American Paintings, Furniture & Decorative Arts - 4.5.17 by Doyle

AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS

Wednesday, April 5, 2017

NEW YORK

AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS

AUCTION Wednesday, April 5, 2017 at 10am

EXHIBITION

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Saturday, April 1, 10am – 5pm Sunday, April 2, Noon – 5pm Monday, April 3, 10am – 6pm

LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com

www.Doyle.com/BidLive www.DoyleNewYork.com/BidLive

Catalogue: $35

INCLUDING PROPERTY FROM THE ESTATES OF Donald Brenwasser An Estate, Fifth Avenue, NY Dorothy J. Henry Mary Kettaneh The Collection of Willa Kim and William Pène du Bois Jan Adriaan Laan of Bloemendal, the Netherlands Anne Murray A New York and Connecticut Estate A New York Estate A Private Collector, Ardsley, NY Dorothy Wassyng Eunice Johnson Winslow Helen R. Yellin

CONTENTS Paintings 1-102 Prints 103-108 THE COLLECTION OF WILLA KIM & WILLIAM PÈNE DU BOIS 109-205

Paintings & Print 109-131 Furniture & Decorations 132-171 Toys 172-203 Furniture & Decorations 204-205 Furniture & Decorations Silver & Silver Plate Furniture & Decorations Carpets & Rugs

205-298 299-322 323-250 251-367

INCLUDING PROPERTY FROM A Boston, Massachusetts Collector A Collector, Wisconsin An East Coast Museum A Gentleman, New Jersey The Metropolitan Museum of Art A Mid-Atlantic Museum to Benefit the Acquisitions Fund A New England Collection A New Jersey Collector A Private Collector, Long Island A Private Collector, New Jersey A Prominent New York Family The Collection of Bennett and Judie Weinstock

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

AMERICAN PAINTINGS & SCULPTURE

Lot 51

2 American School 19th Century Portrait Miniature of a Young Girl Watercolor on paper 2 1/2 x 2 1/8 inches Provenance: Mrs. Frances Armour C Property of an Estate, Fifth Avenue, NY $200-300 3 Benjamin West American/British, 1738-1820 Allegory Brown ink, wash, gouache and graphite pencil on paper 13 1/2 x 18 3/8 inches

Patrick Noon, Senior Curator of Paintings and Elizabeth MacMillan Chair of the Department of Paintings at the Minneapolis Institute of Arts, has observed that the present work, “... is an allegory honoring some naval hero. With West, Nelson comes first to mind since he painted the subject of Nelson’s death as well as several apotheosis compositions. However, the bust of the figure being honored does not resemble Nelson and seems to represent an older man, perhaps Alexander Hood?” We extend our gratitude to Mr. Noon for his very kind assistance in cataloguing this lot. C $8,000-12,000 See Illustration

1 American School 19th Century A Lady with a Rake and a Gentleman with a Scythe Watercolor on paper 5 1/2 x 7 3/4 inches Provenance: Sale: Sotheby’s, New York Important American Furniture and Related Decorative Arts, property of the Rosen Family, Feb. 1, 1991, lot 703 C Property of an Estate, Fifth Avenue, NY $500-800 See Illustration

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4 John Trumbull American, 1756-1843 Lady in White Oil on canvas 23 3/4 x 19 5/8 inches Provenance: Victor D. Spark, New York Literature: Theodore Sizer, The Works of Colonel John Trumbull, Artist of the American Revolution, revised ed., Yale University Press, 1967 illus., fig. 103 C $4,000-6,000 See Illustration 5 American School 19th Century A Young Girl with Grapes, with a Dog and a Parrot Oil on canvas 47 1/4 x 36 inches C Property from the Collection of Bennett and Judie Weinstock $2,000-3,000 See Illustration

6 American School 19th Century Baby with Ferrett Oil on canvas laid down to board 16 x 12 inches Provenance: Diana H Bittel Antiques, Bryn Mawr, PA Acquired from the above, Jan. 24, 2007 C Property from a New Jersey Collector $800-1,200 See Illustration 7 American School 19th Century Portrait of a Young Man with a Black Stock in Three-Quarter View Inscribed indistinctly on the reverse Watercolor and graphite pencil on paper 3 5/8 x 2 1/2 inches C Property from a New Jersey Collector $100-200 6 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7

8 Attributed to Rufus Porter Portraits of a Young Man and Young Woman, thought to be Brother and Sister Watercolor and graphite pencil on paper laid down to card, painted as ovals 4 x 3 1/4 inches and 4 3/8 x 3 1/4 inches, respectively C Property from a New Jersey Collector $3,000-5,000 See Illustration

9 Attributed to Justus Da Lee and Family Portraits of a Man and a Young Woman, believed to be members of the Beauregard Family, descended from the Da Lee and Minton Families of New Orleans One (of the young woman) inscribed H M Da Lee on the verso; on the back of each is a label inscribed Miniature from the Beuregard [sic] Family, a descendant of the Da Lee and Minten families of New Orleans. (1810) Watercolor and graphite pencil on paper, painted as ovals 3 1/8 x 3 inches and 3 5/8 x 3 inches, respectively. American folk art scholars Suzanne Rudnick Payne and Michael R. Payne, authors of the article, “To Please the Eye: Justus Da Lee and His Family,” [Folk Art, vol. 29, no 4, Winter 2004/5, pp. 46-57] write that Justus Da Lee was a small watercolor portrait artist from Cambridge, NY. “While Justus was the major artist of the family, starting in the 1830s, several of his family members also painted in an extremely similar style. This artist career for the family group continued until 1848, after which Justus was described as a grocer in Buffalo, NY.” We thank the Paynes for their kind assistance in cataloguing this work. C Property from a New Jersey Collector $1,200-1,800 See Illustration

10 American School 19th Century Portrait of a Lady with a Veil, Lace Collar and Brooch and Portrait of a Man with Brown Hair and a Cravat with a Stickpin: Two Each oil on canvas, within a painted oval Each 30 x 25 1/4 inches Provenance of both: By descent from Sherman Fairchild, Eastover, Lloyd Neck, NY C Property of an East Coast Museum $900-1,100 11 Attributed to J. H. Gillespie Portraits of Mr. and Mrs. George Wanton Ellery and Mary Goddard Ellery, circa 1820 Inscribed on the reverse of one, George Wanton Ellery / youngest son / of / Wm. Ellery ‘The Signer’ / of / Declaration of Independence and on the other, Mrs. George Wanton Ellery Watercolor, gouache and graphite pencil on paper, painted as ovals Each 2 7/8 x 2 3/8 inches Provenance: Probably acquired at auction Oct. 25, 1992 C Property from a New Jersey Collector $800-1,200 See Illustration

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12 12 American School 19th Century Two Young Girls with a Calico Cat Pastel on paper 16 x 21 1/8 inches Provenance: Betsy and Timothy Trace, Cortlandt Manor, NY Sale: Northeast Auctions, Portsmouth, NH, Aug. 5, 2007, lot 1459 Acquired at the above C Property from a New Jersey Collector $4,000-6,000 See Illustration and Back Cover 13 Shepard Alonzo Mount American, 1804-1868 Portrait of a Man with a Beard and Black Stock, 1854 Signed S.A. Mount and dated 1854 on the reverse Oil on canvas, within a painted oval 30 1/2 x 25 1/4 inches; Together with American School, 19th Century, Portrait of a Lady Wearing a Gold Crucifix, oil on canvas, within a painted oval, 30 1/2 x 25 1/4 inches Provenance of both: By descent from Sherman Fairchild, Eastover, Lloyd Neck, NY C Property of an East Coast Museum $1,500-2,000 See Illustration

14 L. Findlay American, 19th Century Seated Mother and Child, 1847 Signed L. Findl...; inscribed L. Findlay and dated 1847 twice on the verso Watercolor and graphite pencil on paper 9 x 6 inches C Property from a New Jersey Collector $150-250 See Illustration

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15 Thomas Birch American, 1779-1851 Fishing on a Summer’s Afternoon, 1841 Signed T. Birch and dated 1841 (lr) Oil on canvas 15 1/2 x 19 3/4 inches Provenance: Acquired in an antique shop in Nantucket around 1997 C $1,500-2,500 See Illustration

16 Andrew Melrose American, 1836-1901 (i) The Mohawk Valley Near Little Falls, signed AMelrose with conjoined initials; titled on an Adelson Galleries label on the reverse Oil on canvas 20 x 10 inches (ii) The Berkshire Hills, Massachusetts: The Ledge, Lenox Signed AMelrose with conjoined initials; titled on an Adelson Galleries label on the reverse Oil on canvas, 20 x 10 inches Provenance of both: Adelson Galleries, Inc., Boston, MA C $3,000-5,000 See Illustration

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17 William Louis Sonntag, Sr. American, 1822-1900 Sunrise in the Adirondacks, circa 1850 Oil on canvas 26 3/4 x 35 7/8 inches, ovoid Provenance: Dr. E. Maurice Bloch, Los Angeles Exhibited: Los Angeles, Terry DeLapp Galleries, A Selection of 19th Century American Paintings... Spring Exhibition, 1964 Literature: Terry DeLapp Galleries, Los Angeles, A Selection of 19th Century American Paintings... Spring Exhibition, 1964, illus. Nancy Dustin Hall Moore, William Louis Sonntag: Artist of the Ideal, Goldfield Galleries, Los Angeles, CA, 1980, no. 335 C $8,000-12,000 See Illustration 18 William Louis Sonntag American, 1822-1900 Mountain Vista, 1892 Signed W.L. Sonntag, N.A. and dated 92 (ll) Oil on canvas 16 1/8 x 24 inches C $3,000-5,000 See Illustration

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19 19 Arthur Fitzwilliam Tait American, 1819-1905 Solitude, Eagle Bay, Adirondacks, NY, 1883 Signed A. F. Tait. NA. and dated N.Y. 83 (lr); inscribed as titled on the backing Oil on canvas 20 x 30 inches Provenance: Kennedy Galleries, New York; inv. A12862 Herbert Shuttleworth, Amsterdam, NY Thence by descent to the present owner Considered one of America’s finest animal painters, Arthur Fitzwilliam Tait made his first trip to the Adirondacks in 1852. An enthusiastic sportsman, outdoorsman and amateur naturalist, he was inspired by the rustic terrain of the Adirondacks well into the later years of his life, spending many summers painting and sketching there. He built a summer camp on South Pond near Long Lake, eventually establishing a year-round home there named Woodside. While Tait lived much of the time in the Adirondacks, he also maintained a studio in New York City and spent his last years in Yonkers, NY. He painted in and around Upper and Lower Chateaugay Lakes in the northern Adirondacks by 1852 and around Raquette Lake in Hamilton County by the early 1870s. Just north of Old Forge in Herkimer County, NY, Eagle Bay is roughly thirty-five miles from South Pond. The panoramic view in the present work captures the majesty of the Adirondack region that so appealed to the artist. Perhaps pausing to drink in the pristine water, the three deer are rendered with the sensitivity characteristic of Tait’s paintings of wildlife. “America owes a heavy debt of gratitude to A. F. Tait,” wrote the editor of Antiques in 1933, “Though born an Englishman, he had lived in this country long enough, and loved it deeply enough, to record pictorially distinctive aspects of its life with penetrating sympathy and undeviating accuracy of detail.” C $15,000-25,000 See Illustration

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20 Arthur Fitzwilliam Tait American, 1819-1905 Chicks, 1866 Inscribed indistinctly and dated 1866 on the reverse Oil on artist’s board, within a painted oval 9 x 12 inches Provenance: Mrs. George Arden, New York Sale: Christie’s New York, American Paintings from the Collection of Mrs. George Arden, Part I, May 22, 1991, no. 64 C $5,000-7,000 See Illustration

21 Samuel Lancaster Gerry American, 1813-1891 Apple Blossoms, circa 1860 Signed S. L. Gerry (lr) Oil on board 12 1/4 x 18 inches Exhibited: New York, Hawthorne Fine Art LLC, Life in the Open Air: American Painters Explore the White Mountains, 1840-1910, Dec. 12, 2007-Feb. 9, 2008 C $1,200-1,800 See Illustration

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MARTIN JOHNSON 22 Martin Johnson Heade American, 1819-1904 Autumn in the Marsh, circa 1866-1876 Signed M.J. Heade (ll) Oil on canvas 13 1/4 x 26 1/4 inches Provenance: The artist Joseph Bradley Heed, half-brother of the artist Charles Rittenhouse Heed, Philadelphia, PA, son of the above, by descent Charles Heed, Devon, PA, son of the above, by descent Private collection [With] Andrew Crispo Gallery, New York Private collection, acquired circa 1980 Exhibited: New York, Andrew Crispo Gallery, The Splendor of the Nineteenth Century in America, Dec. 18, 1980-Jan. 15, 1981, no. 17 Literature: Theodore E. Stebbins, Jr., The Life and Works of Martin Johnson Heade, New Haven, CT, 1975, p. 252, no. 205, illus. Theodore E. Stebbins, Jr., The Life and Works of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné, New Haven, CT, 2000, p. 239, no. 152, illus. C Property from a Private New York State Collector $80,000-120,000 See Illustration

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23 Walter Launt Palmer American, 1854-1932 Forest Interior Signed W. L. Palmer (ll) Watercolor and gouache on paper 18 x 24 inches C $12,000-18,000 See Illustration

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24 Benjamin Champney American, 1817-1907 Boating in the White Mountains, 1853 Signed B. Champney and dated 1853 (lc) Oil on canvas, within a painted oval 18 x 24 inches Unframed C $1,500-2,500 See Illustration

25 Edward Parker Hayden American, 1858-1922 Brook in Autumn, 1899 Signed Edwd P. Hayden and dated ‘99 (ll) Oil on canvas 18 x 22 inches Provenance: Estate of Mrs. Russell Colgate, Llewellyn Park, NJ C $600-900

26 William Preston Phelps American, 1848-1917 Mount Monadnock Signed W P Phelps (ll); inscribed Monadnock Autumn Stone Pond / Marlborough NH on the stretcher Oil on canvas 18 x 30 1/8 inches Provenance: Henry Petty, Lowell, MA, circa 1929 Florence Petty McHale, by descent, circa 1952 Gwendolyn McHale Paiva and Carl H. Paiva, New York and Bermuda, 1982 C $2,000-4,000 27 John Bunyan Bristol American, 1826-1909 River Landscape Signed J.B. Bristol (lr) Oil on canvas 18 x 30 inches Provenance: Estate of Mrs. Russell Colate, Llewellyn Park, NJ C $1,500-2,500 See Illustration 28 Wallace Weir Fahnestock American, 1877-1962 The Marble Sap House Signed and inscribed faintly The Marble Sap House / Dorset Vt on the reverse Oil on canvasboard 12 x 15 7/8 inches Provenance: Salmagundi Club Auction, New York, date unknown C Property from a New Jersey Collector $500-700 29 Ross Sterling Turner American, 1847-1915 Monadnock, 1887 Signed Ross Turner, inscribed Monadnock, and dated 1887 (lr); inscribed Sketch “Monadnock” / no. 12 on the reverse Watercolor on paper 12 x 17 1/2 inches C $2,000-3,000 See Illustration

30 William Richardson Tyler American, 1825-1896 Camel’s Hump, Vermont Signed with conjoined initials WRT (ll) Oil on canvas 8 x 13 1/8 inches C $1,200-1,800 See Illustration

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31 Benjamin Champney American, 1817-1907 Evening Along the Saco River Signed B. Champney (lr); Inscribed on the reverse Evening by Benj Champney / Mary G. Pratt Oil on panel 13 x 9 7/8 inches Exhibited: New York, Hawthorne Fine Art, Life in the Open Air: American Artists Explore the White Mountains, 1840-1910, Dec.12, 2007-Feb. 9, 2008 C $1,000-1,500 See Illustration 32 George Henry Smillie American, 1807-1885 Old Beeches Near Portland, Maine, 1881 Signed Geo. H. Smillie and dated 1881 (lr) Watercolor and graphite pencil on paper 19 3/4 x 27 3/4 inches C Estate of Anne Murray $1,200-1,800 See Illustration

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33 Ben (Benjamin) Foster American, 1852-1926 Autumn Landscape Signed Ben Foster (lr) Oil on canvas 40 x 32 1/4 inches Exhibited: Cornwall, CT, Cornwall Historical Society, Ben Foster exhibition, Sept. 1982, cat. no. 2 C $2,000-4,000 See Illustration

34 Joseph Antonio Hekking American, 1830-1903 Landscape, 1874 Signed J A Hekking and dated 1874 (ll) Oil on canvas 26 x 20 inches C $3,500-4,500 See Illustration 35 Walter Mason Oddie American, 1808-1865 Horse and Rider Crossing a Bridge in the Countryside, 1857 Signed Walter J. L. Oddie and dated 1857 (lc) Oil on canvas 25 x 30 inches, oval C $3,000-5,000 See Illustration 36 Kanute Edwin Felix American, 1852-1935 Fishing in the Tropics Signed K. E. Felix (lr) Oil on canvas 18 x 30 1/4 inches C $800-1,200

