IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART
Tuesday, November 1, 2016
NEW YORK
IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART
POST-WAR & CONTEMPORARY ART
AUCTION Tuesday, November 1, 2016 Impressionist & Modern Art at 11am Post-War & Contemporary Art at 2pm
EXHIBITION
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Saturday, October 29, 10am – 5pm Sunday, October 30, Noon – 5pm Monday, October 31, 10am – 6pm
LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com
www.Doyle.com/BidLive www.DoyleNewYork.com/BidLive
Catalogue: $40
INCLUDING PROPERTY FROM THE ESTATES OF Elsie Adler The Eileen & Herbert C. Bernard Collection Donald Brenwasser Roberta K. Cohn & Richard A. Cohn, Ltd. Nan Rosenthal and Henry B. Cortesi Ronnie Cutrone Julian C. Eisenstein, Washington, DC Dorothy J. Henry Dorothy and Charles Luke Hilliard A New York Estate Susanne Schnitzer Victor Shanok
INCLUDING PROPERTY FROM The Art Students League, New York, to be Sold for the Benefit of the Institution A Private Beverly Hills Collector The Sara T. and John D. Davies Collection The George C. Dillon Living Trust The High Museum of Art, Sold to Benefit Future Acquisitions Elizabeth Mankin, Kent, Connecticut Judith Meadmore A New England Collection A Prominent New York Family A Private New York State Collector A Palm Beach Lady A Private Collection
CONTENTS IMPRESSIONIST & MODERN ART
European Art 1-56 The Eileen & Herbert C. Bernard Collection 57-77 American Art 78-119 POST-WAR & CONTEMPORARY ART
Post-War Art Contemporary Art
120-250 251-282
Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax IV Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII
EUROPEAN ART
Lot 6
1 1 Hippolyte Camille Delpy French, 1842-1910 Automne à Tournedos-sur-Seine, 2004 Signed H. C. Delpy and dated 04 (lr) Oil on cradled panel 15 5/8 x 28 inches (40 x 71.1 cm) Provenance: Edward Brandus, New York, no. 3489 C $3,000-5,000 2 Charles Henri Pille French, 1844-1897 Le Bois de la Saudraie, circa 1880 Signed H. PILLE (lr); inscribed 93 Victor Hugo on the upper stretcher Oil on canvas 51 3/8 x 38 1/8 inches (130.5 x 96.8 cm) Provenance: Private collection, Philadelphia, purchased before 1981 Exhibited: Paris, Salon, 1880, no. 3028 Literature: Frederic Henriet, Henri Pille, 1898 F. G. (François Guillaume) Dumas, Catalogue Illustré du Salon, Paris, 1880, p. 53, no. 3028, illus.
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This work depicts an incident from Victor Hugo’s last novel, Quatrevingt-treize (Ninety-three) of 1874, which takes place in France during the counter-revolutionary Chouannerie revolt in 1793. Here a young mother, Michelle Flechard, and her children are discovered hiding in a wood by “Blues” (French Republican soldiers), who take the fugitives in and protect them. C $6,000-9,000
3 Alphonse-Marie-Adolphe de Neuville French, 1835-1885 The Prisoner, 1884 Signed A. de Neuville and dated 1884 (lr); inscribed Neuville and A/2536 on the stretcher Oil on canvas 29 1/2 x 22 5/8 inches (75 x 57.5 cm) C $5,000-7,000 4 Stefano Novo Italian, 1862-1927 The Flower Market Signed Stefano Novo (ll) and inscribed and indistinctly dated Venice 190... (ll) Oil on canvas 32 3/8 x 47 3/8 inches (82.3 x 120.5 cm) C $9,000-11,000
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5 Vittorio Reggianini Italian, 1858-1939 The Love Letter Signed VReggianini (ll) Oil on canvas 37 1/2 x 23 5/8 inches (95.3 x 60 cm) C $25,000-35,000
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6 6 Jean Béraud French, 1849-1936 Devant La Maison Paquin Signed Jean Béraud (ll); incised JO/608 on the reverse Oil on panel 14 1/2 x 21 5/8 inches (36.8 x 55 cm) Provenance: Sale: New York, Waldorf Astoria, Mar. 8, 1901, Lot 24 Schweitzer Gallery, New York Sale: London, Sotheby’s, Jun. 20, 1989, Lot 46, illus. Richard Green, London Private collection, Louisiana Exhibited: London, Richard Green, A Christmas Trilogy, Exhibition of XIXth and XXth Centuries European Paintings, 1989, no. 13, illus. Literature: Patrick Offenstadt, Jean Béraud, The Belle Époque: A Dream of Times Gone By: Catalogue Raisonné, Cologne, 1999, p. 152, no. 146, illus. Patrick Offenstadt at the Fondation Wildenstein, Paris, issued a letter of authenticity for this work on October 30, 1989. The dressmaker Jeanne Paquin opened her fashion house on the rue de la Paix in 1891. The Maison Paquin quickly became known for its elegant evening gowns inspired by 18th-century dresses. Later Mme. Paquin gained a reputation as a modernist, even collaborating with such avant-garde designers as Léon Bakst to create stage costumes. Jean Béraud painted several works featuring the Maison Paquin. C $250,000-350,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9
7 Louis Marie de Schryver French, 1862-1942 Parisien Flower Vendor Signed Louis de Schryver (ll) Oil on canvas 27 5/8 x 35 3/4 inches (70.1 x 90.8 cm) Provenance: A New York Collection Sale: Doyle, New York, May 22, 2001, lot 162 Private collection, CA, thence by descent in the family C $15,000-25,000 8 Charles Angrand French, 1854-1926 Maternité Conté crayon on laid paper 24 1/2 x 18 3/4 inches (62.2 x 47.6 cm) Provenance: Jane Roberts Fine Arts, Paris
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Accompanied by a photo-certificate of authenticity from François Lespinasse, dated February 24, 1999. C $12,000-18,000 8A Édouard Vuillard French, 1868-1940 Deux Femmes Stamped with initials E.V. (lr) (L.909c) Charcoal on paper 20 5/8 x 16 inches (52.4 x 40.6 cm) Provenance: Estate of the artist Sam Salz, New York C $4,000-6,000
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Property of the George C. Dillon Living Trust
Property of Elizabeth Mankin, Kent, Connecticut
9 Édouard Vuillard French, 1868-1940 The Garden Wall, circa 1930 With blind stamped initials E.V. (lr) Watercolor and pencil on paper 7 7/8 x 4 3/4 inches (20 x 12 cm)
10 Alfredo Helsby Chilean, 1862-1936 City Nocturne Signed Alfredo Helsby (ll) Oil on canvas 17 1/8 x 20 7/8 inches (43.5 x 53 cm) C $3,000-5,000
Provenance: Jill Newhouse Gallery, New York C $6,000-9,000
11 Emilio Pettoruti Argentine, 1892-1971 Landscape in Tegernsee, 1921 Signed Pettoruti and dated 1921 (ll), signed Pettoruti, dated 1921 and inscribed Tegernsee on the reverse Oil on board 4 3/4 x 7 inches (12 x 17.8 cm) Exhibited: New York, CDS Gallery, Nov. 2004, no. 178 C $5,000-7,000
11 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11
12 Käthe Kollwitz German, 1867-1945 Infant Sketches (Säuglingsskizzen), studies for Mutter und Kind, 1903 Signed Käthe Kollwitz and dated ‘03 (lr); inscribed on the verso original...studie für Mutter und Kind and M116/ HXOEYY2Y Charcoal and white chalk on Ingres paper 17 1/4 x 24 inches (43.8 x 61 cm) Provenance: H. Shickman Gallery, New York Literature: Otto Nagel, Käthe Kollwitz: Die Handzeichnungen, Berlin 1972, pp. 224-5, no. 223, illus. C $8,000-12,000
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Property of the George C. Dillon Living Trust 13 Alphonse Maria Mucha Czech, 1860-1939 Drawing for Bosnia & Herzegovina Pavilion at the 1900 Paris Exhibition, 1900 Signed Mucha (lr); stamped • z umêleché pozustalostì/ ALFONSE MUCHY numbered 2603 and with remnants of another stamp (ur) Pencil and stumping on tracing paper 17 3/8 x 24 3/4 inches (44.1 x 62.9 cm) Provenance: Grosvenor Gallery, London C $4,000-6,000
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14 Georges Lemmen Belgian, 1865-1916 Grand Arbre, 1904 Signed with monogram and dated 1904 (lc) Oil on board 21 3/4 x 19 5/8 inches (55.3 x 49.9 cm) Provenance: Studio of the artist Galerie Druet, Paris (possibly) C $12,000-16,000
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15 Pierre-Eugène Montézin French, 1874-1946 Allée Sous les Arbres Signed Montezin (ll) Oil on canvas 23 5/8 x 28 5/8 inches (60 x 72.6 cm) Provenance: Sale: Sotheby’s, New York, Impressionist and Modern Paintings, Drawings and Sculpture, Nov. 4, 1993, lot 289 This work will be included in the forthcoming catalogue raisonné by Monsieur Jean Pierre Klein-Montezin. C $10,000-20,000
15 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13
16 16 André Derain French, 1880-1954 Fille à la Mandoline, 1931 Signed derain (lr) Oil on canvas 25 5/8 x 23 3/4 inches (72.7 x 60 cm) Provenance: Paul Guillaume, Paris Marie and Averell Harriman, New York Sale: Parke-Bernet Galleries, New York, Jun. 28, 1972, lot 48 Galerie Schmit, Paris Private collection Sale: Christie’s, New York, Impressionist and Modern Art, Nov. 2, 2005, lot 1572
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Exhibited: Philadelphia, PA, Pennsylvania Museum, Dec. 1931 New York, Marie Harriman Gallery, French Paintings, Mar. 1932 St. Louis, MO, Newhouse Gallery, 1933 San Francisco, CA, California Palace of the Legion of Honor, 1934 Chicago, IL, Arts Club of Chicago, Paintings by André Derain, Jan. 1947, no. 8 Paris, Galerie Schmit, Exposition Derain, May - Jun. 1976, no. 41, illus. Tokyo, Takashimaya Art Gallery, Jul. 1981, no. 42, illus. Tokyo, Art Point Gallery, André Derain, 1989, no. 7, illus. Oxford, Museum of Modern Art, André Derain, Dec. 16, 1990 - Mar. 18, 1991 (travelled to Edinburgh, Scottish National Gallery of Modern Art, Mar. 27 - May 27, 1991 and Troyes, Musée d’Art Moderne de la Ville de Troyes, Jun. 22 - Sep. 16, 1991) Osaka, Musee d’Art de Daimaru, André Derain, Sep. 20 - Oct. 1, 1995, no. 37 (travelled to Tokyo, Musée d’Art de Daimaru, Oct. 26 - Nov. 7, 1995 and Kyoto, Musée d’Art de Daimaru, Dec. 31, 1995 - Jan. 23, 1996) Literature: Jane Lee, Derain, Oxford, 1990, p. 126 Gaston Diehl, Derain, Vaduz, 1991, pl. 60 Michel Kellermann, André Derain: Catalogue Raisonné de l’Oeuvre Peint, vol. II, Paris, 1996, p. 247, no. 1259, illus. C $20,000-30,000
