Chelsea Now

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YOUR WEEKLY COMMUNITY NEWSPAPER SERVING CHELSEA, HUDSON YARDS & HELL’S KITCHEN

DISABILITY PRIDE NYC Annual Parade’s Agenda Includes Employment, Education, Dignity, Dancing (see page 12)

Photos by Christian Miles

© CHELSEA NOW 2017 | NYC COMMUNITY MEDIA, LLC, ALL RIGHTS RESERVED

VOLUME 09, ISSUE 20 | JULY 13 – 19, 2017

OBITUARY

Photo by Jackson Chen

Chelsea Now file photo by Yannic Rack

Left: Chris Dietz, outside his apartment complex, rereading a Chelsea Now article that featured Bettie. At right, the photo that graced the front page of that Dec. 2015 issue shows Bettie in her iconic stance.

Bettie the Boston Terrier, 9, Was a Neighborhood Paper’s Best Friend BY JACKSON CHEN From the corner of the bed, Bettie the Boston Terrier would perk up, letting her owner know that she was ready for a walk around the neighborhood. Chris Dietz, 53, would then wrangle Bettie into her leash before heading down

their sixth floor apartment at NYCHA’s Elliott-Chelsea Houses at W. 27th St. But Bettie, 9, took her last walk on July 4 as she passed away shortly after at around 3 a.m., according to Dietz. Heartbroken by the loss, Dietz said he couldn’t stay in the apartment for

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long periods, so he walked their route instead. “She meant a lot to a lot of people around here, a lot of people in the neighborhood started crying,� Dietz said, when he informed them of the tragic news. “They all know her from carrying the paper.� Dietz and his family first adopted Bettie several years ago when his niece’s friend was having a baby and felt it necessary to find the terrier a new home. “Ever since that, she’s been with me all the time,� Dietz said. “We spend all of our time together, I’m the one who fed her, took her for walks, gave her baths, took her to the park.� Dietz usually started the walk with a quick grocery store run at W. 28th St. and Ninth Ave. before stopping by the corner news boxes where he grabbed several copies of Chelsea Now. Like clockwork, he sleeved it up in a transparent plastic wrap before Bettie would yank it out of his grip with her mouth. Bettie’s love of Chelsea Now dates back several years after she grabbed the first edition of the newspaper. “I’m walking like this and she just grabs it out of my hand,� Dietz recalled, illustrating the swaying motion of his arm with a newspaper in hand. “I guess she saw it moving, she just grabbed it and she held it until we got home.� Ever since that, the news-hungry hound has become a neighborhood icon. Dietz explained that the newspaper has even become part of Bettie. “It’s funny ‘cause if she got the paper, she walks like she has a job to do,� Dietz said. “If she doesn’t have the paper, she

would just mope.� With her favorite newspaper stuffed in her mouth, Bettie was ready for the catwalk down 10th Ave. As they walked, tourists and locals alike greeted Bettie and snapped pics of the photogenic pup. But it’s not always a free pass, Dietz said, as Bettie would sometimes trade a photo op for a tummy rub (she rolled over once the photos were done). The midway point of their walk, the Kiehl’s at 400 W. 14th St., Bettie would immediately peer into the glass door, waiting for an opportunity to dash inside. Dietz used to chat with some of the street vendors on the corner while Bettie was already eager to dive into the cosmetics store. “As soon as the door was open, she just flew in with all her love,� Devena Santori, one of the managers at Kiehl’s, said. “We have our treats behind our register so she knew exactly where to get them.� Santori knew Bettie for more than a year but her staff and customers had long been accustomed to the lively dog hanging out in the store. Whether she made a beeline for the treats, rehydrated with the dog bowl, or sprawled out in the shade of the store, Bettie was always a welcome addition to the Kiehl’s. “She always ran in here really excited and happy,� Santori said, tearing up. “She’s going to be super missed. I don’t think we’ll ever have another mascot like that again.� After Kiehl’s, Dietz and Bettie would BETTIE continued on p. 10 NYC Community Media

Photos by Rebecca Fiore

Michelle Diaz, center, a fifth generation Hell’s Kitchen resident, brought pictures of basketball players in 1960s Hell’s Kitchen.

Hell’s Kitchen Commons is raising money to restore the 1972 Arnold Belkin mural outside of Mathews-Palmer Playground called “Against Domestic Colonialism.”

Up on the Roof, Hell’s Kitchen Stories and Much, Much S’more BY REBECCA FIORE In the summer of 1977, lightning struck an electrical substation on the Hudson River, which tripped two circuit breakers. Then a second bolt of lightning struck and cut two transmission lines. Con Edison tried to fast-start remotely, but it failed since no one was manning the station. A third bolt of lightning later

cut two critical transmission lines and what proceeded was a 25-hour blackout spread across New York City. One Hell’s Kitchen resident remembered the July 13-14 blackout as something other than a time of widespread looting and arson. “Hell’s Kitchen was a bit gritty back then, but 44th Street was kind of an

anomaly,” Linda Ashley told a group of approximately 50 people, young and old. “While people were looting and raiding grocery stores and delis, on 44th Street we were having ice cream socials on the steps since we knew that the ice cream was going to melt.” The infamous blackout triggered violence throughout the city, with

tensions high from a severe fi nancial crisis to the Son of Sam murders to a brutal heat wave. “But while there was craziness going over on Ninth and 10th Avenue and we were just, ‘Oh you want some strawberry? ’ It’s going STORIES continued on p. 18

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Get Out and Stay Out: Weekend Al Fresco Fun BASTILLE DAY MILL-ABOUT Bastille Day is like France’s Fourth of July — except in the ways that it’s not, which are many: It takes place on the 14th; it commemorates the storming of the Bastille fortress and the beginning of the French Revolution; and it will be enjoyed locally with tasty crepes and festive hats instead of grilled meats and tacky T-shirts. That’s the promise of the Milliners Guild, a nonprofit organization of milliners, millinery small business owners, and millinery students who specialize in the design, production, and promotion of handmade headwear. “The Guild has participated in a Bastille Day Mill-About for several years,” said Guild President, Ellen Christine, who noted that on this day, “We incorporate the colors of the French flag (blue, white and red) paying tribute with our French Revolutionary inspired hats.” From 6-7 p.m., they invite you to Bar Suzette Creperie (in Chelsea Market; mid-block entrance at W. 15th St., btw. Ninth & 10th Aves.). Then, walk off that rich French food by milling about the High Line (assemble at W. 18th St.). RSVP on their Facebook page, Milliners Guild, or visit millinersguild.org (rain date: Sun., July 16, 4-7 p.m.).

Courtesy Milliners Guild

The Milliners Guild invites you to celebrate Bastille Day by donning festive headwear and milling about the High Line.

THE RUBIN MUSEUM ANNUAL BLOCK PARTY Inside, it’s all about beauty, grace, hushed voices, and quiet contemplation. Once a year, however, out on the street at least, the Rubin Museum of Art’s block party fills the air with a joyful noise. “Sounds of the Street” is the block party’s theme, which nicely compliments their popular current exhibition: “The World Is Sound.” On view through Jan. 8, 2018, it invites visitors to “explore how sound and our sense of hearing shape our daily lives, our traditions, our history, and all of existence.” You’re welcome to check out that exhibition during July 16’s festivities, when admission to the museum is free. But with the forecast calling for sunny skies, there will be more than enough

Courtesy Rubin Museum of Art

We hear what they’re saying: Rubin Museum of Art’s “Sounds of the Street” block party has a theme related to a popular current exhibition.

to do outside, on the block. We’re talking Himalayan snacks from Café Serai and food trucks (including Van Leeuwen Artisan Ice Cream), and a slew of stimulating performances from the likes of New York Suwa Taiko Association, The Bhakti Center, Dana Flynn of Laughing Lotus

PUBLISHER Jennifer Goodstein

THE WEST SIDE’S COMMUNITY NEWSPAPER PUBLISHED BY

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EDITOR Scott Stiffler ART DIRECTOR John Napoli GRAPHIC DESIGNER Cristina Alcine

Yoga, the Tibetan Community of NY/ NJ, and more. The hands-on fun includes all-ages sonic art-making, and activities led by community partners Adhikaar, ACHA Himalayan Sisterhood, Grassroots Movement in Nepal, the United Sherpa Association, and others.

CONTRIBUTORS Lincoln Anderson Stephanie Buhmann Jackson Chen Bill Egbert Rebecca Fiore Dusica Sue Malesevic Winnie McCroy Puma Perl Paul Schindler Eileen Stukane

ADVERTISING Amanda Tarley PH: 718-260-8340 Email: atarley@cnglocal.com

Rain or shine on Sun., July 16, 1-4 p.m., on W. 17th St., btw. Sixth & Seventh Aves. This free event includes admission to the museum (150 W. 17th St.) all day long. Social Media: #RubinBlockParty. For more info, visit rubinmuseum.org/ blockparty. —Scott Stiffler

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Il Bastardo’s Past Casts Long Shadow on New Liquor License Applicant BY WINNIE McCROY Still nursing a hangover from years of living alongside a business whose boozy weekend brunches saw drunken revelers pour themselves out of its doors and onto nearby sidewalks (and streets, and curbs), a sizable and sober contingent of local residents gathered for Community Board 4’s Business Licenses & Permits (BLP) Committee meeting. Many of those in attendance were there to urge the BLP not to grant a new on-premise liquor license to an applicant seeking to open up business at 191-195 Seventh Ave. — location of the former Il Bastardo restaurant (near the corner of W. 21st St.). “I don’t want to rehash the history of Il Bastardo, but I was at the last SLA [State Liquor Authority] meeting and they were not happy,” said BLP Co-Chair Frank M. Holozubiec at the Tues., July 11 proceedings. “They let them off with a big fine but were not happy with them. It’s a highly troubled location.” With mounting fines and cases before the SLA — including a revoked liquor license — the establishment recently chose to close up shop. But when concerned community members noted that the incoming operator was chef, nutritionist, author, and Food Network personality Kristin Sollenne (kristinsollenne. com), they quickly connected the dots back to her husband, former Il Bastardo owner Robert Malta, and came out in force to reject her proposals to open two establishments in this space. “I’m just trying to go in and make a nice community restaurant, one that you’d like to come into and have dinner,” said Sollenne, who appeared before the BLP with her attorney, Martin P. Mehler of Mehler & Buscemi. According to her application, Sollenne (or entity to be formed) seeks to split the space and run two operations — a Mexican restaurant and an Italian restaurant — with a capacity of 316 people. She seeks to have 100 tables, 260 seats, and three stand-up bars with 40 seats, as well as a sidewalk cafe with nine tables and 36 seats. The hours of operation Sollenne seeks are 12 p.m.-12 a.m., seven days a week. But Sollenne insisted that her husband “had no involvement” with Il Bastardo, referencing some parting of ways she said severed his relationship with the owners. “I made my mark here for 10 years as a chef and cookbook author, and I’m looking to divide the space into two restaurants: a California coastal cuisine casual eatery on one side and a white tablecloth NYC Community Media

Photo by Winnie McCroy

Attorney Martin P. Mehler with chef/ nutritionist and Food Network personality Kristin Sollenne (holding her infant child).

Italian restaurant on the other. I’m trying to build a family-friendly restaurant where you feel comfortable to sit your stroller on the side of your table,” said Sollenne, who was holding her infant child. “It is really important for me to come here and share my intentions for the space. Whatever happened at Il Bastardo wasn’t pleasant, but I assure you, that’s not happening here.” Board members were quick to point out that Malta’s name was on the Il Bastardo liquor license, and that Sollenne had served as culinary director for three of his New York City Restaurant Group holdings, including Arte Café and Bocca di Bacco. Another noted a Facebook page advertising the restaurant’s back room for one of Sollenne’s events; she contends that she merely rented the space because it was convenient. Others like BLP member Lily Fan stuck to the legal aspects. “The 500-foot rule states that if a new place is not in the best interest of the community, or if there are three or more existing licenses which are there, they have to show how a new liquor license benefits the community,” noted Fan. “I think we should hear from the public, because I don’t think it’s in their best interest.” The public was on hand, as more than 60 people crowded the fourth floor Green Room at Yotel (W. 42nd St. & 10th Ave.) for this pre-emptive strike against what they have deemed a “bad operator.” Over the last three years, Il Bastardo garnered a reputation among residents, the SLA, and the NYPD for a litany of drunk and disorderly conduct violations as well as the occasional assault. Now that residents APPLICANT continued on p. 8

NOTICE OF AVAILABILITY of DRAFT ENVIRONMENTAL IMPACT STATEMENT FOR PUBLIC COMMENT and ANNOUNCEMENT of PUBLIC HEARINGS for the Hudson Tunnel Project in Hudson County, New Jersey, and New York County, New York For the Hudson Tunnel Project, the Federal Railroad Administration (FRA) and NJ TRANSIT have prepared a Draft Environmental Impact Statement (DEIS) in compliance with the National Environmental Policy Act. The Project is intended to preserve the current functionality of the existing passenger rail crossing under the Hudson River, the North River Tunnel, between New Jersey and Penn Station New York (PSNY) and strengthen the resiliency of Amtrak’s Northeast Corridor (NEC). The North River Tunnel, which is over 100 years old and sustained damage during Superstorm Sandy, is a critical link in the NEC and is used daily by thousands of Amtrak and NJ TRANSIT passengers. The Hudson Tunnel Project DEIS evaluates a Preferred Alternative that consists of construction of a new passenger rail tunnel between Secaucus Junction, New Jersey, and PSNY, along with accompanying infrastructure, to allow for the rehabilitation of the existing North River Tunnel, without major interruption in NJ TRANSIT and Amtrak NEC service. The DEIS also evaluates a No Action Alternative in which no new tunnel is built and the existing North River Tunnel is not rehabilitated. FRA and NJ TRANSIT are now accepting comments on the Preferred Alternative and analyses presented in the Hudson Tunnel Project DEIS. The DEIS also contains a Draft Programmatic Agreement (PA) prepared in compliance with Section 106 of the National Historic Preservation Act; the Draft PA explains what impacts to historic and archaeological resources are and how they will be avoided, minimized, or mitigated. Comments will

be accepted through August 21, 2017. See below for information on how to submit comments. Note that all information in submitted comments is subject to public release (e.g., names, addresses, email addresses, etc.), unless otherwise stated by commenter. To REVIEW THE DEIS, please visit: www.hudsontunnelproject.com/deis.html or you can view a printed copy of the DEIS at local libraries and government buildings in the project area. A list of these locations is available on the Project website, or by calling the Project team at 973-261-8115. HOW TO COMMENT ON THE DEIS: Comments may be submitted through August 21, 2017 • In person at the public hearings • Via the project website: www.hudsontunnelproject.com/ contact.html • Via email: comment@hudsontunnelproject.com • Project Contacts: » Ms. Amishi Castelli, Ph.D. Environmental Protection Specialist USDOT Federal Railroad Administration One Bowling Green, Suite 429 New York, NY 10004 » Mr. RJ Palladino, AICP, PP Senior Program Manager NJ TRANSIT Capital Planning One Penn Plaza East - 8th Floor Newark, NJ 07105

FRA and NJ TRANSIT will hold three PUBLIC HEARINGS to provide in-person opportunities for the public to comment on the DEIS and Draft PA. The public hearings will take place on the dates and locations listed below: August 1, 2017 Hotel Pennsylvania Skytop Ballroom, 18th floor 401 Seventh Ave at W 33rd St New York, NY 10001

August 3, 2017 Secaucus Junction Rail Station Upper Level Long Hallway County Rd & County Ave Secaucus, NJ 07097

August 10, 2017 Union City High School 2500 Kennedy Blvd Union City, NJ 07087

Each hearing will include an afternoon and evening session, from 3-5 PM and from 6-8 PM, with a brief presentation about the Project at 3:15 PM and again at 6:15 PM. At the hearings, members of the public are invited to provide an oral statement or to submit comments in writing. The hearing facilities will be accessible to persons with disabilities. Spanish and American Sign Language translators will be present. If other special accommodations are needed, please contact the Project team at least five days prior to the hearings at 973-261-8115, or email team@hudsontunnelproject.com. July 13, 2017

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Hollow Core: Can Secondary Housing Market Save Midtown? TALKING POINT BY ANDREW WARBURTON It’s no secret that Midtown Manhattan, despite being one of the most sought-after places to live in the United States, if not the world, is home to an abundance of vacant apartments. Last year, Patrick Radden Keefe, staff writer for the New Yorker, cited US Census Bureau statistics showing that one third of the apartments in the corridor bounded by Fifth Ave., Park Ave., 49th St., and 70th St. stand empty for at least 10 months of the year. The proliferation of luxurious but empty New York City apartments is a symptom of the internationalization of capital and the growth of a super-rich global elite, which the New York Times helped identify in a 2015 investigation into the owners of luxury condominiums at the Time Warner Center at Columbus Circle. The Times discovered that many of the condominiums’ owners were former or current officials of foreign governments and had been implicated in US investigations into fraud, environmental violations, and other illegal activities. The newspaper concluded that “vast sums [of capital] are flowing unchecked around the world… enabled by an ever-more-borderless economy and a proliferation of ways to move and hide assets… [creating] colonies of the foreign super-rich.” The existence of thousands of empty apartments — 318,831 in New York City in 2015, more than Paris and London combined — is a testament to the abundant prosperity the global economic system has unleashed, and while the long-term benefits of this system for real-estate investors hardly need to be stated, ordinary Manhattanites have also benefited from the flows of capital behind Midtown’s multiplying towers. The increase in jobs for workers and in tax revenues for government has encouraged city officials to adopt an “attract the rich” approach to the economy, allowing the situation to go unchecked. As Peter Moskowitz, author of “How to Kill a City: Gentrification, Inequality and the Fight for the Neighborhood,” stated recently in an interview with Street Roots (a street newspaper based in Portland, Oregon), “Michael Bloomberg, the former mayor of New York, said on the radio one day, ‘If we could just get a few more billionaires to live in New York City, many of our problems would be solved.’ That’s really the modus operandi of cities today: How do you get as many rich people living there as possible?” And yet, despite the undoubted capa-

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Photo by Jackson Chen

A view along 57th Street looking east from Broadway and capturing some of what’s been termed Billionaires’ Row.

bility of international capital to facilitate job creation and the building of countless properties, the fact is that most of these “homes” lie outside the price range of 95 percent of the population. The abundant property construction we’re seeing not only fails to serve the needs of the majority of the population but, in fact, serves the interests of a minority of investors who aren’t even looking for homes. Walking southwest of Midtown’s empty-apartment corridor, you reach the other extreme of the US housing “market” — people sleeping on cardboard boxes outside Port Authority; and even further afield, those whom the housing market has excluded less severely — the potential or former Manhattanites whom rising coop and condo prices and the carryover effect on the rental market have pushed out of the borough altogether. At its most grotesque, the discrepancy between the availability of luxury apartments and the needs of ordinary people can be seen in the tragic case of London’s Grenfell Tower fire, in which 80 people are presumed to have died. When the

survivors of that fire needed new homes, the British government at first hesitated to rehouse them in the wealthy local borough, raising the possibility that they’d not only lose their homes but their cherished neighborhood too. Kensington, where the tower’s blackened ruin stands, is one of the wealthiest regions in the country, home to hundreds of empty high-end apartments. As Jeremy Corbyn, leader of the British Labour Party, pointed out, “It can’t be acceptable that in London we have luxury buildings and luxury flats left empty as land banking for the future while the homeless and the poor look for somewhere to live.” The undeniable conclusion one draws from all this is that a global real estate market has emerged in which two different types of buyers coexist whose end goals are incompatible: those with ready access to capital who are looking to make a return on an investment, and those who lack access to vast stores of capital, want to buy a home, but end up giving their money in rent to private landlords. The UK pressure group Generation

Rent, which represents the interests of private renters, has argued that the situation requires a decoupling of the principle of investment from the practice of buying a home. One way to do this, the group suggests, is to create a “secondary housing market.” This would involve the government investing, say, $2 billion in real estate and reselling the properties at cost price rather than market price; that is, it wouldn’t make a profit on the sale. This deal would be subject to one condition: as soon as the homes are bought, they would enter into a housing market in which prices would be controlled. As buyers wouldn’t have paid a market value for the property, the property’s value wouldn’t be allowed to increase in line with the private market. Instead, they would buy the property for something like cost plus 10 percent, and the property’s value would be fixed to appreciate at a rate similar to that of a regular bank account. The government, meanwhile, would receive back the value it had spent on the properties’ construction, and it would use this value to build more homes — a process that could be repeated as many times as necessary. The purpose of this would be the creation of a secondary housing market for people who want a home, and this market would exist alongside but removed from the private market, which would be left to the whims of investors. Of course, this policy idea is radical and would face opposition from both conservatives dismayed by the idea of government interference in the market and liberals who might prefer government spending to go to affordable rental housing. One thing, however, can be said for Generation Rent’s idea: it identifies a problem — the seeming incompatibility between the interests of real-estate investors and those of homebuyers — and attempts to provide a solution. And it echoes, in some respects, past efforts in New York City, which have had considerable success — such as in the MitchellLama program, the Penn South cooperative, and the Bronx’s Coop City — to create homeownership that maintains its affordability. Figuring out whether this idea is workable for 21st century Manhattan would require more extensive research, but it certainly represents a willingness to explore the bold idea of rescuing the modern city from the power of the super rich. Andrew Warburton, who writes for Boston’s Spare Change News, can be reached at AndrewWarburton@hotmail.com. NYC Community Media

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NYC Community Media

July 13, 2017

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APPLICANT continued from p. 5

have seen an end to the club’s raucous weekend brunches, they are hardly eager to see a similar pattern erupt in two new locations. “I live across from the restaurant and understand that we don’t want to rehash their history, but it is a 300-seat restaurant that whether it is family or marital, you have ties to,” said Bob Simon. “I wish you all the best, but what happens when you can’t fill those 300 seats four nights out of the week, and start getting suggestions to do something else? It will creep back toward what it was. Plus, you still have some relationship to a full or partial owner of this facility that for the past 18 months we have sent Jesse [Bodine, CB4 District Manager] 11 pages of violations brought up against them.” Both residents and BLP members voiced the sentiment that the location was just too big to feasibly make it as a restaurant — or even two restaurants, as the case may be. “This place has been a major problem, and personally I would not support putting any restaurant there,” said BLP committee member Christine Berthet. “It needs to be broken into multiples, soundproofed, and then we can talk about it. In its present shape, it’s contrary to the interests of our community.”

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CITY July 13, 2017

Longtime resident Diane Nichols came out strongly against the application. “Please be aware that when Il Bastardo opened, it was known as Bocca di Bacco,” she recalled. “Il Bastardo has been a nightmare, with guests parking in front of hydrants, smoking pot, drinking, throwing up, and throwing cigarette butts in the garden [of her disabled neighbor].” Pamela Wolff of the Chelsea West 200 Block Association was sympathetic but firm, noting, “The effect that establishment had on this street was severe for all that time, and it was in the daytime! It all had to do with these brunches and very drunken people. I understand it’s all been hashed out and I’m sorry this charming young woman is being painted with this

brush, but I’m afraid she’s stuck with it.” Numerous other community members and organizations shared similar sentiments, with only Mel Wymore, an openly transgender candidate for City Council, speaking in favor of Sollenne, saying that she was “a cherished community asset.” Wymore also expressed support for “the application for a liquor license to create a comfortable community venue.” Because only six members of the BLP Committee attended the hearing, they did not reach quorum, and were unable to vote. But that did not impact the outcome for Sollenne, whose proposal was quickly rejected out of hand. Sollenne’s attorney suggested his client meet with local community groups on an

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Photo by Winnie McCroy

CB4’s Business Licenses & Permits Committee, at the July 11 meeting.

individual basis. “We know the name Il Bastardo has to go,” Mehler said, “and we will agree to your conditions and assure you that there will be no repetition of what went on there.” This elicited an outcry from the crowd that they didn’t want another restaurant there, with Wolff saying, “I sense the beginning of a movement to organize into a group and proactively approach the landlord to tell him what we want in this space.” “The landlord is going to have to learn that this is not going to be another big liquor place, and he has to learn the hard way, by being closed for one year, to not rent to the wrong people,” Berthet said. Holozubiec ended the session by saying that the BLP would allow Sollenne to reach out to community groups before attempting to file any applications, adding, “This spot has been a plague on our community for 15 years or more, and I haven’t known of any other location in this district that has been such an unremitting problem that could not be solved, regardless of ownership issues.” The BLP Committee invited all applicants to speak at the next full board meeting of Community Board 4, to be held Wed., July 26, 6:30 p.m. at the Hudson Guild (441 W. 26th St., btw. Ninth & 10th Aves.). Arrive early to sign up for the public comment section.

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TOP DRIVER DISTRACTIONS Using mobile phones Leading the list of the top distractions behind the wheel are mobile phones. Phones now do more than just place calls, and drivers often cannot pull away from their phones, even when driving. According to the California Department of Motor Vehicles, studies have shown that driving performance is lowered and the level of distraction is higher for drivers who are heavily engaged in cell

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phone conversations. The use of a hands-free device does not lower distraction levels. The percentage of vehicle crashes and nearcrashes attributed to dialing is nearly identical to the number associated with talking or listening.

Daydreaming Many people will admit to daydreaming behind the wheel or looking at a person or object outside of the car for too long. Per-

haps they’re checking out a house in a new neighborhood or thought they saw someone they knew on the street corner. It can be easy to veer into the direction your eyes are focused, causing an accident. In addition to trying to stay focused on the road, some drivers prefer the help of lane departure warning systems.

Eating Those who haven’t quite mastered walking and

chewing gum at the same time may want to avoid eating while driving. The majority of foods require a person’s hands to be taken off of the wheel and their eyes to be diverted from the road. Reaching in the back seat to share some French fries with the kids is also distracting. Try to eat meals before getting in the car. For those who must snack while en route, take a moment to pull over at

a rest area and spend 10 minutes snacking there before resuming the trip.

Reading Glancing at an advertisement, updating a Facebook status or reading a book are all activities that should be avoided when driving. Even pouring over a traffic map or consulting the digital display of a GPS system can be distracting.

July 13, 2017

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BETTIE continued from p. 2

Photo by Jackson Chen

Dietz stands outside the Kiehl’s that Bettie used to frequently run into on her own for treats and affections from the staff.

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July 13, 2017

hit the road again, this time looping back up on Ninth Ave. But it was no different, as many stopped to greet Bettie. Dietz recalled that a whole tour bus group came out to snap photos of the lovable pooch. And as they approached their home, her celebrity status continued with the neighbors who greeted Bettie, specifically Victoria Mojica, who nicknamed the terrier “Bettie Boop.” “She’s always been such a sweetheart,” Mojica said. “She would always carry her Chelsea newspaper, all the time, no matter where or what.” But today’s walk was much quieter as the smiles were replaced with tears recalling Bettie’s memory. Even for Dietz, it was hard to forget Bettie’s larger than life personality. “Like I said, I can’t stay upstairs, so I walk around,” Dietz said. “I bumped into somebody today, and he goes, ‘You walked past me four times, where’s your dog?’ and I said my dog passed away and he even started crying.”

Chelsea Now file photo by Yannic Rack

Bettie liked to carry each new issue of Chelsea Now, and the protective wrap supplied by Chris Dietz kept it crisp all the way home (file photo from Dec. 2015).

Courtesy Tracy Colon

Bettie at home.

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Money Woes Behind It, Big Apple Circus Back This Fall BY JACKSON CHEN The Big Apple Circus and its performers will fly high once again, with ticket sales now underway for their 40th anniversary revival show starting on October 27. After tumbling through a short bout of bankruptcy late last year, the circus was bought in February by the private equity firm Compass Partners and will be run by its affiliate Big Top Works. Its $1.3 million investment represents the firm’s first venture into the entertainment world, but Neil Kahanovitz, a Big Top Works partner, emphasized they are not navigating in the dark, with some serious circus savvy among their teams members. Kahanovitz recalled that as a kid, he had the unusual dream of growing up to be both an orthopedic surgeon and a circus performer. Splitting his time between medical school and the circus, the future surgeon earned his stripes on the trampoline and trapeze at the traveling Clyde Beatty Circus. Now, at 68 and perhaps less inclined to hone his aerial skills, Kahanovitz welcomes the chance to revive a treasured local tradition. “It’s more of a bringing back of this iconic New York institution that needs to be restored to its proper place,” he said. “How many generations have walked by Lincoln Center at Christmas time and seen the tent. Last year was the first year in 40 years they hadn’t.” The Big Apple Circus returns with a bang, its debut show featuring back-to-back death-defying stunts. The first act’s grand finale features trapeze artist Ammed Tuniziani, better known as the Flying Tuniziani, showing off his quadruple somersault. Recalling his days on

Photo by Jackson Chen

Neil Kahanovitz has trained and worked as both a surgeon and a trampoline and trapeze artist, and now he’s part of the team reviving the iconic Big Apple Circus.

the trapeze, Kahanovitz said the quadruple was once unheard of. “Triple was like the gold standard of the best trapeze acts in the world, but it’s really amazing to see a quad,” he said, acknowledging that he himself was never close to nailing a triple. The second act features Nik Wallenda, who leads his family troupe, the Flying Wallendas, in a seven-person pyramid high wire act, the same one that, in 1962, left two Wallendas dead and another paralyzed in a tragic mishap at Detroit’s State Fair Coliseum. In true show business fashion, the Wallendas remain in the game, ready to headline the Big Apple Circus return to Lincoln Center. “For me, every step on the wire is a tribute to my great

grandfather, who is the inspiration behind everything that I do,” Wallenda said in a recent written statement. “I’m so excited to return to my true passion, which is performing under the Big Top, where I can connect with the audience in a real way — especially in the intimate atmosphere of Big Apple Circus.” Apart from jaw-dropping acrobatics, Big Apple Circus’ comeback also features fan favorites like Grandma the Clown, who has stepped out of retirement for the revival. She’ll be paired with the new ringmaster, Ty McFarlan, who, Kahanovitz said, “stood above everyone else” in experience as well as in improv tryouts with Grandma. Big Apple Circus, Kahanovitz explained, is distinguished not only by its stellar acts; it also strives to serve the community, with affordable family pricing as well as two shows each for autistic children and for those with hearing and visual impairments, called “Circus of the Senses.” Practice tents go up in New Jersey in mid-August, and rehearsals will begin in early September and run until the big Lincoln Center opening day on October 27. The Manhattan run goes through January 7. “I’m anxious and excited,” Kahanovitz said. “But at the same time, you realize the magnitude of bringing this back to New York. I’ve had instances where grandparents have come to me, and they went as kids and they brought their kids and they’re so happy that now their grandchildren can come.” Tickets are now on sale at bigapplecircus.com.

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July 13, 2017

11

Disability Pride Parade Promotes Awareness, Ability, BY DUSICA SUE MALESEVIC The sun dazzled, the mood was jubilant, and, of course, the speakers blasted Beyoncé for the third annual Disability Pride NYC Parade on Sun., July 9. The festivities began in the morning at Union Square Park where Stephanie Wallace, 48, and her friends had gathered to participate in the parade. Wallace, a longtime Chelsea resident, said she came to show pride in who they are, and “support others like us. It gives us visibility. People don’t acknowledge us sometimes.” Wallace eschewed the label “disabled,” saying it was more important that people don’t discriminate or are prejudice toward those with physical challenges. And, most importantly, don’t patronize. “Get out of our way and let us do what we do,” she said. In April 2015, Wallace started the LAID Network, which focuses on love and intimacy for the disabled (visit loveandintimacyforthedisabled.wordpress. com). It is a “team of individuals with disabilities seeking to inform the public about everyday issues and concerns that affect us,” according to the flyer Wallace and her friend, Vernita Worrell, 57, was passing out. The organization has it’s own podcast, and Wallace recommended checking out YouTube channels, “Chicks in Chairs” and “Men on the Move.” The flyer said their projects are where there are “lively discussions about life, love, sex, and relationships. Sometimes it’s thoughtful. Sometimes it’s funny… but it’s always enjoyable.” It was Worrell’s third time coming to parade and she wanted to “make people aware — that we are here, that we live.” Indeed, awareness was an integral part of the founding of the parade. Jazz pianist Mike LeDonne founded Disability Pride NYC — now a nonprofit — after seeing how his daughter, Mary, was often treated in public, he told The New York Times in a January 2015 article. The inaugural parade was held in July 2015. “Awareness is the key,” Valerie Joseph, 41, told Chelsea Now. “Stop treating us as we are in a wheelchair. Start treating us as people.” Joseph is part of a nonprofit organization called Brooklyn Center for the Independence of the Disabled (BCID), which she said advocates for people with disabilities, and provides information about housing and transportation. Gabriela Amari, 56, is also part of BCID (bcid.org), and said this was her third parade, noting that is growing every year. “It is extremely important people see us out and about. We’re no longer

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July 13, 2017

Photos by Christian Miles

Mary LeDonne, center, inspired her father, Mike, to start the Disability Pride NYC Parade. On the right is Micah Fowler, an actor on the show “Speechless,” who was the grand marshal.

The festivities started at Union Square Park where groups gathered before the parade began.

shut-ins. And we dance,” she said, and did so when a Michael Jackson song started playing. Finding employment is an issue for those who have disabilities. “There are very few people with disabilities who can’t do some form of work so please hire us,” she said. “People aren’t willing to give us a chance.” Amari said that with a few reasonable modifications, many with physical challenges could work — and that they’re well worth the modifications. Marsha Steinberg is the assistant principal at PS169, a District 75 school on the Upper East Side. District 75 schools have programs focused on those with disabilities and special needs.

“We want them to be productive members of society,” she said, adding students have found employment at Starbucks, CVS, and McDonald’s. Steinberg has been at the school for 22 years, and she has seen how technology, specifically for assisted communication, has changed student’s lives for the better. “It opens up their whole life,” she said. Making the city’s parks, playgrounds, and programs more accessible for children, teens and adults with disabilities is part of Christopher Noel’s mission. Noel, 42, is the accessibility coordinator for the city’s Department of Parks & Recreation, working on adding more ramps and playground equipment that is conducive for those with disabilities to play with.

Justin Quirke watched the parade on Sunday with his mom, Alicia Perez-Quirke, and showed support with a sign.

“The key is children with disabilities will not [be] out of the mix,” he said. Noel has participated in the parade since its inception and he comes to show pride for those with disabilities. “The way to make the movement happen to create greater opportunities with persons with disabilities is to be seen,” he said. “Inclusion is the key.” Before the parade headed up Broadway, some speakers warmed up the crowd, including Margaret Patterson-LeDonne and Mary. Patterson-LeDonne said her husband, Mike, was on tour but that he was proud of Disability Pride NYC (disabilitypridenyc.org). The parade’s tag is DISABILITY PRIDE continued on p. 23 NYC Community Media

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July 13, 2017

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Oh, Canada! Soulpepper at the Signature sure to send you swooning

Photos by Cylla von Tiedemann

Named Best Musical by the Dora Awards (Toronto’s “Tony”) and the Toronto Critics Association, “Spoon River” is an immersive musical adaptation of Edgar Lee Masters’ “Spoon River Anthology.”

BY TRAV S. D. “Canada is looking better and better.” If you’re like this correspondent, you’ve been uttering those words daily for months. Now that I’ve been introduced to the work of Toronto’s Soulpepper Theatre Company, I am all the more convinced of the rightness of that sentiment. Founded in 1998, Soulpepper has rapidly grown into something like a national civic theatre for Canada. As this innovative company approaches its 20th season, Canada too celebrates a milestone: the 150th anniversary of Confederation, the moment at which Britain’s remaining North American colonies became Provinces of a single Dominion. In commemoration of both of these historic anniversaries, Soulpepper has taken the unprecedented step of bringing the core of their company — 65 artists — to New York City, where they are presenting a repertory season at The Pershing Square Signature Center through July 29. The company will be presenting 11 separate productions, including theatrical adaptions of W. Somerset Maugham’s “Of Human Bondage” and Edgar Lee Masters’ “Spoon River Anthology,” an

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July 13, 2017

Soulpepper’s “Of Human Bondage” stage adaptation plays through July 26.

original concert evening called “New York — The Melting Pot,” and a series of nightly cabarets. While it’s common for ballet companies, orchestras, and circuses to bring their entire operation to faraway towns, not since the early 20th century has it been usual for an entire company of actors to visit as a single traveling unit as a showcase of the company per se. Back

in the day, such operations were known as stock companies — an idea quite distinct from the modern notion of touring, in which a single show tours, employing a company specifically hired for that single show. Soulpepper is a repertory company, a group of artists who have been performing together for many years, and who bring with them a menu of several different theatrical productions.

Given the nature of the organization, said Soulpepper Founding Artistic Director Albert Schultz, they have to: “Since we’re a rep company that operates year-round, all of our work is interwoven like a fabric. So the notion of bringing a single show to New York is out of the question. The fabric would just fall apart. Our primary resource is human beings. Theatre is the glue. A lot of our actors go through our training program, the Soulpepper Academy, and so they become profoundly connected. They develop this complicity. Forgive the pun, but it’s our signature as a company.” I was fortunate to catch “Of Human Bondage” and was struck by this quality: a tightly knit ensemble operating as a single, complex organism, with rich, confident interactions that would only be possible where each member knew every other member, just as a musician knows his instrument. Just as impressively, the actors provide the play’s soundtrack live onstage, meaning that they also literally play musical instruments. Acting and design all function as one interrelated concoction, or, as Schultz described it, SOULPEPPER continued on p. 17 NYC Community Media

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July 13, 2017

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Installation view, “Roni Horn” (at Hauser & Wirth New York through July 28).

© Roni Horn, courtesy the artist and Hauser & Wirth; photo by Ron Amstutz

Buhmann on Art Roni Horn at Hauser & Wirth BY STEPHANIE BUHMANN Having worked in sculpture, drawing, photography, and site-specific installation, Roni Horn’s oeuvre spans more than four decades. Her earliest works entailed wedges of solid-colored glass that were set on shelves, as well as an installation and performance centered on an ant farm. This exhibition will focus on her photographic opus “The Selected Gifts, (1974–

2015)” — a collection of 67 photographs that document various gifts, which the artist received over a period of 41 years. These include some fascinating and rather unusual objects, such as a fossilized dinosaur egg and a handmade olive tree, but also leather gloves and two copies of Djuna Barnes’ “The Book of Repulsive Women.” Each object is depicted against a plain white background, and takes on a

nearly iconic presence; a token of friendship and diverse human interests. To Horn, they also manifest as something more personally revealing in that each object “is a reflection through the warped optic of others that shows a level of accuracy beyond that of any mirror. A portrait I could not have imagined without the unwitting aid of friends, acquaintances, and knowing strangers.”

In addition, two new bodies of works on paper and glass sculptures complement the installation, reflecting Horn’s ongoing interest in questions of identity, meaning, and perception. Through July 28 at Hauser & Wirth New York (548 W. 22nd St., btw. 10th & 11th Aves.). Hours: Mon.-Fri., 10am6pm. Call 212-790-3900 or visit hauserwirth.com.

Photo by Ron Amstutz

Photo by Stefan Altenburger Photography Zürich

Roni Horn: “The Dog’s Chorus. Let Slip At the Drop of a Hat” (2016. Watercolour, pen and ink, gum arabic on watercolour paper, tape. Left drawing: 29 1/8 x 22 3/8 x 1 5/8 in. Center: 32 7/8 x 21 5/8 x 1 5/8 in. Right: 31 1/4 x 21 3/4 x 1 5/8 in.).

Roni Horn: “The Selected Gifts, (1974-2015)” (2015-2016. Ink jet prints on Hahnemuehle paper, 67 parts; 13 x 13 in (18 images); 13 x 14 in (3 images); 13 x 16 in (31images); 13 x 18 in (9 images); 13 x 19 in (6 images).

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NYC Community Media

Photo by Cylla von Tiedemann

Soulpepper’s “New York — The Melting Pot” concert, July 21 and 22, looks at immigrant culture’s connection to the 20th century soundtrack. SOULPEPPER continued from p. 14

a “gumbo.” It all makes for a very impressive evening of theatre. Judging by reviews, Toronto and Canada alike are proud of their homegrown institution. There is a certain logic in Schultz wanting to introduce it to the city he calls “The Center of the Universe.” To realize this ambition, Soulpepper launched a special fundraising campaign that netted $1 million. “People wanted this to happen,” Schultz said. In addition, Soulpepper’s residency at the Signature Theatre is designed not only to showcase the company’s work, but its philosophy. “Everything we’re doing here is a reflection of the values of the company,” Schultz explained. “The space at Signature is very similar to our own, with a central public space, with four or five venues, or portals, radiating off of it. This creates an opportunity for interactions, for conversations with the audience. In addition to our mainstage shows, we have nightly cabarets in the main space, which I’ll be hosting, and company members and guests will be performing. It’s an opportunity to get to know us.” And like any good guest, Schultz and Soulpepper have brought their host a gift. In this case, it’s a musical concert called “New York — The Melting Pot,” to be presented on July 21 and 22. According to its promotional description, the show “traces the contributions of immigrant cultures to the creation of the soundtrack of the 20th century.” “It’s an ode to this city and its best impulses,” Schultz said. “New York invented the 20th century, largely through the contributions of three refugee cultures: Jewish, Irish, and African American. It’s a program we first put together in August of last year. Without changing a word we’re finding it’s gained much more resonance given the current political reality.” It’s nice to know Toronto appreciates what makes New York City great, even if a certain son of New York who now presides in Washington seems a little confused on that score. If the rest of Soulpepper’s season is anywhere near as good as their production of “Of Human Bondage,” none of their “interwoven fabric” is to be missed. Soulpepper is in residence through July 29 at The Pershing Square Signature Center (480 W. 42nd St., btw. 10th & 11th Aves.). For tickets ($25-$80), call 888-898-1188 or visit soulpepper.org. NYC Community Media

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Photos by Rebecca Fiore

Danny DePamphilis, manager of Rudy’s Bar & Grill (627 Ninth Ave.), told stories of the iconic local dive. STORIES continued from p. 3

to melt anyway!� Ashley recalled. John Newsome, whose family has been in Hell’s Kitchen since 1880, said he was at summer camp during the blackout. “When I got home I was amazed all my friends had brand new mopeds,� he said. “There was moped shop on 55th and 10th Avenue and when I came home they were all around riding mopeds.� “I was always wondering who’d done it,� an older man interjected.

On the rooftop of 445 W. 45th Street’s Maravel Arts Center, fresh and seasoned residents drank wine and ate s’mores on the night of June 26, as they swapped stories of living in Hell’s Kitchen. Hell’s Kitchen Commons, an alliance of the West 45th/46th Street Block Associations and the Hell’s Kitchen Neighborhood Association, held the soiree to create an opportunity for storytelling and reminiscing. Thecla Harris, a 22-year Hell’s Kitchen resident who serves as artistic

On top of the Maravel Arts Center, overlooking Mathews-Palmer Playground, community members gathered to share stories passed through generations.

director for the Maravel-based arts education nonprofit Rosie’s Theater Kids, said the idea for “Hell’s Kitchen Stories� came about after planning for this past May 20/21’s Ninth Avenue International Food Festival. “Last event here, we were all talking about Hell’s Kitchen and how much it has changed,� she recalled. “People say it doesn’t feel like a neighborhood, but it is.� “We really wanted to create a space to get people together,� Chana Widawski, Hell’s Kitchen resident and member of Hell’s Kitchen Commons said. Previously, the group held a similar event called “West Side Stories.� “The idea is to connect people through the generations,� she said. “It’s the characters of Hell’s Kitchen that make it. This is what a neighborhood is.� Julio Rosario Sanchez, also known as the Professor of Hell’s Kitchen, told a story passed down by his parents of the neighborhood’s namesake. “A small area on 41st between Ninth Street and Dyer Ave; there was a tenement there and next to that tenement was a shantytown,� Sanchez said. “In that shanty town, lived a lot of thugs.

One night a big fight broke out. There was an altercation where somebody got hurt, their jaw was broken, I think I remember reading, and I believe the cops were called and when the police came they did not want to enter into that shantytown. One of them commented to the other police officer that that was where the Devil did his cooking. So hence the name, Hell’s Kitchen.� The Arts Center, which overlooks the Mathews-Palmer Playground (between 45th & 46th Sts. and Ninth & 10th Aves.), was the place to be for many of the older residents, as it still is to some, young and old, today. “The first time I came to the park was about 1972, because we weren’t allowed to go further than 43rd Street at that time,� Sanchez said. “As I got older I got more adventurous and I came to 46th Street Park, where I’d hang most of the time.� Michelle Diaz, a fifth generation Hell’s Kitchen resident, on her mother’s side, the Irish side said, “When you have lived here for generations, all of us West Siders call [parks] by the street that they were on. So we have always called it 46th Street Park. De Witt Clinton is 52nd

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July 13, 2017

NYC Community Media

Street Park.” Both Diaz and Sanchez remembered their old stomping grounds fondly saying all around you was more than just a community, but a family. “We knew everybody. We knew everybody’s parents. In fact, if you were there after hours you got told on,” Sanchez said. “I remember coming home and my father saying to me, ‘Why were you at the park at 10 o’clock at night?’ or ‘Why were you there during the day when you should be in school?’ ” Diaz said, “We all went to school here. Families knew each other. A lot of us are related actually.” “Probably cousins,” Newsome added with a laugh. Diaz came to the rooftop with her hands full of black and white photos printed out on computer paper. Some were from the library, archives of what the streets used to be, and some were from her personal collection. She had photos of the public baths on W. 51st St. and the Hudson River from 1902, a horse-drawn carriage ambulance from the former Roosevelt Hospital, and of her family with their dog standing outside during a street fair. The audience passed around her photos while she recollected. “You mentioned 44th Street being an anomaly,” Diaz said. “It was an anomaly for us in a certain way as that’s where the rich people lived, on that block. None of us had elevators where we lived. We all lived in tenements, five-story walk-ups, bathtub in the kitchen, toilet in the hallway… built in 1800-whatever. Up on the roof was our ‘tar beach.’ ” “We were like a little bunch of Hell’s Kitchen hoodlums, I guess you could say. That was our life. That’s all we knew. It was the time of our lives, you know, when I think back at it. It’s not like that anymore here, but an abandoned building was a dream to us.” Diaz talked about how an old toy factory on 44th St. and 10th Ave. had burned down, so her friends and her decided to go inside and poke around. “We went in there and we jumped on the boxes, jumped in the holes in the ground, and we left there with bags and bags of novelty toys. This is how we lived. We were not rich people,” she said. She said she loves posting these older pictures to Facebook groups such as Hell’s Kitchen Generations and All the Cool Kids Live in Hell’s Kitchen NYC. “This brings back so much memory for us. Even when it was like that, it was our place. This,” she said with her arms open. “Because it was a community. It was a family.” Widawski said the soiree was crucial NYC Community Media

to the community because “this is a medicine for everybody, to share and to connect… coming together, sharing our personal stories will help heal us in our incredibly toxic world.” The stories went on through the night as the cast of characters recollected their memories of their everchanging neighborhood. On the roof was a donation jar, to help restore the mural at the MathewsPalmer Playground. In the 1973 painting, “Against Domestic Colonialism” by Arnold Belkin, a sign reads, “We the people demand control of our communities.” Years later, generations later, community members are still looking after one another and their beloved landmarks.

Photo by Rebecca Fiore

A Hell’s Kitchen native discussed his ever-changing neighborhood.

July 13, 2017

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July 13, 2017

NYC Community Media

Tweetin’ Trump’s Thoroughly Modern Maelstrom Everything’s a target for weapons of MDP BY MAX BURBANK Shortly after I turned in this column, Donald Trump Jr. took the still-smoking gun he’d fired a little over a year ago and laid it on his Twitter account. That’s the big story now, another “only story there is.” Yet again. Others will cover it ad nauseam, and I’ll get to it myself, I promise. But for now, let’s take a second to tuck it into the context of history. Richard Nixon once said, “Well, when the president does it, that means it is not illegal.” Remember that watershed moment in the proud history of presidential circular logic? Maybe not. It was a long time ago. Here’s another moment that’s probably more familiar. And quotable. And ominous. “My use of social media is not Presidential - it’s MODERN DAY PRESIDENTIAL. Make America Great Again!” That’s a tweet from our own (by which I mean our own fault) President Donald J. Trump. I know it feels like a long time ago, but his stubby little digits pounded that out on the first day of the month you’re living in right now. Hey! Here’s a fun question: What the hell does that mean? I know I’ve argued in previous columns that attributing “meaning” to anything coming from Trump is a wasted tumble down a sociopathic rabbit hole; that he doesn’t “mean” anything in the way that word is generally used — but humor me for a moment. Let’s try to unpack the statement, as an experiment. He can’t mean just the fact that he’s on Twitter. Barack Obama was the first president to tweet, so you know Agent Orange means his tweets are longer, harder, better and whiter than his predecessor’s. It’s the way he tweets, the manly, shoot-from-the-hip, surly, mean-spirited, coarse, vulgar, inconsequential, infantile, barley literate content of his tweets that makes them MODERN DAY PRESIDENTIAL, right? Maybe not so much. That explanation is a little… complicated. It’s a tad too much nuance for our Donald. See, Trump is the president. He’ll remind you of that every chance he gets. He’s the president right now. In the modern day. So anything, anything he does is MODERN DAY PRESIDENTIAL! Get it? So when Trump tweeted “Big Win in Montana for Republicans!” to praise the special election win of a House seat the day after candidate Greg Gianforte brutally body-slammed reporter Ben Jacobs, that was MODERN DAY PRESIDENTIAL! And when the Commander-in-Tweet retweeted a vintage video of himself delivering a fake beating to Vince McMahon, the real CEO of a fake sports competition whose head had been replaced by the real logo of CNN, a real news channel he calls #FraudNewsCNN, or just #FNN for short, that’s MODERN DAY NYC Community Media

map yet? No? Be patient. He will, eventually. And it’s not just whatever he does that’s MDP. It’s anything he might do in the future! If he dons a colorful jester suit and juggles balls of his own excrement on “Fox & Friends?” MDP! If, at his next press conference, he unleashes a Super Soaker full of ammonia on White House correspondent Glenn Thrush? MDP, baby. If, during the next State of the Union, instead of giving a speech, he crams a partially sedated mongoose down his pants and spends 45 minutes smiling and humming to himself while doing what you fervently hope and pray is a Hula dance? MD-frikkin’-P! But you know what’s really peak MDP just now? A little G-20 summit side-meeting meeting attended by just six people: Two translators sworn to secrecy; our own easily fatigued POTUS, a former Reality TV star and surname salesman who has never before held elected office, whose chief activities are tweeting and golf; seasoned creep and longtime Bashar al-Assad booster Sergey Lavrov, the Foreign Minister of Russia since 2004; Secretary of State Rex Tillerson, former CEO of ExxonMobil, a man utterly devoid of diplomatic experience, proud recipient of the coveted Russian Order of Friendship, a medal literally pinned to his chest by Vladimir Putin; and, of course, Putin himself — 16-year veteran of the KGB, former Prime Minister and now Russia’s only president this century, complicit in the murder of multiple journalists, and invader of Crimea. You have to admit, it’s an impressive resume, especially when stacked up next to Trump Steaks and a failed casino Illustration by Max Burbank business. By design, no one knows what happened at that meeting. We do know it was scheduled for half an hour and it ran for two. I’m gonna go way out on a limb and guess that the bulk PRESIDENTIAL, or just MDP for short! Slamming the free press and our own intelligence of those two hours was not spent on Trump dressing organizations during a speech in Poland? That’s down Putin for messing with our electoral process. MDP! Letting Ivanka take his seat at the leader’s According to New York Times Moscow bureau chief table like it’s “Take Our Daughters to Work Day” at Neil MacFarquhar, Lavrov said Trump accepted statements from Putin that Russia had not hacked the G20 summit? The MDP-iest! When Trump tweeted from the G-20 that the US election. As of press time, Trump had not “Everyone” was talking about “why John Podesta denied that claim. ‘Cause when you have to decide refused to give the DNC server to the FBI and the whom to believe, 17 of your nation’s own intelligence CIA” … wait, WHAT?! That just literally CANNOT agencies or a brutal dictator who’s just kuh-RAZY be true, because NO, no they WEREN’T, that’s for shirtless trail rides? Going with Putin is as MDP beyond ABSURD. Is he hallucinating? Or just telling as it gets. So the only question now is, just how far does a lie he knows you know is a lie, as a sort of Twitterized, word-form middle finger? Neither. You’re look- MDP extend? Is it MDP for your namesake son to not only collude with Russia, but also publish the ing at it all wrong. It’s not WTF, it’s MDP! It’s so beautifully, perfectly, simply stupid! MDP is proof himself? Or will Jr. get shoved under the (prewhatever Trump does, precisely because he’s doing sumably “Access Hollywood”) bus? And what of it! If you did crap like that it would be awful, but Manafort and Kushner and everybody else this evenyou’re not president, Trump is! Hasn’t he come to tually extends to? ’Cause if MDP isn’t large enough? your house and shown you a color-coded electoral They’re gonna need a bigger bus. July 13, 2017

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July 13, 2017

NYC Community Media

DISABILITY PRIDE continued from p. 12

Everyone was all smiles at the Disability Pride NYC Parade.

Participants made their way up Broadway to Madison Square Park.

NYC Community Media

“inclusion, awareness, visibility,” but it is also “just plain fun. This is a day to celebrate. This is a day of pride and strength,” she said. Micah Fowler, an actor on the show “Speechless” who served as the parade’s grand marshal, spoke beforehand, saying “Let’s roll.” The Mayor’s Office of People with Disabilities (nyc.gov/mopd) kicked off the parade, followed by NYPD officers carrying flags and bagpipe players. Balloons of every color of the rainbow could be seen while people chanted, clapped, danced, and shouted “Woo-hoo!” as they made their way to Madison Square Park. All kinds of groups participated — city agencies, corporate sponsors, groups from every borough that focus on those with disabilities, health care providers among others. People sported everything from umbrellas to tiny pink crowns while some handed out flyers, Mardi Gras beads, and bracelets. They carried signs that said “Change comes from you and me;” “Diversity is powerful;” “Do you even roll, bro?” “Medicaid saves lives;” “Inclusion Always;” “Disability rights are human rights;” and “I’m powerful just the way I am.” The enthusiasm lasted until Madison Square Park, where there were several

Photos by Christian Miles

Gabriela Amari said the parade helps raise awareness for those with disabilities.

booths, a few food trucks, and another stage with bands performing. A huge Connect Four, chalk, toys, and games abounded for children to play with. Justin Quirke, who told us he was 10 and a half, was watching the parade with his mom, Alicia Perez-Quirke. He held up a sign that said, “Nevertheless we persist” with the hashtag #walkandroll. When asked about the parade, he replied, “I like it.”

July 13, 2017

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July 13, 2017

NYC Community Media

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