Doyle+Design - 9.17.18

Monday, September 17, 2018 NEW YORK

DOYLE+DESIGN

®

MO DE R N AND CONT EM PORARY A RT AND DESI GN

AUCTION

Monday, September 17, 2018 at 10am

EXHIBITION

Friday, September 14, 10am – 5pm Saturday, September 15, 10am – 5pm Sunday, September 16, Noon – 5pm

LOCATION

DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalogue: $35

INCLUDING PROPERTY FROM THE ESTATES OF

Aurora Biamonte Norman Dorsen An East Hampton Collection Dr. Paul Hershenson Carl Lesnor Dorothy Lewis 2013 Irrevocable Trust Jesse Mines The Patricia and Donald Oresman Collection Felice Ross Florence Segal The Wynant D. Vanderpoel Trust

INCLUDING PROPERTY FROM

The Collection of Charlotte Bergman A Private Connecticut Collection A Private Collection of Important Design Sold to Benefit a New York Not-For-Profit Organization The Collection of Margo Howard

CONTENTS

Fine Art Prints Furniture & Decorative Arts Silver Furniture & Decorative Arts

1-95 96-115 116-179 180-187 188-253

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PAINTINGS, SCULPTURE, PHOTOGRAPHS & PRINTS

Lot 70

1 Yaacov Agam Israeli, b. 1928 Petit Triangle Volant Object Signed Agam and numbered 2/4 18 kt. gold, 52.1 dwts Height 1 7/8 inches Provenance: The artist [Sale]: Enghien Hôtel des Ventes Acquired by the current owner, Dec. 1980 from the above venue Exhibited: Enghien-les-Bains, France, Enghien Hotel des Ventes, Bijoux-Sculptures et Mobiles en Or par Yaacov Agam, Dec. 5-7, 1980 C $3,500-4,500 See Illustration 1 2 Yaacov Agam Israeli, b. 1928 Petit Triangle Volant Object Signed Agam and numbered 8/9 18 kt. gold, 52.1 dwts Height 1 7/8 inches Provenance: The artist [Sale]: Enghien Hôtel des Ventes Acquired by the current owner, Dec. 1980 from the above venue Exhibited: Enghien-les-Bains, France, Enghien Hotel des Ventes, Bijoux-Sculptures et Mobiles en Or par Yaacov Agam, Dec. 5-7, 1980 C $3,500-4,500 See Illustration

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3 Yaacov Agam Israeli, b. 1928 Petit Triangle Volant Object Signed Agam and numbered 5/9 18 kt. gold, 52.1 dwts Height 1 7/8 inches Provenance: The artist [Sale]: Enghien Hôtel des Ventes Acquired by the current owner, Dec. 1980 from the above venue Exhibited: Enghien-les-Bains, France, Enghien Hotel des Ventes, Bijoux-Sculptures et Mobiles en Or par Yaacov Agam, Dec. 5-7, 1980 C $3,500-4,500 See Illustration

4 Leo Amino Japanese/American, 1911-1989 Untitled, circa 1946 Signed LEO Terracotta 14 1/2 x 18 x 12 inches C $4,000-6,000 See Illustration 5 Leo Amino Japanese/American, 1911-1989 Sphere with Embedded Color Signed with a monogram and dated 67 on the underside of aluminum stand Cast acrylic, resin and aluminum Diameter 8 inches C Estate of Felice Ross $2,000-3,000 See Illustration

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6 Leo Amino Japanese/American, 1911-1989 Untitled, 1945 Signed Leo Amino and dated 13.3.45 on base Carved acrylic on wood base 9 1/2 x 17 x 3 inches Provenance: Estate of the artist C $1,500-2,500 See Illustration

6 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7

7 Eduardo Arroyo Spanish, b. 1937 Card Game/Poker (Brelan), 1983 Signed Arroyo and dated 1983 (lc) Watercolor on paper 13 x 10 3/4 inches Provenance: Galerie Karl Flinker, Paris Exhibited: Eduardo Arroyo, 1984, The Solomon R. Guggenheim Museum, New York, loan no. 234.84 C $4,000-6,000 See Illustration

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8 Marco Bagnoli Italian, b. 1949 Arciere, 1992 Wood and copper with alabaster base Height 21 5/8 inches Provenance: Curt Marcus Gallery, New York C $2,000-4,000 See Illustration

9 Bill Barrett American, b. 1934 Untitled, 1976 Signed Bill Barrett and dated 1976 Brushed aluminum 13 5/8 x 21 3/4 x 7 1/4 inches C $2,000-3,000 See Illustration

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10 Moon Beom Korean, b. 1955 Slow, Same #4023, 1997 Signed Moon Beom, dated 1997 and inscribed as titled on the reverse Oilstick and varnish on linen stretched to panel 59 x 18 inches C $4,000-6,000 See Illustration

11 Christian Berard French, 1902-1949 Portrait of a Young Man, 1922 Signed C. Berard and dated 22 (lr), inscribed Mme. Newell/22 rue d. L Universite on board reverse Charcoal and ink on paper laid to board 20 x 14 inches Provenance: Private collection, Gainesville, FL Private collection, NY C $800-1,200 See Illustration 11 12 Christian Berard French, 1902-1949 Interior and Balcony Signed Berard (lr), stamped Renaud-Barrault/Etude-Tajan/27 Juin 1995 on the reverse Gouache and pastel on paper 12 3/8 x 9 1/2 inches Provenance: Galerie L’Arc en Seine, Paris The Claire and Garrick Stephenson Collection C $700-900 See Illustration

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13 Christian Berard French, 1902-1949 Untitled Interior with Three Figures Signed Berard (lr) Ink and gouache on cream paper Sight size 6 1/4 x 8 1/4 inches Provenance: Galerie L’Arc en Seine, Paris The Claire and Garrick Stephenson Collection C $500-700 See Illustration

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14 Tony Berlant American, b. 1941 Untitled (House), circa 1989 Found metal assemblage and steel brads on plywood 8 1/4 x 8 1/2 x 7 1/8 inches C Estate of Felice Ross $3,000-5,000 See Illustration 15 Eugene Berman Russian/American, 1899-1972 Costume Design, 1967 Signed Eugene Berman and dated Rome/20 July 1967 Ink and gouache on paper 13 3/4 x 10 1/8 inches Provenance: Ernest Raboff Gallery, Los Angeles C $1,000-1,500 See Illustration

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17 16 Eugene Berman Russian/American, 1899-1972 Statue, Act III, 1952 Initialed EB and dated 1952 (lc), inscribed Statue/Act III (ur) and la forza del Destino (ul) Gouache on brown paper 11 3/4 x 9 inches C $800-1,200 See Illustration 17 Eugene Berman Russian/American, 1899-1972 Town Square, 1938 Initialed E.B. and dated 1963, inscribed New York/ to Leo Robinson/with friendship and affection and dated May 3 1963 (lc) 11 3/4 x 8 5/8 inches C $700-900 See Illustration 18 Miguel Berrocal Spanish, 1933-2006 Torero, 1972 Signed Berrocal and numbered 1791/2000 Bronze with gold patina, from an edition of 2000 Height 11 inches C $1,500-2,500 See Illustration 18 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11

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19 Julius Bissier and Walker O. Cain German, 1893-1965 and American, 1915-1993 Untitled, 1977 Signed J.B. and Walker O. Cain and dated 77 (lr) Ink, watercolor and collage on paper 5 x 7 inches C Property from the Wynant D. Vanderpoel Trust $2,000-3,000 See Illustration

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20 Varujan Boghosian American, b. 1926 Seer, 1992 Initialed VB (lr), signed Varujan Boghosian and dated 1992 on the reverse Mixed media construction 20 x 16 3/4 inches Provenance: Alpha Gallery, Boston C $1,500-2,500 See Illustration 21 Varujan Boghosian American, b. 1926 Bells, 1991 Signed Varujan Boghosian, dated 1991 and inscribed as titled on the reverse Mixed media construction 20 1/2 x 21 5/8 inches C $1,500-2,500 See Illustration

22 22 Angel Botello Puerto Rican, 1913-1986 Portrait of a Woman Signed A. Botello (lr) Oil on canvas 16 1/2 x 14 1/8 inches C $6,000-8,000 See Illustration

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23 James Brown American, b. 1951 Salt (Brown) VI, 1989 Signed James Brown, dated 1989 and inscribed as titled on the reverse Oil and graphite on burlap in artist’s frame 45 1/2 x 38 inches Provenance: Acquired directly from the artist by the current owner C $3,000-5,000 See Illustration 24 James Brown American, b. 1951 Salt (Brown) V, 1989 Signed James Brown, dated 1989 and inscribed as titled on the reverse Oil and graphite on burlap in artist’s frame 45 1/2 x 38 inches Provenance: Acquired directly from the artist by the current owner C $3,000-5,000 See Illustration

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27 25 James Brown American, b. 1951 Untitled Initialed JB on the reverse Oil on metal panel 32 x 19 3/4 inches Provenance: Acquired directly from the artist by the current owner C $3,000-5,000 See Illustration 26 James Brown American, b. 1951 Untitled Glazed terracotta Height 28 1/2 inches Provenance: Acquired directly from the artist by the current owner C $2,000-4,000 See Illustration

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27 James Brown American, b. 1951 Untitled, 1991 Signed James Brown and dated 1991 on the reverse Oil on cradled panel 18 x 14 inches Unframed Provenance: Acquired directly from the artist by the current owner C $1,500-2,500 See Illustration

28 28 James Brown American, b. 1951 Untitled, 1991 Signed James Brown and dated 1991 on the reverse Oil on panel 18 x 14 inches Unframed Provenance: Acquired directly from the artist by the current owner C $1,500-2,500 See Illustration

29 29 Hans Burkhardt American, 1904-1994 Burial Procession, 1961 Signed H. Burkhardt and dated 61 (lr) Charcoal and pastel on brown paper 36 x 48 inches Provenance: Gift of the Artist La Jolla Museum of Art, La Jolla, CA, 1961 C $2,000-3,000 See Illustration

30 John Coburn Australian, 1925-2006 Creature, 1971 Signed Coburn (lr), signed John Coburn, dated Paris 1971 and inscribed as titled on the reverse Gouache on paper 22 1/2 x 30 1/4 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration

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31 John Coburn Australian, 1925-2006 Monolith, 1971 Signed Coburn (lr), signed John Coburn, dated Paris 1971 and inscribed as titled on the reverse Gouache on paper 30 1/4 x 22 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration

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32 John Coburn Australian, 1925-2006 Image, 1971 Signed Coburn (lr), signed John Coburn, dated Paris 1971 and inscribed as titled on the reverse Gouache on paper 30 1/4 x 22 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration

33 James Coignard French, 1925-2008 Dimension IV, 1987 Signed J Coignard (lr), dated Paris 1987 and inscribed as titled on the stretcher Oil on canvas 63 1/2 x 51 inches C Estate of Norman Dorsen $1,500-2,500 See Illustration

34 Pierre Courtin French, b. 1921 Calendrier, 1973 Signed Pierre Courtin (lc) Gouache on paper Diameter 16 1/8 inches Provenance: Claude Bernard Gallery, LTD., New York C $1,000-1,500 See Illustration

36 José Luis Cuevas Mexican, 1934-2017 El Asilo de Charenton Signed J.L. Cuevas and inscribed as titled (lr) Ink on paper 13 3/4 x 10 inches C Estate of Felice Ross $1,000-1,500 See Illustration

35 Robert Courtright American, 1926-2012 Mask, 1984 Signed Courtright and dated 84 (lr) Papier-mache with pigments 10 1/2 x 10 3/4 inches Provenance: Kouros Gallery, New York (Couro 139) C Estate of Felice Ross $1,200-1,800 See Illustration 34

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37 Dorothy Dehner American, 1901-1994 Untitled Signed Dehner Mixed metal alloy with lucite base Height including base 11 3/8 inches C $2,000-3,000 See Illustration 38 Dorothy Dehner American, 1901-1994 Untitled, 1976 Signed Dehner and dated ‘76 (lr) Ink on paper 18 1/4 x 22 7/8 inches C $1,500-2,500 See Illustration

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39 Dorothy Dehner American, 1901-1994 Untitled, 1972 Signed Dehner, dated ‘72 and inscribed D.W.G. #2 (ur) Ink on paper 22 3/4 x 30 3/8 inches C $1,500-2,500 See Illustration

40 Dorothy Dehner American, 1901-1994 Untitled, 1987 Signed Dehner and dated ‘87 (lr) Ink and watercolor on paper 11 x 4 5/8 inches C $800-1,200 See Illustration and Back Cover

41 Dorothy Dehner American, 1901-1994 Untitled, 1975 Signed Dehner and dated ‘75 (ll) Toothpick and glue collage on paper 4 1/2 x 6 1/2 inches C $700-900 See Illustration

42 Dorothy Dehner American, 1901-1994 Untitled, 1976 Signed Dehner and dated ‘76 (ll) Ink on paper 10 1/4 x 1 7/8 inches C $700-900 See Illustration

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43 Jim Dine American, b. 1935 Untitled Signed Jim Dine (lr) Watercolor and gouache on paper 16 x 12 inches C Estate of Felice Ross $1,000-1,500 See Illustration

44 Joel A. Fischer American, b. 1947 Untitled Bronze with green patina Height 55 inches Exhibited: 1976-1986: Ten Years of Collecting Contemporary, Nov. 13, 1986 - Jan. 18, 1987, Wellesley Museum, Wellesley, MA; Feb. 13 - Mar. 21, 1987, Knight Gallery, Spirit Square Center for the Arts, Charlotte, NC; Nov. 15, 1987 - Jan. 17, 1988, Parrish Art Museum, Water Mill, NY Structure to Resemblance: Work by Eight American Sculptors, Albright-Knox Art Gallery, Buffalo, Jun. 13 - Aug. 24, 1987 Work by Eight American Sculptors, Brooklyn Museum of Art, Brooklyn, Feb. 24 - May 15, 1989 C $4,000-6,000 See Illustration

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45 John B. Flannagan American, 1895-1942 Ragdoll Stamped FVSE. Francesco. Roma. and numbered 1/3 Bronze, from an edition of 3 Height 20 3/4 inches Provenance: Estate of the artist until 1967 Zabriskie Gallery, New York until 1969 Sid Deutsch Gallery, New York C $3,000-5,000 See Illustration 45

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46 Jean-Michel Folon Belgian, 1934-2005 Robot 1, circa 1975 Signed Folon (lr), inscribed as titled on the reverse Watercolor on artist’s board 25 1/8 x 19 5/8 inches C Estate of Felice Ross $5,000-7,000 See Illustration 47 Walton Ford American, b. 1960 Atlanta, 1989 Signed Walton Ford, dated 1989 and inscribed as titled on the reverse Oil on wood 12 x 9 inches Unframed C $3,000-5,000 See Illustration

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48 Chaim Gross American, 1904-1991 Seated Female Signed Chaim Gross and numbered 1/6 Bronze with brown/green patina on stone base Height with base 15 1/2 inches Provenance: Estate of Harold Ruttenberg C $2,500-3,500 See Illustration

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49 After Chaim Gross (i) MOTHER-JOY Aubusson wool by Pinton, numbered 1/6 on the reverse.

53 1/4 x 53 3/4 inches (ii) I LOVE MY BABY Aubusson wool by Pinton, numbered 1/8 on the reverse.

54 x 91 inches (iii) HOLE I Aubusson wool by Pinton, numbered 1/6 on the reverse.

70 x 54 inches (iv) MOTHER Aubusson wool by Pinton, numbered 1/6 on the reverse.

