Prints & Multiples - 5.1.17 by Doyle

PRINTS & MULTIPLES

Monday, May 1, 2017

NEW YORK

PRINTS & MULTIPLES AUCTION Monday, May 1, 2017 at 10am

EXHIBITION Friday, April 28, 10am – 5pm Saturday, April 29, 10am – 5pm Sunday, April 30, Noon – 5pm

LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalogue: $30

INCLUDING PROPERTY FROM THE ESTATES OF Barbara Anspach The Eileen & Herbert C. Bernard Collection Nan Rosenthal and Henry B. Cortesi Ella Uppercu Dinkins David Manton Eddy Julian C. Eisenstein, Washington, DC Teresita Elizan Mildred and Jack Feinblatt The Collection of Mr. and Mrs. Raymond J. Horowitz, sold for the benefit of the Bard Graduate Center The Collection of Willa Kim and William Pène du Bois Carl Lesnor Alma Perlis Vivian Fromberg Rosenbaum Susanne Schnitzer Dorothy Wassyng Helen R. Yellin Dr. Alfred Ziviello

INCLUDING PROPERTY FROM A New England Collection A Private New Jersey Collection The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection The Watermill Center, Water Mill, New York

CONTENTS Prints & Multiples

1-249

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PRINTS & MULTIPLES

Lot 242

1 Josef Albers (1888-1976) FGa (DANILOWITZ 179) Color screenprint, 1968, on Mohawk Superfine Bristol paper, signed, dated, titled and numbered 4-100 in pencil, printed and published by Ives-Sillman/Sirocco Screenprints, New Haven, with full margins, framed. 11 x 11 inches; 279 x 279 mm. Sheet 17 x 17 inches; 432 x 432 mm. C Estate of Barbara Anspach $1,000-1,500 2 Donald Baechler (b. 1946) FLOWERS Color screenprint, 1993, signed, dated and numbered 109/250 in pencil, the full sheet, framed. Sheet 36 3/4 x 27 1/4 inches; 933 x 692 mm. C Property from the Watermill Center, Water Mill, New York $1,000-1,500

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3 Thomas Hart Benton (1889-1975) HOMESTEAD (FATH 20) Lithograph, 1938, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed. 10 1/4 x 13 1/8 inches; 260 x 333 mm. Sheet 12 x 16 inches; 305 x 406 mm. C $1,000-1,500

5 part

4 Thomas Hart Benton SLOW TRAIN THROUGH ARKANSAS (F. 46) Lithograph, 1941, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed. 9 7/8 x 12 3/4 inches; 251 x 324 mm. Sheet 12 x 15 inches; 305 x 381 mm. C $2,000-3,000 5 Isabel Bishop (1902-1988) IN THE BUS; NUDE; SIX WOMEN WALKING (TELLER 41; 56; 59) Etchings (the third with aquatint), 1947, 1961 and 1963, respectively, signed, the second numbered XVIII/XXV, the third inscribed Women Walking, in pencil, with good or full margins, framed. (3) Largest 9 5/8 x 10 1/2 inches; 244 x 267 mm. C A New England Collection $600-800 6 Mel Bochner (b. 1940) VANISHING POINT Aquatint printed on four sheets, 1992-93, signed, dated and numbered 7/30 in pencil, published by Parasol Press, Ltd., New York, the full sheets, framed. Overall 27 1/2 x 27 1/2 inches; 699 x 699 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $1,000-1,500 6

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8 7 Louise Bourgeois (1911-2010) COUPLES (WYE/SMITH 547.2) Color lithograph with gold acrylic hand additions, 2001, on Rives BFK paper, signed and numbered 50/150 in pencil, published by Bermuda Editions, St. George, Bermuda and with their blindstamp, the full sheet, framed. Sheet 44 1/2 x 26 inches; 1130 x 660 mm. C $3,000-4,000

8 Georges Braque (1882-1963) THÉOGONIE (VALLIER 20C) Etching, 1932, on wove Hollande Van Gelder paper, signed in brown pencil and numbered 38/50 in pencil, from La Théogonie d’Hesiode, published by Vollard, Paris, with full margins, framed. 14 3/8 x 11 3/4 inches; 364 x 298 mm. Sheet 19 3/4 x 15 1/4 inches; 502 x 387 mm. C $1,500-2,500

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9 Georges Braque L’ORDRE DES OISEAUX (V. 82) Color etching, 1962, on Richard de Bas wove paper with the Au Vent d’Arles watermark, signed and inscribed H.C. in pencil, aside from the edition of 75, with full margins, framed. 11 3/4 x 14 1/2 inches; 298 x 368 mm. Sheet 16 3/4 x 20 5/8 inches; 425 x 524 mm. C Property from the Watermill Center, Water Mill, New York $2,000-3,000

12 10 10 After Georges Braque NATURE MORTE OBLIQUE (MAEGHT 1017) Color aquatint, circa 1950, on cream wove paper, signed, and numbered 6/30 in pencil, published by Maeght, Paris, with full margins, framed. 11 1/2 x 11 1/4 inches; 292 x 286 mm. Sheet 20 x 16 1/8 inches; 508 x 410 mm. C $600-800

11 After Georges Braque L’ECHO (M. 1041) Color lithograph, 1960, on cream Arches paper, signed and numbered 37/300 in pencil, published by Maeght, Paris and with their blindstamp, with full margins, framed. 19 7/8 x 24 3/4 inches; 505 x 629 mm, Sheet 24 x 31 7/8 inches; 610 x 810 mm. C Estate of Mildred and Jack Feinblatt $2,000-3,000

12 Félix Hilaire Buhot (1847-1898) LA DAME AUX CYGNES (BOURCARD/GOODFRIEND 144) Etching, aquatint and drypoint, 1879, signed and inscribed epreuve d’artiste in pencil and with the artist’s red ink stamp (Lugt 977), with good margins, framed. 5 1/8 x 7 inches; 130 x 178 mm. Sheet 7 1/2 x 11 inches; 191 x 279 mm. C $600-800

11 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9

13 part 13 Alberto Burri (1915-1995) SAFFO Complete set of 10 color lithographs, 1973-82, on Umbria paper, signed and numbered 71/90 in pencil, with complete text by Emilio Villa in Italian, the justification page signed by the artist and author and numbered in pencil, printed and published by 2RC Edizioni d’Arte, Rome and each with their blindstamp, with original cream vellum cover with title printed in gold, the full sheets, framed. Sheets 9 3/4 x 6 3/4 inches; 248 x 171 mm. C $8,000-10,000 10 DOYLE • MAY 1, 2017 • NEW YORK

14 Jack Bush (1909-1977) FRIDAY MORNING Color screenprint, 1968, signed, dated and numbered 99/150 in pencil, with full margins, framed. 18 1/8 x 23 1/2 inches; 460 x 597 mm. Sheet 20 x 24 1/2 inches; 508 x 622 mm. C $800-1,200

15 Paul Cadmus (1904-1999) STEWARTâ&#x20AC;&#x2122;S (DAVENPORT 35) Etching, 1934, signed in pencil, from the edition of 50, with margins, framed. 8 x 11 7/8 inches; 203 x 302 mm. Sheet 9 1/8 x 12 7/8 inches; 232 x 327 mm. C A New England Collection $2,000-3,000

16 Paul Cadmus MOTHER AND CHILD (D. 37) Etching, 1934, on thin Japan paper, signed in pencil, with full margins, framed. 4 1/2 x 3 1/2 inches; 114 x 89 mm. Sheet 5 1/4 x 4 1/8 inches; 133 x 105 mm. C A New England Collection $700-1,000

16 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11

17 Paul Cadmus RECLINING MALE NUDE (D. 53) Lithograph printed in sepia, 1968, signed and inscribed Trial proof # 4 in pencil, with full margins, framed. 8 x 7 1/2 inches; 203 x 191 mm. Sheet 11 x 11 5/8 inches; 279 x 295 mm. C A New England Collection $700-1,000 18 Paul Cadmus DANCERS RESTING (D. 55) Lithograph printed in black with extensive hand-coloring in white and cream crayon, 1974, on olive green wove paper, signed and inscribed artist’s proof in pencil, with full margins, framed. Sheet 27 1/4 x 20 1/2 inches; 692 x 521 mm. C A New England Collection $2,000-3,000 19 Paul Cadmus WAITING FOR REHEARSAL (D. 56) Etching, 1984, signed, titled and numbered 22/175 in pencil, with full margins, framed. 11 1/8 x 7 7/8 inches; 283 x 200 mm. Sheet 18 1/2 x 14 3/8 inches; 470 x 365 mm. C A New England Collection $700-1,000 18 12 DOYLE • MAY 1, 2017 • NEW YORK

20 20 Paul Cadmus NUDO #1, 2, 3 (SECOND STATE) (D. 58) Etchings, 1984, signed, titled, numbered 15/30 and inscribed second state in pencil, published by Midtown Galleries, New York, with good or full margins, framed. (3) Each 9 x 8 1/8 inches; 229 x 206 mm. C A New England Collection $2,000-3,000

21 Paul Cadmus TEDDO (D. 59) Lithograph, 1985, signed, titled and numbered 125/200 in pencil, with full margins, framed. 5 3/4 x 7 3/8 inches; 146 x 187 mm. Sheet 9 3/4 x 10 5/8 inches; 248 x 270 mm. C A New England Collection $800-1,200

21 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13

22 Alexander Calder (1898-1976) ASPECT LUNAIRE Color aquatint, 1961, on Rives BFK paper, signed and numbered 55/90 in pencil, with full margins, framed. 13 1/4 x 18 5/8 inches; 337 x 473 mm. Sheet 19 3/4 x 25 3/4 inches; 502 x 654 mm. C $1,200-1,800

23 Alexander Calder UN DRÔLE DE POISSON Color lithograph, 1966, on Rives BFK paper, signed and numbered 44/90 in pencil, the full sheet, framed. Sheet 19 3/4 x 25 5/8 inches; 502 x 651 mm. C $1,000-1,500

24 Alexander Calder GALACTIC SYSTEM Color lithograph, 1974, on Arches paper, signed in pencil, numbered 32/100, published by Éditions de la Différence, Paris, the full sheet. Sheet 20 1/2 x 28 1/4 inches; 521 x 718 mm. C $1,200-1,800

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25 Alexander Calder BATEAU NOIR Color lithograph, on cream wove paper, signed and numbered 68/200 in pencil, the full sheet, framed. Sheet 22 3/4 x 30 5/8 inches; 578 x 778 mm. C Estate of Teresita Elizan $1,500-2,500

26 Alexander Calder BLACK LINES Color lithograph, 1975-76, on Arches paper, signed and numbered 175/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, framed. Sheet 22 x 30 inches; 559 x 762 mm. C $1,500-2,500

27 Massimo Campigli (1895-1971) DUE SORELLE; LA COLLANA I (MELONI/TAVOLA 134; 135) Color lithographs, 1952, signed, dated and numbered 64/125 in pencil, from La Collana, published by NRF, Paris, with good margins, framed. (2) Larger 14 3/8 x 20 1/8 inches; 365 x 511 mm. C $1,000-1,500

28 Massimo Campigli LA STRADA (M./T. 163) Color lithograph, 1956, on Rives BFK paper, signed, dated and numbered 110/175 in pencil, published by L’Oeuvre Gravée, Paris and with their blindstamp, with good margins, framed. 17 1/2 x 23 1/4 inches; 445 x 591 mm. Sheet 19 1/4 x 25 3/8 inches; 489 x 645 mm. C $700-1,000

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29 29 Mary Cassatt (1844-1926) REFLECTION (BREESKIN 131) Drypoint, circa 1890, on cream laid paper, signed in pencil, with the artist’s blue monogram stamp (L. 604), from the fourth state of four, with (full?) margins, framed. 10 3/8 x 6 7/8 inches; 264 x 175 mm. Sheet 12 7/8 x 9 7/8 inches; 327 x 251 mm. Provenance: David Tunick, Inc., New York C Property from the Collection of Mr. and Mrs. Raymond J. Horowitz, sold for the benefit of the Bard Graduate Center $10,000-15,000

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30 Elizabeth Catlett (1915-1912) SHARECROPPER Color linocut, circa 1952, signed and dedicated To Frances with love and admiration, Betty in pencil, aside from the color edition printed in 1970, printed and published by the artist at Taller de Gráfica Popular, Mexico City, with good margins, framed. 17 1/2 x 16 5/8 inches; 445 x 422 mm. Sheet 20 3/4 x 19 1/2 inches; 527 x 495 mm. C $2,000-3,000 31 Marc Chagall (1887-1985) L’ÉCUYÈRE (KORNFELD 72) Etching and drypoint, 1926-27, on Vergé d’Auvergne Richard de Bas paper, signed and numbered 33/50 in pencil, from the second state of three, with full margins, framed. 13 x 9 1/2 inches; 330 x 241 mm. Sheet 22 x 16 1/8 inches; 559 x 410 mm. C $2,500-3,500 32 Marc Chagall L’HOMME AU PARAPLUIE (K. 73) Etching and aquatint, 1926-1927, on Vergé d’Auvergne Richard de Bas paper, signed and numbered 10/50 in pencil, from the first state of two, with full margins, framed. 14 3/8 x 11 5/8 inches; 365 x 295 mm. Sheet 22 x 16 1/8 inches; 559 x 410 mm. C $2,500-3,500

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33 Marc Chagall DISROBING HER WITH HIS OWN HAND... (MOURLOT 39) Color lithograph, 1948, on cream laid paper, signed, numbered 52/90 and inscribed Pl. 4 in pencil, from Four Tales from the Arabian Nights, published by Pantheon, New York, with full margins, framed. 14 5/8 x 11 5/8 inches; 371 x 295 mm. Sheet 17 x 13 inches; 432 x 330 mm. C Estate of Dr. Alfred Ziviello $10,000-15,000

