Manhattan Express - April 18, 2019

V isit us online a t w w w. M anha t t an E x pr e s s .co m

MIDTOWN, UPPER EAST & WEST SIDES

VOLUME 5, NUMBER 7

APRIL 18 – MAY 1, 2019

REBUILD RX Lenox Hill looks upward on U.E.S. Page 8

A rendering of a design for Lenox Hill’s new hospital tower.

An illustration of how the new hospital might look at street level.

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Report: Landmarking equals healthier retail to have high retail vacancy rates. Avenue C had 23 percent vacancy, the Bowery was at 26 percent, and 14th St. had a 31 percent vacancy, the highest rate in the survey.

“We were very pleased to see that in the la ndmarked parts of the East Village, retail vacancies are consistently lower than in other parts of the neighborhood,” said Andrew Berman, executive director of G.V.S.H.P. “Interestingly, it is in the parts of the neighborhood with more chain stores, like 14th St., where some of the highest retail vacancy rates can be found.”

In releasing the study’s results, G.V.S.H.P. declared that its findings countered a 2018 report by the Real Estate Board of New York. That REBNY report, which compared the West Village with Hell’s Kitchen, indicated that

BY GABE HERMAN

A

report by The Greenwich Village Society for Historic Preservation found that the East Village has lower retail vacancy rates in its landmarked areas.

The results, released April 11, came from a survey of East Village retail vacancies that was done over several months last summer and fall. The survey was conducted by the East Village Community Coalition, the Cooper Square Committee, and G.V.S.H.P. The neighborhood over all was found to have a 15 percent vacancy for ground-floor storefronts. But in the three historic districts — the St. Mark’s Historic District, E. 10th St. Historic District, and East Village/Lower East Side Historic District — there was a combined rate of just 7 percent.

Outside of the historic districts, the biggest avenues and streets were found

PHOTO BY GABE HERMAN

Although Greenwich Village definitely has its share of vacant storefronts, like this one, landmarking leads to lower vacanc y rates, at least in the East Village, according to a new study.

more landmarked properties in a neighborhood led to higher retail vacancy rates.

G.V.S.H.P. disputed some of the data in REBNY’s report, and argued it was not a comprehensive study because it compared one block in Hell’s Kitchen to three streets in the West Village.

This current report by G.V.S.H.P., according to the society, is the first neighborhood-wide survey to compare landmarked with nonlandmarked areas.

Berman said that while no study is conclusive, their results indicated that historic districts and landmarked areas are actually thriving in the current tough retail climate in the city.

“This data clearly undercuts the narrative that real estate lobbyists and others would peddle that landmarking somehow hampers or hurts small businesses,” Berman stated.

“Retail spaces in the East Village’s historic districts are largely occupied by small, independent businesses, many of whom have been there for years or even decades,” he added. “This is yet another indication of how landmarked areas of New York City are among the most stable, healthy, vibrant parts of the city; and far from hurting local residents or businesses, landmark designation can help preserve and protect what New Yorkers love most about their communities.”

14-screen theater opens at Essex Crossing

BY GABE HERMAN

T

he Lower East Side now officially has a mainstream movie theater.

A 14-screen Regal theater opened on Sat., April 6, at 129 Delancey St., at Norfolk St. The theater has reserved seating and more than 1,200 total seats, all of which are luxury recliners with footrests.

The theater is in The Essex, a 26-story, mixed-use building that will also be home to the Essex Street Market and The Market Line, that latter which will be a bazaar-like marketplace. The markets will open this spring and feature nearly 150 vendors combined. The building also has 98 residences, which became available at the beginning of this year.

The building is part of Essex Crossing’s nine-site, 2-million-square-foot mixed-use development on the Lower East Side.

The neighborhood has long been without a mainstream cinema. And even its indie theaters have been dwindling, Schneps Media

PHOTO BY ILOVEUJACQUELINE/INSTAGRAM

The new Regal theater on Delancey St. is ready for its close-up.

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with Sunshine Cinema on E. Houston St. closing early last year. That former movie theater is set to be replaced by a nine-story office and retail building.

“When we began planning Essex Crossing, a movie theater was high on Lower East Side residents’ list of needed community resources,” said Andrew Katz, partner at Delancey Street Associates and principal at Prusik Group, a developer of Essex Crossing. “Regal will provide a dynamic new offering to the neighborhood and add to Essex Crossing’s wider amenities, including the adjacent Essex Street Market and Market Line.”

Essex Crossing also just received an award on April 4 from the Urban Land Institute New York, for “Excellence in Mixed-Use Development.”

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Police Blotter and 84th Sts. According to police, the victim and a 35-year-old woman waiting in line with her two children, got into an argument.

The younger woman then approached the 81-year-old from behind, grabbed her hair and threw her to the ground.

The attacker then fled with her two children.

20th Precinct

Glass grab An Upper West Sider found a surprising piece of his car missing one recent Thursday morning.

On March 28, at 9 a.m., an elderly owner of a black 2019 Mercedes-Benz checked on his car parked at the southeast corner of Riverside Drive and W. 73rd St. Once the 85-year-old reached the vehicle, he noticed the glass from both side-view mirrors was gone.

According to 20th Precinct police, this is not an isolated incident. There have been a few similar incidents in the 24th and 30th precincts, they said.

The mirrors taken from the MercedesBenz were worth a combined $500.

19th Precinct

Store robber

iPhone thief Police are looking for two men who they say stole a woman’s iPhone X. On March 24, a 51-year-old woman was walking on W. 73rd St. when two men approached her from behind. While one of them talked to her, the second grabbed the phone, valued at $1,000, from her and fled westbound on W. 73rd St. The other guy fled eastbound.

Bad date A date stole more than a heart in early April.

On April 5, a 31-year-old man met with a gentleman he had connected with on hunglatinos.com at Hudson Market at 601 W. 57th St. at 3 p.m.

According to police from the 20th Precinct, the victim said they went to “take a nap” at the La Quinta by Wyndham New York City Central Park West, at 31 W. 71st St. At 4 p.m. the date left the hotel, and at 4:30 p.m. the other man noticed his $2,300 laptop and charger were missing from his bag.

Credit card fraud A man calling himself J. Mccorkle, John Brown, Jayson Brown and Juan Ramires was able to swindle a Patagonia store out of thousands of dollars.

According to police, on March 14, the thief used another person’s credit card information to buy merchandise and gift cards from the store, at 426 Columbus Ave., between 80th and 81st Sts. The person whose credit card information

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The 19th Precinct is tweeting out a request for the public’s help in identif ying this guy, who police say has robbed at least two Upper East Side small stores in the past half year, once at gunpoint.

was used notified police on April 5, after noticing strange charges on a statement.

The store lost $3,861.

Works, at 306 Columbus Ave., between W. 74th and W. 75th Sts., and left her black backpack on the floor by her friend’s feet. She only left it there for a moment, before a man came and took the $75 Danskin backpack, which contained $15 cash, two blank Chase checks, a senior MetroCard, a small black purse, an American Express card, a Capital One card, a Chase bank card, her iPhone and keys to her home.

Twentieth Precinct police canvassed the area and found the bag on W. 76th St. with the help of the Find My iPhone app. Only the bag and cell phone were recovered.

Quick grab On April 7, at 1:15 p.m., a 67-year-old woman was shopping at Harry’s Shoes, at 2299 Broadway, at W. 83rd St., and put her black backpack down on the floor. She continued shopping and when she turned back to the spot where she had left the bag, it was gone. Along with the $30 bag, the Upper West Sider lost a $150 red wallet, four credit cards, a debit card, a New York State driver’s license, a $150 jacket and a pair of $1,000 sunglasses.

Matinee madness Police are asking for the public’s help in finding a woman wanted for beating an elderly moviegoer. Police said that, on Sun., March 30, at 3:39 p.m., the senior was waiting in line at the AMC movie theater, at 2310 Broadway, between 83rd

Backpack snag On April 7, at 2:10 p.m., an 82-yearold woman was shopping at Housing MEX

On April 9, at 10:28 a.m., a man stole two packs of Newport cigarettes and cash from Lexington Ave. News, at 1248 Lexington Ave., at E. 84th St. According to police, the thief walked into the store, went behind the counter and pushed the store manager. He then grabbed $1,400 from the cash register and $28 worth of cigarettes, plus the manager’s $200 Samsung cell phone, before fleeing.

Nineteenth Precinct police say the same suspect robbed a nearby smoke shop, at 1121 Lexington Ave., at gunpoint on Nov. 2 of last year. The precinct is offering a $2,500 reward for any information on the suspect.

Anyone with information is asked to call the Crime Stoppers Hotline at 1-800-577-TIPS (8477) or for Spanish, 1-888-57-PISTA (74782). Tips can also be submitted on the CrimeStoppers Web site at WWW.NYPDCRIMESTOPPERS.COM, on Twitter @NYPDTips or by texting to 274637 (CRIMES) and then entering TIP577.

Punched praying A woman praying a little too loudly was told to keep it down in a less-thanforgiving way.

On March 26, at 9:45 a.m., a 70-yearold woman was praying and listening to her daily devotional at Saint Monica’s Church, at 413 E. 79th St., when a woman began screaming at her to “Shut up!”

After shouting, the upset woman then punched the worshiper on the right side of her mouth, cutting her lip and leaving behind a bruise.

According to police, they initially were looking for a 57-year-old white woman who goes by the name of “Annie” and frequents the church. Police arrested Nancy Hunt on March 28 in connection with the attack.

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April 18 - May 1, 2019

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PHOTO BY TEQUILA MINSKY

Public Advocate Jumaane Williams said Hudson Yards was cynically gerr ymandered into a zone for “distressed areas,” linking it to publichousing in Harlem, so that the new megadevelopment could qualify for a visa program benefitting wealthy foreigners.

Williams: Hudson Yards ‘not for the majority’

BY TEQUIL A MINSK Y

A

t a press conference outside of The Shops and Restaurants at Hudson Yards, at 31st St. and 10th Ave., Jumaane Williams called out how the $25-billion Hudson Yards project focuses on the wealthy, in more ways than one.

While people knew this project was “not meant for the majority, to begin with, it’s like rubbing salt in the wounds,” the new public advocate said, pointing to some of the financials behind the massive new development just south of the Javits Convention Center.

“They got $6 billion in a tax supplement,” he said.

Williams might have been referring to the $4.4 billion that included the extension of the No. 7 subway line, a new school, a major park and pocket parks.

Crain’s New York Business recently wrote about a report by The New School university that listed a total of tax breaks of $ 1.36 billion for the megaproject.

“It is quite clear that this project was not for the majority of this city,” he charged. “And you can’t even buy food to eat if you work around here because Citarella and sweetgreen behind me are cashless, making it quite clear who is welcome here and who is not.”

Williams gestured to a map graphic of Manhattan and added, “Hudson Yards got $1.2 billion of a visa program that is here. It’s stunning.”

He was referring to a program targeted to help immigrants.

The map illustrates how the multibillion-dollar Hudson Yards technically qualifies as a “distressed urban area” under the EB-5 program, gerrymandered into a district that links it to public housing in Harlem.

Under the EB-5 Green Card program, if foreigners invest $500,000 in a U.S. real estate project, they can get permanent residence for their families. However, this visa program is meant to help rural or economically distressed urban areas, according to Williams.

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PHOTO BY TEQUILA MINSKY

A sign at the new sweetgreen at The Shops and Restaurants at Hudson Square.

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Foreigners can also get the visas if they invest $1 million in projects in nondistressed areas.

Hudson Yards is not in a distressed urban area.

But in 1990 when Congress created the EB-5 visa program, it didn’t specify how geographic boundaries should be drawn. According to the blog City Lab, “Without their knowledge, the residents of a number of public housing developments helped to make Hudson Yards possible.”

“Quite literally, this project was built on the backs of people who need the most help,” Williams charged.

“This is an employment zone degraded. My guess is not a lot of people [from the actual distressed areas] are employed here — and if they go to lunch they better have cash.”

In response, a Hudson Yards spokesperson touted how the large-scale development project — the biggest private development in U.S. history — is an economic engine for the entire city and that a number of people from local housing projects have been hired.

Williams urged Citarella, sweetgreen and other commercial tenants at Hudson Yards to rescind their cashless business practices at a matter of good faith before the City Council takes action. A bill in the City Council would force businesses to accept cash payments. He further called on New Yorkers to boycott any cashless businesses at Hudson Yards and throughout the city.

And he charged that the Hudson Yards development partners, Related and Oxford Properties Group, have dragged their feet on constructing affordable units.

“At least build the 10 percent affordable housing that you said you would,” he demanded.

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Lenox Hill hospital rebuild plan aims high

BY ALEJANDR A O’CONNELLDOMENECH

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orthwell Health’s Lenox Hill Hospital could soon undergo a $2.5 million renovation that would see it become a much taller presence in its Upper East Side neighborhood.

Late last month, Lenox Hill Hospital’s Vice President Josh Strugatz and Executive Director Dr. Jill Kalman presented the proposed renovation plan to Community Board 8.

The project would take an estimated eight years to complete. It would include building a 30-story tower, increasing the emergency room to nearly four times its current size to 56,000 square feet, completely renovating and expanding patient and operating rooms and creating a baby and mother hospital.

Off-street ambulance bays and loading docks, subway station improvements and an atrium and other publicly accessible spaces are also part of the proposed scheme.

“Lenox Hill Hospital is one of the most storied institutions in Manhattan, serving communities throughout the city for over 160 years,” said Michael Dowling, president and chief executive officer of Northwell Health. “This revitalization plan is the next step in ensuring Lenox Hill Hospital’s continued success and underscores Northwell Health’s commitment to meet the needs of New Yorkers for generations to come.”

In order to help finance the ambitious project, Northwell Health plans on working with a residential developer to build a 200-unit, 41-story apartment complex on a section of Lenox Hill Hospital’s property at Park Ave. and 76th St. According to reporting by Newsday, the rest of the money would be raised through fundraising, operations or borrowing.

According to a Northwell Health spokesperson, construction on the hospital would occur in phases, so that the hospital could remain open and fully operational.

During the presentation at C.B. 8, Strugatz and Kalman emphasized that the renovations were intended to better the community. However, community members had a number of concerns.

“One of our concerns is the significant proposed increase to height over the allowable limits on Park and Lexington Aves., and the impact of the surrounding Park Ave. Historic District,” said C.B. 8 Chairperson Alida Camp.

Some other concerns included a lack of affordable units in the planned apartment complex and the fact that the only subway improvements discussed involved the Downtown southwest corner entrance at the station at 77th St. and Lexington Ave. When asked if Northwell Health would work to make some of the units

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COURTESY NORTHWELL HEALTH

An illustrative rendering showing a proposed design for a rebuilt, taller Lenox Hill Hospital, left, and an accompanying new residential project, right, that would help fund the ambitious plan.

COURTESY NORTHWELL HEALTH

A rendering showing the heights of the proposed new Lenox Hill Hospital tower and residential building and how they compare to nearby buildings, such as The Carlyle hotel.

in the building affordable, a hospital spokesperson reiterated that the project is in its very early stages and that options would be considered “when the

time comes.”

The spokesperson added that Northwell Health “will work closely with both the city and local elected officials over MEX

the next year” as the project moves forward. A required study known as an environmental impact statement, or E.I.S., is expected to take place in the fall.

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There’s a new buzz around barbershops

BY ROSE ADAMS

W

hen Alex Nuñez’s father, Patricio, returned home one evening in 1994, he asked his 12-year-old boy for an unusual favor.

“Son,” he said, “cut my hair.”

Patricio sat in a chair by the bathroom mirror and Alex stooped over him, gliding a pair of electric clippers over his scalp. When the buzzing stopped, Patricio looked in the mirror and smiled. Alex was a natural.

News of Alex’s barbering skills spread across the Lower East Side, and soon, his tenement building on Suffolk St. became a destination for trims and shaves.

“I started to do all my friends, my school friends, my church friends, the friends in the neighborhood, my family,” Alex said. “I fell in love with it at an early age.”

When Alex was 14, his father helped him set up a miniature barbershop on the tenement’s top floor.

“My dad bought me what I thought at the time was the coolest barber chair,” Alex said. “But it was kinda rinky-dink, really old-school. I guess one of his friends had it in the basement.”

With the addition of a full-length mirror and a tool rack that Alex and his friend built themselves, Alex’s first barbershop was complete.

Since then, Alex has turned his makeshift barbershop into a grooming empire. In 2010, he started Neighborhood Cut and Shave — an upscale barbershop in Greenwich Village. Two more locations, in Prospect Heights and on the Lower East Side, have since opened their doors, and plans are to expand to Downtown Brooklyn in April and to Midtown over the summer.

Alex isn’t the only barber setting up shop these days. While most brick-and-mortar stores struggle to compete with online corporations, the barbering industry has been steadily growing for the last 10 years.

Between 2008 and 2018, the number of licensed barbers in 19 states grew 34 percent, according to Maura Scali-Sheahan, C.E.O. of the National Association of Barber Boards of America. More notably, the number of barber schools — an indicator of job opportunity — grew 47 percent. And in New York City, barbershops have begun to crowd blocks.

“There’s definitely been more people in the last few years,” said Dimitri, the owner of Royal Class, a barbershop on W. 20th St. Royal Class is one of about 15 licensed barbershops in Chelsea, where —despite the high density of tonsorial artists — business is as good as ever.

So, what’s all the buzz about? Many Manhattan barbers attribute the uptick in business to today’s popular hairstyles that favor shorter, slicker dos for men — like undercuts, skin fades and well-kept beards. Others point to the influence of platforms like Instagram that pressure men to put more effort into their appearance.

“It’s a social-media thing,” said Ben, who owns a barbershop called Wize Gize, about the coiffure craze.

To keep up with the young and trendy clientele, many new barbershops have adopted a swankier setup. At Hell’s Kitchen Barbers, on W. 56th St., a wall of exposed brick stands behind a row of glossy barber chairs.

“In the ’90s, it was just a chop shop,” said Steve, the owner of Hell’s Kitchen Barbers, which opened in 2015. “Now men want more: They have a beard; they want a facial.” Like many modern barbershops, Hell’s Kitchen Barbers has turned what could be a quick Schneps Media

PHOTO BY ROSE ADAMS

Rudy trimming a regular customer’s hair at Chelsea Gardens.

buzz into a luxury experience, offering clients heated towels and complimentary shots of whiskey.

But, in addition to changing hairstyles and the rise of social media, there’s a third reason young men have been flocking to barbershops — namely, because of the male community they offer. Alex Nuñez cites the support system he found at his childhood barbershop as one of the reasons he was drawn to the profession.

In fact, Alex met Travis, his close friend and business partner, when Travis wandered in for a haircut in 2010.

According to Alex, barbers are trained to listen well and give advice when their clients are in need.

“A lot of the time, you end up being lifelong friends,” he noted.

By the entrance of every Neighborhood Cut and Shave, Alex hangs the iconic “I Am A Man” poster that pervaded the civil-rights marches of the 1960s.

By hanging the sign, Alex hopes to foster an open, welcoming space in which men can be vulnerable.

“Empower men to be themselves,” Alex said of the concept. “Doesn’t matter their walk of life. They can just come here and take off their tie — everyone’s in

the same playing field — and they can really just be themselves and connect.”

Neighborhood Cut and Shave has locations at 37A Bedford St. in Greenwich Village, 250 E. Houston St. on the Lower East Side and 616 Vanderbilt Ave., in Prospect Heights, Brooklyn. For more barbershops near you, check out the list below.

Bishops Cuts/Color This shop, which opened its first New York City location in February, aims to bridge the gap between a high-end hair salon and the classic barbershop, delivering a fashionable haircut for a reasonable price.

Specialty: Full-service styling menu open to all ages and genders Cost of basic cut: $55 Address: 10 Downing St. Chelsea Gardens Barbershop Chelsea Gardens has been a local staple since 1959.

Stars like CNN anchor Anderson Cooper and celebrity chef Bobby Flay have stopped in for trims.

Specialty:Offers a range of emerging styles and upto-date looks Cost of a basic cut:$22 Address: 255 W. 23rd St. Hell’s Kitchen Barbers Hell’s Kitchen Barbers gives clients slick cuts along with quality service, including a hot towel finish and complimentary drinks.

Specialty: Knowledgable staff and a relaxing experience Cost of basic cut: $25 Address:667 Ninth Ave. and 410 W. 56th St. Wize Gize Barber Boutique The six-months-old Wize Gize has been serving a wide range of looks in its stylish, 14th St. shop.

Specialty: Well-rounded, on-trend haircuts at a reasonable price Cost of basic cut: $30 Address:237 W. 14th St.

PHOTO BY ROSE ADAMS

Alex Nunez at his Neighborhood Cut and Shave barbershop on the Lower East Side, one of the business’s three locations.

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Royal Class This old-fashioned, no-frills barbershop offers clients reliable haircuts and an optional shot of liquor.

Specialty: One fi xed price for everyone, no matter your gender Cost of basic cut: $24 Address: 256 W. 20th St. April 18, 2019

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Guest Editorial

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Service vs. social media

BY ROBIN ROTHSTEIN

A

recent survey revealed that the global population on average spends close to two-and-a-half hours a day on social media. How much of that time do you find yourself in partisan scuffles on Twitter? Or getting into policy frays on Facebook? How about applying the time you spend getting steamed on social media toward volunteering instead?

With National Volunteer Month upon us, this is the perfect opportunity to give the hashtags a rest once in a while, and take the time to make a real difference.

Wondering how a new condo got so tall or why there are so many liquor licenses in your area? As a member of a community board you get to be immersed in these details early on and help shape the conversations. While community boards are purely advisory, they are, without question, foundations of democracy. You can also apply for public membership, which requires less of a time commitment.

There are countless nonprofits looking for help. Do you work in finance and have a passion for the arts? Maybe your favorite cultural organization would welcome your business expertise. Or, perhaps, after sitting behind a desk all week, you’re ready to get your hands dirty. There are parks throughout the city where you can volunteer. Or consider joining your local community garden.

Block associations help keep their communities informed on hyperlocal news, represent the residents interests at community board hearings on quality of life issues such as liquor licenses, and beautify local streets, among other activities.

You can check out the Department for the Aging for ways you can help older New Yorkers. There are also nonprofits such as Visiting Neighbors, DOROT, Citymeals on Wheels and Senior Planet where you can offer your skills or simply spend some quality time with someone seeking company.

How about mentoring aspiring young scribes at Girls Write Now? New York Cares has youth mentoring programs, as well, and also provides volunteer opportunities for kids 18 and under. If you want to use your volunteer time to support L.G.B.T.Q. youth, consider The Lesbian, Gay, Bisexual and Transgender Community Center. Or, perhaps a school in your area is looking for some help.

And you can visit the NYC Service Web site for plenty of other volunteer options. So, this April, how about giving the cyber-pugilism a rest, and giving of yourself? I bet you’ll discover you won’t miss tussling with the trolls one bit.

Rothstein is chairperson, Community Board 2 Arts and Institutions Committee, and an advisory board member, Cherry Lane Theatre

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PHOTOS BY JOHN PENLEY

Former East Village activist and photographer John Penley gave his photo archives sometime ago to New York Universit y’s Tamiment Librar y. During years documenting the Downtown scene, Penley shot countless luminaries, the likes of drug guru Timothy Lear y at the former Collective Unconscious on the Lower East Side, bottom, and per formance ar tist Karen Finley at a Refuse & Resist! benefit at the former Palladium on E. 14th St., top, today an N.Y.U. dorm. Tamiment focuses on radical and left histor y. Penley repor ted that N.Y.U. Bobst Librar y, at 70 Washington Square South, is currently consolidating all six of its special-collections libraries, of which Tamiment is one — including photos, ar t work and correspondence — onto one floor.

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Op-Ed

Letters to the Editor

What community planning looks like

BY LYNN ELLSWORTH

T

he phrase “We The People” in the Constitution still has the power to wake the sleeping idealist within us. It’s a clarion call to our better nature, to get off our asses and bend the arc of history toward something better, to come together to make decisions for the general welfare. It evokes raised hands at town halls, voting booths, Athenian debating assemblies of 5,000 people, and ancient fields where men assembled and banged their shields to indicate their assent — or not — to a call to war.

“We The People” conveys fairness: a political community with the right to gather and figure things out. It is why we are so enraged that the Electoral College renders our vote pointless, why newcomers to New York City are shocked to learn they cannot elect community board members, why women gathered in Washington, and why disenfranchised groups throughout history took to the streets demanding to be part of “We The People.”

It is also why many New Yorkers are contemptuous of the use of the fake participatory community-planning “processes” that have become popular among city politicians. There are many types of such processes, ranging from the participatorybudgeting sideshow that even Brian Lehrer on WNYC has made fun of, to the tightly curated and controlled “working groups” set up to create the illusion of community approval for rezonings. Such groups were used for the South St. Seaport, Midtown and East Harlem, and a new one has been set up for the unneeded Soho rezoning. Now there are also micromanaged “neighborhood advisory groups” that the mayor created to thwart opponents of the expensive new tower-jails.

Representative and indirect forms of democracy make sense when the geography is vast and communication difficult. Scholars think that is why our founding fathers created the Electoral College in the first place. How else to manage voting in a vast country with rough roads and no Internet?

That also means that representative, indirect democracy makes little sense when the geography is as small as a neighborhood. Athens at the peak of its democracy only had 30,000 people! Even Los Angeles manages to have elected neighborhood councils, so why don’t we? Of course, city politicians will resist local democracy.

We might give neighborhoods more power over managing public spaces — sidewalks, street parking, stoplights, placement of crossing guards, organization of trash pickup, street trees, bike racks, parks, public-private plazas. We could also give residents power to veto egregiously out-of-context buildings, to say no to buildings that require spot rezoning or excessive air-rights transfers. Use your imagination!

Our city democracy has become too representative, taking power away from “We The People.” Community planning must begin with every resident having the right to raise their hand or bang their shield on local issues that matter.

Ellsworth is chairperson, Tribeca Trust, and president, Human-Scale NYC

Our democracy is too representative.

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Sewing link To The Editor: Re “Threads of connection to Triangle tragedy” (news article, April 11): It was an inspiring weekend.

Children also participated in sewing onto the ribbon.

It is appropriate that sewing, as a contribution by the public to the permanent memorial, has been incorporated into the final design. Sewing for a living is how the 146 who perished made their living at the Triangle Shirtwaist Factory.

Dianna Maeurer

Tribeca clock To The Editor: Re “Singing praises of Tin Pan Alley” (op-ed, by Corey Johnson and Sarah Carroll, April 11): Preserve Tin Pan Alley.

What of New York’s own “Big Ben” — the clock atop 346 Broadway? A Rolex watch with a Swatch interior does not a Rolex make. Preserving the exterior without its mechanical interior is not really preserving that wonderful clock.

no one while taxing our infrastructure.

George Calderaro

Fight facadism To The Editor: Re “Singing praises of Tin Pan Alley” (op-ed, by Corey Johnson and Sarah Carroll, April 11): The clocktower example is the perfect symbol of a broader problem at the Landmarks Preservation Commission that affects the entire city.

Buildings in historic districts are now spoken of as having “landmarked facades.”

The commission protects only street fronts of buildings in these districts, and under-

David Holowka

Congrats!

To The Editor: Re “The Villager wins 7 NYPA contest awards” (news article, April 11): Congrats to Villager folks for keeping the prize-winning tradition alive! Keep up the great work.

Katherine O’Sullivan

History or hotels To The Editor: Re “Singing praises of Tin Pan Alley” (op-ed, by Corey Johnson and Sarah Carroll, April 11): The five Tin Pan Alley buildings proposed for landmark designation, like many buildings in New York City designated historic districts, are full of affordable, rent-regulated apartments that would be lost if they weren’t protected.

W. 28th St. between Broadway and Seventh Ave. currently has about 15 hotels. Tin Pan Alley is the cradle of American popular culture in New York City, the nation and the world.

It should not be lost for another crappy chain hotel that even YIMBY detests.

Affordable housing is not being forsaken when our built heritage is protected. Profiteering developers are only interested in luxury apartments and hotel rooms, which benefit

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lying land values are so high that developers will leave money on the table if they don’t demolish everything else and build a larger, modern luxury building behind a false front. It’s a “Potemkinlike sop to the landmarks law,” as The New York Times recently called facadism.

What good to designate Tin Pan Alley with only its veneer preserved? It’ll be a vintage watch with a quartz movement, like 346 Broadway.

L.P.C. needs to exercise its purview over the entire shell of buildings in historic districts, rather than letting the street facades simply screen bigger replacement buildings It’s great that Council Speaker Corey Johnson supports designation of Tin Pan Alley. It would be even greater if he presented a vision for an improved L.P.C. and made it part of a run for mayor!

Michael Armstrong Armstrong was editor of The Villager, 1977-’91

Way to go!

The New York State Cour t of Appeals recently ruled that the developers of 346 Broadway (“The Clock Tower Building”) can turn the historic clock tower into a residential penthouse. 6sqft repor ted that, “According to the judge, the [Landmarks Preservation Commission] does not have the authorit y to give access to the building and the agenc y’s plan to make the 19th-centur y clock run electronically is reasonable.”

To The Editor: Re “The Villager wins 7 NYPA contest awards” (news article, April 11): Fantastic, you guys deserve it. Keep up the good work!

Jose Quiles a.k.a. Cochise E-mail letters, maximum 250 words, to news@thevillager.com or fax to 212-2292790 or mail to The Villager, Letters to the Editor, 1 MetroTech North, 10th floor, Brooklyn, NY 11201. Please include phone number for confirmation. The Villager reserves the right to edit letters for space, grammar, clarity and libel. Anonymous letters will not be published.

April 18, 2019

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he Villager’s front page on April 21, 1988, featured an article on a Village event for Jesse Jackson’s presidential campaign.

Jackson held a pre-primary rally in front of the Gay and Lesbian Center on W. 13 St. between Eighth and Greenwich Aves that drew 5,000 people.

The rally was organized by the cochairpersons of Gays and Lesbians for Jesse Jackson.

In his remarks, Jackson addressed many issues, including calling more AIDS funding, better education, equal rights for all races, sexes and sexual preferences, and more daycare and prenatal services. He also spoke for more housing and jobs, and curbing drugs.

The Villager article, by Lili Wright, said Jackson discussed issues in vague terms. “He talked no particulars, no actual policies, no agenda,� the article said.

Jackson reminded the crowd that he participated in person at the Gay and

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Lesbian March in Washington. Jackson told the audience, “Testing for AIDS must be voluntary and confidential.�

And he said we must “remove hysteria and bring in education.�

A Page 3 article reported on the Village Reform Democratic Club honoring five women who were instrumental in the campaign to drive out drug dealers and buyers from Washington Square Park. Mayor Ed Koch was among the officials at the event.

One of the award recipients was Lucy Carney, a member of the C.B. 2 Parks Committee and founder of Mothers and Children of Washington Square Park. She initiated a proposal to ban glass objects in the park, making Washington Square the first no-glass park in the city.

Carney thanked C.B. 2, the police and the Parks Department. She said that, with a serious new influx of crack dealers in the Village, “We are lucky we did what we did when we did it.�

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D O N AT E Y O U R C A R

SHERIFF S SALE

BY VIRTUE OF AN EXECUTION ISSUED OUT OF THE SUPREME COURT, COUNTY OF NEW YORK, in favor of THE CITY OF NEW YORK, Petitioner and against DAVE FRIEDMAN 2, LLC., Respondents, to me directed and delivered, I WILL SELL AT PUBLIC AUCTION, by DENNIS ALESTRA DCA# 0840217, auctioneer, as the law directs, FOR CASH ONLY, on the 8th day of May, 2019, at 12:30, in the AFTERNOON, at 66 JOHN STREET, 13th FLOOR, OFFICE OF THE NYC SHERIFF in the county of NEW YORK all the right, title and interest which DAVE FRIEDMAN 2, LLC., the judgement debtor, had on the 31st day of July, 2014, or at any time thereafter, of, in and to the following: 470 Audubon Avenue, New York, NY 10040 Block 2158 Lot 47 on the New York Count Tax Map ALL that certain plot, piece or parcel of land, with the building and improvements thereon erected, situate lying and being in the County of New York, City and State of New York, bounded and described as follows: BEGNINING at the corner formed by the intersection of the Westerly Side of Audubon Avenue, as legally opened, and the Southerly side of West 189th Street, as laid out on a certain map filled in the Office of the Register of New York County on October 16, 1914 as Map Number 1857; RUNNING THENCE westerly along the Southerly side of 189th Street, 100.00 feet; THENCE Southerly and parallel with Audubon Avenue, 100 feet ¾ of an inch to the center line of the block; THENCE easterly parallel with said Southerly side of 189th Street and part of the distance through a party wall, 100 feet to the Westerly side of Audubon Avenue; and THENCE Northerly along the westerly side of Audubon Avenue, 100 feet ¾ of an inch to the point or place of BEGNNING FOR INFORMATIONAL PURPOSES ONLY: 470 Audubon Avenue, New York, NY a/k/a Block 2158 Lot 47 on the New York County Tax Map. For conveyancing only: TOGETHER with all the right, title and interest of the party of the first part, of in and to the land lying in the street in front of and adjoining said premises.

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COURTESY NORTHWELL

Nor thwell officials cut the ribbon for the healthcare provider’s new Village Emergenc y Telepsychiatr y Hub. Michael Dowling, Nor thwell C.E.O. and president, is third from right. Alex Hellinger, the director of Lenox Health Greenwich Village, is third from left.

The telepsychiatrist is in, at Northwell

BY GABE HERMAN

M

ental-health “screening” is taking on new meaning at Northwell’s Downtown standalone emergency department.

Northwell Health opened its new Emergency Telepsychiatry Hub on April 11 at Lenox Health Greenwich Village, at Seventh Ave. between W. 12th and 13th Sts. The telepsychiatry center is 770 square feet and includes nine video-equipped workstations.

It will be used by a 35-person multidisciplinary team, including psychiatrists, behavioral-health clinicians and social workers.

The center will provide consultations remotely through video chat any time of day. Treatment will be provided for mental-health patients who visit Northwell Health’s emergency departments throughout the city, as well as Westchester County and Long Island.

The hub will connect to a total of 16 Northwell emergency departments, with Mather Hospital in Port Jefferson, Long Island, to be added later this year. Long Island Jewish Hospital in Queens will not be part of the program since it has its own on-site, around-the-clock psychiatry coverage.

Northwell has been running emergency telepsy-

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COURTESY NORTHWELL

With telepsychiatr y, patients will get connected with emergenc y psychiatric ser vices with less wait time.

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chiatry services for the past several years, performing roughly 11,000 emergency remote consultations, including 3,800 last year alone. The service treats patients of all ages, from young children to the elderly.

Along with consultations, the service can also provide transfer and admitting services. This allows for faster access to inpatient psychiatric beds and reduces the number of patients being held in emergency departments. About 40 percent of patients end up needing admission to a psychiatric unit.

With the telepsychiatry program, patients visiting emergency departments to see a psychiatrist have an average wait time of 45 minutes, which is a 90 percent decrease in wait time, according to Northwell.

“The longer patients spend in the emergency department before seeing a psychiatric specialist, often the worse their symptoms can become,” said Dr. Jonathan Merson, Northwell Health’s medical director of telepsychiatry services.

“We truly believe that patients experiencing a behavioral-health crisis should receive the same level of care regardless of their location, whether it’s an urban setting or a rural setting,” Merson said. “Everybody’s entitled to the same level of care when they’re experiencing a behavioral-health crisis.”

April 18, 2019

21

@e[`Xe jki\\k ]ff[ _`kj Nfic[Ëj =Xi\ 8jkfi`XËj Bliip Hlckli\ j_fnZXj`e^ k_\ ZcXjj`Z [`j_ jXdfjX Z_XXk 9P AF< ;@JK<=8EF

As the Culinary King of Queens, I’m so very fortunate to live in the most diverse and delicious destination in all of New York City. And I’m even luckier to be a Tastemaker for the World’s Fare, a celebration of global cuisine and culture, which will be held on May 18 and 19 at Citi Field. In the weeks leading up to the Fare I’ll be profiling some of my favorite vendors from Queens and beyond. Today, a look at Kurry Qulture, Queens’ first upscale Indian eatery.

The World’s Borough has long been known as a destination for Indian cuisine and culture, but until Kurry Qulture opened its doors in 2015, something was missing.

That something, says the Astoria restaurant’s 40-year-old owner Sonny Solomon, was an upscale ambience.

“Queens was missing a classy Indian place,” says the 40-year-old Astoria resident who worked for years in Manhattan’s white tablecloth Indian restaurants.

“They have places in Queens where people go, eat, and leave. We wanted to have a place for people to eat and relax.”

Solomon hails from the North Indian state of Punjab, as does the restaurant’s chef, Binder Saini. They will be showcasing a classic Indian street food from that region — samosa chaat — at the World’s Fare.

While it’s tempting to think of samosa chaat as an Indian version of loaded nachos, it’s really its own thing. The fried vegetable turnovers, packed with potato and peas, are seasoned with whole cumin and coriander, topped with chickpeas, onion, and tomato, and then drizzled with a trio of sauces: mint and tamarind chutneys and a spicy yogurt. Finally, the whole lot is showered with crunchy bits of sev, a chickpea noodle.

The resulting explosion of textures and flavors — cool, crunchy, spicy, sweet, sour, and minty — is as exciting as the diverse food scene of Queens itself.

to represent the borough’s diversity.

“Well, it’s always been a symbol, I always pass by every time going from Grand Central to LaGuardia,” he says. “I see a lot of people playing cricket around that area, too, but I really never knew what it meant, to be honest with you.”

8Yfm\ :_\] 9`e[\i JX`e`# c\]k# Xe[ fne\i Jfeep Jfcfdfe f] Bliip Hlc$ Be sure to kli\ Xi\ j_fnZXj`e^ k_\`i [`j_ i`^_k jXdfjX Z_XXk# X ]i`\[ m\^\kXYc\ stop by Kurry Qulkliefm\i# Xk k_\ Nfic[Ëj =Xi\% ture at the Fare and try the amazing Indian “It’s a very, very popular only recently learned the street food. Keep an eye street food in North India, but history of the Unisphere, out for the spring/summer now it’s all over India,” Solo- the glittering stainless steel menu, which will include mon said. “People love it!” globe that was originally such delicacies as tandoori Even though Solomon constructed for the 1964– 65 game hen and galauti lamb has called Queens home for World’s Fair as a symbol of kebab. The latter, a specialty just over two decades, he the Space Age, but has come of Lucknow, India, is an

CITI FIELD MAY 18 & 19, 2019

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April 18, 2019

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amazingly tender lamb patty that Solomon says was originally made for an Indian king who didn’t have any teeth. I can’t wait to try it!

Joe DiStefano is a Queens-based food writer, culinary 19 tour guide, and author of the bestselling guidebook “111 Places in Queens That You Must Not Miss.”

Taste Kurry Qulture’s samosa chaat at the World’s Fare at Citi Field (123-01 Roosevelt Ave. in Queens, https://theworldsfare.nyc) on May 18 and 19 from 12 to 8 p.m. Tickets from $19 to $199 (children under 10, $5).

100+ Global CuIsines International Beer Garden Music, Dance, Art & More Schneps Media

Assessing Northwell’s stand-alone E.D.

BY LINCOLN ANDERSON

I

t’s been five years since Northwell’s stand-alone emergency department opened in the wake of the closing of St. Vincent’s Hospital in April 2010.

Now known as Lenox Health Greenwich Village, the E.D. is on Seventh Ave. between W. 12 and W. 13th Sts. The Social Services Committee of Community Board 2 will hold a meeting on Mon., April 29, to discuss “how the community is engaging with” the free-standing E.D. — meaning without on-site hospital beds — the first of its kind in Manhattan and only the second in New York City.

The meeting, led by the committee’s chairperson, Susanna Aaron, will be at Little Red School House, 272 Sixth Ave., at Bleecker St. in the auditorium, starting at 6:30 p.m.

Participants will include representatives from Lenox Health Greenwich Village, the Fire Department — which runs the city’s E.M.S. ambulance service — and Say-Ah.org, a nonprofit specializing in teaching healthcare literacy.

“The hospital system seems to be undergoing so many changes,” Aaron said. “Maybe the stand-alone E.R. is a good, efficient model that meets our needs.

Maybe people have had fantastic service. Or maybe people are unhappy with it. Maybe there are some kinks to be worked out for it to serve patients better.

Maybe people have questions about costs, or when to choose the E.R. versus a primary-care doctor ver-

sus urgent care, or what gets set in motion when one calls 911.

“We hope to get a strong turnout, so that we can get useful feedback on how community members are engaging with their healthcare options and with this model of emergency care.”

While the community hoped to retain a full-service hospital, obviously, that didn’t happen.

“We are not going to bemoan the closing of St. Vincent’s,” Aaron said of the meeting’s agenda. “We’ve already covered that ground and the community expressed our desires and concerns clearly.”

PHOTO BY LEE WEISSMAN

Lenox Health Greenwich Village, on Seventh Ave. bet ween 12th and 13th Sts., offers a 24/7 emergenc y depar tment, imaging ser vices and more.

Pols demand vax exemptions ban

BY ALEJANDR A O’CONNELL-DOMENECH

S

tate politicians recently gathered on the steps of City Hall to drum up support for a new bill that bans religious exemptions from vaccinations for any child who attends school in New York State.

“Just a few decades ago, we assumed measles was defeated, but now it’s roaring back,” said state Senator Brad Hoylman.

The push for the bill comes after Rockland County Executive Ed Day last month declared a state of emergency in his Upstate county following an outbreak of measles on Staten Island. As of April 16, Rockland County had 186 confirmed measles cases. According to the New York City government Department of Health page, as of April 3, there had been 259 confirmed cases of measles in Brooklyn and Queens. The outbreak is linked to ultra-Orthodox Jewish communities.

The bill, first introduced in 2014, is currently being sponsored by Hoylman in the Senate and Assemblymember Jeffrey Dinowitz. The legislation would repeal all nonmedical exemptions from vaccination requirements for children.

“I represent Rockland County and the numbers there do not lie,” said state Senator David Carlucci at the April 4 City Hall steps press conference. “We have an emergency, with one of the largest measles outbreaks in the state.”

Measles has been labeled as one of the 10 largest threats to global health in 2019 by the World Health Organization. Prior to the development of a measles vaccine in 1963, there were 2.6 million deaths from the disease worldwide annually, according to WHO.

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April 18, 2019

23

Play ball! Little League opens season at Pr. 40

G

reenwich Village Little League held its Opening Day ceremonies Sat., April 6, at Pier 40, at W. Houston St. A full lineup of local politicos was on hand, including Congressmember Jerrold Nadler, Assemblymember Deborah Glick, state Senators Brad Hoylman and Brian Kavanagh, City Council Speaker Corey Johnson, City Comptroller Scott Stringer and District Leader candidate Jeannine Kiely.

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PHOTO BY GABE HERMAN

From left, a guitar used by John Lennon, Ringo Starr’s drum kit and George Harrison’s first electric guitar.

Met jams with rock greats’ instruments

BY GABE HERMAN

T

he Met museum’s new “Play It Loud” exhibit is an impressive collection of memorabilia from rock-and-roll history. It’s like walking into a giant shrine to the history of rock music, and is worth a visit for hardcore or even casual fans.

The show, which opened April 8, is chock-full of guitars and other instruments that were not only used by the greats, but during their prime years.

The exhibit is co-organized with the Rock & Roll Hall of Fame and features about 130 instruments, mostly guitars.

In fact, the exhibit is so good and so comprehensive, that after a while, it almost becomes numbing how many great items there are around every corner.

Oh, look, it’s Keith Richards’s Gibson electric guitar from the late ’60s, which he hand-painted himself. And there’s Muddy Waters’s Telecaster electric guitar that he used from 1958 until his death in 1983. There’s the guitar Chuck Berry used to record “Johnny B. Goode.” And Jerry Lee Lewis’s home piano for decades.

There’s a John Lennon Rickenbacker electric guitar that he used on the Beatles’ 1964 North American tour and for recording “A Hard Day’s Night” and “Beatles For Sale.” Ringo Starr’s drum kit is there, along with multiple George Harrison guitars, including his first electric guitar from 1959.

The list of legendary musicians represented here is seemingly endless: Eric Clapton, Buddy Holly, Bo Diddley, Neil Young, Joni Mitchell, The Who, Bruce Springsteen, Jimmy Page, Jerry Garcia, Prince, Joan Jett, Metallica and more. It goes all the way up to modern artists like The Roots and Lady Gaga.

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PHOTO BY GABE HERMAN

A guitar at the Met show that was smashed

by Kur t Cobain.

Each room just features more amazing items.

“This exhibit is incredible,” a man was overheard saying near the end of the exhibit. “I can’t believe how much stuff they have.”

If smashed instruments are your thing, there’s a few of those, too. Such as a mangled Fender electric guitar, totaled by Kurt Cobain during a 1993 show in Inglewood, California. He destroyed the bridge pickup by using a technician’s drill, allegedly to imTVG

press Eddie Van Halen, who was at the show.

And there’s a Gibson guitar smashed by Pete Townshend around 1973. And — talk about a great Jimi Hendrix item — a fragment of the Stratocaster the “Purple Haze” great destroyed at the 1967 Monterey Pop Festival in a ritualized sacrifice.

Then you enter the next space and there’s Hendrix’s white Woodstock electric guitar casually standing upright in a glass case in the center of the room.

There are also a few costumes, including a “dragon” suit worn by Jimmy Page during Led Zeppelin live performances from 1975-77.

The exhibit’s many excellent posters are not to be overlooked. Along with some great psychedelic artwork, there are posters for some truly momentous moments in rock history.

There’s ones for Woodstock and the 1965 Newport Folk Festival, where Dylan went electric.

There’s the poster for the Beatles at Shea Stadium, and the only known one for The Quarrymen, the earlier group with John, Paul and George.

In a sad piece of history, there’s a Jan. 30, 1959, poster for the Winter Dance Party Tour in Fort Dodge, Iowa. It is the only surviving poster for the show, which featured Buddy Holly, Ritchie Valens and J.P. “The Big Bopper” Richardson. Four days after the show, all three artists died in a plane crash near Clear Lake, Iowa.

There aren’t too many Bob Dylan or Greenwich Village folk-related items, but there is a poster for a 1963 Dylan Town Hall show in Midtown. The poster said tickets could be purchased at the Folklore Center, at 110 MacDougal, the famous Village shop whose founder Izzy Young recently died.

All the items in this staggering show couldn’t be listed here, but the full, awesome collection can be seen at The Met until Oct. 1.

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Immigrant artists depict their experience

An ar t work by Maria de Los Angeles.

grated to Miami from Quito, Ecuador, and eventually made his way up to New York when he studied art at Purchase College, SUNY. Donoso’s displayed work features abstract paintings and murals along with a mixed-media installation of clouds turning into landscapes. This latter piece symbolizes how life transforms after a person leaves one home for another.

Although stylistically their work is very different, both artists’ intent is to challenge xenophobic, racist and classist notions of what it means to be an undocumented immigrant.

The way in which the pair are helping DACA recipients is twofold. Not only are they creating space within a larger conversation about how undocumented Americans are perceived, but they have given space to other fellow artists that have received DACA status.

“I really want to do my work and inspire others to do the same,” said de los Angeles.

Three other artists, Odlyis Burgoa, Josselyn Vasquez and Carlos Vargas, also have pieces exhibited within the gallery.

For more information about the Chashama exhibits, visit www.chashama.org. The work of de los Angeles and Donoso will be up until Thurs., April 18.

M.F.A. from Yale.

“I think we have to move beyond stereotypes into a more personal narrative to move beyond hate and support each other,” she said.

The new gallery provides a physical and metaphorical space in the art world to dissect the emotional toll of growing up undocumented in the U.S. and how that impacts identity. Hopefully, through the artists’ work, viewers can dissect immigration policy, as well.

“We hope to use this, as well as in partnership with the New York State Leadership Council, to bring advocacy and attention to really the magic and the brilliance that our community is capable of and has been doing,” said Francisco Donoso, the second artist featured in the exhibit. Donoso, 30, immi-

A piece by Maria de Los Angeles in the exhibit at Chashama on the Upper East Side.

BY ALEJANDR A O’CONNELL-DOMENECH

Y

oung immigrant artists are getting some much needed space in an Upper East Side apartment building.

Some commercial space at the St. Tropez building on 340 E. 64th St. has officially been transformed into a new gallery by Chashama, a nonprofit organization that finds unused real estate for artist gallery and studio use. City Councilmember Ben Kallos, who funded all four of the exhibitions scheduled to occupy the gallery, has allocated a total of $80,000 to the nonprofit over the last three years.

The gallery’s first exhibit, “Esperanza de Otro Mundo Posible (Hope of Another Possible World),” features the work of two artists who are also DACA (Deferred Action for Childhood Arrival) recipients.

“My work is a reflection of my experiences, which are not singular,” said Maria de los Angeles, who has 60 drawings, a dress, three collages, a wall drawing and two skateboards on display. De Los Angeles, 30, immigrated to Santa Rosa, California, from Michoacán, Mexico, with her family at the age of 11.

De los Angeles, came to New York to study at the Pratt Institute, where she was considered an international student because of her status. Student loans and work study were two tuition-paying options that were also off the table. Pratt eventually offered de los Angeles $20,000 in scholarship funds.

“But I had to match my scholarship,” she noted.

And she did, by selling pieces of her work in Santa Rosa to friends, family and community members, who, after reading an article about her educational goals in the local newspaper, wanted her to “achieve her dream.” After Pratt, de los Angeles earned an

PHOTO BY MARIA DE LOS ANGELES

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Spaces

Bob Gruen: How the Westbeth was won

BY BOB KR ASNER

B

ob Gruen still recalls the moment vividly — and, no, it didn’t involve an event from his storied career as a rock-’n’-roll photographer.

“When I got the call that there was an apartment for me in Westbeth,” he said, “it was the most exciting moment of my life.”

That was in 1970, when he grabbed one of the last four spaces available in the new affordable artists’ housing complex.

The 980-square-foot loft seemed bigger then, without the subsequent accumulation of 49 years of photo negatives and prints, music and memorabilia.

Gruen and a friend built the sleeping loft and the darkroom and set up space in a corner to hang seamless background paper and do photo shoots. Gruen’s files include the iconic portrait of his friend John Lennon wearing a “New York City” T-shirt — with the sleeves torn off at Gruen’s suggestion to give him more edge — as well as shots of Elvis, the Sex Pistols, Elton John, the Rolling Stones, the Ramones, Johnny Thunders, Blondie, Bob Dylan, Led Zeppelin and, well, the list goes on.

The landmarked complex, at 55 Bethune St., was a Bell Telephones Laboratory before it was renovated by a nonprofit group that hired up-and-coming architect Richard Meier to turn it into 384 units of live/work housing for artists. (Bell moved its operations to New Jersey.)

The initial idea was that artists would stay for five years, establish themselves professionally, and then move on. But things haven’t exactly turned out that way.

“Fame doesn’t equal fortune,” Gruen noted, adding that everyone still there from the early days is within Westbeth’s

income guidelines.

Gruen mentioned a few of the place’s more notable tenants, including three no longer with us, pianist Gil Evans, photographer Diane Arbus and choreographer Merce Cunningham, who had a dance studio there.

Artist Elizabeth Gregory joined Gruen at Westbeth in 1993 and they were subsequently married. The wedding was officiated by his ex-wife, Nadya. They settled into a neighborhood that was quite different from what she had been used to living on the other side of town.

“Compared to the Lower East, this was the suburbs,” GregoryGruen said. “It’s much quieter over here.”

The fact that all their neighbors are artists made a difference, too, since most of the tenants share a similar lifestyle.

“Rush hour around here is about noon,” Gregory-Gruen noted. “And,” she added, “tenant meetings can be pretty wild!”

“Everyone is an artist here, so it makes it more comfortable,” Gruen said. “Nobody looks at you like you’re crazy.”

Some of his neighbors had an unexpected surprise on the Sunday afternoon John Lennon came to visit him. The former Beatle wandered along the long hallway searching for the photographer’s place.

“He didn’t remember my apartment number,” Gruen recalled. “He rang every doorbell on the way to my apartment!”

Things have changed in the neighborhood since 1970, for the better. The view from their sofa of the West Side Highway is completely different now. For a while, Gruen’s view — their apartment is on a lower floor — was of a collapsed el-

PHOTO BY BOB KRASNER

evated highway. Trucks were parked underneath it with the doors open, so that people knew there was nothing inside to steal. When it got dark, they became private rooms for the men cruising the pier.

“That got replaced by crack addicts,” Gruen recalled. “Before, you couldn’t see the river. But now it’s Hudson River Park, and it’s nice that they maintain it. The park totally changed the feeling of this apartment: It was a huge day when I could finally see New Jersey.”

Gregory-Gruen remembers what it was like when she first came to the city in 1985. The nearby Meatpacking District was still the scene of drugs and transsexual prostitutes.

“There were no rules,” she said of the area back then. “It was the last call for the hedonistic ’70s.”

“It was deserted over here,” chimed in Gruen. “Nobody knew about this neighborhood. But it’s become one of the most expensive — and now the cab drivers know where it is.”

The apartment is no longer set up for photo shoots as books, records, CDs and a TV now fill the space where Gruen once put seamless paper and lights. The loft is filled with memorabilia and file cabinets, which have become GregoryGruen’s domain. She left her job at Michael Kors in 2013 to PHOTO BY BOB KRASNER

In the apar tment, the ladder leads to the sleeping loft and more storage. Where the T V and shelving and such are now was once where seamless backdrop paper was hung for photo shoots. Many of the books contain Gruen’s photos.

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Bob Gruen and Elizabeth Gregor y-Gruen in their Westbeth apar tment, which contains Gruen’s archive of rock photos.

become Gruen’s full-time archivist and cataloguer, with an eye toward eventually dispersing different caches of history to the proper institutions. At the moment, they have no idea how many images of his they are dealing with. In addition to everything stored at home, there are four more storage spaces, two in the city and two in New Jersey.

“I kept everything,” Gruen said.

On weekends, the two tend to head Upstate, where they have been renting a house for the last 20 years. That’s where Gregory-Gruen gets to work on her own artwork. Using a surgeon’s scalpel, she carefully cuts layers of matboard — without templates or patterns — to create beautifully intricate three-dimensional pieces.

“I don’t interfere with her work,” Gruen said. “I watch her, and I don’t know how she does it.”

Her work was recently on view at Howl! Happening gallery, at 6 E. First St. Through all the decades that Gruen has lived in Westbeth, he had not met Richard Meier, the man responsible for creating the living spaces. But he finally got his chance at a recent event. The photographer introduced himself and his wife to the famous architect and proudly proclaimed that he is an original tenant of the storied building, having lived there since it opened.

“You were only supposed to be there for five years!” growled Meier.

For more information, visit http:// www.bobgruen.com/ and http://elizabethgregory-gruen.com/.

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Manhattan Happenings

BY ROSE ADAMS AND RICO BURNEY

ARTS Funeral for a Tree: Judson Memorial Church, on Washington Square, will be hosting what is believed to be the first funeral service for a tree, and as one might imagine, this will not be your average funeral service. This will be a fundraiser for Trees.org, an organization that plants trees in areas around the world that have been devastated by deforestation and poor land management. Event organizers promise a night of music, poetry and rousing sermons by top environmentalists. The host will be actor Matthew Morrison of TV’s “Glee” and Broadway’s original cast of “Hairspray.” Thurs., April 25, from 6 p.m. to 9 p.m., at 55 Washington Square South. General admission $25; V.I.P. tickets $100. For more information and tickets, visit https://willobaum.splashthat.com.

“Paul Swan Is Dead and Gone:” Andy Warhol muse Paul Swan, who died in 1972, is returning to New York to hold a salon in a Chelsea townhouse.

Or rather, actor Tony Torn will be playing Swan, who once dubbed himself “the most famous unknown person in New York,” in an intimate, immersive play. Previews begin Thurs., April 25.

Opening night is Wed., May 1. The show runs through Fri., May 19, at Torn Page, 435 W. 22nd St. Tickets range from $25 to $60. For showtimes, tickets and more information, visit http://thecivilians.org/ upcoming/paul-swanis-dead-and-gone/ or call 212-352-3101.

Mourning a life cut shor t too soon, at Judson Church.

seum, at Fifth Ave. and 103rd St. Free with museum admission, which is pay what you wish.

Easter Bunny Extravaganza: The Easter Bunny will be taking over Chelsea Park, between Ninth and 10th Aves. and W. 27th and W. 28th Sts., on Sat., April 20, for a fun day filled with arts and crafts, an egg hunt and, most important, chocolate.

The program runs from noon to 3 p.m. and is designed for children ages 6 to 10.

For more information, call 212-255-3705 or e-mail Rich.Martinez@ parks.nyc.gov.

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COMMUNITY BOARDS Community Board 1 meets Tues., April 23, at 6 p.m., at the Blue School, 241 Water St. Community Board 3 meets Tues., April 23, at 6:30 p.m., at P.S. 20, 166 Essex St., between E. Houston and Stanton Sts.

TALKS

MOVIES “Green Book”: See the 2018 Academy Award-winning film, starring Viggo Mortensen and Mahershala Ali, written and directed by Peter Farrelly, for free at the Tompkins Square Library, at 331 E. 10th St. Sat., April 20, at 2 p.m., in the library’s basement. 130 minutes.

Greenwich Village History: The Hudson Park Library, at 66 Leroy St., will be screening four short 16-mm films documenting Village life from 1960 to 1984 on Mon., April 22, at 6 p.m. For synopses, visit https://on.nypl. org/2XbxayC. Free.

the first episode of his new documentary series, “The Redemption Project.”

The series gives a firsthand look at “restorative justice.” The screening will be followed by a discussion with Van Jones about his hopes for transforming the U.S. criminal justice system.

At N.Y.U. Law’s Vanderbilt Hall, at 40 Washington Square South. To register, visit https://bit.ly/2KIp8vL. Free.

“This Is Cuba”: Photojournalist and author David Ariosto will be in conversation with Cynthia Carris Alonso, a photographer and photo editor for publications including Newsweek, to discuss his new book “This Is Cuba.” The book documents life on the island over a nine-year period and discusses what changes are coming to the nation. The free event will take place Wed., April 24, at 6:30 p.m., in the Mid-Manhattan Library, 476 Fifth Ave., 42nd St. entrance, program room. FREE. Van Jones: The CNN host and President Obama’s former special adviser on green jobs will be at the Brennan Center at New York University School of Law on Mon., April 22, at 6 p.m., to screen

Tony Torn plays Andy Warhol muse Paul Swan at Torn Page.

KIDS Cycling Through the City: No, this is not a bike tour. It’s a chance for kids to learn about the city’s 200-year history of bicycling, at the Museum of the City of New York’s new exhibition on the bike culture of the past and present.

Kids can then craft their own bracelet made of recycled bike parts. Fri., April 19, from 11 a.m. to 2 p.m. at the muTVG

COMMUNITY COUNCIL First Precinct Community Council meets Thurs., April 25, at 16 Ericsson Place, at 6:30 p.m.

Fifth Precinct Community Council meets Wed., April 24, at 19 Elizabeth St., at 7 p.m.

Sixth Precinct Community Council meets Wed., April 24, at Our Lady of Pompeii, 25 Carmine St., at 7:30 p.m.

10th Precinct Community Council meets Wed., April 24, at 230 W. 20th St., at 7 p.m.

20th Precinct Community Council meets Mon., April 22, at 120 W. 82nd St., at 7 p.m.

April 18, 2019

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LET’S GO FOR A WALK

FREE weekly walks in Manhattan!

For locations and schedule, visit nyrr.org/striders Schneps Media

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Real Estate

A third-floor walk-up at 111 W. 11th St. offers high ceilings and a marble fireplace.

Village Historic District is fine at 50

BY MARTHA WILKIE

I

n 1969, a large segment of the Village was designated a historic district by the New York Landmarks Preservation Commission, protecting its architectural fabric from developers and city villains like Robert Moses. It’s not set in amber, but alterations and new construction must take context — materials, design, scale — into account.

Andrew Berman, executive director of the Greenwich Village Society for Historic Preservation, planned a slew of events to celebrate.

“The Greenwich Village Historic District is truly the jewel in the crown of historic New York,” he said. “A watershed preservation success story, the largest historic district in New York City continues to attract residents, creators and visitors from around the world.

“Known for innovation and transformative thinking, as well as charming architecture and crooked streets, it’s a community united in its dedication to something precious and unique,” he said.

What are the boundaries of the district? The G.V.S.H.P. Web site has a map or walk west or north from the Washington Square Arch (and note

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April 18 - May 1, 2019

the brown street signs). Join G.V.S.H.P. on May 4 for a tour of seven homes in the district. (https://www.gvshp.org/_ gvshp/events/tour-main.htm) That same weekend is the Municipal Art Society’s annual “Jane’s Walk” in honor of Jane Jacobs. John Massengale will lead a tour informally titled “The Death and Life of a Historic District.” (https://www.mas.org/events/greenwich-village-historic-district-50th-anniversary/) On W. 11th St. is a third-floor studio in a co-op with tall ceilings, a marble fireplace, new windows, walnut floors, a sleek modern kitchen and a renovated bath with interesting herringbone tile work. $659,000 (https://streeteasy.com/building/111west-11-street-new_york/3fe)

On W. 10th St. is a quintessential 1826 Village townhouse. Meticulously renovated with dramatic color and detail, it has original wood-burning marble fireplaces, gleaming lacquered walls, an outdoor patio and a glamorous eat-in kitchen. A lovely mix of modern and historic. Four bedrooms, five baths. $8.98 million. ( ht t ps : //st r e ete a sy.c om / building/250-west-10-street-new_york/ house?featured=1)

On what real estate agents love to call a “charming tree-lined street” is 61 W. Ninth St., a sunny one- (or two) bedroom, two-bath apartment, with gorgeous casement windows, beamed ceilings and a wood-burning fireplace. $2.15 million. (https://streeteasy.com/building/61west-9-street-new_york/7c)

Also built in 1826, another Federal townhouse, at 25 Barrow St., is currentMEX

The Federal townhouse at 25 Barrow St. spor ts an original wood-burning fireplace.

ly being used as a two-unit rental, but could be converted to a single-family. It has an original wood-burning fireplace, a sky-lit kitchen, rear garden and terrace. Four bedrooms, four-and-a-half baths. $7,895,000. ( ht t ps : //st r e ete a sy.c om / sale/1366826) Schneps Media

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