69 ½ x 46 inches C Dorothy Lewis 2013 Irrevocable Trust $1,200-1,800 See Illustration of Part 50 Hans Hofmann German/American, 1880-1966 (i) Untitled, circa 1935 India ink on paper Stamped Estate of Hans Hofmann and numbered M-933/182 on the backing 10 7/8 x 8 3/8 inches (ii) Untitled, circa 1935 Stamped Estate of Hans Hofmann and numbered M-933/185 on the backing 11 x 8 1/2 inches C Estate of Dr. Paul Hershenson $5,000-7,500 See Illustration

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51 Bryan Hunt American, b. 1947 Limn III (Airship Drawing), 1979 Signed Bryan Hunt and dated 79 (lr), inscribed Limn III (ll) Mixed media on paper 28 x 71 1/2 inches Exhibited: 1976-1986: Ten Years of Collecting Contemporary, Nov. 13, 1986 - Jan. 18, 1987, Wellesley Museum, Wellesley, MA, Traveled to: Feb. 13 - Mar. 21, 1987, Knight Gallery, Spirit Square Center for the Arts, Charlotte, NC; Nov. 15, 1987 - Jan. 17, 1988, Parrish Art Museum, Water Mill, NY C $6,000-8,000 See Illustration

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52 Bryan Hunt American, b. 1947 Uno, 1979 Signed Bryan Hunt and dated 79 (lr), inscribed I (ll) Graphite and linseed oil on paper 22 x 22 1/4 inches Provenance: Blum/Helman Gallery, New York (no. 588) C Estate of Felice Ross $800-1,200 See Illustration 53 Ibrahim Hussein Malaysian, 1936-2009 Rumble Signed Ibrahim Hussein and inscribed as titled on the mount Gouache on magazine page laid to card 9 5/8 x 8 3/4 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000 See Illustration

54 Ibrahim Hussein Malaysian, 1936-2009 Rumble I, 1965 Signed Ibrahim Hussein, dated 65 and inscribed as titled on the mount Ink and wash on magazine page laid to card 7 1/8 x 6 1/4 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000 See Illustration

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55 Earl Kerkam American, 1891-1965 Untitled Portrait/Courtyard (double sided work) Initialed EK (lr) Tempera on board 24 x 20 inches Provenance: [Sale] , Modern and Contemporary Art, Wright, Chicago, Nov. 9, 2003, Lot 316 C $2,000-3,000 See Illustration

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56 Jiri Kolar Czech, 1914-2002 Gottes Maler, 1970 Initialed JK and dated 70 (lr), stamped 19087, signed Kolar, dated 70, dated again 70 and inscribed Gottes Maler on backing Rollage on paper laid to board Image size 11 5/8 x 16 7/8 inches, mount size 16 1/2 x 23 1/2 inches Provenance: Harriet Griffin Gallery, New York C Estate of Felice Ross $800-1,200 See Illustration

57 Yayoi Kusama Japanese, b. 1929 Pumpkins (pair), circa 2015 Painted cast resin, published by Benesse Holdings, Inc., Japan Each stamped Yayoi Kusama on underside 4 1/4 x 2 7/8 x 2 7/8 inches C $1,800-2,200 See Illustration

58 Michael Loew American, 1907-1985 Blue Image, 1958 Signed M. Loew (lr), signed Loew, dated 1958 and inscribed as titled on the reverse Oil on canvas 30 x 25 inches Provenance: Rose Fried Gallery, New York • $2,000-3,000 See Illustration

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59 After Claude Loewer BRECHE DE ROUILLE Aubusson wool by Raymond Picaud, numbered 3/5 and signed Loewer in ink on label affixed to the reverse.

30 x 50 inches C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,000 See Illustration

60 Jacques Lipchitz French/American, 1891-1973 Untitled Drawing Pad Three of the attached sheets and the inside cover are stamped with the artist’s device Pad with approximately 19 drawings on attached sheets and 8 drawings on detached sheets of varied size Pad size 9 3/8 x 6 1/4 inches C $2,000-3,000 See Illustration

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61 Jacques Lipchitz French/American, 1891-1973 Flight and Europa and the Bull (double sided work) Signed Lipchitz (ur) Ink on paper 9 1/8 x 12 1/4 inches C $1,500-2,500 See Illustration

62 Jacques Lipchitz French/American, 1891-1973 (i) Study for Sacrifice, 1940 Signed Lipchitz and dated 40 (ur) Ink on paper 8 1/4 x 5 1/4 inches (ii) Untitled Pencil on stationery paper 10 1/2 x 7 1/4 inches C $1,500-2,500 See Illustration

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63 Jacques Lipchitz French/American, 1891-1973 Study for Rape of Europa Signed Lipchitz (ul) Pencil and ink on paper 9 x 11 1/4 inches Accompanied by a letter to the artist from R. Sturgis Ingersoll, May 29, 1951 C $1,500-2,500 See Illustration

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64 Alberto Magnelli Italian, 1888-1971 Composizione, 1941 Signed Magnelli and dated 41 (lr), stamped Galleria Loenzelli, Milano on the reverse Gouache on paper 10 1/2 x 8 1/4 inches Provenance: Enrico Prampolini Collection Studio d’Arte La Medusa, Rome Studio d’Arte Lucas, Milan Galleria Lorenzelli, Bergamo Galleria La Diade, Bergamo Private collection, New York Leonard Hutton Galleries, New York Exhibition History: Galleria della biennale, Palermo, 1962 Mostra Nazionale del Piccolo, 1968 C $3,000-5,000 See Illustration

65 Norman Mercer American, 1916-2007 Polychromatic Quad, 2004 Initialed NJM, dated July - ‘04 and numbered 262 Cast acrylic Size including base 63 x 50 x 17 inches • $3,000-5,000 See Illustration 66 Norman Mercer American, 1916-2007 Dodecagonal Helicoid, 1995 Initialed NJM, dated Jan. - ‘95 and numbered 110 Cast acrylic 32 x 12 x 11 inches • $1,000-1,500 See Illustration

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67 Lowell Nesbitt American, 1933-1993 Ivory Rose, 1965 Signed L. Nesbitt, inscribed as titled and dated 65 on the reverse Oil on canvas 24 x 24 inches Provenance: Acquired by the present owner in 1992 from a private dealer C $2,000-3,000 See Illustration

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68 John Newman American, b. 1952 Untitled, 1990 Signed on the reverse Linoleum cut with colored pencil on paper 15 x 10 inches Provenance: David Nola Gallery, New York C Estate of Felice Ross $500-700 See Illustration

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69 Tom Otterness American, b. 1952 (i) Vertical Figures, 1981 Cast hydrocal on marble base, edition of 250 14 1/2 inches (ii) Bookend, 1979 Cast hydrocal Height 8 inches C Estate of Felice Ross $800-1,200 See Illustration

70 Irene Rice Pereira American, 1902-1971 Progression of Reds, circa 1946 Signed I. Rice Pereira, inscribed Progresion (sic) of Reds on the stretcher Oil on canvas 36 x 42 inches C $5,000-7,000 See Illustration

71 Hugo Robus American, 1885-1964 Quiet Form Signed Hugo Robus Bronze on wood base Size including base 8 1/2 x 20 1/2 x 9 1/2 inches Provenance: Forum Gallery, New York William Struna, New York until 2000 C $3,000-5,000 See Illustration

72 Theodore Roszak American, 1907-1981 Sketch for Spectre 1949 Signed T.J. Roszak and dated 49 (lr), inscribed Fury (lc), signed Theodore Roszak and inscribed as titled on the reverse Black and sepia ink on paper 15 x 20 inches Provenance: Pierre Matisse Gallery, New York C Estate of Felice Ross $1,200-1,800 See Illustration

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73 Yohanan Simon Israeli, 1905-1976 Israeli Landscape, 1962 Signed Yohanon Simon and in Hebrew and dated 62 (lr) Gouache on paper laid to card 16 3/4 x 21 1/4 inches C $1,500-2,500 See Illustration

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74 Richard Smith British, 1931-2016 Maquette for Natale (#23), 1990 Signed R. Smith and dated 90 (ll) Acrylic and pastel on paper and wood with metal and string in artist’s case Elements size 8 1/2 x 9 x 2 inches, box size 15 1/2 x 15 1/2 x 3 3/8 inches Provenance: Feigen, Inc., New York (FCC0291023) C Estate of Felice Ross $800-1,200 See Illustration

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75 Joseph Solman American, 1909-2008 Across From Macys, 1935 Signed J. Solman and dated 35 (ll), signed Solman and inscribed 187 on the reverse Oil on canvas 30 x 24 inches Provenance: Acquired directly from the artist C $5,000-7,000 See Illustration 76 Syd Solomon American, 1917-2004 Coastalife, 1958 Signed Syd Solomon (lr), signed Syd Solomon, dated 1958 and inscribed as titled on the reverse Oil on Masonite 48 x 40 inches Provenance: Saidenberg Gallery, New York C $3,000-5,000 See Illustration

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77 Syd Solomon American, 1917-2004 Storm at Sanibel Signed Syd Solomon (lr), signed Syd Solomon and inscribed as titled on the reverse Oil on paper laid to Masonite 35 1/2 x 23 inches C Property from the Wynant D. Vanderpoel Trust $2,000-3,000 See Illustration 78 Al Souza American, b. 1944 Juxtapose, 2000 Signed Al Souza, dated 2000 and inscribed as titled on the reverse Puzzle pieces and glue on wood 72 x 84 inches Provenance: Charles Cowles Gallery, New York C $3,000-5,000 See Illustration 79 Carole Szymanski American, 20th Century Drum O, 1991 Metal and animal skin 38 x 35 1/2 x 15 1/2 inches C $1,000-1,500 See Illustration

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80 Pavel Tchelitchew Russian, 1898-1957 (i) Hand (T-142) Signed Tchelitchew and numbered 72 (lr) Graphite on paper 16 1/2 x 11 3/4 inches (ii) Skull and Neck (T-95) Ink on View Magazine letterhead 8 1/2 x 11 inches (iii) Upper Palate and Sinus Cavity (double sided work) (T-64) Ink on paper 11 x 8 1/2 inches (iv) Skull Studies (T-67) Blue and black ink on paper 11 x 8 1/2 inches (v) Sinus Cavity (T-66) Ink on paper 11 x 8 1/2 inches Provenance for all works in lot: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration of Part 81 Pavel Tchelitchew Russian, 1898-1957 (i) Study of a Spahi (32-34), 1932 Signed P. Tchelitchew and dated 32 (ll), inscribed as titled on the reverse Pencil on cream paper 10 1/2 x 8 1/4 inches (ii) Costume Studies, a double sided work (511) Pencil on paper 11 x 8 1/2 inches (iii) Study of a Courtesan, a double sided work (531) Ink on paper 11 x 8 1/2 inches (iv) Untitled (T-33) Ink on paper 9 3/4 x 13 5/8 inches (v) Study for Ordine (T-127) Inscribed as titled on the reverse Ink on paper 9 3/4 x 13 5/8 inches Provenance for all works in lot: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration of Part

82 Pavel Tchelitchew Russian, 1898-1957 (i) Draped Figures (T-19), 1932 Signed P. Tchelitchew and dated 32 (lr) Pencil on cream paper 10 5/8 x 8 3/8 inches (ii) Costume Studies and Lovers, a double sided work (T-82) Ink on paper 11 x 8 1/2 inches (iii) Woman with Fan (T-111), 1938 Signed P. Tchelitchew and dated 38 (lr) Sepia ink on paper 12 1/2 x 8 inches (iv) Draped Figures (T-80) Ink on paper 11 x 8 1/2 inches (v) Faces with Birds (T-98) Ink on paper 11 x 8 1/2 inches Provenance for all works in lot: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration of Part

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83 Francisco Toledo Mexican, b. 1940 Conejos (Egg), 1975 Signed Toledo Watercolor and ink on ostrich egg 5 1/2 x 5 1/8 inches C $4,000-6,000 See Illustration 84 Francisco Toledo Mexican, b. 1940 Sapos (Egg) Signed Toledo Watercolor and ink on ostrich egg 6 1/4 x 5 1/8 inches C $4,000-6,000 See Illustration 85 Michael Theise American, b. 1959 Chalkboard Signed M. Theise on the reverse Oil on canvasboard 10 x 8 1/2 inches Unframed C $1,500-2,500 See Illustration

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86 Ernest Trova American, 1927-2009 Study: Falling Man, circa 1965 Bronze plated zinc 5 x 5 x 5 inches C Estate of Felice Ross $600-800 See Illustration 87 Raoul Ubac Belgian, 1910-1985 Untitled, 1965 Signed R. Ubac (lr) Gouache on Japan paper 15 3/8 x 12 3/8 inches C Estate of Felice Ross $2,500-3,500 See Illustration

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88 Viktor IV Dutch/American, 1929-1986 Untitled (Royalty is the Best Policy), circa 1968 Signed VIII (ul) and again (ur), inscribed 276 and signed V4 on the reverse Oil on found panel 48 5/8 x 24 3/4 x 2 1/4 inches C Estate of Felice Ross $2,500-3,500 See Illustration 88 32 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

89 Peter Waite American, b. 1950 Watchtower, (diptych), 1992 Signed Peter Waite, dated 1992 and inscribed as titled on the reverse Acrylic on two plastic panels 48 x 48 inches Provenance: Acquired directly from the artist by the current owner C $4,000-6,000 See Illustration

90 Peter Waite American, b. 1950 Cemetery, Prague, 1994 Signed Peter Waite, dated 1994 and inscribed as titled on the reverse Acrylic on paper Sheet size 22 x 30 inches, image size 8 x 11 1/2 inches Provenance: Acquired directly from the artist by the current owner C $800-1,200 See Illustration

91 Peter Waite American, b. 1950 Construction, 1991 Signed Peter Waite, dated 1991, inscribed P.W. 101 and as titled on the reverse Acrylic on paper Sheet size 22 x 30 inches, image size 7 x 14 inches Provenance: Acquired directly from the artist by the current owner C $800-1,200 See Illustration

89

90

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92

94 93 William T. Wiley American, b. 1937 The Shutters for Above Us and Beat Head, 1993 Signed Wiley, dated 93 and inscribed as titled on the reverse Acrylic, graphite and charcoal on canvas 39 1/2 x 38 inches Unframed Provenance: Max Protetch Gallery, New York C $6,000-9,000 See Illustration 93 92 Abraham Walkowitz Russian/American, 1878-1965 Head of a Woman, 1920 Signed A. Walkowitz and dated 1920 (ur) Pastel on paper 12 1/2 x 10 3/8 inches Provenance: Adelson Galleries Inc., New York C $1,000-1,500 See Illustration

34 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

94 Neil Williams American, 1934-1988 (i) Untitled, 1964 Initialed NW (lr), signed Williams and dated 64 on the reverse Ink and graphite on paper 14 x 17 inches (ii) Untitled, 1964 Initialed NW (lr), signed Williams and dated 64 on the reverse Graphite on paper 14 x 17 inches C Sold to Benefit a New York Not-For-Profit Organization $800-1,200 See Illustration

95 95 Chihung Yang Taiwanese/American, b. 1947 Untitled, 1995 Signed C. Yang and dated 95 (lc) Acrylic and charcoal on paper 30 x 22 inches C Estate of Dr. Paul Hershenson $2,000-3,000 See Illustration

PRINTS 96 Alexander Archipenko (1887-1964) FRAUENAKT (KARSHAN 27) Lithograph, 1921, signed in pencil, from the edition of 100, from Die Schaffenden, with full margins, framed.

14 1/2 x 6 1/2 inches; 368 x 165 mm.

Sheet 15 x 11 inches; 381 x 279 mm.

C $700-1,000 See Illustration

97 Miguel Berrocal (1933-2006) PETITE RAPSODIE DE LA MAIN Complete set of 10 color prints and a plastic multiple, 1966, the prints signed and numbered 75/100 in pencil, the multiple with incised signature and number, also signed and numbered on the justification page, with complete text, published by Claude Givaudan, Geneva, the prints in plastic relief folders, in original portfolio boxes. (2) Overall 20 1/2 x 17 7/8 inches; 521 x 454 mm.

C $1,000-1,500 See Illustration of Part

96

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98

100 part

99 part

98 Alexander Calder (1898-1976) MCGOVERN FOR MCGOVERNMENT Color lithograph, 1973, signed and numbered 68/200 in pencil, printed by Styria Studio Ltd. and with their blindstamp, with full margins, framed.

30 x 22 3/4 inches; 762 x 578 mm.

Sheet 34 3/4 x 24 inches; 883 x 610 mm.

C $500-700 See Illustration

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99 John Coburn (1925-2006) FLAME TREE; WASTELAND Two color screenprints, 1976, on wove paper, signed, dated, titled and numbered 4/40 and 2/40 in pencil, with full margins, unframed.

Largest 27 3/8 x 42 3/8 inches; 695 x 1076 mm.

C Dorothy Lewis 2013 Irrevocable Trust $500-700 See Illustration of Part

100 Le Corbusier (1887-1965) UNITÉ XIII; UNITÉ XVII Two aquatints, 1953, on Rives BFK paper, numbered 85/130 in pencil, from the same-titled portfolio, published by Alain C. Mazo, Paris, with full margins, unframed.

16 1/2 x 12 1/2 inches; 419 x 318 mm.

Sheet 22 1/2 x 17 7/8 inches; 572 x 454 mm.

C $600-800 See Illustration of Part

101 part

101 Jim Dine (b. 1935) TOOL BOX; TOOL BOX 8 (GALERIE MIKRO 42) Two color screenprints and collage, 1966, signed in pencil, from the edition of 150, framed.

Sight of each approximately 17 7/8 x 23 1/2 inches; 457 x 597 mm.

C Property from an East Hampton Collection $600-800 See Illustration of Part 102 Kees van Dongen (1877-1968) CAVALIER ARABE (JUFFERMANS JL 17) Color lithograph, circa 1930, on Arches paper, signed and numbered 79/95 in pencil (aside from the numbered edition of 100), with full margins, unframed.

14 5/8 x 11 3/4 inches; 371 x 298 mm.

Sheet 26 7/8 x 19 3/4 inches; 683 x 502 mm.

C Dorothy Lewis 2013 Irrevocable Trust $600-800 See Illustration

102

103 Kees van Dongen POLO IN ALEXANDRIA (JUFFERMANS JL 18) Color lithograph, circa 1948, on Arches paper, signed and numbered 50/10 in pencil, with full margins, unframed.

14 3/4 x 21 1/2 inches Sheet 19 3/4 x 25 3/4 inches; 502 x 654 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200 See Illustration

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107

104 Hans Rudi Erdt (1883-1918) HOLLÄNDISCHE TEE-STUBE Color lithograph, 1908, published by Vereinigte Kunstanstalten, A.G. Kaufbeuren and Munich, with good or full margins, framed.

Image 46 x 33 1/2 inches; 1168 x 851 mm.

C $1,000-1,500 See Illustration

104

105 Paul Jenkins (1923-2012) SUN SPOT Color lithograph, 1971, signed, dated, titled and inscribed Trial Proof in pencil, the full sheet, framed.

Sheet 23 x 18 inches; 584 x 457 mm.

C $500-700 106 Alex Katz (b. 1927) BICYCLE RIDER (SCHRÖDER 154) Color lithograph, 1982, on Arches Cover paper, signed and inscribed AP 21/25 in pencil (aside from the edition of 250), from New York: Eight Contemporary Artists Celebrate Their City, published by New York Graphic Society, Ltd., Waterbury, Connecticut, the full sheet, framed.

Sheet 22 x 29 3/4 inches; 559 x 756 mm.

C $1,500-2,500 See Illustration 107 Pablo Picasso (1881-1973) TOROS (A.R. 161) Painted and partially glazed ceramic dish, 1952, from the edition of 500, incised Edition Picasso and Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse.

7 3/4 x 7 3/4 inches; 197 x 197 mm.

C The Collection of Charlotte Bergman $2,000-3,000 See Illustration

106 38 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

108

108 Pablo Picasso PICADOR (A.R. 289) Painted and partially glazed white ceramic bowl, 1955, edition of 500, inscribed Edition Picasso on the base.

Diameter 4 7/8 inches; 124 mm.

C $700-1,000 See Illustration

109

109 Pablo Picasso DEUX DANSEURS (A.R. 380) Painted and partially glazed white ceramic plate, 1956, from the edition of 450, with the Madoura Plein Feu, Empreinte Originale de Picasso and Edition Picasso pottery stamps on the reverse.

10 x 9 7/8 inches; 254 x 251 mm.

C Estate of Aurora Biamonte $3,000-5,000 See Illustration 110 After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 148/200, with full margins, unframed.

25 5/8 x 19 3/4 inches; 651 x 502 mm.

Sheet 21 1/2 x 29 3/8 inches; 546 x 746 mm.

C Estate of Carl Lesnor $2,000-3,000 See Illustration 111 Carol Summers (1925-2016) MY FATHER’S GOLDEN SAMOVAR Color woodcut, signed, titled and numbered 14/15 in pencil, with full margins, framed.

Sheet 44 1/2 x 23 3/4 inches; 1130 x 603 mm.

C Estate of Felice Ross $400-600

110

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112 part

113

114 112 Graham Sutherland (1903-1980) COMPOSITIONS Two color lithographs, signed, numbered 62/70 and XXXVI/L, respectively, in pencil, with full margins, unframed.

Sheets 30 x 21 1/4 inches C Dorothy Lewis 2013 Irrevocable Trust $500-700 See Illustration of Part

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113 Rufino Tamayo (1899-1991) AFFICHE AVANT LETTRE (PEREDA 122) Color lithograph, 1969, signed and numbered XII/XXV in pencil, from Mujeres, published by Touchstone Publishers, New York, the full sheet, unframed.

Sheet 30 1/4 x 24 1/4 inches; 768 x 616 mm.

C Estate of Jesse Mines $700-1,000 See Illustration

114 Victor Vasarely (1906-1997) TITAN A Color screenprint, signed in pencil, numbered 59/300, with full margins, framed.

15 3/4 x 15 3/4 inches; 400 x 400 mm.

Sheet 23 1/2 x 22 1/8 inches; 597 x 562 mm.

C $600-800 See Illustration

FURNITURE & DECORATIVE ARTS

Lot 152 41 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

117

119

116 French Art Nouveau Gilt and Enamelled Center Bowl Attributed to Emile Gallé, circa 1900 Unmarked. Height 5 inches, width 14 1/4 inches.

C $2,000-3,000 117 Tiffany Gilt-Metal Mounted Favrile Glass “Twilight” Candlestick Lamp with Chimney First quarter of the 20th century Ruffled shade signed L.C.T.; mount on standard marked THE TWILIGHT and TIFFANY; BASE SIGNED L.C.T.; chimney unmarked; not electrified.

Height overall 13 1/4 inches.

C Private Connecticut Collection $800-1,200 See Illustration

118

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118 Tiffany Favrile Glass Footed Vase Circa 1904 In translucent amber colored glass, signed L.C. Tiffany-Favrile V 648. Height 8 7/8 inches.

C Estate of Aurora Biamonte $800-1,200 See Illustration

120

119 Tiffany Studios Bronze and Favrile Glass “Jeweled” Candlestick Lamp Circa 1915 Base stamped TIFFANY STUDIOS NEW YORK 1203 and with the T.S. logo; shade signed L.C.T. Height overall 13 inches, height of shade 4 7/8 inches.

C Estate of Aurora Biamonte $2,500-3,500 See Illustration 120 Tiffany Moorish Style Bronze-Mounted Favrile Glass Hanging Shade Circa 1927 Shade signed L.C.T. Favrile 731 V. Height overall 11 1/2 inches.

C Estate of Aurora Biamonte $1,500-2,500 See Illustration

121 Pair of Tiffany Studios Bronze and Gold Ribbed Favrile Glass Two-Light Sconces Circa 1915 Each shade signed L.C.T. Height overall 12 1/2 inches, width 12 inches, height of tallest shade 5 inches.

Provenance: Christie’s, New York, Important 20th Century Decorative Arts, Including Arts & Crafts, June 11, 1994, lot 392.

C Estate of Aurora Biamonte $8,000-12,000 See Illustration

121

122 Pair of Tiffany Studios Gilt-Bronze and Favrile Glass Three-Light Lily Sconces Circa 1915 Each decorated shade signed L.C.T. Height overall 13 5/8 inches, width 8 3/4 inches, height of tallest shade 4 5/8 inches.

Provenance: Sotheby’s, New York, 20th Century Decorative Works of Art, June 15, 1994, lot 468, sold privately on June 21, 1994.

C Estate of Aurora Biamonte $8,000-12,000 See Illustration 122 123 Pair of Tiffany Studios Bronze and Favrile Glass Three-Light Lily Sconces Circa 1915 En suite with the preceding. Two shades signed L.C.T.; four shades signed L.C.T. Favrile. Height overall 13 5/8 inches, width 7 3/4 inches, height of tallest shade 4 1/2 inches.

Provenance: Sotheby’s, New York, 20th Century Decorative Works of Art, June 15, 1994, lot 469, sold privately on June 21, 1994.

C Estate of Aurora Biamonte $8,000-12,000 See Illustration

123

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124

124 Tiffany Studios Gilt-Bronze and Favrile Glass Linenfold Harp Desk Lamp Circa 1910-20 Shade stamped TIFFANY STUDIOS NEW YORK 1942 PAT. APPL’D FOR; base stamped TIFFANY STUDIOS NEW YORK 614.

Height 14 1/4 inches, length of shade 4 3/4 inches, width 4 1/2 inches.

C Private Connecticut Collection $3,000-4,000 See Illustration 125 Tiffany Studios Bronze and Gold Favrile Glass Ten-Light Pond Lily Lamp Circa 1910 Nine shades signed L.C.T. Favrile, and one shade signed L.C.T., base stamped TIFFANY STUDIOS NEW YORK. Height 20 1/4 inches, height of tallest shade 4 3/4 inches.

Provenance: Minna Rosenblatt Ltd., New York, New York, June 23, 1979 C Estate of Aurora Biamonte $12,000-18,000 See Illustration 125 44 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

LAMP

126 Tiffany Studios Reticulated Bronze and Leaded Glass Alamander Lamp Circa 1910 The conical shade with tag stamped TIFFANY STUDIOS NEW YORK; the “pineapple” base stamped TIFFANY STUDIOS NEW YORK and with the Tiffany Glass and Decorating Company trademark logo and D 856. Height overall 21 1/4 inches, height of shade 6 inches, diameter of shade 18 1/4 inches.

An identical version of this model lamp was sold at Christie’s, New York, Important 20th Century Decorative Arts, June 15, 2004, lot 61.

Note: The Tiffany Studios Price List of 1906 describes this lamp base as “No. 338, blown glass in metal, pineapple, four leaf legs.” It retailed for $80.00.

Provenance: Christie’s, NY, lot 235 C Estate of Aurora Biamonte $50,000-70,000 See Illustration

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127

CONSOLE TABLE 127 Frank Lloyd Wright Arts and Crafts Oak Console Table Probably for Taliesin East, Spring Green, Wisconsin, before 1914 Height 27 5/8 inches, width 6 feet 1/4 inch, depth 24 1/8 inches.

Provenance: Frank Lloyd Wright to his niece Elizabeth Enright on her wedding (she was the daughter of Frank Lloyd Wright’s sister Maginel Wright) Thence by decent, to Nora Wright Natof, Wright’s granddaughter Kelmscott Gallery, Chicago, IL, circa 1987 Purchased from Kelmscott Gallery, Chicago, IL, November 23, 1988.

Taliesin East was the residential estate and studio built by Frank Lloyd Wright (1867-1959) outside of Spring Green, Wisconsin. Wright completed the structure in 1911 only to have one-third of the property, the residential quarters, burned by a disgruntled employee in 1914, who also murdered Wright’s mistress and six others on the estate. Taliesin East was rebuilt and then suffered a similar fire and was rebuilt again in 1925. The house is classic Prairie School design with courtyards and loggia blending with the natural surroundings. As with many of his commissions, Wright created the furniture to fill his spaces so that his vision would be completely realized. This console table relates to other furnishings that are known to have survived the 1914 fire.

C A Private Collection of Important Design $30,000-40,000 See Illustration

46 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

127 side view

Letter from Nora Wright Natof, Wright's granddaughter, to Scott Kelmscott, Kelmscott Gallery, 1987

Family photograph of Frank Lloyd Wright and his third wife, Olgivanna, and daughter, Iovanna, taken at Taliesen, July 5, 1957.

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ELEVATOR GRILLE FROM THE CHICAGO STOCK EXCHANGE BUILDING 128 Dankmar Adler and Louis Henry Sullivan Cast and Wrought Iron Elevator Grille From the Chicago Stock Exchange Building Made by the Winslow Brothers Company, Chicago, IL, circa 1893-4 Height 74 inches, width 29 1/2 inches.

Provenance: Sotheby’s, Online, June 2002 Literature: John Vinci, The Trading Room: Louis Sullivan and The Chicago Stock Exchange, Chicago, 1989, pp. 22-23; Ward Miller, John Vinci, Aaron Siskind and Richard Nickel, The Complete Architecture of Adler & Sullivan, New York, 2010, p. 190.

Late 19th century Chicago was one of America’s most important commercial centers and the birthplace of the skyscraper. In 1893, architects Louis Sullivan (1856-1924) and Dankmar Adler (1844-1900) were tasked with designing the Chicago Stock Exchange Building, a thirteen-story structure which is regarded as the partners’ greatest achievement. Their simple organic design was an example of the genre known as the Chicago School of Architecture. Despite public outcry, in 1972 the structure was demolished and architectural fragments like this elevator grille were saved for posterity.

C A Private Collection of Important Design $8,000-12,000 See Illustration and Inside Front Cover

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128

129 Dard Hunter for the Roycroft Workshops Arts and Crafts Unglazed Earthenware Vase with Tree Motif Circa 1904 Impressed with DH monogram and Roycroft Workshop symbol.

Height 9 1/4 inches.

Works in pottery by Dard Hunter (1883-1966) are exceedingly rare. According to his descendants, Hunter made only six prototypes for designs in pottery during his tenure at the Roycroft Workshop and only ten original pieces are known to exist. Further, it is claimed that six of these pieces are in the collection of the Metropolitan Museum of Art in New York City, including a green glazed earthenware vase with an Iris motif. A vase identical to the vase offered here is in the collection of The Wolfsonian in Florida. The extreme scarcity of known works by Dard suggests that the pottery wares he did create were experimental in nature and ultimately never entered into commercial production. For more about the life and work of Dard Hunter see www.dardhunter.com.

C A Private Collection of Important Design $6,000-8,000 See Illustration

129

130 Charles Rohlfs Arts and Crafts Oak Occasional Table Unmarked. Height 26 inches, diameter 25 3/4 inches.

Literature: Joseph Cunningham, The Artistic Furniture of Charles Rohlfs, Yale University Press, 2008, pp. 38-42, for a discussion of this early Rohlfs table design.

A similar table with this same shaped top sold Toomey & Co., Cincinnati, December 7, 2008, lot 103; and another sold Rago, New Jersey, March 8, 2008, lot 297.

C A Private Collection of Important Design $4,000-6,000 See Illustration

130

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132 signature

132

131 L. & J.G. Stickley Oak and Copper Tall Case Clock Number 91, signed with the red Handcraft mark.

Height 6 feet 6 inches, width 18 3/4 inches, depth 12 inches.

C The Patricia and Donald Oresman Collection $2,000-4,000 See Illustration 132 Charles Rohlfs Arts and Crafts Hand-Hammered Copper Three-Light Candlestand 1905 Stamped with Rohlfs logo and date year. Height 13 7/8 inches.

