The Patricia and Donald Oresman Collection 11.20.18 by Doyle

THE PATRICIA AND DONALD ORESMAN COLLECTION

Tuesday, November 20, 2018

NEW YORK

THE

PATRICIA & DONALD ORESMAN COLLECTION

AUCTION Tuesday, November 20, 2018 at 10am

EXHIBITION Friday, November 16, 10am – 5pm Saturday, November 17, 10am – 5pm Sunday, November 18, Noon – 5pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

CONTENTS Paintings 1-366 Prints 367-500 Photographs 501-567

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

THE PATRICIA & DONALD ORESMAN COLLECTION Doyle is honored to auction the Collection of quintessential New Yorkers Patricia and Donald Oresman. Comprising over 500 lots, this remarkable collection showcases the works of prominent artists, popular illustrators and renowned photographers. The paintings, sculptures, works on paper, editions and photographs span several decades, movements and mediums. Each work shares a common theme: Reading. Throughout the collection, figures can be spotted in the act of reading, writing, printing and studying, many fully engrossed in literature. Not coincidentally, the works are a reflection of the Oresmans themselves — a long-married couple who could often be found sitting among their books, fully engrossed in literature. Naturally their love of reading informed their acquisitions. Their constantly growing art collection complemented a massive private library, designed by noted New York architects Fairfax & Sammons to showcase both books and art. The collection clearly mirrors the Oresmans’ lifelong passion for literature. Their extensive library was in constant use. The hundreds of books lining the shelves were not decorative design elements. Each book was meant to be read, and Mr. Oresman endeavored to complete every one. At over 1,200 square feet, the Renaissance-inspired space with high coffered ceilings featured ornately carved bookshelves and a graceful winding staircase inspired by one found in New Mexico’s Loretto Chapel. Photographed in 2013 for New York magazine, the library sported clever sliding panels and secret compartments for the ever-expanding art collection. The Oresmans’ Central Park South duplex afforded a commanding view of the park while also providing a magically serene setting for immersing oneself in a fine novel. The couple collected many pieces created during the Great Depression, from images depicting upper class businesspeople poring over great literature and theologians immersed in religious texts to struggling down-on-their-luck folks studying the want ads. This focus led them to amass an important group of works by WPA artists including Aaron Bohrod, Jacob Lawrence, Louis Lozowick, Louise Nevelson, Ben Shahn and many others. The New Deal’s Federal Art Project — the public arts arm of the WPA — was a massive undertaking. It employed artists and craftspeople to teach young artists, create murals and commercial illustration, and design stage sets. From 1935 to 1943 the WPA was responsible for creating over 200,000 unique works of art. Mrs. Oresman was a social worker, book lover and a passionate student of Emily Dickinson’s poetry. Mr. Oresman, an attorney and businessman, served on the board of The New Criterion, The Landmarks Conservancy, The Morgan Library, The Library of America, The Academy of American Poets, and others. His energy seemingly knew no bounds. A tireless activist for preservation, his role in the Conservancy, in particular, helped create the New York City Historic Properties Fund. On the event of the 2004 exhibition of works from their collection at Poets House in New York, Mr. Oresman commented, “I think there is an intensity to reading that captures artists’ imaginations because it has a very private element to it.” Lot 102

Paintings 1 Helen Adams American, 1917-1997 Woman Reading in Bed Signed Helen C. Adams and with extensive inscriptions (lr) Watercolor on paper 22 1/8 x 15 1/4 inches Unframed Provenance: Estate of the artist Childs Gallery, Boston C The Patricia and Donald Oresman Collection $200-400 2 John Ahearn American, b. 1951 Woodworth, 1999 Inscribed as titled (lc) Ink on paper 11 x 14 inches Provenance: Alexander and Bonin, New York C The Patricia and Donald Oresman Collection $400-600

3 Benny Andrews American, 1930-2006 Portrait of Mimi Gross Grooms, 1966 Signed Benny Andrews and dated 66 (lc), dated Sat. Nov. 4 1967 and inscribed as titled on the reverse Oil on paper laid to board 14 3/8 x 11 3/8 inches Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration 4 Benny Andrews American, 1930-2006 Portrait of Viola Andrews, 1986 Signed Benny Andrews, dated August 3, 1986, inscribed Lacoste, France and as titled (lr) Ink on paper 22 1/4 x 14 3/4 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

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5 Harold Anchel American, 1912-1980 Cafeteria, circa 1935 Inscribed by Murie Anchel Study for a/Lithograph W.P.A. project by Harold Anchel (Murie Anchel) Wife on the reverse Charcoal on paper 11 1/2 x 15 1/8 inches Provenance: Sragow Gallery, New York Together with Attributed to Harold Anchel City Hall, circa 1940 Lithograph on wove paper Sheet size 22 x 15 3/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500

6 Richard Artschwager American, 1923-2013 The Book, 1973 Signed Artschwager and dated ‘73 (lr) Charcoal on paper 25 x 19 inches Provenance: Nolan/Eckman Gallery, New York C The Patricia and Donald Oresman Collection $4,000-6,000 See Illustration

7 Carl Ashby American, 1914-2004 Bob DeNiro/Study of a Man (a double sided work), 1944 Signed Carl Ashby and dated 44 (lr), inscribed Bob/De Niro/ Day’s Lumber Yd./P’Town (ll) Graphite on paper 11 3/4 x 8 3/4 inches Provenance: Susan Teller Gallery, New York Exhibited: Selected Readers from the Collection of Patricia and Donald Oresman, Oct. 8 Nov. 22, 2004, Poets House, New York C The Patricia and Donald Oresman Collection $100-200

8 Ethel V. Ashton American, 1896-1975 Sunday Paper Estate stamp on the reverse Pastel on paper 9 x 12 inches Provenance: R.M. Worth Antiques, Chadd’s Ford, PA C The Patricia and Donald Oresman Collection $300-500 9 Milton Avery American, 1885-1965 March in the Studio, circa 1950 Signed Milton Avery (lr) Ink on paper 11 1/8 x 8 5/8 inches Unframed Provenance: Milton Avery Trust Long Island Fine Art, New York Exhibited: Readers, Nov. 19 - Jan. 10, 1997, Grolier Club, New York , no. 1 C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

10 Sally Michel Avery American, 1902-2003 Focused Reader, 1987 Signed Sally Michel and dated 1987 (lr) Watercolor on paper 24 x 18 inches Unframed Provenance: Estate of the Artist Childs Gallery, Boston C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 11 Sally Michel Avery American, 1902-2003 Poolside Reader, 1986 Signed Sally Michel and dated 1986 (lr) Watercolor on paper 20 x 16 inches Unframed

12 Sally Michel Avery American, 1902-2003 Sally Michel 73, 1973 Signed Sally Michel and dated 1973 (ur), signed Sally Michel and dated 1973 (lr), signed Sally Michel, dated 73 and inscribed as titled on the reverse Oil on canvasboard 12 x 9 inches Provenance: Childs Gallery, Boston C The Patricia and Donald Oresman Collection $600-800 See Illustration

Provenance: The Artist Childs Gallery, Boston C The Patricia and Donald Oresman Collection $1,000-1,500

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13 13 Elsie Bacharach American, 1899-1940 Reading the News, 1934 Signed E. Bacharach and dated 34 (lr) Oil on canvas 30 x 25 inches Provenance: Janet Marqusee Fine Arts Ltd., New York C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

15 Peggy Bacon American, 1895-1987 Upper Berth, 1931 Signed Peggy Bacon, dated 1931, inscribed #1 and as titled (lr) Charcoal on paper 10 3/4 x 8 inches Unframed

16 Peggy Bacon American, 1895-1987 The White Horse Girl and the Blue Wind Boy (Rootabaga Country), 1929 Signed Peggy Bacon Ink on paper Image size 8 x 10 1/8 inches, sheet size 12 1/2 x 11 1/4 inches

Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $400-600

Provenance: Kraushaar Galleries, Inc., New York

14 Peggy Bacon American, 1895-1987 Playing Hopscotch Signed Peggy Bacon (lr) Black crayon on paper 12 3/4 x 9 1/4 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $400-600

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Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $250-350

Literature: Carl Sandburg, Rootabaga Country, Harcourt, Brace and Company, New York, 1929, p. 79 C The Patricia and Donald Oresman Collection $400-600

19 Donald Baechler American, b. 1956 Profile with Child Reading, 1994 Initialed DB and dated 94 (ul) Gouache, gesso and paper collage on paper 53 x 41 inches

17 Peggy Bacon American, 1895-1987 At the Theater, circa 1925 Initialed P.B. (lr) Ink on paper 11 x 8 1/2 inches Unframed

Provenance: Laura Carpenter Fine Art, Santa Fe Baron/Boisante Editions, New York Tatischeff Gallery, Inc., New York C The Patricia and Donald Oresman Collection $6,000-8,000 See Illustration and Back Cover

Provenance: Catherine C. Burns, Oakland C The Patricia and Donald Oresman Collection $300-500 8

18 Peggy Bacon American, 1895-1987 Reading on a Deck Ink on paper 8 1/2 x 8 inches

20 20 Lidia Bagnoli Italian, b. 1952 Lidia Reading, 2004 Signed Bagnoli and dated 04 on the reverse Oil on canvas 19 3/4 x 23 5/8 inches Provenance: Tatistcheff Gallery, New York C The Patricia and Donald Oresman Collection $600-800 See Illustration 21 Herbert Philip Barnett American, 1910-1972 Reading in Bed, 1941 Signed Barnett (ll) Oil on Masonite 16 x 36 inches Provenance: Estate of the artist Childs Gallery, Boston C The Patricia and Donald Oresman Collection $1,200-1,800 See Illustration

22 Will Barnet American, 1911-2012 Boy Reading, 1930 Signed Will Barnet (lr), and inscribed as titled on the reverse Ink on paper 13 x 11 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $600-800 23 Leonard Baskin American, 1922-2000 Untitled, 1999 Signed Baskin and dated 1999 (lr) Watercolor on paper 22 3/4 x 15 3/8 inches Unframed

24 Jack Beal American, 1931-2013 Pride, 1977-78 Signed Jack Beal (ur) Pastel on artist’s board 40 x 32 inches Provenance: Alan Frumkin Gallery, New York [Sale] Doyle New York, December 1, 2004, lot 54 Exhibited: Abstract Expressionism and the “New” American Realism: Paintings by Jack Beal and Philip Pearlstein, Columbus Museum, Columbus, GA, Apr. 1 - Jun. 17, 2001 C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

25 Reynolds Beal American, 1867-1951 Untitled (Man Reading in Madison Square Park), circa 1925 Graphite on sketchbook paper 6 3/4 x 8 inches Unframed Provenance: Estate of the artist George Baker, New York C The Patricia and Donald Oresman Collection $200-400

Provenance: Thomas G. Boss Fine Books, Boston C The Patricia and Donald Oresman Collection $500-700

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26 28 26 Max Beerbohm British, 1872-1956 Arthur James Balfour, 1st Earl of Balfour, 1920 Signed Max and dated 1920 (ll), inscribed Mr. Arthur Balfour (lr), inscribed extensively by Edward Gordon Craig on the reverse Graphite, chalk and colored wash on paper 12 3/4 x 6 3/4 inches

27 Max Beerbohm British, 1872-1956 Dean Inge Finding, as Ever, Sustenance in Plotinus, 1931 Signed Max and dated 1931 (ll), inscribed as titled (ll) Graphite and watercolor on paper 13 3/8 x 9 inches

Provenance: Edward Gordon Craig Miss Kaye Webb, M.B.E. Davis & Langdale Company, Inc., New York

Literature: The Spectator Supplement, Mar. 14, 1931 Rupert Hart-Davis A Catalogue of the Caricatures of Max Beerbohm, no. 783 C The Patricia and Donald Oresman Collection $1,800-2,500 See Illustration

Exhibited: Reading Between the Wars: Books and Readers, 1915-1950, Oct. 15 - Dec. 4, 1994, Oberlin College, Ripin Print Gallery, Oberlin OH, no. 22

Provenance: The Spectator James Cummins, New York

Literature: Rupert Hart-Davis A Catalogue of the Caricatures of Max Beerbohm, no. 76 C The Patricia and Donald Oresman Collection $2,000-4,000 See Illustration

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28 Max Beerbohm British, 1872-1956 An English Working Class Family, 1919 Signed Max and dated March 31, 1919 (lr) Graphite and colored washes on paper 7 7/8 x 11 3/4 inches Provenance: James Cummins Bookseller, New York Literature: Rupert Hart-Davis A Catalogue of the Caricatures of Max Beerbohm, no. 1981 C The Patricia and Donald Oresman Collection $1,000-2,000 See Illustration 29 Vanessa Bell English, 1879-1961 Design for Plate: Jonathan Swift, circa 1931 Watercolor and graphite on paper 7 7/8 x 8 inches Provenance: Estate of the artist until 2004 Davis and Langdale Company, New York C The Patricia and Donald Oresman Collection $500-700

30 Vanessa Bell British, 1879-1961 Study for Dust Jacket of “ A Room of One’s Own”, 1929 Artist’s stamp on the reverse Graphite on paper 8 x 6 3/8 inches Provenance: Davis & Langdale Company, Inc., New York Exhibited: A Room of Their Own: The Artists of Bloomsbury in American Collections, Apr. 1 - Apr. 28, 1994, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY C The Patricia and Donald Oresman Collection $300-500

35 31 Vanessa Bell English, 1879-1961 Two Designs for the Hogarth Press Modern Essays (a double sided work), circa 1924 Signed Virginia W and inscribed The Hogarth Press on the reverse Ink and graphite on paper 7 1/2 x 5 3/4 inches Provenance: Estate of the artist Davis & Langdale Inc., New York C The Patricia and Donald Oresman Collection $300-500 32 Debra Bermingham American, b. 1953 Self Portrait with Book and Mask, 2001 Charcoal on paper 35 3/8 x 23 1/8 inches rovenance: DC Moore Gallery, New York C The Patricia and Donald Oresman Collection $400-600

33 Gerald Betts American, 20th/21st Century Reading Room, 2008 Initialed GB (ll) Oil on panel 7 x 8 7/8 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500 See Illustration 34 Leon Bibel American, 1913-1996 Mosholu Park, 1941 Signed LBibel and dated 41 (lr), inscribed as titled (lc) Ink and watercolor on paper 8 3/8 x 10 7/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $500-700

35 George Biddle American, 1885-1973 Nuremberg Trial, The Accused, 1946 Signed George Biddle, dated 1946, and inscribed Nuremberg (lr), inscribed Top row. First edition guards. One stood back of each prisoner. Next row from left to right: Doenitz, Raeder, vonSchirach/Sankel, von Papen. Third row: Goering, Hess, Ribbentrop, Keitel, von Kaltenbrun, Streicher, Schact. / Bottom row: German advocates. As with the low cartoons, I have not always placed them in the order in which / they usually sit & for purposes of space and scale I have omitted many. on the reverse Ink on paper 11 x 14 inches Unframed Provenance: Susan Teller Gallery, New York Exhibited: George Biddle: An American Conscience, Dec. 3-30, 1999, no. 24, Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

36 George Biddle American, 1885-1973 Nuremberg Trial, The Judges, 1946 Signed George Biddle, dated 1946, and inscribed Nuremberg (lr), inscribed Top row: Two interpreters for judges. / Second row: (left to right) General Nikichenko, Justice Norman Burkit, alternate; / Lord Justice Geoffrey Lawrence; Francis Biddle; Judge John Parker, alternate; Professor / Donnedien de VaBres; Magistrate Robert Falco. / Row below judges: Form typists, etc. / Bottom row: left, German advocate Fritz Sauter / right: Councellor of documents. Ink on paper 11 3/8 x 13 7/8 inches Unframed Provenance: Susan Teller Gallery, New York Exhibited: George Biddle: An American Conscience, Dec. 3-30, 1999, Susan Teller Gallery, New York, no. 23 C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

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37 George Biddle American, 1885-1973 Alice Foote MacDougal’s Coffee Shop, 1933 Signed Biddle, dated 1933, and inscribed Karl Marx and a New DEAL/AT ALICE FOOTE MACDOUGAL’S (lr), inscribed as titled on the reverse Ink on paper 9 x 11 3/4 inches Unframed Provenance: Susan Teller Gallery, New York Exhibited: George Biddle: An American Conscience, Dec. 3-30, 1999, Susan Teller Gallery, New York, no. 10 Selected Readers, Poets House, New York C The Patricia and Donald Oresman Collection $700-900 See Illustration

38 Esther Brock Bird American, 1888-1950 Untitled (Couple Reading on an Ocean Liner), circa 1940 Signed Esther Brock Bird (lr) Watercolor on paper 10 3/4 x 15 inches Unframed Provenance: Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $300-500 39 Robert Birmelin American, b. 1933 Study for a Portrait Mrs. Chavez, 1992-93 Signed Birmelin (ur), inscribed as titled (cr) Conte crayon on paper 38 x 50 inches Provenance: Katherine Chapin, New York Exhibited: Powerful Expressions: Recent American Drawings, Jan. 24 - Mar. 16, 1997, The Arkansas Art Center, Little Rock C The Patricia and Donald Oresman Collection $500-700

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40 Isabel Bishop American, 1902-1988 Two Women, circa 1935 Signed Isabel Bishop (lc) Ink on paper Sheet size 8 3/4 x 6 3/4 inches, image size 4 5/8 x 6 inches

42 Isabel Bishop American, 1902-1988 Girl Reading the Newspaper, circa 1940 Ink and wash on paper Image size 5 1/8 x 3 1/2 inches, sheet size 6 7/8 x 5 1/2 inches

Provenance: Estate of the artist DC Moore Gallery, New York C The Patricia and Donald Oresman Collection $500-700

Provenance: Midtown Payson Galleries, New York

41 Isabel Bishop American, 1902-1988 Two Union Square Men, circa 1930 Signed Isabel Bishop (lr) Graphite, ink and wash on paper 13 1/4 x 10 1/2 inches Provenance: Midtown Payson Galleries, New York Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600 See Illustration

Exhibited: Reading Between the Wars: Books and Readers, 1915-1950, Oct. 15 - Dec. 4, 1994, Ripin Print Gallery, Oberlin College, Oberlin, OH C The Patricia and Donald Oresman Collection $300-500 43 Abe Blashko American, 1920-2011 The Man of Sorrows, circa 1938 Signed A Blashko (lr), inscribed as titled (lc) Crayon on paper 23 x 14 1/2 inches Unframed Provenance: Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $500-700

44 Abe Blashko American, 1920-2011 Renaissance Monk, 1938 Signed A. Blashko and dated 1938 (lr), inscribed as titled (ll) Conte crayon on paper 23 x 14 1/2 inches Unframed Provenance: Susan Teller Gallery, New York Exhibited: Reading Matter, Newspapers and Books in American Prints and Drawings, Oct. 17 Nov. 27, 1993, Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $500-700 45 Abe Blashko American, 1920-2011 Judge Reading, 1937 Signed A. Blashko and dated -37 (ll) Lithographerâ&#x20AC;&#x2122;s crayon on illustration board 15 x 13 1/4 inches Unframed Provenance: M. Lee Stone Fine Prints, San Jose C The Patricia and Donald Oresman Collection $400-600 See Illustration

46 Abe Blashko American, 1920-2011 Sunday Morning, Devouring the New York Times, 1992 Signed A. Blashko (lc) Ink, correction fluid, and collage on paper 16 3/4 x 12 inches Unframed Provenance: The Artist Susan Teller Gallery, New York Exhibited: The Lower East Side, 2000, Susan Teller Gallery, New York Literature: Saint Markâ&#x20AC;&#x2122;s Place, Abe Blashko, published by the artist, 1995 C The Patricia and Donald Oresman Collection $300-500 47 Abe Blashko American, 1920-2011 The Street, 1935 Signed A. Blashko and dated 1935 (lr) Crayon and graphite on paper 10 3/4 x 12 1/8 inches Unframed Provenance: M. Lee Stone Fine Prints, San Jose C The Patricia and Donald Oresman Collection $300-500

48 Julius Bloch American, 1888-1966 (i) Two Women Sharing a Book, 1936 Initialed J.B. and dated 12. 26/36 (ll) Graphite on paper 8 1/8 x 5 1/8 inches Unframed (ii) Women Reading Beneath a Sconce, 1936 Initialed J.B. (ll) Graphite on paper 8 1/8 x 5 1/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $500-700 See Illustration 49 Julius Bloch American, 1888-1966 Figures Reading, circa 1940 Initialed J.B. (ll) Graphite on paper 8 1/8 x 5 inches Unframed (ii) Man Reading a Large Folio, circa 1940 Initialed J.B. (lc) Ink on paper 8 1/4 x 5 1/8 inches Unframed

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50 Julius Bloch American, 1888-1966 Opera Box (study for the print), circa 1940 Graphite on paper 8 1/4 x 4 3/4 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500 51 Julius Bloch American, 1888-1966 Studies of Men Reading (three works), 1929 Graphite on three sketchbook pages Each 8 1/4 x 5 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500

Provenance for both works: George Baker, New York C The Patricia and Donald Oresman Collection $400-600 See Illustration of Part

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56 52 Julius Bloch American, 1888-1966 Two Views of a Man Reading, 1936 Initialed J.B. (ll), dated 1936 on the reverse Graphite and lithographer’s crayon on paper 8 1/4 x 5 1/8 inches Unframed

55 Aaron Bohrod American, 1907-1992 Fate, Destiny, or Something, circa 1940 Initialed B (lc), inscribed as titled (ll), numbered #5 (ur) Ink and scratchboard 6 7/8 x 9 1/8 inches Unframed

Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400

Provenance: M. Lee Stone Fine Prints, San Jose

53 Julius Bloch American, 1888-1966 Theater Audience, 1929 Dated 1929 on the reverse Lithographer’s crayon on paper 8 3/8 x 5 1/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400 54 Aaron Bohrod American, 1907-1992 Date, circa 1940 Signed Bohrod and inscribed #13/Date (lr) Ink and scratchboard 6 1/2 x 11 inches Unframed Provenance: M. Lee Stone Fine Prints, Inc., San Jose C The Patricia and Donald Oresman Collection $400-600

Literature: Albert Halpert, Golden Watch C The Patricia and Donald Oresman Collection $400-600 56 Aaron Bohrod American, 1907-1992 Mural Study for Vandalia Illinois Post Office, 1934 Signed Aaron Bohrod and dated 1934 (lc), signed Aaron Bohrod on the reverse Gouache on illustration board Image size 12 x 31 1/2 inches, board size 20 x 40 inches Provenance: Harco Gallery, Columbia, MO Paramour Fine Arts, Franklin, MI Exhibited: Aaron Bohrod: A Retrospective Exhibition, Apr. 2 - May 22, 1997, The Ashby-Hodge Gallery of American Art, Central Methodist College, Fayette, MO C The Patricia and Donald Oresman Collection $7,000-9,000 See Illustration

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57 George Booth American, b. 1926 Rise from the Ashes, 1997 Signed Booth (ll), inscribed I can only rise from the ashes/ like a phoenix so many times! and with New Yorker label on the reverse Pen and marker on paper Sheet size 11 x 8 1/2 inches

59 John Rutherford Boyd American, 1884-1951 Harriet Seated in a Chair, Reading, 1910 Estate stamp, dated Early 1910 and bears inscription H. The Greystone on the reverse Ink on paper 5 3/4 x 7 1/4 inches

Provenance: Davis and Langdale Company, New York

Provenance: Estate of the artist Hirschl and Adler Galleries, New York C The Patricia and Donald Oresman Collection $300-500

Exhibited: Artists of “The New Yorker”: An Exhibition to Celebrate the 75th Anniversary of the Magazine, Apr, 2000, Davis and Langdale Company, New York, no. 6 C The Patricia and Donald Oresman Collection $700-900 58 Adolph Borie American, 1877-1934 Lady Wearing a White Collar and White Cuffs Signed Adolph Borie (ll) Oil on canvas 20 x 16 inches Provenance: Estate of the artist Hirschl and Adler Galleries, Inc., New York C The Patricia and Donald Oresman Collection $1,000-2,000

60 Joan Brady American, b. 1934 Lunch at the Colombe d’or With Menu, 1986 Signed Joan Brady, dated 10/12/86 and inscribed as titled (lr) Watercolor and ink on paper 8 3/4 x 10 3/4 inches Provenance: Tatistcheff Gallery, Inc., New York C The Patricia and Donald Oresman Collection $200-400

66 61 Frank Hartley Brangwyn English, 1867-1956 Untitled (Bookplate Design) Signed Frank Brangwyn (lc) Ink and wash with graphite on paper 8 1/2 x 4 3/4 inches Unframed Provenance: Thomas G. Boss Fine Books, Boston Literature: Eden Phillpotts, Bookplates of Frank Brangwyn, 1920, p. 26 C The Patricia and Donald Oresman Collection $300-500 62 David Bromley Australian, b. 1960 Boy Reading, 2005 Signed Bromley and inscribed AP on frame Painted embroidery 11 3/8 x 13 3/4 inches Provenance: Rice/Polak Gallery, Provincetown, MA George Baker, New York C The Patricia and Donald Oresman Collection $300-500

65 Arthur William Brown American, 1881-1966 Ephraim Tutt, 1936 Signed Arthur William Brown and dated 36 (lr), Saturday Evening Post reproduction label affixed to the reverse Watercolor on paper 15 x 20 1/2 inches C The Patricia and Donald Oresman Collection $100-200

63 Alexander Brook American, 1898-1980 Niles Spencer, 1950 Signed A. Brook (lr) Oil on canvas 10 x 14 inches Provenance: Estate of the artist Mr. and Mrs. Herbert A. Goldstone, New York Kraushaar Galleries, Inc., New York Exhibited: Alexander Brook, 1960, Rehn Gallery, New York, no. 9 Artists by Artists, 1965, Forum Gallery, New York, no. 3 C The Patricia and Donald Oresman Collection $400-600 64 Alexander Brook American, 1898-1980 (i) Reading on the Floor, circa 1935 Initialed A.B. (cr) Charcoal on paper 17 x 13 3/4 inches (ii) Reading Standing, circa 1935 Initialed A.B. (lr) Charcoal on paper 17 x 13 3/4 inches

66 Elmer William Brown American, 1909-1971 Mural for Freedom (Study for Menâ&#x20AC;&#x2122;s City Club, Cleveland, Ohio), 1942 Signed Elmer W Brown and dated â&#x20AC;&#x2DC;42 (lr), inscribed Mural for Freedom (ll) Watercolor and gouache on illustration board Image size 8 x 14 1/2 inches, board size 15 x 20 inches Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

Provenance: Estate of the artist Childs Gallery, Boston C The Patricia and Donald Oresman Collection $200-400

67 Bernard Brussel-Smith American, 1914-1989 Press Release, 1937 Signed Bernard Brussel-Smith (lr), inscribed as titled (ll) Black crayon and graphite with scratching out on wove paper 16 x 13 3/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 68 David Burliuk American/Russian, 1882-1967 Mama Reading, 1946 Signed D Burliuk, dated 27.IV.1946 and inscribed as titled (lc) Graphite on paper 13 x 10 inches Unframed Provenance: Paramour Fine Arts, Franklin, Michigan Exhibited: Selected Readers from the Collection of Patricia and Donald Oresman, Oct. 8-Nov. 22, 2004, Poets House, New York C The Patricia and Donald Oresman Collection $200-400

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74 69 David Burliuk American, b. Russia, 1882-1967 Untitled Self-Portrait, 1948 Signed Burliuk and dated Dec. 30. 1948. (ul) Ink on paper 10 1/4 x 7 1/4 inches Unframed Provenance: Paramour Fine Arts, Franklin, MI Exhibited: Readers, Nov. 19, 1996 Jan. 10, 1997, Grolier Club, New York, no. 9 C The Patricia and Donald Oresman Collection $200-400 70 Milio Burquin French, 20th Century Tarif Double, 1930 Signed Milio Burquin and dated Paris 30 (ll), inscribed as titled (lr) Gouache on paper Sight 18 x 21 1/4 inches Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $200-400

71 John Buscema American, 1927-2002 Two Figures, circa 1990 Signed John Buscema (lr) Ballpoint pen on paper 11 x 8 1/2 inches Unframed

73 Paul Cadmus American, 1904-2000 Study for “To E.M. Forster,” circa 1948 Signed Cadmus (lr) Graphite on paper 4 x 6 1/2 inches

74 Alexander Calder American, 1898-1976 Economy of Light, 1925 Inscribed as titled (ll) Graphite on paper 4 x 6 inches Unframed

Provenance: Thomas G. Boss Fine Books, Boston C The Patricia and Donald Oresman Collection $100-200

Provenance: Robert Maines, New York Henry Aidt, Jr., Florida Midtown Payson Galleries, New York

Provenance: Gift of the artist to private collection, New York, circa 1925 [Sale] Christie’s New York, Nov. 17, 1988, (part) lot 292 Private collection, Paris [Sale] Sotheby’s Arcade, New York, Feb. 16, 1999, (part) lot 314 Kraushaar Galleries, Inc., New York

72 Paul Cadmus American, 1904-2000 Glenway Wescott, 1938 Signed Cadmus and dated 38 (lr) Ink and graphite on paper 11 7/8 x 14 inches Provenance: Gift of the Artist to Glenway Westcott Midtown Payson Gallery, New York C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration

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Exhibited: Paul Cadmus: Still Lifes, Portraits, Tableaux, Nov. 11 Dec. 30, 1994, Midtown Payson Gallery, New York Grolier Club, New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

Exhibited: New York, Poets House, Selected Readers from the Collection of Patricia and Donald Oresman, Oct. 8 Nov. 22, 2004 This work is registered in the archives of the Calder Foundation, New York, under application number A17934 C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

75 Daniel Celentano American, 1902-1980 Mother and Child with Father Reading I, circa 1935 Estate stamp (lr) Graphite and ink on paper 9 x 8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500 76 Daniel Celentano American, 1902-1980 Man Reading, circa 1935 Estate stamp (lr) Graphite, ink, and wash on paper 10 1/8 x 8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500

77 Daniel Celentano American, 1902-1980 Family Reading, circa 1935 Estate stamp (lr) Ink and graphite on paper 11 x 9 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500 See Illustration 78 Daniel Celentano American, 1902-1980 Night Reading, circa 1935 Estate stamp (lr) Graphite on paper 10 3/8 x 8 1/2 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400 See Illustration

79 Daniel Celentano American 1902-1980 Quiet Evening (Study for the Painting I), 1936 Estate stamp (lr) Graphite on paper 10 3/4 x 9 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400 See Illustration 80 Daniel Celentano American, 1902-1980 Straphangers Signed Daniel R. Celentano (ll) Charcoal and graphite on paper 20 x 15 3/4 inches Provenance: Estate of the artist Janet Marqusee Fine Arts, Ltd., New York C The Patricia and Donald Oresman Collection $300-500

81 Daniel Celentano American, 1902-1980 Quiet Evening (Study for Painting II), 1936 Signed Daniel R. Celentano (ur) Ink on paper 8 1/4 x 9 inches Provenance: Janet Marqusee Fine Arts, Ltd., New York C The Patricia and Donald Oresman Collection $200-400 82 Daniel Celentano American, 1902-1980 Subway Scene (Large Study), circa 1940 Estate stamp (lr) Charcoal on tissue paper, laid to card 16 5/8 x 20 7/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400

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83 Daniel Celentano American, 1902-1980 Subway Scene, circa 1935 Signed Daniel R Celentano (lr), inscribed Study Painting (ll) Pencil and ink on paper 8 1/2 x 10 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500 84 Daniel Celentano American, 1902-1980 Untitled, circa 1935 Estate stamp (lr) Pencil on yellow paper 10 1/2 x 8 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500 85 Daniel Celentano American, 1902-1980 Woman Reading, circa 1935 Ink and wash on paper 10 x 8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400 See Illustration

86 Adnan Charara American, b. 1962 Reading Regatta, 2005 Signed Charara and dated 2005 (lc) Ink on vellum 11 3/8 x 14 3/8 inches Unframed Together with Roma Reading, 2006 Dated 03 13.06 (ll) Ink and watercolor on envelope 4 1/2 x 6 3/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500 87 Adnan Charara American, b. 1962 Postal Perusers #1, 2006 Signed Charara (ll), dated 03 14.06 (lr) Ink and watercolor on envelope 3 x 4 1/2 inches Unframed Together with Postal Perusers #2, 2006 Dated 03 14.06 (lr) Ink watercolor on envelope 3 3/4 x 7 1/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400

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88 Adnan Charara American, b. 1962 The Pleasures of Reading, 1999 Signed Adnan (lc) Ink, graphite and prisma on paper Sheet size 11 x 11 inches Provenance: Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $200-400 89 Roz Chast American, b. 1954 Horror, 2004 Signed R. Chast (lr), dated Jan 04 and inscribed indistinctly (lc) Watercolor and ink on paper 11 7/8 x 9 inches Unframed Provenance: Julie Saul Gallery, New York C The Patricia and Donald Oresman Collection $600-800 90 Roz Chast American, b. 1954 Last Fifty Pages, 2000 Signed R. Chast (lr) Ink and wash on paper 12 x 9 inches Unframed Provenance: Julie Saul Gallery, New York C The Patricia and Donald Oresman Collection $500-700

91 Minna Wright Citron American, 1896-1985 Beauty Culture, 1933 Signed Minna Citron and dated ‘33 (lr) Oil, graphite, ink and tempera on Masonite 17 5/8 x 21 1/2 inches Provenance: The artist Susan Teller Gallery, New York Exhibited: 100 Years: National Association of Woman Artists, Oct. - Dec., 1988, Nassau County Museum of Art, Roslyn, NY C The Patricia and Donald Oresman Collection $4,000-6,000 See Illustration 92 Minna Citron American, 1896-1991 Untitled (Two Men in Newspaper Press Room), circa 1940 Signed Citron (cl) Charcoal on paper 15 1/4 x 12 1/4 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600

93 Minna Citron American, 1896-1991 Wheel of Fortune and Doping the Horses (a double sided work), 1936 Signed Citron (lc), inscribed gambling House Series Doping the Horses (lc), inscribed Pacific Daily Racing Form (ll), signed Minna Citron, dated ‘36 and inscribed The Wheel of Fortune on the reverse Graphite on sketchbook paper 12 x 9 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 94 Minna Citron American, 1896-1985 Untitled (Man Reading), 1938 Signed Minna Citron and dated ‘38 (lr) Graphite on paper 5 1/8 x 7 7/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $100-200

95 Jean Cocteau French, 1889-1963 Man Reading Initialed JC (ur) Graphite on paper 10 3/4 x 8 3/4 inches Provenance: John Szoke Editions, New York C The Patricia and Donald Oresman Collection $1,200-1,800 See Illustration 96 Lucille Corcos American, 1908-1973 The Duet (Study for the Print), 1949 Signed corcos and dated signed in 1971 (lr), inscribed original sketch for lithograph - “The Duet”/Edgar Jenny Brownbridge - David (ll) Litho crayon on paper 14 5/8 x 11 1/8 inches Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $700-900

97 Lucille Corcos American, 1906-1973 Reading the Paper, circa 1950 Signed corcos (lr) Gouache and ink on artist’s board Sheet size 5 x 6 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600 98 Lucille Corcos American, 1906-1973 Then and Now - Lighting, circa 1955 Gouache and ink, with attached typed notes on tracing paper 11 5/8 x 17 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $1,000-1,500 99 Lucille Corcos American, 1906-1973 Typing Pool, 1950 Signed corcos (lr) Gouache on paper 8 1/4 x 13 inches Unframed

100 Lucille Corcos American, 1906-1973 Autobiography-1930’s, Brooklyn Heights, circa 1965-1973 Crayons on illustration board, with ink on key sheet overlay 9 3/4 x 13 7/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 101 Lucille Corcos American, 1906-1973 Everybody meets the Boat, 1937 Graphite and ink on paper 12 x 15 3/4 inches Provenance: Janet Marqusee Fine Arts, New York George Baker, purchased January, 2003 C The Patricia and Donald Oresman Collection $600-800

Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19

102 102 Miguel Covarrubias Mexican, 1904-1957 Untitled (Portrait of a Man), circa 1925 Watercolor and collage on paper Sight size 8 x 5 1/4 inches Provenance: James Cummins Bookseller, New York Literature: Miguel Covarrubias: Homenaje, Mexico, Centro Cultural/Arte Contemporaneo, 1987, p. 74 Carl Van Vechten and the Irreverent Decades, Bruce Kellner, pp. 188-89 Covarrubias, Adriana Williams, pp. 36 et seq. C The Patricia and Donald Oresman Collection $7,000-9,000 See Illustration

103 Konrad Cramer American, 1888-1963 Woman Reading, circa 1929 Inscribed and dated Pencil Drawing By My Father Konrad Cramer c. 1929 / B. Cramer (lr) Graphite on tissue paper 17 x 13 1/4 inches Unframed Provenance: M. Lee Stone Fine Prints, San Jose C The Patricia and Donald Oresman Collection $300-500 104 Konrad Cramer American, 1888-1963 Reclining Woman Reading, 1929 Signed Konrad Cramer and dated 1929 (lc) Ink and lithographer’s crayon on paper 12 x 18 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500

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106 105 John Steuart Curry American, 1897-1946 Inscriptions #3: Leaves of Grass, 1943 Inscribed as titled (ll), estate stamp (lc), reproduction rights stamp on the reverse Ink and lithographer’s crayon on paper Sheet size 13 3/4 x 8 1/2 inches Unframed

106 Whitney Darrow, Jr. American, 1909-1999 McCall’s, 1957 Signed Whitney Darrow, Jr. (lr) Grease pencil, ink and wash on illustration board 16 3/8 x 14 inches

Provenance: Estate of the Artist Childs Gallery, Boston

Exhibited: Artists of The New Yorker: An Exhibition to Celebrate the 75th Anniversary of the Magazine, Apr. 2000, Davis and Langdale Company, New York C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

Literature: Walt Whitman, Leaves of Grass, Peter Pauper Press, Mt. Vernon, New York, 1943 C The Patricia and Donald Oresman Collection $600-800

Provenance: Davis and Langdale Company, New York

107 107 James Daugherty American, 1889-1974 Untitled (Beach Scene), circa 1915 Signed James Daugherty (lr) Gouache and ink on paper 12 1/4 x 16 3/8 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 108 James Daugherty American, 1889-1974 The Barbershop, 1931 Signed Daugherty and dated 31 (ul) Watercolor, crayon and graphite on card 26 1/2 x 18 3/4 inches Provenance: Janet Marqusee Fine Art, Ltd., New York C The Patricia and Donald Oresman Collection $800-1,200

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109 James Daugherty American, 1889-1974 Vision, circa 1960 Signed J. Daugherty and inscribed as titled on the reverse Acrylic on paper 23 x 14 5/8 inches Unframed

111 Clara D. Davidson American, 1874-1962 At the Beach - Three Scenes, circa 1900 Estate stamp (lr) Watercolor, ink and colored pencil on paper Each scene 4 x 5 5/8 inches

Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400 See Illustration

Provenance: Estate of the artist no. 4048 Private collection, New York Ronny Cohen Fine Art, New York C The Patricia and Donald Oresman Collection $400-600

110 James Daugherty American, 1889-1974 Childs Restaurant, 1930 Signed James Daugherty and dated 30 (ll), estate stamp on the reverse Watercolor and crayon on paper 20 x 15 inches Unframed Provenance: Salander-Oâ&#x20AC;&#x2122;Reilly Galleries, New York Robert Schoelkopf Gallery, New York Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 See Illustration

112 Clara D. Davidson American, 1874-1962 Union Square, circa 1900 Estate stamp on the reverse Charcoal and pastel on paper 18 3/4 x 12 1/4 inches Provenance: Estate of the artist, no. 4025 Private collection, New York Ronny Cohen Fine Art, New York C The Patricia and Donald Oresman Collection $300-500

113 Thrya Davidson American, b. 1926 Apple and Book, circa 1965 Initialed TD Wood sculpture Height 13 inches Provenance: Robert Schoelkopf Gallery, New York C The Patricia and Donald Oresman Collection $200-400 114 Arthur B. Davies American, 1862-1928 Two Variations on the Theme of Woman at Table, circa 1900 Artistâ&#x20AC;&#x2122;s stamp (lr) Charcoal, pastel and colored pencil on brown paper 9 x 12 inches Provenance: Estate of the artist Ronny Cohen, New York C The Patricia and Donald Oresman Collection $200-400

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115 George Deem American, 1932-2008 Edward and Jo Hopper 1955, 1995 Signed George Deem and dated 1995 (lr), inscribed as titled (ll) Oil on paper 20 x 24 inches Provenance: Nancy Hoffman Gallery, New York C The Patricia and Donald Oresman Collection $600-800 See Illustration 116 Adolph Dehn American, 1895-1968 Ludwig Lewisohn, Paris, 1927 Signed Adolf Dehn, dated Paris 1927, and inscribed as titled (ll) Ink on paper 12 7/8 x 9 7/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400 See Illustration

117 Adolph Dehn American, 1895-1968 I Do Help You Carry Things, 1935 Signed with artist’s mark and dated 1935 (ll), inscribed as titled (uc) Ink on paper 18 3/8 x 14 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400 118 Pele Murdock de Lappe American, 1916-2007 Stewart’s Cafeteria Signed Pele de Lappe (ll) Graphite on paper 13 x 22 1/4 inches Provenance: Andrew Stasik Fine Arts, Darien, CT Exhibited: New York City Readers: 20th Century Prints, Drawings, and Photographs from the Collection of Donald Oresman, May 2000, The New York Society Library, New York C The Patricia and Donald Oresman Collection $300-500

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119 Pele Murdock de Lappe American, 1916-2007 The Working Press (Study for the Print), 1965 Signed Pele de Lappe (ll) Pencil on tracing paper 17 x 9 3/4 inches Unframed

121 Andre Dunoyer deSegonzac French, 1884-1974 Seated Woman with Hat, circa 1925 Signed A. Dunoyer de Segonzac (lr) Ink and wash on cream wove paper 11 3/8 x 18 7/8 inches Unframed

Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400

Provenance: [Sale] Swann Galleries, Sep. 28, 2000, lot no. 618 Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600

120 Andre Dunoyer de Segonzac French, 1884-1974 Pour l’Education Sentimentale Signed A.D. de Segonzac (lr), inscribed as titled (ll) Ink on paper 16 7/8 x 10 1/4 inches C The Patricia and Donald Oresman Collection $200-400

122 Dan Dickey American, 1910-1961 Mural Study for the San Diego Post Office, circa 1935 Ink and watercolor on paper Image size 8 1/2 x 21 inches, sheet size 13 1/2 x 25 inches Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $300-500

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123 Nathaniel Dirk American, 1895-1961 Gloucester Fisherman, circa 1930 Signed N Dirk (lr) Watercolor on paper 17 3/8 x 22 1/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400 124 Malcolm Drummond English, 1880-1945 Portrait of the Artist’s Father, The Reverend Canon Arthur Hislop Drummond, 1922 Signed Drummond and dated 1922 (lr) Oil on canvas 24 x 21 1/2 inches Provenance: The Artist’s family, until 1994 Agnew’s, London Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $6,000-9,000 See Illustration

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125 Malcolm Drummond English, 1880-1945 Woman Reading, 1922 Dated 1922 (lr) Ink on paper 12 x 9 inches

127 Malcolm Drummond English, 1880-1945 Portrait of the Artists Father, circa 1922 Graphite on tracing paper 7 1/2 x 9 1/2 inches

Provenance: Thos. Agnew and Sons, London Montpelier Studio, London Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $300-500

Provenance: Davis & Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $300-500

126 Malcolm Drummond English, 1880-1945 Little Girl Reading, circa 1910 Graphite on paper 7 x 7 1/8 inches Provenance: Davis & Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $300-500

128 Guy Pene du Bois American, 1884-1958 Untitled (Man at Table, Reading) Ink on paper 8 3/8 x 10 1/2 inches Provenance: Estate of the artist James Graham and Sons, Inc., New York C The Patricia and Donald Oresman Collection $500-700 See Illustration

129 Guy Pene du Bois American, 1884-1958 Untitled Ink on paper 11 x 8 1/2 inches Provenance: Estate of the artist James Graham and Sons, Inc., New York C The Patricia and Donald Oresman Collection $400-600 130 Marcel Dumont Belgian, 1910-1985 Homme dans interior cubist, 1955 Signed M. Dumont and dated 1955 (lr) Ink on paper 25 1/2 x 19 1/2 inches Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400

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133 132 131 Fred Ellis American, 1885-1965) Racing Form, circa 1935 Black ink and charcoal 15 x 8 inches Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $200-400 See Illustration 132 Richard Estes American, b. 1936 Upper West Side, 1963 Signed Estes and dated 63 (lr) Oil on paper 4 3/4 x 6 5/8 inches

133 Lyonel Feininger American, 1871-1956 Newspaper Reader at the Dome, 1908 Dated Feb Mar 08 (ur) Graphite and crayon on paper 4 1/8 x 2 3/4 inches Provenance: Achim Moeller Fine Art, New York Literature: Feininger in Paris: The Paris Drawings, 1882-1911, Germanisches Nationalmuseum, Jun. 6 - Aug. 30, 1992, Nuremberg C The Patricia and Donald Oresman Collection $4,000-6,000 See Illustration

Provenance: Deerfield Gallery, South Deerfield, MA Thomas G. Boss Fine Books, Boston Exhibited: Selected Readers from the Collection of Patricia and Donald Oresman, Oct. 8 Nov. 22, 2004, Poets House, New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration 24 DOYLE • NOVEMBER 20, 2018 • NEW YORK

134 Lorser Feitelson American, 1898-1978 Nude Reading and Study of a Nude Man (a double sided work), 1922 Initialed L. F. and dated ‘22 (lr), signed Lorser Feitelson and inscribed ‘Nude Reading’ 1922 Paris- / study for painting on cardboard which was exhibited at the Salon d’Automne 1923 in Paris on the reverse Graphite on paper 11 x 8 1/2 inches Unframed Provenance: Toby Moss Gallery, Los Angeles C The Patricia and Donald Oresman Collection $300-500

135 Lorser Feitelson American, 1898-1978 Woman Reading and Figure Studies (a double sided work), 1920 Signed Feitelson, dated 1920 and inscribed (study for painting/ in the Allen Collection) (cr) Graphite on paper 11 1/2 x 7 1/4 inches Unframed Provenance: Eugene Allen, Los Angeles Tobey Moss Gallery, Los Angeles C The Patricia and Donald Oresman Collection $300-500 136 Alan Feltus American, b. 1943 Study for Woman in Profile, 1985 Signed Alan Feltus (lr), dated 1985 (ll) Oil on canvas 14 x 11 inches Provenance: Forum Gallery, New York C The Patricia and Donald Oresman Collection $500-700

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137 Alan Feltus American, b. 1943 Dream, 1993 Signed Alan Feltus (ur), dated 1993 (ul), signed Alan Feltus, dated 1993 and inscribed as titled on the stretcher Oil on linen 10 x 8 inches Provenance: Forum Gallery, New York Exhibited: Alan Feltus: Two Years in Umbria, Mar. 1994, Forum Gallery, New York C The Patricia and Donald Oresman Collection $400-600

