Prints & Multiples - 10.22.18 by Doyle

PRINTS & MULTIPLES

Monday, October 22, 2018

NEW YORK

PRINTS & MULTIPLES

AUCTION Monday, October 22, 2018 at 10am

EXHIBITION Friday, October 19, 10am – 5pm Saturday, October 20, 10am – 5pm Sunday, October 21, Noon – 5pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

INCLUDING PROPERTY FROM THE ESTATES OF Joseph Bedics, Sr. Swanhild N. Castle Norman Dorsen An East Hampton Collection David Follett Hilda U. and Rudolph Forchheimer Alvin B. Glaser Sidney B. Jacques Carol Lesnor Dorothy Lewis 2013 Irrevocable Trust Edwin P. McLaury Jesse Mines Lucille and Charles Plotz Felice Ross Barbara Wainscott The James P. and Joan M. Warburg Collection

INCLUDING PROPERTY FROM A Private New York Collector The Collection of Charlotte Bergman The Collection of Margo Howard A La Jolla Family Collection The Collection of Mrs. Arthur J. Lelyveld A New England Collection

CONTENTS Prints

1-254

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PRINTS & MULTIPLES

Lot 86

1 part

2 part

3 6

DOYLE • OCTOBER 22, 2018 • NEW YORK

1 Josef Albers (1888-1976) FORMULATION: ARTICULATION (SEE DANILOWITZ APPENDIX C) 24 color screenprints, 1972, on 12 sheets of Mohawk Superfine Bristol paper (folded as issued), edition of 1000, from the same-titled portfolio, with title page, co-published by Harry N. Abrams, Inc., New York and Ives-Sillman, Inc., New Haven, with full margins, unframed. Sheets folded 15 x 20 inches; 381 x 508 mm. C $3,000-4,000 2 William Anastasi (b. 1933) COMPOSITIONS Set of ten etchings, on Rives BFK paper, signed and numbered 8/30 in pencil, with full margins, in original black linen-covered portfolio. Each 11 1/8 x 11 3/8 inches; 283 x 289 mm. Sheets 21 1/2 x 19 3/4 inches; 546 x 502 mm. C $2,000-3,000

3 Karel Appel (1921-2006) UNTITLED Hand-painted wood multiple, signed in blue paint on the front and numbered 6/25 in orange paint on the side. 23 1/2 x 16 1/4 x 7 inches; 597 x 413 x 178 mm. C $7,000-10,000 4 Ida Applebroog (b. 1929) FATTY, FATTY, TWO BY FOUR Photogravure printed in red, 1995, on Okawara paper, signed, dated and numbered 3/50 in pencil, published by The Metropolitan Museum of Art, New York, the full sheet, framed. Sheet 44 3/8 x 25 3/4 inches; 1127 x 654 mm. C $900-1,200

5 John Taylor Arms (1887-1953) IN MEMORIAM (FLETCHER 317) Etching, 1939, on J. Whatman paper, signed and dated in pencil, edition of 312, from the second state of two, with full margins, framed. 14 5/8 x 12 inches; 371 x 305 mm. Sheet 20 x 15 3/8 inches; 508 x 391 mm. C Estate of Edwin P. McLaury $700-1,000

6 Francis Bacon (1909-1992) STUDY FOR BULLFIGHT NO. 1 (SABATIER 29) Color lithograph, 1990, on wove paper, signed in pencil, total edition of 155, from Miroir de la Tauromachie, published by Daniel Lelong, Paris, the full sheet, framed. Sheet 18 7/8 x 14 1/4 inches; 479 x 362 mm. C $10,000-15,000

6 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7

7 part

8 part

7 Peggy Bacon (1895-1987) PEANUTS; OUTING (FLINT 94; 103) Lithographs, 1930 and 1931, respectively, signed and titled, the second dated and located Munich, in pencil, with full margins, the second unframed. (2) Larger 10 1/4 x 13 inches; 260 x 330 mm. C $1,000-1,500 8 Balthus (1908-2001) JEUNE FILLE ASSISE; JEUNE FILLE SUR UN FAUTEUIL Lithographs, 1994, on Arches paper, signed and numbered 101/150 in pencil, from Dessins, published by Editions de la Tempête and Enrico Navarra, Paris, with full margins, framed. (2) Larger 17 3/8 x 25 3/8 inches; 441 x 645 mm. C $1,500-2,000

DOYLE • OCTOBER 22, 2018 • NEW YORK

9 Mary Bauermeister (b. 1934) SKETCH FOR TANGLEWOOD Hand-colored offset lithograph and collage, 1966, signed and numbered 55/225 in brown ink, from New York International, portfolio published by Tanglewood Press, New York, the full sheet, framed. Overall 18 x 23 x 4 inches; 457 x 584 x 102 mm. C Estate of Felice Ross $2,000-3,000

10 George Bellows (1882-1925) ARRANGEMENT, EMMA IN A ROOM (MASON 112) Lithograph, 1921, on China paper, signed in pencil, also signed and inscribed imp by the printer, Bolton Brown, in pencil, from the edition of 43, with full margins, framed. 9 3/8 x 7 1/4 inches; 238 x 184 mm. Sheet 11 1/8 x 9 1/4 inches; 283 x 235 mm. C $800-1,200

11 Georges Kugelmann Benda MISTINGUETT Color lithograph, 1913, published by Philippe G. Dreyfus, Paris, with full margins, framed. Image 58 x 43 3/4 inches; 1473 x 1111 mm. â&#x20AC;¢ $700-1,000 12 Frank Weston Benson (1862-1951) ELIZABETH; DARK POOL; SOARING FISH HAWK; DEER HUNTER; TURNSTONES; YELLOWLEGS IN SUNLIGHT; ESSEX MARSHES; PINTAILS PASSING; RAIN SQUALL (PAFF 150; 189; 225; 229; 283; 285; 291; 300; 317) Etchings and drypoints, 1918-1931, signed in pencil, from the editions of 150, with full margins, unframed. (9) Largest 15 x 9 7/8 inches; 381 x 251 mm. C $2,000-3,000

12 part

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16 13 Thomas Hart Benton (1889-1973) RAINY DAY (FATH 23) Lithograph, 1938, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, unframed. 8 3/4 x 13 3/8 inches; 222 x 340 mm. Sheet 12 x 16 inches; 305 x 406 mm. C $1,500-2,500

14 Thomas Hart Benton NEBRASKA EVENING (F. 45) Lithograph, 1941, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed. 10 1/8 x 13 1/8 inches; 257 x 333 mm. Sheet 11 3/4 x 15 inches; 298 x 381 mm. C $1,500-2,500 15 Georges Braque (1882-1963) THÉOGONIE (VALLIER 20 g) Etching, 1932, on wove Hollande Van Gelder paper, signed in brown pencil, an epreuve d’etat (aside from the edition of 50), from La Théogonie d’Hésoide, published by Vollard, Paris, with full margins, framed. 14 1/2 x 11 3/4 inches; 368 x 298 mm. Sheet 21 x 15 inches; 533 x 381 mm. C $1,500-2,500 16 Georges Braque OISEAU DES FORÊTS (OISEAU XVII) (V. 127) Color lithograph, 1958, on Arches paper, signed and numbered 56/75 in pencil, published by Nicolas Rauch, Geneva, with full margins, framed. 15 3/4 x 18 1/8 inches; 400 x 460 mm. Sheet 28 1/2 x 21 1/4 inches; 724 x 540 mm. C $2,000-3,000

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17 Georges Braque OISEAU EN VOL (V. 135) Aquatint, 1958, on japon nacré paper, signed and numbered IV/X in pencil, from Août, published by Louis Broder, Paris, with full margins, framed. 5 1/8 x 8 1/8 inches; 130 x 206 mm. Sheet 9 3/4 x 12 3/4 inches; 248 x 324 mm. C $800-1,200 18 Georges Braque NATURE MORTE À LA MUSIQUE (V. 181) Color woodcut, 1962, on wove paper, signed and inscribed H.C. in pencil, from Si je mourais là-bas, with full margins, framed. 8 1/4 x 12 1/2 inches; 210 x 318 mm. Sheet 14 3/8 x 18 3/4 inches; 365 x 476 mm. C $1,500-2,500 19 After Georges Braque CHAR AUX CHEVAUX NOIR Color lithograph, circa 1950, on wove paper, signed and numbered 53/75 in pencil, with full margins, framed. 12 5/8 x 9 3/4 inches; 321 x 248 mm. Sheet 15 x 11 inches; 381 x 279 mm. C $700-1,000

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20 Gerald Leslie Brockhurst (1890-1978) ADOLESCENCE (FLETCHER 75) Etching, 1932, signed in pencil, from the edition of 90, with full margins, unframed. 14 5/8 x 10 3/8 inches; 371 x 264 mm. Sheet 18 x 13 3/8 inches; 457 x 340 mm. C $10,000-15,000

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21 part

21 Bernard Brussel-Smith (1914-1989) SWINGERS; SHORE LEAVE Wood engravings (the first printed in color), signed, titled and numbered 12/70 and 2/50, respectively, in pencil, with full margins, framed. (2) Larger 16 x 10 3/8 inches; 406 x 264 mm. C A New England Collection $700-1,000 22 Alexander Calder (1898-1976) STABILE Color lithograph, 1963, on Rives BFK paper, signed and numbered 12/90 in pencil, with full margins, framed. Sheet 18 7/8 x 25 1/2 inches; 479 x 648 mm. C $800-1,200 23 Alexander Calder SANTA CLAUS Etching, 1974, on Arches paper, signed and numbered 129/175 in pencil, from the same-titled portfolio, published by Éditions de l’Herne, Paris, with full margins, framed. 18 5/8 x 13 3/4 inches; 473 x 349 mm. Sheet 25 7/8 x 19 7/8 inches; 657 x 505 mm. C $500-700 23

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24 Alexander Calder FRONTISPIECE Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, unframed. Sheet 21 7/8 x 29 3/4 inches; 556 x 756 mm. C Estate of Joseph Bedics, Sr. $1,000-1,500

25 Alexander Calder GREY ELIPSE Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, unframed. Sheet 22 x 29 7/8 inches; 559 x 562 mm. C Estate of Joseph Bedics, Sr. $1,000-1,500 26 Alexander Calder BLACK LINES Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, unframed. Sheet 22 x 29 7/8 inches; 559 x 759 mm. C Estate of Joseph Bedics, Sr. $1,000-1,500

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28 part

29 part 27 Massimo Campigli (1845-1971) L’ATTESA (MELONI/TAVOLA 151) Color lithograph, 1953, on Rives BFK paper, signed, dated and numbered 42/95 in pencil, with full margins, framed. 23 x 17 1/8 inches; 584 x 435 mm. Sheet 25 3/4 x 19 3/4 inches; 654 x 502 mm. C Estate of David Follett $700-900

28 Patrick Caulfield (1936-2005) LAMPSHADE; SMALL WINDOW; COAL FIRE (CRISTEA 13; 15; 17) Color screenprints, 1969, on smooth wove paper, signed and numbered 24/75, 39/75 and 55/75, respectively, in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Leslie Waddington Prints, London, the full sheets, unframed. (3) Sheets approximately 14 x 12 1/8 inches; 356 x 308 mm. Provenance: Berry-Hill Galleries, New York C $3,000-4,000

29 Patrick Caulfield ROSÉ BOTTLE; EVENING MENU (C. 43; 46) Color screenprints, 1975, on wove paper, signed and numbered 70/70 in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Waddington Graphics, London, the full sheets, unframed. (2) Sheets approximately 30 1/2 x 40 3/8 inches; 775 x 1026 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500

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30 part 32 30 Patrick Caulfield CIGAR; GREY PIPE (CRISTEA 57; 64) Color screenprints, 1978 and 1981, on wove paper, signed, numbered 5/75 and 26/75, respectively, in pencil, printed by Kelpra Studio, London and with their blindstamp or inkstamp verso, published by Waddington Graphics, London, with full margins, unframed. Larger 19 1/4 x 20 1/4 inches; 489 x 514 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500 31 Patrick Caulfield FERN POT; PLANT POT (C. 59; 61) Color screenprints, 1979-80, on wove paper, signed and numbered 37/65 and 77/100, respectively, in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Waddington Graphics, London and with their blindstamp, the full sheets, unframed. (2) Sheets approximately 33 x 23 3/8 inches; 838 x 594 mm.

31 part

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Provenance: Berry-Hill Galleries, New York C $700-1,000

32 Marc Chagall (1887-1985) LE LION ET L’ÀNE CHASSANT (CRAMER 22) Etching, 1927-30, on wove paper, signed and inscribed H.C. in pencil (aside from the numbered edition of 100), from Les Fables de la Fontaine, published by Tériade, Paris, with full margins, framed. 11 5/8 x 9 5/8 inches; 295 x 244 mm. Sheet 15 1/4 x 11 7/8 inches; 387 x 302 mm. C $800-1,200

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33 Marc Chagall DER ESEL ÜBER DEM DORF (KORNFELD 100) Hand-colored etching and aquatint, 1951-52, on wove paper, signed in pencil, one of approximately 40 impressions with hand-coloring, with full margins, framed. 10 7/8 x 7 5/8 inches; 276 x 194 mm. Sheet 12 1/8 x 9 inches; 308 x 229 mm. C $4,000-6,000

34 Marc Chagall LE COQ ROUGE (MOURLOT 60) Color lithograph, 1952, on wove paper, signed and numbered 132/200 (?) in pencil (the number faint), published by Derrière le Miroire, Paris, with full margins, framed. Sheet 14 7/8 x 21 7/8 inches; 378 x 556 mm. C $1,500-2,500

35 Marc Chagall LE CHEVAL BRUN (M. 61) Color lithograph, 1952, on wove paper, signed and numbered 5/200 in pencil, published by Maeght, Paris, with full margins, framed. Sheet 14 7/8 x 21 7/8 inches; 378 x 556 mm. C $1,500-2,500

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36 36 Marc Chagall BOUQUET À LA TOUR EIFFEL (M. 222) Color lithograph, 1958, on Arches paper, signed and numbered 47/90 in pencil, published by Maeght, Paris, with full margins, framed. Sheet 26 7/8 x 20 1/2 inches; 683 x 521 mm. C $15,000-20,000

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38 part

37 Marc Chagall LE SONGE DU PEINTRE (M. 489) Color lithograph, 1967, on Arches paper, signed and numbered 9/50 in pencil, with full margins, framed. 29 1/4 x 22 1/2 inches; 743 x 572 mm. Sheet 34 1/2 x 26 inches; 876 x 660 mm. C $5,000-7,000 38 Marc Chagall CHAGALL LITHOGRAPHE I-III (M. 281-292; 391-399; 401-402; 577-578; C. BOOKS 43; 56; 77) Three volumes with 25 of 26 lithographs, 1960-1969, bound (as issued), with complete text in English, published by André Sauret, Monte Carlo, the full sheets. Each overall 13 x 10 inches; 330 x 254 mm. C $800-1,200 39 After Marc Chagall SIRÈNE ET POISSON (SORLIER 8) Color lithograph by Charles Sorlier, 1967, on Arches paper, signed and numbered 121/150 in pencil, from Nice et la Côte D’Azur, with full margins, framed. 24 1/8 x 18 inches; 613 x 457 mm. Sheet 29 x 20 3/4 inches; 737 mm. C $7,000-10,000

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40 After Marc Chagall AVENUE DE LA VICTOIRE À NICE (S. 31) Color lithograph by Charles Sorlier, 1967, on Arches paper, signed and numbered 50/150 in pencil, from Nice et la Côte d’Azur, with full margins, framed. 23 3/4 x 17 7/8 inches; 603 x 454 mm. Sheet 29 1/4 x 21 inches; 743 x 533 mm. C $8,000-12,000 41 After Marc Chagall THE MAGIC FLUTE (S. 38) Color lithograph by Charles Sorlier, 1967, from the edition of 3000, published by Editions of the Metropolitan Opera, New York, with full margins, framed. Sheet 39 7/8 x 25 7/8 inches; 1013 x 657 mm. C Property from an East Hampton Collection $1,000-1,500 42 After Marc Chagall CARMEN (S. 39) Color lithograph by Charles Sorlier, 1967, from the edition of 3000, published by Editions of the Metropolitan Opera, New York, with full margins, framed. Sheet 39 5/8 x 25 3/4 inches; 1006 x 654 mm. C Property from an East Hampton Collection $1,200-1,800

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43 Eduardo Chillida (1924-2002) CONTINUATION III (VAN DER KOELEN 66005) Etching, 1966, on Rives BFK paper, signed and numbered 35/50 in pencil, published by Maeght, Paris, with full margins, framed. 7 x 9 1/2 inches; 178 x 241 mm. Sheet 17 7/8 x 22 1/2 inches; 454 x 572 mm. C Estate of Felice Ross $2,500-3,500 44 Christo and Jeanne-Claude WRAPPED BUILDING, PROJECT #1 FOR TIMES SQUARE, ALLIED CHEMICAL TOWER, NEW YORK (SCHELLMANN 154) Color lithograph and collage, 1991, on Arches wove paper on Museum Board, signed and inscribed LP 12/25 in pencil, printed by Landfall Press, Inc., Chicago and with their inkstamp and the artistâ&#x20AC;&#x2122;s copywright inkstamp verso, published by Saint-Guillaume Gallery, Tokyo, the full sheet, framed. 39 1/2 x 25 inches; 1007 x635 mm. C From the Collection of Margo Howard $3,000-5,000

45 Francesco Clemente (b. 1952) UNTITLED Color woodcut, 1984, on Kosa Tozo paper, signed and numbered 118/200 in pencil, published by Crown Point Press, Oakland and with their blindstamp, with full margins, framed. 14 1/4 x 20 1/8 inches; 362 x 511 mm. Sheet 17 x 22 5/8 inches; 432 x 575 mm. C $1,200-1,800 45

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46 part

46 John Coburn (1925-2006) WASTELAND; SUMMER GARDEN; GARDEN OF DESIRE Color screenprints, 1976, on wove paper, signed, dated, titled and numbered 4/40, 29/40 and 46/50, respectively, in pencil, with full margins, unframed. (3) Largest 27 1/2 x 42 3/8 inches; 699 x 1076 mm. C Dorothy Lewis 2013 Irrevocable Trust $700-1,000 47 Miguel Covarrubias (1904-1957) RUMBA Lithograph, 1942, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, unframed. 9 1/4 x 13 1/2 inches; 235 x 343 mm. Sheet 12 x 15 7/8 inches; 305 x 403 mm. C $1,500-2,500 48 Lucas Cranach (1472-1553) THE PENANCE OF ST. JOHN CHRYSOSTOM (BARTSCH, HOLLSTEIN 1) Engraving, 1509, on cream laid paper with Coat of Arms watermark, a very good impression, with thread margins or trimmed to or just within the platemark, framed. Sheet 9 15/16 x 7 7/8 inches; 252 x 200 mm. C $2,000-3,000 48

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49 Gene Davis (1920-1985) SMITHSONIAN I Color screenprint, 1980, on wove paper, signed and numbered 184/200 in pencil, published for the Smithsonian Resident Associates Program, Washington, D.C. and with their blue inkstamp, with full margins, framed. 35 3/4 x 32 1/2 inches; 908 x 826 mm. C $800-1,200

50 Dorothy Dehner (1901-1994) LUNAR SERIES #6 Lithograph, 1971, on Arches paper, signed, dated, titled, numbered 5/20 and dedicated in pencil, the full sheet, framed. Sheet 24 x 36 inches; 610 x 914 mm. C $800-1,200

51 Dorothy Dehner COMPOSITION Color screenprint, 1974, signed, dated and inscribed Artistâ&#x20AC;&#x2122;s Proof in pencil, with full margins, framed. 9 x 22 1/8 inches; 229 x 562 mm. C $600-800

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52 Sonia Delaunay-Terk (1885-1979) CARRÉ NOIR Color lithograph, 1968, on Rives BFK paper, signed, dated and numbered 20/100 in pencil, with full margins, unframed. 21 1/2 x 15 1/4 inches; 546 x 387 mm. Sheet 25 3/4 x 19 7/8 inches; 654 x 505 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,000 53 Sonia Delaunay-Terk CIRCULAR COMPOSITION Color etching and aquatint, circa 1970, on Arches paper, signed and numbered 15/125 in pencil, with full margins, framed. 19 1/2 x 15 5/8 inches; 495 x 397 mm. Sheet 25 7/8 x 19 7/8 inches; 657 x 505 mm. C $1,500-2,500

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54 Sonia Delaunay-Terk VENISE Color etching and aquatint, 1969, on wove paper, signed and numbered 3/125 in pencil, with full margins, framed. 19 1/2 x 15 5/8 inches; 495 x 397 mm. Sheet 26 x 20 7/8 inches; 660 x 530 mm. C $1,500-2,500

55 Sonia Delaunay-Terk VENISE Color lithograph, 1969, on wove paper, signed and numbered 15/75 in pencil, with full margins, unframed. 20 3/4 x 15 3/8 inches; 527 x 391 mm. Sheet 25 5/8 x 19 3/4 inches; 651 x 502 mm. C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 56 Sonia Delaunay-Terk COMPOSITION Color etching and aquatint, 1970, on wove paper, signed, dated and numbered 57/75 in pencil, with full margins, framed. 19 3/8 x 15 5/8 inches; 492 x 397 mm. Sheet 26 x 19 7/8 inches; 660 x 505 mm. C $1,000-1,500 57 Sonia Delaunay-Terk CATHĂ&#x2030;DRALE Color lithograph, 1971, on wove paper, signed, dated and inscribed E.A. II in pencil, with full margins, unframed. 23 7/8 x 17 3/8 inches; 606 x 441 mm. Sheet 29 7/8 x 22 1/8 inches; 759 x 562 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500 57 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 25

58 Sonia Delaunay-Terk HIPPOCAMPE Color lithograph, 1971, on Arches paper, signed and inscribed H.C. 23/25 in pencil, with full margins, unframed. 21 3/4 x 16 1/2 inches; 552 x 419 mm. Sheet 25 7/8 x 19 3/4 inches; 657 x 502 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500 59 Sonia Delaunay-Terk COMPOSITION Color pochoir, 1973, on Veritable Papier D’Arches Torchon paper, signed and numbered 11/20 in pencil, from Les Illuminations, with full margins, framed. 17 1/8 x 14 7/8 inches; 435 x 378 mm. Sheet 20 3/8 x 14 7/8 inches; 518 x 378 mm. C $1,200-1,800 60 Richard Diebenkorn (1922-1993) FLOTSAM Aquatint and drypoint, 1991, on Rives Heavyweight Buff paper, signed, dated and numbered 9/85 in pencil, published by Crown Point Press, with full margins, framed. 24 x 18 inches; 610 x 457 mm. Sheet 34 x 26 1/2 inches; 864 x 673 mm. C $800-1,200 59

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61 part

61 Jim Dine (b. 1933) [PLIERS]; [HAMMER] (SEE WILLIAMS COLLEGE 63-92) Etchings, 1972, on Crisbrook Waterleaf paper, signed, dated and inscribed A/P in pencil (one of three artist’s proofs aside from the numbered edition of 10), from Thirty Bones of My Body, published by Petersburg Press, London, the full sheets, framed. Each 9 x 6 inches; 229 x 152 mm. Sheets 31 x 22 inches; 787 x 559 mm. C $1,500-2,500 62 Kees van Dongen (1877-1968) CÉRÈS (BUSTE DE FEMME) (JUFFERMANS JM 8) Color heliogravure and offset lithograph, 1948, on Rives BFK paper, signed and numbered 131/200 in pencil, published by Éditions Carmen Guillard, Paris, with full margins, unframed. 22 3/4 x 18 1/8 inches; 577 x 461 mm. Sheet 29 3/4 x 22 1/4 inches; 756 x 565 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 63 Kees van Dongen CLAUDINE (MLLE OEUIE DE LYNX) (J. JL 28) Color lithograph, circa 1950, on wove paper, signed and inscribed E. A. 7/24 in pencil (aside from the numbered edition of 150), with full margins, unframed. 13 7/8 x 9 1/4 inches; 352 x 240 mm. Sheet 21 1/8 x 15 3/4 inches; 537 x 400 mm. C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

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64 Kees van Dongen LE BONHEUR (JEAN-MARIE WITH HAT AND PIPE) (SEE J. P. 175) Color lithograph, 1955, on Arches paper, signed in blue crayon and inscribed 32/46 E. A. in pencil (aside from the edition of unknown size), with full margins, unframed. 20 1/2 x 17 3/4 inches; 521 x 451 mm. Sheet 28 x 20 3/8 inches; 711 x 518 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,200-1,800 65 Kees van Dongen LE CARROUSEL (LE CHAMPS-ÉLYSÉES) (J. JL 39) Color lithograph, 1963, on Rives BFK paper, signed in blue ballpoint pen, numbered 40/100 in black ink, with full margins, unframed. 22 x 18 3/8 inches; 559 x 467 mm. Sheet 30 x 22 1/4 inches; 762 x 565 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500

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66 Kees van Dongen BRIGITTE BARDOT (J. JL 42B) Color lithograph, 1964, on Arches paper, signed in blue ballpoint pen, numbered 11/150 in pencil, published by the Musée Galliera, Paris, with full margins, unframed. 22 7/8 x 17 3/8 inches; 581 x 441 mm. Sheet 28 7/8 x 21 7/8 inches; 733 x 556 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500

69 67 Kees van Dongen FEMME SUR LA PLAGE, TROUVILLE (J. JL 43) Color lithograph, 1966, on wove paper, signed and numbered 94/99 in pencil, with full margins, unframed. 20 1/2 x 17 1/2 inches; 521 x 445 mm. Sheet 29 7/8 x 22 inches; 759 x 559 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,000

68 Jean Dubuffet (1901-1985) CHAT FURIEUX (WEBEL 359) Lithograph, 1953, on Arches paper, signed, dated, titled and numbered 6/20 in pencil, published by the artist, Paris, with full margins, framed. 10 7/8 x 16 inches; 276 x 406 mm. Sheet 15 x 19 3/4 inches; 381 x 502 mm. C Estate of Felice Ross $3,000-5,000

69 James Ensor (1860-1949) LE COMBAT DES POUILLEUX DÉSIR ET RISSOLÉ (DELTEIL, CROQUEZ, TAEVERNIER, ELESH 19) Etching and drypoint, 1888, on simili-Japan paper, signed, dated and titled in pencil, countersigned and titled verso, from the second state of three, with full margins, unframed. 9 3/8 x 11 3/8 inches; 238 x 289 mm. Sheet 14 1/2 x 19 inches; 368 x 483 mm. C Estate of Sidney B. Jacques $2,000-3,000

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70 James Ensor LES BONS JUGES (D. 86; CR., T., E. 88) Etching and drypoint, 1894, on simili-Japan paper, from the first state of two, with full margins, unframed. 7 x 9 3/8 inches; 178 x 238 mm. Sheet 12 7/8 x 19 3/4 inches; 327 x 502 mm. C Estate of Sidney B. Jacques $1,000-1,500 71 James Ensor BATAILLE DES ÉPERONS D’OR (D. 95; CR., T. 96; E. 98) Etching, 1895, on simili-Japan paper, signed in pencil, titled in pencil verso, with full margins, unframed. 7 1/8 x 9 3/8 inches; 181 x 238 mm. Sheet 9 5/8 x 12 1/2 inches; 244 x 318 mm. 70

Ex-collection: Pierre Demany (Lugt 780b) C Estate of Sidney B. Jacques $1,500-2,500 72 James Ensor LE ROI PESTE (D., CR., T. 100; E. 102) Hand-colored etching, 1895, on simili-Japan paper, signed and dated in pencil, countersigned and titled in pencil verso, with wide margins, unframed. 3 7/8 x 4 1/2 inches; 98 x114 mm. Sheet 9 3/8 x 9 3/4 inches; 238 x 248 mm. C Estate of Sidney B. Jacques $1,000-1,500

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74 part 73 Sam Francis (1923-1994) SPLEEN (YELLOW) (LEMBARK L.131) Lithograph printed in yellow, 1971, on Special Copperplate paper, signed and numbered 4/24 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, framed. Sheet 35 1/8 x 79 inches; 892 x 2007 mm. C $4,000-6,000

75 74 Elisabeth Frink (1930-1993) CORRIDA I-III; CORRIDA V; REJONEADORA I-III (WISEMAN 78-80; 82-85) Color lithographs, 1972, on T.H. Saunders paper, signed and numbered 67/72 (3), 61/72, 62/72, 28/72 and 43/72 in pencil, from Corrida, published by Leslie Waddington Prints Ltd., London, the full sheets, unframed. (7) Sheets approximately 22 5/8 x 30 1/2 inches; 575 x 775 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500

75 Elisabeth Frink GOGGLED HEAD (W. 86) Color etching, 1973, signed, titled and numbered 12/52 in pencil, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd., London, with full margins, unframed. 21 7/8 x 17 3/8 inches; 556 x 441 mm. Sheet 36 1/4 x 25 5/8 inches; 921 x 651 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500

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76 part

77 77 Elisabeth Frink STRAWBERRY ROAN (W. 122) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 35/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their blindstamp, with full margins, unframed. 21 3/8 x 27 1/8 inches; 543 x 689 mm. Sheet 26 5/8 x 35 3/4 inches; 676 x 908 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500

78 76 Elisabeth Frink HONEY BUZZARD; LAMMERGEIER (W. 108; 115) Color etching and aquatint, 1974, on J. Green paper, signed and numbered 30/50 and 36/50, respectively, in pencil, from Birds of Prey, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd., London, with full margins, unframed. Each 21 1/4 x 18 1/2 inches; 540 x 470 mm. Each sheet approximately 36 x 25 3/4 inches; 914 x 654 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500

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78 Elisabeth Frink ROLLING OVER HORSE (W. 123) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 59/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their blindstamp, with full margins, unframed. 21 3/8 x 27 1/8 inches; 543 x 689 mm. Sheet 26 5/8 x 35 3/4 inches; 676 x 908 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500

79 Elisabeth Frink VISZLA A (W. 124) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 35/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their blindstamp, with full margins, unframed. 21 3/8 x 27 inches; 543 x 686 mm. Sheet 26 7/8 x 35 5/8 inches; 683 x 914 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500 80 Elisabeth Frink VISZLA B (W. 125) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 51/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their blindstamp, with full margins, unframed. 21 1/2 x 27 1/8 inches; 546 x 689 mm. Sheet 26 7/8 x 35 7/8 inches; 683 x 911 mm.

Provenance: Berry-Hill Galleries, New York C $1,000-1,500 81 Sam Gilliam (b. 1933) PHILADELPHIA Oil and collage on screenprint, 1987, signed, dated and numbered 21/30 in ink, the full sheet, framed. Sheet 34 x 42 3/4 inches; 864 x 1086 mm. C $1,500-2,500

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83 82 Adolph Gottlieb (1903-1974) PINK HIGH (ASSOCIATED AMERICAN ARTISTS 63) Color screenprint, 1969, on smooth wove paper, signed, dated and numbered 11/95 in pencil, published by Marlborough Graphics, Inc., New York, the full sheet, framed. Sheet 23 1/2 x 18 5/8 inches; 597 x 473 mm. C $1,000-1,500 83 Jonathan Green (b. 1955) DAUGHTERS OF THE SOUTH Color lithograph, 1994, on Arches paper, signed and numbered 65/250 in pencil, published by Mojo Portfolio, New York, and with their blindstamp, with full margins, framed. 24 1/2 x 23 7/8 inches; 622 x 606 mm. Sheet 30 7/8 x 27 7/8 inches; 784 x 708 mm. C $1,000-1,500 84 Jonathan Green FIRST SUNDAY Color lithograph, 1995, on Arches paper, signed and numbered 106/250 in pencil, published by Mojo Portfolio New York, with full margins, framed. 19 x 18 1/2 inches; 483 x 470 mm. Sheet 24 7/8 x 22 1/4 inches; 632 x 565 mm. C $1,500-2,500

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85 Childe Hassam (1850-1935) WASHINGTON’S BIRTHDAY, FIFTH AVENUE AND 23RD STREET (CORTISSOZ/CLAYTON 210) Etching, 1916, signed with the artist’s cipher and inscribed imp in pencil, from the second state of two, with full margins, framed. 12 3/4 x 7 inches; 324 x 178 mm. Sheet 13 5/8 x 8 3/8 inches; 346 x 213 mm. C $6,000-8,000 86 Childe Hassam GIRL IN A MODERN GOWN (C./C. 210) Etching and drypoint, 1922, on cream wove paper, signed with the artist’s cipher and inscribed imp in pencil, with margins, framed. 10 7/8 x 6 7/8 inches; 276 x 175 mm. Sheet 13 3/4 x 8 3/8 inches; 349 x 213 mm. Ex-collection: Frieda Lowinson (not in Lugt) C $4,000-6,000 87 Al Held (b. 1929) SHOLES I; SHOLES II Color screenprints, signed and numbered 3/80 in pencil, published by the Metropolitan Museum of Art, New York and with their blindstamp, with full margins, framed. (2) Each 23 1/4 x 29 inches; 591 x 737 mm. Sheet 29 x 34 inches; 737 x 864 mm. C $1,000-1,500

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88 89

90 88 Paul César Helleu (1859-1927) PORTRAIT DE PAUL LOUIS GUÉRIN Drypoint, on cream laid Arches paper, signed and annotated in pencil, with full margins, framed. 10 3/4 x 7 3/4 inches; 273 x 197 mm. Sheet 17 1/4 x 12 inches; 438 x 305 mm. Ex-collection: Paulette Howard Johnston, née Helleu (Lugt 5166); Il Mercante di Stampe (L. 4722) Paul Louis Guérin was the brother of Helleu’s wife and favorite model, Alice Guérin. C $600-800

91 89 David Hockney (b. 1937) MO WITH FIVE LEAVES (SCOTTISH ARTS COUNCIL 125) Etching, 1971, on mould-made paper, signed, dated and inscribed A.P. in pencil (aside from the numbered edition of 75), published by Petersburg Press, London, with full margins, framed. 26 3/4 x 21 1/4 inches; 679 x 540 mm. Sheet 35 1/2 x 28 inches; 902 x 711 mm. C $3,000-5,000

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90 David Hockney IT PICKS ITS WAY (S.A.C. 202) Color etching and aquatint, 1976-77, signed and numbered 44/200 in pencil, from The Blue Guitar, published by Petersburg Press, London, with full margins, framed. 13 3/4 x 16 3/4 inches; 349 x 425 mm. C $1,000-1,500

91 Howard Hodgkin (1932-2017) AFTER DEGAS (HEENK 81) Hand-colored color intaglio and carborundum, 1990, initialed, dated and numbered 78/80 in pencil, published by the Metropolitan Museum of Art, New York, the full sheet, framed. Sheet 10 x 12 5/8 inches; 254 x 321 mm. C $4,000-6,000

92 Winslow Homer 1836-1910) MENDING THE TEARS (GOODRICH 97) Etching, 1888, on imitation Japan paper, signed with the anchor remarqué and inscribed N. A. in pencil, printed by G. W. H. Ritchie, with full margins, unframed. 17 3/8 x 23 inches; 441 x 584 mm. Sheet 24 3/4 x 30 7/8 inches; 629 x 784 mm. C $6,000-8,000 93 Ellison Hoover (1888-1955) ARC DE TRIOMPHE Lithograph printed in bluish black, circa 1930, on cream wove paper, signed in pencil, with full margins, unframed. 12 3/8 x 9 1/2 inches; 314 x 241 mm. Sheet 16 x 12 1/8 inches; 406 x 308 mm. C $700-1,000 94 Eli Jacobi (1898-1984) MIDWINTER NIGHT; BAR IN FRONT Linocuts, 1938 and 1939, respectively, on laid Japan paper, with the artist’s inkstamp, with full margins, framed. (2) First 8 x 10 inches; 203 x 254 mm. Second 9 7/8 x 8 inches; 251 x 203 mm. C A New England Collection $800-1,200

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95 Jasper Johns (b. 1930) USUYUKI (ULAE 210) Color screenprint, 1980, on Kurotani Kozo paper, signed, dated and numbered 65/90 in pencil, co-published by the artist and Simca Print Artists, Inc., New York and with the latter’s blindstamp, with full margins, framed. Sheet 52 x 19 3/4 inches; 1321 x 502 mm. Provenance: Acquired from Leo Castelli Gallery, New York, by the present owner. C $20,000-30,000

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96 Jasper Johns UNTITLED (AMERICAN CENTER) Color lithograph, 1994, on Japan paper with the American Center Paris watermark, signed and numbered 58/75 in pencil, published by ULAE, West Islip, New York and with their blindstamp, with full margins, framed. 29 1/2 x 24 1/2 inches; 749 x 622 mm. Sheet 36 1/4 x 30 1/2 inches; 921 x 775 mm. C $6,000-8,000 97 After Jasper Johns FLAG Color offset lithograph, 2012, signed in ink, published by McGaw Graphics, Inc., with text at bottom sheet edge, with full margins, framed. 8 x 11 1/2 inches; 203 x 292 mm. Sheet 11 x 14 inches; 279 x 356 mm.

The artist was a friend of the present owner. C $1,000-1,500

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98 Alex Katz (b. 1927) BICYCLE RIDER (SCHRÖDER 130; HATJE/CANTZ 154) Color lithograph, 1982, on Arches Cover paper, signed and inscribed AP VIII/X in pencil (aside from the edition of 250), from New York: Eight Contemporary Artists Celebrate Their City, published by New York Graphic Society, Ltd., Waterbury, Connecticut, the full sheet, framed. Sheet 22 x 30 inches; 559 x 762 mm. C $1,500-2,500 99 Alex Katz ALBA (H./C. 263) Color aquatint, 1992, on Somerset Textured paper, signed and numbered 37/100 in pencil, printed and published by Chalk & Vermilion Fine Arts, Greenwich, Connecticut, the full sheet, framed. Sheet 34 1/2 x 28 inches; 876 x 711 mm. C $5,000-7,000

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101

100 Charles Keller (1914-1978) SWING SHIFT Color screenprint, 1940, signed, dated, titled and inscribed 35 proofs in pencil, numbered 34/35 in ink and with the artistâ&#x20AC;&#x2122;s reproduction rights inkstamp, with full margins, framed. 9 7/8 x 18 inches; 251 x 457 mm. Sheet 14 x 22 5/8 inches; 356 x 575 mm. C $600-800

100

101 Ellsworth Kelly (1923-2015) SAINT MARTIN LANDSCAPE (AXSOM 179) Color lithograph, screenprint and collage, 1976-79, on Arches 88 and white Rives Satine papers, signed and numbered 9/39 in pencil, printed and published by Tyler Graphics, Ltd., Bedford Village and with their blindstamp, with full margins, framed. 15 1/4 x 22 inches; 387 x 559 mm. Sheet 27 x 33 5/8 inches; 686 x 854 mm. C $2,000-3,000

102 Rockwell Kent (1882-1971) GIRL ON A CLIFF (BURNE-JONES 57) Wood engraving, 1930, signed in pencil, from the edition of 1750, published by the Literary Guild of America, with good margins, framed. 6 1/2 x 4 3/4 inches; 165 x 121 mm. Sheet 9 1/2 x 7 3/8 inches; 241 x 187 mm. C $1,000-1,500

102 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39

103 R. B. Kitaj (1932-2007) EZRA POUND II (KINSMAN 69) Color screenprint, 1974, on wove paper, signed and numbered 59/70 in pencil, published by Marlborough Graphics, London, the full sheet, framed. Sheet 38 5/8 x 29 5/8 inches; 981 x 752 mm. C $800-1,200 104 R. B. Kitaj RED DANCER (K. 81) Color screenprint, 1975, on wove paper, signed and numbered 66/70 in pencil, published by Marlborough Graphics, London, the full sheet, framed. Sheet 39 3/4 x 29 1/2 inches; 1010 x 749 mm. C $1,000-1,500

103

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105 Gustav Klimt (1862-1918) POPPY FIELD Color collotype, 1931, edition of 150, from Gustav Klimt An Aftermath, published by the Austrian State Printing Office, with full margins, framed. 12 x 12 inches; 305 x 305 mm. Sheet 18 7/8 x 17 7/8 inches; 479 x 454 mm. C The Estate of Barbara Wainscott $800-1,200

105

106 KÃ¤the Kollwitz (1867-1945) SELBSTBILDNIS (KLIPSTEIN 122; KNESEBECK 126) Soft-ground etching printed in dark brown, 1912, on cream wove paper, signed in pencil, from the seventh state of seven, laid on card, with full margins, framed. 5 1/2 x 4 inches; 140 x 102 mm. Sheet 12 7/8 x 9 1/4 inches; 327 x 235 mm. C Estate of Hilda U. and Rudolph Forchheimer $800-1,000 107 Jeff Koons (b. 1955) BALLOON DOG (RED) Metallic porcelain multiple, 1995, numbered 1461/2300 on label affixed on reverse, published by The Museum of Contemporary Art, Los Angeles, 2002. 10 3/8 x 10 3/8 x 4 inches; 264 x 264 x 102 mm. C $5,000-7,000

106

107

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108 Yayoi Kusama (b. 1929) PUMPKIN (WHITE T) Screenprint, 1992, on Arches paper, signed, dated, titled in Japanese and numbered 106/120 in pencil, with full margins, unframed. 23 3/8 x 23 5/8 inches; 594 x 600 mm. Sheet 32 7/8 x 27 3/4 inches; 835 x 705 mm. C $15,000-25,000 109 Yayoi Kusama PUMPKINS Painted cast resin multiples, with stamped artist name and copyright on the underside, published by Benesse Holdings, Inc., Japan, with original boxes. (2) Each height 4 inches; 102 mm. C $1,000-1,500