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JAMES EDWARD 37 James Edward Buttersworth American/British, 1817-1894 The Phillip R. Paulding in New York Harbor with Castle Clinton in the Distance Signed J E Buttersworth (lr) Oil on canvas 25 x 30 inches Provenance: George Ewald, New York, by 1933 Robert F. Ewald, Montclair, New Jersey (by inheritance) By descent to the current owner Cutting at an acute angle across the lower tip of Manhattan, with Castle Clinton just ahead of it on the left, the sloop Phillip R. Paulding is the type of vessel that plied the Hudson River for daily commerce during the 18th and 19th centuries. This work by Buttersworth, which had been made into a print, served as one source for the design of the sloop Clearwater, launched in 1969 and still used today for environmental education. This cause had long been championed by the late folksinger, Pete Seeger. C Property from a Gentleman, New Jersey $80,000-120,000 See Illustration

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38 James Gale Tyler American, 1855-1931 Ship in Full Sail Signed J G Tyler (ll) Oil on canvas 20 x 16 inches C $1,000-1,500

39 James Gale Tyler American, 1855-1931 Waves Crashing onto a Rocky Shore Signed James G. Tyler (lr) Oil on canvas 18 x 40 inches C $800-1,200 40 Attributed to William Trost Richards Cliffs and Surf Numbered 1277 on an old label on the reverse Oil on artist’s board 9 x 15 1/2 inches C $3,000-5,000 See Illustration 41 William Crothers Fitler American, 1857-1915 October Meadows Signed W C Fitler NY (lr); titled on an old label affixed to the stretcher Oil on canvas 12 x 16 inches C $1,000-2,000 See Illustration

41 42 John Joseph Enneking American, 1841-1916 Cows in a Pasture, 1890 Signed Enneking and dated 90 (ll) Oil on canvas 16 x 22 inches C $3,000-5,000 See Illustration

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43 Paul Weber American/German, 1823-1916 Cattle Watering Signed Paul Weber (ll); artistâ&#x20AC;&#x2122;s gallery stamp on the reverse and conjoined letters VW surrounded by the numbers 19, 11, 30 Oil on canvasboard 6 3/8 x 12 3/4 inches C $1,200-1,800 See Illustration

44 Thomas Villiers American, 19th Century Playing by the Rapids, 1859 Signed T. Villiers and dated 1859 on boulder (lr) Oil on canvas 39 x 49 inches Unframed C $800-1,200

45 Hugh Bolton Jones American, 1848-1927 Summer Day with Stream in South Egremont Signed H. Bolton Jones (lr) Oil on canvas 27 x 33 inches Provenance: The artist Dr. Arthur and Mrs. Kathleen S. Chace, New York Thence by descent in the family to the current owner. Hugh Bolton Jones was a cousin of Mrs. Kathleen S. Chace (nee Kathleen Stirling Fletcher); both were raised in Maryland and eventually settled in New York. Ultimately, Jones divided his time between New York City and a summer cottage in South Egremont, MA, where the present work, as well as many others, were painted. C $6,000-8,000 See Illustration

46 Hamilton Hamilton American, 1847-1928 The Sunset Glow Signed H Hamilton (lr); inscribed as titled on an old exhibition label affixed to the reverse Oil on canvas 20 1/8 x 24 inches Provenance: Thomas Wilmurt, New York A work by Hamilton Hamilton bearing the identical title and similar in size was sold at Auction of American Artists, Fifth Avenue Art Galleries, Auction of American Artists, Jan. 17 and 18, 1893, no. 36. This may have been the present work. C $4,000-6,000 See Illustration

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47 Edward Moran American, 1929-1901 Ocean Sunset Signed Edw Moran (ll) Oil on canvas 24 x 32 3/4 inches Provenance: Arpad Antiques, Washington, DC C $4,000-6,000 See Illustration

48 Harry Wilson Watrous American, 1857-1940 Evening Landscape Signed Watrous (ll) Oil on canvas 25 3/4 x 32 3/4 inches Unframed C $2,000-4,000 See Illustration

49 Howard Giles American, 1876-1955 Green and Gold, 1928 Signed H. Giles and inscribed “Green and Gold”/com’ted 1928 on the reverse Oil on canvas 30 1/4 x 36 inches Provenance: Boston Arts Club C $1,500-2,500 See Illustration

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50 Burr H. Nicholls American, 1848-1915 Boys Resting by the Side of a Road Signed Burr H. Nicholls (lr) Oil on canvas 18 x 13 inches C $800-1,200 See Illustration

51 William Preston Phelps American, 1848-1917 Children Wading Signed W.P. Phelps (ll) Oil on canvas 24 x 18 inches Provenance: Henry Petty, Lowell, MA, circa 1929 Florence Petty McHale, by descent, circa 1952 Gwendolyn McHale Paiva and Carl H. Paiva, New York and Bermuda, 1982 C $4,000-6,000 See Illustration 52 Louis Moeller American, 1855-1930 Playing a Melody Signed Louis Moeller NA (lr) Oil on canvas 8 x 10 inches C $2,000-4,000 See Illustration

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53 Harry Herman Roseland American, 1866/68-1950 Woman with a Rake Signed Harry Roseland (lr) Oil on canvas 20 x 14 inches C $800-1,200 54 Parke Custis Dougherty American, b. 1867 River Landscape Signed P.C. Dougherty. and dated...10 (lr) Oil on canvas 32 x 39 1/2 inches C $3,000-6,000 See Illustration

55 George J. Stengel American, 1872-1937 Shadows in Brook Inscribed as titled on the stretcher Oil on canvas 32 x 24 inches Provenance: Grace V. Stengel, the artist’s widow By gift to the current owner, 1944 C Property of a Mid-Atlantic Museum to Benefit the Acquisitions Fund $2,500-3,500 See Illustration

55 56 George J. Stengel American, 1872-1937 Whitehead, Monhegan, circa 1927 Inscribed with the artist’s name and title on the stretcher Oil on canvas 24 1/4 x 30 1/8 inches Provenance: Grace V. Stengel, the artist’s widow By gift to the current owner, 1944 C Property of a Mid-Atlantic Museum to Benefit the Acquisitions Fund $2,000-3,000 See Illustration

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57 Harry Leith-Ross American, 1886-1973 Spring Morning, Bucks County Signed Leith-Ross (lr); signed again on the frame, on the reverse; titled Spring Morning on a Grand Central Art Galleries label on the back of the frame Oil on Masonite 15 x 33 inches C $10,000-15,000 See Illustration 58 Aaron Gorson American, 1872-1933 Monongahela River Above the Fourth Avenue Bridge Signed AH Gorson (lr) Oil on canvas 16 x 20 inches Exhibited: Pittsburgh, PA, Museum of Art, Carnegie Institute, Aaron H. Gorson Exhibition, May 25-Jun. 26, 1967 C $3,000-5,000 See Illustration

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59 William McKendree Snyder American, 1848-1930 Indiana Landscape Signed W.M. Snyder (ll) Oil on canvas 20 x 32 3/4 inches C $1,200-1,800 See Illustration

60 Alfred Wordsworth Thompson American, 1840-1896 In the Italian Alps, 1891 Signed with conjoined first initials AWordsworth Thompson and dated 1891 (lc) Oil on canvas 29 x 54 inches C $8,000-12,000 See Illustration

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61 61 George Loring Brown American, 1814-1889 Mount Vesuvius and the Bay of Naples Signed Geo. L. Brown (ll) Oil on canvas 16 3/8 x 29 1/8 inches C $1,500-2,500 See Illustration 62 Frank Myers Boggs American, 1855-1926 Louvre Vu du Seine Signed Boggs (ll) Oil on canvas 10 5/8 x 15 1/2 inches C Estate of Mary Kettaneh $1,000-2,500 See Illustration

63 Henry Golden Dearth American, 1864-1918 French Village Signed H. D . . . rth (lr) Oil on canvas 32 x 46 inches C $1,500-2,500 See Illustration

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64 Louis Aston Knight American, 1873-1948 Nassandres Evening Signed Aston Knight and inscribed Nassandres (ll); signed Aston Knight, numbered 264, and inscribed Nassandres Evening and Nassandres on the reverse Oil on board 18 x 21 5/8inches C $2,000-3,000 See Illustration

65 Louis Aston Knight American, 1873-1948 By the River’s Edge Signed Aston Knight (lr) Oil on canvas 25 x 32 inches C Estate of Eunice Johnson Winslow $3,000-5,000 See Illustration

66 Richard Hayley Lever American/Australian, 1876-1958 Looking Towards Exmouth, Devon, Torqay Signed Hayley Lever (lr) Oil on canvas laid to board 13 1/8 x 15 7/8 inches Provenance: Braverman Gallery, NYC Donald Brenwasser, New York C Estate of Donald Brenwasser $2,000-3,000 See Illustration

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67 Richard Hayley Lever American/Australian, 1876-1958 Evening, St. Ives, Cornwall Signed Hayley Lever (ll); inscribed on the reverse Evening, St. Ives, Cornwall Watercolor and graphite pencil on paper 11 x 14 7/8 inches Provenance: Braverman Gallery, New York Donald Brenwasser, New York, acquired from the above, 1966 C Estate of Donald Brenwasser $700-900

68 Harry Humphrey Moore American, 1844-1926 Tattooed Palanquin Bearer, 1881 Signed H. Humphrey Moore and dated 81 twice (rc) and (lr); numbered 53 on the reverse and inscribed as titled and numbered 53 in the artistâ&#x20AC;&#x2122;s hand on an old label on the reverse Oil on panel 11 x 6 1/4 Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Providencia Ramires Carbia, New York Thence by descent in the family to the current owner

Despite strict laws banning the art of tattoo, the practice flourished in Japan during the Edo period. People at the lower end of the social spectrum, including fire fighters, dock workers and palanquin bearers, ignored the ban and bore elaborate tattoos inspired by Japanese woodblock prints, as seen in this exquisite painting by Harry Humphrey Moore. Palanquin bearers transported litters held aloft by poles resting on their shoulders. In the present work, a palanquin bearer is shown at rest, leaning upon a pole while he awaits a passenger, his vehicle quickly sketched in at left. C $2,000-3,000 See Illustration

69 Harry Humphrey Moore American, 1844-1926 Japanese Boy and Baby Signed HH Moore (lr); numbered 3 and inscribed EU on the reverse; numbered 3 and inscribed as titled on an old label affixed to the reverse Oil on panel 7 3/4 x 5 1/8 inches Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Mr. and Mrs. P. Ohanian, New York, circa 1950 Thence by descent to the present owner C $1,500-2,500 See Illustration

70 Harry Humphrey Moore American, 1844-1926 Family Group Signed H Humphrey Moore (lr); numbered 23 on the reverse; numbered 23 and inscribed as titled on an old label affixed to the reverse Oil on panel 7 3/4 x 5 1/4 inches Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Mr. and Mrs. P. Ohanian, New York, circa 1950 Thence by descent to the present owner C $1,500-2,500 See Illustration

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71 Harry Humphrey Moore American, 1844-1926 Horses at an Encampment Signed H H Moore (lr) Oil on panel 6 3/8 x 11 inches Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Providencia Ramires Carbia, New York Thence by descent in the family to the current owner

Harry Humphrey Moore traveled extensively throughout his career. While still a student in Paris, he journeyed to Spain and also traveled to North Africa. This view may depict an encampment in one of these countries. From one of his extant works, Gypsy Encampment, Granada, it is clear that themes of this type interested Moore. The horse is beautifully realized, testimony to Moore’s great skills as a draftsman. C $1,200-1,800 See Illustration

72 Charles Albert Rogers American, 1848-1918 Chinatown, San Francisco, 1912 Signed Chas. A. Rogers and dated 1912 (ll) Oil on canvas 18 x 12 inches Provenance: Kerwin Galleries, Burlingame, CA C $1,500-2,500 See Illustration

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73 William Merritt Chase American, 1849-1916 Copy of a Portrait of Cornelis van der Geest after Anthony Van Dyck Inscribed and signed After Van Dyck / W M Chase on the reverse Oil on panel 30 x 24 1/2 inches Provenance: D. Hyatt Luke, London Sale: Parke-Bernet, Mar. 15, 1952 By descent in the family to the current owners

Publications: Ronald G. Pisano, completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings (Complete Catalogue of Known and Documented Work by William Merritt Chase) , Yale University Press, 2010, C12, illus. p. 169 In 1875, William Merritt Chase painted a copy of Anthony Van Dyck’s portrait of Cornelis Van Der Geest circa 1620, 14 1/2 x 12 inches, Collection National Gallery, London]. It was one of several copies of Old Masters painted by Chase. C Property of a Private Collector, Ardsley, NY $7,000-9,000 See Illustration

74 Irving Ramsey Wiles American, 1861-1948 The Twins, 1907 Signed Irving R. Wiles and dated 1907 (ur); inscribed on stretcher exhibited national... design Oil on canvas 55 x 35 inches Provenance: Pearce Bailey, M.D., New York By descent in the family to the current owner Literature: Peter Hastings Falk, ed., The Annual Exhibition Record of the National Academy of Design, 1901-1950, Sound View Press, 1990, p. 544 The Ledger of Irving Ramsay Wiles, as cited in Geoffrey Fleming, Irving Ramsay Wiles, N.A., 1861-1948, Southold Historical Society, Southold, NY, 2010, p. 204 Exhibited: New York, National Academy of Design Winter Exhibition, Dec. 14, 1907-Jan. 14, 1908, no. 187 In late 1907, possibly in September, prominent New York physician Pearce Bailey commissioned Irving Ramsay Wiles to paint his five year old twin sons, Pearce and James in Mattapoisett, Massachusetts. He paid Wiles $1,600 (including expenses). The paint was hardly dry on the canvas when Wiles showed the double portrait in the 1907 winter exhibition at the National Academy of Design, identifying Dr. Bailey as its owner. Dressed in lustrous velvet tunics, the young boys solemnly stand with the family dachshund, their golden curls gleaming in contrast against the rich umbrous background. C $10,000-15,000 See Illustration

75 Frank Vincent Dumond American, 1865-1951 Picking Hollyhocks, 1890 Signed F. V. Dumond and dated 90 (ll) Oil on canvas, en grisaille 16 x 13 inches C $800-1,200 See Illustration

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76 Daniel Chester French American, 1850-1931 Standing Figure of Daniel Webster, 1931 Signed D C French, dated 1931 and copyrighted on base at rear Bronze with brown patina Height 11 1/4 inches In 1931, Daniel Chester French was commissioned to sculpt a bronze portrait bust of Daniel Webster. Incomplete at the time of his death in October 1931, the final bronze was finished by French’s daughter, Margaret French Cresson. It stands by the Congregational Church in Franklin, New Hampshire, where Webster was born. French was convinced that the monument should include a full-length standing figure of the orator, rather than the proposed portrait bust. By June 1931 he had already made some preliminary sketches or maquettes, which may possibly include the present work. In a letter from July 11, 1931 to Senator George H. Moses, the sculptor wrote, “I am particularly interested in this monument to Webster, so much so that I have been led to make some sketch models, and the more I have considered the subject, the more I am convinced that if it is possible to afford it, there should be a statue rather than a bust or a relief. I feel so strongly about this, and I have developed so keen a desire to deal with the problem, that I feel disposed to make almost any concessions in my price to meet the appropriation available for the monument.” We extend our gratitude to Chesterwood, the country home and studio of Daniel Chester French. C A Prominent New York Family $6,000-8,000 See Illustration

77 Frederick William MacMonnies American, 1863-1937 Pan of Rohallion, 1890 Signed F. MacMonnies and dated 1890 on the rear of the sphere; stamped P on the interior with the foundry mark E. Gruet Jeune Fondeur Paris Bronze with brown patina Height 10 inches C $800-1,200 See Illustration

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78 part 78 Robert (Henry Cozad) Henri American, 1865-1929 (i) Reclining Nude, Hawaiian Stamped Pastel 12 x 20 inches (ii) Standing Female Study Signed Robert Henri at center, below the waist Ink and gouache on paper 19 1/4 x 12 1/2 inches Provenance for both: Hirschl & Adler Galleries, New York Estate of Donald Brenwasser, New York, acquired from the above, 1963 C Estate of Donald Brenwasser $1,200-1,800 See Illustration of Part

79 George Wesley Bellows American, 1882-1925 Older Gentleman with a Top Hat and Pipe Inscribed Geo Bellows and initialed EBB (lc) by Emma Bellows, the artistâ&#x20AC;&#x2122;s widow Conte crayon on paper 15 5/8 x 12 3/4 inches Provenance: Alfredo Valente, Sea Cliff, NY C $1,200-1,800 See Illustration 80 George Benjamin Luks American, 1867-1933 Figure of a Woman, believed to be Mrs. Lucy Baker Signed George Luks (lr); inscribed on stretcher The model was Mrs. Lucy Baker, a pupil and friend of George Luks Ink and wash on paper 16 x 12 inches Provenance: Mongerson Gallery, Chicago, IL C $1,000-1,500 See Illustration 80

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81 Jerome Myers American, 1867-1940 Children at Play, 1923 Signed Jerome Myers and dated 1923 (lr) Oil on canvas 12 x 16 inches C $1,200-1,800 See Illustration

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82 Louis Michel Eilshemius American, 1864-1941The Source Signed Elshemus (sic) (lr) Oil on canvas 22 x 16 inches Provenance: Babcock Gallery, New York Alfredo Valente, Sea Cliff, NY Exhibited: New York, Gallery of Modern Art C $2,500-4,500 See Illustration

83 Louis Michel Eilshemius American, 1864-1941 Bathers at a Secluded Lake Signed Eilshemius (lr) Oil on Masonite 29 5/8 x 22 1/4 inches C Property from a New York Estate $2,000-3,000 See Illustration

84 Reginald Marsh American, 1898-1954 Tugboats, 1936 Signed Reginald Marsh and dated 1936 (lr) Watercolor on paper 14 x 20 inches C A New England Collection $5,000-7,000 See Illustration

85 Reginald Marsh American, 1898-1954 Three Women on the Ferry, a Double-sided work Ink and watercolor on paper 14 x 20 inches Provenance: ACA Galleries, NY C A New England Collection $4,000-6,000 See Illustration

86 Reginald Marsh American, 1898-1954 Ladies Walking: A Double-sided work, 1953 Signed Marsh and dated 53 (lr) on the recto Oil on board 10 x 8 inches C The property of Barnabas McHenry $3,000-5,000 See Illustration

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87 Reginald Marsh American, 1898-1954 Subway Scene, a Double-sided work, 1954 Recto: Young Woman Riding the Subway Verso: Young Woman Standing, initialed RM and dated 54 (lr) Gouache on panel 4 3/4 x 2 5/8 inches C The property of Barnabas McHenry $500-700 88 Reginald Marsh American, 1898-1954 Bowery Drawing, a Double-sided work, 1953 Recto: Signed with initials RM and dated 1953 (lr) Oil and graphite pencil on board Verso: Signed Marsh and dated 53 (lr) Oil, ink and graphite pencil on board 9 1/2 x 7 1/2 inches C The property of Barnabas McHenry $1,000-1,500

89 David Levine American, 1926-2009 Bobsled, Coney Island, 1967 Signed D. Levine and dated 67 (lr); titled Bobsled on gallery label affixed to the reverse Watercolor on paper laid to board 7 3/4 x 14 1/2 inches Provenance: Forum Gallery, New York; inv. no. 5778 C Estate of Dorothy Wassyng $1,800-2,200 See Illustration

90 David Levine American, 1926-2009 Crowded Coney Island, 1968 Signed D Levine and dated 1968 (ll); titled Crowded Coney on gallery label affixed to the reverse Watercolor on paper laid to card 8 x 12 inches Provenance: Davis Galleries, New York C Estate of Dorothy Wassyng $1,200-1,800 See Illustration 91 Ralph Eugene Cahoon, Jr. American, 1910-1982 A Mermaid and a Sailor on a Junk in China Signed R. Cahoon / pinxt (lr) Oil on Masonite 18 x 23 1/2 inches C Property from a New Jersey Collector $8,000-12,000 See Illustration

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92 92 Ralph Eugene Cahoon, Jr. American, 1910-1982 Mermaids on Ice Oil on Masonite 18 1/8 x 23 1/4 inches Provenance Wayne Pratt, Inc., Woodbury, Ct, inv. PTG 584 Acquired from the above Nov. 16, 2001 C Property from a New Jersey Collector $10,000-15,000 See Illustration

93 Ralph Eugene Cahoon, Jr. American, 1910-1982 Snow Day Signed R. Cahoon Jr (lr) Oil on Masonite 19 x 24 inches C Property from a New Jersey Collector $5,000-7,000 See Illustration

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94 Albert Webster Davies American, 1889-1967 Quilting Bee Signed DAVIES (lr) Oil on Masonite 18 x 24 inches C Property from a New Jersey Collector $1,500-2,500 See Illustration

95 Albert Webster Davies American, 1889-1967 Company from Burton Signed DAVIES (ll) Oil on Masonite 18 x 24 inches C Property from a New Jersey Collector $1,200-1,800 See Illustration

96 Albert Webster Davies American, 1889-1967 Live Stock Auction Signed DAVIES (ll); inscribed as titled on an old label on the reverse Oil on Masonite 18 x 24 inches C Property from a New Jersey Collector $1,200-1,800 See Illustration

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97 Harry Andrew Jackson American, 1924-2011 Pony Express III, 1980 Signed, copyrighted, dated 1980, inscribed PE III20, and stamped with thumbprint and foundry mark WFS Italia within a square on the base Bronze with brown patina Height 13 inches C Property from a New York and Connecticut Estate $6,000-8,000 See Illustration

100 H. Clay Dahlberg American, b. 1946 The Gathering, 1980 Signed H. Clay Dahlberg, copyrighted, titled, dated 80 and numbered # 12 of 30; also bearing a stamped device and foundry mark House Bronze/Lubbock on the base Bronze with brown patina Height 15 1/2 inches; width 39 inches; depth 17 inches C $4,000-6,000 See Illustration

98 Harry Andrew Jackson American, 1924-2011 Flag Bearer II , 1992 Signed, copyrighted, dated 1992, inscribed TFII 2 and stamped with thumbprint and foundry mark HJS CODY within a square on the base Bronze with brown patina Height 21 inches C Property from a New York and Connecticut Estate $10,000-15,000 See Illustration

101 H. Clay Dahlberg American, b. 1946 Necessary Ceremonies, 1987 Signed H. Clay Dahlberg, copyrighted, dated 87 and inscribed # 19 of 20 on the base Bronze, brown patina Height 15 1/4 inches C $1,000-1,500

99 Harry Andrew Jackson American, 1924-2001 Pony Express III , 1977 Signed Harry Jackson, dated 1977, inscribed PEIII 32 and stanoed with thumbprint and foundry mark WFS ITALIA within a square on the base Bronze with brown patina Height 8 1/2 inchess C Property from a New York and Connecticut Estate $1,200-1,800

102 Emile Albert Gruppé American, 1896-1978 Nor’easter Signed Emile A. Gruppé (lr); inscribed with title and artist’s name on the stretcher Oil on canvas 18 x 24 inches C $1,000-1,500

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103 part

105

108 107

Prints 103 After George Brookshaw (1751-1823) POLINAC; SCARLET FLESH ROMANA; WHITE CANDIA; [PLUMS] Four hand-colored color aquatints and stipple engravings, from Pomona Britannica, published by G. Brookshaw, London, 1804-1812, with full margins, framed. Each sheet approximately 22 5/8 x 18 1/8 inches C Estate of Dorothy J. Henry $2,000-3,000 See Illustration of Part

105 After John William Hill (1812-1879) NEW YORK Hand-colored engraving and aquatint by C. Mottram, 1855, published by F. & G.W. Smith, New York, third state of three, a later impression, with good or full margins, framed. Image 28 3/4 x 50 1/2 inches C $1,000-1,500 See Illustration

104 After George Brookshaw [FRUIT STUDIES] Four hand-colored color aquatints and stipple engravings, from Pomona Britannica, published by G. Brookshaw, London, 1804-1812, with full margins, framed. Each sheet approximately 22 5/8 x 18 1/8 inches C Estate of Dorothy J. Henry $600-900

106 Alexander Hay Ritchie (1822-1895) WASHINGTON AND HIS GENERALS Hand-colored engraving, circa 1870, with good or full margins, framed. Image 23 1/2 x 35 3/4 inches C $700-1,000

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107 Currier & Ives, publishers THE CHANCES OF BILLIARDS (CONNINGHAM 995; GALE 1090) Hand-colored lithograph, 1869, with (full?) margins, framed. Image 16 3/8 x 24 7/8 inches Sheet 19 7/8 x 26 7/8 inches C $800-1,200 See Illustration 108 Currier & Ives, publishers THE GREAT WEST (C. 2658; G. 2879) Hand-colored lithograph, 1870, with good margins, framed. Image 8 x 12 1/2 inches Sheet 10 1/4 x 14 1/8 inches C $600-800 See Illustration

Willa Kim and William PÃ¨ne du Bois The Collection of

42 DOYLE • APRIL APRIL 5, 5, 2017 2017 •• NEW NEW YORK YORK

Photo by www.TomGrimes.com

Doyle is honored to auction the collection of award-winning costume designer WILLA KIM and her husband, writer and illustrator WILLIAM PÈNE DU BOIS, son of the prominent American artist Guy Pène du Bois. Willa Kim (1917-2016) The daughter of Korean immigrants, Wullah Mei Ok Kim (she later changed the spelling to Willa) grew up in Los Angeles and dreamed of becoming a fashion illustrator and painter. After graduating from Belmont High School, where she was an art editor of the yearbook, she studied art at Los Angeles City College and received a scholarship to the Chouinard Art Institute (now the California Institute of the Arts, CalArts). She worked briefly as a fashion illustrator at the May Company department store in 1942 before joining Paramount Studios. There she worked with the famed costume designers Barbara Karinska and Raoul Pène du Bois on such films as Lady in the Dark (1944) starring Ginger Rogers. In 1945, Broadway beckoned and Willa worked with Raoul on her first stage musical, Are you with It? She returned to Los Angeles to study art with Rico LeBrun, a leading modernist, at the Jepson Art Institute, but in 1950 came back to New York to work with Raoul on a number of successful Broadway productions, including Gypsy, The Music Man and Bells Are Ringing.

Willa Kim at work

On a visit to France, Willa and her friend, artist Margaret Stark, were invited to spend Thanksgiving with Raoul and the Pène du Bois family. It was during this visit that Willa met Raoul’s cousin, William Pène du Bois, a writer and illustrator of children’s books. Willa and William were married in New York in 1955.

design in the field of dance. She pioneered the use of lightweight Lycra stretch fabrics and developed techniques for painting on these

In the 1960s, Willa began her solo career designing for a series of Broadway productions, and by the 1970s her work began to be recognized by the Tony Awards. She received her first Tony Award for Best Costume Design in 1981 for Sophisticated Ladies, a glamorous musical revue based on the music of Duke Ellington. A decade later, she received her second Tony Award for her work on Tommy Tune’s The Will Rogers Follies, an ode to the famous humorist and the dazzling Ziegfeld extravaganzas. She was honored with nominations an additional four times for her work on Goodtime Charlie starring Joel Grey, Bob Fosse’s Dancin’, Andrew Lloyd Webber's Song and Dance, and Peter Allen’s Legs Diamond. She also received three Drama Desk Awards for Outstanding Costume Design. Willa designed costumes for over twenty Broadway shows, her final being the 1995 production of Victor, Victoria starring Julie Andrews.

Willa is credited with having introduced two innovations to costume

new textiles. During her career, she designed over 150 ballets, including fifty for Elliot Feld. Her designs for Sleeping Beauty for American Ballet Theatre premiered in 2007, when Willa was 90 years old. She won an Emmy Award for Costume Design in 1981 for the televised production of the San Francisco Ballet’s The Tempest. Willa received wide acclaim for the landmark 2005 production of Puccini’s opera Turandot that she designed for the Santa Fe Opera, in which she indulged her imagination and created a fantastical vision of the Chinese Imperial court. Toward the end of her remarkable six-decade long career designing for film, stage, ballet and opera, she was honored with numerous awards. She received the TDF Irene Sharaff Lifetime Achievement Award in 1999, the

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44 DOYLE • APRIL APRIL 5, 5, 2017 2017 •• NEW NEW YORK YORK

Photo by www.TomGrimes.com

Fashion Institute of Technology’s Patricia Zipprodt Award for Innovative Costume Design in 2003, and the United States Institute for Theatre Technology’s Distinguished Achievement Award for Costume Design in 2005. In 2007, she was inducted into the American Theatre Hall of Fame. The following year, she was honored by the government of South Korea with the Coronet Culture Medal, an award she particularly cherished.

William Pène du Bois (1916-1993) William Sherman Pène du Bois was born in Nutley, New Jersey in 1916 into a family of artists. His father was the famed landscape and portrait painter Guy Pène du Bois, his mother was a designer of children’s clothing, and his older sister Yvonne was also a painter. The family moved to France when William was eight, and he attended the Lycée Hoche in Versailles and the Lycée de Nice in Nice, after which the family returned to Nutley. He was awarded a scholarship to the Carnegie Technical School of Architecture, but upon the sale of a book that he had written and illustrated while on vacation, he decided to forego college in pursuit of a career in books. In 1936, his first book, Elisabeth, the Ghost Cow, was published. William entered the United States Army in 1941 and worked during the War as an artist and correspondent for Yank magazine, as well as editing the camp newspaper and illustrating strategic maps. Having written and illustrated five books prior to the War, William published his sixth book, The Twenty-One Balloons, in 1947. It was a fantastic tale of a retired Willia Kim and William Pène du Bois, circa 1968, ad for Ballantyne sweaters.

Willa Kim with her Tony Award for Sophisticated Ladies, 1981. Photo: Sam Siegeli

mathematics teacher’s hot-air balloon journey to Krakatoa and the airborne escape when the volcano explodes. The book was honored with the 1948 Newbury Award for best children’s book by the American Library Association. His prolific output includes a series inspired by the seven deadly sins, as well as tales of adventure and mystery with anthropomorphic animals cast as the heroes. He was twice a runner-up for the Caldecott Medal, which recognizes picture books for children: Bear Party (1952) and Lion (1957). The New York Times Book Review named his 1971 Bear Circus one of the ten best children’s books of the year. In addition to his own works, William also illustrated books written by other authors, including works by Jules Verne, John Steinbeck, Issac Bashevis Singer, Rumer Godden and Claire Hutchet Bishop. In 1953, William was one of the founding editors, and the first art director, of influential literary magazine, The Paris Review, along with Thomas Guinzberg, Harold L. Humes, Peter Matthiessen, John P.C. Train and George Plimpton, whose 1955 book, The Rabbit’s Umbrella, featured illustrations by William. Following William’s marriage to Willa in 1955, the couple lived in New York until 1973, when William moved to France, where he lived for the rest of his life.

Guy Pène du Bois (1884-1958) Born into a cultured, sophisticated family of French origin but with roots in America dating back to 1748, Guy Pène du Bois developed an early interest in art. At the age of 14 he enrolled in William Merritt Chase’s New York School of Art. While Guy developed a painterly technique and an appreciation for realism under Chase, the arrival at the School in 1903 of a new instructor, Robert Henri, and his advice to venture out of the studio and into the city to better understand the subjects had an immediate impact on the young artist – as well as his fellow students Edward Hopper, Gifford Beal, George Bellows and Rockwell Kent. An early trip to Paris in 1905 in the company of his father, Henri Pène du Bois, a journalist and an avowed Francophile, earned him an invitation to exhibit at the Paris Salon in 1905. The tragic death of his father in 1906 on board ship for their return home to America forced Guy to turn to art criticism to help support his family. He began writing for the New York American, his father’s former employer, and continued to write as well as paint for the rest of his life, eventually publishing monographs on the work of John Sloan, William Glackens, Edward Hopper and Ernest Lawson. He was considered an astute critic. In 1911, Guy married Florence “Floy” Sherman Duncan; the couple welcomed a daughter, Yvonne, in 1913 and their son, William, three years later. Guy’s dual career, with his success as a painter enhancing his insight as a critic, led not only to his inclusion in the 1913 Armory show, but also to his publicizing the landmark exhibition in a special issue of Arts and Decoration magazine, which he edited. The same year, Kraushaar Galleries began to represent his work, and continued to do so until the death of John Kraushaar, his longtime friend and dealer, in 1946. Guy took to heart Henri’s advice, however the subjects he favored were not generally those of the Ash Can School. As a rule, they were generally urban, but ran the gamut from city toughs to politicos, young flappers to the affluent at play. The artist himself called them “symbols of sophistication.” They are studies of manners, as keen and acute as those of William Hogarth, at times caustic and revealing the pomposity and foibles of modern society. By 1920, Guy had achieved the style for which he is best known: flattened and abstracted forms with smooth, volumetric contours rendered with imperceptible brushstrokes, and scenes informed by a satirical sensibility. Duncan Phillips praised him as "an irrepressible mocker of human absurdity and a clever satirist of types familiar to our modern world." He also praised his “flair for good painting.” Guy became known as a colorist; his use of rose madder was unusual. In his honor students created The Rose Madder Club, which may have inspired the title of one of Guy’s lighthearted compositions

Guy Pène du Bois at his easel.

generosity of John Kraushaar), the period was a productive one, and for the first time landscape began to play a part in his compositions. Subjects were shown at the race track and in the countryside. When Kraushaar could no longer continue to subsidize his stay, the artist returned to America with his family. Paintings of Yvonne and William, the artist’s children, constitute an important part of his oeuvre through these years. For the rest of his life, Guy continued to teach, write and paint, even participating in WPA projects during the Depression years. But it is his early pictures, those of the 1920s and early 1930s, for which he is best remembered. Edward Alden Jewell, art critic for The New York Times eloquently summarized his work: “It is pretty safe to call him a master and to add that there isn’t a better artist working hereabout today. His draughtsmanship, to put it coldly, commands instant and unlimited respect. His line is pure and vigorous. Color can and not infrequently does attain truly remarkable intensity of tone and subtlety of harmonious relationship. Add to these qualifications an almost unerring sense of composition and one has perhaps sufficiently justified the word master as applied to Guy Pène du Bois.”

from 1934 [Collection Westmoreland Museum of American Art]. In 1924, in order to devote himself to painting, Guy brought his young family to France. Out of a desire to escape the temptations of Paris, they settled in the small village of Garnes, remaining for six years. With the increased popularity of Modernism the artist found a decreased demand for his paintings. Despite financial constraints (mitigated to some degree by the 46 DOYLE • APRIL 5, 2017 • NEW YORK

The Willa Kim and William Pène du Bois Collection The remarkable collection of Willa Kim and William Pène du Bois comprises furniture, decorations, mechanical toys, costume jewelry and paintings, including an extensive group of works by Guy Pène du Bois, some of which will be offered in future sales.

Paintings & Print 109 John Wulp American, b. 1928 Portrait of Willa Kim Monogramed on the reverse Oil on canvas 30 1/4 x 25 1/4 inches C The Collection of Willa Kim and William Pène du Bois $300-400 See Illustration 110 American School 20th Century Winter Landscape Dedicated on the backing Happy Birthday/ May 9th 1964/...Mason Oil on board 6 x 9 inches C The Collection of Willa Kim and William Pène du Bois $100-300

109

111 American School 20th Century Garden with Irises Signed R. Boughton (ll) Oil on canvas 29 3/4 x 34 3/4 inches C The Collection of Willa Kim and William Pène du Bois $200-400 112 Guy Pène du Bois American, 1884-1958 An Afternoon Conversation, 1932 Signed Guy Pène du Bois and dated 32 (lr) Oil on paper 19 1/2 x 14 5/8 inches C The Collection of Willa Kim and William Pène du Bois $1,500-2,000 See Illustration

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113 part

113 Guy Pène du Bois American, 1884-1958 (i) Head of a Young Boy Graphite pencil on paper Sight 5 x 5 inches (ii) Head Studies: A Double-sided work Signed (lr) Ink on paper [recto]; pencil [verso] 9 1/2 x 6 7/8 inches Unframed (iii) Study of a Woman (Hands and Head) and Figure Studies: A Double-sided work Signed G. P. du Bois (lc) [recto] Graphite pencil on paper 11 3/4 x 9 inches Unframed C The Collection of Willa Kim and William Pène du Bois $800-1,200 See Illustration of Part 114 Guy Pène du Bois American, 1884-1958 (i) Standing Female Nude Signed G. Pène du Bois (lr) Graphite pencil on paper 16 3/8 x 11 5/8 inches (ii) Lost in Thought Signed Guy Pène du Bois (lc) Graphite pencil on paper 19 1/4 x 14 inches (iii) Nude Seen from Behind Signed G. P. du Bois (lr); numbered P.D. 506 and inscribed $150 on the verso Ink on card 20 1/4 x 13 3/8 inches All unframed C The Collection of Willa Kim and William Pène du Bois $800-1,200

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115 Guy Pène du Bois American, 1884-1958 (i) Standing Nude Seen from Behind, 1941 Signed and dated Guy Pène du Bois ‘41 (ll) Oil stick on paper 18 1/2 x 12 1/2 inches (ii) Seated Woman Wearing a White Shirt Signed Guy Pène du Bois (ll) Oil stick on paper 18 x 15 1/4 inches (iii) Nude Leaning Back: A Double-sided work Signed Guy Pène du Bois (ll) Oil stick on paper 19 7/8 x 15 1/8 inches All unframed C The Collection of Willa Kim and William Pène du Bois $1,000-1,500

116 Guy Pène du Bois American, 1884-1958 Sunday Family , 1941 Signed and dated Guy Pène du Bois ‘41 and titled (ll) Oil stick on paper 16 1/2 x 12 1/2 inches Unframed C The Collection of Willa Kim and William Pène du Bois $800-1,200 See Illustration 117 Guy Pène du Bois American, 1884-1958 (i) Seated Woman Wearing a Slip Signed Guy Pène du Bois (ll) Oil stick on paper 18 1/2 x 14 1/4 inches (ii) Sleeping Nude Signed G. P. du Bois (lc) Graphite pencil on paper 8 x 13 1/8 inches (iii) Seated Nude Signed Guy Pène du Bois (lr) Graphite pencil on paper 12 1/4 x 9 7/8 inches All Unframed C The Collection of Willa Kim and William Pène du Bois $800-1,200 See Illustration of Part 118 Guy Pène du Bois American, 1884-1958 Miscellaneous Group of Figure Studies Each signed Various mediums including ink, graphite and charcoal on paper Various sizes, largest 13 x 8 inches; Together with 20th Century School, Interior Study, ink on paper, 22 x 18 inches and two unsigned prints C The Collection of Willa Kim and William Pène du Bois $1,200-1,800

119 part

119 Guy Pène du Bois American, 1884-1958 (i) House by a Mountain Signed Guy Pène du Bois (lr) Oil on paperboard 14 5/8 x 19 3/4 inches (ii) Lawn Chair Signed Guy Pène du Bois (lc) Ink on paper 13 3/8 x 19 3/4 inches (iii) Tree and Woman Studies: A Double-sided work Signed Guy Pène du Bois [recto] Ink on paper 15 1/2 x 11 1/4 inches (iv) Landscape, Garnes, 1927 Signed and dated G. Pène du Bois 1927 (ll); inscribed, titled and numbered P.D. 518/$150 and bearing the stamp from The American Federation of Arts, Barr Building, Washington, D.C. on the backing Charcoal on paper Sight 6 1/4 x 8 inches (v) Tree Signed G. P. du Bois (lr) Charcoal on paper 7 7/8 x 5 inches All unframed C The Collection of Willa Kim and William Pène du Bois $1,000-1,500 See Illustration of Part

120 Guy Pène du Bois American, 1884-1958 (i) Front Porch Signed Guy Pène du Bois (ll) Charcoal on paper 14 7/8 x 11 inches (ii) Woman in Profile Signed Guy Pène du Bois (lr) Graphite pencil on paper 10 1/4 x 9 7/8 inches (iii) Circus Figures, 1935 Signed and dated G. P. du Bois (ll) Graphite pencil on paper 10 1/2 x 7 inches (iv) Factory Signed G. P. du Bois (lr) Graphite pencil on paper 5 x 7 3/4 inches (v) Woman Leaning Against a Stone Wall and Traffic Light Study: A Double-sided work Signed G. P. du Bois (lr) [recto] Charcoal on paper 5 x 8 inches (vi) Figures by a Fence Signed G. P. du Bois (lc) Charcoal on paper 5 x 7 7/8 inches (vii) Tree Signed G. P. du Bois (lr) Graphite on paper 9 5/8 x 7 7/8 inches All unframed C The Collection of Willa Kim and William Pène du Bois $1,200-1,800 See Illustration of Part

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121 Tom Keogh American, 1922-1980 (i) Till Eugenspiegel, circa 1950 Signed Keogh (ll) and titled (lc) Ink and watercolor on paper 13 1/2 x 18 1/2 inches Tom Keogh designed the scenery and some of the costumes for Till Eunenspiegel at the Ballets des Champs-Élysées in 1950. The production was choreographed by and starred Jean Babilée. (ii) Figures Walking, 1952 Signed Keogh and inscribed and dated Paris ‘52 (ur) Ink on paper Sight 17 1/4 x 24 inches C The Collection of Willa Kim and William Pène du Bois $800-1,200 See Illustration 122 Tom Keogh American, 1922-1980 (i) Woman with a Bow Ink on paper Sight 18 x 13 1/2 inches (ii) Windows for Printemps: Three Two signed Keogh; each titled along the bottom Ink on paper Each 22 x 30 inches Unframed C The Collection of Willa Kim and William Pène du Bois $300-400

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123 Tom Keogh American, 1922-1980 Figure Studies: Fifteen Several signed, some with inscriptions Various mediums including ink and watercolor on paper Various sizes All unmatted and unframed; Together with a portrait sketch by Tom Keogh, oil on canvas, 21 1/2 x 13 inches, unstretched C The Collection of Willa Kim and William Pène du Bois $200-400 124 Tom Keogh American, 1922-1980 (i) Girls in the Park Signed Keogh (ul) Oil on canvas 10 5/8 x 13 3/4 inches (ii) Girl Wearing a Flowered Hat Oil on canvas 11 5/8 x 10 inches (iii) Bouquet of Roses Signed Keogh (lr) Oil on canvas 18 1/8 x 10 1/2 inches C The Collection of Willa Kim and William Pène du Bois $800-1,200 See Illustration of Part

125 Tom Keogh American, 1922-1980 (i) Portrait of a Woman, 1953 Signed and dated Tom Keogh/53 (ur) Oil on canvas 18 1/8 x 21 5/8 inches Unframed (ii) Two Men, 1964 Signed, inscribed and dated Tom Keogh/Paris 1964 on the reverse Oil on beveled panel 16 1/8 x 12 7/8 inches Unframed C The Collection of Willa Kim and William Pène du Bois $500-700 126 Tom Keogh American, 1922-1980 Figures Leaning on a Wall Signed Keogh (lc) Oil on canvas 36 x 28 inches Unframed C The Collection of Willa Kim and William Pène du Bois $800-1,200 See Illustration 127 Tom Keogh American, 1922-1980 Figure and Costume Drawings: Twelve Several signed, some with inscriptions Various mediums including ink on paper and one lithograph Various sizes All unmatted and unframed C The Collection of Willa Kim and William Pène du Bois $200-400 128 Tom Keogh American, 1922-1980 Young Woman with a Heart-Shaped Tattoo Signed Keogh (ul) Brush and ink on paper 40 x 28 inches C The Collection of Willa Kim and William Pène du Bois $500-700

129 Rico Lebrun American, 1900-1964 Desert Bird, 1946 Titled, signed Lebrun and dated 1946 (lr); inscribed on the backing loaned by George Stave/Jepson Art Institute/2961 W. 7th St./ Los Angeles Ink, pencil and brown crayon on paper Sight 28 1/2 x 14 3/4 inches Exhibited: San Francisco, M.H. de Young Memorial Museum, Rico Lebrun, Jan. 27 - Feb. 28, 1951, no. 7 C The Collection of Willa Kim and William Pène du Bois $200-400 See Illustration 130 Carl Oscar August Erickson American, 1891-1958 (i) Young Woman Signed Eric (lc) Charcoal on paper Sight 20 x 14 5/8 inches (ii) Horse and Groom in Stable, Senlis, France, 1952 Signed, inscribed and dated Eric/Senlis /52(ll) Charcoal on paper Sight 19 1/2 x 26 7/8 inches (iii) Preparing for the Market, Senlis, 1951 Signed, inscribed and dated Eric/Senlis/51 (lr) Mixed media on paper Sight 39 1/4 x 26 1/2 inches C The Collection of Willa Kim and William Pène du Bois $300-500

126

131 Carol Dunham UNTITLED Etching and aquatint printed in brown, 1988-89, signed, dated and numbered 21/53 in pencil (there were also 9 artist’s proofs), published by ULAE and with their blindstamp, with full margins. 40 x 60 inches; 1016 x 1524 mm. C The Collection of Willa Kim and William Pène du Bois $400-600

129 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 51

132 Tiffany Style Glass Drop Head Dragonfly Lamp with Mosaic Base Height 25 inches, diameter 24 inches. C The Collection of Willa Kim and William Pène du Bois $500-700 See Illustration 133 Two Pairs of Chinese Painted Wood Fu Lions Early 18th century Length of one pair 18 inches, height of other pair 17 1/4 inches. C The Collection of Willa Kim and William Pène du Bois $300-400 See Illustration 134 Pair of Glazed Ceramic Elephant-Form Garden Stands Height 21 inches, width 22 inches, depth 10 inches. C The Collection of Willa Kim and William Pène du Bois $200-300 135 Group of Plastic and Acrylic Bangle Bracelets C The Collection of Willa Kim and William Pène du Bois $100-150 136 Group of Plastic and Acrylic Bangle Bracelets C The Collection of Willa Kim and William Pène du Bois $100-150

132

137 Group of Bangle Bracelets C The Collection of Willa Kim and William Pène du Bois $100-150 138 Group of Beaded Necklaces C The Collection of Willa Kim and William Pène du Bois $100-150

133

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139 Group of Metal and Plastic Bangle Bracelets C The Collection of Willa Kim and William Pène du Bois $100-150 140 Group of Rhinestone and Black Glass Costume Jewelry C The Collection of Willa Kim and William Pène du Bois $100-150 141 Pair of Chinese Green Glazed Ceramic Pedestals Height 30 inches. C The Collection of Willa Kim and William Pène du Bois $400-600 See Illustration

141

142 French Provincial Walnut Buffet en Deux Corps 18th/19th Century Height 8 feet 1/2 inch, width 60 inches, depth 20 inches. C The Collection of Willa Kim and William Pène du Bois $800-1,200 See Illustration 143 Glazed Ceramic Spiral Decorated Pedestal; Together with a Brown and Green Glazed Jardiniere. Height 26 inches. C The Collection of Willa Kim and William Pène du Bois $200-300 144 Two Floor Lamps with Fringe Shades C The Collection of Willa Kim and William Pène du Bois $200-300

142

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145 Three Chinese Turquoise Glazed Figures of Fu Dogs; Together with a Pair of Chinese Export Style Porcelain Seated Dogs Height of latter 12 1/2 inches. C The Collection of Willa Kim and William Pène du Bois $200-300 See Illustration 146 Pair of Chinese Horseshoe Back Folding Armchairs C The Collection of Willa Kim and William Pène du Bois $250-450 See Illustration 147 Chinese Blue and White Wool Carpet with Cranes and Clouds 9 Feet 8 inches x 8 feet. C The Collection of Willa Kim and William Pène du Bois $400-600

145

148 Group of Six Chinese Ceramic Figures and Pillows C The Collection of Willa Kim and William Pène du Bois $200-300 149 Pair of Chinese Bamboo Armchairs C The Collection of Willa Kim and William Pène du Bois $150-250 150 Louis Vuitton Hard Suitcase Height 10 inches, width 31 3/4 inches, depth 20 inches. C The Collection of Willa Kim and William Pène du Bois $300-500 151 Pair of Art Nouveau Style Patinated-Metal Three-Light Sconces with Lily-Form Shades Height 18 inches, width 10 inches, depth 9 inches. C The Collection of Willa Kim and William Pène du Bois $300-500

146

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152 Group of English Blue and White Transfer Decorated Pottery Articles 19th Century Comprising three platters, and two fruit stands. Length of largest platter 21 inches. C The Collection of Willa Kim and William Pène du Bois $150-250

153 Pair of Green Glazed Fluted Ceramic Pedestals; Together with a Blue, Green and Beige Glazed Ceramic Vase and a Faux Bamboo Ribbed Ceramic Urn Stand Heights 20 inches, 18 1/2 inches and 18 1/2 inches, respectively. C The Collection of Willa Kim and William Pène du Bois $300-500 See Illustration of part 154 Two Chinese Pierced Ceramic Pedestals Height of larger 30 inches; Together with a Turquoise Glazed Ceramic Pedestal and a Jardiniere with Cobalt Rim. C The Collection of Willa Kim and William Pène du Bois $300-400 155 Two Glazed Ceramic Umbrella Stands; Together with Chinese Jardiniere Molded with Cranes and Plants; and a White Glazed Ceramic Stand. Height of larger umbrella stand 22 1/2 inches, height of jardiniere 12 inches. C The Collection of Willa Kim and William Pène du Bois $200-300 156 Group of Five Blue and White Ceramic Articles Comprising a large and a small foot bath, covered vase, punch bowl and a lamp. Length of larger foot bath 23 1/2 inches, diameter of punch bowl 14 1/2 inches. C The Collection of Willa Kim and William Pène du Bois $400-600

153 part 159 Bamboo and Parquetry Hall Stand Height 6 feet 9 inches, width 30 inches, depth 10 1/2 inches; Together with a Maple Faux Bamboo Bedside Stand. C The Collection of Willa Kim and William Pène du Bois $200-400

160 Chinese Wood Altar Cabinet Height 34 1/2 inches, width 70 inches, depth 18 1/4 inches. C The Collection of Willa Kim and William Pène du Bois $200-400

157 Two Chinese Glazed Ceramic Elephant-Form Pedestals Lengths 24 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 158 Chinese Blue Ground Wool Nichols Carpet with Orange Border Approximately 11 feet 7 inches x 8 feet 11 inches. C The Collection of Willa Kim and William Pène du Bois $400-600 See Illustration

158 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55

161

161 Painted and Giltwood J. Dubois Trade Sign 19th Century Height 15 inches, width 7 feet 2 inches. C The Collection of Willa Kim and William Pène du Bois $300-500 See Illustration 162 Giltwood Pier Mirror with Stand Height 8 feet 6 inches, width 33 inches, depth 9 inches. C The Collection of Willa Kim and William Pène du Bois $200-300 163 Two American Painted and Parcel Gilt Pier Mirrors Height of larger 8 feet 1 inches, width 39 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 164 Grain Painted Pine Two-Door Armoire Height 6 feet 9 inches, width 46 inches, depth 17 inches. C The Collection of Willa Kim and William Pène du Bois $300-500 165 Set of Four Pine Columns with Composition Capitals Height 9 feet 1 inch, 15 1/2 inches square. C The Collection of Willa Kim and William Pène du Bois $1,000-1,500

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166 Blue Distress Painted Farm Table; Together with Two Benches En Suite Height 29 inches, width 10 feet, depth 31 1/4 inches. C The Collection of Willa Kim and William Pène du Bois $500-700 167 [BOOKS] Group of approximately twenty-two oversized volumes on mostly arts subjects, on various topics including A Garden for Cutting, The Age of Napoleon, works on Art Deco jewelry, British costumes, Jean Dunand, Maxfield Parrish, etc. Wear commensurate with age and use, some staining and many with Willa Kim’s embossed collection stamp. C The Collection of Willa Kim and William Pène du Bois $200-300 168 [BOOKS] Group of approximately twenty-two oversized volumes mostly on fashion, theater and design subjects, including Diana Vreeland’s Allure, Noir Style, Irving Penn’s Flowers, works on Paul Poiret, Swedish ballet, Yves St. Laurent, Marlene Dietrich, etc. Wear commensurate with age and use, some staining and many with Willa Kim’s embossed collection stamp. C The Collection of Willa Kim and William Pène du Bois $200-300

169 PICASSO, PABLO 40 Dessins de Picasso en Marge du Buffon. [Paris: Jonquieres, 1957]. Number 706 of 2,000 copies. Original printed wrappers, without glassine, in chemise and slipcase. 14 3/4 x 11 inches. 40 numbered lithographs after Picasso, with two additional unnumbered lithographs. Large ink inscription to Willa Kim in front, some wear to slipcase, one plate with thumbsoiling to verso. C The Collection of Willa Kim and William Pène du Bois $300-400 170 FRANKENTHALER, HELEN Frankenthaler. New York: Abrams, 1979. Third printing, inscribed by Frankenthaler to Willa Kim in 1985. Decorated boards, in printed acetate jacket. Illustrated. The inscription in two varying pens and with some white-outs likely by Frankenthaler. C The Collection of Willa Kim and William Pène du Bois $200-300 171 DU BOIS, WILLIAM PÈNE Collection of illustrated children’s books, including Giant Otto [and:] Otto at Sea, Viking, 1936, two volumes in original dust jackets and card box, Some wear but very good copies of the author’s first book, rarely encountered thus, library stamps to first book; and about 40 other first, later, and translated editions, original bindings, many retaining dust jackets, one in half-morocco (cover detached). Wear to jackets and markings, sold as is. C The Collection of Willa Kim and William Pène du Bois $500-800

Toys 172 Group of Three Schuco Toy Cars Including BMW, Ferrari, and Fex 1111 models Length of largest 10 inches. C The Collection of Willa Kim and William Pène du Bois $200-300

178 Boy with Bicycle Tin Litho Toy Gunthermann, circa 1910 Height 7 3/8 inches. C The Collection of Willa Kim and William Pène du Bois $400-600 See Illustration

173 Walking Popeye with Parrot Cages Tin Litho Toy Marx Toys, circa 1930 Height 8 3/8 inches. C The Collection of Willa Kim and William Pène du Bois $100-200

179 Group of Tin Litho Wind-Up Animal Toys Comprising: (i) Dog Chewing Shoe, Japan (ii) Hopping Squirrel (iii) Resting Cat, Japan (iv) Hopping Frog, CK (v) Turnover Cat, possibly Ishimura (vi) Cat with Ball Height of largest 5 inches. C The Collection of Willa Kim and William Pène du Bois $200-400

174 Wind-up Chef Tin Litho Toy TPS Japan Height 6 3/8 inches. C The Collection of Willa Kim and William Pène du Bois $100-200 175 Zig Zag (Zick Zack) EPL 640 Tin Litho Toy Lehmann Toys Height 5 inches. C The Collection of Willa Kim and William Pène du Bois $600-900 See Illustration 176 Assorted Lot of Tin Litho Toy Vehicles Comprising: (i) Fire Truck, Yonezawa (ii) US Tank, marked Japan (iii) Tank, Vebe, France Height of largest 2 1/4 inches. C The Collection of Willa Kim and William Pène du Bois $100-200

175

180 Tin Litho Wind-Up Toy Lot of Riding Characters Comprising: (i) Horse and Knight, Mikoni (ii) Indian with Pistol on Horse, K Japan (iii) Riding Clown (iv) Sulky Horse and Jockey, DMG West Germany (v) Horse and Knight, Daiya Japan Height of tallest 6 1/8 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 181 Group of Seven Tin Litho Animal Toys Some marked Japan Height of tallest 6 inches. C The Collection of Willa Kim and William Pène du Bois $300-500

177 Pair of Tin Litho Toy San Francisco Cable Cars Circa 1950, Japan Length of largest 9 inches. C The Collection of Willa Kim and William Pène du Bois $300-500

178 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57

182 Soldier Boy Riding St. Bernard Dog Tin Litho Toy Gunthermann, circa 1915 Length 7 inches. C The Collection of Willa Kim and William Pène du Bois $400-600 See Illustration 183 Group of Tin Litho Animal Toys and Wind-Up Toys Early 20th century Including: (i) Somersaulting Monkey (ii) Frog, Lehmann, West Germany (iii) Bunny with Whistle and Drum marked Son Ai Toys (iv) Bear with Kleenex Box, Linemar (v) Bear with Drum (vi) Bruno the Spectacle Bear marked Japan ALP; Together with Miscellaneous Group of Tin Litho Bird-Form Wind-Up Toys. Approximately fourteen pieces. C The Collection of Willa Kim and William Pène du Bois $200-300 184 Fox with Duck in Suitcase Tin Litho Toy Schuco, Germany Height 5 3/8 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 182

185 Tut-Tut Motorcycle with Sidecar Tin Litho Toy Paya Toys Length 8 inches. C The Collection of Willa Kim and William Pène du Bois $300-500 See Illustration 186 Animals Jumping Rope Tin Litho Toy Shokai Length 9 1/8 inches. C The Collection of Willa Kim and William Pène du Bois $100-200 187 Happy the Violinist Tin Litho Toy TPS Toys Height 8 3/4 inches. C The Collection of Willa Kim and William Pène du Bois $100-200 188 Boy with Food Cart Tin Litho Toy Rico Toys Height 4 5/8 inches. C The Collection of Willa Kim and William Pène du Bois $200-400

185

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189

190

196 189 Arnold Mac 700 Wind-Up Motorcycle Tin Litho Toy Marked West Germany Length 8 inches. C The Collection of Willa Kim and William Pène du Bois $700-900 See Illustration 190 Samson the Strongman Tin Litho Toy TPS Toys Height 6 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 See Illustration 191 Asian Man in Cart with Ostrich Tin Litho Toy Possibly Lehmann Length 8 1/4 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 192 Group of Tin Litho Wind-Up Toy Clowns and Other Circus Animals and Performers; Together with Cragstan Crapshooter. Approximately thirteen pieces. Height of tallest 9 inches. C The Collection of Willa Kim and William Pène du Bois $300-500

193 Group of Eight Toy Automobiles and Vehicles Several marked Schuco. Largest 4 1/2 x 7 1/2 x 3 1/2 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 194 Jouets Citroen Torpedo Metal Toy Car; Together with Two Red Plastic Vintage Automobile Toys Largest 17 x 7 x 8 inches. C The Collection of Willa Kim and William Pène du Bois $150-250 195 Automobile Form Ceramic Decanter “Famous Firsts” Marmon Wasp Indianapolis 500 1911, circa 1968 16 x 6 1/2 x 5 Inches. C The Collection of Willa Kim and William Pène du Bois $100-200 196 Tin Litho Race Car with Driver Possibly Tippco Germany, circa 1935 14 x 3 1/2 x 4 inches. C The Collection of Willa Kim and William Pène du Bois $400-600 See Illustration

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200

197 Wind-up Man with Suitcase Tin Litho Toy Voit Fritz, circa 1950 Height 7 1/8 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 198 Pair of Butterfly on Wheels Tin Litho Toys Circa early 1900 Stamped DRGM; Together with a Group of Insect and Reptile Tin Litho Wind-Up Toys. Approximately eleven items. Length of largest 5 1/8 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 199 Group of Flocked Wind-Up Toys Approximately nine pieces. Height of largest 11 1/2 inches. C The Collection of Willa Kim and William Pène du Bois $200-300

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200 Bicycle Discount Wheel by Waddell Wooden Ware Works First produced 1896 Nickel coin-op amusement game 20 x 17 x 4 1/2 inches. C The Collection of Willa Kim and William Pène du Bois $600-800 See Illustration 201 Model Boat Entitled Liliput 27 x 16 x 7 inches. Together with Painted Metal Boat Marked Unis, France 19 x 5 x 4 inches. C The Collection of Willa Kim and William Pène du Bois $800-1,200 202 Painted Plaster Dog Possibly RCA promotional item Height 14 1/2 inches. C The Collection of Willa Kim and William Pène du Bois $100-200

203 Reproduction Cast Iron Bank Teddy and the Bear Marked Reproduced from the original in collection of Book of Knowledge 7 x 9 1/2 x 2 3/4 inches. C The Collection of Willa Kim and William Pène du Bois $50-100 204 Green Slag Glass Chandelier Height 13 inches, diameter 23 inches. C The Collection of Willa Kim and William Pène du Bois $200-400 205 Asian Painted Wood Buddha Hand Height 15 1/2 inches; Together with a Painted Wood Columnar Pedestal. C The Collection of Willa Kim and William Pène du Bois $100-150

FURNITURE & DECORATIONS

Lot 293 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 61

206 Chippendale Walnut Slant-Front Desk Delaware Valley, last quarter of the 18th century The interior with valence drawers above serpentine drawers flanking a prospect door and document drawers, the case with four graduated drawers and fluted corner columns, raised on ogee bracket feet. Height 42 3/4 inches, width 39 1/4 inches, depth 20 1/2 inches. C Property from a New York and Connecticut Estate $700-1,000 207 Federal Style Cherry Candle Stand Height 27 inches, width 16 3/4 inches, depth 16 inches. C $75-125

211

208 Federal Upholstered Cherry Lolling Chair With chip-carved arm supports and straight legs ending in turned feet. C $600-900 209 Blue Painted Corner Cupboard 19th Century With a molded cornice above a paneled door opening to a shelved interior. Height 35 3/4 inches, width 32 1/2 inches, depth 18 inches. C $200-300 210 Group of Six Framed Janet Bolton Cloth Applique Pictures Depiciting animals and figures, including one of a pair of giraffes, largest overall 17 x 17 inches. C Property of an Estate, Fifth Avenue, NY $400-600

215

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211 German Painted and Lithographed Noah’s Ark With over ninety carved and painted animals and Figures; Together with a Custom Display Panel. Length of ark 18 1/2 inches, height of display panel 36 inches, width 38 1/4 inches. C Property from a New Jersey Collector $2,000-3,000 See Illustration

212 Group of Three Pennsylvania German Style Sgrafitto Decorated Chargers; Together with an Williamsburg Combed Redware Platter Diameter of Largest 14 1/2 inches. C Property from a New Jersey Collector $300-500 213 Slip Glazed Redware Bread Tray Circa 1820 With combed decoration. Length 15 inches. Provenance: Garry Atkins, London, UK C Property from a New Jersey Collector $400-600 214 Group of Six Salt Glazed Stoneware Crocks 19th Century Including three two-gallon jugs, two one-gallon jugs and a three-gallon jar, Height 12 1/4 inches; N. Clark Jr., Athens, New York J. Burger, Rochester, New York P. Norton & Co., Bennington, Vermont D. W. Graves, Westmoreland White & Co., Bennington Whites, Utica C Property from a New Jersey Collector $400-600 215 Cobalt Decorated Salt Glazed Stoneware Crock With American Flag 19th Century Of tall ovoid form, with lug handles and incised banner at the shoulder, painted with a large American Flag over a fort, the opposite side with foliage. Height 15 5/8 inches. C Property of a Private Collector, Long Island $600-900 See Illustration

216 Carved Pine Spoon Rack Possibly Pennsylvania, 18th century The multiscrolled cresting above a â&#x20AC;&#x2DC;cut stoneâ&#x20AC;&#x2122; and fluted arch, two spoon holders over a well with serpentine rim. Height 24 1/2 inches, width 13 inches, depth 5 1/4 inches. C Property of a Private Collector, Long Island $600-900 See Illustration 217 Chippendale Mahogany Side Chair C $100-150 218 Group of Chinese Blue and White Porcelain Articles Probably 19th, 20th century Comprising a pair of covered jugs, ewer, set of three plates, pair of reticulated salts, reticulated double-walled bowl, reticulated double-walled teapot, pair of miniature teapots and a small ovoid vase. Height of tallest 6 inches. C From the Estate of Jan Adriaan Laan of Bloemendal, the Netherlands $300-500

216 219 Pair of Dutch Delft Chargers 18th Century Each painted with a flower basket. Diameter 13 1/4 inches. Provenance: Charles van der Hayden, Rotterdam C Property of an Estate, Fifth Avenue, NY $300-500 220 Group of Mochaware Pottery Articles 19th Century Comprising a domed checkered jar with insert, height 7 1/4 inches; pint mug and a barrel-form jug. C Property from a New Jersey Collector $300-500 221 Queen Anne Walnut High Chest Delaware Valley, mid 18th century The molded cornice above three over two short drawers and three long graduated drawers, the lower section with a long drawer and three drawers, the scrolled apron centering a flanged shell, raised on cabriole legs ending in trifid feet. Height 6 feet, width 42 3/4 inches, depth 22 3/4 inches. Provenance: Ginsburg & Levy, New York C Property of an Estate, Fifth Avenue, NY $5,000-7,000 See Illustration 222 George I Style Walnut Upholstered Stool The rectangular padded seat on faceted cabriole legs. Height 15 inches, width 23 inches, depth 16 inches. C $250-350

221

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224 Pair of Chippendale Style Brass Andirons With a double-urn finial, above a columnar standard, raised on spurred legs with claw and ball feet. Height 22 1/2 inches. C $250-350 225 Pair of Chinese Export Porcelain Blue and White Chargers 19th Century Each decorated with radiating panels and a central lotus flower. Diameter 15 inches. C From the Estate of Jan Adriaan Laan of Bloemendal, the Netherlands $400-600

223 223 Seth Thomas Rosewood Veneered Office Calendar No. 1 Clock Circa 1870 With faceted double case, the clock face with Roman numerals above a calendar dial inscribed Seth Thomas Clock Co. Plymouth Hollow, Ct.... PATENTED...1860. Height 40 1/2 inches, width 19 1/2 inches, depth 6 1/4 inches. C $500-700 See Illustration 223A Assembled English Porcelain Tobacco Leaf Pattern Partial Tea and Coffee Service 19th Century Comprising seven teacups, five coffee canns, seven saucers, two plates, two dessert dishes, covered sugar bowl, and a creamer. Diameter of larger dessert dish 8 inches; Together with a Chinese Export Porcelain Tobacco Leaf Pattern Salt. 18th/19th Century. • $500-700 See Illustration of Part

226 Group of Ceramic Articles 18th/19th Century Comprising two Delft blue and white dishes, Chinese export porcelain armorial decorated saucer with the motto Spare Nought; Chinese export porcelain famille rose plate; Chinese Provincial ware dish; and a Chinese export style blue and white teapot stand. Diameter of largest 10 inches. • $125-175 227 Federal Inlaid Mahogany Tall Case Clock Mitchell & Mott, New York, early 19th century The scrolled pediment painted with flowers, above a painted dial with subsidiary seconds dial and day-of-the month, the string inlaid case with serpentine arched door, raised on splayed bracket feet. Height 8 feet 5 1/4 inches, width 20 3/4 inches, depth 10 1/4 inches. C $3,000-4,000 See Illustration 228 English Needlework Sampler Worked by Hannah Ganton, 1786 With a central verse and symmetrical arrangement of potted flowers, cherubim, deer, etc. Height 16 1/4 inches, width 11 3/4 inches. C Property from a New Jersey Collector $500-700

227

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233 American Mahogany Canterbury Early 19th century The spindled sides above a drawer, raised on turned legs ending in casters. Height 22 1/2 inches, width 20 inches, depth 16 inches. C Property of a Private Collector, Long Island $800-1,200 See Illustration

230

234 American Silk Needlework Mourning Picture Early 19th century In Memory of Susan Hildreth, Obit August 26, 1803, Ă&#x2020; 13, and of Eliza Hildreth Obit, October 6, 1804, Ă&#x2020; 8, Born Just to Bloom and Fade by their sister N. H., with a mat inscribed, Wrought by Nancy Hildreth, Concord. Height 13 3/8 inches, width 10 1/4 inches. C Property from a New Jersey Collector $1,500-2,000 235 Chinese Export Porcelain Blue Fitzhugh Mazarine Panel Mounted in a mahogany stand as an occasional table. Height 17 inches, width 15 inches, depth 11 1/2 inches. C Property of an Estate, Fifth Avenue, NY $200-300

229 Pair of Federal Cream Painted and Gilt Decorated Fancy Chairs Early 19th century; Together with a Windsor Continuous Armchair; a Windsor Rocking Chair; and a Hitchcock Style Painted and Stenciled Armchair. C $400-600

236 Federal Style Inlaid Mahogany Side Table The D-shape top with bellflower inlaid square tapering legs. Height 33 1/4 inches, width 68 inches, depth 19 inches. C Property of an Estate, Fifth Avenue, NY $400-600

230 Federal Inlaid Mahogany and Satinwood Fold-Over Card Table Massachusetts, early 19th century The serpentine sides and bow front above a conforming frieze with central oval, raised on square tapering legs and tapered feet. Height 29 3/4 inches, width 36 inches, depth 17 1/4 inches. C $3,000-5,000 See Illustration 231 Federal Inlaid Mahogany Tilt-Top Tripod Stand Early 19th century The oblong top with canted corners and inset oval panel, above turned and fluted baluster standard on a tripod base ending in spade feet. Height 28 1/2 inches, width 19 3/4 inches, depth 14 1/4 inches. Provenance: Gift of Mrs. Russell Sage, 1909, acc. 10.125.152 C Property of The Metropolitan Museum of Art $200-300 232 Reverse Painted Print of George Washington 19th Century 14 x 10 1/2 inches. C Property of an Estate, Fifth Avenue, NY $100-200

233

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237

237 Group of Four English Creamware Tea Caddies 18th Century Comprising a Wedgwood transfer decorated example depicting a couple at tea and a shepherd, provenance: Ginsburg & Levy, New York; Leeds transfer decorated example with a figure in a landscape, provenance: Leo Kaplan, Ltd.; Whieldon type tortoise shell glazed example, and one decorated with iron-red flowers and leaves. Height of tallest 4 1/2 inches. C Property of an Estate, Fifth Avenue, NY $600-800 See Illustration 238 Queen Anne Walnut Tilt-Top Tripod Stand The dished top above a columnar standard and three cabriole legs. Height 27 1/2 inches, diameter 18 1/2 inches. C $300-500 239 Group of Four Pairs of Brass Candlestick Lamps Height of tallest 17 1/2 inches. C Property of an Estate, Fifth Avenue, NY $200-300

242

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240 Group of Worcester Blue and White Porcelain Articles Circa 1775 Comprising a butter tub, cover and stand; pair of reticulated baskets, length 8 1/4 inches; covered creamer; three pots de crème, and three small bowls; Together with a Porcelain Campana-Form Vase. Decorated with flowers; And Two Blue and White Condiment Dishes. • $250-350 241 George II Mahogany Drop-Leaf Table With D-shaped leaves and a shaped apron, raised on cabriole legs. Height 28 1/2 inches, width 41 1/4 inches, depth 19 1/2 inches. C $500-700 242 Chippendale Walnut Tilt-Top Tea Table Possibly Connecticut, late 18th century The circular dished top above a bird cage mechanism, on a baluster standard and three rounded cabriole legs ending in claw and ball feet. Height 28 1/2 inches, diameter 31 inches. C Property of an Estate, Fifth Avenue, NY $1,500-2,000 See Illustration 243 Queen Anne Walnut Parcel Gilt Pier Mirror 18th Century The scrolled crest centering a gilt shell. Height 56 1/4 inches, width 18 1/2 inches. C $600-900

244 244 Chippendale Walnut High Chest Philadelphia, circa 1775 The scrolled pediment with three flame finials above an arrangement of five small drawers, the center drawer with concave shell flanked by foliage, and three long drawers, the lower section with a long drawer over three small drawers, the center drawer with concave shell flanked by foliage, the scalloped apron centering a shell, raised on acanthus carved cabriole legs ending in claw and ball feet. Height 8 feet 1 inch, width 42 inches, depth 21 inches. Sale: Mrs. Gertrude H. Camp The Hayloft, Whitemarsh, Pennsylvania, the Anderson Galleries, New York, January 20-21, 1928, sale 2222, lot 213 accompanied by a catalogue from this auction and a photograph of the chest in situ. C $8,000-12,000 See Illustration

245 Pair of George II Style Mahogany Side Chairs C $150-250 246 English Needlework Sampler Worked by Elizabeth Hare, November 22, 1760 With three alphabets above a moral verse, flowers, a moth and a caterpillar, the reverse with a 19th century exhibition label inscribed Major Kennedy, London. Height 12 inches, width 8 1/4 inches. C Property from a New Jersey Collector $600-800 247 English Needlework Sampler Late 18th century Depicting a five-bay house, trees, animals, two birds and two figures by a smaller house, inscribed Olive Elcocks work finished April 8, 1789. Height 13 3/4 inches, width 12 3/4 inches. C Property from a New Jersey Collector $300-500

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248 The Victory of Washington and The Apotheosis of Franklin, A British Red and Cream Toile made for the American Market Circa 1790 Cotton weft and linen warp, in two sections. Height 21 inches, width 28 1/2 inches; height 17 inches, width 30 inches. “Where Liberty Dwells, There is My Country” This copperplate printed textile was popular in Federal America and today examples can be found in many museums, including The Metropolitan Museum of Art, Winterthur and Colonial Williamsburg. Rich with symbolism, this memorial to Benjamin Franklin depicts him accompanied by Liberty and Minerva, goddess of Wisdom. George Washington, in a chariot pulled by leopards is accompanied by a personification of America, and led by two Native Americans. A whole cloth quilt made of this toile is in the collection of the Alice T. Miner Museum, Chazy, New York C $1,500-2,000 See Illustration and Front Cover

248

249 Worcester Blue and White Porcelain Pine Cone Basket Circa 1765 With rope twist handles, script W mark, Length 9 7/8 inches; Together with a Faience Two-Handled Bowl. C From the Estate of Jan Adriaan Laan of Bloemendal, the Netherlands $300-500 250 Staffordshire Transfer Decorated Pottery Commemorative Jug Circa 1824 Commemorating Lafayette’s triumphant return to the United States. Height 6 1/2 inches. Provenance: Garry Atkins, London, UK C Property from a New Jersey Collector $200-300 251 Federal Inlaid Mahogany Fold-Over Card Table Early 19th century With rounded inset corners above a string inlaid apron and legs. Height 30 inches, width 36 inches, depth 17 1/2 inches. C $700-1,000 68 DOYLE • APRIL 5, 2017 • NEW YORK

252 Detail 252 Rare Federal Mahogany Upholstered Lolling Chair Lemuel Churchill, Boston, circa 1805 With concave flared back, shaped and molded arm and arm supports continuing to square tapering legs ending in casters, bearing partial label LEMUEL CHURCHILL...Cabinet Furniture and Chairs OF THE NEWEST FASHIONS AND BEST OF WORK... SHOP IN...STREET. Height 42 1/2 inches, width 24 1/2 inches, depth 18 1/2 inches. One of only approximately 3 known labeled lolling chairs by Lemuel Churchill Literature: Charles F. Montgomery, American Furniture The Federal Period Winterthur/Bonanza 1978, a labeled example illus. pl. 116 C Property of a Private Collector, Long Island $800-1,200 See Illustration

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253 Federal Giltwood and Églomisé Mirror Early 19th century Depicting an allegorical figure of America. Height 15 3/4 inches, width 10 1/2 inches. • $150-250 254 Federal Pine Chest of Drawers Early 19th century With four drawers, raised on bracket feet. Height 42 inches, width 44 inches, depth 18 1/2 inches. C $300-500 255 American Silk Needlework Mourning Picture Late 18th century Possibly Attributed to Mrs. Gill's School, Cambridge Massachusetts Depicting two female figures with anchor and chain, and a willow tree flanking a monument inscribed To the Memory of J. Scribner, OB July 30, 1794 (?), Æ 12 years. Height 7 1/2 inches, width 8 inches. C Property from a New Jersey Collector $800-1,200 See Illustration 256 Federal Mahogany Fold-Over Card Table Massachusetts, circa 1810 Raised on turned and reeded legs. Height 29 1/2 inches, width 35 1/2 inches, depth 17 inches. Provenance: John C. R. Tomkins, Millbrook, New York C Property of an Estate, Fifth Avenue, NY $1,000-1,500

257 George III Mahogany Dressing Table The rectangular top with a molded edge, over three short and one long drawer, raised on straight legs. Height 29 inches, width 32 inches, depth 19 inches. C $400-600 258 Federal Inlaid Mahogany Secretary Bookcase Attributed to John Aitken, Philadelphia, circa 1798 The shaped crest surmounted by three ball finials, above two glazed doors, over a fitted desk with a tambour roll top continuing to five drawers and an arched apron, raised on tapering straight legs. Height 8 feet 3 inches, width 45 inches, depth 28 inches. Similar to a secretary bookcase ordered by George Washington from Aitken and now located at Mt. Vernon Washington’s secretary is illustrated in Alexandra Alevizatos Kirtley and Peggy A. Olley, Classical Splendor, Painted Furniture for a Grand Philadelphia House, Philadelphia Museum of Art, 2016, fig. 68 The authors also discuss Aitken’s importance as a cabinet maker in what was then the capital of the United States (1790-1800), and the nation’s largest city. Provenance: Descended from the Bowker Family, Philadelphia Reifsnyder Collection, #695 Ginsburg & Levy Inc., New York Exhibited: Pennsylvania Museum Illustrated: E.S. Holloway, American Furniture and Decoration, 1928, p. 129, pl. 87 House & Garden, July, 1927 Wallace Nutting, Furniture Treasury, MacMillan, New York, 1948, vol. pl. 738 C Estate of Helen R. Yellin $8,000-12,000 See Illustration

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258 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69

263 Pair of Needlework Samplers Worked by Hannah Boys, 1832 One with rabbits and deer, etc.; and one with potted flowers. Largest 11 1/4 x 12 14 inches. C Property from a New Jersey Collector $500-700

259

259 Dutch Baroque Style Brass Eight-Light Chandelier Height 21 inches, diameter 26 3/4 inches. C $800-1,200 See Illustration

262 Group of English Decorated Creamware Articles Late 18th century Comprising a tankard, teapot and cover, milk jug, and a small landscape decorated plate inscribed James Bailey, diameter 8 7/8 inches; Together with A Wedgwood Green Glazed Pottery Basket and Davenport Caneware Basket. Each circa 1810; And a Staffordshire Porcelain Leaf Molded Mug. Circa 1800. C Property of an Estate, Fifth Avenue, NY $400-600

260 Wrought Iron and Brass Table Top Candle Holder With adjustable double arm, on a tripod base. Height 23 5/8 inches. C Property of a Private Collector, Long Island $600-900 261 Chippendale Mahogany Tripod Stand New England, late 18th century The octagonal top with a molded edge, above a fluted stem on acanthus carved cabriole legs ending in pad feet. Height 26 1/2 inches, diameter 16 inches. C Property of a Private Collector, Long Island $800-1,200

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264 Group of English and Continental Pottery Articles Primarily 19th century Comprising a Creil coffee pot with seaweed decoration, two ale mugs with seaweed decoration, ochre glazed jug dated 1945 with sgrafitto decoration, frog mug, drabware mug and cup and a marble glazed covered pot. Height of tallest 10 1/2 inches. C Property from a New Jersey Collector $300-500 265 Chippendale Mahogany Side Table Possibly Philadelphia, 18th century The rectangular top with a molded edge, above a shaped apron, raised on acanthus carved cabriole legs ending in claw and ball feet. Height 32 1/4 inches, width 48 inches, depth 21 1/4 inches. C Property of a Private Collector, Long Island $2,000-4,000 See Illustration

266 American School 19th Century Still Life with Roses Colored pencil on paper 5 1/4 x 7 inches Provenance: Barry Cohen Christies, Important American Furniture, Silver, Folk Art and Decorative Arts, June 29, 1994, lot 81 Literature: David A. Schorsch The Barry Cohen Collection, New York, 1990, p. 74; Together with a Theorem Painting of a Cat Entitled Kitty. 4 3/4 x 5 3/4 inches C Property of an Estate, Fifth Avenue, NY $300-500

273 Queen Anne Walnut High Chest Boston Area, Massachusetts, third quarter of the 18th century The scrolled pediment with corkscrew finials above three small frieze drawers, the center convex drawer with trompe l’oeil gilding, over four graduated long drawers, all flanked by front and side fluted pilasters, the lower section with a long drawer over three small drawers, the center convex drawer with trompe l’oeil gilding, the triple-arched apron with turned pendants, all raised on cabriole legs ending in turned feet. Height 7 feet 3 1/2 inches, width 43 inches, depth 22 3/4 inches. C Property of a Private Collector, Long Island $6,000-8,000 See Illustration

267 George III Style Parcel Gilt Mahogany Mirror Height 60 1/2 inches, width 29 inches. C Property of an Estate, Fifth Avenue, NY $1,000-1,500 268 George III Mahogany Piecrust Tea Table Raised on stop-fluted and acanthus carved standard and three cabriole legs with claw and ball feet. Height 28 inches, diameter 29 3/4 inches. C $800-1,200 269 Chippendale Mahogany Piecrust Tea Table With a column and spiral-fluted standard on three cabriole legs ending in pad feet. Height 28 inches, diameter 31 1/4 inches. C Property of a Private Collector, Long Island $600-900 270 Queen Anne Mahogany Tripod Stand The circular dished top on a columnar and baluster stem on cabriole legs ending in pad feet. Height 29 inches, diameter 24 inches. C Property of an Estate, Fifth Avenue, NY $300-400 271 Set of Ten Chinese Export Porcelain Blue and White Plates 18th Century Depicting a willow tree and peonies by a fence. Diameter 9 1/4 inches; Together with Three Chinese Export Porcelain Blue and White Plates. Each with a bird and flowers. C From the Estate of Jan Adriaan Laan of Bloemendal, the Netherlands $300-500 272 George III Mahogany Tambour Desk Stand Late 18th century Length 11 inches; Together with a Wood Yarn Winder, Spool Holder and Two Hourglasses. • $200-300

273

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274 Carved and Painted Figure of a Standing Black Man Table Top Tobacconist Figure Probably early 19th century With a red jacket, black vest and ochre shirt and pants, black stockings and shoes, on a later wood block base. Height 21 3/4 inches. C Property of a Private Collector, Long Island $800-1,200 See Illustration 275 American School 19th Century African-American Woman and Child Watercolor Sight 5 x 3 1/8 inches Handwritten note on reverse Found in New Hampshire C Property of an Estate, Fifth Avenue, NY $300 - $500 See Illustration 276 After Jo Davidson Bust of Abraham Lincoln Bronze with brown patina Inscribed Jo Davidson 1943 On a square base Height 9 5/8 inches C $500-700

274

277 American Watercolor on Velvet Theorem Picture 19th Century Depicting a bird on a fruit basket. 17 1/4 x 19 1/4 inches. C Property from a New Jersey Collector $600-800 278 English Needlework Sampler Worked by Mary Ann Curson, Aged 14, December 30, 1841 With a verse in the upper register and a symmetrical arrangement of flowers, Adam and Eve, animals, etc. Height 16 3/4 inches, width 13 inches. C Property from a New Jersey Collector $400-600 279 Group of Six Framed Janet Bolton Cloth Applique Pictures Depiciting kite flyers, figures with balloons, etc., largest overall 15 1/2 x 24 1/4 inches. C Property of an Estate, Fifth Avenue, NY $400-600 280 Pair of American Watercolor on Paper Theorem Pictures 19th Century Each depicting flowers. Sight 11 1/4 x 14 1/4 inches. C Property from a New Jersey Collector $500-700

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281 Group of Chinese Export Porcelain Articles Primarily 18th-19th century Including four mugs and tankards, diameter 9 1/4 inches; armorial decorated reticulated dish; small bowl with a Western dancing couple, etc., approximately sixteen pieces. C Property of an Estate, Fifth Avenue, NY $1,000-1,500

285 282 Woolwork Needlepoint Picture Probably English, second quarter of the 19th century Depicting a flower filled basket, leaves and small flowers at the corners. Height 14 inches, width 17 3/4 inches. C Property from a New Jersey Collector $800-1,200 283 English Needlework Sampler Worked by Matilda Smith Aged 10 years, 1827, Sheffield With alphabets and a verse above a five-bay house, fruit basket, birds, etc. Height 16 1/2 inches, width 14 3/4 inches. C Property from a New Jersey Collector $500-700 284 Needlework Sampler 19th Century Depicting three flower branches and two moths above a rectangular panel inscribed The eyes of the LORD are in every place beholding the evil and the good Mary Phillips, Aged 15, Newport, June 18, 1831, all within a meandering flowering vine border. Height 18 1/4 inches, width 13 3/4 inches. C Property from a New Jersey Collector $400-600

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285 English Needlework Sampler Worked by Ann Woolhough, 1797 With a verse above four other registers containing a symmetrical arrangement of birds, flowering plants and animals. Height 20 3/4 inches, width 18 1/2 inches. C Property from a New Jersey Collector $1,500-2,000 See Illustration 286 English Needlework Sampler Worked by Janet Farbier (?), Aged 12 years, 1804 Depicting a central house flanked by trees and with a woman in a red dress with a basket on her head, rosewood frame. Height 14 1/4 inches, width 12 1/4 inches. C Property from a New Jersey Collector $700-900 See Illustration 287 American Needlework Sampler Worked by Eliza Wake Aged 9 Years New York With a verse entitled Friendship above a landscape vignette of a house with a fence, trees, etc. Height 15 inches, width 16 inches. C $600-800 See Illustration

287

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288 288 Leeds Creamware Puce Decorated Globular Teapot Circa 1770 The handle with green leaf terminals. Length 8 inches; Provenance: Leo Kaplan Ltd., New York; Together with English Creamware Polychrome Decorated Teapot. Circa 1770. Length 8 1/2 inches. C Property of an Estate, Fifth Avenue, NY $1,000-1,500 See Illustration 289 Engraved Powder Horn The horn possibly 18th century, the engraving possibly later Depicting forts, bodies of water, English coat of arms, etc., inscribed DAN CLOUS HIS HORN LAKE GEORGE and with initials DC in the wood end. Length 10 3/4 inches. C Property of a Private Collector, Long Island $800-1,200

290 Group of Four Delft Polychrome Dishes 18th Century One decorated with a swan. Diameter of largest 9 1/8 inches. Provenance: Gary Atkins C Property of an Estate, Fifth Avenue, NY $600-800 291 Group of Ten English Pottery and Porcelain Dishes 18th/19th Century Including a pair of Spode shell-form dishes, Length 9 1/2 inches; Worcester porcelain blue and white dish; Salopian blue and white dish, Newhall porcelain scalloped dish, etc. C Property of an Estate, Fifth Avenue, NY $200-300 292 George III Mahogany Serpentine Console The fluted frieze raised on stop-fluted square tapering legs with turned bosses and ending in block feet. Height 33 1/2 inches, width 62 inches, depth 26 inches. C $1,500-2,500 See Illustration

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293 Fine Carved and Red Stained Maple Slide Lid Box Inscribed MADE AT FORT GEORG 1772 BY DW, carved with a rose, thistle, harp and fleur de lys at the sides, the lid with a sun face and crescent moon, the end with a heart and with punched patterns. Height 1 3/4 inches, width 5 3/4 inches, depth 2 1/4 inches. Provenance: Guthman Americana, Westport, CT, 1985 The third of five Fort Georges in New York State was built in 1755 and destroyed in 1777. There is also a Fort George near Inverness, Scotland, a massive fortification built after the Battle of Culloden (1746). C Property of a Private Collector, Long Island $1,200-2,000 See Illustration 294 George II Mahogany Drop-Leaf Table 18th Century With D-shaped leaves and a shaped apron, raised on cabriole legs. Height 27 1/2 inches, width 47 3/4 inches, depth 17 inches. C $800-1,200 295 George III Style Inlaid Mahogany Fold-Over Card Table 19th Century The rectangular top above a long frieze drawer, raised on square tapering legs. Height 28 1/2 inches, width 36 1/2 inches, depth 16 3/4 inches. C $300-400

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296 Federal Mahogany Side Table New York, early 19th century With rounded outset front corners and two short over one long drawer, raised on reeded legs. Height 32 1/4 inches, width 31 3/4 inches, depth 17 1/4 inches. C $600-900 297 Federal Inlaid Mahogany Sideboard Early 19th century With four frieze drawers above serpentine and bowed cupboard doors, raised on square tapering legs. Height 40 1/2 inches, width 70 inches, depth 27 1/2 inches. C Estate of Anne Murray $1,200-1,800 298 Pair of Chippendale Engraved Brass Andirons Late 18th century Each urn finial above a fluted tapering columnar stem on a plinth engraved with an American eagle motif, over a gadrooned base on spurred legs ending in claw and ball feet. Height 29 inches, depth 20 1/4 inches. C Property of a Private Collector, Long Island $3,000-5,000 See Illustration

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Silver

299 American Silver Tankard Underhill & Vernon, New York, circa 1790 Of tapering cylindrical form with scroll handle, the hinged stepped cover with pierced thumbpiece, the body engraved with later crest and initial. Height 7 3/4 inches, approximately 30 ounces. C Property of a Private Collector, Long Island $1,200-1,800 See Illustration

299

300 American Silver Teapot Apparently unmarked, probably New York or Philadelphia, circa 1815 The globular body with bands of floral decoration, on a square base ending in winged paw feet, the spout and handle with beast masks. Length 10 1/2 inches, approximately 33 ounces, all in. C $400-600 301 American Silver Tea Service Cornelius A. Burr, Rochester, circa 1835 Comprising a teapot, covered cream jug and covered sugar bowl, each of pear form, the body chased with grape clusters and vines, the hinged cover with melon-form finial, on a spreading circular foot. Height of teapot 10 inches, total approximately 51 ounces, all in. C $600-800

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302 American Silver Teapot Ball, Tompkins & Black, successors to Marquand & Co., New York, circa 1845 The globular body with chased floral panels, on a spreading rocaille decorated foot, the hinged cover with a cornucopia finial. Length 10 1/2 inches, approximately 40 ounces, all in. C $600-800 See Illustration 303 Tiffany & Co. Sterling Silver Mustard Pot Circa 1860 Of pine cone form, raised on three branch-form feet. Height 4 1/2 inches; Together with a Silver Branch-Form Spoon and a Tiffany & Co. Sterling Silver Footed Salver. Diameter of salver 8 1/4 inches, total approximately 19 ounces. • $500-700 See Illustration 304 Gorham Sterling Silver Vase Circa 1875 The tapering cylindrical body chased with a Japanesque bird on a flowering branch. Height 9 inches, approximately 12 ounces. • $500-700

307 part

305 Tiffany & Co. Sterling Silver Footed Centerpiece Bowl 1873-1891 Of oval form, with a band of stylized shells at the waist, on a conforming foot with a scrolled border, engraved for presentation and dated 1891. Length 9 inches, approximately 30 ounces. C Estate of Eunice Johnson Winslow $700-1,000

306 Assembled S. Kirk & Son Co. Sterling Silver Repousse Pattern Flatware Service Comprising six dinner forks, eight luncheon forks, thirteen salad forks, nine cocktail forks, fourteen dessert spoons, five bouillon spoons, four fruit spoons, ten teaspoons, eleven demitasse spoons, six dinner knives, ten luncheon knives, seven butter knives, two serving spoons, serving fork, tomato server, pate server and pie server; Together with Seven Sterling Silver Individual Salt and Pepper Casters, Pair of Sterling Silver Sugar Tongs, Sterling Silver Butter Pat and a Sterling Silver Butter Knife. Total approximately 111 ounces. This service comes from the historic Alexandria, Virginia estate known as Holland House. Originally begun in the 1780s, the house has grown into one of the old cityâ&#x20AC;&#x2122;s grandest estates. Society hostess Berenice Fleming Holland made Holland House a center of gracious Southern entertaining. C $2,500-3,500

307 Tiffany & Co. 18 kt. Gold Demitasse Set 1907-1938 Comprising twelve cups and twelve saucers, with porcelain liners. Total approximately 1590.7 dwt, weighable; Together with Twelve George III Silver-Gilt Teaspoons. C $40,000-60,000 See Illustration 308 Tiffany & Co. Sterling Silver Salver Of circular form, with an egg and dart border and engraved field, on four bracket feet. Diameter 12 inches, approximately 26 ounces. C $1,000-1,500

307 Detail 307 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77

309 Tiffany & Co. Sterling Silver Tea and Coffee Service 1907-38 Comprising a teapot, coffee pot, cream jug, covered sugar bowl, waste bowl and kettle on stand, each pear-form body with a hinged dome cover; Together with a Tiffany & Co. Silver Plated Two-Handled Tray. Height of coffee pot 9 1/2 inches, length of tray 25 inches, total approximately 128 ounces, weighable, all in. C $2,500-3,500 See Illustration 310 Two Tiffany & Co. Sterling Silver Salvers 1947-1956 Comprising a footed example and a shaped circular example. Diameter of larger 10 3/4 inches, total approximately 36 ounces. C Estate of Helen R. Yellin $800-1,200 309

311 Tiffany & Co. Sterling Silver Punch Bowl Circa 1956-65 Of circular form, on a conforming ring foot. Diameter 13 7/8 inches, approximately 83 ounces. C Estate of Mary Kettaneh $2,000-3,000 See Illustration 312 Gorham Martelé Sterling Silver Bowl First quarter of the 20th century Of circular with everted rim chased with flowers and foliage. Diameter 9 3/4 inches, approximately 26 ounces. C $2,000-3,000 See Illustration

311

313 Assembled Stieff Sterling Silver Corsage Pattern Flatware Service Comprising twelve dinner forks, twelve salad forks, twelve cocktail forks, twelve soup spoons, eight iced teaspoons, seventeen teaspoons, eight coffee spoons, twelve dinner knives, twelve butter knives, two serving forks, berry spoon, sugar spoon and lemon fork; Together with Twelve Stieff Sterling Silver Rose Pattern Dessert Forks. Total approximately 131 ounces, weighable. C $2,000-3,000 314 Gorham Sterling Silver Centerpiece Bowl Erik Magnussen, circa 1925 Of flared circular form, on three scroll feet. Diameter 12 inches, approximately 37 ounces. C $1,000-1,500

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315 Group of American Sterling Silver Serving Articles 20th Century Comprising a Gorham meat platter, length 21 inches; Whiting meat platter, length 20 1/4 inches; and a LeBolt tray, length 12 1/2 inches; total approximately 124 ounces. C Estate of Helen R. Yellin $1,200-1,800

316

316 Pair of Gorham Sterling Silver Athenic Pattern Candlesticks Each stem chased with leaves and applied tendrils, on a domed circular base. Height 10 inches, total approximately 28 ounces. C $3,000-5,000 See Illustration 317 Reed & Barton Sterling Silver Romaine Pattern Flatware Service Comprising twelve dinner forks, eleven luncheon forks, twelve salad forks, twelve cocktail forks, twelve round soup spoons, twelve bouillon spoons, twelve fruit spoons, twelve ice cream spoons, twelve teaspoons, twelve demitasse spoons, twelve dinner knives, twelve butter knives, two serving spoons, gravy ladle, sauce ladle, berry spoon, serving fork, pierced serving spoon, pie server, pâté server and two-piece carving set. Total approximately 162 ounces, weighable. C $2,000-3,000 318 S. Kirk & Son Sterling Silver Tea and Coffee Service 1903-24 Each globular body chased with floral repoussé. Height of coffee pot 9 inches, total approximately 95 ounces, all in. C $2,500-3,500

319 Reed & Barton Burgundy Pattern Flatware Service Comprising sixteen dinner forks, twenty-eight salad forks, sixteen cocktail forks, sixteen soup spoons, thirty-two teaspoons, sixteen dinner knives, sixteen butter knives, serving fork and a sugar spoon. Total approximately 142 ounces, weighable. C $2,500-3,500

321 Set of Four Canadian Sterling Silver Low Candlesticks Poul Petersen, Montreal, circa 1950 Each domed base rising to a candle socket with three stylized buds. Height 3 inches; Together with a Similar Sterling Silver Footed Bowl. Diameter 4 3/4 inches; And Three Sterling Silver Serving Pieces. Total approximately 37 ounces. C $700-1,000

320 American Sterling Silver Tea and Coffee Service Durgin for Shreve, Crump & Low, 20th century Comprising a teapot, coffee pot, cream jug, covered sugar bowl, waste bowl and kettle on stand, each of navette form with angular upswept handle, the cover with urn-form finial. Height of coffee pot 8 1/2 inches, total approximately 85 ounces, all in. C $1,500-2,500

322 Reed & Barton Sterling Silver Francis 1st Pattern Flatware Service Comprising thirty-six dinner forks, forty-eight salad forks, eighteen cocktail forks, twelve bouillon spoons, sixty teaspoons, six iced tea spoons, twenty-four dinner knives, twelve butter knives, three serving spoons, berry spoon, four serving forks, two-piece carving set, cake knife, gravy ladle, two sugar spoons, flat server and angel foot server. Total approximately 269 ounces, weighable. • $4,000-6,000

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325 part

323 Federal Style Mahogany Upholstered Settee Length 8 feet 4 1/2 inches. C Property of an Estate, Fifth Avenue, NY $400-600 324 George III Mahogany Upholstered Settee Last quarter of the 18th century With stop fluted arm supports and a serpentine fronted seat, raised on stop fluted turned legs. Height 37 inches, width 6 feet 3 inches, depth 25 inches. C $800-1,200 325 Pair of Carved and Red Painted Wood Circus Wagon Drapery Panels Height 42 inches, width 6 feet 3 inches, depth 4 inches. C Property of a Private Collector, New Jersey $1,500-1,800 See Illustration of part 326 Federal Inlaid Mahogany Sideboard 19th Century With three frieze drawers above four cupboard doors, raised on square tapering legs. Height 40 1/4 inches, width 6 feet, depth 21 1/2 inches. C $1,500-2,000

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327 Group of Five Framed Janet Bolton Cloth Appliqué Pictures Depiciting animals, including two depicting hares, largest overall 13 x 24 1/2 inches. C Property of an Estate, Fifth Avenue, NY $400-600 328 Group of Delft Articles 18th-20th Century Comprising pair of blue and white covered jars, 20th century, height 15 1/4 inches; pair of blue and white chargers, diameter 12 inches; set of five polychrome plates and a small scalloped bowl. • $150-250 329 Classical Giltwood Convex Mirror Second quarter of the 19th century The eagle crest flanked by scrolling foliage and a spherule mounted and pierced molded frame with a foliate apron. Height 53 inches, diameter 30 1/2 inches. C $2,000-3,000

330

330 Zuber Six-Fold Wallpaper Screen 20th Century Depicting Boston Harbor. Height 6 feet 8 1/2 inches, width of each panel 18 3/4 inches. The original version of Zuberâ&#x20AC;&#x2122;s Views of North America was printed in 1834 C $1,500-2,000 See Illustration 331 Pair of Cut Paper Silhouettes of George and Martha Washington 19th Century Each profile above a signature, and in painted and parcel gilt frame. Overall 14 x 12 inches. C Property from a New Jersey Collector $200-300 332 Philadelphia Style Mahogany High Chest Height 7 feet 10 1/2 inches, width 45 1/2 inches, depth 24 inches. C $1,000-2,000

333 Ridgway Transfer Decorated Ironstone Footbath 19th Century With foliate handles and decorated with flowers. Length 19 1/2 inches. C Property of an Estate, Fifth Avenue, NY $200-400 334 Chippendale Walnut Chest of Drawers Philadelphia, late 18th century The rectangular top with a molded edge, above four graduated lip molded drawers, raised on ogee bracket feet. Height 31 1/4 inches, width 37 inches, depth 20 3/4 inches. C Property of an Estate, Fifth Avenue, NY $1,000-1,500 335 Metal and Glass Moravian Star Form Hanging Fixture Height 17 1/2 inches. â&#x20AC;˘ $100-150

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336 Kimbel and Cabus Modern Gothic Oak Desk Circa 1877 Height 54 1/2 inches, width 36 1/4 inches, depth 20 1/8 inches. A similar example is in the collection of the Metropolitan Museum of Art. Kimbel and Cabus exhibited a similar desk in their booth at the Centennial Exhibition in Philadelphia, 1876. C $2,500-3,500 See Illustration

336

337 American White Marble Tondo Mid 19th century Depicting a putto playing a trumpet, seated on a mound, the bottom signed MARGARET FOLEY SC. ROMA 1854, within a molded border. Diameter 27 inches. C Property of a Boston, Massachusetts Collector $2,500-3,500 See Illustration

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338 American Aesthetic Movement Mahogany Tall Case Clock Herter Brothers, New York, circa 1874 Stamped twice on back HERTER BRO’S. Height 85 11/16 inches, width 29 1/4 inches, depth 14 1/6 inches. Provenance: Bunny Williams Incorporated Literature: Katherine S. Howe, Alice Cooney Frelinghuysen, Catherine Hoover Voorsanger, Herter Brothers, Furniture and Interiors for a Gilded Age, Harry N. Abrams Inc., New York, 1994, p. 165, cat. no. 19., illus. According to Ann Claggett Wood “The vertical linearity of the clock’s unadorned form is punctuated by the dial marking the hours in Roman numerals, reinforcing the play of linear and circular geometric motifs. This play is repeated in the flattened, stylized ornament of linear and circular incising, animated by the pair of faceted lion’s heads above the pendulum on either side of the case, each of which holds a rectangular drop that appears to be carved from the same piece of wood as the lion’s heads.” (Herter Brothers op. cit. p. 165) C $20,000-30,000 See Illustration

338 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83

340 Pair of Chinese Famille Verte Porcelain Condiment Jars 19th Century Height 6 1/4 inches; Together with a Chinese Porcelain Blue and White Bowl. Diameter 6 1/8 inches. • $800-1,200 341 Group of English Ironstone Articles 19th Century Comprising six plates and two soup plates, diameter of largest 10 inches; Together with Two English Porcelain Plates. 19th Century. • $125-175 342 Needlework Mourning Sampler Wrought by Mary Coarsen, possibly American, circa 1836 With two alphabets above a flower basket on a plinth, inscribed Sacred to the memory of Phebe E. Dunn who died Gone the 25th 1836 Aged 21 years 9 month and 17 days, flanked by suspended grapevines and verses, all within a meandering vine border. Height 16 inches, width 16 1/2 inches. C Property from a New Jersey Collector $400-600 343 Classical Upholstered Mahogany Sofa New York, circa 1825 The paneled backscrolling crestrail above outscrolled arms and fronted by carved dolphins, the paneled straight seat raised on paw feet with winged brackets, ending in casters. Height 37 inches, width 8 feet 5 inches, depth 25 inches. C $2,000-4,000 See Illustration

339 339 Classical Giltwood and Composition Cornucopia Mirror Second quarter of the 19th century Ornamented with wheat and with foliate apron. Height 43 inches, width 40 1/2 inches. C $2,500-3,500 See Illustration

343

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344 Rare Classical Mahogany Upholstered Armchair From the United States House of Representatives, Washington DC By Thomas Constantine & Company circa 1819 and bearing the firm’s paper label With rectangular back and seat and shaped arms, raised on turned front legs and square back legs with box stretchers and brass casters, bears museum accession no. 48.364. This humble-appearing armchair is from an important set of approximately one hundred ninety chairs commissioned for the United States House of Representatives 1818-1819. The capital building had been burned by the British in the war of 1812, with British troops using the furniture as firewood. According to Thurlow, “When the senators and representatives returned to Washington for the sixteenth Congress, the replacements (armchairs and desks) that awaited them representated two of the most extensive furniture commissions in early 19th century America. The Houses commission specificially stated that the chairs were to be “made out of the best St. Domingo mahogany, well seasoned, strong neat and plain, without any superfluous ornament”. The commission was looking for top quality and workmanship, with simplicity of design. In the 1820’s and 30’s, local cabinetmakers in Washington added the stretchers as supports for woven webbing to form a hat rack. The chair offered here retains this feature. In 1837, after many years of debate and discussion, the House adopted a rule which stated “Every member shall remain uncovered during the sessions of the House”. Constantine was subsequently awarded the contract for the Senate furnishings, which were much more expensive and based on a design from Thomas Hope’s Household Furniture and Interior Decoration (London, 1807). Today only five other House chairs are known and listed by Thurlow. Literature: Elizabeth Feld, Stuart P. Feld, The World of Duncan Phyfe, The Arts of New York, 1800-1847 Hirschl & Adler Galleries, New York 2011, p. 51 Matthew A. Thurlow, Aesthetics, Politics, and Power in Early Nineteenth Century Washington: Thomas Constantine & Co.’s Furniture for the United States, 1818-1819, American Furniture, Chipstone, 2006, a labeled example with hat rack ill. fig. 14 history.house.gov/Historical-Highlights/1800-1850/Thedebate-over-the-rule-to-ban-hats-on-the-House-floor C Property of a Collector, Wisconsin $6,000-9,000 See Illustration

344

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345 Classical Carved and Giltwood Convex Mirror Possibly Albany, second quarter of the 19th century The eagle crest flanked by a foliage, above a leaf-tip and beaded molded frame and foliate apron. Height 53 inches, width 30 3/4 inches. Provenance: Mary Livingston Ripley, Rowayton, Connecticut C $1,500-2,500 See Illustration 346 Classical Parcel Gilt and Bronze Painted Mahogany Drop-Leaf Table New York, circa 1825-30 With shaped leaves, the frieze drawer on turned and reeded supports and dolphin-form legs ending in casters. Height 27 3/4 inches, width 36 inches, depth 25 3/4 inches. C $1,500-2,500 See Illustration 347 Classical Mahogany Pembroke Table Second quarter of the 19th century With shaped leaves and a frieze drawer. Height 28 1/2 inches, width 40 inches, depth 22 1/4 inches. C Estate of Anne Murray $400-600

345

348 Continental Porcelain and Black Marble Watch Holder 19th Century Of architrave form, centering a bust of Benjamin Franklin; Together with a Gilt-Metal Pocket Watch. Height 14 1/4 inches, width 10 3/4 inches, depth 3 1/2 inches. • $300-500 See Illustration

346

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349

349 Federal Mahogany Writing Table Possibly New York, circa 1800 The square felt inset top with concave front, above two side drawers, raised on reeded tapering legs. Height 28 1/2 inches, width 36 1/4 inches, depth 36 1/8 inches. Provenance: Good & Hutchinson, Tolland, Massachusetts C Property of an Estate, Fifth Avenue, NY $1,500-2,000 See Illustration

350 350 After Houdon Bust of Benjamin Franklin Bronze with brown patina on a marble socle Inscribed Houdon F 1778 Height 12 1/2 inches C A Prominent New York Family $1,500-2,500 See Illustration

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Carpets & Rugs 351 Heriz Carpet Northwest Persia, last quarter of the 19th century The central polychrome geometric medallion on the madder field flanked by ivory spandrels is within a palmette and vine border, single-weft construction. Approximately 12 feet 10 x 10 feet 10 inches. Partial ends, areas of wear, holes, crude repairs, minor tinting. C $3,000-5,000 352 Romanian Kilim Romania, circa 1925 The ivory field with polychrome floral vinery overall is within an indigo palmette and leafy vine border. Approximately 15 feet 8 inches x 13 feet 4 inches. Partial ends, minor restorations, small holes, minor moth damage. • $1,500-2,500 353 Daghestan Kilim North Caucasus, first quarter of the 20th century The overall pattern of geometric medallions is on a field of polychrome panels. Approximately 8 feet 1 inch x 4 feet 10 inches. C $500-700 354 Heriz Carpet Northwest Persia, first quarter of the 20th century The madder field with ascending polychrome floral vinery overall is within an indigo rosette and serrated leaf border. Approximately 12 feet 8 inches x 9 feet. Losses to ends, areas of wear, stain. C $3,000-5,000 355 Ersari Afghan Carpet West Turkestan, early 20th century Four columns of gul medallions on the taupe field are within a buff rosette border. Approximately 23 feet 8 inches x 13 feet 9 inches. Areas of wear and re-piling, chemically washed. • $2,500-3,500 356 Guendje Rug Southwest Caucasus, first quarter of the 20th century Polychrome columns of stylized vinery are within an ivory geometric border. Approximately 7 feet 7 inches x 3 feet 3 inches. C $500-700

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357 Heriz Carpet Northwest Persia, first quarter of the 20th century The central polychrome geometric medallion on the madder field flanked by saffron spandrels is within a terra cotta rosette and serrated leaf border. Approximately 10 feet 11 inches x 8 feet. Partial ends, areas of wear. C $800-1,200 358 Sarouk Carpet North Persia, circa 1925 The crimson field with polychrome floral vinery overall is within a midnight blue palmette and vine border. Approximately 24 feet 10 inches x 15 feet 8 inches. Minor fold wear, re-wrapping to selvedges. C $4,000-6,000 359 Ersari Beshir Rug West Turkestan, late 19th century The allover pattern of diamond medallions is on a madder field. Approximately 8 feet x 4 feet 5 inches. Minor wear, re-piled areas. C $600-900 360 Heriz Carpet Northwest Iran, contemporary The central polychrome geometric medallion on the madder field flanked by ivory spandrels is within a charcoal rosette and meandering vine border. Approximately 13 feet 10 inches x 10 feet 2 inches. C $600-900 361 Cotton Dhurrie Carpet India, circa1925 The striped field with an allover pattern of polychrome saw-tooth medallions is within an indigo rosette and vine border. Approximately 14 feet 10 inches x 14 feet 5 inches. Fain stains, minor losses to ends. C $1,500-2,500 362 Heriz Runner Northwest Persia, first quarter of the 20th century The allover pattern of polychrome stylized flora on the indigo field is within an ivory palmette and vine border. Approximately 11 feet 1 inch x 3 feet 6 inches. Missing end borders, added machine fringes, thin areas, small hole, re-wrapped selvedges. • $300-500

363 Heriz Carpet Northwest Persia, first quarter of the 20th century The coral field with an ascending polychrome Bid Majnun pattern overall is within a sky blue rosette and serrated leaf border. Approximately 11 feet x 9 feet 2 inches. Re-woven end borders, re-piled and tinted areas. C $2,500-3,500 364 Q’ashqa’i Kilim Southwest Persia, circa 1925 The allover pattern of polychrome stepped medallions on the saffron field is within a reciprocal trefoil border. Approximately 10 feet 1 inch x 5 feet 6 inches. Small repairs. C $1,000-2,000 365 Bakshaish Runner Northwest Persia, last quarter of the 19th century Two polychrome geometric medallions on the camel field are within a madder meandering vine border. Approximately 10 feet 4 inches x 3 feet 4 inches. Losses to ends and sides, areas of wear. C $800-1,200 366 South Caucasian Kilim South Caucasus, circa 1900 Having a repeat pattern of star motifs on a madder, indigo and ivory striped field. Approximately 9 feet 9 inches x 5 feet 8 inches. C $700-900 367 Derbend Gallery Carpet North Caucasus, first quarter of the 20th century Four St. Andrew’s Cross medallions on the ivory field are within a terra cotta border. Approximately 12 feet 9 inches x 5 feet 9 inches. Areas of wear, losses to ends, chemically washed. C $800-1,200

End of Sale

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

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With breathtaking views and frontage on Mashapaug Lake, this property offers 5.83 acres of land. The main residence is meticulously maintained. It rests in its own private cove with almost 5,000 square feet with tiered decks and level lawns to a private sandy beach. Includes a three bedroom remodeled guest house as well. Additional features include docking for three boats, a barbecue pit, 6-car garage, gazebo, full gym and even a tennis court.

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A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $250,000 of the hammer price, 20% on the portion of the hammer price from $250,001 through $3,000,000, and 12% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: An additional fee will be charged on any purchase made through live online bidding. The provider of our live online bidding service (Invaluable) charges a fee of five percent (5%) on the final hammer price of successful bids placed on their web site (Invaluable.com) and four percent (4%) of the final hammer price of successful bids using BidLive! on our web site (Doyle.com). The purchaser is responsible for paying 100% of this fee, the amount of which is determined by which site is used for their purchases. A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

CUSTOM HOME IN SOMERSET COUNTY, NJ 2 Caruso Court • $1,395,000 This one-of-a-kind home, located on Mountain Top Road in desirable Bridgewater, New Jersey, boasts six bedrooms and six-and-a-half baths. Aside from the open floor plan, this home offers an abundance of natural lighting and luxurious features throughout, including the gourmet kitchen with a large center island and seating, two wall ovens and custom cabinetry with pull-out drawers. Relax after a long day in the spa-like master suite with jacuzzi tub, large shower and double vanity. Located seven miles to the I-287/I-78 Interchange which is ideal for commuters! Take a tour at: www.2CarusoCt.com

LIDIA GABINELLI

Sales Associate Luxury Collection Specialist Berkshire Hathaway HomeServices New Jersey Properties Office: 732-469-1515 x357 Cell: 908-334-1151 Lidia.Gabinelli@BHHSNJ.com LidiaGabinelli.com See Our Full Luxury Collection at

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Martinsville Office | 1996 Washington Valley Rd, Martinsville, NJ 08836 ©2017 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids;

9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate. Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause. 13. If any part of these Conditions of Sale is found

h) To take such other actions as we deem necessary or appropriate; or

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

i) To effect any combination thereof.

14. The rights and obligations of the parties with

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

I RV I N E Kelly LeClair | 949.412.6551 | $2,920,000

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bhhscalifornia.com | 888.995.7575 ÂŠ2017 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. CalBRE 01938313

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot. The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

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INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. The provider of our live online bidding service (Invaluable) charges a fee of five percent (5%) on the final hammer price of successful bids placed on their web site (Invaluable.com) and four percent (4%) of the final hammer price of successful bids using BidLive! on our web site (Doyle.com). The purchaser is responsible for paying 100% of this fee, the amount of which is determined by which site is used for their purchases. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $250,000 of the hammer price of each lot, 20% on the portion of the hammer price from $250,001 through $3,000,000, and 12% thereafter. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, are presentative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE MARCH

MAY

JULY

DOYLE AT HOME Auction: Wednesday, MARCH 29 at 10am Exhibition: March 25 – 27

PRINTS & MULTIPLES Auction: Monday, MAY 1 at 10am Exhibition: April 28 – 30

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY

APRIL

COINS, BANK NOTES, POSTAGE STAMPS & MINERALS Auction: Monday, MAY 1 at 2pm Exhibition: April 28 – 30

AMERICAN PAINTINGS / AMERICAN FURNITURE & DECORATIVE ARTS Auction: Wednesday, APRIL 5 at 11am Exhibition: April 1 – 3 IMPORTANT JEWELRY Auction: Tuesday, APRIL 27 at 11am Exhibition: April 21 – 24 RARE BOOKS, AUTOGRAPHS & PHOTOGRAPHS Auction: Wednesday, APRIL 26 at 10am Exhibition: April 22 – 24

IMPRESSIONIST & MODERN ART Auction: Wednesday, MAY 10 at 10am Exhibition: May 6 – 8 POST-WAR & CONTEMPORARY ART Auction: Wednesday, MAY 10 at 2pm Exhibition: May 6 – 8 FINE JEWELRY – BEVERLY HILLS Auction: Monday, MAY 22 at 10am (Pacific) ENGLISH & CONTINENTAL FURINITURE & DECORATEIVE ARTS / OLD MASTER PAINTINGS Auction: Wednesday, MAY 24 at 10am Exhibition: May 20 – 22

Auction: Wednesday, JULY 12 at 10am Exhibition: July 7, 10 & 11 ®

DOYLE AT HOME Auction: Wednesday, JULY 26 at 10am Exhibition: March 20, 21 & 24 AUGUST ®

DOYLE AT HOME Auction: Wednesday, AUGUST 16 at 10am Exhibition: August 10, 11 & 14 JEWELRY & CONTENTS OF ABANDONED SAFE DEPOSIT BOXES Auction: Thursday, AUGUST 17 at 10am Exhibition: August 10, 11 & 14

JUNE DOYLE+DESIGN® Auction: Wednesday, JUNE 7 at 10am Exhibition: June 3 – 5 FINE JEWELRY Auction: Tuesday, JUNE 20 at 10am Exhibition: June 17 – 19 ®

DOYLE AT HOME Auction: Wednesday, JUNE 21 at 10am Exhibition: June 17 – 19

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

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