138 David Fredenthal American, 1914-1958 Mural Study of the Ford Range Assembly Plant, 1940 Signed David Fredenthal (ll) Watercolor and graphite on wove paper Sight 15 x 48 inches

139 David Fredenthal American, 1914-1958 Mural Study of the Ford Range Assembly Plant, 1940 Graphite on paper Image size 7 3/4 x 24 inches, sheet size 14 x 26 3/8 inches

Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $4,000-6,000 See Illustration

Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

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140 David Fredenthal American, 1914-1958 Untitled (Man Reading), circa 1930 Signed DAVE (lc) Graphite on paper 12 x 9 7/8 inches Unframed Provenance: Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $300-500 141 Don Freeman American, 1908-1978 On the Subway Estate stamp (ll) Ink on paper 8 3/4 x 6 3/4 inches Unframed Provenance: M. Lee Stone Fine Prints, San Jose C The Patricia and Donald Oresman Collection $200-400

142 Don Freeman American, 1908-1978 The Helping Hand, 1933 Oil on board 16 x 13 1/2 inches Provenance: Estate of the artist Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $800-1,200 See Illustration 143 Don Freeman American, 1908-1978 Wedding Bureau, Municipal Building, New York, 1934 Estate stamp (ll), inscribed as titled (lc), estate stamp on the reverse Ink, graphite, and watercolor on paper Sheet size 8 5/8 x 11 1/4 inches Unframed Provenance: Estate of the Artist M. Lee Stone Fine Prints, San Jose C The Patricia and Donald Oresman Collection $600-800

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144 Don Freeman American, 1908-1978 A Drama Scene the Audience Doesn’t See Signed Don Freeman (ll), inscribed as titled and Stage Hands effecting an Eviction Between Acts of ‘Paradise Lost’ (lc) Lithographer’s crayon, graphite, and ink on tan paper 13 3/8 x 13 3/8 inches Unframed Provenance: M. Lee Stone Fine Prints, San Jose C The Patricia and Donald Oresman Collection $300-500 145 Don Freeman American, 1908-1978 Young Man Reading, circa 1939-40 Estate stamp with the initials of Lydia Freeman (lr) Lithographer’s crayon on gray paper 14 3/4 x 11 inches Unframed Provenance: The Old Print Shop, New York C The Patricia and Donald Oresman Collection $300-500

146 Don Freeman American, 1908-1978 Brooks Atkinson in his Office Graphite, correction fluid, and ink on paper 8 7/8 x 11 5/8 inches Unframed Provenance: Thomas Boss, Boston C The Patricia and Donald Oresman Collection $200-400 147 Don Freeman American, 1908-1978 Cartoon Readers, circa 1935 Signed Don Freeman (lr) Tempera and watercolor on paper Sheet size 8 1/4 x 11 3/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500

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152 148 Don Freeman American, 1908-1978 For Colored Only and Portrait of Sgt. Villareal (a double sided work), circa 1940 Ink and white gouache over black crayon on paper 8 x 10 3/4 inches Unsigned Provenance: Estate of the Artist Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $500-700 149 Don Freeman American, 1908-1978 The Gossip Pages, circa 1940 Signed Don Freeman (ll) Graphite and ink on paper 9 x 11 7/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400

150 Don Freeman American, 1908-1978 Brooks Atkinson Reading Inscribed Brooks Atkinson (ul) Graphite and ink on paper 8 7/8 x 11 5/8 inches Unframed Provenance: Thomas Boss, Boston C The Patricia and Donald Oresman Collection $200-400 151 Kathryn Freeman American, b. 1956 By the Lake (Virginia), 1986 Signed Freeman (lr), dated 1986 and inscribed as titled (lc) Oil on paper 11 x 15 inches Provenance: Tatischeff Gallery, Inc., New York C The Patricia and Donald Oresman Collection $200-400

152 Jane Freilicher American, 1924-2014 Woman Reading, circa 1960 Signed Jane Freilicher (lr) Pastel on paper Sight 12 5/8 x 9 inches Provenance: Tibor de Nagy Gallery, New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 153 Roger Fry English, 1866-1934 The Artistâ&#x20AC;&#x2122;s Daughter, Pamela, Knitting and Reading, 1918 Graphite on paper 4 1/2 x 7 inches Provenance: Davis and Langdale Company, Ltd., New York Exhibited: Bloomsbury: Recent Acquisitions, Sep. 10 - Nov. 8, 1997, Davis and Langdale Company, New York, no. 19 C The Patricia and Donald Oresman Collection $400-600

154 Sue Fuller American, 1914-2006 Woman Reading at Table, circa 1940 Oil on paper mounted to support sheet 6 1/4 x 7 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $100-200 155 Wanda Gag American, 1893-1946 Woman in Chair Reading, 1927 Dated 1927 on the reverse Ink on paper 8 1/2 x 7 inches Unframed Provenance: M. Lee Stone Fine Prints, Inc., San Jose C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

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162 159 156 Wanda Gag American, 1893-1946 Woman Reading, Man Lying on Bed, 1924 Graphite on paper 11 x 7 7/8 inches Unframed Provenance: M. Lee Stone Fine Prints, Inc., San Jose C The Patricia and Donald Oresman Collection $600-800 See Illustration 157 Emil Ganso American, 1895-1941 Montparnasse (Study for the print), circa 1922 Signed Ganso (lr) Graphite and watercolor on paper 10 5/8 x 12 1/2 inches Unframed Provenance: Weyhe Gallery, New York Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $300-500

158 Philip Geiger American, b. 1956 C.M. Reading, 1992 Signed P. Geiger (ll) Oil on panel 18 x 12 inches Provenance: Tatischeff Gallery, New York C The Patricia and Donald Oresman Collection $1,000-2,000 159 Eric Gill English, 1882-1940 Our Lord, St. Monica, St. Austin and Our Lady, Studies of Buildings (a double sided work) Inscribed as titled (ur) Graphite on tissue paper 4 7/8 x 6 1/8 inches Unframed Provenance: The Artist’s family Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

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160 Eric Gill English, 1882-1940 Man Holding Book: Who Believes What He Hears Graphite on paper, squared for transfer 4 1/4 x 2 1/4 inches Unframed Provenance: The Artist’s family Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $800-1,200 161 Gregory Joseph Gillespie American, 1936-2000 Self-Portrait Initialed GG and numbered 32 on the reverse Oil on panel 8 1/8 x 9 1/8 inches Unframed Provenance: Forum Gallery, New York C The Patricia and Donald Oresman Collection $1,000-2,000

162 William Glackens American, 1870-1938 Well Fed, Well Cared For, Well Brought Up (William Morris Butler), 1904 Signed W. Glackens (lr), inscribed William Morris Butler on the reverse, signed W. Glackens and inscribed The Patient on a label affixed to the reverse Ink on paper 8 3/4 x 6 3/8 inches Provenance: Estate of the artist Kraushaar Galleries, New York Exhibited: Reading Between the Wars: Books and Readers, 1915-1950, Oct. 15 - Dec. 4, 1994, Ripin Print Gallery, Oberlin College, Oberlin, OH, no. 14 Grolier Club, New York C The Patricia and Donald Oresman Collection $2,000-4,000 See Illustration

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163 Bernard Glasgow American, 1914-1986 Reading the Wall Street Journal, circa 1945 Signed Glasgow (lr) Oil on canvas 16 x 20 inches

165 Julio Gonzalez Spanish, 1876-1942 Femme A Sa Lecture, 1928 Initialed j.G. and dated 1928 (ll) Watercolor, graphite and ink on paper 4 1/4 x 5 1/2 inches

167 Spencer Frederick Gore English, 1878-1914 Self Portrait/Study of a Cat (a double sided work), 1913 Estate stamp (lr) Graphite on paper 8 x 6 1/2 inches

Provenance: Estate of the Artist Jane Marquesee Fine Arts, Ltd., New York C The Patricia and Donald Oresman Collection $1,000-2,000

Provenance: Amy Wolf Fine Art, New York C The Patricia and Donald Oresman Collection $4,000-6,000 See Illustration

Provenance: Estate of the artist Davis and Langdale Company, Ltd., New York C The Patricia and Donald Oresman Collection $700-900 See Illustration

164 Charles Goeller American, 1901-1955 Lunch Hour, circa 1930 Signed Charles L. Goeller (lr) Graphite on paper 11 x 14 inches Unframed Provenance: Franklin Riehlman Fine Art, New York C The Patricia and Donald Oresman Collection $1,000-1,500

166 Bertram Goodman American, 1904-1988 The News, circa 1945 Signed Bertram Goodman (ll) Oil on canvas 48 x 28 inches Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $300-500

168 Douglas Gorsline American, 1913-1985 Plateau Reader II Signed Gorsline (ll), signed Gorsline (lr) Oil on canvas 18 x 24 inches Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600

169 Douglas Gorsline American, 1913-1985 Woman Reading in the Subway, New York City, circa 1945 Inscribed Gorsline M.G. (lr) Ink on paper 8 1/2 x 5 3/8 inches Unframed Provenance: Susan Teller Gallery, New York Please note: this work was authenticated by Marie Gorsline, wife of the artist, and bears her signature. C The Patricia and Donald Oresman Collection $200-400 170 Douglas Gorsline American, 1913-1985 Man Reading, circa 1940 Inscribed Gorsline M.G. (lr) Graphite on paper 11 1/8 x 10 1/4 inches Unframed Provenance: Susan Teller Gallery, New York Please note: this work was authenticated by Marie Gorsline, wife of the artist, and bears her signature. C The Patricia and Donald Oresman Collection $200-400

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171 Harry Gottlieb American, 1894-1991 Eugenie Gershoy Reading, circa 1930 Signed H. Gottlieb (lr) Oil on canvas 24 x 20 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $800-1,200 172 Harry Gottlieb American, 1894-1991 Woodstock Post Office, 1930 Signed Harry Gottlieb and dated 1930 (lc) Ink and gouache on board 11 7/8 x 26 3/4 inches Provenance Paramour Fine Art, Franklin, MI C The Patricia and Donald Oresman Collection $800-1,200

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173 Duncan Grant English, 1885-1978 The Group at Asheham: Adrian Stephen, Virginia Woolf, Vanessa Bell, and Henri Doucet, 1913 Remnants of signature d. Grant (lc), inscribed Doucet Vanessa Virgina Adrian on the reverse Oil on board 10 3/8 x 25 inches Provenance: Davis and Langdale Company, Ltd., New York Exhibited: The Omega Workshops: Alliance and Enmity in British Art 1911-1920, Anthony d’Offay Gallery, London, 1984, no. 49 Fundacio Caiza de Pensions, Barcelona A Room of Their Own: The Artists of Bloomsbury in American Collections, Cornell University Herbert F. Johnson Museum of Art, Ithaca, NY, no. 67 C The Patricia and Donald Oresman Collection $40,000-60,000 See Illustration

174 Duncan Grant English, 1885-1978 Man in Chair by Fireplace, Reading (Study for Woodcut), a double sided work, circa 1918 Watercolor and graphite on paper 5 x 7 inches Provenance: Estate of the artist, until 1999 Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $600-800 175 Duncan Grant English, 1885-1978 Quentin Bell Reading (Study for “The Family at Charleston”), 1953 Initialed DG (lr), inscribed Duncan Bell on the reverse Charcoal on brown paper 21 7/8 x 17 7/8 inches Provenance: Estate of the artist (until 1997) Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $1,000-1,500

177 176 Duncan Grant English, 1885-1978 Vanessa Bell Reading to a Child, circa 1955 Initialed DG (ll) Ballpoint pen on paper 13 x 8 inches Provenance: Estate of the artist Davis and Langdale Company, Ltd., New York C The Patricia and Donald Oresman Collection $1,000-1,500 177 Duncan Grant English, 1885-1978 Vanessa Bell Reading to her Grandchild, 1954 Intitialed D.G. and dated August 1954 (ll) Ballpoint pen on paper 13 x 8 inches Provenance: Estate of the artist until 1996 Davis and Langdale Company, Inc., New York Exhibited: Readers, Nov. 19 - Jan. 10, 1997, Grolier Club, New York, no. 25 C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

180

178 Duncan Grant English, 1885-1978 Vanessa Bell Reading to Her Son Julian/ Study of Julian (a double sided work), circa 1955 Ballpoint pen on two conjoined sheets Sight size 11 1/2 x 7 3/4 inches Provenance: Estate of the artist until 1996 Davis and Langdale Company, Inc., New York Exhibited: Readers, Nov. 19 - Jan. 10, 1997, Grolier Club, New York, no. 24 C The Patricia and Donald Oresman Collection $1,000-1,500 179 Samuel Greenberg American, 1905-1980 Mural Study, circa 1940 Inscribed From the estate of Samuel Greenberg/ Leah Greenberg on the reverse Gouache and graphite on paper 5 x 8 inches Provenance: Estate of the Artist Susan Teller Gallery, New York Exhibited: Hickory, North Carolina, Hickory Museum of Art C The Patricia and Donald Oresman Collection $200-400

180 Juan Gris Spanish, 1887-1927 Femme au Livre, circa 1926 Inscribed A mon charmont gendre de la parte/de sa bellemere L. Gonzalez Gris/ 1 Fevrier 75 on the reverse Ink and graphite on paper 7 5/8 x 6 1/4 inches Provenance: L. Gonzalez Gris (widow of the artist) until 1975 Thence by descent in the family Davis & Langdale Co., Inc, New York C The Patricia and Donald Oresman Collection $15,000-25,000 See Illustration 181 William Gropper American, 1897-1978 Reading the Paper and Construction Scene (a double sided work), circa 1930 Signed Gropper (lr) Ink on paper Sheet size 11 x 6 3/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $600-800

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182 William Gropper American, 1897-1978 Convention News: Third Day, a Delegate Signed Gropper (lr) Ink on tan paper Sight size 9 1/2 x 8 1/2 inches Provenance: ACA Galleries, New York Beacon Hill Fine Art, New York C The Patricia and Donald Oresman Collection $500-700 183 Red Grooms American, b. 1937 The Tin Drum (Woman Reading), 1964 Signed Red Grooms and dated 64 (lr) Oil on board 5 1/2 x 7 1/2 inches Provenance: Paramour Fine Arts, Franklin, MI Exhibited: Selected Readers from the Collection of Patricia and Donald Oresman, Oct. 8 - Nov. 22, 2004, Poets House, New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

184

184 George Grosz German/American, 1893-1959 Lesender Mann Bears stamped signature (lr) and with George Grosz Nachlass stamp (UC 353 35) on the verso Graphite on paper 8 3/4 x 11 1/4 inches Provenance: [Sale] Doyle New York, Modern and Contemporary Art Sale, Dec. 1, 2004, lot no. 4 Crane Kalman Gallery, London Blains Limited, London C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration 185 Juanita Hambrook Guccioni-Rice American, 1904-1999 Mural Study - State Building, New York, circa 1935 Oil on Masonite 10 1/2 x 22 1/2 inches Provenance: Estate of the artist Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $2,000-4,000

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186 Bernhard Gutmann American, 1869-1936 Elizabeth Reading, 1921 Initialed B.G. (ll), dated Jan 1921 (lr) Red conte crayon on paper Sheet size 11 x 14 inches Provenance: Beacon Hill Fine Art, New York C The Patricia and Donald Oresman Collection $400-600 187 Joseph Mellor Hanson English, 1900-1963 Poetry Readers (or Listening to the Score), 1947 Initialed JMH (lr), initialed JMH and dated 1947 on the reverse, signed JM Hanson, dated 1947 and inscribed Poetry Readers on the stretcher Oil on canvas 36 x 32 inches Provenance: Aaron Galleries, Chicago C The Patricia and Donald Oresman Collection $1,000-1,500

188 Hananiah Harari American, 1912-2000 Dick Stein Reading, 1961 Signed Harari (lr), signed Hananiah Harari, dated 1961, and inscribed as titled on the reverse Graphite and crayon on paper 9 x 11 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600 189 Hananiah Harari American, 1912-2000 Ethel Stein Reading, with Dog, 1988 Signed Harari (lc), signed Hananiah Harari, dated 1988, and inscribed as titled on the reverse Graphite and crayon on paper 12 5/8 x 9 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600

195

190 Hananiah Harari American, 1912-2000 Home Study, 1958 Signed Harari (lr), signed Hananiah Harari, dated 1958 and inscribed as titled on the reverse Graphite, wash, and crayon on paper 12 x 9 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600 191 Hananiah Harari American, 1912-2000 Picnic in Senasqu Park, 1975 Signed Harari (lr) Graphite and colored pencil on paper 9 x 12 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600

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192 John Held, Jr American, 1889-1958 Nocturne, circa 1920 Signed John Held Jr. (lr) Ink on illustration board 12 x 7 1/4 inches Unframed Provenance: Graham Gallery, New York [Sale] Heritage Galleries Auction, Dallas, May 11, 2005, lot no. 23110 Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $700-900 193 John Held, Jr. American, 1889-1958 The Highbrow, 1919 Ink and wash on illustration board 11 3/4 x 7 inches Provenance: Graham Gallery, New York James Cummins Bookseller, New York Literature: Oberlin, Ohio, Ripin Print Gallery, Oberlin College, Reading Between the Wars: Books and Readers, 1915-1950, Oct. 15 - Dec. 4, 1994, no. 28 C The Patricia and Donald Oresman Collection $700-900

194 Riva Helfond American, 1910-2002 Fort Hancock Station, 1946 Signed Helfond, and dated 1946 (lr) Ink, watercolor and gouache on paper 13 7/8 x 17 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400 195 John Heliker American, 1909-2000 Self Portrait with Landscape, circa 1990 Signed Heliker (lr) Oil on canvas 42 1/4 x 50 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $5,000-7,000 See Illustration 196 John Heliker American, 1909-2000 Reading in Bed Oil on canvas 14 x 20 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $1,000-2,000 See Illustration

197 Fannie Hillsmith American, 1911-2007 Spring Park (Central Park), 1941 Signed Hillsmith and dated 41 (lr) Oil and tempera on Masonite 9 x 12 inches Provenance: Susan Teller Gallery, New York Exhibited: Fannie Hillsmith, Nov. 15, 1996 - Feb. 15 1997, Black Mountain College Museum, Asheville, NC C The Patricia and Donald Oresman Collection $700-900 198 Theo Hios American, 1908-1999 Stamos Reading in his Studio, 1946 Signed Theo and Hios, dated 46 and inscribed Stamos (ll) Watercolor on paper 22 1/2 x 15 1/2 inches Unframed Provenance: Susan Teller Gallery, New York Exhibited: Reading Matter, Newspapers and Books in American Prints and Drawings, Oct. 12 - Nov. 27, 1993, Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $500-700

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201

199 Theo Hios Barbara Nicolaides Reading the New York Times, 1937 Signed Hios and dated 37 (lr), dated 1937 and inscribed as titled (ll) Watercolor on paper 19 1/4 x 24 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600 200 Theo Hios Greek/American, 1910-1998 My Studio (260 W 29th St. New York), 1946 Signed Theo Hios, dated ‘46 and inscribed as titled (lr) Watercolor on paper 17 x 21 3/4 inches Untitled Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500

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203

201 Adolph Hoffmeister Czech, 1902-1973 Theodore Dreiser, 1929 Initialed AH, dated 29 and inscribed Prague (lr) Collage, ink and graphite on paper 23 5/8 x 17 3/8 inches Provenance: Family of the artist Rachel Adler Gallery, New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 202 Adolph Hoffmeister Czech, 1902-1973 Virginia Woolf, 1929 Initialed AH and dated 29 (lr) Ink and graphite on card 18 3/4 x 12 1/2 inches Provenance: Rachel Adler Gallery, New York C The Patricia and Donald Oresman Collection $600-800

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203 Carl Holty American, 1900-1973 Seated Figure Reading a Newspaper, 1947 Signed Carl Holty and dated 47 (lr) Pastel on paper 12 x 9 1/4 inches Provenance: William McWillie Chambers III, New York C The Patricia and Donald Oresman Collection $800-1,200 See Illustration 204 Ellison Hoover American, 1888-1955 Untitled (Couple on the Left Bank, Paris), circa 1950 Signed Ellison Hoover (lr) Crayon on illustration board 15 x 20 1/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600

205 Joel Janowitz American, b. 1945 Beach from Above, 1992 Signed Janowitz and dated 1992 (lr), signed Janowitz, dated 1992 and inscribed as titled on the reverse Oil on canvas 20 x 24 inches Provenance: Victoria Munroe Fine Art, Ltd., New York C The Patricia and Donald Oresman Collection $500-700 206 Gwen John British, 1876-1939 Arthur Symons in a Hat, Reading, circa 1920 Estate stamp (lr) Charcoal on tan paper 11 5/8 x 10 inches Provenance: Estate of the artist until 1997 Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $2,000-4,000 See Illustration

207 207 Gwen John British, 1876-1939 Woman in Railway Carriage Reading a Newspaper, circa 1915 Estate stamp (lr) Graphite on tan paper 8 3/4 x 6 7/8 inches Provenance: Estate of the artist Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $2,000-4,000 See Illustration 208 Lester Johnson American, 1919-2010 Pare Messina #3, 1992 Signed Lester Johnson and dated 92 (lr) Oil on canvas 16 x 12 inches Provenance: Edward Thorp Gallery, New York C The Patricia and Donald Oresman Collection $1,000-2,000

213 209 Lester Johnson American, 1919-2010 Untitled (Cannes, February), 1993 Watercolor on paper 9 1/8 x 12 1/4 inches Provenance: Edward Thorp Gallery, New York C The Patricia and Donald Oresman Collection $400-600 210 Malvin Gray Johnson American, 1896-1934 Immigration, circa 1925 Signed by Malvin Johnson on the reverse Charcoal on paper 10 1/2 x 14 5/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400 211 Joe Jones American, 20th Century Girl Reading, circa 1945 Signed Joe Jones (lr) Oil on canvas 24 x 20 inches

212 Mervin Jules American, 1912-1994 News, circa 1935 Signed Jules (ll), inscribed as titled on the reverse Oil on board 5 3/4 x 9 3/8 inches Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $300-500 213 Maira Kalman American, b. 1949 Barnes and Noble Back Cover, 1995 Signed Maira Kalman on the reverse Gouache on paper 13 x 9 3/4 inches Unframed Provenance: Julie Saul Gallery, New York C The Patricia and Donald Oresman Collection $500-700 See Illustration

215 214 Maira Kalman American, b. 1949 Barnes & Noble - Book Man, 1995 Inscribed Page 6 (lc), signed Maira Kalman on the reverse Gouache on paper 13 x 9 7/8 inches Unframed Provenance: Julie Saul Gallery, New York C The Patricia and Donald Oresman Collection $500-700 215 John Kane American, 1860-1934 In a Library Signed John Kane (lr) Oil on canvas 14 1/8 x 8 inches Provenance: Stefan Hirsch By descent to the family Richard York Gallery, New York C The Patricia and Donald Oresman Collection $6,000-8,000 See Illustration

Provenance: Alan Cristea Gallery, London C The Patricia and Donald Oresman Collection $500-700 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 35

222 Deborah Maverick Kelley American, 20th Century Screamer, 1991 Signed D.M. Kelley and dated ‘91 (lr), signed D.M. Kelley, dated 1991 and inscribed as titled on the reverse Oil on canvas 24 x 30 inches Unframed 224 223

216 Bernard Karfiol American, 1886-1952 Man Reading, circa 1925 Signed B. Karfiol (lr) Ink and gouache on paper 14 1/8 x 12 7/8 inches Unframed Provenance: Forum Gallery, New York C The Patricia and Donald Oresman Collection $200-400 217 Camille Andrene Kauffman American, 1905-1993 Child Reading, circa 1925 Signed CA Kauffman (lr) Oil on canvas 34 x 28 inches Provenance: Robert Henry Adams Fine Art, Chicago C The Patricia and Donald Oresman Collection $400-600

218 Charles Keller American, 1914-2006 Lintoyper, 1945 Signed Charles Keller and dated ‘45 (ll), inscribed as titled (lr) Conte crayon on sketchbook paper 14 x 9 7/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 219 Charles Keller American, 1914-2006 Arbor Day, 1958 Signed Charles Keller (lr) Oil on canvas 24 x 30 inches Provenance: The Artist Susan Teller Gallery, New York Exhibited: 77th Annual Exhibition, Nov. 28 - Dec. 17, 1995, American Society of Contemporary Artists, New York C The Patricia and Donald Oresman Collection $1,500-2,500

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220 Charles Keller American, 1914-2006 Fishing News, 1961 Signed Charles Keller (ll) Oil and acrylic on canvas 29 1/2 x 20 1/4 inches Provenance: Susan Teller Gallery, New York Exhibited: The League at the Cape, Aug. 14 - Sep. 20, 1993, Provincetown Art Association & Museum, Provincetown, MA C The Patricia and Donald Oresman Collection $1,000-1,500 221 Clyde Frederick Kelley American, 1886-1965 Registration, circa 1935 Signed CR Kelley (lr) Gouache and pastel on paper laid to board 20 x 16 1/8 inches C The Patricia and Donald Oresman Collection $200-400

Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $400-600 223 Rockwell Kent American, 1882-1971 Cover for Demcourier, circa 1937-38 Signed Rockewell Kent (ul) Ink and conte crayon on paper Sheet size 11 3/4 x 9 inches, image size 8 x 5 1/2 inches Provenance: Estate of the Artist Larcarda Gallery, New York Hirschl and Adler Gallery, New York Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration 224 William Dickey King American, 1925-2015 Statua, 1997 Initialed BK, dated 97-9 and inscribed as titled Balsa wood 69 x 25 x 15 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

225 225 Gustav Klimt Austrian, 1862-1918 Reading Woman, circa 1907 Estate stamp (lr) Pencil on Japan paper 22 1/8 x 14 5/8 inches (56.2 x 37.3 cm.)

226 John Koch American, 1909-1978 Noel Straus, circa 1952 Signed Koch (lr) Graphite and white chalk on tan paper 19 x 22 1/4 inches

Provenance: Estate of the artist Galerie St. Etienne, New York, acquired in 1996

Provenance: John Koch Anya Dorfman Kraushaar Galleries Inc., New York Private collection, MA Kraushaar Galleries C The Patricia and Donald Oresman Collection $800-1,200

Exhibited: New York, The Galerie St. Etienne, The Viennese Line: Art and Design circa 1900, Nov. 19, 1996 -Jan. 4, 1997

227 John Koch American, 1909-1978 Interior with Figure Reading, 1956 Signed Koch, and dated 56 (lr), inscribed Interior (ll) Graphite and white chalk on brown paper 7 5/8 x 12 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600

228 John Koch American, 1909-1978 Dora Reading Inscribed as titled (lr) Graphite and wash on paper 12 5/8 x 9 1/2 inches Unframed Provenance: Kraushaar Gallery, New York C The Patricia and Donald Oresman Collection $500-700

Literature: Alice Strobl, Gustav Klimt: Die Zeichnungen, no, 1639 C The Patricia and Donald Oresman Collection $20,000-30,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37

233

231 229 John Koch American, 1909-1978 Study of Dora, Setauket Signed Koch (lc) and inscribed Lamps lit- / New picture / Dora + Bust + Fern (ur), inscribed as titled on the reverse Graphite on paper 10 3/4 x 14 inches Unframed Provenance: Kraushaar Galleries, New York C The Patricia and Donald Oresman Collection $300-500 230 John Franklin Koenig American, 1924-2008 Meeting, 1949 Signed J Koenig and dated 49 (lr) Oil on illustration board 21 3/4 x 30 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $400-600

236 231 Kathe Kollwitz German, 1867-1945 Der Lesende, 1917 Initialed K (ll) Charcoal on buff wove paper 18 1/2 x 16 1/8 inches Provenance: [Sale] Galerie Kornfeld Auktion, Jun. 21, 2001, Bern, Switzerland, lot no. 510 Galerie St. Etienne, New York C The Patricia and Donald Oresman Collection $25,000-35,000 See Illustration

233 Edith Kramer American, 1916-2014 86th St. Station, 1993-94 Signed Kramer and dated 1994 (lr), signed Edith Kramer, dated 93 and inscribed as titled on the reverse Oil on canvas 28 x 46 inches Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration

232 Richard Koppe American, 1916-1973 Untitled (Woman Reading), 1946 Signed Koppe and dated 46’ (ul), artist stamp on the reverse Gouache on paper 14 1/2 x 11 1/2 inches Unframed

234 Charles la Borde French, 20th Century Paris Cafe, 1937 Signed Chas. La Borde, dated Paris 37 (lr) Graphite and ink on paper 14 5/8 x 10 3/4 inches Unframed

Provenance: Robert Henry Adams Fine Art, Chicago C The Patricia and Donald Oresman Collection $800-1,200

Provenance: Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $200-400

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235 Jean-Emile Laboreur French, 1877-1943 Le Route dans le Foret Landes, 1934 Initialed JL, and inscribed Dans le landes (lr) Graphite and ink on paper Sheet size 6 7/8 x 8 1/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500 236 Henry Lamb British, 1883-1960 The Gramophone, 1923 Oil on board 13 x 16 inches Provenance: The artist J.L. Behrend By descent to George Behrend until 1973 Anthony d’Offay Gallery, London Davis and Langdale Company, Inc., New York Exhibited: Henry Lamb 1883-1960, 1984, Arts Council of Great Britain, London, no. 63 C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration

237

244

243 237 Henry Lamb British, 1883-1960 The Artistâ&#x20AC;&#x2122;s Children, Reading, circa 1958 Watercolor and graphite on paper 7 5/8 x 11 1/8 inches image Provenance: Estate of the Artist (until 2000) Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $500-700 See Illustration

239 Henry Lamb British, 1883-1960 Two Girls on a Sofa, circa 1936 Watercolor, crayon, and graphite on paper Image size 7 x 10 inches, sheet size 10 x 15 1/2 inches Provenance: Estate of the artist (until 2000) Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $700-900

238 Henry Lamb British, 1883-1960 Julia Strachey Reading, circa 1935 Graphite on paper 8 1/4 x 5 3/8 inches

240 Henry Lamb British, 1883-1960 The Artistâ&#x20AC;&#x2122;s Wife, Reading, 1933 Graphite on paper 10 x 14 inches

Provenance: Estate of the artist (until 2000) Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $200-400

Provenance: Estate of the artist (until 2000) Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $300-500

241 Edna Lawrence American, 1898-1987 Lunch Counter, Staten Island Ferry, circa 1935 Signed E. W. Lawrence (lr) Blue ink with wash on sketchbook paper 11 1/2 x 9 inches Unframed Provenance: Susan Teller Gallery, New York, purchased June, 1995 C The Patricia and Donald Oresman Collection $300-500 242 Edna Lawrence American, 1898-1987 Nude Beach, circa 1940 Graphite and conte crayon on paper 9 x 12 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400

243 Jacob Lawrence American, 1917-2000 Man with Book, circa 1945 Signed Jacob Lawrence (lr) Ink on sketchbook paper 12 x 18 inches Provenance: D.C. Moore Gallery, New York C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration 244 Doris Emrick Lee American, 1905-1983 The Storyteller, Woodstock Estate stamp (lr) Pastel and graphite on paper 9 x 7 inches Provenance: D. Wigmore Fine Art, Inc., New York C The Patricia and Donald Oresman Collection $700-900 See Illustration

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247 245 Louise Leech American, 1926-2011 Portrait of Kitty, 1972 Signed Leech (ur) Acrylic on paper 26 x 20 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 246 Louise Leech American, 1926-2011 Friends Free Library, Philadelphia, 1962 Signed L.G. Leech, dated 1962 and inscribed as titled on the reverse Watercolor and charcoal on sketchbook paper 8 1/2 x 11 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500

248

247 Michael Lenson American, 1903-1971 The Deaf Man Heard the Dumb Man Say That the Blind Man Saw the Lame Man Run, circa 1940s Signed M Lenson (ll) Oil on canvas 24 x 28 inches

248 David Levine American, 1926-2009 Vladimir Nabokov, 1972 Signed D. Levine and dated 72 (lr), inscribed Nabokov and stamped with artist’s stamp on the reverse Ink on paper 14 5/8 x 10 3/4 inches

Provenance: Estate of the Artist Janet Marqsee Fine Arts Ltd., New York

Provenance: Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $500-700 See Illustration

Exhibited: Michael Lenson, Real and Surreal: Paintings from the 30s, 40s & 50s, Mar. 1 - Apr. 9, 1994, Robeson Center Gallery, Rutgers University, Newark Traveled to: Hunterdon Art Center, Clinton, NJ, Apr. 24 - Jun. 26, 1994, Monmouth Museum, Lincrost, NJ, Jul. 1 - Aug. 28, 1994 C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

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249 David Levine American, 1926-2009 W.H. Auden, 1970 Signed D. Levine and dated 70 (lr), dated July 14, 1970, inscribed Auden and Look on the reverse Ink on paper 9 7/8 x 9 1/8 inches Provenance: Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $400-600

250 David Levine American, 1926-2009 The Subway, circa 1950 Signed Uncle Dave Levin (ll) Graphite on index card 5 x 3 inches Provenance: Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $200-400 251 Beatrice Levy American, 20th Century Woman Reading, circa 1940 Signed Beatrice R. Levy (ll) Watercolor on paper 18 x 12 inches Unframed Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $100-200

253 252 Martin Lewis American, 1881-1962 Untitled (Woman in Green Reading), circa 1940 Estate stamp Lucille Deming Lewis Collection on the reverse Colored pencil on sketchbook paper 10 x 7 inches Unframed Provenance: The Old Print Shop, New York C The Patricia and Donald Oresman Collection $700-900 253 Martin Lewis American, 1881-1962 Woman Reading a Newspaper, circa 1930 Signed M. Lewis (lr), stamped with estate stamp Lucile Deming Lewis Collection on the reverse Charcoal and ink on paper 12 x 11 inches Unframed Provenance: The Old Print Shop, New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

254 254 Samella Lewis American, b. 1924 Boy Reading, 1949 Signed Samella Lewis and dated 1949 (ll) Graphite on paper 13 1/4 x 9 5/8 inches Unframed Provenance: Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $800-1,200 See Illustration 255 Saul Lishinsky American, 1920-2012 Reclining Woman Reading, circa 1950 Signed Lishinsky (lr) Graphite on paper 20 x 24 1/2 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500

256 Saul Lishinsky American, 1922-2012 Studies for Reclining Women Reading, circa 1950 Graphite on paper 11 x 8 1/2 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $100-200 See Illustration 257 Saul Lishinsky American, 1922-2012 Reader on a Train, circa 1930 Graphite, ink and wash on illustration board 11 x 7 1/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $100-200

256 258 Saul Lishinsky American, 1922-2012 Street Corner, circa 1950 Graphite on paper 5 1/2 x 5 3/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $100-200 259 Charles Wheeler Locke American, 1899-1983 Cafe Scene, circa 1930 Ink on paper 11 1/4 x 14 7/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400 260 Charles Wheeler Locke American, 1899-1983 Coffee Shop, circa 1925 Crayon with graphite and wash on illustration board 10 x 15 inches Provenance: Hirschl and Adler Galleries, Inc., New York C The Patricia and Donald Oresman Collection $400-600

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263

262 264 261 Charles Wheeler Locke American, 1899-1983 Men Reading in a Park, circa 1940 Ink on illustration board Sheet size 15 x 11 inches Unframed

263 Louis Lozowick American, 1892-1973 Books on Belt, circa 1930 Signed Louis Lozowick (lr) Ink on paper Sheet size 11 1/2 x 7 inches

265 Helen Ludwig American, 1911-2009 Liston Oak, circa 1930 Signed H Ludwig (lr) Oil on canvas 26 x 20 inches

Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $300-500

Provenance: Sid Deutsch Gallery, New York Mary Ryan Gallery, New York C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration

Provenance: Estate of the artist George Krevsky Gallery, San Francisco C The Patricia and Donald Oresman Collection $400-600

264 Molly Luce American, 1896-1986 Reading from Robert Frost, circa 1925 Oil on canvas 16 x 20 inches

266 George Luks American, 1867-1933 Woman With Book Inscribed This drawing is an original/work by George Luks. It was/obtained directly from George Luks/by Mr. Peter Fries who was a/fellow artist and friend of Luks/and, for a time, his landlord./Robert Chapellier on the backing paper Black crayon on paper 10 1/4 x 7 3/4 inches

262 Whitfield Lovell American, b. 1959 Salvation, 2001 Signed Whitfield Lovell, dated 2001 and inscribed as titled on the reverse Charcoal and found objects on wood 37 5/8 x 27 1/2 x 7 1/2 inches Provenance: DC Moore Gallery, New York C The Patricia and Donald Oresman Collection $6,000-9,000 See Illustration

Provenance: Childs Gallery, Boston C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

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Provenance: Chapellier Gallery, New York ACA Galleries, New York C The Patricia and Donald Oresman Collection $300-500

267 George Luks American, 1867-1933 Study of Men Reading, circa 1910 Crayon on paper 10 1/4 x 7 inches Provenance: Midtown Galleries, New York Kraushaar Galleries, Inc., New York Exhibited: George Luks: An American Artist, May 3 - Jun. 14, 1987, Sordoni Art Gallery, Wilkes College, Wilkes-Barre, PA, no. 59 American Drawings 1910 - 1960, Jul. 8 - Sep. 2, 1990, Minnesota Museum of Art, Saint Paul C The Patricia and Donald Oresman Collection $200-300

270

271

268 George Luks American, 1867-1933 Hard Times, 1925 Inscribed A Geo/Luks/per Will Luks/ Executor (lc), inscribed indistinctly (ll) Charcoal on brown paper 17 1/4 x 11 3/8 inches

270 Reginald Marsh American, 1898-1954 Man Reading a Paper, 1938 Signed Reginald Marsh and dated 1938 (lr) Watercolor on paper 19 3/4 x 13 5/8 inches

Provenance: [Sale] Sothebyâ&#x20AC;&#x2122;s New York, March 30, 1999 C The Patricia and Donald Oresman Collection $150-250

Provenance: Estate of the artist Rehn Gallery, New York Herbert A. Goldstone, New York Kraushaar Gallery, Inc., New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

269 Albert Marquet French, 1875-1947 Cafe, circa 1900-1905 Initialed a.m. (lr) Graphite on paper 3 3/4 x 5 1/4 inches Provenance: Wolseley Fine Arts, London A certificate for this work was issued by the Wildenstein Institute, ref. no. 93.10.25/1785/436. C The Patricia and Donald Oresman Collection $500-700

271 Reginald Marsh American, 1898-1954 Subway Train, Three People (Study for the Etching), 1934 Ink and graphite on paper Sheet size 14 x 10 inches Provenance: Midtown Payson Gallery, New York Exhibited: American Drawings 1910-1960, Jul. 8 - Sep. 2, 1990, Minnesota Museum of Art, St. Paul, MN C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 272 Jan Matulka American, 1890-1972 Five Women and a Baby in a Formal Group, circa 1930 Estate stamp on the reverse Graphite and black crayon on paper 27 1/2 x 21 7/8 inches Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500

273 Frank Mauro American, 20th Century Subway Robotics, 1955 Signed Frank R. Mauro (lr) Graphite on illustration board 15 x 11 1/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $100-200 274 Dan McCleary American, b. 1952 Oscar Echevarria, 1994 Signed Dan McCleary and dated 12-94 (lr) Graphite, watercolor and gouache on paper 21 3/4 x 15 1/2 inches Provenance: Tatistcheff & Co., New York C The Patricia and Donald Oresman Collection $400-600

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275

275 Dan McCleary American, b. 1952 Susan Streitfield, Reading, 1983 Initialed DM and dated 83 (lr) Graphite on paper 14 x 11 inches Provenance: Tatistcheff Gallery, New York C The Patricia and Donald Oresman Collection $300-500 See Illustration 276 Malcolm Morley British, b. 1931 Man Reading Newspaper, 1972 Signed Malcolm Morley and dated 72 (ll) Graphite on paper 11 5/8 x 7 3/4 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500

277

277 Louise Nevelson American, 1899-1988 Female Nude, 1932 Signed Nevelson (cr) Ink on paper 11 x 6 inches Provenance: The Estate of Louise Nevelson, cat no. 60184 LNev318 G.W. Einstein Company, Inc., New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration 278 James Michael Newell American, 1900-1985 Audience Signed Michael (lr) Ink on paper 10 5/8 x 14 1/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $100-200

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281

279 Dale Nichols American, 1904-1995 The Tree of Knowledge, Science, circa 1940 Initialed dn (ll) Ink and china white on paper Sheet size 14 1/2 x 11 1/2 inches

281 Tom Otterness American, b. 1952 (Untitled) Tree of Knowledge, 1997 Signed Tom Otterness and dated 1997 (lr) Marker and graphite on paper 29 x 18 3/4 inches

Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400

Provenance: Marlborough Gallery, New York C The Patricia and Donald Oresman Collection $2,000-4,000 See Illustration

280 Clifford Odets American, 1906-1963 The Letter, 1946 Initialed CO, dated 10/46 and inscribed as titled (ll) Watercolor, ink and type on paper 8 1/2 x 11 inches Provenance: Michael Rosenfeld Gallery, New York C The Patricia and Donald Oresman Collection $400-600

282 Bereneice Penner American, 20th Century Passengers, 1935 Signed Bereneice Penner, inscribed indistinctly and dated Feb. 1935 (cl) Oil on panel 24 x 18 inches Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $400-600

283

287

289 283 Robert Philipp American, 1895-1981 Russian Tea Room, 1972 Signed Philipp (lr), signed Philipp and dated 1972 on the reverse Oil on canvas 12 x 16 inches

285 Edmund Quincy American, 1903-1997 Man Reading at Desk Estate stamp on the reverse Charcoal and pastel on gray wove paper 12 1/4 x 9 1/2 inches Unframed

Provenance: Swann Auctions, New York, Jun. 9, 2005, lot no. 158 Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500

284 Fairfield Porter American, 1907-1975 Untitled, circa 1960 Signed Farifeld Porter (lr) Ink on paper 18 x 23 3/4 inches Provenance: Richard Gray Gallery, Chicago G.W. Einstein Company, Inc., New York C The Patricia and Donald Oresman Collection $800-1,200

286 Edmund Quincy American, 1903-1997 Man Reading with a Lens, circa 1940 Estate stamp on the reverse Graphite on paper 11 x 8 5/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $100-200

287 Josef Karl Radler Austrian, 1844-1917 Future Generations! Look Upon Well-Bred, Excellent Mr. Mathias Weichselberger, Formerly Wine Producer in Grosenzersdorf, Witty, Happy, Talkative...at Other Times He Reads the Catechism (Man Reading ABC Book, Four Men in Background) a double sided work, 1910 Signed JK Radler (lc), dated 1910 (cr) Watercolor and gouache on paper 11 7/8 x 8 5/8 inches Provenance: The Galerie St. Etienne, New York C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration

288 Philip Reisman American, 1904-1992 IBM Atrium Reader Initialed P.R. (lr) Ink on paper 11 1/2 x 8 7/8 inches Unframed Provenance: Gift of Catherine Ryan C The Patricia and Donald Oresman Collection $200-400 289 Winfred Rembert American, b. 1945 Class of â&#x20AC;&#x2DC;59, 1999 Signed Winfred Rembert (lc), signed Winfred Rembert and dated 1999 on the backing Tooled and painted leather 22 1/2 x 32 1/2 inches Provenance: M. Lee Stone Fine Prints, San Jose C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

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294 290 Charles Robinson American, 20th Century The Office, 1939 Signed Charles O Robinson and dated 1939 (lr) Pastel on paper 16 1/4 x 11 1/2 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $600-800 291 Jane Rogers American, b. 1896 Breakfast, 1927 Signed Jane Rogers and dated 1927 (lr) Oil on canvas 20 x 24 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $500-700 292 Barbara Sandler American, b. 1943 Sleepless Night, 2006 Signed Barbara Sandler and inscribed as titled on the reverse Oil on paper 18 1/8 x 15 3/8 inches sight Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $400-600

295 293 Charles Sarka American, 1879-1960 Man Reading Graphite on paper 8 1/4 x 5 5/8 inches Provenance: Davis & Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $100-200 294 Charles Nicholas Sarka American, 1879-1960 Man Reading, Paris Graphite on paper 8 1/2 x 5 5/8 inches Provenance: Davis & Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $100-200 See Illustration 295 David Saunders British, b. 1936 Figues, 1997-98 Signed Saunders (lr) Watercolor and paper collage on wove paper 20 x 15 inches Provenance: Charles Cowles Gallery, New York Fischbach Gallery, New York C The Patricia and Donald Oresman Collection $200-400 See Illustration

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299 296 Charles Saxon American, 1920-1988 Deck Chairs Signed Saxon (lr) Conte and marker on paper mounted on board 14 x 16 5/8 inches Provenance: Davis and Langdale company, Inc., New York C The Patricia and Donald Oresman Collection $600-800 297 Louis Schanker American, 1903-1981 Seated Woman, circa 1930 Signed Schanker (lr) Watercolor on paper 17 3/4 x 21 3/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $400-600

298 Jacques Schnier Romanian/American, 1898-1988 Siblings, 1929 Signed Jacques Schnier and dated 1929 (ll) Graphite on tracing paper Image size 10 7/8 x 6 1/2 inches, sheet size 14 7/8 x 12 3/8 inches Provenance: Estate of the artist Conner Rosenkranz, New York C The Patricia and Donald Oresman Collection $100-200 299 Ben Shahn American, 1898-1969 Man with Newspaper (Study for Judge and Jury), circa 1940 Signed Ben Shahn (lr) Gouache on paper 10 x 8 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration

305 300 Bernarda Bryson Shahn American, 1903-2003 Franklin Delano Roosevelt, Sketch for Bronx Mural, 1938 Signed Bernarda Bryson and inscribed Part of sketch for Bronx mural/Larger detail in Wichtia Museum/other small pieces somewhere/Bronx Post-Office/2 images used by others/by Ben (lr) Gouache and graphite on illustration board Image size 5 1/8 x 8 1/8 inches, sheet size 14 1/4 x 13 3/4 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 301 William Sharp American, 1900-1961 10 a.m. (Subway Riders), 1940 Artist’s stamp on the reverse Ink and charcoal on illustration board 20 x 15 inches Unframed Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $300-500

306

302 William Sharp American, 1900-1961 The Cafeteria, 1945 Estate stamp on the reverse Watercolor and graphite on paper 20 x 27 1/4 inches Unframed Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $300-500 303 William Sharp American, 1900-1961 Man Reading Newspaper, 1941 Dated May 27 1941 (ll) Graphite on sketchbook paper 14 x 11 inches Unframed Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $200-400 304 William Sharp American, 1900-1961 To Let, 1935 Signed Sharp and dated 35 (lr) Charcoal, graphite and ink on paper 13 x 11 3/8 inches Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $200-400

305 George Shellhase American, 1895-1988 Norwalk Symphony in Rehearsal, 1940 Signed Shellhase (lr), signed George Shellhase, dated May 23, 1940, inscribed Conn. W.P.A. Art Project and as titled on the reverse Watercolor and tempera on paper 18 1/2 x 22 1/2 inches Provenance: [Sale] Jun. 5, 2003, Swann Auction, New York, lot 214 Susan Teller Gallery, New York This work depicts a woman playing the theremin, assumed to be Juliet Shaw, a pioneer of contemporary music who was a member of the Hartford Music Club and the Schubert Club of Fairfield County. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration 306 Everett Shinn American, 1876-1953 Drawings of Paula Shinn, 1935 Pastel and charcoal on blue paper 14 3/4 x 18 1/2 inches

307 Clyde J. Singer American, 1908-1999 Sad News, 1950 Signed Singer and dated ‘50 (ll) Oil on canvas 20 x 24 inches Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $1,200-1,800 308 Clyde J Singer American, 1908-1999 Singer Family, 1931 Signed Singer and dated 1931 (lr), inscribed Malvern/Clara/Mom/ Mary on the reverse Watercolor on paper 15 1/4 x 19 3/8 inches Unframed Provenance: Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $300-500

Provenance: [Sale] Christie’s East, New York, American Paintings, Drawings and Sculpture, Dec. 3, 1996, lot no. 144 C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

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313

309 Mitchell Siporin American, 1910-1976 Conversation, Max Weber and Rousseau, circa 1957 Watercolor on paper 21 x 29 inches Unframed Provenance: [Sale] Wright, Chicago, The American Scene: Art of the 1930s and 1940s, May 15, 2001, lot no. 420 C The Patricia and Donald Oresman Collection $800-1,200 310 Mitchell Siporin American 1910-1976 North Africa, 1943 Signed Mitchell Siporin, dated 1943 and inscribed as titled (lr) Ink on paper 18 1/4 x 12 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $800-1,200

314

311 Peter Sis Czech, b. 1949 The Encyclopedia of New York City, 2003 Inscribed The Encyclopedia of New York City K. T. Jackson (c) Ink on paper Sheet size 17 x 15 inches Unframed Provenance: Mary Ryan Gallery, New York C The Patricia and Donald Oresman Collection $200-400 312 Helen Farr Sloan American 1911-2005 Self Portrait Reading, circa 1950 Signed Helen Farr on the reverse Oil on board 20 x 16 inches Provenance: Childs Gallery, Boston C The Patricia and Donald Oresman Collection $800-1,200

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313 John Sloan American, 1871-1951 Dolly Reading Newspaper, 1931 Signed John Sloan and dated 31 (lr) Pastel on paper 14 x 9 3/8 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 314 John Sloan American, 1871-1951 Damaged Mail, 1913 Initialed JFS (lr) Black crayon on paper 11 x 17 5/8 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $2,000-4,000 See Illustration

315 G. Ralph Smith American, 20th Century Bus Riders, circa 1940 Initialed G.R.S. on the reverse Charcoal on paper 21 1/4 x 18 1/2 inches C The Patricia and Donald Oresman Collection $100-150 316 William E. Smith American, 1913-1997 On Board a Ship (in the Pacific), 1945 Signed Wm. E. Smith, dated “45” and inscribed T/5 (ll) Watercolor on brown paper 10 3/4 x 8 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $500-700

319

317

324 317 Joseph Solman American, 1909-2008 Subway, 1977 Signed J. Solman and dated â&#x20AC;&#x2DC;77 (lr) Gouache and graphite on newsprint laid to card 13 1/4 x 10 1/2 inches Provenance: Summit Gallery, New York C The Patricia and Donald Oresman Collection $600-800 See Illustration

319 Lauretta Sondag American, 1900-1930 Lunch Break, Westside, New York, circa 1925 Signed Sondag (lr) Ink and watercolor on paper 14 7/8 x 19 3/8 inches Unframed

321 Moses Soyer American, 1899-1974 Model in the Studio, circa 1930 Signed M Soyer (lc) Graphite and brown crayon on paper 18 x 12 inches Unframed

323 Raphael Soyer American, 1899-1987 Girl Reading, circa 1955 Signed Raphael Soyer (lr) Conte crayon and watercolor on paper 13 3/8 x 16 3/4 inches Unframed

Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $500-700 See Illustration

Provenance: Estate of Joseph Freidlander (master printmaker) M. Lee Stone Fine Prints, San Jose C The Patricia and Donald Oresman Collection $300-500

Provenance: Forum Gallery, New York C The Patricia and Donald Oresman Collection $400-600

318 Joseph Solman American, 1909-2008 Untitled Signed J. Solman and numbered GR7-6962 (uc) Graphite on brown paper 11 1/2 x 9 1/2 inches Unframed

320 Edward Sorel American, b. 1929 Bertrand Russell and Ludwig Wittgenstein Signed Edward Sorel (ul) Ink and watercolor on paper 13 1/4 x 17 7/8 inches

Provenance: Thomas G. Boss Fine Books, Boston C The Patricia and Donald Oresman Collection $300-500

Provenance: Davis and Langdale Company, New York C The Patricia and Donald Oresman Collection $1,000-2,000

322 Raphael Soyer American, 1899-1987 Sketches, circa 1915 Initialed R S (lr) Graphite and ink on paper 8 3/4 x 5 1/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $200-400

324 Ethel Spears American, 1903-1974 LaSalle Depot, circa 1930 Signed Ethel Spears (lr) Ink and watercolor on paper 11 3/4 x 14 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

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327

331

332

325 Eugene Speicher American, 1883-1962 Man Reading Signed Eugene Speicher (lr) Graphite on paper 15 1/2 x 12 1/2 inches Provenance: ACA Galleries, New York C The Patricia and Donald Oresman Collection $200-400 326 Carl Sprinchorn American, 1887-1971 Figures in a Garden, 1910 Signed Carl Sprinchorn and dated Paris-1910 (ll) Ink on paper 11 x 12 inches Unframed Provenance: [Sale] Swann, New York, May 17, 2001 Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400

327 Maud Hunt Squire American, 1873-1954 Untitled, 1929 Signed M. Squire and inscribed Nice (lr) Watercolor and graphite on paper Image size 13 x 16 1/4 inches, sheet size 19 x 24 1/4 inches

329 Mark Alan Stamaty American, b. 1947 Classroom, 1993 Signed Mark Alan Stamaty and dated 1993 (lr) Ink on paper 9 x 12 inches Unframed

Provenance: Mary Ryan Gallery, New York C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

Provenance: Julie Saul Gallery, New York C The Patricia and Donald Oresman Collection $300-500

328 Mark Alan Stamaty American, b. 1947 Summer Reading, 2000 Signed Mark Alan Stamaty (ll) Ink on paper 15 x 12 inches Unframed

330 Mark Alan Stamaty American, b. 1947 Spring Books, 1980 Signed Mark Alan Stamaty and dated 1980 (lr) Ink and watercolor on paper 14 x 10 1/2 inches Unframed

Provenance: Julie Saul Gallery, New York C The Patricia and Donald Oresman Collection $300-500

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331 Saul Steinberg American, 1919-1999 Reader in a Tree Ink on paper 10 3/4 x 8 1/8 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $1,200-1,800 See Illustration 332 Joseph Stella American, 1877-1946 Figures on a Park Bench Estate stamp on the reverse Graphite on paper 5 3/4 x 9 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $400-600 See Illustration

333

333 Harry Sternberg American, 1904-2001 Mervin Jules, 1944 Signed H. Sternberg (lr), inscribed as titled (ll) Watercolor over screenprint on illustration board 16 x 22 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $600-800 See Illustration 334 Harry Sternberg American, 1904-2001 Murder! circa 1940 Signed Sternberg (ll) Graphite on paper 7 1/4 x 4 3/4 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500

336

335 Harry Sternberg American, 1904-2001 Seated Man with Hat and Coat, circa 1940 Signed Sternberg (lr) Graphite on paper 8 x 5 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 336 Harry Sternberg American, 1904-2001 Man Reading on the Subway, circa 1945 Signed Sternberg (lr), inscribed as titled on the reverse Lithographerâ&#x20AC;&#x2122;s crayon on paper 10 3/4 x 7 1/2 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 See Illustration

337 Harry Sternberg American, 1904-2001 Man with Derby, circa 1945 Signed Sternberg (lr) Graphite on paper 8 x 5 inches Unframed

339 Harry Sternberg American, 1904-2001 Man with Hat, Reading, circa 1945 Signed Sternberg (ll) Graphite on paper 8 x 5 inches Unframed

Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500

338 Harry Sternberg American, 1904-2001 Man with Glasses, Reading, circa 1940 Signed Sternberg (lr) Graphite on paper 8 x 5 inches Unframed

340 Harry Sternberg American, 1904-2001 Five Studies (Man with Head on Hand), 1930 Signed Sternberg (lr), inscribed HHH 5 sketches, one a woman reading on the reverse Ink on paper 11 x 7 3/4 inches Unframed

Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500

Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400

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343

344 346 341 Harry Sternberg American, 1904-2001 Man on Beach, Reading, circa 1940 Signed Sternberg (lr) Graphite on paper 8 1/4 x 5 3/8 inches Unframed Provenance: Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $200-400 342 James Stevenson American, 1929-2017 How Come You’re Never on Anybody’s Short List?, 1988 Signed Stevenson (lr) and inscribed as titled (lc) Felt tip marker and wash on paper 14 x 16 1/2 inches Provenance: Davis and Langdale Company, Inc., New York C The Patricia and Donald Oresman Collection $600-800

343 Pavel Tchelitchew Russian/American, 1898-1957 Model Reading, circa 1925 Signed P. Tchelitchew (lr) Pastel on card 8 1/2 x 11 1/2 inches

345 Sam Thal American, 1903-1964 Street - Narrow View, circa 1950 Signed Sam Thal (lr) Oil on Masonite 18 1/4 x 34 1/2 inches

Provenance: Mr. and Mrs. Max Wilk, Ridgefield, CT Rex Evans Gallery, Los Angeles Elrick-Manley Fine Art, Inc., New York C The Patricia and Donald Oresman Collection $2,000-4,000 See Illustration

Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $1,500-2,500

344 Pavel Tchelitchew Russian/American, 1898-1957 Mrs. George Maratier Reading, 1927 Signed P. Tchelitchew (lr) Watercolor on paper 14 1/4 x 9 3/4 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

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346 George Tooker American, 1920-2011 Woman Reading, 2001 Graphite on paper 20 1/2 x 27 1/2 inches Provenance: DC Moore Gallery, New York Exhibited: Annual Exhibition, National Academy of Design, New York C The Patricia and Donald Oresman Collection $5,000-7,000 See Illustration

347 Alfred Tyler American, 1933-2011 47th Street El Stop, Rush Hour, 1951 Signed Alfred Tyler and dated 1951 (lr) Watercolor on paper 18 1/4 x 24 1/4 inches sight Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $300-500 348 Alfred Tyler American, 1933-2011 Entering the School of the Art Institue, circa 1955 Signed Al Tyler (lr) Tempera on board 18 x 15 inches Unframed Provenance: Paramour Fine Arts, Franklin, Michigan C The Patricia and Donald Oresman Collection $600-800

353

355 354

349 Louis Valtat French, 1869-1952 Femme Lisante, 1922 Initialed LV (lr) Graphite on paper 6 1/2 x 7 inches Provenance: Galerie J. Le Chapelin, Paris Private collection, Florida Shary Grossman Fine Art, New York Gallery label notes that Dr. Jean Valtat produced a certificate for this work on Feb. 15, 1977. C The Patricia and Donald Oresman Collection $600-800

350 Tabitha Vevers American, 20th Century Flying Dream (Ellen K.), 2000 Signed Tabitha Vevers and dated 00 (ul), signed Tabithia Vevers, dated 2000 and inscribed as titled on the reverse Oil on steel 12 x 12 inches Provenance: Kraushaar Galleries, Inc., New York C The Patricia and Donald Oresman Collection $800-1,200 351 Jacques Villon French, 1875-1963 Five Figures Reading, 1961 Signed Jacques Villon and dated 61 (lr) Ink on paper tipped to printed sheet 15 x 20 1/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $800-1,200

352 Jacques Villon French, 1875-1963 La Lecteur, 1900 Signed Jacques Villon and dated 00 (ur) Charcoal and graphite on paper 7 7/8 x 4 5/8 inches Provenance: Shary Grossman Fine Arts, New York C The Patricia and Donald Oresman Collection $600-800 353 Edouard Vuillard French, 1868-1940 Femme Lisant, circa 1920 Studio stamp (lr) Graphite on brown paper 5 1/4 x 8 1/4 inches Provenance: Galerie Vallotton, Lausanne Wolseley Fine Arts, London C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

354 Edouard Vuillard French, 1868-1940 Personnage Lisant, 1914 Estate stamp (lr) Graphite on paper 4 1/4 x 5 inches Provenance: Jill Newhouse, New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration 355 Andy Warhol American, 1928-1987 Man Reading, 1950-51 Ink on acetate with watercolor on support 12 3/4 x 9 3/8 inches Provenance: J.J. Brookings Gallery, San Francisco Andy Warhol Art Authentication Board no. A126.981 C The Patricia and Donald Oresman Collection $6,000-9,000 See Illustration

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356 part

356 Masood Wilbert Warren American, 1907-1995 Daily Sketches II (Group of Twelve Works), circa 1935 Various mediums, including graphite and conte crayon, on paper Largest 12 x 8 1/4 inches Unframed Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $1,800-2,200 See Illustration of Part

358

357 Massood Wilbert Warren American, 1907-1995 Daily Sketches I, (group of six works) circa 1935 Each graphite on paper Each 6 3/4 x 4 1/2 inches Unframed Provenance: George Baker, purchased May, 2003 C The Patricia and Donald Oresman Collection $800-1,200 358 John Wilson American, 1922-2015 Julie Reading, 1969 Signed Wilson and dated 1969 (lc) Pastel on paper 18 x 24 inches Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $2,500-3,500 See Illustration

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359 John Wilson American, 1922-2015 Interrogation (Study for Lithograph), 1944 Signed Wilson and dated 1944 (lr) Watercolor, ink, and crayon on paper 10 1/2 x 7 inches Unframed Provenance: Sragow Gallery, New York C The Patricia and Donald Oresman Collection $1,000-1,500

360 Santos Zingale American, 1908-1999 News Stand, circa 1940 Signed Santos Zingale and inscribed as titled on the reverse Oil on Masonite 28 x 36 1/2 inches Provenance: Janet Marqusee Fine Arts, Ltd., New York C The Patricia and Donald Oresman Collection $1,200-1,800 361 Martin Jack Zipin American, 20th Century Senate Investigation, circa 1948 Signed Zipin (lr) Oil on canvas 22 x 28 inches Provenance: Paramour Fine Arts, Franklin, MI C The Patricia and Donald Oresman Collection $600-800

362

362 William Zorach American, 1887-1966 Salvation Army Band at Jefferson Market, 1912 Signed William Zorach and dated 1912 (ll) Graphite and watercolor on paper 9 3/4 x 8 inches Provenance: Kraushaar Galleries, New York C The Patricia and Donald Oresman Collection $1,000-1,200 See Illustration 363 20th Century School See America First, 1929 Signed Willard and dated 1929 (lr) Watercolor and gouache on illustration board 17 x 13 inches Unframed

365

364 American School, 20th Century Morning Departure, 1946 Signed Adriance and dated ‘46 (lr) Oil on canvas 30 x 24 inches Provenance: George Baker, New York C The Patricia and Donald Oresman Collection $600-800

365 Janet Fish American, b. 1938 Emily Reading, 1983 Signed Janet Fish and dated 1983 (lr) Pastel on paper 38 x 27 1/2 inches Provenance: DC Moore Gallery, New York, Exhibited: Janet Fish: Recent Paintings and Pastels 1980-85, 1986, Smith College Museum of Art, Northhampton, MA C The Patricia and Donald Oresman Collection $4,000-6,000 See Illustration

366 Ben Shahn American, 1898-1969 Sketches and Artist’s Chop, circa 1960 Signed Ben Shan (lc) Graphite and artist’s chop on wove paper 13 x 10 inches Unframed Provenance: Susan Teller Gallery, New York

Provenance: James Cummins, Boston C The Patricia and Donald Oresman Collection $200-400

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Prints 367 Carlos Anderson (1905-1978) CURTAIN TIME; NEW SCHOOL LIBRARY Lithographs, 1935-1943, on wove paper, signed and titled in pencil, published by the Federal Art Project, WPA, New York and the first with their inkstamp, with full margins, unframed. (2) Largest 12 3/8 x 17 3/4 inches; 311 x 451 mm. Sheet 15 7/8 x 22 inches; 403 x 559 mm. C The Patricia and Donald Oresman Collection $600-800

368 Frank Hartley Anderson (1890-1947) PRAYER MEETING Wood engraving, circa 1939, on laid Japan paper, signed, titled, inscribed 2nd State and dedicated in pencil, with full margins, unframed. 8 3/4 x 10 3/8 inches; 222 x 264 mm. Sheet 12 1/2 x 14 7/8 inches; 318 x 378 mm. C The Patricia and Donald Oresman Collection $400-600

369 Stanley Anderson (1884-1966) THE READING ROOM Engraving, 1930, on laid paper, signed, titled and inscribed Edition 83 proofs in pencil, with good margins, framed. 6 5/8 x 8 5/8 inches; 168 x 219 mm. Sheet 11 x 12 inches; 279 x 305 mm. C The Patricia and Donald Oresman Collection $400-600 370 Robert Sargent Austin (1895-1973) THE LETTER Engraving, 1938, on laid paper, signed and dated in pencil, the fifth state of five, from the edition of 150, for the Print Collector’s Club, with full margins, unframed. 5 3/8 x 4 inches; 137 x 102 mm. Sheet 10 1/2 x 8 1/2 inches; 267 x 216 mm. C The Patricia and Donald Oresman Collection $200-400 371 Milton Avery (1885-1965) MY WIFE SALLY (LUNN 5) Drypoint, 1934, on wove paper, signed, dated and numbered 94/100 in pencil, with full margins, unframed. 5 5/8 x 8 3/8 inches; 143 x 213 mm. Sheet 13 x 14 7/8 inches; 330 x 378 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

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372 Peggy Bacon (1895-1987) THE LUNCH ROOM (LUNCH AT THE LEAGUE) (FLINT 8) Drypoint, 1918, on wove paper, signed and titled in pencil, with full margins, unframed. 6 x 7 7/8 inches; 152 x 200 mm. Sheet 8 1/4 x 10 5/8 inches; 210 x 270 mm. C The Patricia and Donald Oresman Collection $400-600 See Illustration 373 Peggy Bacon THE PROMENADE DECK (F. 47) Drypoint, 1920, on wove paper, signed and titled in pencil, from the edition of approximately 500, published by The New Republic, New York, with full margins, framed. 6 x 8 3/8 inches; 152 x 213 mm. Sheet 11 x 13 5/8 inches; 279 x 346 mm. C The Patricia and Donald Oresman Collection $500-700

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374 Peggy Bacon THE TITAN (CROSSPATCH); MAYOR LA GUARDIA (F. 87; 122) Lithographs, 1929 and 1934, respectively, on wove paper, signed, the first dated and inscribed Misanthrope, the second titled, in pencil, with good or full margins, unframed. (2) 14 3/4 x 13 inches; 375 x 330 mm. Sheet 19 1/4 x 15 3/4 inches; 489 x 400 mm. C The Patricia and Donald Oresman Collection $600-800

375 Peggy Bacon HAPPY HOLIDAY (F. 91) Etching and drypoint, 1930, on wove paper, signed, dated, titled and dedicated and with a sketch of a woman in pencil, with full margins, unframed. 11 7/8 x 16 3/4 inches; 302 x 425 mm. Sheet 14 7/8 x 19 3/8 inches; 378 x 492 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 376 Peggy Bacon QUEER BREEDS (F. 104) Lithograph, 1931, on wove paper, signed, dated, titled and located Munich in pencil, with full margins, unframed. 10 x 8 inches; 254 x 203 mm. Sheet 15 3/4 x 11 3/4 inches; 400 x 298 mm. C The Patricia and Donald Oresman Collection $300-500 377 Peggy Bacon HARD OF HEARING (F. 115) Drypoint, 1933, on wove paper, signed, dated and titled in pencil, with good margins, unframed. 7 3/8 x 10 7/8 inches; 187 x 276 mm. Sheet 10 5/8 x 16 3/8 inches; 270 x 416 mm. C The Patricia and Donald Oresman Collection $800-1,200

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378 Peggy Bacon PLEADING FOR THE OPPRESSED (F. 129) Drypoint, circa 1936, on wove paper, titled and dedicated in pencil, with full margins, unframed. 7 x 15 7/8 inches; 178 x 403 mm. Sheet 12 3/8 x 20 3/8 inches; 314 x 518 mm. C The Patricia and Donald Oresman Collection $700-1,000 379 Ernst Barlach (1870-1938) SCHREIBENDER PROPHET (JOHANNES AUF PATMOS) (SCHULT 159) Woodcut, 1919, on wove paper, signed and numbered 2 in pencil, from the edition of 100, with margins, unframed. 10 5/8 x 13 7/8 inches; 270 x 352 mm. Sheet 12 1/8 x 16 3/4 inches; 308 x 425 mm. C The Patricia and Donald Oresman Collection $600-800 380 Will Barnet (1911-2012) BUTCHER’S SON (SZOKE 64) Woodcut, 1939, on thin wood veneer, signed and titled in pencil, from the edition of 20, with full margins framed. 13 1/2 x 15 inches; 343 x 381 mm. Sheet 18 1/2 x 22 5/8 inches; 468 x 573 mm. C The Patricia and Donald Oresman Collection $1,500-2,000 See Illustration

380 381 Will Barnet CHILD READING-RED (S. 140) Color screenprint, 1970, on Arches paper, signed, titled and inscribed artist’s proof in pencil (aside from the numbered edition of 100), printed by Printer Fine Creations, Inc., New York, published by The New Jersey Haddasah, Westfield, New Jersey, with full margins, framed. 19 3/8 x 10 1/2 inches; 492 x 267 mm. C The Patricia and Donald Oresman Collection $300-400

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382 George Bellows (1882-1925) ELSIE READING TO EMMA, NO. 2 (MASON 105) Lithograph, 1921, on wove paper, signed, also signed and inscribed imp by the printer, Bolton Brown, in pencil, from the edition of 24, with full margins, unframed. 9 3/4 x 8 3/8 inches; 248 x 213 mm. Sheet 14 x 11 3/4 inches; 356 x 298 mm. C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

383 George Bellows THE APPEAL TO THE PEOPLE (M. 167) Lithograph, 1923-1924, on wove paper, signed, also signed and inscribed imp and Printer’s Copy by the printer, Bolton Brown, in pencil, from the edition of 55, with full margins, unframed. 14 x 18 1/8 inches; 357 x 460 mm. Sheet 16 1/2 x 21 3/8 inches; 419 x 543 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

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384 George Bellows SIXTEEN EAST GAY STREET (M. 183) Lithograph, 1924, on wove paper, signed and titled, also signed and inscribed imp by the printer, Bolton Brown, in pencil, from the edition of 72, with full margins, framed. 9 1/2 x 11 3/4 inches; 241 x 298 mm. Sheet 11 1/4 x 13 1/2 inches; 286 x 343 mm. C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration

385 Frank Weston Benson (1862-1951) PORTRAIT OF AUGUSTUS HEMENWAY (PAFF 157) Etching, 1919, on wove paper, signed and numbered 12 in pencil, from the edition of approximately 13, with full margins, unframed. 8 7/8 x 6 7/8 inches; 225 x 175 mm. Sheet 14 3/8 x 11 1/8 inches; 365 x 283 mm. C The Patricia and Donald Oresman Collection $300-500

386 Thomas Hart Benton (1889-1975) OLD MAN READING (FATH 44) Lithograph, 1941, on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, unframed. 10 x 12 1/8 inches; 254 x 308 mm. Sheet 11 3/4 x 14 1/8 inches; 298 x 359 mm. C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration Previous Page 387 Julius Bloch (1888-1966) DOCTOR’S WAITING ROOM; OPERA BOX; PARLOR CAR Lithographs, circa 1930 and circa 1940 (2), respectively, on wove paper, signed, the first and third titled and numbered 35/50 and 2/36, the first and second dedicated in pencil, with good or full margins, unframed. (3) Largest 10 x 13 1/4 inches; 254 x 337 mm. Largest sheet 13 3/4 x 18 3/4 inches; 349 x 476 mm. C The Patricia and Donald Oresman Collection $400-600 388 Pierre Bonnard (1867-1947) LA LOGE (BOUVET 53) Color lithograph, 1898, on Chine volant, an artist’s proof (aside from the edition of 200), from La Lithographie en Couleurs, published by L’Estampe Originale, Paris, with full margins, unframed. Sheet 13 3/4 x 10 1/8 inches; 349 x 257 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

389 Pierre Bonnard AU THÉÂTRE (B. 67) Color lithograph, 1899, on Chine volant, titled in pencil, from Quelques Aspects de la Vie de Paris, published by Vollard, Paris, with full margins, unframed. Sheet 16 x 20 3/4 inches; 406 x 527 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 390 Cora Boone (1871-1953) [WOMAN READING] White line color woodcut, circa 1930, on Japan paper, trimmed into the image, framed. Sheet 10 3/8 x 9 1/4 inches; 264 x 235 mm. C The Patricia and Donald Oresman Collection $300-500 391 Bernard Brussel-Smith (1914-1989) GUTENBERG; WILLIAM CAXTON; BODONI; NICHOLAS JENSEN; RUDOLF KOCH Wood engravings, 1945-1950, on wove paper, signed, titled and numbered 18/100, 49/100, 48/100, 37/100 and 43/100, respectively, in pencil, with full margins, unframed. (5) Each approximately 6 x 4 1/2 inches; 152 x 114 mm. Sheets approximately 11 1/4 x 10 inches; 286 x 254 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

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392 Paul Cadmus (1904-1999) CONEY ISLAND (DAVENPORT 38) Etching, 1935, on wove paper, signed, titled and inscribed (artists proof) in pencil, with full margins, framed. 9 x 10 1/8 inches; 229 x 257 mm. Sheet 13 x 15 inches; 330 x 381 mm. C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration 392 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59

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393 Paul Cadmus IN THE FULLNESS OF TIME Offset lithograph, 1999, on wove paper, signed in ink, from the edition of approximately 100, with full margins, unframed. Sheet 14 x 11 inches; 356 x 279 mm. C The Patricia and Donald Oresman Collection $300-500

394 Elizabeth Catlett (1915-2012) IN SOJOURNER TRUTH I FOUGHT FOR THE RIGHTS OF WOMEN AS WELL AS BLACKS Linocut, 1946, on wove paper, signed, dated, titled and numbered 12/20 in pencil, from I am the Black Woman, printed at Robert Blackburn’s Printmaking Workshop, New York, 1989, with full margins, unframed. 8 7/8 x 5 7/8 inches; 225 x 149 mm. Sheet 14 7/8 x 11 1/8 inches; 378 x 283 mm. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

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395 Elizabeth Catlett MY ROLE HAS BEEN IMPORTANT IN THE STRUGGLE TO ORGANIZE THE UNORGANIZED Linocut, 1946, on wove paper, signed, dated, titled and numbered 15/20 in pencil, from I am the Black Woman, printed at Robert Blackburn’s Printmaking Workshop, New York, 1989, with full margins, unframed. 6 x 9 inches; 152 x 229 mm. Sheet 11 1/4 x 15 inches; 286 x 381 mm. C The Patricia and Donald Oresman Collection $2,500-3,500 See Illustration

396 Elizabeth Catlett LITERATURE Lithograph, 1950, on wove paper, signed, dated and numbered 4/30 in pencil, with full margins, framed. 11 3/4 x 16 3/8 inches; 298 x 416 mm. Sheet 16 5/8 x 22 7/8 inches; 422 x 581 mm. C The Patricia and Donald Oresman Collection $1,000-2,000 See Illustration

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397 Marc Chagall (1887-1985) DIE GROSSMUTTER (KORNFELD 4) Etching and drypoint, 1923, on wove paper, signed and numbered 101/110 in pencil, from Mein Leben, published by Paul Cassirer, Berlin, with full margins, unframed. 8 1/4 x 6 1/4 inches; 210 x 159 mm. Sheet 14 1/2 x 10 1/2 inches; 368 x 267 mm. C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration 398 Marc Chagall THE ARTIST WITH THE BOOK (CRAMER BOOKS 75) Woodcut, 1968, on Japanese Imperial paper, signed and numbered 16/26 in pencil, from PoĂ¨mes, published by Cramer, Geneva, with full margins, unframed. 13 x 10 inches, 330 x 254 mm. Sheet 20 1/2 x 13 7/8 inches; 521 x 352 mm. C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration 399 Adnan Charara (b. 1962) CITY NEWS V Hand-colored etching, 2007, on wove paper, signed and inscribed V in ink, with full margins, unframed. 7 7/8 x 5 7/8 inches; 200 x 149 mm. Sheet 15 x 11 inches; 381 x 279 mm. C The Patricia and Donald Oresman Collection $100-150 400 Minna Citron (1896-1991) BARBER SHOP Lithograph, 1931, on chine collĂŠ, signed and titled in pencil, with full margins, unframed. 15 x 10 inches; 381 x 254 mm. Sheet 17 3/4 x 12 5/8 inches; 451 x 321 mm. C The Patricia and Donald Oresman Collection $300-500

401 Minna Citron BEAUTY CULTURE Lithograph, 1933, on wove paper, signed, titled and numbered 5/20 in pencil, with full margins, unframed. 8 x 11 1/2 inches; 203 x 292 mm. Sheet 11 x 12 5/8 inches, 279 x 321 mm. C The Patricia and Donald Oresman Collection $500-700

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402 Minna Citron SUBWAY TECHNIQUE Lithograph, 1933, on wove paper, signed, dated, titled and numbered 13/20 in pencil, with full margins, unframed. 8 1/4 x 10 1/8 inches; 210 x 257 mm. Sheet 12 1/2 x 15 1/4 inches; 318 x 387 mm. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration 403 Minna Citron GRIST FOR THE MILL Lithograph, 1934, on wove paper,signed, dated, titled and numbered 9/25, also signed and inscribed imp by the printer, Will Goldberg, in pencil, with full margins, unframed. 12 x 14 inches; 305 x 356 mm. Sheet 14 5/8 x 16 1/2 inches; 371 x 419 mm. C The Patricia and Donald Oresman Collection $400-600 404 Minna Citron DRESS CIRCLE, CARNEGIE HALL Lithograph, 1936, on wove paper, signed, dated, titled, and inscribed ed 40 and litho in pencil, with full margins, unframed. 8 3/4 x 13 3/8 inches; 222 x 340 mm. Sheet 11 3/8 x 15 3/4 inches; 289 x 400 mm. C The Patricia and Donald Oresman Collection $600-800

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405 Minna Citron READERS Lithograph, 1937, on wove paper, signed, dated and inscribed ed 25 in pencil, with full margins, unframed. 8 7/8 x 12 3/4 inches; 225 x 324 mm. Sheet 11 5/8 x 15 7/8 inches; 295 x 403 mm. C The Patricia and Donald Oresman Collection $300-400 406 Minna Citron STRIKE NEWS Lithograph, 1938, on wove paper, signed, dated, titled and inscribed ed 25 in pencil, with full margins, unframed. 9 x 10 inches; 229 x 254 mm. Sheet 11 1/2 x 15 7/8 inches; 292 x 403 mm. C The Patricia and Donald Oresman Collection $300-400

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407 Minna Citron LADY WITH THE PROGRAM Etching and aquatint, 1941, on wove paper, signed, dated, titled, numbered 26/45 and inscribed etch + aqua in pencil, with full margins, unframed. 8 3/4 x 6 3/4 inches; 222 x 171 mm. Sheet 11 1/8 x 9 inches; 283 x 229 mm. C The Patricia and Donald Oresman Collection $150-250 408 Minna Citron THE MAGIC BOX Lithograph, 1941, on wove paper, signed, dated and inscribed ed 40 and S.A.E. in pencil, with full margins, unframed. 10 1/2 x 8 3/4 inches; 267 x 222 mm. Sheet 13 3/8 x 12 1/2 inches; 340 x 317 mm. C The Patricia and Donald Oresman Collection $300-500 412

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409 George Constant (1892-1978) WHEN WE WERE VERY YOUNG Drypoint, circa 1936-1939, on wove paper, signed in pencil, from the edition of 25, published by the Federal Art Project, WPA, New York and with their inkstamp, with full margins, unframed. 8 7/8 x 7 7/8 inches; 225 x 200 mm. Sheet 16 1/4 x 11 3/8 inches; 413 x 289 mm C The Patricia and Donald Oresman Collection $75-125 410 Lovis Corinth (1858-1925) LEKTURE AUF DEM SOFA (SCHWARZ 253) Etching, 1916, on Japan paper, signed in pencil, from the edition of 40, with full margins, unframed. 7 5/8 x 9 1/2 inches; 194 x 241 mm. Sheet 14 1/8 x 18 inches; 359 x 457 mm. C The Patricia and Donald Oresman Collection $300-400 411 Allan Rohan Crite THE FOUR APOSTLES: LUKE; JOHN; MARK; MATTHEW Hand-colored and gold-leafed linocuts, 1951, on wove paper, signed and dated in ink, unframed. (4) Sheets 5 7/8 x 7 7/8 inches; 149 x 200 mm. C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration 412 Erik Desmazières (b. 1948) SALLE HEXAGONALE Etching and aquatint, 1998, on wove paper, signed, dated, titled and numbered 22/60 in pencil, from La Biblioteca de Babel, with full margins, framed. 13 7/8 x 10 1/2 inches; 352 x 267 mm. Sheet 22 1/2 x 14 7/8 inches; 572 x 378 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration 413 Erik Desmazières LES LECTEURS DE LA SALLE LABROUSTE (FITCH/FEBVREL 178) Etching and aquatint, 2001, on wove paper, signed, dated, titled and numbered 7/90 in pencil, with full margins, unframed. 9 1/4 x 24 3/4 inches; 235 x 629 mm. Sheet 15 3/4 x 28 7/8 inches; 400 x 733 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

414 414 Mabel Dwight (1875-1955) FERRY BOAT (ROBINSON/PIROG 50) Lithograph, 1930, on wove paper, signed and dated in pencil, from the edition of 60, printed by George C. Miller, with full margins, unframed. 9 1/8 x 10 1/8 inches; 232 x 257 mm. Sheet 11 1/2 x 13 inches; 292 x 330 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration 415 Mabel Dwight BOOK AUCTION (R./P. 63) Lithograph, 1932, on wove paper, signed and dated in pencil, from the edition of 40, with full margins, framed. 7 3/8 x 8 1/2 inches; 187 x 216 mm. Sheet 11 1/2 x 12 7/8 inches; 292 x 327 mm. C The Patricia and Donald Oresman Collection $600-800 See Illustration 416 Mabel Dwight OLD AQUARIUM (R./P. 83) Lithograph, 1936, on wove paper, signed and titled in pencil, from the edition of 25, published by the Federal Art Project, WPA, New York and with their inkstamp, with full margins, unframed. 10 x 14 inches; 254 x 356 mm. Sheet 11 1/2 x 15 3/4 inches; 292 x 400 mm. C The Patricia and Donald Oresman Collection $300-400

415 417 Mabel Dwight SILENCE (BEALL 141; R./P. 106) Lithograph, 1939, on wove paper, signed, titled and inscribed Federal Art Project, N.Y.C. - WPA in pencil, from the edition of 25, published by the Federal Art Project, WPA, New York, with full margins, framed. 7 5/8 x 11 1/2 inches; 194 x 292 mm. Sheet 10 x 16 inches; 254 x 406 mm. C The Patricia and Donald Oresman Collection $400-600 418 Fritz Eichenberg (1901-1990) THE STOCK MARKET Wood engraving, 1976, on wove paper, signed, titled and numbered 78/100 in pencil, with full margins, with the original paper folder, unframed. 14 x 12 inches; 356 x 305 mm. Sheet 16 1/2 x 14 inches; 419 x 356 mm. C The Patricia and Donald Oresman Collection $600-800 See Illustration 418 419 Maurits Cornelis Escher (1898-1972) BOOKPLATE D. H. ROODHUYZEN DE VRIESâ&#x20AC;&#x201C;VAN DISHOECK (BOOL/ KIST/LOCHER/WIERDA 325) Wood engraving, on wove paper, with full margins, framed. (2) 3 1/8 x 2 3/8 inches; 79 x 60 mm. Sheet 3 5/8 x 2 5/8 inches; 92 x 67 mm. C The Patricia and Donald Oresman Collection $300-500

420 David Feinstein REFERENCE ROOM Lithograph, circa 1936-42, on wove paper, signed and titled in pencil, with full margins, framed. 13 5/8 x 16 1/2 inches; 346 x 419 mm. Sheet 15 7/8 x 22 7/8 inches; 403 x 581 mm. C The Patricia and Donald Oresman Collection $500-700

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421 David Feinstein LUNCH COUNTER Lithograph, circa 1935-1943, on wove paper, signed and titled in pencil, with full margins, unframed. 17 1/4 x 13 1/8 inches; 438 x 333 mm. Sheet 22 3/4 x 15 7/8 inches; 578 x 403 mm. C The Patricia and Donald Oresman Collection $300-400

424 Seymour Fogel NEW YORK NO. 1 Lithograph, 1936, on wove paper, signed, dated, titled and numbered 5-12 in pencil, with full margins, unframed. 9 x 13 inches; 228 x 330 mm. Sheet 11 1/8 x 15 3/4 inches; 283 x 400 mm. C The Patricia and Donald Oresman Collection $400-600

422 Conrad Felixmüller (1897-1977) BILDNIS - HANS CONON VON DER GABELENTZ Woodcut, 1934, on wove paper, signed, dated, titled and inscribed Holzschnitt, with full margins, unframed. 15 5/8 x 19 1/2 inches; 397 x 495 mm. Sheet 18 3/8 x 22 1/8 inches; 467 x 562 mm. C The Patricia and Donald Oresman Collection $600-800 See Illustration

425 Frank Morley Fletcher (1866-1949) THE BOOKWORM: THE BLUE GIRL Color woodcut, 1904, on Japan paper, signed, titled and numbered 57/75 in pencil, with full margins, framed. 7 5/8 x 6 1/8 inches; 194 x 156 mm. Sheet 9 5/8 x 8 1/4 inches; 244 x 210 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

423 Seymour Fogel (1911-1984) DESPAIR Lithograph, 1936, on wove paper, signed and dated in pencil, with full margins, unframed. 11 1/4 x 8 3/8 inches; 286 x 213mm. Sheet 16 5/8 x 12 5/8 inches; 422 x 321 mm. C The Patricia and Donald Oresman Collection $400-600

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426 Don Freeman (1908-1978) WEDDING BUREAU - MUNICIPAL BUILDING N.Y. (MCCULLOCH 101) Lithograph, 1934, on wove paper, signed, titled and inscribed in pencil, from the edition of 50, with good margins, unframed. 6 3/8 x 9 1/4 inches; 162 x 235 mm. Sheet 8 1/2 x 11 inches; 216 x 279 mm. C The Patricia and Donald Oresman Collection $300-400

427 Don Freeman THE ENEMY’S PUBLIC (MCC. 103) Lithographs, 1937, on wove paper, signed and inscribed “Family Circle” in pencil, from the edition of approximately 35, with full margins, framed. 9 5/8 x 11 3/4 inches; 244 x 298 mm. Sheet 11 3/8 x 15 7/8 inches; 289 x 403 mm. C The Patricia and Donald Oresman Collection $200-300 428 Isaac Friedlander (1890-1968) 3 A.M. Etching and drypoint, 1934, on laid paper, signed, dated, titled, located New York and inscribed Trial proof in pencil, with full margins, unframed. 9 3/8 x 15 5/8 inches; 238 x 397 mm. Sheet 12 x 18 1/2 inches; 305 x 470 mm. C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

429 429 Lucian Freud (1922-2011) AFTER CHARDIN (HARTLEY 53; FIGURA 101) Etching, 2000, on Somerset Satin Textured wove paper, initialed and numbered 13/46 in pencil, published by Matthew Marks Gallery, New York, with full margins, framed. 23 3/8 x 28 7/8 inches; 594 x 733 mm. Sheet 30 1/2 x 38 inches; 775 x 965 mm. Provenance: Matthew Marks Gallery, New York C The Patricia and Donald Oresman Collection $8,000-12,000 See Illustration 430 Harry Louis Freund (1905-1999) HOLY ROLLERS Lithograph, circa 1935, on laid paper, signed, titled, inscribed 10/ed, also signed by the artist’s wife, in pencil, unframed. 13 1/4 x 9 5/8 inches; 336 x 244 mm. Sheet 18 5/8 x 13 inches; 473 x 330 mm C The Patricia and Donald Oresman Collection $600-800 See Illustration

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431 Emil Ganso (1895-1941) REPOSE, GIRL READING NUDE WITH BOOK (SMITH L90) Lithograph, 1937, on wove paper, signed in pencil, from the edition of 15, with full margins, unframed. Sheet 15 5/8 x 22 7/8 inches; 397 x 581 mm. C The Patricia and Donald Oresman Collection $100-150 432 Alberto Giacometti (1901-1966) THE ARTIST’S MOTHER READING III (LUST 44) Lithograph, 1964, on Rives BFK paper, signed and numbered 72/75 in pencil, published by Maeght, Paris, with full margins, framed. Sheet 26 3/4 x 19 3/4 inches; 679 x 502 mm. C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration 433 Joseph Webster Golinkin (1896-1977) ART LOVERS Lithograph, 1933, on wove paper, signed and numbered 11/25 in pencil, with full margins, unframed. 14 1/4 x 17 1/2 inches; 362 x 445 mm. Sheet 15 7/8 x 22 1/2 inches; 403 x 572 mm. C The Patricia and Donald Oresman Collection $500-700

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434 Joseph Webster Golinkin BANANA BOAT Lithograph, circa 1938, on wove paper, signed and numbered 20/25 in pencil, with full margins, framed. 14 3/8 x 13 1/4 inches; 365 x 337 mm. Sheet 22 3/4 x 16 inches; 578 x 406 mm. C The Patricia and Donald Oresman Collection $300-400 435 Natalia Goncharova (1881-1962) HERMIT Lithograph, 1913, on wove paper, from The Hermits, the full sheet, framed. Sheet 7 1/4 x 5 5/8 inches; 184 x 143 mm. C The Patricia and Donald Oresman Collection $100-150

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436 Marcel Gromaire (1892-1971) L’AMATEUR DES LIVRES (GROMAIRE 103) Etching, 1932, on wove paper, signed and numbered 12/40 in pencil, with full margins, unframed. 9 1/4 x 7 inches; 235 x 178 mm. Sheet 12 7/8 x 10 inches; 327 x 254 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

438 George Grosz (1893-1959) CAFÉ (DÜCKERS SI 41) Photolithograph, 1916, signed in pencil, from the edition of 100, from Ecce Homo, published by Malik-Verlag, Berlin, with full margins, unframed. 13 5/8 x 9 7/8 inches; 346 x 251 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

437 William Gropper (1897-1977) TO THE GALLERY Lithograph, circa 1930, on wove paper, signed and titled in pencil, with full margins, framed. 12 1/4 x 15 3/4 inches; 311 x 400 mm. Sheet 15 7/8 x 23 inches; 403 x 584 mm. C The Patricia and Donald Oresman Collection $100-200

439 George Grosz A WRITER, IS HE? (D. SII 45) Lithograph, 1936, on Rives BFK paper, signed in pencil, from the edition of 280, from Interregnum, published by The Black Sun Press, New York, with good margins, unframed. 11 3/8 x 8 1/8 inches; 289 x 206 mm. Sheet 15 7/8 x 11 3/8 inches; 403 x 289 mm. C The Patricia and Donald Oresman Collection $300-500

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440 Richard Hamilton (1922-2011) COLLECTED WORKS (LULLIN 105) Color offset lithograph, 1977, on Schoelleshammer Karton paper, signed and numbered 44/75 in pencil, published by the artist, with full margins, framed. 8 1/4 x 13 1/4 inches; 210 x 337 mm. Sheet 12 1/2 x 17 1/4 inches; 318 x 438 mm. C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration 441 Erich Heckel (1905-1913) BEIM VORLESEN (DUBE 272) Woodcut, 1914, on wove paper, signed and dated, also signed by the printer, F. Voigt, in pencil, from the edition of 100, published by Verlag der Dichtung, Potsdam, with full margins, unframed. 11 7/8 x 7 7/8 inches; 302 x 200 mm. Sheet 19 7/8 x 13 7/8 inches; 505 x 352 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

442 Peter Ilsted (1861-1933) THE LITTLE CONVALESCENT Mezzotint printed in dark brown, 1929, on wove paper, with the artistâ&#x20AC;&#x2122;s estate stamp, with full margins, unframed. 4 7/8 x 6 5/8 inches; 124 x 168 mm. Sheet 11 5/8 x 15 7/8 inches; 295 x 403 mm. C The Patricia and Donald Oresman Collection $200-300

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443 Eli Jacobi (1898-1984) THE GRAND WINDSOR LOUNGE (ROTHSTEIN 39) Linocut, 1936, on laid Japan paper, with the artist’s stamped monogram, from the edition of 25, with full margins, unframed. 8 x 10 inches; 203 x 254 mm. Sheet 12 x 14 1/4 inches; 305 x 362 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

444 Eli Jacobi BLACK OWL LOBBY Linocut, circa 1940, on laid Japan paper, signed, titled and inscribed 1st state (5 proofs) in pencil, from the edition of 25, with full margins, unframed. 10 x 8 inches; 254 x 203 mm. Sheet 15 1/4 x 12 1/4 inches; 387 x 311 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

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445 Eli Jacobi A NAP Linocut, 1940, on laid Japan paper, with the artist’s stamped monogram, from the edition of 25, with full margins, unframed. 8 7/8 x 8 inches; 225 x 203 mm. Sheet 15 1/8 x 12 1/4 inches; 384 x 311 mm. C The Patricia and Donald Oresman Collection $500-700

446 Rockwell Kent (1882-1971) WALDO PEIRCE (BURNE-JONES 30) Lithograph, 1928 on wove paper, signed in pencil, from the edition of 200, with full margins, unframed. 9 3/4 x 7 3/8 inches; 248 x 187 mm. Sheet 16 x 11 1/2 inches; 406 x 292 mm. C The Patricia and Donald Oresman Collection $600-800

447 Rockwell Kent BOOKS MAKE THE HOME Collotype, circa 1940, on wove paper, signed in pencil, with full margins, unframed. 13 5/8 x 11 3/8 inches; 346 x 289 mm. Sheet 17 1/8 x 15 inches; 435 x 381 mm. C The Patricia and Donald Oresman Collection $100-200

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448 William Kentridge (b. 1955) READING CHAMBER’S ENCYCLOPEDIA (KRUT SEE P. 117) Chine collé on found paper, signed and numbered 47/50 in pencil, with full margins, unframed. 10 1/2 x 14 5/8 inches; 267 x 371 mm. Sheet 15 x 18 3/8 inches; 381 x 467 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration Previous Page

449 Yasuo Kuniyoshi (1889-1953) CAFÉ (DAVIS L62) Lithograph, 1934, on Chine collé paper, signed, dated and inscribed 30 P. in pencil, with full margins, framed. 9 7/8 x 7 7/8 inches; 251 x 200 mm. Sheet 14 5/8 x 11 3/8 inches; 371 x 289 mm. C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration

450 Paul Landacre (1893-1963) BREAKING GROUND Wood engraving, 1933-1934, on cream laid paper, titled verso and dedicated in pencil, from the edition of 8, with full margins, unframed. 10 3/8 x 7 5/8 inches; 264 x 194 mm. Sheet 16 3/4 x 10 1/2 inches; 425 x 267 mm. C The Patricia and Donald Oresman Collection $600-800 See Illustration

451 Paul Landacre SULTRY DAY Wood engraving, 1937, on wove paper, from the edition of less than 200, published by the American Artists Group, with full margins, framed. 8 x 6 inches; 203 x 152 mm. Sheet 18 x 13 inches; 457 x 330 mm. C The Patricia and Donald Oresman Collection $1,500-2,000 See Illustration

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452

454

452 Armin Landeck (1905-1984) CAT’S PAW (KRAEFT 44) Aquatint and drypoint, 1934, on wove paper, signed, dated and inscribed Ed 100 in pencil, from the edition of 50 (the intended edition was 100), with good margins, framed. 8 3/8 x 7 inches; 213 x 178 mm. Sheet 12 1/4 x 10 3/4 inches; 311 x 273 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

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453

453 Norman Lewis (1909-1979) COMRADES Lithograph, 1943, on wove paper, signed, dated, titled and numbered 5/35 in pencil, with good margins, unframed. 10 1/2 x 4 5/8 inches; 267 x 117 mm. Sheet 12 7/8 x 6 5/8 inches; 327 x 168 mm. C The Patricia and Donald Oresman Collection $3,000-5,000 See Illustration

454 Samella Lewis (b. 1924) SHOUT Lithograph, 2004, on wove paper, signed, dated, titled and numbered 55/60 in pencil, published by JK Fine Art Editions Co., New York and with their blindstamp, with full margins, unframed. Sheet 15 3/8 x 23 1/2 inches; 391 x 597 mm. C The Patricia and Donald Oresman Collection $600-800 See Illustration

455

455 Roy Lichtenstein (1923-1997) NUDE READING (CORLETT 288) Color relief print, 1994, signed, dated and inscribed AP 7/12 in pencil (aside from the edition of 60), published by Tyler Graphics, Inc., Mount Kisco, New York and with their blindstamp, with full margins, unframed. 23 7/8 x 30 3/8 inches; 606 x 772 mm. Sheet 30 5/8 x 36 3/8 inches; 778 x 924 mm. C The Patricia and Donald Oresman Collection $60,000-90,000 See Illustration

456 Louis Lozowick (1892-1973) NOVEL OF ADVENTURE (FLINT 194) Lithograph, 1942, on wove paper, signed, dated and numbered 7/20 in pencil, printed by George C. Miller, with full margins, unframed. 12 7/8 x 8 3/4 inches; 327 x 222 mm. Sheet 16 3/8 x 11 3/4 inches; 416 x 298 mm. C The Patricia and Donald Oresman Collection $500-700

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459

457

460

458

457 Kyra Markham (1891-1967) LOCKOUT Lithograph, 1937, on wove paper, signed, dated, titled and numbered 23/50 in pencil, with full margins, framed. 10 x 12 1/8 inches; 254 x 308 mm. Sheet 11 1/2 x 16 1/8 inches; 292 x 410 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

458 Kyra Markham STAGE DOOR JOHNNIE Lithograph, 1937, on wove paper, signed, dated and titled in pencil, published by the Federal Art Project, WPA, New York and with their inkstamp, with full margins, unframed. 12 1/4 x 9 1/4 inches; 311 x 235 mm. Sheet 15 3/8 x 11 3/8 inches; 391 x 289 mm. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

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459 Kyra Markham WELL MET IN THE SUBWAY Lithograph, 1937, on Rives BFK paper, signed, dated, titled and inscribed Proof in pencil, from the edition of approximately 12, with good margins, unframed. 9 1/4 x 10 inches; 235 x 254 mm. Sheet 11 1/4 x 15 inches; 286 x 381 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

460 Reginald Marsh (1898-1954) DISCUSSION (SASOWSKY 152) Etching, 1934, on wove paper, signed in pencil, with good margins, unframed. 6 x 9 inches; 152 x 229 mm. Sheet 7 1/8 x 10 1/8 inches; 181 x 257 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

463

464 461 Reginald Marsh THE ENCYCLOPEDIA BRITANNICA Transfer lithograph, circa 1950, on laid blue paper, unframed. Sheet 11 7/8 x 8 5/8 inches; 302 x 219 mm. C The Patricia and Donald Oresman Collection $75-100 462 Frans Masereel (1889-1972) UNTITLED (MAN READING) Woodcut, 1968, on wove paper, signed in pencil, with full margins, unframed. Sheet 12 1/8 x 8 7/8 inches; 308 x 225 mm. C The Patricia and Donald Oresman Collection $75-100

466 463 Henri Matisse (1869-1954) LA LETTRE (DUTHUIT 126) Etching, 1929, on Chine collÃ©, signed and numbered 5/25 in pencil, with full margins, framed. 6 x 10 inches; 152 x 254 mm. Sheet 11 1/8 x 14 7/8 inches; 283 x 378 mm. C The Patricia and Donald Oresman Collection $7,000-10,000 See Illustration 464 Henry Moore (1898-1986) GIRL SEATED AT DESK (CRAMER 340) Color lithograph, 1974, on wove paper, signed and numbered 34/50 in pencil, with full margins, unframed. 4 7/8 x 5 inches; 124 x 127 mm. Sheet 20 1/2 x 13 7/8 inches; 521 x 352 mm. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

465 Henry Moore GIRL DOING HOMEWORK VI (C. 331) Etching and aquatint, 1974, on wove paper, initialed and inscribed Bon a tirer in pencil (aside from the numbered edition of 50), with full margins, unframed. 8 x 9 7/8 inches; 203 x 251 mm. Sheet 14 3/8 x 18 1/4 inches; 365 x 464 mm. C The Patricia and Donald Oresman Collection $600-800

466 Henry Moore GIRL READING AT WINDOW (C. 469) Color lithograph, 1977-1978, on TH Saunders paper, signed and numbered XV/XV in pencil, published by Raymond Spencer Company for the Henry Moore Foundation, with full margins, framed. 7 1/4 x 13 1/8 inches; 184 x 333 mm. Sheet 17 1/4 x 24 1/4 inches; 438 x 616 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration 467 Jackson Lee Nesbitt (1913-2008) BLOOMING MILL - SHEFFIELD STEEL CORPORATION Etching, 1945, on wove paper, signed, dated and titled in pencil, from the edition of 70, with full margins, unframed. 10 x 13 5/8 inches; 254 x 346 mm. Sheet 12 1/8 x 16 inches; 308 x 406 mm. C The Patricia and Donald Oresman Collection $400-600

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468

469 468 Christopher Richard W. Nevinson (1889-1946) SUCCESS Drypoint, circa 1930, on wove paper, signed and titled in pencil, from the edition of 75, with full margins, unframed. 8 x 6 inches; 203 x 152 mm. Sheet 12 5/8 x 8 5/8 inches; 321 x 219 mm. C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration

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471 469 Emil Nolde (1867-1956) EX LIBRIS HANS FEHR (SCHIEFLER E42) Etching, 1906, on wove paper, with full margins, framed. 2 7/8 x 2 inches; 73 x 51 mm. Sheet 4 3/8 x 3 3/8 inches; 111 x 86 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

472 Anton Refregier WOMAN READING Color screenprint, circa 1960, on wove paper, signed and numbered 73/100 in pencil, with full margins, unframed. 12 x 15 1/4 inches; 305 x 387 mm. Sheet 17 3/8 x 21 1/8 inches; 441 x 537 mm. C The Patricia and Donald Oresman Collection $150-200

470 Odilon Redon (1840-1916) LE LIVRE OU SAINTE THÉRÈSE (MELLERIO 24) Etching and drypoint, 1892, on wove paper, from the second state, from the edition of 20, with margins, framed. 5 1/8 x 3 5/8 inches; 130 x 92 mm. Sheet 9 1/2 x 7 1/4 inches; 243 x 186 mm. C The Patricia and Donald Oresman Collection $300-500

473 Paula Rego (b. 1935) GIRL READING Lithograph, 2001, signed, numbered 7/35 in pencil, with full margins, unframed. Sheet 27 1/2 x 21 inches; 699 x 533 mm. C The Patricia and Donald Oresman Collection $400-600

471 Anton Refregier (1905-1979) RIOT SCENE, CIVIL WAR DAYS Color screenprint, 1939, on wove paper, signed in pencil, with good margins, unframed. 10 3/4 x 10 7/8 inches; 273 x 276 mm. Sheet 13 7/8 x 16 1/2; 352 x 419 mm. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

474 Dan Rico (1910-1985) FAUST Wood engraving, circa 1940, on wove paper, signed and titled in pencil, from the edition of 25, published by the Federal Art Project, WPA, New York, with full margins, unframed. 8 1/8 x 10 1/8 inches; 206 x 257 mm. Sheet 11 1/4 x 16 1/2 inches; 286 x 419 mm. C The Patricia and Donald Oresman Collection $600-800

475 475 Robert Riggs (1896-1970) CLOWN ALLEY (BASSHAM 39) Lithograph, circa 1934, on BFK Rives paper, signed, titled and numbered 44 in pencil, from the edition of approximately 50, with full margins, unframed. 14 3/8 x 19 inches; 365 x 483 mm. Sheet 18 3/4 x 22 3/4 inches; 476 x 578 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration 476 James Rosenquist (1933-2017) HEADLINES (GLENN 97) Color etching and pochoir, 1976, on paper, signed, dated, titled and numbered 34/39 in pencil, with full margins, unframed 6 x 12 inches; 152 x 305 mm. Sheet 12 1/8 x 18 inches; 308 x 457 mm. C The Patricia and Donald Oresman Collection $400-600 477 Georges Rouault (1871-1958) PROFESSOR PIEU, MEMBRE DE L’INSTITUT Color aquatint, 1935, on cream laid paper, with full margins, unframed. 12 1/2 x 8 1/4 inches; 318 x 210 mm. Sheet 17 1/2 x 13 1/4 inches; 445 x 337 mm. C The Patricia and Donald Oresman Collection $1,200-1,800 See Illustration

477

478 Allen Ruppersberg (b. 1944) A PRIVATE READING Suite of three color lithographs, 1978, on Rives offset paper, the third signed, dated, numbered 18/43 and inscribed C, the first and second inscribed A and B, respectively, in pencil, the full sheets, unframed. Sheets 21 1/4 x 29 3/8 inches; 540 x 746 mm. C The Patricia and Donald Oresman Collection $700-1,000 479 Ben Shahn (1898-1969) SILENT NIGHT (PRESCOTT 10) Color screenprint, 1949, on wove paper, signed and numbered 98/200 in pencil, with full margins, unframed. Sheet 26 1/4 x 20 inches; 667 x 508 mm. C The Patricia and Donald Oresman Collection $300-500 480 Ben Shahn CREDO (P. 67) Color screenprint, 1966, on wove paper, signed in pencil and with the artist’s chop, from the edition of approximately 48, with full margins, unframed. Sheet 26 1/2 x 20 3/4 inches; 673 x 527 mm. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

480

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481 Millard Sheets (1907-1989) FAMILY FLATS Lithograph, circa 1935, on laid paper, signed, titled and numbered 27/100 in pencil, with full margins, unframed. 15 5/8 x 21 7/8 inches; 397 x 556 mm. Sheet 18 1/8 x 24 5/8 inches; 460 x 625 mm. C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration 482 Clyde J. Singer (1908-1999) WOMAN READING Lithograph, circa 1945, signed in pencil, with full margins, unframed. Sheet 16 7/8 x 11 inches; 429 x 279 mm. C The Patricia and Donald Oresman Collection $75-100 483 John Sloan (1871-1951) THE WOMAN’S PAGE (MORSE 132) Etching, 1905, on laid paper, signed, titled and inscribed 100 proofs, also signed and inscribed imp [old paper] by the printer, Ernest Roth, in pencil, with full margins, framed. 4 5/8 x 6 3/4 inches; 117 x 171 mm. Sheet 8 3/8 x 11 1/4 inches; 213 x 286 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

481

484 John Sloan SHINE, WASHINGTON SQUARE (M. 210) Lithograph, 1923, on wove paper, signed, titled and inscribed 25 proofs, also signed and inscribed imp by the printer, Bolton Brown, in pencil, with full margins, unframed. 7 3/8 x 9 1/8 inches; 187 x 232 mm. Sheet 9 1/2 x 15 1/4 inches; 241 x 387 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 483

485 John Sloan INDIAN DETOUR (M. 231) Etching, 1927, on wove paper, signed, titled and inscribed 100 proofs in pencil, from the edition of 70 (the intended edition was 100), with full margins, unframed. 6 x 7 1/8 inches; 152 x 181 mm. Sheet 10 1/4 x 11 5/8 inches; 260 x 295 mm. C The Patricia and Donald Oresman Collection $700-1,000 486 G. Ralph Smith (1907-2007) ELECTION NIGHT Lithograph, 1936, on wove paper, signed, dated, titled and numbered 1/5 in pencil, with full margins, unframed. 10 3/4 x 14 1/2 inches; 273 x 368 mm. Sheet 13 3/4 x 18 3/4 inches; 349 x 476 mm. C The Patricia and Donald Oresman Collection $400-600

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489

487 G. Ralph Smith ELECTION NIGHT Lithograph, 1937, on wove paper, signed, dated, titled and numbered 1/10 in pencil, with full margins, unframed. 10 3/4 x 14 3/4 inches; 273 x 375 mm. Sheet 13 1/4 x 18 1/2 inches; 337 x 470 mm. C The Patricia and Donald Oresman Collection $400-600

488 Lawrence Beall Smith (1909-1995) BETWEEN TRAINS; NEWS ITEM Lithographs, 1937 and 1992, respectively, on wove paper, signed, dated, titled, the first inscribed 20 Prints, the second numbered 6/30, in pencil, with full margins, unframed. (2) Larger 13 7/8 x 9 1/8 inches; 352 x 232 mm. Sheet 17 1/2 x 12 7/8 inches; 445 x 327 mm. C The Patricia and Donald Oresman Collection $300-400

489 Ethel Spowers (1890-1947) SPECIAL EDITION Color linocut, 1936, on tissue-thin Japan paper, signed, dated, titled and numbered 6/50 in pencil, the full sheet, framed. Sheet 12 x 10 inches; 305 x 254 mm. C The Patricia and Donald Oresman Collection $20,000-30,000 See Illustration and Front Cover

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490 Benton Murdoch Spruance (1904-1967) SUBWAY SHIFT (THE SECOND FRONT) (FINE/LOONEY 223) Lithograph, 1943, on wove paper, inscribed with the artist’s name, dated and titled by the artist’s son and with the red estate stamp, from the edition of 30, with full margins, unframed. 10 1/4 x 16 1/4 inches; 260 x 413 mm. Sheet 15 1/2 x 23 1/8 inches; 394 x 587 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration 491 Joseph Stella (1877-1946) PORTRAIT OF AN OLD WOMAN READING Etching, circa 1900, printed in 1960, on wove paper, signed and numbered 16/30 in pencil, published by Rabin & Krueger Gallery, Newark, New Jersey and with their inkstamp, with full margins, unframed. 5 1/2 x 5 1/8 inches; 140 x 130 mm. Sheet 13 x 9 3/4 inches; 330 x 248 mm. C The Patricia and Donald Oresman Collection $75-100

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49 492 Joseph Stella (1877-1946) UNTITLED (READER) Color monotype, circa 1912, on Japan paper, with the artist’s estate stamp verso, the full(?) sheet, framed. Sheet 8 5/8 x 11 inches; 219 x 279 mm. C The Patricia and Donald Oresman Collection $500-700

493 Harry Sternberg (1904-2002) BROADWAY #2 (MOORE 61) Etching, 1930, on wove paper, signed, titled, numbered 20 and inscribed 50 proofs in pencil, with good margins, unframed. 11 7/8 x 15 3/4 inches; 302 x 400 mm. Sheet 13 7/8 x 17 5/8 inches; 352 x 448 mm. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration 493

494 Albert Sterner (1863-1946) WOMAN READING Lithograph, circa 1920, on laid Japan paper, signed in pencil, with full margins, unframed. 16 3/8 x 13 inches; 416 x 330 mm. Sheet 23 x 16 3/4 inches; 584 x 425 mm. C The Patricia and Donald Oresman Collection $100-150 495 Donald Vogel (1917-2004) BEDLAM CORNERS Drypoint, circa 1940, on wove paper, signed, titled and numbered 2-25 in pencil, with full margins, unframed. 9 x 12 inches; 229 x 305 mm. 10 1/8 x 14 1/4 inches; 257 x 362 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

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500 496 Max Weber (1881-1961) RABBI READING (RUBENSTEIN 15) Woodcut, circa 1919-20, on laid Japan paper, signed in pencil, with full margins, unframed. 4 1/4 x 2 inches; 108 x 51 mm. Sheet 10 x 6 1/2 inches; 254 x 165 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration 497 Max Weber STUDY (R. 28) Woodcut, 1919-20, on wove paper, signed in pencil, with good margins, framed. 3 1/4 x 1 1/4 inches; 83 x 32 mm. Sheet 7 x 3 1/4 inches; 178 x 83 mm. C The Patricia and Donald Oresman Collection $400-600

498 Julian Alden Weir (1852-1919) MOTHER AND CHILD #2 (ZIMMERMAN 7) Etching and drypoint, circa 1890, from the first state of two, with margins, framed. 6 x 4 1/4 inches; 152 x 108 mm. Sheet 6 1/4 x 4 1/2 inches; 159 x 114 mm. C The Patricia and Donald Oresman Collection $200-300

500 Anders Zorn (1860-1920) TRAVELING COMPANION (MR. CHARLES DEERING) Etching, 1904, on wove paper, signed in pencil, with full margins, unframed 7 7/8 x 6 inches; 200 x 152 mm. Sheet 12 7/8 x 9 7/8 inches; 327 x 251 mm. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

499 Marguerite Zorach (1887-1968) FIRST LESSON Hand-colored screenprint, 1928, signed and dated in pencil, with good margins, unframed. Sheet 16 x 11 3/8 inches; 406 x 289 mm. C The Patricia and Donald Oresman Collection $3,000-4,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79

501

503

Photographs 501 ABBOTT, BERENICE (1898-1991) Newsstand, 32nd Street and Third Avenue, Nov. 19, 1935. Gelatin silver print on Agfa paper, printing date unknown but this likely printed late 1950s, 7 7/8 x 9 7/8 inches (200 x 251 mm), verso with the artist’s stamp (“Berenice Abbott/Photograph”) and titled (“Newsstand”) in pencil. Minor marginal creases, one just affecting the image on the lower right. Unframed. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 502 ARNOLD, EVE (1913-2012) Salvation Army, Prayer, Manchester, England, from In Britain 1962. Gelatin silver print, 14 x 9 3/8 inches (355 x 236 mm), verso signed, titled and dated in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $100-150

503 BARTLETT, MORTON (1909-1992) [Doll Reading “Readers Digest,” Portrait from “Family Found”], 1935-1965. Gelatin silver print, 4 5/8 x 3 1/2 inches (118 x 88 mm), dry-mounted to card, the rear mount with the “Family Found” original collection label. A few trifling surface defects not breaking the surface of the emulsion. Bartlett, a freelance photographer and graphic designer, was an outsider artist who spend much of his time between 1936 and 1963 creating and photographing a series of plaster dolls. These became widely known after his death in 1992 when the dealer Marion Harris published and exhibited the collection of about 200 staged photographs that Bartlett had left upon his death. C The Patricia and Donald Oresman Collection $500-800 See Illustration

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504 BERMAN, ZEKE (b. 1951) Interior, 1982. Gelatin silver print, 19 3/8 x 15 1/4 inches (492 x 387 mm), verso signed, titled and numbered 14/25 in pencil. Minor crease noted in upper left corner in raking light. Unframed. C The Patricia and Donald Oresman Collection $300-500 505 BING, ILSE (1899-1998) Vendeuse de journaux, place de la Concorde, Paris, 1947. Vintage gelatin silver print, 13 3/8 X 10 3/8 inches (340 x 263 mm.), signed and dated in ink on the recto, signed, titled and dated in pencil on the verso. A few pencil marks on the print margin, the print fine. Unframed. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration Next Page

506 BOURKE-WHITE, MARGARET (1902-1971) Board Room, New York Stock Market, 1936. Vintage gelatin silver print, 8 3/8 x 6 inches (212 x 153 mm), artist’s name, title and N.E.A copyright typewritten on verso with two N.E.A. reference department stamps. Unframed. C The Patricia and Donald Oresman Collection $300-500 507 BOURKE-WHITE, MARGARET (1902-1971) Curb Exchange, Wall St, New York Stock Market, 1936. Vintage gelatin silver print, 9 1/2 x 7 1/2 inches (240 x 188 mm), artist’s name, title and N.E.A. copyright typewritten on verso with an N.E.A. reference department stamp. Corners a bit creased and worn. Unframed. A handwritten note on the modern mount indicates that this print originated with the estate of Arthur Gray, a friend of the photographer. C The Patricia and Donald Oresman Collection $300-500

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508 BRANDT, BILL (1904-1983) Spanische Portiersfrau, 1928. Vintage gelatin silver print, 9 1/4 x 6 1/4 inches (234 X 160 mm), typed sticker bearing the artists name and title on the verso. Some retouching noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $600-900 See Illustration

510 BUSH, ANDREW (b. 1956) Commander Napping, 1982. Chromogenic print, printed 1995, 23 x 19 1/8 inches (585 x 485 mm), verso signed, titled, dated (“1995”) and numbered 2/25 in ink. Minor retouching noted, no defects in raking light. Unframed. C The Patricia and Donald Oresman Collection $200-300

509 BUSH, ANDREW (b. 1956) Commander’s Bookcase, 1982. Chromogenic print, printed 1995, 19 x 23 inches (484 x 585 mm), verso signed, titled, dated (“1995”) and numbered 6/25 in ink. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $200-300

511 CHERKASHIN, VALERA AND NATASHA (b. 1948 and 1958). [Statue at Moscow University], 1998. Unique gelatin silver print on matte paper, bleach, newspaper transfers, air brush, watercolors, crumpled by the artists, 23 1/4 x 19 1/4 inches (590 x 490 mm), the image signed and dated by the artists (l.r.). Unframed. Trace of mounting on verso. C The Patricia and Donald Oresman Collection $250-500

512 CHERKASHIN, VALERA AND NATASHA (b. 1948 and 1958) [Student Reading Tarzan at Moscow University], 1998. Unique gelatin silver print on matte paper, bleach, newspaper transfers, air brush, watercolors, crumpled by the artists, 23 1/4 x 19 1/4 inches (590 x 490 mm), the image signed and dated by the artists (l.r.). Unframed. Trace of mounting on verso. The work of the Cherkashins is playful and ingeniously executed. C The Patricia and Donald Oresman Collection $250-500 513 CHILDERS, MICHAEL (20th/21st century) [Hockney Reading], circa 1980. Gelatin silver print, printed 2007, 9 x 13 1/2 inches (240 x 343 mm), signed in ink below image on recto, artist’s stamp on verso. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $80-120

514 CLARITY, ED (20th century) [Man Reading Newspaper], 1960. Vintage gelatin silver print, 10 1/2 x 13 3/8 inches (265 x 338 mm), dry-mounted, New York Daily News clippings featuring the same photograph and the date mounted on verso. Image in generally excellent condition. Unframed. C The Patricia and Donald Oresman Collection $150-250 515 COLOMB, DENISE (1902-2004) Antonin Artaud, circa 1945. Gelatin silver print, 10 7/8 x 7 3/8 inches (277 X 187 mm), recto signed below image in ink. Unframed. C The Patricia and Donald Oresman Collection $200-300 516 CONNOR, LINDA (b. 1944) Sacred Text, Ethiopian Church, Jerusalem, 1995. Albumen print, 8 5/8 x 10 5/8 inches (220 x 270 mm), verso signed, titled and dated in pencil. Unframed. C The Patricia and Donald Oresman Collection $150-250

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523

517 DOW, JIM (b. 1942) Library Detail, The Metropolitan Club, New York, NY, 1999. Chromogenic print on Fujicolor Crystal Archive paper, 9 3/4 x 7 3/4 inches (247 x 196 mm), recto signed, titled and dated in pen, verso signed, titled, dated and annotated (“With warmest thanks! [illeg.] Donald Crisman”) in pen. Marginal crease and small soft crease in image at upper right. Unframed. C The Patricia and Donald Oresman Collection $150-250 518 EAGLE, ARNOLD (1909-1992) [New York, 42nd Street, Third Avenue El], 1936. Gelatin silver print, printed later, 11 1/4 x 10 7/8 inches (285 x 276 mm), verso signed and dated in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $150-250

519 FELLIG, ARTHUR (WEEGEE) (1899-1968) [Man on Garment Strike, Resting], circa 1950. Gelatin silver print (likely vintage), 13 1/2 x 10 3/4 inches (342 x 272 mm), Weegee and Arthur Fellig artist’s stamps on the verso. Some handling creases noted. Unframed. C The Patricia and Donald Oresman Collection $400-600 520 FONTCUBERTA, JOAN (b. 1955) The Miracle of Invisibility II, 2002. Chromogenic print, 19 5/8 x 19 1/2 inches (500 x 498 mm), from Miracles & Co., verso signed, titled, dated and numbered 1/5 in ink. Framed. C The Patricia and Donald Oresman Collection $300-500

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521 FREED, LEONARD (1929 - 2006) 1981, Paris, France, 1981. Gelatin silver print, printed later, 9 1/2 x 6 3/8 inches (240 x 162 mm), verso with artist’s stamp, signed, titled, dated and annotated (“later print”) in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $300-500 522 GARCIA COBO, HECTOR (1923-2012) Carlos Monsiváis, Mexican Writer, 1968. Vintage gelatin silver print, 12 3/8 x 10 3/8 inches (313 x 265 mm), verso signed, titled and dated in pencil. Small creases to lower right corner. Unframed. C The Patricia and Donald Oresman Collection $150-250

523 GENTHE, ARNOLD (1869-1942) David Belasco, ca. 1925. Gelatin silver print, 8 3/8 x 7 5/8 inches (213 x 191 mm), unsigned. Slight silvering approx. 3/8 inch wide visible along edges, framed. Literature: Beaton and Buckland, The Magic Image, p. 139. C The Patricia and Donald Oresman Collection $200-300 See Illustration 524 GERLOVIN, VALERIY (b. 1945) and GERLOVINA, RIMMA (b. 1951) Translucent Book, 2001. Ekatcolor C-print, 22 7/8 x 18 inches (581 x 456 mm), signed by both artists, titled, dated and numbered 7/10 in pen on recto. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

531

525 GINSBERG, ALLEN (1926-1997) Bill Burroughs amused by the latest volume of St. John Perse, 1953. Gelatin silver print, 6 1/2 x 10 1/8 inches (168 x 257 mm), recto signed and annotated “Bill Burroughs amused by the latest volume of St. John Perse, Vents. 206 East 7th Street N.Y.” at bottom in pen. Framed. C The Patricia and Donald Oresman Collection $300-500 526 GINSBERG, ALLEN (1926-1997) W.S. Burroughs, afternoon newspaper, 1953. Gelatin silver print, 8 x 12 1/4 inches (203 x 311 mm), recto signed and annotated “W.S. Burroughs, Afternoon Newspaper 206 E 7th St My Apartment living room 1953 New York” at bottom in pen. Framed. C The Patricia and Donald Oresman Collection $300-500

527 GORGONI, GIANFRANCO (b. 1941) [Andy Warhol on his bed], 1971. Cibachrome print, 19 3/8 x 14 1/2 inches (491 x 367 mm), verso signed in pen and with the artist’s stamp. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $150-250 528 UNKNOWN, poss. CYRIL BAKER (20th century) [Allen Ginsberg reading to an audience], n.d. Gelatin silver print, 13 1/2 x 10 inches (340 x 254 mm), unsigned. Unframed. C The Patricia and Donald Oresman Collection $40-60

529 GRUNZWEIG, BEDRICH (1910-2009) Coney Island, New York, 1951. Gelatin silver print, 10 1/2 x 10 1/2 inches (267 x 267 mm), in pencil signed, titled, dated and with the artist’s stamp on the verso. Image in fine condition viewed in raking light. Unframed. C The Patricia and Donald Oresman Collection $400-600 530 GUTMANN, JOHN (1905-1998) News from Italy Posted at “La Voce Del Populo,” San Francisco, 1934. Gelatin silver print, printed later, 8 1/8 x 7 1/2 inches (206 x 190 mm), verso signed, titled and dated in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $200-300

531 GUTMANN, JOHN (1905-1998) Yes, Columbus Did Discover America, San Francisco, 1934. Gelatin silver print, printed 1980, 10 1/4 x 12 7/8 inches (260 x 328 mm), verso signed, titled, dated and annotated (“D.O.S.” and “DEPR.”) in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 532 HANSON, DUANE (1925-1996) [Study for Businessman Reading], 1983. Unique Kodak Instant print, 3 1/8 X 2 3/4 inches (92 x 68 mm), artist’s estate sticker on verso. Unframed. An image by Hanson of his sculpture “Businessman reading.” C The Patricia and Donald Oresman Collection $100-200

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533 HARBUTT, CHARLES (1935-2015) Three Men Waiting, Emergency Room, St. Vincent’s, NYC, 1961. Vintage gelatin silver print, 8 x 12 inches (201 x 304 mm), titled and dated in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $100-150 534 HEATH, DAVE (1931-2016) [NYC], circa 1957. Near-vintage gelatin silver print, printed in 1962, 12 x 8 inches (304 x 203 mm), recto signed in pen in right margin, verso annotated (“ADWS negative: NYC c. 1957” and “master print: 1962”) in pencil. Margins of print a bit cockled. Unframed. C The Patricia and Donald Oresman Collection $600-900

535 HINE, LEWIS (1874-1940) [The teacher and the lone pupil present in School #9, Dist. 3, Ft. Morgan out of a possible 20 pupils, five weeks after school began. They try to have 9 mos. of school.], #4052, Ft. Morgan, Colorado, October, 1915. Vintage gelatin silver print, 4 3/8 x 6 3/8 inches (111 x 161 mm), unsigned. Losses to corners of print, edges worn, emulsion defects visible in raking light. The reverse bears notes in pencil pertaining to reproduction. Unframed. C The Patricia and Donald Oresman Collection $80-120 536 ANDRÉ KERTÉSZ (1894-1985) Carnival, Paris (Woman Reading Behind Stage), 1926. Gelatin silver print, 10 3/4 x 13 3/4 inches (274 x 348 mm), estate stamp and print number in ink on verso. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $300-500

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537 ANDRÉ KERTÉSZ (1894-1985) [20 Street West, New York, Frontispiece to On Reading], 1943. Gelatin silver print, 7 3/4 x 7 3/4 inches (197 x 197 mm), signed, dated and annotated “New York” in pencil on the verso. No defects noted in raking light, verso with a discoloration at the head from old tape. Unframed. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 538 LEIPZIG, ARTHUR (1918-2014) [Brooklyn Eagle], 1952. Vintage gelatin silver print, 8 1/4 x 12 3/8 inches (212 x 313 mm), verso with artist’s stamp, signed in pencil. A few minor handling marks. Unframed. C The Patricia and Donald Oresman Collection $150-250

539 KLEBANOW, IVAN (1928-2016) An Afternoon in Central Park, n.d. Digitized color photograph, 8 x 10 1/2 inches (203 x 267 mm), signed and dated in pencil below the image. Framed. C The Patricia and Donald Oresman Collection $30-50 540 LEITER, SAUL (1954-1992) [Woman Reading in Deux Magots, Paris], 1969. Digital chromogenic print, 21 7/8 x 14 1/2 inches (557 x 369 mm), signed and numbered 3/20 in pencil in lower margin recto. Framed. C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration and Inside Front Cover

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546 541 LEVITT, HELEN (1913-2009) Mexico City (Woman Reading), 1941. Gelatin silver print, likely vintage, 7 3/4 X 6 3/8 inches (197 x 162 mm), verso signed in pencil. Minor handling marks, unframed. Image does not fluoresce under ultra-violet. C The Patricia and Donald Oresman Collection $500-800 542 LIBERMAN, ALEXANDER (1912-1999) [Alberto and Anette Giacometti in his Paris Studio], 1954. Gelatin silver print, 11 1/2 x 10 1/2 inches (293 x 266 mm), verso with artist’s stamp, signed and numbered 3/5 in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $400-600

543 MAGRITTE, RENE (1898-1967) L’eminence Grise, 1938. Gelatin silver print, 3 7/8 x 2 5/8 inches (99 X 67 mm), recto initialed and numbered 2/100 and XIII below the image in pencil. Framed. C The Patricia and Donald Oresman Collection $300-500 544 METZKER, RAY KRUEGER (1931-2014) The Loop, Chicago, 57 D4-2MG 1 1/2 1957. Gelatin silver print, 7 X 7 inches (177 X 179 mm), verso signed and numbered 1/15 in pencil, with Metzker’s usual notations. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

545 MORELL, ABELARDO (b. 1948) Book: Portrait of Inghirami by Raphael, 1993. Gelatin silver print, 22 1/2 x 18 inches (570 x 455 mm), from the edition of 30, verso signed, titled and dated in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration 546 MORELL, ABELARDO (b. 1948) Two Books, 1993. Gelatin silver print, 17 7/8 x 22 1/2 inches (455 x 573 mm), from the edition of 30, verso signed, titled and dated in pencil. Two minor handling creases noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

547 MUYBRIDGE, EADWEARD (1830-1904) Nude rising to her feet (Plate 270), 1887. Photogravure, 9 5/8 x 11 5/8 inches (245 x 297 mm), verso with the W. R. Miles Muybridge Collection stamp. Unframed. C The Patricia and Donald Oresman Collection $150-250 548 RENÉ-JACQUES (1908-2003) Paris, Angle de la Rue De Varenne et du Boulevard Des Invalides, circa 1950. Vintage silver gelatin print, 8 1/4 x 11 inches (208 x 278 mm), recto with the artist’s stamp, signed and titled in pencil. Minor wear to extreme edges of print. Unframed.. C The Patricia and Donald Oresman Collection $200-300

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549

549 RODCHENKO, ALEXANDER (1891-1956) and STEPANOVA, VARVARA (1894-1958) [Photomontage from “First Cavalry”] 1936-37. Vintage gelatin silver print, 7 3/4 x 6 3/8 inches (195 x 162 mm), verso dated and annotated (“Photomontage for the album “The First Cavalry” 1936-1937 and “A. Rodchenko and Stepanova” and “Semen [i.e. Semyon] Budenny at the tribune of the hyppodrome” [sic]) in pencil. A few minor creases noted in raking light; does not fluoresce in UV. Unframed. The image was published in Pervaya Konnaya (“First Cavalry Army”), the Constructivist agit-prop album about the Red Army, designed by the husband and wife team of Rodchenko and Stepanova. Cf. The Photobook, vol. I, pp. 170-71. C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

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550 RODCHENKO, ALEXANDER (1891-1956) [The Artist’s Mother Reading], circa 1930. Gelatin silver print, printed early 1980s, 11 1/2 x 15 3/8 inches (293 x 390 mm), stamped with the Rdchenko fmily stamps and annotated on the verso in pencil. Abrasions to edge of print. Unframed. C The Patricia and Donald Oresman Collection $800-1,200

552 RUSSEL, RAE (1925-2008) Candle Lite Choir, Manhattanville College, Westchester County, NY, 1954. Vintage gelatin silver print, 8 1/2 x 12 5/8 inches (215 x 320 mm), verso with artist’s stamps, signed, titled and dated in pencil. A few minor handling creases noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $80-120

551 RODCHENKO, ALEXANDER (1891-1956) [Breakfast with freshly printed newspaper], 1929. Gelatin silver print, 11 x 16 1/2 inches (280 x 420 mm), family stamps and annotations in pencil on verso. Some edge defects, handling creases. Unframed. C The Patricia and Donald Oresman Collection $1,000-1,500

553 SANDER, AUGUST (1876-1964) Blind Children, 1930. Gelatin silver print, printed 1990 (posthumous print) by Gerd Sander, 10 1/4 x 7 3/8 inches (259 x 187 mm), with the blindstamp at lower left, August Sander Archive stamp on verso, noting this is as 1 of 12 from the 1990 edition. Tiny defects to extreme edge of print at lower right and left from an old mount. Tipped to mount. Unframed. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration

86 DOYLE • NOVEMBER 20 2018, • NEW YORK

554 SCHNABEL, JOHN (b. 1957) Untitled (Passenger #8-438), 1994-95. Gelatin silver print, 23 1/8 x 19 1/8 inches (586 x 483 mm), from Passengers, signed, titled, dated and numbered 3/10 in black ink in the lower margin. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $1,500-3,000 See Illustration Next Page 555 SEYMOUR, DAVID (“CHIM”) (1911-1956) Battle Against Illiteracy, Rogiano Gravenia, Italy, circa 1950. Vintage gelatin silver print, 9 3/4 x 7 3/4 inches (247 x 197 mm), the verso with the artist’s stamp, titled and annotated (“Italy E-5”) in pencil. Several fingerprints, small marks and scratches viewed in raking light. Unframed. C The Patricia and Donald Oresman Collection $600-900

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556 556 SHAHN, BEN (1898-1969) [Rikers Island Prison-Prisoners Reading News], 1932. Vintage gelatin silver print, flush-mounted, 6 x 8 7/8 inches (152 x 226 mm), verso signed, dated, numbered 21 and annotated (“I Prisoners”) in pencil by the artist’s wife. A few minor defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration 557 SIMMONS, LAURIE (b. 1949) Jimmy Gone Fishin’, 1990. Iris print, 21 x 14 1/4 inches (534 x 361 mm), verso signed, titled and dated in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $200-300

558 SMITH, EUGENE W. (1918 -1978) Girl Reading in Library, 1955. Vintage gelatin silver print, dry-mounted on board, 13 1/4 x 8 3/8 inches (334 x 213 mm), unsigned, stamped verso including the artist’s personal stamp, “Personal Exhibition Print” stamp, an estate stamp and others. Some toning to mount, a few minor marks noted to print surface. Unframed. GJ $1,000 C The Patricia and Donald Oresman Collection $800-1,000 See Illustration

559 SMITH, EUGENE W. (1918-1978) [Untitled], from W. Eugene Smith’s Pittsburgh Project, 1955-56. Vintage silver print, dry-mounted on card, 13 1/2 x 9 inches (341 x 227 mm), pencil annotations and stamp (“Set One”) on the verso. Retouchings, some minor wear to image noted in raking light. Unframed. An image from Smith’s vast Pittsburgh corpus, apparently from his achive, taken after he had parted ways with Life magazine. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

560 SMITH, W. EUGENE (1918-1978) [Wanda Landowska reading music], circa 1950. Vintage gelatin silver print, 17 5/8 x 12 inches (447 x 303 mm), estate stamp on verso. Handling creases noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $400-600

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561 STETTNER, LOUIS (1922-2016) Elbowing an Out of Town Newsstand, 1954. Gelatin silver print, 9 x 13 1/2 inches (227 x 315 mm), the artist’s embossed stamp below image on the recto, signed, titled, dated and annotated (“New York”) in pencil on the verso. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $800-1,200 See Illustration 562 STETTNER, LOUIS (1922-2016) Penn Station, 1956. Gelatin silver print, 14 x 8 1/2 inches (356 x 213 mm), the artist’s embossed stamp below image on the recto, signed, dated, titled and numbered 2/5 in pencil on the verso. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

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563 STETTNER, LOUIS (1922-2016) Penn Station, circa1956. Gelatin silver print, 8 3/8 x 14 inches (215 x 357 mm), the artist’s embossed stamp below image on the recto, signed, dated, titled and numbered 2/5 in pencil on the verso. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration 564 STETTNER, LOUIS (1922-2016) The Reading Wall, Paris, circa 1950. Gelatin silver print, 11 5/8 x 10 1/8 inches (293 x 255 mm), the artist’s embossed stamp below image on the recto, signed, titled and dated in pencil on the verso. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $400-600

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565 WINOGRAND, GARRY (1928-1984) Untitled (from Women are Beautiful), circa 1970. Gelatin silver print, 8 3/4 X 13 1/8 inches (223 x 334 mm), signed and numbered 33/80 in pencil on the verso. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $500-800 See Illustration 566 WINOGRAND, GARRY (1928-1984) New York City, 1968. Gelatin silver print, 8 7/8 x 13 1/4 inches (225 x 337 mm), verso signed in pencil. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $600-900 See Illustration

567 WOJNAROWICZ, DAVID (1954-1992) Arthur Rimbaud in New York, 1978-79. Gelatin silver print, printed 2004, 12 7/8 x 9 5/8 inches (328 x 246 mm), posthumous print numbered 4 from the edition of 6, with the “Estate of David Wojnarowicz” stamp, initialled TWR. A fine example, no defects noted in raking light. Framed, with the back mat with the P.P.O.W. Gallery label. The series of several hundred photographs entitled Arthur Rimbaud in New York, to which this image belongs, was Wojnarowicz’s first serious excursion into the medium of photography. In this, he was influenced by his mentor, friend and lover Peter Hujar, who had died in 1987. On his deathbed, Hujar had photographed Wojnarowicz, and Wojnarowicz Hujar. Wojnarowicz wrote of these images that he was playing with ideas of compression of ‘historical time and activity’ and fusing the French poet’s identity with modern New York urban activities, mostly illegal in nature.” The anonymous masked figures highlight the powerful resonance between Rimbaud and Wojnarowicz, who both fled broken homes, fled to the anonymity of big-city life, were gay and alienated, and died in their mid-thirties. His first publicly exhibited artwork, the series was partially published in the Soho Weekly News in June 1980. C The Patricia and Donald Oresman Collection $6,000-8,000 See Illustration

End of Sale VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89

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GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

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CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

AN AMERICAN CLASSIC IN PRESTIGIOUS SHORT HILLS

$3,899,000

This custom-built home is abundant with quality, detail, and technology. The professionally landscaped grounds provide a welcoming entrance and lush scenery. The grand foyer is a warm and inviting space boasting antique bamboo hardwood floors, vaulted and beamed ceilings, and two chandeliers that lead to many points of the seven bedroom and seven and-twohalf bath home. The large chef’s kitchen provides professional appliances and large center island. The master suite is a relaxing retreat with abundant natural light and a circular staircase to a private loft space. The guest cottage is separate from the main house and features 2-inch Vermont Flagstone, a full bath, and separate utilities.

www.79MinnisinkRd.com DANIEL CANNIZZO Broker-Associate Cell: 973-865-4144 Daniel.Cannizzo@BHHSNJ.com BHHSNJ.com/Daniel.Cannizzo Summit Office | 908-273-0400 | 392 Springfield Ave., Summit, NJ ©2018 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

L U X U R Y C O L L E C T I O N

E N C I N O O ffe red a t $8,495,000 M ar len e G eibelson • L i c # 0 1 0 7 8 4 4 1 • 8 1 8 . 6 0 6 . 8 8 2 0 M aur ice K ozak • L i c # 0 0 8 5 5 9 4 8 • 8 1 8 . 6 1 2 . 0 2 0 4

bhhscalifornia.com ©2018 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

zachys

Private Sales & Estate Planning For Your Wine Collection Zachys is committed to bringing the greatest collections to market in various ways. Auction is one of the most effective ways to maximize the value of your collection, and Zachys did nearly $80m in auction sales last year. Zachys is also a market leader in Private Sales. Zachys is uniquely suited to buy and sell collections that are better suited to private sales instead of auction because of our combined retail and auction divisions, and our Specialists throughout Asia, Europe and the United States. In 2017, Zachys did millions in private sales to collectors all over the world. Is Private Sale right for you? It may be. One of Zachys strengths is the ability to tailor a financial deal to the needs of you, the collector. Zachys is number one in auctions, for a reason: auction remains one of the best ways to sell rare wine. Consignors can take advantage of an upwards-rising market. That said, there are also reasons to consider an outright purchase or private sale. The best thing to do is speak to a Zachys Specialist, discuss your goals and outline a plan of action together. Estate Planning The best way to deal with the liquidation of a wine collection at some point in the future, is to plan now. In estate planning, too often the wine collection is forgotten, and this can be a huge mistake. From logistics to finances and sale strategy, Zachys can help plan the liquidation of a cellar far in advance. Start a conversation today with a Zachys specialist. You might be surprised to learn of all of the ways we can help. Zachys Wine Specialists are ready to assist you with all of your wine needs, whether consignment or sale.

Jeff Zacharia President jzacharia@zachys.com

Jamie Pollack Global Managing Director jpollack@zachys.com

Stuart Jakub Shoshana Filene Senior Specialist, New York Senior Specialist, New York sjakub@zachys.com sfilene@zachys.com

zachys

Fritz Hatton Senior Advisor fhatton@zachys.com

Charles Antin Senior International Specialist, New York cantin@zachys.com

Terrence Tang Head of Asia, Hong Kong ttang@zachys.com

Christy Erickson Head of Europe, Paris cerickson@zachys.com

Kim Busch Specialist, New York kbusch@zachys.com

Austin Zhang Sales Director, China xzhang@zachys.com

Ching Wong Specialist, Hong Kong cwong@zachys.com

Dora Kam Specialist, Hong Kong dkam@zachys.com

® New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

AUCTION SCHEDULE NOVEMBER

DECEMBER

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, November 13 at 10am Exhibition: November 10 – 12

DOYLE AT HOME /HOLIDAY GIFTS / JEWELRY Auction: Wednesday, December 5 at 10am Exhibition: December 1 – 3

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, November 14 at 10am Exhibition: November 10 – 12 CALIFORNIA JEWELRY NYC Auction: Monday, November 19 at 10am NYC Exhibition: November 16 – 18

IMPORTANT JEWELRY Auction: Wednesday, December 12 at 10am Exhibition: December 8 – 11 PHOTOGRAPHS Auction: Thursday, December 13 at 10am Exhibition: December 8 – 11

THE ORESMAN COLLECTION Auction: Tuesday, November 20 at 10am Exhibition: November 16 – 18

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

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