware.com.au
13/ THINKING OUTSIDE THE BOX Award-winning kitchen, bathroom and living room design doesn’t come without a wealth of experience. After more than 20 years of business, thinkdzine understands how to make a stylish, functional space for a client. Based in Sydney, this close-knit team has a knack for combining the bigger vision with small details to take a space from ordinary to
extraordinary. This family kitchen is one example of their designs, filled with sustainable and thoughtful products for a healthy interior. Clever features such as finger pulls and pocket-style open shelves culminate to create a vibrant space that flows into the rest of the home. Talk about good design! thinkdzine.com.au
14/ A TASTE OF MARRAKESH The enviable styles found in Marrakesh, Morocco, are renowned around the world. Designed to provide an interesting geometrical statement to enhance the entrance to a modern home, the Marrakesh door makes a playful addition. The contemporary feel to the door is created by the block window cut-outs and sleek bar handle. The Marrakesh door is a new addition to the all-red cedar door range by The Woodworkers, which also includes doors with operable panels for ventilation, barn doors, and a collection of standard and oversized Hamptons-inspired creations. woodworkers.com.au
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ABOVE Running water in our homes is one of the best designs of all time Photography Jason Jarrach TOP RIGHT Pete’s had a brilliant idea …
Great design — “YOU KNOW YOU’RE SOAKING IN IT”
Feeling positive about the future of home design WO R D S P E T E C O LQ U H O U N
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ou’ve heard the familiar catch cry: “Great design can change our lives or at least make us feel better about ourselves.” Having an interest in, if not passion for, design is an inherent trait of optimism. We imagine the possibilities of creating something new, the prospect of improvement and enrichment. The blessed home industry thriving on inspiring and encouraging us to constantly upgrade The truth is you don’t need to spend large sums of money to get a design “fi x”. You just have to know where and more importantly how to look. The wonder of creativity surrounds us — it’s found in every pore of the modern home. Imagine, for a second, holding in your hand a lightweight, sensuously shaped piece of glass. This sculptural form is not only beautiful, it also encases delicate technology that transforms your life. It’s one of the greatest feats of engineering and design ever created and it’ll cost you about a dollar. I refer to the humble lightbulb. Yet do we ever really stop and appreciate this revolutionary wonder? We gaze and drool over the latest chrome, swivel, shiny European tap that does a back-flip after crushing my ice. But do we ever really stop and appreciate the advances in hydraulics, mathematics and physics that deliver clean running water, not to a well down the road or a communal fountain, not even to our doorstep, but literally into our kitchen and bathrooms? I remember one of my university lecturers once saying, “Having hot running water into a house is the height of western civilisation.” At the time I thought “what the hell is he talking about?” but when you think about it, the ingenuity to make it happen is remarkable. Yet in Australia most city dwellers never give it a second thought. These are just two examples of truly phenomenal luxuries — human achievements of the highest order. Present times may restrict our ability to import that exotic tile or full-length mirror. Greater satisfaction, though, may be found reflecting on those life-changing design items already in our homes. Without them our lives would be very different indeed. Talk about design changing your life — imagine for a moment no electric light or hot running water. We mustn’t feel anxious about obtaining the latest designer trend. While this may provide satisfaction on a material level, such things don’t have the impact more humble items already have on our lives, and for a mere fraction of the cost.
E X P E RT A DV I CE
The notion of celebrating the “simple” or “common” may seem a little philosophically ultraist — the idea of identifying the seemingly benign and giving it greater standing. Does not the pragmatic tap that performs its function possess a purity of intent worthy of our attention and acknowledgment? Good architects must be part financial advisor and marriage counsellor, and while the industry flourishes on people investing in the new, it must be affordable and within our realistic capabilities. Budgets transparent, properly managed and predicted. As in the medical profession, “good design” should do no harm. That should include avoiding undue financial stress caused by extending ourselves beyond our means. I guarantee you there aren’t many high-end designer items that will alleviate stress better than a hot shower. With a shift in focus, great design and ingenuity can be found everywhere — it all comes down to perception. Possessing something beautiful is not the same as appreciating it, which, for lovers of great design provides greater satisfaction. To fully extract the wonderment contained within our homes, we need only to stop and discover the humble yet extraordinary items that, without fuss, make our lives more convenient and comfortable. Great design, like beauty, is the prospect of happiness — it comes in many forms and we are surrounded by it.
