Doyle+Design - 6.7.17 by Doyle

MODERN AND CONTEMPORARY ART AND DESIGN

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Wednesday, June 7, 2017

NEW YORK

DOYLE+DESIGN

MO DE R N AND CONT EM PORARY A RT AND DESI GN

AUCTION Wednesday, June 7, 2017 at 10am

EXHIBITION Saturday, June 3, 10am – 5pm Sunday, June 4, Noon – 5pm Monday, June 5, 10am – 6pm

LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalogue: $35

INCLUDING PROPERTY FROM THE ESTATES OF Elsie Adler Barbara Anspach Nan Rosenthal and Henry B. Cortesi Sara T. and John D. Davies Collection Mary Kettaneh George Labalme, Jr. Norman Mercer A New Jersey Estate A New York Estate A Private New York Estate Harry Oppenheimer Victor Shanok

INCLUDING PROPERTY FROM A Private Beverly Hills Collector A Boston, Massachusetts Collector Proceeds to benefit Habitat for Humanity The Collection of Joachim Neugroschel A New England Collection A Pennsylvania Collection A Private Collector, New Jersey The Watermill Center, Water Mill, New York

CONTENTS Paintings Prints Furniture & Decorations Silver & Silver Plate Furniture & Decorations

1-173 174-188 189-261 262-276 277-326

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PAINTINGS, SCULPTURE, PHOTOGRAPHS & PRINTS

Lot 14

1 Karen Arm American, 20th Century Grass, 1997 Signed Karen Arm, dated 1997 and inscribed as titled on the reverse Acrylic on canvas 44 x 36 inches C $2,000-3,000 See Illustration 6

2 Milton Avery American, 1885-1965 Nude Signed Milton Avery, dated 1959 (ll) Ink and crayon on paper 11 x 8 1/2 inches C $3,000-5,000 See Illustration

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3 Emi Avora Greek, b. 1978 Swallowed, 2004 Watercolor on paper 23 x 32 3/4 inches Provenance: Greenberg Van Doren Gallery, New York C $1,500-2,500 See Illustration

4 Alice Baber American, 1928-1982 Procession, 1964 Signed Baber (lr), signed Alice Baber, dated New York 1964 and inscribed as titled on the overlap Acrylic on canvas 40 x 30 inches C $1,000-1,500 See Illustration

5 Rudolf Bauer German, 1889-1953 Woman Ice Sailing Tempera, ink, conte crayon and charcoal on paper 19 1/2 x 12 3/4 inches C The Estate of Marian W. Freedman $1,500-2,500 See Illustration 6 Rudolf Bauer American, 1889-1953 Untitled (Clown) Signed Rudolf Bauer (ll) Pastel on illustration board Image size 12 x 16 1/2 inches C The Estate of Marian W. Freedman $1,200-1,800 See Illustration 7 Rudolf Bauer German, 1889-1953 Untitled Signed Rudolf Bauer (lr) Ink and tempera on paper 12 x 18 1/8 inches C The Estate of Marian W. Freedman $1,200-1,800 See Illustration

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8 Rudolf Bauer German, 1889-1953 Little Lord Fauntleroy Signed Rudolf Bauer (lr) Tempera, charcoal and conte crayon on tan paper Image size 11 1/4 x 11 inches C The Estate of Marian W. Freedman $1,000-1,500 See Illustration

9 Rudolf Bauer German/American, 1889-1953 Two Mountain Climbers Signed Rudolf Bauer (lr) Graphite and pastel on paper 18 1/4 x 13 1/4 inches C The Estate of Marian W. Freedman $1,000-1,500 See Illustration

10 Rudolf Bauer German, 1889-1953 (i) Sleeping Woman Signed Rudolf Bauer (lr) Charcoal on paper 17 1/4 x 12 7/8 inches Unframed (ii) Dancing Woman Signed Rudolf Bauer (lr), inscribed No. 4 (ll) Lithograph Plate size 14 x 11 1/4 inches Unframed C The Estate of Marian W. Freedman $800-1,200 See Illustration 11 Miguel Berrocal Spanish, 1933-2006 Mini Zoraida, 1960-70 Stamped Berrocal and numbered 4157 Nickel plated brass and moonstone, from an edition of 9500 2 x 3 1/3 x 12 1/4 inches This work is accompanied by its wooden stand, original cardboard packaging, and a book numbered 4157 in pencil C $600-800

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12 Harry Bertoia American, 1915-1978 Willow, circa 1960s Stainless steel and steel wire Height 72 inches This work includes a certificate of authenticity from the Harry Bertoia Foundation C $15,000-20,000 See Illustration

13 Gaston Bertrand Belgian, 1910-1994 Vesubie III, 1964 Signed Bertrand and dated 64 (lr), signed Gaston Bertrand, dated 1964 and inscribed as titled on the reverse Watercolor on rag paper 15 1/4 x 11 1/8 inches C $800-1,200 See Illustration 14 Norman Bluhm American, 1921-1999 Untitled, 1981 Signed Bluhm and dated 81 (lr), signed Bluhm on the reverse Acrylic on paper laid to linen 36 x 24 inches C $3,000-5,000 See Illustration

14 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9

15 15 Marcelo Bonevardi Argentine, 1929-1994 Boxed Wall II, 1970 Signed Bonevardi, dated 70, numbered 387 and inscribed as titled on the reverse Oil on shaped objects in a glazed wooden box 19 1/4 x 15 x 3 inches Provenance: Nohra Haime Gallery, New York C $1,500-2,500 See Illustration

16 16 Thomas Boone American, 20th Century Banana Trees in Early Morning Light, 1996 Signed Thomas J. Boone, dated 96 and inscribed as titled on the reverse Oil on canvas 48 x 40 inches Provenance: Indigo Galleries, Boca Raton C Property from a Pennsylvania Collection $700-900 See Illustration

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17 Power Boothe American, b. 1945 Untitled Portfolio of 22 works on paper Most signed Power Boothe, with dates ranging from 1979-1985 Pencil, colored pencil, crayon and watercolor on paper Largest 22 x 30 inches C $1,500-2,500 See Illustration of Part

18 Doris Hodgson Bothwell American, 1902-2000 Vacation in Spain #2, 1950 Signed Bothwell and dated â&#x20AC;&#x2DC;50 (lr); inscribed as titled, signed Bothwell and dated April 1950 on the reverse Oil on masonite 8 5/8 x 13 inches C $800-1,200 See Illustration

18 19 Stanley Boxer American, 1926-2000 Dead Darks, 1973 Signed S. Boxer, dated 11/73 and titled on the stretcher Oil on linen 48 x 48 inches Provenance: Tibor de Nagy Gallery, New York C $2,000-4,000 See Illustration

20 Byron Browne American, 1907-1961 Nude by a Mirror, 1958 Signed Byron Browne, dated 1958 and inscribed as titled on the reverse Oil on canvas 26 x 20 inches C $1,500-2,500 See Illustration

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21 Esther Burboa Mexican, b. 1969 La Ventana, 2012 Signed Esther Burboa (lr), signed Esther Burboa, dated 2012 and inscribed as titled on the reverse Oil on canvas 59 x 43 1/4 inches C $1,500-2,500 See Illustration 22 Paul Cadmus American, 1904-1999 Male Nude NM 176A Signed Cadmus and inscribed NM 176A (lr) Black and white crayon on gray Strathmore paper 24 1/4 x 19 inches Provenance: Midtown Payson Galleries, New York Collection of Mr. Josh Strychalski, New York C A New England Collection $6,000-8,000 See Illustration 23

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23 Paul Cadmus American, 1904-1999 Self-Portrait, 1998 Signed Cadmus and dated 1-22-98 (ur) Crayon on hand-tinted paper 11 1/4 x 8 3/8 inches Provenance: DC Moore Gallery, New York Exhibited: Paul Cadmus: 90 Years of Drawing, May 5 - Jun. 19, 1998 C A New England Collection $3,000-5,000 See Illustration 24 Paul Cadmus American, 1904-1994 Untitled, Self Portrait/Ralph Mae Williams (Double Sided Work) Signed Cadmus (ll) Colored chalk on blue/gray paper 17 3/8 x 22 3/4 inches C $2,000-3,000

25 Nicolas Carone American, 1917-2010 Untitled Signed Carone (lr), signed Nicolas Carone and numbered NC 22874 on the reverse Charcoal on paper 19 x 25 inches C $2,000-3,000 See Illustration 26 Nicolas Carone American, 1917-2010 Head of Young Girl, 1989 Signed Carone (ll), signed Nicolas Carone, dated 1989 and inscribed as titled on the reverse Oil on gessoed panel 11 3/4 x 8 1/2 inches C $1,500-2,500 See Illustration 27 Felipe Castañeda Mexican, b. 1933 Seated Nude, 1984 Signed F. Castañeda, dated 1984 and numbered V/VII Bronze with brown patina Height 29 inches C Property of a Private Beverly Hills Collector $7,000-9,000 See Illustration

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28 Felipe Castañeda Mexican, b. 1933 Seated Woman, 1983 Signed F. Castañeda, dated 1983 and numbered IV/VII Bronze with green patina Height 36 inches C Property of a Private Beverly Hills Collector $6,000-8,000 See Illustration

30 Felipe Castañeda Mexican, b. 1933 Seated Nude, 1984 Signed F. Castañeda, dated 1984 and numbered II/VII Bronze with brown patina Height 25 1/2 inches C Property of a Private Beverly Hills Collector $3,000-5,000 See Illustration

29 Felipe Castañeda Mexican, b. 1933 La Juania, 1995 Signed F. Castañeda, dated 1995 and numbered V/VII Bronze with black patina 13 x 14 1/4 x 7 3/8 inches C Estate of Elsie Adler $3,000-5,000 See Illustration

31 Eduardo Oliveira Cezar Argentine, b. 1942 Study of Light and Space Ic, 1987 Signed Oliveira Cesar and dated 1987 on the reverse Acrylic on canvas 51 x 76 3/8 inches Provenance: Little John-Smith Gallery, New York C $1,200-1,800

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32 Nicole Charbonnet American, b. 1966 Erased Riley, 2007 Signed Nicole Charbonnet, dated 07 and inscribed as titled on the reverse Acrylic, oil and paper collage on canvas 72 x 60 inches Unframed C $2,000-4,000 See Illustration 33 Edward Corbett American, 1919-1971 Washington, DC 1968 (Stripe Black), 1969 Acrylic on canvas 40 x 30 inches Exhibited: Edward Corbett: A Retrospective, Mar 28 - May 4, 1969, San Francisco Museum of Art, San Francisco C $3,000-5,000 See Illustration

34 Edward Corbett American, 1919-1971 Painting for Puritans Y, 1968 Oil on canvas 40 x 29 3/4 inches Provenance: Grace Borgenicht Gallery, New York Exhibited: Edward Corbett: A Retrospective, Apr. 4 - May 4, 1969, San Francisco Museum of Art, San Francisco Days Lumberyard Studios: 1915-1972, Sep. 19 Nov. 15, 2009, ACME Fine Art, Boston C $3,000-4,000 See Illustration

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35 Kris Cox American, b. 1951 Just, 2007 Signed Kris Cox, dated December 2007 and inscribed as titled on the reverse Acrylic, wood putty and wax on panel 72 x 60 inches C $2,000-4,000 See Illustration

36 Kurt Craemer German, 1912-1961 Fish Carrier, 1947 Signed Craemer and dated 47 (ll) Oil on burlap 40 x 32 inches Provenance: [Sale] Christie’s New York, Jan. 10-11, 2012, Interiors sale 2530, lot 173 C $2,000-4,000 37 Pamela Jane Crook British, b. 1945 Mes Enfants, 1989 Signed P.J. Crook (ll), signed P.J. Crook, dated 1989 and inscribed as titled on reverse of frame Liquitex acrylic on canvas and artist’s frame Size including frame 51 3/4 x 40 inches C Estate of Elsie Adler $2,500-3,500 See Illustration 38 Pamela Jane Crook British, b. 1945 The Meeting, 1989 Signed P.J. Crook (lr), signed P.J. Crook, dated 1989 and inscribed as titled on the reverse Liquitex acrylic on shaped panel 36 x 50 x 2 5/8 inches C Estate of Elsie Adler $2,500-3,500 See Illustration

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39 39 Salvador Dali Spanish, 1904-1989 The Tienta, circa 1962 Signed Dali (lc), embossed with artist’s mark (ll) Ink on paper 14 x 11 inches Provenance: Global Fine Arts Ltd., New York Acquired from the above, Feb. 16, 1977 This work is accompanied by a certificate of authenticity issued by S.D. Research Center, Inc., NY, and signed by Alex J. Rosenberg, Archived as #SD172 C Estate of Victor Shanok $7,000-9,000 See Illustration

40 41 Stuart Davis American, 1892-1964 Rooftop View of Chrysler Building, circa 1930 Pencil on paper 10 x 14 1/2 inches Provenance: Estate of the Artist; Private collection, NY, July 17, 1989; Estate of private collection, NY; [Sale] Christie’s East, New York, May 5, 1999, lot 145 Literature: Stuart Davis: A Catalog Raisonné, Vol. 3, Yale University Press, New York, 2007, No. 332, p. 162, illus. Wilkin 1987, illus., p. 132, pl. 129, as Drawing from New York City, Notebook No. 2 C $2,000-3,000 See Illustration

40 Salvador Dalí Spanish, 1904-1989 Don Quixote, 1962 Signed Dali and dated 1962 (lr), embossed with artist’s mark (ll) Ink on paper 14 x 11 inches Provenance: Global Fine Arts Ltd., New York Acquired from the above, Feb. 16, 1977 This work is accompanied by a certificate of authenticity issued by S.D. Research Center, Inc., NY, and signed by Alex J. Rosenberg, archived as #SD170 C Estate of Victor Shanok $7,000-9,000 See Illustration

41 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17

42 Jose de Rivera American, 1904-1985 Construction in Blue and Black, 1952 Painted aluminum on painted wood base 9 1/2 x 21 x 16 inches This work is included in the Jose de Rivera catalog raisonné as no. 27 C Sara T. and John D. Davies Collection $3,000-5,000 See Illustration 43 Sam Ogden American, 20th Century Untitled Construction Acrylic on welded steel Height 22 3/4 inches C Sara T. and John D. Davies Collection $1,500-2,500 See Illustration

44 Adolf Arthur Dehn American, 1895-1968 Market, 1955 Signed Adolf Dehn (ll), initialed A.D. and dated 1955 on the reverse Oil on Masonite 30 x 48 inches C $2,000-4,000 45 Adolf Arthur Dehn American, 1895-1968 (i) Untitled, No. 1 Signed Adolf Dehn (lr) Oil on Masonite 30 x 6 inches (ii) Untitled, No. 2 Signed Adolf Dehn (lr) Oil on Masonite 30 x 6 inches C $700-900 46 Adolf Arthur Dehn American, 1895-1968 (i) Untitled, Two Figures in Profile, 1955 Signed Adolf Dehn (lr), signed Adolf Dehn, dated Dec. 1955 and inscribed 443 W. 21/NYC on the reverse Gouache on paper 20 1/4 x 28 5/8 inches (ii) Celestial Excursion, 1961 Signed Adolf Dehn and dated 1961 (lr), numbered 3/10 and inscribed as titled (ll) Lithograph on paper Plate size 14 5/8 x 11 3/4 inches (iii) Naked Truth Pursued by Bare Facts, 1945 Signed Adolf Dehn and dated 1945 (lr), numbered 5/40 and inscribed as titled (ll) Lithograph on paper Plate size 11 1/2 x 16 1/2 inches C $700-900

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49 47 Burgoyne Diller American, 1906-1965 Study for Construction IV Stamped with estate stamp (lr) Pencil and gouache on paper 6 x 4 inches Provenance: Estate of the artist Ken Prescott, Texas Exhibited: A Private Eye: Dad, Surrealism and more from the Brandt Collection, Oct. 21 - Dec. 24, 2006, Cornell University, Herbert F. Johnson Museum of Art, Ithaca, NY C $2,500-3,500 See Illustration

50 48 Marisol Escobar French, 1930-2016 Untitled, 1982 Signed Marisol and dated 1982 (lr) Chalk on black paper 14 1/8 x 18 1/8 inches C Property from the Watermill Center, Water Mill, New York $2,000-4,000 See Illustration

49 Janet Fish American, b. 1938 Wild Grapes and Flowers, 1988 Signed Janet Fish and dated 1988 (lr) Watercolor on paper 30 x 37 inches Provenance: Robert Miller Gallery, New York C Property from a Pennsylvania Collection $1,500-2,500 See Illustration

50 Arthur John Fleischmann Australian, 1896-1990 Untitled (Head) Gray soapstone Height excluding base 14 1/2 inches C $1,200-1,800 See Illustration

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52 part

51 Seymour Fogel American, 1911-1984 Blowing the Shofar, 1944 Signed Fogel and dated 44 (lr) Oil on canvas 29 x 20 inches C $1,500-2,500 See Illustration 52 Günther Förg German, 1952-2013 (i) Untitled, Green/Orange Circle, 2001 Signed Förg and dated 2001 (ur) Watercolor on paper 8 1/4 x 5 7/8 inches Provenance: Serge Sorokko Gallery, San Francisco (ii) Untitled, Yellow Steps, 1999 Signed Förg and dated 99 (ur) Pencil and watercolor on paper 8 1/4 x 5 7/8 inches Provenance: Serge Sorokko Gallery, San Francisco C $1,200-1,800 See Illustration of Part 53 part

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53 Günther Förg German, 1952-2013 (i) Untitled, No. 83, 1999 Signed Förg and dated 99 (ul), inscribed 83 (ll) Pencil and watercolor on paper 8 1/4 x 5 7/8 inches Provenance: Serge Sorokko Gallery, San Francisco (ii) Untitled, 2001 Signed Förg and dated 2001 (ur) Watercolor on paper 8 1/4 x 5 7/8 inches Provenance: Serge Sorokko Gallery, San Francisco C $1,200-1,800 See Illustration of Part

54 Sonia Gechtoff American, b. 1926 Untitled, 1979 Signed Sonia Gechtoff, dated â&#x20AC;&#x2DC;79 and inscribed V (lr) Sight size 38 1/2 x 38 1/2 inches C $800-1,200 See Illustration 55 Roger Edgar Gillet French, 1924-2004 Le Corsage Rose, 1966 Signed R.E. Gillet (lr), signed R.E. Gillet, dated 1966 and inscribed 4883/Ariel on the reverse Mixed media with paper collage on board 17 1/4 x 11 inches Provenance: Galerie Ariel, Paris C $1,000-1,500 See Illustration 56 Robert Goodnough American, 1917-2010 Green Moon, 1965 Signed Goodnough and dated 65 (lr), signed Goodnough, dated 65 and inscribed as titled on the reverse Liquitex on canvas 10 x 12 inches Provenance: Tibor De Nagy Gallery, New York C Property from a Private New York Estate $800-1,200 See Illustration

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58 57 57 Robert Graham American, 1938-2008 Untitled (Fountain), 1990 Bronze, from an edition of 6 63 x 13 x 13 inches Provenance: Christie's, Los Angeles. Sale 9028, lot 117. Oct. 21, 1998 C Property of a Private Beverly Hills Collector $15,000-20,000 See Illustration

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58 Dwinell Grant American, 1912-1991 (i) Line Study II, 1948 Signed DG and dated 48 (lr) Ink on paper 14 3/4 x 10 5/8 inches (ii) Theme in Variation IV, 1948 Signed DG and dated 48 (lr), signed Dwinell Grant, dated 1948 and inscribed as titled on the reverse Ink and watercolor on paper 8 1/2 x 7 inches C $1,000-1,500 See Illustration

59 Michael Graves American, 1934-2015 The Great Gatsby Plaque, 1984 Bas relief in terra cotta, from an edition of 50 9 1/2 x 6 1/4 inches C Sara T. and John D. Davies Collection $500-700 See Illustration

61 William Gropper American, 1897-1977 Untitled Signed Gropper (ll) Oil on panel 6 1/2 x 5 3/8 inches C $800-1,200 See Illustration

60 Balcomb Greene American, 1904-1990 Man and the Sea, 1960 Signed Balcomb Greene (lr), dated 1960, numbered 50-42 and inscribed as titled on the overlap Oil on canvas 50 x 42 inches C $1,500-2,500 See Illustration 61

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62 Chaim Gross American, 1904-1991 Birds of Peace 1959 Signed Chaim Gross Bronze with green patina, first edition, recast later and larger each sucessive year: 1961, 1965, 1966. 16 1/4 x 8 1/2 x 6 3/4 inches Published: Van Nostrand Reinhold Company, Sculpture in Progress: Chaim Gross and Peter Robinson, 1972, p. 60 Provenance: Mrs. Chaim Gross gifted to Dr. April J. Paul Private collection C $2,000-3,000 See Illustration

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63 Chaim Gross American, 1904-1991 Society Girl Pregnant, 1933 Signed Ch. Gross Carved wood Height 17 1/2 inches Provenance: Mrs. Chaim Gross gifted to Dr. April J. Paul Private collection C $1,200-1,800 See Illustration 64 Chaim Gross American, 1904-1991 Little Babbet, 1947 Signed Chaim Gross and dated 1947 Carved wood Height 14 1/2 x 6 x 3 3/4 inches Provenance: Mrs. Chaim Gross gifted to Dr. April J. Paul, March 31, 2000 Private collection C $1,200-1,800 See Illustration

65 Otto Gutfreund Czech/French, 1889-1927 Untitled, circa 1913-14 Stamped with Gutfreund Estate stamp and numbered 568 on the reverse Charcoal on paper 10 7/8 x 9 inches Provenance: Helen Serger la Boetie, Inc., New York C $1,000-1,500 See Illustration 66 Theo Hios Greek/American, 1910-1998 Untitled (tondo), 1967 Signed Hios and dated 67 on the reverse Acrylic on canvas 47 x 47 inches C $2,000-3,000 See Illustration

67 67 Theo Hios Greek/American, 1910-1998 Astronauts, 1963 Signed Hios and dated 63 on the reverse, dated 1963 and inscribed as titled on the stretcher Acrylic on canvas 47 1/2 x 71 3/4 inches C $2,000-3,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 25

68 Theo Hios Greek/American, 1910-1998 Interlocking, 1974 Signed Hios and dated 74 on the reverse, inscribed Donated to Themis Hios Dec. 1976 and as titled on the stretcher Acrylic on canvas 50 x 40 1/2 inches C $2,000-3,000 See Illustration

69 Theo Hios Greek/American, 1910-1998 Ascending, 1976 Signed Hios and dated 76 on the reverse, dated 1976 and inscribed as titled on the stretcher Acrylic on canvas 44 x 40 inches C $1,500-2,500 See Illustration

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70 Theo Hios Greek/American, 1910-1998 Embracing, 1976 Signed Hios and dated 76 on the reverse, dated 1976 and inscribed as titled on the stretcher Acrylic on canvas 40 x 36 inches C $1,500-2,500 See Illustration

71 Theo Hios Greek/American, 1910-1998 Involvement, 1967 Signed Hios and dated 1967 on the reverse, inscribed as titled on the stretcher Acrylic on canvas 36 x 48 inches C $1,200-1,800 See Illustration

72 Margo Hoff American, b. 1912 Untitled, Rubbing from Woodblock Signed M Hoff (lr) Conte and pencil on paper 19 1/4 x 22 inches C $400-600

73 Larry Horowitz American, b. 1957 Wingarsheik Marsh Signed Horowitz (lr) Oil on canvas 36 x 80 inches Provenance: Kornbluth Gallery, Fairlawn, NJ C Property of a New Jersey Estate $1,000-1,500 See Illustration 74 Larry Horowitz American, b. 1957 Marsh Panorama, 1984 Signed Horowitz (lr) Oil on canvas 42 x 64 inches C Property of a New Jersey Estate $800-1,200 See Illustration

75 Narine Isajanyan Armenian/American, 20th Century Yellow Rain, 2000 Signed Narine Isajanyan and dated 2000 on the reverse Oil and acrylic on board 21 3/4 x 13 5/8 inches C $2,000-3,000 See Illustration

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76 79 76 Diane Itter American, 1946-1989 Red over Blue Fan, 1980 Knotted linen on mount 14 x 18 inches C $800-1,200 See Illustration 77 Jean Jansem French, b. 1920 Woman at a Loom Signed Jansem (lr) Oil on canvas 18 x 15 inches C Property of a Private Collector, New Jersey $3,000-5,000

78 Paul Jenkins American, 1923-2012 White Tracks, 1958 Signed Paul Jenkins and dated 58 (lr), signed Paul Jenkins and inscribed as titled on the reverse Oil on canvas 26 1/4 x 30 1/4 inches C $7,000-9,000 See Illustration 79 Béla Kádár Hungarian, 1877-1955 Untitled (Two Figures) Signed Kádár Béla (lr) Gouache on paper 9 1/4 x 11 3/4 inches C $1,000-1,500 See Illustration 80 Wolf Kahn American, b. 1927 Summer Driveway, 1985 Signed W. Khan and dated 85 (ll) Pastel on paper 22 x 29 1/2 inches Provenance: Kornbluth Gallery, Fairlawn, NJ C Property of a New Jersey Estate $3,000-5,000 See Illustration

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81 Wolf Kahn American, b. 1927 Barn and Bushes, 2003 Signed W. Kahn (lc) Pastel on paper 8 x 10 inches Provenance: Ameringer/McEnery/Yohe, New York C $2,500-3,500 82 Wolf Kahn American, b. 1927 Pale Green and Orange, 2004 Signed W. Kahn (lr) Pastel on paper 12 x 18 inches Provenance: Jerald Melberg Gallery, Charlotte, NC C $2,000-4,000 See Illustration

83 83 Gyorgy Kepes Hungarian/American, 1906-2001 Bruised Radiance, 1962 Signed Gyorgy Kepes, dated 1962, inscribed 12 and as titled on the reverse Oil and sand on canvas 20 x 24 inches C $1,500-2,500 See Illustration

84 Antonio Grediaga Kieff Spanish/Canadian, b. 1936 Viaje de Invierno II, 1976 Signed Kieff, dated 1976 and numbered 1/9 Bronze on marble base Height including base 28 inches C $3,000-5,000 See Illustration

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85 Antonio Grediaga Kieff Spanish/Canadian, b. 1936 Genesis of a Form IX, 1972 Signed Kieff, dated 1972 and inscribed e/a 1 Bronze on marble base Height with base 20 inches C $3,000-5,000 See Illustration 86 Antonio Grediaga Kieff Spanish/Canadian, b. 1936 Capricho Espanol No 1, 2016 Signed Kieff, dated 2016 and inscribed as titled on the reverse Acrylic and resin on canvas stretched to panel 27 x 27 inches C $2,000-3,000 See Illustration

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87 Antonio Grediaga Kieff Spanish/Canadian, b. 1936 Polo no 01, 2016 Signed Kieff, dated 2016 and inscribed as titled on the reverse Acrylic and resin on canvas stretched to panel 24 x 24 inches C $2,000-3,000 See Illustration

88 Antonio Grediaga Kieff Spanish/Canadian, b. 1936 Deux Tetes, 1969 Signed Kieff, dated 1969 and inscribed e/a unique Bronze on marble base Height including base 12 3/8 inches C $800-1,200 See Illustration 89 William Dickey King American, 1925-2015 Untitled Naugahyde over metal armature Height 55 inches C $1,000-1,500 90 Nina Osipovna Kogan Russian, 1887-1942 Composition Musicale Watercolor on paper 4 3/8 x 5 1/2 inches C $1,000-1,500 See Illustration

91 91 Mark Kostabi American. b. 1960 On Your Mark, 1985 Signed Kostabi and dated 1985 (ur), signed Kostabi, dated 1985 and inscribed as titled on the reverse Oil on canvas 48 x 69 3/4 inches Unframed C The Collection of Joachim Neugroschel $2,000-4,000 See Illustration 92 Mark Kostabi American, b. 1960 Body by Jake Signed Kostabi and numbered 3/6 Bronze, from an edition of 6 Height 9 3/4 inches C The Collection of Joachim Neugroschel $1,000-1,500 See Illustration

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93 93 Choong Kam Kow Korean b. 1934 The Tropical Sun, 1968 Signed Kam K Choong and dated 68 (ll), inscribed as titled on the stretcher Oil on canvas 34 x 27 5/8 inches C Estate of Barbara Anspach $2,000-3,000 See Illustration

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95 94 Frantisek Kupka Czech, 1871-1957 Untitled Signed Kupka (lr), numbered 17 on the reverse Pastel on black paper 10 5/8 x 11 5/8 inches Provenance: Galerie Karl Finker, Paris C $2,000-3,000 See Illustration

94A LA2 (Angel Ortiz) American, b. 1967 Untitled Signed with artist’s mark on the reverse Acrylic on canvas 32 x 28 inches Unframed C $1,000-1,500 95 Henri Lebasque French, 1865-1937 Seated Nude Signed Lebasque (lr) Charcoal on gray paper 23 1/2 x 18 1/4 inches Provenance: Mme. Lebasque-Raymond Montgomery Gallery, San Francisco C $2,000-3,000 See Illustration

96 96 Saul Levine American, b. 1915 Picket Line Signed Saul Levine (lr) Oil on canvas 30 x 24 inches C $2,000-3,000 See Illustration 97 Kostas Loustas Greek/American, 1913-2005 (i) Aretsou Coast, Thess, 1970 Signed Kostas Loustas, dated Aug. 1970 and inscribed as titled on the reverse Oil on fiberboard 18 1/4 x 23 1/2 inches (ii) The River in Florina, Summer 1971, GR, 1971 Signed K. Loustas and dated 71 (ll), signed Kostas Loustas, dated 1971 and inscribed as titled on the reverse Oil on fiberboard 24 x 31 1/2 inches (iii) Mature Morte, 1971 Signed K. Loustas (lr), signed Kostas Loustas, dated Feb. 1971 and inscribed as titled on the reverse Oil on Masonite 26 7/8 x 25 1/2 inches C $2,000-3,000 See Illustration

97 98 Lauren Luloff American, b. 1980 Flower, 2012 Signed Lauren Luloff, dated 2012 and inscribed as titled on the overlap Bleached bedsheets and fabric collage 18 3/4 x 15 7/8 inches Unframed C $1,000-1,500 See Illustration 99 Helen Lundeberg American, 1908-1999 Study: Arches and Peaks, 1986 Signed Lundeberg and dated 1986 (lr) Acrylic on paper Image size 11 1/8 x 9 inches, sheet size 18 x 13 1/4 inches Provenance: Tobey C. Moss Gallery, Los Angeles C $2,000-3,000

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100

101 100 Zvi Mairovich Israeli, 1911-1973 Oasis in Ein Geddy, Negev Signed Mairovich (lr), signed Mairovich, inscribed Haifa, Israel and as titled on the reverse Oil, crayon, gouache and black wash on illustration board 39 x 39 inches C $4,000-6,000 See Illustration 101 Jack Massey American, b. 1925 Roman 40 Oil and collage on canvas 79 x 62 1/2 inches C Sara T. and John D. Davies Collection $1,000-1,500 See Illustration

102

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102 Jan Matulka American, 1890-1972 Untitled (New England Landscape) Signed Matulka (ll) 20 x 26 inches C $5,000-7,000 See Illustration

103

105

104 part

106

103 Peter Max American, b. 1937 Liberty, 1986 Signed Max and dated 1986 (ur), signed Peter Max and dated 1986 on the reverse Acrylic on canvas 20 x 16 inches C $3,000-5,000 See Illustration

104 Peter Max American, b. 1937 Archive of Border Mural Project Most signed Max, dated 2016, and inscribed For Carol/love Eight acetate on cel vinyl, some with hand-painted overlays, plus one marker on paper study Largest image size 11 1/4 x 16 inches C $2,000-4,000 See Illustration of Part

105 Peter Max German/American, b. 1937 Zero Series, 1987 Signed Max and dated 87 (ur) Acrylic on canvas 20 x 16 inches C $1,500-2,500 See Illustration

106 Peter Max German/American, b. 1937 Flower Blossom Lady Detail Ver. XI #61, 2011 Signed Max (ul), numbered 264811.0000 and 325791 on the reverse Oil on canvas 10 x 10 inches Provenance: Park West Gallery, Dover, DE This lot includes a certificate of authenticity from Park West Gallery C $1,200-1,800 See Illustration

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107

108

107 Oscar Maxera Argnetine, b. 1930 Birth of the Power, 1988 Signed Maxera, dated 88 and inscribed as titled on the reverse Acrylic on illustration board 30 3/4 x 21 1/2 inches C $1,000-1,500 See Illustration

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108 Oscar Maxera Argentine, b. 1930 Untitled, 1988 Signed Maxera and dated 88 on the reverse Arcrylic on canvas 36 x 24 inches C $1,000-1,500 See Illustration 109 Norman Mercer American, 1916-2007 Incised Flight Cast acrylic Height 19 1/2 inches C The Estate of Norman Mercer $1,000-1,500 See Illustration

110 110 Norman Mercer American, 1916-2007 Incised Pyramid, 1998 Stamped NJM, inscribed 82 and dated Oct. ‘98 on base Cast acrylic 14 1/2 x 19 1/2 x 19 1/2 inches C The Estate of Norman Mercer $1,000-1,500 See Illustration

111 Norman Mercer American, 1916-2007 Untitled Cylinder, 1997 Stamped NJM, inscribed 157 and dated June - ‘97 on base Cast acrylic 16 1/4 x 6 3/8 x 6 3/8 inches C The Estate of Norman Mercer $800-1,200 See Illustration

112 Edouard Leon Theodore Mesens Belgian, 1860-1949 (i) D1, 1965 Signed Messens, dated 1965 and inscribed as titled in the margin at bottom Pencil, pastel and crayon on paper laid to paper Mount size 15 3/4 x 13 1/2 inches, sheet size 9 7/8 x 7 7/8 inches Provenance: Galerie Isy Brachot, Brussells [Sale] Sotheby’s Paris, Jul. 3, 2007, lot 102 (ii) D2, 1965 Signed Messens, dated 1965 and inscribed as titled in the margin at bottom Pencil, pastel and crayon on paper laid to paper Mount size 15 3/4 x 13 1/2 inches, sheet size 9 7/8 x 7 7/8 inches

111

Provenance: Galerie Isy Brachot, Brussells [Sale] Sotheby’s Paris, Jul. 3, 2007, lot 102 (iii) D3, 1965 Signed Messens, dated 1965 and inscribed as titled in the margin at bottom Pencil, pastel and crayon on paper laid to paper Mount size 15 3/4 x 13 1/2 inches, sheet size 9 7/8 x 7 7/8 inches Provenance: Galerie Isy Brachot, Brussells [Sale] Sotheby’s, Paris, Jul. 3, 2007, lot 102 C $2,000-3,000 See Illustration of Part

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113

114

115 113 Manolo Millares Spanish, 1926-1972 Untitled, 1955 Signed Manolo Millares and dated 55 (ll) Ink and watercolor on paper 12 3/4 x 10 inches Provenance: Galeria Juana Mordo, Madrid C $2,000-3,000 See Illustration

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114 Roger Mühl French, 1929-2008 La Terrasse Signed Mühl (lc), inscribed SD09 and as titled on the reverse Oil on canavs 43 1/4 x 47 inches C $6,000-8,000 See Illustration

115 Roger Mühl French, 1929-2008 La Vague Signed Mühl and inscribed SC12 (lc) Oil on canvas 31 1/2 x 51 inches C $5,000-7,000 See Illustration

116 116 Lucio Muñoz Spanish, 1929-1998 Untitled, 1976 Signed Lucio Muñoz and dated 1976 (lr) Ink and graphite with paper and wood veneer collage on paper 13 7/8 x 11 3/4 inches Provenance: Galeria Egam, Madrid C $1,200-1,800 See Illustration

117 117 Reuben Nakian American, 1897-1986 (i) Leda and the Swan Signed Nakian Incised terra cotta vase with white slip Height 15 1/2 inches (ii) Leda and the Swan Signed Nakian (cr) Pastel on paper 22 1/2 x 30 inches C $800-1,200 See Illustration

118 Robert Natkin American, 1930-2010 Intimate Lighting, 1978 Signed Natkin (ll), dated 1976 and stamped with artist’s stamp on the overlap Acrylic on canvas 48 x 59 3/4 inches Unframed Provenance: Gimpel & Weitzenhoffer Ltd., New York Acquired from above by the present owner Feb. 14, 1979 C $5,000-7,000 See Illustration

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119

120

119 Robert Natkin American 1930-2010 Field Mouse, 1971 Signed Natkin (lr) Acrylic on canvas 39 x 31 inches Provenance: Andre Emmerich Gallery, New York C Estate of Barbara Anspach $2,000-4,000 See Illustration

121

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120 Louise Nevelson American, 1899-1988 Sitting Female Nude, circa 1940 Signed Nevelson (lc) Ink on paper 21 1/4 x 14 inches Provenance: Washburn Gallery, New York C A New England Collection $2,000-3,000 See Illustration

121 Sam Ogden American, 20th Century (i) Untitled Stamped with artist’s mark Chromed metal 19 x 26 1/2 x 6 inches (ii) Untitled Stamped with artist’s mark Patinated metal in two parts 25 1/2 x 7 x 6 inches C Sara T. and John D. Davies Collection $1,200-1,800 See Illustration

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123

122 Ramon Oviedo Dominican, b. 1927 Brisa y Lluvia Signed Oviedo (lr), signed Oviedo and inscribed as titled on the reverse Acrylic on canvas 68 x 68 inches Unframed C $10,000-15,000 See Illustration 123 Ramon Oviedo Dominican, b. 1927 Brisa en la Playa Signed Oviedo (lr), signed Oviedo and inscribed as titled on the reverse Acrylic on canvas 68 x 68 inches Unframed C $10,000-15,000 See Illustration 124 Erin Parish American, b. 1966 Cerebellumâ&#x20AC;&#x2122;s Constellation, triptych, 2009 Signed Erin Parish, dated 2009 and inscribed as titled on the reverse Oil and resin on canvas 90 x 72 1/8 inches C $2,500-3,500 See Illustration

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125 Ray Parker American, 1922-1990 Semaphore in Enclosure, 1950 Signed Parker and dated 50 (lc), signed R. Parker, dated 50 and inscribed as titled on the stretcher Oil on canvas 32 x 44 inches Exhibited: American Painting Today, 1950, Dec. 1950, Metropolitan Museum of Art, New York C Sara T. and John D. Davies Collection $2,000-3,000 See Illustration

125 126 Walter Quirt American, 1902-1968 (i) Brown Lady Signed Quirt (lr), signed W. Quirt and dated ‘62 on the reverse Acrylic on canvas 10 x 8 inches (ii) Green Lady Signed Quirt (ll), signed W. Quirt and dated 62 on the reverse 11 x 8 inches Provenance: Collection of Leonard and Ruth Bocour Exhibited: 2001, St. Mary’s College, Maryland C $1,500-2,500 See Illustration

126

127 Manuel Gómez Raba Spanish, 1928-1983 Untitled Signed Raba and dated 66 (lr) Resin, wood and burned wood 42 1/4 x 45 1/4 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000 See Illustration

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128 Ragon (Ricardo Alvarez) American, 20th Century Duality Dreamer, 2016 Signed Ragon and dated 8/16 (lr) Acrylic and concrete texture on canvas 48 x 48 inches Unframed C $2,000-3,000 See Illustration 129 Anton Refregier American, 1905-1979 Seamstress Signed A. Refregier (lr) Oil on board 32 x 48 inches C $1,000-1,500 See Illustration 130 Paul Resika American, b. 1928 (i) Farmers, 1970 Signed Resika (lr), inscribed Tepoztlan, Morelos/Mexico/1970 on the backing Pastel on paper Sight size 9 1/2 x 12 inches Provenance: Peridot Gallery, New York (ii) Red Pot (Small), 1985 Signed Resika (ur) Pastel on gray paper 12 x 10 inches Provenance: Graham Modern, New York (iii) Untitled (House in a Clearing), 1992 Signed Resika (ll) Pastel on paper 10 3/4 x 15 1/4 inches C $1,500-2,500 See Illustration of Part

128

129

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132

131 part

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131 Claude Saccaro American, 20th Century (i) Lamour (Love), 1987 Signed Claude Saccaro, dated 1987 and inscribed as titled on the reverse Graphite on paper 3 3/8 x 4 1/2 inches (ii) La Chair (The Flesh), 1987 Signed Claude Saccaro, dated 1987 and inscribed as titled on the reverse Graphite on paper 2 7/8 x 4 5/8 inches (iii) La Chanson (The Song), 1987 Signed Claude Saccaro, dated 1987 and inscribed as titled on the reverse Graphite on paper 3 1/2 x 4 1/2 inches C The Collection of Joachim Neugroschel $600-800 See Illustration of Part

132 Claude Saccaro American, 20th Century The Structure of Time, 1988 Signed C. Saccaro, dated 1988 and inscribed as titled on the stretcher Oil on canvas 10 x 8 inches C The Collection of Joachim Neugroschel $600-800 See Illustration 133 Claude Saccaro American, 20th Century Memory and Flesh, 1988 Stamped C. Saccaro, dated 1988 and inscribed as titled on artist’s plaque Oil on canvas in artist’s painted frame Canvas size 9 x 9 inches C The Collection of Joachim Neugroschel $600-800 See Illustration

134 134 Salvatore Scarpitta American, 1919-2007 Monuments Men Signed Scarpitta on the reverse Oil on canvas 29 1/4 x 22 inches C $1,500-2,500 See Illustration

135 136 Salvatore Scarpitta American, 1919-2007 Driver, 1996 Signed Scarpitta (lc) and dated 96 (lr) Ink on paper 24 x 19 1/2 inches C $1,200-1,800 See Illustration

135 Salvatore Scarpitta American, 1919-2007 Monuments Men Signed Scarpitta on the reverse Oil on canvas 31 1/4 x 21 3/4 inches C $1,500-2,500 See Illustration

136

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139

137 137 Maya Schock American, 1928-1975 Let there be Light, No. 15, 1971 Signed in Chinese characters (ll), signed Maya Schock, dated April, 1971 and inscribed as titled on the reverse Acrylic on unprimed canvas 48 x 54 inches C Property from a Pennsylvania Collection $600-800 See Illustration

138 Michael Schultheis American, b. 1967 Breath of Delos 02, 2011 Signed Michael Schultheis, dated 2011 and inscribed as titled on the reverse Oil on canvas 36 x 48 inches Unframed C $1,000-1,500 See Illustration

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139 Peter Schuyff Dutch/American, b. 1958 Untitled Watercolor on paper 16 x 12 inches C $700-900 See Illustration

140

140 Eusebio Sempere Spanish, 1924-1985 Gouache #16, 1959 Signed Sempere and dated 1959 (lr) Gouache on black paper 26 x 18 7/8 inches Provenance: Bertha Schaefer Gallery, New York C $2,000-3,000 See Illustration 141 Eusebio Sempere Spanish, 1924-1985 Construction #3, 1964 Signed Sempere and dated 1964 (lr) Cut paper assemblage 24 3/4 x 18 7/8 inches C $1,200-1,800 See Illustration

141

142 Eusebio Sempere Spanish, 1924-1985 Composition, 1964 Signed Sempere and dated 64 (lr) Cut paper assemblage 24 3/4 x 19 1/8 inches Provenance: Bertha Schaefer Gallery, New York C $1,200-1,800 See Illustration 143 Senaka Senanayake Sri Lankan, b. 1951 Fishermen, 1968 Signed Senaka Senanayake and dated 1968 (lr), inscribed as titled and numbered 100 on the reverse Oil on canvas 21 x 28 inches C $3,000-5,000

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144 Wu Shaoxiang Chinese, b. 1957 Winged Victory Signed with Chinese characters and Wu Australian shilling coins and bronze with green patina Height 24 1/2 inches C $1,200-1,800 See Illustration

146 Joseph Solman American, 1909-2008 Kathy Kondell Signed J.S. (ll), signed Joseph Solman and inscribed as titled on the reverse Oil on board 24 x 16 inches C $2,000-3,000 See Illustration

145 Charles William Smith American, 1893-1987 Untitled Signed Charles Smith (lr) Oil on canvas 24 x 18 inches C $1,200-1,800 See Illustration

144

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146

147

147 Kurt Rudolf Hoffmann Sonderborg German, 1923-2008 New York, 1965 Signed Sonderborg and dated 65 (ll); inscribed N.Y. (lr) Ink on paper 41 1/2 x 29 1/2 inches C $1,500-2,500 See Illustration

149 Joe Stefanelli American, b. 1921 Current A, 2004 Signed Stefanelli, dated 2004 and inscribed as titled on the reverse Oil on canvas 24 x 30 inches C $1,000-1,500 See Illustration

148 Stay High 149 (Wayne Roberts) American, 1951-2012 Untitled Signed with artistâ&#x20AC;&#x2122;s mark throughout and signed W. Roberts (lr) Acrylic and marker on Masonite 11 3/4 x 34 3/4 inches C $800-1,200

150 Joe Stefanelli American, b. 1921 The Pals, 2003 Signed Stefanelli, dated 2003 and inscribed as titled on the reverse Oil on canvas 24 x 30 inches C $1,000-1,500 See Illustration

149

150

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151 part

152 part

153 151 Joe Stefanelli American, b. 1921 (i) Tucon (sic) Ariz., 1984 Signed Stefanelli, dated 84 and inscribed as titled (ll) Charcoal and chalk on paper 22 1/4 x 30 inches (ii) Untitled, 1984 Signed Stefanelli and dated 84 (ul) Charcoal and chalk on paper 22 x 30 inches (iii) Santa Fe, A Study, 1984 Signed Stefanelli, inscribed Tucon (sic) Ariz. and dated 84 (lr) 22 x 30 inches C $800-1,200 See Illustration

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152 Joe Stefanelli American, b. 1921 (i) Red Note, 1983 Signed Stefanelli and dated 83 (lr), signed Stefanelli, dated 83, numbered 5 and inscribed as titled on the reverse Charcoal and acrylic on paper 29 3/4 x 22 inches (ii) Yellow Note, 1983 Signed Stefanelli and dated 83 (ll), signed Stefanelli, dated 83, numbered 4 and inscribed as titled on the reverse Charcoal and acrylic on paper 29 3/4 x 22 inches (iii) Untitled, 1983 Signed Stefanelli and dated 83 (ul) Acrylic on paper 29 3/4 x 22 inches C $800-1,200 See Illustration

153 Joe Stefanelli American, b. 1921 Camaraderie, 1988 Signed Stefanelli, dated 88 and inscribed as titled on the reverse Acrylic on canvas 24 x 28 inches C $600-800 See Illustration

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155

156 154 Joseph Stella Italian/American, 1877-1946 Abstraction, 1919 Signed Joseph Stella and dated 1919 (lr) Crayon on paper laid down on board 10 3/8 x 13 1/8 inches Provenance: Estate of Joseph Stella C Property from a New York Estate $1,800-2,400 See Illustration

157

155 Stephan Strocen Argentine, 1930-1999 Untitled, 1965 Signed Strocen (lr), signed Strocen and dated 5/65 on the reverse Oil and sand on jute canvas 43 1/2 x 51 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $1,000-1,500 See Illustration

156 Antonio Suárez Spanish, b. 1923 Untitled, 1962 Signed Suárez and dated 62 (lr), signed Suárez and dated 1962 on the reverse Oil on canvas 35 x 46 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $1,500-2,500 See Illustration

157 Antonio Suárez Spanish, b. 1923 Pintura 109, 1962 Signed Suárez and dated 62 (lr), signed Suárez, dated 1962 and inscribed as titled on the reverse Oil on canvas 46 x 35 1/2 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $1,500-2,500 See Illustration

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158 160

159 161 158 Yasse Tabuchi Japanese, b. 1921 Coin in Time, 1965 Signed Tabuchi and dated 65 (lr), signed Yasse Tabuchi, dated 1965 and inscribed as titled on the reverse Oil on canvas 13 x 16 1/8 inches Provenance: Galerie Ariel, Paris C $2,000-4,000 See Illustration

159 Pavel Tchelitchew Russian, 1898-1957 Untitled (Landscape) Watercolor on paper 15 x 22 inches Provenance: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration

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160 Pavel Tchelitchew Russian, 1898-1957 Studies of Skulls, circa 1944 Inscribed 762, 44-102 and T-68 on the reverse Ink and wash on paper 10 3/4 x 6 3/4 inches Provenance: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration

161 Pavel Tchelitchew Russian, 1989-1957 Untitled (Landscape) Signed P.T. (lr), numbered 41-43 on the reverse Watercolor on paper 15 x 20 inches Provenance: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration

163 162

164 162 Pavel Tchelitchew Russian, 1898-1957 Portrait of Kopchin, 1937 Signed P Tchelitchew and dated 37 (ll), inscribed No 64, 37-64 and as titled on the reverse Red ink on paper 16 3/4 x 13 7/8 inches Provenance: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration

165 163 Pavel Tchelitchew Russian, 1898-1957 Female Figure Studies Ink on paper 9 x 11 inches Provenance: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $1,500-2,500 See Illustration

164 Pavel Tchelitchew Russian, 1898-1957 Study for Portrait of Charles Henry Ford Ink on paper 14 x 16 3/4 inches Provenance: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $1,500-2,500 See Illustration

165 Bob Thompson American, 1937-1966 Portrait, 1960 Signed B Thompson and dated 60 (ll) Gouache on brown paper 23 3/4 x 17 5/8 inches C $2,000-3,000 See Illustration

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166 167 166 Jack Tworkov American, 1900-1982 Figure, 1957 Signed Tworkov and dated 57 (lr) Pencil on paper 11 5/8 x 8 3/4 inches C $800-1,200 See Illustration 167 Yvaral (Jean-Pierre Vasarely) Hungarian/French, 1934-2002 Structural Acceleree C, 1970 Signed Yvaral and numbered 20/150 on a gallery label affixed to the reverse Screenprint on metal with nylon filament, from an edition of 150 21 x 19 3/4 x 3 3/4 inches Provenance: Galerie Denise Rene, Paris C $3,000-5,000 See Illustration

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168 George Weil Austrian, b. 1938 Horse & Rider II Stamped with Morris Singer Foundry London mark Bronze with green patina Height with base 16 inches Provenance: Purchased in 1985 at The Everard Read Gallery, Johannesburg by the current owner C $1,200-1,800 169 Christopher Wilmarth American, 1943-1987 Sigh, 1982 Signed Christopher Wilmarth, dated 1982 and inscribed as titled on a label affixed to the reverse Oil on wood and cloth 25 1/4 x 20 inches Provenance: Hirschl & Adler Modern, New York C $3,000-5,000 See Illustration

170 Francisco Zúñiga Mexican, 1912-1998 Tres Mujeres, 1960 Signed Zga and dated 60 (lr), inscribed No. 2 Zúñiga 1960/3 Women Seated/(ptd) and numbered 07-00600 on the reverse 19 1/2 x 25 1/2 inches Provenance: Galleria De Arte Misrachi, S. A Acquired from the above, 1978 Literature Ariel Zúñiga Francisco Zúñiga, Catálogo Razonado/Catalogue Raisonné, vol. III 1971-1989, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 2006, no. 919, illus. b/w C $3,000-5,000 See Illustration 171 Francisco Zúñiga Costa Rican/Mexican, 1912-1998 Mujer Sentada con Bata, 1979 Signed Zúñiga and dated 1979 (lr) Crayon and pastel on gray paper 19 3/4 x 27 1/2 inches (50 x 70 cm) Provenance: Private collection, New York Literature: Ariel Zúñiga, Francisco Zúñiga, Catálogo Razonado/Catalogue Raisonné, vol. IV: Drawings 1971-1989, Albedrio, in association with Fundacion Zúñiga Laborde, A.C., 2006, no. 2721, illus. b/w, p. 608 C $3,000-5,000 See Illustration

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172 Alberto Porta Zush Spanish, b. 1946 Pink Horse Signed Porta Zush Gesso with string, fabric and found objects on wood base Height 15 1/2 inches Provenance: Galeria Rene Metras, Barcelona C $1,000-1,500 See Illustration

173 Fernando Garcia Ponce Mexican, 1933-1987 Elementos Alderados, 1963 Signed F. Garcia Ponce and dated 63 (ll) Oil on panel 43 x 51 inches Provenance: Galeria Sunacon, Laredo Mexico C $2,000-3,000

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PRINTS & MULTIPLES 174 Yaacov Agam (b. 1928) IMAGE OF THE WORLD; WORLD OF COLOR Two agamographs, 1981, signed and numbered 81/99 and 48/99, respectively, in ink, the full sheets, framed. Each overall 24 x 23 inches; 610 x 584 mm. C $800-1,200 See Illustration

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175 Jean Arp (1886-1966) UNTITLED Color offset lithograph, signed and numbered 29/90 in pencil, with (full?) margins, framed. 9 x 9 inches; 229 x 229 mm. C Estate of Barbara Anspach $600-800 See Illustration

176 Alex Grey (b. 1953) KISSING Screenprint, 1983, signed and numbered 19/25 in pencil, the full sheet, unframed. 30 x 22 1/2 inches; 762 x 571 mm. C The Collection of Joachim Neugroschel $800-1,200 See Illustration

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177 Alex Grey PRAYING Color screenprint, signed and numbered 5/30 in pencil, the full sheet, unframed. 23 x 15 3/8 inches; 584 x 390 mm. Sheet 30 x 22 inches; 762 x 558 4/5 mm. C The Collection of Joachim Neugroschel $800-1,200 See Illustration 178 Red Grooms (b. 1937) TONTO CONDO (KNESTRICK 96) Three-dimensional color lithograph multiple, 1983, signed and numbered 49/75 in pencil, co-published by the artist and Sharlâ&#x20AC;&#x2122;s Lithography, Ltd., Boulder, in original Plexiglas box. Overall 23 1/4 x 30 3/4 inches; 590 x 781 mm. C $1,000-1,500 See Illustration 179 David Hockney (b. 1937) CORBUSIER CHAIR AND RUG Color offset lithograph, 1969, signed in pencil. 20 x 20 1/8 inches; 508 x 511 mm. C $600-800 See Illustration

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182 part

180 Jasper Johns (b. 1930) TWO FLAGS (WHITNEY ANNIVERSARY) (ULAE 207) Color lithograph, 1979, from the edition of 5000, copublished by the artist and Gemini G.E.L., Los Angeles, with full margins. Sheet 46 x 30 inches; 1168 x 762 mm. C $600-800 See Illustration

180

181 Ryan McGinness (b. 1972) KALEIDING PETALS (PERIPHERAL DRIFT ILLUSIONS) Color screenprint, 2007, signed, dated and numbered 20/100 in pencil, published by Pace Editions, Inc., New York, with full margins, framed. 15 1/4 x 30 1/2 inches; 387 x 775 mm. Sheet 21 x 36 inches; 533 x 914 mm. C $600-800 See Illustration 182 Otto Piene (1928-2014) SKY ART Portfolio with 25 lithographs, 1969 C Estate of Nan Rosenthal and Henry B. Cortesi $700-1,000 See Illustration of Part

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183 183 Robert Rauschenberg (1825-2008) GENERAL DELIVERY Color screenprint, offset lithograph and collage, 1971, signed, dated and numbered 232/300 in pencil, printed by Styria Studio, New York and with their blindstamp, with (full?) margins, framed. Image 44 1/2 x 32 inches; 1130 x 813 mm. C Property of a Boston, Massachusetts Collector $600-800 See Illustration 184 James Rizzi (1950-2011) NAGANO 98; THE BIG APPLE IS BIG ON THE EMPIRE STATE BUILDING Color screenprint on canvas and a three-dimensional color lithograph multiple, 1998 and 1999, respectively, signed, the first inscribed A/P XL/L, the second numbered 2/150, the first in pencil, the second in ink. (2) Sheet of larger 15 5/8 x 18 7/8 inches; 397 x 479 mm. C $700-1,000 See Illustration of part

184 part 185 Ernest Trova (1927-2009) SHADOWS PLANES AND TARGETS Complete set of four color screenprints, 1971, signed, dated and numbered 134/150 in pencil, published by Pace Editions, New York, with full margins, with original portfolio. Each sheet 24 x 24 inches; 610 x 610 mm. C Property from a Pennsylvania Collection $600-800 See Illustration of Part

185 part

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PHOTOGRAPHS 186 STERN, BERT (1929-2013) Large format Marilyn Monroe with colored roses, from The Last Sitting for Vogue, 1962, printed later. Large format digital print, the image approximately 40 x 38 inches (1010 x 965 mm), signed in gold (l.r.) and with Stern’s stamp on verso. Recently framed. Two small handling marks in white of image, unexamined out of frame. C $3,000-5,000 See Illustration

187 STERN, BERT (1929-2013) Large format Lindsay Lohan with fuschia scarf, from Lindsay Lohan as Marilyn Monroe in “The Last Sitting” for New York Magazine 2008, printed later. Large format digital print, set within contact sheet border, the image approximately 39 1/2 x 29 1/2 inches (1003 x 749 mm), signed in red crayon (l.r.), and with Stern’s stamp on verso; Framed. C $1,000-1,500 188 ROLSTON, MATTHEW Tutto Rosso, 2005. Unique inkjet print, 28 x 22 inches (710 x 555 mm), unsigned. Framed. With Stephen Kasher Gallery, explanatory letter signed by Kasher mounted to rear. C $800-1,200 See Illustration

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189 Maurice André Wool Tapestry Untitled Height 52 1/2 inches, width 41 inches. C $1,000-1,500

192 Paul Belvoir and Reino Unido Iron and Gilt-Metal Tree-Form Desk Lamp Unmarked. Height of base 12 1/4 inches. C $1,500-2,500

190 Pair of André Dubreuil Wrought Iron, Bronze Solder, Brass and Glass Photophores Fleur Candle Holders Circa 1990 Height of taller 24 1/2 inches. C $7,000-10,000 See Illustration

193 Paul Belvoir Cerused Oak, Pierced Gilt-Metal and Marble Top Cabinet Height 34 1/2 inches, width 42 1/4 inches, depth 17 1/2 inches. C $2,000-4,000 See Illustration

191 Group of Thirteen German Bisque Porcelain Vases and Vessels 20th Century Comprising Rosenthal Studio Line, Heinrich, Thomas, Schumann and Hutschenreuther examples, each signed with manufacturer’s mark. Height of tallest 12 inches. C $600-900

194 Brass Inlaid Iron and Glass Dining Table Height 29 1/2 inches, width 60 inches, depth 37 1/2 inches. Provenance: Bunny Williams Inc. C $1,500-2,500

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195 Elizabeth Garouste & Mattia Bonetti Oak, Bronze and Gilt Bronze Lenôtre Cabinet 1990 Height 59 inches, width 39 inches, depth 17 1/2 inches. Literature: Chloé Braunstein-Friegel, The Staudenmeyer Years, 25 Years of Design in France, Éditions Norma, Paris, 2009, p. 360. Catalog of the exhibition Garouste and Bonetti, Mandet-Riom Museum 1993, p. 36. An example of this cabinet is in the collection of the Museum of Design and Fashion, Lisbon. Another example of this cabinet sold Tajan, Paris, November 13, 2013, lot 47. C $15,000-25,000 See Illustration

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196 Set of Ten Jeff Zimmerman Colored Blown Glass and Brass Hanging Lights Circa 2007 Comprising six off white examples, two brown examples and two amethyst examples. Height of tallest 17 5/8 inches. C $6,000-8,000 See Illustration 197 Gertrude and Otto Natzler Glazed Ceramic Vase Signed NATZLER and with paper label N725. Diameter 7 inches. C Property from a Private New York Estate $2,000-3,000 See Illustration

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198 Pair of Gusums Bruk Brass Five-Light Candelabra Sweden, 1985 Numbered 442 and stamped METALLS LÖJDEN. Height 9 1/2 inches. A similar pair of candelabra sold Doyle + Design, June 11, 2014, lot 163. C $800-1,200

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199 Jere Osgood Desk 1976 Height 28 inches, width 39 1/2 inches, depth 70 1/2 inches. Jere Osgood (b.1936) is an American studio furniture maker working in New Hampshire. His innovative designs follow the tradition of fellow American craftsmen such as Warton Esherick and Wendell Castle. Osgood’s work can be seen in renowned collections including the Museum of Fine Arts, Boston, the Museum of Art and Design, New York, and the Smithsonian Institution’s National Museum of American Art. C $3,000-5,000 See Illustration

200 Toshiko Takaezu Glazed Stoneware Vessel Signed with monogram. Height 22 3/4 inches. C $1,800-2,200 See Illustration 201 Toshiko Takaezu Glazed Stoneware Vessel Signed with monogram. Height 10 7/8 inches. C $800-1,200 See Illustration 202 Louis Cane Oak, Bronze and Upholstery Fauteuil Caillebotis Signed Cane, numbered 2/8 and dated 1990. Height 30 1/2 inches, width 31 inches, depth 31 inches. C $400-600

203 Set of Ten Mario Bellini CAB Saddle Leather Armchairs Stamped Cassina. Height 32 inches, width 23 inches, depth 17 1/2 inches. C $1,000-2,000 See Illustration 204 Louis Cane Bronze Floor Lamp 1990s Signed Cane and numbered 1/8. Height 6 feet 2 inches. C $1,000-1,500

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205 Pierre Charpin Glass Sculpture Entitled Play Time Circa 2005, produced by Galerie Kreo Blown translucent pale blue glass and black enameled colorless sheet glass, engraved on underside of base P. CHARPIN ED. Galerie Kreo prototype 2 circa 2005. Height overall 29 3/4 inches, height of cylindrical vase 12 1/4 inches, sheet glass 19 3/4 x 14 1/4 inches. Provenance: Galerie Kreo, 2007. C $2,000-4,000 See Illustration 206 Pierre Charpin Glass Sculpture Entitled Play Time Circa 2005, produced by Galerie Kreo Blown translucent blue glass and black enameled colorless sheet glass, engraved on the underside of the base P. Charpin Ed. Galerie Kreo no. 2/3 circa 2005. Height overall 33 inches, height of cylindrical base 15 5/8 inches, sheet 19 3/4 x 14 1/4 inches. Provenance: Galerie Kreo, 2007. C $2,000-4,000 See Illustration

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207 Pair of Leather Upholstered Club Chairs Height 29 inches, width 32 inches, depth 32 inches. C $400-600 208 Patinated Bronze Floor Lamp Stamped with maker’s mark ES. Height 55 1/2 inches. C $3,000-5,000

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209 Gruppo NP2 Giuseppi and Patuzzi Nerone Patinated Metal and Wood Panel Signed NP2 Nerone Patuzzi, inscribed Made in Italy on the reverse. Height 39 1/2 inches, width 38 inches. C $2,000-4,000 210 Martin Szekely Corian, Tinted Oak and Brass Console Galerie Kreo, 2006 Height 35 inches, width 66 1/2 inches, depth 19 1/4 inches. Provenance: Galerie Kreo. C $1,500-2,500 See Illustration

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211 Two Scott Burton Two Curve Chairs, 1989 (i) Lacquered hot-rolled steel, edition 1 of 10 (from an edition of 10 + 1P) 36 1/4 x 21 x 27 inches (ii) Lacquered hot-rolled steel, edition P1 (from an edition of 10 + 1P) 36 1/4 x 21 x 27 inches Literature: Ana Maria Torres, Scott Burton, Institut Valencià d’Art Modern, Valencia, Spain, 2004, p. 231 Barbara Bloemink and Joseph Cunningham, Design/Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper-Hewitt National Design Museum, New York, 2004, pp. 45, 176, fig. 165 C $30,000-50,000 See Illustration

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212 Dale Chihuly Portland Press Edition Two-Piece Tango Red Glass Persian Set with Turquoise Blue Lip Wrap Dated 2004 The larger element unsigned, the smaller element engraved Chihuly and PP04. Height of larger element 6 3/4 inches, length of smaller element 12 3/4 inches. C $3,000-5,000 See Illustration

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213 Carel Visser Brass, Copper and Horse Hooves Speed Six Coat Rack 1988, from an edition of 6 Height 71 inches, diameter 30 inches. Provenance: Editions Dosi Delfini, Amsterdam Carel Visser (1928-2015) was a Dutch sculptor known for his commitment to Dutch abstract minimalist constructivism. Many of his works include “found objects” particularly natural materials such as the hooves seen here. An example of this work is in the collection of the Rijks Museum, Amsterdam. C Property from the Watermill Center, Water Mill, New York $2,000-3,000 See Illustration 214 Pace Collection Chromed Metal, Marble, Leather and Felt Cabinet Late 20th century Height 33 1/4 inches, width 58 1/2 inches, depth 17 3/4 inches. Provenance: Doyle, Doyle + Design, April 22, 2009 lot 155. C $1,000-1,500

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215 L. Campanini Brushed and Chromed Metal and Glass Adjustable Low/Dining Table For Cama, circa 1973 Diameter 43 1/2 inches. A similar example sold Sotheby’s, London, November 9, 2010, lot 13. C $800-1,200 See Illustration 216 Eero Saarinen White Enameled Metal and Laminate Tulip Dining Table Knoll International Height 28 1/2 inches, diameter 54 3/4 inches. C $600-900 217 Curtis Jere Brass and Patinated Metal Nail Wall Sculpture Height 58 inches, width 6 feet 2 inches. C Sara T. and John D. Davies Collection $600-800

220 218 Pair of Marcel Breuer Chromed Tubular Steel and Leather Wassily Chairs Designed 1925 Height 29 inches, width 30 inches, depth 26 3/4 inches. C $600-800 219 Pair of White Leather Upholstered Club Chairs In the manner of Marco Zanuso Height 36 inches, width 31 inches, depth 28 1/2 inches. C $800-1,200

220 Pair of John Vesey Chromed Steel and Leather Campaign Chairs 1958 Height 39 1/2 inches, width 22 inches, depth 38 inches. C $6,000-8,000 See Illustration 221 Glass Top Stained Wood Wheat Sheaf Dining Table 1950s/1960s Height 30 3/4 inches, width 47 inches, depth 67 inches. C Property of a Boston, Massachusetts Collector $700-1,000

222 Gio Ponti Walnut and Travertine Coffee Table Model #2137, circa 1955 Height 15 1/2 inches, width 60 inches, depth 17 1/4 inches. A similar coffee table sold Wright Auctions October 18, 2012, lot 343. C $3,000-5,000 See Illustration 223 Gio Ponti Ash and Cane Superleggera Chair Designed 1957 Height 32 1/2 inches, width 15 3/4 inches, depth 16 inches. C Property from the Watermill Center, Water Mill, New York $600-800

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224 Murano Glass Hanging Fixture 20th Century Height 33 inches, diameter 25 inches. C $2,500-3,500 See Illustration 225 Paul McCobb Planner Group Birch Model 1510-L Cabinet For Winchedon, circa 1955 Height 33 1/2 inches, width 6 feet, depth 19 inches. A similar example sold Wright Auctions, February 11, 2016, lot 200. C $2,000-3,000 See Illustration

227 Paul McCobb Brass and Mahogany Shelving Unit/Room Divider Height 48 1/2 inches, width 37 1/2 inches, depth 12 inches. C $800-1,200 228 Mezzadro Style Metal Stool After a design by Achille Castiglioni Height 33 inches, width 18 1/2 inches, depth 17 1/2 inches. C Property from the Watermill Center, Water Mill, New York $500-700

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226 Paul McCobb Planner Group Maple Dining Table and Six Dining Chairs Winchedon, circa 1955 Height of table 29 inches, width open 56 inches, depth 36 inches; height of chairs 30 1/2 inches, width 17 inches, depth 19 inches. C $1,000-1,500

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229 Pair of Hans Wegner Teak and Upholstery Papa Bear Chairs Model AP 19, circa 1950 Height 39 inches, width 35 1/4 inches, depth 33 inches. C $10,000-15,000 See Illustration 230 Set of Four Charles and Ray Eames LCW Chairs Evans Products Company for Herman Miller Height 29 inches, width 19 inches, depth 22 inches. C $1,000-1,500

231 Françoise See Lacquered and Brushed Metal Dining Table For Ramsay, circa 1960 Height 29 inches, width 7 feet 2 1/2 inches, depth 39 1/4 inches. A similar example sold Christie’s, New York, December 16, 2010, lot 639. C $2,000-4,000 232 Pair of Jacques-Henri Varichon Aluminum, Steel Cable and Black Canvas Zig Zag Lounge Chairs Height 28 3/4 inches, width 46 3/4 inches, depth 31 1/2 inches. This model was introduced at the 46th Salon des Artistes, Paris in 1969. C $1,000-1,500

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233 Marcel Breuer Nickel-Plated Tubular Steel and Fabric Wassily Model B3 Chair Designed 1925 Height 30 inches, width 30 1/4 inches, depth 26 3/4 inches. For a similar example, please see Sotheby’s, New York, March 2, 2016, lot 352. C Property from the Watermill Center, Water Mill, New York $5,000-8,000 See Illustration

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234 French Modernist Style Tooled Brown Moroccan Leather Clad Floor Lamp and Shade In the style of Jacques Adnet Height overall 64 inches, height of shade 15 inches, diameter 21 inches. C $1,500-2,500

235 Jean Royère Iron, Brass and Comblanchien Ruban Low Table Circa 1945 Height 13 1/2 inches, width 51 inches, depth 21 1/2 inches. Literature: Exposition catalogue October 8, 1999 to January 30, 2000, Musée des Arts Décoratifs, Paris, Jean Royère Décorateur à Paris, Norma, Paris, 1999, p. 58. P.-E. Martin-Vivier, Jean Royère, Norma, Paris, 2002, p. 225. C $8,000-12,000 See Illustration

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236 Marcel Breuer Chromed Tubular Steel, Painted Wood and Canvas B35 Armchair For Thonet, circa 1930 Height 32 3/4 inches, width 24 inches, depth 31 inches. In their 1930 catalogue, Thonet introduced buyers to their largest line of tubular metal furniture bringing modern design into homes. Among the chairs were several designed by Marcel Breuer including the model B35. Another example was sold Christie’s, London, November 8, 2005, lot 54. C Property from the Watermill Center, Water Mill, New York $4,000-6,000 See Illustration

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237 Pair of Art Moderne Chromed Metal and Glass Consoles Circa 1940 Height 32 1/2 inches, width 48 inches, depth 14 1/4 inches. C $1,500-2,500

238 Edward Wormley Birch and Walnut Magazine Tree No. 4765 With paper label for Dunbar, 1950s Height 24 inches, width 16 inches, depth 28 1/4 inches. Literature: Edward Wormley: The Other Face of Modernism, exh. cat., Lin-Weinberg Gallery, New York, 1997, p. 14 Lisa PiĂąa, Dunbar: Fine Furniture of the 1950s, Atglen, PA, reprinted, 2000, pp. 108 and 188 Provenance: The label affixed underside notes the name of the original owner Anita Stewart (1895-1961). A star of the silent screen, Ms. Stewart appeared in a string of movies beginning in 1911, but her career did not transfer to talking movies and she last appeared on screen in 1932. C $2,000-3,000 See Illustration 239 Set of Twelve Charles and Ray Eames Style Dining Chairs 1960s Height 30 3/4 inches, width 18 3/4 inches, depth 20 inches. C $1,000-1,500 240 Finn Juhl Teak and Upholstery Model NV45 Chair Circa 1950 Height 33 1/2 inches, width 27 inches, depth 28 inches. C Property from the Watermill Center, Water Mill, New York $6,000-8,000 See Illustration and Inside Front Cover

241 Pair of Charles and Ray Eames Aluminum Group Lounge Chairs and Ottoman For Herman Miller Height of chairs 37 1/2 inches, width 25 1/4 inches, depth 29 inches; height of ottoman 18 inches, width 22 inches, depth 21 1/4 inches. â&#x20AC;˘ $400-600 242 Ejner Larsen and Aksel Bender Madsen Teak and Leather Games Table and Set of Four Chairs Willy Beck, Copenhagen manufacturer, circa 1960 Height of table 28 inches, 29 1/4 inches square; height of chairs 30 1/4 inches, width 19 1/2 inches, depth 16 inches. Provenance: Wyeth. C $2,000-4,000 See Illustration

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243 Black and White Painted Wood Chest of Drawers Height 32 inches, width 42 inches, depth 17 1/4 inches. C $600-800

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244 Pair of Erich Dieckmann Painted Wood Chairs Height 27 1/4 inches, width 21 1/4 inches, depth 15 3/4 inches. C Property from the Watermill Center, Water Mill, New York $700-1,000 245 Erich Dieckmann Beechwood Typenarmlehnstuhl Chair Designed in 1926 for the Staatliche Bauhochschule, Weimar Height 32 inches, width 20 3/4 inches, depth 19 1/2 inches. Literature: Vitra Design Museum, Erich Dieckmann, Weil am Rhein, 1990, p. 85. Erich Dieckmann, Möbelbau in Holz-Rohr-Stahl, Baubücher Bd. 11, Stuttgart, 1932, p. 45. Polish born Erich Dieckmann (1896-1944) studied and later led the carpentry department at the Bauhaus in Weimar. He became one of the most influential designers of the Bauhaus Movement. This simple yet elegant chair reflects the idea of form following function. C Property from the Watermill Center, Water Mill, New York $800-1,200 247 248

Works by Piero Fornasetti from a Private New York Collection (246-254) 246 Piero Fornasetti Lithographic Transfer Printed Metal Folio Magazine Stand Stamped FORNASETTI MILANO MADE IN ITALY and with original paper label. Height 15 1/4 inches, width 16 3/4 inches. C $800-1,200 247 Piero Fornasetti Lithographic Transfer Printed Metal Citta di Carte Lamp Stamped FORNASETTI MILANO MADE IN ITALY and inscribed No. 6/93 - F.O. Height 19 3/4 inches. C $1,000-1,500 See Illustration 248 Piero Fornasetti Lithographic Transfer Printed Metal Pompeiana Lamp Stamped FORNASETTI MILANO MADE IN ITALY and inscribed No. 2/92. Height 14 1/4 inches. C $700-1,000 See Illustration

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249 Pair of Piero Fornasetti Lithographed and Lacquered Plywood Capitello Jonico Chairs Height 37 1/2 inches, width 16 1/2 inches, depth 19 inches. C $2,000-3,000 See Illustration

250 Set of Ten Piero Fornasetti Transfer Decorated Citta di Carte Porcelain Plates 20th Century Each marked Fornasetti Milano, Made in Italy Exclusively For Tiffany & Co. Diameter 8 1/4 inches. Provenance: Christieâ&#x20AC;&#x2122;s, New York. A similar set of twelve sold New Orleans Auction Galleries, December 6, 2015, lot 1068 C $1,000-1,500 See Illustration of Part

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251 Piero Fornasetti Lithographic Transfer Printed Metal Library Lamp Stamped FORNASETTI MILANO MADE IN ITALY and inscribed 1/90 Dit. Height 14 1/4 inches. C $700-1,000

252 Piero Fornasetti Lithographic Transfer Printed Metal Champagne Tray Length 23 1/4 inches, width 10 inches. C $300-500

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253 Piero Fornasetti Lithographic Transfer Printed Metal Architettura Single-Drawer Cube Table Height 20 inches, 20 inches square. C $2,000-3,000 See Illustration 254 Piero Fornasetti Lithographic Transfer Printed Enameled Metal Capital Umbrella Stand Stamped FORNASETTI MILANO MADE IN ITALY and inscribed 12/90. Height 26 3/4 inches, width 20 inches. C $700-1,000 See Illustration

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255 Set of Six Green and Brown Patinated-Metal ‘Coffee’ Wall Lights Kim Moltzer for City Joinery, circa 1980 Height 21 1/2 inches, width 9 1/4 inches. Provenance: Phillips, New York, Oct. 21, 2011, lot 85 (part). Acquired directly from the artist. C $800-1,200 256 Aubrey Beardsley Illustration Découpage Decorated Table Height 29 inches, diameter 49 inches. Provenance: Agricola El Cafeto, C.A. Duarte Pinto-Coelho, (1923), Portugal. Aubrey Beardsley (1872-1898) was an eccentric leading member of the Aesthetic Movement in England whose grotesque and erotic black ink illustrations drew inspiration from Japanese prints. This table combines a multitude of images from all stages of his short-lived career. C $1,200-1,800

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Robert Wilson (b. 1941) is one of America’s foremost theater directors whose creativity and vision has forever changed how the audience experiences theater and opera. Wilson’s huge body of work includes collaborations with many of today’s most talented artists, writers, musicians and actors. His creations regularly push boundaries and envelop his audience within his unique perspective. With an incredible attention to detail, the props from his productions represent Wilson’s vision for a specific moment and scene resulting in pieces that have become works of art in themselves. Doyle is pleased to offer these three chairs, examples of Robert Wilson’s imagination. 257 Robert Wilson The Life and Death of Marina Abramovic Chair Designed 2011 Height 39 3/4 inches, width 14 1/4 inches, depth 35 1/2 inches. In The Life and Death of Marina Abramovic three great modern artists - Wilson, Abramovic joined by Willem Dafoe - give the audience a tantalizing look at Abramovic’s life and also intriguingly, her death and funeral. C Property from the Watermill Center, Water Mill, New York $6,000-8,000 See Illustration

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258 Robert Wilson Black Lacquered Steel Robspierre Chair 1992, Prototype 1 of 2 for the production of Danton’s Death at Alley Theater, Houston Height 42 1/2 inches, width 29 1/4 inches, depth 17 inches. Considered by The New York Times to be one of Wilson’s “finest achievements”, Danton’s Death by Georg Buchner tells the tale of the revolutionary leader Maximilien Robspierre with an “extraordinarily cool, sensuous, (and) elegant stage” inspired by David. C Property from the Watermill Center, Water Mill, New York $2,000-3,000 See Illustration

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259 Robert Wilson Lacquered Wood Bessie Smith Breakfast Chair 1990 from an edition of 12 Height 39 1/2 inches, width 35 1/2 inches, depth 17 3/4 inches. Designed for the production of Cosmopolitan Greetings, a jazz opera created as a collaborative work between the poet Allen Ginsberg, composers George Gruntz and Rolf Liebermann, and designer Robert Wilson, narrating the life of Jazz musician Bessie Smith. A similar example sold Sothebyâ&#x20AC;&#x2122;s, New York, June 12, 2009, lot 2. C Property from the Watermill Center, Water Mill, New York $10,000-20,000 See Illustration

260 Charles Rennie Mackintosh Lacquered Wood Willow Chair For Cassina, late 20th century, originally designed 1928 Height 47 inches, width 36 inches, depth 16 inches. C $1,000-1,500 261 Alvar Aalto Enameled Metal and Painted Wood Bench From the Paimio Sanatorium, Paimio Finland, 1932 Height 28 1/4 inches, width 38 1/4 inches, depth 15 3/4 inches. Completed in 1933, the Paimio Sanatorium is regarded as one of Aaltoâ&#x20AC;&#x2122;s most important early commissions. He and his wife Aino created all of the furnishings for the sanatorium, many now recognized as modernist classics, some of which remain in production today. C Property from the Watermill Center, Water Mill, New York $1,000-2,000

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SILVER & SILVER PLATE 262 Pair of Georg Jensen Sterling Silver Pyramid Pattern Candelabra Pattern #620A, designed by Harald Nielsen Height 6 inches, width 6 1/2 inches, total approximately 27 ounces. C $4,000-6,000 See Illustration

264 Georg Jensen Sterling Silver Centerpiece Bowl Pattern #306E, designed by Johan Rohde, 1933-1944 Height 6 1/2 inches, width 17 1/4 inches, approximately 93 ounces. C Property from a Pennsylvania Collection $5,000-7,000 See Illustration

263 Georg Jensen Sterling Silver Pyramid Pattern Flatware Service Comprising twelve dinner forks, twelve salad forks, twelve dessert spoons, twelve teaspoons, six demitasse spoons, twelve dinner knives, twelve butter knives, three serving spoons, serving fork, gravy ladle, sugar tongs, Royal Copenhagen porcelain mustard pot and spoon; Together with a Set of Six Georg Jensen Sterling Silver and Enamel Open Salts and Six Salt Spoons. Total approximately 108 ounces, weighable. C $5,000-7,000 See Illustration of part

265 Two David Andersen Sterling Silver and Enamel Bowls Diameter of larger 14 1/4 inches; Together with a J. Tostrup Sterling Silver and Enamel Bowl. Norwegian silversmith David Andersen is known for his use of vibrant enamels. C $700-1,000

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266 Georg Jensen Sterling Silver Grapevine Pattern Tazza Pattern #264B, designed by Georg Jensen, post 1945 Height 12 1/4 inches, diameter 12 1/4 inches; Together with a Pair of Georg Jensen Sterling Silver Grape Scissors, pattern #139. Total approximately 61 ounces. C $8,000-12,000 See Illustration

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268 Two Jean Després Silver Plate Bowls Second half of the 20th century Diameter of larger 9 inches. C $800-1,200 269 Two Tiffany & Co. Sterling Silver Exposition Pattern Servers Comprising a pie server and pierced flat server. Length of larger 12 inches, total approximately 10 ounces. • $400-600

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267 Georg Jensen Sterling Silver Acanthus Pattern Flatware Service Comprising twelve luncheon forks, twelve salad forks, twelve soup spoons, twelve teaspoons, twelve luncheon knives, twelve butter knives, cheese slice, serving spoon, pair of salad servers, serving spoon, two serving forks, flat server and a sauce ladle; Together with a Georg Jensen Sterling Silver Acorn Pattern Cake Knife and Pair of Salad Servers, and Georg Jenson Sterling Silver Cactus Pattern Cheese Knife. Total approximately 117 ounces, weighable. C Estate of Barbara Anspach $3,000-5,000 80 DOYLE • JUNE 7, 2017 • NEW YORK

270 Georg Jensen Sterling Silver Acanthus Pattern Flatware Service Comprising thirty-one dinner forks, fifteen luncheon forks, twelve salad forks, twelve cake forks, twelve fish forks, eight dessert forks, twelve cocktail forks, six fruit forks, twelve tablespoons, twelve round soup spoons, twelve bouillon spoons, nineteen dessert spoons, twenty-four teaspoons, sixteen demitasse spoons, eighteen dinner knives, nineteen luncheon knives, thirteen butter knives, twelve fish knives (flat handle), four fish knives (hollow handle), and twelve fruit knives. Total approximately 265 ounces, weighable. C $8,000-12,000 See Illustration of Part

271 Group of Georg Jensen Sterling Silver Acanthus Pattern Serving Pieces Comprising a meat fork, three lemon forks, four pickle forks, four piece carving set, bread knife, serving knife, paté knife (horn blade), two cheese knives, three cake knives, pair of small salad servers, two tea caddy spoons, mustard spoon, mustard ladle, four salt spoons, grape scissors, bottle opener, cheese slice, ice tongs, sugar tongs, tea strainer, three pie servers, two-piece fish serving set, fish serving fork, fish serving knife, four large serving spoons, three serving spoons, three pairs of salad servers (6), pair of salad servers (stainless blades), serving fork, flat server, four salt cellars, two gravy lades (stainless bowls), two gravy ladles, two sauce ladles, cream ladle, soup ladle, two pepper casters, pair of salad servers (horn blades), pair of flat servers (horn blades), and pair of small salad servers (horn blades). Total approximately 94 ounces, weighable. C $3,000-5,000 See Illustration of Part

272 Georg Jensen Sterling Silver Centerpiece Bowl Pattern #752D, designed by Harald Nielsen Height 2 3/4 inches, width over handles 11 inches, approximately 36 ounces. C $3,500-4,500 See Illustration

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273 Pair Tiffany & Co. Sterling Silver Lap Over Edge Pattern Salad Servers Length 10 1/2 inches, total approximately 8 ounces. â&#x20AC;˘ $600-800 274 Towle Sterling Silver Craftsman Pattern Flatware Service Introduced 1932 Comprising eight dinner forks, eight salad forks, eight round soup spoons, eight teaspoons, eight dinner knives, eight butter knives. Total approximately 54 ounces, weighable. â&#x20AC;˘ $600-800

276 Georg Jensen Sterling Silver Continental Pattern Flatware Service Comprising eighteen dinner forks, seventeen luncheon forks, sixteen fish forks, eighteen dessert forks, eighteen fruit forks, eighteen round soup spoons, eight egg spoons, eighteen iced tea spoons, eighteen dessert spoons, eighteen fruit spoons, seventeen teaspoons, eighteen demitasse spoons, twenty-four dinner knives, twelve luncheon knives, eighteen butter knives, eighteen fruit knives, eighteen fish knives, tea strainer. Total approximately 284 ounces, weighable. C $8,000-12,000 See Illustration of Part

275 Piero Figura for Atena Cipolla Polished and Part Plated Pewter Champagne Cooler Made for Neiman Marcus, 20th century Stamped sunburst mark and ETAIN 95%, also signed Figura Piero Par Atena cipolla for Neiman Marcus. Height 18 3/4 inches. Sold for the Benefit of Habitat for Humanity of Wake County, NC. C Proceeds to benefit Habitat for Humanity $3,000-5,000 See Illustration

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279 French Art Deco Rosewood and Glass Console Manner of Dominique, 1940s Height 31 inches, width 6 feet 2 inches, depth 18 3/4 inches. Provenance: Marché Aux Puces, 2002 Doyle + Design, November 18, 2014, Lot 355. C $1,000-1,500

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FURNITURE & DECORATIONS 277 Gilt-Bronze and Alabaster Six-Light Three-Storks Chandelier In the manner of Albert Cheuret Signed in script Albert Cheuret. Height 31 3/4 inches, diameter of shade 23 1/2 inches. C $10,000-15,000 See Illustration

278 Art Deco Style Silvered Metal Hanging Mirror Manner of Émile-Jacques Ruhlmann Diameter 27 1/2 inches. • $500-700

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280 Walter Gilbert Art Deco Bronze Relief Plaque Reputedly Made for Derry & Toms Department Store, London, England, circa 1930-33 Height 12 inches, width 65 inches. A very similar frieze panel designed by Walter Gilbert for the Derry & Toms Department Store, circa 1933, measuring 12 high by 72 inches wide depicting stylized animals and foliate motifs was sold at Sotheby’s, London, United Kingdom, November 16, 2006, lot 336, for £6,000. A gilt-bronze elevator screen designed by Walter Gilbert for the Derry & Toms building, circa 1929-31, depicting leaping deer and birds in flight centering a fountain was sold at Sotheby’s, New York, June 7, 2002, lot 333, for $29,875. Derry & Toms was a department store located on Kensington High Street in London. Founded in 1860 by brothers-in-law Charles Derry and Joseph Toms it catered to the city’s upper class. In 1930, construction was begun on a new, modern seven-story building designed by Bernard George. The modernized store re-opened for business in 1933. Its façade and interior were designed in the new and then-popular Art Deco style and featured metalwork by the English sculptor Walter Gilbert (1871-1946) as well as relief panels entitled Labor & Technology by Charles Henry Mabey Jr. In 1938, the store’s famous Kensington Roof Gardens opened to the public. The store’s main restaurant was located on the fifth floor and was called “The Rainbow Room.” The name was likely inspired by the iconic club of the same name atop the RCA Building at Rockefeller Center in New York City, which had its grand opening in 1934. While Derry & Toms ceased to operate in 1973 the building and roof garden still exist today. C $3,000-4,000 See Illustration

281 Three Eugene Printz Walnut Three-Tiered Tables Circa 1928 Height 28 inches, width 22 inches, depth 12 1/4 inches. Provenance: Christie’s, New York, December 12, 1992, Lot 500. C $7,000-10,000 See Illustration

282 Gerrit Rietveld Painted and Stained Wood Red Blue Chair Height 34 inches, width 24 inches, depth 34 inches. Literature: De Stijl, September 1919, p. 133 Theodore M. Brown, The Work of Gerrit Rietveld: Architect, Utrecht, 1958, pp. 18-20, 79 and 164 Marijke Küper and Ida van Zijl, Gerrit Th. Rietveld, Utrecht, 1992, pp. 74-75 and 79 Peter Vöge, The Complete Rietveld Furniture, Rotterdam, 1993, pp. 58-59 Luca Dosi Delfini, The Furniture Collection, Stedelijk Museum, Amsterdam, 2004, p. 295 Ida van Zijl, Gerrit Rietveld, London, 2010, pp. 34-35 Rietveld’s iconic Red Blue Chair was originally designed in 1918, but acquired its signature colors in 1923 influenced by the de Stijl group to which Rietveld and fellow artist Piet Mondrian belonged. Its orderly construction heralded a new world after the chaos and destruction of the First World War. All of Rietveld’s furniture was made of simple lines with a view to mass production, but the Red Blue Chair never became a household standard. Over the course of the past hundred years several noted furniture makers have issued the design, including Gerard van de Groenekan in the 1970s (he had originally assisted Rietveld with the first issues), and Cassina which recently reimagined the chair with more comfortable leather cushions. After a revival of interest in his work during the 1950s by artists including Donald Judd and Sol Lewitt, Rietveld’s designs have continued in their popularity with pieces now held in major design museums. C Property from the Watermill Center, Water Mill, New York $8,000-12,000 See Illustration

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283 Camille Fauré for Limoges Enameled Plum Ground Copper Vase Circa 1925-30 Signed C. FAURÉ Limoges, FRANCE. Height 11 3/8 inches. C $2,000-4,000 See Illustration

285 Camille Fauré for Limoges Enameled Copper Vase Circa 1925-30 Signed C. FAURÉ LIMOGES FRANCE. Height 11 1/2 inches. C $1,500-2,500 See Illustration

284 French Art Deco Silvered Bronze Figure of a Woman with a Parasol in a Canoe Cast from a model by Marie-Louise Simard, second quarter 20th century Height 15 inches, width 27 inches. A similar example was sold Freeman’s, January 28, 2015, lot 422. • $1,000-1,500

286 Art Deco Giltwood and Upholstered Salon Suite Comprising a sofa and two slipper chairs. Height of sofa 34 inches, width 6 feet 6 inches, depth 34 inches. Height of chairs 35 inches, width 35 inches, depth 31 inches. • $600-800

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287 Three Camille Fauré For Limoges Enameled Copper Bud Vases Circa 1925-30 Two signed C. FAURÉ LIMOGES, the third signed FAURÉ FRANCE. Heights 6 1/8, 5 1/4 and 4 3/4 inches, respectively. Provenance: Sotheby’s, New York, lot 389. C $2,500-3,500 See Illustration 288 Émile-Jacques Ruhlmann Rosewood Side Table 1940s With branded mark for Emile-Jacques Ruhlmann and MADE IN FRANCE. Height 22 3/4 inches, width 21 inches, depth 17 inches. C Estate of George Labalme, Jr. $1,500-2,500

289 289 Wedgwood Fairyland Lustre Ware Ghostly Wood Malfrey Pot and Cover Decorated by Daisy Makeig-Jones, shape no. 2312, pattern no. Z4968, 1920s Incised shape number and painted pattern mark, Portland Vase symbol and WEDGWOOD ENGLAND stamp mark in black. Height 12 3/4 inches. Most often known for classic design and "Wedgwood blue" in Jasperware, Wedgwood departed from its subdued colors with the creation of a completely innovative design aesthetic known as Fairyland lustre wares. To combat difficult financial times in the wake of the First World War, Wedgwood targeted the luxury and elite market with fanciful scenes and bright colors. Designed by Susannah Margaretta "Daisy" Makeig-Jones from 1916 until the 1930s, Fairyland lustre ware took inspiration from a variety of book illustrations, including the Color Fairy Books edited by Andrew Lang, and other literary tales. The present example was inspired by The Legends of Croquemitaine by Gustav DorĂŠ among other sources. Often referred to as the "Ghostly Wood" pattern, the bold underglaze enamels and gilding on this malfrey pot depict woods, ghosts, fairies, and goblins from the Land of Illusion tale in DorĂŠ's book. With no space left undecorated, fantastic characters and scenes include the white rabbit from Lewis Carroll's Alice in Wonderland. A similar example is located in the collection of the Victoria and Albert Museum in London. C $25,000-30,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

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290 French Art Nouveau Carved and Marquetry Inlaid Fruitwood Vitrine Attributed to Louis Majorelle, circa 1900 Height 68 inches, width 31 1/2 inches, depth 14 1/2 inches. C Estate of Mary Kettaneh $3,000-5,000 See Illustration 291 Set of Four Abel Landry Art Nouveau Carved Walnut Chairs France, early 20th century Including two armchairs. Height 40 1/2 inches, width 23 inches, depth 25 inches. C Estate of Mary Kettaneh $1,500-2,000 86 DOYLE • JUNE 7, 2017 • NEW YORK

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292 Daum Art Nouveau Acid-Etched, Wheel-Carved and Polished Martelé Glass Tulips Cabinet Vase Circa 1910 Signed Daum Nancy. Height 7 5/8 inches. C $2,500-3,500 See Illustration 293 Emile Gallé Enameled Glass Vase Circa 1900 Engraved Emile Gallé. Height 5 1/2 inches. C $2,000-4,000 See Illustration

294 Claude Wetzstein for Cristallerie Daum Amethyst Pâte-de-Verre Equestrian Group Entitled Parcifal Ed. no. 102/200, circa 1970 Molded C. Wetzstein, DAUM 102/200 FRANCE. Height 10 5/8 inches. C $500-700

295 French Art Nouveau Gilt-Bronze Figure of a Woman Entitled Danseuse au Cothurne Cast from a model by Agathon Léonard, Susse Frères, Editeurs, early 20th century Height 21 1/4 inches. Danseuse au Cothurne is one example from the Jeu L'Écharpe (The Scarf Dance) suite of fifteen dancers by Belgian-born sculptor Agathon Léonard. Léonard, purportedly inspired by 'The Serpentine Dance' of American dancer Loïe Fuller, originally created a series of ten dancers in terra cotta. The series was exhibited at the Salon de la Société National des Beaux Arts in 1897 and was seen by artistic director of the Sèvres Manufactory, Alexander Sanglier. Sanglier commissioned Léonard to produce a set of fifteen dancers in bisque porcelain that were exhibited at the Exposition Universelle Paris in 1900. He won a Grand Prix for the series and a full set was gifted to Nicolas II and Alexandra Dedovorna, Emperor and Empress of Russia, which are now in the collection of The Hermitage Museum. The dancers were later cast in bronze in various sizes by the Susse Frères foundry. C Estate of Mary Kettaneh $10,000-20,000 See Illustration

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296 Almeric Walter Green Pâte-de-Verre Figure of Pierrot with a Crescent Moon Circa 1920 Molded A. WALTER NANCY. Height 13 1/2 inches. C $2,000-4,000 See Illustration

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297 R. Lalique Molded Opalescent Glass Béliers Vase Marcilhac no. 904, circa 1928-47 Engraved R. LALIQUE FRANCE. Height 7 1/2 inches. C $1,800-2,200 See Illustration

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298 R. Lalique Molded Opalescent Glass Ceylon Vase Marcilhac no. 905, circa 1928-47 Engraved R. LALIQUE FRANCE NO. 905. Height 9 1/2 inches. C $3,000-5,000 See Illustration 299 Austrian Black Painted Beechwood Side Table Attributed to Josef Hoffman, circa 1905 Height 21 inches, width 21 1/2 inches, depth 15 inches. C $600-800 300 Set of Six Josef Hoffmann Bentwood and Caned Model No.17 Dining Chairs Early 20th century Height 45 3/4 inches, width 18 inches, depth 17 inches. C Property of a Private Collector, New Jersey $1,000-2,000 301 G. Argy-Rousseau Pâte-de-Verre Violettes de Parme Cabinet Vase Bloch-Dermant no. 18.01, circa 1918 Molded signature G. ARGY-ROUSSEAU. Height 5 3/4 inches. C Estate of Mary Kettaneh $5,000-7,000 See Illustration

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302 Marcel Kammerer Bentwood and Brass Plant Stand For Thonet, Model no. 9640 Height 51 inches, 13 inches square. C $1,200-1,800

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303 Oscar Bach Studio Patinated-Metal and Leaded Glass Trellis and Flower Lamp Circa 1915-25 The shade with tag stamped OSCAR BACH STUDIO NEW YORK and Oscar Bach, base signed Oscar Bach. Height overall 27 3/4 inches, height of shade 8 1/4 inches, diameter of shade 20 1/2 inches. C Estate of Harry Oppenheimer $3,000-5,000 See Illustration 304 Tiffany Red Favrile Glass Cabinet Vase Circa 1900 Signed M 6731 L.C.T. Height 6 1/2 inches. C $2,000-3,000 See Illustration 305 Pair of Tiffany Studios Gilt-Bronze and Favrile Glass Floriform Two-Light Candelabra Circa 1910-15 Each stamped TIFFANY STUDIOS NEW YORK 1230 and with T.S. company logo. Height of taller 9 inches, width 7 3/4 inches. C $4,000-6,000 See Illustration

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306

306 Tiffany Favrile Glass Floriform Footed Vase Circa 1921 Signed 1183 P L.C. Tiffany-Favrile. Height 12 1/4 inches. C $1,500-2,500 See Illustration

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307 Tiffany Gold Favrile Glass Floriform Footed Vase Circa 1909 Signed 384 D L.C. Tiffany-Favrile. Height 13 3/4 inches. C $2,500-3,500 See Illustration

308

308 Tiffany Favrile Glass Calyx Footed Cabinet Bud Vase Circa 1900 Signed L.C.T. M2892 and with original T.G.D. Co. paper label. Height 10 3/4 inches. C $2,000-3,000 See Illustration

309

309 Tiffany Gold Favrile Glass Tel el Amarna Footed Cabinet Vase Circa 1912 Signed 4023 G L.C. Tiffany-Favrile. Height 8 5/8 inches. C $3,000-4,000 See Illustration

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310 Tiffany Favrile Glass Tel el Amarna Cobalt Ground Cabinet Vase Circa 1919 Signed 5745 N. L.C. Tiffany-Favrile. Height 7 3/8 inches. C $4,000-6,000 See Illustration

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311 Tiffany Favrile Glass Floriform Footed Vase Circa 1909 Signed 357 D L.C. Tiffany-Favrile. Height 11 3/4 inches. C $1,500-2,500 See Illustration

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312 Tiffany Studios Gilt-Bronze and Favrile Glass Turtleback Desk Lamp Circa 1910-20 Base stamped TIFFANY STUDIOS NEW YORK 413. Height 7 inches, width 11 1/4 inches. C Estate of Harry Oppenheimer $2,000-3,000 See Illustration

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313 Tiffany Studios Gilt-Bronze and Favrile Glass Linenfold Desk Lamp Circa 1910 Shade stamped TIFFANY STUDIOS NEW YORK 1937 PAT. APPLD FOR, base stamped TIFFANY STUDIOS NEW YORK 612. Height 16 inches, diameter of shade 9 7/8 inches. C Estate of Harry Oppenheimer $2,500-3,500 See Illustration

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314 Tiffany Favrile Glass Jack-in-the-Pulpit Vase Circa 1910-15 Signed o 8274 and with original T.G.D. Co. paper label. Height 14 inches. C $6,000-9,000 See Illustration

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315 Tiffany Studios Bronze and Favrile Glass Turtleback and ‘Jeweled’ Desk Lamp Circa 1910-20 Base stamped TIFFANY STUDIOS NEW YORK. Height 14 inches. C Estate of Harry Oppenheimer $6,000-8,000 See Illustration

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316 Tiffany Studios Gilt-Bronze and Favrile Glass Three-Light Pond Lily Lamp Circa 1910-20 Two shades signed L.C.T.; one shade signed L.C.T. Favrile; base stamped TIFFANY STUDIOS NEW YORK 320. Height 8 1/2 inches, height of shades 4 1/2 inches. C Estate of Harry Oppenheimer $2,500-3,500 See Illustration

316

317 Tiffany Studios Bronze and Favrile Glass Linenfold Oil Canister Lamp Circa 1910-20 Electrified, shade signed TIFFANY STUDIOS NEW YORK, canister signed with the T.G.D. Co. logo and 7810, base signed TIFFANY STUDIOS NEW YORK 7810. Height overall 24 inches, height of shade 6 3/4 inches, diameter of shade 20 inches. C Estate of Harry Oppenheimer $8,000-12,000 See Illustration

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319 detail

318 Tiffany Studios Green Patinated-Bronze and Favrile Glass Counterbalance Floor Lamp Circa 1910-15 The gold damascene domed shade signed L.C.T. Favrile, spade foot on the base stamped TIFFANY STUDIOS NEW YORK 468. Height overall 55 1/4 inches, height of shade 4 5/8 inches, diameter of shade 8 inches. C Estate of Mary Kettaneh $7,000-10,000 See Illustration 319 Tiffany Studios Bronze and Favrile Opalescent and Dichroic Turtleback Glass Colonial Chandelier Circa 1910-15 Tag stamped TIFFANY STUDIOS NEW YORK 1594. Height of shade 7 1/2 inches, diameter 16 1/2 inches. C Estate of Mary Kettaneh $7,000-10,000 See Illustration

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320 Tiffany Studios Gilt-Bronze and Favrile Glass Seven-Light Pond Lily Lamp Circa 1910-20 Five shade signed L.C.T., two shades signed L.C.T. Favrile, base stamped TIFFANY STUDIOS NEW YORK. Height 21 1/4 inches, height of tallest shade 4 1/2 inches. C Estate of Harry Oppenheimer $7,000-10,000 See Illustration

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321 Tiffany Studios Leaded Favrile Glass Vine (Acorn) Lamp Shade and a Tiffany Studios Style Bronze Oil Canister Lamp Base Shade circa 1910-20 The shade with tag stamped TIFFANY STUDIOS N.Y. 1435 or 1485, the interior canister and base are unsigned, not electrified, with a pierced metal cap. Height overall 20 1/4 inches, height of shade 6 1/4 inches, diameter of shade 16 inches. Provenance: David Rago Auctions, Estate Auction, June 9, 2002, lot 171. C Estate of Harry Oppenheimer $5,000-7,000 See Illustration

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322 Tiffany Studios Bronze and Leaded Favrile Glass Daffodil Lamp Circa 1910-20 The shade with tag stamped TIFFANY STUDIOS NEW YORK 1497, Four Virtues base stamped TIFFANY STUDIOS NEW YORK 557. Height overall 24 3/4 inches, height of shade 8 1/4 inches, diameter of shade 20 inches. C $30,000-40,000 See Illustration

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323 Tiffany Studios Bronze and Leaded Favrile Glass Dragonfly Lamp Designed by Clara Driscoll, circa 1910-20 Shade stamped TIFFANY STUDIOS NEW YORK 1495, base stamped TIFFANY STUDIOS NEW YORK 394. Height overall 27 inches, height of shade 7 3/4 inches, diameter of shade 20 1/4 inches. C $30,000-40,000 See Illustration 98 DOYLE • JUNE 7, 2017 • NEW YORK

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324 Tiffany Studios Bronze and Leaded Favrile Glass Green Lotus Lamp Circa 1910-20 The shade with a tag stamped TIFFANY STUDIOS NEW YORK, base stamped TIFFANY STUDIOS NEW YORK 2622 and with the T.G.D. Co. logo. Height overall 24 1/2 inches, height of shade 6 inches, diameter of shade 26 1/2 inches. C Estate of Harry Oppenheimer $50,000-70,000 See Illustration

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TIFFANY STUDIOS 325 Tiffany Studios Gilt-Bronze and Leaded Favrile Glass Oversize Table Lamp Commissioned for Henry J. Hardenbergh's Hotel Manhattan, circa 1897 Shade stamped TIFFANY STUDIOS NEW YORK, base apparently unmarked. Height overall 53 3/4 inches, height of shade 18 3/4 inches, diameter 31 inches. Provenance: William Doyle Galleries, Belle Époque, March 25, 1987, lot 270. Sotheby Parke-Bernet, 1974. 19th and Early 20th Century Works of Art, April 18th - 20th, 1974, Lot 116 (part) An identical lamp was sold at Christie's, New York, Magnificent Tiffany Featuring Property from the Gluck Collection, December 8, 2009, lot 59. Cf. Alastair Duncan, Tiffany Lamps and Metalware: An Illustrated Reference to Over 2,000 Models, no. 776, p. 20, for an illustration of this lamp. Doyle would like to thank Paul Doros for bringing the 1917 brochure to our attention. C Estate of Harry Oppenheimer $40,000-60,000 See Illustration and Front Cover

Doyle is pleased and honored to once again bring to auction one of only two known surviving rare and early Tiffany Studios gilt-bronze and leaded favrile glass lamps commissioned for Henry Hardenbergh's Hotel Manhattan, circa 1897. The monumental Tiffany table lamp, with its generously-sized leaded green marbleized glass domed shade raised on a massive classical style base ending in winged lion monopode feet, was purchased by the present consignor at William Doyle Galleries on March 25, 1987, lot 270. The present lamp is identical in scale and appearance to two other Tiffany lamps that once adorned the hotel's Palm Court or Tea Room, differing only in that they feature floral rather than geometric shades. The only other known lamp from this commission exactly matches the lamp offered here and was sold at auction in New York City in 2009. The Hotel Manhattan, also known as the Manhattan Hotel, was a magnificent and lavishly appointed fourteen story hotel located on the northwest corner of Madison Avenue and 42nd Street near Grand Central Station, in New York City. It was designed in 1893 by the American architect Henry Janeway Hardenbergh (1847-1918) and built between 1895-6 in the style of a French chateau. At one time, it held the title of being the tallest structure in the world. Hardenbergh is renowned for a body of work that includes the famed Dakota Apartments, Waldorf Hotel, Astoria Hotel and the Plaza Hotel, all in New York City, and the Copley Plaza Hotel in Boston, the Willard Hotel in Washington, D.C., and the Windsor Hotel in Montreal, Canada. Henry J. Hardenbergh spared no expense in the interior appointments and decoration of the new and palatial Hotel Manhattan. Some of the luxurious details on view in the public rooms included marble wainscoting inlaid with Tiffany favrile glass mosaics and at least four

magnificent and impressive Tiffany bronze and favrile glass lamps, including the lamp offered here. At the time of the original order, the Tiffany Glass & Decorating Company was relatively new, having been established only four years earlier by Louis Comfort Tiffany in 1892. The hotel's official opening was reported and celebrated in The New York Times on October 15, 1896. The newspaper account describes the hotel's resplendent rotunda, which was decorated in the Italian Renaissance style. It had a twenty foot high ceiling, white marble floors and walls made of Italian light gray marble that were divided into panels and decorated with friezes and arabesques made of Tiffany glass mosaic, mother-of-pearl and gold. The hotel was simultaneously publicized in a promotional brochure issued by the Tiffany Glass & Decorating Company titled Glass Mosaic, published in 1896, which featured the glass mosaics in the hotel's rotunda. A different brochure published in 1917 included an article on the Hotel Manhattan that describes the rotunda in greater detail. It tells of a spectacular oil mural that was six feet high and sixty feet long painted above the wainscoting depicting the "Triumph of Manhattan." Above the mural was an arched skylight made of Tiffany favrile glass. The brochure illustrates the parlor room of the State Suite in which a stylish Tiffany lamp hung with iridescent glass prisms is seen. The ceiling of the hotel's Palm Court or Tea Room featured a large circular dome of Tiffany favrile glass, which certainly would have been a beautiful complement to the massive and impressive Tiffany lamps below.

(Left) Postcard depicting the exterior of the Hotel Manhattan, New York City, circa 1910. (Right) Interior view showing the Hotel Manhattan's Palm Court or Tea Room, circa 1917. Two Tiffany Studios bronze and leaded glass oversize table lamps, identical in scale and similar in appearance to the lamp offered here are seen on the tables at the rear.

100 DOYLE • JUNE 7, 2017 • NEW YORK

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TIFFANY STUDIOS 326 Tiffany Studios Bronze Framed Favrile Glass Mosaic Panel Commissioned for Dorothy Linn (Mrs. Cyrus McCormick), Lake Forest, Illinois, circa 1915-22 Height 36 inches, width 25 inches. Provenance: Collection of Mr. & Mrs. William A. Perry, circa 1965 to the present day Dorothy Linn. C Property of Mr. & Mrs. William A. Perry $100,000-150,000 See Illustration Doyle is honored to bring this magnificent and exceedingly rare nautical themed favrile glass mosaic panel made by the Ecclesiastical Department at Tiffany Studios for Dorothy Linn (Mrs. Cyrus Hall McCormick III of Lake Forest, Chicago, Illinois, circa 1915-22. The arched panel is comprised of a wondrous kaleidoscope of variously shaped and colored small jewel-like glass tesserae. This tranquil underwater composition depicts a seahorse in profile, a tortoise, goldfish, angel fish, snail, crustacean, coral branch and sinuous seaweed beneath shimmering blue water surrounded by a wide border of colorless glass tiles backed with gold foil. Tiffany glass mosaics are quite rare and rarer still are those with secular rather than ecclesiastical subjects such as the present work. It is also extremely unusual to know the name of the original patron for whom such items were made. In this instance, aside from its original owner, Dorothy Linn, the panel has had only one owner, the present consignor, who acquired it in about 1965. Also of great significance, the precise ownership and patronage of this previously unknown Tiffany glass mosaic panel is further confirmed by the original watercolor sketch for the panel that miraculously also has survived. Now in the private collection of Allen Michaan, the sketch appeared and was sold at auction in Maine in December 2011. It is inscribed "SUGGESTION OF MOSAIC PANEL FOR MRS. CYRUS MCCORMICK LAKE FOREST ILL." The sketch is numbered 3125 and was personally signed and approved by Louis Comfort Tiffany.

Photograph taken at a ball given in honor of Cyrus McCormick III and Dorothy Linn on the occasion of their engagement, ca. 1914-15 Left to right: Cyrus McCormick III (1890-1970), his fiancée Dorothy Linn (b. 1892), his mother Harriet (Hammond) McCormick (1862-1921), his father Cyrus McCormick Jr. (1859-1936), and his grandmother, Nettie (Fowler) McCormick (1835-1923).

Cyrus Hall McCormick III (1890-1970) was vice president of International Harvester Co. of Chicago and grandson of Cyrus Hall McCormick (1809-1884), inventor of the mechanical reaper machine in 1831 and founder of the McCormick Harvesting Machine Company. This firm later merged with another company to create International Harvester Co. Cyrus H. McCormick III and Dorothy Linn were married in 1915 and divorced in 1931. She was born in Chicago on September 2, 1892. Her father, William R. Linn, was a member of the Chicago Board of Trade. In later years, Ms. Linn went by the names Dorothy Butler and Dorothy Willard. She was one of the founders of the Actor's Studio and also produced a number of stage works. She traveled extensively and lived in a palatial home on Washington Springs Road in the secret celebrity enclave of Snedens Landing, near the Hudson River in Palisades, New York. The late journalist Mike Wallace owned and lived in a house on the estate from 1959 until 1970. Dorothy Willard's papers are now in the collection of Columbia University in New York City. The McCormick families were amongst the wealthiest and most influential in Chicago's high society. Harold Fowler McCormick (b. 1872), brother of Cyrus H. McCormick II, also worked for International Harvester and served as the company's vice-president from 1901 until 1919. Harold became a son-in-law of John D. Rockefeller after he married Rockefeller's daughter, Edith, in 1895. Harold and Cyrus H. McCormick II's sister, Anita (Mrs. Emmons Blaine), had a reported wealth of more than several million dollars in 1901. In March of that year, Mrs. Blaine gifted $1,000,000 in real estate and securities to endow and support the University of Chicago School of Education, which later became a part of the University of Chicago. At the wedding of Joseph Medill McCormick, great-nephew of Cyrus H. McCormick I, to Ruth Hanna, in June 1903, President Roosevelt and his daughter, Alice, were in attendance and gifted the couple a set of gold after dinner cups and saucers. At the Linn-McCormick wedding, Harold Fowler McCormick led the wedding procession, which was described in great detail in The Chicago Tribune on February 14, 1915. According to the report, "The wedding presents comprise jewels which make Mrs. McCormick [Dorothy Linn] owner of one of the most costly assortments in Chicago. The bridegroom's present was a large string of pearls. Mr. and Mrs. Cyrus H. McCormick's gift was a hair ornament of diamonds and emeralds, green being the bride's favorite color. Mrs. Martin Ryerson, the bride's godmother, gave her a brooch consisting of one large emerald and diamonds, a family heirloom. "Patronage of the Tiffany Studios firm also existed in the prior generation. Dorothy Linn's father-in-law, Cyrus H. McCormick Jr. (1859-1936), married Harriet Bradley Hammond (1862-1921) at St. Mary's by-the-Sea Episcopal Church in Pacific Grove, California, in 1889. In 1922, a year after the death of his beloved wife, Cyrus Hall Jr. donated a pair of beautiful and colorful Tiffany leaded glass windows decorated with foxgloves and lilies to the church in memory of his wife.

End of Sale 102 DOYLE • JUNE 7, 2017 • NEW YORK

Tiffany Studios Ecclesiastical Department watercolor study for a mosaic panel for Mrs. Cyrus McCormick, sketch no. 3125, circa 1915-22. Collection of Allen Michaan.

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ARTIST INDEX Aalto, Alvar Agam, Yaacov Andersen, David André, Maurice Arm, Karen Arp, Jean Avery, Milton Avora, Emi

261 174 265 189 1 175 2 3

Baber, Alice 4 Bach, Oscar 303 Bauer, Rudolf 5-10 Bellini, Mario 203 Belvoir, Paul 192, 193 Berrocal, Miguel 11 Bertoia, Harry 12 Bertrand, Gaston 13 Bluhm, Norman 14 Bonevardi, Marcelo 15 Boone, Thomas 16 Boothe, Power 17 Bothwell, Doris Hodgson 18 Boxer, Stanley 19 Breuer, Marcel 218, 233, 236 Browne, Byron 20 Burboa, Esther 21 Burk, Gusums 198 Burton, Scott 211 Cadmus, Paul Campanni, L. Cane, Louis Carone, Nicolas Castañeda, Felipe Cezar, Eduardo Oliveira Charbonnet, Nicole Charpin, Pierre Cheuret, Albert Chihuly, Dale Corbett, Edward Cox, Kris Craemer, Kurt Crook, Pamela Jane

22-24 215 202, 204 25, 26 27-30 31 32 205, 206 277 212 33, 34 35 36 37, 38

Dali, Salvador Daum Davis, Stuart De Rivera, Jose Dehn, Adolf Arthur Després, Jean Dieckmann, Erich Diller, Burgoyne Dominique Dubreuil, André

39, 40 292 41 42 44-46 268 244, 245 47 279 190

Isajanyan, Narine Itter, Diane

Eames, Chalres & Ray

230, 239, 241 48

Kádár, Béla Kahn, Wolf Kammerer, Marcel Kepes, Gyorgy Kieff, Antonio Grediaga King, William Dickey Kogan, Nina Osipovna Kostabi, Mark Kow, Choong Kam Kupka, Frantisek

Escobar, Marisol

Fauré, Camille 283, 285, 287 Figura, Piero 375 Fish, Janet 49 Fleischmann, Arthur John 50 Fogel, Seymour 51 Förg, Günther 52, 53 Fornasetti, Piero 246-254 Gallé, Emile Garouste, Elizabeth Gechtoff, Sonia Gilbert, Walter Gillet, Roger Edgar Goodnough, Robert Graham, Robert Grant, Dwinell Graves, Michael Greene, Balcomb Grey, Alex Gropper, William Gross, Chaim Grooms, Red Gutfreund, Otto

293 195 54 280 55 56 57 58 59 60 176, 177 61 62-64 178 65

Hios, Theo Hockney, David Hoff, Margo Hoffmann, Josef Horowitz, Larry

66-71 179 72 299, 300 73, 74

75 76

Jansem, Jean 77 Jenkins, Paul 78 Jensen, Georg 262-264, 266, 267, 270-272, 276 Jere, Curtis 217 Juhl, Finn 240 Johns, Jasper 180

LA2 (Angel Ortiz) Lalique, Rene Landry, Arel Larsen, Ejner Lebasque, Henri Léonard, Agathon Levine, Saul Loustas, Kostas Luloff, Lauren Lundberg, Helen

79 80-82 302 83 84-88 89 90 91, 92 93 94 94A 297, 298 291 242 95 295 96 97 98 99

Mackintosh, Charles Rennie 260 Makeig-Jones, Daisy 289 Mairovich, Zvi 100 Majorelle, Louis 290 Massey, Jack 101 Matulka, Jan 102 Max, Peter 103-106 Maxera, Oscar 107, 108 McCobb, Paul 225-227 McGinness, Ryan 181 Mercer, Norman 109-111 Mesens, Edouard Leon Theodore 112 Millares, Manolo 113 Moltzer, Kim 255 Mühl, Roger 114, 115 Muñoz, Lucio 116 Nakian, Reuben 117 Natkin, Robert 118, 119 Natzler, Gertrude & Otto 197 Nerome, Giuseppi & Patuzzi 209 Nevelson, Louise 120 Ogden, Sam Osgood, Jere Oviedo, Ramon

Parish, Erin Parker, Ray Piene, Otto Ponce, Fernando Garcia Ponti, Gio Printz, Eugene Quirt, Walter

43, 121 199 122, 123

124 125 182 173 222, 223 281 126

Raba, Manuel Gómez Ragon (Ricardo Alvarez) Rauschenberg, Robert Refreiger, Anton Resika, Paul Rievteld, Gerrit Rizzi, James Rolston, Mathew Royére, Jean Ruhlmann, Émile-Jacques

127 128 183 129 130 282 184 188 235 288

Saarinen, Eero 216 Saccaro, Claude 131-133 See, Françoise 231 Scarpitta, Salvatore 134-136 Schock, Maya 137 Schultheis, Michael 138 Schuyff, Peter 139 Sempere, Eusebio 140-142 Senanayake, Senaka 143 Shaoxiang, Wu 144 Simard, Marie-Louise 284 Smith, Charles William 145 Solman, Joseph 146 Sonderborg, Kurt Rudolf 147 Stay High 149 148 Stefanelli, Joe 149-153 Stella, Joseph 154 Stern, Bert 186, 187 Strocen, Stephan 155 Suárez, Antonio 156, 157 Szekely, Martin 210

Tabuchi, Yasse Takaezu Toshiko Tchelitchew, Pavel Thompson, Bob Tiffany & Co. Tiffany Favrile Glass Tiffany Studios Trova, Earnest Tworkov, Jack

158 200, 201 159-164 165 269, 273 304, 306-311, 314 305, 312, 313, 315-324 185 166

Varichon, Jacques-Henri Vesey, John Visser, Carel Walter, Almeric Weil, George Wegner, Hans Wetzstein, Claude Wilmarth, Christopher Wilson, Robert Wormley, Edward

232 220 213 296 168 229 294 169 257-259 238

Yvaral (Jean-Pierre Vasarely) Zimmerman, Jeff Zúñiga, Francisco Zush, Alberto Porta

167

196 170, 171 172

INCLUDING RUSSIAN WORKS OF ART June 22, 2017 NEW YORK Mark Moehrke VP/Director, Russian Works of Art 212–427–4141, ext 272 Russian@Doyle.com Three Russian Silver-Gilt and Cloisonné Enamel Kovshi, Moscow, Length of longest 5 inches. Estimate: $3,500-$4,500

212 - 427- 2730 DOYLE.COM

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

MODERN COLONIAL IN SOUTH ORANGE 195 Charlton Ave • $1,170,000 This Center Hall Colonial is ideally located 17 miles from Midtown Manhattan and less than one mile to the NYC-bound train. The foyer is bright and welcoming to guests as they arrive to this seven bed, four-and-a-half bath historic home. The recently renovated kitchen is perfect for entertaining guests with gorgeous white cabinetry, ample counter space, and a gourmet range and oven. The original crown mouldings and lustrous hardwood floors are just two of the many original details in this luxurious home. The finished basement boasts a stadium-style in home theatre, large recreation room, and a bedroom suite which is ideal for an au pair or guests. Take a tour at: www.195CharltonAve.com

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Sales Associate

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Montclair Office | 695 Bloomfield Ave, Montclair, NJ 07042 ©2017 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $250,000 of the hammer price, 20% on the portion of the hammer price from $250,001 through $3,000,000, and 12% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: An additional fee will be charged on any purchase made through live online bidding. The provider of our live online bidding service (Invaluable) charges a fee of five percent (5%) on the final hammer price of successful bids placed on their web site (Invaluable.com) and four percent (4%) of the final hammer price of successful bids using BidLive! on our web site (Doyle.com). The purchaser is responsible for paying 100% of this fee, the amount of which is determined by which site is used for their purchases. A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

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CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids;

9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate. Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause. 13. If any part of these Conditions of Sale is found

h) To take such other actions as we deem necessary or appropriate; or

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

i) To effect any combination thereof.

14. The rights and obligations of the parties with

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

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TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot. The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

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INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. The provider of our live online bidding service (Invaluable) charges a fee of five percent (5%) on the final hammer price of successful bids placed on their web site (Invaluable.com) and four percent (4%) of the final hammer price of successful bids using BidLive! on our web site (Doyle.com). The purchaser is responsible for paying 100% of this fee, the amount of which is determined by which site is used for their purchases. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $250,000 of the hammer price of each lot, 20% on the portion of the hammer price from $250,001 through $3,000,000, and 12% thereafter. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, are presentative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE JUNE

AUGUST

DOYLE+DESIGN® Auction: Wednesday, JUNE 7 at 10am Exhibition: June 3 – 5

DOYLE AT HOME Auction: Wednesday, AUGUST 16 at 10am Exhibition: August 10, 11 & 14

FINE JEWELRY Auction: Tuesday, JUNE 21 at 10am Exhibition: June 17 – 19

JEWELRY & CONTENTS OF ABANDONED SAFE DEPOSIT BOXES Auction: Thursday, AUGUST 17 at 10am Exhibition: August 10, 11 & 14

DOYLE AT HOME Auction: Wednesday, JUNE 22 at 10am Exhibition: June 17 – 19

JULY JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, JULY 12 at 10am Exhibition: July 7, 10 & 11 ®

DOYLE AT HOME Auction: Wednesday, JULY 26 at 10am Exhibition: March 20, 21 & 24

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM