Prints & Multiples - 11.1.17

PRINTS & MULTIPLES

Wednesday, November 1, 2017

NEW YORK

PRINTS & MULTIPLES

AUCTION Wednesday, November 1, 2017 at 10am

EXHIBITION Saturday, October 28, 10am – 5pm Sunday, October 29, Noon – 5pm Monday, October 30, 10am – 6pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalogue: $30

INCLUDING PROPERTY FROM THE ESTATES OF Florence Aaron Elizabeth and Felix Albert Joseph Bedics, Sr. Nan Rosenthal and Henry B. Cortesi Mildred and Jack Feinblatt Anne H. and John K. Howat The Eva Kane Trust Ellin Jane Krinsly Trust Carl Lesnor Rex Lotery Carol Mercer Henriette Montgomery A New York Lady Helen Olson Barbara Rubin Dr. Alfred Ziviello

INCLUDING PROPERTY FROM Formerly in the inventory of Berry-Hill Galleries, New York A Collector A Private Minneapolis Collection A New England Collection A New York Corporate Collection

CONTENTS Prints & Multiples

1-245

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PRINTS & MULTIPLES

Lot 109

2

1 Yaacov Agam (b. 1928) BEYOND THE VISIBLE— MULTIDIMENSIONAL TOWER Polymorph screenprint on folded PVC multiple, 1980, signed and inscribed AP 6/25 in pencil (aside from the edition of 150), on gilt-metal base.

Height overall 34 1/4 inches; 870 mm.

C $3,000-5,000

1

2 Josef Albers (1888-1976) DR-b (DANILOWITZ 181) Color screenprint, 1968, on heavy board, signed with initial, dated and numbered 82/100 in pencil, published by Denise René Editions, Paris and with their blindstamp, with full margins, framed.

23 5/8 x 23 5/8 inches; 600 x 600 mm.

Sheet 26 3/4 x 26 7/8 inches; 679 x 683 mm.

C $2,000-3,000 3 Richard Artschwager (1923-2013) UNTITLED (QUOTATION MARKS) (ALEXANDER 5) Formica on painted wood, in two parts, 1980.

Each part 15 1/2 x 11 x 2 inches; 394 x 279 x 51 mm.

Provenance: Marion Goodman Gallery, New York C $1,000-1,500

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6 4 Milton Avery (1885-1965) MARCH AT A TABLE (LUNN 28) Drypoint, 1948, on cream wove paper, signed in pencil, with full margins, framed.

8 3/4 x 6 inches; 222 x 152 mm.

Sheet 16 1/4 x 13 inches; 413 x 330 mm.

C $2,000-3,000

5 Milton Avery SAILBOAT (L. 54) Woodcut, 1954, on Japan paper, signed and numbered 19/25 in pencil, with wide margins, framed.

7 5/8 x 12 1/3 inches; 194 x 311 mm.

Sheet 11 7/8 x 17 1/2 inches; 302 x 445 mm.

C $2,000-3,000

6 Ernst Barlach (1870-1938) THE FIRST DAY (DER ERSTE TAG) (SCULT II 164; LAUR 69.04) Woodcut, 1920, on cream Japan paper, signed in pencil, from the edition of 121, from The Transformations of God (Die Wandlungen Gottes), published by Pan-Presse, Berlin in 1922, with full margins, framed.

10 1/8 x 14 1/8 inches; 257 x 359 mm.

Sheet 12 1/2 x 17 3/4 inches; 318 x 451 mm.

C Property of a Collector $800-1,200

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7

7 Will Barnet (1911-2012) THE SWING (SZOKE 106) Color lithograph, 1951, on heavy wove paper, signed, dated and titled in pencil, with wide margins, framed.

15 1/4 x 19 5/8 inches; 387 x 498 mm.

Sheet 20 x 25 1/2 inches; 508 x 648 mm.

C Property from a New York Corporate Collection $700-1,000 8 Will Barnet BIG GREY; THE BLUE ROBE (S. 127; 148) Color woodcut and an etching and aquatint, 1962 and 1971, respectively, signed, titled, dedicated, the second inscribed Ed. 25, in pencil, published by the artist, New York, with full margins. (2) Larger 26 1/2 x 20 3/8 inches; 673 x 518 mm.

C The Eva Kane Trust $1,000-1,500

7

9 Will Barnet WOMAN AND WHITE CAT (S. 145) Color screenprint, 1971, on wove paper, signed, titled, inscribed Artist’s Imp and dedicated in pencil, published by Circle Fine Art, New York, the full sheet.

Sheet 29 1/4 x 21 7/8 inches; 743 x 556 mm.

C The Eva Kane Trust $800-1,200

8 part

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10 After Will Barnet JANUS AND THE WHITE VERTEBRA Hand-woven Aubusson wool tapestry

by Pinton Frères, signed and with the weaver’s monogram in the weave, signed in ink on Pinton label verso, numbered 2/6 verso.

76 x 46 inches; 1930 x 1168 mm.

C Dorothy Lewis 2013 Irrevocable Trust $3,000-5,000 11 Thomas Hart Benton (1889-1975) SLOW TRAIN THROUGH ARKANSAS (FATH 46) Lithograph, 1941, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed.

10 x 12 3/4 inches; 254 x 324 mm.

Sheet 12 x 14 7/8 inches; 305 x 378 mm.

C $2,000-3,000 12 Thomas Hart Benton THRESHING (F. 48) Lithograph, 1941, signed in pencil, edition of 250, published by Associated American Artists, New York, with good margins, framed.

9 3/8 x 14 inches; 238 x 356 mm.

Sheet 12 1/2 x 17 inches; 318 x 432 mm.

C Estate of Helen Olson $3,000-4,000

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VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9

13 Thomas Hart Benton NIGHT FIRING (F. 57) Lithograph, 1943, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed.

8 3/4 x 13 1/4 inches; 222 x 336 mm.

Sheet 10 3/4 x 15 1/8 inches; 273 x 320 mm.

C $1,000-1,500

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14 Thomas Hart Benton THE MUSIC LESSON (F. 60) Lithograph, 1943, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins.

10 x 12 7/8 inches; 254 x 327 mm.

Sheet 11 3/4 x 14 3/4 inches; 298 x 375 mm.

C Estate of Helen Olson $1,500-2,500

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15 Thomas Hart Benton ISLAND HAY (F. 68) Lithograph, 1945, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed.

10 x 12 5/8 inches; 254 x 320 mm.

Sheet 11 3/4 x 14 1/2 inches; 298 x 368 mm.

C $1,000-1,500

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16 16 Muirhead Bone (1876-1953) A SPANISH GOOD FRIDAY (RONDA) (DODGSON 412) Drypoint, 1925, signed and inscribed I 27 in pencil, from the first state of four, from the edition of 27, with full margins, framed.

12 5/8 x 8 1/4 inches; 321 x 210 mm.

Sheet 15 1/2 x 11 inches; 394 x 279 mm.

C Property from a Private Minneapolis Collection $1,000-2,000 17 Pierre Bonnard (1867-1947) LE BAIN (BOUVET 92A) Lithograph, circa 1892, on laid paper, signed and numbered 9/50 in pencil, from the first state of two, published by Galerie des Peintres-Graveurs, Paris and with their blindstamp, with (full?) margins, framed.

12 1/2 x 8 1/2 inches; 318 x 216 mm.

Sheet 14 3/8 x 10 7/8 inches; 365 x 276 mm.

C $1,000-1,500

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18 Richard Bosman (b. 1944) RIVER Color woodcut, 1989, on Kozo paper, signed and numbered 47/65 in pencil, published by the Metropolitan Museum of Art, New York, with full margins, framed.

30 x 34 inches; 762 x 864 mm.

Sheet 35 3/4 x 38 3/4 inches; 908 x 984 mm. • $600-800

18 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11

19

19 Georges Braque (1882-1963) SI JE MOURAIS LÀ-BAS (VALLIER 181) Wood engraving printed in blue, 1962, on Japon nacré paper, signed and numbered 19/40 in pencil, published

by Louis Broder, Paris, with full margins, framed.

10 1/4 x 9 1/2 inches; 260 x 241 mm.

Sheet 18 1/4 x 14 1/2 inches; 464 x 368 mm.

C $700-1,000

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20 Bernard Buffet (1928-1999) ABEILLE (MOURLOT 50) Color lithograph, on Arches paper, signed and numbered 36/150 in pencil, with full margins.

19 3/8 x 26 1/2 inches; 492 x 673 mm.

Sheet 21 1/2 x 29 1/8 inches; 546 x 740 mm.

C Estate of Carol Mercer $700-900

21 Paul Cadmus (1904-1999) ARABESQUE (DAVENPORT 47) Etching, 1947, on cream laid paper, signed, titled and inscribed Edition of 75 in pencil, with full margins, framed.

6 7/8 x 6 3/4 inches; 175 x 171 mm.

Sheet 11 3/8 x 10 1/8 inches; 289 x 257 mm.

C $700-1,000

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22 Alexander Calder (1898-1976) ELEPHANTS Color lithograph, 1976, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published

by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, framed.

Sheet 22 x 30 inches; 559 x 762 mm.

C Estate of Joseph Bedics, Sr. $1,000-1,500

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23 Alexander Calder STAR Color lithograph, 1976, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published

by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, framed.

Sheet 22 x 30 inches; 559 x 762 mm.

C Estate of Joseph Bedics, Sr. $1,000-1,500

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24 Alexander Calder ANIMALS Color lithograph, 1976, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published

by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, framed.

Sheet 22 x 30 inches; 559 x 762 mm.

C Estate of Joseph Bedics, Sr. $1,000-1,500

24 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13

25 Alexander Calder CIRCUS RIDER Color lithograph, on cream wove paper, with full margins, framed.

Sheet 22 3/4 x 30 5/8 inches; 578 x778 mm.

C $2,000-3,000

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26 Alexander Calder VIOLIN Color lithograph, on cream wove paper, signed and numbered 24/75 in pencil, the full sheet, framed.

Sheet 21 3/4 x 29 1/2 inches; 552 x 749 mm.

C $2,000-3,000

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27 Alexander Calder PYRAMID AND DISCS Color lithograph, on cream wove paper, signed and numbered 9/100 in pencil, the full sheet, framed.

Sheet 30 1/2 x 23 inches; 775 x 584 mm.

C $1,000-1,500

28 Alexander Calder LA LUNE ET LA MONTAGNE Color lithograph, on Rives BFK paper, signed and numbered 42/90 in pencil, with full margins, framed.

19 1/4 x 16 inches; 489 x 406 mm.

Sheet 24 x 19 1/4 inches; 610 x 489 mm.

C $1,000-1,500

29 part

30 part

31

29 Patrick Caulfield (1936-2005) SOME POEMS OF JULES LAFORGUE (CRISTEA 38 F; I-K; M; N; U) Color screenprints, 1973, on Neobond synthetic wove paper, signed and numbered 46/100 (6) and 33/100 in pencil, published by Petersburg Press in association with Waddington Galleries, London, with full margins. (7) Each approximately 16 x 14 inches; 406 x 356 mm.

Sheets approximately 23 7/8 x 21 7/8 inches; 606 x 556 mm.

C $3,000-5,000

30 Patrick Caulfield JUG; BROWN JUG; PITCHER (C. 39; 67; 68) Color screenprints, 1974, 1981-82 (2), on wove paper, signed and numbered 28/70, 34/80 and 29/80 respectively, in pencil, printed by Kelpra Studio, London and with their inkstamp or blindstamp, published by Waddington Graphics, London, the full sheets. (3) Largest sheet 40 1/4 x 30 1/2 inches; 1022 x 775 mm.

C $2,000-3,000

31 Patrick Caulfield GARDEN WITH PINES (C. 41) Color screenprint, 1975, on wove paper, signed and numbered in pencil, numbered 70/70 in pencil, printed by Kelpra Studio, London and with their ink stamp verso, published by Waddington Graphics, London, the full sheet.

Sheet 30 1/2 x 40 1/2 inches; 775 x 1029 mm.

C $700-1,000

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32

32 Paul Cézanne (1839-1906) LES BAIGNEURS (GRANDE PLANCHE) (VENTURI 1157; DRUICK 1) Lithograph, 1896-7, on cream laid paper watermark MBM France, published by Vollard, Paris, with full margins, framed.

16 1/4 x 19 7/8 inches; 413 x 505 mm.

Sheet 19 x 24 3/4 inches; 483 x 629 mm.

C $6,000-8,000 33 Marc Chagall (1887-1985) HAUS IN PESKOWATIK (KORNFELD 8) Etching and drypoint, 1922, on cream laid paper, signed and numbered 86/110 in pencil, from the second state c of two, from Mein Leben, published by Paul Cassirer, Berlin, with full margins, framed.

7 x 8 1/8 inches; 178 x 206 mm.

Sheet 14 x 17 1/2 inches; 356 x 445 mm.

C $1,000-1,500

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34 Marc Chagall L’HOMME AU SAMOVAR (MOURLOT 4) Lithograph, 1923, signed and numbered 5/35 in pencil, with full margins, framed.

16 1/4 x 10 3/8 inches; 413 x 264 mm.

Sheet 20 7/8 x 15 3/4 inches; 530 x 400 mm.

C $2,000-3,000 35 Marc Chagall AKT MIT FÄCHER (K. 39) Etching and drypoint, 1924, signed and numbered 7/100 in pencil, from the first state of two, from Le Portefeuille des Peintres-Graveurs Indépendants pour 1925, published by Editions Albert Morancé, Paris, with full margins.

8 1/2 x 11 inches; 216 x 279 mm.

Sheet 11 1/4 x 14 7/8 inches; 286 x 378 mm.

C $2,000-3,000

36 Marc Chagall BELLA (K. 41) Etching, 1924, on wove paper, signed and numbered 75/100 in pencil, from the second state b of two, published by Editions Albert Morancé, Paris, with full margins.

8 3/4 x 4 5/8 inches; 222 x 117 mm.

Sheet 11 1/4 x 8 7/8 inches; 286 x 225 mm.

C $2,000-3,000

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37 Marc Chagall LE JUGEMENT DE SALOMON (CRAMER BOOKS 30) Hand-colored etching, 1931-39, on wove paper, signed with initials and numbered 82/100 in pencil, from Le Bible, published

by Tériade, Paris, with full margins, framed.

12 1/2 x 8 3/4 inches; 318 x 222 mm.

Sheet 21 1/8 x 15 3/8 inches; 537 x 391 mm.

C $2,000-3,000

38 Marc Chagall SAUL ET DAVID (C. BKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 39/100 in pencil, from Le Bible, published

by Tériade, Paris, with full margins, framed.

11 3/4 x 9 5/8 inches; 298 x 244 mm.

Sheet 21 x 15 3/8 inches; 533 x 391 mm.

C $2,500-3,500 39 Marc Chagall LE CHEVAL ET L’ÂNE (C. BKS. 22) Etching, 1952, on Japon nacré paper, signed and inscribed epreuve hors commerce in pencil, from Les Fables de La Fontaine, with full margins.