108

109

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110

111

110 Le Corbusier (1887-1965) UNITÉ V Color etching and aquatint, 1953, on Rives BFK paper, signed and numbered 85/130 in pencil, from the same-titled portfolio, published by Alain C. Mazo, Paris, with full margins, unframed. 16 1/2 x 12 1/2 inches; 419 x 318 mm. Sheet 22 3/8 x 17 7/8 inches; 568 x 454 mm. C $1,000-2,000 111 Le Corbusier UNITÉ XV Color etching and aquatint, 1953, on Rives BFK paper, signed and numbered 85/130 in pencil, from the same-titled portfolio, published by Alain C. Mazo, Paris, with full margins, unframed. 16 5/8 x 12 5/8 inches; 422 x 321 mm. Sheet 22 1/2 x 17 7/8 inches; 572 x 454 mm. C $1,000-2,000 112 After Fernand Léger (1881-1955) COMPOSITION MÉCANIQUE (SAPHIRE E24) Color screenprint, 1953, signed in blue ink, numbered 244/300 in black ink, published by Édition Art d’Aujourd’hui, Boulogne, with wide margins, framed. 17 3/8 x 12 3/4 inches; 441 x 324 mm. Sheet 22 3/4 x 17 7/8 inches; 578 x 454 mm. C $1,000-1,500 112 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43

113 113 Wilhelm Lehmbruck (1881-1991) SITZENDES MÄDCHEN, KOPF GENEIGT (PETERMANN 39) Drypoint, 1912, signed in pencil, with full margins, framed. 11 5/8 x 10 1/8 inches; 295 x 257 mm. Sheet 18 3/8 x 15 1/2 inches; 467 x 394 mm. C $800-1,200

114 114 Martin Lewis (1881-1962) THE GREAT SHADOW (MCCARRON 44) Drypoint, 1925, on Rives BFK paper, signed in pencil, from the edition of 86, with (full?) margins, framed. 9 7/8 x 7 inches; 251 x 178 mm. Sheet 15 1/8 x 10 5/8 inches; 384 x 270 mm. C Estate of Alvin B. Glaser $3,000-5,000

115

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115 Sol LeWitt (1928-2007) BANDS OF LINES IN FOUR DIRECTIONS (HORIZONTAL PLATE) (KRAKOW 1993.02) Color woodcut, 1993, on Tosa-Kozo handmade paper, signed and numbered 46/125 in pencil, published by Watanabe Studio, Ltd., New York, with full margins, framed. 6 1/2 x 24 1/2 inches; 166 x 622 mm. Sheet 10 1/2 x 28 1/2 inches; 267 x 724 mm. C $1,500-2,500

116 Sol LeWitt BANDS OF LINES IN FOUR DIRECTIONS (SQUARE PLATE) (K. 1993.02) Color woodcut, 1993, on Tosa-Kozo handmade paper, signed and numbered 47/125 in pencil, published by Watanabe Studio, Ltd., New York, with full margins, framed. 12 1/2 x 12 1/2 inches; 318 x 318 mm. Sheet 16 5/8 x 16 5/8 inches; 422 x 422 mm. C $1,500-2,500

117 Roy Lichtenstein (1923-1997) INAUGURAL PRINT (CORLETT 151) Color screenprint, 1977, on Arches 88 paper, signed, dated and numbered 12/100 in pencil, from Inaugural Impressions, printed by Tyler Graphics Ltd., Bedford Village and with their blindstamp, published by the Democratic National Committee, for the Inauguration of President Jimmy Carter, with full margins, framed. 16 x 26 inches; 406 x 660 mm. Sheet 20 x 30 inches; 508 x 762 mm. C $8,000-12,000

116

117

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118 Louis Lozowick (1892-1973) STEEL VALLEY (FLINT 141) Lithograph, 1936, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed. 9 3/8 x 13 1/2 inches; 238 x 343 mm. Sheet 12 1/4 x 16 inches; 311 x 406 mm. C $1,000-1,500

118

119 After René Magritte (1898-1967) LA TRAVERSÉE DIFFICILE Color lithograph, 1968, initialed in pencil by the printer, Fernand Mourlot, from the edition of 350, with full margins, framed. 12 x 17 7/8 inches; 305 x 454 mm. Sheet 17 3/8 x 23 5/8 inches; 441 x 600 mm. C $1,000-1,500

119

120 Man Ray (1890-1976) THE ROPE DANCER ACCOMPANIES HERSELF WITH HER SHADOWS (ANSELMINO 26) Color lithograph, 1970, on Japon nacré paper, signed and numbered VI/X in pencil (aside from the numbered edition of 99), published by Michel Toselli, Paris, with full margins, framed. 19 3/4 x 27 5/8 inches; 502 x 702 mm Sheet 21 3/4 x 29 7/8 inches; 552 x 759 mm. C $1,000-1,500

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121 Man Ray DONNA; MARGUERITE; SONIA (A. 60) Color etchings and aquatints, 1971, on Arches paper, signed and numbered 42/75 in pencil, from La Ballade des Dames Hors du Temps, co-published by Leon Amiel, New York and Société Internationale d’Art XXe Siècle, Paris, with full margins, unframed. (3) Two sheets 26 x 20 inches; 660 x 508 mm. One sheet 20 x 26 inches; 508 x 660 mm. C $1,000-1,500 122 Man Ray OPTIC-TOPIC Polished brass mask with leather ties, 1974-78, incised with initials, date and number 114/100 verso, published by GEM-Montebello, Milan. 3 3/4 x 5 1/4 inches; 95 x 133 mm. C $5,000-7,000 123 John Marin (1870-1953) SANTA MARIA DELLA SALUTE, VENICE; WINDOW, VENICE; PLACE ST. JACQUES, PARIS (ZIGROSSER 53; 62; 77) Etchings, 1907, signed, the first and third numbered 28/30 and 17/25, respectively, the third titled in pencil, the second from an edition of approximately 12, with good margins, laid on card, framed. (3) Largest 7 1/4 x 5 1/4 inches; 184 x 133 mm. C $1,000-1,500

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122

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124 Reginald Marsh (1898-1954) CONEY ISLAND BEACH (SASOWSKY 159) Etching, 1935, inscribed with the artist’s name and initialed in pencil by the artist’s wife, annotated III 1/4, probably from the second state of four as the banner is still scraped, with good margins, framed. 9 x 12 inches; 229 x 305 mm. Sheet 10 5/8 x 14 1/2 inches; 270 x 368 mm C $1,000-1,500 125 Reginald Marsh SWITCH ENGINES, ERIE YARDS JERSEY CITY, STONE 3 (S. 30) Lithograph, 1947, signed in pencil, from the edition of 253, published by the Print Club of Cleveland and with their inkstamp verso, with full margins, unframed. 8 7/8 x 13 3/8 inches; 225 x 340 mm. Sheet 13 1/8 x 16 3/4 inches; 333 x 425 mm. C $800-1,200

124

126 Joan Miró (1893-1983) PETITE FILLE SAUTANT À LA CORDE, FEMMES, OISEAU (DUPIN 52) Etching, 1947, on wove paper, signed, dated and numbered 52/70 in pencil, from Portfolio Number One, published by Brunidor Editions, New York, with full margins, framed. 11 7/8 x 8 7/8 inches; 302 x 225 mm. Sheet 15 1/2 x 13 inches; 394 x 330 mm. C $3,000-5,000

125

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127

128

129 127 Joan Miró VERT SUR ROUGE (MOURLOT 215) Color lithograph, 1961, on Rives BFK paper, signed and numbered 25/30 in pencil, from Série I, printed and published by Maeght, Paris, with full margins, framed. Sheet 26 1/4 x 39 3/4 inches; 667 x 1010 mm. C $1,500-2,500

128 Joan Miró EXPOSITION PEINTURES MURALES (M. 227) Color lithograph, 1961 on wove paper, signed and numbered 25/100 in pencil, printed and published by Maeght, Paris, with full margins, framed. Sheet 27 1/2 x 19 3/8 inches; 699 x 492 mm. C A Private New York Collector $1,500-2,500

129 Joan Miró SANS LE SOLEIL (D. 404) Color etching and aquatint, 1965, on wove paper, signed and numbered 43/75 in pencil, from the same self-titled portfolio, printed and published by Maeght, Paris, with full margins, framed. Sheet 8 5/8 x 11 3/8 inches; 219 x 289 mm. C $1,000-1,500

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130

130 Joan Miró POSTER FOR THE OPENING OF MOURLOT ATELIER IN NEW YORK (M. 512) Color lithograph, 1967, on Rives BFK paper, signed and numbered 21/60 in pencil, printed and published by Mourlot, Paris, the full sheet, framed. Sheet 29 x 21 1/2 inches; 737 x 546 mm. C Property from an East Hampton Collection $3,000-4,000

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131

131 Joan Miró LES ESSÈNCIES DE LA TERRA (M. 582; SEE CRAMER BOOKS 123) Hand-colored lithograph, 1968, on Japon nacré paper, signed and numbered 69D/100 in pencil, from the edition of 100 color variants, published by Ediçiones Polígrafa, Barcelona, with full margins, framed. Sheet 19 5/8 x 14 1/4 inches; 498 x 362 mm. C $5,000-7,000

132

132 Joan Miró LE LÉZARD AUX PLUMES D’OR (M. 793) Color lithograph, 1971, on Rives BFK paper with Miró watermark, signed and numbered 93/100 in pencil, from the same-titled portfolio, published by Louis Broder, Paris, with full margins, framed. 13 1/4 x 38 1/2 inches; 337 x 978 mm. Sheet 14 1/8 x 39 3/8 inches; 359 x 1000 mm. C A La Jolla Family Collection $6,000-8,000 133 Joan Miró LA FEMME ARBORESCENTE (D. 649) Color etching and aquatint, 1974, on Arches paper, signed and numbered 8/50 in pencil, published by Maeght, Paris, the full sheet, framed. Sheet 43 3/4 x 29 1/2 inches; 1111 x 737 mm. C $10,000-15,000

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134 Joan Miró ALBUM 21, PLATE 20 (M. 1145) Color lithograph, 1978, on wove paper, signed and numbered 23/75 in pencil, from the same-titled portfolio, published by Maeght, Paris, with full margins, framed. Sheet 25 5/8 x 19 5/8 inches; 651 x 498 mm. C $1,500-2,500 135 Joan Miró ALBUM 21, PLATE 21 (M. 1146) Color lithograph, 1978, on wove paper, signed and numbered 17/75 in pencil, from the same-titled portfolio, published by Maeght, Paris, with full margins, framed. Sheet 25 5/8 x 19 5/8 inches; 651 x 498 mm. C $1,500-2,500 136 Henry Moore (1898-1986) TWILIGHT LANDSCAPE (CRAMER 28) Color lithograph, 1950, on cream wove paper, signed, dated and numbered 18/20 in pencil, from Prométhée, published by Henri Jonqières, Paris, with full margins, framed. 12 1/4 x 9 1/4 inches; 311 x 235 mm Sheet 15 x 11 1/4 inches; 381 x 286 mm. • $800-1,200

134

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136

137

137 Henry Moore THREE RECLINING FIGURES (C. 420) Color lithograph, 1975, on wove paper, signed and numbered 24/50 in pencil, published by Harry N. Abrams Inc., New York, with full margins, framed. 12 x 9 inches; 305 x 229 mm. Sheet 19 3/8 x 15 5/8 inches; 492 x 397 mm. C Estate of Hilda U. and Rudolph Forchheimer $1,000-1,500 138 Robert Motherwell (1915-1991) MADRID SUITE C (BELKNAP 11; ENGBERG/BANACH 23) Lithograph, 1966, on Arches Cover paper, signed and numbered 43/100 in red pencil, from the same-titled portfolio, printed and published by Hollander Workshop, New York and with their blindstamp, with full margins, framed. 19 3/4 x 25 5/8 inches; 502 x 651 mm. Sheet 22 3/4 x 30 inches; 578 x 762 mm. C $800-1,200

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139 Robert Motherwell THE BERGGRUEN SERIES (B. 228; E./B. 261) Color lithograph, 1979-80, on Arches Cover paper, signed and numbered 66/100 in pencil, from the same-titled portfolio, co-published by Berggruen & Cie, Paris, John Berggruen Gallery, San Francisco, and Brooke Alexander, Inc., New York with full margins, framed. Sheet 15 3/4 x 16 5/8 inches; 400 x 422 mm. C Estate of Felice Ross $1,500-2,500

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140 Robert Motherwell UNTITLED (B. 260; E./B. 293) Color lithograph and embossing, 1982, on Arches cover paper, signed and numbered 95/250 in pencil, from New York Portfolio, printed by Tyler Graphics, Ltd., Bedford Village and with their blindstamp, published by the New York Graphic Society, Greenwich, the full sheet, framed. Sheet 30 3/8 x 22 1/2 inches; 772 x 572 mm. C $1,000-1,500 141 Robert Motherwell ELEGY SKETCH (E./B. 382) Lithograph printed in sienna, 1987, on Arches cover paper, signed and numbered 9/200 in pencil (only a total edition of 17 were issued), printed and published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, with full margins, framed. Sheet 37 x 51 1/2 inches; 940 x 1308 mm. C $1,500-2,500

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142 Elizabeth Murray (1940-1997) HAT Color monotype over etching, 1991, on J. B. Green paper, signed, dated, titled and numbered 6/23 in pencil, published by ULAE, West Islip, New York and with their blindstamp, wth full margins, framed. 7 1/2 x 4 3/4 inches; 191 x 121 mm. Sheet 13 1/2 x 10 1/8 inches; 343 x 257 mm. C Estate of Felice Ross $600-800

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143 Elie Nadelman HIGH KICKER IN PROFILE (KIRSTEIN 11) Drypoint, 1920, on cream laid paper, printed in 1951, published by Curt Valentin, with good margins, framed. 8 3/8 x 4 inches; 213 x 102 mm. Sheet 14 1/8 x 9 inches; 359 x 229 mm. C $700-1,000 144 Elie Nadelman WOMANâ&#x20AC;&#x2122;S HEAD (K. 20) Drypoint, 1920, on cream wove paper, with good margins, framed. 6 7/8 x 5 inches; 175 x 127 mm. Sheet 10 x 7 1/4 inches; 254 x 184 mm. C $1,000-1,500 145 LeRoy Neiman (1921-2012) PORTRAIT OF THE LEOPARD Color screenprint, 1997, on wove paper, signed and numbered 3/425 in pencil, with full margins, framed. 24 3/4 x 29 1/2 inches; 629 x 749 mm. Sheet 32 x 35 1/2 inches; 813 x 902 mm. C $1,500-2,500

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146 Dale Nichols (1904-1995) GRAIN ELEVATOR; THE GOLDEN HARVEST; PARTNERS; THE MOUNTAIN Lithographs, 1945, 1948, 1950 and 1958, respectively, signed in pencil, from the editions of 250, published by Associated American Artists, New York, with full margins, framed. (4) Largest 9 1/2 x 13 1/4 inches; 241 x 337 mm. C $1,000-1,500

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148 Claes Oldenburg TYPEWRITER ERASER (AXSOM 64) Color offset lithograph, 1970, on Rives BFK paper, initialed, dated and numbered 59/250 in pencil, published by Paul Bianchini, New York, with full margins, framed. 19 x 8 1/8 inches; 486 x 206 mm. C $1,500-2,500

147 Claes Oldenburg (b. 1929) STRIDING FIGURE Color screenprint, 1962, on C.M. Fabriano Cotone paper, signed and numbered 11/150 in pencil, from Conspiracy: The Artist as Witness, printed by Styria Studio, New York and with their blindstamp, co-published by David R. Godine Publishers and the Center for Constitutional Rights, New York, with full margins, unframed. 21 x 14 1/4 inches; 534 x 362 mm. Sheet 28 1/2 x 20 3/4 inches; 724 x 527 mm. C $700-1,000

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149 Margaret Patterson (1868-1950) PETUNIAS Color woodcut, 1921, on Japan paper, signed, titled and numbered 7/100 in pencil, with (full?) margins, framed. 7 3/8 x 10 1/8 inches; 187 x 257 mm. Sheet 8 7/8 x 13 3/8 inches; 225 x 340 mm. C $1,000-1,500

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150 Philip Pearlstein (b. 1924) TWO NUDES ON OLD INDIAN BLANKET Etching and aquatint, 1971, on cream Arches paper, signed, dated and 20/35 in pencil, with full margins, framed. 23 3/4 x 29 1/2 inches; 603 x 749 mm. C $600-800

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151 Joseph Pennell (1857-1926) WESTMINSTER PALACE (WUERTH 509) Mezzotint, 1909, signed and inscribed imp in pencil, from the edition of 50, with margins, framed. 10 x 15 inches; 254 x 381 mm. Sheet 10 3/4 x 15 3/4 inches; 273 x 400 mm. C $800-1,200

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152 Pablo Picasso (1881-1973) PEINTRE DEVANT SON TABLEAU (BLOCH 92) Etching, 1927, on Rives BFK paper, from the unsigned edition of Le Chef—d’Oeuvre Inconnu, edition of 240 (aside from the signed and numbered edition of 99), published by Vollard, Paris, with full margins, framed. 11 x 7 3/4 inches; 279 x 197 mm. Sheet 13 x 9 7/8 inches; 330 x 251 mm. C $700-1,000 153 Pablo Picasso LE REPOS DU SCULPTEUR ET LA SCULPTURE SURRÉALISTE (B. 169) Etching, 1933, on Montval laid paper with the Vollard watermark, signed in pencil, edition of 260, from La Suite Vollard, published by Vollard, Paris, with full margins, framed. 7 3/4 x 10 5/8 inches; 197 x 270 mm. Sheet 13 3/8 x 17 1/2 inches; 340 x 445 mm. C $8,000-10,000

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154 154 Pablo Picasso FRANÃ&#x2021;OISE (MOURLOT 39) Lithograph, 1946, on wove paper, inscribed by the printer, Fernand Mourlot, with his reference 39, a proof reserved for the artist and the printer (there was no edition of this subject), the full sheet, framed. Sheet 25 1/2 x 19 1/2 inches; 25 3/8 x 19 3/4 inches; 645 x 495 mm. Provenance: William Westan Gallery, London C $10,000-15,000

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155 Pablo Picasso LE CHANDAIL BRODÉ (B. 729) Lithograph, 1953, on Arches paper, a proof aside from the signed and numbered edition of 50, with full margins, framed. Sheet 26 x 19 3/4 inches; 660 x 502 mm. C $1,000-2,000 156 Pablo Picasso LA DANSE DES FAUNES (B. 830) Lithograph printed in black and cream, 1957, on Arches paper, with the artist’s stamped signature, from the edition of 1000, with good margins, framed. 16 1/8 x 20 7/8 inches; 410 x 530 mm. Sheet 18 1/8 x 23 5/8 inches; 460 x 600 mm. • $1,000-1,500 157 Pablo Picasso LE VIEUX ROI (B. 869) Lithograph, 1959, on Arches paper, signed in blue crayon, numbered 142/200 in pencil, with full margins, framed. 25 1/2 x 19 1/2 inches; 648 x 495 mm. Sheet 30 1/4 x 22 1/8 inches; 768 x 562 mm. C From the Collection of Margo Howard $2,000-3,000

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158 Pablo Picasso LA PIQUE (BLOCH 1014) Lithograph, 1961, on Arches paper, signed in pencil and inscribed epreuve d’artiste in pencil (aside from the numbered edition of 50 and the book edition), from A Los Toros avec Picasso, published by André Sauret, Monte Carlo, with full margins, unframed. 7 3/4 x 10 1/8 inches; 197 x 257 mm. Sheet 15 x 20 1/4 inches; 381 x 514 mm. C $3,000-5,000

159 Pablo Picasso SERIES 347: 249 (B. 1729) Etching, 1968, on wove paper, signed and numbered 13/50 in pencil, from La Célestine, published by Galerie Louise Leiris, Paris, with full margins, framed. 2 3/8 x 3 3/8 inches; 60 x 86 mm. Sheet 8 7/8 x 10 1/2 inches; 225 x 267 mm. C $2,000-4,000

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160 Pablo Picasso PIERO CROMMELYNCK AVEC SA FEMME ET SA FILLE DANS L’ATELIER II (B. 1856) Etching and aquatint, 1968, on Rives paper, with the artist’s stamped signature, numbered 43/50, published by Galerie Louise Leiris, Paris in 1981, with full margins, framed. 9 x 12 7/8 inches; 229 x 327 mm. Sheet 15 x 18 1/2 inches; 381 x 470 mm. C $1,000-1,500 159

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161 Pablo Picasso TÊTE DE CHÈVRE DE PROFIL (ALAIN RAMIÉ 109) Painted and partially glazed white ceramic plate, 1950, from the edition of 60, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 10 1/8 x 10 inches; 257 x 254 mm. C The Collection of Charlotte Bergman $3,000-5,000 162 Pablo Picasso CAVALIER ET CHEVAL (A.R. 137) Painted and partially glazed white ceramic pitcher, 1952, numbered 67/300, incised Edition Picasso Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 9 1/2 inches; 241 mm. C The Collection of Charlotte Bergman $6,000-8,000 163 Pablo Picasso PITCHET YAN (A.R. 140) Painted red ceramic pitcher, 1952, from the edition of 400, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 10 inches; 254 mm. C The Collection of Charlotte Bergman $5,000-7,000 161

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164 164 Pablo Picasso TOROS (A.R. 161) Painted and partially glazed ceramic dish, 1952, from the edition of 500, incised Edition Picasso and Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 7 7/8 x 7 7/8 inches; 200 x 200 mm. C $2,000-3,000

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165 Pablo Picasso PICADOR (A.R. 162) Painted and partially glazed red ceramic pitcher, 1952, from the edition of 500, inscribed Edition Picasso Madoura on the base. Height 5 1/2 inches; 140 mm. C The Collection of Charlotte Bergman $2,000-3,000 166 Pablo Picasso OISEAU AU VER (A.R. 172) Painted and partially glazed white ceramic dish, 1952, from the edition of 500, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 5 7/8 x 5 7/8 inches; 149 x 149 mm. C $1,500-2,500

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167 167 Pablo Picasso PICADOR (A.R. 176) Painted and partially glazed white ceramic dish, 1952, from the edition of 500, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 5 5/8 x 5 5/8 inches; 142 x 142 mm. C The Collection of Charlotte Bergman $1,500-2,500

168 168 Pablo Picasso VASE AU BOUQUET (A.R. 304) Painted and partially glazed ceramic, 1956, numbered 44/200 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 9 5/8 x 9 5/8 inches; 244 x 244 mm. C $3,000-4,000

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169 Pablo Picasso VISAGE GÉOMÉTRIQUE (A.R. 356) White ceramic plate, 1956, numbered 15/100, incised D 100 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 12 3/8 x 15 inches; 314 x 381 mm. C $5,000-7,000

170 170 Pablo Picasso TÊTES (A.R. 367) Painted and partially glazed ceramic pitcher, 1956, from the edition of 500, incised Edition Picasso and Madoura with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 5 1/2 inches; 140 mm. C The Collection of Charlotte Bergman $2,000-3,000

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171 Pablo Picasso DEUX DANSEURS (A.R. 380) Partially glazed white ceramic plate with a black patinated ground, 1956, from the edition of 450, with the Madoura Plein Feu and Empriente Originale de Picasso pottery stamps on the reverse. 10 1/8 x 10 inches; 257 x 254 mm. C The Collection of Charlotte Bergman $3,000-5,000 172 Pablo Picasso JOUEUR DE FLÛTE ET CHÈVRE (A.R. 382) Painted and partially glazed white ceramic plaque, 1956, from the edition of 450, with the Madoura Plein Feu and Empriente Originale de Picasso pottery stamps on the reverse. 10 x 9 7/8 inches; 254 x 251 mm. C The Collection of Charlotte Bergman $1,000-1,500

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173 Pablo Picasso PROFIL DE JACQUELINE (A.R. 385) Painted and partially glazed ceramic plaque, 1956, from the edition of 500, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 8 1/8 x 8 inches; 206 x 203 mm. C The Collection of Charlotte Bergman $4,000-6,000

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174 Pablo Picasso VISAGE EN GROS RELIEF (A.R. 408) Painted and partially glazed white ceramic dish, 1959, numbered 64/100 and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 16 7/8 x 16 7/8 inches; 429 x 429 mm. C $6,000-8,000 175 Pablo Picasso VISAGE NO. 30 (A.R. 464) Painted and partially glazed ceramic plate, 1963, numbered 46/150 and inscribed No 30/Edition Picasso/Madoura on the reverse. 10 1/8 x 10 1/8 inches; 257 x 257 mm. C $4,000-6,000 176 Pablo Picasso VISAGE NO. 130 (A.R. 479) Painted and glazed white ceramic plate, 1963, numbered 266/500 and inscribed No 130/Edition Picasso/Madoura on the reverse. 10 1/8 x 10 1/8 inches; 257 x 257 mm. C $4,000-6,000

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177 Pablo Picasso LOSANGE AU VISAGE (A.R. 627) Red ceramic tile, 1971, numbered 106/500 and inscribed J. 169, with the Poinรงon Original de Picasso and Madoura Plein Feu pottery stamps on the reverse. 5 7/8 x 5 7/8 inches; 149 x 149 mm. C From the Collection of Mrs. Arthur J. Lelyveld $1,500-2,000 178 After Pablo Picasso NATURE MORTE ร LA CHARLOTTE Color collotype and stencil, circa 1950, on Arches paper, signed and numbered 322/350 in pencil, published by Guy Spitzer, Paris and with his blindstamp recto and inkstamp verso, with full margins, framed. 20 1/4 x 24 3/4 inches; 514 x 629 mm. Sheet 29 7/8 x 33 1/2 inches; 759 x 851 mm. C $7,000-9,000 177

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179 After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 172/200, with full margins, unframed. 25 5/8 x 19 3/4 inches; 651 x 502 mm. Sheet 29 x 21 1/2 inches; 737 x 546 mm. C Estate of Carl Lesnor $3,000-4,000 180 After Pablo Picasso PORTRAIT DE MAYA AU BATEAU Color offset lithograph and collotype, circa 1965, on Arches paper, signed and numbered 68/200 in pencil, published by The Twin Editions, New York and with their label affixed at bottom right sheet corner verso, with full margins, framed. 28 3/4 x 21 1/4 inches; 730 x 540 mm. Sheet 34 x 23 7/8 inches; 864 x 606 mm. C Estates of Lucille and Charles Plotz $7,000-10,000

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181 Camille Pissarro (1830-1930) LE PORT PRÈS LA DOUANE, À ROUEN (DELTEIL 43) Etching, 1883, with the artist’s blue monogram inkstamp (Lugt supplement 613d), inscribed No. 19 and titled in pencil, from the edition of 30, second state of two, with full margins, framed. 4 3/4 x 5 7/8 inches; 121 x 149 mm. Sheet 10 3/4 x 12 3/4 inches; 273 x 324 mm. C $700-1,000

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183 182 Fairfield Porter (1907-1975) INTERIOR (LUDMAN 17) Color screenprint, 1967, on wove paper, signed and numbered 2/10 in pencil, with full margins, framed. 14 3/4 x 18 1/8 inches; 375 x 462 mm. Sheet 20 x 24 inches; 508 x 610 mm. C $1,000-1,500

183 Fairfield Porter STREET SCENE (L. 18) Color lithograph, 1969, on cream Arches paper, signed and numbered 75/100 in pencil, published by Brook Alexander, Inc., New York, the full sheet, unframed. Sheet 22 1/4 x 30 inches; 565 x 762 mm. C $800-1,200

184 Fairfield Porter THE CHRISTMAS TREE (L. 21) Color lithograph, 1971, on cream Arches paper, signed and dedicated in pencil (aside from the numbered edition of 100), printed by Bank Street Atelier, New York and with their blindstamp, co-published by Brooke Alexander, Inc. and M. Knoedler and Company, Inc., New York, with full margins, unframed. 26 x 20 1/4 inches; 660 x 514 mm. Sheet 29 1/4 x 22 1/2 inches; 743 x 572 mm. C $1,000-1,500

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185 Fairfield Porter GIRL IN THE WOODS (L. 22) Color lithograph, 1971, on cream Arches paper, signed and numbered 21/100 in pencil, printed by Bank Street Atelier and with their blindstamp, co-published by Brooke Alexander, Inc. and M. Knoedler and Company, Inc., New York, with full margins, framed. 28 1/2 x 22 1/8 inches; 724 x 562 mm. Sheet 32 3/8 x 24 3/8 inches; 822 x 619 mm. C $1,500-2,500

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186 Fairfield Porter SUNRISE (L. 29) Color lithograph, 1974, on Arches paper, signed and numbered 17/50 in pencil, published by Brooke Alexander, Inc., New York, with full margins, framed. 30 x 22 1/4 inches; 762 x 565 mm. Sheet 35 1/8 x 24 3/4 inches; 892 x 629 mm. C $700-900

187 Portfolio FLIGHT Complete set of 11 lithographs and one color screenprint, 1971, on wove paper, ten signed and numbered 61/250 in pencil, the Chagall numbered only, with complete text, numbered 61 in ink on the justification page, published by the International Rescue Committee, New York, in orginal blue linen portfolio. Sheets approximately 25 3/4 x 19 3/4 inches; 654 x 502 mm. Including prints by Berman, Chagall (Mourlot 528), Calder, Da Silva, Gottlieb, Lam, Lipchitz, Masson, Mirò (Mourlot 459), Motherwell (Belknap 38), Pignon and Wotruba. C $6,000-8,000

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188 Cyril Edward Power (1874-1951) THE MERRY-GO-ROUND (COPPEL CEP 16) Color linocut, circa 1930, on tissue-thin Japan paper, signed, titled and numbered No. 3/50 in pencil, the full sheet, framed. Sheet 14 x 14 3/8 inches; 356 x 365 mm. C Estate of Felice Ross $20,000-30,000

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189 Robert Rauschenberg (1925-2008) EARTH TIE (FOSTER 75) Lithograph, 1969, signed, dated and numbered 45/48 in pencil, from Stoned Moon Series, published by Gemini G.E.L., Los Angeles and with their blindstamps and inkstamp verso, with full margins, unframed. Sheet 48 x 34 inches; 1219 x 864 mm. C $1,800-2,200 190 Robert Rauschenberg 1977 PRESIDENTIAL INAUGURATION (SPARKS 53) Color lithograph, 1977, on wove Twinrocker handmade paper, signed and numbered 12/100 in pencil, from Inaugural Impressions, printed by ULAE, West Islip, New York and with their blindstamp, published by the Democratic National Committee, for the Inauguration of President Jimmy Carter, the full sheet, framed. Sheet 30 1/2 x 21 inches; 775 x 533 mm. C $1,000-1,500

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191 Robert Rauschenberg ROOKERY MOUNDS—NIGHT TORK (GEMINI 842) Color lithograph, 1979, signed, dated and inscribed PP II in pencil (aside from the numbered edition of 50, printed and published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, framed. Sheet 40 1/2 x 30 3/4 inches; 1029 x 781 mm. C $2,000-3,000

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192 Robert Rauschenberg TWO REASONS BIRDS SING Color screenprint and collage, 1979, signed, dated and numbered 56/100 in pencil, from Suite of Nine Prints, printed by Styria Studio, New York and with their blindstamp, published by Multiples, Inc., New York, with full margins, framed. Sheet 31 x 23 1/8 inches; 787 x 587 mm. C $800-1,200 193 Robert Rauschenberg WHITE PENDULUM (S. 105) Color lithograph, 1980, on handmade Whatman paper, signed, dated and numbered 8/33 in brown pencil, printed by ULAE, West Islip, New York and with their blindstamp, with full margins, framed. 10 5/8 x 7 1/4 inches; 270 x 184 mm. 17 x 13 7/8 inches; 432 x 352 mm. C $800-1,200 194 Robert Rauschenberg UNTITLED (ROCI ANNOUNCEMENT) Color offset lithograph, 1984, signed and dated in pencil, from the edition of 300, with full margins, framed. 18 3/4 x 17 inches; 476 x 432 mm. Sheet 25 3/4 x 23 1/8 inches; 654 x 587 mm. C $1,000-1,500

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197 195 Robert Rauschenberg STREET SOUNDS WEST Color intaglio, 1993, on Chine Collé on Arches paper, signed, dated and numbered 27/37 in pencil, published by ULAE, West Islip, New York and with their blindstamp, with full margins, framed. Sheet 56 1/2 x 34 3/4 inches; 1435 x 883 mm. C $1,500-2,500

196 Robert Rauschenberg STREET SOUNDS EAST Color photogravure, 1995, on Chine collé on Arches paper, signed, dated and numbered 27/41 in pencil, published by ULAE, West Islip, New York and with their blindstamp, with full margins, framed. 34 x 16 5/8 inches; 864 x 422 mm. Sheet 46 3/4 x 28 3/4 inches; 1187 x 730 mm. C $1,500-2,500

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198 197 Rembrandt van Rijn (1606-1669) THE PRESENTATION IN THE TEMPLE: OBLONG PRINT (BARTSCH 49) Etching and drypoint, circa 1640, trimmed to the or just within the platemark, from Usticke’s fourth state of six, before the Jean and Basan rework, framed. Sheet 8 3/8 x 11 7/16 inches; 213 x 291 mm. C $800-1,200

198 Rembrandt van Rijn SELF PORTRAIT IN A FLAT CAP (B. 26) Etching, circa 1642, trimmed on the platemark or with thread margins, a fine impression of Usticke’s first state of three, with the scratched signature barely visible upper left, framed. Sheet 3 3/4 x 2 1/2 inches; 95 x 64 mm. Ex-collection: Walter Francis, Duke of Buccleuch (Lugt 402) C $4,000-6,000

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199 Rembrandt van Rijn SAMUEL MANASSEH BEN ISRAEL (B. 269) Etching, 1636, on cream laid paper with Arms of Amsterdam watermark (Ash/Fletcher 1 J.b), with narrow margins, a very good impression of Usticke’s first state of four, unframed. 6 x 4 1/4 inches; 152 x 108 mm. Sheet 6 3/16 x 4 1/2 inches; 157 x 114 mm. C $1,500-2,500 200 Rembrandt van Rijn JAN ASSELYN, PAINTER (B. 277) Etching and drypoint, circa 1647, on cream laid paper, with narrow margins, a fine impression of Usticke’s third state e of six, with the Watelet retouching but before the Basan editions, unframed. 8 9/16 x 6 5/8 inches; 217 x 168 mm. Sheet 8 5/8 x 6 3/4 inches; 219 x 171 mm. C $2,000-3,000 201 After Rembrandt van Rijn by Jan Georg van Vliet (c. 1610-c. 1668) PORTRAIT OF REMBRANDT (HOLLSTEIN 19) Etching, 1634, on cream laid paper, with thread to narrow margins, a very good impression, framed. 8 15/16 x 7 7/16 inches; 227 x 189 mm. Sheet 9 1/8 x 7 9/16 inches; 232 x 192 mm. C Estate of Swanhild N. Castle $700-1,000 201 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 75

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203 202 Pierre-Auguste Renoir (1841-1919) UNE MÈRE ET DEUX ENFANTS (DELTEIL 54) Lithograph, circa 1912, on cream laid paper, from the edition of approximately 50, with full margins, framed. 13 3/8 x 17 1/2 inches; 340 x 445 mm. Sheet 18 7/8 x 24 inches; 479 x 610 mm. C $1,000-1,500

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203 Larry Rivers (1923-2002) 15 YEARS Color lithograph, 1965, signed and numbered 23/35 in pencil, published by ULAE, West Islip, New York, the full sheet, framed. Sheet 22 1/2 x 31 3/8 inches; 572 x 797 mm. C $700-1,000

204 Larry Rivers QUEEN OF CLUBS Color lithograph and screenprint, 1979, on Arches paper, signed, dated and numbered 125/200 in pencil, printed by Styria Studio, New York and with their blindstamp, published by Clarkson N. Potter, New York, with full margins, framed. 28 1/4 x 20 1/2 inches; 718 x 521 mm. Sheet 29 7/8 x 22 3/8 inches; 759 x 568 mm C $1,000-1,500

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207 205 Larry Rivers MATISSE OPERA Color photolithograph and acrylic on canvas mounted on cast resin fiber and wood multiple, 1992, signed, dated and numbered 13/50 in brown ink, published by Mixografia, Los Angeles. 47 x 38 1/4 x 3 3/4 inches; 1194 x 972 x 95 mm. C $3,000-5,000

206 Larry Rivers FRED AND GINGER Color lithograph mounted on foamcore and wood multiple, 1999, signed, dated and dedicated in ink (aside from the numbered edition of 53), published by John Szoke Editions, New York. 34 1/8 x 29 1/2 x 2 inches; C $2,000-3,000

207 James Rizzi (1950-2011) NO TWO ALIKE Three-dimensional color screenprint multiple, 1989, signed and numbered 259/350 in pencil, published by John Szoke Graphics and with their blindstamp, the full sheet, framed. Image 6 x 9 1/4 inches; 152 x 235 mm. Sheet 9 1/2 x 12 3/8 inches; 241 x 314 mm. C $900-1,200

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208 Norman Rockwell (1894-1978) DOCTOR AND DOLL Color collotype, signed and inscribed A .P. XVI/XXXV in pencil, with full margins, framed. 28 x 23 inches; 711 x 584 mm. Sheet 34 1/2 x 28 3/4 inches; 876 x 730 mm. C $1,000-1,500 209 James Rosenquist (1933-2017) RAINBOW (GLENN 48) Color lithograph and screenprint, 1972, on Hodgkinson handmade Wookey Hole paper, signed, dated, titled and numbered 18/75 in pencil, published by Petersburg Press, London, with full margins, framed. 17 x 21 3/4 inches; 432 x 552 mm. Sheet 25 1/8 x 30 1/2 inches; 638 x 775 mm. C $600-800

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210 James Rosenquist 1-2-3 OUTSIDE (G. 49) Color lithograph, 1972, on Hodgkinson handmade Wookey Hole paper, signed, dated, titled and numbered 19/70 in pencil, printed and published by Petersburg Press, London and with their blindstamp, with full margins, framed. 31 x 20 1/4 inches; 787 x 514 mm. Sheet 40 1/2 x 30 inches; 1029 x 762 mm. C $800-1,200

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211 James Rosenquist NEW YORK SAYS IT (G. 200) Color lithograph and screenprint, 1983, on Arches paper, signed, dated, titled and numbered 202/250 in pencil, from New York, New York portfolio, published by New York Graphic Society, New York, with full margins, framed. 27 3/4 x 32 inches; 705 x 813 mm. Sheet 30 1/8 x 34 inches; 765 x 864 mm. C $700-1,000 212 Georges Rouault (1871-1958) QUE NE SE GRIME PAS (CHAPON/ROUAULT 61) Heliogravure, aquatint and drypoint, 1923, edition of 425, from Miserere, published by Editions de l’Étoile Filante, Paris, with full margins, framed. 22 1/4 x 16 7/8 inches; 565 x 429 mm. Sheet 25 5/8 x 19 3/4 inches; 651 x 502 mm. C $1,000-1,500 213 Georges Rouault CHRIST ET LES ENFANTS (C./R. 262) Color aquatint, 1935, edition of 270, from Passion, published by Vollard, Paris, with full margins, framed. 12 1/8 x 8 1/2 inches; 308 x 216 mm. Sheet 17 1/4 x 13 1/4 inches; 435 x 337 mm. C $700-1,000

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214 Peter Sarkisian (b. 1965) 1949 POLICE CRUISER Inkjet print mounted to board with Sony PSP video player, 2008, initialed in ink verso, numbered 1/6 on label affixed verso, also numbered 1/6 on label affixed to the Sony PSP video player, from Registered Driver Flat Series. 6 1/2 x 9 x 1 1/8 inches; 165 x 229 x 29 mm.

214

Provenance: I-20 Gallery, New York C $3,000-5,000 215 Sean Scully (b. 1945) BLACK RED BLUE Color spit-bite aquatint, 1994, signed, dated and numbered 5/40 in pencil, published by the Metropolitan Museum of Art, New York, and with their blindstamp, with full margins, framed. 15 3/4 x 29 3/4 inches; 400 x 756 mm. Sheet 23 1/4 x 35 3/4 inches; 591 x 908 mm. C $4,000-6,000

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216 80 DOYLE • OCTOBER 22, 2018 • NEW YORK

216 Gino Severini (1883-1966) LE CONCERT (MELONI 25) Color lithograph, 1955, on Rives BFK paper, signed and numbered 56/200 in pencil, published by l’Oeuvre Gravée, Paris and with their blindstamp, with full margins, framed. 13 7/8 x 19 inches; 352 x 483 mm. Sheet 17 3/4 x 22 1/8 inches; 451 x 562 mm. • $1,000-1,500

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217 Harry Shokler (1896-1978) THRILLER, CONEY ISLAND Wood engraving, circa 1940, signed in pencil, with full margins, unframed. 6 x 8 inches; 152 x 203 mm. Sheet 8 7/8 x 11 1/4 inches; 225 x 286 mm. C $600-800 218 John Sloan (1871-1951) THE WOMANâ&#x20AC;&#x2122;S PAGE (MORSE 132) Etching, 1905, signed, titled and inscribed 100 proofs in pencil, also signed and inscribed imp by the printer, Ernest Roth, in pencil, with good or full margins, framed. 5 x 6 7/8 inches; 127 x 175 mm. Sheet 8 5/8 x 10 3/4 inches; 219 x 273 mm. C $800-1,200

219 part

219 John Sloan ROOFS, SUMMER NIGHT; WAKE ON THE FERRY (M. 137; 313) Etchings, 1906 and 1949, respectively, signed, titled, the first inscribed 100 proofs and signed and inscribed by the printer, Charles White, the second inscribed 200 proofs, in pencil, the first with good or full, the second with full, margins, framed. (2) Larger 5 1/4 x 7 inches; 133 x 178 mm. C $800-1,200 220 John Sloan NUDE AND ARCH (M. 267) Etching and engraving, 1933, on cream wove paper, signed, titled and inscribed 100 proofs in pencil, also signed and inscribed imp by the printer, Ernest Roth, in pencil, from the edition of 75 (the intended edition was 100), with good margins, unframed. 7 x 5 1/2 inches; 178 x 140 mm. Sheet 12 3/4 x 10 3/8 inches; 324 x 264 mm. C $700-1,000 220 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81

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222 221 John Sloan SUNBATHERS ON THE ROOF (M. 307) Etching, 1941, signed and titled in pencil, from the edition of 175, with full margins, framed. 6 x 7 inches; 152 x 178 mm. Sheet 8 3/8 x 10 5/8 inches; 213 x 178 mm. C $800-1,200

82 DOYLE • OCTOBER 22, 2018 • NEW YORK

222 David Smith (1906-1965) A LETTER (SCHWARTZ 34) Lithograph, 1952-8, on wove paper, signed, dated and inscribed E 13 in ink, with the Estate black inkstamp and number 76-52.59 verso, from the edition of approximately 13, published by the artist, Bolton Landing, New York, with full margins, framed. 17 x 22 7/8 inches; 432 x 581 mm. Sheet 20 x 25 7/8 inches; 508 x 657 mm. C Estate of Felice Ross $6,000-8,000

223 Raphael Soyer (1899-1987) SELF PORTRAIT (COLE 8) Lithograph, circa 1920, on Chine appliqué, signed and titled in pencil, edition of approximately 15, from the second state of two, printed by Jacob Friedland, New York and with their blindstamp, with full margins, framed. 8 3/4 x 6 1/8 inches; 222 x 156 mm. Sheet 14 3/4 x 10 1/2 inches; 375 x 267 mm. C $600-800

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226 224 Donald Sultan (b. 1951) APPLES AND ORANGES Color screenprint, 1987, on Arches 88 paper, initialed, dated, titled and numbered 85/100 in pencil, published by The Metropolitan Museum of Art, New York and with their blindstamp, with full margins, framed. 12 x 12 inches; 305 x 305 mm. Sheet 20 1/2 x 19 1/2 inches; 521 x 495 mm. C $700-1,000

225 Donald Sultan FOUR PEARS Color screenprint, 1989, on wove paper, initialed, dated, titled and numbered 53/100 in pencil, published by The Metropolitan Museum of Art, New York and with their blindstamp, with full margins, framed. 12 x 12 inches; 305 x 305 mm. C $1,000-1,500

226 Donald Sultan BLACK BELLS; PINK Tâ&#x20AC;&#x2122;S; RED BELLS Color screenprints, 1995, on wove paper, initialed, dated, titled and numbered 35/100 in pencil, published by The Metropolitan Museum of Art, New York and with their blindstamp, with full margins, framed. (3) Each 11 1/2 x 8 1/8 inches; 292 x 206 mm. Sheets 18 x 13 inches; 457 x 330 mm. C $1,500-2,000

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228 227 Rufino Tamayo (1899-1991) MUJER (PEREDA 54) Color lithograph, 1959, on Arches paper, signed and numbered 7/100 in pencil, with good margins, framed. 25 1/4 x 19 3/8 inches; 641 x 492 mm. Sheet 29 x 22 3/8 inches; 737 x 568 mm. C Estate of Swanhild N. Castle $1,000-1,500 228 Rufino Tamayo DOS CABEZAS DE MUJER (P. 106) Color lithograph, 1969, signed and numbered V/XXV in pencil, from Mujeres, printed and published by Touchstone Publishers, New York and Atelier Desjobert, Paris, with full margins, framed. 21 x 27 1/2 inches; 534 x 699 mm. Sheet 22 5/8 x 29 7/8 inches; 575 x 759 mm. C Estate of Jesse Mines $1,000-1,500

229 84 DOYLE â&#x20AC;˘ OCTOBER 22, 2018 â&#x20AC;˘ NEW YORK

229 Rufino Tamayo VENUS NEGRA (P. 110) Color lithograph, 1969, on Rives BFK paper, signed and numbered V/XXV in pencil, from Mujeres, printed and published by Touchtone Publishers, New York, with full margins, unframed. 27 1/2 x 21 inches; 699 x 533 mm. Sheet 30 x 22 1/2 inches; 762 x 572 mm. C Estate of Jesse Mines $1,000-1,500

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230 Rufino Tamayo CARNAVALESCA (P. 114) Color lithograph, 1969, signed in pencil and numbered XII/XXV in pencil, on Rives BFK paper, from Mujeres, published by Touchstone Publishers, New York, with full margins, framed. 27 3/8 x 21 1/8 inches; 695 x 537 mm. Sheet 29 7/8 x 22 1/2 inches; 759 x 572 mm. C Estate of Jesse Mines $1,000-1,500 231 Rufino Tamayo MEDIO PESCADO (P. 117) Color lithograph, 1969, signed and inscribed H.C. in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins, unframed. 21 1/8 x 27 3/4 inches; 537 x 705 mm. Sheet 22 1/2 x 29 1/2 inches; 572 x 749 mm. C $1,000-1,500 232 Rufino Tamayo SANDĂ?A #1 (P. 118) Color lithograph, 1969, on wove paper, signed and inscribed H.C. in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins, framed. 20 7/8 x 27 5/8 inches; 530 x 702 mm. Sheet 22 1/2 x 30 inches; 572 x 762 mm. C $1,500-2,500

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233 Rufino Tamayo SANDÍA #2 (P. 119) Color lithograph, 1969, on Rives BFK, signed and numbered XII/XXV in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins, framed. 27 1/2 x 21 inches; 699 x 533 mm. Sheet 30 x 22 1/2 inches; 762 x 572 mm. C $2,000-3,000 234 Rufino Tamayo MUJER SOURIENTE (P. 123) Color lithograph, 1969, on Rives BFK paper, signed and numbered V/XXV in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, framed. 21 1/4 x 27 1/2 inches; 540 x 699 mm. Sheet 22 1/2 x 30 inches; 568 x 759 mm. C Estate of Jesse Mines $1,000-1,500

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86 DOYLE • OCTOBER 22, 2018 • NEW YORK

235 Rufino Tamayo MÁSCARA ROJA (P. 124) Color lithograph, 1969, on wove paper, signed and numbered V/XXV in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins, framed. 21 3/8 x 27 1/2 inches; 543 x 699 mm. Sheet 22 1/2 x 29 7/8 inches; 572 x 759 mm. C Estate of Jesse Mines $1,000-1,500

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236 Wayne Thiebaud (b. 1920) FIVE FLAVORS Color lithograph, 2003, on wove paper, signed, dated and numbered 20/35 in pencil, printed David Salgado/Trillium Graphics, Brisbane and with their blindstamps, published by Paul Thiebaud Gallery, San Francisco, with full margins, framed. 14 1/4 x 18 inches; 262 x 457 mm. Sheet 21 5/8 x 24 1/2 inches; 549 x 622 mm. Provenance: Purchased by the present owner from Paul Thiebaud Gallery in 2004. C $10,000-15,000

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237 part

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237 George Tooker (1920-1911) REPOSE; EMBRACE Lithograph and an embossing, 1975 and 1982, signed and numbered 143/150 and 4/175, respectively, in pencil, with full margins, framed. (2) Largest 12 x 16 inches; 305 x 406 mm. C $1,000-1,500 238 George Tooker SELF PORTRAIT Lithograph, 1984, on Rives BFK paper, signed and numbered XVIII/LXXV in pencil, published by Imago, New York, with full margins, framed. 8 1/3 x 7 3/4 inches; 216 x 197 mm. Sheet 18 x 14 inches; 457 x 356 mm. C $600-800 239 Andy Warhol (1928-1987) LOVE IS A PINK CAKE (FELDMAN/SCHELLMAN IV.27-50) Complete set of 25 offset lithographs, 1953, on pale blue wove paper, with accompanying poetry by Ralph Thomas Ward, from the edition of approximately 100, published by the artist, New York, the full sheets, unframed. Sheets 11 x 8 1/2 inches; 279 x 216 mm. 239 part

88 DOYLE • OCTOBER 22, 2018 • NEW YORK

Provenance: The artist Billy Cecil (William Cissell), a New York artist and set designer Private Collection C $4,000-6,000

240 Andy Warhol MERRY CHRISTMAS; HAPPY NEW YEAR Offset lithographs, the second hand-colored, circa 1955, on pink and cream wove papers, respectively, with full margins, unframed. (2) Larger sheet 14 x 10 inches; 356 x 254 mm. Provenance: The artist Billy Cecil (William Cissell) Cecil was an artist and set designer in New York. C $1,500-2,500

241 Andy Warhol HAPPY BUTTERFLY DAY Hand-colored offset lithograph, circa 1955, on cream wove paper, with full margins, framed. Sheet 14 x 10 inches; 356 x 254 mm. Provenance: The artist Billy Cecil (William Cissell) Private Collection Cecil was an artist and set designer in New York. C $1,500-2,000 242 Andy Warhol CAMPBELLâ&#x20AC;&#x2122;S SOUP CAN ON A SHOPPING BAG (F./S. 4) Color screenprint on a paper shopping bag, 1964, from the edition of approximately 300, published by Bianchini Gallery, New York, unframed. 6 x 3 1/2 inches; 152 x 89 mm. Bag 19 3/8 x 17 1/8 inches; 492 x 435 mm. C $800-1,200 240 part

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242 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89

243 243 Andy Warhol SUNSET (F./S. II.85-88) Unique color screenprint, 1972, on smooth wove paper, signed, dated and numbered 162/470 in pencil and with the Hotel Marquette Prints inkstamp verso, from the edition of 632 unique impressions, published by David Whitney, New York, the full sheet, framed. 34 x 34 inches; 864 x 864 mm. C $30,000-50,000

90 DOYLE • OCTOBER 22, 2018 • NEW YORK

244 Andy Warhol LADIES AND GENTLEMEN (F./S. II.136) Color screenprint, 1975, on Arches paper, signed and inscribed To David B. 1st proof in ink verso (aside from the numbered edition of 250 and 25 artistâ&#x20AC;&#x2122;s proofs), published by Luciano Anselmino, Milan, with full margins, framed. Sheet 43 7/8 x 29 inches; 1114 x 737 mm. C $5,000-7,000

245 Andy Warhol JIMMY CARTER (F./S. II.152) Screenprint, 1977, on J. Green paper, signed and numbered 12/100 in pencil, from Inaugural Impressions, published by the Democratic National Committee, for the Inauguration of President Jimmy Carter, the full sheet, framed. Sheet 28 x 20 1/2 inches; 711 x 521 mm. C $1,000-2,000

244

245 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 91

246 246 Andy Warhol BLACKGLAMA (JUDY GARLAND) (F./S. II.351) Color screenprint, 1985, on Lenox Museum Board, signed and inscribed HC 8/10 in pencil (aside from the edition of 190 and 30 artist’s proofs), printed by Rupert Jasen Smith, New York and with his blindstamp, published by Ronald Feldman Fine Arts, Inc., New York, the full sheet, framed. Sheet 38 x 38 inches; 965 x 965 mm. Provenance: Purchased by the present owner at an AIDS benefit auction on Fire Island Pines in the late 1980s. C $25,000-35,000

92 DOYLE • OCTOBER 22, 2018 • NEW YORK

247 247 After Andy Warhol ANDY WARHOL: PASADENA ART MUSEUM (NOT IN F./S.) Color screenprint, 1970, on wove paper, signed in black felt-tip pen, from the edition of unknown size, published by the Pasadena Art Museum, California, the full sheet, framed. Sheet 30 1/8 x 26 inches; 765 x 660 mm. C $1,000-1,500

248 248 Neil Welliver (1929-2005) IMMATURE GREAT BLUE HERON Hand-colored etching, 1978, on Arches Cover paper, signed and numbered 48/60 in pencil, with full margins, framed. 24 x 21 3/4 inches; 610 x 552 mm. Sheet 30 3/4 x 28 inches; 781 x 711 mm. C $2,000-3,000

249 Tom Wesselmann (1931-2004) BEDROOM FACE Color aquatint, 1977, on Arches paper, signed, dated and numbered 28/75 in pencil, printed by Aero Press, published by Multiples, Inc., New York and with their blindstamps, with full margins, framed. 16 5/8 x 23 7/8 inches; 422 x 606 mm. Sheet 22 3/8 x 29 7/8 inches; 568 x 759 mm. C $5,000-7,000

249 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93

251

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250 James Abbott McNeill Whistler (1834-1903) BIBI LALOUETTE (KENNEDY 51; GLASGOW 33) Etching and drypoint, 1859, on Chine applique on cream laid paper, Glasgow’s second state of two, with good margins, framed. 9 x 6 inches; 229 x 152 mm. Support sheet 12 3/8 x 9 1/8 inches; 314 x 232 mm. C $1,000-1,500 251 James Abbott McNeill Whistler PONTE DEL PIOVAN (K. 209; G. 220) Etching and drypoint printed in dark brown, 1886, on laid paper, signed with the butterfly and inscribed imp in pencil on the tab, Glasgow’s sixth state of six, the full sheet, framed. Sheet 8 15/16 x 5 7/8 inches; 227 x 149 mm. C $2,000-3,000

252

252 James Abbott McNeill Whistler MELON SHOP, HOUNDSDITCH (K. 293; G. 355) Etching and drypoint printed in dark brown, 1887, on cream laid paper, signed with the butterfly and inscribed imp in pencil on the tab, Glasgow’s first state of five, the full sheet, framed. Sheet 5 x 7 inches; 127 x 178 mm. Ex-collection: John H. Wrenn (Lugt 1475) C $4,000-6,000

94 DOYLE • OCTOBER 22, 2018 • NEW YORK

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253 Zao Wou-Ki (1920-2013) UNTITLED (AGERUP 152) Color etching and aquatint, 1963, on Arches paper, signed, dated and numbered 62/90 in pencil, published by LacouriÃ¨re, Paris and with their blindstamp, with full margins, framed. 19 3/8 x 17 inches; 492 x 432 mm. Sheet 29 1/2 x 22 1/4 inches; 749 x 565 mm. C Estate of Norman Dorsen $3,000-4,000 254 Anders Zorn (1860-1920) THREE GRACES (ASPLUND 236) Etching, 1910, signed in pencil, with full margins, framed. 6 1/4 x 4 5/8 inches; 159 x 117 mm. Sheet 13 x 10 inches; 330 x 254 mm. C The James P. and Joan M. Warburg Collection $500-700

End of Sale

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LUXURY REAL ESTATE AUCTION

Historic ‘Restmore’ Estate

375 Warner Hill Road Southport, Connecticut 06890

AUCTION Tuesday, October 23 at Noon

Majestically set on 5.5 acres atop Mill Hill is Restmore, a landmark dwelling by the renowned architect, Ehrick Kensett Rossiter, completed in 1912. Restmore boasts over 5,300 square feet, with 11 rooms, 5 bedrooms, 4.5 baths and 5 working fireplaces, as well as a Lord & Burnham greenhouse, a classic Hodgson Playhouse, a barn with full loft, and a three-bay garage.

Conducted by Doyle at Berkshire Hathaway HomeServices New England Properties 1583 Post Road Fairfield, CT 06824 INFORMATION Doyle.com #

PERFECTLY PARK AVENUE

1160 Park Avenue, 2AC | $7,995,000 | Cooperative 6 Bedrooms | 6 Bathrooms Introducing a unique opportunity to purchase two adjacent apartments in a sought after Carnegie Hill pre-war cooperative. The properties Apartment 2A and 2C when purchased together are available for a reduced price creating a spacious 4,675 square feet.

New York Properties

Dominic Longcroft | Senior Sales Executive, Associate Real Estate Broker DominicLongcroft@bhhsnyp.com | 646.677.1022

212.710.1900 • bhhsnyp.com • 590 Madison Avenue, New York, New York © 2018 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliae, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity. Information not verified or guaranteed. If your home is currently listed with a Broker, this is not intended as a solicitation.

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

BREATHTAKING SUNSET VIEWS

Avon, CT - 485 Deercliff Road • $3,599,000

Situated on easily accessible 3.4 gated access acres with unobstructed views of the valley below and Western horizon, this house displays 11 plus foot ceilings on the first floor, elegant wood work, timber trusses, spectacular great & dining rooms, and a beautifully crafted mahogany study. The gourmet kitchen comes equipped with a stone hood, eat-in island, custom built inset cabinetry capped with leathered granite and pro-appliances. The owner’s suite has a vaulted ceiling, fireplace, a balcony, custom built closets and a spa bath with an oversized steam shower. The paneled wall to ceiling walk out lower level pub has heated bluestone flooring, a full custom bar w/ Planar TV, and stadium seating for 12 in the home theatre. The four season room with heated bluestone floor, fireplace and grilling area is perfectly positioned to view the custom Gunite waterfall pool w/ hot tub, large pergola and view. A cabin with fireplace sits on the cliff for the novelist’s work shop or a place to relax. If the oversized heated 3 car garage is not enough, a 36x42 barn holds all the toys along with a full workout room above.

NATHAN BAKER (860) 803-7193 NathanBaker@bhhsne.com bhhsneproperties.com/g10232669

A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

STONEHOUSE MANOR IN PRESTIGIOUS TEWKSBURY

$2,649,000

Stonehouse Manor is a magnificent property situated on more than 23 sprawling acres amidst lush panoramic views, rolling fields and pastures. This unique home has been custom designed with tremendous craftsmanship and superior quality with the utmost attention to detail. The secluded estate is highlighted by its 6 bedrooms, 9 1/2 baths, a custom gourmet kitchen, wine cellar with tasting room, fitness center, a remarkable conservatory fitted with c limate c ontrolled s kylights, p rivate guest quarters, spa-like m aster s uite, seven fi replaces, separate carriage house and more. It has all the old-world farmhouse charm with all the modern-day exceptional amenities. The barn/carriage house has an additional 3,200 sq. ft. of heated space equipped with 2 garages, 3 additional bays for equipment and 3 levels of space which include a full bathroom, kitchenette, loft, living room, other multi-purpose rooms, workshop, a fireplace and a woodburning stove.

www.17WaterSt.com

JANINE ROSE Sales Associate - Luxury Collection Specialist Cell: 908-229-6253 Janine.Rose@BHHSNJ.com JanineRose.com Watchung Office | 908-753-4450 | 659 Mountain Blvd., Watchung, NJ 07069 ÂŠ2018 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.ÂŽ Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

L U X U R Y

C O L L E C T I O N

Los Angeles • Offered at $18,700,000 David Offer • Lic # 01150357 • 310.820.9341

bhhscalifornia.com ©2018 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

zachys

Private Sales & Estate Planning For Your Wine Collection Zachys is committed to bringing the greatest collections to market in various ways. Auction is one of the most effective ways to maximize the value of your collection, and Zachys did nearly $80m in auction sales last year. Zachys is also a market leader in Private Sales. Zachys is uniquely suited to buy and sell collections that are better suited to private sales instead of auction because of our combined retail and auction divisions, and our Specialists throughout Asia, Europe and the United States. In 2017, Zachys did millions in private sales to collectors all over the world. Is Private Sale right for you? It may be. One of Zachys strengths is the ability to tailor a financial deal to the needs of you, the collector. Zachys is number one in auctions, for a reason: auction remains one of the best ways to sell rare wine. Consignors can take advantage of an upwards-rising market. That said, there are also reasons to consider an outright purchase or private sale. The best thing to do is speak to a Zachys Specialist, discuss your goals and outline a plan of action together. Estate Planning The best way to deal with the liquidation of a wine collection at some point in the future, is to plan now. In estate planning, too often the wine collection is forgotten, and this can be a huge mistake. From logistics to finances and sale strategy, Zachys can help plan the liquidation of a cellar far in advance. Start a conversation today with a Zachys specialist. You might be surprised to learn of all of the ways we can help. Zachys Wine Specialists are ready to assist you with all of your wine needs, whether consignment or sale.

Jeff Zacharia President jzacharia@zachys.com

Jamie Pollack Global Managing Director jpollack@zachys.com

Stuart Jakub Shoshana Filene Senior Specialist, New York Senior Specialist, New York sjakub@zachys.com sfilene@zachys.com

zachys

Fritz Hatton Senior Advisor fhatton@zachys.com

Charles Antin Senior International Specialist, New York cantin@zachys.com

Terrence Tang Head of Asia, Hong Kong ttang@zachys.com

Christy Erickson Head of Europe, Paris cerickson@zachys.com

Kim Busch Specialist, New York kbusch@zachys.com

Austin Zhang Sales Director, China xzhang@zachys.com

Ching Wong Specialist, Hong Kong cwong@zachys.com

Dora Kam Specialist, Hong Kong dkam@zachys.com

® New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions

tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

V #I

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII #

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII #

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

AUCTION SCHEDULE OCTOBER

NOVEMBER

DECEMBER

FINE PAINTINGS Auction: Wednesday, October 10 at 10am Exhibition: October 6 – 8

IMPRESSIONIST & MODERN ART Auction: Wednesday, November 7 at 11am Exhibition: November 3 – 5

IMPORTANT JEWELRY Auction: Tuesday, October 16 at 10am Exhibition: October 12 – 15

POST-WAR & CONTEMPORARY ART Auction: Wednesday, November 7 at 2pm Exhibition: November 3 – 5

DOYLE AT HOME /HOLIDAY GIFTS / JEWELRY Auction: Wednesday, December 5 at 10am Exhibition: December 1 – 3

FINE MODERN ART Auction: Wednesday, October 17 at 10am Exhibition: October 12 – 15

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, November 13 at 10am Exhibition: November 10 – 12

PRINTS & MULTIPLES Auction: Monday, October 22 at 10am Exhibition: October 19 – 21

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, November 14 at 10am Exhibition: November 10 – 12

COINS, BANK NOTES, & STAMPS Auction: Monday, October 22 at 2pm Exhibition: October 19 – 21 ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS / RUSSIAN WORKS OF ART Auction: Wednesday, October 31 at 10am Exhibition: October 27 – 29

IMPORTANT JEWELRY Auction: Wednesday, December 12 at 10am Exhibition: December 8 – 11 PHOTOGRAPHS Auction: Thursday, December 13 at 10am Exhibition: December 8 – 11

CALIFORNIA JEWELRY NYC Auction: Monday, November 19 at 10am NYC Exhibition: November 16 – 18 THE ORESMAN COLLECTION Auction: Tuesday, November 20 at 10am Exhibition: November 16 – 18

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

IX#

ARTIST INDEX Albers, J.

Anastasi, W.

Appel, K.

Applebroog, I.

Arms, J.T.

Bacon, F.

Bacon, P.

Balthus

Bauermeister, M.

Bellows, G.

Benda, G. K.

Benson, F. W.

Benton, T. H.

13, 14

Berman, E.

187

Braque, G.

15-18

Braque, G., After

Brockhurst, G. L.

Brussel-Smith, B.

Calder, A.

22-26, 187

Campigli, M.

Caulfield, P.

28-31

Chagall, M.

32-38, 187

Chagall, M., After

39-42

Chillida, E.

Christo and Jeanne-Claude

Clemente, F.

Coburn, J.

Covarrubias, M.

Cranach, L.

Da Silva, V. Davis, G.

187 49

Dehner, D.

50, 51

Delaunay-Terk, S.

52-59

Diebenkorn, R.

Dine, J.

Dongen, K. van Dubuffet, J. 96 DOYLE • OCTOBER 22, 2018 • NEW YORK

62-67 68

Ensor, J.

69-72

Francis, S.

Frink, E.

74-80

Gilliam, S.

Gottlieb, A.

82, 187

Green, J.

83, 84

Hassam, C.

85, 86

Held, A.

Helleu, P. C.

Hockney, D.

89, 90

Hodgkin, H.

Homer, W.

Hoover, E.

Jacobi, E.

Johns, J.

95, 96

Johns, J., After

Katz, A.

98, 99

Keller, C.

100

Kelly, E.

101

Kent, R.

102

Kitaj, R. B.

103, 104

Klimt, G.

105

Kollwitz, K.

106

Koons, J.

107

Kusama, Y. Lam, W.

108, 109 187

Le Corbusier

110, 111

Léger, F., After

112

Lehmbruck, W.

113

Lewis, M.

114

LeWitt, S.

115, 116

Lichtenstein, R.

117

Lipchitz, J.

187

Lozowick, L.

118

119

Sarkisian, P.

214

Man Ray

120-122

Scully, S.

215

Marin, J.

123

Severini, G.

216

124, 125

Shokler, H.

217

187

Sloan, J.

218-221

Mirรณ, J. 126-135, 187

Smith, D.

222

Moore, H.

136, 137

Soyer, R.

223

Motherwell, R. 138-141, 187

Sultan, D.

224-226

Tamayo, R.

227-235

Thiebaud, W.

236

Magritte, R., After

Marsh, R. Masson, A.

Murray, E. Nadelman, E.

142 143, 144

Neiman, L.

145

Nichols, D.

146

Oldenburg, C. 147, 148

Tooker, G.

237, 238

Vliet, J. G. van

201

Warhol, A.

239-246

Patterson, M.

149

Warhol, A., After

247

Pearlstein, P.

150

Welliver, N.

248

Pennell, J.

151

Wesselmann, T.

249

Picasso, P.

152-177

Whistler, J. A. M.

250-252

Picasso, P., After

178-180

Wotruba, F.

187

Pignon, E.

187

Wou-Ki, Z.

253

Pissarro, C.

181

Porter, F.

182-186

Zorn, A.

254

Power, C. E.

188

Rauschenberg, R.

189-196

Rembrandt

197-200

Rembrandt, After

201

Renoir, P. A.

202

Rivers, L.

203-206

Rizzi, J.

207

Rockwell, N.

208

Rosenquist, J.

209-211

Rouault, G.

212, 213

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 97

175 EAST 87TH STREET NEW YORK, NY 10128

F OR O FF I CE U SE O NLY

212-427-2730 DOYLE.COM

ABSENTEE & TELEPHONE BID FORM

1.16

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above. You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

S A L E TI TLE

18PM02 • PRINTS & MULTIPLES

S A L E D AT E

OCTOBER 22, 2018

N A M E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

C O MPA NY (If applicable) A D DRE SS *

Change of Address

C IT Y

STATE

ZIP CODE

• In the event that identical bids are submitted, the earliest will take precedence.

P HO N E

FAX

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT N U MB ER

• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions. Changes to bids on the day of sale must be submitted in writing by fax or email.

TOP LIMIT OF BI D / SAFE TY BI D

Excluding Buyer’s Premium

L OT N U MB E R

T O P L I MI T O F B ID / S A F ET Y BI D

Excluding Buyer’s Premium

L OT N U M BE R

T OP LI M I T O F B ID / S A FE TY B I D

Excluding Buyer’s Premium

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date. Otherwise, purchases cannot leave our premises until checks have cleared. • A 25% deposit may be required on certain absentee bids. • Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request. • Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

Terms and Conditions of Sale°

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

S I GNATU RE

Consumer Affairs No. 0777006

I understand and agree to the

XII

Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction. Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207

CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES Absentee & Telephone Bids Alanna Sutherland 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Tyler Kusler 212-427-4141, ext 203 BidLive@Doyle.com

SPECIALISTS

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Penthouse 1012 Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com CONNECTICUT 136 East Putnam Avenue Greenwich, CT 06830 212-427-4141, ext 211 203-637-6209 DoyleCT@Doyle.com

Cynthia Klein VP, Director, Prints and Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com

Alexis Gyateng Appraisal and Consignment Services 212-427-4141 ext 226 Alexis.Gyateng@ Doyle.com

NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com WASHINGTON, DC / MID-ATLANTIC 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com

Front Cover Back Cover Inside Front Cover

188 108 73

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM