Post-War & Contemporary Catalogue 11.1.16

IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART

Tuesday, November 1, 2016

NEW YORK

POST WAR ART

Lot 190

Property from Estate of Victor Shanok 120 Salvador Dalí Spanish, 1904-1989 The Tienta, circa 1962 Signed Dalí (lc), embossed with artist’s mark (ll) Ink on paper 14 x 11 inches (35.56 x 27.94 cm) Provenance: Global Fine Arts Ltd., New York Acquired from the above, Feb 16, 1977 This work is accompanied by a certificate of authenticity issued by S.D. Research Center, Inc., NY, and signed by Alex J. Rosenberg, Archived as #SD172 C $10,000-15,000 120

Property from Estate of Victor Shanok 121 Salvador Dalí Spanish, 1904-1989 Don Quixote, 1962 Signed Dalí and dated 1962 (lr), embossed with artist’s mark (ll) Ink on paper 14 x 11 inches (35.56 x 27.94 cm) Provenance: Global Fine Arts Ltd., New York Acquired from the above, Feb 16, 1977 This work is accompanied by a certificate of authenticity issued by S.D. Research Center, Inc., NY, and signed by Alex J. Rosenberg, archived as #SD170 C $10,000-15,000

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122 Joseph Hirsch American, 1910-1981 Trucker Oil on canvas 34 1/2 x 30 inches (87.63 x 76.2 cm) Provenance: Estate of the artist C $4,000-6,000 Property from A Prominent New York Family 123 Robert Remsen Vickrey American, 1926-2011 The Shadow, circa 1960 Signed Robert Vickrey (lr) Tempera on Masonite 16 x 24 inches (40.64 x 60.96 cm)

122

Provenance: Midtown Galleries, New York C $4,500-6,500

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123A

123A Wolf Kahn German/American, b. 1927 Blue Barn, 1975 Signed W. Kahn (lr), inscribed #28 and dated 1975 on the reverse Oil on canvas 28 x 36 inches (71.12 x 91.44 cm) Provenance: Grace Borgenicht Gallery, New York Private collection C $15,000-20,000

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Property from A New England Collection 124 Paul Cadmus American, 1904-1999 Study for Rise and Fall (Final Study for Painting) Inscribed Up & Down/Fall Street Journey/Tall Story Journal/Rise & Fall/for love or money/Tall Street Journal/#3 in margin (lr) Crayon on gray Strathmore paper Image size 24 1/2 x 9 1/2 inches (62.23 x 24.13), sheet size 25 1/8 x 12 3/4 inches (63.81 x 32.38 cm) Provenance: The artist [DC Moore Gallery, New York] C $10,000-15,000

Property from A New England Collection 125 Paul Cadmus American, 1904-1999 Male Nude NM 176A Signed Cadmus and inscribed NM 176A (lr) Black and white crayon on gray Strathmore paper 24 1/4 x 19 inches (64.13 x 48.26 cm) Provenance: Midtown Payson Galleries, New York Collection of Mr. Josh Strychalski, New York C $10,000-15,000 Property from A New England Collection 126 Paul Cadmus American, 1904-1999 Kunisada Chez, #2 Nous (Study for See No Evil, Speak No Evil), 1985 Signed Cadmus (ul), inscribed Kunisada Chez Nous/see no evil, speak no evil, etc./The book of intolerance?/The book of Alphabetical?/The book /by/Marx/Falwel/Hitler/ Jehovah/Khomeni/John Paul II/Ayn Rand/Kunisada Chez Vous (Study #2 for See No Evil, Speak No Evil, etc.) in bottom margin Pencil and crayon on paper Image size 11 3/8 x 19 1/8 inches (28.89 x 48.57 cm), sheet size 15 x 21 5/8 inches (38.1 x 54.92 cm) Provenance: The artist [DC Moore Gallery, New York] 125

Exhibited: The Artist as Subject: Paul Cadmus, Feb. 4 - Mar. 6, 1993, Midtown Payson Galleries, New York C $8,000-12,000

126 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7

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127 Palmer Cole Hayden American, 1890-1973 Singing Teamster, 1955 Signed Palmer Hayden and dated 55 (lr), signed Palmer C. Hayden and inscribed as titled on the reverse Oil on canvas 20 x 24 inches (50.8 x 60.96 cm) • $15,000-20,000 Property from Sara T. and John D. Davies Collection 128 Hughie Lee-Smith American, 1915-1999 Cats Cradle, 1949 Oil on Masonite 11 3/4 x 9 1/2 inches (29.84 x 24.13 cm) Provenance: Acquired from the Detroit Artist’s Market, 1949, by Sara T. Davies Thence by descent to the estate

128

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Exhibited: Hughie Lee-Smith: Retrospective Exhibition, Nov. 5, 1988 - Jan. 2, 1989, New Jersey State Museum, Trenton, traveled to Chicago Cultural Center, Feb 4 - Mar 18, 1989 C $5,000-7,000

130 Property from Sara T. and John D. Davies Collection 129 Hughie Lee-Smith Untitled (Head of a Girl), 1952 Signed Lee-Smith and dated 52 (ll) Oil on Masonite 11 x 8 inches (27.95 x 20.32 cm) 129

Exhibited: Hughie Lee-Smith: Retrospective Exhibition, Nov. 5, 1988 - Jan. 2, 1989, New Jersey State Museum, Trenton, traveled to Chicago Cultural Center, Feb 4 - Mar 18, 1989 C $5,000-7,000 130 Nell Blaine American, 1922-1996 Lanesville Rocks and Coastline, 1958 Signed N. Blaine and dated 1958 (lr), inscribed as titled on the mat Ink on paper 23 x 29 inches (58.42 x 73.66 cm) Unframed Provenance: The artist John Krushenick Thence by descent to the present owner C $2,500-3,500

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131 Jan Matulka American, 1890-1972 Untitled (New England Landscape) Signed Matulka (ll) 20 x 26 inches (50.8 x 66.04 cm) C $7,000-9,000

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132 Gerrit Benner Dutch, 1897-1981 Untitled Signed Benner on the reverse Oil on canvas 22 1/4 x 18 1/4 inches (56.51 x 46.35 cm) C $10,000-15,000 133 James Castle American, 1899-1977 Untitled (Farm) Soot on found paper 9 1/8 x 12 1/8 inches (23.177 x 30.48 cm) Unframed C $7,000-9,000

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134 Zoran Music Italian, 1909-2005 Donne con Cavalli, 1950 Signed Music and dated 1950 (lc), signed Music, dated 1950 and inscribed as titled on the reverse Oil on canvas 15 1/4 x 18 1/4 inches (38.73 x 46.35 cm) C $20,000-30,000

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135 Fortunato Depero Italian, 1892-1960 Untitled (Tapestry) Signed with embroidered signature Fortunato Depero (ur) Varied cloth with colored thread on canvas backing and borders 32 x 32 inches (81.28 x 81.28 cm) C $20,000-30,000

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136 Alexander Calder American, 1898-1976 Bracelet, circa 1955 Silver 2 x 2 1/4 x 2 inches (5.08 x 5.71 x 5.08 cm), 38.3 dwt.

Provenance: The artist Loren MacIver Frankenberg Alexandre Gallery C $50,000-70,000

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137

137 Henry Moore British, 1989-1986 Standing Man and Woman, 1981 Signed Moore and numbered 3/9 Bronze with brown patina, cast in an edition of 9 plus 1 Height 7 1/4 inches (18.41 cm) Literature: Henry Moore: Complete Sculpture, 1980-1986, Vol. VI, A Bowness, listed as item 833, p. 46, illus, another cast.

C $40,000-60,000

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138 Sidney Robert Nolan Australian, 1917-1992 Sonnet no. 53, 1967 Signed Nolan (lr), signed Nolan, inscribed Shakespeare’s Sonnets/3rd July 1967 and inscribed as titled on the reverse Mixed media on paper 24 3/4 x 19 7/8 inches (62.86 x 50.48 cm) Provenance: The artist The Macquarie Galleries Exhibited: Sidney Nolan: Shakespeare Sonnets, The Macquarie Galleries, Sydney, Australia, Sep. 27 - Oct. 14, 1967, no. 11 C $3,000-5,000 139 Frederick Ronald Williams Australian, 1927-1982 The Murrumbidgee River at Cavan, 1977 Signed Fred Williams (ll), inscribed as titled and dated Cavan 1977 on the reverse Oil on paper 22 x 30 1/2 inches (55.88 x 77.47 cm) C $25,000-35,000 138

139 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15

Property from a New York Estate 140 Moshe Tamir Israeli, 1924-2004 Untitled Signed M. Tamir, and in Hebrew (ll) Oil on board 40 1/4 x 26 3/4 inches (102.23 x 67.94 cm) C $5,000-7,000 141 Milton Avery American, 1885-1965 Approaching Storm, 1938 Signed Milton Avery (lr), signed Milton Avery, dated 1938, numbered B7395 and inscribed as titled on the reverse Watercolor on paper 22 1/4 x 30 3/4 inches (56.51 x 78.1 cm) Provenance: Grace Borgenicht Gallery, New York Waddington Fine Art, Ltd., London Exhibited: Milton Avery: Paintings of Canada, Feb. 1986 - Mar. 1987, The Agnes Etherton Art Centre, Queens University, Ontario C $50,000-100,000

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142 Charles Green Shaw American, 1892-1974 Untitled Signed Shaw (lr) Oil on canvas 24 x 18 inches (60.96 x 45.72 cm) C $7,000-9,000

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143 Irene Rice Pereira American, 1907-1971 Sparkle of the Heart, circa 1953 Signed I. Rice Pereira (lr), inscribed The sparkle of the heart/forms the diamond sun/forms the diamond sun on the reverse Oil on canvas 56 x 50 inches (142.24 x 127 cm) Provenance: Kennedy Galleries, New York C $5,000-7,000

143 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17

144 Joseph Lacasse Belgian, 1894-1975 Untitled, 1948 Dated 1948, inscribed This is a Joseph Lacasse work, Blanche Dombek and Rose Fried on the reverse Oil on canvas 38 1/2 x 31 3/4 inches (97.79 x 80.64 cm) Provenance: Rose Fried Gallery C $8,000-12,000

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145 Rolph Scarlett American, 1889-1984 Untitled (Blue Nose), circa 1952 Signed Scarlett (lr) Oil on canvas 30 x 40 inches (76.2 x 101.6 cm) C $3,000-5,000

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146

Property from Estate of Susanne Schnitzer 146 Franz Kline American, 1910-1962 Untitled, circa 1957 Signed Kline (lr) Oil on paper board 9 1/4 x 11 3/8 inches (23.5 x 28.75 cm) Provenance: Estate of the artist Orin Riley Thence by descent to Suzanne Schnitzer This work is accompanied by a letter of authenticity from David McKee, with estate designation no. ZP 85 C $80,000-120,000

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147 Theodoros Stamos Greek/American, 1922-1997 Found Rope and Stone on Beach, 1945 Signed Stamos, dated 45 and inscribed N.Y.C. (ll), signed Theodoros Stamos, inscribed 146 5 Ave/N.Y.C., $100 and as titled on the reverse Oil and graphite on Masonite 16 x 20 inches (40.64 x 50.8 cm) C $12,000-18,000

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Property from a Private New York State Collector 148 Theodoros Stamos Greek/American, 1922-1997 Untitled, 1945 Signed Stamos and dated 45 (ll) Oil on Masonite 15 x 13 inches (38.1 x 33.02 cm) Provenance: The artist Louis Meisel Gallery, New York Private collection, New York Exhibited: Bildertraume: The Ulla und Heiner Pietzsch Collection Staatliche Museen, Neuen Nationalgalerie, Berlin, Jun. 19, 2009 Oct. 1, 2010 C $12,000-18,000

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149 Helen Frankenthaler American, 1928-2011 Fire and Ice, 1983 Signed Frankenthaler and dated 83 (lr) Oil and acrylic on paper 31 x 42 inches (78.74 x 106.68 cm) Exhibited: The Solomon R. Guggenheim Museum, New York; The Edmonton Art Gallery, Edmonton, Alberta; Art Gallery of Ontario, Toronto, Ontario; Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts; The Baltimore Museum of Art, Baltimore, Maryland; San Francisco Museum of Modern Art, San Francisco, California; Museum of Fine Arts, Houston, Texas Literature: Wilkin, Karen, Frankenthaler - Works on Paper 1949-1984, George Brazilier International Exhibitions Foundation, 1984, p. 115, color illus.

C $30,000-50,000

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150 150 Paul Jenkins American, 1923-2012 Phenomena: Passing Dover, 1964 Acrylic on canvas Signed Paul Jenkins (lr), signed Paul Jenkins, dated New York 1964 and inscribed as titled on the overlap 30 x 40 inches (76.2 x 101.6 cm) Provenance: The Artist [Martha Jackson Gallery] Mary Jane O’Neill Estate of Mary Jane O’Neill Thence by descent to the current owner C $12,000-18,000 151 Paul Jenkins American, 1923-2012 White Tracks, 1958 Signed Paul Jenkins and dated 58 (lr), signed Paul Jenkins and inscribed as titled on the reverse Oil on canvas 26 1/4 x 30 1/4 inches (66.67 x 76.83 cm) C $15,000-20,000

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152 Paul Jenkins American, 1923-2012 Phenomena Merlin’s Prism, 1985 Signed Paul Jenkins (ll), signed Paul Jenkins, dated New York 1985 and inscribed as titled on the reverse Acrylic on canvas 57 1/2 x 45 inches (146.05 x 114.3 cm)

153 Paul Jenkins American, 1923-2012 Suzanne’s Locks, 1985 Signed Paul Jenkins (ll), signed Paul Jenkins, dated St. Croix 1985 and inscribed as titled on the reverse Watercolor on paper 42 x 30 inches (106.68 x 76.2 cm) C $5,000-7,000

Provenance: Irving Galleries, Palm Beach, FL C $15,000-25,000

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154 Conrad Marca-Relli American, 1913-2000 East Point Suite, 1978 Signed Marca-Relli and dated 78 (lr), numbered 1/6 (ll) Burlap and paper collage on paper 19 x 20 7/8 inches (48.26 x 53.02 cm) Provenance: Alex Rosenberg Gallery, New York Carone Gallery, Fort Lauderdale, FL C $3,000-5,000

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Property from Sara T. and John D. Davies Collection 155 Esteban Vicente Spanish/American, 1903-2001 Untitled Signed Esteban Vicente on the reverse Oil on canvas 30 x 37 inches (76.2 x 93.98 cm) C $20,000-30,000

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156 Robert Goodnough American, 1971-2010 No 3 Figure Signed Goodnough (lr), signed Robert Goodnough and inscribed as titled on the reverse Oil on canvas 50 1/2 x 44 1/2 inches (128.27 x 113.03 cm) C $4,000-6,000

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157 Joe Stefanelli American, b. 1921 Jamaican Omen, 1963 Signed Stefanelli, dated ‘63 and inscribed as titled on the reverse Oil on canvas 66 3/4 x 51 1/2 inches (169.54 x 130.81 cm) Unframed C $6,000-8,000

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158 Joe Stefanelli American, b. 1921 Including Blue, 1965 Signed Stefanelli, dated ‘65 and inscribed as titled on the reverse Oil on canvas 69 x 55 1/4 inches (175.26 x 140.33 cm) Unframed C $6,000-8,000 158 159 Joe Stefanelli American. b. 1921 Cycle Three, 1986 Signed Stefanelli, dated ‘86 and inscribed as titled on the reverse Acrylic on canvas 47 1/2 x 73 inches (120.65 x 185.42 cm) Unframed C $5,000-7,000

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160 Joe Stefanelli American, b. 1921 The Attendants, 1999-2002 Signed Stefanelli and dated 02 (ul), signed Stefanelli, dated 1999 and inscribed as titled on the reverse Acrylic on canvas 50 x 39 3/4 inches (127 x 100.96 cm) Unframed C $4,000-6,000

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Property from Sara T. and John D. Davies Collection 161 Giorgio Cavallon American, 1904-1989 Untitled #6, 1955-56 Signed G. Cavallon and dated 55-56 (lr), signed G. Cavallon on the reverse, numbered #6 on the stretcher Oil on canvas 48 x 68 inches (121.92 x 172.72 cm) C $50,000-70,000

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Property from Sara T. and John D. Davies Collection 162 Kyle Morris American, 1918-1979 Quadrant, 1960 Signed Kyle Morris and dated 60 (lr), signed Kyle Morris and dated March 20 ‘60 on the reverse Oil on canvas 60 x 60 inches (152.4 x 152.4 cm) C $10,000-15,000

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163 Nicolas Carone American, 1917-2010 Untitled, circa 1955 Signed Carone (ul) Oil on bristol board 26 1/2 x 19 1/2 inches (67.31 x 49.53 cm) Provenance: Zabriskie Gallery, New York Exhibited: 17 Abstract Artists of East Hampton: The Pollock Years, 1946-56, Jul. 20 - Sep. 14, 1980, Parrish Art Museum, Southampton, NY C $3,000-5,000

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164 Cleve Gray American, 1918-2004 Man and Nature #9, 1980 Signed Gray, dated 80 and inscribed as titled on the reverse Acrylic on canvas 70 x 70 inches (177.8 x 177.8 cm) Provenance: Irving Galleries, Palm Beach, FL C $10,000-15,000

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165 Yannis Spyropoulos Greek, 1912-1990 Orassis F, 1966 Signed with Greek letters (lr), signed Jannis Spyropoulos, dated 1966 and inscribed as titled on the stretcher Oil and paper collage on canvas 28 3/4 x 23 5/8 inches (73.02 x 60 cm) This work is accompanied by a certificate of originality signed by the artist C $7,000-9,000

165 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 29

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166 Gyorgy Kepes Hungarian/American, 1906-2001 Bruised Radiance, 1962 Signed Gyorgy Kepes, dated 1962, inscribed 12 and as titled on the reverse Oil and sand on canvas 20 x 24 inches (50.8 x 60.96 cm) C $3,000-5,000 167 Larry Rivers American, 1923-2002 Untitled (Seated Figure) Signed Rivers (lr) Oil on canvas 34 x 29 inches (86.36 x 73.66 cm) C $7,000-9,000 168 Elaine de Kooning American, 1919-1989 Untitled (Woman) Signed E de K (lr) Oil on canvasboard 21 1/4 x 17 1/2 inches (53.97 x 44.45 cm) C $3,000-5,000

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169 Gene Davis American, 1920-1985 Popsicle, 1969 From an edition of 50 Stamped Popsicle 1969 by Gene Davis/selected by Douglas Davis/Made by Ed McGowan/For Give Away an event/May 22 1969/Grand Ballroom, Mayflower Hotel/ Washington D.C., and stamped with signatures Gene Davis, DM Davis, Ed McGowan and signed by Walter Clark on the reverse Acrylic on canvas 68 x 66 inches (172.72 x 167.64 cm) C $12,000-18,000

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ROBERT 170 Robert Indiana American, b. 1928 Aspen LOVE, 1968 Initialed R.I., dated 1968 and inscribed Aspen on the reverse of the upper left canvas, each of the other three canvases are inscribed 1 of 4 on the reverse Oil on canvas Total size 24 x 24 inches (60.96 x 60.96 cm) Provenance: The artist Acquired directly from the artist in 1968 by Mr. & Mrs. Henry K. DeBoest Thence by descent to the current owner Exhibited: Alumni Painting and Sculpture 1945 to the Present, Oct. 7 - Dec. 10, 1976, School of the Art Institute of Chicago, Chicago Mirages of Memory: 200 Years of Indiana Art, Jan. 16 - Feb. 27, 1977, Indianapolis Museum of Art, Indianapolis, traveled to: University of Notre Dame, Notre Dame, IN (as Santa Fe LOVE) C $200,000-300,000

Mr. & Mrs. Henry K. DeBoest with Robert Indiana

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171 Julian Stanczak Polish/American, b. 1928 Sounds of Rain, 1966 Signed J. Stanczak, dated 1966 and inscribed as titled on the reverse Acrylic on canvas 30 x 30 inches (76.2 x 76.2 cm) C $30,000-50,000

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172 Robert Colescott American, 1925-2009 Skyline Signed R Colescott (lr), inscribed love to Marie from Bob and as titled on the stretcher Oil on canvas 13 1/2 x 34 inches (34.29 x 86.36 cm) Provenance: Gift of the artist to wife Sally Dennett Manchester Thence by descent to the current owner C $5,000-7,000 173 Al Held American, 1928-2005 Untitled, 1960 Signed Al Held, dated 60 and inscribed to Fran + John (+ Andra) on the reverse India ink on paper 18 x 24 inches (45.72 x 60.96 cm) Unframed Provenance: The artist John Krushenick Thence by descent to the present owner C $8,000-12,000

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174 Property from a Private New York State Collector 174 Hayward Louis Oubre American, 1916-2006 You Are Cannon Fodder, 1968 Signed Oubre and dated 68 (lr) Acrylic on Masonite 30 1/2 x 24 inches (77.47 x 60.96 cm) Provenance: Estate of the artist [Steve Turner Contemporary, Los Angeles] Private collection, New York C $4,000-6,000 175 175 Salvatore Scarpitta American, 1919-2007 Pizza Board, 1991 Signed Scarpitta (lr), signed Scarpitta, dated 1991, inscribed to Dana/with/ always/ Sal/2006 and Chain Mail Pizzaria on the reverse Oil, muslin and mixed media on found object 61 x 20 x 3 inches (154.94 x 50.8 x 7.62 cm) This was originally part of a larger work, Chain Mail Pizzeria, reconceived.

Exhibited: Sal Scarpitta, Feb 7 - Mar 7, 1992, Annina Nosei Gallery, New York, presented in conjunction with Leo Castelli Gallery, New York, exhibited as Chain Mail Pizzeria C $5,000-7,000 36 DOYLE • NOVEMBER 1, 2016 • NEW YORK

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Property from A New England Collection 176 Louise Bourgeois French/American, 1911-2010 Point of Contact, 1967-68 Bronze with black patina, from an edition of six with one Artist’s Proof 4 3/4 x 10 1/4 x 5 1/2 inches (12.06 x 26 x 13.9 cm) Cast nos. 1/6 and 2/6: dark patina Cast nos. 3/6 and AP: silver nitrate and polished patina Cast nos. 4/6 and 6/6: black and polished patina Cast no. 5/6: golden brown and polished patina Selected Exhibition History: Rodin Museum, Paris The 21st Annual Salon of Young Sculptors in Paris, May - Jun. 1969; bronze, cast no. 1/6 The Metropolitan Museum of Art, New York, NY Small Bronzes, Sep. 5 - Dec. 7, 2003; bronze, cast no. 1/6 Tate Modern, London, England Louise Bourgeois: Retrospective Oct. 10, 2007 - Jan. 20, 2008; bronze, cast no. 3/6. Traveled to the Centre Georges Pompidou, Paris, France Mar. 5 - Jun. 2, 2008; Solomon R. Guggenheim Museum, New York, NY Jun. 27 - Sep. 28, 2008; Museum of Contemporary Art, Los Angeles, CA Sep. 25, 2008 - Jan. 25, 2009; Hirshhorn Museum & Sculpture Garden, Washington D.C. Feb. 28 - Jun. 7, 2009 Selected Literature: Morris, Frances. Louise Bourgeois, with essays by Paulo Herkenhoff, Julia Kristeva, Donald Kuspit, Elisabeth Lebovici, Mignon Nixon, Linda Nochlin, Alex Potts, Rob Storr, et al. United Kingdom: Tate Publishing, 2007, [Retrospective Catalogue - reprinted in 2008 for US venues of tour, and also published in French by the Editions du Centre Pompidou with supplemental images.]

Not reproduced. Listed with exhibited works.

Bernadac, Marie Laure, and Jonas Storsve. Louise Bourgeois, with essays by Paulo Herkenhoff, Julia Kristeva, Donald Kuspit, Elisabeth Lebovici, Frances Morris, Mignon Nixon, Linda Nochlin, Alex Potts, Rob Storr, et al. France: Editions du Centre Pompidou, 2008. [French edition of Retrospective Catalogue with additional images - originally printed by Tate Publishing, 2007.] Not reproduced. Listed with exhibited work.

Bronze cast no. 1/6 is in the collection of the Metropolitan Museum of Art, New York.

C $40,000-60,000

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177 Clement Meadmore Australian, 1929-2005 Wallflower, 1987 Signed Meadmore, dated 1987, numbered 1/6 and stamped with the Tallix Foundry mark Bronze with light brown patina 22 1/2 x 38 x 18 inches (57.15 x 96.52 x 45.72 cm) C Offered for Sale by the sculptor’s former wife, Judith Meadmore $40,000-60,000

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Property from Sara T. and John D. Davies Collection 178 Carla Lavatelli Italian, 1929-2006 Growing High Signed Carla Lavatelli White marble Height with base 16 1/4 inches (41.27 cm) Provenance: The artist Sara T. Davies Thence by descent to the estate C $4,000-6,000 179 Harry Bertoia American, 1915-1978 Willow, circa 1960s Stainless steel and steel wire Height 72 inches (182.88 cm) This work includes a certificate of authenticity from the Harry Bertoia Foundation C $20,000-40,000

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180 Antonio Grediaga Kieff Spanish/Canadian, b. 1936 Traum..., 1972 Signed Kieff, dated 1972 and numbered 1/6 Bronze on marble base Height with base 16 1/4 inches C $2,000-3,000

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181 Antonio Grediaga Kieff Spanish/Canadian, b. 1936 Cora, 1973 Signed Kieff, dated 1973 and numbered 3/6 Bronze on marble base Height with base 16 3/4 inches C $2,000-3,000

182 Victor Vasarely French/Hungarian, 1906-1997 Zoeld Blue/Green, 1971 Signed Vasarely, dated November 71, numbered 6/8 and inscribed as titled on gallery label affixed to the reverse Luran plastic on aluminum 39 3/8 x 39 3/8 inches (100 x 100 cm) Provenance: Editions Pyra AG, Zurich C $3,000-5,000

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Property from Estate of Nan Rosenthal and Henry B. Cortesi 183 Heinz Mack German, b. 1931 Untitled Signed Mack, dated 65, inscribed for Nan Rosenthal and N.Y. (lc) Gouache on black paper 25 x 19 inches (63.5 x 48.26 cm) Unframed C $10,000-15,000

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184 Property from Estate of Nan Rosenthal and Henry B. Cortesi

Property from Estate of Nan Rosenthal and Henry B. Cortesi

184 Otto Piene German, 1928-2014 Untitled, 1967 Signed Piene and dated 67 (lr), inscribed F.N. (ll) Gouache and soot on cardboard 18 3/4 x 26 7/8 inches (47.62 x 68.26 cm) Unframed C $7,000-9,000

185 Otto Piene German, 1928-2014 Untitled, 1967 Signed Piene and dated 67 (ur), inscribed F.N. (ul) Gouache and soot on cardboard 18 3/4 x 26 3/4 inches (47.62 x 67.94 cm) Unframed C $7,000-9,000

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186 Bernard Aubertin French, 1934-2015 Tableau Clous, 1970 Signed Bernard Aubertin and dated 1970 on the reverse Acrylic and nails on wood 11 7/8 x 11 7/8 inches (30 x 30 cm) Unframed This work includes a certificate of authenticity from the Archivio Opere Bernard Aubertin, archive no.

TCLR07-100066123 C $6,000-9,000

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187 Robert Natkin American, 1930-2010 Untitled, 1977 Signed Natkin (ll) Oil on canvas 101 x 66 inches (256.54 x 167.64 cm) C $8,000-12,000

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188 Robert Natkin American, 1930-2010 #247, 1976 Stamped Robert Natkin, 1976 and as titled on the overlap, stamped Robert Natkin, 1976 and as titled on the stretcher Oil on canvas 68 x 108 inches (172.72 x 274.32 cm) C $7,000-9,000 189 Robert Natkin American, 1930-2010 Intimate Lighting, 1978 Signed Natkin (ll), dated 1976 and stamped with artist’s stamp on the overlap Acrylic on canvas 48 x 59.75 inches (121.92 x 151.77 cm) Unframed Provenance: Gimpel & Weitzenhoffer Ltd., New York Acquired from above by the present owner Febuary 14, 1979 C $6,000-8,000

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From the Estate of Julian C. Eisenstein, Washington, DC 190 Howard Mehring American, 1931-1978 All Blue, circa 1969 Signed Howard Mehring and inscribed as titled on the reverse Oil on canvas 50 1/4 x 46 3/4 inches (127.63 x 118.74 cm) Provenance: Jefferson Place Gallery, Washington, DC C $5,000-7,000

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192

191 Ibrahim Hussein Malaysian, 1936-2009 Man and Zoo, 1964 Signed Ibrahim Hussein and dated 64 (lr), inscribed as titled on the mount 12 x 9 1/4 inches (30.48 x 23.49 cm) Unframed Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000 192 Ibrahim Hussein Malaysian, 1936-2009 Festival, 1964 Signed Ibrahim Hussein and dated 1964 (ll), signed with artist’s device and dated 64 (lr), inscribed as titled on the mount Gouache on magazine page laid to card 13 1/2 x 20 1/8 inches (34.29 x 51.11 cm) Unframed Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000

193 193 Ibrahim Hussein Malaysian, 1936-2009 Untitled, 1964 Signed Ibrahim Hussein and dated 64 (cr) Gouache on magazine page laid to card 9 1/2 x 9 3/4 inches (24.13 x 24.76 cm) Unframed Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000

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194

Offered for Sale by the sculptor’s former wife, Judith Meadmore 194 Natvar Bhavsar Indian, b. 1934 Untitled, 1968 Signed Natvar Bhavsar and dated Oct. 68 on the reverse Raw pigment and acrylic binding agent on canvas 81 1/2 x 90 inches (207.01 x 228.6 cm) Unframed Provenance: The artist The sculptor, Clement Meadmore Thence by descent to the current owner C $40,000-60,000

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195

195 Krishen Khanna Indian, b. 1925 Untitled, 1962 Signed Khanna and dated 62 (ll) Oil on canvas 20 x 24 inches (50.8 x 60.96 cm) C $8,000-12,000

196

196 Krishen Khanna Indian, b. 1925 Ominous Brown Inscribed as titled on the overlap Oil on canvas 48 x 30 inches (121.92 x 76.2 cm) Unframed C $20,000-30,000

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197 Krishen Khanna Indian, b. 1925 Phoenix Signed K Khanna (ll), inscribed as titled on the overlap Oil on canvas 36 x 32 inches (91.44 x 81.28 cm) Unframed C $15,000-20,000

197

198 Seif Wanly Egyptian, 1906-1979 Untitled, 1967 Signed in Arabic and dated 67 (ll), inscribed in Arabic (lr), inscribed in Arabic on the reverse Oil on cardboard 13 3/8 x 19 1/8 inches (33.97 x 48.57 cm) C $5,000-7,000

198

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199 Adham Wanly Egyptian, 1908-1959 Untitled Inscribed on the reverse in Arabic Oil on cardboard 9 5/8 x 18 3/4 inches (24.44 x 47.62 cm) C $5,000-7,000

199

200 Adham Wanly Egyptian, 1908-1959 Untitled Signed Ad. Wanly (lr) Oil on cardboard 11 3/4 x 19 inches (29.84 x 48.26 cm) C $7,000-9,000

200

201 Adham Wanly Egyptian, 1908-1959 Untitled Signed Wanly (lr) Oil on cardboard 13 x 18 1/2 inches (33.02 x 46.99 cm) C $7,000-9,000

201 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49

202

202 Louay Kayyali Syrian, 1934-1978 In Pensiero, 1959 Signed Kayali and dated 59 (ll), signed Louay Kayali and inscribed as titled on the reverse Oil on Masonite 35 3/8 x 32 inches (89.85 x 81.28 cm) C $25,000-35,000

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203

203 Louay Kayyali Syrian, 1934-1978 Due Bambini (Two Boys), 1960 Signed Kayali (ll), signed Kayali Louay, dated 1960, numbered 24 and inscribed as titled on the reverse Oil on canvas 38 x 45 1/2 inches (96.52 x 115.57 cm) C $50,000-70,000

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204

205

206 204 John Altoon American, 1925-1969 Untitled (Lion) Oil on Masonite 25 x 32 inches (63.5 x 81.28 cm) C $5,000-7,000

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205 John Altoon American, 1925-1969 (i) Portrait of Phyllis Brunner Oil on board laid to Masonite 20 x 15 inches (50.8 x 38.1 cm) (ii) Untitled (Mother and Child) Oil and ink on card 8 x 5 inches (20.32 x 12.7 cm) C $3,000-5,000

206 John Altoon American, 1925-1969, Untitled (Man with a Canary) Oil and ink on board laid to Masonite 20 x 15 inches (50.8 x 38.1 cm) C $2,000-3,000

207

207 LeRoy Neiman American, 1921-2012 Ice Men, 1967 Signed Leroy Neiman, dated 67 and inscribed Madison Square Garden (lr), signed Leroy Neiman, dated 1966 and inscribed N.Y Rangers vs. Chicago Blackhawks / Mad. Sq. Garden, N.Y. on the reverse Oil on Masonite 36 x 48 inches (91.44 x 121.92 cm) Provenance: Acquired directly from the artist by Bill Shea, Jr. Bill Shea, Sr. Thence by descent and bequest to Shea family members C $40,000-60,000

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208

208 Ron Gorchov American, b. 1930 The Tyger, 1978 Signed Ron Gorchov and dated 1978 on the reverse, signed Ron Gorchov and dated 1978 on the stretcher Oil on shaped canvas 20 7/8 x 27 1/2 inches (53.02 x 69.85 cm) C $15,000-20,000

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210 209 Miguel Covarrubias Mexican, 1904-1957 Tea Gossip, circa 1925-1927 Inscribed “Tea Gossip”/wash drawing/by Miguel Covarrubias/illustration for “Vanity Fair”/ca. 1925-1927./Vanity Fair/2357 B/for Mr. Crowninshield/small black frame on the reverse Ink on paper 13 1/4 x 9 3/8 (33.7 x 23.8 cm) C $5,000-7,000 209

210 Francisco Zúñiga Mexican, 1912-1998 Tres Mujeres, 1960 Signed Zga and dated 60 (lr), inscribed No. 2 Zúñiga 1960/3 Women Seated/(ptd) and numbered 07-00600 on the reverse 19 1/2 x 25 1/2 inches (49.53 x 64.77 cm) Provenance: Galleria De Arte Misrachi, S. A Acquired from the above, 1978 Literature Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/Catalogue Raisonne, Vol. III 1971-1989, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 2006, no. 919, illus. b/w C $5,000-7,000 211 Francisco Zúñiga Costa Rican/Mexican, 1912-1998 Mujer Con Rebozo 1977 Signed Zga and dated 1977 (lr) Charcoal on paper 27 5/8 x 19 3/4 inches (70.16 x 50.16 cm)

211

Provenance: Galleria De Arte Misrachi, S. A. Purchased from the above, 1978 Please note this work will be included in the forthcoming Volume V of the Francisco Zúñiga catalogue raisonne.

C $3,000-5,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55

214 212 Francisco Zúñiga Costa Rican/Mexican, 1912-1998 Desnudo Sentado, 1977 Signed Zúñiga and dated 1977 (lr) Crayon on beige paper 27 1/2 x 19 3/4 inches (70 x 50 cm)

212

Provenance: Private collection, New York Literature: Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/ Catalogue Raisonne, Vol. IV: Drawings 1971-1989, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 2006, no. 2598, illus. b/w, p. 578 C $3,000-5,000 213 Francisco Zúñiga Costa Rican/Mexican, 1912-1998 Mujer Sentada con Bata, 1979 Signed Zúñiga and dated 1979 (lr) Crayon and pastel on gray paper 19 3/4 x 27 1/2 inches (50 x 70 cm) Provenance: Private collection, New York Literature: Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/ Catalogue Raisonne, Vol. IV: Drawings 1971-1989, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 2006, no. 2721, illus. b/w, p. 608 C $5,000-7,000 213

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214 Francisco Zúñiga Mexican, 1912-1998 Maternity, 1969 Signed Zga and dated 1969 (lr) Watercolor with red and black chalk on paper 19 5/8 x 25 1/2 inches (49.84 x 64.77 cm) Please note this work will be included in the forthcoming Volume V of the Francisco Zúñiga catalogue raisonne.

C $3,000-5,000

215

215 Francisco Zúñiga Costa Rican/Mexican, 1912-1998 Joven Descansando, (Young Woman Resting), 1976 Signed with artist’s mark and dated 76 (ll) Crayon on white paper 19 3/4 x 25 1/2 inches (50.2 x 64.8 cm) Literature: Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/ Catalogue Raisonne, Vol. IV 1971-1989, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 2006, no. 2368, illus. b/w, p. 523 C $5,000-7,000

216

Property from Estate of Elsie Adler 216 Felipe Castañeda Mexican, b. 1933 La Juania, 1995 Signed F. Castañeda, dated 1995 and numbered V/VII Bronze with black patina 13 x 14 1/4 x 7 3/8 inches (33.02 x 36.19 x 18.73 cm) C $5,000-7,000 Property from Estate of Elsie Adler 217 Felipe Castañeda Mexican, b. 1933 Dama en Cuncillias, 1996 Signed F. Castañeda and dated 1996 White onyx Height 17 1/2 inches (44.45 cm) C $3,000-5,000 217 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57

218 218 Armando Morales Nicaraguan, 1927-2011 Paisaje, 1989 Signed Morales and dated 89 (lr) Oil on paper Sheet size 7 1/4 x 18 1/4 inches (18.41 x 46.35 cm), image size 5 1/2 x 15 3/4 inches (13.97 x 40 cm) C $4,000-6,000

219 Alirio Palacios Venezuelan, b. 1938 Reconstruccion de un Sueno, 1979 Signed Alirio Palacios and dated 1979 (lr) Charcoal and pastel on canvas 40 x 40 inches (101.6 x 101.6 cm) C $7,000-9,000

219 58 DOYLE • NOVEMBER 1, 2016 • NEW YORK

220 Claudio Bravo Chilean, 1936-2011 Old Donkey, 2005 Signed Claudio Bravo and dated MMV (ll) Pencil on paper 29 1/2 x 43 1/4 inches (74.93 x 109.85 cm) Provenance: The artist Marlborough Gallery, New York C $20,000-30,000

220

221 Luis Fernando Benedit Argentine, 1937-2011 El Campo, 1985 Signed Benedit and dated 85 on the reverse, signed Benedit, dated 1985 and inscribed as titled on the stretcher Oil on canvas 53 x 42 inches (134.62 x 106.68 cm) Unframed C $15,000-20,000

221

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223

222

222 Luis Fernando Benedit Argentine, 1937-2011 Proyecto Naturje Certificial F, 1975 Signed Benedit and dated 75 (lr), inscribed as titled (ll) Graphite and watercolor on paper 26 x 18 3/4 inches (66.04 x 47.62 cm) Unframed C $6,000-8,000 223 Jacobo Borges Venezuelan, b. 1931 Rostro II, 1984 Signed Jacobo Borges and dated 12-7-84 (ll) Pastel on paper 23 3/4 x 19 5/8 inches (60.32 x 49.84 cm) C $3,000-5,000 224 Ramon Oviedo Dominican, 1927-2015 Haciendo Uso Del Espacio, 1975 Signed Oviedo and dated 75 (ul), signed Oviedo and dated 75 on the reverse Acrylic on canvas 36 1/2 x 30 inches (92.71 x 76.2 cm) Provenance: [Sale] Sotheby’s Arcade, New York, Feb 12, 1991, lot no. 288 C $3,000-5,000

224 60 DOYLE • NOVEMBER 1, 2016 • NEW YORK

225 Juan Cardenas Colombian, b. 1939 Landscape with Two Small Girls, 1983-84 Signed Juan Cardenas (lr) Oil on canvas laid to panel 9 1/4 x 14 inches (23.49 x 35.56 cm) Provenance: Claude Bernard Gallery, New York C $4,000-6,000

225

226 Juan Cardenas Colombian, b. 1939 Landscape with the Back of a Man, 1983-84 Signed Juan Cardenas (lr) Oil on canvas laid to panel 9 1/4 x 13 3/4 inches (23.49 x 34.92 cm) Provenance: Claude Bernard Gallery, New York Exhibited: Representation Abroad, Jun 5 - Sep 2, 1985, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC C $4,000-6,000

226

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227

227 Francisco Toledo Mexican, b. 1940 Pescado Cabeza Grande (Benda Iquengola), 1975 Signed Francisco Toledo four times, titled in Zapotec and Spanish, and dated 29 abril 75 on the reverse Oil and sand on canvas 39 3/8 x 51 1/8 inches (100.01 x 129.85 cm) Provenance: Acquired by the artist C $100,000-200,000

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228

228 Francisco Toledo Mexican, b. 1940 Chapulin Azul (Blue Grasshopper) Signed Toledo (lr) Watercolor and ink on paper 10 1/8 x 13 7/8 inches (25.71 x 35.24 cm) Marked M & A Provenance: Acquired by the artist C $10,000-15,000

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229 230

229 Francisco Toledo Mexican, b. 1940 Pisando Camarones, 1973 Signed Toledo (cr) Gouache and pencil on paper 12 1/2 x 9 1/4 inches (31.75 x 23.49 cm) Provenance: Galería Juan Martín, Mexico City C $10,000-15,000

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230 Francisco Toledo Mexican, b. 1940 Sapos (Egg), 1975 Watercolor and ink on ostrich egg 5 1/2 x 5 inches (13.97 x 12.7 cm) C $5,000-7,000

231

231 Pedro Coronel Mexican, 1923-1985 La Puesta del Sol, 1971 Signed Pedro Coronel, dated 1971 and inscribed Mexico on the reverse Oil on canvas 19 3/4 x 23 3/4 inches (50.16 x 60.32 cm) C $25,000-35,000

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232 232 Pedro Coronel Mexican, 1923-1985 El Hombre Mellado, 1964 Signed Pedro Coronel, dated 1964 and inscribed Mexico on the reverse Oil on canvas 31 3/4 x 37 1/2 inches (80.64 x 95.88 cm) C $30,000-50,000 Property from Estate of Elsie Adler 233 Miguel Martinez American, b. 1951 Dolores, 1991 Signed M. Martinez and dated 1991 (ur), inscribed MM 91 0014 o/p on the reverse, signed M. Martinez, dated, 3/8/92 and inscribed to Elsie/best wishes on the backing Pastel on paper 40 x 30 inches (101.6 x 76.2 cm) C $4,000-6,000

233 66 DOYLE • NOVEMBER 1, 2016 • NEW YORK

234

Property of a Private Beverly Hills Collector 234 Pablo Esteban O’Higgins American/Mexican, 1904-1983 Cactus, 1973 Signed P. OHiggins and dated 73 (ll) Oil on canvas 23 3/4 x 35 1/2 inches (60.32 x 90.17 cm) C $8,000-12,000 Property of a Private Beverly Hills Collector 235 Raymundo Martinez Mexican, 1915-1982 Paisaje II, 1973 Signed Raymundo Martinez and dated 73 (lr) Acrylic on canvas 23 3/4 x 35 1/2 inches (60.75 x 90.17 cm) C $3,000-5,000 235

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 67

236 Property of a Private Beverly Hills Collector 236 Carlos Merida Guatemalan, 1895-1984 La Admonicion, 1976 Signed Carlos Merida and dated 1976 (lc), signed Carlos Merida, dated 1976 and inscribed as titled on the reverse Oil and petroplastic on Amate paper laid on Masonite 18 x 11 1/2 inches (45.72 x 29.21 cm) Provenance: Acquired directly from the artist by the current owner, and is accompanied by a photocopy of a letter signed and issued by Carlos Merida, Mexico City, April 1976 C $25,000-35,000 68 DOYLE • NOVEMBER 1, 2016 • NEW YORK

237 Property of a Private Beverly Hills Collector 237 Francisco Zúñiga Mexican, 1912-1998 Juchitecas Sentadas, 1976 Signed Zúñiga, dated 1976 and numbered VI/VIII Bronze 18 1/2 x 23 1/2 x 17 1/8 inches (47 x 59.7 x 43.5 cm) Provenance: Galeria de Arte Misrachi, Mexico City Literature: Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/Catalogue Raisonne, Vol. I: 1923-1993, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 1999, no. 735, another example illus. b/w, p. 425 C $30,000-50,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69

238

Property of a Private Beverly Hills Collector 238 Francisco Zúñiga Mexican, 1912-1998 Mujer Sentada con Rebozo (Seated Woman with Shawl), 1974 Signed Zúñiga and dated 1974 Black Mexican marble, unique 24 1/8 x 21 5/8 x 18 inches (61.5 x 55 x 45.7 cm) Literature: Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/Catalogue Raisonne, Vol. I: 1923-1993, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 1999, no. 721, illus. b/w, p. 419 C $25,000-35,000

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239

Property of a Private Beverly Hills Collector 239 Francisco Zúñiga Mexican, 1912-1998 Desnudo Reclinado, 1978 Signed Zúñiga, dated 1978 and numbered I/V Bronze 11 x 15 3/8 x 9 7/8 inches (28 x 39 x 25 cm) Provenance: The Artist Dr. Katz, Mexico City Literature: Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/ Catalogue Raisonne, Vol. I: 1923-1993, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 1999, no. 824, another example illus. b/w, p. 480 C $12,000-18,000 Property of a Private Beverly Hills Collector 240 Francisco Zúñiga Mexican, 1912-1998 Desnudo, 1974 Dated 1974, signed Zúñiga and numbered XX/XXVIII Bronze multiple Height without base 11 x 11 1/4 x 7 1/2 inches (28 x 28.5 x 19 cm)

240

Literature Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/ Catalogue Raisonne, Vol. I: Escultura 1923-1993, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., Mexico, 1999, no. 70, illus. b/w, p. 418 C $5,000-7,000

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Property of a Private Beverly Hills Collector 241 Felipe Castañeda Mexican, b. 1933 Seated Nude, 1984 Signed F. Castañeda, dated 1984 and numbered II/VII Bronze with brown patina Height 25 1/2 inches (64.77 cm) C $7,000-10,000 Property of a Private Beverly Hills Collector 242 Felipe Castañeda Mexican, b. 1933 Seated Nude, 1984 Signed F. Castañeda, dated 1984 and numbered V/VII Bronze with brown patina Height 29 inches (73.66 cm) C $10,000-15,000

241

242 72 DOYLE • NOVEMBER 1, 2016 • NEW YORK

Property of a Private Beverly Hills Collector 243 Filipe Casta単eda Mexican, b. 1933 Pensive, 1985 Signed F. Casta単eda and dated 1985 White marble (possibly onyx) 13 x 11 1/4 x 15 inches (33.02 x 28.57 x 38.1 cm) C $6,000-8,000 Property of a Private Beverly Hills Collector 244 Filipe Casta単eda Mexican, b. 1933 Seated Woman, 1983 Signed F. Casta単eda, dated 1983 and numbered IV/VII Bronze with green patina Height 36 inches (91.44 cm) C $12,000-18,000

243

244 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73

245

Property of a Private Beverly Hills Collector 245 Gunther Gerzso Mexican, 1915-2000 Untitled, 1976 Signed Gerzso and dated 76 (lr), signed Gerzso, dated VI - 76 and inscribed Verde - Azul - Naranja on the reverse Oil on Masonite 18 x 25 1/2 inches (45.72 x 64.77 cm) Provenance: Christie’s, New York, Important Latin American Paintings, Drawings and Sculpture, Sale 8676, Lot 56, May 29, 1997 C $50,000-70,000

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Property of a Private Beverly Hills Collector 246 Guillermo Meza Mexican, 1917-1997 La Doncella Elegida, 1979 Signed Guillermo Meza and dated 1979 (lr), signed Guillermo Meza A., dated 1979, inscribed No. 1464 and as titled on the reverse Oil on canvas 33 3/4 x 27 3/4 inches (85.72 x 70.48 cm) Exhibited: Instituto Nacional Bellas Artes, Mexico C $7,000-9,000

246

Property of a Private Beverly Hills Collector 247 Guillermo Meza Mexican, 1917-1997 La Mina, 1963 Signed Guillermo Meza and dated 1963 (lr), signed G. Meza, dated 1963, inscribed A Juan Urby V. and as titled on the reverse Oil on canvas 27 3/4 x 35 3/4 inches (70.48 x 90.8 cm) Provenance: Galleria de arte, Mexico City Acquired from the above, 1968 C $4,000-6,000

247

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Property of a Private Beverly Hills Collector 248 Luis Nishizawa Mexican, b. 1920 Naturaleza Muerta, 1982 Signed Nishizawa (ll), signed Nishizawa, dated 1982 and inscribed as titled on the reverse Acrylic on canvas 23 1/2 x 41 1/4 inches (59.69 x 104.77 cm)

248

Provenance: Acquired directly from the artist by the current owner, Mexico City C $6,000-9,000 Property of a Private Beverly Hills Collector 249 Luis Nishizawa Mexican, b. 1920 Naturaleza Muerta, 1982 Signed Nishizawa (lr), signed Nishizawa, dated 1982 and inscribed as titled on the reverse Acrylic on canvas 27 1/4 x 47 1/4 inches (69.21 x 120.01 cm)

249

Provenance: Acquired directly from the artist by the current owner, Mexico City C $6,000-9,000 Property of a Private Beverly Hills Collector 250 Rolando Rojas Mexican, b. 1970 Los Animales de los Amantes, 1998 Signed Oil and sand on canvas 54 1/2 x 53 1/4 inches (138.43 x 135.25 cm) Provenance: Galeria Alberto Misrachi, Mexico City This work includes a Certificate of Authenticity from Galeria Alberto Misrachi, no. 498 C $6,000-8,000

250 76 DOYLE • NOVEMBER 1, 2016 • NEW YORK

CONTEMPORARY ART

Lot 259

251 detail 251

Property of a Private Beverly Hills Collector 251 Robert Graham American, 1938-2008 Untitled (Fountain), 1990 Bronze, from an edition of 6 63 x 13 x 13 inches (160.02 x 33.02 x 33.02 cm) C $30,000-50,000

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252 Joe Brainard American, 1942-1994 Ted (Portrait of Ted Berrigan) Ink on paper 13 x 10 inches (33.02 x 25.4 cm) Provenance: The artist Ted Berrigan Gift from Ted Berrigan to Harris Schiff Thence by descent to the current owner Beloved writer Ted Berrigan considered himself a “late Beat,” as he came to prominence in New York’s “Second Generation” of poets, which was just preceded by the Beat Generation. Followed to New York by college friend and lifelong collaborator Joe Brainard, the two remained major forces in each other’s lives, until Berrigan’s passing in 1983. Both Berrigan and Brainard were indicative of the cross-collaborative attitudes of New York in the mid-60s, as it became natural for artists, writers, dancers, photographers and filmmakers to team up, not to mention Allan Kaprow’s multi-media Happenings. Possibly their most notable project was Bean Spasms from 1967, a group effort also including friend Ron Padgett, a seminal tome that comprised text and illustration done by the group, blatantly disregarding personal attributions, while embracing experimentation and exploration. This portrait of Berrigan, captures the illustrative cartoon nature in all its inky blackness that Brainard was famous for. Berrigan later gifted the work to good friend (and notable New York School poet in his own right) Harris Schiff, who, like Brainard, was a collaborator with Berrigan, famously working together on the 1979 conceptual literary project Yo-Yo’s with Money.

C $5,000-7,000

252

253 253 Sol LeWitt American, 1928-2007 Wavy Brushstrokes, 1995 Signed S. LeWitt and dated 95 (lr) Gouache on paper 11 x 14 7/8 inches (27.94 x 37.78 cm) Provenance: The Chester Gallery, Chester, CT C $8,000-12,000

254 254 Tano Festa Italian, 1938-1988 Untitled, 1986 Signed Festa and dated 86 on the reverse Acrylic on canvas 47 x 39 1/2 inches (119.38 x 100.33 cm) C $6,000-8,000

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255 George Condo American, b. 1957 Untitled, 2009 Signed Condo and dated 09 (ul) Graphite on paper 16 3/8 x 11 5/8 inches (41.59 x 29.52 cm) Unframed C $10,000-15,000 256 George Condo American, b. 1957 O.T., 1985 Signed Condo and dated 85 (ll) Ink on paper 12 x 13 1/2 inches (30.48 x 34.29 cm) Provenance: Monika Spruth Galerie, Cologne, Germany C $8,000-12,000

255

256

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257 Ross Bleckner American, b. 1949 Anonymous Urn, 1989 Signed Ross Bleckner, dated 1989 and inscribed as titled on the reverse Oil on linen 48 x 40 inches (121.92 x 101.6 cm) Provenance: Mary Boone Gallery, New York C $15,000-20,000

257

258 Sherrie Levine American, b. 1947 Krazy Kat, 1993 Signed Sherrie Levine, dated 1993 and inscribed #10 on the reverse Casein and graphite on paper Image size 12 x 9 1/2 inches (30.48 x 24.13 cm), sheet size 20 x 15 inches (50.8 x 38.1 cm) Provenance: Purchased directly from the artist by the current owner C $12,000-18,000

258 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81

JEAN-MICHEL 259 Jean-Michel Basquiat American, 1960-1988 Untitled (Skull), circa 1981 Acrylic and paint marker on drywall 15 3/4 x 8 3/4 inches (40 x 22.22 cm) The urban legends surrounding Jean-Michel Basquiat’s studio in the basement of the Annina Nosei Gallery aer often more myth than fact. Joining the gallery in 1980, Basquiat took up residence in the storage basement beneath the gallery at 100 Prince Street, carving out a space between a room with the gallery’s storage racks and an area with massive skylights leaking through to the street above.

Creating at a fever pitch, Basquiat took to the space and prepped for his inaugural 1981 show while Annina paraded notable collectors through the studio, selling freshly painted works. Stated by Jeffrey Deitch in a 1982 issue of Flash Art, Basquiat “is likened to the wild boy raised by wolves, corralled into Annina’s basement and given nice clean canvases to work on instead of anonymous walls.” The suggestion was at the time that Basquiat was mired in some sort of indentured servitude, being manipulated by the big business of fine art. While the relationship between Basquiat and Nosei was not perfect, the implications were louder than the facts, and those stories have only grown over time, even permeating into Julian Schnabel’s 1996 bio-pic of Jean-Michel’s life and career. The actual story was a good deal less sordid; as a young and eager Basquiat found in Nosei an able gallerist, as well as a functional space stocked with materials. Circa1981, “Untitled (Skull)” resided on the wall of Basquiat’s studio space, just near the telephone and the doorway to storage racks. The art survived, by Annina’s demand to not paint over the Basquiat. Basquiat’s gestural skull was cut from the wall of Annina Nosei’s gallery, and has survived as a final document of Jean-Michel’s first studio and gallery.

C $40,000-60,000

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259 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83

260 part

262

261 260 Keith Haring American, 1958-1990 Untitled, 1978 Signed K. Haring (lr) Ink on sketchbook paper 8 1/2 x 5 1/2 inches (21.59 x 13.97 cm) Unframed Provenance: Acquired directly from the artist in 1978 by the current owner Together with a personalized postcard from Keith Haring, 1978 Signed K. Haring and stamped 1978 Ink on postcard 3 1/2 x 5 3/8 inches (8.89 x 13.65 cm) Unframed Provenance: Acquired directly from the artist by the current owner C $8,000-12,000

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Property from Estate of Ronnie Cutrone 261 Ronnie Cutrone American, 1948-2013 Untitled, 1992 Acrylic and collaged flag on canvas 46 x 70 inches (116.84 x 177.8 cm) Unframed C $3,000-5,000

262 Richard Tuttle American, b. 1941 Untitled (G), 1987 Oil, graphite and mylar collage on board 5 x 4 inches (12.7 x 10.16 cm) Provenance: [Sale] Postwar & Contemporary First Open, Apr. 1, 2008, Christie’s New York, lot 94 Together with a selection of books and a signed artist’s reproduction C $4,000-6,000

263

263 Martin Wong American, 1946-1999 Jodie Foster - An Expert Tells Why Fans Turn Fanatic, 1981 Initialed MW, signed with artist’s device and dated 1981 (lr), inscribed as titled (lc) Acrylic on canvas 35 1/2 x 46 inches (90.17 x 116.84 cm) Unframed Provenance: E. Buk Antiques, New York Purchased from the above, circa 1981 by the current owner C $40,000-60,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

264 James Siena American, b. 1958 Wet Boustrophedonic Combs, 2005 Ink on Dieu Donne paper 10 3/8 x 14 1/4 inches (26.35 x 36.19 cm) Provenance: Dieu Donne Papermill, New York C $6,000-8,000

264

266

265 James Nares British, b. 1953 Untitled, 2008 Signed Nares and dated ‘08 (lr) Iridescent oil pant and wax on paper 24 x 9 1/2 inches (60.96 x 24.13 cm) Provenance: Purchased from ACRIA, New York by the current owner C $5,000-7,000

265

86 DOYLE • NOVEMBER 1, 2016 • NEW YORK

266 Sean Scully Irish/American, b. 1945 Untitled (double-sided work), 1996 Signed S Scully, dated 96 and inscribed unframed 6/50 (ll) Watercolor on paper 8 x 5 3/4 inches (20.32 x 14.6 cm) Provenance: Purchased from ACRIA, New York, by the current owner C $6,000-8,000

267

268

267 Brian Clarke British, b. 1953 Untitled, circa 1984 Signed Brian Clarke on the reverse Acrylic and paper collage on paper 41 3/4 x 41 3/4 inches (106.04 x 106.04 cm) Brian Clarke Studio no. 84-111 C $6,000-8,000 268 Brian Clarke British, b. 1953 Untitled, circa 1984 Signed Brian Clarke on the reverse Acrylic and paper collage on paper 41 3/4 x 41 3/4 inches (106.04 x 106.04 cm) Brian Clarke Studio no. 84-112 C $6,000-8,000 269 Peter Tunney American, b. 1961 Mercy Mercy, 2005-2006 Signed Peter T. Tunney (lr), dated Nov Oct 30, 2010 and inscribed This is an authentic/”old school”/ original Peter Tunney/panting/Executed in 2005-2006./I love this piece!/Peter on the reverse Acrylic and newspaper collage on canvas 60 x 48 inches (152.4 x 121.92 cm) Unframed C $6,000-8,000

269

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87

270

270 Stephen Hannock American, b. 1951 Flooded Pasture: Evening Rain, OK, 1999 Signed Stephen Hannock, dated 8/99 and inscribed as titled on the reverse Polished oil over acrylic on canvas mounted on board 24 x 36 inches (60.96 x 91.44 cm) C $15,000-20,000

88 DOYLE • NOVEMBER 1, 2016 • NEW YORK

271 Robert Beck (Buck) American, b. 1959 (i) (Untitled) Young Children and Their Drawings by Joseph H. Dileo/The Video Manual by David Cheshire, 2002 Carbon, charcoal, colored pencil, graphite and tape on paper 17 x 14 inches (43.18 x 35.56 cm) Provenance: CRG Gallery, New York (ii) Untitled (Clinical Studies of Personality: Vol. II by Arthur Burton and Robert E. Harris), 2000 Carbon, charcoal and graphite on paper 17 1/2 x 12 inches (44.45 x 30.48 cm)

271 272 Marcel Dzama Canadian, b. 1974 I Hear a Army, 2004 Signed Marcel Dzama (lr), initaled MD, dated 2004 and inscribed as titled on the stretcher Oil on linen 16 x 20 inches (40.64 x 50.8 cm) Provenance: Galleri Magnus Karlsson, Stockholm [Sale] Phillips New York, Contemporary Art Part II, Nov. 13, 2009, lot 339 C $8,000-12,000

Provenance: CRG Gallery, New York (iii) Untitled (Children as Individuals by Michael Fordham), 2001 Charcoal, carbon, graphite and white-out on paper 17 1/2 x 12 inches (44.45 x 30/48 cm) Provenance: CRG Gallery, New York (iv) Untitled (Psychological Evaluation of Human Figure Drawing by Middle School Pupils by Elizabeth Koppitz), 2001 Carbon, charcoal and graphite on paper 14 x 11 inches (35.56 x 27.94 cm) Provenance: CRG Gallery, New York (v) Untitled (Children as Individuals

by Michael Fordham), 2001 Charcoal, carbon and graphite on paper 15 x 12 inches (38.1 x 30.48 cm) Provenance: CRG Gallery, New York C $3,000-5,000

272

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89

273 273 Margaret Kilgallen American, 1967-2001 Untitled (Woman with Mustache), circa 1997 Acrylic on panel 6 x 5 inches (15.24 x 12.7 cm) Unframed Exhibited: Nellie Was There, Jan. 8-Feb. 8, 1997, Gallery 16, San Francisco Literature: Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, p. 129, color illus.

C $7,000-9,000 274 Margaret Kilgallen American, 1967-2001 (i) Untitled (Shoes), circa 1997 Acrylic on found paper 7 3/8 x 5 inches (18.73 x 12.7 cm) Unframed Exhibited: Nellie Was There, Jan. 8-Feb. 8, 1997, Gallery 16, San Francisco Literature: Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, p. 134, color illus. (ii) Untitled (Exhibition Invitation) Screeprint on paper 5 1/2 x 4 1/4 inches (13.97 x 10.79 cm) Unframed C $6,000-9,000 90 DOYLE • NOVEMBER 1, 2016 • NEW YORK

274

276

275 275 Jake & Dinos Chapman British, 20th Century Jet Propelled Hands I, 2000 Signed Jake and Dinos Chapman on the reverse Etching and watercolor on paper Image size 9 x 7 inches (22.86 x 17.78 cm), sheet size 17 x 16 inches (43.18 x 40.64 cm) Provenance: White Cube, London C $3,000-5,000 276 Derrick Joshua Beard American, b. 1958 Fake, Fraud, and the Prison Industrial Complex, 2016 Signed Derrick Joshua Beard (lr), signed Derrick Joshua Beard dated 2016 and inscribed as titled on the reverse Silkscreen on black velvet, from an edition of 3 with 3 artist’s proofs 24 x 20 inches (60.96 x 50.8 cm) C $5,000-7,000 Property from Estate of Nan Rosenthal and Henry B. Cortesi 277 Sangbin IM Korean, b. 1976 MoMA, 2008-09 Signed Sangbin IM, dated 2008 and 2009, numbered 1/5 and inscribed as titled on artist’s label affixed to the reverse Lambda print mounted to Diasec, from an edition of 5 79 1/2 x 47 3/4 inches (201.93 x 121.28 cm) C $5,000-7,000 277 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 91

278

279 278 Ahmed Alsoudani Iraqi, b. 1975 Untitled, 2007 Signed Alsoudani and dated ‘07 on the reverse India ink, charcoal and pastel on paper 18 x 14 inches (45.72 x 35.56 cm) Provenance: Mehr Gallery, New York Private collection, New York Exhibited: Ahmed Alsoudani, Jan. 10 - Feb. 9, 2008, Mehr Gallery, New York C $3,000-5,000 279 Cameron Martin American, b. 1970 Before and After, 2004 Signed Cameron Martin, dated 2004 and inscribed as titled on the reverse Oil and alkyd on canvas 30 x 40 inches (76.2 x 101.6 cm) Provenance: Artemis Greenberg Van Doren Gallery, New York C $4,000-6,000 280

92 DOYLE • NOVEMBER 1, 2016 • NEW YORK

280 Laxman Shreshtha Indian, b. 1939 Untitled Signed Laxman Shrestha on the reverse Oil on canvas 40 x 44 inches (101.6 x 111.76 cm) C $5,000-7,000

281 Senaka Senanayake Sri Lankan, b. 1951 Untitled, 1968 Signed Senake Senanayake and dated 1968 (lr) Acrylic on canvas 25 x 30 inches (63.5 x 76.2 cm) We thank the artist for verbally confirming the authenticity of this work.

C $4,000-6,000

281

282 Nicole Charbonnet American, b. 1966 Tiger, 2007-08 Signed Charbonnet, dated 2007-08 and inscribed as titled on the reverse Acrylic and oil on canvas 72 x 96 inches (182.88 x 243.84 cm) Unframed C $3,000-5,000

End of Sale 282

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93

ARTIST INDEX Alsoudani, Ahmed Altoon, John Angrand, Charles Arp, Jean (Hans)

278

Colescott, Robert

172

Helsby, Alfredo

204-206

Condo, George

255, 256

Hirsch, Joseph

8

Coronel, Pedro

231, 232

Hussein, Ibrahim

73

Aubertin, Bernard

186

Avery, Milton

141

Covarrubias, Miguel

209

Cutrone, Ronnie

261

Dalí, Salvador 259

Davis, Gene

169

Beard, Derrick Joshua

276

Davis, Stuart

77, 85

Benedit, Luis Fernando Benner, Gerrit Béraud, Jean Berge, Edward

271 221, 222 132 6 88

de Kooning, Elaine Delpy, Hippolyte Camille Depero, Fortunato Derain, André Dufy, Jean

122 191-193

IM, Sangbin

277

Indiana, Robert

170

120, 121

Basquiat, Jean-Michel Beck, Robert (Buck)

10

Jenkins, Paul Jones, Hugh Bolton

150-153 89

168 1

Kahn, Wolf

123A

135

Kayyali, Louay

202, 203

16

Kepes, Gyorgy

166

25

Khanna, Krishen

195-197

Berthelsen, Johann

119

Dunoyer de Segonzac, André

20-22

Kieff, Antonio Grediaga

180, 181

Bertoia, Harry

179

Dyf, Marcel

28-31

Kilgallen, Margaret

273, 274

Bhavsar, Natvar

194

Dzama, Marcel

272

Blaine, Nell

130

Bleckner, Ross

257

Evergood, Phillip Howard (Blashki)

116

Borges, Jacobo

223

Bourgeois, Louise

176

Feininger, Lyonel

Brackman, Robert

109

Festa, Tano

254

Brainard, Joe

252

Frankenthaler, Helen

149

Kleinschmidt, Paul

32

Bravo, Claudio

220

Garber, Daniel

Burliuk, David Davidovich

117

Gerzso, Gunther

Cadmus, Paul

72 110-112; 124-126

Kline, Franz Kollwitz, Käthe

Brasilier, André

Butler, Reg

Klee, Paul

54

94 245

74 45-51 146 12, 71

Kuehne, Max

91

Kuhn, Walt Francis (Walter)

84

Lacasse, Joseph

144

Laurencin, Marie

18, 62

Lavatelli, Carla

Giacometti, Alberto

76

Lebasque, Henri

Goodnough, Robert

156

Lee-Smith, Hughie

Gorchov, Ron

208

Léger, Fernand

178 17 128, 129 66-70

Calder, Alexander

136

Graham, Robert

251

Lemmen, Georges

14

Carbonnet, Nicole

282

Gray, Cleve

164

Le Pho

27

Cárdenas, Juan 225,

226

Griffin, Walter Parsons Shaw

Carone, Nicolas

163

Grosz, George Ehrenfried

Cassigneul, Jean-Pierre Castañeda, Felipe

39

Gutmann, Bernhard

90 40-44 115

216, 217, 241-244

Castle, James

133

Hambourg, André

33-36

Cavallon, Giorgio

161

Hannock, Stephen

270

Haring, Keith

260

Chadwick,William Chapman, Jake & Dinos Chase, William Merritt Clarke, Brian

95 275 78, 79 267, 268

Hartley, Marsden

87

Lever, Richard Hayley

83

Levine, Jack

107

Levine, Sherrie

258

LeWitt, Sol

253

Lipchitz, Jacques

55

Mack, Heinz

183

Marca-Relli, Conrad

154

Hayden, Palmer Cole

127

Marsh, Reginald

Held, Al

173

Martin, Cameron

99-104 279

ARTIST INDEX Martin, Fletcher

118

Pissarro, Hughes Claude

Martinez, Miguel

233

Prendergast, Maurice Brazil

Martinez, Raymundo

235

Matisse, Henri

63-65

Matulka, Jan Mayhew, Richard

131 113, 114

Meadmore, Clement

177

Mehring, Howard

190

Menkes, Sigmund

23

Mérida, Carlos

236

Metzinger, Jean

52, 53

Meza, Guillermo

246, 247

Reggianini, Vittorio

37, 38 82 5

92 80

Rojas, Rolando

250

Williams, Frederick Ronald

139

Wong, Martin

263

Sargent, John Singer

81

Scarlett, Rolph

145

Scarpitta, Salvatore

175

de Schryver, Louis Marie

7 281

Miró, Joan

75

Shaw, Charles Green

142

Montézin, Pierre-Eugène

15

Shreshtha, Laxman

280

Moore, Henry

137

Siena, James

264

Morales, Armando

218

Soyer, Moses

108

57

Spyropoulos, Yannis

165

162

Stamos, Theodoros

147, 148

13

Stanczak, Julian

Music, Zoran

134

Stefanelli, Joe

Nares, James

265

Tamir, Moshe

171 157-160 140

Natkin, Robert

187-189

Tchelitchew, Pavel

56

Neiman, LeRoy

207

Terzian, Georges

26

3

Toledo, Francisco

227-230

de Neuville, Alphonse-Marie-Adolphe Nilouss (Nilus), Petr Alexandrovich Nishizawa, Luis Nolan, Sidney Robert Novo, Stefano

24 248, 249 138 4

de Toulouse-Lautrec, Henri Tucker, Allen

60 96-98

Tunney, Peter

269

Tuttle, Richard

262

O’Higgins, Pablo Esteban

234

Valadon, Suzanne

61

Oubre, Hayward Louis

174

Vallotton, Felix

59

Oviedo, Ramon

224

Vasarely, Victor

182

Vicente, Esteban

155 123

Palacios, Alirio

219

Vickrey, Robert Remsen

Pereira, Irene Rice

143

de Vlamin, Maurice

Pettoruti, Emilio Piene, Otto Pille, Charles Henri Pissarro, Camille

11

86

Wiles, Irving Ramsey

266

Mucha, Alphonse Maria

93

Weber, Max Wiggins, Guy Carleton

Senanayake, Senaka

Morris, Kyle

Waugh, Frederick Judd

167

Scully, Sean

Morisot, Berthe

198

Rivers, Larry

106

Miller, Kenneth Hayes

Wanly, Seif

Vuillard, Édouard

19 8A, 9

184, 185 2

Walter, Martha

105

58

Wanly, Adham

199-201

Zúñiga, Francisco

210-215, 237-240

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38812 Doyle Nov01.16.indd 1

9/16/16 3:17

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee.

In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations.

REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts.

REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue.

ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him.

SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

I

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows:

(u.l.) Upper left

(l.l.) Lower left

(u.r.) Upper right

(l.r.) Lower right

(u.c.) Upper center

(l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date.

DATED In our best judgment, the date indicated on the work is the date the work was executed.

DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist.

TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets.

REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

EDITION Information regarding the size of the edition is given when possible.

SIGNATURE Only manuscript signatures of the artists are indicated.

Signatures “in the plate” are not mentioned since they are considered part of the image.

QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee.

The print sleeves are the property of Doyle New York and are not included in the sale.

MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements.

Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width.

Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images.

All pictures are framed unless otherwise noted in this catalogue.

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CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions.

Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms: 2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored.

Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative.

The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact.

Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry.

Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance.

Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold.

No reserve will exceed the low estimate of the lot.

Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York.

Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue.

Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest.

Doyle New York on occasion makes loans or advances funds to consignors.

The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller.

The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances.

The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations.

Estimates are subject to revision. Actual prices realized for items can fall below or above this range.

An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

Estimates do not include the buyer’s premium.

Where “Estimate on Request” appears, please contact the Specialist Department for further information.

II

6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder.

The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots.

In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute.

If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment:

The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $200,000 of the hammer price, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

Payment shall be made as follows:

A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

Masterpiece Home in Glen Ridge, New Jersey

$

2,590,000

This masterpiece home is located in highly desirable Glen Ridge, New Jersey and boasts six bedrooms, four full baths and two half baths. This magnificent home was completely renovated and has maintained many original details you don’t want to miss!

Some original elements include ribbon inlaid hardwood floors, a marble fireplace, leaded glass bookcases and pocket doors, and sparkling Swarovski and Schonbek light fixtures. The incredible gourmet kitchen features luxurious appliances such as Sub-Zero, ASKO, Wolf, Bosch, and a Shaw farmhouse sink. Located just .4 miles to Mid-town Direct trains and Upper Montclair Village, this home is perfect for commuters.

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CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made.

The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee.

At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors.

Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold.

It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation.

Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed.

Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

III

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof.

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York.

The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale.

Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press.

They are posted in the viewing galleries and salesroom or are announced by the auctioneer.

Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York.

By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

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TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot.

The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale.

This catalogue may contain one or more glossaries explaining the terminology used in the catalogue.

All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid.

The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia.

For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

IV

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

LOCAL TAX ADVISORS

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX

Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property.

Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state.

Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

CERTAIN EXEMPTIONS

If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

Fine & Rare Wines May 19 & 20, 2016 • Smith & Wollensky, New York City

zachys

® New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions # tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information.

The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction.

In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches.

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references.

PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

VI

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue.

The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction.

LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account.

To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion.

Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown.

TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion.

By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242.

Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time.

Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential.

For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence.

INTERNET BIDDING Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE INTERNET BIDDING BidLive! with a click of your mouse! Bidders from around the world now can experience the excitement of bidding live at Doyle New York on their computers.

Simply sign in at Doyle.com, then register to bid live in real time in an upcoming sale. It couldn’t be easier or more convenient!

No increased Buyer’s Premium! Purchases made on BidLive! are subject to the identical buyer’s premium as purchases made through the saleroom bids, telephone bids and absentee bids. There are no additional fees!

Bid throughout the sale! With BidLive! you may log in during the sale to bid on specific lots, or leave the bidding console open all day on your computer.

Total convenience for a global clientele! In the past, foreign bidders often required the assistance of telephone clerks who spoke Spanish, German, French, Mandarin etc., in order to execute their bids.

With BidLive’s clear numeric display, foreign buyers need no longer rely on bilingual telephone clerks to place their bids.

MAC USERS: Please use Firefox browser (download).

BidLive!, powered by Invaluable, does not support iPhone or iPad at this time.

Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements.

Otherwise, your invoice will be mailed to you.

The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis.

Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot.

METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared.

To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above.

Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM

The invoice will include the successful hammer price of the item and the buyer’s premium.

Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion of the hammer price from $200,001 through $3,000,000, and 12% thereafter. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue.All sales are final and subject to the Conditions of Sale.

PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense.

As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible.

Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State.

As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt.

The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale.

In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp.

This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan.

SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia.

ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country.

Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market.

There are various ways to obtain appraisals.

Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require.

SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, are presentative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction.

THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records.

Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees.

RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price.

OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services.

Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States.

Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs.

Appraisal fees are based on the scope of the property with travel expenses additional.

Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors.

We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE OCTOBER

NOVEMBER

DECEMBER

OLD MASTER PAINTINGS Auction: Wednesday, OCTOBER 26 at 10am Exhibition: October 22 – 24

IMPRESSIONIST & MODERN Auction: Tuesday, NOVEMBER 1 at 11am Exhibition: October 29 – 31

DOYLE AT HOME Auction: Wednesday, DECEMBER 7 at 10am Exhibition: December 3 – 5

ENGLISH & CONTINENTAL FURNITURE & DECORATIONS Auction: Wednesday, OCTOBER 26 at 10am Exhibition: October 22 – 24

POST-WAR & CONTEMPORARY Auction: Tuesday, NOVEMBER 1 Afternoon Session Exhibition: October 29 – 31

®

IMPORTANT JEWELRY Auction: Tuesday, DECEMBER 14 at 10am Exhibition: December 10 – 13

DOYLE+DESIGN® Auction: Wednesday, NOVEMBER 9 at 10am Exhibition: November 5 – 7 FINE JEWELRY - BEVERLY HILLS Auction: Monday, NOVEMBER 14 at 10am (Pacific) Exhibition: November 12 – 13 JEWELRY, WATCHES, SILVER & COINS

BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday & Thursday, NOVEMBER 16 & 17 at 10am Exhibition: November 12 - 15 RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, NOVEMBER 22 at 10am Exhibition: November 19 - 21 PHOTOGRAPHS Auction: Tuesday, NOVEMBER 22 at 10am Exhibition: November 19 - 21

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

IX

MAY REACH US DIRECTLY BY DIALING 212-427-4141 DIRECTORY YOU PLUS THE EXTENSION. OFFICERS Kathleen M. Doyle, Chairman/CEO ext 215, Kathy.Doyle@Doyle.com

Ann Limer Lange, Senior Vice President ext 221, Ann.Lange@Doyle.com

Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com

Rodney Lang Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com

Elaine Banks Stainton, Senior Vice President ext 238, Elaine.Stainton@Doyle.com

Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com

Nan Summerfield, Senior Vice President 310-276-6616, Nan.Summerfield@Doyle.com

Edward Ripley-Duggan, Vice President ext 234, Edward.Ripley-Duggan@Doyle.com

Louis LeB. Webre, Senior Vice President ext 232, Louis.Webre@Doyle.com

Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com

Peter Costanzo, Vice President ext 248, Peter.Costanzo@Doyle.com

Gillian M. Ryan, Vice President ext 245, Gillian.Ryan@Doyle.com

Anne Cohen DePietro, Vice President ext 281, Anne.Depietro@Doyle.com

Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com

Samira Farmer, Vice President 202-342-6100, Samira.Farmer@Doyle.com

Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com

Anna K. Hicks, Vice President ext 272, Anna.Hicks@Doyle.com

Eileen Weisbaum, Vice President ext 226, Eileen.Weisbaum@Doyle.com

Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com

Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com

Joanne Porrino Mournet Executive Vice President ext 227, Joanne.Mournet@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Laura Doyle, Vice Chairman Executive Vice President ext 219, Laura.Doyle@Doyle.com Reid Dunavant, Senior Vice President 202-342-6100, Reid.Dunavant@Doyle.com David A. Gallager, Senior Vice President ext 271, David.Gallager@Doyle.com Peter Lang, Senior Vice President ext 274, Peter.Lang@Doyle.com

SPECIALIST DEPARTMENTS 19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com 20TH CENTURY DESIGN Anna K. Hicks, Director ext 272, Anna.Hicks@Doyle.com AMERICAN FURNITURE AND DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com BOOKS, AUTOGRAPHS AND PHOTOGRAPHS Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com Peter Costanzo, Director ext 248, Peter.Costanzo@Doyle.com COINS, STAMPS AND COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com ENGLISH AND CONTINENTAL FURNITURE AND DECORATIONS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE AND DECORATIONS Rodney Lang ext 243, Rodney.Lang@Doyle.com David A. Gallager ext 271, David.Gallager@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com X

Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Anna K. Hicks ext 272, Anna.Hicks@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Megan Marie Mastrobattista, Appraiser's Assistant ext 244, Megan.Mastrobattista@Doyle.com Leigh Kendrick, Appraiser's Assistant ext 243, Leigh.Kendrick@Doyle.com JEWELRY Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Alexandra Fulham, Administrator ext 210, Alexandra.Fulham@Doyle.com CALIFORNIA JEWELRY Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com NORTH CAROLINA JEWELRY Hillary Pitts, G.G. 704-582-2258 Hillary.Pitts@Doyle.com

PAINTINGS AND DRAWINGS Elaine Banks Stainton Acting Director ext 238, Elaine.Stainton@Doyle.com Anne Cohen DePietro Director, American Art ext 281, Anne.DePietro@Doyle.com Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com Shani Toledano Associate Director ext 236, Shani.Toledano@Doyle.com Angelo Madrigale Director, Contemporary Art ext 237, Angelo.Madrigale@Doyle.com Ariel Gold Cataloguer ext 266, Ariel.Gold@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com LeeAna Wolfman Registrar ext 249, LeeAna.Wolfman@Doyle.com PRINTS AND MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com RUGS, CARPETS AND TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com

REGIONAL REPRESENTATIVES Laura Doyle, Director of Regions 212-427-4141, ext. 219 Laura.Doyle@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254 Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G. 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616 Emily.Marchick@Doyle.com

CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 203-637-6209 Kathy.Brackenridge@Doyle.com FLORIDA Collin Albertsson 561-322-6795 Collin.Albertsson@Doyle.com NEW JERSEY Jill Bowers 212-427-4141, ext. 225 Jill.Bowers@Doyle.com NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com

WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100 Reid.Dunavant@Doyle.com Samira Farmer 202-342-6100 Samira.Farmer@Doyle.com Kristen Ostermayer 202-342-6100 Kristen.Ostermayer@Doyle.com BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com

ADMINISTRATION ABSENTEE AND TELEPHONE BIDS Bill Fiddler Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com ACCOUNTING Ryan Won ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com Julie Bacongco ext 223, Julie.Bacongo@Doyle.com CATALOGUE PRODUCTION AND DESIGN Eileen Weisbaum, Director ext 226, Eileen.Weisbaum@Doyle.com Stephanie Cuenca, Senior Graphic Designer ext 250, Stephanie.Cuenca@Doyle.com Alison Wermuth, Graphic Designer ext 276, Alison.Wermuth@Doyle.com PHOTOGRAPHY PRODUCTION Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Melissa Aldrich, Photographer Manager of Photography, Jewelry ext 270, Melissa.Aldrich@Doyle.com Ryan Sobotka, Photographer Manager of Photography, Fine & Decorative Arts ext 278, Ryan.Sobotka@Doyle.com Brian Griska, Photographer ext 278, Brian.Griska@Doyle.com Danielle Kiser, Traffic Coordinator ext 277, Danielle.Kiser@Doyle.com RESTORATION SERVICES Charles Mournet, ext 224 INVENTORY CONTROL Eddy Santana

CATALOGUE SUBSCRIPTION Chelsea Wynne ext 203, Chelsea.Wynne@Doyle.com CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Mary Dobbin ext 200, Mary.Dobbin@Doyle.com Bill Fiddler ext 242, Bill.Fiddler@Doyle.com Elizabeth Jones ext 204, Elizabeth.Jones@Doyle.com Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com Chelsea Wynne ext 203, Chelsea.Wynne@Doyle.com MEDIA AND COMMUNICATIONS DEPARTMENT Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com

ESTATE AND APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com Lindsey Friedman, Esq. ext 256, Lindsey.Friedman@Doyle.com Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com Gail Jaffe, Estate and Appraisal Services Assistant ext 216, Gail.Jaffe@Doyle.com APPRAISAL AND CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com Ashley A. Hill ext 231, Ashley.Hill@Doyle.com Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com

Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com

Ayala Levi ext 259, Ayala.Levi@Doyle.com

Kosala Kumara, Advertising ext 258, Kosala.Kumara@Doyle.com

Alexis Gyateng ext 228, Alexis.Gyateng@Doyle.com

MUSEUM SERVICES

Charlotte Williams ext 240, Charlotte.Williams@Doyle.com

Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com

Hannah Iversen ext 251, Hannah.Iversen@Doyle.com

Anne Cohen DePietro Paintings ext 281, Anne.DePietro@Doyle.com

HAYLOFT AUCTIONS

David A. Gallager Furniture and Decorative Arts ext 271, David.Gallagher@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo

Brian Corcoran Director 914-575-7263 Brian.Corcoran@Doyle.com & Brian@HayloftAuctions.com Emily Casden Manager Emily.Casden@Doyle.com & Emily@HayloftAuctions.com

XI

175 EAST 87TH STREET NEW YORK, NY 10128

F OR O FF I CE U SE O NLY

212-427-2730 DOYLE.COM

ABSENTEE & TELEPHONE BID FORM

1.16

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above.

You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

16PT03 • IMPRESSIONIST & MODERN ART 16PT04 • POST-WAR & CONTEMPORARY ART

S A L E TI TLE

S A L E D AT E

NOVEMBER 1, 2016

N A M E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

C O MPA NY (If applicable) A D DRE SS *

Change of Address

C IT Y

STATE

ZIP CODE

EMAIL

• In the event that identical bids are submitted, the earliest will take precedence.

P HO N E

FAX

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT N U MB ER

• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions.

Changes to bids on the day of sale must be submitted in writing by fax or email.

TOP LIMIT OF BI D / SAFE TY BI D

Excluding Buyer’s Premium

L OT N U MB E R

T O P L I MI T O F B ID / S A F ET Y BI D

Excluding Buyer’s Premium

L OT N U M BE R

T OP LI M I T O F B ID / S A FE TY B I D

Excluding Buyer’s Premium

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date.

Otherwise, purchases cannot leave our premises until checks have cleared.

• A 25% deposit may be required on certain absentee bids.

• Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request.

• Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

Terms and Conditions of Sale°

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

S I GNATU RE

Consumer Affairs No. 0777006

I understand and agree to the

XII

Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction.

Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207

CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES Absentee & Telephone Bids Bill Fiddler 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Elizabeth Jones 212-427-4141, ext 204 BidLive@Doyle.com

SPECIALISTS

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Penthouse 1012 Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com

Elaine Banks Stainton SVP, Acting Director, Paintings 212-427-4141 ext 238 Elaine.Stainton@ Doyle.com

Anne Cohen DePietro, VP, Director, American Art 212-427-4141 ext 281 Anne.DePietro@ Doyle.com

Shani Toledano VP, Associate Director, Paintings 212-427-4141 ext 236 Shani.Toledano@ Doyle.com

CONNECTICUT 136 East Putnam Avenue Greenwich, CT 06830 212-427-4141, ext 211 203-637-6209 DoyleCT@Doyle.com NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com

Harold E. Porcher VP, Director, Modern and Post-War Art 212-427-4141 ext 235 Harold.Porcher@ Doyle.com

Angelo Madrigale Director, Contemporary Art 212-427-4141 ext 237 Angelo.Madrigale@ Doyle.com

WASHINGTON, DC / MID-ATLANTIC 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com

Hermine Chivian-Cobb Senior Specialist, Fine Art 212-427-4141 ext 252 Hermine@Doyle.com

Ariel Gold, Cataloguer, Paintings 212-427-4141 ext 266 Ariel.Gold@ Doyle.com

LeAnna Wolfman, Registrar 212-427-4141 ext 249 LeeAnna.Wolfman@ Doyle.com

Front Cover Back Cover Inside Front Cover

161 66 84

IMPRESSIONIST & MODERN ART • POST-WAR & CONTEMPORARY ART

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

NOVEMBER 1, 2016

DOYLE