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ARCHITECTURE
“I GUARANTEE YOU THERE AREN’T MANY HIGH-END DESIGNER ITEMS THAT WILL ALLEVIATE STRESS BETTER THAN A HOT SHOWER” GRAND DESIGNS
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IMAGES Yellingbo Artist’s House from Grand Designs Australia Series 2, Episode 8
s COVID-19 spread through cities and countries around the world, governments ordered their residents to seek refuge in their homes and many people spent months restricted to rooms in which they once spent little time. For a while, those rooms encapsulated their entire existence. This short-term recalibration could have longterm effects. As a result of the lockdowns, we’ve also seen a wider acceptance of working-from-home policies and telecommuting. How do the spaces we live, eat and play in allow for a functional and separate use for work and what does the pandemic mean for the future of home design? In planning for the future, most of us expect that environmental degradation and climate change will increase with each passing year, but no one could have ever predicted the global health crisis and the impact it would have on our daily lives. For a number of years, residential design has been focused on an open floor plan. While this layout allows for spaces to flow and open up to outside areas, the connectivity can be detrimental to functional privacy. A home must have the capability to function flexibly as more than just a gathering space. People now value their homes more than ever before and are aiming to make spaces more functional and fluid in their purposes. Being able to simply close a door to a space has always been good for mental health and privacy, but it’s now essential so people can complete their daily work. Design must be accommodating within a small space to create opportunities that really require privacy yet still have hospitable and communal spaces.
A WHOLE NEW WORLD
The future OF HOME BUILDING Will the lifestyle changes we’ve seen this year have lasting design repercussions? WO R D S C H R I S K N I E R I M
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Underused areas have been reborn in various ways, from spare rooms being transitioned into temporary offices to living rooms becoming spaces for physical activity. We’ve also seen the growing importance of storage as people seek more ways to cleverly conceal personal and household items. We’ll see a growing propensity for the interiors of existing dwellings being retro-fitted to accommodate additional rooms, while new homes will once again contain sealed rooms, including the old “home office”. While we’ve all become accustomed to
E X P E RT A DV I CE BUILDING
working from home, business owners have learnt how effectively people are able to do this. They’re re-evaluating how necessary their physical office spaces are and how much money they can save with employees working from home at least part of the time. Office spaces will become an essential space (for client meetings, for example) and in order to make this work, there’ll need to be serious changes to the home office concept. In fact, this health crisis could possibly have a long-term effect on how important a home office is in residential design.
ADVANCING TECH Luckily, technological advancements have allowed residents to become accustomed to living and working from home. Daily video conference calls with work colleagues, relatives and friends have become the norm and are reasoably easy to do. No longer will
we see a computer on a lone desk in an open space; a dedicated sealed office space will become a necessity for many, allowing for minimal disturbance and added efficiency. As the need to travel into the city in peakhour traffic reduces, we’ll see less congestion and less pollution. The time saved in not having to travel to and from work can be used in other ways. I predict new builds will see less open-plan living, with either more concealed rooms in the dwelling or retractable room dividers or enclosures. For those who own homes without the available internal space to add a home office, external space will be sought and we’ll see a rise in granny flats/detached home offices. Many of these buildings will be mobile and, in some states in Australia, won’t require council permits. It’s important that we don’t start closing in our homes and forget the importance of
natural daylight, quality materials, healthy indoor air quality and access to liveable outdoor spaces. Hopefully, this will inspire designers to consider new ways to think critically and creatively about domestic environments. Fundamentally, the pandemic has caused us all to change our perception of how we live and work, underlying what’s always been important but has been forgotten. It’s helped remind us how important our homes are to our daily wellbeing. I think people will now start appreciating simpler lifestyles. When you’re faced with living with something for long enough, you learn how to work with it and you learn how to love it in a different way. Perhaps that’s the one positive to have come out of this. Chris Knierim is a designer of award-winning sustainable homes. codegreen.com.au
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E XPERT ADVIC E ASK OUR ARCHITECT
Ask our architect Editor-at-large Peter Maddison answers your questions
Q
We are a young couple wanting to get a start in the housing market but have limited funds. We’re happy to commute and don’t mind the idea of living in a newish suburb and building from scratch. Is there an affordable way to go about this, and is having an architect an unachievable aspiration? Our budget is around $250,000 build cost.
Ellie and Jono, NSW It is possible for you to build a house with those funds provided you take an active interest and be involved. Your labour and research are important. If designed from scratch, there will be professional fees such as architect, structural engineer, building surveyor, which will add 15 per cent to the build cost. A builder will also add 15 per cent to manage the trades. This is the price you pay for a tailor-made building. There are ways of reducing this cost. Design it yourself or get a draftsman, keep your aspirations humble and footprint small, but don’t underestimate the quality of life you gain from an intelligently designed building. I suggest you look at Turners Beach Tasmania (Season 6), where Nigel and Nina built a fantastic corrugated and spotted gum shed-like building around existing eucalypt trees. Total budget $260,000. It can be done.
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I’m a steelworker with great equipment and workshop and am hoping to utilise these to keep the costs down in the construction of a new home. Is my skill an advantage? I have a steep block on the back side of the You Yangs in Victoria.
Steve, Vic Any skill in the building industry is an advantage. If you have the time, you could consider taking a commercially available off-the-shelf steel shed, assembling it yourself and then value-adding to the structure. A great example of this is the Long House in Daylesford, Victoria, featured in Season 7. The architect, Timothy Hill from Partners Hill, did exactly that. Once you have an outside envelope constructed quickly, you can tailor the interior in an empathetic way to the vernacular of a country building, simply built with your TIG or arc welder. I do suggest you engage an architect for this, as the outcome could be spectacular using this genre.
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The shower recess in our bathroom in our 20-year-old house is looking very worn. The tiles have yellowed and the glass has turned cloudy. It seems that no amount of scrubbing and application of various products makes any difference. We’ve tried everything. Do you have any suggestions? We can’t afford to replace the shower.
David and Alex, SA I suggest you contact a surface restoration company. For less than $1000 they can work miracles. They can also apply a protective coating over the tiles and glass, which will also make cleaning much easier in the future.
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I have been progressively making an attic area above my double garage and, due to having a roof pitch of 45 degrees, I want to put in two dormer windows with a northerly aspect. In order to submit a plan to the council for a permit, I need a basic plan of the timber framing required to connect to my rafters etc. Can you assist?
Clyde, Qld Sounds like a good use of space. My recommendation would be to go straight to a structural engineer, who can give you a solution for utilising the existing rafters and adding any other beams or column support for your new roof space. You might find that an engineer’s drawings are all you’re required to submit for a permit given how minor the works are. As an alternative to dormer windows, and to save cost, you might consider installing skylights inset to the same pitch as your 45-degree roof. Velux makes good pre-made skylight windows that can open and close, plus has models with built-in blind systems. If council wants any other plans drawn, I’d suggest you go to a draftsman as it sounds like you’re quite resolved regarding design direction. PS: You might like to look at using a spiral stair rather than straight flight stair as they’re more space efficient and could well add to the loft experience.
A Who could forget the skylights in the Brighton Sixties House from Grand Designs Australia series 2, episode 1?
Q&A — Need Peter ’s help? Email your queries to homedesign@umco.com.au
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Photography Sam Noonan
INDEX
Index Aurora Fireplaces ...........................................................73 Briclad.................................................................................. 97 Castworks..........................................................................34 Code Green......................................................................60 ComfortHeat.......................................................................8 Dowell ....................................................................................6
Faucet Strommen.......................................................... 23 iHealth Saunas.................................................................. 14 Kitchen Collective....................................................... 163 Liebherr.................................................................................17 Luxaflex............................................................................... 36 National Tiles....................................................................84 Paarhammer.....................................................................56 Phoenix Tapware.......................................................... 107 Real Flame.......................................................................... 21
Schots Restoration ........................................................10 Smart Joinery................................................................... 28 The Woodworkers Co. ................................................. 12 Think Dzine.......................................................................167 Trend Connection ...................................................... 170 Zenstone .......................................................................... 154
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