By 1900 Charles Rohlfs endeavored to reach a broader market by designing more affordable, decorative, or utilitarian objects such as candlesticks. Few examples of all-metal candlesticks are known. The present example from a private collection was exhibited in The Artistic Furniture of Charles Rohlfs at Milwaukee Art Museum, Milwaukee, Dallas Museum of Art, Dallas, Carnegie Museum of Art, Pittsburgh, The Huntington Library, Art Collections, and Botanical Gardens, San Marino, and The Metropolitan Museum of Art, New York, 2009-2011. An illustration of the candlestand on offer is also featured in the accompanying publication, The Artistic Furniture of Charles Rohlfs by Joseph Cunningham, Yale University Press, 2008, p. 212.

C A Private Collection of Important Design $3,000-5,000 See Illustration

132 detail

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133 133 Charles Rohlfs Arts and Crafts Oak and Copper Four-Light "Banquet" Candelabrum with Kappa Shell Shades 1903 Signed and dated.

Height 16 3/4 inches, width 21 1/2 inches.

Rather than creating a trade catalogue, Charles Rohlfs used pictures of examples of his work as a guide for clients. A similar candelabrum with shells and a cruciform base titled "Banquet", model no. 9, is depicted in The Artistic Furniture of Charles Rohlfs by Joseph Cunningham, Yale University Press, 2008, p. 253. Various design elements such as Asian and European influence can be found.

In an advertising card dated from November 1, 1907, in the Metropolitan Museum of Art's collection, Rohlfs states "The Shell Shades are extra. The shells, Placenta Orbiscularis-Retz are found in the China sea.

They are a direct importation, unique in themselves and the use to which they are put, and difficult to secure.

I have about 350 on hand now and may not be able to get more. The shades are adaptable to nearly all the candle holders shown."

C A Private Collection of Important Design $10,000-15,000 See Illustration 134 Charles Rohlfs Arts and Crafts Oak Chest of Drawers Circa 1907 Stamped on the front side of apron with the "R" in a bow saw symbol. Height 60 inches, width 33 1/2 inches, depth 16 inches.

Provenance: Rago, New Jersey, Craftsman Auction, September 17, 2005, lot 174.

C A Private Collection of Important Design $8,000-12,000 See Illustration

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135 Harvey Ellis for Gustav Stickley Arts and Crafts Inlaid Oak Music Cabinet Circa 1903 Unmarked. Height 57 1/2 inches, width 22 3/4 inches, depth 17 inches.

An identical music cabinet was sold at Christie's, New York, Important 20th Century Decorative Arts, December 7, 2001, lot 365.

Comparable music cabinets sold at auction include Sotheby's, New York, Important 20th Century Design, December 15, 2012, lot 14; Toomey & Co. Auctioneers, Oak Park, IL, 20th Century Art and Design Auction, May 6, 2001, lot 1.

Literature: Harvey Ellis, An Urban House, in The Craftsman, Vol. IV, no. 5, August 1903, pp. 313-327; Stephen Gray, The Early Works of Gustav Stickley, 1996, p. 175; and David Cathers and Alexander Vertikoff, Stickley Style, Arts and Crafts Homes in the Craftsman Tradition, 1999, p. 133, for an illustration of the present model. A related Inlaid Oak Music Cabinet designed by Harvey Ellis for Gustav Stickley is illustrated in The Early Work of Gustav Stickley, by Stephen Gray, 1987, p. 138.

C A Private Collection of Important Design $40,000-60,000 See Illustration

135

136 Charles Rennie Mackintosh Red Lacquered Costumer For the Chinese Room at the Ingram Street Lunch and Tea Room, circa 1900-12 Height 6 feet 6 1/2 inches, 20 inches square.

Provenance: Finnie Antiques, 96-98 Torrisdale St. Glasgow, Scotland, May 1996, who acquired it at Phillips, Glasgow, Auction 350, November 6, 1980, lot 116.

C A Private Collection of Important Design $8,000-12,000 See Illustration

136 52 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

HARVEY ELLIS Architect and designer Harvey Ellis (1852-1904) is well known for his short-lived tenure as designer for Gustav Stickley (1858-1942) and The Craftsman Workshops in 1903-1904. Ellis was from Rochester, New York, and attended a semester at West Point. In the 1870s, he worked in Albany as a draftsman and designer for the eminent architect Henry H. Richardson, often designing in the Romanesque style. He moved to the Midwest in the 1880s where he worked on several projects in Minnesota, Missouri, and Wisconsin. He returned to Rochester after his time in the Midwest and studied Japanese prints and focused on painting although he had no luck selling his paintings. Often described as a "vagrant genius", Ellis always made inventive designs envied and acknowledged by his contemporaries.

Ellis worked for Gustav Stickley only from March 1903 until his death in early January 1904. Formerly known as the United Crafts Workshop, Stickley changed the name to The Craftsman Workshops in 1903. Stickley's robust Mission furniture included honest construction, simplicity, and hammered metal hardware. Stickley hired Ellis as artist, designer and writer. Although they only worked together for a brief period, the collaboration between Ellis and Stickley produced drastically different designs than the typical Arts and Crafts furniture of their peers.

Inspired by Japanese and British Arts and Crafts designs, Ellis' furniture incorporated purely decorative and stylized biomorphic inlays often depicting stylized plant forms in pewter, copper, and exotic woods. In addition to the inlay, there was also a departure from solid forms to a more graceful and delicate structure, often likened to the work of Glasgow's Charles Rennie Mackintosh.

Like Mackintosh, Ellis' designs also incorporated arched aprons or the addition of curves and overhanging tops as seen in this example.

His individual and original ideas were not put in to general production and consequently, furniture by Harvey Ellis is extremely rare. Ellis only received recognition and publicity from The Craftsman, which was Stickley's magazine to promote Arts and Crafts philosophy. Even after his death in January 1904, his impact on Stickley was long lasting. Although no longer held by the Stickley family, L. & G.J. Stickley company still manufactures furniture in the Arts and Crafts style.

135

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137

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137 Charles Rennie Mackintosh Stained Oak Armchair Designed for the Billiard and Smoking Room, Argyle Street Tea Room Made by Francis Smith & Son, Glasgow, circa 1897 Height 33 inches, width 24 inches, depth 16 1/2 inches.

Provenance: Bonhams, Glasgow, Design 1860-Present Day, November 20, 2003, lot 457A. Permanent Collections: Kelvingrove Art Gallery & Museum, Glasgow, Scotland; Montreal Museum of Fine Arts, Montreal, Canada; Vitra Design Museum, Weil am Rhein, Germany; Cooper Hewitt, Smithsonian Design Museum, New York Literature: Roger Billcliffe, Charles Rennie Mackintosh: The Complete Furniture, Furniture Drawings & Interior Designs, New York, 1986, p. 58.

A chair from this commission sold Phillips, London, Design, September 20, 2017, lot 78; and another sold Sotheby’s, London, The Best of British - Design from the 19th and 20th Centuries, March 20, 2008, lot 104.

C A Private Collection of Important Design $40,000-60,000 See Illustration and Front Cover

MACKINTOSH Scottish artist, architect and designer Charles Rennie Mackintosh (1868-1928) is justly recognized for his extraordinary contributions to the development of Britain’s Modern Movement. His innovative and unique “new” style at the end of the 19th century and beginning of the 20th century soon influenced and impacted design and architecture in Europe and the United States.

Mackintosh was invited to participate as an exhibitor at the 8th Vienna Secession Exhibition in Vienna in 1900. Four years earlier, in 1896, Mackintosh submitted a design and won an important competition for a new building for the Glasgow School of Art. Today, this building is recognized as his masterwork and most prestigious commission. One of the building’s most dramatic interiors was the new library, completed in 1909. Mackintosh is perhaps better remembered and celebrated for the four Glasgow tea room interiors he designed either exclusively or in collaboration with other noted architects and designers between 1896 and 1917 for his influential Glasgow patron and businesswoman, Catherine Cranston (1849-1934), popularly known as Miss Kate Cranston or Miss Cranston.

The last of her establishments, The Willow Tea Room, opened in 1903-04 on Glasgow’s fashionable Sauchiehall Street.

Unlike the other three establishments, this tea room was completely designed by Mackintosh in collaboration with his wife, Margaret MacDonald (1864-1933), including the interiors, furniture and fabric as well as the structure itself. The predominant motif and interior design scheme of this tea room was based upon the willow leaf, in keeping with the street name, Sauchiehall, which derives from an old Scottish word meaning “street or alley of the willows.”

Mackintosh designed a variety of furniture for Miss Cranston’s four tea rooms, including dramatic high-back chairs, low-back armchairs, built-in settees, games tables, dining tables, benches, stools, screens and coat and umbrella stands as well as electric light fittings, wall murals and cutlery.

In 1896 or 1897, Miss Cranston commissioned Mackintosh to design furniture as part of a redesign and remodeling of the tea room at No. 114 Argyle Street. The furniture was delivered in 1898 and 1899. It was made by the firm Francis Smith & Son, in Glasgow. A contemporary photograph of the Smoking Room at the Argyle Street Tea Room from around this date shows some of the Mackintosh-designed furniture, including three examples of the low-back oak armchair on offer here. An illustrated article

by J. Taylor titled “Modern Decorative Art at Glasgow: Some Notes on Miss Cranston’s Argyle Street Tea House,” published in The Studio in October 1906, also features rare contemporary photographs of some of the interior room schemes and furnishings of the Argyle Street Tea Room, including the Luncheon Room, Smoking Room and Billiard Room. A photograph of the Billiard Room portrays six of the rare low-back oak lounge chairs, like the example on offer here, which are raised on a low platform and set against a geometricized painted wall. A photograph of the Smoking Room shows at least two more of these chairs.

View of the Billiard Room at Miss Cranston’s Argyle Street Tea Room showing chairs and stands designed by C.R. Mackintosh, ca. 1906.

Source: The Studio, vol. 39, no. 163, Oct. 1906, p.34.

Cafés and coffee houses had become popular social centers in Glasgow during the 1880s and 1890s. The Glasgow tea room movement was partly a response to the temperance movement and offered an alternative to male-centered pubs and drinking establishments. Kate Cranston opened her first tea room, the Crown Luncheon Room, in 1878 at No. 114 Argyle Street, Glasgow, which was later renamed the Crown Lunch and Tea Rooms. It was a popular success and helped pave the way for three other tea room establishments in Glasgow. A novel and popular feature of Ms. Cranston’s tea rooms were separate ladies only and gentlemen only rooms, as well as luncheon rooms where both sexes could mingle, dine and socialize.

The smoking and billiard rooms were provided exclusively for men and were enjoyed at the multi-leveled tea room on Argyle Street. Here, in Argyle Street, tea rooms were located on the ground floor, luncheon and additional tea rooms were located on the first and second floors, and the billiard room, reading room and smoking room were situated on the third floor and in a spacious attic.

Miss Cranston’s second tea room opened in 1886 on Ingram Street. It consisted of a variety of interconnected rooms or apartments on the ground floor, including a gentlemen’s tea room originally called the Pioneer Suite, which was later remodeled and renamed the Chinese Room. In 1896, work was already well underway on Miss Cranston’s third tea room establishment, on Buchanan Street, when she was introduced to Charles Mackintosh. The Buchanan Street tea room opened the following year in 1897.

Photograph of the Mackintoshes Studio Flat, Glasgow, taken in 1900 showing one of these chairs in front of the fireplace. Source: Charles Rennie Mackintosh and the Modern Movement by Thomas Howarth, 1952, 1977, plate 14.

For a closer in-depth examination and discussion of Miss Cranston’s Tea Rooms see Thomas Howarth, Charles Rennie Mackintosh and the Modern Movement, 1952, 1997, pp. 121-147. For more about the Argyle Street Tea Room, see J. Taylor’s article “Modern Decorative Art at Glasgow: Some Notes on Miss Cranston’s Argyle Street Tea House,” in The Studio, Vol. 39, no. 163, October 15, 1906, pp. 31-36.

For more about the architecture of Charles Rennie Mackintosh, see www.mackintosh-architecture.gla.ac.uk.

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138

138 Albin Müller Vienna Secession Saxon Serpentine Marble Centerpiece Circa 1906 Signed with A.M. monogram. Height 7 1/4 inches, 8 inches square.

The contemporary term in German in the early 20th century for this form was blumenschale, which translates to“flower cup.”

Literature: Die Kunst, Vol. 16, 1906-1907, pp. 38-9, for an illustration of this model as well as other works in serpentine marble

by Albin Müller; see Deutsche Kunst und Dekoration, Vol. 18, April-September 1906, p. 647, for an illustration of three different but related models of flower holders by Albin Müller; see Kunstgewerbeblatt, NF. 18, 1906-07, for a period photograph of this model.

C A Private Collection of Important Design $1,500-2,500 See Illustration 139 Werkstätte Hagenauer Wien (WHW) Nickel-Plated Bust of a Woman Circa 1940-50 Bronze mounted on wood. Height 6 1/8 inches, width 4 inches. Stamped HAGENAUER WIEN MADE IN AUSTRIA with WHW monogram.

C Estate of Felice Ross $600-800 140 Vienna Secession Three Panel Wallpaper Screen Designed by Ludwig H. Jungnickel Possibly executed by P. Piette, Bubenitsch for the children's room at Palais Stoclet, Brussels, Belgium, circa 1905-11 Height 5 feet, width of largest panel 27 inches, width of two panels 24 inches, depth 1 inch.

Literature: Verlag Johannes Heyn, Ludwig Heinrich Jungnickel, Ein Leben für die Kunst, image GG.29/2 p. 355, and Moderne Bauformen, vol. 13, Jan.-Jun. 1914, p. 25, for an illustration of the panel decoration.

140

As a member of the Wiener Werkstätte, artist Ludwig H. Jungnickel (1881-1965) designed textiles, wallpaper and postcards. Jungnickel trained at theSchool of Applied Arts in Munich and later at the Vienna Academy of Fine Arts.

In 1908, he first exhibited his woodblock prints in Vienna. Famous for his exoticism and dynamic animal depictions, he used inspiration from the zoo animals in Tiergarten Schönbrunn in Vienna and other European zoos.

Jungnickel worked with Gustav Klimt to design the interiors of the Palais Stoclet in Brussells, which was planned and designed by Josef Hoffmann for Belgian industrialist Adolphe Stoclet. Completed in 1911, the palace was the epitome of Gesamtkunstwerk, or total work of art.

Stoclet commissioned Josef Hoffmann to construct the vast palace as the largest commission for the Wiener Werkstätte. Jungnickel received the important commission to create a wall frieze in the children's room at the Palais for Stoclet's two sons, which adorned the perimeter of the room.

C A Private Collection of Important Design $4,000-6,000 See Illustration

Photograph of the Children’s Room in the Palais Stoclet, Brussels, depicting an upper frieze mural with zoo animals by Ludwig H. Jungnickel, ca. 1909-10. Source: Moderne Bauformen, vol. 13, Jan.-Jun. 1914, p. 25.

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BARREL CHAIR

141

141 Charles Rohlfs Arts and Crafts Carved Oak Barrel Chair 1902 Burned-in mark and date. Height 31 inches, width 29 3/4 inches, depth 19 1/2 inches.

A comparable chair was sold at Sotheby's, New York, An American Visionary: The Collection of David Whitney, November 16, 2006, lot 104.

Charles Rohlfs (1853-1936) is most well known for the bold forms and expressive carving in his designs. Prior to designing and making furniture, Rohlfs designed cast iron stoves. He trained in drafting and design from Cooper Union, where he learned pattern making. In 1887, he made furniture for his apartment in Brooklyn where he resided with his wife Anna Katharine Green, inspired by the lack of affordable furniture.

Later he set up a workshop in Buffalo, New York. He favored oak and dark stain and embellished his furniture designs on to the wood, changing the original grain but taking design inspiration from the figured grain. The carvings took the idea of the designs Rohlfs saw in the wood: rising smoke, blowing wind, and even Santa Claus. He also employed honest construction with through-tenons for structural integrity. Even the plugs he used to conceal screw heads, such as evidenced in this example, were faceted to give irregularity. The curves on the shaped slats in the front and rear of the chair express the whimsy typical of Rohfls carved decoration.

C A Private Collection of Important Design $20,000-30,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57

142

142 Joseph Maria Olbrich and Julius Glückert Vienna Secession Burrwood, Ebonized Maple and Mahogany Cabinet with Mother-of-Pearl Inlay Possibly designed for the Music Salon of Ernest Louis (Ernst Ludwig), Grand Duke of Hesse, founder of Darmstadt Artists' Colony, in Mathildenhöhe, Darmstadt, Germany Circa 1900-05 Height 63 1/2 inches, width 55 inches, depth 21 inches.

At present, only four of these rare cabinets are known, including the cabinet offered here. One of the other known cabinets is in the collection of the Institute Mathildenhöhe Darmstadt (the Museum of the Darmstadt Artists' Colony), which had belonged to the Grand Duke Ernest Louis. A third example is in the permanent collection of the Bröhan-Museum, in Berlin.

A related cabinet sold at Sotheby's, London, Fine & Decorative Arts & Design From 1870, May 4, 2006, lot 31; another related cabinet, quite possibly the cabinet just cited, sold at Christie's, Amsterdam, 20th Century Decorative Arts, November 22, 2006, lot 314.

Provenance: Historical Design, New York, New York, 1990s.

C A Private Collection of Important Design $10,000-15,000 See Illustration 58 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

143 Henry van de Velde for August Hanke Hohr Salt-Glazed Stoneware Two-Handled Vase 1902 Signed Hanke. Height 9 1/2 inches.

Provenance: Quittenbaum, Munich, Germany, November 2000, lot 523.

C A Private Collection of Important Design $5,000-7,000 See Illustration 144 Richard Riemerschmid Leather Upholstered Oak Music Room Chair Circa 1898 Height 31 1/2 inches, width 19 1/4 inches, depth of seat 19 inches.

Provenance: Brigantine 1900 Monika Fahrensen Gallery, Munich, Germany, 1999 Similar chairs are in the collection of the Victoria & Albert Museum, London, and the Museum of Modern Art, New York.

A chair from this commission sold Sotheby's, London, March 8, 2005, lot 85.

These chairs were originally designed for the music room of the Deutsche Kunst-Ausstellung, Dresden.

C A Private Collection of Important Design $1,500-2,500 See Illustration

143

Interior room view at the German Art Exchange exhibition held in Dresden, May-October 1899, showing this chair model designed by Richard Riemerschmid.

Source: Deutsche Kunst und Dekoration, vol. 7, Oct. 1900-Mar. 1901, p. 26.

144

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OLYMPIA OPTISCH VASE

Innendekoration: mein Heim, mein Stolz ; die gesamte Wohnungskunst in Bild und Wort 12.1901

145 Johann Loetz Witwe Vienna Secession Iridescent Olympia Optisch Glass Vase and Brass Mounted Wood Stand Designed by Josef Hoffmann for E. Bakalowits & Söhne, Klostermuhle (Klásterský Mlýn), Austria, 1899-1900 Unmarked. Height overall 18 3/8 inches, height of vase 10 5/8 inches, height of stand 14 3/8 inches.

An identical vase and stand from a private collection is included in the exhibition, The Glass of the Architects Vienna 1900-1937, currently on view at The Corning Museum of Glass, in Corning, New York. This exhibition is co-organized by the Austrian Museum of Applied Arts / Contemporary Art (MAK) and Le Stanze del Vetro.

A different but related model designed by Josef Hoffmann for Loetz made in iridescent pale green glass vase with a wood stand composed of two intersecting blade panels was sold at Sotheby’s, London, Fine & Decorative Arts & Design From 1870, October 5, 2004, lot 83.

Literature: Die Kunst, Vol. 4, 1901, p. 230, for a photograph of Bohemian glasses, including the present model, with design credit to Josef Hoffmann; also see Innen-Dekoration, Vol. 12, 1901, p. 31, for a period photograph showing this model in a room setting and also having design credit to Hoffmann.

Provenance: Historical Design, New York, New York, December 1995.

Christie’s, London, May 1995, lot 55.

C A Private Collection of Important Design $10,000-15,000 See Illustration

(left) Photograph of Bohemian glasses exhibited by E. Bakalowits & SÖhne at the 8th Vienna Secession exhibition in 1900, including the present model. Source: Die Kunst, vol. 4, 1901, p. 230. (below) Room view showing the present model. Source: Innen-Dekoration, vol. 12, 1901, p. 31.

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Seite 31

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146 Johann Loetz Witwe Vienna Secession Iridescent Glass and Brass Vase Possibly designed by Josef Hoffmann, circa 1905 Unmarked. Height 11 1/2 inches.

C A Private Collection of Important Design $2,000-4,000 See Illustration

147 Josef Hoffmann for the Wiener Werkstätte Vienna Secession Hand-Hammered Brass Vase Circa 1908 Stamped JH WIENER WERKSTATTE and MADE IN AUSTRIA. Height 13 inches.

C A Private Collection of Important Design $5,000-7,000 See Illustration

148 Marie Zimmermann Chinese Style Patinated Copper Bottle Form Vase and Stand Circa 1920 Vase stamped MARIE ZIMMERMANN-MAKER and with artist’s symbol, stand also stamped with symbol. Height overall 8 1/8 inch, height of vase 6 3/8 inches.

Note: It is extremely rare to find a vase by this maker that is still accompanied by its original stand.

146

147

148 62 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

In 2012, Yale University Press published a book detailing the life and work of Marie Zimmermann (1879-1972), The Jewelry and Metalwork of Marie Zimmermann, which has helped foster renewed interest in this artist’s work. Pieces made by Zimmermann can be found in public collections, including the Metropolitan Museum of Art, New York, the Museum of Fine Arts Boston, Art Institute of Chicago and the Los Angeles County Museum of Art, among others.

Provenance: Rago Arts and Auction Center, Lambertville, NJ, September 17, 2005, lot 24.

C A Private Collection of Important Design $2,000-4,000 See Illustration

149 Three Bauhaus Painted Wood Dolls Possibly designed by Eberhard Schrammen and made by Josef Hartwig, under the direction of Oskar Schlemmer, circa 1921-25 Unmarked. Height of tallest 6 1/4 inches.

Provenance: Sotheby’s, London, Fine and Decorative Arts and Design, February 27, 2003, lot 104.

C A Private Collection of Important Design $4,000-6,000 See Illustration 150 Josef Hoffmann Vienna Secession Red and White Painted Wood Stool Circa 1902 Height 19 1/4 inches, width 15 3/4 inches, depth 15 1/2 inches.

Provenance: Dorotheum, Vienna, May 7, 2004, lot 35.

Another stool of this model sold Dorotheum, Vienna, November 27, 2012, lot 108.

An exact model is illustrated in the sitting room of Josef Hoffmann’s personal apartment, circa 1900, in Das Interieur, 1900, p. 139.

Three others of this exact model are illustrated in the same publication, p. 24, and another, p. 137.

C A Private Collection of Important Design $3,000-5,000 See Illustration

149

150

View of Josef Hoffmann’s sitting room at his apartment, ca. 1900.

Source: Das Interieur, 1900, p. 139.

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151 Ernst Wahliss Vienna Secession Gilt and Hand-Painted Earthenware Cabinet Plate Designed by Franz Staudigl From the Serapis-Fayence line, 1912 Stamped SERAPIS-FAYENCE WAHLISS and FS 6920. Diameter 8 1/8 inches.

Provenance: Von Zechwitz Auction, Munich, Germany, May 2003, lot 360.

C A Private Collection of Important Design $1,500-2,500 See Illustration

151

152 Gerrit Rietveld Painted White Glazed Ash Zig-Zag Chair Designed 1932-34 and made by Gerard van de Groenekan, circa 1960 Height 30 3/4 inches, width 14 3/4 inches, depth 15 3/4 inches, depth of seat 14 3/4 inches.

Literature: Peter Voege, The Complete Rietveld Furniture, Rotterdam, 1993, pp. 82-83; Daniele Baroni, Furniture of Gerrit Thomas Rietveld, New York, 1978, p. 136.

A pair of similarly painted Zig-Zag chairs were sold Sotheby’s, Paris, November 22, 2017, lot 93; and another single example sold Phillips, New York, December 8, 2005, lot 56.

C A Private Collection of Important Design $3,000-5,000 See Illustration

152 64 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

ELLING SIDEBOARD

153

153 Gerrit Rietveld Beechwood Elling Sideboard Designed by Gerrit Rietveld, circa 1919, for Architect Piet Elling, made by Gerard van de Groenekan, circa 1960 Branded marks HGM, G.A. vd Groenekan, de Bilt Nederland on verso. Height 41 inches, width 6 feet 6 3/4 inches, depth 17 inches.

Similar examples are in the collections of Los Angeles County Museum of Art, Los Angeles, the Kirkland Museum, Denver, and the Stedelijk Museum, Amsterdam.

A sideboard of this date and model sold Christie’s, London, November 3, 2015, lot 236, and another sold Sotheby’s, London, Pioneering 20th Century Design: The Torsten Bröhan Collection, March 8, 2005, lot 139.

Provenance: Barry Friedman Ltd., December 19, 1997 Literature: Peter Voege, The Complete Rietveld Furniture, Rotterdam, 1993, p. 52.

Originally executed in 1919 for architect Piet Elling, the original was lost in a fire. Van de Groenekan produced another example in 1951 for the collection of the Stedelijk Museum, Amsterdam, and then only ten additional models were made, which presumably includes the present sideboard.

Created just two years after Rietveld’s iconic Red-Blue chair, the Elling sideboard is a masterpiece of furniture created by the artists of the De Stijl movement just after the First World War. Under Rietveld’s direction the sideboard becomes an abstract piece of art, where normally hidden inner components are exposed adding interest and bringing drama to the work.

C A Private Collection of Important Design $40,000-60,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65

VAN STEENBERGEN Belgian architect Eduard Van Steenbergen (1889-1952) was known for his modern architectural and interior designs. He attended the Royal Academy of Fine Arts in Antwerp and started his own architectural practice in Berchem, Belgium in 1921. Often working in the Art Deco style, Van Steenbergen designed interior decorations including leaded glass windows, panels, carpets, floor tiles, wardrobes, tapestries, lighting and other furnishings.

A limited number of extant archival designs show his use of bright colors and geometric shapes in interior designs.

Van Steenbergen was a member of the "Kring Moderne Kunst" or Modern Art Circle, which was founded by artist Jozef Peeters (1895-1960) along with other members of the Academy in September 1918 in Antwerp. As a pioneer of abstract art in Belgium, Peeters worked as a painter, linotype cutter, poster and textile designer, and also painted decorative objects and furniture. The goal of the Modern Art Circle was to spread new trends and increase awareness and knowledge of new artistic developments. The group also organized several

Congresses for Modern Art with accompanying exhibitions in the early 1920s. Peeters advocated for avant-garde ideals and "gemeenschapskunt" or communitarian art.

Peeter's designs are recognizable for their extensive color palette and dynamic shapes such as those in the painted and carved gesso of this suite of furniture. His use of lively triangles, circles and broad colors distinguish him from his contemporaries in the De Stijl movement.

In Eduard Van Steenbergen: bouwmeester en binnenhuiskunstenaar, by Victor van den Berge and Henry van de Velde, 1955, commissions of Van Steenbergen's work are cited by year. Listed under 1923, p. 46, is "studiomeubilering" or studio furnishings commissioned by a client named Noe[m]inckx. Based on Van Steenbergen and Peeters' friendship in the Modern Art Circle and Peeters geometric designs, it is possible that the painted gesso decororation was designed by Peeters for Van Steenbergen's suite of furniture.

154

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154 Eduard Van Steenbergen Painted Wood Bookcase Possibly in collaboration with Jozef Peeters, circa 1923 Height 6 feet 6 3/4 inches, width 7 feet 5 1/4 inches, depth 19 1/4 inches.

Provenance: Made for Mr. Achiel Noeminckx, Antwerp Thence to his nephew Dr. L. Nolwinckx Private sale, 1989 C A Private Collection of Important Design $1,500-2,500 See Illustration 155 Eduard Van Steenbergen Painted Wood Chair Possibly in collaboration with Jozef Peeters, circa 1923 En suite with the preceding.

Height 30 1/2 inches, width 27 1/4 inches, depth 21 7/8 inches, depth of seat 18 inches.

Provenance: Made for Mr. Achiel Noeminckx, Antwerp Thence to his nephew Dr. L. Nolwinckx Private sale, 1989.

C A Private Collection of Important Design $2,500-3,500 See Illustration 156 Eduard Van Steenbergen Painted Wood Table Possibly in collaboration with Jozef Peeters, circa 1923 En suite with the preceding.

Height 30 3/4 inches, width 59 inches, depth 35 1/2 inches.

Provenance: Made for Mr. Achiel Noeminckx, Antwerp Thence to his nephew Dr. L. Nolwinckx Private sale, 1989.

C A Private Collection of Important Design $3,000-5,000 See Illustration

155

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157 Valerie (Vally) Wieselthier Glazed Terra Cotta Head of a Woman Titled Liona Circa 1930-45 Signed V. WIESELTHIER. Height 13 1/2 inches.

C $4,000-6,000 See Illustration 158 Maurice Picaud (Pico) Gilded Gesso Relief Panel Circa 1930 Depicting a dancer. Height 19 3/4 inches, width 18 3/4 inches.

157

158

Maurice Picaud (1900-1977) was a French architect whose most famous work includes this panel of a dancer which he used above the main entrance of the Folies Bergère in Paris when he redesigned the building in its current Art Deco style in 1926.

C $1,500-2,500 See Illustration 159 Assembled Jean Luce Art Deco Porcelain Dinner Service Second quarter of the 20th century Approximately 157 pieces. Diameter of dinner plate 9 7/8 inches.

Provenance: Christie’s East, New York, December 10, 1986.

C A Private Collection of Important Design $500-700 160 Pair of Art Deco Parcel Gilt Bronze, Metal and Marble Torcheres 1940s Decorated with signs of the Zodiac, unmarked.

Height 6 feet 6 inches, width 17 inches.

• $2,500-3,500 See Illustration 161 Max Laeuger (Läuger) Painted and Glazed Earthenware Figure of a Nude Bather No. 4451, 1934 Signed with the artist’s initials, dated and numbered.

Height 3 3/4 inches.

C $500-700

160

162 Henry van de Velde for Meissen Porcelain Sauce Boat Circa 1903 Stamped with the designer's mark and the Meissen blue crossed swords mark. Height 5 1/8 inches, length 11 1/2 inches.

Provenance: Quittenbaum, Munich, Germany, November 2000, lot 362.

C A Private Collection of Important Design $2,000-3,000 See Illustration 163 Travertine and Dark Stained Wood Low Table After Jean Prouvé Height 13 3/4 inches, diameter 33 3/4 inches.

C $800-1,200

162 68 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

165

164 Pair of Vilhelm Lauritzen and Louis Poulsen Radiohus Pendant Lights Designed 1940s Height of shade 13 inches, diameter 12 inches.

Created originally for the Radiohuset building in Frederiksberg, Copenhagen, Lauritzen’s iconic light combines modernism and functionality.

C $700-1,000 165 Parchment Low Table Manner of Jean-Michel Frank for Comte, Argentina Height 12 inches, width 51 inches, depth 1/4 inches.

C $2,000-4,000 See Illustration

166 Marcel Breuer Plywood Isokon Long Chair For Isokon Furniture Company, London, 1935-36 Unmarked. Height 28 3/4 inches, width 24 inches, length 54 inches.

Similar examples can be found in the collections of the Victoria and Albert Museum, London, Museum of Modern Art, New York, Cooper Hewitt, Smithsonian Design Museum, New York, and the Brooklyn Museum of Art, New York.

Provenance: Dorotheum, Vienna, Twice Yearly: Important Design, May 6, 2003, lot 95.

Other chairs of this model sold at Sotheby’s, London, Bauhaus Defining a Century, October 6, 2017, lot 21, and Christie’s, London, Design, October 18, 2017, lot 360.

Marcel Breuer’s Long Chair was an early example of how new materials and technologies would soon reshape classic furniture shapes creating the home of the future. The simple and elegant silhouette of the Long Chair would be echoed by many of the great designers of the post-war world including Charles and Ray Eames, Alvar Aalto and Eero Saarinen.

This chair originally cost £6 and was too costly to be a commercial success at the time but has since become an icon of twentieth century design.

C A Private Collection of Important Design $8,000-12,000 See Illustration

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167

167 Set of Four Gilbert Poillerat Parcel Gilt Wrought Iron Three-Light Wall Sconces 1940s Height 17 inches, length 12 inches.

Literature: François Baudot, Gilbert Poillerat Maître Ferronier, Paris, 1998, p. 212.

These sconces were originally designed for the lighting of the new restaurant at the Eiffel Tour, Paris, in the late 1930s.

C $8,000-12,000 See Illustration

168 Pair of Art Deco Upholstered Giltwood Armchairs 1940s Height 32 inches, width 24 inches, depth 25 inches.

Provenance: Doyle, Doyle + Design, June 11, 2014, Lot 271.

C $1,500-2,500 See Illustration

168

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169 Jean Michel Frank Leather and Oak Rodo Stool Stamped underside J.M. Frank and Chanaux & Co., circa 1930 Height 16 1/2 inches, width 23 1/2 inches, depth 17 5/8 inches.

Literature: Léopold Diego Sanchez, Jean-Michel Frank, Adolphe Chanaux, edition du Regard, Paris, 1997, p. 215 Pierre-Emmanuel Martin-Vivier, Jean-Michel Frank, edition Norma, Paris, 2006, pp. 179, 191, 199, 250, 291, 340.

A pair of stools in this model sold Phillips, New York, June 6, 2018, lot 21; another pair with cloth seats sold Christie’s, New York, December 7, 2005, lot 358.

C $7,000-9,000 See Illustration 169

170 French Art Deco Black Lacquer Cabinet 1940s Height 38 1/2 inches, width 39 1/4 inches, depth 18 1/2 inches.

C $800-1,200 See Illustration 171 Set of Twelve Mies van der Rohe BRNO Armchairs For Knoll Height 31 1/2 inches, width 23 inches, depth 22 1/4 inches.

C $1,500-2,500 See Illustration

170

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PERSANE SCONCES

172

172 Pair of Jean Royère Patinated Metal Persane Eight-Light Sconces 1950s With paper shades, apparently unmarked.

Height 31 1/2 inches, width 20 1/2 inches.

A pair of these sconces sold Christie’s, New York, Important 20th Century Decorative Arts and Design, June 16, 2011, lot 146.

C $30,000-50,000 See Illustration

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JAZZ BAND

173

173 Franz Hagenauer Art Deco Four-Piece Nickel-Plated Jazz Band Second quarter of the 20th century Comprising a saxophone player, trumpet player, drummer and a piano player. Each stamped HAGENAUER WIEN MADE IN AUSTRIA Handmade and with the firm’s WHW monogram, iron bases.

Height of tallest 6 feet 1/2 inch.

A band of seven musicians sold Sotheby’s, New York, June 15, 2011, lot 81.

C $30,000-40,000 See Illustration

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174

174 Poul Kjaerholm Glass and Chromed Metal Coffee Table Circa 1960 Height 12 3/4 inches, 32 1/2 inches, square.

Provenance: Georg Jensen Inc., New York, February 1960 In their 1960 retail catalogue, this table was originally priced at $275 for this model with a glass top and $150 for the model with a slate top.

C $1,000-2,000 See Illustration 175 Arne Jacobsen Leather Upholstered Egg Chair Height 42 inches, width 31 1/2 inches, depth 26 inches.

C $700-1,000

178

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176 Tommaso Barbi Brass Double-Stem Flower Floor Lamp 1970s Height 6 feet 5 inches.

C $600-900

177 Pair of Milo Baughman Chromed Metal and Upholstered Barrel-Back Club Chairs Height 24 inches, width 31 1/2 inches, depth 29 3/4 inches.

C $600-900 178 Poul Kjaerholm Upholstered Chromed Metal Stool Height 13 1/8 inches, diameter 20 1/2 inches.

Provenance: Georg Jensen Inc., New York, September 1965 In their catalogue dated 1965 this stool retailed for $135.

C $2,000-3,000 See Illustration

179

179 Set of Six Pierre Jeanneret Caned Ebonized Teak Model PJ-SI-28-B Office Armchairs Circa 1950/60s With original metal tag.

Height 31 1/2 inches, width 19 1/2 inches, depth 19 inches.

Provenance: From the Administrative Buildings, Chandigarh, India Literature: Eric Touchaleaume and Gerald Moreau, Le Corbusier Pierre Jeanneret: The Indian Adventure, pp. 562-3.

C $10,000-20,000 See Illustration

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180

SILVER 180 Pair of Georg Jensen Sterling Silver Candelabra Pattern 956, designed by Henning Koppel in 1946 Height 3 3/8 inches, length 7 1/8 inches, total approximately 74 ounces.

Literature: Janet Drucker, Georg Jensen: A Tradition of Splendid Silver, New York, 1997, p. 234.

This model was Henning Koppel’s (1918-1981) first hollowware design for Georg Jensen beginning an illustrious collaboration with the firm that lasted until his death.

C $10,000-15,000 See Illustration

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181 Georg Jensen Sterling Silver Four-Piece Tea and Coffee Service Pattern 1017, designed by Henning Koppel in 1952 Comprising a teapot, coffee pot, cream jug and sugar bowl. Height of coffee pot 6 1/2 inches, total approximately 58 ounces, all in.

Literature: Janet Drucker, Georg Jensen: A Tradition of Splendid Silver, New York, 1997, p. 228.

181

Henning Koppel (1918-1981) won first prize at the 1954 Milan Triennale for the design of this teapot which represented the future of silver design. An example of this service with tray is in the collection of the Cooper Hewitt, Smithsonian Design Museum, New York, and another three-piece service is in the National Gallery of Australia, Canberra.

C $10,000-15,000 See Illustration 182 Georg Jensen Sterling Silver Tray Pattern 1017, designed by Henning Koppel in 1952 Ensuite to the previous lot. Length 20 1/2 inches, approximately 94 ounces.

C $6,000-8,000 See Illustration 183 Towle Silversmiths Sterling Silver Contour Pattern Flatware Service Designed 1950 Comprising thirty-one dinner forks, twenty-two salad forks, twenty-two dinner knives, twenty-four butter knives, twenty-four dessert spoons, thirty-six teaspoons, five serving spoons, two serving forks, and a gravy ladle.

Total approximately 187 ounces, weighable.

C $1,500-2,500

182

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185 part

184 Georg Jensen Sterling Silver Condiment Set Pattern 965, designed by Soren Georg Jensen in 1949 Comprising salt and pepper casters, mustard pot and tray.

Height of casters 3 inches, length of tray 6 3/4 inches, total approximately 10 ounces, weighable.

Soren Georg Jensen (1917-1982) joined his father’s firm in 1949 and became instrumental in moving Georg Jensen Silversmiths into the abstract and sculptural designs the firm became known for in the second half of the 20th century.

C $700-1,000 185 Georg Jensen Sterling Silver Scroll Pattern Flatware Service Designed by Johan Rohde in 1927 Comprising twelve dinner forks, twelve salad forks, twelve cocktail forks, twelve dinner knives, twelve butter knives, twelve dessert spoons, twelve teaspoons, one serving fork. Total approximately 111 ounces, weighable.

C $5,000-7,000 See Illustration of Part

186 part

78 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

186 Hector Aguilar Sterling Silver and Rosewood Aztec Pattern Flatware Service Taxco, 1940s Comprising four dinner forks, four salad forks, four dinner knives, four butter knives, four dessert spoons, eight teaspoons.

C Estate of Florence Segal $2,000-4,000 See Illustration of Part

187

187 Pair of Georg Jensen Sterling Silver Five-Light Candelabra Pattern 383A, designed by Georg Jensen in 1920, 1945-77 In the grape pattern, each stamped GEORG JENSEN DENMARK STERLING and with pattern number. Height 10 1/4 inches, total approximately 192 ounces.

Literature: Janet Drucker, Georg Jensen a Tradition of Splendid Silver, 1997, p. 54, for an illustration of a candelabrum no. 383 from the Collection of The Newark Museum, New Jersey.

A similar pair sold Christie’s, New York, Important Silver and Objects of Vertu, October 19, 2012, lot 12; another pair sold Sotheby’s, New York, Important English and European Decorative Arts, November 18, 2011, lot 305; a candelabrum no. 383 sold Doyle, New York, Doyle+Design, September 28, 2010, lot 148; another pair sold Christie’s, New York, 100 Years of Georg Jensen: Magificent Silver From the Rowler Collection, January 19, 2005, lot 113.

C Private Connecticut Collection $40,000-60,000 See Illustration

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79

188

FURNITURE & DECORATIVE ARTS 188 Napoleone Martinuzzi for Venini & Cie. Amphora Pulegoso Glass Vase with Gold Leaf Inclusions, Model 3273 Height 12 3/4 inches.

Literature: Napoleone Martinuzzi: Venini 1925-1931, Barovier, pp. 212-213, similar example.

Venini Catalog Raisonné 1921-1986, Anna Venini Diaz de Santillana, Skira, 2000, p. 86 & p. 198.

C $7,000-9,000 See Illustration

80 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

189

190

189 Seguso Vetri D'Arte Conch Shells Glass Vase with Gold Foil Inclusions Height 11 inches.

Literature: Venetian Art Glass 1840-1970, Barovier, no. 188 Seguso Vetri d'Arte: Glass Objects from Murano Catalog Raisonné 1932-1973, model #6003, p. 97 illus.

C $3,000-5,000 See Illustration

191

190 Ercole Barovier Alterno Glass Vase with Red and Green Murrine Height 10 inches.

C $4,000-6,000 See Illustration 191 Vittorio Ferro for Fratelli Toso Marquetry Glass Vase with Yellow Glass Casing and Fused Murrine Height 10 3/4 inches.

C $3,000-5,000 See Illustration

193 192

192 Barovier & Toso Attunale Glass Vase with with Gold Leaf Inclusions Height 11 1/2 inches.

C $3,000-5,000 See Illustration 193 Barovier & Toso a Stelle Glass Vase with Applied “Star” Forms Height 11 1/2 inches.

Literature: Venetian Art Glass: An American Collection 1840-1970, Barovier, p. 141 C $7,000-9,000 See Illustration 194 Carlo Scarpa for Venini Corroso Glass Vase Acid-etched stamp Venini/Murano.

Height 13 inches.

C $5,000-7,000 See Illustration

194 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81

196

195

195 Fulvio Bianconi for I.V.R. Mezzaga Fasce Orizzontali Glass Vase with Red, Green, Burgundy and Blue Bands Partial paper label affixed to underside.

Height 6 3/8 inches.

C $4,000-6,000 See Illustration 196 Fulvio Bianconi for Venini Pezzame Glass Vase Partial paper label affixed to underside.

Height 4 1/2 inches.

C $7,000-9,000 See Illustration 197 Pino Signoretto Murano Sommerso Glass Fish Signed Pino Signoretto. Length 17 inches.

C Estate of Felice Ross $600-800 198 Lawson Oyekan Porcelain Vessel Titled Trial with Light 1996 Signed and dated. Height 6 1/4 inches, diameter 10 1/4 inches.

Provenance: Garth Clark Gallery, New York, 1997 C Estate of Felice Ross $1,500-2,500 199 Tomaso Buzzi for Venini Incamiciato Iridized Glass Vase with Footed Base, Model 3314 Acid-etched stamp Venini/Murano/Italia Height 14 5/8 inches.

Literature: Venini Glass: Its History, Artist, Techniques, Franco Deboni, p. 29.

C $7,000-9,000 See Illustration

199 82 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

200 Fulvio Bianconi for Seguso Vetri D’Arte Donna Glass Vase with Gold Foil Inclusions Circa early 1960s Height 13 3/4 inches.

This lot includes a certificate of authenticity from vintage Italian glass expert Marc Heiremans C $6,000-8,000 See Illustration 201 Fulvio Bianconi for Seguso Vetri D'Arte Uomo Glass Vase with Gold Foil Inclusions Circa early 1960s Seguso Vetri D'Arte paper label with handwritten number 17213. Height 10 3/4 inches.

This lot includes a certificate of authenticity from vintage Italian glass expert Marc Heiremans.

C $5,000-7,000 See Illustration

200

201

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203

202

202 Dino Martens for Venini Drapeggio Glass Vase Circa 1954 Height 14 7/8 inches.

Literature: Dino Martens - Muranese Glass Designer, Marc Heiremans, p. 104, fig. 99.

C $5,000-7,000 See Illustration 203 Napoleone Martinuzzi for Venini & Cie. Pulegoso Glass Vase with Applied Handles Height 10 1/2 inches.

C $6,000-8,000 See Illustration 204 Tomaso Buzzi for Venini Incamiciato Glass Vase, Model 3900 Height 11 1/2 inches.

C $4,000-6,000 See Illustration

204 84 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

205 Fulvio Bianconi for Cenedese Teatrino Iridized Glass Vase with Black, White and Burgundy Applications Height 13 3/4 inches.

Literature: Il vetro di Murano alle Biennali 1895-1972, R. Barovier Mentasti, Leonardo Arte, 1995, p. 81.

I vetri di Fulvio Bianconi, R. Bossaglia, Allemandi, 1993, p. 20.

C $10,000-15,000 See Illustration

205

206 Fulvio Bianconi for I.V.R. Mazzega Con Macchia Iridized Glass Vase with Burgundy and White Inclusions Height 12 inches.

C $10,000-15,000 See Illustration

206 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

207 Stilnovo Lacquer and Brass Three-Light Chandelier Milan, circa 1955 Height 51 inches, diameter 21 inches.

C $700-1,000 See Illustration 208 Pair of Italian Upholstered and Black Lacquered Steel Armchairs Gigi Radice for Renzo Minotti, circa 1960 Height 33 inches, width 30 inches, depth 29 inches.

C $1,000-1,500 See Illustration 209 Mid-Century White Leather Upholstered Sofa After Gio Ponti Height 28 inches, width 58 in ches, depth 26 inches.

C $500-700

207

208

86 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

210 210 Pietro Chiesa for Fontana Arte Lacquered Wood Mirror Circa 1935 Height 56 inches, width 26 inches.

Literature: Franco Deboni, Fontana Arte, Gio Ponti, Pietro Chiesa, and Max Ingrand, New York, 2013, p. 51, for a similar model.

C $2,000-3,000 See Illustration

212 211 Paolo Buffa Burlwood, Rosewood, Brass and Glass Console 1940s Height 36 inches, width 70 inches, depth 17 1/2 inches.

C $2,000-3,000 See Illustration

212 Pair of Roberto Giulio Rida Enamel, Glass and Brass Lamps 2013 Height overall 30 1/2 inches.

C $3,000-5,000 See Illustration

211

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213 Osvaldo Borsani Giltwood Mirror Circa 1940 Height 36 inches, width 21 1/2 inches.

C $800-1,200 See Illustration 214 Pair of Barovier and Toso Murano Glass Two-Light Sconces 1940s Height 6 1/2 inches, width 12 inches.

C $500-700 215 Luigi Massoni Rosewood Sideboard Guzzini, 1960s Height 31 1/2 inches, width 59 inches, depth 20 1/2 inches.

C $600-900 See Illustration

213

215

88 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

216 Ico and Luisa Parisi Walnut Bookcase De Baggis, 1955 Height 49 inches, width 44 1/2 inches, depth 12 inches.

C $3,000-5,000 See Illustration 217 Italian Rosewood and Glass Spiral Low Table Probably Milan, 1940s Height 14 inches, diameter 31 inches.

C $600-900 See Illustration 218 Pair of Roberto Giulio Rida Brass and Glass Table Lamps Milan, 2005 Height overall 37 1/2 inches.

C $2,500-3,500 See Illustration 217

218

216

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220 Modernist Italian Rosewood and Teak Chest of Drawers 1960s Height 29 inches, width 47 1/2 inches, depth 19 1/2 inches.

C $700-1,000 See Illustration

219

219 Set of Six Paolo Buffa Leather Upholstered Walnut Dining Chairs 1940s Height 41 inches, width 19 inches, depth 19 inches.

C $1,500-2,500 See Illustration

220

221 Pair of PoliArte Pulegoso Glass Sconces 1970s Height 11 inches, width 4 1/2 inches.

C $600-800 222 Dassi et Figli Marble and Fruitwood Dining Table Milan, 1950s Height 30 1/2 inches, diameter 46 inches.

C $1,000-1,500 See Illustration 222 90 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

223 Roberto Guilio Rida Cut Glass Mirror 2013 23 1/2 Inches square.

C $2,000-3,000 224 Italian Art Deco Burl and Rosewood Cabinet 1930s Height 41 1/2 inches, width 57 inches, depth 19 inches.

C $2,500-3,500 See Illustration 225 Pair of Mario Quarti Upholstered Beechwood Open Armchairs 1940s Height 31 inches, width 25 1/2 inches, depth 28 inches.

C $1,500-2,500 See Illustration

224

225

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226

226 Pair of Giuseppe Pagano Pogatschnig Upholstered Bentwood Open Armchairs and Ottomans Circa 1939 Height 35 inches, width 24 inches, depth 26 inches.

Designed in 1939 for the Bocconi University in Milan.

C $1,500-2,500 See Illustration 227 Italian Arte Moderne Rosewood, Birch and Glass Bar Cabinet Milan, circa 1935 Height 50 1/2 inches, width 48 inches, depth 18 inches.

C $800-1,200 See Illustration

227

92 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

228 Pair of Italian Upholstered Gilt-Metal Lounge Chairs Style of Marco Zanuso Height 31 1/2 inches, width 24 inches, depth 29 inches.

C $500-700 229 Pair of Christian Wassmann Dodecahedron Polyurethane Resin Chandeliers Diameter 14 inches.

C $1,500-2,500 See Illustration

229

230 Pair of Ricardo Fasanello Lacquered Metal Upholstered Anel Lounge Chairs Atelier Ricardo Fasanello, Rio de Janeiro, 1990s Height 29 inches, width 27 inches, depth 21 inches.

A pair of these chairs sold Wright, Chicago, June 7, 2012, lot 260.

C $5,000-7,000 See Illustration 231 Pair of Alain Delon for Maison Jansen Chrome and Brass-Plated Metal and Mahogany Glass Top Occasional Tables 1970s Apparently unmarked. Height 23 inches, width 23 1/2 inches, depth 39 1/2 inches.

C $2,500-3,500 See Illustration 230

231

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232 Group of Five Wooden Balls 20th Century Diameter 9 inches to 22 inches.

C $2,000-4,000 See Illustration 233 Roger Capron Glazed Ceramic Tile-Inset Chromed Metal Low Table 1960/1970s Height 15 1/4 inches, width 40 inches, depth 20 inches.

C $800-1,200 See Illustration 234 Toshiko Takaezu Glazed Closed Form Stoneware Vessel Circa 1995 With incised artist’s monogram.

Height 5 3/4 inches.

C Estate of Felice Ross $800-1,200

232

235 Matteo Thun For Memphis Group Nefertiti Glazed Ceramic Teapot Flavia S.r.L., 1980s Height 7 5/8 inches, length 8 inches.

Designed in 1981, the year the Memphis Group was formed, Thun’s Nefertiti teapot is a cartoonish take on a classic form.

The name references the conical form which is inspired by the Egyptian pyramids.

Other Nefertiti teapots are in the collections of the Cooper Hewitt, Smithsonian Design Museum, New York and the Virginia Museum of Fine Arts, Richmond.

C $600-800

233

236 Michel Boyer Enfilade Stainless Steel and Mahogany Sideboard 2000s Height 27 1/4 inches, width 7 feet 3 inches, depth 14 3/4 inches.

C $2,000-4,000 See Illustration

236 94 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

239 240 237 Contemporary Custom Steel and Glass Table Late 20th century Height 40 1/2 inches, width 71 inches, depth 48 inches.

C $300-500

239 Pair of Bronze Occassional Tables 2000s Height 19 1/2 inches, width 18 inches, depth 13 inches.

C $1,500-2,500 See Illustration

238 [KUBRICK, STANLEY-TASCHEN] The Stanley Kubrick Archives. [New York:] Taschen, 2005. First edition, with an original film strip of frames from 2001: A Space Odyssey and with a CD with interview of Kubrik by Jeremy Bernstein in sleeves affixed to the front blank. Three quarter black cloth over red lettering, the spine lettered in red, the cover in black, in original printed cardboard case. Fine.

C $200-400

240 Four Piero Gilardi for Gufram Pave Piuma Polyurethane Tile Panels Designed in 1965 Two tiles with molded imprint pavè piuma gilardi/gufram and with green synthetic leaves. Each 20 inches square.

Provenance: Dorotheum, Vienna, Collectables, May 7, 2004, lot 222.

C A Private Collection of Important Design $1,000-1,500 See Illustration

241 Louis Cane Inlaid Fruitwood Extension Dining Table 2000 Height 29 3/4 inches, width closed 7 feet 10 1/4 inches, depth 45 inches.

C $6,000-8,000 See Illustration

241

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95

DIEGO GIACOMETTI 242 Diego Giacometti Patinated Bronze Dining Table with Leaves, Birds and Frogs Circa 1980, signed Diego in script under crossbar Height 30 1/2 inches, base 21 1/2 inches, square, diameter of glass 48 inches.

Provenance: Private 980 Fifth Avenue, New York Collection The Greenberg Gallery, St. Louis, Missouri, 1985 Literature: Françoise Francisci, Diego Giacometti, Catalogue de l’oeuvre, Paris, 1986, pp. 60-61.

Daniel Marchesseau, Diego Giacometti, Paris, 1986, pp. 146-147.

C $80,000-100,000 See Illustration

242 detail

96 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

242

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243

243 Ron Seff Polished Stainless Steel Ramesses Bench 1980s Height 25 inches, width 54 inches, depth 16 inches.

C $1,000-1,500 See Illustration

244 Ron Seff Polished Stainless Steel and Lacquered Goatskin Batik Low Table 1980s Height 17 1/2 inches, 42 inches square.

C $700-1,000

245

98 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

245 Pair of Ron Seff Black Lacquered Goatskin Ritz Side Tables 1980s Height 20 inches, width 20 inches, depth 16 1/2 inches.

C $1,000-1,500 See Illustration

246 Peter Voulkos Stoneware Vase 1971 Signed Voulkos 71.

Height 7 1/2 inches.

Provenance: Rago Arts, New Jersey, October 26, 2008, lot 163.

C A Private Collection of Important Design $1,500-2,500 See Illustration 247 Ron Seff Brass and Shagreen Braque Low Table 1980s Height 28 inches, 48 inches square.

C $700-1,000 See Illustration

246

248 Pair of Ron Seff Gilt and Mother-of-Pearl Inlaid Black Lacquer Ritz Side Tables 1980s Height 20 inches, width 20 1/4 inches, depth 16 1/4 inches.

C $1,000-1,500 See Illustration

247

248

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250

249 Manolo Valdes for Daum Pâte-de-Verre Figure Titled Las Meninas Edition no. 6/125, circa 2002 In deep amber colored glass, signed Daum France M. VALDES. Height 18 inches.

C From the Collection of Margo Howard $3,000-5,000 See Illustration

249

250 Paul Evans Studio for Directional Mid-Century Modern Chrome-Plated Steel and Glass Cityscape Mirror From the PE 200 Series, circa 1975 Signed AN ORIGINAL PAUL EVANS. Height 20 1/4 inches, width 70 inches.

C $1,500-2,500 See Illustration 251 Paul Evans Burlwood and Brass Cityscape Pedestal Height 48 inches, width 15 inches, depth 15 inches.

C $800-1,200 See Illustration

251 100 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

252 Pair of Hervé van der Straeten Patinated Bronze Tornade Table Lamps Height overall 23 3/4 inches, height of body 18 1/4 inches, diameter 8 1/2 inches.

C $4,000-6,000 See Illustration 253 Pair of Hervé van der Straeten Patinated Bronze and Marble Mycene Occasional Tables Designed 2001, Alexandre Biaggi edition Apparently unmarked.

Height 20 1/2 inches, 31 1/2 inches square.

C $7,000-9,000 See Illustration

252

END OF SALE

253

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ARTIST INDEX Adler, Dankmar and Louis Henry Sullivan Agam, Yaacov Aguilar, Hector

Amino, Leo Archipenko, Alexander Arroyo, Eduardo

128 1-3 186 4-6 96 7

Bagnoli, Marco 8 Barbi, Tommaso 176 Barovier, Ercole 190 Barovier & Toso 192, 193, 214 Barrett, Bill 9 Baughman, Milo 177 Beom, Moon 10 Berard, Christian 11-13 Berlant, Tony 14 Berman, Eugene 15-17 Berrocal, Miguel 18, 97 Bianconi, Fulvio 195, 196, 200, 201, 205, 206 Bissier, Jules and Walker O. Cain 19 Boghosian, Varjuan 20, 21 Borsani, Osvaldo 213 Botello, Angel 22 Boyer, Michel 236 Breuer, Marcel 166 Brown, James 23-28 Buffa, Paolo 211, 219 Burkhardt, Hans 29 Buzzi, Tomaso 199 , 204 Calder, Alexander 98 Cane, Louis 241 Capron, Roger 233 Chiesa, Pietro 210 Coburn, John 30-32, 99 Coignard, James 33 Le Corbusier 100 Courtin, Pierre 34 Courtright, Robert 35 Cuevas, José Luis 36 Daum 249 Dassi et Figli 222 Dehner, Dorothy 37-42 Delon, Alain 231 Dine, Jim 43, 101

102 DOYLE • SEPTEMBER 17, 2018 • NEW YORK

Ellis, Harvey for Gustav Stickley 135 Erdt, Hans Rudi 104 Evans, Paul 250, 251

Fasanello, Ricardo 230 Ferro, Vittorio 191 Fischer, Joel 44 Flannagan, John B. 45 Folon, Jean Michel

46 Ford, Walton 47 Frank, Jean-Michel 165, 169 Gallé, Emile 116 Giacometti, Diego 242 Gilardi, Piero 240 Glückert, Julius and Joseph Maria Olbrich 142 Gross, Chaim 48 Gross, Chaim (after) 49 Hagenauer, Franz 139, 173 Hartwig, Josef and Eberhard Schrammen 149 Hoffmann, Josef 146, 150 Hofmann, Hans 50 Hunt, Bryan 51, 52 Hunter, Dard 129 Hussein, Ibrahim 53, 54 Jacobsen, Arne 175 Jeanneret, Pierre 179 Jenkins, Paul 105 Jensen, Georg 180, 181, 182, 184, 185, 187 Jungnickel, Ludwig H. 140 Katz, Alex 106 Kerkam, Earl 55 Kjaerholm, Poul 174, 178 Kolar, Jiri 56 Kusama, Yayoi 57 Laeuger, Max 161 Lauritzen, Vilhelm and Louis Poulsen 164 Lipchitz, Jaçques 60-63 Loew, Michael 58 Loewer, Claude (after) 59 Luce, Jean 159

Mackintosh, Charles Rennie 136, 137 Magnelli, Alberto 64 Martens, Dino 202 Massoni, Luigi 215 Martinuzzi, Napoleone 188, 203 Mercer, Norman 65, 66 Mueller, Albin 138

Nesbitt, Lowell Newman, John

67 68

Olbrich, Joseph Maria and Julius Glückert 142 Otterness, Tom 69 Oyekan, Lawson 198 Parisi, Ico and Luisa 216 Pereira, Irene Rice 70 Picaud, Maurice 158 Picasso, Pablo 107-109 Picasso, Pablo (After) 110 Poillerat, Gilbert 167 Ponti, Gio 209 Pogatschnig, Guiseppe Pagano 226 Poulsen, Louis and Vilhelm Lauritzen 164 Prouvé, Jean 163 Quarti, Mario

225

Radice, Gigi 208 Rida, Roberto Giulio 212, 218, 223 Riemerschmid, Richard 144 Rietveld, Gerrit 152, 153 Robus, Hugo 71 Rohlfs, Charles 130, 132, 133, 134, 141 Roszak, Theodore 72 Royère, Jean 172 Scarpa, Carlo 194 Schrammen, Eberhard and Josef Hartwig 149 Seff, Ron 243, 244, 245, 247, 248 Seguso 189 Signoretto, Pino 197 Simon, Yohanan 73 Smith, Richard 74 Solman, Joseph 75 Stickley, Gustav 136 Stickley, L.&J.G. 134 Stilnovo 208

Solomon, Syd Souza, Al Sullivan, Louis Henry and Dankmar Adler Summers, Carol Sutherland, Graham Szymanski, Carole

76, 77 78 128 111 112 79

Takaezu, Toshiko 234 Tamayo, Rufino 113 Taschen 238 Tchelitchew, Pavel 80-82 Theise, Michael 85 Thun, Matteo 235 Tiffany Studios 117, 118, 119, 120, 121, 122, 123, 124, 125, 126 Toledo, Francisco 83, 84 Towle Silversmiths 183 Trova, Ernest Tino 86 Ubac, Raoul

87

Valdes, Manolo 249 Van de Velde, Henry 143, 162 Van der Rohe, Mies 171 Van der Straeten, Herve 252, 253 van Dongen, Kees 102, 103 Van Steenbergen, Eduard 154, 155, 156 Vasarely, Victor 114 Viktor IV 88 Voulkos, Peter 246 Wahliss, Ernst 151 Waite, Peter 89-91 Walkowitz, Abraham 92 Wassmann, Christian 229 Wieselthier, Valerie 157 Wiley, William T. 93 Williams, Neil 94 Witwe, Johann Loetz 145, 146 Wright, Frank Lloyd 127 Yang, Chihung Zanuso, Marco Zimmermann, Marie

95

228 148

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New York Properties

Reba Miller | Senior Sales Executive, Associate R.E. Broker | 646.677.1067 Michelle Miller | Licensed R.E. Salesperson | 646.677.1072 The RP Miller Team

212.710.1900 • contact@bhhsnyp.com • bhhsnyp.com • 590 Madison Avenue, New York, New York © 2018 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliae, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

Information not verified or guaranteed. If your home is currently listed with a Broker, this is not intended as a solicitation. | Exclusive Sales and Marketing The RP Miller Team at Berkshire Hathaway HomeServices New York Properties and MDM Management. Offering by prospectus only. The complete offering terms are in an offering plan available from Sponsor File No. CD-840352. The Sponsor reserves the right to make changes in accordance with terms of the offering plan, as amended.

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee.

In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations.

REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts.

REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue.

ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him.

SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows:

(u.l.) Upper left

(l.l.) Lower left

(u.r.) Upper right

(l.r.) Lower right

(u.c.) Upper center

(l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date.

DATED In our best judgment, the date indicated on the work is the date the work was executed.

DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible.

SIGNATURE Only manuscript signatures of the artists are indicated.

Signatures “in the plate” are not mentioned since they are considered part of the image.

QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee.

The print sleeves are the property of Doyle New York and are not included in the sale.

MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements.

Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width.

Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images.

All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist.

TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets.

REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

I

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Built in 1948, this recently renovated custom colonial provides an abundance of charm and character throughout its five bedrooms and fivefull and -one-half baths. The chef's kitchen is truly the heart of the home featuring custom cabinets, a leather granite center island, stainless steel appliances, wine cooler, quartz counter-tops, and ample storage. The kitchen is open to the family room with vaulted beamed ceilings, large gas fireplace and French doors to a deck.

Setup ideally for guests, there is a first floor en-suite bedroom with sitting room and access to a three-seasoned porch. There are four additional bedrooms upstairs including the master suite with a sitting room and spa-like bathroom. The finished basement has walkout access to a Bluestone patio. Located two miles to I-287, eight miles to I-78, and 42 miles to Midtown Manhattan, this home is ideal for a commuter who is looking to get away from it all.

www.154OldFarmRd.com CHRISTOPHER MOLLOY Sales Associate Cell: 908-403-5154 Chris.Molloy@BHHSNJ.com BHHSNJ.com/Chris.Molloy Basking Ridge Office | 908-580-5000 | 665 Martinsville Rd., Suite 108, Basking Ridge, NJ Š2018 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.Ž Equal Housing Opportunity.

CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions.

Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored.

Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative.

The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact.

Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry.

Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance.

Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold.

No reserve will exceed the low estimate of the lot.

Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York.

Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue.

Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest.

Doyle New York on occasion makes loans or advances funds to consignors.

The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller.

The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances.

The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations.

Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

Estimates do not include the buyer’s premium.

Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

II

Grandiose Living

New Hartford, CT • 207 Southeast Road • $2,495,000

Entertain on a grand scale or relax in luxury on this stunning 64-acre estate. Revel in a state-of-the-art, shingle style, English country manor home that was designed by architect, Jack Kemper with inspiration from the Mayflower Inn located in Washington Depot, CT. Details found throughout the home include wide plank floors, custom chandeliers, lighting and hardware, six fireplaces, and a masterful compilation of specimen woods and stone. There are ten-foot ceilings on the first floor and nine-foot ceilings on the 2nd and 3rd floors. The house is complimented by a workshop/studio storage barn recently built in 2014, offering a barn style loft, two-car garage, state-of-the-art workshop and storage area.

HOYE HOME TEAM (860) 983-0875 jkh@hoyeteam.com www.207southeastroad.com

A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made.

The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee.

At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors.

Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold.

It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation.

Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed.

Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof.

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser.

At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York.

The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale.

Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press.

They are posted in the viewing galleries and salesroom or are announced by the auctioneer.

Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York.

By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

P A S A D E N A O ffere d at $ 6 , 8 8 0 , 0 0 0

Janice Lee • Lic# 00874257 • 626.616.2789

bhhscalifornia.com ©2018 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Buyer is advised to independently verify the accuracy of that information.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale.

This catalogue may contain one or more glossaries explaining the terminology used in the catalogue.

All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid.

The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

IV

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INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia.

For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state.

Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property.

If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

V

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information.

The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date.

Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction.

In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches.

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references.

PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department.

You may also request a condition report from the specialist in charge.

VI

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue.

The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction.

LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account.

To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion.

Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown.

TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion.

By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242.

Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time.

Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential.

For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence.

INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers.

MAC USERS: Please use Firefox browser (download).

BidLive!, powered by Invaluable, does not support iPhone or iPad at this time.

Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot.

METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above.

Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium.

Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total.

New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale.

PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible.

Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt.

The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale.

In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan.

SHIPPING Shipping is the responsibility of the buyer.

Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia.

ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country.

Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market.

There are various ways to obtain appraisals.

Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require.

SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction.

THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records.

Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees.

RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price.

OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services.

Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States.

Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs.

Appraisal fees are based on the scope of the property with travel expenses additional.

Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors.

We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland.

Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event.

We invite you to contact us for a complimentary proposal.

NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

AUCTION SCHEDULE SEPTEMBER

NOVEMBER

DECEMBER

ASIAN WORKS OF ART Auction: Monday, September 10 at 10am Exhibition: September 7 – 9

IMPRESSIONIST & MODERN ART Auction: Wednesday, November 7 at 11am Exhibition: November 3 – 5

DOYLE+DESIGN® Auction: Monday, September 17 at 10am Exhibition: September 14 – 16

POST-WAR & CONTEMPORARY ART Auction: Wednesday, November 7 at 2pm Exhibition: November 3 – 5

DOYLE AT HOME /HOLIDAY GIFTS / JEWELRY Auction: Wednesday, December 5 at 10am Exhibition: December 1 – 3

®

DOYLE AT HOME Auction: Wednesday, September 26 at 10am Exhibition: September 22 – 24 OCTOBER AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS Auction: Wednesday, October 3 at 10am Exhibition: September 29 – 30, October 1 FINE PAINTINGS Auction: Wednesday, October 10 at 10am Exhibition: October 6 – 8 IMPORTANT JEWELRY Auction: Tuesday, October 16 at 10am Exhibition: October 12 – 15

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, November 13 at 10am Exhibition: November 10 – 12 JEWELRY, WATCHES, SILVER & COINS

BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, November 14 at 10am Exhibition: November 10 – 12

®

IMPORTANT JEWELRY Auction: Wednesday, December 12 at 10am Exhibition: December 8 – 11 PHOTOGRAPHS Auction: Thursday, December 13 at 10am Exhibition: December 8 – 11

CALIFORNIA JEWELRY NYC Auction: Monday, November 19 at 10am NYC Exhibition: November 16 – 18 THE ORESMAN COLLECTION Auction: Tuesday, November 20 at 10am Exhibition: November 16 – 18

FINE MODERN ART Auction: Wednesday, October 17 at 10am Exhibition: October 12 – 15 PRINTS & MULTIPLES Auction: Monday, October 22 at 10am Exhibition: October 19 – 21 COINS, BANK NOTES, & STAMPS Auction: Monday, October 22 at 2pm Exhibition: October 19 – 21 ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS / RUSSIAN WORKS OF ART Auction: Wednesday, October 31 at 10am Exhibition: October 27 – 29

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

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DIRECTORY

YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 PLUS THE EXTENSION.

OFFICERS Kathleen M. Doyle, Chairman/CEO ext 215, Kathy.Doyle@Doyle.com Rodney Lang, Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com Joanne Porrino Mournet Executive Vice President ext 227, Joanne.Mournet@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com

David A. Gallager Senior Vice President ext 271, David.Gallager@Doyle.com

Louis LeB. Webre, Senior Vice President ext 232, Louis.Webre@Doyle.com

Peter Lang Senior Vice President ext 274, Peter.Lang@Doyle.com

Samira Farmer, Vice President 202-342-6100 Samira.Farmer@Doyle.com

Ann Limer Lange Senior Vice President ext 221, Ann.Lange@Doyle.com

Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com

Angelo Madrigale, Senior Vice President ext 237, Angelo.Madrigale@Doyle.com

Laura Doyle, Vice Chairman Executive Vice President ext 219, Laura.Doyle@Doyle.com

Elaine Banks Stainton Senior Vice President ext 238, Elaine.Stainton@Doyle.com

Peter Costanzo Senior Vice President ext 248, Peter.Costanzo@Doyle.com

Nan Summerfield Senior Vice President 310-276-6616 Nan.Summerfield@Doyle.com

Reid Dunavant, Senior Vice President 202-342-6100 Reid.Dunavant@Doyle.com

Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com Mark J. Moehrke, Vice President ext 272, Mark.Moehrke@Doyle.com

Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com Todd Sell, Vice President ext 269, Todd.Sell@Doyle.com Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com

Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com Edward Ripley-Duggan, Vice President ext 234 Edward.Ripley-Duggan@Doyle.com

Gillian M. Ryan Senior Vice President ext 245, Gillian.Ryan@Doyle.com

ADMINISTRATION BID DEPARTMENT ABSENTEE & TELEPHONE BIDS Alanna Sutherland Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com BIDLIVE! INTERNET BIDDING Tyler Kusler ext 203, Tyler.Kusler@Doyle.com ACCOUNTING Ryan Won ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com Chelsea Wynne ext 223, Chelsea.Wynne@Doyle.com CATALOGUE SUBSCRIPTIONS Gianine Crowell ext 200, Gianne.Crowell@Doyle.com CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Alanna Sutherland ext 242, Alanna.Sutherland@Doyle.com Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com Tyler Kusler ext 203, Tyler.Kusler@Doyle.com Gianine Crowell ext 200, Gianne.Crowell@Doyle.com

ESTATE & APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com Peter Costanzo ext 248, Peter.Costanzo@Doyle.com Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com Carl Raymond, Estate and Appraisal Services Coordinator ext 216, Carl.Raymond@Doyle.com Alexis Gyateng, Senior Appraisal Coordinator ext 228, Alexis.Gyateng@Doyle.com Hannah Iversen, Appraisal Coordinator ext 251, Hannah.Iversen@Doyle.com Daniel Sarver, Appraisal Coordinator ext. 240, 212-427-4141 Arielle Goldstein, Appraisal Coordinator ext. 259, 212-427-4141 CONSIGNMENT SERVICES Gail Jaffe, Estate and Appraisal Services Assistant ext 239, Gail.Jaffe@Doyle.com Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com Ashley A. Hill ext 231, Ashley.Hill@Doyle.com Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com MUSEUM SERVICES Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com Angelo Madrigale Paintings & Drawings ext 237, Angelo.Madrigale@Doyle.com

X

David A. Gallager Furniture & Decorative Arts ext 271, David.Gallagher@Doyle.com

MEDIA & COMMUNICATIONS DEPARTMENT Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com Kosala Kumara, Advertising ext 258, Kosala.Kumara@Doyle.com CATALOGUE PRODUCTION Stephanie Cuenca, Senior Graphic Designer ext 250, Stephanie.Cuenca@Doyle.com Nancy Ramos, Graphic Designer ext 276, Nancy.Ramos@Doyle.com PHOTOGRAPHY Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Ray Adams, Photographer ext 278, Ray.Adams@Doyle.com Hann Browning, Photographer ext 247, Hann.Browning@Doyle.com Hanna Siesel, Traffic Coordinator ext 277, Hanna.Siesel@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo Ashley Hill

REGIONAL REPRESENTATIVES Laura Doyle, Director of Regions 212-427-4141, ext. 219 Laura.Doyle@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254, Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G., Director 310-276-6616, Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616, Emily.Marchick@Doyle.com

CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 Kathy.Brackenridge@Doyle.com

PENNSYLVANIA Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com

FLORIDA Collin Albertsson 561-322-6795, Collin.Albertsson@Doyle.com

WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100, Reid.Dunavant@Doyle.com

NEW JERSEY Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com

Samira Farmer 202-342-6100, Samira.Farmer@Doyle.com

NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258, Hilary.Pitts@Doyle.com

BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com

SPECIALIST DEPARTMENTS FURNITURE AND DECORATIVE ARTS David A. Gallager Executive Director ext 271, David.Gallager@Doyle.com 19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com AMERICAN FURNITURE & DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE & DECORATIVE ARTS Rodney Lang ext 243, Rodney.Lang@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Mark J. Moehrke ext 272, Mark.Moehrke@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Leigh Kendrick, Client Relationships Manager ext 243, Leigh.Kendrick@Doyle.com RUSSIAN WORKS OF ART Mark J. Moehrke, Director ext 272, Mark.Moehrke@Doyle.com

BOOKS, AUTOGRAPHS & PHOTOGRAPHS Peter Costanzo, Executive Director ext 248, Peter.Costanzo@Doyle.com

PRINTS & MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com

Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com

RUGS, CARPETS & TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com

PAINTINGS & DRAWINGS Angelo Madrigale Director, Contemporary Art ext 237, Angelo.Madrigale@Doyle.com

JEWELRY

Elaine Banks Stainton Acting Director ext 238, Elaine.Stainton@Doyle.com Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com Shani Toledano Associate Director ext 236, Shani@Doyle.com Anne Cohen DePietro Senior Specialist, American Art ext 281, Anne.DePietro@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com Bill Fiddler Cataloguer ext 249, Bill.Fiddler@Doyle.com Milan Tessler Registrar ext 266, Milan.Tessler@Doyle.com ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com COINS, STAMPS & COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com

Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com NEW YORK JEWELRY Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Alexandra Fulham, Administrator ext 210, Alexandra.Fulham@Doyle.com CALIFORNIA JEWELRY Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com NORTH CAROLINA JEWELRY Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com HAYLOFT AUCTIONS Brian Corcoran, Director 914-575-7263 Brian@HayloftAuctions.com Blythe Knapp, Business Manager Blythe@HayloftAuctions.com 929-303-3266 XI

175 EAST 87TH STREET NEW YORK, NY 10128

F OR O FF I CE U SE O NLY

212-427-2730 DOYLE.COM

ABSENTEE & TELEPHONE BID FORM

1.16

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above.

You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

S A L E TI TLE

18DD02 • DOYLE+DESIGN®

S A L E D AT E

SEPTEMBER 17, 2018 • Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions.

Changes to bids on the day of sale must be submitted in writing by fax or email.

N A M E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

C O MPA NY (If applicable) A D DRE SS *

Change of Address

C IT Y

STATE

ZIP CODE

EMAIL

• In the event that identical bids are submitted, the earliest will take precedence.

P HO N E

FAX

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT N U MB ER

TOP LIMIT OF BI D / SAFE TY BI D

Excluding Buyer’s Premium

L OT N U MB E R

T O P L I MI T O F B ID / S A F ET Y BI D

Excluding Buyer’s Premium

L OT N U M BE R

T OP LI M I T O F B ID / S A FE TY B I D

Excluding Buyer’s Premium

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date.

Otherwise, purchases cannot leave our premises until checks have cleared.

• A 25% deposit may be required on certain absentee bids.

• Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request.

• Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

Terms and Conditions of Sale°

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

S I GNATU RE

Consumer Affairs No. 0777006

I understand and agree to the

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Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction.

Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207

CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES Absentee & Telephone Bids Alanna Sutherland 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Tyler Kusler 212-427-4141, ext 203 BidLive@Doyle.com

SPECIALISTS

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Penthouse 1012 Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com CONNECTICUT 136 East Putnam Avenue Greenwich, CT 06830 212-427-4141, ext 211 DoyleCT@Doyle.com NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com

Todd Sell VP, Furniture and Decorative Arts 212-427-4141 ext 269 Todd.Sell@ Doyle.com

Malcolm Mac Neil VP, Belle Epoque Furniture and Decorative Arts 212-427-4141 ext 218 Malcolm.Macneil@ Doyle.com

Harold E. Porcher VP, Director, Modern and Post-War Art 212-427-4141 ext 235 Harold.Porcher@ Doyle.com

PENNSYLVANIA 212-427-4141, ext 225 DoylePA@Doyle.com WASHINGTON, DC / MID-ATLANTIC 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com

Leigh Kendrick Furniture and Decorative Arts 212-427-4141 ext 243 Leigh.Kendrick@ Doyle.com

Cynthia Klein VP, Director, Prints and Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com

Alexis Gyateng Prints and Multiples 212-427-4141 ext 226 Alexis.Gyateng@ Doyle.com

FLORIDA 561-322-6795 DoyleFL@Doyle.com

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