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34 part

35 34 Marc Chagall UNTITLED (CRAMER BOOKS 22) Etchings, 1952, signed and annotated with the plate numbers 75 and 98 in pencil, from Fables de la Fontaine, from the edition of 100, with full margins, framed. (2) Each 11 5/8 x 9 1/4 inches; 295 x 235 mm. Sheets 16 1/2 x 13 1/8 inches; 419 x 333 mm. C $1,000-1,500

35 Marc Chagall LA JOUEUR DE FLĂ&#x203A;TE (M. 197) Color lithograph, 1957, on cream wove paper, signed and numbered 87/90 in pencil, published by Maeght, Paris, with good margins, framed. 9 5/8 x 15 3/4 inches; 244 x 400 mm. Sheet 14 x 19 5/8 inches; 356 x 498 mm. C $3,000-5,000

36 Marc Chagall LA LUNE NOIRE (M. 293) Lithograph, 1960, on cream wove paper, signed and numbered 16/40 in pencil, from Chagall Lithographe Tome I, with good margins, framed. 12 3/8 x 9 1/2 inches; 315 x 240 mm. Sheet 18 3/4 x 12 7/8 inches; 476 x 327 mm. C $1,000-1,500

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37 Marc Chagall DÉCOUVERTE DE DAPHNIS PAR LAMON (M. 309) Color lithograph, 1961, on Arches wove paper, from the edition of 250, from Daphnis et Chloé, published by Tériade, Paris, the full sheet, framed. Sheet 16 3/4 x 12 3/4 inches; 425 x 324 mm. C Estate of Helen R. Yellin $4,000-6,000 38 Marc Chagall LA CAVERNE DES NYMPHES (M. 321) Color lithograph, 1961, on Arches wove paper, signed and numbered 26/60 in pencil, from Daphnis et Chloé, published by Tériade, Paris, with full margins, framed. 16 3/4 x 25 3/8 inches; 425 x 645 mm. Sheet 21 1/4 x 29 7/8 inches; 540 x 759 mm. C Estate of Dr. Alfred Ziviello $15,000-25,000

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39 Marc Chagall LES VENDANGES (M. 322) Color lithograph, 1961, on Arches wove paper, from the edition of 250, from Daphnis et Chloé, published by Tériade, Paris, the full sheet, framed. Sheet 16 5/8 x 12 5/8 inches; 422 x 321 mm. C Estate of Helen R. Yellin $4,000-6,000 40 Marc Chagall LE VERGER DE PHILETAS (M. 326) Color lithograph, 1961, on Arches wove paper, signed and numbered 26/60 in pencil, from Daphnis et Chloé, published by Tériade, Paris, with full margins, framed. 16 3/4 x 25 3/8 inches; 425 x 645 mm. Sheet 21 1/4 x 29 7/8 inches; 540 x 759 mm. C Estate of Dr. Alfred Ziviello $15,000-25,000

40 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 21

41 Marc Chagall LE VERGER (M. 341) Color lithograph, 1960, on Arches wove paper, with the usual center fold, from the edition of 250, from Daphnis et Chloé, published by Tériade, Paris, the full sheet, framed. Sheet 16 1/2 x 25 3/8 inches; 419 x 645 mm. C Estate of Helen R. Yellin $6,000-8,000

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42 Marc Chagall HYMÉNÉE (M. 349) Color lithograph, 1961, on Arches wove paper, with the usual central fold, from the edition of 250, from the edition of 250, from Daphnis et Chloé, published by Tériade, Paris, the full sheet, framed. Sheet 16 1/2 x 25 1/4 inches; 419 x 641 mm. C $3,000-5,000

43 Marc Chagall LES MUSICIENS VAGABONDS (M. 396) Lithograph, 1963, on Arches wove paper, signed and numbered 6/40 in pencil, with full margins, framed. 12 5/8 x 9 3/4 inches; 321 x 248 mm. Sheet 18 1/8 x 12 3/4 inches; 460 x 324 mm. C Estate of Barbara Anspach $700-1,000

44 Marc Chagall LUTTE DE JACOB ET DE L’ANGE (M. 657) Color lithograph, 1972, on Arches wove paper, signed and inscribed Epreuve d’artiste in pencil, with (full?) margins, framed. 12 7/8 x 9 7/8 inches; 327 x 251 mm. Sheet 20 7/8 x 16 1/8 inches; 530 x 410 mm. C $3,000-5,000 45 Marc Chagall L’ARBRE FLEURI I (M. 915) Color lithograph, 1977, on Arches wove paper, signed and numbered 40/100 in pencil on the colophon printed on the left portion of the sheet, from one of the first 125 copies of the catalogue for the exhibition Marc Chagall held at the Musée de Paris, with full margins, framed. Sheet 13 x 20 1/2 inches; 330 x 521 mm. C $2,500-3,500

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46 Marc Chagall LA JOIE (M. 976) Color lithograph, 1980, on Arches wove paper, signed and numbered 14/50 in pencil, published by Maeght, Paris, with full margins, framed. 37 3/8 x 24 3/8 inches; 949 x 619 mm. Sheet 46 1/2 x 30 7/8 inches; 1181 x 784 mm. C $12,000-18,000

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47 After Marc Chagall by Charles Sorlier THE TRIBE OF RUBEN (MOURLOT CS 12) Color lithograph, 1964, on Arches wove paper, signed and numbered 127/150 in pencil, from Twelve Maquettes of Stained Glass Windows for Jerusalem, with full margins, framed. 24 3/8 x 18 1/4 inches; 619 x 464 mm. Sheet 29 3/8 x 20 7/8 inches; 746 x 530 mm. C Estate of Mildred and Jack Feinblatt $3,000-5,000 48 Chuck Close (b. 1940) PHIL SPIT BITE Color etching and aquatint, 1995, on wove paper, signed, dated and inscribed III/X AP in pencil, with full margins, framed. 18 3/8 x 14 7/8 inches; 467 x 378 mm. Sheet 28 1/8 x 20 inches; 714 x 508 mm. C Property from the Watermill Center, Water Mill, New York $2,000-3,000 49 Jean Cocteau (1889-1963) L’INGÉNUE Painted white ceramic plate, 1963, signed on the front and numbered 5/40 and inscribed Edition originale de Jean Cocteau/Atelier Madeline Jolly on the reverse, in ink. 12 5/8 x 12 5/8 inches; 321 x 321 mm. To be sold with the certificate from the publisher. C $2,000-3,000

49 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 25

50 José Luis Cuevas (b. 1934) CRIME Complete set of 12 lithographs (ten printed in color), 1968, on Rives BFK paper, eleven signed and numbered 67/100, ten dated, in pencil, numbered on the justification page, with complete text, published by Touchstone Publishers, the full sheets, in original linen buckram covered portfolio. Sheets 30 x 22 inches; 762 x 559 mm. C $800-1,200

50 part

51 John Steuart Curry (1897-1946) JOHN BROWN (COLE 34) Lithograph, 1939, signed in pencil, edition of 250, published by Associated American Artists, New York, with (full?) margins, framed. 14 3/4 x 10 7/8 inches; 375 x 276 mm. Sheet 18 1/2 x 13 3/8 inches; 470 x 340 mm. C $3,000-4,000

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52 Salvador Dalí (1904-1989) ACE OF HEARTS; JOKER (FIELD 72-4) Color lithographs, 1972, the first on Arches paper, the second on japon nacré paper, signed and numbered 136/150 and XLVII/L, respectively, in pencil, from Playing Cards, published by Reese Palley, New York, with full margins, framed. (2) Each 14 1/4 x 9 1/4 inches; 362 x 235 mm. C $2,000-3,000 53 Salvador Dalí TRISTAN AND ISOLDE (F. 72-9) Lithograph printed in black on Rowlux with Rowlux and color added, 1972, laid on board as issued, signed and numbered 158 in black ink, published by Nabus Fine Arts, the full sheet, framed. Sheet 25 x 25 inches; 635 x 635 mm. C $1,500-2,000

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54 part 54 Salvador Dalí THE TWELVE TRIBES OF ISRAEL (F. 72-6) Complete set of 13 drypoints and color pochoirs, 1973, on Rives BFK paper, signed and numbered 130/195 in pencil, with complete text, justification signed in pencil by the artist and numbered 130/195 in ink, published by Transworld Art, New York, with full margins, with original blue moiré silk portfolio, framed. Sheets approximately 25 1/2 x 19 1/2 inches; 648 x 495 mm. C Property from a Pennsylvania Collection $8,000-12,000

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55 Salvador Dalí LES SONGES DRÔLATIQUES DE PANTAGREUL (F. 73-7) Lithographs, 1973, on japon nacré paper, signed and numbered XLV/L in pencil, from the same-titled portfolio, published by Jacques Carpentier, Paris, with (full?) margins, framed. (3) Largest 25 x 18 1/2 inches; 635 x 470 mm. C $1,000-2,000 56 Salvador Dalí CYCLOPEAN MAKE-UP (F. 75-11F) Color drypoint, lithograph, screenprint and collage, 1975-76, on wove paper, signed and numbered 165/250 in pencil, from Imaginations and Objects of the Future, published by Merrill Chase Publishing Association, with margins, framed. 27 1/4 x 20 1/4 inches; 692 x 514 mm. C $700-1,000 57 Salvador Dalí GATEWAY TO THE NEW WORLD; THE BULLFIGHTER; THE HARBINGER; THE DOCTOR; PORTRAIT OF AUTUMN (F. 79-6B; 80-1; 80-1B; 80-4A; 80-9) Color lithographs, 1977-1980, on Arches paper, signed in pencil, inscribed P.P., the first from Dalí Discovers America, the third from New Jerusalem, the fourth from L’Aventure Médicale, printed by Atelier Dumas Inc., New York (the second, third and fifth with their blindstamp), published by Levine & Levine, with full margins. (5) Largest 22 7/8 x 18 inches; 581 x 457 mm. C $1,500-2,500

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58 60

58 Stuart Davis (1892-1964) IVY LEAGUE (COLE/MYERS P. 79) Color screenprint, 1953, with the stencil signature, with margins, framed. 5 x 7 7/8 inches; 127 x 200 mm. Sheet 6 x 9 inches; 152 x 229 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $700-1,000 59 Jean Dubuffet (1901-1985) LE BRACONNIER (WEBEL 363) Lithograph, 1953, on Arches paper, signed, titled and numbered 11/20 in pencil, with full margins, framed. 19 7/8 x 25 1/2 inches; 505 x 648 mm. Sheet 22 x 29 inches; 559 x 737 mm. C $3,000-4,000

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60 Jean Dubuffet GÉOMÉTRIE (W. 614) Lithograph, 1959, on cream Arches paper, signed, dated and numbered 75/75 in pencil, with full margins, framed. 21 x 15 1/4 inches; 533 x 387 mm. Sheet 26 x 19 3/4 inches; 660x502 mm. C $700-1,000

61 part

61 Marcel Duchamp (1887-1968) and Man Ray (1890-1976) IL REALE ASSOLUTO (SCHWARZ 591-2; ANSELMINO 74) Two lithographs by Duchamp and 10 lithographs by Man Ray, 1964, on Pescia handmade paper, the lithograph CERTIFICAT DE LECTURE (S. 592) by Duchamp signed in pencil, rolled (as issued), his lithograph READYMADES (S. 591) together with one lithograph by Man Ray printed on one folded sheet (as issued), with 10 additional lithographs printed in sepia, CERTIFICAT DE LECTURE (S. 592) by Duchamp and 9 by Man Ray (A. 74-B-I; L), each signed in pencil, with complete text, copy number 50 from the edition of 100, the justification signed by both artists and the author, Arturo Schwarz and numbered in pencil, published by Galleria Schwarz, Milan, the full sheets, with original paper wrappers and black and red cloth covered portfolio box, the additional prints in black and red cloth covered portfolio box numbered 47 on the spine. (22) Largest two sheets 12 3/4 x 18 1/4 inches; 324 x 434 mm. C $2,500-3,500

62 Marcel Duchamp PULLED AT FOUR PINS (S. 609) Etching, 1964, signed and numbered 67/100 in pencil, with full margins. 12 1/2 x 8 3/4 inches; 318 x 222 mm. Sheet 25 1/4 x 18 1/4 inches; 641 x 464 mm. C $1,200-1,800 63 Albrecht DÃ¼rer (1471-1528) CHRIST CARRYING THE CROSS (BARTSCH 10) Woodcut, circa 1498-99, on laid paper with an Imperial Orb watermark, a good impression before the 1511 Latin text edition, from the Large Passion, trimmed to or within the borderline. Sheet 15 1/4 x 11 1/8 inches C Estate of Susanne Schnitzer $1,000-1,500

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64 Erté (1892-1990) STATUE OF LIBERTY SUITE; DAY AND NIGHT Color screenprints with embossing, 1986, signed and numbered 205/300 in pencil, with full margins, framed. (2) Each 28 1/8 x 20 inches; 714 x 508 mm. C $1,500-2,500 65 Lyonel Feininger (1871 -1956) TETLOW I (PRASSE E53A) Etching, 1914, on cream laid paper, signed, dated and titled in pencil, with the Staatliches Bauhaus, Weimer blindstamp (Lugt 2558b), one of 5 known proofs aside from the published edition of approximately 25, with full margins, framed. 7 1/8 x 9 1/4 inches; 181 x 235 mm. Sheet 9 7/8 x 13 5/8 inches; 251 x 346 mm. C $1,500-2,500

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66 Lyonel Feininger LEUCHTBAKE (P. W17II) Woodcut, 1918, on brown tissue-thin Japan paper, signed and with the work number 1813 in pencil, with the Feininger Estate stamp and inscribed registry number G W No. 32, a proof aside from the published edition, with full margins, framed. 4 1/2 x 6 13/16 inches; 114 x 173 mm. Sheet 8 5/8 x 11 1/8 inches; 219 x 283 mm. C $800-1,200

67 Lyonel Feininger HANSAFLOTTE (P. W115) Woodcut, 1918, on brown tissue-thin Japan paper, signed, inscribed unverĂ¤usserlich! and with the work number 8104 in pencil, with the Feininger Estate stamp and inscribed registry number G W No. 680, a proof aside from the published editions, with full margins, framed. 6 1/2 x 8 1/2 inches; 165 x 216 mm. Sheet 8 5/8 x 11 1/16 inches; 219 x 281 mm. C $800-1,200

68 Sam Francis (1923 -1994) RED CORAL (LEMBARK 18) Color etching and aquatint, 1973, on Fabriano Rosapina vellum paper, signed and numbered 10/45 in pencil, published by 2RC Edizioni dâ&#x20AC;&#x2122;Arte, Rome, with full margins, framed. 17 3/4 x 19 3/4 inches; 451 x 502 mm. Sheet 27 1/2 x 38 3/4 inches; 699 x 984 mm. C $2,000-3,000

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69 Sam Francis FOR THIRTEEN (L. S20) Color screenprint, 1989, on PTI Supra paper, signed, titled and numbered 54/115 in pencil, printed and published by La Paloma, California and with their blindstamp, the full sheet. Sheet 27 7/8 x 37 3/4 inches; 708 x 959 mm. C $3,000-4,000 70 Helen Frankenthaler (1928-2011) AIR FRAME (HARRISON 6) Color screenprint, 1965, signed, dated and numbered 116/200 in pencil, from New York Ten, published by Tanglewood Press, New York, the full sheet, framed. Sheet 22 1/8 x 17 1/8 inches; 562 x 435 mm. C $1,000-1,500

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71 Helen Frankenthaler WHAT RED LINES CAN DO (H. 28) Color screenprint, 1970, on Arches handmade paper, signed, dated, inscribed AP and SS/4/24 in pencil, published by Multiples Inc., New York, the full sheet, framed. Sheet 38 1/2 x 26 1/8 inches; 978 x 664 mm. C $1,000-1,500

72 Lucian Freud (1922-2011) LARGE HEAD (HARTLEY 47; FIGURA 72) Etching, 1993, on Somerset Satin Textured wove paper, signed and inscribed A/P in pencil (one of 12 artistâ&#x20AC;&#x2122;s proofs aside from the edition of 40), published by Matthew Marks Gallery, New York, with full margins, framed. 27 3/8 x 21 1/2 inches; 695 x 546 mm. Sheet 31 1/4 x 25 1/8 inches; 793 x 638 mm. Provenance: The artist Matthew Marks Gallery, New York to the present owner C A New England Collection $20,000-30,000

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73 Alberto Giacometti (1901-1966) ILIAZD (LUST 171) Etching, 1962, signed in pencil, from Les Douze Portraits du Célèbre Orbandale, published by Iliazd, Paris, with full margins, framed. 5 1/2 x 4 1/8 inches; 140 x 105 mm. Sheet 10 5/8 x 6 7/8 inches; 270 x 175 mm. C $1,000-1,500 74 Alberto Giacometti DANS LE MIROIR (L. 43) Lithograph, 1964, on Rives BFK paper, signed and numered 7/75 in pencil, published by Maeght, Paris, with full margins, framed. 22 3/8 x 14 1/2 inches; 568 x 368 mm. Sheet 26 3/4 x 19 3/4 inches; 679 x 502 mm. C Estate of Barbara Anspach $2,000-3,000

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75 Red Grooms (b. 1937) TONTO CONDO (KNESTRICK 96) Three-dimensional color lithograph multiple, 1983, signed and numbered 59/75 in pencil, co-published by the artist and Sharl’s Lithography, Ltd., Boulder, in original Plexiglas box. Overall 23 1/4 x 30 3/4 inches; 590 x 781 mm. C $1,000-1,500

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78 76 Chaim Gross (1904-1991) THE JEWISH HOLIDAYS Complete deluxe set of 22 lithographs (11 printed in color) and an original drawing, 1968, on Arches paper, signed and dated, the color lithographs numbered XVIII/XX, the additional suite numbered 28/50, the drawing dated Sep. 23, ‘66, in pencil, with complete text, the justification numbered XVIII/XX, with full margins, with original purple moiré covered portfolio, three framed; Together with PROCESSION WITH TORAH’S, lithograph, signed and titled in pencil, framed. First 22 sheets 19 x 24 3/4 inches; 483 x 629 mm. C $1,000-1,500

77 Yozo Hamaguchi (1909-2000) THREE POPLARS; BALL OF YARN; BUTTERFLY OVER LEAF HILL; ROBINA’S CHERRY; WALNUT (M. GALLERY 155; 156; 158; 159; 160) Mezzotints (three printed in color), 1980, 1981(3) and 1982, respectively, signed and numbered 65/75, 71/120, 81/120, 56/150 and 36/150 in pencil, with full margins, framed. (5) Largest 24 1/2 x 18 5/8 inches; 622 x 473 mm. C $2,000-3,000

78 Yozo Hamaguchi WATERMELON (M. GALLERY 157) Color mezzotint, 1981, on Rives BFK paper, signed and numbered 81/150 in pencil, with margins, framed. 9 3/8 x 21 1/2 inches; 238 x 546 mm. Sheet 20 x 29 7/8 inches; 508 x 759 mm. C $5,000-7,000

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79 Keith Haring (1958-1990) INTERNATIONAL YOUTH YEAR Color lithograph and collage, 1984, signed in pencil, numbered 593/1000, printed by Emiliano Sorino Studio, New York and published by World Federation of United Nations Associations and with their blindstamps, the full sheet, framed together with envelope signed in black ink. Sheet 11 x 8 1/2 inches; 279 x 216 mm. C $3,000-5,000 80 Childe Hassam (1859-1935) THE WHITE KIMONO (CORTISSOZ/CLAYTON 47) Etching and drypoint, 1915, on tissue-thin Japan paper, signed with the cipher and inscribed imp in pencil, with (full?) margins framed. 7 1/4 x 10 3/4 inches; 184 x 273 mm. Sheet 7 3/4 x 12 1/4 inches; 197 x 311 mm. Provenance: Hirschl & Adler Galleries, Inc., New York C Property from the Collection of Mr. and Mrs. Raymond J. Horowitz, sold for the benefit of the Bard Graduate Center $8,000-12,000

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81 Paul CÃ©sar Helleu (1859-1927) WOMAN IN A FUR WRAP Drypoint, circa 1900, signed in pencil, with full margins, framed. 21 3/8 x 13 1/8 inches; 543 x 333 mm. Sheet 26 3/4 x 18 1/4 inches; 679 x 464 mm. C $1,000-1,500

82 David Hockney (b. 1937) PRETTY TULIPS (SCOTTISH ARTS COUNCIL 115) Color lithograph, 1970, on Crisbrook handmade paper, signed, dated, titled, inscribed Artists proof and dedicated in pencil, published by Petersburg Press, London, the full sheet, framed. Sheet 28 3/8 x 19 3/4 inches; 721 x 502 mm. C Property from a Pennsylvania Collection $8,000-12,000

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83 David Hockney BORA BORA (M.C.A.T. 213) Color lithograph, 1979, on Arches 88 paper, 1979, signed, dated and numbered 66/100 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed. Sheet 34 5/8 x 48 inches; 879 x 1219 mm. C Property from a Pennsylvania Collection $6,000-8,000

84 David Hockney PEMBROKE STUDIO WITH BLUE CHAIRS AND LAMP (M.C.A.T. 263) Color lithograph, 1984, on HMP handmade paper, signed and dated in pencil, numbered 68/98 in pencil, from Moving Focus, published by Tyler Graphics, Mount Kisco, New York and with their blindstamp, the full sheet, framed. 17 1/4 x 20 inches; 438 x 508 mm. Sheet 18 7/8 x 22 inches; 479 x 559 mm. C Property from a Pennsylvania Collection $6,000-8,000

85 David Hockney SLOW FOREST (M.C.A.T. 1603) Color lithograph and screenprint, 1993, on Arches 88 paper, signed, dated and numbered 38/68 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed. 23 x 33 3/4 inches; 584 x 857 mm. Sheet 25 x 33 inches 635 x 838 mm. C Property from a Pennsylvania Collection $3,000-5,000

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86 Howard Hodgkin (1932-2017) INDIA VIEW E (HEENK 15) Color screenprint, 1971, signed, dated and numbered 35/75 in pencil, from Indian Views, published by Leslie Waddington Prints, London. Sheet 22 3/4 x 30 1/2 inches; 578 x 775 mm. C Estate of Barbara Anspach $700-1,000

87 Howard Hodgkin SKY; YOU AND ME (H. 26; 43) Color lithographs (the second with hand-coloring), 1976 and 1978, on TH Saunders paper and Arches paper, respectively, signed, dated and numbered 44/60 and 98/100 in pencil (the first verso), published by Bernard Jacobson Ltd., London, the full sheets, framed. (2) Sheet of larger 9 x 16 inches; 229 x 406 mm. C Estate of Barbara Anspach $1,200-1,800

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88 Howard Hodgkin NICKâ&#x20AC;&#x2122;S ROOM (H. 35) Hand-colored color lithograph, 1977, on Lexington handmade paper, signed, dated and numbered 42/100 in pencil, published by Petersburg Press, the full sheet, framed. Sheet 20 5/8 x 24 3/8 inches; 524 x 619 mm. C Estate of Barbara Anspach $1,000-1,500

88 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39

89 Howard Hodgkin BED (H. 45) Hand-colored color aquatint, 1973/4-78, on cream Velin Arches paper, signed with initials and numbered 40/50 in pencil, the full sheet, framed. Sheet 8 1/8 x 12 1/4 inches; 206 x 311 mm. C Estate of Barbara Anspach $1,500-2,500

90 Howard Hodgkin DAVID’S POOL (H. 55) Hand-colored soft ground etching and aquatint, 1979-85, on Hahnemühle paper, signed with initials, dated ‘85 and numbered 5/100 in pencil, published by Petersburg Press, New York, 1985, the full sheet, framed. Sheet 25 1/8 x 30 3/4 inches; 638 x781 mm. C Estate of Barbara Anspach $3,000-5,000

91 Howard Hodgkin RED BERMUDAS (H. P. 223) Color offset lithograph, 1982, on Huntsman Velvet paper, signed with initials, inscribed AP 40 and 32 in white crayon, published by the Museum of Modern Art, Oxford, the full sheet, framed. Sheet 17 x 17 inches; 432 x 432 mm. C Estate of Barbara Anspach $1,000-1,500

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92 Howard Hodgkin AFTER DEGAS (H. 81) Hand-colored color intaglio and carborundum, 1990, signed with initials, dated and numbered 30/80 in pencil, published by the Metropolitan Museum of Art, New York, printed to the edges, in apparently good condition, the full sheet, framed. Sheet 10 1/4 x 13 inches; 260 x 330 mm. C Estate of Barbara Anspach $2,000-4,000

93 Howard Hodgkin SNOW (H. 92) Hand-colored color intaglio with carborundum, 1995, signed, dated and numbered 2/80 in pencil, published by the Metropolitan Museum of Art, New York, the full sheet, framed. Sheet 10 7/8 x 14 inches; 276 x 356 mm. C Estate of Barbara Anspach $2,000-4,000

94 Howard Hodgkin TURKISH DELIGHT (NOT IN H.) Hand-colored etching with carborundum, 2004, on handmade Two Rivers Somerset paper, signed with initials, dated and numbered 45/80 in pencil, published by The Metropolitan Museum of Art, New York and with their blindstamp, the full sheet, framed. Sheet 9 5/8 x 11 3/8 inches; 244 x 289 mm. C Estate of Barbara Anspach $2,000-3,000

94 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 41

96 part

95 Friedensreich Hundertwasser (1928-2000) OLYMPISCHE SPIELE MÜNCHEN 1972 (KOSCHATZKY 54) Color screenprint with metallic imprints, 1971, signed, dated, numbered 172/200 and inscribed in ink, published by Edition Olympia, Munich, with full margins, framed. 40 5/8 x 25 5/8 inches; 1032 x 651 mm. C The Jessye Norman ‘White Gates’ Collection $2,000-3,000 96 Louis Icart TREASURES; MODERN DOLL (H./C./I. 220; 291) Hand-colored color aquatints and drypoints, 1924 and 1926, respectively, signed and insribed in pencil, the second with the artist’s blindstamp, with good or full margins, framed. (2) Larger 14 1/4 x 19 1/4 inches; 362 x 489 mm. C $800-1,200

97 part

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97 Louis Icart SPILLED MILK; SLEEPING BEAUTY; CINDERELLA; (H./C./I. 255; 323; 324) Hand-colored aquatints and drypoints, 1925 and 1927 (2), respectively, signed, the first second 118 in pencil, the second and first and third numbered E 440/500 and E 62/500 respectively, in ink, the third with the artist’s blindstamp, with margins, framed. (3) Largest 16 3/4 x 21 1/4 inches; 425 x 540 mm. C $800-1,200

99 part

98 part 98 Louis Icart SPANISH NIGHTS; VENETIAN NIGHTS (H./C./I. 270; 271) Two hand-colored color aquatints and drypoints, 1926. signed and annotated 215 and 25, respectively, in pencil, with full margins, framed. (2) Each 21 1/4 x 13 5/8 inches; 540 x 346 mm. C $1,000-1,500 99 Louis Icart LADY OF THE CAMELIAS; BELLE ROSES (H./C./I. 321; 420) Hand-colored aquatints and drypoints, 1927 and 1933, respectively, signed, the first annotated A/189 in pencil, with the artistâ&#x20AC;&#x2122;s blindstamps, the first with good, the second with full margins, framed. (2) Larger 17 1/8 x 21 1/2 inches; 435 x 546 mm. C $800-1,200 100 After Robert Indiana CLASSIC LOVE Chrome-dyed, hand-carved tufted wool on stretched canvas with natural latex backing (as issued), 2005, numbered 824/10,000, with label affixed to the reverse, published by Galerie-F, Germany, generally in good condition, framed. 30 3/4 x 30 3/4 inches; 781 x 781 mm. C $700-1,000

100

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101 part 101 Wolf Kahn (b. 1927) THE OPEN DOOR; FLOOD PLAIN FARM IN COLOR Color lithographs, 1982 and 1985, respectively, signed, dated and numbered 49/50 and 37/40 in pencil, the full sheets, framed. (2) Sheet of largest 22 1/2 x 30 1/8 inches; 572 x 765 mm. C $800-1,200

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102 Alex Katz (b. 1927) STRIPED JACKET (MARAVELL 129; SCHRÖDER 130) Color screenprint, 1981, on Arches Cover paper, signed and numbered 27/58 in pencil, published by the artist, the full sheet, framed. Sheet 29 3/8 x 37 1/8 inches; 746 x 943 mm. C $2,000-3,000

103 Alex Katz YARROW (CANTZ 376) Linocut printed in grey, on Okawara Natural paper, 2003, signed and inscribed T.D. 1/4 in pencil, published by the artist, New York, with full margins, framed. 36 1/2 x 25 3/8 inches; 927 x 645 mm. C Property from the Watermill Center, Water Mill, New York $500-700

102

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105

104 Ellsworth Kelly (1923-2015) ORANGE OVER GREEN (AXSOM 27) Color lithograph, 1964-5, on Rives BFK paper, signed and numbered 71/75 in pencil, printed and published by Maeght, Paris, with full margins, framed. 20 3/8 x 15 3/4 inches; 518 x 400 mm. Sheet 35 1/4 x 23 5/8 inches; 895 x 600 mm. C Estate of Barbara Anspach $2,000-3,000

105 William Kentridge (b. 1955) ATLAS PROCESSION I Hand-colored etching, aquatint and drypoint, 2000, signed and numbered 6/40 in pencil, published by David Krut, Johannesburg, Cape Town, the full sheet, framed. Sheet 62 x 42 inches; 1575 x 1067 mm. C $10,000-15,000

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106 108 106 Käthe Kollwitz (1867-1945) BEGRÜSSUNG (KLIPSTEIN 10; KNESEBECK 13) Etching and drypoint printed in black, 1892, on chine appliqué paper, signed in pencil, Knesbeck’s second state of two, with full margins, framed. 4 3/4 x 3 1/2 inches; 121 x 89 mm. C A New England Collection $600-800

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107 Käthe Kollwitz AUS VIELEN WUNDEN BLUTEST DU, O VOLK (K. 29; KN. 32) Etching, aquatint and drypoint printed in dark brown, 1893-97, signed in pencil, also countersigned by the printer Otto Felsing, Knesebeck’s second state of four, with full margins, framed. 5 1/8 x 13 1/4 inches; 130 x 337 mm. Sheet 13 3/4 x 20 inches; 349 x 508 mm. C A New England Collection $1,000-1,500

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108 Käthe Kollwitz ZERTRETENE (K. 48; KN. 49) Etching, aquatint and drypoint printed in dark brownish black, 1900, on cream chine appliqué paper, signed in pencil, also countersigned by the printer, Otto Felsing, Knesbeck’s second state A c of two, from a special edition of the Seemann-Verlag, with full margins, framed. 11 3/4 x 9 3/4 inches; 298 x 248 mm. Sheet 14 5/8 x 12 1/8 inches; 371 x 308 mm. C A New England Collection $1,000-1,500

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109 111

109 Käthe Kollwitz DIE CARMAGNOLE (K. 49; KN. 51) Etching, drypoint and aquatint printed in dark brown, 1901, signed in pencil, also countersigned by the printer Otto Felsing, Knesebeck’s fifth state c of nine, before the Seemann edition, with full margins, framed. 23 x 16 inches; 584 x 406 mm. Sheet 28 3/4 x 22 inches; 730 x 559 mm. C A New England Collection $1,000-1,500

110 Käthe Kollwitz VERGEWALTIGT (K. 97; KN. 101) Etching and aquatint printed in brown, 1907-8, signed in pencil, plate 2 from Peasant’s War, Knesbeck’s fifth state b of eight, from the edition of approximately 300 of this state, with full margins, framed. 12 x 20 3/4 inches; 305 x 527 mm. Sheet 17 3/4 x 24 3/4 inches; 444 x 629 mm. C A New England Collection $800-1,200

111 Käthe Kollwitz ÜBERFAHREN (K. 104; KN. 110) Etching printed in black, 1910, signed and numbered 10/XXV in pencil, Kneseback’s fourth state d of four, with full margins, framed. 10 x 12 5/8 inches; 254 x 321 mm. Sheet 12 3/4 x 18 3/4 inches; 324 x 476 mm. C A New England Collection $800-1,200

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112 After Fernand Léger (1881-1955) CONTRASTES Complete set of 13 color lithographs and pochoirs, 1959, numbered 57/300 on the justification page, with complete text, published by Au Vent d’Arles, Paris, with full margins, in the original linen covered portfolio. Sheets approximately 19 5/8 x 15 3/4 inches; 498 x 400 mm. C The Eileen & Herbert C. Bernard Collection $1,500-2,500

112 part

113 Sol LeWitt (1928-2007) FORMS DERIVED FROM A CUBE (KRAKOW 1982.04) Etchings and aquatints, 1982, on Somerset paper, signed and numbered 20/25 and 21/25, respectively, in pencil, plates 3 and 15 from the same-titled portfolio, published by Multiples, Inc., New York, with full margins, framed. (2) Each 17 5/8 x 17 3/4 inches; 448 x 451 mm. Sheets 20 3/4 x 20 3/4 inches; 527 x 527 mm. C $1,500-2,500

113 part

114 Sol Lewitt W (C) (K. 1996.13) Blue embossment, on Twinrocker handmade paper, 1996, signed, dated, numbered 11/40 and inscribed TPP/SL verso, printed and published by Two Palms Press, New York, the full sheet, framed. Sheet 229 x 318 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $1,000-1,500

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115 Roy Lichtenstein (1923-1977) TURKEY SHOPPING BAG (CORLETT APP. 4) Color screenprint on a paper shopping bag, 1964, signed in pencil, edition of approximately 200, published by Bianchini Gallery, New York. 7 1/2 x 8 5/8 inches; 191 x 219 mm. Bag 19 5/8 x 17 inches; 498 x 432 mm. C $2,000-3,000

115

116 Roy Lichtenstein THE SOLOMON R. GUGGENHEIM MUSEUM POSTER (C. 83) Color screenprint, on Rives paper, 1969, signed, dated and numbered 169/250 in pencil, co-published by the artist and Leo Castelli Gallery for the Solomon Guggenheim Museum, New York, with full margins, framed. 23 1/8 x 23 1/8 inches; 587 x 587 mm. Sheet 28 5/8 x 28 1/2 inches; 727 x 724 mm. â&#x20AC;¢ $6,000-8,000

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117

117 Roy Lichtenstein APPLE AND LEMON (C. 193) Color woodcut, 1983, on Iwano Kizuki Hosho paper, signed, dated and numbered 48/60 in pencil, from Seven Apple Woodcuts, published by Petersburg Press, London and New York, with full margins, framed. 23 x 34 1/2 inches; 584 x 876 mm. Sheet 31 1/2 x 41 3/4 inches; 800 x 1060 mm. C $5,000-7,000 118 Roy Lichtenstein STILL LIFE WITH RED JAR (C. 291) Color screenprint, 1994, on Lanaquarelle paper, signed, dated and numbered 197/250 in pencil, co-published by the artist and Gemini G.E.L., Los Angeles and with their blindstamps and inkstamp verso, with full margins, framed. 15 x 13 1/8 inches; 381 x 333 mm. Sheet 21 1/4 x 19 1/4 inches; 540 x 489 mm. C Property from the Watermill Center, Water Mill, New York $10,000-15,000

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120

119 Lawrence Stephen Lowry (1887-1976) VILLAGE ON A HILL Lithograph, 1966, on cream wove paper, signed and dated in red ink, numbered 59/75 in pencil, published by Ganymede Original Editions, London, with full margins, framed. 36 3/4 x 23 3/4 inches; 933 x 603mm. Sheet 38 3/8 x 25 3/8 inches; 984 x 645 mm. Provenance: William Weston Gallery Ltd, London C Estate of Barbara Anspach $1,000-1,500 120 Louis Lozowick (1892-1973) CORNER OF STEEL PLANT (FLINT 21) Lithograph, 1929, signed and dated in pencil, with full margins, framed. 11 3/8 x 7 3/4 inches; 289 x 197 mm. Sheet 16 x 11 3/8 inches; 406 x 289 mm. C $700-1,000 121 Heinz Mack (b. 1931) VIBRATION Lithograph, 1961, signed, dated and numbered 60/60 in pencil, with full margins. 10 5/8 x 12 5/8 inches; 270 x 321 mm. Sheet 13 3/8 x 13 3/8 inches; 340 x 340 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $600-800

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122 part 122 Édouard Manet (1832-1883) BAUDELAIRE DE PROFIL EN CHAPEAU II; CHARLES BAUDELAIRE DE FACE (GUERIN 31; 38) Etchings, 1867-68 and 1869, respectively, third state of three and fourth state of four, with good or full margins, framed. (2) Larger 4 1/4 x 3 1/2 inches; 108 x 89 mm. • $600-800

123 123 Man Ray (1890-1976) UNTITLED (ANSELMINO 58-I) Color lithograph, 1971, signed in pencil, from De l’Origine des Espèces par Voie de Sélection Irrationnelle, published by XXe Siècle, Paris, with full margins, framed. 17 1/4 x 12 3/4 inches; 438 x 324 mm. Sheet 20 x 14 1/8 inches; 508 x 359 mm. C Property from the Watermill Center, Water Mill, New York $600-800

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124 Conrad Marca-Relli (1913-2000) COMPOSITION Paper and burlap collage, 1970, signed, dated and numbered 39/50 in pencil, the full sheet, framed. Sheet 19 3/4 x 25 3/4 inches; 502 x 654 mm. C $1,000-1,500

125 Reginald Marsh (1898-1954) BROOKLYN BRIDGE FROM MANHATTAN (SASOWSKY 51) Hand-colored etching, 1928, on cream wove paper, signed, dated and annotated 11 in pencil, from the fourth state of four, with good margins, framed. 6 7/8 x 11 inches; 175 x 279 mm. Sheet 10 3/4 x 13 7/8 inches; 273 x 352 mm. C $1,000-1,500

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126

126 John de Martelly (1903-1979) BLUE VALLEY FOX HUNT (ZINK 10) Lithograph, 1937, signed in pencil, edition of 250, published by Associated American Artists, New York, with full margins, framed. 12 3/4 x 16 1/2 inches; 324 x 419 mm. Sheet 15 1/4 x 18 5/8 inches; 387 x 473 mm. C $800-1,200 127 Henri Matisse (1869-1954) TEENY (DUTHUIT 723) Linocut, 1938, on Rives paper, signed and numbered 87/100 in pencil, published by XXe SiÃ¨cle, Paris, with full margins, framed. 11 7/8 x 9 inches; 303 x 229 mm. Sheet 17 x 13 inches; 432 x 330 mm. C Estate of Dorothy Wassyng $3,000-5,000

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128 After Henri Matisse LA SILENCE, HABITÉ DES MAISONS Color aquatint, 1947, on Arches paper, numbered 36/200 in pencil, published by Atelier Lacourière, Paris and with their blindstamp, with full margins, framed. 21 1/4 x 17 1/4 inches; 540 x 438 mm. Sheet 29 3/4 x 22 5/8 inches; 756 x 575 mm. C $1,200-1,800

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129 After Henri Matisse NU (MAEGHT 1505) Color offset lithograph, circa 1950, on Arches paper, numbered 293/300 in pencil, published by Maeght, Paris and with their blindstamp, with (full?) margins, framed. 18 1/2 x 15 3/8 inches; 470 x 391 mm. Sheet 25 1/4 x 19 inches; 641 x 483 mm. C $1,000-1,500

130 Ryan McGinness (b. 1972) KALEIDING PETALS (PERIPHERAL DRIFT ILLUSIONS) Color screenprint, 2007, signed, dated and numbered 20/100 in pencil, published by Pace Editions, Inc., New York, with full margins, framed. 15 1/4 x 30 1/2 inches; 387 x 775 mm. Sheet 21 x 36 inches; 533 x 914 mm. C $1,200-1,800

131 Peter Milton (b. 1930) PASTORALE; MORNINGS WITH JUDD/SECOND STATE; PASSAGE III; COLLECTING WITH RUDI (JOHNSON/MILTON 58; 61; 89; 92) Etchings and engravings, 1969, 1970, 1972 and 1974, respectively, signed, dated, titled, numbered 98/100, 88/100, 38/40 and 41/140, the first inscribed Second State: Free Fall, in pencil, with good or full margins, framed. (4) Largest 24 5/8 x 37 inches; 651 x 940 mm. C Estate of Alma Perlis $1,200-1,800

131 part

132 Peter Milton DAYLILIES (J./M. 96) Etching, engraving and direct photographic transfer, 1975, on RHB paper, signed, dated, titled and numbered 147/160 in pencil, with full margins, framed. 19 3/4 x 31 7/8 inches; 502 x 810 mm. C $2,000-3,000

132

133 Joan Mirรณ (1893-1983) STRIP-TEASE IN BLUE (DUPIN 273) Color etching and drypoint, 1959, on Rives BFK paper, signed and numbered 37/75 in pencil, published by Maeght, Paris, with full margins, framed. 7 7/8 x 11 3/4 inches; 200 x 298 mm. Sheet 13 x 19 3/4 inches; 330 x 502 mm. C $1,500-2,500 133 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55

134 Joan Miró LA CAPTIVE (D. 489) Color etching, aquatint and carborundum, 1969, on cream wove paper, signed and inscribed HC in pencil, a proof aside from the numbered edition of 75, published by Maeght, Paris, the full sheet, framed. Sheet 37 x 28 3/8 inches; 940 x 721 mm. C $8,000-12,000

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135 Joan Miró LE DANDY (D. 492) Color etching, aquatint and carborundum, 1969, on Madeure rag paper, signed and inscribed H.C in pencil, printed and published by Maeght, Paris, with full margins, framed. 16 1/2 x 17 1/8 inches; 419 x 435 mm. Sheet 29 5/8 x 23 1/8 inches; 752 x 587 mm. C $4,000-6,000

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136 136 Joan Mirรณ LES DEUX AMIS (D. 493) Color etching, aquatint and carborundum, 1969, on cream wove paper, signed and inscribed H.C. in pencil, published by Maeght, Paris, with full margins, framed. 28 x 41 7/8 inches; 711 x 1064 mm. Sheet 37 1/4 x 50 5/8 inches; 946 x 1286 mm. C $10,000-15,000

137 Joan Mirรณ BARCELONA (D. 595) Etching, aquatint and carborundum, 1972-73, on Guarro paper, signed and inscribed H.C. in pencil, plate 4 from the same-titled portfolio, published by Sala Gaspar, Barcelona, the full sheet, framed. Sheet 27 1/2 x 40 3/4 inches; 699 x 1035 mm. C $1,000-1,500

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138

139 138 Joan Miró BARCELONA (D. 596) Etching, aquatint and carborundum, 1973, on Guarro paper, signed and inscribed H.C. in white pencil, plate 5 from the same-titled portfolio, published by Sala Gaspar, Barcelona, the full sheet, framed. 27 1/2 x 41 1/4 inches; 699 x 1047 mm. C $2,500-3,500

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140 139 Joan Miró BARCELONA (D. 598) Color etching, aquatint and carborundum, 1973, on Guarro paper, signed and inscribed H.C. in white pencil, plate 7 from the same-titled portfolio, published by Sala Gaspar, Barcelona, the full sheet, framed. Sheet 41 1/4 x 27 3/4 inches; 1048 x 705 mm. C $2,500-3,500

140 Joan Miró ESPRIU-MIRÓ (D. 872) Color etching, aquatint and carborundum, 1975, on Guarro paper, signed and numbered 21/50 in pencil, published by Sala Gaspar, Barcelona and with their blindstamp, with full margins, framed. 27 x 19 1/2 inches; 686 x 495 mm. Sheet 34 x 27 5/8 inches; 864 x 702 mm. C $2,500-3,500

141 Joan Miró ODA A JOAN MIRÓ (MOURLOT 906) Color lithograph, 1973, on Guarro paper, signed and numbered 71/75 in pencil, plate 4 from the same-titled portfolio, published by Ediçiones Polígrafa, Barcelona, the full sheet, framed. Sheet 34 5/8 x 24 inches; 879 x 610 mm. C Property from a Pennsylvania Collection $3,000-5,000 142 Joan Miró ODA A JOAN MIRÓ (M. 908) Color lithograph, 1973, on Guarro paper, signed and numbered 16/75 in pencil, plate 6 from the same-titled portfolio, published by Ediçiones Polígrafa, Barcelona, the full sheet, framed. Sheet 34 5/8 x 24 inches; 879 x 610 mm. C Property from a Pennsylvania Collection $3,000-5,000 143 Joan Miró ODA A JOAN MIRÓ (M. 911) Color lithograph, 1973, on Guarro paper, signed and numbered 16/75 in pencil, plate 9 from the same-titled portfolio, published by Ediçiones Polígrafa, Barcelona, the full sheet, framed. Sheet 34 1/2 x 24 1/8 inches; 876 x 613 mm. C Property from a Pennsylvania Collection $2,000-3,000

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144 Joan Miró DOROTHEA TANNING (M. 929) Color lithograph, 1974, on Arches paper, signed in pencil, numbered 59/60, from the same-titled portfolio, published by XXe Siècle, Paris, with full margins. 12 1/4 x 15 3/8 inches; 311 x 390 mm. Sheet 15 3/4 x 20 3/8 inches; 400 x 518 mm. C $1,500-2,500

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145 Joan Miró EL PI DE FORMENTOR (D. 942) Color etching and aquatint, 1976, on wove paper, signed and numbered 37/50 in pencil, published by Sala Gaspar, Barcelona and with their blindstamp, with full margins, framed. 34 3/4 x 29 3/8 inches; 883 x 746 mm. Sheet 41 1/4 x 35 1/4 inches; 1048 x 895 mm. C $3,000-4,000

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146 Joan Miró ELS GOSSOS VII (D. 1103) Color etching and aquatint, 1979, on Arches paper, signed and inscribed Bat in pencil, published by Maeght, Barcelona, the full sheet, framed. Sheet 45 1/2 x 28 3/4 inches; 1156 x 730 mm. C The Jessye Norman ‘White Gates’ Collection $7,000-10,000

147 Joan Miró ELS GOSSOS IX (D. 1105) Color etching and aquatint, 1979, on Arches paper, signed and numbered HC XI/XV in pencil, published by Maeght, Barcelona, the full sheet, framed. Sheet 45 1/2 x 28 3/4 inches; 1156 x 730 mm. C The Jessye Norman ‘White Gates’ Collection $7,000-10,000

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148 Joan Miró LA TRACA II (D. 1115) Color aquatint, 1979, on Arches paper, signed and numbered 23/30 in pencil, published by Maeght, Paris, the full sheet, framed. Sheet 35 1/4 x 24 3/4 inches; 895 x 629 mm. C $4,000-6,000 149 Joan Miró CAP I CUA (M. 1182) Color lithograph, 1979, on Arches paper, signed and numbered 27/75 in pencil, published by Maeght, Paris, with full margins, framed. Sheet 39 x 28 1/2 inches; 991 x 724 mm. C $4,000-6,000

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150 After Joan Miró UNE FEMME (MAEGHT 1712) Color lithograph, 1958, on Arches paper, signed and numbered 260/300 in pencil, lower margin, printed and published by Maeght, Paris and with their blindstamp, with full margins, framed. 18 1/4 x 14 7/8 inches; 464 x 377 mm. Sheet 25 5/8 x 18 3/4 inches; 651 x 476 mm. C $1,500-2,500

152 part 151 After Joan Miró LA ROSÉE MATINALE AU CLAIR DE LA LUNE (MA. 1713) Color etching and aquatint, 1958, on Rives BFK paper, signed and numbered 165/300 in pencil, printed by Crommelynck, Paris and with their blindstamp, published by Maeght, Paris, with full margins, framed. 15 5/8 x 19 1/4 inches; 397 x 489 mm. Sheet 22 x 25 1/2 inches; 559 x 648 mm. C Estate of Mildred and Jack Feinblatt $1,000-1,500

153 152 Henry Moore (1898-1986) MOTHER AND CHILD WITH LIGHT BACKGROUND; RECLINING FIGURE WITH INTERIOR SETTING II (CRAMER 432; 459) Color lithographs, 1976 and 1977, respectively, signed and numbered VII/XV and XV/XV in pencil, the first published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, the second published by The Friends of the Tate Gallery, London, with good or full margins, framed. (2) Larger 12 3/8 x 9 3/4 inches; 314 x 248 mm. C The Jessye Norman ‘White Gates’ Collection $1,200-1,800 153 Henry Moore SEATED MOTHER AND CHILD (C. 570) Color lithograph, 1979-80, on TH Saunders paper, signed and numbered 20/50 in pencil, published by Curwen Prints, Ltd., London, 1981, with good margins, framed. 16 1/2 x 11 1/8 inches; 419 x 283 mm. C The Jessye Norman ‘White Gates’ Collection $800-1,200

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154 Robert Motherwell (1915-1991) GESTURE II (STATE I) (BELKNAP 169; ENBERG/BANACH 205) Color aquatint, 1976-77, signed and numbered 33/75 in pencil, with the artist’s blindstamp, published by Brooke Alexander, Inc., New York, with full margins, framed. 19 1/2 x 15 3/4 inches; 495 x 400 mm. Sheet 34 5/8 x 25 5/8 inches; 879 x 651 mm. C Estate of Helen R. Yellin $5,000-7,000 155 LeRoy Neiman (1921-2012) BLACK BREAK Color screenprint, 1973, signed and numbered 62/300 in pencil, with good or full margins, framed. 26 x 20 inches C $700-1,000 156 LeRoy Neiman X-RATED FILMMAKERS Color screenprint, 1974, signed and numbered 223/300 in pencil, with good or full margins, framed. 23 x 20 inches C $600-800

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157 Louise Nevelson (1899-1988) UNTITLED Color etching and aquatint, 1975, Fabriano Rosaspina paper, signed, dated and numbered 79/90 in pencil, printed and published by 2RC Edizioni d’Arte, Rome, with full margins, framed. 29 3/4 x 20 inches; 756 x 508 mm. C The Jessye Norman ‘White Gates’ Collection $800-1,200 158 Louise Nevelson UNTITLED (SOLITUDE) Color screenprint and collage, 1986, signed, dated and inscribed A/P in pencil, with full margins, framed. 36 x 23 3/4 inches; 914 x 603 mm. C $1,000-1,500 159 Claes Oldenburg (b. 1929) THROWN INK BOTTLE WITH FLY AND DROPPED QUILL (AXSOM/PLATZKER 229) Color lithograph, 1991, signed and numbered A.P. IX/XVIII in pencil, published by Gemini G.E.L., Los Angeles, with full margins, framed. Sheet 45 x 35 inches; 1143 x 889 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $1,500-2,500

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160 Raymond Pettibon (b. 1957) UNTITLED (JUSTLY FELT AND BRILLIANTLY SAID) (PARKETT 47) Color screenprint with pressed flower additions, 1996, on Arches wove paper, signed, dated and with unique with unique hand-written texts in ink, numbered 29/60, folded (as issued), published by Parkett Editions, Zurich, Switzerland, the full sheet, framed. Sheet 9 1/2 x 76 1/2 inches; 241 x 1943 mm. C $1,000-1,500

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161 Pablo Picasso (1881-1973) SCULPTEUR ET MODÈLE ADMIRANT UNE TÊTE SCULPTÉE (BLOCH 154) Etching, 1933, on laid Montval paper with the Picasso watermark, signed in pencil, from the edition of 260, from La Suite Vollard, published by Vollard, Paris, with full margins, framed. 10 1/2 x 7 5/8 inches; 27 x194 mm. Sheet 17 1/2 x 13 1/2 inches; 444 x 343 mm. C $5,000-7,000

162 Pablo Picasso LA PLAINTE DES FEMMES (B. 1328) Aquatint, engraving and drypoint, 1933, on cream laid paper, with the ink stamp signature, numbered 27/50, an unused plate from Picasso’s illustrations for Lysistrata for the Limited Editions Club, New York, with full margins, framed. 11 x 7 7/8 inches; 279 x 200 mm. Sheet 17 3/4 x 12 7/8 inches; 451 x 327 mm. C $4,000-6,000

163 Pablo Picasso SCULPTEUR ET TROIS DANSEUSES SCULPTÃ&#x2030;ES (B. 217) Etching, 1934, on laid Montval paper with the Vollard watermark, signed in pencil, from the edition of 260, from La Suite Vollard, published by Vollard, Paris, with full margins, framed. 8 7/8 x 12 3/8 inches; 225 x 314 mm. Sheet 13 3/8 x 17 1/2 inches; 349 x 445 mm. C $6,000-8,000

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164 Pablo Picasso GRAND PROFIL (B. 444) Lithograph, 1947, on Arches wove paper, signed and numbered 48/50 in pencil, with full margins, framed. 24 x 17 1/2 inches; 610 x 445 mm. Sheet 25 3/4 x 19 5/8 inches; 654 x 498 mm. C $7,000-9,000

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165

165 Pablo Picasso PREMIÈRE AFFICHE VALLAURIS: FAUNE (B. 526) Color lithograph, 1948, on Arches paper, signed and numbered 5/50 in pencil, with full margins, framed. 11 1/4 x 13 3/4 inches; 286 x 349 mm. Sheet 19 3/4 x 25 3/4 inches; 502 x 654 mm. C $3,000-5,000

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166 Pablo Picasso POTERIES DE PICASSO (CZWIKLITZER 60) Color lithograph, 1948, signed in pencil, printed by Mourlot and published by Maison de la Pensée Française, Paris, the full sheet, framed. Sheet 23 7/8 x 15 3/4 inches; 606 x 400 mm. C $800-1,200

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167 Pablo Picasso LES BANDERILLES (B. 610) Lithograph, 1949, on cream wove paper, signed in black and red pencil, numbered 8/50, with full margins, framed. 18 1/2 x 19 5/8 inches; 470 x 498 mm. Sheet 19 3/4 x 25 3/4 inches; 502 x 654 mm. C $3,000-5,000

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168 Pablo Picasso LE PEINTRE ET SON MODÈLE (B. 765) Color lithograph, 1954, on Arches paper, signed and numbered 7/50 in pencil, with full margins, framed. Sheet 22 1/4 x 30 inches; 565 x 762 mm. C A Private New Jersey Collection $10,000-15,000 169 Pablo Picasso LA FENÊTRE DE L’ATELIER À LA CALIFORNIE (MAEGHT 2102) Color aquatint, 1959, on cream wove paper, signed and numbered 121/300 in red pencil, with full margins, framed. 15 7/8 x 12 7/8 inches; 403 x 327 mm. Sheet 22 x 19 3/4 inches; 559 x 502 mm. C $3,000-5,000

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170 Pablo Picasso L’ECUYÈRE (B. 999) Lithograph, 1960, from the edition of 1000, with full (?) margins, framed. 19 1/2 x 25 1/4 inches; 495 x 641 mm. Sheet 21 5/8 x 27 inches; 549 x 686 mm. C $800-1,200

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171 Pablo Picasso LES DÉJEUNERS (B. 1024; CRAMER 118) Complete deluxe portfolio with two lithographs, one extensively hand-colored in wax crayons, 1962, on Arches paper, the lithographs signed in pencil, with complete text and numerous reproductions, the justification page numbered 4, from the total edition of 150, published by Éditions Cercle d’Art, Paris, with original beige linen folder and portfolio and brown calf covered case with full margins, the two lithographs framed together. Lithograph sheets 10 5/8 x 14 1/2 inches; 270 x 368 mm. Provenance: Sotheby’s, London, Old Master, Decorative, Nineteeth and Twentieth Century Prints, December 1, 1986, lot 607 C Property from a Pennsylvania Collection $10,000-15,000

172 Pablo Picasso DIURNES (B. 1062) Linocut printed in ochre and brown, 1962, on Arches paper, signed and numbered 96/100 in pencil, with wide margins, framed. 15 3/8 x 11 3/4 inches; 391 x 298 mm. Sheet 21 1/2 x 17 inches; 546 x 432 mm. C $5,000-7,000

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173 Pablo Picasso L’ÉTREINTE II (B. 1151) Linocut rincée, 1963, on Arches paper, signed and numbered 24/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, framed. Sheet 24 1/2 x 29 5/8 inches; 622 x 752 mm. C $4,000-6,000

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174 Pablo Picasso PICADOR ET TAUREAU (ALAIN RAMIÉ 101) Red ceramic plaque, 1950, from the edition of 100, with the Madoura Empreinte Originale de Picasso pottery stamp on the reverse, from the edition of 100. 3 1/8 x 3 inches; 79 x 76 mm. C $1,000-1,500

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175 Pablo Picasso CHOUETTON (A.R. 135) Painted and partially glazed white ceramic vase, 1952, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base, from the edition of 500. Height 10 inches; 254 mm. C Estate of Ella Uppercu Dinkins $2,000-3,000

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176 Pablo Picasso PICADOR (A.R. 162) Painted and partially glazed red ceramic pitcher, 1952, from the edition of 500, inscribed Edition Picasso Madoura on the base. Height 5 3/8 inches; 137 mm. C $1,000-1,500 177 Pablo Picasso FEMME (A.R. 300) Painted white ceramic pitcher with glaze on the inside, 1955, numbered 81/100, inscribed Edition Picasso, Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 12 inches; 305 mm. • $3,000-5,000

178 Pablo Picasso BOUQUET Ă LA POMME (A.R. 307) Painted and partially glazed white ceramic plate, 1956, from the edition of 400, with the Empreinte Originale de Picasso and Madoura pottery stamps on the reverse. 9 3/4 x 9 7/8 inches; 248 x 251 mm. C Property from a Pennsylvania Collection $2,000-3,000

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179 Pablo Picasso JACQUELINE AU CHEVALET (A.R. 333) Painted and partially glazed ceramic plate, 1956, numbered 99/200, and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 16 3/4 x 16 3/4 inches; 425 x 425 mm. C $10,000-15,000

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180 Pablo Picasso VISAGE À LA GRILLE (A.R. 352) Painted and partially glazed ceramic plate, 1956, numbered 68/100, incised C 114 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 16 1/2 x 16 1/2 inches; 419 x 419 mm. C $5,000-7,000 181 Pablo Picasso TÊTES (A.R. 367) Painted and partially glazed ceramic pitcher, 1956, from the edition of 500, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 5 1/4 inches; 133 mm. C $1,500-2,500 182 Pablo Picasso TÊTES (A.R. 368) Painted and partially glazed pitcher, 1956, from the edition of 500, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 5 inches; 127 mm. C $1,500-2,000

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183 Pablo Picasso PROFIL DE JACQUELINE (A.R. 385) Painted and partially glazed ceramic plaque, 1956, from the edition of 500, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 7 1/4 x 7 1/4 inches; 184 x 184 mm. • $3,000-4,000

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184 Pablo Picasso LE DÉJEUNER SUR L’HERBE (A.R. 517) Painted red ceramic plaque, 1964, numbered 11/50 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse, framed. 20 x 24 inches; 508 x 610 mm. C $20,000-30,000

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185 Pablo Picasso OVALE AVEC L’OEIL A (A.R. 623) Red ceramic tile, 1971, numbered 73/500, inscribed J. 164 and with the Madoura Plein Feu and Poinçon Original de Picasso pottery stamps on the reverse. 5 7/8 x 6 inches; 149 x 152 mm. C $700-1,000 186 Pablo Picasso LOZENGE AU VISAGE (A.R. 627) Red ceramic tile, 1971, from the edition of 500, presumably numbered and with the pottery stamps on the reverse (affixed to front and back mat), framed. 6 x 6 inches; 152 x 152 mm. C $700-1,000

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187 Alain Ramié PICASSO, CATALOGUE OF THE EDITED CERAMIC WORKS 1947-1971 The complete catalogue raisonné of Picasso’s ceramic editions, in English, published in 1988 by Galerie Madoura. Overall 11 3/4 x 9 5/8 x 1 5/8 inches; 298 x 244 x 41 mm. C Property of a Private Collector, Long Island $700-1,000

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188 After Pablo Picasso LA FAMILLE DES SALTIMBANQUES Soft-ground etching printed in black on light tan Chine appliqué on Japon nacré paper, circa 1950, signed and numbered 156/300 in orange crayon, published by Crommelynck, Paris and with their blindstamp, with full margins, framed. 19 5/8 x 16 1/2 inches; 498 x 419 mm. Sheet 30 1/2 x 22 1/4 inches; 775 x 565 mm. C $2,000-3,000 189 After Pablo Picasso DEUX PERSONNAGES Color lithograph, 1954, signed and numbered 24/75 in pencil, published by Verve Editions, Paris and with their blindstamp, with margins, framed. Sheet 10 1/8 x 13 3/4 inches; 257 x 349 mm. C The Jessye Norman ‘White Gates’ Collection $1,000-1,500 190 After Pablo Picasso TÊTE DE FAUN Color soft-ground etching and aquatint, circa 1955, on cream wove paper, signed and numbered 139/300 in pencil, published by Crommelynck, Paris and with their blindstamp, with full margins, framed. 11 7/8 x 10 inches; 302 x 254 mm. Sheet 22 x 17 3/4 inches; 559 x 451 mm. C Estate of David Manton Eddy $3,000-5,000

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191 After Pablo Picasso JACQUELINE Color lithograph, 1958, on pink japon nacré paper, signed and numbered 9/100 in pencil, with full margins, framed. 19 1/4 x 11 1/2 inches; 495 x 292 mm. Sheet 21 3/4 x 15 5/8 inches; 552 x 397 mm. C The Jessye Norman ‘White Gates’ Collection $4,000-6,000

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192 After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 170/200, with full margins. 25 5/8 x 19 3/4 inches; 651 x 502 mm. Sheet 29 3/8 x 21 1/2 inches; 746 x 546 mm. C Estate of Carl Lesnor $3,000-4,000

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193 Otto Piene (1928-2014) COMPOSITIONS Color screenprints, 1969, on wove paper, signed, dated and inscribed épreuve d’artiste in pencil, the full sheets. (6) Sheet of largest 28 3/8 x 21 5/8 inches; 721 x 549 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $1,000-1,500 194 Otto Piene PAX Complete set of 11 color screenprints on board, 1970, signed, dated ‘69 or ‘70 and numbered 3/55 in pencil, published by Edition Rottloff, Karlsruhe, with title page numbered 3, the full sheets, in original linen covered portfolio box. Sheets 35 x 25 inches; 889 x 635 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $1,500-2,500 195 Serge Poliakoff (1900-1969) COMPOSITION GRISE, JAUNE, ROUGE ET BLEUE (SCHNEIDER, RIVIÉRE 26) Color lithograph, 1959, signed in pencil, from the unnumbered edition of 200, with full margins, framed. 7 5/8 x 7 inches; 194 x 178 mm. Sheet 8 3/4 x 7 7/8 inches; 222 x 200 mm. C Estate of Mildred and Jack Feinblatt $700-1,000

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196 Robert Rauschenberg (1925-2008) HOMAGE TO FREDERICK KIESLER (FOSTER 38) Color offset lithograph, 1966, signed, dated and numbered 27/200 in pencil, with (full?) margins, framed. 33 7/8 x 22 inches; 860 x 559 mm. C $1,000-1,500 197 Robert Rauschenberg STORYLINE I-III; FLOWER RE-RUN; STILL (GEMINI G.E.L. 41.10-12; 41.14; 41.15) Color lithographs, 1968, on Rives BFK paper, signed, dated and numbered 19/62, 19/59, 19/72, 19/34 and 19/52, respectively, in pencil, from Reels (B+C), published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheets, framed. (5) Largest sheet 30 x 22 inches; 762 x559 mm. C $10,000-15,000

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198 Robert Rauschenberg MORE DISTANT VISIBLE PART OF THE SEA Color screenprint and offset lithograph, 1979, signed, dated and numbered AP 1/10 in pencil, published by Multiples Inc., New York, the full sheet, framed. Sheet 30 1/2 x 23 1/8 inches; 775 x 587 mm. C $1,500-2,000 199 Robert Rauschenberg ARCANUM III Hand-colored screenprint and collage, 1981, on wove paper, signed, dated and numbered 54/85 in pencil, printed by Styria Studio, New York and with their blindstamp, the full sheet, framed together with text signed and dedicated in red ink on cover. Sheet 22 3/8 x 15 3/4 inches; 568 x 400 mm. C $1,000-1,500 200 Robert Rauschenberg UNTITLED (ROCI ANNOUNCEMENT) Color offset lithograph, 1984, signed and dated in pencil, from the edition of 300, with full margins, framed. 18 3/4 x 17 inches; 476 x 432 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $1,000-1,500 200

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201 Robert Rauschenberg SPACKLE (G. 41.192) Color lithograph, 1990, on HMP Cream paper, signed, dated and numbered 199/250 in pencil, from the Harvey Gantt Portfolio, published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, framed. Sheet 5 3/4 x 4 1/2 inches; 146 x 114 mm. C Property from the Watermill Center, Water Mill, New York $800-1,200 202 Robert Rauschenberg CHARMS AGAINST HARMS Color offset lithograph, 1993, signed, dated and numbered 55/100, the full sheet, framed. Sight of sheet 40 3/8 x 27 7/8 inches; 1026 x 708 mm. C $1,000-1,500

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203 Rembrandt van Rijn (1606-1669) THE TRIBUTE MONEY; CHRIST AND THE WOMAN OF SAMARIA: AN ARCHED PRINT (BARTSCH 68; 70) Etchings and drypoints, circa 1635 and 1657-58, good but later impressions of Bartsch’s final states, the first provenance H. Hamel (see Lugt 1231), the first trimmed on or just within or outside the platemark, the second with small margins, framed. (2) Sheet of larger 5 1/4 x 6 5/8 inches; 133 x 168 mm. C $800-1,200

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204 James Rizzi (1950-2011) JUMPING ROPE; DIFFERENT STROKES FOR DIFFERENT FOLKS; DANCE WITH SUNBEAMS Three-dimensional color screenprint multiples, 1989, 1992 and 1996, respectively, signed, the first inscribed A/P, the second numbered XXXIX/L and the third numbered A/P XXX/L, in pencil, the full sheets, framed. (3) 8 1/2 x 9 inches; 216 x 229 mm. C $1,200-1,800

205 James Rizzi EARLY TO RISE; APPLES AND ORANGES; TUTTI FRUTTI Three-dimensional color screenprint multiples, 1990 and 2002 (2), respectively, signed and inscribed A/P, the second and third numbered XII/L and XXI/L, respectively, in pencil, the full sheets, framed. (3) Images 2 1/8 x 3 inches; 54 x 76 mm. C $800-1,200

206 James Rizzi BIRDS IN A JUNKYARD Three-dimensional color screenprint multiple, 1996, signed and inscribed A/P XVII/L in pencil, the full sheet, framed. 26 x 15 3/4 inches; 660 x 400 mm. C $600-800

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207 Norman Rockwell (1894-1978) THE CONNOISSEUR Color collotype, signed and inscribed a/p in pencil, with good or full margins, framed. 24 1/2 x 20 1/4 inches; 622 x 514 mm. C $2,000-3,000 208 Norman Rockwell APRIL FOOL, GIRL WITH SHOPKEEPER; THE CONVENTION (HAT CHECK GIRL) Color collotypes, signed and inscribed a/p in pencil, with good or full margins, framed. (2) Larger 24 1/2 x 20 inches; 622 x 508 mm. C $1,000-1,500

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210 part 209

209 FÃ©licien Rops (1833-1898) LES DEUX AMIES (EXSTEENS 861) Color engraving, 1908, numbered 81/100 in ink, published by Gustave Pellet and with his ink stamp (Lugt 1190), with good margins, framed. 14 1/2 x 10 inches; 368 x 254 mm. Sheet 16 1/8 x 11 3/4 inches; 410 x 298 mm. C A New England Collection $700-1,000 211 211 Georges Rouault AUTOMNE (C./R. 364) Lithograph, 1933, signed, dated, titled and inscribed 2e tirage a 60 ex in ink, edition of 60, from the eighth state of eleven, with full margins, framed. 17 1/4 x 22 3/4 inches; 438 x 577 mm. Sheet 22 1/8 x 28 5/8 inches; 562 x 727 mm. C Estate of Dorothy Wassyng $700-1,000

210 Georges Rouault (1871-1958) RUE DES SOLITAIRES; AU PAYS DE LA SOIF ET DE LA PEUR; SUNT LACRIMAE RERUM; DES ONGLES ET DU BEC; DURA LEX SED LEX; LES VISAGES; CLOWN ASSIS (CHAPON/ROUAULT 76; 75; 80; 103; 105; TWO NOT IN C./R.) Five etchings and aquatints and two wood engravings, 1922, 1923 and 1926 (3), respectively, the first five on laid Arches paper watermarked Ambroise Vollard, from the edition of 425, from Miserere, published by Ambroise Vollard, with good or full margins, three framed. (7) Largest 23 x 16 5/8 inches; 584 x 422 mm. C Estate of Helen R. Yellin $2,000-4,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

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212 Ed Ruscha (b. 1937) CHEESE MOLD STANDARD WITH OLIVE (ENGBERG 31) Color screenprint, 1969, on cream wove paper, signed, dated and numbered 31/150 in pencil, published by the artist, Los Angeles, with full margins, framed. 19 1/2 x 37 inches; 495 x 940 mm. Sheet 651 x 1016 mm. C Estate of Vivian Fromberg Rosenbaum $50,000-70,000

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213 Egon Schiele (1890-1918) SELBSTBILDNIS Bronze with brown patina, 1917, with the stamped signature, date and number 286/300, from the edition cast in 1980 for the Collector’s Club, Vienna. Height 10 3/4 inches; 273 mm. C $1,000-1,500 214 Sean Scully (b. 1945) SANTA BARBARA 17 Color monotype, 1987, on wove paper, signed, dated and titled in pencil, printed by Garner Tullis at Garner Tullis Workshop, Santa Barbara, with full margins, framed. 32 3/4 x 43 3/4 inches; 832 x 1111 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $2,000-3,000 215 Tavík Frantisek Simon (1877-1942) FROM THE LATIN QUARTER, PARIS; BIRD CATCHER AT MARKET FROM VERONA; SCRAP IRON DEALERS IN PARIS; STREET VENDOR OF STATUETTES; SNOW IN BRUGGE; QUAI DES GRANDS-AUGUSTINS, PARIS; PLACE MAUBERT, PARIS; CHARLES BRIDGE AND HRADCANY IN WINTER; ICE RINK UNDER THE CHARLES BRIDGE; QUAI DES GRANDSAUGUSTINS, PARIS; QUAI DE LA TOURNELLE IN AUTUMN, PARIS; LES HALLES ET L’EGLISE SAINT EUSTACHE, PARIS; BRICK-A-BRAC, BRITTANY; LES MARCHAND DES TABLEAUX (14) Fourteen hand-colored etchings and a drawing, signed, seven numbered and three inscribed èpr d’artiste, one etching and the corresponding drawing titled, in pencil, ten with the artist’s stamp, with margins, framed. (15) Largest image 14 3/8 x 17 inches; 365 x 432 mm. C $1,000-1,500

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217 part

216

216 David Alfaro Siqueiros (1896-1974) MADRE NIÑA Lithograph, 1956, signed, dated and inscribed E/E in pencil, with good margins, framed. 30 3/8 x 23 1/8 inches; 772 x 587 mm. Sheet 33 7/8 x 24 3/4 inches; 860 x 629 mm. C $700-1,000 217 John Sloan (1871-1951) BANDITS CAVE; BUSES IN WASHINGTON SQUARE (MORSE 195; 219) Etchings, 1920 and 1925, respectively, signed, the second titled and inscribed 100 proofs in pencil, the first from the edition of approximately 500, from the The New Republic, the second fifth state of five, with tack holes at bottom sheet edges, with good margins, framed. (2) Larger 8 x 10 inches; 203 x 254 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $1,000-1,500 218 Pierre Soulages (b. 1919) LITHOGRAPHIE NO. 3 (RIVIÈRE 3) Color lithograph, 1957, on Arches paper, signed and numbered 97/200 in pencil, published by Berggruen, Paris, with full margins, framed. 25 x 19 inches; 635 x 483 mm. Sheet 28 x 20 inches; 711 x 508 mm. C $2,000-3,000 218 88 DOYLE • MAY 1, 2017 • NEW YORK

219 Frank Stella (b. 1936) REFERENDUM â&#x20AC;&#x2DC;70 (AXSOM 49) Color screenprint, on Special Arjomari paper, signed, dated and numbered 20/200 in pencil, published by Gemini G.E.L, Los Angeles and with their blindstamps, with full margins, framed. 31 1/2 x 31 1/2 inches; 800 x 800 mm. Sheet 39 7/8 x 40 inches; 1013x 1016 mm. C Property from a Pennsylvania Collection $6,000-8,000

219

220 Frank Stella CONWAY; SUNAPEE (A. 97; 100) Color lithographs and screenprints, 1974, on Arches paper, signed, dated and numbered 47/100 in pencil, printed and published by Gemini G.E.L., Los Angeles and with their blindstamps, from Eccentric Polygons, with full margins, framed. (2) Larger 16 x 14 1/4 inches; 406 x 362 mm. C $2,000-3,000

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221 Frank Stella SINJERLI VARIATION III (A. 117) Color offset lithograph and screenprint, 1977, on Arches Cover paper, on Arches Cover paper, signed, dated and inscribed A.P. IX in pencil, from Sinjerli Variations, published by Petersburg Press, New York, with full margins, framed. 24 7/8 x 24 7/8 inches; 632 x 632 mm. Sheet 31 7/8 x 42 1/8 inches; 81 x 107 mm. C Property from a Pennsylvania Collection $3,000-5,000

221

222 Frank Stella THE WHALE AS A DISH (WADDINGTON 6) Hand-colored screenprint, lithograph, linocut and collage, 1989, on heavy card paper, signed, dated and numbered 20/60 in pencil, from Waves II, published by Waddington Graphics, London, the full sheet, framed. Sheet 67 3/4 x 54 1/2 inches; 1721 x 1384 mm. C $5,000-7,000

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223 224

225 223 Rufino Tamayo (1899-1991) VIRGEN (PEREDA 19) Woodcut, circa 1931, on tissue-thin Japan paper, signed in pencil, with full margins. 7 1/4 x 9 5/8 inches; 184 x 244 mm. Sheet 9 5/8 x 12 1/4 inches; 244 x 311 mm. C $1,500-2,500

226 224 Rufino Tamayo MUJER CON SANDIA (P. 32) Color lithograph, 1950, on Arches paper, signed and inscribed p de a in pencil, with full margins, framed. 21 5/8 x 16 7/8 inches; 549 x 429 mm. Sheet 25 3/4 x 19 1/2 inches; 654 x 495 mm. C From the Estate of Julian C. Eisenstein, Washington, DC $1,000-1,500

225 Rufino Tamayo TORSO DE JEUNE FILLE (P. 112) Color lithograph, 1969, on Rives BFK paper, signed and numbered 74/150 in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, framed. 27 3/4 x 21 inches; 705 x 533 mm. Sheet 29 7/8 x 22 3/8 inches; 759 x 568 mm. C $800-1,200

226 Rufino Tamayo LA PAYSANNE (P. 120) Color lithograph, 1969, on Rives BFK paper, signed and numbered 136/150 in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, framed. 27 3/8 x 21 1/8 inches; 695 x 537 mm. Sheet 30 x 22 3/8 inches; 762 x 568 mm. C $800-1,200

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227 227 Rufino Tamayo MUJER SOURIANTE (P. 123) Color lithograph, 1969, on Rives BFK paper, signed and inscribed H.C. in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, framed. 21 1/4 x 27 1/2 inches; 540 x 699 mm. Sheet 22 3/8 x 29 7/8 inches; 568 x 759 mm. C $1,000-1,500

228 92 DOYLE • MAY 1, 2017 • NEW YORK

228 Rufino Tamayo HOMBRE CON PIPA (P. 267) Color mixograph, 1979, on handmade paper, signed and numbered 65/100 in black crayon, printed and published by Taller de Gráfica Mexicana, Mexico City, the full sheet, framed. Sheet 37 x 29 3/4 inches; 940 x 756 mm. C $3,000-5,000

229 Rufino Tamayo HOMBRE CON BRAZOS ABIERTOS (P. 325) Color mixograph, 1984, on handmade paper, signed and numbered 100/100 in white pencil, printed and published by Taller de Gráfica Mexicana, Mexico City, with full margins, framed. 30 1/2 x 22 1/2 inches; 775 x 572 mm. C $2,000-4,000

229

230 230 Henri de Toulouse-Lautrec UNE SPECTATRICE (DELTEIL 37; ADHÉMAR 37; WITTROCK 27) Lithograph, 1893, on smooth cream wove paper, from Le Café Concert, published by L’Estampe Originale, Paris, with full margins, framed. 10 1/2 x 7 1/4 inches; 267 x 184 mm. Sheet 17 x 12 12 5/8 inches; 432 x 321 mm. C $800-1,200

231

231 Henri de Toulouse-Lautrec MARY HAMILTON (D. 175; A. 215; W. 67) Lithograph printed in brown, 1894, on chine volant, a rare impression aside from the regular edition printed in black, issued by Frapier, Paris in 1925 for the album La Lithographie de Manet à Nos Jours, purple Collection Gross ink stamp verso (not in Lugt), with full margins, framed. 10 1/2 x 4 3/8 inches; 267 x 111 mm. Sheet 12 7/8 x 9 5/8 inches; 327 x 244 mm. C $800-1,200 232 Henri de Toulouse-Lautrec SARAH BERNHARDT; CLÉO DE MÉRODE; LUCIEN GUITRY (D. 150, 152, 155; A. 166, 174, 177; W. 249, 258, 259) Color lithographs, 1898, from Portraits d’Acteurs et d’Actrices: Treize Lithographies, commissioned by W. H. B. Sands, London, Paris, the first and third with (full?) margins, framed. (3) Largest 11 1/2 x 9 1/2 inches; 292 x 241 mm. C $1,500-2,500

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233 part

233 Henri de Toulouse-Lautrec YVETTE GUILBERT (D. 250-55, 257-60; A. 306-11, 313-16; W. 271-279) Complete set of 10 lithographs including lithograph cover and frontispiece (8 printed with beige tint), 1898, from the edition of 350, commissioned by W. H. B. Sands, London and published by Bliss, Sands & Co., Paris, with full margins, framed. Sheets approximately 21 1/2 x 14 1/2 inches; 546 x 368 mm. C $6,000-9,000 234 Elizabeth O’Neill Verner (1883-1974) ON SOUTH BATTERY, CHARLESTON Etching, signed and titled in pencil, with good margins, framed. 5 1/8 x 3 3/8 inches; 130 x 86 mm. Sheet 8 7/8 x 5 5/8 inches; 225 x143 mm. C $600-800

234 94 DOYLE • MAY 1, 2017 • NEW YORK

235 Andy Warhol (1928-1987) LOVE IS A PINK CAKE (FELDMAN/SCHELLMAN IV.27-50) Complete set of 25 offset lithographs, 1953, on pale blue wove paper, with accompanying poetry by Ralph Thomas Ward, edition of approximately 100, published by the artist, New York, the full sheets. Sheets 11 x 8 1/2 inches; 279 x 216 mm. Provenance: The artist Billy Cecil (William Cissell) Private Collection Cecil was an artist and set designer in New York. C $4,000-6,000 236 Andy Warhol HOLY CATS BY ANDY WARHOL’S MOTHER (NOT IN F./S.) Complete set of 21 offset lithographs (including the cover), 1954, on colored wove papers, from the edition of unknown size, published by the artist, New York, with cover lithograph affixed to the original boards, the full sheets, bound (as issued). Overall 9 1/8 x 6 inches; 232 x 152 mm. C The Collection of Willa Kim and William Pène du Bois $2,000-4,000 237 Andy Warhol HAPPY BUTTERFLY DAY Hand-colored offset lithograph, circa 1955, on cream wove paper, with full margins, framed. Sheet 14 x 10 inches; 356 x 254 mm. Provenance: The artist Billy Cecil (William Cissell) Private Collection Cecil was an artist and set designer in New York. C $3,000-5,000

237

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238 Andy Warhol CAMPBELL’S SOUP CAN ON A SHOPPING BAG (F./S. 4) Color screenprint on a paper shopping bag, 1964, signed with initials and dated in ink, edition of approximately 300, published by Bianchini Gallery, New York. 6 x 3 3/8 inches; 152 x 86 mm. Bag 19 3/8 x 17 1/8 inches; 492 x 435 mm. C $800-1,200 239 Andy Warhol AFTER THE PARTY (F./S. II.183) Color screenprint, 1979, on Arches 88 paper, signed and numbered 720/1000 in pencil, printed by Rupert Jasen Smith, New York and with his blindstamp, published by Grosset and Dunlap, Inc., New York, the full sheet, framed. 21 5/8 x 30 3/8 inches; 549 x 772 mm. C $8,000-12,000

238

239 96 DOYLE • MAY 1, 2017 • NEW YORK

240 240 Andy Warhol AFRICAN ELEPHANT (F./S. II.293) Color screenprint, 1983, on Lenox Museum Board, signed and numbered 35/150 in pencil, with the artistâ&#x20AC;&#x2122;s copyright ink stamp verso, from Endangered Species, printed by Rupert Jason Smith, New York and with his blindstamp, published by Ronald Feldman, New York, the full sheet, framed. Sheet 38 x 38 inches; 965 x 965 mm. C $40,000-60,000

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241 241 James Abbott McNeill Whistler (1834-1903) THE STORM (KENNEDY 81; GLASGOW 81) Drypoint, 1861, on pale blue laid paper, Glasgow’s third state of three, after the cancellation lines reduced in printing, with (full?) margins, framed. 6 3/16 x 11 1/4 inches; 157 x 286 mm. Sheet 10 x 16 inches; 254 x 406 mm. • $800-1,200

242 James Abbott McNeill Whistler STUDY (WAY 3; SPINK/STRATIS/TEDESCHI 4) Lithograph printed in black, 1878, on laid Japan paper, one of 12 recorded impressions, printed by Way, with margins, framed. Sheet 11 x 8 1/4 inches; 279 x 210 mm. Provenance: Knoedler-Modarco S.A., New York The sitter is Maud Franklin, Whistler’s mistress and frequent subject during this period. C Property from the Collection of Mr. and Mrs. Raymond J. Horowitz, sold for the benefit of the Bard Graduate Center $10,000-15,000

242 98 DOYLE • MAY 1, 2017 • NEW YORK

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243 James Abbott McNeill Whistler THE TOILET (W. 6; S./S./T. 10) Lithotint printed in black, 1878, on cream wove paper, laid on a Japan support sheet, from the published edition for Picadilly of the second state of five and with the text, with good margins, framed. Sheet 13 1/2 x 10 1/4 inches; 343 x 260 mm. The sitter is Maud Franklin, Whistler’s mistress and frequent subject during this period. C Property from the Collection of Mr. and Mrs. Raymond J. Horowitz, sold for the benefit of the Bard Graduate Center $2,000-3,000 244 Terry Winters (b. 1949) FURROWS Peter Blum Editions, New York, 1989 Complete set of 5 woodcuts, 1989, on Cartalafranca paper, signed and numbered 31/45 in pencil, with original paper folder signed, numbered 31/45 and dedicated in pencil, published by Peter Blum Editions, New York, with full margins, with original cardboard box. Sheets 26 3/4 x 21 3/8 inches; 679 x 543 mm. C Estate of Nan Rosenthal and Henry B. Cortesi $2,000-3,000 245 Zao Wou-Ki (1921-2013) UNTITLED (AGERUP 103) Color lithograph, 1956, on Rives BFK paper, signed, dated and numbered 17/60 in pencil, published by L’Oeuvre Gravée, Zurich, with full margins. 15 1/4 x 25 1/4 inches; 387 x 641 mm. Sheet 19 3/4 x 25 3/4 inches; 502 x 654 mm. C $1,000-2,000

245

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246 After Andrew Wyeth TEN COLOR REPRODUCTIONS OF PAINTINGS BY ANDREW WYETH Complete set of 10 color collotypes, 1956, proofs aside from the edition of 250, the justification signed and dedicated To Harry, With warmest wishes in ink, with complete text, on sheets with center fold and text (as issued), printed by Triton Press Inc., New York, folded with the full sheets, in original portfolio. Folded sheets 26 x 20 inches; 660 x 508 mm. Including: CHISTINA OLSON; NORTHERN POINT; KARL; THE BLUE DUMP; FARAWAY; WIND FROM THE SEA; YOUNG AMERICA; THE OAK; COOLING SHED; NICHOLAS Provenance: Harry H. Lerner by descent to the present owner. Harry H. Lerner was the founder and president of Triton Press, and the first printer in the United States to use collotype for the reproduction of fine art. Wyeth and Lerner collaborated for over 30 years on numerous prints and formed a lifelong friendship. According to Wyeth, “Harry did the very best reproductions of my work, and his high quality was outstanding.” C $1,000-2,000 247 After Andrew Wyeth THE SLIP (3) Color collotypes, 1977, the first two proof impressions, one signed and inscribed O.K., one signed with initials and inscribed in ink and stamped PROOF in blue ink, printed by Triton Press Inc., New York, distributed by New York Graphics Society Ltd., with full margins. (3) Each 18 1/4 x 26 inches; 464 x 660 mm. Sheets 23 5/8 x 30 1/8 inches; 600 x 765 mm. Provenance: Harry H. Lerner by descent to the present owner. C $700-1,000

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248 After Andrew Wyeth WOLF RIVERS; FOG BELL Color collotypes, 1977 and 1979, signed with initials and inscribed OK, the first in ink, the second in pencil, the first stamped PROOF in blue ink, final printerâ&#x20AC;&#x2122;s proofs, printed by Triton Press Inc., New York, the first distributed by New York Graphics Society Ltd., the second published by Penobscot Bay Medical Center, with full margins. (2) Larger 27 3/4 x 18 5/8 inches; 705 x 473 mm. Provenance: Harry H. Lerner by descent to the present owner. C $600-800

248 part

249 Anders Zorn (1860-1920) DAL RIVER (ASPLUND 284; HJERT/HJERT 284) Etching, 1919, on cream laid paper, signed in pencil, with full margins, framed. 7 x 4 5/8 inches; 178 x 117 mm. Sheet 14 3/4 x 9 7/8 inches; 375 x 251 mm. C $600-800

End of Sale

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Artist Index Albers, J.

Hockney, D.

82-85

Rauschenberg, R.

Hodgkin, H.

86-94

Rembrandt

Baechler, D.

Benton, T.H.

3, 4

Bishop, I.

Icart, L.

Bochner, M.

Indiana, R., After

100

Kahn, W.

101

Bourgeois, L.

Braque, G.

8,9

Braque, G., After

10, 11

Hundertwasser, F.

Katz, A.

95 96-99

102, 103

196-202 203

Rizzi, J.

204-206

Rockwell, N.

207, 208

Rops, F. 209 Rouault, G.

210, 211

Ruscha, E.

212

Schiele, E.

213

Buhot, F.

Kelly, E. 104

Scully, S. 214

Burri, A.

Kentridge, W.

105

Simon, T. F.

215

Bush, J.

Kollwitz, K.

106-111

Siqueiros, D. A.

216

Sloan, J. 217 Cadmus, P.

15-21

Léger, F., After

Calder, A.

22-26

LeWitt, S.

113, 114

Campigli, M.

27, 28

Lichtenstein, R.

115-118

Cassatt, M.

Lowry, L. S.

Catlett, E.

Lozowick, L.

Chagall, M.

Mack, H.

Close, C.

Manet, E.

Cocteau, J.

Man Ray

Cuevas, J .L.

Curry, J. S.

51 52-57

Davis, S.

Stella, F.

219-222

119

Tamayo, R.

223-229

120

Toulouse-Lautrec, H. de

230-233

121

Verner, E. O.

122 235-240

Marca-Relli, C.

124

Whistler, J. A. M.

241-243

Marsh, R.

125

Winters, T.

Martelly, J. de

126

Wou-Ki, Z.

Matisse, H.

127

Wyeth, A., After

Matisse, H., After McGinness, R.

Duchamp, M.

130

61, 62

Milton, P.

131, 132

Miró, J.

133-149

Miró, J., After

150, 151

Erté

Moore, H.

152, 153

Feininger, L.

65-67

Francis, S.

68, 69

Frankenthaler, H.

70, 71

Neiman, L.

155, 156

Nevelson, L.

157, 158

73, 74

Oldenburg, C.

159

Pettibon, R.

160

Gross, C.

Motherwell, R.

154

Picasso, P.

161-187

77, 78

Picasso, P., After

188-192

Haring, K.

Piene, O.

193, 194

Hassam, C.

Poliakoff, S.

Helleu, P. C.

Hamaguchi, Y.

102 DOYLE • MAY 1, 2017 • NEW YORK

244 245 246-248

128, 129

Dürer, A.

Grooms, R.

234

Warhol, A.

59, 60

Giacometti, A.

218

61, 123

Dubuffet, J.

Freud, L.

Soulages, P.

31-46

Chagall, M., After

Dalí, S.

112

195

Zorn, A. 249

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

SOPHISTICATED RETREAT

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CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $250,000 of the hammer price, 20% on the portion of the hammer price from $250,001 through $3,000,000, and 12% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: An additional fee will be charged on any purchase made through live online bidding. The provider of our live online bidding service (Invaluable) charges a fee of five percent (5%) on the final hammer price of successful bids placed on their web site (Invaluable.com) and four percent (4%) of the final hammer price of successful bids using BidLive! on our web site (Doyle.com). The purchaser is responsible for paying 100% of this fee, the amount of which is determined by which site is used for their purchases. A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

PRESTIGIOUS TUDOR IN MONTCLAIR 230 S. Mountain Ave • $1,199,000 Prominently sitting on prestigious South Mountain in Montclair, New Jersey, is an impressive Tudor home boasting seven bedrooms and three-and-a-half baths. With exquisite architectural details throughout the home, there are many features that cannot be missed! Some of which include, a large foyer with beautiful woodwork, family room with a cozy fireplace, and large master suite with a sitting area. The expansive backyard has a three-car garage and deck and patio among the lush landscape. Close to Midtown Direct trains and a vibrant downtown, this home is ideal for NYC commuters seeking top-tier services and proximity to cultural entertainment and work. Take a tour at: www.230SMountainAveMontclairTwp.com

SAM JOSEPH

Sales Associate Luxury Collection Specialist Berkshire Hathaway HomeServices New Jersey Properties Office: 973-744-5544 Cell: 917-359-8990 Sam.Joseph@BHHSNJ.com SamJosephRealtor.com See Our Full Luxury Collection at

www.BHHSNJ.luxury

Montclair Office | 695 Bloomfield Ave, Montclair, NJ 07042 ©2017 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids;

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate. Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause. 13. If any part of these Conditions of Sale is found

h) To take such other actions as we deem necessary or appropriate; or

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

i) To effect any combination thereof.

14. The rights and obligations of the parties with

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

L A

J O L L A

Greg Noonan | 1.800.LA JOLLA (525.6552) | $13,800,000

EXQUISITE Uncovering hidden gems every day

bhhscalifornia.com | 888.995.7575 ÂŠ2017 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. CalBRE 00655720

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

zachys

The Bordeaux Auction in Celebration of

April 29, 2017 • Smith & Wollensky • New York City

zachys

® New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions

tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

IMPRESSIONIST & MODERN ART P O S T- W A R & C O N T E M P O R A R Y A R T

Auction May 10

NEW YORK

Ernest Trova, FALLING MAN, Stainless Steel, 1984 Estimate: $20,000-30,000 #

212 - 427- 2730 DOYLE.COM

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET BIDDING Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE INTERNET BIDDING BidLive! with a click of your mouse! Bidders from around the world now can experience the excitement of bidding live at Doyle New York on their computers. Simply sign in at Doyle.com, then register to bid live in real time in an upcoming sale. It couldn’t be easier or more convenient! No increased Buyer’s Premium! Purchases made on BidLive! are subject to the identical buyer’s premium as purchases made through the saleroom bids, telephone bids and absentee bids. There are no additional fees! Bid throughout the sale! With BidLive! you may log in during the sale to bid on specific lots, or leave the bidding console open all day on your computer. Total convenience for a global clientele! In the past, foreign bidders often required the assistance of telephone clerks who spoke Spanish, German, French, Mandarin etc., in order to execute their bids. With BidLive’s clear numeric display, foreign buyers need no longer rely on bilingual telephone clerks to place their bids. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

VI #

T H E E S TAT E O F A I L E E N M E H L E

Auction May 24

NEW YORK

Joseph Albers, SK-ED (DANILOWITZ 214), From the Estate of Aileen Mehle, Color screenprint, 1972, signed, dated, titled and numbered 99/100 in pencil, 13 3/4 x 13 5/8 inches. Estimate: $2,500-3,500 #

212 - 427- 2730 DOYLE.COM

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $250,000 of the hammer price of each lot, 20% on the portion of the hammer price from $250,001 through $3,000,000, and 12% thereafter. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, are presentative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE APRIL

JUNE

JULY

RARE BOOKS, AUTOGRAPHS & PHOTOGRAPHS Auction: Wednesday, APRIL 26 at 10am Exhibition: April 22 – 25

DOYLE+DESIGN® Auction: Wednesday, JUNE 7 at 10am Exhibition: June 3 – 5

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY

MAY PRINTS & MULTIPLES Auction: Monday, MAY 1 at 10am Exhibition: April 28 – 30

FINE JEWELRY Auction: Tuesday, JUNE 20 at 10am Exhibition: June 17 – 19 ®

DOYLE AT HOME Auction: Wednesday, JUNE 21 at 10am Exhibition: June 17 – 19

Auction: Wednesday, JULY 12 at 10am Exhibition: July 7, 10 & 11 ®

DOYLE AT HOME Auction: Wednesday, JULY 26 at 10am Exhibition: March 20, 21 & 24 AUGUST

COINS, BANK NOTES, POSTAGE STAMPS & MINERALS Auction: Monday, MAY 1 at 2pm Exhibition: April 28 – 30

DOYLE AT HOME Auction: Wednesday, AUGUST 16 at 10am Exhibition: August 10, 11 & 14

IMPRESSIONIST & MODERN ART Auction: Wednesday, MAY 10 at 10am Exhibition: May 6 – 8

JEWELRY & CONTENTS OF ABANDONED SAFE DEPOSIT BOXES Auction: Thursday, AUGUST 17 at 10am Exhibition: August 10, 11 & 14

POST-WAR & CONTEMPORARY ART Auction: Wednesday, MAY 10 at 2pm Exhibition: May 6 – 8 FINE JEWELRY – BEVERLY HILLS Auction: Monday, MAY 22 at 10am (Pacific) ENGLISH & CONTINENTAL FURINITURE & DECORATEIVE ARTS / OLD MASTER PAINTINGS Auction: Wednesday, MAY 24 at 10am Exhibition: May 20 – 22 at 10am

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

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