Prints & Multiples Catalogue 10.18.16 by Doyle

PRINTS & MULTIPLES

Tuesday, October 18, 2016

NEW YORK

PRINTS & MULTIPLES

AUCTION Tuesday, October 18, 2016 at 10am

EXHIBITION

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Saturday, October 15, 10am – 5pm Sunday, October 16, Noon – 5pm Monday, October 17, 10am – 5pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

www.Doyle.com/BidLive www.DoyleNewYork.com/BidLive

Catalogue: $30

INCLUDING PROPERTY FROM THE ESTATES OF Elsie Adler A Former Ambassador Donald Brenwasser Audrey Carlson Roberta K. Cohn & Richard A. Cohn Ltd Julian C. Eisenstein, Washington, DC Estate of Arnold Frank Raymond Kay Carl Lesnor A New York Estate David Llewellyn Reese, New York Herman J. Wechsler, New York

INCLUDING PROPERTY FROM A Private Beverly Hills Collector George C. Dillon Living Trust A Florida Collection The Collection of Mrs. Arthur J. Lelyveld A New England Collection Private New Jersey Collection A Prominent New York Family Collection of Sheldon and Marcia Sacks The Joseph St. Cyr Trust, Sanibel, FL A Washington, DC Collector

CONTENTS Prints & Multiples 1-223 Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

Lot 30

1 Yaacov Agam (b. 1928) UNDERSEASCAPE Color agamograph, signed and numbered 81/99 in ink, the full sheet, framed. Sheet 11 3/4 x 16 1/4 inches; 298 x 413 mm. C $700-1,000

2 Josef Albers (1888-1976) I-S Va. 1; I-S Va 2; I-S Va 4; I-S Va 5 Color screenprints, 1969, on Arches paper, signed, dated, titled and numbered 141/150 in pencil, published by Ives-Sillman, New Haven and three with their blindstamp, with full margins, framed. (4) Sheets 28 x 36 inches; 711 x 914 mm. C $4,000-6,000

2 part

3 Muhammad Ali (1942-2016) STING LIKE A BEE Color screenprint, 1979, signed and numbered 179/500 in pencil, with full margins, framed. 17 3/4 x 23 inches; 451 x 584 mm. C $1,500-2,500

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4 Karel Appel (1921-2006) PAYSAGES HUMAINS Complete set of 8 color lithographs, 1961, on Arches paper, signed and numbered 32/115 in pencil, also numbered on the justification page, with complete text, published by L’Oeuvre Gravée, Paris, the full sheets, in original paper boards with color lithograph cover signed and dated in white pencil and black paper-covered portfolio box. Sheets 19 3/4 x 19 3/4 inches; 502 x 502 mm. C A Private New Jersey Collection $3,000-4,000

4 part

5 Peggy Bacon (1895-1987) THE PROMENADE DECK (FLINT 47) Drypoint, 1920, signed and titled in pencil, edition of approximately 500, published by The New Republic, New York, with full margins, framed. 6 x 8 1/2 inches; 152 x 216 mm. C A New England Collection $800-1,200

6 Peggy Bacon MORNING EXERCISES (F. 117) Drypoint, 1933, signed, dated, titled and dedicated in pencil, with good margins, framed. 8 3/4 x 12 3/8 inches; 222 x 314 mm. This drypoint depicts Leon Barzin conducting a rehearsal of the New York Philharmonic. C A New England Collection $700-1,000

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7 part

9 part 7 Peggy Bacon AESTHETIC PLEASURE; A FULL LIFE (F. 126; 143) Drypoints, 1936 and 1942, respectively, signed, titled, the first dated, the second dedicated, in pencil, the first from the edition of 174, published by Associated American Artists, New York, the second from the edition of approximately 20, with good or full margins, the second framed. Larger 7 x 10 inches; 178 x 254 mm. C A New England Collection $800-1,200

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8 part 8 Fred Becker (1895-1918) HOME COOKING; ARRIVAL OF THE BRASS SECTION Etchings, 1935-40 and 1937, respectively, signed, the second titled, in pencil, the first inscribed W.P.A. Working proof in ink, published by the Federal Art Project, WPA, New York, the second with their inkstamp, with full margins, the first framed. (2) Larger 11 3/4 x 6 1/2 inches; 298 x 165 mm. C A New England Collection $1,000-1,500

9 Fred Becker LINDY HOP; DANCER Wood engraving and an etching, 1936-1939 and 1941, respectively, signed and titled, the second dated, in pencil, with good or full margins, framed. Larger 6 x 8 inches; 152 x 203 mm. C A New England Collection $1,000-1,500

10 part

12 10 Albert de Belleroche (1864-1944) FEMME AU CAFÉ; LILI PRÈS DU FEU; FEMME ASSISE, LES MAINS DERRIÈRE LE DOS Lithographs, 1902, 1903 and 1913, respectively, signed in pencil, with margins, framed. (3) Largest 23 3/4 x 17 3/4 inches; 603 x 451 mm. C A New England Collection $700-1,000

11 Pierre Bonnard (1867-1947) LA REVUE BLANCHE (BOUVET 30) Color lithograph, 1894, laid on linen, printed by Edward Ancourt, Paris, published by La Revue Blanche, Paris, with (full?) margins, framed. 29 3/4 x 22 7/8 inches; 755 x 580 mm. Sheet 31 1/2 x 24 3/8 inches; 800 x 619 mm. C George C. Dillon Living Trust $800-1,200

12 After Pierre Bonnard by Jacques Villon (1875-1963) LA BAIGNOIRE (B. 120; GINESTET/ POUILLON 690) Color lithograph, 1946, numbered 32/80 in pencil, published by Louis Carre, Paris, the full sheet, framed. Sheet 21 x 25 7/8 inches; 533 x 657 mm. C $600-800

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13 Richard Bosman (b. 1944) MUTINY; SOUTH SEAS KISS Color woodcuts, 1981, signed and numbered 23/36 and 12/31 in pencil, with good or full margins, framed. (2) Larger 15 x 24 inches; 381 x 610 mm. C $700-900

13 part

14 Louise Bourgeois (1911-2010) JITTERBUGGING SPIDERS (WYE/SMITH 3) Color lithograph, 1998, on cream Rives paper, signed with initials and numbered AP 13 in pencil, one of nine artist’s proofs aside from the edition of 50, published by Artists Space, New York, with full margins, framed. 17 1/2 x 22 3/4 inches; 445 x 578 mm. Sheet 18 1/4 x 24 1/8 inches; 464 x 613 mm. C $4,000-6,000

15 Bernard Buffet (1928-1999) LE CANAL (REINZ 180) Drypoint, 1955, signed and numbered 44/125 in pencil, published by Creuzevault, Paris, with margins, framed. 21 1/4 x 26 5/8 inches; 540 x 676 mm. C $700-1,000

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16 16 Paul Cadmus (1904-1999) FIDELMA (DAVENPORT 18) Drypoint, 1923, signed, titled, dated and dedicated, for Lincoln, Xmas 1940 in pencil, with full margins, framed. 9 3/4 x 7 5/8 inches; 248 x 194 mm. C A New England Collection $1,500-2,500

17 17 Paul Cadmus GOING SOUTH (D. 33) Etching, 1934, on cream wove paper, with good margins, framed. 9 3/4 x 5 inches; 248 x 127 mm. Sheet 16 5/8 x 11 7/8 inches; 422 x 302 mm. C A New England Collection $800-1,200

18 Paul Cadmus Y.M.C.A. LOCKER ROOM (D. 36) Etching, 1934, signed, titled and inscribed Edition of 50 in pencil, first state of two, with full margins, framed. 6 1/2 x 12 3/4 inches; 165 x 324 mm. Sheet 10 3/8 x 16 1/8 inches; 264 x 410 mm. C A New England Collection $3,000-5,000

18 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11

19 Paul Cadmus SHORE LEAVE (D. 40) Etching, 1935, signed twice, titled, inscribed Edition of 50, located N.Y.C., inscribed Etching in pencil, also inscribed (but partially erased) with the artist’s address, St. Luke’s Place and original price, $20.00 in pencil, from the first edition, with full margins, framed. 10 1/2 x 11 5/8 inches; 267 x 295 mm. Sheet 13 1/4 x 15 inches; 337 x 381 mm. C A New England Collection $2,500-3,500 20 Paul Cadmus ASPECTS OF SUBURBAN LIFE: POLO SPILL (D. 41) Etching, 1938, on cream wove paper, signed, titled, inscribed Artist’s proof and First Edition in pencil, aside from the edition of 75, with full margins, framed. 7 1/8 x 9 1/2 inches; 181 x 241 mm. Sheet 10 x 13 inches; 254 x 330 mm. C A New England Collection $1,500-2,500 21 Paul Cadmus YOUTH WITH KITE (D. 46) Etching, 1941, signed in pencil, from the first edition of 75, with full margins, framed. 10 3/8 x 5 3/8 inches; 264 x 137 mm. Sheet 14 x 8 1/4 inches; 356 x 210 mm. C A New England Collection $2,000-3,000 21

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22 22 Paul Cadmus THE BATH (D. 48) Etching, 1953, signed, titled, numbered 28/35 and annotated II in pencil, from the second edition of two, printed in 1979, printed by Richard Waller and published by The Print Cabinet and with their blindstamps, with full margins, framed. 7 1/4 x 8 1/4 inches; 184 x 210 mm. Sheet 18 x 14 5/8 inches; 457 x 371 mm. C A New England Collection $2,500-3,500

23 Letterio Calapai (1902-1993) LABOR IN A DIESEL PLANT Wood engraving, 1940, on thin Japan paper, signed, titled and numbered 6/50 in pencil, with full margins, framed. 15 3/4 x 9 9/16 inches; 400 x 243 mm. Sheet 18 x 12 1/8 inches; 457 x 308 mm. C $1,500-2,500 24 Letterio Calapai UNDERGROUND Etching and aquatint, 1946, on cream laid paper, signed, titled and inscribed (Artistâ&#x20AC;&#x2122;s proof) in pencil, with (full?) margins, framed. 17 3/4 x 11 7/8 inches; 451 x 302 mm. Sheet 20 5/8 x 16 inches; 524 x 406 mm. C $2,500-3,500

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25 Alexander Calder (1898-1976) ALPHABET ET SAUCISSON Color lithograph, on Rives BFK paper, signed and numbered 14/90 in pencil, with full margins. Sheet 21 1/8 x 29 3/4 inches; 537 x 756 mm. C $1,500-2,000

26 26 Alexander Calder [LOOPS] Color lithograph, on cream Arches paper, signed and numbered 67/90 in pencil, from the Peace portfolio, with full margins. Sheet 32 x 22 3/4 inches; 813 x 578 mm. C $1,500-2,000

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27 Alexander Calder COMPOSITION Color lithograph, on Rives BFK peper, signed and numbered 47/90 in pencil, with full margins, framed. Sheet 22 1/8 x 32 inches; 562 x 813 mm. C $800-1,200

30 28 Marc Chagall (1887-1985) ELIJAH AND THE WIDOW OF SAREPTA (CRAMER BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 63/100 in pencil, from The Bible, published by TÃ©riade, Paris, with full margins, framed. 11 1/2 x 9 3/4 inches; 292 x 248 mm. Sheet 21 1/8 x 15 3/8 inches; 637 x 391 mm. C $3,000-5,000 29 Marc Chagall AND YOU WOVE FOR YOUR TENDER NECK SEDUCTIVE GARLANDS OF RAVISHING FLOWERS (MOURLOT 534) Color lithograph, 1967, on Arches paper, signed and numbered 37/75 in pencil, from In the Land of the Gods, with full margins, framed. 15 1/4 x 13 1/8 inches; 387 x 333 mm. Sheet 25 1/2 x 19 5/8 inches; 648 x 498 mm. C $5,000-7,000 29

30 Marc Chagall LE CHEVALET AUX FLEURS (M. 838) Color lithograph, 1976, on cream wove paper, signed and numbered 7/50 in pencil, with full margins, framed. 22 1/2 x 15 inches; 572 x 381 mm. Sheet 29 7/8 x 20 inches; 759 x 508 mm. C $10,000-15,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15

31 Marc Chagall LE ROI DAVID À LA LYRE (M. 935) Color lithograph, 1979, on japon nacré, signed and numbered 43/50 in pencil, printed and published by Maeght, Paris, with good margins, framed. 13 3/4 x 10 3/4 inches; 350 x 275 mm. Sheet 23 1/4 x 17 3/8 inches; 591 x 441 mm. C Property of a Private Beverly Hills Collector $2,000-3,000

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32 Marc Chagall LE BÉNÉDICTION DE JACOB (M. 943) Color lithograph, 1979, on japon nacré, signed and numbered 45/50 in pencil, printed and published by Maeght, Paris, with full margins, framed. 14 7/8 x 12 5/8 inches; 378 x 321 mm. Sheet 22 7/8 x 17 7/8 inches; 581 x 454 mm. C Property of a Private Beverly Hills Collector $4,000-6,000

33 After Marc Chagall by Charles Sorlier THE TRIBE OF ZEBULON (M. CS 16) Color lithograph, 1961, on Arches paper, signed and numbered 41/150 in pencil, from Jerusalem Windows, with full margins, framed. 24 1/4 x 18 inches; 616 x 457 mm. Sheet 29 1/4 x 20 3/4 inches; 743 x 527 mm. C $5,000-7,000

34 After Marc Chagall by Charles Sorlier THE TRIBE OF DAN (M. CS 18) Color lithograph, 1964, on Arches paper, signed and numbered V/LXXV in pencil, from Jerusalem Windows, with full margins, framed. 24 1/4 x 18 1/8 inches; 616 x 460 mm. Sheet 29 3/8 x 20 7/8 inches; 746 x 530 mm. C $4,000-6,000

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36 35 Christo (b. 1935) and Jeanne-Claude (1935-2009) PACKAGE ON A TABLE: PROJECT (SCHELLMANN 142) Hand-colored color offset lithograph and collage of fabric, staples and cord, 1961-1988, on Guarro paper mounted on board (as issued), signed, titled and numbered H.C. 25/25 in black wax crayon, published by Ediciones Polígrafa, S.A., Barcelona, the full sheet, framed. Sheet 31 5/8 x 23 1/2 inches; 803 x 597 mm. C $2,500-3,500 36 Christo and Jeanne-Claude THE GATES XXVI Color offset lithograph, 2002, signed in pencil, published by Kunstverlag Schumacher, Düsseldorf, with full margins, framed. 13 7/8 x 18 1/8 inches; 352 x 460 mm. C $600-800

37 part

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37 Antoni Clavé (1913-2005) TROBADORS (PASSERON 235-250) Complete set of 16 color lithographs (8 on double sheets), 1970, on Arches paper, signed and numbered 5/100 in pencil, also signed in pencil and numbered on the justification page, from the total edition of 150, with complete text, published by Ediciones Polígrafa, S.A., Barcelona, the full sheets, in original lithographic printed red canvas-covered boards and portfolio case, one framed. Largest eight 19 3/4 x 30 1/8 inches; 502 x 765 mm. C $1,000-1,500

38 Chuck Close (b. 1940) PHIL Rubber stamp, 1976, on Strathmore 3-Ply paper, numbered 76/1000 verso, from the Rubber Stamp Portfolio, published by Parasol Press Ltd., New York, with full margins, in original paper envelope. Sheet 8 x 8 inches; 203 x 203 mm. C From the Estate of Julian C. Eisenstein, Washington, DC $700-1,000 39 Eldzier Cortor (1916-2015) BLUE ODALISQUE Etching and aquatint printed in blue, signed, titled and numbered 6/35 in pencil, with full margins, framed. 15 x 13 3/4 inches; 381 x 349 mm. Sheet 30 x 22 inches; 762 x 559 mm. C A New England Collection $1,000-1,500 40 Eldzier Cortor SEPIA ODALISQUE I Etching and aquatint, signed, titled and numbered 9/35 in pencil, with full margins, framed. 19 3/4 x 13 3/4 inches; 502 x 349 mm. Sheet 30 x 22 1/8 inches; 762 x 562 mm. C A New England Collection $1,000-1,500

40 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19

41 Eldzier Cortor TRILOGY NO. II Etching and aquatint, 1989, signed, titled and numbered 14/100 in pencil, with full margins, framed. 20 1/2 x 15 inches; 521 x 381 mm. C A New England Collection $1,000-1,500 42 John Steuart Curry (1897-1946) JOHN BROWN (COLE 34) Lithograph, 1939, signed in pencil, edition of 250, published by Associated American Artists, New York, with (full?) margins, framed. 14 3/4 x 10 7/8 inches; 375 x 276 mm. Sheet 18 1/2 x 13 3/8 inches; 470 x 340 mm. C $4,000-6,000 43 Salvador Dalí (1904-1989) THE TWELVE SIGNS OF THE ZODIAC (FIELD 67-6, NOT IN F.; MICHLER/LOPSINGER 1181-92; NOT IN M./L.) Complete set of 12 color lithographs and one color lithograph as the frontispiece, 1967, on Arches paper, the first twelve signed in pencil, each numbered 249/250, the justification page also numbered, with complete text, published by Leon Amiel, New York and Paris, with full margins, in original linen covered portfolio with printed label. Sheets 28 3/4 x 20 1/2 inches; 730 x 521 mm. Provenance: Gift of the publisher to Harry H. Lerner, founder and president of Triton Press, by descent to the present owner. C $3,000-5,000

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43 part

44 Salvador Dalí LUNA GEMINATA; PASSIFLORA LAURIGERA (F. 68-3F; H; M./L. 230; 235) Color etchings, drypoints and pochoirs, 1968, on cream Arches paper, signed and numbered 67/200 and 99/200, respectively, in pencil, from Flora Dalí nae, published by Jean Schneider, Basel and Michelle Broutta, Paris, with good or full margins, framed. (2) Larger 23 1/8 x 15 1/4 inches; 587 x 387 mm. C $1,500-2,500

44 part

45 Salvador Dalí AFTER 50 YEARS OF SURREALISM (F. 74-8; M./L. 665-676) Complete set of 12 hand-colored etchings, 1974, on Velin d’Arches paper, signed and numbered A 128/195 in pencil, also signed in pencil and numbered in ink on the justification page, with complete text, published by Transworld Art, Fribourg, Switzerland and with their blindstamp, with full margins, in original black linen-covered portfolio case. Sheets 26 x 19 3/4 inches; 660 x 502 mm. C $5,000-7,000

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46 Richard Diebenkorn (1922-1993) SEATED WOMAN DRINKING FROM A CUP Lithograph, 1965, on Rives BFK paper, signed with initials, dated and numbered 6/100 in ink, printed and published by Original Press/Joe Zirker, San Francisco and with their blindstamps, with full margins, framed. 27 1/2 x 20 1/2 inches; 699 x 521 mm. Sheet 30 1/8 x 22 1/4 inches; 765 x 565 mm. C Estate of a Former Ambassador $6,000-8,000 47 Richard Diebenkorn WOMAN SEATED AT A TABLE Lithograph, 1967, on cream wove paper, signed with initials and numbered 69/75 in pencil, published by Original Press, San Francisco and with their blindstamp, the full sheet, framed. Sheet 30 1/8 x 22 1/8 inches; 765 x 562 mm. C $7,000-10,000 48 Lesley Dill (b. 1950) OPENING TO THE UNKNOWN NOURISHMENT Lithograph with Japanese paper and thread collage on tea stained wove paper, 2001, signed, dated and numbered AP 9/10 in pencil, the full sheet, framed. Sheet 27 x 21 3/8 inches; 686x 543 mm. C $700-900 22 DOYLE • OCTOBER 18, 2016 • NEW YORK

49 part

49 Jim Dine (b. 1935) THE PICTURE OF DORIAN GRAY (GALERIE MIKRO 47) Complete set of 12 color lithographs (one with collage and one with acetate overlay) and the extra suite of 4 color etchings, 1963, on Arches paper, the four signed in pencil, stamped Edition B and numbered 7/100 in ink verso, the justification signed, numbered 7/100 and inscribed Edition B in green ink, with complete text, published by Petersburg Press, London, bound (as issued), the extra suite loose (as issued), with full margins, in original green velvet binding with the title blocked in silver and black linen covered slipcase (minor wear). Loose sheets 17 3/4 x 12 1/4 inches; 448 x 311 mm. â&#x20AC;˘ $1,500-2,500

50 Jim Dine SIX HEARTS (WILLIAMS COLLEGE 12) Hand-colored offset lithograph and collage, 1970, on Crisbrook Waterleaf paper, signed, dated and numbered 75/79 in pencil, published by Petersburg Press, London, with full margins, framed. Sheet 31 x 22 1/2 inches; 787 x 572 mm. C $2,000-3,000 51 Jim Dine BLACK AND WHITE BATHROBE (W.C. 197) Color lithograph, 1975, on Arches paper, signed, dated and numbered 57/60 in pencil, co-published by Graphicstudio, University of South Florida and Petersburg Press, New York, the full sheet, framed. Sheet 36 1/4 x 24 inches; 921 x 610 mm. C Property of the Joseph St. Cyr Trust, Sanibel, FL $800-1,200

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52 part 52 Marcel Duchamp (1887-1968) and Man Ray (1890-1976) IL REALE ASSOLUTO (SCHWARZ 591-2; ANSELMINO 74) Two lithographs by Duchamp and ten lithographs by Man Ray, 1964, on Pescia handmade paper, the lithograph CERTIFICAT DE LECTURE (S. 592) by Duchamp signed in pencil, rolled (as issued), his lithograph READYMADES (S. 591) together with one lithograph by Man Ray printed on one folded sheet (as issued), with 10 additional lithographs printed in sepia, CERTIFICAT DE LECTURE (S. 592) by Duchamp and 9 by Man Ray (A. 74-B-I; L), each signed in pencil, with complete text, copy number 48 from the edition of 100, the justification signed by both artists and the author, Arturo Schwarz and numbered in pencil, published by Galleria Schwarz, Milan, the full sheets, with original paper wrappers and black and red cloth covered portfolio box, the additional prints in black and red cloth covered portfolio box numbered 49 on the spine. (22) Largest two sheets 12 3/4 x 18 1/4 inches; 324 x 434 mm. C $2,500-3,500 53 Marcel Duchamp PULLED AT FOUR PINS (S. 609) Etching, 1964, signed and numbered 57/100 in pencil, with full margins. 12 1/2 x 8 3/4 inches; 318 x 222 mm. Sheet 25 3/8 x 18 1/4 inches; 644x 464 mm. C $1,500-2,000 54 Max Ernst (1891-1976) LE REQUINS OU TROIS REQUINS EN QÛETE D’UNE VICTIME (SPIES/LEPPIEN 120) Hand-colored color etching, 1967, on Arches paper, signed and numbered 17/99 in pencil, published by Georges Visat, Paris, with full margins, framed. 17 3/8 x 13 1/4 inches; 441 x 337 mm. Sheet 26 x 19 3/4 inches; 660 x 502 mm. C $600-800 54

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55 Sam Francis (1923-1994) AFFICHE MODERNA MUSEET STOCKHOLM (LEMBARK L16) Color lithograph, 1960, signed and numbered 3/75 in pencil, published by Kornfeld and Klipstein, Bern, with full margins. Sheet 37 3/8 x 26 5/8 inches; 949 x 676 mm. C $1,500-2,500 56 Sam Francis FOR 13 (L. S20) Color screenprint, 1989, on PTI Supra paper, signed in pencil, titled, numbered 35/115, printed and published by La Paloma, California and with their blindstamp, the full sheet. Sheet 27 7/8 x 37 3/4 inches; 708 x 959 mm. C $2,000-3,000 57 Lucian Freud (1922-2011) WOMAN WITH AN ARM TATTOO (HARTLEY 54; FIGURA 40) Etching, 1996, on Somerset Satin Textured wove paper, signed and numbered 35/40 in pencil, published by Matthew Marks Gallery, New York, with full margins, framed. 23 1/2 x 32 1/4 inches; 597 x 819 mm. Sheet 27 1/2 x 36 inches; 699 x 914 mm. Provenance: The artist Matthew Marks Gallery, New York to the present owner C A New England Collection $20,000-30,000

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59 part

60 58 Paul Gauguin (1848-1903) BAIGNEUSES BRETONNES (KORNFELD 4) Lithograph, 1889, on imitation Japan paper, edition of approximately 50, from 10 Zincographies, published by Vollard, Paris, with full margins, framed. 9 3/4 x 7 7/8 inches; 248 x 200 mm. Sheet 18 1/4 x 12 3/8 inches; 464 x 314 mm. C $1,200-1,800

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59 Eric Gill (1882-1940) DEATH AND THE LADY; WOMAN LOOKING THROUGH FOLIAGE (SKELTON P285; P907) Wood engravings, 1924 and 1936, respectively, signed, the first numbered 6/25, in pencil, the first from Sonnets and Verses, published by the Golden Cockerel Press, the second a proof of a book-plate for Samuel Kahn, with full margins, framed. (2) Larger 5 1/8 x 3 3/8 inches; 130 x 86 mm. C $600-800

60 Edward Gorey (1925-2000) [YOUNG GIRL ON BEAST] Etching, signed and numbered 69/120 in pencil, with full margins, framed. 2 x 5 inches; 51 x 127 mm. Sheet 14 x 11 3/8 inches; 356 x 289 mm. C $600-800

61 Red Grooms (b. 1937) YOU CAN HAVE A BODY LIKE MINE Color screenprint, 1978, signed and numbered 40/150 in pencil, with full margins, framed. 24 x 18 inches; 610 x 457 mm. C Property from a Florida Collection $600-800 62 Red Grooms NEW YORK SWEET Complete set of five etchings, drypoints and aquatints, 1995, on Somerset Textured White 300 GM paper, signed, dated and numbered 5/30 in pencil, with complete text, published by Marlborough Graphics, New York, with full margins, framed, with original red cloth-covered portfolio box. Four 9 x 12 1/2 inches; 229 x 305 mm. C $1,500-2,500 63 Lea Grundig-Langer (1906-1977) DIE FLUCHT BEGINNT; DIE WASCHKÃ&#x153;CHE; KINDERSPIELE; JUDENGASSE; DIE HEXE (LADENGALERIE 19; 36; 37; 43; 75) Etchings, 1934-36, signed, dated, titled, the second and fourth inscribed, the third numbered 55/60, in pencil, with full margins, framed. (5) Largest two 9 3/4 x 13 inches; 248 x 330 mm. C A New England Collection $1,500-2,500 61

62 part

63 part

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64 66 64 Richard Haas (b. 1936) MANHATTAN BRIDGE Color lithograph and screenprint on aluminum, 1999, signed, dated, titled and numbered 54/200 in black ink, with full margins, framed. 40 x 20 inches; 1016 x 508 mm. C $700-1,000 65 Jane Hammond (b. 1950) FULL HOUSE Color etching, drypoint, aquatint, screenprint, lithograph and collage, 1992-3, signed, dated and numbered P.P. 2/6 in pencil, published by ULAE, West Islip, New York, the full sheet, framed. Sheet 49 1/2 x 78 inches; 1257 x 1981 mm. C $2,000-3,000 66 Childe Hassam (1859-1935) FIFTH AVENUE, NOON (CORTISSOZ/CLAYTON 77) Etching and drypoint, 1916, on cream wove paper, signed with the cipher and inscribed imp in pencil, second state of two, with full margins framed. 10 x 7 1/4 inches; 254 x 184 mm. Sheet 12 5/8 x 9 9/16 inches; 321 x 243 mm. Provenance: Mr. Albert Milch by descent to the present owner. C $5,000-7,000 65 28 DOYLE • OCTOBER 18, 2016 • NEW YORK

68 part

69 part

67 Childe Hassam THE LITTLE CHURCH AROUND THE CORNER (C./C. 220) Etching and drypoint, 1923, on cream wove paper, signed with the cipher and inscribed imp in pencil, second state of two, with full margins, framed. 8 x 11 3/8 inches; 203 x 289 mm. Sheet 10 1/2 x 13 5/8 inches; 267 x 346 mm. Provenance: Mr. Albert Milch by descent to the present owner. C $800-1,200

68 Childe Hassam THE CHURCH AT OLD LYME; INDEPENDENCE HALL (C./C. 233; 260) Etchings, 1924 and 1926, respectively, on cream wove paper, signed with the cipher and inscribed imp in pencil, with full margins, framed. (2) Larger 6 7/8 x 9 inches; 175 x 229 mm. Provenance: Mr. Albert Milch by descent to the present owner. C $800-1,200

69 Paul César Helleu (1859-1927) LE VISAGE ENCADRÉ, (MADAME HELLEU)); LE NOEUD BLEU (MADELEINE DOLLEY) (MONTESQUIEOU 42; 40) Drypoints, circa 1900 and circa 1905, respectively, the first printed in color, the second aside from the edition printed in color, signed in pencil, with good or full margins; Together With a Reproduction Print by the Artist, framed. (3) Largest 21 1/4 x 13 1/4 inches; 540 x 337 mm. C Property of a Washington, DC Collector $1,500-2,500

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70 David Hockney (b. 1937) FRENCH SHOP (SCOTTISH ARTS COUNCIL 122; TOKYO 112) Etching and aquatint in black and red, 1971, on wove paper, signed, dated and numbered 352/500 in pencil, published by The Observer, London, with full margins, framed. 21 1/8 x 17 7/8 inches; 537 x 454 mm. Sheet 25 1/8 x 21 inches; 638 x 533 mm. C $3,000-4,000 71 Louis Icart (1880-1950) SMOKE (HOLLAND/CATANIA/ISEN 275) Hand-colored drypoint and aquatint, 1926, signed in black crayon, inscribed epr artiste, with the artist’s blindstamp, with full (?) margins, framed. 15 x 20 1/4 inches; 381 x 514 mm. Sheet 19 3/8 x 25 1/2 inches; 492 x 648 mm. C $700-1,000

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72 Louis Icart RECOLLECTIONS (H./C./I. 334) Hand-colored color etching, aquatint and drypoint, 1928, signed in pencil, with the artist’s blindstamp, with full margins, framed. 12 5/8 x 17 1/4 inches; 321 x 438 mm. Sheet 16 7/8 x 20 3/4 inches; 429 x 527 mm. C $700-1,000

73 Robert Indiana (b. 1928) SEVEN (SHEEHAN 52) Color screenprint, 1968, signed, dated and numbered 147/275 in pencil, from Numbers, printed and published by Domberger, Stuttgart, the full sheet, framed. 19 5/8 x 25 5/8 x 19 5/8 inches; 651 x 498 mm. C Property of the Joseph St. Cyr Trust, Sanibel, FL $1,500-2,000 74 Robert Indiana THE AMERICAN FOUR (S. 59) Color screenprint, 1970, signed, titled, dated and numbered 30/200 in pencil, published by the Museum of Modern Art, New York, with full margins, framed. 23 7/8 x 23 7/8 inches; 606 x 606 mm. Sheet 26 3/8 x 26 3/8 inches; 670 x 670 mm. C Property of the Joseph St. Cyr Trust, Sanibel, FL $1,500-2,000 75 Robert Indiana GOLDEN LOVE (S. 77) Color screenprint, 1973, on cream wove paper, signed and numbered 29/150 in pencil, published by Encounter, New York, with full margins, framed. 30 1/8 x 30 1/8 inches; 764 x764 mm. â&#x20AC;¢ $2,000-3,000 75

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76 Robert Indiana COLBY ART (S. 80) Color screenprint, 1973, on cream wove paper, signed and numbered 49/50 in pencil, with full margins, framed. 27 3/4 x 27 3/4 inches; 705 x 705 mm. • $800-1,200

77 Robert Indiana LOVE Color screenprint, 1996, on A.N.W. Crestwood Museum paper, signed, dated and numbered 188/200 in pencil, from The Book of Love, published by American Image Editions, New York, with full margins, framed. 18 1/8 x 18 inches; 465 x 457 mm. C $5,000-7,000

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78 Eli Jacobi (1898-1984) HOTEL FRONT Linocut, 1938, on cream laid Japan paper, signed and titled in pencil, with full margins, framed. 9 7/8 x 8 inches; 251 x 203 mm. Sheet approximately 16 x 11 3/4 inches; 406 x 298 mm. C A New England Collection $600-800 79 Yvonne Jacquette (b. 1934) A GLIMPSE OF LOWER MANHATTAN, NIGHT Three-dimensional color lithograph, 1986, signed and numbered 27/60 in pencil, in original plexiglas box. Overall 20 1/2 x 15 1/8 x 3 3/4 inches; 521 x 384 x 95 mm. C $800-1,200 80 Luigi Kasimir (1881-1962) NEW YORK STOCK EXCHANGE Color etching and aquatint, circa 1936, signed in pencil, with (full?) margins, framed. 17 1/8 x 10 3/4 inches; 435 x 273 mm. Sheet 21 1/4 x 16 3/8 inches; 540 x 416 mm. C $800-1,200

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81 Ellsworth Kelly (1923-2015) COLORED PAPER IMAGE XIII (YELLOW/GREEN/BLACK/BLUE/ORANGE) (AXSOM 153) Colored and pressed paper pulp, 1976, on HMP handmade paper, signed and numbered 10/23 in pencil, with the artist’s blindstamp, published by Tyler Graphics, Ltd., Bedford, New York and with their blindstamp, with full margins, framed. Sheet 32 1/4 x 31 1/4 inches; 819 x 794 mm. C $20,000-30,000

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82 Käthe Kollwitz (1867-1945) SELBSTBILDNIS AM TISCH (KLIPSTEIN 14; KNESEBECK 21) Etching, drypoint and aquatint, circa 1893, on cream wove paper, signed in pencil, also countersigned and inscribed by the printer Otto Felsing, with full margins, framed. 7 1/8 x 5 1/8 inches; 181 x 130 mm. Sheet 12 3/8 x 8 3/4 inches; 314 x 222 mm. C A New England Collection $1,000-1,500 83 Käthe Kollwitz AUFRUHR (K. 44; KN. 46) Etching, drypoint and aquatint, 1899, on heavy wove paper, signed in pencil, with full margins, framed. 11 3/4 x 12 5/8 inches; 298 x 321 mm. Sheet 17 5/8 x 24 7/8 inches; 448 x 632 mm. C A New England Collection $1,000-1,500 84 Käthe Kollwitz FRAU MIT TOTEM KIND (K. 72; KN. 81) Etching, drypoint and soft ground, on wove paper, with the imprint of laid paper and Ziegler’s transfer paper, 1903, signed in pencil, numbered 44/50, Knesebeck’s eight state of ten, printed by Otto Felsing, Berlin, published by Emil Richter, Dresden, with full margins, framed. 16 5/8 by 18 7/8 inches; 423 x 479 mm. Sheet 22 x 28 3/4 inches; 559 x 730 mm. C A New England Collection $4,000-6,000

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86 85 Käthe Kollwitz BEIM DENGLEN (K. 90; KN. 88) Etching, drypoint and aquatint, 1905, on laid Van Gelder Zonen paper, signed in pencil, plate 3 from Peasants’ War, Knesebeck’s eleventh state a of fourteen, from the edition printed in 1921 and published by Emil Richter, Dresden, with full margins, framed. 11 3/4 x 11 3/4 inches; 298 x 298 mm. Sheet 25 3/4 x 20 1/8 inches; 654 x 511 mm. C A New England Collection $1,000-1,500

86 Käthe Kollwitz BEWAFFNUNG IN EINEM GEWOLBE (K. 95; KN. 96) Etching, aquatint and drypoint printed in two colors, 1906, on heavy cream wove paper, signed and titled in pencil, countersigned by the printer Otto Felsing, Knesebeck’s tenth state of ten, plate 4 from Peasants’ War, with full margins, framed. 19 5/8 x 12 3/4 inches; 498 x 324 mm. Sheet 26 7/8 x 20 1/2 inches; 683 x 521 mm. C A New England Collection $800-1,200

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87 Käthe Kollwitz SCHWANGERE FRAU (K. 108; KN. 111) Etching, aquatint and drypoint, 1910, on heavy cream wove paper, signed in pencil, Knesebeck’s fifth state of six, with full margins, framed. 15 x 9 1/4 inches; 381 x 235 mm. Sheet 25 x 17 3/4 inches; 635 x 451 mm. C A New England Collection $1,000-1,500

88 Käthe Kollwitz GEDENKBLATT FÜR KARL LIEBKNECHT (K. 139; KN. 159) Woodcut, 1920, on wove paper, signed in pencil, Knesebeck’s sixth state a of six, with full margins, framed. 14 x 19 5/8 inches; 356 x 498 mm. Sheet 19 x 22 7/8 inches; 483 x 581 mm. C A New England Collection $700-1,000

89 89 Willem de Kooning (1904-1997) UNTITLED (LITHO #4) (GRAHAM 42) Lithograph, 1966, on Arches paper, from the edition of 50, printed by Irwin Hollander, New York and with his blindstamp, from the printerâ&#x20AC;&#x2122;s collection and with his inkstamp verso, with full margins, framed. Sheet 30 x 22 3/8 inches; 762 x 568 mm. C $1,500-2,500

90 90 Willem de Kooning UNTITLED Color screenprint, 1972, on cream Arches wove paper, signed and numbered 42/75 in pencil, printed by Ives-Sillman, New Haven and with their blindstamp, published by the Yale University Press, New Haven, with full margins, framed. 24 x 36 inches; 610 x 914 mm. Sheet 29 x 40 5/8 inches; 737 x 1032 mm. C $4,000-6,000

91 Willem de Kooning PARIS REVIEW Color offset lithograph, 1979, signed and numbered 62/200 in pencil, with full margins, framed. 23 x 29 1/4 inches; 584 x 743 mm. C $1,500-2,500

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92 Bernhard Kretzschmar (1889-1972) ERLEBNISSE (SCHMIDT L20; R83; R87-97; R99-100) Set of fourteen etchings and one lithograph title page, 1921, signed, dated, the fourteen etchings titled, in pencil, edition of 30, probably published by Galerie Arnold, Dresden, with full margins, framed. (15) Largest two 13 1/2 x 15 1/8 inches; 343 x 384 mm. C A New England Collection $4,000-6,000

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93 93 Yasuo Kuniyoshi (1893-1953) GIRL AT A TABLE (AT THE CAFE) (DAVIS L30) Lithograph, 1928, on cream chine appliqué paper, signed, dated and annotated 32 in pencil, with full margins, framed. 9 1/4 x 5 7/8 inches; 235 x 149 mm. Sheet 17 1/8 x 12 3/4 inches; 435 x 324 mm. C A New England Collection $1,000-1,500 38 DOYLE • OCTOBER 18, 2016 • NEW YORK

94 94 Yasuo Kuniyoshi BURLESQUE QUEEN (D. L61) Lithograph, 1933, signed in pencil, edition of 100, published by the American Artists School, New York, with full margins, framed. 11 3/4 x 9 5/8 inches; 298 x 244 mm. Sheet 14 1/2 x 11 3/8 inches; 368 x 289 mm. C $700-1,000

96 part 95 95 Armin Landeck (1905-1984) 11 WEST 11TH STREET (KRAEFT 79) Etching and drypoint, 1939, signed, dated and inscribed Ed 100 in pencil, with full margins, framed. 13 x 9 7/8 inches; 330 x 251 mm. Sheet 17 x 14 inches; 432 x 356 mm. C Estate of Arnold Frank $600-800

96 Blanche Lazzell (1878-1956) OLD BARN; BARN IN THE DUNES (CLARKSON BLOCKS 36; 30) Double-sided carved wood block, 1919 and 1920, respectively, inked in colors, framed. 14 1/2 x 15 3/4 x 7/8 inches, 368 x 400 x 22 mm. Provenance: Martin Diamond Fine Arts, Inc., New York Purchased by the present owner from the above in 1985. According to Lazzellâ&#x20AC;&#x2122;s record book, only one impression of each side was printed. C $3,000-5,000 97 John Lennon (1940-1980) [EROTIC SCENE] Sepia lithograph, on BFK Rives paper, signed and numbered 102/300 in pencil, from Bag One, printed by the Bank Street Atelier, Ltd., New York, published by Cinnamon Press, New York, with full margins, framed. Sheet 23 x 30 inches; 584 x 762 mm. C $1,000-1,500

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100 98 Martin Lewis (1881-1962) FROM THE RIVER FRONT (MCCARRON 10) Etching and aquatint, 1916, on wove paper, signed in pencil, from the edition of approximately 19, with good margins, framed. 14 7/8 x 11 7/8 inches; 378 x 302 mm. Sheet 18 7/8 x 14 3/4 inches; 479 x375 mm. C $3,000-5,000 99 Martin Lewis THE BOYFRIENDS (MCC. 61) Drypoint, 1927, on wove paper, signed in pencil, from the edition of approximately 30, with (full?) margins, framed. 9 7/8 x 7 7/8 inches; 251 x 200 mm. Sheet 14 7/8 x 11 1/8 inches; 378 x 282 mm. C Estate of Elsie Adler $2,000-3,000

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100 Sol LeWitt (1928-2007) LINES OF ONE INCH, FOUR DIRECTIONS, FOUR COLORS (KRAKOW 1971.17) Color lithograph, 1971, on Magnani Italia paper, signed and numbered 17/50 in pencil, plate #16 from the set of 16, printed and published by Landfall Press, Chicago, with full margins, framed. 14 x 14 inches; 356 x 356 mm. Sheet 23 x 23 inches; 584 x 584 mm. C Estate of Arnold Frank $700-1,000

101 102 101 Roy Lichtenstein (1923-1997) CRYING GIRL (CORLETT II.1) Color offset lithograph, 1963, on light-weight wove paper, folded (as issued) and with printed text verso, from the edition of unknown size, published by Leo Castelli Gallery, New York, mailing announcement for a Lichtenstein exhibition at the Gallery September 28th-October 24th, 1963. Sheet 17 x 23 inches; 432 x 584 mm. C $800-1,200 102 Roy Lichtenstein TURKEY SHOPPING BAG (C. APP. 4) Color screenprint on a paper shopping bag, 1964, signed in pencil, edition of approximately 200, published by Bianchini Gallery, New York. 7 1/2 x 8 5/8 inches; 191 x 219 mm. Bag 19 5/8 x 17 inches; 498 x 432 mm. C $2,000-3,000 103 Roy Lichtenstein RED BARN (C. 89) Color screenprint, 1969, on C. M. Fabriano paper, signed, dated and numbered 177/250 in pencil, published by Gabriele Mazzotta, Milan and with their blindstamp, with full margins, framed. 14 3/8 x 17 1/8 inches; 365 x 435 mm. Sheet 19 x 26 inches; 482 x 660 mm. C $12,000-18,000

103

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106 104 Roy Lichtenstein MODERN PRINT (C. 103) Color lithograph and screenprint, 1971, on Special Arjomari paper, signed, dated and numbered 7/200 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed 24 x 24 inches; 610 x 610 mm. Sheet 31 x 31 inches; 787 x 787 mm. C Property of a Private Beverly Hills Collector $7,000-10,000

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105 Roy Lichtenstein BULL HEAD II (C. 124) Color lithograph, screenprint and linocut, 1973, on Arjomari paper, signed, dated and numbered 65/100 in pencil, from Bull Head Series, published by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed. 21 1/8 x 28 inches; 537 x 711 mm. Sheet 24 7/8 x 32 7/8 inches; 632 x 835 mm. C Property of a Private Beverly Hills Collector $7,000-10,000

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106 Roy Lichtenstein UNTITLED SHIRT (C. 159) Color screenprint, 1979, on silk sateen shirt, with the screenprinted signature and date on a label affixed to the inside, numbered 56/100, co-published by the artist and Artist’s Space, New York, framed. 30 x 35 inches; 762 x 889 mm. C Property of the Joseph St. Cyr Trust, Sanibel, FL $1,000-1,500

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107 Roy Lichtenstein LA SORTIE (C. 248) Color woodcut, 1990, signed, dated and numbered 60/60 in pencil, from Interior Series, published by Gemini G.E.L., Los Angeles, with full margins, framed. 52 5/8 x 75 inches; 1337 x 1905 mm. Sheet 58 5/8 x 81 inches; 1489 x 2057 mm. C Property of a Private Beverly Hills Collector $40,000-60,000

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108 part

109 110 108 Robert Mangold (b. 1937) PAGES Complete set of 12 etchings (seven printed in colors), 1989, signed and numbered 23/40 in pencil, published by Simmelink/Sukimoto Editions, Los Angeles, with full margins, framed. (12) Sheets 13 7/8 x 13 7/8 inches; 352 x 352 mm. C $2,000-3,000 42 DOYLE • OCTOBER 18, 2016 • NEW YORK

109 Man Ray (1890-1976) AUTOPORTRAIT (ANSELMINO 101) Screenprint, 1972, on Arches paper, signed, inscribed AE and dedicated for Roberta in pencil, published by Anselmino, Milan, with full margins. 7 7/8 x 6 1/4 inches; 200 x 159 mm. Sheet 22 x 15 3/8 inches; 559 x 391 mm. C Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. $700-1,000

110 Marino Marini (1901-1980) L’ANNUNCIAZIONE (GUASTALLA A57) Etching, 1958, signed and numbered 19/50 in pencil, from L’Album No. 1, published by XXe Siècle, Paris, with full margins. 14 x 11 3/4 inches; 356 x 298 mm. Sheet 20 1/4 x 14 7/8 inches; 514 x 378 mm. C Collection of Sheldon and Marcia Sacks $700-1,000

111 part 111 Kyra Markham (1891-1967) THE FIT YOURSELF SHOP; AND HE SAID— Lithographs, 1935 and 1943, respectively, signed, titled, dated and numbered 19/50 and 46/50 in pencil; Together with Don Freeman THE ENEMY’S PUBLIC (AT HOME) (MCCULLOCH 103), lithograph, 1935, signed and titled in pencil, edition of approximately 35, with full margins, framed. (3) Largest 12 1/8 x 9 7/8 inches; 308 x 251 mm. C A New England Collection $600-800

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112 Reginald Marsh (1898-1954) BOX AT THE METROPOLITAN (SASOWSKY 143) Etching and engraving, 1934, on Rives paper, signed, numbered #3 and dedicated in pencil, fifth state of five, with good margins, framed. 9 7/8 x 7 7/8 inches; 251 x 200 mm. Sheet 13 3/4 x 10 1/4 inches; 349 x 260 mm. C A New England Collection $1,500-2,500 113 Reginald Marsh CONEY ISLAND BEACH (S. 220) Engraving, 1942, on cream laid paper, signed, dated, titled and inscribed eng. in pencil, with full margins, framed. 8 x 9 7/8 inches; 203 x 251 mm. Sheet 8 7/8 x 11 1/4 inches; 225 x 286 mm. C A New England Collection $1,000-1,500 113

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114 Agnes Martin (1912-2004) PRAISE Color rubber stamp, 1976, on Dalton Natural Bond, numbered 76, from the Rubber Stamp Portfolio, edition of 1000, published by Parasol Press Ltd., New York, with full margins, in original paper envelope. 8 x 8 inches; 203 x 203 mm. Sheet 11 x 11 inches; 279 x 279 mm. C From the Estate of Julian C. Eisenstein, Washington, DC $700-1,000

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115 Henri Matisse (1869-1954) NU AU BRACELET (DUTHUIT 725) Linocut, on Arches paper, 1940, signed and numbered 13/50 in pencil, with good margins. 9 5/8 x 7 inches; 245 x 178 mm. Sheet 16 x 12 inches; 406 mm. C $6,000-8,000 116 After Henri Matisse VERVE, VOLUME IX, NUMBERS 35 AND 36 Bound volume with 28 color lithographs after papiers découpés et collés, 1958, with complete text, published by Tériade, Paris. Sheets 14 x 10 3/8 inches; 356 x 264 mm. C $2,000-3,000

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118 117 William McNulty (1889-1963) TOWERS IN THE SUN Drypoint, circa 1930, on cream laid paper, signed, titled and inscribed 100 imp in pencil, with (full?) margins, framed. 11 x 12 7/8 inches; 279 x 327 mm. Sheet 13 7/8 x 16 1/8 inches; 352 x 410 mm. C A New England Collection $1,000-1,500

119 118 Joan Miró (1893-1983) EXPOSITION PEINTURES MURALES (MOURLOT 227) Color lithograph, 1961, on cream wove paper, signed and numbered 99/100 in pencil, printed and published by Maeght, Paris, with full margins. Sheet 27 1/2 x 19 1/4 inches; 699 x 489 mm. C $1,500-2,500

119 Joan Miró JE TRAVAILLE COMME UN JARDINIER (M. 285) Color lithograph, 1963, on Rives BFK paper, signed and numbered 17/40 in pencil, from the same-titled portfolio, published by XXe Siècle, Paris, the full sheet, framed. Sheet 16 x 12 7/8 inches; 406 x 327 mm. C Collection of Sheldon and Marcia Sacks $1,000-1,500

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120 Joan Miró UBU ROI (M. 486) Color lithograph, 1966, on cream Arches paper, signed and numbered 9/75 in pencil, published by Tériade, Paris, with full margins, framed. 16 1/4 x 24 5/8 inches; 413 x 625 mm. Sheet 21 1/4 x 29 1/2 inches; 540 x 749 mm. C $3,000-5,000 121 Joan Miró HAI-KU (M. 482-498) Complete set of seven color lithographs, 1967, on Arches paper, signed and numbered 86/100 in pencil, also signed and numbered on the justification page, with complete text, published by Maeght, Paris, with full margins, in original black cloth-covered boards and slipcase. Sheets 12 1/8 x 9 1/8 inches; 308 x 232 mm. C $10,000-15,000 120

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122 Joan Mirรณ INTERIEUR ET NUIT (M. 590) Color lithograph, 1969, on wallpaper, signed in black pencil, inscribed H.C., printed and published by Maeght, Paris, with full margins, framed. Sheet 37 9/16 x 21 1/2 inches; 954 x 546 mm. C $6,000-9,000

123 Joan Mirรณ JONGLEUR DE COLOMBES (M. 897) Color lithograph, 1973, on Arches paper watermarked Maeght, signed and inscribed H.C. in pencil, published by Maeght, Paris, the full sheet, framed. Sheet 31 1/2 x 23 3/8 inches; 800 x 594 mm. C Property of a Private Beverly Hills Collector $2,500-3,500

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124 Joan Miró HOMENATGE A JOAN PRATS (M. 1033) Color lithograph, 1975, on wove paper, signed and inscribed H.C. in pencil, co-published by Polígrafa, Barcelona and Fundació Joan Miró, Centre d’Estudis d’Art Contemporani, Barcelona, the full sheet, framed. Sheet 22 x 29 3/4 inches; 559 x 756 mm. C $1,500-2,500

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125 Joan Miró PERSONNAGE A LA FLÈCHE NOIRE (DUPIN 971) Color etching and aquatint, 1977, on cream wove paper, signed and numbered 15/50 in pencil, published by Maeght, Paris, with full margins, framed. 24 1/4 x 17 5/8 inches; 616 x 448 mm. Sheet 31 5/8 x 24 inches; 803 x 610 mm. C Property of a Private Beverly Hills Collector $5,000-7,000

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126 After Joan Miró LA NAISSANCE DU JOUR (M. 1710) Color lithograph, 1957, on cream Arches paper, signed and numbered 113/200 in pencil, published by Maeght, Paris, with full margins, framed. 15 1/2 x 22 inches; 394 x 559 mm. Sheet 19 7/8 x 25 3/4 inches; 505 x 654 mm. C $1,000-1,500

128

127 After Joan Miró LE CHANT DU ROSSIGNOL À MINUIT ET LA PLUIE MATINALE; FEMMES AU BORD DU LAC À LA SURFACE IRISÉE PAR LE PASSAGE D’UN CYGNE (CRAMER BOOKS 58) Color lithographs and pochoirs, 1959, edition of 350, from Constellations, published by Pierre Matisse, New York, the full sheets. (2) One14 1/8 x 17 1/8 inches; 359 x 435 mm. One 17 1/8 x 14 1/8 inches; 435 x 359 mm. C $1,000-2,000

128 After Joan Miró OISEAU DEVANT LE SOLEIL (M. 1722) Color lithograph, 1961, signed and numbered 150/300 in white ink, the full sheet, framed. Sheet 33 x 14 7/8 inches; 838 x 380 mm. C Estate of Audrey Carlson $1,500-2,500

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129

129 Alphonse Mucha (1860-1939) JOB (RENNERT/WEILL 51) Color lithograph, 1898, printed by F. Champenois, Paris, laid on linen, with full margins, framed. 61 x 41 inches; 1549 x 1041 mm. C George C. Dillon Living Trust $4,000-6,000

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130 Alphonse Mucha MÖET & CHANDON CHAMPAGNE WHITE STAR (R./W. 65) Color lithograph, 1899, printed by F. Champenois, Paris, with (full?) margins, framed. 22 3/4 x 7 3/4 inches; 578 x 197 mm. Sheet 25 1/8 x 9 7/8 inches; 638 x 251 mm. C Estate ofa Former Ambassador $3,000-4,000

132 131 131 Alphonse Mucha LESLIE CARTER (R./W. 94) Color lithograph, 1908, on two joined sheets laid on linen, printed by The Strobridge Lithographic Co., Cincinnati and New York, the full sheet, framed. Sheet 83 1/4 x 31 inches; 2115 x 787 mm. C $2,000-3,000

132 Elizabeth Murray (1940-2007) WIGGLE MANHATTAN Color lithograph, 1992, on handmade Torrinoko paper, signed, dated, titled and numbered 28/47 verso, published by ULAE, West Islip, New York and with their blindstamp, the full sheet, framed. 58 3/4 x 29 inches; 1492 x 737 mm. C $3,000-4,000

133 Yoshitomo Nara (b. 1959) PUPPY BOOKENDS Painted and glazed ceramic, 2002, from the edition of unknown size, published by Bozart. (2) Overall 8 x 12 x 5 1/2 inches; 203 x 305 x 127 mm. C $1,000-1,500

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134 LeRoy Neiman (1921-2012) THE BAR AT 21 Color screenprint, 1974, signed and inscribed A.P. in pencil, with full margins, framed. 25 7/8 x 39 inches; 657 x 991 mm. C $800-1,200 135 Louise Nevelson (1899-1988) TROPICAL LEAVES Lead intaglio collages 1972, on Fabriano wove paper, signed, dated and numbered 16/150 in pencil, published by Pace Editions, Inc., New York, with full margins, framed. 26 x 15 inches Sheet 30 1/8 x 25 1/4 inches; 765 x 641 mm. C $1,000-1,500

134

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136 Alfonso Ossorio (1916-1990) ET MANE QUIPPE IN EIS FACTUM EST ET VESPERA Wood engraving, 1936, signed with the artist’s monogram and dated in pencil, with full margins, framed. 11 7/8 x 7 7/8 inches; 302 x 200 mm. Sheet 14 5/8 x 10 3/8 inches; 371 x 264 mm. C A New England Collection $600-800

136

137 part 137 Abbo Ostrowsky (1889-1975) ROCKEFELLER CENTER EXCAVATION Etching, signed in pencil; Together with Hugh Botts ELEVENTH AVENUE EXCAVATION; [NEW YORK ROOFTOPS], etching and etching and aquatint, the second 1938, signed, the first titled, in pencil; and Joseph Pennell THE WEST STREET BUILDING, FROM THE SINGER BUILDING (WUERTH 491), etching, 1908, signed in pencil, with good or full margins, framed. (4) Largest 13 7/8 x 11 inches; 352 x 279 mm. C A New England Collection $800-1,200

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138 Philip Pearlstein (b. 1924) FIESTA NUDE Color lithograph, 1984, on German etching paper, signed, dated in pencil, titled, dated and numbered 5/50 in pencil, printed by Lynn Allen and published by Tamarind Institute, University of New Mexico and with their blindstamps, the full sheet, framed. Sheet 25 1/4 x 20 1/2 inches; 641 x 521 mm. C $800-1,200 139 Joseph Pennell (1857-1926) SUNSET FROM WILLIAMSBURG BRIDGE (WUERTH 674) Etching, 1915, signed and inscribed imp in pencil, an artist’s proof before the additional work lower right; Together with Werner Drewes 52ND STREET AND THIRD AVENUE (ROSE 174), etching and drypoint, 1931, signed, dated 1932 and annotated in pencil; Minetta Good ST. PAUL’S CHAPEL, lithograph, signed and titled in pencil, published by the Federal Art Project, WPA, New York and with their inkstamp; Nat Lowell EAST RIVER SKYLINE, etching, signed in pencil; and William Monk DOWNTOWN NEW YORK FROM BROOKLYN, etching, signed in pencil, with good or full margins, four framed. (5) Largest 17 x 23 3/4 inches; 432 x 603 mm. C Estate of David Llewellyn Reese, New York $800-1,200

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140 Pablo Picasso (1881-1973) LA PEINTRE ET SON MODÈLE (BLOCH 98) Lithograph, 1930, on Rives BFK paper, signed in pencil, a proof aside from the numbered edition of 50, with (full?) margins, framed. 9 1/8 x 11 1/2 inches; 232 x 292 mm. Sheet 12 5/8 x 19 7/8 inches; 321 x 505 mm. C $3,000-5,000 141 Pablo Picasso SCULPTEURS, MODELES ET SCULPTURE (B. 149) Etching, 1933, on Montval laid paper with the Picasso watermark, signed in pencil, from the Vollard suite, from the total edition of 310, published by Vollard, Paris, with full margins, framed. 7 3/4 x 10 1/2 inches; 197 x 267 mm. Sheet 13 3/8 x 17 1/2 inches; 340 x 445 mm. C $8,000-12,000

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142 Pablo Picasso LA PLAINTE DES FEMMES (B. 1328) Aquatint, engraving and drypoint, 1933, on cream laid paper, with the ink stamp signature, numbered 27/50, an unused plate from Picasso’s illustrations for Lysistrata for the Limited Editions Club, New York, with full margins, framed. 11 x 7 7/8 inches; 279 x 200 mm. Sheet 17 3/4 x 12 7/8 inches; 451 x 327 mm. C $5,000-7,000 143 Pablo Picasso DEUX ENFANTS JOUANT ET FEMME COUCHÉE I (B. 735) Etching, 1953, on laid Arches paper, signed in pencil, a rare proof aside from the numbered edition of 50 with the stamped signature, with full margins, framed. 9 3/4 x 13 5/8 inches; 248 x 346 mm. Sheet 14 5/8 x 20 5/8 inches; 371 x 524 mm. C $6,000-8,000

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144 Pablo Picasso UN POÈME DANS CHAQUE LIVRE (B. 805) Drypoint. 1956, signed in red crayon, inscribed H.C., published by Louis Broder, Paris, with full margins, framed. 7 1/8 x 6 3/4 inches; 181 x 171 mm. Sheet 15 3/8 x 12 3/4 inches; 391 x 324 mm. C $1,500-2,500

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145 Pablo Picasso DIURNES (B. 1062) Linocut printed in ochre and brown, 1962, on Arches paper, signed and inscribed H.C. in pencil, with wide margins, framed. 15 3/8 x 11 3/4 inches; 391 x 298 mm. Sheet 21 5/8 x 17 inches; 549 x 432 mm. C $6,000-8,000

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146 Pablo Picasso LE VIEUX ROI (B. 1152) Color linocut, 1963, on Arches wove paper, signed and numbered 75/160 in pencil, published by Le Patriote, Nice, with margins, framed. 25 1/4 x 20 3/4 inches; 641 x 527 mm. Sheet 28 1/2 x 23 1/2 inches; 724 x 599 mm. C $7,000-10,000

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147 Pablo Picasso LE GOÃ&#x203A;T DU BONHEUR (B. 2013; CRAMER BOOKS 148) The complete set of 71 offset lithographs, 1970, on Arches paper, with complete text, numbered 551 in ink on the justification, from the edition of 666 published by Harry Abrams, Inc., New York, in the orginal linen-covered chemise and clamshell box. Sheets approximately 13 x 10 inches; 330 x 254 mm. C $1,200-1,800

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148 Pablo Picasso TÊTE DE CHEVRE DE PROFIL (ALAIN RAMIÉ 151) Painted and partially glazed white ceramic dish, 1952, from the edition of 100, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 16 1/4 x 16 inches; 413 x 406 mm. C $12,000-18,000

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149 Pablo Picasso PICADOR (A.R. 160) Painted and partially glazed white ceramic plate, 1952, from the edition of 500, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 8 x 8 inches; 203 x 203 mm. C $1,500-2,000

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150 Pablo Picasso PICADOR (A.R. 162) Painted and partially glazed red ceramic pitcher, 1952, from the edition of 500, incised Edition Picasso Madoura on the base. Height 5 1/8 inches; 130 mm. C Estate of Herman J. Wechsler, New York $700-1,000

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151 Pablo Picasso OISEAU AU VER (A.R. 172) Painted and partially glazed white ceramic dish, 1952, from the edition of 500, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 6 1/2 x 6 1/2 inches; 165 x 165 mm. C $800-1,200

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152 Pablo Picasso OISEAU AU SOLEIL (A.R. 174) Painted and partially glazed white ceramic dish, 1952, from the edition of 500, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 6 1/4 x 6 1/4 inches; 159 x 159 mm. C $1,000-1,500

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153 Pablo Picasso VISAGE GRIS (A.R. 206) Painted and partially glazed white ceramic plate, 1953, from the edition of 500, inscribed Edition Picasso and with the D’Apres Picasso and Madoura Plein Feu pottery stamps on the reverse. 12 1/4 x 15 1/8 inches; 311 x 384 mm. C $12,000-18,000 154 Pablo Picasso VISAGE DANS UN OVALE (A.R. 274 Painted and glazed ceramic dish, 1955, numbered 11/100 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 13 x 15 5/8 inches; 330 x 397 mm. C $4,000-6,000

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156 155 155 Pablo Picasso VISAGE (A.R. 288) Painted and partially glazed (interior only) white ceramic pitcher, 1955, from the edition of 500, inscribed Edition Picasso, Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 12 inches; 305 mm. C $5,000-7,000 156 Pablo Picasso VISAGE DE FAUNE TOURMENTÃ&#x2030; (A.R. 318) White ceramic dish, 1956, numbered 21/100, incised C 110 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 17 1/4 x 17 1/4 inches; 438 x 438 mm. C $4,000-6,000 157 Pablo Picasso PROFIL DE TAUREAU (A.R. 317) Painted and partially glazed white ceramic plate, 1956, from the edition of 450, with the Madoura Plein Feu and Empriente Originale de Picasso pottery stamps on the reverse. 10 x 10 inches; 254 x 254 mm. C $2,000-3,000

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158 Pablo Picasso HEADS (A.R. 367) Painted and partially glazed ceramic pitcher, 1956, from the edition of 500, incised Edition Picasso and Madoura with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 5 1/2 inches; 140 mm. C $1,500-2,500

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159 Pablo Picasso PROFIL DE JACQUELINE (A.R. 385) Painted and partially glazed ceramic plaque, 1956, from the edition of 500, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 7 1/4 x 7 1/4 inches; 184 x 184 mm. C A Prominent New York Family $3,000-5,000

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160 Pablo Picasso BUSTE D’HOMME Painted and partially glazed white ceramic tile, dated 10.3.57, signed in ink on the reverse, a unique work, framed. 8 x 8 inches; 203 x 203 mm. Provenance: Michael M. Levy Fine Arts, New York. Acquired from the above in 1972. Literature: Georges Ramié, Céramique de Picasso, Barcelona, 1974, no. 489 (illustrated). With a Galerie Louise Leiris photocertificate signed by Maurice Jardot and dated June 6, 1972. C Property from a New York Estate $30,000-50,000

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161 Pablo Picasso SCENE DE TAUROMACHIE (A.R. 410) Painted and partially glazed white ceramic plate, 1959, numbered 34/100 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 16 5/8 x 16 5/8 inches; 422 x 422 mm. C $7,000-10,000

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162 Pablo Picasso PETIT VISAGE NO. 13 (A.R. 461) Painted and glazed white ceramic plate, 1963, numbered 137/150 and inscribed No 13 Edition Picasso Madoura on the reverse. 10 x 10 inches; 254 x 254 mm. C From the Collection of Mrs. Arthur J. Lelyveld $5,000-7,000

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163 Pablo Picasso VISAGE (A.R. 531) White ceramic plate, 1965, numbered 20/100, incised U 108 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse, framed. 16 1/2 x 16 1/2 inches; 419 x 419 mm. C $4,000-6,000 164 Pablo Picasso VISAGE D’HOMME (A.R. 632) Red ceramic tile, 1971, numbered 68/500, inscribed J. 170 and Madoura and with the Poinçon Original de Picasso pottery stamps on the reverse. 5 3/4 x 5 7/8 inches; 146 x 149 mm. C $1,000-1,500 165 Alain Ramié PICASSO, CATALOGUE OF THE EDITED CERAMIC WORKS 1947-1971 The complete catalogue raisonné of Picasso’s ceramic editions, in English, published in 1988 by Galerie Madoura. Overall 11 3/4 x 9 5/8 x 1 5/8 inches; 298 x 244 x 41 mm. C $700-1,000

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166 After Pablo Picasso PETITE TÊTE, PROFIL GAUCHE; GROSSE TÊTE, PROFIL GAUCHE Gold plated bronzes, with stamped signature and number 153/175, on gold plated bronze base. (2) Each height overall 11 3/4 inches; 298 mm. These works are modeled after two ceramic editions the artist created in 1965 (see A.R. 535; 537). C $2,000-4,000 167 After Pablo Picasso LA FAMILLE DES SALTIMBANQUES Soft-ground etching printed in black on light tan Chine appliqué on Japon nacré, circa 1950, signed and numbered 156/300 in orange crayon, published by Crommelynck, Paris and with their blindstamp, with full margins, framed. 19 5/8 x 16 1/2 inches; 498 x 419 mm. Sheet 30 1/2 x 22 1/4 inches; 775 x 565 mm. C $2,000-3,000 168 After Pablo Picasso JACQUELINE Color lithograph, 1960, on pale blue Japon nacré paper, signed and numbered 93/100 in pencil, with full margins, framed. 19 1/4 x 11 1/2 inches; 495 x 292 mm. Sheet 24 1/2 x 19 3/8 inches; 622 x 492 mm. C $5,000-7,000 168

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169 After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 169/200, with full margins. 25 5/8 x 19 3/4 inches; 651 x 502 mm. Sheet 29 3/8 x 21 1/2 inches; 746 x 546 mm. C Estate of Carl Lesnor $3,000-4,000

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170 After Pablo Picasso LA FLÛTE DOUBLE Complete set of 15 offset lithographs (five printed in color), 1967, the justification numbered 150, with complete text, the full sheets, in original portfolio box. Sheets approximately 16 1/2 x 22 1/2 inches; 419 x 572 mm. C Estate of Raymond Kay $3,000-5,000

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171 Serge Poliakoff (1900-1969) COMPOSITION JAUNE, VERTE, BLEUE ET ROUGE (POLIAKOFF/SCHNEIDER 10) Color lithograph, 1956, on Rives BFK paper, signed and numbered 10/220 in pencil, published by La Guilde de la Gravure, Lausanne and with their blindstamp, with full margins, framed. 13 x 19 7/8 inches; 330 x 505 mm. Sheet 15 1/8 x 22 1/4 inches; 384 x 565 mm. C $800-1,200

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172 Fairfield Porter (1907-1975) SUNRISE (LUDMAN 29) Color lithograph, 1974, on Arches paper, signed and numbered 38/50 in pencil, published by Brooke Alexander, Inc., New York, with full margins, framed. 30 x 22 1/8 inches; 762 x 562 mm. C $800-1,200 173 Pierre-Auguste Renoir (1841-1919) SUR LA PLAGE, À BERNEVAL; CHAPEAU ÉPINGLÉ (DELTEIL, STELLA 5; 8) Etchings, circa 1892 and 1894, respectively; Together with Paul Cézanne PORTRAIT DU PEINTRE A. GUILLAUMIN AU PENDU (CHERPIN 2), etching, 1873, with good or full margins, framed. (3) Largest 6 1/4 x 4 5/8 inches; 159 x 117 mm. • $700-1,000 174

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174 Robert Riggs (1896-1970) THE POOL (BASSHAM 33) Lithograph, circa 1933, on Rives paper, signed, titled and numbered 32 in pencil, from the edition of 40, with full margins, framed. 14 5/8 x 19 1/2 inches; 397 x 495 mm. Sheet 19 1/2 x 22 5/8 inches; 495 x 575 mm. C A New England Collection $1,000-1,500

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175 175 James Rizzi (1950-2011) WOMEN WHO WORK OUT Three-dimensional color screenprint multiple, 1989, signed, dated, titled and inscribed A/P in pencil, the full sheet, framed. Image 20 3/4 x 14 5/8 inches; 527 x 371 mm. C $1,000-1,500 176 James Rizzi ALL FALL DOWN; JOHNNY ON THE PONY; LETâ&#x20AC;&#x2122;S GET WET Three-dimensional color screenprint multiples, 1990, signed, the first numbered 327/350, the second and third inscribed A/P, in pencil, the full sheets, framed. (3) Images 2 x 3 inches; 51 x 76 mm. C $800-1,200 177 James Rizzi MARBLES IN YOUR HEAD; URBAN TERRAIN Three-dimensional color screenprint multiples, 1990, signed and numbered 193/350 and 289/350, respectively, in pencil, the full sheets, framed. (2) Images 2 x 3 inches; 51 x 76 mm. C $600-800 178 James Rizzi BE MAGICAL...PLAY...HAVE DAYDREAMS IN MOTION... Three-dimensional color screenprint multiple, 1996, signed and numbered A/P IV/L in pencil, the full sheet, framed. Image 26 x 18 inches; 660 x 457 mm. C $1,000-1,500

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179 James Rizzi MAKE FRIENDS WITH LIFE AND PEOPLE Three-dimensional color screenprint multiple, 1996, signed and numbered A/P L/L in pencil, the full sheet, framed. Image 16 x 26 inches; 406 x 660 mm. C $800-1,200

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180 James Rosenquist (b. 1933) FLAMINGO CAPSULE (GLENN 66) Color lithograph and screenprint, 1973, on Arches paper, signed, dated, titled and numbered 56/85 in pencil, printed by Styria Studio and with their blindstamp, co-published by Castelli Graphics and Multiples, Inc. New York, with full margins, framed. 28 1/4 x 68 inches; 718 x 1727 mm. C Property from a Florida Collection $3,000-5,000

181 Reuven Rubin (1893-1974) THE STORY OF KING DAVID Complete set of twelve color lithographs, 1971, on Arches paper, signed and numbered 135/250 in pencil, also numbered on the justification page, with complete text, published by Penn Atelier Graphics, Inc. and William Haber, New York, in original portfolio. Sheets approximately 25 5/8 x 19 3/4 inches; 651 x 502 mm. C Estate of Audrey Carlson $1,000-1,500

182 182 Ed Ruscha (b. 1937) NOW Color lithograph, 1990, on Rives BFK paper, signed, dated and numbered 22/60 in pencil, published by Cirrus Editions, Los Angeles, with full margins, framed. 54 1/2 x 35 inches; 1384 x 889 mm. C $15,000-20,000

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185 183 Egon Schiele (1890-1918) SELBSTBILDNIS Bronze with brown patina, 1917, with the stamped signature, date and number 266/300, from the edition cast in 1980 for the Collector’s Club, Vienna, in good condition. Height 10 3/4 inches; 273 mm. C $1,000-1,500 184 Anton Schutz (1894-1977) [NEW YORK CITY VIEWS] Etchings, signed in pencil, with good or full margins, framed. Largest 11 x 14 3/4 inches; 279 x 375 mm. C Estate of David Llewellyn Reese, New York $1,500-2,500 185 Ben Shahn (1898-1969) A GOOD MAN IS HARD TO FIND (TRUMAN AND DEWEY) (PRESCOTT 158) Color lithograph, 1948, laid on wove paper, printed by Amalgamated Lithographers of America, New York, published by the Progressive Party, New York, framed. Sheet 43 3/4 x 28 7/8 inches; 1111 x 733 mm. Exhibited: Museum of Fine Arts, Boston, In and Out of Office, September 11-November 30, 1976. C $600-800 184 part 72 DOYLE • OCTOBER 18, 2016 • NEW YORK

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186 John Sloan (1871-1951) CONNOISSEURS OF PRINTS; FIFTH AVENUE CRITICS; WOMAN WITH HAND TO CHIN; SEEING NEW YORK (MORSE 127; 128; 165, 188) Etchings, 1905 (2), circa 1913 and 1917, respectively, the first, second and fourth signed, titled and inscribed 100 proofs in pencil, with tack holes at sheet edges, the third printed in 1969, inscribed with the artist’s name, initialed, dated and inscribed 150 proofs by the artist’s wife and signed and inscribed imp by the printer, June Baskin, with full margins, framed. (4) Largest two 5 x 7 inches; 127 x 178 mm. C $1,000-1,500

187 John Sloan FOURTEENTH STREET, THE WIGWAM (TAMMANY HALL) Etching, 1928, on cream wove paper, signed, titled and inscribed 100 proofs in pencil, signed and inscribed by the printer, Peter Platt imp, seventh state of seven, from the edition of 110, with (full?) margins, framed. 9 3/4 x 7 inches; 248 x 178 mm. Sheet 17 3/8 x 11 1/2 inches; 441 x 292 mm. C A New England Collection $1,000-1,500

188 John Sloan NUDE AND BREAKFAST TRAY; NUDE AT DRESSING TABLE (M. 263; 268) Etchings, 1933, signed, titled and inscribed 100 proofs in pencil, with full margins. (2) Largest 5 1/2 x 6 7/8 inches; 140 x 175 mm. C $600-900

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189 Kiki Smith (b. 1954) UNTITLED (HAIR) (WEITMAN 43) Lithograph, 1990, on custom hand-made Mitsumatashi paper, signed, dated and numbered 20/54 in pencil, published by ULAE, West Islip, New York and with their blindstamp, the full sheet, framed. Sheet 36 x 36 inches; 914 x 914 mm. C $1,500-2,500

190 Kiki Smith FREE FALL (W. 65) Photogravure, etching and drypoint, 1994, on Echizen Kozo Kizuki paper mounted to a support sheet within a cardboard folder top left, signed in pencil, dated and numbered 38/40, printed and published by ULAE, West Islip and with their blindstamp, with full margins, framed. 27 1/8 x 35 1/2 inches; 689 x 902 mm. Sheet 33 1/2 x 41 1/2 inches; 850 x 1054 mm. C $3,000-5,000 189

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191 Kiki Smith STILL; HOME Color aquatints, soft-ground etchings and drypoints, 2006, on gampi paper chine collé, signed, numbered 20/20 and 19/20, respectively, in pencil, published by Crown Point Press, San Francisco, with full margins. (2) Sheets 26 1/2 x 30 7/8 inches; 673 x 784 mm. C $2,000-3,000 192 Pierre Soulages (b. 1919) SUR LE MUR D’EN FACE Color screenprint, 1979, on double-page Arches paper with central vertical fold (as issued), signed and numbered 18/75 in pencil, from the same-titled portfolio, published by Bernard Frize, Paris, the full sheet. 13 3/4 x 9 1/2 inches; 349 x 241 mm. Sheet 20 1/2 x 29 1/2 inches; 521 x 749 mm. C $3,000-5,000

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194 part 193 Rufino Tamayo (1899-1991) MUJER CON SANDÍA (PEREDA 32) Color lithograph, 1950, on Arches paper, signed and inscribed p de a in pencil, with full margins, framed. 21 5/8 x 16 7/8 inches; 549 x 429 mm. Sheet 25 3/4 x 19 1/2 inches; 654 x 495 mm. C From the Estate of Julian C. Eisenstein, Washington, DC $1,000-1,500

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195 194 Francisco Toledo (b. 1940) EL DUEÑO DEL CABALLO; FUNCIÓN DEL MAGO; PESCADOS BLANCOS Color etchings and aquatints, signed, inscribed P. A., two dedicated, in pencil, with full margins, framed. (3) Largest 19 1/2 x 38 3/4 inches; 495 x 984 mm. C $1,500-2,500

195 Henri de Toulouse-Lautrec (1864-1901) LA REVUE BLANCHE (DELTEIL 355; ADHEMAR 115; WITTROCK P18) Color lithograph, 1895, on two joined wove sheets laid on linen, third state of three, printed by Ancourt, Paris, with full margins, framed. Sheet approximately 50 1/2 x 36 1/2 inches; 1283 x 927 mm. C $2,000-3,000

196 Henri de Toulouse-Lautrec IRISH AMERICAN BAR, RUE ROYALE, THE CHAP BOOK (D. 362; A. 189; W P18) Color lithograph, 1895, on wove paper laid on linen, second state of two, printed by Chaix, Paris, framed. Sheet 15 x 21 15/16 inches; 381 x 557 mm. C $1,000-1,500 197 Rembrandt van Rijn (1606-1669) CHRIST DRIVING THE MONEY CHANGERS FROM THE TEMPLE (BARTSCH 69; HIND 126; NEW HOLLSTEIN 130) Etching, 1635, on laid paper, a very good impression of Hollsteinâ&#x20AC;&#x2122;s first or second state of four, with small margins. 5 1/ x 6 1/2 inches; 140 x 165 mm. Sheet 5 5/8 x 6 7/8 inches; 143 x 175 mm. Provenance: Falkeisen & Huber (Lugt 1008) C $800-1,200 198 Lynd Ward (1905-1985) GIANT; STATISTIC Wood engravings, 1955 and 1973, respectively, signed and titled in pencil, with good or full margins, framed. (2) Larger 22 x 8 inches; 559 x 203 mm. C A New England Collection $600-800

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199 Andy Warhol (1928-1987) LOVE IS A PINK CAKE (FELDMAN/SCHELLMAN IV.27-50) Complete set of 25 offset lithographs, 1953, on blue paper, with accompanying poetry by Ralph Thomas Ward, on pale blue wove paper, published by the artist, New York, edition of approximately 100, the full sheets. Sheets 11 x 8 1/2 inches; 279 x 216 mm. Provenance: The artist Billy Cecil (William Cissell) Private Collection Cecil was an artist and set designer in New York. C $4,000-6,000 78 DOYLE • OCTOBER 18, 2016 • NEW YORK

200 200 Andy Warhol HAPPY BUTTERFLY DAY Hand-colored offset lithographs, circa 1955, on cream wove paper, with full margins, framed. (2) Sheets 14 x 10 inches; 356 x 254 mm. Provenance: The artist Billy Cecil (William Cissell) Private Collection Cecil was an artist and set designer in New York. C $3,000-5,000

201 Andy Warhol CHILDREN PLAYING RING AROUND THE ROSIE (HAPPY DECEMBER); MERRY CHRISTMAS Two offset lithographs, the first hand-colored, 1957, signed and inscribed Happy December in ink, the second on pink paper, the full sheets, the first framed. Largest sheet 11 x 8 1/2 inches; 279 x 216 mm. Provenance: The artist Billy Cecil (William Cissell) Private Collection Cecil was an artist and set designer in New York. C $1,000-1,500

202 Andy Warhol CAMPBELL’S SOUP CAN ON A SHOPPING BAG (F./S. 4) Color screenprint on a paper shopping bag, 1964, initialed and dated in ink, edition of approximately 300, published by Bianchini Gallery, New York. 6 x 3 3/8 inches; 152 x 86 mm. Bag 18 7/8 x 17 1/8 inches; 479 x 435 mm. C $2,000-3,000

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203 Andy Warhol CAMPBELL’S SOUP CAN LABEL (CREAM OF MUSHROOM) Printed paper label, circa 1965, signed in felt-tip marker, the full sheet, framed. Sheet 3 3/4 x 8 1/4 inches; 95 x 210 mm. C $1,000-1,500

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204 Andy Warhol CAMPBELL’S SOUP CAN LABEL (CHICKEN’N DUMPLINGS) Printed paper label, circa 1965, signed in felt-tip marker, the full sheet, framed. Sheet 3 3/4 x 8 1/4 inches; 95 x 210 mm. C $1,000-1,500

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205 Andy Warhol S. & H. GREEN STAMPS (F./S. II.9) Color offset lithograph, 1965, published by the Institute of Contemporary Art, Philadelphia, folded (as issued) and with printed text verso, mailing announcement for a Warhol exhibition at the Institute October 8-November 21, 1965, with full margins. Sheet 23 x 22 3/4 inches; 584 x 578 mm. C $1,000-1,500

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206 Andy Warhol LADIES AND GENTLEMEN (F./S. II.128) Color screenprint, 1975, on Arches paper, signed, dated and numbered A/P 20/25 in pencil verso, published by Luciano Anselmino, Milan, with full margins, framed. Sheet 43 7/8 x 28 7/8 inches; 1114 x 733 mm. C $3,000-5,000

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207 Andy Warhol MICK JAGGER (F./S. II.140) Color screenprint, 1975, on Arches Aquarelle paper, signed in pencil by the artist and in felt-tip pen by Mick Jagger, numbered 118/250, published by Seabird Editions, London, the full sheet, framed. Sheet 43 5/8 x 29 inches; 1108 x 737 mm. C $25,000-35,000

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208 Andy Warhol MARILYN (ANNOUNCEMENT) Color screenprint, 1981, on smooth wove paper, signed in ink, from the edition of unknown size, published by Castelli Graphics, New York, the full sheet. Sheet 12 x 12 inches; 305 x 305 mm. C $5,000-7,000 209 Andy Warhol COMMITTEE 2000 (F./S. II.289) Color screenprint, 1982, on Lenox Museum Board, signed and numbered 293/2000, printed by Rupert Jasen Smith, New York and with his blindstamp, published by Committee 2000, Munich, the full sheet, framed. Sheet 30 1/8 x 20 inches; 765 x 508 mm. C $3,000-5,000

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210 After Andy Warhol MARILYN Complete set of 10 color screenprints, stamped Fill in your own signature and Published by Sunday B. Morning in blue ink verso, in good condition, the full sheets. (10) Sheets 36 1/8 x 36 inches; 918 x 914 mm. C $2,000-3,000

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211 Stow Wengenroth (1906-1978) HIGH ARCHES, BROOKLYN BRIDGE Ink and graphite on board, signed lower right, the full sheet, framed. 21 x 16 1/2 inches; 533 x 419 mm. The drawing for Wengenrothâ&#x20AC;&#x2122;s lithograph of Brooklyn Bridge depicting the foot path looking toward Manhattan with the Woolworth building showing through the arch (see Stuckey 260). C Estate of Donald Brenwasser $6,000-8,000 212 Tom Wesselmann (1931-2004) SHINY NUDE Color rubber stamp, 1977, on Kromekote paper, numbered 76/1000 verso, from the Rubber Stamp Portfolio, published by Parasol Press Ltd., New York, with full margins, in original paper envelope. Sheet 8 x 8 inches; 203 x 203 mm. C From the Estate of Julian C. Eisenstein, Washington, DC $700-1,000 213 Tom Wesselmann COUNTRY BOUQUET WITH BLUE Color screenprint, 1991, on Arches 88 paper, signed and numbered 93/100 in pencil, from Painted Drawings, published by International Images Inc., Putney, Vermont, the full sheet, framed. Sheet 38 1/2 x 30 1/4 inches; 978 x 768 mm. C $4,000-6,000

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215

216 214 Tom Wesselmann BIG BLONDE WITH CHOKER Color screenprint, 1992, on Museum Board, 1992, signed and numbered 61/90 in pencil, published by International Images, Inc., Putney, Vermont, with full margins, framed. Image 41 1/2 x 62 inches; 1054 x 1575 mm. C Property from a Florida Collection $10,000-15,000 84 DOYLE • OCTOBER 18, 2016 • NEW YORK

215 James Abbott McNeill Whistler (1834-1903) THE STORM (KENNEDY 81; GLASGOW 81) Drypoint, 1861, on pale blue laid paper, Glasgow’s third state of three, after the cancellation lines reduced in printing, with (full?) margins, framed. 6 3/16 x 11 1/4 inches; 157 x 286 mm. Sheet 10 x 16 inches; 254 x 406 mm. • $800-1,200

216 Zao Wou-Ki (1921-2013) SIGNES EN MOUVEMENT (AGERUP 104; RIVIÈRE 106) Color etching, aquatint and engraving, 1957, on Rives BFK paper, signed and numbered 30/60 in pencil, published by La Hune, Paris, with wide margins, framed. 19 5/8 by 14 7/8 inches; 498 x 379 mm. Sheet 25 3/4 x 19 7/8 inches; 654 x 505 mm. C Estate of Arnold Frank $2,000-3,000

217 After Andrew Wyeth (1917-2009) ANDREW WYETH PAINTINGS (METROPOLITAN MUSEUM PORTFOLIO) Complete set of 10 color collotypes, 1976, signed and inscribed O.K. in ink, final printer’s proof impressions aside from the edition of 300, nine printed before text, printed by Triton Press Inc., New York, published by the Metropolitan Museum of Art, New York, with full margins, in original portfolio. Largest 32 x 25 1/4 inches; 813 x 641 mm. Including: AFTERNOON FLIGHT; CANADA: CHRISTINA’S TEA POT; CIDER BARREL; END OF OLSONS; FENCE LINE; THE FINN; MY YOUNG FRIEND; NOGEESHIK; TEEL’S ISLAND Provenance: Harry H. Lerner by descent to the present owner. Harry H. Lerner was the founder and president of Triton Press, and the first printer in the United States to use collotype for the reproduction of fine art. Wyeth and Lerner collaborated for over 30 years on numerous prints and formed a life-long friendship. According to Wyeth, “Harry did the very best reproductions of my work, and his high quality was outstanding.” C $6,000-8,000

217 part

218 218 After Andrew Wyeth SEA ANCHOR Color collotype, 1977, signed and inscribed perfect in ink, final printer’s proof, printed by Triton Press Inc., New York, distributed by New York Graphics Society Ltd., with full margins, framed. 18 7/8 x 26 inches; 479 x 660 mm. Provenance: Harry H. Lerner by descent to the present owner. C $700-1,000

219 219 After Andrew Wyeth SEABED Color collotype, 1978, singed and inscribed O.K. in ink, final printer’s proof before text, printed by Triton Press Inc., New York, with full margins, framed. 14 1/8 x 14 1/8 inches; 359 x 359 mm. Provenance: Harry H. Lerner by descent to the present owner. C $800-1,200 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

221

220

220 After Andrew Wyeth OPEN HOUSE Color collotype, 1980, signed and inscribed perfect!! in ink, final printer’s proof before text, printed by Triton Press Inc., New York, with full margins, framed. 16 x 30 inches; 406 x 762 mm. Provenance: Harry H. Lerner by descent to the present owner. C $1,500-2,500

222

221 After Andrew Wyeth FULL MOON Color collotype, 1982, signed and inscribed OK in ink, final printer’s proof, printed by Triton Press Inc., New York, distributed by New York Graphics Society Ltd., with full margins, framed. 17 x 22 inches; 432 x 559 mm. Provenance: Harry H. Lerner by descent to the present owner. C $700-1,000 222 After Andrew Wyeth DOGWOOD Color collotype, 1983, signed and inscribed O.K. in ink, final printer’s proof, printed by Triton Press Inc., New York, with full margins. 16 5/8 x 24 3/8 inches; 422 x 619 mm. Sheet 21 1/8 x 28 1/2 inches; 537 x 724 mm. Provenance: Harry H. Lerner by descent to the present owner. C $700-1,000

223

223 Francisco Zúñiga (1912-1998) DOMITILA (BREWSTER 56) Color lithograph, 1980, signed, dated and numbered 67/93 in pencil, printed by Kyron, S.A., Mexico D.F. and with their blindstamp, published by Brewster Editions, New York, the full sheet, framed. Sheet 22 5/8 x 17 1/2 inches; 575 x 445 mm. C $700-1,000

End of Sale 86 DOYLE • OCTOBER 18, 2016 • NEW YORK

ARTIST INDEX Agam, Y. Albers, J. Ali, M. Appel, K.

1 2 3 4

Bacon, P. 5-7 Becker, F. 8, 9 Belleroche, A. de 10 Bonnard, P. 11 Bonnard, P., After 12 Bosman, R. 13 Botts, H. 137 Bourgeois, L. 14 Buffet, B. 15 Cadmus, P. Calapai, L. Calder, A. Cezanne, P. Chagall, M. Chagall, M., After Christo & Jeanne-Claude Clavé, A. Close, C. Cortor, E. Curry, J. S.

16-22 23, 24 25-27 173 28-32 33,34 35, 36 37 38 39-41 42

Dalí, S. Diebenkorn, R. Dill, L. Dine, J. Drewes, W. Duchamp, M.

43-45 46,47 48 49-51 139 52, 53

Ernst, M.

Francis, S. Freud, L.

55, 56 57

Gauguin, P. 58 Gill, E. 59 Good, M. 139 Gorey, E. 60 Grooms, R. 61, 62 Grundig-Langer, L. 63 Haas, R. 64 Hammond, J. 65 Hassam, C. 66-68 Helleu, P. C. 69 Hockney, D. 70 Icart, L. Indiana, R. Jacobi, E. Jacquette, Y.

Kasimir, L. Kelly, E. Kollwitz, K. Kooning, W. de Kretzschmar, B. Kuniyoshi, Y.

80 81 82-88 89-91 92 93, 94

Schiele, E. Schutz, A. Shahn, B. Sloan, J. Smith, K. Soulages, P.

183 184 185 186-188 189-191 192

Landeck, A. Lazzell, B. Lennon, J. Lewis, M. LeWitt, S. Lichtenstein, R. Lowell, N.

95 96 97 98, 99 100 101-107 139

Tamayo, R. Toledo, F. Toulouse-Lautrec, H. de

193 194 195, 196

Villon, J.

Mangold, R. Man Ray Marini, M. Markham, K. Marsh, R. Martin, A. Matisse, H. Matisse, H., After McNulty, W. Miró, J. Miró, J., After Monk, W. Mucha, A. Murray, E.

108 52, 109 110 111 112, 113 114 115 116 117 118-125 126-128 139 129-131 132

Nara, Y. Neiman, L. Nevelson, L.

133 134 135

Ossorio, A. Ostrowsky, A.

136 137

Ward, L. 198 Warhol, A. 199-209 Warhol, A., After 210 Wengenroth, S. 211 Wesselmann, T. 212-214 Whistler, J. A. M. 215 Wou-Ki, Z. 216 Wyeth, A., After 217-222 Zúñiga, F.

223

Pearlstein, P. 138 Pennell, J. 137, 139 Picasso, P. 140-165 Picasso, P., After 166-170 Poliakoff, S. 171 Porter, F. 172 Rembrandt 197 Renoir, P-A. 173 Riggs, R. 174 Rizzi, J. 175-179 Rosenquist, J. 180 Rubin, R. 181 Ruscha, E. 182

71, 72 73-77 78 79

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87

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GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity the present catalogue. 2013 in – v.7 ®

ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

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CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors.

the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment:

5. ESTIMATES

Payment shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which

The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $200,000 of the hammer price, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

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CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids;

9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate. Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause. 13. If any part of these Conditions of Sale is found

h) To take such other actions as we deem necessary or appropriate; or

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

i) To effect any combination thereof.

14. The rights and obligations of the parties with

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

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TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot. The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

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INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

V #I

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET BIDDING Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE INTERNET BIDDING BidLive! with a click of your mouse! Bidders from around the world now can experience the excitement of bidding live at Doyle New York on their computers. Simply sign in at Doyle.com, then register to bid live in real time in an upcoming sale. It couldn’t be easier or more convenient! No increased Buyer’s Premium! Purchases made on BidLive! are subject to the identical buyer’s premium as purchases made through the saleroom bids, telephone bids and absentee bids. There are no additional fees! Bid throughout the sale! With BidLive! you may log in during the sale to bid on specific lots, or leave the bidding console open all day on your computer. Total convenience for a global clientele! In the past, foreign bidders often required the assistance of telephone clerks who spoke Spanish, German, French, Mandarin etc., in order to execute their bids. With BidLive’s clear numeric display, foreign buyers need no longer rely on bilingual telephone clerks to place their bids. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion of the hammer price from $200,001 through $3,000,000, and 12% thereafter. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, are presentative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII #

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE OCTOBER

NOVEMBER

DECEMBER

AMERICAN PAINTINGS / AMERICAN FURNITURE & DECORATIVE ARTS Auction: Tuesday, OCTOBER 5 at 10am Exhibition: October 1 – 3

IMPRESSIONIST & MODERN Auction: Tuesday, NOVEMBER 1 at 11am Exhibition: October 29 – 31

DOYLE AT HOME Auction: Wednesday, DECEMBER 7 at 10am Exhibition: December 3 – 5

PRINTS & MULTIPLES Auction: Tuesday, OCTOBER 18 at 10am Exhibition: October 15 – 17

POST-WAR & CONTEMPORARY Auction: Tuesday, NOVEMBER 1 Afternoon Session Exhibition: October 29 – 31

COINS, POSTAGE STAMPS, BANK NOTES Auction: Tuesday, OCTOBER 18 at 2pm Exhibition: October 15 – 17

DOYLE+DESIGN® Auction: Wednesday, NOVEMBER 9 at 10am Exhibition: November 5 – 7

IMPORTANT JEWELRY Auction: Wednesday, OCTOBER 19 at 10am Exhibition: October 15 – 18

FINE JEWELRY - BEVERLY HILLS Auction: Monday, NOVEMBER 14 at 10am (Pacific) Exhibition: November 12 – 13

OLD MASTER PAINTINGS Auction: Wednesday, OCTOBER 26 at 10am Exhibition: October 22 – 24

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday & Thursday, NOVEMBER 16 & 17 at 10am Exhibition: November 12 - 15

ENGLISH & CONTINENTAL FURNITURE & DECORATIONS Auction: Wednesday, OCTOBER 26 at 10am Exhibition: October 22 – 24

IMPORTANT JEWELRY Auction: Tuesday, DECEMBER 14 at 10am Exhibition: December 10 – 13

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, NOVEMBER 22 at 10am Exhibition: November 19 - 21 PHOTOGRAPHS Auction: Tuesday, NOVEMBER 22 at 10am Exhibition: November 19 - 21

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

IX#

MAY REACH US DIRECTLY BY DIALING 212-427-4141 DIRECTORY YOU PLUS THE EXTENSION. OFFICERS Kathleen M. Doyle, Chairman/CEO ext 215, Kathy.Doyle@Doyle.com

Ann Limer Lange, Senior Vice President ext 221, Ann.Lange@Doyle.com

Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com

Rodney Lang Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com

Elaine Banks Stainton, Senior Vice President ext 238, Elaine.Stainton@Doyle.com

Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com

Nan Summerfield, Senior Vice President 310-276-6616, Nan.Summerfield@Doyle.com

Edward Ripley-Duggan, Vice President ext 234, Edward.Ripley-Duggan@Doyle.com

Louis LeB. Webre, Senior Vice President ext 232, Louis.Webre@Doyle.com

Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com

Peter Costanzo, Vice President ext 248, Peter.Costanzo@Doyle.com

Gillian M. Ryan, Vice President ext 245, Gillian.Ryan@Doyle.com

Anne Cohen DePietro, Vice President ext 281, Anne.Depietro@Doyle.com

Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com

Samira Farmer, Vice President 202-342-6100, Samira.Farmer@Doyle.com

Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com

Anna K. Hicks, Vice President ext 272, Anna.Hicks@Doyle.com

Eileen Weisbaum, Vice President ext 226, Eileen.Weisbaum@Doyle.com

Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com

Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com

Joanne Porrino Mournet Executive Vice President ext 227, Joanne.Mournet@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Laura Doyle, Vice Chairman Executive Vice President ext 219, Laura.Doyle@Doyle.com Reid Dunavant, Senior Vice President 202-342-6100, Reid.Dunavant@Doyle.com David A. Gallager, Senior Vice President ext 271, David.Gallager@Doyle.com Peter Lang, Senior Vice President ext 274, Peter.Lang@Doyle.com

SPECIALIST DEPARTMENTS 19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com 20TH CENTURY DESIGN Anna K. Hicks, Director ext 272, Anna.Hicks@Doyle.com AMERICAN FURNITURE AND DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com BOOKS, AUTOGRAPHS AND PHOTOGRAPHS Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com Peter Costanzo, Director ext 248, Peter.Costanzo@Doyle.com COINS, STAMPS AND COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com ENGLISH AND CONTINENTAL FURNITURE AND DECORATIONS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE AND DECORATIONS Rodney Lang ext 243, Rodney.Lang@Doyle.com David A. Gallager ext 271, David.Gallager@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com X #

Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Anna K. Hicks ext 272, Anna.Hicks@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Megan Marie Mastrobattista, Appraiser's Assistant ext 244, Megan.Mastrobattista@Doyle.com Leigh Kendrick, Appraiser's Assistant ext 243, Leigh.Kendrick@Doyle.com JEWELRY Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Alexandra Fulham, Administrator ext 210, Alexandra.Fulham@Doyle.com CALIFORNIA JEWELRY Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com NORTH CAROLINA JEWELRY Hillary Pitts, G.G. 704-582-2258 Hillary.Pitts@Doyle.com

PAINTINGS AND DRAWINGS Elaine Banks Stainton Acting Director ext 238, Elaine.Stainton@Doyle.com Anne Cohen DePietro Director, American Art ext 281, Anne.DePietro@Doyle.com Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com Shani Toledano Associate Director ext 236, Shani.Toledano@Doyle.com Angelo Madrigale Director, Contemporary Art ext 237, Angelo.Madrigale@Doyle.com Ariel Gold Cataloguer ext 266, Ariel.Gold@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com LeeAna Wolfman Registrar ext 249, LeeAna.Wolfman@Doyle.com PRINTS AND MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com RUGS, CARPETS AND TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com

REGIONAL REPRESENTATIVES Laura Doyle, Director of Regions 212-427-4141, ext. 219 Laura.Doyle@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254 Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G. 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616 Emily.Marchick@Doyle.com

CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 203-637-6209 Kathy.Brackenridge@Doyle.com FLORIDA Collin Albertsson 561-322-6795 Collin.Albertsson@Doyle.com NEW JERSEY Jill Bowers 212-427-4141, ext. 225 Jill.Bowers@Doyle.com NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com

WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100 Reid.Dunavant@Doyle.com Samira Farmer 202-342-6100 Samira.Farmer@Doyle.com Kristen Ostermayer 202-342-6100 Kristen.Ostermayer@Doyle.com BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com

ADMINISTRATION ABSENTEE AND TELEPHONE BIDS Bill Fiddler Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com ACCOUNTING Ryan Won ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com Julie Bacongco ext 223, Julie.Bacongo@Doyle.com CATALOGUE PRODUCTION AND DESIGN Eileen Weisbaum, Director ext 226, Eileen.Weisbaum@Doyle.com Stephanie Cuenca, Senior Graphic Designer ext 250, Stephanie.Cuenca@Doyle.com Alison Wermuth, Graphic Designer ext 276, Alison.Wermuth@Doyle.com PHOTOGRAPHY PRODUCTION Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Melissa Aldrich, Photographer Manager of Photography, Jewelry ext 270, Melissa.Aldrich@Doyle.com Ryan Sobotka, Photographer Manager of Photography, Fine & Decorative Arts ext 278, Ryan.Sobotka@Doyle.com Brian Griska, Photographer ext 278, Brian.Griska@Doyle.com Danielle Kiser, Traffic Coordinator ext 277, Danielle.Kiser@Doyle.com RESTORATION SERVICES Charles Mournet, ext 224 INVENTORY CONTROL Eddy Santana

CATALOGUE SUBSCRIPTION Chelsea Wynne ext 203, Chelsea.Wynne@Doyle.com CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Mary Dobbin ext 200, Mary.Dobbin@Doyle.com Bill Fiddler ext 242, Bill.Fiddler@Doyle.com Elizabeth Jones ext 204, Elizabeth.Jones@Doyle.com Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com Chelsea Wynne ext 203, Chelsea.Wynne@Doyle.com MEDIA AND COMMUNICATIONS DEPARTMENT Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com

ESTATE AND APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com Lindsey Friedman, Esq. ext 256, Lindsey.Friedman@Doyle.com Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com Gail Jaffe, Estate and Appraisal Services Assistant ext 216, Gail.Jaffe@Doyle.com APPRAISAL AND CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com Ashley A. Hill ext 231, Ashley.Hill@Doyle.com Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com

Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com

Ayala Levi ext 259, Ayala.Levi@Doyle.com

Kosala Kumara, Advertising ext 258, Kosala.Kumara@Doyle.com

Alexis Gyateng ext 228, Alexis.Gyateng@Doyle.com

MUSEUM SERVICES

Charlotte Williams ext 240, Charlotte.Williams@Doyle.com

Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com

Hannah Iversen ext 251, Hannah.Iversen@Doyle.com

Anne Cohen DePietro Paintings ext 281, Anne.DePietro@Doyle.com

HAYLOFT AUCTIONS

David A. Gallager Furniture and Decorative Arts ext 271, David.Gallagher@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo

Brian Corcoran Director 914-575-7263 Brian.Corcoran@Doyle.com & Brian@HayloftAuctions.com Emily Casden Manager Emily.Casden@Doyle.com & Emily@HayloftAuctions.com

XI #

175 EAST 87TH STREET NEW YORK, NY 10128

F OR O FF I CE U SE O NLY

212-427-2730 DOYLE.COM

ABSENTEE & TELEPHONE BID FORM

1.16

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above. You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

S A L E TI TLE

16PM02 • PRINTS & MULTIPLES

S A L E D AT E

OCTOBER 18, 2016

N A M E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

C O MPA NY (If applicable) A D DRE SS *

Change of Address

C IT Y

STATE

ZIP CODE

• In the event that identical bids are submitted, the earliest will take precedence.

P HO N E

FAX

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT N U MB ER

• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions. Changes to bids on the day of sale must be submitted in writing by fax or email.

TOP LIMIT OF BI D / SAFE TY BI D

Excluding Buyer’s Premium

L OT N U MB E R

T O P L I MI T O F B ID / S A F ET Y BI D

Excluding Buyer’s Premium

L OT N U M BE R

T OP LI M I T O F B ID / S A FE TY B I D

Excluding Buyer’s Premium

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date. Otherwise, purchases cannot leave our premises until checks have cleared. • A 25% deposit may be required on certain absentee bids. • Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request. • Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

Terms and Conditions of Sale°

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

S I GNATU RE

Consumer Affairs No. 0777006

I understand and agree to the

XII

Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction. Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207

CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES Absentee & Telephone Bids Bill Fiddler 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Elizabeth Jones 212-427-4141, ext 204 BidLive@Doyle.com

SPECIALISTS

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Penthouse 1012 Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com CONNECTICUT 136 East Putnam Avenue Greenwich, CT 06830 212-427-4141, ext 211 203-637-6209 DoyleCT@Doyle.com

Cynthia Klein VP, Director, Prints and Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com

Bill Fiddler Client Services Department, Bidding Services 212-427-4141 ext 242 Bill.Fiddler@ Doyle.com

NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com WASHINGTON, DC / MID-ATLANTIC 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com

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