11 3/4 x 9 1/2 inches; 298 x 241 mm.

Sheet 15 1/4 x 11 1/8 inches; 387 x 283 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

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40 Marc Chagall LE VERGER (THE ORCHARD) (M. 341) Color lithograph, 1961, on Arches paper, signed and numbered 26/60 in pencil, from Daphnis et Chloé, published by Tériade, Paris, with full margins, framed.

16 3/4 x 25 3/8 inches; 425 x 645 mm.

Sheet 21 1/4 x 29 7/8 inches; 540 x 759 mm.

C Estate of Dr. Alfred Ziviello $20,000-30,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19

41 41 Marc Chagall HYMÉNÉE (M. 349) Color lithograph, 1961, on Arches paper, with the usual central fold, from the edition of 250, from Daphnis et Chloé, published by Tériade, Paris, the full sheet, framed.

Sheet 16 1/2 x 25 1/4 inches; 419 x 641 mm.

C $1,500-2,500 42 Chuck Close (b. 1940) PHIL Rubber stamp, 1976, on Strathmore 3-Ply paper, numbered 21/1000 verso, from the Rubber Stamp Portfolio, published by Parasol Press Ltd., New York, with full margins, in original paper envelope.

Sheet 8 x 8 inches; 203 x 203 mm.

C $700-1,000

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42 43 John Coburn (1925-2006) FLAME TREE; GARDEN OF DESIRE; SUMMER GARDEN; WASTELAND Color screenprints, 1976, on wove paper, signed, dated, titled and numbered 3/40, 47/50, 27/40 and 3/40, respectively, in pencil, with full margins. (4) Largest 27 3/8 x 42 1/2 inches; 695 x 1080 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,000-2,000

44 Howard Norton Cook (1901-1980) GREETINGS FROM THE HOUSE WEYHE (DUFFY 111) Wood engraving, 1929, on laid Japan paper, signed and dated in pencil, from the edition of 100, with full margins, framed.

7 5/8 x 4 3/8 inches; 194 x 111 mm.

Sheet 11 3/4 x 8 1/2 inches; 298 x 216 mm.

C Property from a New York Corporate Collection $800-1,200

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45 part

45 José Luis Cuevas (b. 1934) CRIME Complete set of 12 lithographs (10 printed in color), 1968, on Rives BFK paper, 11 signed and numbered 67/100, 10 dated, in pencil, numbered on the justification page, with complete text, published

by Touchstone Publishers, New York, the full sheets, in original linen buckram covered portfolio.

Sheets 30 x 22 inches; 762 x 559 mm.

C $800-1,200

46

46 Salvador Dalí (1904-1989) ALLEGORY: BRAVE CECILE (FIELD 69-1B) Color lithograph, 1969, on Arches paper, signed and numbered 64/160 in pencil, from The Marquis de Sade suite, with full margins, framed.

20 x 15 3/4 inches; 508 x 400 mm.

Sheet 25 1/2 x 19 5/8 inches; 648 x 498 mm.

C $800-1,200 47 Salvador Dalí OUR HISTORICAL HERITAGE (F. 75-4) Complete set of 11 color drypoints and pochoirs, 1975, on Arches paper, signed and numbered 352/400 in pencil, numbered 352/400 on the justification, published by Leon Amiel, New York and Paris, with full margins, in original blue cloth-covered boards and slipcase with inset metallic medallion. (11) Sheets 26 x 19 7/8 inches; 660 x 505 mm.

C $5,000-7,000

47 part

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48 part

49

48 James Henry Daugherty (1889-1974) BROOKLYN BRIDGE WITH STREET URCHIN; BROOKLYN BRIDGE WITH MANHATTAN SKYLINE; UNDER THE BROOKLYN BRIDGE Etchings, signed in pencil, with good or full margins, framed. (3) Largest 17 3/4 x 13 7/8 inches; 451 x 352 mm.

C Property from a New York Corporate Collection $1,000-1,500 49 Stuart Davis (1892-1964) ARCH NO. 2 (COLE/MYER 7) Lithograph, 1929, on Chine collé to Rives BFK paper, signed and numbered 8/20 in pencil, with good margins, framed.

9 1/2 x 13 1/4 inches; 241 x 336 mm.

Sheet 12 3/4 x 19 inches; 324 x 483 mm.

C Property from a New York Corporate Collection $2,000-3,000 50 Stuart Davis HOTEL DE FRANCE (C./M. 9) Lithograph, 1929, on cream wove paper, signed and numbered 27/30 in pencil, with full margins, framed.

14 x 11 inches; 356 x 279 mm.

Sheet 18 1/8 x 13 3/8 inches; 460 x 340 mm.

C Property from a New York Corporate Collection $3,000-5,000

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51 Stuart Davis THEATRE ON THE BEACH (C./M. 16) Lithograph, 1931, signed and inscribed artist’s proof in pencil (aside from the numbered edition of 25), with full margins, framed.

11 x 15 inches; 279 x 381 mm.

Sheet 17 x 20 inches; 432 x 508 mm.

C Property from a New York Corporate Collection $10,000-15,000

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52 52 Stuart Davis COMPOSITION (C./M. 18) Lithograph, 1931, signed and numbered 9/25 in pencil, with full margins, framed.

10 x 9 inches; 254 x 229 mm.

Sheet 18 1/4 x 13 1/2 inches; 464 x 343 mm.

C Property from a New York Corporate Collection $4,000-6,000

53 53 Stuart Davis DETAIL STUDY FOR CLICHÉ (C./M. 24) Color lithograph, 1957, on wove paper, aside from the signed and numbered edition of 40, with full margins.

12 5/8 x 14 7/8 inches; 321 x 378 mm.

Sheet 15 5/8 x 18 1/8 inches; 397 x 460 mm.

C The Eva Kane Trust $800-1,200

54 After Stuart Davis IVY LEAGUE (C./M. P. 79) Color screenprint, 1953, with the stencil signature, with full margins, affixed at top left sheet corner verso to Edith G. Halpert 1953 holiday greetings card.

5 x 7 7/8 inches; 127 x 200 mm.

Sheet 6 x 9 inches; 152 x 229 mm.

C $800-1,200

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55 Edgar Degas (1834-1917) LUDOVIC HALÉVY MEETING MME. CARDINAL BACKSTAGE (ADHÉMAR 56) Monotype, circa 1880-83, on laid paper, the second of two impressions.

10 7/8 x 12 1/8 inches; 276 x 308 mm.

Sheet 11 7/8 x 13 1/2 inches; 302 x 241 mm.

Provenance: Atelier Edgar Degas, Vente d’Estampes, Galerie Manzi Joyant, Paris, November 22-23, 1918, no. 201 Private collection, New York Knoedler & Co., New York Gutekunst and Kornfeld, Berne, May 15, 1952, lot 74 Parke-Bernet Galleries, Inc., New York, April 27, 1962, lot 58 Acquired from the above, thence by descent C $8,000-12,000

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56 part

58 56 Sonia Delaunay-Terk (1885-1979) 27 TABLEAUX VIVANTS Complete set of 27 color pochoirs, 1969, with text by Jacques Damase, signed by both the artist and the author and numbered XII and dedicated to Dorothy Lewis in ink on the justification, bound as issued, in original linen-covered portfolio box.

Sheets 11 1/8 x 7 5/8 inches; 283 x 194 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500 57 Sonia Delaunay-Terk LA VERTE Color lithograph, 1970, on Arches paper, signed, dated and numbered H.C. 6/25 in pencil, with full margins.

21 5/8 x 15 5/8 inches; 549 x 397 mm.

Sheet 25 3/4 x 19 3/4 inches; 654 x 502 mm.

C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500

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58 Sonia Delaunay-Terk HORIZONTALE Color lithograph, 1970, on wove paper, signed and numbered 71/75 in pencil, with full margins.

15 3/8 x 21 inches; 391 x 533 mm.

Sheet 20 x 25 3/4 inches; 508 x 654 mm.

C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500

59 Sonia Delaunay-Terk CATHÉDRALE Color lithograph, 1971, on wove paper, signed, dated and numbered 41/75 in pencil.

23 7/8 x 17 5/8 inches; 606 x 448 mm.

Sheet 30 x 22 inches; 762 x 559 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500 60 Sonia Delaunay-Terk LES ILLUMINATIONS Color pochoirs, 1973, on wove paper, signed and numbered 5/20 in pencil, from the same-titled portfolio, published by Jacques Damase, Paris, with full margins. (2) Sheets 21 x 15 inches; 533 x 381 mm.

C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500

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60 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 27

61 61 After Sonia Delaunay-Terk AUTOMNE Hand-woven Aubusson wool tapestry by Pinton Frères, signed and with the weaver’s monogram in the weave, numbered 5/6 verso, acquired by Art Vivant, New York directly from Pinton Frères, circa 1972 and with both of their labels verso.

89 x 72 inches; 2260 x 1830 mm.

C Dorothy Lewis 2013 Irrevocable Trust $20,000-30,000

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62 62 Richard Diebenkorn (1922-1993) COMBINATION Color etching and aquatint, 1981, on Arches paper, signed, dated and numbered 13/40 in pencil, from Clubs and Spades, published by Crown Point Press, Oakland and with their blindstamp, with full margins, framed.

15 1/2 x 13 1/2 inches; 394 x 343 mm.

Sheet 30 3/4 x 24 3/8 inches; 781 x 619 mm.

C $15,000-20,000

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63 63 Richard Diebenkorn BLACK CLUB Etching, aquatint and drypoint, 1981, on Arches paper, signed, dated and inscribed AP in pencil, published by Crown Point Press, Oakland and with their blindstamp, with full margins, framed.

13 1/2 x 9 1/2 inches; 343 x 241 mm.

Sheet 30 1/4 x 22 5/8 inches; 768 x 575 mm.

C $8,000-10,000

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64 Kees van Dongen (1877-1968) CÉRES (BUSTE DE FEMME) (JUFFERMANS JM 8) Color heliogravure and offset lithograph, 1948, on Rives BFK paper, signed and numbered 106/200 in pencil, published by Éditions Carmen Guillard, Paris, with full margins.

22 3/4 x 18 1/8 inches; 577 x 461 mm.

Sheet 29 3/4 x 22 1/8 inches; 756 x 562 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500

66 Kees van Dongen CLAUDINE (MLLE OEUIE DE LYNX) (J. JL 28) Color lithograph, circa 1950, on wove paper, signed and numbered E.A. 9/24 in pencil, with full margins, framed.

13 7/8 x 9 1/4 inches; 352 x 240 mm.

Sheet 21 1/4 x 15 3/4 inches; 540 x 400 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

65 Kees van Dongen POLO IN ALEXANDRIA (J. JL 18) Color lithograph, circa 1948, on Arches paper, signed and numbered 6/100 in pencil, with full margins.

14 3/4 x 21 1/2 inches; 375 x 546 mm.

Sheet 19 7/8 x 25 7/8 inches; 505 x 657 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

66 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 29

67 Kees van Dongen JEAN-MARIE WITH HAT AND PIPE (LE BONHEUR) (J. JL 30) Color lithograph, 1955, on Arches paper, signed in blue crayon, numbered 30/46 E.A. in pencil, with full margins.

20 1/2 x 17 7/8 inches; 521 x 454 mm.

C Dorothy Lewis 2013 Irrevocable Trust $700-1,000 68 Kees van Dongen LE CARROUSEL (LE CHAMPS ÉLYSÉES) (J. JL 39) Color lithograph, 1963, on Rives BFK paper, signed in blue ballpoint pen, numbered 32/100 in black ink, with full margins.

22 x 18 3/8 inches; 559 x 467 mm.

Sheet 30 1/8 x 22 1/4 inches; 765 x 565 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500

67

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69 Kees van Dongen BRIGITTE BARDOT (J. JL 42B) Color lithograph, 1964, on Arches paper, signed in blue ballpoint pen, numbered 5/150 in pencil, published by the Musée Galliera, Paris, with full margins.

23 x 17 3/8 inches; 584 x 441 mm.

Sheet 29 x 21 7/8 inches; 737 x 556 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500

69

70

70 After Kees van Dongen LE COQUELICOT Color lithograph, 1960, on Arches paper, signed in blue ballpoint pen, inscribed Epreuve d’artiste in pencil, with full margins.

18 x 15 inches; 457 x 381 mm.

Sheet 25 x 18 5/8 inches; 635 x 473 mm.

C Dorothy Lewis 2013 Irrevocable Trust $10,000-15,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 31

71 Jean Dubuffet (1901-1985) LE PROMENEUR (WEBEL 395) Color lithograph, 1958, on cream Arches paper, signed, dated, titled and inscribed épreuve d’artiste III/XII in pencil, with full margins, framed.

13 x 9 1/4 inches; 330 x 235 mm.

Sheet 17 3/4 x 12 5/8 inches; 451 x 321 mm.

C $1,000-1,500 72 Jean Dubuffet GÉOMÉTRIE (W. 614) Lithograph, 1959, on cream Arches paper, signed, dated and numbered 75/75 in pencil, with full margins, framed.

21 x 15 1/4 inches; 533 x 387 mm.

Sheet 26 x 19 3/4 inches; 660 x 502 mm.

C $700-1,000 73 Jean Dubuffet LE NOCTAMBULE (W. 807) Color lithograph, 1961, on Arches paper, signed, dated, titled and numbered 44/50 in pencil, with full margins, framed.

18 1/2 x 15 1/4 inches; 470 x 387 mm.

Sheet 26 x 20 inches; 660 x 508 mm.

C $5,000-7,000 71

72

73 32 DOYLE • NOVEMBER 1, 2017 • NEW YORK

74

74 Jean Dubuffet PERSONNAGE AU CHAPEAU (W. 810) Color lithograph, 1962, on cream Arches paper, signed, dated and numbered 42/50 in pencil, with full margins, framed.

21 7/8 x 15 1/8 inches; 556 x 384 mm.

Sheet 25 7/8 x 19 7/8 inches; 657 x 505 mm.

C $8,000-12,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 33

76 After Raoul Dufy VUE DE LA FENÊTRE Color lithograph, circa 1950, on Arches paper, with the printed signature, initialed FM and numbered 181/200 in pencil, printed and published by Mourlot, Paris, with full margins, framed.

19 x 24 1/8 inches; 483 x 613 mm.

Sheet 19 7/8 x 25 5/8 inches; 505 x 651 mm.

C Property from a New York Corporate Collection $1,500-2,500

75 75 After Raoul Dufy (1877-1953) BÂTEAUX DANS LE PORT Color lithograph, circa 1950, on Arches paper, with the printed signature, initialed FM and numbered 191/200 in pencil, printed and published

by Mourlot, Paris, with full margins, framed.

18 7/8 x 24 7/8 inches; 479 x 632 mm.

Sheet 19 5/8 x 25 3/4 inches; 498 x 654 mm.

C Property from a New York Corporate Collection $2,000-3,000

76 34 DOYLE • NOVEMBER 1, 2017 • NEW YORK

77 Albrecht Dürer (1471-1528) APOLLO AND DIANA (BARTSCH 68; MEDER 64) Engraving, circa 1503-4, a very good Meder a/b impression, trimmed to or just within the image, framed.

Sheet 4 1/2 x 2 7/8 inches; 114 x 73 mm.

Ex-collection: Emil M. Baerwald (Lugt 885c) Provenance: Hill-Stone Inc., New York C Estate of a New York Lady $2,000-3,000

77

78 part

78 Fritz Eichenberg (1901-1990) IN PRAISE OF FOLLY Nine woodcuts, 1972 on Japanese mulberry paper, signed in pencil, numbered g in ink on the justification (one of 10 copies of the principal edition lettered A to F, aside from the edition of 150), with complete text, lacking one print, THE FOLLIES OF OLD AGE, published by Aquarius Press, New York and Baltimore, with full margins, in original red cloth clamshell box.

Sheets 20 x 14 inches; 508 x 356 mm.

C $600-800

79

80 Max Ernst ZU: LEWIS CARROLLS WUNDERHORN (S./L. 135 I) Color lithograph, 1970, on Japon nacré paper, signed and numbered 97/105 in pencil, with full margins; Together with After Max Ernst MAX ERNST GALERIE ALPHONSE CHAVE, color lithograph exhibition poster.

The first 15 1/2 x 10 5/8 inches; 394 x 270 mm.

Sheet 26 3/8 x 20 inches; 670 x 508 mm.

C Dorothy Lewis 2013 Irrevocable Trust $700-1,000

79 Max Ernst (1891-1976) POSTER FOR THE JEWISH MUSEUM (SPIES/LEPPIEN 111) Color lithograph, 1966, signed and numbered 98/99 in pencil, state C of E, published by The Jewish Museum, New York, with good or full margins, framed.

25 x 19 1/4 inches; 635 x 489 mm.

C $600-800 80 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 35

81 Elisabeth Frink (1930-1993) HORSE AND RIDER V (WISEMAN 47) Color lithograph, 1970-1971, on T.H. Saunders paper, signed and numbered 4/70 in pencil, from the Horse and Rider series, published by Leslie Waddington Prints Ltd., London, with full margins, framed.

Sheet 22 7/8 x 30 1/2 inches; 581 x 775 mm.

C $700-1,000

81

82 Elisabeth Frink CAS HORSE AND RIDER (W. 49) Color lithograph, 1971, on T.H. Saunders paper, signed and numbered 14/70 in pencil, published by Leslie Waddington Prints Ltd., London, with full margins, framed.

Sheet 23 x 31 inches; 584 x 787 mm.

C $700-1,000

82

83 Elisabeth Frink RESTING HORSE (W. 126) Color lithograph, 1981, on wove paper, signed in pencil, from the edition of 100 (aside from 10 proofs), published by Waddington Graphics, London and with their blindstamp, with full margins, framed.

Sheet 24 1/4 x 31 3/8 inches; 616 x 797 mm.

C $1,500-2,500

83 36 DOYLE • NOVEMBER 1, 2017 • NEW YORK

84 84 Isaac Friedlander (1890-1968) 3 A.M. Etching and drypoint, 1934, signed, dated, titled, annotated #8 and located New York in pencil, with good margins, framed.

9 1/2 x 15 5/8 inches; 241 x 397 mm.

Sheet 12 1/8 x 17 3/4 inches; 308 x 451 mm.

C The Estate of Elizabeth and Felix Albert $1,500-2,500

85 part

85 Isaac Friedlander A PERFORMANCE; FRAGMENT Wood engraving and an etching and aquatint, 1935 and 1936, respectively, signed, dated, titled, located New York, the first numbered 1/50, the second annotated #3 in pencil, with good margins, framed. (2) Larger 12 1/2 x 10 inches; 318 x 254 mm.

C The Estate of Elizabeth and Felix Albert $1,000-1,500

86 Red Grooms GERTRUDE STEIN (KNESTRICK 44) Three-dimensional color lithograph, 1975, on Arches Cover paper, signed, inscribed AP 1/6 in pencil (aside from the edition of 46), co-published by Brooke Alexander, Inc., and Marlborough Graphics, New York, in Plexiglas case.

Overall 19 1/4 x 22 x 11 1/4 inches; 489 x 559 x 286 mm.

C $1,000-1,500

86 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37

87 87 Red Grooms (b. 1937) GERTRUDE STEIN 2 D (K. 45) Color lithograph, 1975, on Arches Cover paper, signed and inscribed A.P. 3/8 in pencil, co-published by Brooke Alexander, Inc., and Marlborough Graphics, New York, with full margins, framed.

24 x 31 inches; 610 x 787 mm.

C $1,000-1,500

88 part 88 Red Grooms CAFE MANET; MANET/ROMANCE (K. 47; 52) Two etchings, 1976, on Rives BFK paper, signed, dated, numbered 2/40 and 5/40, respectively, the first titled, in pencil, the first co-published by Brooke Alexander, Inc. and Marlborough Graphics, Inc., New York, the second published by Brooke Alexander, Inc., New York, with full margins, framed. (2) Larger 23 5/8 x 17 3/4 inches; 600 x 451 mm.

C $1,000-1,500

89 part 38 DOYLE • NOVEMBER 1, 2017 • NEW YORK

89 Red Grooms NINETEENTH CENTURY ARTISTS (K. 54-63) Complete set of 10 etchings, 1976, on Rives BFK paper, signed, dated, titled, and numbered 1/40 in pencil, co-published by Brooke Alexander, Inc. and Marlborough Graphics, New York, with full margins, framed. (10) Sheets 15 x 11 inches; 381 x 279 mm.

C $2,000-4,000

90 Red Grooms PICASSO GOES TO HEAVEN II (K. 66) Etching and color pochoir, 1973-76, on Arches Cover paper, signed, dated, titled and numbered 3/53 in pencil, co-published by Brooke Alexander, Inc. and Marlborough Graphics, New York, with full margins, framed.

24 x 23 3/4 inches; 610 x 603 mm.

Sheet 28 7/8 x 30 3/4 inches; 733 x 781 mm.

C $700-1,000 91 Red Grooms LYSIANE AND RED’S WEDDING INVITATION (K. 114) Three-dimensional color lithograph, 1987, signed, dated July ‘87 and numbered 33/80 in blue pencil, co-published by the artist and Shark’s Inc., in Plexiglas case.

Overall 9 1/4 x 12 3/8 x 2 3/8 inches; 235 x 314 x 60 mm.

C $1,000-1,500 92 George Grosz (1893-1959) SCHWIMME, WER SCHWIMMEN KANN, UND WER ZU PLUMP IST, GEH’ UNTER! (DÜCKERS M V8) Offset lithograph, 1921, on cream laid paper, signed in pencil, from the edition of 100, from Die Räuber, with (full?) margins.

17 1/2 x 15 1/4 inches; 445 x 387 mm.

Sheet 23 3/4 x 18 1/4 inches; 603 x 464 mm.

C $700-1,000 90

91

92 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39

93 part

94 part 93 Richard Haas (b. 1936) OLD STATEN ISLAND FERRY BUILDING; THE DORILTON Color etching and a color lithograph, 1972 and 1974, signed, titled, numbered 8/20 and 16/30, respectively, the first inscribed 2nd state, in pencil, with full margins, framed. (2) Larger 11 7/8 x 37 1/2 inches; 302 x 953 mm.

C Property from a New York Corporate Collection $1,000-1,500 94 Richard Haas HONG KONG VIEW, BANK OF CHINA TOWER; TIMES SQUARE LOOKING NORTH; LEXINGTON LOOKING NORTH, CENTRAL SYNAGOGUE Color etchings and aquatints, 1990 (2) and 1991, respectively, on Arches Cover paper, signed, dated and numbered 29/35 (2) and 22/35 in pencil, with full margins, framed. (3) Largest 20 x 14 5/8 inches; 508 x 371 mm.

• $700-1,000

95

40 DOYLE • NOVEMBER 1, 2017 • NEW YORK

95 Richard Haas MANHATTAN VIEW, GOVERNOR’S ISLAND Color etching and aquatint, on Rives BFK paper, 1999, signed, dated, titled and numbered 79/85 in pencil, with full margins, framed.

22 1/4 x 34 inches; 565 x 864 mm.

Sheet 28 1/2 x 40 1/2 inches; 724x 1029 mm.

• $600-800

96 part 96 Norma Bassett Hall (1889-1957) INDIAN SUMMER; JONTRA FARM Color woodcuts, signed, titled, the first numbered 16/60, the second inscribed Ed. 50 in pencil, with (full?) margins, framed. (2) Larger 8 1/2 x 11 1/2 inches; 216 x 292 mm.

C $1,500-2,000

97 97 Hans Hartung (1904-1989) G 27 (MASON 115) Color etching and aquatint, 1957, on Arches paper, signed and numbered 11/100 in pencil, printed and published by LacouriĂŠre, Paris and with their blindstamp, with full margins, framed.

16 5/8 x 12 1/2 inches; 422 x 318 mm.

Sheet 26 1/4 x 19 3/4 inches; 667 x 502 mm.

C $700-1,000

98 Hans Hartung L 106; L 1966-2 (M. 184; 244) Color lithographs, 1963 and 1969, respectively, signed, one numbered 9/25, one inscribed EA in pencil, printed by Erker-Presse, Saint-Gall., published by the artist, with good or full margins, framed. (2) Larger 21 1/4 x 27 1/4 inches; 540 x 692 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

98 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 41

99 Childe Hassam (1859-1935) ELMS IN MAY (CORTISSOZ/CLAYTON 43) Drypoint, 1909, signed with the cipher and inscribed imp in pencil, with the tack holes at sheet edges, with full margins, framed.

7 x 10 7/8 inches; 178 x 276 mm.

C Property from the Estate of Anne H. and John K. Howat $1,000-1,500

99

100 Childe Hassam OLD LACE (C./C. 56) Drypoint, 1915, signed with the cipher and inscribed imp in pencil, with the tack holes at sheet edges, with full margins, framed.

6 7/8 x 7 inches; 175 x178 mm.

Sheet 9 3/4 x 8 5/8 inches; 248 x 219 mm.

C Property from the Estate of Anne H. and John K. Howat $1,000-1,500

100

101 William Heaslip (1898-1970) BAILING OUT; CORRIGAN’S CRATE; HARK THE HERALD ANGELS; NIGHT FLIGHT; TEST PILOT; THUNDERBIRD Etchings and aquatints, signed, titled, four inscribed Ed/100, the fifth numbered 3/100, in pencil, with good or full margins. (6) Largest 11 x 15 inches; 279 x 381 mm.

C $700-1,000

101 part 42 DOYLE • NOVEMBER 1, 2017 • NEW YORK

102 102 Barbara Hepworth (1903-1975) DECEMBER FORMS Color screenprint, 1969, on TH Saunders paper, signed and numbered 21/60 in pencil, from Opposing Forms, published

by Marlborough Fine Art, London, with full margins, framed.

Sheet 30 5/8 x 23 inches; 778 x 584 mm.

C $1,000-1,500

103 103 Patrick Heron (1920-1999) INTERLOCKING SCARLET AND PINK IN DEEP GREEN Color screenprint, 1970, on wove paper, signed, dated and numbered 83/100 in pencil, printed by Kelpra Studios, London and with their ink stamp, published by Waddington Graphics, London, with full margins.

23 5/8 x 31 inches; 600 x 787 mm.

Sheet 28 x 40 inches; 711 x 1016 mm.

C $800-1,200

104 Patrick Heron JANUARY 3; JANUARY 18 Color screenprints, 1973, signed, dated and numbered 66/72 and 53/72, respectively, in pencil, printed by Kelpra Studios, London and with their ink stamp, published by Waddington Graphics, London, with full margins. (2) Each 23 1/4 x 32 inches; 591 x 813 mm.

Larger sheet 27 3/8 x 36 1/2 inches; 695 x 927 mm.

C $1,000-1,500

104 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43

105 Camille Hilaire (1916-2004) FEMMES Complete set of 42 color lithographs and 2 watercolors, 1972, signed, the lithographs in pencil, the watercolors in ink, signed in ink on the justification, signed, dated and dedicated A la famille Lewis en toute amitié in ink on the first blank, the exemplaire unique set from the total edition of 195 with two additional sets of 12 color lithographs, one on Japon nacré paper, the other on Vélin d’ Arches paper, and 6 additional color lithographs, with complete text, published by La Diane Française, Nice, with full margins, in two original blue linen-covered portfolios.

Watercolor sheets 15 x 11 1/8 inches; 381 x 283 mm.

C Dorothy Lewis 2013 Irrevocable Trust $2,000-3,000

105 part

107 44 DOYLE • NOVEMBER 1, 2017 • NEW YORK

106 David Hockney (b. 1937) FOURTEEN POEMS FROM C. P. CAVAFY (SCOTTISH ARTS COUNCIL, MUSEUM OF CONTEMPORARY ART TOKYO 47-58) Set of 12 etchings and aquatints, 1966, signed and inscribed A. P. on the justification, with complete text, printed and published by Editions Alecto Limited, London, in original purple cloth binding.

Sheets 18 3/8 x 13 inches; 467 x 330 mm.

C $1,500-2,500 107 David Hockney PORTRAIT OF CAVAFY IN ALEXANDRIA (S.A.C., M.C.A.T. 47) Etching, 1966, signed, dated and numbered 9/75 in pencil, from Fourteen Poems from C.P. Cavafy, printed and published by Editions Alecto, Limited, London and with their ink stamp verso, with full margins, framed.

13 3/4 x 8 7/8 inches; 349 x 225 mm.

Sheet 22 1/2 x 15 7/8 inches; 572 x 403 mm.

C $800-1,200

106 part

108 David Hockney GREGORY EVANS (S.A.C. 176; M.C.A.T 165) Lithograph, 1976, on Arches buff paper, signed, dated and numbered 16/90 in pencil, published

by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed.

Sheet 41 5/8 x 29 5/8 inches; 1057 x 753 mm.

C $1,000-1,500

108

109 David Hockney POOL MADE WITH PAPER AND BLUE INK FOR BOOK (TYLER GRAPHICS 269; M.C.A.T. 234) Color lithograph, on Arches Cover paper, 1980, signed and dated and numbered 99/1000 in pencil (aside from 100 artist’s proofs), published

by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet; Together with Paper Pools, the accompanying book, signed by the artist in red ink and stamp numbered 99 on the justification, with blue canvas covers and original slipcase.

Sheet 10 1/2 x 9 inches; 267 x 229 mm.

C $6,000-9,000

109 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 45

110 part 110 Howard Hodgkin (1932-2017) INDIAN VIEW E; INDIAN VIEW H; INDIAN VIEW L (HEENK 15; 18; 22) Color screenprints, 1971, signed, dated and numbered 39/75, 36/75 and 43/75, respectively, in pencil, from Indian Views, published by Leslie Waddington Prints, printed by Kelpra Studio, London, with full margins, framed. (3) Largest sheet 22 7/8 x 30 3/4 inches; 581 x 781 mm.