Property from a Private Collection 17 Henri Lebasque French, 1865-1937 Femme Nu Assise sur la Plage Signed Lebasque (lr) Oil on canvas 31 3/4 x 25 1/2 inches (80.7 x 64.8 cm) Provenance: Carel Gallery, Miami Beach, FL This work will be included in the forthcoming supplement to the catalogue raisonné being prepared by Denise Bazetoux. C $20,000-30,000
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18 Marie Laurencin French, 1883-1956 Jeune Femme et Jeunes Filles en Plein Air Signed Marie Laurencin and inscribed À mon ami/Willy Michel (lr); inscribed indistinctly on the reverse Watercolor and pencil on paper 13 1/4 x 17 5/8 inches (33.7 x 44.7 cm) Provenance: Willy Michel, Paris Galerie Daniel Malingue, Paris Kunsthaus Bühler, Stuttgart, Germany The present work is listed in Daniel Marchesseau Marie Laurencin, 1883-1956: Catalogue Raisonné de l’Oeuvre, Peintures, Céramiques, Oeuvres sur papier, vol. II, Chino, Japan: Musée Marie Laurencin, 1999, no. 1244, p. 596, illus. C $8,000-12,000 18 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15
19 Maurice de Vlaminck French, 1876 - 1958 Bouquet de Fleurs Signed Vlaminck (lr) Oil on canvas 24 1/4 x 19 3/4 inches (61.5 x 50.2 cm) This work is in the Archives of the Vlaminck Catalogue under the number 173 with a certificate of inclusion with the reference number 93.09.17/1706. It will be included in the catalogue raisonné of the work of Maurice de Vlaminck currently being prepared by the Wildenstein Institute, Paris. C $20,000-30,000
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20 André Dunoyer de Segonzac French, 1884-1974 Le Melon Signed A. D. de Segonzac (ul); with A.D.S./18 rue Bonaparte, Paris stamps on the reverse and frame Oil over traces of pencil on beveled panel 12 7/8 x 16 1/8 inches (32.7 x 41 cm) Provenance: Galerie Charpentier, Paris Julia Appleton Bird, Beverly, MA, thence by descent to the present owner C $2,000-3,000
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21 André Dunoyer de Segonzac French, 1884-1974 Les Delphiniums Signed a. Dunoyer de Segonzac (lc) Watercolor, ink and gouache on paper 23 x 31 1/4 inches (58.4 x 79.4 cm) C $4,000-6,000
21 22 André Dunoyer de Segonzac French, 1884-1974 Peaches and Zinnias on a Green Table Signed a.D. de Segonzac (lr) Watercolor, ink and gouache on paper 22 7/8 x 31 1/8 inches (58 x 79 cm) C $4,000-6,000
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23 Sigmund Menkes Polish/American, 1896-1986 Floral Still Life with Stringed Instrument Signed Menkes (lr) Oil on canvas 26 1/8 x 18 1/8 inches (66.3 x 46 cm) C $5,000-7,000
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24 24 Petr Alexandrovich Nilouss (Nilus) Ukrainian, 1869-1943 Two Bouquets Signed and inscribed Petr Nilouss/Paris (ll) Oil on canvas 31 1/2 x 23 5/8 inches (80 x 60 cm) C $5,000-7,000 25 Jean Dufy French, 1888-1964 Bouquet de Roses et de Lilas Signed Jean Dufy (lr) Watercolor and gouache on paper 22 3/4 x 17 1/4 inches (57.8 x 43.8 cm) Provenance: Sotheby’s, New York, Feb. 23, 2001, lot 75 This work is accompanied by a certificate of authenticity from Jacques Bailly, no. 3468. It will be included in the forthcoming catalogue raisonné. C $5,000-7,000 25 18 DOYLE • NOVEMBER 1, 2016 • NEW YORK
26 Georges Terzian French, b. 1939 La Bouteille Verte, 1999 Signed Georges Terzian (lr); signed, dated and inscribed with title on the reverse Oil on canvas 25 3/4 x 21 1/4 inches (65.5 x 54 cm) C $4,000-6,000
27 A Prominent New York Family 27 Le Pho Vietnamese/French, 1907-2001 Fleurs Signed Le Pho and again in Chinese characters (ll); inscribed with title and numbered 19 on the reverse Oil on canvas 32 x 23 7/8 inches (81.3 x 60.6 cm) Provenance: Florence Art Gallery, Florence, Italy The work will be included in the Catalogue RaisonnĂŠ of the works of Le Pho by the Findlay Institute and is accompanied by a certificate of authenticity. C $20,000-40,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19
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Property from the Estate of Victor Shanok 28 Marcel Dyf French, 1899-1985 Autumn in France Signed Dyf (lr) Oil on canvas 18 x 21 1/2 inches (45.8 x 54.6 cm) C $6,000-9,000 29 Marcel Dyf French, 1899-1985 Mediterranean Porch Signed Dyf (lr) Oil on canvas 21 5/8 x 18 1/8 inches (55 x 46 cm) Provenance: Bloom Antiques C $4,000-6,000
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Property from the Estate of Victor Shanok 30 Marcel Dyf French, 1899-1985 Reflections in a Harbor Signed Dyf (lr) Oil on canvas 18 1/8 x 22 1/2 inches (46 x 54.5 cm) C $4,000-6,000
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Property from the Estate of Victor Shanok 31 Marcel Dyf French, 1899-1985 Boats in a Harbor Signed Dyf (lr) Oil on canvas 18 1/8 x 21 5/8 inches (46 x 55 cm) C $6,000-8,000
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32 André Brasilier French, b. 1929 Chantal au Compotier, 1962 Signed André Brasilier (lr); signed, dated 1962 and inscribed Femme au compotier on the reverse Oil on canvas 28 3/4 x 36 1/4 inches (73 x 92.4 cm) Provenance: Sotheby’s, New York, Feb. 21, 2002, lot 150 Exhibited: New York, David Findlay Galleries, Sep. 24 - Oct. 12, 1963, cat. no. 34 This work is accompanied by a certificate of authenticity from the artist and Xavier de Coulange, dated Dec. 20, 2001. C $14,000-18,000
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Property from the Estate of Dorothy J. Henry 33 André Hambourg French, 1909-1999 Pluie, Grand Army Plazza, Printemps [sic], 1979 Signed a. hambourg and dated 1979 (lr); initialed and inscribed with title and date on the reverse Oil on canvas 10 3/4 x 13 7/8 inches (27.3 x 35.3 cm) Provenance: Wally Findlay Galleries, Paris C $8,000-14,000
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Property from the Estate of Dorothy J. Henry 34 André Hambourg French, 1909-1999 Soleil sur le Marché du Mercredi, St. Remy de Provence, circa 1978 Signed a. hambourg (lr) initialed a.h. and inscribed with title on the reverse Oil on canvas 23 5/8 x 28 3/4 inches (60 x 73 cm) C $8,000-15,000
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35 André Hambourg French, 1909-1999 Á Marée Montante, Petits Chevaux et Personnages sur la Plage Signed a. hambourg (ll); initialed a.h. and inscribed with title on the reverse; indistinctly dedicated pour Jerry et Marie/avec tous mes vo... du 45eme anniversaire... union et.../a. hambourg /3.9.1969 on the stretcher Oil on canvas 6 1/4 x 10 3/4 inches (15.9 x 27.3 cm) C $6,000-9,000
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36 André Hambourg French, 1909-1999 À Versailles, 1972 Signed a. hambourg (lr); initialed a. h. and inscribed with title and date on the reverse; inscribed indistinctly on the stretcher avec... livre de L. XIV/manière de mont... les jardins de Versailles Oil on canvas 7 1/8 x 16 1/4 inches (18.1 x 41.3cm) Provenance: Wally Findlay Galleries, Chicago C $5,000-7,000 37 Hughes Claude Pissarro French, b. 1935 Les Pommiers de Terre-Ferrand Signed H. Claude Pissarro (ll); signed H. Claude Pissarro/”le Petit-Fils” and inscribed with titled on the reverse Oil on canvas 21 1/4 x 25 5/8 inches (54 x 65 cm) C $6,000-8,000
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38 Hughes Claude Pissarro French, b. 1935 La Statue du Dr. Georges Osterman, Polémologue Français, dans la Jardin d’Aise Signed H. Claude Pissarro (lr); signed H. CLAUDE/PISSARRO, /le petit-fils, inscribed 12 Fig, Irlande and with title on the reverse Oil on canvas 19 7/8 x 24 inches (50.5 x 61 cm) C $6,000-8,000
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39 Property of a Private Beverly Hills Collector 39 Jean-Pierre Cassigneul French, b. 1935 Maison dans le Parc Signed Cassigneul (ll) Oil on canvas 51 x 38 inches (129.5 x 96.5 cm) Provenance: Wally Findlay Galleries, Paris, 1982 C $30,000-50,000
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40 Property from A New England Collection 40 George Ehrenfried Grosz German/American, 1893-1959 Men on a Street Corner; Study of a Chef: a double-sided work, circa 1932/4 Stamped Grosz (lr) and inscribed geschaftemacher and numbered 22 along the bottom [recto]; with Nachlass stamp inscribed with the number 4/42/10 and numbered L4 Nv. 1588 and inscribed ca/1934 all on the verso Ink on paper [recto]; watercolor and wash [verso] 25 5/8 x 20 1/2 inches (65 x 52.1 cm) Provenance: Jörg Maaß, Berlin, acquired by the present owner on Mar. 6, 1998 C $9,000-12,000 Property from A New England Collection 41 George Ehrenfried Grosz German/American, 1893-1959 Seated Woman; The Confrontation: a double-sided work, circa 1923 Stamped Grosz (ll) [recto] and (lr) [verso]; with Nachlass stamp which is numbered 5/121/5 and numbered L3 Nv. 12 and 09-1923 on the verso Pencil and charcoal [recto] on heavy paper; ink and pencil [verso] 25 5/8 x 20 5/8 inches (65 x 52.4 cm)
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Provenance: Private collection, New York C $4,000-6,000
Property from A New England Collection 42 George Ehrenfried Grosz German/American, 1893-1959 Seated Nude; German Soldier, a Partial sketch: a double-sided work Signed Grosz, inscribed indistinctly J... 22 and numbered 600 EL2 (lr) [recto]; numbered 171 and indistinctly inscribed (ll) [recto]; with Nachlass stamp inscribed with the number 5/47/4 and numbered L3 Nv 1263 and 216/353 all on the verso Pencil with ink on heavy paper [recto]; ink [verso] 18 1/8 x 11 1/8 inches (46 x 28.2 cm) Provenance: The Galerie St. Etienne, New York C $3,000-5,000
Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd.
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43 George Ehrenfried Grosz German, 1893-1959 Sleeping Female Nude, circa 1912 With stamped signature (lr); with Nachlass stamp and inscribed with the number 6/35/8; also numbered M0626; L1 Nv. 950 and 247025/0812 256133/0097 all on the verso Graphite on JCA France laid paper 12 x 18 inches (30.5 x 40.7 cm) Unframed Provenance: Estate of the artist C $3,000-5,000
Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. 44 George Ehrenfried Grosz German, 1893-1959 In SĂźdende (South End Berlin), 1912 Signed Grosz (lr); with Nachlass stamp and inscribed with the number 1/57/8; inscribed with title, date 1912 and L6 Nv. 3/K.Nr. 45/Folder 42/170620 and 247025/0812 on the verso Graphite and watercolor on paper 8 7/8 x 11 1/4 inches (22.5 x 28.5 cm)
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Provenance: Estate of the artist Martin Grosz, the artist’s son, by descent C $2,500-3,500
44 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 27
45 Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. 45 Paul Kleinschmidt German, 1883-1949 Woman at a Mirror Signed with monogram and dated 32 (lr) Oil on canvas 35 3/8 x 27 1/2 inches (90 x 70 cm) Provenance: Acquired from the artist by Erich Cohn Thence by descent in the family C $35,000-50,000
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Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. 46 Paul Kleinschmidt German, 1883-1949 Still Life with Geraniums, 1935 Signed P. Kl. and dated 35 (ur) Oil on canvas 25 5/8 x 20 inches (65 x 50.8 cm) C $12,000-18,000
Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. 47 Paul Kleinschmidt German, 1883-1949 Still Life with Salmon and Onions, 1933 Oil on canvas 20 1/2 x 27 3/4 inches (52 x 70.5 cm) Exhibited: New York, Goethe-Institut, Painter in White, May 7-Jun. 6, 2002 C $10,000-15,000
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Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. 48 Paul Kleinschmidt German, 1883-1949 Landschaft in Südfrankreich (Landscape in Southern France), 1931 Inscribed indistinctly Frank... and signed P. Kl. (ul) Oil on canvas 21 1/2 x 18 inches (54.6 x 45.8 cm) Exhibited: Stuttgart, Galerie der Stadt Stuttgart, Ostdeutsche Galerie Regensburg, 1983, cat. no. 44 The work was painted in Cassis in the Spring of 1931 C $10,000-15,000
48 Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. 49 Paul Kleinschmidt German, 1883-1949 Portrait of Erich Cohn Signed with initials and dated 3/19/31 (ur, vertically) Oil on canvas 39 1/2 x 27 3/4 inches (100.4 x 70.2 cm) Provenance: Acquired from the artist by the sitter Thence by descent Unframed C $1,200-1,800
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Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. 50 Paul Kleinschmidt German, 1883-1949 Schloss Burgau bei Wasserburg am Inn Signed Kleinschmidt (ll); inscribed as titled on the stretcher Oil on canvas 23 3/4 x 31 5/8 inches (60.4 x 80.3 cm) Provenance: Dr. Littmann, Breslau (possibly - name taken from an old label affixed to the stretcher) C $9,000-12,000
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Property from the Estate of Roberta K. Cohn & Richard A. Cohn, Ltd. 51 Paul Kleinschmidt German, 1883-1949 Schloss Burgau bei Wasserburg am Inn, 1909 Signed Kleinschmidt and dated 09 (ll) Oil on canvas 23 5/8 x 19 5/8 inches (60 x 50 cm) Unframed Provenance: Dr. Littmann, Breslau (possibly - name obtained from an old label affixed to the stretcher) C $7,000-10,000
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Property from the Estate of Elsie Adler 52 Jean Metzinger French, 1883-1956 Nature Morte, circa 1929 Signed JMetzinger with conjoined initials (lr); inscribed W. Brewster and numbered 48.556 on pieces of the original stretcher Oil on canvas 23 3/4 x 32 inches (60.3 x 81.3 cm) Provenance: Galerie L’Effort Moderne [Léonce Rosenberg], Paris, inscribed with remnants of a number 9028... on the gallery label Sale: Sotheby Parke-Bernet, New York, Nineteenth and Twentieth Century Paintings, Drawings and Sculpture, May 31, 1972, lot 114 C $150,000-250,000
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53 Property from the Estate of Elsie Adler 53 Jean Metzinger French, 1883-1956 Arlequin Signed Metzinger (lr); inscribed 1196/Jean Metzinger/Arelquin/oil on canvas/ 64 x 45 1/2; Lot 85 and again 1196 on the stretcher Oil on canvas 63 5/8 x 44 7/8 inches (161.5 x 114 cm) Provenance: Léonce Rosenberg, Paris Henri Benezit, Paris Sale: Parke-Bernet Galleries, New York, Impressionist and Modern Paintings, Sculptures, Drawings, Apr. 14, 1965, lot 40 C $400,000-600,000
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Property from the Estate of Donald Brenwasser 54 Lyonel Feininger American/German, 1871-1956 Ships and Space Signed Feininger (ll) Ink on paper 4 7/8 x 6 3/4 inches (12.4 x 17.2 cm) Provenance: Kraushaar Galleries, New York Kennedy Galleries, New York C $4,000-6,000
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55 Jacques Lipchitz French, 1891-1973 Study for “Mother and Child” Signed J Lipchitz (lr); numbered 8 on the verso Watercolor, ink, charcoal and gouache on light brown paper 10 5/8 x 14 1/4 inches (27 x 36.2 cm) This drawing closely relates to the bronze Mother and Child II by Jacques Lipchitz which was executed in 1941. The bronze is listed in Alan G. Wilkinson’s The Sculpture of Jacques Lipchitz: a catalogue raisonné, vol. 2, p. 27, no. 349. C $3,000-5,000
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Property from A New England Collection 56 Pavel Tchelitchew Russian, 1898-1957 Fallen Man Brush and black ink on paper 10 3/4 x 8 3/8 inches (21.3 x 27.3 cm) Provenance: Sale: William Doyle Galleries, New York, Nov. 17, 1998, lot 20 C $2,500-3,500
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THE EILEEN & HERBERT C. BERNARD COLLECTION
Lot 63
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The Eileen & Herbert C. Bernard Collection
Doyle is honored to auction works of art from The Eileen & Herbert C. Bernard Collection. This remarkable collection was assembled by Eileen (1916-1999) and her husband Herbert (1912-2016) during the course of their 65-year marriage. A Brooklyn native, Herbert received an excellent public school education and graduated with highest honors from his high school while working for The Brooklyn Eagle covering sports. He entered Columbia University in 1928, but to his great regret, had to leave to contribute to the support of his
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family. The owner of a successful manufacturing business, he had clients throughout the City and watched neighborhoods change over time. He remembered when horse-drawn carriages filled the streets and veterans of the Civil War paraded in their uniforms on Memorial Day. On his way to a dance in the Plaza Hotel’s Grand Ballroom, young Herbert caught sight of a lovely young woman on the hotel steps, and knew in that instant she would become his wife. Brooklyn-born Eileen was a woman of exquisite beauty and incomparable grace, exceeded only by her internal capacities for thoughtfulness and devotion. She loved ballet, good music, opera, travel, stimulating lectures, museums and being a hostess. She gave, with great flair, legendary parties in their gracious home – a Park Avenue penthouse decorated
For 65 years Eileen and Herbert walked at each other’s side, bringing joy to all whose lives they touched.
by Billy Baldwin and surrounded by expansive terraces. Baldwin later collaborated with Jacqueline Kennedy on the redecoration of the White House. Eileen had a passion for Old Master drawings, British antique yellow porcelain, Battersea and Bilston enamels, Regency furniture and visiting National Trust houses. She and Herbert visited libraries and museums, becoming connoisseurs of drawings and paintings and building their collection through acquisitions in New York, London and Paris. The couple’s deep commitment to their beloved New York City was expressed in community service. Herbert was the longest serving Trustee of Congregation Emanu-El on Fifth Avenue and chaired many of its committees. Their generosity
made possible the creation of the Herbert and Eileen Bernard Museum of Judaica at Temple Emanu-EI. Herbert was active in other charities, including Montefiore Medical Center and UJA-Federation, as well as, in his own industry, a board member of the Paperboard Packaging Council, where he also served a term as its non-executive President. Eileen was a member of the drawing committee at the Cooper Hewitt Museum, a trustee at Allen-Stevenson School and a Vice-President of Playschools Association. She served as a Vice-President of the Jewish Welfare Board during the War years, and worked as a USO hostess at the Emanu-El canteen. She was a member of the Board of Directors of Women’s Division of UJA Federation and the American Jewish Committee.
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Property from The Eileen & Herbert C. Bernard Collection 57 Berthe Morisot French, 1841-1895 Young Girl Dancing; Two Girls: a double-sided drawing Bears the estate stamp (ll) Graphite pencil, black and brown chalk [recto]; black and brown chalk on laid paper [verso], watermarked 13 5/8 x 7 1/4 inches (34.5 x 18.5 cm) Provenance: Roland, Browse and Delbanco, London, purchased July 27, 1959 C $6,000-9,000
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Property from The Eileen & Herbert C. Bernard Collection 58 Camille Pissarro French, 1830-1903 Gisors, Jardin, circa 1884 Signed with initials C.P. (lr); titled Gisors, Jardin (ur) Black chalk and gray wash on pale gray paper laid down to mount 7 3/16 x 6 3/8 inches (18.3 x 16.3 cm) Provenance: Le Bateau-Lavoir, Paris, acquired on July 10, 1969 In a letter to Herbert Bernard, dated December 2, 1997, Joachim Pissarro dates this work to around 1884. The letter accompanies this lot. C $3,000-5,000
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Property from The Eileen & Herbert C. Bernard Collection 59 Felix Vallotton French, 1861-1925 Nu Couché Signed with initials (lr); also inscribed with color instructions: ‘ventre plus blanc...bras roses’ (ll) Graphite pencil on paper 7 3/8 x 12 7/8 inches, approximately (18.7 x 32.8 cm) Provenance: Galerie Dina Vierny, Paris, purchased July 12, 1967 Accompanied by a photo-certificate from Paule Cailac, no. 2019, dated Paris, April 12, 1967 C $2,000-4,000 Property from The Eileen & Herbert C. Bernard Collection 60 Henri de Toulouse-Lautrec French, 1864-1901 Study of a Head Bears stamped monogram (Lugt 1338) (ll) Graphite pencil on paper Irregular shape, 4 3/8 x 2 7/8 inches (11.2 x 7.3 cm) Provenance: Georges Viau, Paris Theodore P. Halperin, New York Peter H. Deitsch, New York, purchased circa May 1959 Literature: M. G. Dortu, Toulouse-Lautrec et Son Oeuvre, vol. V, New York 1971, p. 608, D. 3.654-3.655, illus. C $2,000-4,000
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61 Property from The Eileen & Herbert C. Bernard Collection
Property from The Eileen & Herbert C. Bernard Collection
61 Suzanne Valadon French, 1865-1938 Modèles (Deux Nus), 1903 Signed Suzanne Valadon and dated 1903 (lr) Graphite pencil with red chalk on laid paper 8 3/8 x 18 inches (21.4 x 45.8 cm)
62 Marie Laurencin French, 1883-1956 Two Girls with a Horn Signed Marie Laurencin in pencil (lr) Black chalk with blue crayon on paper, laid down on board 9 7/8 x 13 1/2 inches (25 x 34 cm)
Provenance: Galerie Marcel Bernheim, Paris, purchased January 4, 1962
Provenance: Galerie Dina Vierny, Paris, purchased July 12, 1967 C $2,000-4,000
Exhibited: Paris, Galerie Marcel Bernheim, Exposition de Toulouse-Lautrec à Marquet, no. 94 C $3,000-5,000
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63 Property from The Eileen & Herbert C. Bernard Collection 63 Henri Matisse French, 1869-1954 Interior, 1947 Signed with initials HM (ll) Ink on heavy paper 11 3/8 x 14 1/2 inches (29 x 38.8 cm) Provenance: Estate of the artist Berggruen & Cie., Paris, purchased January 6, 1962 C $100,000-150,000
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64 Property from The Eileen & Herbert C. Bernard Collection 64 Henri Matisse French, 1869-1954 Head of a Woman, Leaning on Her Left Hand, circa 1951-52 Signed with initials HM. (lr); inscribed ‘7 (ll) Black chalk on paper 10 3/4 x 8 1/8 inches (27.3 x 20.6 cm) Provenance: Martha Jackson Gallery, New York New Art Center Gallery, New York Literature: Berggruen & Cie, Paris, 1955, facsimile of a 1951 Matisse sketchbook, ed. 500 C $40,000-60,000
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65 Property from The Eileen & Herbert C. Bernard Collection 65 Henri Matisse French, 1869-1954 Head of a Woman, circa 1951-52 Signed with initials HM. (lr); inscribed ‘7 (ll) Black chalk on paper 10 3/4 x 8 1/8 inches (27.3 x 20.6 cm) Provenance: Martha Jackson Gallery, New York New Art Center Gallery, New York Literature: Berggruen & Cie, Paris, 1955, facsimile of a 1951 Matisse sketchbook, ed. 500 C $40,000-60,000
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66 Property from The Eileen & Herbert C. Bernard Collection 66 Fernand Léger French, 1881-1955 Le Bonheur Signed with initials F.L. (lr); also inscribed No G.503. (65 x 50) Le bonheur (étude) on the verso in ink and 4271/96 in pencil on the verso Brush, India ink, and gouache over pencil on paper 25 3/8 x 19 1/8 inches (60.4 x 48.6 cm) Provenance: Atelier of the artist Galerie Maeght, Paris, 1959 Exhibited: New York, Solomon R. Guggenheim Museum, Fernand Léger: Five Themes and Variations, Feb. 28 - Apr. 29, 1962, cat. no. 64 Accompanied by a photo-certificate from the Galerie Maeght C $250,000-400,000 44 DOYLE • NOVEMBER 1, 2016 • NEW YORK
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Property from The Eileen & Herbert C. Bernard Collection 67 Fernand Léger French, 1881-1955 Étude Pour “Les Plongeurs” (Divers) Signed with initials F. L. and dated 42/(2e etat) (lr) Brush and India ink over pencil on paper 21 1/2 x 29 inches (54.6 x 73.7 cm) Provenance: Acquired directly from the artist Parke-Bernet Galleries, New York, purchased Apr. 8, 1964, lot 35 Exhibition: New York, The Museum of Modern Art, 1966, no. 15, traveling exhibition 1966-1967 C $150,000-300,000
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Property from The Eileen & Herbert C. Bernard Collection 68 Fernand Léger French, 1881-1955 La Belle Equipe Signed F.L. (lr); also inscribed No G.69.B. La belle equipe in ink on the verso (lr) and A N 15 in brush and ink on the verso (ur) Brush, India ink, watercolor and gouache over pencil on Arches paper 22 1/4 x 29 3/4 inches (56.5 x 75.5 cm) Provenance: Aimé Maeght, Paris Galerie Maeght, Paris, purchased July 12, 1967 Exhibited: New York, Solomon R. Guggenheim Museum, Fernand Léger: Five Themes and Variations, Feb. 28 - Apr. 29, 1962, cat. no. 26 Accompanied by a photo-certificate from Daniel Lelong at the Galerie Maeght, Paris, dated Jul. 13, 1967. C $200,000-400,000
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Property from The Eileen & Herbert C. Bernard Collection 69 Fernand Léger French, 1881-1955 Six Etudes Pour “Les Cyclistes” Ink, brush and ink with traces of wash on paper 11 7/8 x 17 3/4 inches (30 x 45.5 cm) Provenance: Louis Carré collection Lucien Goldschmidt, New York, purchased Mar. 3, 1967 C $40,000-60,000
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Property from The Eileen & Herbert C. Bernard Collection 70 Fernand Léger French, 1881-1955 Le Jongleur et L’Acrobate Signed with initials F.L. and dated 53 (lr) India ink and gouache over pencil on irregularly shaped paper 10 x 13 inches (25.5 x 33 cm) Provenance: Galerie Maeght, Paris, purchased July 12, 1967 Exhibited: New York, Solomon R. Guggenheim Museum, Fernand Léger: Five Themes and Variations, Feb. 28 - Apr. 29, 1962, cat. no. 98 Accompanied by a photo-certificate from the Galerie Maeght dated Paris, July 13, 1967 C $40,000-60,000
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Property from The Eileen & Herbert C. Bernard Collection 71 Käthe Kollwitz German, 1867-1945 Two Heads of Children Signed Kollwitz (lr); also signed on the sheet (lr) Black chalk on paper 9 1/2 x 12 1/4 inches (24.1 x 31.2 cm) Provenance: New Art Center Gallery, New York Erich Cohn collection, New York Literature: Herbert Bittner, Kathe Kollwitz: Drawings, 1959, 111, as circa 1925 Otto Nagel, Kathe Kollwitz: Die Handzeichnungen, Berlin 1972, p. 327, no. 704, illus., as Zwei Kinderkopfe C $2,000-4,000
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Property from The Eileen & Herbert C. Bernard Collection 72 Reg Butler British, 1913-1981 Nude Seated Arms Crossed Front Head and Nude Seated Leg Outstretched: Two, 1963 Each signed with monogram, one under left thigh; the other below right thigh, and numbered 1/9 Bronze, with gold brown patina Height of figure with legs splayed 5 3/4 inches (14.6 cm) Length 5 1/8 inches (13 cm) Height of figure with legs together 5 inches (12.7 cm) Provenance: Pierre Matisse Gallery, New York, (as Deux Figurines), purchased January 22, 1965 C $3,000-5,000
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Property from The Eileen & Herbert C. Bernard Collection 73 Jean (Hans) Arp French, 1886/87-1966 Forme Française, 1959 Signed Arp (lr) Pencil on paper Sheet 15 3/4 x 13 11/16 inches (40 x 34.8 cm) Image 11 x 8 7/8 inches (28 x 22.5 cm) Provenance: Galerie Denise René, Paris, purchased January 3, 1962 Exhibited: Paris, Galerie Denise René, Apr. - May 1959 New York, Harmonie Club, Sculpture and Drawings by Sculptors, Apr. 7 - 25, 1966, cat. no. 3 C $2,000-4,000
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Property from The Eileen & Herbert C. Bernard Collection 74 Paul Klee Swiss, 1879-1940 Tanz um den Hund, 1923 Signed Klee on sheet and inscribed 23112; also titled Tanz um den Hund, dated 1923 and numbered 256 on the mount 4 5/16 x 4 3/4 inches (11 x 12.5 cm) Provenance: Werner Allenbach, Bern Berggruen & Cie., Paris Sylvain Durand, Paris Le Bateau-Lavoir Gallery, Paris, purchased July 10, 1959 Literature: Paul Klee Foundation, ed., Paul Klee: Catalogue Raisonné, vol. 4, Bern 2000, p. 147, no. 3350 C $20,000-30,000 50 DOYLE • NOVEMBER 1, 2016 • NEW YORK
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Property from The Eileen & Herbert C. Bernard Collection 75 Joan Miró Spanish, 1893-1983 Composition, 1949 Signed Miró and dated 1949 on the verso; also inscribed with instructions to the framer, verso Black chalk over pencil with touches of green pastel on gray card 7 3/8 x 9 1/2 inches (18.8 x 24 cm) Provenance: Collection of the artist Galerie Maeght, Paris Le Bateau-Lavoir Gallery, Paris, purchased July 10, 1959 Literature: Jacques Dupin and Ariane Lelong-Mainaud, Joan Miró: Catalogue Raisonné: Drawings, vol. 2, Paris, 2010, p. 180, no. 1172, illus. C $20,000-40,000
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ALBERTO Property from The Eileen & Herbert C. Bernard Collection 76 Alberto Giacometti Swiss, 1901-1966 Bust of Diego, 1960 Signed Alberto Giacometti and numbered 5/6 on the lower back Bronze with green and dark brown patina Height 8 1/8 inches (20.6 cm) Provenance: Pierre Matisse Gallery, New York, purchased Feb. 28, 1964 Exhibited: New York, Harmonie Club, Sculpture and Drawings by Sculptors, Apr. 7 - 25, 1966, cat. no. 29 The original receipt from Pierre Matisse Gallery accompanies this lot. C $1,000,000-2,000,000
Alberto Giacometti, from the mid 1950’s on, began working from life, drawing and sculpting heads of his friends and family. One of his most important subjects was his younger brother Diego, who had sat for a sculpted portrait when Alberto was only thirteen. He became the artist’s alter ego, although a talented artist and sculptor himself. Diego’s high forehead and sharp profile, are instantly recognizable in many works throughout the artist’s life, growing in intensity, as Giacometti focused on the powerful gaze. The artist is quoted as having said: ‘The object of art is not to reproduce reality, but to create a reality of the same intensity.’
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77 Property from The Eileen & Herbert C. Bernard Collection 77 Stuart Davis American, 1892-1964 Composition with Red Polygon, 1941 Signed Stuart Davis (lr); also inscribed COMPOSITION WITH RED POLYGON STUART DAVIS on the stretcher Oil on canvas 12 x 16 inches (30.5 x 40.6 cm) Provenance: With The Downtown Gallery, New York Marvin Small, New York [With] The New Gallery, New York [With] Paul Kantor Galleries, Beverly Hills, CA Sale: Parke-Bernet Galleries, New York, American & Mexican Works, May 18, 1960, lot 57 Exhibited: New York, The Downtown Gallery, Stuart Davis: Recent Paintings: Oil and Watercolor, Apr. 25 - May 12, 1934, no. 4 New York, The Museum of Modern Art, 1945 Literature: Lowery Stokes Sims, Stuart Davis, New York, The Metropolitan Museum of Art, 1991, pp. 86-87, illus. Ani Boyajian and Mark Rutkoski, eds., Stuart Davis: A Catalogue Raisonné, vol. 3, New York: Yale University Press, 2007, p. 266, no. 1588, illus. C $60,000-80,000
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AMERICAN ART
Lot 79 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55
78 William Merritt Chase American, 1849-1916 Portrait of Piloty’s Son Signed W. M. Chase and dated 1877 (ur) Oil on canvas 32 1/2 x 19 5/8 inches Provenance: Karl Theodor von Piloty, Munich By descent to his son Robert Piloty, Wurzberg [With] Galerie Heinemann, Munich (consigned in Apr. 1909 by Professor Robert Piloty and sold on Jul. 7 of the same year) Exhibited: Dresden, Dresdener Kunstaussellung, 1904, no. 2040 or 2041 Leipzig, Leipziger Kunstverein, Oct. 1907Sep. 1909 Literature: Katherine Metcalf Roof, “William M. Chase: The Man and the Artist,” Century Magazine, 93, Apr. 1917, p. 836, illus. Ronald G. Pisano, completed by D. Frederick Baker and Carolyn K. Lane, The Complete Catalogue of Known and Documented Work by William Merritt Chase, 1849-1916, vol. 2, Portraits in Oil, Yale University Press, 2007, OP51, pp. 22-23, illus. p. 22 In 1874, William Merritt Chase entered the master class of Karl Theodor von Piloty, director of the Royal Munich Academy and an internationally recognized exponent of history painting. In 1877, Piloty asked Chase, whom he considered to be his best student, to paint portraits of his two sons and three daughters. He gave the portraits to each of his children; they remained in Germany and were mever exhibited in the United States. The present work was owned by Robert Piloty and is thus believed to depict his likeness. It is sensitively realized, the subject’s fair skin contrasting with the tenebrous background. C $18,000-22,000
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79 79 William Merritt Chase American, 1849-1916 Still Life, circa 1905 Signed Wm. M. Chase (ll) Oil on canvas 18 1/4 x 24 1/4 inches Provenance: Macbeth Gallery, New York (possibly) Literature: Ronald G. Pisano, completed by D. Frederick Baker and Carolyn K. Lane, The Complete Catalogue of Known and Documented Works by William Merritt Chase, 1849-1916, vol. 4, Still Lifes, Interiors, Figures, Copies of Old Masters and Drawings, Yale University Press, 2010, SL 80, illus. p. 36, listed as “location unknown,” and “said at one time to have been owned by Macbeth Gallery, New York” C $15,000-25,000
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80 Irving Ramsey Wiles American, 1861-1948 The Twins Signed Irving R. Wiles and dated 1907 (ur); inscribed on stretcher exhibited national... design Oil on canvas 55 x 35 inches Provenance: Pearce Bailey, M.D., New York By descent in the family to the current owner Literature: Peter Hastings Falk, ed., The Annual Exhibition Record of the National Academy of Design, 1901-1950, Sound View Press, 1990, p. 544 The Ledger of Irving Ramsay Wiles, as cited in Geoffrey Fleming, Irving Ramsay Wiles, N.A., 1861-1948, Southold Historical Society, Southold, NY, 2010, p. 204 Exhibited: New York, National Academy of Design Winter Exhibition, Dec. 14, 1907-Jan. 14, 1908, no. 187 In late 1907, possibly in September, prominent New York physician Pearce Bailey commissioned Irving Ramsay Wiles to paint his five year old twin sons, Pearce and James in Mattapoisett, Massachusetts. He paid Wiles $1,600 (including expenses). The paint was hardly dry on the canvas when Wiles showed the double portrait in the 1907 winter exhibition at the National Academy of Design, identifying Dr. Bailey as its owner. Dressed in lustrous velvet tunics, the young boys solemnly stand with the family dachshund, their golden curls gleaming in contrast against the rich umbrous background. C $20,000-40,000
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81 Property of a Palm Beach Lady 81 John Singer Sargent American, 1856-1925 Val D’Aosta: A Mountain Stream, circa 1907 Stamped with the artist’s estate stamp JSS on the reverse Oil on canvas 17 1/8 x 21 1/4 inches Provenance: M. Knoedler & Co., New York, no. 16308 Literature: Richard Ormond and Eileen Kilmartin, John Singer Sargent: Figures and Landscapes, 1900-1907, Complete Paintings, Volume VII, New Haven and London: Yale University Press, 2012, no. 1409 (as untraced), illus. p. 296 Richard Ormond describes the present work, the location of which was unknown when his catalogue raisonné of Sargent’s work was published, as “a sketchy view of a stream, almost certainly the brook at Peuterey. In common with his other studies of the brook, the artist allows no horizon line to interrupt his close-up view of stream and brook.” [John Singer Sargent: Figures and Landscapes, 1900-1907, Complete Paintings, Volume VII, p. 296] From 1900 to 1907, John Singer Sargent traveled extensively, visiting the Middle East as well as numerous destinations in Europe that included Spain, Norway, and the Alps. Tiring of formal portraiture, he delighted in creating a virtual travelogue of paintings that documented his trips. A visit to the Val D’Aosta in Italy inspired numerous works in oil and watercolor, several depicting crystalline Alpine waters playing over rocks and forming eddies in pools. These compositions, freely painted with robust brushstrokes, some depicting the rushing waters at close range, are nearly modern in sensibility. Val D’Aosta, clearly inspired by this sojourn, shows Sargent at his most fluid, the composition rendered in a vibrant palette of plums, green and gold. C $50,000-80,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59
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82 Maurice Brazil Prendergast American, 1858-1924 Harbor Scene Signed M. Brazil Prendergast, dated ‘92 and dedicated To my friend Mrs. F. S. Collins (ll) Watercolor on paper Sight 9 x 11 3/4 inches From 1891 to 1895, Maurice Prendergast was a student at the Académie Colorossi in Paris. It is likely that this work depicts the harbor of a French coastal town. C $30,000-50,000
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83 Richard Hayley Lever American/Australian, 1876-1958 Concarneau, France Signed Hayley Lever and dated 1908 (ll) Oil on canvas 18 1/4 x 24 1/8 inches Provenance: Clayton Liberatore Gallery, Bridgehampton, NY C $4,000-6,000
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Property from Estate of Donald Brenwasser 84 Walt Francis (Walter) Kuhn American, 1877-1949 Four Boats, 1912 Signed Walt Kuhn (lr) Oil on canvas 20 x 24 inches Provenance: Maynard Walker, New York Brenwasser Studios, New York Exhibited: Pittsburgh, Carnegie Institute, The Seashore in Paintings of the 19th and 20th Centuries, Oct. 22 Dec 5, 1965, no. 76 Tucson, AZ., The University of Arizona, Walt Kuhn—Painter of Vision, Feb. 6 Mar. 31, 1966 Roslyn, NY, Nassau County Museum of Fine Art, The Shock of Modernism, Apr. 29 -Jul. 29, 1984, no. 137 New York, DC Moore Gallery, n.d. C $8,000-12,000 84
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85 Property from the High Museum of Art, Sold to Benefit Future Acquisitions
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85 Stuart Davis American, 1892-1964 Havana, 1920 Signed SD and inscribed Havana (ll) Watercolor on paper laid to board Sheet 19 x 12 3/4 inches
86 Max Weber American, 1881-1961 Seated Woman, 1956 Signed Max Weber and dated May 7 ‘56 (lr) Gouache on paper 24 x 18 inches
Provenance: [Peter Deitch, New York] Walter M. McGahee, Dearing, GA High Museum of Art, 1988.3 (gift of the above in 1988)
Provenance: The Downtown Gallery, New York Driscoll Babcock Galleries., New York
Literature: Ani Boyajian and Mark Rutkoski, eds., Stuart Davis: A Catalogue Raisonné, New Haven: Yale University Press, 2007, p. 503, no. 1042, illus. C $4,000-6,000
Literature: “Weber’s Search,” Time magazine, Jun. 14, 1963, illus. C $5,000-7,000
Property from the Estate of Donald Brenwasser 87 Marsden Hartley American, 1877-1943 Grapes with Jar, 1927 Graphite pencil on paper 22 3/8 x 31 inches Provenance: Babcock Galleries, Inc., New York Kennedy Galleries, Inc., New York Martha Parrish & James Reinish, Inc., New York
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Exhibited: New York, American Federation of Arts, Marsden Hartley, traveling exhibition, Dec. 1960-Jan. 1962, no. 60-8 Little Rock, AR, The Arkansas Arts Center, The Collector’s Show, Nov. 30 - Dec. 30, 2007, no. 173 C $5,000-7,000
88 88 Edward Berge American, 1876-1924 Girl With Fish Fountain, 1914 Bronze 18 1/2 x 18 x 18 3/8 inches Signed: E. Berge / © 1914 (rear edge of self base) Marked: Roman Bronze Works N-Y(rear edge of self base); A-21 (underside rear edge of self base) Literature: Stephens Berge, Edward Berge, The Sculptor: A Short Biography, Baltimore, 1983, unpaged Warren Wilmer Brown, “Edward Berge, Sculptor,” International Studio, vol. 56, 1915 C $4,000-6,000
89 Property from a Private New York State Collector 90 Walter Parsons Shaw Griffin American, 1861-1935 Garden Landscape Signed Griffin (lr); signed again and dated 1923 on the reverse Oil on canvas 24 x 30 inches Provenance Chapellier Galleries, NY C $3,000-5,000
89 Hugh Bolton Jones American, 1848-1927 Summer Day with Stream in South Egremont (Mass.) Oil on canvas 27 x 33 inches Provenance: The artist Dr. Arthur and Mrs. Kathleen S. Chace, New York Thence by descent in the family to the current owner. Hugh Bolton Jones was a cousin of Mrs. Kathleen S. Chace (née Kathleen Stirling Fletcher); both were raised in Maryland and eventually settled in New York. Ultimately, Jones divided his time between New York City and a summer cottage in South Egremont, MA, where the present work, as well as many others, were painted. C $12,000-18,000
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91 Max Kuehne American, 1880-1966 Wingaersheek Beach Signed Kuehne (lr) Oil on board 24 x 30 inches Exhibited: Clinton, NY, Hamilton College, n.d. The present work has been authenticated by Richard Kuehne, son of the artist Wingaersheek Beach is located on the Annisquam River in West Gloucester, MA. An almost identical but larger composition by Kuehne was exhibited at the Cape Ann Museum, Gloucester, MA. C $4,000-6,000
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92 Guy Carleton Wiggins American, 1883-1962 Swift Current Falls, Glacier National Park Signed Guy Wiggins (ll); also signed, inscribed as titled, and dated 1925 on the reverse Oil on canvas 25 x 30 inches Provenance: Acquired in the mid-to-late 1940s Private collection, Bloomfield Hills, MI By descent in the family to the present owner Private collection, New York C $8,000-12,000
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Property from a Private New York State Collector 93 Frederick Judd Waugh American, 1861-1940 Mountain Stream in the Snow Signed F. Waugh with conjoined initials (lr) Oil on canvas 25 x 30 inches C $4,000-6,000
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94 Property from the Estates of Dorothy and Charles Luke Hilliard 94 Daniel Garber American, 1880-1958 Early May (Old Barn and Apple Tree), 1948 Signed Daniel Garber (lc); signed and inscribed Early May on stretcher Oil on canvas 18 x 22 1/2 inches Provenance: The artist Dorothy Luke (Mrs. Charles) Hilliard, New York, acquired from the above, Oct. 1950 Charles L. Hilliard, New York, by inheritance Literature: Artist’s Record Book I, p. 73, lines 25-29: painted on road up back of Pt. Pleasant. Apple tree Blooming against grey Barn Lance Humphries, Daniel Garber: Catalogue Raisonné, New York: Hollis Taggart Galleries, 2006, P 824, p. 284 (listed as unlocated) Lance Humphries dates Early May, originally titled Old Barn and Apple Tree, to April 1948. Mentioned in the artist’s record book in association with this work, Pt. Pleasant is a town in Pennsylvania just a few miles from Garber’s home in Cuttalossa, in Buck’s County. Documented in the catalogue raisonné, the artist’s archives include correspondence from Mr. and Mrs. Charles C. Hilliard with Garber in October and November, 1950, and in April, 1951. We thank Dr. Garber for his very kind assistance in authenticating the present work. C $50,000-80,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65
95 William Chadwick American, 1879-1962 Seated Woman in a Kimono Oil on canvas 30 x 24 inches Provenance: Private collection Literature: Richard H. Love, William Chadwick (1879-1962): An American Impressionist, Chicago: The Richard H. Love Gallery, 1978, p. 16 illus. The passion for Japanisme that swept through American art in the 1890s is exemplified in Seated Woman in Kimono. Taking an approach inspired by Whistlerian aestheticism, Chadwick offset the broad sweep of his subject’s flowered garment against the compact geometry of her space, creating as much a decorative conception as a rendering of his subject. Chadwick’s Impressionist brush handling serves to suppress individual detail, adding to the overall harmony of the image. A native of Yorkshire, England, Chadwick emigrated to the United States in 1882. He studied at the Art Students League, traveled frequently to Europe, and settled with his family in Old Lyme, Connecticut, in 1915, where he remained an active art of the artists’ colony. C $7,000-9,000
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Property of the Art Students League, New York, to be sold for the benefit of the Institution 96 Allen Tucker American, 1866-1939 Woman in Garden Oil on canvas 50 x 40 inches Unframed Provenance: Estate of the artist Bequest of the artist’s estate to be sold for the benefit of the Institution. Exhibited: New York, Spanierman Gallery, Allen Tucker: The Force of Emotion—A Post Impressionist Rediscovered, Feb. 25 - Mar. 27, 2010. C $4,000-6,000
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96
97 Property of the Art Students League, New York, to be sold for the benefit of the Institution 97 Allen Tucker American, 1866-1939 Woman Wearing Turban Signed Allen Tucker and dated indistinctly 19__ (lr); inscribed as titled on the stretcher Oil on canvas 24 x 20 inches Provenance: Estate of the artist Bequest of the artist’s estate to be sold for the benefit of the Institution. C $2,000-3,000 Property of the Art Students League, New York, to be sold for the benefit of the Institution 98 Allen Tucker American, 1866-1939 Miss Olga Mandell, 1915 Signed Allen Tucker and dated 1915 (ll); inscribed as titled on the stretcher and again on a card affixed to middle stretcher bar Oil on canvas 71 3/4 x 22 3/4 inches Provenance: Estate of the artist Bequest of the artist’s estate to be sold for the benefit of the Institution. C $4,000-6,000
98
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Property from A New England Collection 99 Reginald Marsh American, 1898-1954 Coney Island Beach Scene, 1951 Signed and dated (lr) Tempera on board 19 3/4 x 24 inches Provenance: Felicia Marsh collection, cat. no. 51-4 Forum Gallery, New York Private collection, California DC Moore Gallery, New York Exhibited: New York, DC Moore Gallery, Reginald Marsh’s New York, Nov. 13 Dec. 28, 1996 C $20,000-30,000
99
Property from A New England Collection 100 Reginald Marsh American, 1898-1954 In the Bay, Coney Island, 1947 Signed and dated (lc) Chinese ink and wash on paper 22 x 30 1/2 inches Provenance: DC Moore Gallery, New York Exhibited: New York, DC Moore Gallery, Reginald Marsh: New York Views, Dec. 12, 2001 - Jan. 26, 2002 C $12,000-18,000
100 68 DOYLE • NOVEMBER 1, 2016 • NEW YORK
101 Property from A New England Collection
Property from A New England Collection
101 Reginald Marsh American, 1898-1954 Three Women on the Ferry Ink and watercolor on paper 14 x 20 inches C $10,000-15,000
102 Reginald Marsh American, 1898-1954 Tugboats, 1936 Signed and dated (lr) Watercolor on paper 14 x 20 inches C $12,000-18,000
102 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69
103
104
103 Reginald Marsh American, 1898-1954 A Tugboat on the East River, near Lower Manhattan, 1938 Signed Reginald Marsh and dated ‘38 (lr) Watercolor on paper 14 x 19 3/4 inches Provenance: Arnold Rubin, to his son, Paul Rubin Thence by descent to the current owner C $4,000-6,000
104 Reginald Marsh American, 1898-1954 Lower Manhattan from the East River, 1938 Signed Reginald Marsh and dated ‘38 (lr) Watercolor over graphite pencil on paper 14 x 20 inches Provenance: Arnold Rubin, to his son, Paul Rubin Thence by descent to the current owner C $4,000-6,000
105 Martha Walter American, 1875-1976 Immigration, Ellis Island Signed Martha Walter (lr) Oil on canvas 36 1/8 x 40 inches Provenance: David David Gallery, Philadelphia, PA Lagakos Turak Gallery, Philadelphia, PA C $12,000-18,000
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Property from A New England Collection 106 Kenneth Hayes Miller American, 1876-1952 Woman Sleeping, 1926 Signed Hayes Miller and dated 26 (lr) Oil on canvas 34 x 45 inches Provenance: Zabriskie Gallery, New York Exhibited: Pittsburgh, PA, Carnegie Institute, Twenty-Fifth Annual International Exhibition of Paintings, Oct.-Dec. 1926, no. 79; New London, CT, Lyman Allyn Museum, 1932 C $10,000-20,000
106
Property from A New England Collection 107 Jack Levine American, 1915-2010 Kronos, 1983 Signed JLevine (ll); inscribed in Greek characters Kronos Paidophagos (Kronos the Childeater) (ul) Oil on canvas 24 1/4 x 21 1/4 inches Provenance: The Artist [with Kennedy Galleries, NY] Midtown Payson Galleries, New York Private collection, New York Michael Rosenfeld Gallery, New York Exhibited: New York, Midtown Payson Galleries, Jack Levine, An Overview, 1930-1990, Oct. 11-Nov. 24, 1990 Ogunquit, ME, Ogunquit Museum of Art. The Art of Jack Levine, 1992 New York, Michael Rosenfeld Gallery, Facets of the Figure: A Spectrum of 20th Century American Art, Jun. 5-Aug. 22, 1997 Literature: Milton Brown, Jack Levine, Rizzoli, New York, 1989, p. 137, illus. Gerrit Henry and John Payson, Jack Levine, An Overview, 1930-1990, Midtown Payson Galleries, New York, 1990, p. 48, illus. An etching by the same title dates from 1983; an identically titled lithograph depicting the same image was produced in an edition of fifty in 1998. C $8,000-12,000
107 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71
108
109
Property from a Private New York State Collector
Property from A New England Collection
108 Moses Soyer American, 1899-1974 Dancers Signed M. Soyer and dated 54, lower right oil on canvas 34 x 18 inches C $3,000-5,000
109 Robert Brackman American, 1898-1980 Unmasked, circa 1949 Signed Brackman (ll); inscribed “Unmasked”/ Robert Brackman/Noank, Conn on the verso Oil on canvas 60 x 50 inches Provenance: The Casper Collection Hollis Taggert Galleries, New York Exhibited: Pittsburgh, Carnegie Institute, Painting in the United States, 1949, Oct. 13 - Nov. 11, 1949, award-winning entry Allied American Artists, Gold Medal of Honor, n.d. C $8,000-12,000
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110 Property from A New England Collection 110 Paul Cadmus American, 1904-1999 Musing Dancer, NM 201, 1987 Signed Cadmus and inscribed NM 201 (lr) Crayon and acrylic gesso on illustration board 22 3/4 x 17 inches Provenance: Midtown Galleries, New York Midtown Payson Galleries, New York Louis Newman Galleries, Beverly Hills DC Moore Galleries, New York Purchased from the above, May 1998 Exhibited: New York, National Academy of Design, Annual Exhibition, 1991 New Canaan, CT, Silvermine Galleries, n.d. C $10,000-15,000
111
Property from A New England Collection 111 Paul Cadmus American, 1904-1999 Male Nude #NM168, 1982 Signed (lc) Prismacolor crayon and acrylic gesso on illustration board 22 x 13 1/2 inches Provenance: Midtown Galleries, New York DC Moore Gallery, New York C $10,000-15,000 Property from A New England Collection 112 Paul Cadmus American, 1898-1954 Teodor Starkowski Signed Cadmus and dated 1963 (ur); inscribed Teodor Starkowski (ul) Egg tempera on casein toned paper 15 1/2 x 10 3/4 inches Provenance: Teodor Starkowski Private collection Private collection DC Moore Gallery, New York
112
Literature: Lincoln Kirstein, Paul Cadmus, New York: Chameleon Books, Inc, 1992, p. 137, illus. C $4,000-6,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73
113
113 Richard Mayhew American, b. 1924 Extensive Landscape Signed Mayhew (lr) Oil on canvas 39 1/2 x 56 1/4 inches C $20,000-30,000 114 Richard Mayhew American, b. 1924 Grove Signed Mayhew (ll); numbered 3499A on the stretcher Oil on canvas 18 1/8 x 24 inches Provenance: Robert Isaacson Gallery, New York, no. 15 C $4,000-6,000 114
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115 Bernhard Gutmann American, 1869-1936 Zinnias and Marigolds, 1915 Signed Bernhard Gutmann (ll); inscribed as titled, signed Bernhard Gutmann, dated 1915, and inscribed Property of L. F. Dorn / Rowayton on the verso Oil on board 18 x 22 inches Provenance: Leo F. Dorn, Rowayton, CT C $3,000-5,000
115 Property from A New England Collection 116 Phillip Howard (Blashki) Evergood American, 1901-1973 Success Team, 1959 Signed Philip Evergood (lc); inscribed on the verso Evergood:/Title: Success Team Oil on canvasboard 20 1/2 x 17 3/4 inches Provenance: Alfredo Valenti Gallery, New York Dr. and Mrs. Peter Sammartino, Rutherford, NJ Exhibited: New York, The Gallery of Modern Art Lewisburg, PA, Center Gallery, Bucknell University New York, Forum Gallery, Radical Views: Philip Evergood and George Grosz, Jan. 17 - Feb. 21, 1998 C $5,000-7,000 116
117 David Davidovich Burliuk American/Russian Federation. 1862-1967 Fisherman by the Bay Signed Burliuk (ll) Oil on canvas 13 x 18 inches Provenance: Acquired directly from the arist by Wanda Friend, New York By inheritance from the above to Lucille Gordon, New York, circa 1995 C $5,000-7,000
117
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118
118 Fletcher Martin American, 1904-1979 The Betting Machine, 1968 Signed Fletcher Martin and dated 1969 (lr) Oil on canvas 30 x 40 inches Provenance: Loring Art Gallery, 1978 Private Collection, Westchester County, New York E. Levick, Hewlett, NY Exhibited: Binghamton, NY, Roberson Center, Fletcher Martin Thirty Year Retrospective Exhibition, Sept. 22 - Nov. 13, 1968 Literature: H. Lester Cooke, Jr., Fletcher Martin, New York, Harry N. Abrams, Inc., 1977, no. 179, p. 202 C $5,000-7,000 119 Johann Berthelsen American, 1883-1972 Plaza Hotel Signed Johann Berthelsen (lr) Oil on canvasboard 22 x 18 inches
119 76 DOYLE • NOVEMBER 1, 2016 • NEW YORK
Provenance: Private collection, New York By inheritance to the current owner C $5,000-7,000
ARTIST INDEX Alsoudani, Ahmed Altoon, John Angrand, Charles Arp, Jean (Hans) Aubertin, Bernard Avery, Milton
278 204-206 8 73 186 141
Basquiat, Jean-Michel Beard, Derrick Joshua Beck, Robert (Buck) Benedit, Luis Fernando Benner, Gerrit Béraud, Jean Berge, Edward Berthelsen, Johann Bertoia, Harry Bhavsar, Natvar Blaine, Nell Bleckner, Ross Borges, Jacobo Bourgeois, Louise Brackman, Robert Brainard, Joe Brasilier, André Bravo, Claudio Burliuk, David Davidovich Butler, Reg
259 276 271 221, 222 132 6 88 119 179 194 130 257 223 176 109 252 32 220 117 72
Cadmus, Paul 110-112; 124-126 Calder, Alexander 136 Carbonnet, Nicole 282 Cárdenas, Juan 225, 226 Carone, Nicolas 163 Cassigneul, Jean-Pierre 39 Castañeda, Felipe 216, 217, 241-244 Castle, James 133 Cavallon, Giorgio 161 Chadwick,William 95 Chapman, Jake & Dinos 275 Chase, William Merritt 78, 79 Clarke, Brian 267, 268 Colescott, Robert 172 Condo, George 255, 256 Coronel, Pedro 231, 232 Covarrubias, Miguel 209 Cutrone, Ronnie 261 Dalí, Salvador Davis, Gene Davis, Stuart de Kooning, Elaine Delpy, Hippolyte Camille Depero, Fortunato Derain, André Dufy, Jean Dunoyer de Segonzac, André Dyf, Marcel Dzama, Marcel
120, 121 169 77, 85 168 1 135 16 25 20-22 28-31 272
Evergood, Phillip Howard (Blashki)
116
Feininger, Lyonel Festa, Tano Frankenthaler, Helen
54 254 149
Garber, Daniel Gerzso, Gunther Giacometti, Alberto Goodnough, Robert Gorchov, Ron Graham, Robert Gray, Cleve Griffin, Walter Parsons Shaw Grosz, George Ehrenfried Gutmann, Bernhard
94 245 76 156 208 251 164 90 40-44 115
Hambourg, André Hannock, Stephen Haring, Keith Hartley, Marsden Hayden, Palmer Cole Held, Al Helsby, Alfredo Hirsch, Joseph Hussein, Ibrahim IM, Sangbin Indiana, Robert
33-36 270 260 87 127 173 10 122 191-193 277 170
Jenkins, Paul Jones, Hugh Bolton
150-153 89
Kahn, Wolf Kayyali, Louay Kepes, Gyorgy Khanna, Krishen Kieff, Antonio Grediaga Kilgallen, Margaret Klee, Paul Kleinschmidt, Paul Kline, Franz Kollwitz, Käthe Kuehne, Max Kuhn, Walt Francis (Walter)
123A 202, 203 166 195-197 180, 181 273, 274 74 45-51 146 12, 71 91 84
Lacasse, Joseph Laurencin, Marie Lavatelli, Carla Lebasque, Henri Lee-Smith, Hughie Léger, Fernand Lemmen, Georges Le Pho Lever, Richard Hayley Levine, Jack Levine, Sherrie LeWitt, Sol Lipchitz, Jacques
144 18, 62 178 17 128, 129 66-70 14 27 83 107 258 253 55
Mack, Heinz Marca-Relli, Conrad Marsh, Reginald Martin, Cameron Martin, Fletcher Martinez, Miguel Martinez, Raymundo Matisse, Henri Matulka, Jan Mayhew, Richard Meadmore, Clement Mehring, Howard Menkes, Sigmund Mérida, Carlos Metzinger, Jean Meza, Guillermo Miller, Kenneth Hayes Miró, Joan Montézin, Pierre-Eugène Moore, Henry Morales, Armando Morisot, Berthe Morris, Kyle Mucha, Alphonse Maria Music, Zoran
183 154 99-104 279 118 233 235 63-65 131 113, 114 177 190 23 236 52, 53 246, 247 106 75 15 137 218 57 162 13 134
Nares, James 265 Natkin, Robert 187-189 Neiman, LeRoy 207 de Neuville, Alphonse-Marie-Adolphe 3 Nilouss (Nilus), Petr Alexandrovich 24 Nishizawa, Luis 248, 249 Nolan, Sidney Robert 138 Novo, Stefano 4 O’Higgins, Pablo Esteban Oubre, Hayward Louis Oviedo, Ramon
234 174 224
Palacios, Alirio Pereira, Irene Rice Pettoruti, Emilio Piene, Otto Pille, Charles Henri Pissarro, Camille Pissarro, Hughes Claude Prendergast, Maurice Brazil Reggianini, Vittorio Rivers, Larry Rojas, Rolando
219 143 11 184, 185 2 58 37, 38 82 5 167 250
Sargent, John Singer Scarlett, Rolph Scarpitta, Salvatore de Schryver, Louis Marie Scully, Sean Senanayake, Senaka Shaw, Charles Green Shreshtha, Laxman Siena, James Soyer, Moses Spyropoulos, Yannis Stamos, Theodoros Stanczak, Julian Stefanelli, Joe
81 145 175 7 266 281 142 280 264 108 165 147, 148 171 157-160
Tamir, Moshe Tchelitchew, Pavel Terzian, Georges Toledo, Francisco de Toulouse-Lautrec, Henri Tucker, Allen Tunney, Peter Tuttle, Richard
140 56 26 227-230 60 96-98 269 262
Valadon, Suzanne Vallotton, Felix Vasarely, Victor Vicente, Esteban Vickrey, Robert Remsen de Vlamin, Maurice Vuillard, Édouard Walter, Martha Wanly, Adham Wanly, Seif Waugh, Frederick Judd Weber, Max Wiggins, Guy Carleton Wiles, Irving Ramsey Williams, Frederick Ronald Wong, Martin Zúñiga, Francisco
61 59 182 155 123 19 8A, 9 105 199-201 198 93 86 92 80 139 263
210-215, 237-240
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French drs in LR & BR open to terrace, perfect for dining/entertaining. CAC, renov kit/bth. Pied-a-terre ok. FS W 55th co-op. $1.295M. Web 14760953. Patricia Beckwith 212.452.4362
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38812 Doyle Nov01.16.indd 1
9/16/16 3:17
GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:
FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.
PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.
I
SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.
PRINTS NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.
CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.
MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.
MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.
DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.
EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.
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CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms: 2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.
The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent. 3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal. 4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property. 5. ESTIMATES Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.
II
6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive. 7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment:
The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $200,000 of the hammer price, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.
Payment shall be made as follows:
A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.
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This masterpiece home is located in highly desirable Glen Ridge, New Jersey and boasts six bedrooms, four full baths and two half baths. This magnificent home was completely renovated and has maintained many original details you don’t want to miss! Some original elements include ribbon inlaid hardwood floors, a marble fireplace, leaded glass bookcases and pocket doors, and sparkling Swarovski and Schonbek light fixtures. The incredible gourmet kitchen features luxurious appliances such as Sub-Zero, ASKO, Wolf, Bosch, and a Shaw farmhouse sink. Located just .4 miles to Mid-town Direct trains and Upper Montclair Village, this home is perfect for commuters. For more information or to take a tour visit: www.205FernwoodAveMontclairNJ.com For more information about this property please contact:
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©2016 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.
CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials. 8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.
III
If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.
9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items. 10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public. 11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them. 12. All measurements and weight are approximate. Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause. 13. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law. 14. The rights and obligations of the parties with respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.
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TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below. 1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below. 2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.
The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts. 3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. 4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.
5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty. 6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.
INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction. WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business. WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.
IV
If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.
Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.
LOCAL TAX ADVISORS
WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX
Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property.
Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States. RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.
As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors. CERTAIN EXEMPTIONS
If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.
Fine & Rare Wines May 19 & 20, 2016 • Smith & Wollensky, New York City
zachys
® New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions # tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838
BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot. BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.
VI
BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.
ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET BIDDING Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE INTERNET BIDDING BidLive! with a click of your mouse! Bidders from around the world now can experience the excitement of bidding live at Doyle New York on their computers. Simply sign in at Doyle.com, then register to bid live in real time in an upcoming sale. It couldn’t be easier or more convenient! No increased Buyer’s Premium! Purchases made on BidLive! are subject to the identical buyer’s premium as purchases made through the saleroom bids, telephone bids and absentee bids. There are no additional fees! Bid throughout the sale! With BidLive! you may log in during the sale to bid on specific lots, or leave the bidding console open all day on your computer. Total convenience for a global clientele! In the past, foreign bidders often required the assistance of telephone clerks who spoke Spanish, German, French, Mandarin etc., in order to execute their bids. With BidLive’s clear numeric display, foreign buyers need no longer rely on bilingual telephone clerks to place their bids. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.
BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges. AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.
To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM
The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion of the hammer price from $200,001 through $3,000,000, and 12% thereafter. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue.All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.
STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.
VII
SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.
OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, are presentative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.
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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.
SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.
AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.
PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.
ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”
INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.
AUCTION SCHEDULE OCTOBER
NOVEMBER
DECEMBER
OLD MASTER PAINTINGS Auction: Wednesday, OCTOBER 26 at 10am Exhibition: October 22 – 24
IMPRESSIONIST & MODERN Auction: Tuesday, NOVEMBER 1 at 11am Exhibition: October 29 – 31
DOYLE AT HOME Auction: Wednesday, DECEMBER 7 at 10am Exhibition: December 3 – 5
ENGLISH & CONTINENTAL FURNITURE & DECORATIONS Auction: Wednesday, OCTOBER 26 at 10am Exhibition: October 22 – 24
POST-WAR & CONTEMPORARY Auction: Tuesday, NOVEMBER 1 Afternoon Session Exhibition: October 29 – 31
®
IMPORTANT JEWELRY Auction: Tuesday, DECEMBER 14 at 10am Exhibition: December 10 – 13
DOYLE+DESIGN® Auction: Wednesday, NOVEMBER 9 at 10am Exhibition: November 5 – 7 FINE JEWELRY - BEVERLY HILLS Auction: Monday, NOVEMBER 14 at 10am (Pacific) Exhibition: November 12 – 13 JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday & Thursday, NOVEMBER 16 & 17 at 10am Exhibition: November 12 - 15 RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, NOVEMBER 22 at 10am Exhibition: November 19 - 21 PHOTOGRAPHS Auction: Tuesday, NOVEMBER 22 at 10am Exhibition: November 19 - 21
CATALOGUES
EXHIBITION HOURS
SELLING AT AUCTION
View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com
212-427-4141, option 5 or visit Doyle.com
We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com
DOYLE
175 EAST 8 7 TH STREET
NEW YORK, NY 10128
212 - 4 2 7- 2 730
DOY L E .COM
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MAY REACH US DIRECTLY BY DIALING 212-427-4141 DIRECTORY YOU PLUS THE EXTENSION. OFFICERS Kathleen M. Doyle, Chairman/CEO ext 215, Kathy.Doyle@Doyle.com
Ann Limer Lange, Senior Vice President ext 221, Ann.Lange@Doyle.com
Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com
Rodney Lang Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com
Elaine Banks Stainton, Senior Vice President ext 238, Elaine.Stainton@Doyle.com
Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com
Nan Summerfield, Senior Vice President 310-276-6616, Nan.Summerfield@Doyle.com
Edward Ripley-Duggan, Vice President ext 234, Edward.Ripley-Duggan@Doyle.com
Louis LeB. Webre, Senior Vice President ext 232, Louis.Webre@Doyle.com
Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com
Peter Costanzo, Vice President ext 248, Peter.Costanzo@Doyle.com
Gillian M. Ryan, Vice President ext 245, Gillian.Ryan@Doyle.com
Anne Cohen DePietro, Vice President ext 281, Anne.Depietro@Doyle.com
Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com
Samira Farmer, Vice President 202-342-6100, Samira.Farmer@Doyle.com
Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com
Anna K. Hicks, Vice President ext 272, Anna.Hicks@Doyle.com
Eileen Weisbaum, Vice President ext 226, Eileen.Weisbaum@Doyle.com
Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com
Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com
Joanne Porrino Mournet Executive Vice President ext 227, Joanne.Mournet@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Laura Doyle, Vice Chairman Executive Vice President ext 219, Laura.Doyle@Doyle.com Reid Dunavant, Senior Vice President 202-342-6100, Reid.Dunavant@Doyle.com David A. Gallager, Senior Vice President ext 271, David.Gallager@Doyle.com Peter Lang, Senior Vice President ext 274, Peter.Lang@Doyle.com
SPECIALIST DEPARTMENTS 19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com 20TH CENTURY DESIGN Anna K. Hicks, Director ext 272, Anna.Hicks@Doyle.com AMERICAN FURNITURE AND DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com BOOKS, AUTOGRAPHS AND PHOTOGRAPHS Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com Peter Costanzo, Director ext 248, Peter.Costanzo@Doyle.com COINS, STAMPS AND COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com ENGLISH AND CONTINENTAL FURNITURE AND DECORATIONS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE AND DECORATIONS Rodney Lang ext 243, Rodney.Lang@Doyle.com David A. Gallager ext 271, David.Gallager@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com X
Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Anna K. Hicks ext 272, Anna.Hicks@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Megan Marie Mastrobattista, Appraiser's Assistant ext 244, Megan.Mastrobattista@Doyle.com Leigh Kendrick, Appraiser's Assistant ext 243, Leigh.Kendrick@Doyle.com JEWELRY Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Alexandra Fulham, Administrator ext 210, Alexandra.Fulham@Doyle.com CALIFORNIA JEWELRY Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com NORTH CAROLINA JEWELRY Hillary Pitts, G.G. 704-582-2258 Hillary.Pitts@Doyle.com
PAINTINGS AND DRAWINGS Elaine Banks Stainton Acting Director ext 238, Elaine.Stainton@Doyle.com Anne Cohen DePietro Director, American Art ext 281, Anne.DePietro@Doyle.com Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com Shani Toledano Associate Director ext 236, Shani.Toledano@Doyle.com Angelo Madrigale Director, Contemporary Art ext 237, Angelo.Madrigale@Doyle.com Ariel Gold Cataloguer ext 266, Ariel.Gold@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com LeeAna Wolfman Registrar ext 249, LeeAna.Wolfman@Doyle.com PRINTS AND MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com RUGS, CARPETS AND TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com
REGIONAL REPRESENTATIVES Laura Doyle, Director of Regions 212-427-4141, ext. 219 Laura.Doyle@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254 Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G. 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616 Emily.Marchick@Doyle.com
CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 203-637-6209 Kathy.Brackenridge@Doyle.com FLORIDA Collin Albertsson 561-322-6795 Collin.Albertsson@Doyle.com NEW JERSEY Jill Bowers 212-427-4141, ext. 225 Jill.Bowers@Doyle.com NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com
WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100 Reid.Dunavant@Doyle.com Samira Farmer 202-342-6100 Samira.Farmer@Doyle.com Kristen Ostermayer 202-342-6100 Kristen.Ostermayer@Doyle.com BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com
ADMINISTRATION ABSENTEE AND TELEPHONE BIDS Bill Fiddler Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com ACCOUNTING Ryan Won ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com Julie Bacongco ext 223, Julie.Bacongo@Doyle.com CATALOGUE PRODUCTION AND DESIGN Eileen Weisbaum, Director ext 226, Eileen.Weisbaum@Doyle.com Stephanie Cuenca, Senior Graphic Designer ext 250, Stephanie.Cuenca@Doyle.com Alison Wermuth, Graphic Designer ext 276, Alison.Wermuth@Doyle.com PHOTOGRAPHY PRODUCTION Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Melissa Aldrich, Photographer Manager of Photography, Jewelry ext 270, Melissa.Aldrich@Doyle.com Ryan Sobotka, Photographer Manager of Photography, Fine & Decorative Arts ext 278, Ryan.Sobotka@Doyle.com Brian Griska, Photographer ext 278, Brian.Griska@Doyle.com Danielle Kiser, Traffic Coordinator ext 277, Danielle.Kiser@Doyle.com RESTORATION SERVICES Charles Mournet, ext 224 INVENTORY CONTROL Eddy Santana
CATALOGUE SUBSCRIPTION Chelsea Wynne ext 203, Chelsea.Wynne@Doyle.com CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Mary Dobbin ext 200, Mary.Dobbin@Doyle.com Bill Fiddler ext 242, Bill.Fiddler@Doyle.com Elizabeth Jones ext 204, Elizabeth.Jones@Doyle.com Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com Chelsea Wynne ext 203, Chelsea.Wynne@Doyle.com MEDIA AND COMMUNICATIONS DEPARTMENT Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com
ESTATE AND APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com Lindsey Friedman, Esq. ext 256, Lindsey.Friedman@Doyle.com Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com Gail Jaffe, Estate and Appraisal Services Assistant ext 216, Gail.Jaffe@Doyle.com APPRAISAL AND CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com Ashley A. Hill ext 231, Ashley.Hill@Doyle.com Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com
Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com
Ayala Levi ext 259, Ayala.Levi@Doyle.com
Kosala Kumara, Advertising ext 258, Kosala.Kumara@Doyle.com
Alexis Gyateng ext 228, Alexis.Gyateng@Doyle.com
MUSEUM SERVICES
Charlotte Williams ext 240, Charlotte.Williams@Doyle.com
Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com
Hannah Iversen ext 251, Hannah.Iversen@Doyle.com
Anne Cohen DePietro Paintings ext 281, Anne.DePietro@Doyle.com
HAYLOFT AUCTIONS
David A. Gallager Furniture and Decorative Arts ext 271, David.Gallagher@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo
Brian Corcoran Director 914-575-7263 Brian.Corcoran@Doyle.com & Brian@HayloftAuctions.com Emily Casden Manager Emily.Casden@Doyle.com & Emily@HayloftAuctions.com
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175 EAST 87TH STREET NEW YORK, NY 10128
F OR O FF I CE U SE O NLY
212-427-2730 DOYLE.COM
ABSENTEE & TELEPHONE BID FORM
1.16
* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.
Please indicate the type of bid you are submitting. Please check one:
ABSENTEE BID
** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.
TELEPHONE BID
Please indicate in what capacity you are bidding. Please check one:
• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above. You must be prepared to bid at least to the low estimate.
B I D D I N G A S A P R I VAT E B U Y E R
B I D D I N G O N B E H A L F O F A C O M PA N Y
16PT03 • IMPRESSIONIST & MODERN ART 16PT04 • POST-WAR & CONTEMPORARY ART
S A L E TI TLE
S A L E D AT E
NOVEMBER 1, 2016
N A M E*
• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.
C O MPA NY (If applicable) A D DRE SS *
Change of Address
C IT Y
STATE
ZIP CODE
• In the event that identical bids are submitted, the earliest will take precedence.
P HO N E
FAX
• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.
P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)
LOT N U MB ER
• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions. Changes to bids on the day of sale must be submitted in writing by fax or email.
TOP LIMIT OF BI D / SAFE TY BI D
Excluding Buyer’s Premium
L OT N U MB E R
T O P L I MI T O F B ID / S A F ET Y BI D
Excluding Buyer’s Premium
L OT N U M BE R
T OP LI M I T O F B ID / S A FE TY B I D
Excluding Buyer’s Premium
• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date. Otherwise, purchases cannot leave our premises until checks have cleared. • A 25% deposit may be required on certain absentee bids. • Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request. • Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.
Terms and Conditions of Sale°
B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000
S I GNATU RE
Consumer Affairs No. 0777006
I understand and agree to the
XII
Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction. Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207
CLIENT SERVICES
CLIENT ACCOUNTS
Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com
Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com
BIDDING SERVICES Absentee & Telephone Bids Bill Fiddler 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com
BidLive! Internet Bidding Elizabeth Jones 212-427-4141, ext 204 BidLive@Doyle.com
SPECIALISTS
NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Penthouse 1012 Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com
Elaine Banks Stainton SVP, Acting Director, Paintings 212-427-4141 ext 238 Elaine.Stainton@ Doyle.com
Anne Cohen DePietro, VP, Director, American Art 212-427-4141 ext 281 Anne.DePietro@ Doyle.com
Shani Toledano VP, Associate Director, Paintings 212-427-4141 ext 236 Shani.Toledano@ Doyle.com
CONNECTICUT 136 East Putnam Avenue Greenwich, CT 06830 212-427-4141, ext 211 203-637-6209 DoyleCT@Doyle.com NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com
Harold E. Porcher VP, Director, Modern and Post-War Art 212-427-4141 ext 235 Harold.Porcher@ Doyle.com
Angelo Madrigale Director, Contemporary Art 212-427-4141 ext 237 Angelo.Madrigale@ Doyle.com
WASHINGTON, DC / MID-ATLANTIC 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com
Hermine Chivian-Cobb Senior Specialist, Fine Art 212-427-4141 ext 252 Hermine@Doyle.com
Ariel Gold, Cataloguer, Paintings 212-427-4141 ext 266 Ariel.Gold@ Doyle.com
LeAnna Wolfman, Registrar 212-427-4141 ext 249 LeeAnna.Wolfman@ Doyle.com
Front Cover Back Cover Inside Front Cover
161 66 84
IMPRESSIONIST & MODERN ART • POST-WAR & CONTEMPORARY ART
175 EAST 8 7 TH STREET
NEW YORK, NY 10128
212 - 4 2 7- 2 730
DOY L E .COM
NOVEMBER 1, 2016
DOYLE