Heaven's Metal, Issue 77 (Oct/Nov 2008)

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Oct/Nov 2008 Issue #77 $2.95

The Showdown X-Sinner Harmony Stricken + lots of album reviews

Issue #77 October/November 2008 "This moment drove me to realize that I had put my career first, for quite awhile now, and I was ignoring God and the Christian life that I was raised in."

® band on RCA Records. I spent two years with the Joshua band as we waited for Dieter Dierks (Scorpions producer) to produce the album we were rehearsing over and over. It was a time of growth both spiritually and musically as we waited patiently for the promises to happen. We finally recorded the Intense Defense record in 1988 in Germany. It took over six months to complete as we ended up recording it twice with two different producers, and neither of them were Dieter Dierks. But, by that time, the band was frustrated and was not getting along well, and soon fell apart.

So in 1989, I left and started my own band and named it Driver (because everyone seemed to know me from the MARS album) and we recorded a 24-track EP to shop to labels. After two years of pursuing a deal, first in L.A., and then in NYC, we hit a wall when grunge came out and we all went our separate ways.

Oh yeah! I also did a sideman job for Angelica shortly after leaving Joshua. Ken Tamplin (who also was in Joshua for awhile when I first joined) was producing the Angelica CD for Dennis Cameron. Dennis was suddenly in need of a studio singer and Ken suggested me and called me up. I was happy to do a Christian album and went in on the weekend, met Dennis, and belted it out. It was a quick session, but turned out to be a big hit in the Christian scene and introduced me to a whole new audience. So Driver was also influenced by the new exposure to the Christian scene and since then I've always been aware of my lyrical content, trying to be biblically correct while not being labeled or forced into any certain box.

Driver The Return

by jeff MccorMack

Once upOn a time, in 1989, a five-sOng cassette was released in limited quantities that shOOk the christian metal scene and has since becOme sOmewhat Of a “cult” classic. i persOnally, just last year, shelled Out clOse tO fifty dOllars tO acquire an impOrt versiOn On cd Of this classic release (the cd includes the entire first prOphet album tOO, sO it was a dOuble prize fOr me). while we never heard anything further frOm this amazing band, we knOw the amazing catalOg Of wOrk since then frOm vOcalist rOb rOck. well – after nearly twenty years – driver is back, and we have cOrnered rOb tO fill us in On the new album, amOng Other things...

JM: Rob, before we jump right in to the new Driver news, take us back in time and give us a brief look at your music/recording career, and how you got to where you are today.

RR: Once upon a time in the Northeast corner of the USA, there was a small New England boy looking for adventure… Well, let’s skip forward to the recorded music portion of the story! I was playing the club scene back in the early eighties with my band Vice and we had the big P.A., the lightshow, the truck, the crew, etc. and we were playing nearly 300 shows a year, actually making a decent living at rockin’ and rollin’ all over the New England states. Then I got a call from Mike Varney of Shrapnel records on my answering machine

that said I had “a once in a lifetime opportunity” and I should call him back immediately – well, I did just that.

Next thing you know, I’m out in L.A. auditioning for a band that consisted of Rudy Sarzo and Tommy Aldridge of “The Blizzard of Oz” band, and the newest Varney guitar sensation, Tony MacAlpine. It was 1986 when I recorded my first album M.A.R.S. – Project: Driver.

As we were booking a worldwide tour to follow the release of the album, Rudy and Tommy got an offer from David Coverdale (Whitesnake) that they couldn’t refuse. Tony went back to his solo career and I was lost in Hollywood. I gave up all that I had built over the years with Vice and now here I was alone.

This moment drove me to realize that I had put my career first, for quite awhile now, and I was ignoring God and the Christian life that I was raised in. At that point I wanted to make a distinct decision to give my voice to the Lord and to make my lyrics pleasing to him. As I was looking for a new band to join, I recorded a demo EP with my friend from back East – Chris Impellitteri (who was in Vice for a year before he headed to L.A. a year earlier than I did). Chris took the tracks and searched for a deal and eventually that demo was released on Relativity Records.

I went on and searched for a signed band that would allow me to get back to Christ and I joined the Joshua

I re-joined Impellitteri, who was now signed to JVC/Victor Japan, but first I took up an offer and did the Axel Rudi Pell album Nasty Reputation in Germany, so I would have money to move back to L.A. where Chris was. Then, from 1991 to 2000, we put out seven Impellitteri albums together and went to Japan about six times to promote and tour behind the albums. I was still writing the lyrics and melodies and was infusing Bible themes and Christian world views. Even though we took some flak for that out in the world market, we did very well in Japan and then eventually JVC offered me a solo deal. I wanted to do both Impellitteri and solo albums, but Chris decided it was time to change things up and all of a sudden I was a full time solo artist.

In 2000 I started my solo career with my buddy Roy Z from Driver, who is producing and co-writing my albums under my name (my real name!) Rob Rock. I continue to use Christian friendly lyrics and metaphors as I did with Impellitteri and Driver, and made a strong impact in Europe where the press there dubbed me “The Voice of Melodic Metal.”

I’ve released four solo albums worldwide so far since then and also did some studio work and some notable albums with Warrior (Code of Life in 2001), Avantasia (The Metal Opera 1 (2001) and Part 2 (2002), and the heavily bold Christian lyrical CD Fires of Babylon in 2008.

Great, thanks for the history lesson. Oh, and yes, I own every album you just mentioned… I guess I am a fan. So, now on to the newest news, give us a brief background on the history of Driver.

When I had left Joshua in 1989 to start my own band, Emil Brando and Greg Shultz from Joshua joined me and we recruited Roy Z and Butch Carlson. We recorded a 24-track demo to showcase the band and try to get signed. That demo EP had six songs on it and made a huge noise in the industry. We played many L.A. gigs, including the Foundations Forum that year, where we were exposed to a worldwide audience and press. We continued to search for a deal on the West Coast and played the Whiskey and a few other hot spots. Then we decided to try the East Coast

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song now!” I had a really hard time writing lyrics for that song; I just couldn’t come up with anything, so I kind of pushed it to the back burner for a while.

Somehow, the lyrics came together in the end. It had to be from the Lord, as that song really blesses me every time I hear it. It reminds me that God is always there for me. He will never leave me or forsake me.

In my darkest hour, He is my light and my salvation.

Some day I will see Him face to face and all of the trials and tribulations of this life will be forgotten.

On the last track of the album, the band gives those who are unsaved an opportunity to accept Jesus Christ as their Savior by leading them in a prayer. Do you feel that God’s command to help save the lost applies absolutely to Christian bands and Christians that create music?

Yes, we were making demos for Atlantic Records because they had a very strong interest. After a few months and several visits to the label in NYC with new 4-track demos in hand, the label finally admitted to us that they made a decision as a label to pursue this new sound called grunge. After that we started seeing other labels follow suit, so it was getting harder to have patience, and in late 1990 everyone went separate ways. I rejoined Impellitteri, Roy went back to L.A. to start his own band and start producing other bands, and the rest of the guys went on and did their thing.

ELEMENTS

So, grunge is now pretty much dead (thank you Lord). What are your current thoughts on the music scene? Do you feel there is a shift and/ or return to the popularity metal enjoyed in the 80’s?

I think the internet has helped make more people aware of good quality rock music out there, instead of just hearing what the radio or television might be playing. I think people who have music in common spread the word around and, because we are all connected now with the internet, it seems like we can reach more people on a grassroots level as opposed to a huge old-school marketing campaign. Radio and MTV are not the only game in town anymore.

So, how did the reunion take shape? And why now?

I was contacted by Georg of Metal Heaven in 2007 and he told me his idea for Driver and asked if Roy Z would be interested as well. I then talked it over with Roy and we were both excited about finally getting these great songs out on a full-length CD after all these years. We had written probably 30 songs around that time and always felt we were cut short because Driver should have been signed back in 1989. So, the dream of getting this Driver album done was resurrected and we started making plans to get it done.

What are you hoping to accomplish with Driver? Is this just a reunion album only, or will the band continue, tour and/or give us future releases?

06 Metal tracks Bride, Thieves & Liars,

We already accomplished what we intended to do and that was to finally put out a full-length Driver CD worldwide. Driver is a band, but it all depends on the demand and the fans. If there are enough fans interested in seeing us live and doing a followup album, then we are all ready to deliver, and I hope that will happen.

So, in 2008 you have been involved in the Fires of Babylon release, and now this amazing Driver CD. What is next for you?

2009 will see a Rob Rock Live CD/DVD on AFM Records that I just shot and recorded with my Swedish band (featuring members of Narnia – CJ Grimmark and Andreas Passmark, Peter Halgren and Tracy Shell on drums) in Atlanta Georgia at the Progpower USA festival. Also in 2009, Chris and I will release a brand new Impellitteri album called Wicked Maiden. And in 2009 I’ll be doing some Driver, Rob Rock, and Impellitteri touring as well, Lord willing.

Sin Dizzy, Kekal, Narnia, Mantric, Azmaveth,

Holy Blood, Grave Forsaken, and more.

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STricken Disturbing the Peas

INTervIeW BY ChrIS BeCk

WiTh a heavy, modern Sound noT Too unlike diSTurbed, STricken Should quickly make a name for ThemSelveS WiTh The recenT releaSe of a very STrong firST album. Should They be covered in Heaven’s Metal? abSoluTely! WiTh hinTS of ThraSh ThaT alSo remind The liSTener of bandS Such aS oil and kruSh (Singer dave meriWeTher’S former band), along WiTh STraighTforWard chriSTian lyricS, STricken’S muSic iS like The criSp auTumn air in The morning – iniTially diScomforTing, buT refreShing and invigoraTing in an oTherWiSe STale World.

Chris Beck: There was a fair amount of time between when Stricken began playing shows as a new band and the release of your first album. What were some of the challenges with recording the album and getting it released?

Dave Meriwether: We initially went into the studio about six months after I joined the band. We had just begun playing shows and we wanted to be able to put the music into the hands of anyone we could. We spent a couple of months on the recording process, but when we listened to the finished product, we weren’t satisfied that it was a true representation of our sound. I think a band needs to play together for a while in order to gel and develop a sound, so we played a lot more shows and then went back and re-recorded the whole project.

Now that the album is finally finished, is the band happy with it?

We are! I think we were able to capture the performance and energy that we have live, which is not always the easiest thing to do in a studio. We are very pleased with the end result and are happy to finally have it done!

Your lyrics are boldly Christian and leave no doubt about the band’s beliefs, but avoid being “preachy” due to their honesty and heartfelt nature. What is the band’s process or inspiration for writing song lyrics?

The lyrics were all written by me and our guitarist, Matt Kearney. When I came into the band, some of the songs were already written. The way I write is that I like to record the music and then spend a few weeks just drilling the song into my head. I usually drive around in my car and work different things until I get the right feel. After that, I put pen to paper and see what comes out. I am famous for waiting until the last possible second to finish a song! All of us have been Christians for a long time; we have been on the mountaintop and in the valley. One thing about these songs is that we feel like we live them every day. Just like the Apostle Paul, I am an expert on the “Vicious Cycle,” which is a song based on Romans 7. I don’t feel the need to preach. I’m just trying to be real. I love the Lord and I am a sinner, so that is what I sing about.

Which song on the album has the most meaning to you and why?

I really like “Final Day,” which is weird because it used to be my least favorite song.

I think after I heard Brian Scottini’s drum tracks I was like, “Okay, this is my favorite

Well, if you play in a “Christian Band,” then I think you need to determine what your motives are for doing it.

To us, we see Stricken as a ministry, so we put a lot of energy into clearly communicating the message of the Gospel in our music. The great commission involves all of us, so if you are in a Christian Band, I think it applies. If you are a Christian that is a musician and you are part of a group that is not a ministry, you may not be able to use your talent as a way to share your faith. As a Christian, however, the great commission still applies.

An ongoing debate is whether it’s okay for Christians to listen to secular music, and if so, whether there are certain bands/genres/lyrics that should be avoided. What are your views on this and how do you personally apply these views to the albums you listen to or the concerts you attend?

I know a lot of people that have problems with secular music, but have no problem watching television, going to a sporting event or reading secular books and magazines. There isn’t much difference to me between a Lamb of God concert and an Oakland Raiders game. If listening to secular music is a stumbling block for you, then you shouldn’t do it. I love hard rock and metal and there are secular bands that I listen to. I know the other guys in the band do as well.

We all try to be responsible with what we are listening to; some bands are anti-God, and some promote violence and drug use. I don’t listen to those bands.

like these days and what is Stricken’s role in this scene?

SoCal is a difficult place to be a Christian metal musician. In the past, our role has been playing mostly secular venues, which has actually worked out well for us. We have played some pretty dark places with some pretty dark bands. We just go in and sing our set and are very well received. We don’t tone down our lyrics. We give a good performance and get invited back. We also play Christian venues whenever possible. We are actually putting together a worship set to try and open up more possibilities in that area. Of course, this is Stricken, so it will be relatively heavy.

Now that the new album is out, what three goals does Stricken want to accomplish in the next year?

We are going to try to play out as much as possible, get our worship set together and work on material for the next CD.

Any last words for the readers of Heaven’s Metal?

Thanks for supporting Christian Metal! Get the Stricken CD and turn it up REALLY LOUD! We look forward to getting out there and meeting you guys! Hit us on our MySpace site any time.

We read our mail and write back. Keep rocking for the King! God bless!

legend in Rob Rock.

12 stricken Chris Beck uncovers what

makes this band so bold.

What is the Southern California music scene

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14 X-Sinner Todd Walker goes past, present What is the current line-up of the band?

It hasn’t changed. The three main guys that make up X-Sinner have been Greg Bishop (guitars), Rob Kniep (bass) and me. Mike Buckner has been our live drummer forever.

Regarding the new album, World Covered in Blood, is there an overall message you are trying to convey? Is the title alluding to Christ’s blood cleansing the world or is there more to it than that?

Thanks to all those who wrote in to voice their concerns and (mostly) encouragement for us to keep pressing on in this publication we call Heaven's Metal. You make us feel joy inside. Oh, and while I have your attention, please make sure you grab the Jan/Feb issue of HM Magazine, which has a phenomenal article on Pilgrim of Crimson Moonlight. Did you know he lives up in the hills with no water or electricity? Check out the extensive story with photos.

So, you mentioned earlier how grunge affected your deal, so is that what stopped us from seeing a full release?

10 Driver Jeff McCormack interviews a vocal

It's time to vote!

I write this on "Election Eve" in the USA 2008 Presidential Election. Lord willing, as this issue goes to press, the world will know who the next President of the United States will be. What I want to know, though, is who YOU will vote for in the Heaven's Metal Fanzine Readers' Poll. Make your voice heard. Scream at us in this readers' poll, man! Go to the acting website for Heaven's Metal Fanzine, which is at hmmag.com/heavensmetal. You will find a link there to a customized survey/readers' poll. Please vote now.

where I had a good hometown draw in the club scene there. We played many gigs there, wrote many songs, and pressed some cassettes of the demo to promote the shows and sell at gigs. We put 5 of the 6 songs on it and eventually it became a “cult classic” demo EP. But we never put out an official release as Driver.

The blood thing would be an obvious one – especially to Christians – but there is a lot more meanings there. Like America sinking into the sea as it gets further and further away from God and doing what’s right. It represents all the blood shed in the world with wars everywhere. The video to go with the title track song shows clips from 9/11 and wars and terrorists' acts all the way to serial killers and the like. It is the first single from the album as well.

and future with X-Sinner's Rex Scott.

possible, especially in the States. If we do European dates, Greg will more than likely be there. Thom may be used as a rhythm guitarist on those dates if he wants to come and then I won’t have to play guitar at all – just sing – which frees me up a lot. Because of Rob’s back trouble, Jonah would probably be asked to come as well. I love them all and feel just as comfortable with any of them, so whatever happens, happens.

Where can our readers purchase the new record?

Our new label, Image Records, is working on distribution avenues for the album every day. There are some very exciting things in the works and if they work out, you should be able to get it at a lot of places. Right now we and Image are taking direct presale orders from our respective websites until that happens. You can purchase downloads of the album from us as well online.

What does the future hold for X-Sinner? Can we expect more new

releases future?

“For usinittherepresents paradoxes such as a God will have to see. We take it one day at a time and savor the moment more now.

Who isand/or love,IfWeyet pours outweHis wrath onIt’shuman beings, the demand is there, will respond accordingly. really up to the fans – not It has changed some. I wrote a lot in my previous band, Zion, and I changed created melodies for the stuff from Peace Treaty on, but I never really wrote entire us. We had let them critique early versions of this album online as the mixes were who arewas sinful who also have thetheimage God them.” being done and we let them design cover with aof contest.

We in wanted this to be songs from the music on up in X-Sinner until this album.

The music mostly allbut On the previous albums, Greg wrote the majority of the music. Is that still the same or has that dynamic changed?

written for Peace Treaty when I came into the band. All that was left was for me to do was write the lyrics and most of the melody lines for those lyrics. Greg has always wanted me to participate more in the music writing part, but I was slow to come around. I’d write and record stuff away from the band that wasn’t the band's style over those years. I wrote a lot on this one.

Did you have a 17-year backlog of new material to choose from, or did you start writing all new music for this project?

This is all recently written material. When Greg wrote the music for the song “Fire It Up,” it was the catapult that helped invigorate what was to come and helped us decide to actually do a whole new album. The working title of the new album was Back In Red, named after the second song written for the album. We changed the title down the road and almost near the end of the project to World Covered In Blood, once that song was completely written.

X-Sinner

How did you handle the recording process since you are spread out across the world?

Ah, the wonders of technology today. (laughs) We used file sharing technology a lot on this album. We would send actual tracked files back and forth all the time. Greg eventually had to come over to the States to track all his guitar parts, so we could really get the “live” wall of Marshall amps sound we were striving for on this album.

Rob came in from Vegas once he had all his bass lines ready to record and tracked them in California with Greg and me.

Back In Blood!

InteRvIeW BytODD WAlkeR

X-Sinner more or leSS diSappeared from the Scene well over 15 yearS ago. while they never completely cloSed up Shop, they had not produced anything new. well that haS changed, my friendS. they have come Storming back with a cd of all new material entitled World Covered in Blood. Heaven’s Metal caught up with vocaliSt reX Scott, who gave uS the lowdown on where they have been and the new album. (ed – See a full interview online.) tW: It has been 17 years since the last full length X-sinner album of allnew material. Other than the fairly recent release of earlier albums that were re-tracked and packaged with some demos, and the occasional festival shows, what have you guys been up to in those 17 years?

Rex Scott/Lead Vocalist: Has it been that long!? (laughs) Wow! I feel really old right now … thanks. (laughs again) Right after the Peace Treaty tour, we took a break and informed our label, Pakaderm, we wanted off the label and out of our contract with them. That ordeal tied us up for a few years until we got released. During that time the grunge scene took over in America and metal was all of sudden not as popular. We had started recording demos of what would have been the followup to Peace Treaty with songs like “Last Call” and “Shame On You” in our own rehearsal studio, but stopped as we watched the rock scene change. Then we took two years to record the Angry Einsteins project, because we couldn’t record as X-Sinner until we were released. Bish (guitarist Greg Bishop) had received a job opportunity in Australia that was just too good to say no to shortly after that.

Bassist Rob Kniep then got a job offer in Las Vegas as a computer program writer.

We stayed in weekly contact through all of it and got together a couple times a year. New fans were complaining about not being able to get Peace Treaty anymore except on Ebay for $40 to $60, so we re-tracked and re-mastered it and re-released it with one of the new songs we were working on called “Fire It Up.”

All the demo/archived releases on Retroactive Records had stirred up our fan base and was bringing us brand new fans from the ages of 12 or 13 on up.

Why was now the time to get together and release a new album?

Because of the success of Fire It Up here and in Europe and because of a big resurgence in classic rock over here in the States we felt our “itch” to do a new album was in perfect timing with the musical climate. I guess AC/DC and Metallica felt so as well.

How has the mindset of the band changed since 1991? Both in terms of band goals as well as the message you are trying to get out there?

Before, we were heaven bent on establishing ourselves as a good rock band and felt that it was not only our calling, but our career. We were trying to “make it” – for a lack of better words – as a successful artist. We always saw our role as seed planters of truth. That part hasn’t changed, but we are no longer driven like a young band who’s trying to make it and establish themselves. We’ve raised families since then. Greg and Rob are still raising younger children. That became our priority. Music came after all that stuff. The message is the same. We bring the truth and we bring it hard. We try to do it without cliché’s and religiosity or Christian terminology and we try to do it creatively and powerfully.

16 The Showdown Chris Gatto finds out

an album for the fans by the fans. We hope we accomplished that.

Do you have any final words or thoughts for the Heaven’s Metal readers?

Just a thank you for sticking with us all these years. We had the most difficult time making this album compared to all the rest and we think it was worth it now that it is done and hope everybody enjoys the heck out of it. We know we do! [ x-sinner.org | myspace.com/xsinnernews ]

what makes this metal band tick, tick, tick.

Based on the samples I have heard, the new material sounds like stripped-down, raw, old school blues hard rock (often compared to AC/DC). It seems to have a much less polished sound than the early releases. Almost has a live feel to it that gives it more power. Are you pleased with the results?

We are very pleased. It took two years and is the closest thing to what we’ve always wanted as an end result in sound. We prefer albums that represent more of what a band sounds like live. This album does that. You are right in saying “it gives it more power.” The live vibe adds power and punch. Some older fans like Get It more and have commented that this sounds more like Get It to them – only without the huge sampled electronic drum sounds Get It had. The drums are very “real” sounding and very live sounding on this one. Really, everything sounds that way on this one. This is the best guitar tones we’ve gotten to date, which was just one of the beefs we had with Pakaderm back in the day. Mike Meirau, who was our original engineer hired to work at Pakaderm and is still our friend, mastered this album for us.

18 album reviews 15 of 'em.

Are you going to tour to promote this album?

That really depends on the concert promoters out there. We are really starting to catch on in Europe and would like to go over there. The album is being shopped in Japan as well. The American festivals all have the same line-ups from year to year for the most part and are very trend-driven, which I find boring; so, unless we’re asked, I doubt we will show up at any. Our genre of music is becoming very popular again, however, so who knows? We try to perform in California at least once a month to keep the chops up. It all depends on demand. Where there is demand – we will be there.

In the recent past you have used a different touring line-up. Will that be the case as well this time around?

We’ve recruited two great guys to fill in live for Greg and for Rob when they cannot travel due to jobs or family. That’s Thom Schultman on lead guitar and Jonah Lewis on bass. Rob has developed some very severe back problems over the years and it keeps him from performing live a lot. Today, having Thom and Jonah makes more things

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20 columns Steve Rowe and Pastor Bob. 15

Heaven's Metal Editorial Team: Chris Beck, Bob Beeman, Jeff Collins, Mark Blair Glunt, Chris Gatto, Genifer Groff, Loyd Harp, Ed Hellig, Daniel Jesse, Johannes Jonsson, Mike Larson, Jeff McCormack, Trevor Ray, Steve Rowe, Jonathan Swank, Doug Van Pelt, Todd Walker

"This last tour I made sure I read the Bible every day. I have my student Bible and this 70's hippie Bible and I just pick a book and take it in best I can. I honestly can't believe I have done so many tours where I didn’t even crack a Bible open." laid-back Southern hard rock sound.Yet with this new album, it's killing time. The metal never lets up for a moment and is sure to slate the metal hunger of fans of Metallica, Pantera and Lamb of God, without alienating fans of 90's hard alternative like Alice in Chains.

Well, a lot of things. We knew we were going to Solid State after Ozzfest, so we came home and started writing and things just were not clicking. Travis left the band to get married and by this time it was January. We just decided to do what we do best, thrash! We really wanted to do a record that was how we were live, we just never played a lot of the stuff from Temptation live and this time we wanted to be excited to play every single track. Josh writes the riffs and lyrics… He is Metal through and through. We made that decision and we were in the studio a month and a half later recording the record. We really just let it flow … everyone had total freedom to do what they wanted. It was the most fun I have ever had making a record.

What keeps you guys sane and grounded in your faith on tour?

The Showdown

Doug Van Pelt

A Metal War in Classic Greece Chris Gatto: Welcome Dave, to Heaven's Metal! The new album Back Breaker is generating a lot of excitement and we're very happy to have a chance to speak to you.

David Bunton: Thank you so much … any time!!!

How were the members of The Showdown first introduced to heavy metal and how has that affected your lives? Also, who are your musical heroes?

The first time I ever heard metal I was 4 or 5. My mom bought me a Twisted Sister 7" and a Motley Crue 7"!!! I had a mic and little amp and I would play them over and over and sing along! My main heroes are Hulk Hogan and Michael Sweet. About 7 years ago I got this voice lessons flyer, called up the lady and went to my first voice lesson with the Soldiers Under Command disc.

I told her that's what I wanna do!! She ignored me and after about 3 lessons of Broadway stuff I quit.

INTervIeW bY CHrIS GATTo

itself – does not stand well on its own. Take for example Judas Priest's recent album, Nostradamus. Not so with Back Breaker, as each song remains relevant, memorable and enjoyable on its own merit even if you hated history class in high school/college. What inspired the focus on Greek mythology for Back Breaker?

Thank you! I wish I could take credit for that! The Greek stuff was all Josh. He is really interested in it, reads about it, has Greek tattoos – all kinds of stuff!!

There is a deeper meaning to the CD though. It’s basically his way of telling the story in the song. I would also like to thank Invisible Creature, as they really gave it a life of its own!

Have you had any negative feedback for centering your album around Greek mythology (i.e. a pagan source)?

Well touring with Ozzy is pretty legit no matter what!!! Ha ha… Not to mention Hatebreed, Lamb of God and all the other amazing bands that were on the Ozzfest line-up. It takes guts to do a tour like that, and we did half of it in a van.

That's some heavy metal till' I die stuff right there!!! The whole thing made us grow up as a group. We are just grateful to have participated in and Ozzfest; it was amazing.

Yes, we have had a lot of negative feedback. It really surprised me and I was not expecting it. The Christian market made us put a sticker of the front for Christian stores and a lot of people have written us on Myspace and through email furious about it. Christians are the world’s worst for trying to pick out stuff that’s wrong, or nit-pick what this band is doing or that band is doing … and I will say I have been guilty of that stuff as well. I refuse to let that stuff ruin my day. I know why our band is still jammin' 3 CDs later. We are for the lost, the outcasts, the metal kids that aren't cool, people that don’t fit in at church, people that don't fit in, in general.

We do NOT make music to please or satisfy Christians that nit-pick every little thing we do. We are those people’s dreams come true, because we will always be giving them something to talk about.

I have to congratulate you. Creating a concept album can make or break a band. Most of the time the album ends up being a singular piece of art, and each song – taken out of context of the album

I have to ask, what lit a fire under your collective butts this time around? You caught everyone's attention with Chorus of Obliteration, but Temptation, Come My Way showcased more of a

Has playing Ozzfest changed how your band or other Christian metal bands are perceived or opened new doors to you?

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It honestly can be really hard on tour. You have all the time in the world, but you don't at the same time. It’s really weird. We are a group and just try to love and help each other out. This last tour I made sure I read the Bible every day. I have my student Bible and this 70's hippie Bible and I just pick a book and take it in best I can. I honestly can't believe I have done so many tours where I didn’t even crack a Bible open. Pretty crazy how you get opportunities when you just ask for them. Give proper respect to everyone: love the brotherhood of believers, fear God, honor the KING. Where does stuff like that come from????? Oh yeah, the Bible … SOOOO METAL!!! If that doesn’t make you wanna get a sword and thrash with Braveheart or something you have serious problems.

What musical legacy do you hope to leave behind long after the Showdown is no more?

Hopefully people will remember us as cool dudes!! I don't wanna be remembered as a Rock Star.

What are your touring plans for this year and beyond, and what would your dream tour look like?

We are heading out on a tour with Norma Jean and Haste the Day this fall! Mega pumped for that. Dream tour: Slipknot, Lamb of God, Slayer, Hatebreed.

best wishes with the new album. I suspect that it will become a new high mark for the band and spur you on to new heights. Anything else you would like to add for our readers?

Metal up! First off, thank you for all the kind words!!! And HECK YEAH! LOVE is so powerful!! Get off your butt and make a difference. It doesn’t matter where you are or what you’re doing, you can have an impact and make a difference – at the job you don't like, in Wal-mart, whatever. I'm all about it and chasing success in God’s eyes! I love you all!

Thanks and metal blessings. Hope to see you on the road sometime!

HMmagazine.com/heavensmetal/ 1-year subscriptions (6 issues): $9.99 (USA) | $21.77 (Foreign) Advertising/Editorial Info: dvanpelt@hmmag.com 512.989.7309 | 1660 CR 424, Taylor TX 76574 Copyright © 2008 Heaven’s Metal (TM). All rights reserved.

“The wait is over!!!”

The wait is over… Roxx Records has secured the rights to release the long out of print Eternal Ryte release World Requiem. The band's debut CD has been a much sought after collectible with collectors paying top dollar for the original release on sites like eBay. Now available for a limited time and in a limited quantity this 2 disc set will feature everything you could imagine from this 80’s glam band’s history.

The 2 disc set will include the entire World Requiem release as well as 2 earlier recorded demo tapes. The 6 track Anthem demo was sold by the band and at shows prior to the release of World Requiem. Also the never before released Untitled demo, which includes 7 additional never before released songs. If that’s not enough you will also get some exclusive LIVE performances captured in the band’s heyday.

This deluxe package will be completely re-mastered, repackaged and rereleased in a limited edition quantity of only 1000. The set is now available direct from Roxx Productions at www.roxxproductions.com and also at these fine retail outlets…

NOW AVAILABLE THE SELF-TITLED DEBUT FROM

STRICKEN! Available now at CD Baby, Divine Metal Distro, Roxx Productions and many other fine online distributors

CD Baby (www.cdbaby.com) You can hear many samples here as well The Crossing Music in the US (www.crossingmusic.com) Disk Heaven in Japan (www.diskheaven.com) Rock Stakk Records in Japan (www.rockstakk.com) Nordic Mission in Norway (www.nordicmission.net) Metal Community in Sweden (www.metalcommunity.se)

This release is destined to become a collectors item, so get your copy now while they are still available!

For Full details visit www.roxxproductions.com

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METAL TRACKS

News bullets

Hard-news-for-metal-heads

The annual Christmas Rocknight will take place Dec 5-6, 2008, and will feature Kutless, Haste The Day, Disciple, Day of Fire, Project 86, Fireflight, Thousand Foot Krutch, Everyday Sunday, Future of Forestry, Eowyn, Breaking the Silence as well as many other local artists.

Get more details on this event at christmasrocknight.de.

Thieves & Liars won the award for Best Hard Rock Band at the 18th Annual San Diego Music Awards held Sept.17th in San Diego, CA. Previous winners in this category include Cattle Decapitation and P.O.D. Thieves & Liars, who were up against seven nominees for the honor, came out on top and walked away with the award. You can hear songs from their album When Dreams Become Reality their site myspace.com/weareallthievesandliars.

Harmony

by Jonathan Swank Guitarist, song-writer, producer Markus Sigfridsson is a busy man. In addition to his recent work with 7 Days (Weight of the World) and Darkwater (Calling the Earth to Witness) he and his bandmates have just completed a new EP and full-length for Harmony – the Swedish melodic metal band we have not heard from since 2003 when they released their wellreceived debut, Dreaming Awake (Massacre).

After losing their contract with Massacre, taking time out to work on the Darkwater album and touring with both bands, Markus confessed that, “The years passed by too quickly…” since the last Harmony release. But the band remains intact and has recorded 13 tracks for the new album, 11 of which will appear on the full length, Chapter II, Aftermath; the 5-song EP, End of My Road, will have 3 tracks from the full-length plus 2 bonus tracks.

Regarding the musical direction of the new Harmony, Markus commented, “I think people will recognize Harmony… The melodies are still there, but the production and sound has evolved a lot. I would say that we have matured as a band and musicians. The album is heavier than Dreaming Awake.”

Harmony started out as a project by Markus and drummer Tobias Enbert – who also drums for Darkwater – in 2001. According to Markus, “We have known each other since we were kids.

Harmony is still our band. We write and produce everything – the music, melodies and the lyrics.

The music is some kind of melodic metal, but you can also find elements of progressive and power metal.” In comparison, Darkwater was

started a few years later when Markus (guitars), Henrik (vocals) and Magnus (keys) wanted to do something with more progressive influences. “In Darkwater, we write most of our music together.

Not all members of Darkwater have a Christian background. We really work as a band and the chemistry is good, so it is only good things about having the same members in both bands.” And to delineate the two bands further he says, “In Harmony, the lyrics can sometimes be Christian themes, but in Darkwater we mostly focus on the world today and the people we meet in our time on this earth.”

When asked how Darkwater has been received on the world level Markus has this to say: “It has been amazing. We were even invited to play at Bay Area Rock Fest in June with Liquid Tension Experiment, Sun Caged, Zero Hour and more. It was a great experience and a lot of fun. Ninetyfive percent of the reviews are really great (like 8/10) so we’re really happy about that, and it really challenges us to make an even better follow-up.” Yep fans, that’s right, the band is writing new songs currently and hopes to start recording this year as well. And for those of you that enjoyed Markus’s symphonic metal solo project 7 Days, he is in the process of writing for that as well. Most of the same players will return for that one, including a few tracks with Christian Liljegren (ex-Narnia, Divinefire, Audiovision) on vocals. In the meantime, check out the Harmony releases – both available through Ulterium Records (ulterium-records.com) – as well as visit the band at myspace.com/harmonyofficial or harmonymetal.net.

News from the Bride camp is, the band has been put on hold until Dale's wife Sharon is fully recovered from her cancer treatment and reconstruction surgery. Sharon wanted to express her thanks and her love to everyone that have prayed and sent cards, flowers and mail. Dale is having shoulder surgery in mid-December. The band has 30 songs that they're currently working with in preparation of their next and proposed "final" album.

Girder Records has re-mastered the very rare Sin Dizzy He's Not Dead (Oz Fox/Tim Gaines of Stryper). The re-mastered version is scheduled for release on Nov 28th, 2008. The newly re-mastered version contains all new artwork, liner notes, and more. Pre-Order your copy direct at GirderMusic.com and receive a free Sin Dizzy Poster, autographed by Ox Fox. Scott Stapp has been on a special tour for American troops. You can find more information, as well as video footage, on his site myspace.com/scottstapp.

Kekal has signed a worldwide licensing deal with the U.S. record label NePlusUltra Music for their seventh album Audible Minority, and they will release the album in December 2008. The first pressing of the CD will be a special digipak limited to 777 hand-numbered copies. See more information at neplusultramusic.com/releases.php.

The Swedish heavy metal band Harmony and the German progressive gothic band Monoblock will both be present at Brainstorm Festival, taking place Nov. 21-23. They replace Whispering Gallery and Picture Of The Moon, who both had to cancel. Other bands performing include Seventh Angel, Eluveitie, Rebellion, Miseration and Thy Majestie. Morphia will do a farewell show during Brainstorm Festival, of which DVD recordings will be made.

Eliran Kantor (Testament, The Old Dead Tree, Thy Majestie) will show his work in an exposition during Brainstorm Festival that also will have four seminars about metal. More information: brainstormfestival.com.

There is talk in the Godfear camp that the Texas band is reforming (with the Pound for Pound line-up) and will possibly release a fourth CD and tour. Watch myspace.com/ godfearband for details.

Bullets from Sweden

by Johannes Jonsson

Concert Review

Rob Rock

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The new singer of Narnia is Germán Pascual. Germán grew up in Rio de Janeiro, Brazil but moved to Sweden in his teens. The band says that Germán truly shares their vision and has shown that he can handle old Narnia songs with finesse, but most importantly that he fits perfectly with the material of their coming album.

Germán himself says that he is amazed and honored to be the new voice of Narnia and that it is a pure blessing to be a part of this fantastic band. “I will do my very best for the band to reach a higher level (if possible).” (myspace.com/narniaofficial) Christian Liljegren, vocalist and songwriter and label owner of Rivel Records, is back stronger than ever. He left Narnia in early 2008, and the final Divinefire CD has just been released, but he has now joined forces again with his brother and bass player Simeon Liljegren after 12 years.

Christian and Simeon have received great success with Narnia, Divinefire and Modest Attraction and released albums worldwide toured in Asia and Europe. Now they will hit the road and tour and record together again under the name Audiovision.

Brutal metallers Shadows of Paragon have a new visual studio report from the recording process of their new album. Check it out at shadowsofparagon.com.

Jerusalem is working hard with their new CD. Release date is yet to be announced. (jerusalem.se)

Concert Review Rob Rock – Orlando, Florida September 24, 2008

By Rich Lockrem Being a melodic hard rock/heavy metal fan in Central Florida is not an easy thing as there are not many bands that make it to this area to perform. But the one thing we do have going for us is that legendary metal vocalist Rob Rock resides in Central Florida and when he wants to do some warm up gigs we get a special treat. Wednesday, September 24, was time for another one of his local treats. Getting his band ready for the ProgPower USA show in Atlanta (where they will be recording a live DVD) Rob and his Rob Rock Band hit a small club in Orlando with some metal fury.

Opening with “Garden of Chaos,” the band, performing for the first time in a couple of years, served notice to the crowd of about 80 that it was time to, pardon the pun, ROCK!. Despite a small stage, the band was hitting it hard! From there they went into “Day of Reckoning”, “Rock the Earth” and my personal favorite live song of Rob Rock, “In the Night.” In the live setting the guitars and bass add so much crunch to that song it just grabs you! That was followed by “Slayer of Souls”, “Judgement Day”

and “Only a Matter of Time,” which included an instrumental breakdown which gave guitarists CJ Grimmark (Narnia, Divinefire) and Peter Hallgren a chance to show their shredding skills.

Holding down the groove was bassist Andres Passmark (Narnia, Divinefire) and former Rage of Creation Band drummer Tracy Shell. Finishing out the night they played “This Time is the Last Time”,“Savior’s Call”,“Metal Breed” and fan favorite “Warrior.” Of course, this review wouldn’t be complete without mentioning the talent of Mr. Rock. He might just be the best live metal vocalist out there. From lows to the highest screams, he always is in control of his voice and doesn’t seem to miss any notes. His records don’t always show just how powerful of a voice this man has. All in all a very good performance and you couldn’t tell it was a warm up gig. I am really looking forward to picking up his live dvd when it hits the shelves, as I am sure we won’t be disappointed.

[Pictured above with Roy Z.]

Melodic metal band Harmony will release their new album Chapter II: Aftermath in Europe on Ulterium Records on October 31st and in North America on Nightmare Records on November 25th. Chapter II: Aftermath is mixed by Pelle Saether [A.C.T., Darkwater] and guests on the album include Daniel Heiman [ex.

Lost Horizon, Heed] and Kristoffer Gildenlöw [ex. Pain of Salvation]. Musically the new album will appeal to fans of bands like Yngwie Malmsteen, Nocturnal Rites and Kamelot. Samples from the album can be found at myspace.com/harmonyofficial. The band's label Ulterium Records will also re-release their classic debut album Dreaming Awake in Europe on October 31st. (ulterium-records.com)

Retroactive's next compilation, Headbangin' 201, will feature the following (all subscribers to Heaven's Metal Fanzine should receive this with their Dec/Jan issue): Faith Factor; Main Line Riders; Grave Robber; Deliverance; Holy Blood; My Silent Wake; Century Sleeper; The Seventh Power; His Witness; Common Yet Forbidden; Sympathy; Bealiah; Azmaveth; Menchen; Angel 7; Hope Has Failed Us; and Whitecross.

Norway's Mantric, consisting of the main songwriters on Extol's last album, the Blueprint Dives, are finishing the recording of their debut album. Tue Madsen at Antfarm Studios, Denmark, will do the mixing, and we are promised a "natural evolution from TBD, yet more aggressive and dirty." Kim Akerholdt, known from Norwegian punkrockact Silver, have taken David Husvik's place behind the drums, and the vocals are taken care of by guitarists Tor Magne Glidje and Ole Halvard Sveen, also known from their efforts in Lengsel and Benea Reach, besides their history in Extol. Mantric still hasn´t signed any label contract, but has an ongoing dialogue with some interesting labels.

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[nothin' but] News bullets

Doug'smailbag Advertisers, Listen up!

Doug, I'm responding to your request in Issue #76 of Heaven's Metal. I subscribe to a few different music publications and check several websites on a regular basis to learn more about the artists and find out about great music. I have to say that my favorite and where I get the best information is from Heaven's Metal fanzine. Most of the music from Christian artists that I buy relates back to my reading about them in the reviews and/or articles. I even pay attention to the advertising, because I've checked out different bands just from the ads as well (and ended up purchasing some).The sampler disc is a great idea as well. Feel free to send this note to your advertisers and past advertisers to let them know that people like me still buy a lot of music; and, without a resource like Heaven's Metal, the music would never become known and would never have been purchased.

Including the websites at the top of the page in the review section is a great idea. This allows someone like me to listen to songs or snippets to see if I like the artist. Regarding this current issue (#76): There may have been a little less content in this one, but so what? I still got a lot out of it and learned about more bands and new releases to check out. Using the pictures was a good idea to fill up a few of the pages.

I'd rather get a shorter issue of Heaven's Metal than a full issue of some other publication that doesn't really deliver the goods.

–George Del Signore, via internet Doc –Thanks, George.You point out many important reasons why we keep fighting the good fight.

Padded Reviews

I would like to see some "where are they now" stories with bands of the 80's. You do a good job of putting the ones in there that have reformed and are putting out new CDs. I also like reading the CD reviews, but to be honest don't put much stock in them. They seem a little padded and don't actually tell you the strong or weak points. On the other hand, if someone is going to do it then they need to actually like that type of music (i.e. it wouldn't be a good idea for me to critique modern rock or (c)rap!) As for the reviews, no, I didn't like this issue as well, either, as it seemed they were bands that should have been in HM magazine; not Heaven's Metal. I do realize if there are slow times things happen and sorry to hear about the advertising loss. I don't want this to sound too critical, as it's not meant to be. The CD samplers have gotten me into new bands by letting me hear them before spending money.This makes it much easier to take a chance on a new band. Some bands I hope to see in here in the future would beTheocracy, Red, Narnia, Harmony and I would like to know if the original singer from Letter 7 is doing another band or not. I thought his voice went with the music. Anyways, just some ideas. Hope things haven't gotten you down about the future of this magazine. I will pray for new advertisers for it.

–J., via internet Doc –Yikes, “padded” reviews!?You will be glad to see the Harmony and X-Sinner coverage this issue and you can look forward to Theocracy next issue, Lord willing.

Black, death, and thrash are deftly intertwined on the crushing debut full-length from Azmaveth entitled Strong as Death. Hailing from Puerto Rico, the band delivers a more unique style than most, relying on harsh black metal melodies and blinding drumming, chunky death and thrashinfluenced riffing, and a flavor of flamenco and classical guitar harkening back to their deep Hispanic roots. What results is a carefully crafted album that succeeds in building up, ripping the listener’s head off, then calming down in a soothing manner, only to return to more crushing rhythms.

Five years after their groundbreaking demo Fight the Devil topped the charts at MP3.com over new releases by established Christian acts like Michael Sweet, Bride, and Disciple, Angelrage will be launching a new CD exclusively on the internet; and while some are comparing the move to the recent pay-what-you-will releases by groups like Radiohead and Nine Inch Nails, Angelrage dismisses such comparisons easily: “When our first single, "Fight the Devil," hit the charts we took the radical approach of letting fans download it for free way back in 2003. I call it good public relations, and we have never regretted that move,” says lead vocalist Azrael. The new CD, Dysangellion, features 4 new tracks: “Slaughter of the Wicked,” “Dysangellion,” “Oceans of Sorrow” and “Angelrage,” as well as an updated version of their classic “Fight the Devil.” The CD is available on myspace.com/theofficialangelrage as well as the band’s official website, angelrage.com, and is expected to debut on itunes.com in the near future.

Virginia rockers Hemotheory are currently taking time off to write and record a new CD. Since their last CD (Zeta), they have added newest members Neil Mobley (guitars), Seth Benton (guitars) and David Carraway (bass), which has given their music energy and direction. Be on the lookout for a new release in early 2009. For more information visit hemotheory.com.

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BECOMINGTHE ARCHETYPE

Folk metal stalwarts Holy Blood unleashed their third album, The Patriot. Hailing from Ukraine, they surprised the metal scene with their death / black metal debut The Wanderer. They followed up their debut with an even more polished sound in Waves Are Dancing, moving more toward a folk metal sound while maintaining the aggression of black and death metal. The Patriot sees the band taking further strides while delivering what is easily their strongest effort to date. Mixing symphonic black metal with a more polished folk metal approach, great melodies, and plenty of aggression, The Patriot is powerful, aggressive, and beautiful all at the same time.

Soundmass is pleased to announce the signing of Western Australian band Grave Forsaken for the release of their 3rd album, This Day Forth, due out in early 2009. Formed in 2004, this rising thrash band has been polishing their skills with regular recording and live performances, never forgetting their roots with strong influences from the classic Christian metal era. Recent changes in the band have seen the addition of drummer Dave Kilgallon (Mortification/ Scourged Flesh) and the departure of vocalist Tim Steadman, whose shoes have been more than capably filled by guitarist Vaughan Gregory. The band is rounded out by Elias Salmela (guitar) and Matt Skipworth (bass).

Check them out: graveforsaken.com

Photo: David Stuart

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For more news, visit hmmag.com/heavensmetal

Driver The Return

by jeff McCormack

Once upon a time, in 1989, a five-song cassette was released in limited quantities that shook the Christian metal scene and has since become somewhat of a “cult” classic. I personally, just last year, shelled out close to fifty dollars to acquire an import version on CD of this classic release (the CD includes the entire first Prophet album too, so it was a double prize for me). While we never heard anything further from this amazing band, we know the amazing catalog of work since then from vocalist Rob Rock. Well – after nearly twenty years – Driver is back, and we have cornered Rob to fill us in on the new album, among other things...

JM: Rob, before we jump right in to the new Driver news, take us back in time and give us a brief look at your music/recording career, and how you got to where you are today.

RR: Once upon a time in the Northeast corner of the USA, there was a small New England boy looking for adventure… Well, let’s skip forward to the recorded music portion of the story! I was playing the club scene back in the early eighties with my band Vice and we had the big P.A., the lightshow, the truck, the crew, etc. and we were playing nearly 300 shows a year, actually making a decent living at rockin’ and rollin’ all over the New England states. Then I got a call from Mike Varney of Shrapnel records on my answering machine

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that said I had “a once in a lifetime opportunity” and I should call him back immediately – well, I did just that.

Next thing you know, I’m out in L.A. auditioning for a band that consisted of Rudy Sarzo and Tommy Aldridge of “The Blizzard of Oz” band, and the newest Varney guitar sensation, Tony MacAlpine. It was 1986 when I recorded my first album M.A.R.S. – Project: Driver.

As we were booking a worldwide tour to follow the release of the album, Rudy and Tommy got an offer from David Coverdale (Whitesnake) that they couldn’t refuse. Tony went back to his solo career and I was lost in Hollywood. I gave up all that I had built over the years with Vice and now here I was alone.

This moment drove me to realize that I had put my career first, for quite awhile now, and I was ignoring God and the Christian life that I was raised in. At that point I wanted to make a distinct decision to give my voice to the Lord and to make my lyrics pleasing to him. As I was looking for a new band to join, I recorded a demo EP with my friend from back East – Chris Impellitteri (who was in Vice for a year before he headed to L.A. a year earlier than I did). Chris took the tracks and searched for a deal and eventually that demo was released on Relativity Records.

I went on and searched for a signed band that would allow me to get back to Christ and I joined the Joshua

"This moment drove me to realize that I had put my career first, for quite awhile now, and I was ignoring God and the Christian life that I was raised in." band on RCA Records. I spent two years with the Joshua band as we waited for Dieter Dierks (Scorpions producer) to produce the album we were rehearsing over and over. It was a time of growth both spiritually and musically as we waited patiently for the promises to happen. We finally recorded the Intense Defense record in 1988 in Germany. It took over six months to complete as we ended up recording it twice with two different producers, and neither of them were Dieter Dierks. But, by that time, the band was frustrated and was not getting along well, and soon fell apart.

So in 1989, I left and started my own band and named it Driver (because everyone seemed to know me from the MARS album) and we recorded a 24-track EP to shop to labels. After two years of pursuing a deal, first in L.A., and then in NYC, we hit a wall when grunge came out and we all went our separate ways.

Oh yeah! I also did a sideman job for Angelica shortly after leaving Joshua. Ken Tamplin (who also was in Joshua for awhile when I first joined) was producing the Angelica CD for Dennis Cameron. Dennis was suddenly in need of a studio singer and Ken suggested me and called me up. I was happy to do a Christian album and went in on the weekend, met Dennis, and belted it out. It was a quick session, but turned out to be a big hit in the Christian scene and introduced me to a whole new audience. So Driver was also influenced by the new exposure to the Christian scene and since then I've always been aware of my lyrical content, trying to be biblically correct while not being labeled or forced into any certain box.

follow suit, so it was getting harder to have patience, and in late 1990 everyone went separate ways. I rejoined Impellitteri, Roy went back to L.A. to start his own band and start producing other bands, and the rest of the guys went on and did their thing.

So, grunge is now pretty much dead (thank you Lord). What are your current thoughts on the music scene? Do you feel there is a shift and/ or return to the popularity metal enjoyed in the 80’s?

I think the internet has helped make more people aware of good quality rock music out there, instead of just hearing what the radio or television might be playing. I think people who have music in common spread the word around and, because we are all connected now with the internet, it seems like we can reach more people on a grassroots level as opposed to a huge old-school marketing campaign. Radio and MTV are not the only game in town anymore.

So, how did the reunion take shape? And why now?

I was contacted by Georg of Metal Heaven in 2007 and he told me his idea for Driver and asked if Roy Z would be interested as well. I then talked it over with Roy and we were both excited about finally getting these great songs out on a full-length CD after all these years. We had written probably 30 songs around that time and always felt we were cut short because Driver should have been signed back in 1989. So, the dream of getting this Driver album done was resurrected and we started making plans to get it done.

I re-joined Impellitteri, who was now signed to JVC/Victor Japan, but first I took up an offer and did the Axel Rudi Pell album Nasty Reputation in Germany, so I would have money to move back to L.A. where Chris was. Then, from 1991 to 2000, we put out seven Impellitteri albums together and went to Japan about six times to promote and tour behind the albums. I was still writing the lyrics and melodies and was infusing Bible themes and Christian world views. Even though we took some flak for that out in the world market, we did very well in Japan and then eventually JVC offered me a solo deal. I wanted to do both Impellitteri and solo albums, but Chris decided it was time to change things up and all of a sudden I was a full time solo artist.

What are you hoping to accomplish with Driver? Is this just a reunion album only, or will the band continue, tour and/or give us future releases?

In 2000 I started my solo career with my buddy Roy Z from Driver, who is producing and co-writing my albums under my name (my real name!) Rob Rock. I continue to use Christian friendly lyrics and metaphors as I did with Impellitteri and Driver, and made a strong impact in Europe where the press there dubbed me “The Voice of Melodic Metal.” I’ve released four solo albums worldwide so far since then and also did some studio work and some notable albums with Warrior (Code of Life in 2001), Avantasia (The Metal Opera 1 (2001) and Part 2 (2002), and the heavily bold Christian lyrical CD Fires of Babylon in 2008.

How easy will it be to pull together a Driver show? Not all of you are local to each other, correct?

Great, thanks for the history lesson. Oh, and yes, I own every album you just mentioned… I guess I am a fan. So, now on to the newest news, give us a brief background on the history of Driver.

When I had left Joshua in 1989 to start my own band, Emil Brando and Greg Shultz from Joshua joined me and we recruited Roy Z and Butch Carlson. We recorded a 24-track demo to showcase the band and try to get signed. That demo EP had six songs on it and made a huge noise in the industry. We played many L.A. gigs, including the Foundations Forum that year, where we were exposed to a worldwide audience and press. We continued to search for a deal on the West Coast and played the Whiskey and a few other hot spots. Then we decided to try the East Coast where I had a good hometown draw in the club scene there. We played many gigs there, wrote many songs, and pressed some cassettes of the demo to promote the shows and sell at gigs. We put 5 of the 6 songs on it and eventually it became a “cult classic” demo EP. But we never put out an official release as Driver.

So, you mentioned earlier how grunge affected your deal, so is that what stopped us from seeing a full release?

We already accomplished what we intended to do and that was to finally put out a full-length Driver CD worldwide. Driver is a band, but it all depends on the demand and the fans. If there are enough fans interested in seeing us live and doing a followup album, then we are all ready to deliver, and I hope that will happen.

With this reunion, who is back in the band from the original demo days?

Roy, myself and drummer Reynold Butch Carlson.

I just have to fly to L.A. to rehearse with the band. Everyone else is located in the greater Los Angeles area, so it won’t be too difficult to get together.

Was the whole band able to get together to write and record the CD, or was it done across the country in parts?

We got together at different times, but not as a whole band at one time. Most of the recordings were already demo-ed or written in the studio and not written or rehearsed together. Roy and I are the main songwriters and we had Reynold Butch Carlson come in and do the drums first, then we added the other instruments as we went along.

Do you have any shows lined up or in the works at this time?

We have some gigs in the works, but nothing set in stone yet. We are hoping to play some European festivals in 2009.

So, in 2008 you have been involved in the Fires of Babylon release, and now this amazing Driver CD. What is next for you?

2009 will see a Rob Rock Live CD/DVD on AFM Records that I just shot and recorded with my Swedish band (featuring members of Narnia – CJ Grimmark and Andreas Passmark, Peter Halgren and Tracy Shell on drums) in Atlanta Georgia at the Progpower USA festival. Also in 2009, Chris and I will release a brand new Impellitteri album called Wicked Maiden. And in 2009 I’ll be doing some Driver, Rob Rock, and Impellitteri touring as well, Lord willing.

Yes, we were making demos for Atlantic Records because they had a very strong interest. After a few months and several visits to the label in NYC with new 4-track demos in hand, the label finally admitted to us that they made a decision as a label to pursue this new sound called grunge. After that we started seeing other labels

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STricken Disturbing the Peas

Interview by Chris Beck

With a heavy, modern sound not too unlike Disturbed, Stricken should quickly make a name for themselves with the recent release of a very strong first album. Should they be covered in Heaven’s Metal? Absolutely! With hints of thrash that also remind the listener of bands such as Oil and Krush (singer Dave Meriwether’s former band), along with straightforward Christian lyrics, Stricken’s music is like the crisp autumn air in the morning – initially discomforting, but refreshing and invigorating in an otherwise stale world.

Chris Beck: There was a fair amount of time between when Stricken began playing shows as a new band and the release of your first album. What were some of the challenges with recording the album and getting it released?

Dave Meriwether: We initially went into the studio about six months after I joined the band. We had just begun playing shows and we wanted to be able to put the music into the hands of anyone we could. We spent a couple of months on the recording process, but when we listened to the finished product, we weren’t satisfied that it was a true representation of our sound. I think a band needs to play together for a while in order to gel and develop a sound, so we played a lot more shows and then went back and re-recorded the whole project.

Now that the album is finally finished, is the band happy with it?

We are! I think we were able to capture the performance and energy that we have live, which is not always the easiest thing to do in a studio. We are very pleased with the end result and are happy to finally have it done!

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Your lyrics are boldly Christian and leave no doubt about the band’s beliefs, but avoid being “preachy” due to their honesty and heartfelt nature. What is the band’s process or inspiration for writing song lyrics?

The lyrics were all written by me and our guitarist, Matt Kearney. When I came into the band, some of the songs were already written. The way I write is that I like to record the music and then spend a few weeks just drilling the song into my head. I usually drive around in my car and work different things until I get the right feel. After that, I put pen to paper and see what comes out. I am famous for waiting until the last possible second to finish a song! All of us have been Christians for a long time; we have been on the mountaintop and in the valley. One thing about these songs is that we feel like we live them every day. Just like the Apostle Paul, I am an expert on the “Vicious Cycle,” which is a song based on Romans 7. I don’t feel the need to preach. I’m just trying to be real. I love the Lord and I am a sinner, so that is what I sing about.

Which song on the album has the most meaning to you and why?

I really like “Final Day,” which is weird because it used to be my least favorite song.

I think after I heard Brian Scottini’s drum tracks I was like, “Okay, this is my favorite

song now!” I had a really hard time writing lyrics for that song; I just couldn’t come up with anything, so I kind of pushed it to the back burner for a while.

Somehow, the lyrics came together in the end. It had to be from the Lord, as that song really blesses me every time I hear it. It reminds me that God is always there for me. He will never leave me or forsake me.

In my darkest hour, He is my light and my salvation.

Some day I will see Him face to face and all of the trials and tribulations of this life will be forgotten.

On the last track of the album, the band gives those who are unsaved an opportunity to accept Jesus Christ as their Savior by leading them in a prayer. Do you feel that God’s command to help save the lost applies absolutely to Christian bands and Christians that create music?

Well, if you play in a “Christian Band,” then I think you need to determine what your motives are for doing it.

To us, we see Stricken as a ministry, so we put a lot of energy into clearly communicating the message of the Gospel in our music. The great commission involves all of us, so if you are in a Christian Band, I think it applies. If you are a Christian that is a musician and you are part of a group that is not a ministry, you may not be able to use your talent as a way to share your faith. As a Christian, however, the great commission still applies.

An ongoing debate is whether it’s okay for Christians to listen to secular music, and if so, whether there are certain bands/genres/lyrics that should be avoided. What are your views on this and how do you personally apply these views to the albums you listen to or the concerts you attend?

I know a lot of people that have problems with secular music, but have no problem watching television, going to a sporting event or reading secular books and magazines. There isn’t much difference to me between a Lamb of God concert and an Oakland Raiders game. If listening to secular music is a stumbling block for you, then you shouldn’t do it. I love hard rock and metal and there are secular bands that I listen to. I know the other guys in the band do as well.

We all try to be responsible with what we are listening to; some bands are anti-God, and some promote violence and drug use. I don’t listen to those bands.

like these days and what is Stricken’s role in this scene?

SoCal is a difficult place to be a Christian metal musician. In the past, our role has been playing mostly secular venues, which has actually worked out well for us. We have played some pretty dark places with some pretty dark bands. We just go in and sing our set and are very well received. We don’t tone down our lyrics. We give a good performance and get invited back. We also play Christian venues whenever possible. We are actually putting together a worship set to try and open up more possibilities in that area. Of course, this is Stricken, so it will be relatively heavy.

Now that the new album is out, what three goals does Stricken want to accomplish in the next year?

We are going to try to play out as much as possible, get our worship set together and work on material for the next CD.

Any last words for the readers of Heaven’s Metal?

Thanks for supporting Christian Metal! Get the Stricken CD and turn it up REALLY LOUD! We look forward to getting out there and meeting you guys! Hit us on our MySpace site any time.

We read our mail and write back. Keep rocking for the King! God bless!

What is the Southern California music scene 13

X-Sinner Back In Blood!

Interview byTodd Walker

X-Sinner more or less disappeared from the scene well over 15 years ago. While they never completely closed up shop, they had not produced anything new. Well that has changed, my friends. They have come storming back with a CD of all new material entitled World Covered in Blood. Heaven’s Metal caught up with vocalist Rex Scott, who gave us the lowdown on where they have been and the new album. (Ed – See a full interview online.)

TW: It has been 17 years since the last full length X-sinner album of allnew material. Other than the fairly recent release of earlier albums that were re-tracked and packaged with some demos, and the occasional festival shows, what have you guys been up to in those 17 years?

Rex Scott/Lead Vocalist: Has it been that long!? (laughs) Wow! I feel really old right now … thanks. (laughs again) Right after the Peace Treaty tour, we took a break and informed our label, Pakaderm, we wanted off the label and out of our contract with them. That ordeal tied us up for a few years until we got released. During that time the grunge scene took over in America and metal was all of sudden not as popular. We had started recording demos of what would have been the followup to Peace Treaty with songs like “Last Call” and “Shame On You” in our own rehearsal studio, but stopped as we watched the rock scene change. Then we took two years to record the Angry Einsteins project, because we couldn’t record as X-Sinner until we were released. Bish (guitarist Greg Bishop) had received a job opportunity in Australia that was just too good to say no to shortly after that.

Bassist Rob Kniep then got a job offer in Las Vegas as a computer program writer.

We stayed in weekly contact through all of it and got together a couple times a year. New fans were complaining about not being able to get Peace Treaty anymore except on Ebay for $40 to $60, so we re-tracked and re-mastered it and re-released it with one of the new songs we were working on called “Fire It Up.”

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All the demo/archived releases on Retroactive Records had stirred up our fan base and was bringing us brand new fans from the ages of 12 or 13 on up.

Why was now the time to get together and release a new album?

Because of the success of Fire It Up here and in Europe and because of a big resurgence in classic rock over here in the States we felt our “itch” to do a new album was in perfect timing with the musical climate. I guess AC/DC and Metallica felt so as well.

How has the mindset of the band changed since 1991? Both in terms of band goals as well as the message you are trying to get out there?

Before, we were heaven bent on establishing ourselves as a good rock band and felt that it was not only our calling, but our career. We were trying to “make it” – for a lack of better words – as a successful artist. We always saw our role as seed planters of truth. That part hasn’t changed, but we are no longer driven like a young band who’s trying to make it and establish themselves. We’ve raised families since then. Greg and Rob are still raising younger children. That became our priority. Music came after all that stuff. The message is the same. We bring the truth and we bring it hard. We try to do it without cliché’s and religiosity or Christian terminology and we try to do it creatively and powerfully.

What is the current line-up of the band?

It hasn’t changed. The three main guys that make up X-Sinner have been Greg Bishop (guitars), Rob Kniep (bass) and me. Mike Buckner has been our live drummer forever.

Regarding the new album, World Covered in Blood, is there an overall message you are trying to convey? Is the title alluding to Christ’s blood cleansing the world or is there more to it than that?

The blood thing would be an obvious one – especially to Christians – but there is a lot more meanings there. Like America sinking into the sea as it gets further and further away from God and doing what’s right. It represents all the blood shed in the world with wars everywhere. The video to go with the title track song shows clips from 9/11 and wars and terrorists' acts all the way to serial killers and the like. It is the first single from the album as well.

possible, especially in the States. If we do European dates, Greg will more than likely be there. Thom may be used as a rhythm guitarist on those dates if he wants to come and then I won’t have to play guitar at all – just sing – which frees me up a lot. Because of Rob’s back trouble, Jonah would probably be asked to come as well. I love them all and feel just as comfortable with any of them, so whatever happens, happens.

Where can our readers purchase the new record?

Our new label, Image Records, is working on distribution avenues for the album every day. There are some very exciting things in the works and if they work out, you should be able to get it at a lot of places. Right now we and Image are taking direct presale orders from our respective websites until that happens. You can purchase downloads of the album from us as well online.

What does the future hold for X-Sinner? Can we expect more new

releases future?

“For usinittherepresents paradoxes such as a God We will have to see. We take it one day at a time and savor the moment more now.

Who isand/or love,If yet pours outweHis wrath onIt’shuman beings, the demand is there, will respond accordingly. really up to the fans – not It has changed some. I wrote a lot in my previous band, Zion, and I changed us. We had let them critique early versions of this album online as the mixes were created melodies for the stuff from Peace Treaty on, but I never really wrote entire who arewas sinful who also have thetheimage God them.” being done and we let them design cover with aof contest.

We in wanted this to be songs from the music on up in X-Sinner until this album.

The music mostly allbut On the previous albums, Greg wrote the majority of the music. Is that still the same or has that dynamic changed?

written for Peace Treaty when I came into the band. All that was left was for me to do was write the lyrics and most of the melody lines for those lyrics. Greg has always wanted me to participate more in the music writing part, but I was slow to come around. I’d write and record stuff away from the band that wasn’t the band's style over those years. I wrote a lot on this one.

Did you have a 17-year backlog of new material to choose from, or did you start writing all new music for this project?

This is all recently written material. When Greg wrote the music for the song “Fire It Up,” it was the catapult that helped invigorate what was to come and helped us decide to actually do a whole new album. The working title of the new album was Back In Red, named after the second song written for the album. We changed the title down the road and almost near the end of the project to World Covered In Blood, once that song was completely written.

an album for the fans by the fans. We hope we accomplished that.

Do you have any final words or thoughts for the Heaven’s Metal readers?

Just a thank you for sticking with us all these years. We had the most difficult time making this album compared to all the rest and we think it was worth it now that it is done and hope everybody enjoys the heck out of it. We know we do! [ x-sinner.org | myspace.com/xsinnernews ]

How did you handle the recording process since you are spread out across the world?

Ah, the wonders of technology today. (laughs) We used file sharing technology a lot on this album. We would send actual tracked files back and forth all the time. Greg eventually had to come over to the States to track all his guitar parts, so we could really get the “live” wall of Marshall amps sound we were striving for on this album.

Rob came in from Vegas once he had all his bass lines ready to record and tracked them in California with Greg and me.

Based on the samples I have heard, the new material sounds like stripped-down, raw, old school blues hard rock (often compared to AC/DC). It seems to have a much less polished sound than the early releases. Almost has a live feel to it that gives it more power. Are you pleased with the results?

We are very pleased. It took two years and is the closest thing to what we’ve always wanted as an end result in sound. We prefer albums that represent more of what a band sounds like live. This album does that. You are right in saying “it gives it more power.” The live vibe adds power and punch. Some older fans like Get It more and have commented that this sounds more like Get It to them – only without the huge sampled electronic drum sounds Get It had. The drums are very “real” sounding and very live sounding on this one. Really, everything sounds that way on this one. This is the best guitar tones we’ve gotten to date, which was just one of the beefs we had with Pakaderm back in the day. Mike Meirau, who was our original engineer hired to work at Pakaderm and is still our friend, mastered this album for us.

Are you going to tour to promote this album?

That really depends on the concert promoters out there. We are really starting to catch on in Europe and would like to go over there. The album is being shopped in Japan as well. The American festivals all have the same line-ups from year to year for the most part and are very trend-driven, which I find boring; so, unless we’re asked, I doubt we will show up at any. Our genre of music is becoming very popular again, however, so who knows? We try to perform in California at least once a month to keep the chops up. It all depends on demand. Where there is demand – we will be there.

In the recent past you have used a different touring line-up. Will that be the case as well this time around?

We’ve recruited two great guys to fill in live for Greg and for Rob when they cannot travel due to jobs or family. That’s Thom Schultman on lead guitar and Jonah Lewis on bass. Rob has developed some very severe back problems over the years and it keeps him from performing live a lot. Today, having Thom and Jonah makes more things

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The Showdown A Metal War in Classic Greece Chris Gatto: Welcome Dave, to Heaven's Metal! The new album Back Breaker is generating a lot of excitement and we're very happy to have a chance to speak to you.

David Bunton: Thank you so much … any time!!!

How were the members of The Showdown first introduced to heavy metal and how has that affected your lives? Also, who are your musical heroes?

The first time I ever heard metal I was 4 or 5. My mom bought me a Twisted Sister 7" and a Motley Crue 7"!!! I had a mic and little amp and I would play them over and over and sing along! My main heroes are Hulk Hogan and Michael Sweet. About 7 years ago I got this voice lessons flyer, called up the lady and went to my first voice lesson with the Soldiers Under Command disc.

I told her that's what I wanna do!! She ignored me and after about 3 lessons of Broadway stuff I quit.

Interview by Chris Gatto

itself – does not stand well on its own. Take for example Judas Priest's recent album, Nostradamus. Not so with Back Breaker, as each song remains relevant, memorable and enjoyable on its own merit even if you hated history class in high school/college. What inspired the focus on Greek mythology for Back Breaker?

Thank you! I wish I could take credit for that! The Greek stuff was all Josh. He is really interested in it, reads about it, has Greek tattoos – all kinds of stuff!!

There is a deeper meaning to the CD though. It’s basically his way of telling the story in the song. I would also like to thank Invisible Creature, as they really gave it a life of its own!

Have you had any negative feedback for centering your album around Greek mythology (i.e. a pagan source)?

Well touring with Ozzy is pretty legit no matter what!!! Ha ha… Not to mention Hatebreed, Lamb of God and all the other amazing bands that were on the Ozzfest line-up. It takes guts to do a tour like that, and we did half of it in a van.

That's some heavy metal till' I die stuff right there!!! The whole thing made us grow up as a group. We are just grateful to have participated in and Ozzfest; it was amazing.

Yes, we have had a lot of negative feedback. It really surprised me and I was not expecting it. The Christian market made us put a sticker of the front for Christian stores and a lot of people have written us on Myspace and through email furious about it. Christians are the world’s worst for trying to pick out stuff that’s wrong, or nit-pick what this band is doing or that band is doing … and I will say I have been guilty of that stuff as well. I refuse to let that stuff ruin my day. I know why our band is still jammin' 3 CDs later. We are for the lost, the outcasts, the metal kids that aren't cool, people that don’t fit in at church, people that don't fit in, in general.

We do NOT make music to please or satisfy Christians that nit-pick every little thing we do. We are those people’s dreams come true, because we will always be giving them something to talk about.

I have to congratulate you. Creating a concept album can make or break a band. Most of the time the album ends up being a singular piece of art, and each song – taken out of context of the album

I have to ask, what lit a fire under your collective butts this time around? You caught everyone's attention with Chorus of Obliteration, but Temptation, Come My Way showcased more of a

Has playing Ozzfest changed how your band or other Christian metal bands are perceived or opened new doors to you?

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"This last tour I made sure I read the Bible every day. I have my Student Bible and this 70's hippie Bible and I just pick a book and take it in best I can. I honestly can't believe I have done so many tours where I didn’t even crack a Bible open." laid-back Southern hard rock sound.Yet with this new album, it's killing time. The metal never lets up for a moment and is sure to slate the metal hunger of fans of Metallica, Pantera and Lamb of God, without alienating fans of 90's hard alternative like Alice in Chains.

Well, a lot of things. We knew we were going to Solid State after Ozzfest, so we came home and started writing and things just were not clicking. Travis left the band to get married and by this time it was January. We just decided to do what we do best, thrash! We really wanted to do a record that was how we were live, we just never played a lot of the stuff from Temptation live and this time we wanted to be excited to play every single track. Josh writes the riffs and lyrics… He is Metal through and through. We made that decision and we were in the studio a month and a half later recording the record. We really just let it flow … everyone had total freedom to do what they wanted. It was the most fun I have ever had making a record.

What keeps you guys sane and grounded in your faith on tour?

It honestly can be really hard on tour. You have all the time in the world, but you don't at the same time. It’s really weird. We are a group and just try to love and help each other out. This last tour I made sure I read the Bible every day. I have my student Bible and this 70's hippie Bible and I just pick a book and take it in best I can. I honestly can't believe I have done so many tours where I didn’t even crack a Bible open. Pretty crazy how you get opportunities when you just ask for them. Give proper respect to everyone: love the brotherhood of believers, fear God, honor the KING. Where does stuff like that come from????? Oh yeah, the Bible … SOOOO METAL!!! If that doesn’t make you wanna get a sword and thrash with Braveheart or something you have serious problems.

What musical legacy do you hope to leave behind long after the Showdown is no more?

Hopefully people will remember us as cool dudes!! I don't wanna be remembered as a Rock Star.

What are your touring plans for this year and beyond, and what would your dream tour look like?

We are heading out on a tour with Norma Jean and Haste the Day this fall! Mega pumped for that. Dream tour: Slipknot, Lamb of God, Slayer, Hatebreed.

Best wishes with the new album. I suspect that it will become a new high mark for the band and spur you on to new heights. Anything else you would like to add for our readers?

Metal up! First off, thank you for all the kind words!!! And HECK YEAH! LOVE is so powerful!! Get off your butt and make a difference. It doesn’t matter where you are or what you’re doing, you can have an impact and make a difference – at the job you don't like, in Wal-mart, whatever. I'm all about it and chasing success in God’s eyes! I love you all!

Thanks and metal blessings. Hope to see you on the road sometime!

18 Surf this: metalheaven.net, x-sinner.org, openerecords.com, rivelrecords.com, solidstate.com

album reviews Driver

SONS OF THUNDER There’s nary a stray mark in Rob Rock’s storied metal career, and this revisitation of his 1989-1990 collaboration with axe master Roy Z (Bruce Dickinson, celebrated producer) is no exception. Six of the twelve songs come from the Driver demo of that era, including “I’m A Warrior” – Rock’s Randy Rhoads-styled calling card (versions of it missed the Impellitteri EP and appeared on the Driver EP, Impellitteri’s Answer to the Master and Holy Hell). The album is not seamless. It’s fun trying to pick out which songs are new and which are rerecorded, but even the original tracks have aged well. Styles range from power to pop metal, with one scorching instrumental track “Titans of Speed,” one touching ballad and one searing title track. Rob’s signature melodic pipes, Roy Z’s fiery riffs, and Ed Roth’s (Impellitteri) keys are magic on this classic metal opus from the King Midas of melodic metal.

More, please? [Metal Heaven] Chris Gatto

X-Sinner

WORLD COVERED IN BLOOD The operative word here is unbridled. This comeback album from one of the genre’s premier bands revisits Peace Treaty in style, but without the Elefante brothers’ slick production values. X-Sinner has always eschewed the hair metal movement, choosing to punch out the stripped down, raw and dirty, minimalist bar band blues metal that AC/DC has made world famous. If Dave Robbins’ vocals on Get It resembled Brian Johnson and Udo Dirkschneider (Accept); his replacement, Zion’s Rex Scott, brought more Pyromania era Def Leppard to the table for Peace Treaty. Returning for World Covered in Blood, Rex’s vocal acrobatics vary between Brian Johnson’s razor blade growl and John Gallagher (UK’s Raven)’s high-pitched histrionics. The almost live feel of the album really enhances the layers of killer guitars, but buries the vocals at times, while the drumming can feel somewhat programmed. The choice of decent album art over a band photo, and relevant, provocative lyrics certainly tops off this skull rattler. “That Ain’t Me” and “What Rock Is For” are stand out cuts, while Rex “Bon” Scott makes an appearance on the title track.

[Image] Chris Gatto

extreme

SAUDADES DE ROCK Have you been missing real rock n’ roll? I mean real gritty, soul searchin’, foot tappin’ funky, groovin’ rock n’ roll?

Apparently Extreme has. Who? It has been 13 long years since we were all left Waiting for the Punchline, so to speak. Gary Cherone – who could challenge anyone out there today in the vocal category – rips through these melodyfriendly tunes like it was 1988 and like he was the “King of the Ladies.” If the breathtaking diversity of styles here doesn’t impress, then certainly Bettencourt’s guitar virtuosity will have your jaw droppin.’ Yeah sure, this may not have the impact of an epic release like III Sides… but dang it if this isn’t a really catchy and compelling collection of rock songs. Whether you have been, like so many of us, longing for a new release from this band or just simply great rock and roll in general, I have no doubt that with this release Extreme have fulfilled their own “saudades” on all levels, proving that they are one of the greatest – if not perpetually underrated – rock bands or our generation. Very chill. [Open E] Jonathan Swank

Divinefire

FAREWELL This fourth release is the final chapter in the life of this Swedish power metal outfit. For those familiar with the previous releases, this continues along the same vein as before, though I find a bit more of an aggressive edge on this one. Each release has seemed to show a slight increase in the amount of secondary growling vocals, but overall, it maintains the same high energy melodic metal of previous releases with the distinctive vocal style of Christian Liljegren of Narnia, Audiovision, and Wisdom Call fame.

[Rivel/CMSweden] Jeff McCormack

Norma Jean

THE ANTI-MOTHER On a linear slide scale of metalcore, Norma Jean usually reside at the chaotic end of the spectrum (along with Zao), being the polar opposite of melodic metalcore. With this album that assessment may no longer be entirely accurate. Norma Jean has stopped fishing with

dynamite and discovered that using hooks will catch you more palatable fish. The Anti-Mother displays a melodic side of the band for the first time. Though the album starts off in business as usual mode, this time the Ozzfest alums have as much in common with Blindside and early mewithoutYou as they do with Zao. The vocals are more readily decipherable, while their meaning is not. The only thing for sure about the Anti-Mother herself is that Norma Jean doesn’t like her – “Choke that witch out. Suffocate her.” Easily the best Norma Jean album yet.

[Solid State] Chris Gatto

The Showdown

BACK BREAKER The Showdown = big, bad, fun metal! Never content to stagnate – or follow current trends for very long – this Tennessee metal foursome just continues to evolve. This is the band’s first release with Solid State; a natural home for one of Christian metal’s brightest stars.

Fans won’t be disappointed because this disc is filled with heavy, energetic and well-executed Southern-flared metal with its roots firmly planted in the soil that nurtured such greats as Metallica and Megadeth. Not as acidic vocally as the band’s stellar debut, this one feels a lot more thrashy than Temptation…, which was almost a bit too laid back. And while it’s likely that the provoking cover and the Greek mythology based lyrics will “rattle” some Christian cages, there is no doubt that this heavy metal will rattle your brain and your soul. As arguably the band’s most consistent – possibly their best – release to date, this one comes highly recommended. [Solid State] Jonathan Swank

rein xeed

THE LIGHT As I was rocking out to this great euro-metal release, my son walked by and asked if I was listening to Dragonforce.

There are some similarities, admittedly, though this band has a bit more diversity in pace and song dynamics. A solid release of pure, high-energy power metal as is commonly found in so many of the great releases from that side of the ocean, loaded with blistering guitar riffs and leads, double bass drum mayhem, and high-octave melodic vocals. [Rivel/CMSweden] Jeff McCormack

19 Surf this: drivenmusicgroup.net, retroactiverecords.net, retrospectrecords.com, spvusa.com, ulterium-records.com, myspace.com/thisf iresembrace, radiantrecords.com, solidstate.com

Head

SAVE ME FROM MYSELF Despitetheobviousresemblance to Brian “Head” Welch’s former band Korn, Save Me… stands on its own as being a phenomenal album. Musically falling in the aggro-metal vein, it also conjures up industrial metal kingpin Klank.

Head uses his voice creatively; whispering, and then growling when the need arises, to get his point across. The lyrics are relevant without being preachy – often acting like a father pointing out to his child from firsthand experience the dangers of a life misled. In fact, children seem to be foremost on Head’s heart these days. Many of the songs read like his autobiography by the same name, but by far the best tracks are when he sings as God in the first person, calling out to His children, loving them unconditionally and drawing them back to Him. And as many have noted, Head could easily play a tattooed, dread locked Jesus. Highly recommended. [Driven Music Group] Chris Gatto

His Witness

KINGDOM COME This collection of late 80’s melodic metal tunes – which were almost literally “trashed” at one point – have apparently, until now, lain dormant for almost 2 decades. Straight up, this is outreach, ministry metal/rock in the vein of Whitecross, Eternal Ryte and early Stryper. His Witness doesn’t have a shredder quite the caliber of Rex Carroll, Bobby Smith or Oz Fox, so these songs do come across as mellow – probably more rock than metal – but Ken Redding’s voice is as solid as the “Rock” he sings for. Remixed (by Bill Menchen) and remastered (by Rob Colwell), sonically this stuff sounds way better than most of the “cassette” quality recordings we heard back in the day from the Christian metal pioneers.

[Retroactive] Jonathan Swank

Mass

VOICES IN THE NIGHT & TAKE YOU HOME Many hard-to-find metal albums are being re-released these days, but which ones are worth getting? Since most fans already own the original, deciding to buy a re-release is often based on what bonus material is included. With Voices in the Night and Take You Home, the additional content is minimal. Each album has

one extra track not on the original, but other than an updated photo of the band, there isn’t much else new here to entice the buyer. Still, these are great albums. Of all the bands that sounded like Stryper back in the day, I often thought Voices in the Night was the best album. Fantastic melodic metal with huge BGVs and produced by Michael Sweet, the quality of the music can challenge Stryper’s best. Then again, most of you already knew that. [Retrospect] Chris Beck

Alice Cooper

ALONG CAME A SPIDER Always the consummate storyteller, this album shows Alice in other than his Sunday best. Musically Spider eschews Alice’s hit making Trash era, the post conversion Temptation, and heavy metal hitters Brutal Planet and Dragontown, and closely follows the 70s retro-garage rock sound of the last few albums.

The kicker is that the storyline follows a serial killer through his “illustrious” career. The album’s sole redemptive point is the main character’s soul searching moment amidst the killing spree in “Salvation.” It remains unclear whether the perpetrator actually seeks penitence or gets caught, as the epilogue has Spider talking to himself, pleased that the police have discovered his gruesome handiwork: “But we couldn’t have been responsible… we’ve been in this cell 28 years, haven’t we Steven?” Like watching a cheesy horror movie and covering your eyes at all the bad parts, Along Came A Spider has its catchy moments, but falls short for this rock legend. [SPV] Chris Gatto

Harmony

END OF MY ROAD (EP) This amazing release from some familiar named Swedes is sure to please any melodic power metal lover. Harmony is comprised of four of the five members of the amazing progmetal band Darkwater, but style-wise they leave behind most of the prog elements found there and shoot for a more straight forward, tight and melodic power metal which should please those into Kamelot, Hammerfall, Narnia and the like.

Three of the five songs found here will appear on their full length release Chapter II: Aftermath coming this fall. [Ulterium] Jeff McCormack

This Fires Embrace

WARRIOR POETS I really enjoyed this band’s first release (Redemption, 2006) and was anxious to get my hands on this newest one. And boy, was I not disappointed, as this time around everything is better. Production and mix are big and in your face, musicianship is top notch, with a wall of heavy guitars and a rhythm section that is clearly holding it all together with tons of bottom end. Vocal style mingles mostly heavy melodic with occasional growls sprinkled throughout, maintaining a great metal feel, reminiscent of bands likeThe Showdown and Disciple. 14 songs loads this CD, including an interesting metal cover of Pat Benatar’s “Love is a Battlefield.” [Roadmap] Jeff McCormack

Neal Morse

LIFELINE I am a long time fan of Mr. Morse, so my review might be biased by my “anything-he-touches-is-gold” mentality, but... Again we have the return of the drumming monster Mike Portnoy, as well as top notch musicians across the board as expected. Style-wise, we find all of the prog-rock elements present as expected, so fans of Neal’s past work should have little to no complaints here. While this release, to me, has a slightly more melodic feel overall than the previous (Sola Scriptura), it is still very consistent with the entire catalog and sound on his solo work. The Special Edition version has a second disc of six additional songs well worth the effort and funds to acquire it. [Radiant] Jeff McCormack

The Famine

THE RAVEN & THE REAPING Although they may never shake the “featuring former members of Embodyment and Demon Hunter” label, The Famine play some decent cold technical death metal that is sure to attract new fans, as well as reclaim some old Embodyment diehards (before they devolved into a rock band with a later singer). Fast, ugly, and dirty- highlights include some incredible cover artwork and lightning fast drumming, although the guitar work is by no means shabby. Never straying far from familiar water, but nonetheless a welcome new start and brand new band for Chris McCaddon and Co. [Solid State] Chris Gatto

20

Pastor Bob’s International Report

By Pastor Bob

I have been working with Christian music for 38 years now. It has honestly been the joy of my life. And I am thankful that the metalheads still let me hang around! 38 years ago, there wasn't much in the way of Christian rock music. It just wasn't happening. Our dream was to pioneer the music – to take the message of Jesus and a moral lifestyle to the mainstream. It is exciting to look and see how far we have come. But I get a bit concerned when I hear comments like, “We're not a Christian band – just Christians in a band.” It really doesn't matter what you call yourselves. I worry that the Gospel message somehow becomes lost somewhere in the translation. It is healthy to see how far we can push the limits as far as musical style is concerned. But let’s remember there is a message we bring within that style that is still important and vital! [myspace.com/pastorbobbeeman]

Italy, Denmark, England & metal

Ilaria, Andreas Larsen & Brian Bassingthwaighte Ilaria Roma, Italy

Whitemetal.it is a Christian metal webzine born in the summer of 2005, which witnesses the Christian metal movement – until then unknown to this country – in the Italian metal scene. The webzine – where about twenty Christian metal heads, primarily Roman Catholics, work together – professionally covers reviews, news, interviews, live reports, links, and elaborations, besides having a MySpace page and a big and highly attended message board with a big section dedicated to Christianity. The webzine takes its name from the old definition with which the Christian metal genre was born in the 80’s (“white metal,” metal of light, the light of Christ) which survived ‘til today mostly thanks to the Christian Latin metal scene (Latin America and Latin Europe) to which we feel greatly connected. Having been founded to testify to Italian metal fans the Christian faith through metal, and since the English language is not widespread in Italy, we decided to create it entirely in Italian, even though a long dream is to have another version of the webzine in English. But this would mean having full-time working translators, which would be impossible, since the webzine has no economic support. Whitemetal.it has done a lot ‘til this day, and hopes to keep doing its mission in the Lord’s vineyard in the best way possible.

Andreas Larsen Aarhus, Denmark

Six years ago there wasn’t a single Christian metal band in Denmark… Now there are more than ten metal bands for the glory of Christ! Only 2 years ago nobody was ready to put up a Christian weekend metal festival...

Now we’re only a couple of months away from the 3rd Friday-Sunday metal festival (January 23rd-25th 2009)! A weekend with the best fellowship, great and very inspiring seminars by Pastor Bob Beeman and, of course, a whole bunch of awesome Christian extreme metal bands from Denmark, Norway, Sweden, Germany, England and the US! The festival is named Green Light District Festival as an opposition to the Red Light District in Amsterdam. The red light district is filled with much sexual lust and desire, abuse, hate, discrimination, bondage and fear. The green light district is a place of fellowship, brotherhood and loving each other like Christ did. It’s a place that welcomes the Spirit and His gifts: Love, joy, peace, patience, kindness, goodness, faithfulness, mildness and self control (Galatians 5:22-23). Big things are happening in Denmark with this movement and we’re very excited to see where and how God will move us!

Brian Bassingthwaighte Kingswinford, UK

Here in the UK 2 of the ministries having an impact on the hard music scene are Steel Cross and Meltdown. For 19 years Meltdown has provided a residential weekend-long music and teaching retreat for fans of Christian hard music.

The weekend offers quality teaching and music in a relaxed setting for like-minded hard music people. Meltdown also stages the In-Tune conference, giving teaching and advice to Christian hard music bands. In-Tune gives access to 20 years of experience from promoters, managers and pastors. Meltdown’s latest offering is the new online Christian hard music magazine Detonation – a magazine for dedicated Christian hard music bands. Over the past two years Steel Cross has grown from a series of regular events in a church to running an international prayer network, hosting regular events, working with churches and other ministries, plus offering advice and support to bands and artists; we are constantly expanding according to God’s will. There are two main aims to this ministry: to see bands released, built up in their faith and seeing God move when they play, but also to see the church working in unity through all spectrums. Over the past years we have seen the mainstream church and the hard music scene in the UK starting to come together more and more; but personally I feel more is to come and I long to see us working more closely with our brothers and sisters around the globe. For more information, visit meltdownmusic.com.uk and steelcrossonline.com.

21

throwing down the gauntlet

By Steve Rowe

What is our purpose And what is God's Purpose for us?

Proverbs 20:5 says, “The purpose of a man's heart are deep waters, but a man of understanding draws them out.” It surprises me just how many Christians tell me they do not know their purpose in life; or, more importantly, God's purpose for their life. I love Ecclesiastes 9:10: “Whatever your hand finds to do, do it with all your might, for in the next life, where you are going, there is neither working nor planning nor knowledge nor wisdom.”

Whether you are younger or older, just go hard at what you find to be your natural gifts and interests.

God has given these to you, so work hard to advance His Kingdom in whatever you do. As you go on in the next years you will know your purpose by the fruits of your efforts. God owns the cattle on a thousand hills and so He looks after you. You will be in God's purpose when His promises are evident in your life. No one can gain wisdom and understanding of their purpose unless they reach deep inside and find it. This also includes hard work, sacrifice and believing that God will guide you.

I don't believe we can just tune out of life and pray for God's purpose. We need to seek God first, but also actively pursue a life of hard work, path-finding,

looking for open doors and serving others before ourselves. Finding purpose means putting God first and then others before ourselves.

It seems it is way too easy these days for Christians to find a way of having their cake and eating it to.

How many more Christian's will start leaving God out of their music because popularity is more important to them than accountability? Sure, music can be presented to Christians, but if there is no Jesus in it what good does it do the performer or the listeners?

Yes, I am an old-fashioned dinosaur of a Christian artist. But I knew when I came back to “the narrow road” after hearing a Resurrection Band album in 1984 that my purpose was to present God's free gift of salvation to people through metal music. I am not judging others here – just encouraging you to think whether you have dug deep enough to find your purpose in life; and most importantly God's purpose. I have had to dig deep and stay faithful to find God's path in my life and reach the next open door. Millions are dying and going to Hell. What are we doing about it? A cold heart for God utters cold words. Always remember that “out of the heart the mouth speaks.”

HORDE - MORTIFICATION - BELIEVER - SEVENTH ANGEL

FOR THOSE ABOUT TO ROCK

Faith Factor – Against A Darkened Sky Progressive power metal for fans of Rob Rock, Pyramaze, Sacred Warrior!

Grave Robber – Be Afraid For fans of Alice Cooper, Type O Negative, The Misfits and Danzig! Includes industrial remix by Angel of mainstream metal band Dope.

Deliverance – s/t: The 1989 debut release from thrash/speed metal Icons! Digitally remastered, enhanced artwork, featuring 2 bonus tracks and extended liner notes.

Azmaveth – Strong As Death A unique blend of black and death from Puerto Rico. For fans of Ancient, Dimmu Borgir, and Extol.

Deliverance – Weapons of Our Warfare

Bealiah – Anthology of the Undead Brutal old-school black metal from Indonesia, for fans of Emperor, Immortal, and Dark Funeral.

1990 speed/thrash metal classic reissue digitally remastered with one bonus track and extended liner notes.

Sympathy – Anagogic Tyranny Brand new album of ultra technical, blackened death from Canada, for fans of Suffocation, Immolation, and Morbid Angel

Holy Blood – The Patriot Brand new third album of folk / pagan metal from the Ukrainian masters, for fans of Finntroll, Ensiferum, Falkenbach, and Eluveitie.

His Witness – Kingdom Come Originally recorded at the Elefante’s Pakaderm Studio in 1989, remixed by Bill Menchen (Titanic/The Seventh Power).

Features powerful vocals and music for fans of Judas Priest, Whitecross, and Bloodgood! myspace.com/wearehiswitness

My Silent Wake – A Garland of Tears New album from masters of death/doom/folk arise with a whirlwind of dark metal for fans of Paramaecium and My Dying Bride.

WE SALUTE YOU

Distributed by Brutal Planet Distribution brutalplanet@gmail.com www.retroactiverecords.net www.bombworksrecords.com Available at itunes, cdbaby.com, radrockers.com, girdermusic.com, amazon.com, ebay.com, and Mardel Christian Stores

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