C $1,000-1,500

111 Winslow Homer (1836-1910) EIGHT BELLS (GOODRICH 96) Etching, 1887, on imitation Japan paper, with the anchor and dial remarqués, from the edition of 50 printed by Charles S. White in 1941, published by the Metropolitan Museum of Art, New York and with their stamped inscription verso, with full margins, framed.

19 3/8 x 25 inches; 492 x 635 mm.

Sheet 23 1/8 x 30 1/8 inches; 587 x 765 mm.

• $4,000-6,000

111 46 DOYLE • NOVEMBER 1, 2017 • NEW YORK

112 Winslow Homer MENDING THE TEARS (SEE G. 97) Etching, 1888, on imitation Japan paper, with the anchor and dial remarqués, printed by Charles S. White, circa 1941, published by the Metropolitan Museum of Art, New York, with full margins, framed.

17 1/2 x 23 inches; 445 x 584 mm.

Sheet 22 x 28 inches; 559 x 711 mm.

• $3,000-5,000

112

113 Winslow Homer PERILS OF THE SEA (G. 99) Etching, 1888, on imitation Japan paper, with the anchor and fisherman’s head remarqués, printed by Charles S. White in 1941, published by the Metropolitan Museum of Art, New York, with full margins, framed.

16 3/8 x 21 7/8 inches; 429 x 556 mm.

Sheet 20 3/8 x 25 5/8 inches; 518 x 651 mm.

• $3,000-5,000

113

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 47

114 114 Friedensreich Hundertwasser (1928-2000) SLOW TRAVEL UNDER THE SUN (KOSCHATZKY 40) Color screenprint with metallic embossing, 1969, on CM Fabriano paper, signed, dated, numbered B/56/251 and inscribed in ink (one of six color variants lettered A-F), printed and published by Felix Landau, Los Angeles and Studio Quattro, Campalto-Venice, with full margins.

Sheet 29 7/8 x 22 inches; 759 x 559 mm.

C $1,000-1,500

115 115 Friedensreich Hundertwasser BURNING WINTER (K. 67) Color screenprint with metallic imprints, 1976, on CM Fabriano paper, signed, dated, numbered 100/227 and inscribed in ink, published by Gruener Janura AG, Glarus, Switzerland, with good or full margins, framed.

23 3/8 x 22 inches; 594 x 559 mm.

C $2,000-3,000

116 48 DOYLE • NOVEMBER 1, 2017 • NEW YORK

116 Friedensreich Hundertwasser 2 TO 13 WINDOWS AFLOAT (K. 76) Color woodcut, 1979, on Japan paper, signed, dated, numbered 123/200 and inscribed in ink, published by Gruener Janura AG, Glarus, Switzerland, with full margins.

14 5/8 x 20 3/8 inches; 371 x 518 mm.

Sheet 16 5/8 x 22 3/8 inches; 422 x 568 mm.

C $1,500-2,500

117 Friedensreich Hundertwasser SONG OF THE WHALES (K. 77) Color woodcut, 1979, on laid Japan paper, signed, dated, numbered 176/250 and inscribed in ink (one of 100 impressions printed in green, the rest of the edition was printed in blue), published by Gruener Janura AG, Glarus, Switzerland, with full margins.

20 3/8 x 14 1/2 inches; 518 x 368 mm.

Sheet 22 1/2 x 16 5/8 inches; 572 x 422 mm.

C $4,000-6,000 118 Louis Icart (1880-1950) SCARED; FAREWELL; AFTER THE WALK (HOLLAND/CATANIA/ISEN 104; 305; 374) Hand-colored color drypoints and aquatints, 1920, 1927 and 1929, respectively, signed, the first numbered 141, the second numbered 177/350, in pencil, the second and third with the artist’s blindstamp, with good margins, framed. (3) Largest 15 x 19 5/8 inches; 381 x 498 mm.

C $1,000-1,500

117

118 part

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49

119 Jasper Johns (b. 1930) 0-9 (FIELD 206; ULAE 155) Etching and aquatint, 1975, on Barcham Green paper, signed, dated and numbered 89/100 in pencil, published by Petersburg Press, London and New York, with full margins, framed.

4 1/2 x 9 1/4 inches; 114 x 235 mm.

Sheet 17 x 13 1/2 inches; 432 x 343 mm.

C $8,000-12,000

119

120 Jasper Johns UNTITLED (F. 260; ULAE 186) Color screenprint, 1977, from the edition of 3000, on Patapar printing parchment, printed

by Simca Print Artists, Tokyo and New York, published by Brooke Alexander, Inc., New York, as Jasper Johns/Screenprints catalogue cover, with good margins, framed.

9 1/2 x 9 3/8 inches; 241 x 238 mm.

Sheet 9 7/8 x 10 1/8 inches; 251 x 257 mm.

C $1,500-2,500

120 50 DOYLE • NOVEMBER 1, 2017 • NEW YORK

121 121 Alex Katz (b. 1927) THE SWIMMER (MARAVELL 75; SCHRÖDER 76) Aquatint, 1974, on German Etching paper, signed and numbered 44/84 in pencil, co-published by Brooke Alexander, Inc. and Marlborough Graphics, Inc., New York, the full sheet.

Sheet 28 1/8 x 36 inches; 715 x 915 mm.

C $700-1,000

122 122 Alex Katz GOOD MORNING (M. 79; S. 81) Color screenprint, 1975, on Arches paper, signed and numbered 74/91 in pencil, co-published by Brooke Alexander Editions, Inc. and Marlborough Graphics, Inc., New York, the full sheet.

Sheet 37 1/2 x 28 1/4 inches; 953 x 718 mm.

C $3,000-5,000

123 Alex Katz BOY WITH BRANCH II (M. 80; S. 79) Color aquatint, 1975, on wove paper, signed and numbered 37/60 in pencil, co-published

by Brooke Alexander Editions, Inc. and Marlborough Graphics, Inc., New York, the full sheet.

Sheet 24 x 40 1/8 inches; 610 x 1019 mm.

C $1,500-2,500

123 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 51

124

124 Alex Katz DOG AT DUCK TRAP (M. 81; S. 83) Color lithograph, 1975, on wove paper, signed and numbered 27/90 in pencil, co-published by Brooke Alexander, Inc. and Marlborough Graphics, Inc., New York, the full sheet.

Sheet 29 1/8 x 43 inches; 740 x 1092 mm.

C $3,000-5,000 125 Alex Katz CAROLINE (M. 92; S. 92) Color lithograph, 1977, on Arches buff paper, signed and numbered 15/60 in pencil, co-published by Brooke Alexander, Inc. and Marlborough Graphics, Inc., New York, the full sheet.

Sheet 27 1/8 x 21 1/8 inches; 689 x 637 mm.

C $600-800

125

52 DOYLE • NOVEMBER 1, 2017 • NEW YORK

126 part

127 126 Alex Katz ADA FOUR TIMES (M. 117-120; S. 118-121) Complete set of 4 color screenprints and lithographs, 1979-80, on Arches Cover White paper, signed and inscribed A.P. 17/25 in pencil (aside from the numbered edition of 120), published by GHJ Graphics, Inc., New York, the full sheets. (4) Sheets 30 x 22 1/2 inches; 762 x 572 mm.

C $3,000-5,000

128 part 127 Alex Katz GREEN JACKET (S. 246) Color screenprint, 1990, signed and numbered 129/150 in pencil, from Alex and Ada, the 1960s to the 1980s, published by Gaultney-Klineman Art, New York, the full sheet, framed.

Sheet 36 x 24 inches; 914 x 610 mm.

C $1,000-1,500

128 After Ellsworth Kelly (1923-2015) SAMPLE PORTFOLIO (AXSOM/FLOYD 61-70) Complete set of 10 color lithographs, 1970, with complete text, published by Gemini G.E.L., Los Angeles, the full sheets, in original folder.

Sheets 9 3/8 x 6 3/8 inches; 238 x 162 mm.

C $1,500-2,500

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129 William Kentridge (b. 1955) WALKING MAN (KRUT P. 65) Linocut on canvas, 2000, signed and numbered 2/9 in ink verso (only 4 of the intended edition of 9 on canvas were printed, there is an edition of 25 on paper), published by David Krut, Johannesburg, framed.

94 1/2 x 39 1/2 inches; 2400 x 1003 mm.

Exhibited: Tampa Museum of Art, What Does This Mean?

The Narrative Tradition, July 23-October 1, 2006.

C $20,000-30,000

129

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131

130 130 Käthe Kollwitz (1867-1945) ARBEITERFRAU (MIT DEM OHRRING) (KLIPSTEIN 105; KNESEBECK 112) Etching and soft-ground etching printed in dark brown, 1910, on cream wove paper, signed in pencil, also countersigned by the printer, Otto Felsing, Knesebeck’s fourth state of five, with (full?) margins, framed.

13 1/8 x 9 3/4 inches; 333 x 248 mm.

Sheet 20 1/8 x 13 3/4 inches; 511 x 349 mm.

C A New England Collection $1,000-1,500

131 Yayoi Kusama (b. 1929) PUMPKINS Painted cast resin multiples, with stamped artist name and copyright on the underside, published by Benesse Holdings, Inc., Japan, with original boxes. (2) Each height 4 inches; 102 mm.

C $1,800-2,200

132 Fernand Léger (1881-1955) CONSTRUCTION; LES POMPES A ESSENCE; TOUR EIFFEL (SAPHIRE PP. 238; 286-87) Color lithographs, 1954-59, on Arches paper, with the printed signature and numbered out of the edition of 180 in pencil, from La Ville, with full margins, framed. (3) Largest 16 3/8 x 23 1/2 inches; 416 x 597 mm.

C Property from a New York Corporate Collection $1,000-1,500

132 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55

133 Clare Leighton (1898-1989) CUTTING (BOSTON PUBLIC LIBRARY 193) Wood engraving, 1931, on Japan paper, signed, titled and numbered 72/100 in pencil, from Lumber Camp, with full margins; Together with A FARMER’S YEAR, book, 1933, published by Longmans, Green and Company, New York, the first framed.

The first 11 1/2 x 8 inches; 292 x 203 mm.

Sheet 15 1/2 x 10 3/4 inches; 394 x 273 mm.

C $1,000-1,500

133 part

134 Roy Lichtenstein (1923-1977) TURKEY SHOPPING BAG (CORLETT APP. 4) Color screenprint on a paper shopping bag, 1964, signed in pencil, edition of approximately 200, published by Bianchini Gallery, New York.

7 1/2 x 8 5/8 inches; 191 x 219 mm.

Bag 19 5/8 x 17 inches; 498 x 432 mm.

C $2,000-3,000

134 56 DOYLE • NOVEMBER 1, 2017 • NEW YORK

135

135 Roy Lichtenstein LES NYMPHÉAS (C. 280) Color linocut, woodcut, lithograph and screenprint, 1993, on Arches Cover paper, signed, dated and inscribed PP 5/5 in pencil, published by the artist and Editions de la Tempête, Paris, for the benefit of Médecins du Monde, with full margins, framed.

26 1/4 x 35 7/8 inches; 667 x 911 mm.

Sheet 31 x 40 3/8 inches; 787 x 1026 mm.

C $20,000-30,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57

136 Man Ray (1890-1976) PROMENADE (ANSELMINO 14) Color lithograph, 1965, on Arches paper, signed and inscribed E.A. in pencil, with full margins.

11 1/2 x 8 3/4 inches; 292 x 222 mm.

Sheet 19 3/4 x 14 5/8 inches; 502 x 371 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

136

137 137 Man Ray LES AMOUREUX (A L’HEURE DE L’OBSERVATOIRE) (A. 15) Color offset lithograph, 1970, on wove paper, signed and numbered 45/150 in pencil, published by J. Petithory, Paris, with full margins, framed.

14 x 35 1/2 inches; 356 x 902 mm.

Sheet 26 3/4 x 40 3/4 inches; 670 x 1035 mm.

C Dorothy Lewis 2013 Irrevocable Trust $20,000-30,000

58 DOYLE • NOVEMBER 1, 2017 • NEW YORK

138 Man Ray PROMENADE (A. 44) Color lithograph, 1970, signed, numbered 109/130 in pencil, with full margins.

13 3/4 x 20 inches; 349 x 508 mm.

Sheet 21 x 26 1/2 inches; 533 x 673 mm.

C Dorothy Lewis 2013 Irrevocable Trust $700-1,000 139 Man Ray DE L’ORIGINE DES ÉSPÈCES PAR VOIE DE SÉLECTION IRRATIONELLE (A. 58) Complete set of 10 color lithographs, 1971, on Arches paper, signed and number 31/180 in pencil, with complete text, numbered 31 on the justification, published by Leon Amiel, New York, and XXe Siècle, Paris, original yellowish-orange pasteboard portfolio.

Sheets 20 x 14 1/8 inches; 508 x 359 mm.

C Dorothy Lewis 2013 Irrevocable Trust $3,000-5,000

138

140 140 Man Ray PERPETUAL MOTIV (SEE A. 99) Color screenprint, 1972, on clear paper, signed with initials in ink, with 1973 holiday greetings card to Joel and Dorothy Lewis, the card signed

by Julie and Man Ray and inscribed, Thanks for the lovely picture of me and my harem!, in original mailing envelope.

Sheet 7 1/2 x 5 7/8 inches; 191 x 149 mm.

C Dorothy Lewis 2013 Irrevocable Trust $600-800

139 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59

141 Roberto Matta (1911-2002) PYROCENTRE (FERRARI 267) Color etching and aquatint, 1980, on Arches paper, signed and numbered 56/90 in pencil, published by Georges Visat, Paris, with full margins.

26 3/8 x 20 3/4 inches; 670 x 527 mm.

Sheet 33 3/8 x 25 inches; 848 x 635 mm.

C $1,500-2,500

141 142 Peter Milton (b. 1930) DAYLILIES (JOHNSON/MILTON 96) Etching, engraving and direct photographic transfer, 1975, on RHB paper, signed, dated, titled and numbered 147/160 in pencil, with full margins, framed.

19 3/4 x 31 7/8 inches; 502 x 810 mm.

C $1,000-1,500

142

143 Joan Miró (1893-1983) POSTER FOR EXHIBITION 1950 (MOURLOT 92) Color lithograph, 1950, on Arches paper, signed and numbered 37/75 in pencil, published by Maeght, Paris, with (full?) margins, framed.

23 x 16 1/2 inches; 584 x 419 mm.

Sheet 24 7/8 x 19 1/8 inches; 632 x 486 mm.

C Property from a New York Corporate Collection $1,000-1,500

143 60 DOYLE • NOVEMBER 1, 2017 • NEW YORK

144 Joan Miró LA BAGUE D’AURORE (DUPIN 134) Color etching and aquatint, 1957, on Japon nacré paper, signed and numbered III/XV in pencil, from the edition of 87, published by Louis Broder, Paris, with full margins, framed.

5 1/2 x 4 1/2 inches; 140 x 114 mm.

Sheet 15 1/4 x 11 inches; 387 x 279 mm.

C $2,000-3,000 145 Joan Miró CARTE D’INVITATION GALERIE MAEGHT (M. 108) Color lithograph, 1957, signed in ink, with a central vertical fold and text verso (as issued), the full sheet, framed.

Sheet 4 1/2 x 11 1/2 inches; 114 x 292 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200 144

145 146 Joan Miró ALTAMIRA (M. 254) Color lithograph, 1958, on Arches paper, signed and numbered 25/75 in pencil, with full margins, framed.

17 1/2 x 24 inches; 445 x 610 mm.

Sheet 20 1/8 x 26 1/4 inches; 511 x 667 mm.

C $1,000-1,500

146 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 61

147 Joan Miró FUSÉES (D. 249) Color aquatint, with a hand-colored blue spot, 1959, on laid Japan paper, signed and numbered II/V in pencil, from the same-titled portfolio, published by Louis Broder, Paris, with full margins, framed.

5 x 7 inches; 127 x 178 mm.

Sheet 10 7/8 x 15 inches; 276 x 381 mm.

C $1,000-1,500

147

148 Joan Miró FUSÉES (D. 250) Color aquatint, with a hand-colored green spot, 1959, on wove paper, signed and numbered V/XV in pencil, from the same-titled portfolio, published by Louis Broder, Paris, with full margins, framed.

5 1/8 x 7 1/8 inches; 130 x 181 mm.

Sheet 11 1/4 x 15 inches; 286 x 381 mm.

C $1,000-1,500

148 62 DOYLE • NOVEMBER 1, 2017 • NEW YORK

149 part

149 Joan Miró CONSTELLATIONS (M. 260-261; CRAMER BOOKS 58) Complete set of 2 color lithographs and 22 color pochoir reproductions after gouaches by the artist, 1959, on Arches paper, the first two signed and numbered 109/150 and 109/350, in pencil, signed by the artist in blue ink and the author, André Breton, in red ink and numbered 109/350 on the justification (the total edition was 384), with complete text, published by Pierre Matisse, New York, the full margins and full sheets, with original canvas-covered portfolio case and paper folders, the first two framed.

Lithograph sheets 17 1/8 x 14 inches; 435 x 356 mm.

C Estate of Rex Lotery $50,000-70,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 63

150 Joan Miró PIERROT LE FOU (M. 392) Color lithograph, 1964, on Arches paper, signed in and numbered 42/75 in pencil, the full sheet.

Sheet 35 1/4 x 23 7/8 inches; 895 x 606 mm.

C $3,000-5,000 151 Joan Miró PARTIE DE CAMPAGNE I (D. 430) Color etching and aquatint, 1967, signed in pencil, numbered 45/75, published by Maeght, Paris, with full margins, framed.

23 x 36 3/8 inches; 584 x 924 mm.

Sheet 28 7/8 x 41 inches; 733 x 1041 mm.

C $7,000-10,000

150

151 64 DOYLE • NOVEMBER 1, 2017 • NEW YORK

152

152 Joan Miró PARTIE DE CAMPAGNE III (D. 432) Color etching and aquatint, 1967, signed in pencil, numbered 38/75, published by Maeght, Paris, with full margins, framed.

23 1/8 x 36 3/8 inches; 587 x 924 mm.

Sheet 29 1/2 x 41 inches; 749 x 1041 mm.

C $6,000-8,000 153 Joan Miró EXHIBITION L’OISEAU SOLAIRE, L’OISEAU LUNAIRE, ETINCELLES (M. 506) Color lithograph, 1967, on Lana paper, signed and numbered 12/150 in pencil, published by Maeght, Paris, the full sheet, framed.

Sheet 25 3/4 x 19 3/8 inches; 654 x 492 mm.

C Property from a New York Corporate Collection $1,000-1,500

153 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65

154

154 Joan Miró LES ESSÈNCIES DE LA TERRA (M. 582; SEE C. BKS. 123) Hand-colored lithograph, 1968, on Japon nacré paper, signed and numbered 69D/100 in pencil, from the edition of 100 color variants, published by Ediçiones Polígrafa, Barcelona, with full margins, framed.

Sheet 19 5/8 x 14 1/4 inches; 498 x 362 mm.

C $10,000-15,000

66 DOYLE • NOVEMBER 1, 2017 • NEW YORK

155 Robert Motherwell (1915-2001) GAULOISES BLEUES (ENGBERG/BRANACH 59) Color etching, aquatint and collage, on Dutch Copperplate etching paper, 1968, signed and numbered 48/75 in pencil, published by Universal Limited Art Editions, West Islip, New York and with their blindstamp, with full margins, framed.

10 x 5 3/8 inches; 254 x 137 mm.

Sheet 22 1/4 x 14 3/8 inches; 565 x 362 mm.

C $3,000-5,000

155

156 Robert Motherwell REDNESS OF RED (E./B. 354) Color lithograph, screenprint and collage, 1985, on Arches Cover paper, signed with initials and numbered 12/100 in pencil, published by Tyler Graphics, Ltd., Bedford Village, New York and with their blindstamp, the full sheet, framed.

Sheet 24 x 16 inches; 610 x 406 mm.

C $10,000-15,000

156 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 67

157

158

157 Shiko Munakata (1903-1975) FISH AND FLOWER AND FEMALE BUDDHA Woodcut, 1957, on handmade Kozo paper, signed and dated in pencil, from the edition of 260, published by the Print Club of Cleveland, with full margins, framed.

12 1/2 x 8 5/8 inches; 318 x 219 mm.

Sheet 17 5/8 x 13 inches; 448 x 330 mm.

C Property from a New York Corporate Collection $3,000-5,000 158 Shiko Munakata HAWK WOMAN Woodcut, 1958, on Japan paper, signed, dated and numbered 177/200 in pencil, with the artist’s red ink stamp, with full margins, framed.

16 1/8 x 12 3/8 inches; 410 x 314 mm.

Sheet 20 1/8 x 15 1/2 inches; 511 x 394 mm.

C Property from a New York Corporate Collection $4,000-6,000 159 Edvard Munch (1863-1944) KINDERFRAU UND KNABE (NURSE WITH A BOY) (SCHIEFLER 183; WOLL 215) Etching, 1902, on Van Gelder Zonen laid paper, signed in pencil, with full margins, framed.

6 1/2 x 4 5/8 inches; 165 x 117 mm.

Sheet 15 7/8 x 11 3/8 inches; 403 x 289 mm.

C $1,000-2,000 159

68 DOYLE • NOVEMBER 1, 2017 • NEW YORK

160 Louise Nevelson (1899-1988) TRANSPARENT SCULPTURE NO. IV Plexiglas with metal screws multiple, 1968, from the edition of 13, commissioned by Nelson Rockefeller and gifted to the recipients of the New York State art award.

Overall 8 3/4 x 11 5/8 x 12 5/8 inches; 222 x 295 x 321 mm.

C Ellin Jane Krinsly Trust $5,000-7,000 161 Louise Nevelson SYMPHONY THREE Polyester resin sculpture relief, 1974, with incised signature and numbered 62/125 on a metal plaque affixed to the reverse, published by Pace Editions, Inc., New York.

18 3/8 x 18 x 2 inches; 467 x 457 x 51 mm.

C $4,000-6,000 162 Emil Nolde (1867-1956) SELBSTBILDNIS (SCHIEFLER/MOSEL 157) Etching and drypoint, 1911, on cream laid JWZ Anders paper, signed and dated in pencil, from the second state of two, from the edition of approximately 17, with full margins, framed.

11 1/2 x 10 1/4 inches; 292 x 260 mm.

Sheet 22 5/8 x 17 3/4 inches; 575 x 451 mm.

C $7,000-10,000

161

160

162

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69

163 Claes Oldenburg (b. 1929) THROWN INK BOTTLE WITH FLY AND DROPPED QUILL (AXSOM/PLATZKER 229) Color lithograph, 1991, signed and numbered 23/75 in pencil, published by Gemini G.E.L., Los Angeles, with full margins, framed.

34 1/4 x 29 5/8 inches; 870 x 752 mm.

C $1,500-2,500 164 Julio Le Parc (b.1928) SÉRIE 15 NO. 9 Color screenprint and collage, circa 1970, on heavy paper, signed, titled, numbered 29/120 and inscribed collage in pencil, published by Galerie Denise René, Paris and with their blindstamp and in their holiday greeting card, with (full?) margins.

5 1/2 x 5 1/2 inches; 140 x 140 mm Sheet 10 3/8 x 8 1/8 inches; 264 x 206 mm.

C $700-1,000

163

164 70 DOYLE • NOVEMBER 1, 2017 • NEW YORK

165 Pablo Picasso (1881-1973) BUSTE D’HOMME (BLOCH 4) Drypoint, 1905, on Van Gelder Zonen wove paper, from the edition of 250, from La Suite des Saltimbanques, published by Vollard, Paris in 1913, with wide margins, framed.

4 3/4 x 3 1/2 inches; 121 x 89 mm.

Sheet 18 x 12 1/2 inches; 457 x 318 mm.

C Property from the Estate of Anne H. and John K. Howat $1,500-2,500

165

166 Pablo Picasso SALOMÉ (B. 14) Drypoint, 1905, on Van Gelder Zonen wove paper, from the edition of 250, from La Suite des Saltimbanques, published by Vollard, Paris in 1913, with wide margins, framed.

15 3/4 x 13 5/8 inches; 400 x 346 mm.

Sheet 25 1/4 x 19 1/8 inches; 641 x 486 mm.

C $6,000-8,000

166

167 Pablo Picasso SCULPTEUR ET TROIS DANSEUSES SCULPTÉES (B. 217) Etching, 1934, on laid Montval paper with the Picasso watermark, signed in pencil, from the edition of 260, from La Suite Vollard, published

by Vollard, Paris, with full margins, framed.

8 3/4 x 12 3/8 inches; 222 x 314 mm.

Sheet 13 1/4 x 17 5/8 inches; 337 x 448 mm.

C $5,000-7,000

167 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71

169

168

168 Pablo Picasso EXPOSITION VALLAURIS (B. 1257; CZWIKLITZER 11) Linocut, 1952, on cream wove paper, framed.

Sheet 26 x 20 inches; 660 x 508 mm.

C $1,500-2,500 169 Pablo Picasso L’ATELIER DE CANNES (B. 794) Color lithograph, 1956, on Arches paper, still bound as the cover for Ces Peintres Nos Amis, the title page signed and dedicated to Dorothy and Joel Lewis in ink

by Serge Chauby, the author, printed and published by Mourlot, Paris in 1960, the full sheet.

17 1/4 x 12 7/8 inches; 438 x 327 mm.

Sheet 17 5/8 x 25 5/8 inches; 448 x 651 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

170

72 DOYLE • NOVEMBER 1, 2017 • NEW YORK

170 Pablo Picasso JEU DE LA CORRIDA (B. 832) Lithograph, 1957, on Arches paper, signed in red pencil, numbered 22/50, with full margins, framed.

20 7/8 x 28 3/8 inches; 530 x 721 mm.

Sheet 22 1/2 x 30 1/8 inches; 572 x 765 mm.

C Estate of Florence Aaron $3,000-5,000

172

171 171 Pablo Picasso FEMME EN BALCON, AFFICHE OEUVRE GRAVÉ (B. 1289) Lithograph, 1960, on Arches paper, signed in red crayon, numbered 4/145 in pencil, with full margins.

23 3/4 x 18 1/2 inches; 603 x 470 mm.

Sheet 25 7/8 x 19 3/4 inches; 657 x 502 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,200-1,800 172 Pablo Picasso DANS L’ATELIER (B. 1140) Etching and drypoint, 1963, on wove paper, signed and numbered 11/50 in pencil, with full margins, framed.

12 1/2 x 16 3/8 inches; 318 x 416 mm.

Sheet 17 3/4 x 21 3/4 inches; 451 x 552 mm.

C $4,000-6,000 173 Pablo Picasso LE PEINTRE ET SON MODÈLE (B. 1143) Aquatint and drypoint, 1963, on Richard de Bas paper, signed and numbered 25/50 in pencil, with full margins, framed.

16 1/2 x 18 3/4 inches; 419 x 476 mm.

Sheet 22 5/8 x 25 inches; 575 x 635 mm.

C Estate of Florence Aaron $8,000-12,000 173

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73

174

174 Pablo Picasso FUMEUR À LA CIGARETTE VERTE (B. 1168) Color aquatint, 1964, on Richard de Bas wove paper, signed in black crayon, numbered 3/50, published by Galerie Louise Leiris in 1965, with full margins, framed.

23 1/2 x 16 7/8 inches; 597 x 429 mm.

Sheet 31 x 22 5/8 inches; 787 x 575 mm.

C $15,000-20,000

74 DOYLE • NOVEMBER 1, 2017 • NEW YORK

175 Pablo Picasso LA CÉLESTINE (B. 1564; 1596; 1616; 1617; 1625; 1630; 1635; 1636; 1657; 1727; 1728; 1733; C. BKS. 149) Etchings and aquatints, 1968, on Auvergne laid paper Richard de Bas with LA CÉLESTINE watermark, published by Editions de l’Atelier Crommelynck, Paris, with full margins, framed. (12) Largest 5 3/8 x 4 1/4 inches; 137 x 108 mm.

C Property from a New York Corporate Collection $3,000-4,000 176 Pablo Picasso TÊTE DE CHEVRE DE PROFIL (ALAIN RAMIÉ 111) Painted and partially glazed white ceramic plate, 1950, numbered 12/200 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the underside, framed.

10 1/8 x 10 1/8 inches; 257 x 257 mm.

C $3,000-5,000

177 Pablo Picasso PICADOR (A.R. 162) Painted and partially glazed red ceramic pitcher, 1952, from the edition of 500, inscribed Edition Picasso Madoura on the base.

Height 5 1/2 inches; 140 mm.

C $1,500-2,000

175 part

177

176 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 75

178 Pablo Picasso POISSON BLEU (A.R. 180) Painted and partially glazed white ceramic plate, 1953, numbered 141/200, inscribed I. 101 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse.

12 3/4 x 15 3/8 inches; 324 x 391 mm.

C $6,000-8,000 179 Pablo Picasso SCÈNE DE TAUROMACHIE (A.R. 240) Painted and partially glazed white ceramic bowl, 1954, from the edition of 100, with the Madoura Empreinte Originale de Picasso pottery stamp on the underside.

6 5/8 x 6 5/8 x 2 1/4 inches; 168 x 168 x 57 mm.

C Dorothy Lewis 2013 Irrevocable Trust $2,000-3,000

178

180 Pablo Picasso PICHET ESPAGNOL (A.R. 244) Painted white ceramic pitcher, glazed on the interior, 1954, numbered 241/300, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside.

8 1/4 x 9 5/8 inches; 210 x 244 mm.

C $5,000-7,000

179

180 76 DOYLE • NOVEMBER 1, 2017 • NEW YORK

181 Pablo Picasso GRASSHOPPER SUR UNE BRANCHE (A.R. 258) Painted and partially glazed white ceramic bowl, 1955, from the edition of 100, with the Madoura Empreinte Originale de Picasso pottery stamp on the underside.

7 1/8 x 7 1/8 x 2 1/2 inches; 181 x 181 x 64 mm.

C Dorothy Lewis 2013 Irrevocable Trust $3,000-5,000 182 Pablo Picasso LA SEIN (A.R. 271) Painted and partially glazed white ceramic bowl, 1955, from the edition of 100, with the Madoura Empreinte Originale de Picasso pottery stamp on the underside.

7 1/8 x 7 1/8 x 2 1/2 inches; 181 x 181 x 64 mm.

C Dorothy Lewis 2013 Irrevocable Trust $3,000-5,000

181

183 Pablo Picasso TROIS PERSONNAGES SUR TREMPLIN (A.R. 374) Painted and partially glazed white ceramic plaque, 1956, from the edition of 500, with the Empreinte Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse.

7 5/8 x 7 5/8 inches; 194 x 194 mm.

C Dorothy Lewis 2013 Irrevocable Trust $2,000-3,000

182

183 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77

184 Pablo Picasso DANSEURS (A.R. 388) Painted and partially glazed white ceramic plaque, 1956, from the edition of 500, with the Empreinte Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse.

7 1/2 x 7 5/8 inches; 191 x 194 mm.

C Dorothy Lewis 2013 Irrevocable Trust $2,000-3,000 185 Pablo Picasso TROIS POISSONS SUR FOND GRIS (A.R. 396) Painted white ceramic plate, 1957, numbered 14/175, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse.

16 x 16 inches; 406 x 406 mm.

C $7,000-10,000

184

185 78 DOYLE • NOVEMBER 1, 2017 • NEW YORK

186 186 Pablo Picasso VISAGE NO. 157 (A.R. 489) Painted and glazed white ceramic plate, 1963, numbered 72/150 and inscribed No 157 Edition Picasso Madoura on the reverse.

10 x 10 inches; 254 x 254 mm.

C $6,000-8,000

187 187 Alain Ramié PICASSO, CATALOGUE OF THE EDITED CERAMIC WORKS 1947-1971 The complete catalogue raisonné of Picasso’s ceramic editions, in English, published in 1988 by Galerie Madoura.

Overall 11 3/4 x 9 5/8 x 1 5/8 inches; 298 x 244 x 41 mm.

C $800-1,200

188 After Pablo Picasso L’ATELIER Color lithograph by Fernand Mourlot, 1955, on cream Arches paper, signed in red crayon, with full margins, framed.

10 1/2 x 16 inches; 267 x 406 mm.

Sheet 12 5/8 x 18 1/2 inches; 321 x 470 mm.

C Dorothy Lewis 2013 Irrevocable Trust $3,000-4,000

188 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79

189

190 189 After Pablo Picasso LA FENÊTRE DE L’ATELIER À LA CALIFORNIE (MAEGHT 2102) Color aquatint, 1959, on Rives BFK paper, signed and numbered 172/300 in red pencil, published by Atelier Crommelynck, Paris and with their blindstamp, with full margins, framed.

15 7/8 x 12 7/8 inches; 403 x 327 mm.

Sheet 26 x 19 3/4 inches; 660 x 502 mm.

C Estate of Mildred and Jack Feinblatt $3,000-5,000 190 After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 94/200, with full margins.

25 5/8 x 19 3/4 inches; 651 x 502 mm.

Sheet 29 3/8 x 21 1/2 inches; 746 x 546 mm.

C Estate of Carl Lesnor $3,000-4,000

191 80 DOYLE • NOVEMBER 1, 2017 • NEW YORK

191 After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas, published by Harry N. Abrams, Inc., New York, the full sheet, framed.

Sheet 25 3/4 x 19 3/4 inches; 654 x 502 mm.

C Estate of Florence Aaron $1,000-2,000

192 After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas, published by Harry N. Abrams, Inc., New York, the full sheet, framed.

Sheet 25 7/8 x 19 3/4 inches; 657 x 502 mm.

C Estate of Florence Aaron $1,000-2,000 193 After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas, published by Harry N. Abrams, Inc., New York, the full sheet, framed.

Sheet 26 x 19 3/4 inches; 660 x 502 mm.

C Estate of Florence Aaron $1,000-2,000 194 After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas, published by Harry N. Abrams, Inc., New York, the full sheet, framed.

Sheet 26 x 19 3/4 inches; 660 x 502 mm.

C Estate of Florence Aaron $1,000-2,000 192

193

194 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81

195 part

196 part

195 Otto Piene (1928-2014) COMPOSITIONS Color screenprints, 1964-66, on wove paper, signed, dated, numbered and/or inscribed in pencil, the full sheets. (6) Largest sheet 19 1/2 x 27 5/8 inches; 495 x 702 mm.

C Estate of Nan Rosenthal and Henry B. Cortesi $1,000-1,500 196 Otto Piene COMPOSITIONS Color screenprints, 1967-69, signed, dated and numbered and/or inscribed in pencil, the full sheets. (10) Largest sheet 35 1/2 x 25 3/8 inches; 902 x 644 mm.

C Estate of Nan Rosenthal and Henry B. Cortesi $1,500-2,500

197

82 DOYLE • NOVEMBER 1, 2017 • NEW YORK

197 Camille Pissarro (1830-1903) PORTRAIT DE PAUL CÉZANNE (DELTEIL 13) Etching, 1874, on cream laid paper, with the artist’s monogram ink stamp (Lugt 613f), numbered 39/75, from the posthumous edition printed in 1920 (there were also 18-20 lifetime impressions), with full margins, framed.

10 5/8 x 8 1/2 inches; 270 x 216 mm.

Sheet 18 1/2 x 11 5/8 inches; 470 x 295 mm.

C $3,000-5,000

198 Serge Poliakoff (1900-1969) COMPOSITION ROUGE, JAUNE ET BLEUE (SCHNEIDER/POLIAKOFF 13) Colour lithograph, on Arches paper, 1957, signed and numbered 35/200 in pencil, published by Berggruen, Paris, with full margins, framed.

22 3/4 x 17 3/8 inches; 578 x 441 mm.

Sheet 26 x 19 inches; 660 x 483 mm.

C Property from a New York Corporate Collection $2,000-3,000

200 Serge Poliakoff COMPOSITION JAUNE ET BLEUE (S./P. 66) Color lithograph, 1968, on Arches paper, signed and numbered 17/40 in pencil, published by XXe Siècle, Paris, with full margins, framed.

25 1/8 x 19 inches; 638 x 483 mm.

Sheet 29 1/2 x 21 1/2 inches; 546 x 749 x 546 mm.

C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500

199 Serge Poliakoff COMPOSITION BLEUE ET VERTE (S./P. 52) Color lithograph, 1966, on wove paper, signed and numbered 68/75 in pencil, published by Berggruen, Paris, with full margins, framed.

18 1/4 x 26 1/2 inches; 464 x 673 mm.

Sheet 19 1/8 x 27 1/2 inches; 486 x 688 mm.

C Property from a New York Corporate Collection $2,000-3,000

199

198

200

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83

201 Robert Rauschenberg (1925-2008) DWAN GALLERY POSTER (FOSTER 34) Color offset lithograph, 1965, on cream wove paper, 1965, signed in pencil, the full sheet, framed.

Sheet 23 x 25 inches; 584 x 635 mm.

C $1,000-1,500

201

202 Bridget Riley (b. 1931) FRAGMENT 3 (SCHUBERT 5C) Screenprint in black and white, 1965, on Plexiglas, with incised signature and date, numbered 42/75 in pencil verso, printed

by Kelpra Studio, published by Robert Fraser Gallery, London, the full sheet, framed.

Sheet 24 3/4 x 31 7/8 inches; 629 x 810 mm.

C $12,000-18,000

202

84 DOYLE • NOVEMBER 1, 2017 • NEW YORK

203

204

206 part

205 203 Larry Rivers (1923-2002) DUTCH MASTERS Color lithograph and screenprint, 1982, on Fabriano paper, signed, dated and numbered 12/100 in pencil, published for the benefit of the Good Samaritan Hospital, with full margins, framed.

24 1/4 x 30 3/4 inches; 616 x 781 mm.

Sheet 27 5/8 x 39 1/2 inches; 702 x 1003 mm. โ ข $700-1,000

204 Arnold Rรถnnebeck (1885-1947) COLUMBUS CIRCLE Lithograph, 1929, on cream Rives paper, signed, dated and titled in pencil, with full margins, framed.

12 3/8 x 8 1/4 inches; 314 x 210 mm.

Sheet 15 7/8 x 11 3/8 inches; 403 x 289 mm.

C Property from a New York Corporate Collection $1,000-1,500

206 Arnold Rรถnnebeck [MINING SCENES] Lithographs, 1932-37, eight signed, dated, titled and numbered out of editions of 25 in pencil, with good or full margins, framed. (9) Largest 14 1/2 x 10 inches; 368 x 254 mm.

C Property from a New York Corporate Collection $2,000-3,000

205 Arnold Rรถnnebeck PARAMOUNT Lithograph, 1928, on cream Rives paper, signed, dated, titled and located New York in pencil, with full margins, framed.

12 x 7 1/2 inches; 305 x 191 mm.

Sheet 15 7/8 x 11 3/8 inches; 403 x 289 mm.

C Property from a New York Corporate Collection $2,000-3,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

207 Arnold Rönnebeck GRAND LAKE; [SAILING SCENES] Lithograph and two pencil on paper works, the second two 1936, signed, the first titled and numbered 1/25, the second two dated, in pencil, the (full?) sheets, in two frames. (3) Largest sheet 15 1/8 x 11 inches; 384 x 279 mm.

C Property from a New York Corporate Collection $2,000-3,000

207 part

208 James Rosenquist (1933-2017) SUN SETS ON THE TIME ZONE (GLENN 216) Color pressed paper pulp with lithographic collage, 1989, on Rives BFK and TGL handmade paper, signed, titled and dated and numbered 45/47 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.

Sheet 79 x 58 inches; 2007 x 1473 mm.

C Estate of Barbara Rubin $4,000-6,000

208 86 DOYLE • NOVEMBER 1, 2017 • NEW YORK

209 Georges Rouault (1871-1958) LA PETITE ÉCUYÈRE (CHAPON/ROUAULT 245) Color etching and aquatint, 1935, from the edition of 280, from Cirque de l’Etoile Filante, published by Vollard, Paris, with good margins, framed.

12 1/8 x 8 3/8 inches; 308 x 213 mm.

Sheet 17 1/2 x 12 1/2 inches; 445 x 318 mm.

C $1,000-1,500 210 Georges Rouault JUGES (C./R. 279) Color aquatint, 1938, from the edition of 250, from Les Fleurs du Mal, published by Vollard, Paris, with full margins, framed.

12 3/8 x 8 7/8 inches; 314 x 225 mm.

Sheet 17 3/4 x 13 1/2 inches; 451 x 343 mm.

C $800-1,200 211 Ed Ruscha (b. 1937) NEWS (ENGBERG 34) Color organic screenprint, 1970, on Silverbrook Snow White Antique Finish paper, signed, dated and numbered 125/125 in pencil, from News, Mews, Pews, Brews, Stews & Dues, printed and published by Editions Alecto, London, with full margins, framed.

18 x 27 inches; 457 x 686 mm.

Sheet 23 x 31 7/8 inches; 591 x 810 mm.

C $1,000-1,500

211

209

210

212 Ed Ruscha ABSOLUT RUSCHA Color offset lithograph, 1988, signed and dated in pencil, with full margins.

41 3/4 x 30 3/8 inches; 1060 x 772 mm.

Sheet 45 3/8 x 33 3/8 inches; 1153 x 848 mm.

This lot is accompanied by a certificate of authenticity from Absolute Americana Art Gallery.

C $1,000-1,500

212 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87

213 213 Egon Schiele (1890-1918) SELBSTBILDNIS Bronze with brown patina, 1917, with the stamped signature, date and number 286/300, from the edition cast in 1980 for the Collector’s Club, Vienna.

Height 10 3/4 inches; 273 mm.

C $1,000-1,500

214 part 214 Gino Severini (1883-1966) NATURE MORTE AU TABLE; GALERIE BERGGRUEN Color lithographs, 1955 and 1956, on wove paper, signed, the first inscribed épreuve d’artiste, the second numbered 197/200, in pencil, with full margins, framed. (2) Larger 22 x 15 1/4 inches; 559 x 387 mm.

C Property from a New York Corporate Collection $1,500-2,000

215 part 88 DOYLE • NOVEMBER 1, 2017 • NEW YORK

215 John Sloan (1871-1951) THE SHOW CASE; THE LITTLE BRIDE; BANDITS CAVE; CROUCHED NUDE AND PRESS (MORSE 129; 138; 195; 248) Etchings, 1905, 1906, 1920 and 1931, respectively, signed, the first and fourth titled and inscribed 100 proofs in pencil, the second from the edition of 85, the third from the edition of approximately 500, from the The New Republic, the first with tack holes at bottom sheet edges, with good or full margins. (4) Largest 7 x 5 1/2 inches; 178 x 140 mm.

C $1,000-1,500

216 Pierre Soulages (b. 1919) LITHOGRAPHIE NO. 9 (RIVIÈRE 9) Color lithograph, 1959, on Arches paper, signed and numbered 32/75 in pencil, published by XXe Siècle, Paris, with full margins, framed.

12 1/2 x 9 5/8 inches; 318 x 244 mm.

Sheet 19 5/8 x 13 5/8 inches; 498 x 346 mm.

C $1,000-1,500 217 Frank Stella (b. 1936) INACCESSIBLE ISLAND RAIL (TYLER GRAPHICS 551; AXSOM/KOLB 110) Color offset lithograph and screenprint, 1977, on Arches paper, signed, dated and numbered 37/50 in pencil, from Exotic Bird Series, printed and published by Tyler Graphics, Mount Kisco, New York and with their blindstamp, with full margins, framed.

32 3/4 x 44 3/4 inches; 832 x 1137 mm.

Sheet 33 7/8 x 45 7/8 inches; 860 x 1165 mm.

C Estate of Barbara Rubin $6,000-8,000

216

217 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89

218 Frank Stella JUNDAPUR (A./K. 244) Color lithograph, etching, relief, aquatint and embossing, 1996, on TGL handmade paper, signed, dated and numbered 15/35 in pencil, from Imaginary Places II, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.

Sheet 28 1/2 x 26 inches; 724 x 660 mm.

C Estate of Barbara Rubin $5,000-7,000

218

219 Rufino Tamayo (1899-1991) PORTRAIT DE FEMME (PEREDA 105) Color lithograph, 1969, on BFK Rives paper, signed and numbered 106/150 in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins.

27 1/4 x 20 7/8 inches; 692 x 530 mm.

Sheet 29 3/4 x 22 1/4 inches; 756 x565 mm.

C $1,500-2,500

219 90 DOYLE • NOVEMBER 1, 2017 • NEW YORK

220

220 Rufino Tamayo TORSE DE FEMME (P. 108) Color lithograph, 1969, on BFK Rives paper, signed and numbered 124/150 in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins.

27 1/4 x 20 7/8 inches; 692 x 530 mm.

Sheet 29 3/4 x 22 1/4 inches; 756 x 565 mm.

C $1,000-1,500 221 Rufino Tamayo TORSO (P. 245) Color mixograph, 1978, on handmade paper, signed and numbered 21/100 in pencil, published by Taller de Gráfica Mexicana, the full sheet, framed.

Sheet 33 x 25 1/4 inches; 838 x 641 mm.

C $2,000-3,000

221

222 Constantin Terechkovitch (1902-1978) LE COEUR EN FÊTE Complete set of eight color lithographs, 1971, on Vélin d’Arches paper, signed and numbered 3/125 in pencil, also numbered in the justification, with complete text, published by Éditions A.C. Mazo et Cie, Paris, with full margins, in original beige linen-covered portfolio.

Sheets 25 3/4 x 19 3/4 inches; 654 x 502 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

222 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 91

223 223 Wayne Thiebaud (b. 1920) SLICE OF PIE Etching, 1962, on wove paper, signed and numbered 35/60 in pencil, published by Parasol Press, New York, with full margins, framed.

6 x 4 1/4 inches; 152 x 108 mm.

Sheet 10 x 7 7/8 inches; 254 x 200 mm.

C $7,000-10,000

92 DOYLE • NOVEMBER 1, 2017 • NEW YORK

224 Henri de Toulouse-Lautrec (1864-1901) LA TIGE—MOULIN ROUGE (DELTEIL 70; ADHÉMAR 78; WITTROCK 63) Lithograph, 1894, on cream wove paper, with the artist’s red monogram stamp (Lugt 1338), numbered 68 in pencil, from the edition of 100, with good margins, framed.

11 1/2 x 9 7/8 inches; 292 x 251 mm.

Sheet 15 1/4 x 11 inches; 387 x 279 mm.

C $800-1,200

224

225 Henri de Toulouse-Lautrec MAY BELFORT (D. 354; A. 116; W. P14) Color lithograph, 1895, from the fourth state of five, printed to the edges on three sides, laid on card, the (full?) sheet, framed.

Sheet 32 x 24 3/8 inches; 813 x 619 mm.

C Property from a Private Minneapolis Collection $3,000-5,000

225 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93

226 226 After Victor Vasarely (1906-1997) KALOTA T Hand-woven Aubusson wool tapestry by Tabard Frères et Soeurs, signed and with the weaver’s monogram in the weave, signed in ink and numbered 1442 on their label verso.

92 x 86 inches; 2337 x 2184 mm.

C Dorothy Lewis 2013 Irrevocable Trust $10,000-15,000

94 DOYLE • NOVEMBER 1, 2017 • NEW YORK

227 Édouard Vuillard (1868-1940) L’AVENUE (ROGER-MARX 33) Color lithograph, 1899, on Chine volant paper, from the edition of 100, from Paysages et Intérieurs, published by Vollard, Paris, with margins, framed.

12 1/8 x 16 1/4 inches; 308 x 413 mm.

Sheet 13 x 17 5/8 inches; 330 x 448 mm.

C Property from a Private Minneapolis Collection $2,000-3,000

227 228 Édouard Vuillard SUR LE PONT DE L’EUROPE (R.-M. 40) Color lithograph, 1899, on Chine volant paper, from the edition of 100, from Paysages et Intérieurs, published by Vollard, Paris, with margins, framed.

12 1/4 x 13 3/4 inches; 311 x 349 mm.

Sheet 13 1/4 x 15 5/8 inches; 349 x 397 mm.

C Property from a Private Minneapolis Collection $800-1,200

228

229 Andy Warhol (1928-1987) LOVE IS A PINK CAKE (FELDMAN/SCHELLMAN IV.27-50) Complete set of 25 offset lithographs, 1953, on pale blue wove paper, with accompanying poetry by Ralph Thomas Ward, edition of approximately 100, published by the artist, New York, the full sheets.

Sheets 11 x 8 1/2 inches; 279 x 216 mm.

Provenance: The artist Billy Cecil (William Cissell) Private Collection Cecil was an artist and set designer in New York.

C $4,000-6,000

229 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95

230 Andy Warhol HAPPY BUTTERFLY DAY Hand-colored offset lithograph, circa 1955, on cream wove paper, with full margins, framed.

Sheet 14 x 10 inches; 356 x 254 mm.

231 Andy Warhol CAMPBELL’S SOUP CAN ON A SHOPPING BAG (F./S. 4) Color screenprint on a paper shopping bag, 1964, edition of approximately 300, published by Bianchini Gallery, New York.

6 x 3 3/8 inches; 152 x 86 mm.

Bag 19 3/8 x 17 1/8 inches; 492 x 435 mm.

C $800-1,200

Provenance: The artist Billy Cecil (William Cissell) Private Collection Cecil was an artist and set designer in New York.

C $1,500-2,500

232 Andy Warhol COW (F./S. II.12A) Color screenprint, 1976, signed in felt-tip pen, on wallpaper, published by Factory Additions, New York, the full sheet, framed.

Sheet 45 1/2 x 28 1/8 inches; 1156 x 714 mm.

C $5,000-7,000

230

231 96 DOYLE • NOVEMBER 1, 2017 • NEW YORK

232

233

234

233 Andy Warhol MILDRED SCHEEL (F./S. II.238) Color screenprint with diamond dust, 1980, on Arches 88 paper, signed and numbered 571/1000 in pencil, printed by Rupert Jasen Smith and with his blindstamp, published by Deutsche Krebschilfe e.V., Cologne, the full sheet, framed.

Sheet 30 1/2 x 21 1/2 inches; 775 x 546 mm.

C $3,000-4,000

235 Andy Warhol INVITATION [ELECTION NIGHT 1984] Color offset lithograph, 1984, on wove paper, with printed signature and date, co-published by the artist and Frederick and Richard Weisman, New York and Washington D.C., the full sheet, folded (as issued), framed.

7 5/8 x 11 3/4 inches; 194 x 298 mm.

Sheet folded 9 1/4 x 12 1/8 inches; 235 x 308 mm.

C $2,000-3,000

234 Andy Warhol LA GRANDE PASSION (F./S. IIIB.28) Color offset lithograph, 1984, on white wove paper, signed and dated in pencil, printed by Rupert Jasen Smith, New York, published by Carillon Importers, Ltd., New Jersey, with full margins.

38 x 36 1/8 inches; 965 x 918 mm.

Sheet 39 x 37 1/8 inches; 991 x 943 mm.

This lot is accompanied by a certificate of authenticity from Absolute Americana Art Gallery and a letter from the Andy Warhol Art Authentication Board, Inc. dated January 14, 2008.

C $3,000-5,000

235 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 97

236

236 Andy Warhol ABSOLUT VODKA Color offset lithograph, 1985, on white wove paper, signed in pencil, from an unnumbered edition of 100, printed by Rupert Jasen Smith, New York, published by Carillon Importers, Ltd., New Jersey, with full margins.

41 3/4 x 34 1/8 inches; 1060 x 867 mm.

Sheet 44 7/8 x 37 inches; 1140 x 940 mm.

This lot is accompanied by a certificate of authenticity from Absolute Americana Art Gallery and a letter from the Andy Warhol Art Authentication Board, Inc. dated January 14, 2008.

C $9,000-12,000

98 DOYLE • NOVEMBER 1, 2017 • NEW YORK

237

237 Andy Warhol KACHINA DOLLS (F./S. II.381) Color screenprint, 1986, on Lenox Museum Board, 1986, signed and numbered 54/250 in pencil, from Cowboys and Indians, printed by Rupert Jasen Smith, New York and with his blindstamp, published by Gaultney-Klineman Art, Inc., New York, with full margins, framed.

Sheet 36 x 36 inches; 914 x 914 mm.

C $15,000-20,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 99

238 Neil Welliver MAINE LANDSCAPE (FROM ZEKE’S); CEDAR WATER POOL Lithographs, the first printed in color, 1976 and 1977, signed and numbered 107/150 and 18/36, respectively, in pencil, with full margins, framed. (2) Larger 21 x 29 inches; 533 x 737 mm.

C Property from a New York Corporate Collection $1,200-1,800

238 part

239 Neil Welliver LITTLE MARSH Woodcut, 1985-86, on Kizuki Nishinouchi paper, signed and numbered 10/100 in pencil, printed by Tsuka-Guchi Atelier and with their blindstamp, published by Marlborough Graphics, Inc., New York, with full margins, framed.

29 1/2 x 30 7/8 inches; 749 x 784 mm.

Sheet 34 3/8 x 34 3/4 inches; 873 x 883 mm.

C $1,000-1,500 See Illustration

239

240 Tom Wesselmann (1931-2004) LITTLE NUDE Vacuum-formed spray-painted Plexiglas multiple, 1966, aside from the numbered and signed edition, from Seven Objects in a Box, published by Tanglewood Press, Inc., New York.

7 1/2 x 7 3/4 inches; 191 x 197 mm.

C $1,000-1,500

240 100 DOYLE • NOVEMBER 1, 2017 • NEW YORK

241 241 Tom Wesselmann SHINY NUDE Color rubber stamp, 1977, on Kromekote paper, numbered 817/1000 verso, from the Rubber Stamp Portfolio, published by Parasol Press Ltd., New York, with full margins, in original paper envelope.

Sheet 8 x 8 inches; 203 x 203 mm.

C $600-800

242 242 James Abbott McNeill Whistler (1834-1903) THE STORM (KENNEDY 81; GLASGOW 81) Drypoint, 1861, on pale blue laid paper, Glasgow’s third state of three, after the cancellation lines reduced in printing, with (full?) margins, framed.

6 3/16 x 11 1/4 inches; 157 x 286 mm.

Sheet 10 x 16 inches; 254 x 406 mm.

• $800-1,200

243 Zao Wou-Ki (1920-2013) LES VOILIERS (RIVIÈRE 79; AGERUP 77) Color lithograph, 1952, signed and numbered 52/90 in pencil, printed and published by Klipstein & Co., Bern/Désjobert, Paris, with full margins, framed.

17 3/8 x 21 3/4 inches; 441 x 552 mm.

Sheet 19 3/4 x 25 3/4 inches; 502 x 654 mm.

C Estate of Henriette Montgomery $3,000-4,000

243 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 101

244 part

244 Anders Zorn (1860-1921) FISHERMAN AT SAINT IVES (DELTEIL, ASPLUND 53; HJERT/HJERT 177) Etching, 1891, on cream Van Gelder laid paper, signed in pencil, second state of two, with margins, framed.

10 7/8 x 7 7/8 inches; 276 x 200 mm.

Sheet 12 5/8 x 9 3/8 inches; 321 x 238 mm.

C Property from a Private Minneapolis Collection $1,500-2,500

245

245 Anders Zorn THE STORM (D., A. 63; H./H. 181) Etching, 1891, on cream laid Van Gelder paper, signed in pencil, fourth state of four, with wide margins, framed.

7 7/8 x 5 1/2 inches; 200 x140 mm.

Sheet 15 1/4 x 11 3/4 inches; 387 x 298 mm.

Ex-collection: Kellogg; William T. Cresmer C Property from a Private Minneapolis Collection $4,000-6,000

End of Sale

102 DOYLE • NOVEMBER 1, 2017 • NEW YORK

INDEX Agam, Y. Albers, J. Artschwager, R. Avery, M.

1 2 3 4

Barlach, E. Barnet, W. Barnet, W., After Benton, T. H. Bone, M. Bonnard, P. Bosman, R. Braque, G. Buffet, B.

6 7-9 10 11-15 16 17 18 19 20

Cadmus, P. Calder, A. Caulfield, P. Cézanne, P. Chagall, M. Close, C. Coburn, J. Cook, H. N Cuevas, J. L.

21 22-28 29-31 32 33-41 42 43 44 45

Dalí, S. Daugherty, J. H. Davis, S. Davis, S., After Degas, E. Delaunay-Terk, S. Diebenkorn, R. Dongen, K. van Dongen, K. van, After Dubuffet, J. Dufy, R., After Dürer, A.

46, 47 48 49-53 54 55 56-61 62-63 64-69 70 71-74 75-76 77

Eichenberg, F. Ernst, M. Frink, E. Friedlander, I

78 79, 80 81-83 84, 85

Grooms, R. Grosz, G.

86-91 92

Haas, R. Hall, N. B. Hartung, H. Hassam, C. Heaslip, W. Hepworth, B. Heron, P. Hilaire, C, Hockney, C. Hodgkin, H. Homer, W. Hundertwasser, F.

93-95 96 97-98 99, 100 101 102 103-104 105 106-109 110 111-113 114-117

Icart, L.

118

Johns, J.

Katz, A. Kelly, E., After Kentridge, W. Kollwitz, K. Kusama, Y.

121-127 128 129 130 131

Léger, F., After Leighton, C. Lichstenstein, R.

132 133 134, 135

Man Ray Matta, R. Milton, P. Miró, J. Motherwell, R. Munakata, S. Munch, E.

136-140 141 142 143-154 155-156 157, 158 159

Nevelson, L. Nolde, E.

160, 161 162

Oldenburg, C.

163

Parc, J. Le Picasso, P. Picasso, P., After Piene, O. Pissarro, C. Poliakoff, S.

164 165-187 188-194 195, 196 197 198-200

Rauschenberg, R. Riley, B. Rivers, L. Rönnebeck, A. Rosenquist, J. Rouault, G. Ruscha, E.

201 202 203 204-207 208 209, 210 211, 212

Schiele, E. Severini, G. Sloan, J. Soulages, P. Stella, F.

213 214 215 216 217, 218

Tamayo, R. Terechkovitch, C. Thiebaud, W. Toulouse-Lautrec, H.

219-221 222 223 224, 225

Vasarely, V., After Vuillard, E.

226 227, 228

Warhol, A. Welliver, N. Wesselmann, T. Whistler, J.A.M Wou-Ki, Z.

229-237 238, 239 240, 241 241-242 243

Zorn, A.

244, 245

119, 120

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 103

TRULY RARE ON FIFTH AVENUE

834 Fifth Avenue 7/8A $76,000,000 • Cooperative 7 Bedrooms • 7 Full Bathrooms, 3 Powder Rooms The largest unit in Fifth Avenue’s premier and most pedigreed building. The duplex home consists of 12,000 +/- square feet and 100 feet facing Central Park across both floors. Magnificent views above Central Park’s trees to the west, the Empire State Building to the south, and open eastern exposures. It is flooded with sun and light from all directions. Decorated by Henri Samuel, one of France’s foremost interior designers, no expense was spared to create an architectural masterpiece. This 22-room home is truly rare with a floor plan that can never be recreated or duplicated.

A. Laurance Kaiser IV 646.677.1039

Craig M. Dix 646.677.1038

bhhsnyp.com 212.710.1900 • contact@bhhsnyp.com • 590 Madison Avenue, New York, New York © 2017 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliate, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

Information not verified or guaranteed. If your home is currently listed with a Broker, this is not intended as a solicitation.

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee.

In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations.

REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts.

REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue.

ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him.

SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows:

(u.l.) Upper left

(l.l.) Lower left

(u.r.) Upper right

(l.r.) Lower right

(u.c.) Upper center

(l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date.

DATED In our best judgment, the date indicated on the work is the date the work was executed.

DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible.

SIGNATURE Only manuscript signatures of the artists are indicated.

Signatures “in the plate” are not mentioned since they are considered part of the image.

QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee.

The print sleeves are the property of Doyle New York and are not included in the sale.

MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements.

Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width.

Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images.

All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist.

TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets.

REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

I

NANTUCKET FEEL

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This Riverside property has been given a complete renovation to create a home in the spirit of Nantucket architecture and design. Sitting on .95 acres of level land in the heart of Riverside with water access at the end of the cul-de-sac. First or second floor master, 3 more en suite bedrooms on second floor. Very sweet breakfast nook off kitchen and great kitchen/family room with fireplace. Extra large play room and game room, big mudroom and 2 options for office space. Lovely gardens, 2 large decks and covered porch. Located close to train, schools and village.

ANN SIMPSON 203-940-0779 Asimpson@bhhsNE.com 100376.bhhsneproperties.com

A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions.

Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored.

Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative.

The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact.

Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry.

Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance.

Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold.

No reserve will exceed the low estimate of the lot.

Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York.

Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue.

Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest.

Doyle New York on occasion makes loans or advances funds to consignors.

The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller.

The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances.

The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations.

Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

Estimates do not include the buyer’s premium.

Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

II

SUMPTUOUS HOME IN PRESTIGIOUS LLWELLYN PARK

$2,499,000

Located in the gated community of Llwellyn Park, this extensively renovated Lutyen’s architecture-style home presides over nearly three acres and is not to be missed! This lavish home features a chef’s kitchen with a Sub-Zero refrigerator, Smeg range, and a large island with prep-sink.

Other features include travertine marble floors, English Pine library, Terrazzo floor in the main gallery which leads to the 19x32 living room with a cathedral ceiling and hand-hewn beams, antique doors, and wrought iron railings. The home also includes a media room, gym complete with a steam shower, state-of-the-art security system, whole-house generator, five fireplaces with Georgian and Regency mantels, restored leaded glass windows, elevator, and new electrical wiring and piping throughout. Just 12 miles from New York City!

JENNIFER KOTLER Sales Associate Cell: 201-803-2828 Jennifer.Kotler@BHHSNJ.com BHHSNJ.com/Jennifer.Kotler Livingston Office | 973-992-6363 | 79 South Livingston Ave, Livingston, NJ 07039 ©2017 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made.

The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee.

At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors.

Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold.

It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation.

Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed.

Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids;

9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York.

The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale.

Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press.

They are posted in the viewing galleries and salesroom or are announced by the auctioneer.

Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

h) To take such other actions as we deem necessary or appropriate; or

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

i) To effect any combination thereof.

14. The rights and obligations of the parties with

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser.

At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York.

By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

R A N C H O

S A N TA

F E

Victoria Shea | 619.743.5644 | $6,995,000

EXQUISITE Uncovering hidden gems every day

bhhscalifornia.com | 888.995.7575 Š2017 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Buyer is advised to independently verify the accuracy of that information. CalBRE 01177863

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale.

This catalogue may contain one or more glossaries explaining the terminology used in the catalogue.

All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid.

The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

IV

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INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia.

For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state.

Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property.

If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

V#

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information.

The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date.

Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction.

In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches.

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references.

PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department.

You may also request a condition report from the specialist in charge.

V #I

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue.

The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction.

LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account.

To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion.

Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown.

TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion.

By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242.

Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time.

Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential.

For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence.

INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers.

MAC USERS: Please use Firefox browser (download).

BidLive!, powered by Invaluable, does not support iPhone or iPad at this time.

Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot.

METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above.

Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium.

Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total.

New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale.

PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible.

Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt.

The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale.

In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan.

SHIPPING Shipping is the responsibility of the buyer.

Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia.

ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country.

Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII #

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market.

There are various ways to obtain appraisals.

Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require.

SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII #

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction.

THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records.

Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees.

RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price.

OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services.

Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States.

Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs.

Appraisal fees are based on the scope of the property with travel expenses additional.

Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors.

We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE OCTOBER

NOVEMBER

DECEMBER

IMPORTANT JEWELRY Auction: Wednesday, OCTOBER 18 at 10am Exhibition: October 14 – 17

PRINTS & MULTIPLES Auction: Wednesday, NOVEMBER 1 at 10am Exhibition: October 28 – 30

DOYLE AT HOME Auction: Wednesday, DECEMBER 6 at 10am Exhibition: December 2 – 4

ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS Auction: Wednesday, OCTOBER 25 at 10am Exhibition: October 21 – 23

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, NOVEMBER 7 at 10am Exhibition: November 4 – 6 COINS, BANK NOTES, POSTAGE STAMPS & MINERALS Auction: Tuesday, NOVEMBER 7 at 3pm Exhibition: November 4 – 6

®

IMPORTANT JEWELRY Auction: Wednesday, DECEMBER 13 at 10am Exhibition: December 9 – 12 PHOTOGRAPHS & PHOTOBOOKS Auction: Thursday, DECEMBER 14 at 10am Exhibition: December 9 – 12

JEWELRY, WATCHES, SILVER & COINS

BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, NOVEMBER 8 at 10am Exhibition: November 4 – 6

FINE JEWELRY – BEVERLY HILLS Auction: Monday, NOVEMBER 13 at 10am (Pacific) NY Exhibition: October 14 - 17 CA Exhibition: November 11 & 12

IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Auction: Wednesday, NOVEMBER 15 at 10am Exhibition: November 11 – 13 DOYLE+DESIGN® Auction: Tuesday, NOVEMBER 21 at 10am Exhibition: November 18 – 20

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

IX#

DIRECTORY

YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 PLUS THE EXTENSION.

OFFICERS Kathleen M. Doyle, Chairman/CEO ext 215, Kathy.Doyle@Doyle.com Rodney Lang, Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com Joanne Porrino Mournet Executive Vice President ext 227, Joanne.Mournet@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Laura Doyle, Vice Chairman Executive Vice President ext 219, Laura.Doyle@Doyle.com Peter Costanzo Senior Vice President ext 248, Peter.Costanzo@Doyle.com Reid Dunavant, Senior Vice President 202-342-6100 Reid.Dunavant@Doyle.com

David A. Gallager Senior Vice President ext 271, David.Gallager@Doyle.com Peter Lang Senior Vice President ext 274, Peter.Lang@Doyle.com Ann Limer Lange Senior Vice President ext 221, Ann.Lange@Doyle.com Elaine Banks Stainton Senior Vice President ext 238, Elaine.Stainton@Doyle.com Nan Summerfield Senior Vice President 310-276-6616 Nan.Summerfield@Doyle.com

Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com

Samira Farmer, Vice President 202-342-6100 Samira.Farmer@Doyle.com

Todd Sell, Vice President ext 269, Todd.Sell@Doyle.com

Ashley A. Hill, Vice President ext 231, Ashley.Hill@Doyle.com Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com Angelo Madrigale, Vice President ext 237, Angelo.Madrigale@Doyle.com

Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com

Gillian M. Ryan Senior Vice President ext 245, Gillian.Ryan@Doyle.com

Edward Ripley-Duggan, Vice President ext 234 Edward.Ripley-Duggan@Doyle.com

19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com AMERICAN FURNITURE & DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE & DECORATIVE ARTS Rodney Lang ext 243, Rodney.Lang@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Mark J. Moehrke ext 272, Mark.Moehrke@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Leigh Kendrick, Client Relationships Manager ext 243, Leigh.Kendrick@Doyle.com Lauren Ventrone, Client Relationships Manager ext 244, Lauren.Ventrone@Doyle.com

Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com Eileen Weisbaum, Vice President ext 226, Eileen.Weisbaum@Doyle.com Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com

Mark J. Moehrke, Vice President ext 272, Mark.Moehrke@Doyle.com

Louis LeB. Webre, Senior Vice President ext 232, Louis.Webre@Doyle.com

FURNITURE AND DECORATIVE ARTS David A. Gallager Executive Director ext 271, David.Gallager@Doyle.com

X #

Anne Cohen DePietro, Vice President ext 281, Anne.Depietro@Doyle.com

RUGS, CARPETS & TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com RUSSIAN WORKS OF ART Mark J. Moehrke, Director ext 272, Mark.Moehrke@Doyle.com BOOKS, AUTOGRAPHS & PHOTOGRAPHS Peter Costanzo, Executive Director ext 248, Peter.Costanzo@Doyle.com Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com PAINTINGS & DRAWINGS Angelo Madrigale, Business Director VP, Contemporary Art ext 237, Angelo.Madrigale@Doyle.com Elaine Banks Stainton Acting Director ext 238, Elaine.Stainton@Doyle.com Anne Cohen DePietro Director, American Art ext 281, Anne.DePietro@Doyle.com Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com Shani Toledano Associate Director ext 236, Shani.Toledano@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com Bill Fiddler Registrar ext 249, Bill.Fiddler@Doyle.com

ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com COINS, STAMPS & COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com PRINTS & MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com JEWELRY Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com NEW YORK JEWELRY Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Alexandra Fulham, Administrator ext 210, Alexandra.Fulham@Doyle.com CALIFORNIA JEWELRY Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com NORTH CAROLINA JEWELRY Hillary Pitts, G.G. 704-582-2258 Hillary.Pitts@Doyle.com

REGIONAL REPRESENTATIVES Laura Doyle, Director of Regions 212-427-4141, ext. 219 Laura.Doyle@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254, Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G. 310-276-6616, Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616, Emily.Marchick@Doyle.com

CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 203-637-6209, Kathy.Brackenridge@Doyle.com FLORIDA Collin Albertsson 561-322-6795, Collin.Albertsson@Doyle.com NEW JERSEY Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258, Hilary.Pitts@Doyle.com

PENNSYLVANIA Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100, Reid.Dunavant@Doyle.com Samira Farmer 202-342-6100, Samira.Farmer@Doyle.com BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com

ADMINISTRATION ABSENTEE & TELEPHONE BIDS Elizabeth Jones Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com ACCOUNTING Ryan Won ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com Julie Bacongco ext 223, Julie.Bacongo@Doyle.com CATALOGUE PRODUCTION & DESIGN Eileen Weisbaum, Director ext 226, Eileen.Weisbaum@Doyle.com Stephanie Cuenca, Senior Graphic Designer ext 250, Stephanie.Cuenca@Doyle.com Nancy Ramos, Graphic Designer ext 276, Nancy.Ramos@Doyle.com PHOTOGRAPHY PRODUCTION Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Melissa Aldrich, Photographer Manager of Photography, Jewelry ext 270, Melissa.Aldrich@Doyle.com Ray Adams, Photographer ext 278, Ray.Adams@Doyle.com Hann Browning, Photographer ext 247, Hann.Browning@Doyle.com Hanna Siesel, Traffic Coordinator ext 277, Hanna.Siesel@Doyle.com CATALOGUE SUBSCRIPTIONS Anne Taylor ext 200 Anne.Taylor@Doyle.com CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Elizabeth Jones ext 242, Elizabeth.Jones@Doyle.com

Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com

Ayala Levi ext 259, Ayala.Levi@Doyle.com

Chelsea Wynne ext 203, Chelsea.Wynne@Doyle.com

Alexis Gyateng ext 228, Alexis.Gyateng@Doyle.com

Anne Taylor ext 200 Anne.Taylor@Doyle.com

Hannah Iversen ext 251, Hannah.Iversen@Doyle.com

MEDIA & COMMUNICATIONS DEPARTMENT Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com

MUSEUM SERVICES Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com

Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com

Anne Cohen DePietro Paintings ext 281, Anne.DePietro@Doyle.com

Kosala Kumara, Advertising ext 258, Kosala.Kumara@Doyle.com ESTATE & APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com Peter Costanzo ext 248, Peter.Costanzo@Doyle.com Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com

David A. Gallager Furniture and Decorative Arts ext 271, David.Gallagher@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo Ashley Hill

Carl Raymond, Estate and Appraisal Services Coordinator ext 256, Carl.Raymond@Doyle.com

RESTORATION SERVICES Charles Mournet, ext 224

Gail Jaffe, Estate and Appraisal Services Assistant ext 216, Gail.Jaffe@Doyle.com

HAYLOFT AUCTIONS 929-303-3266

INVENTORY CONTROL Eddy Santana APPRAISAL & CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com Ashley A. Hill ext 231, Ashley.Hill@Doyle.com Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com Charlotte Williams ext 240, Charlotte.Williams@Doyle.com

Brian Corcoran, Director 914-575-7263 Brian.Corcoran@Doyle.com & Brian@HayloftAuctions.com Blythe Knapp, Business Manager Blythe.Knapp@Doyle.com & Blythe@HayloftAuctions.com Olivia Dillingham Olivia@HayloftAuctions.com

XI #

175 EAST 87TH STREET NEW YORK, NY 10128

F OR O FF I CE U SE O NLY

212-427-2730 DOYLE.COM

ABSENTEE & TELEPHONE BID FORM

1.16

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above.

You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

S A L E TI TLE

17PM02 • PRINTS & MULTIPLES

S A L E D AT E

NOVEMBER 1, 2017

N A M E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

C O MPA NY (If applicable) A D DRE SS *

Change of Address

C IT Y

STATE

ZIP CODE

EMAIL

• In the event that identical bids are submitted, the earliest will take precedence.

P HO N E

FAX

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT N U MB ER

• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions.

Changes to bids on the day of sale must be submitted in writing by fax or email.

TOP LIMIT OF BI D / SAFE TY BI D

Excluding Buyer’s Premium

L OT N U MB E R

T O P L I MI T O F B ID / S A F ET Y BI D

Excluding Buyer’s Premium

L OT N U M BE R

T OP LI M I T O F B ID / S A FE TY B I D

Excluding Buyer’s Premium

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date.

Otherwise, purchases cannot leave our premises until checks have cleared.

• A 25% deposit may be required on certain absentee bids.

• Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request.

• Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

Terms and Conditions of Sale°

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

S I GNATU RE

Consumer Affairs No. 0777006

I understand and agree to the

XII

Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction.

Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207

CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES Absentee & Telephone Bids Elizabeth Jones 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Chelsea Wynne 212-427-4141, ext 203 BidLive@Doyle.com

SPECIALISTS

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Penthouse 1012 Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com CONNECTICUT 136 East Putnam Avenue Greenwich, CT 06830 212-427-4141, ext 211 203-637-6209 DoyleCT@Doyle.com

Cynthia Klein VP, Director, Prints and Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com

Alexis Gyateng Appraisal and Consignment Services 212-427-4141 ext 226 Alexis.Gyateng@ Doyle.com

NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com WASHINGTON, DC / MID-ATLANTIC 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com

Front Cover Back Cover Inside Front Cover

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DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM