Impressionist & Modern Art / Post-War & Contemporary Art 11.7.18 by Doyle

IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART

Wednesday, November November 7, Wednesday, 7, 2018 2018

NEW YORK

IMPRESSIONIST & MODERN ART AUCTION Wednesday, November 7, 2018 at 11am

POST-WAR & CONTEMPORARY ART AUCTION Wednesday, November 7, 2018 at 2pm

EXHIBITIONS Saturday, November 3, 10am – 5pm Sunday, November 4, Noon – 5pm Monday, November 5, 10am – 6pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

INCLUDING PROPERTY FROM THE ESTATES OF Henrie Jo Barth An East Hampton Collection Alexander C. Ewing Hilda U. and Rudolph Forchheimer Marcella Katz A Lady Eugene M. Lang Beatrice Meyerson Marion Victor Perini Howard Pitsch Lucille and Charles Plotz J. Robert and Gladys Rosenthal Felix Ross Marianne Schaller James H. Wickersham Jr.

INCLUDING PROPERTY FROM A Bedminster, New Jersey Collector The Collection of Charlotte Bergman A New Jersey Private Collection A Private New Jersey Collection A Philadelphia Private Collection Sheldon and Judith Streisand

CONTENTS IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Post-War Contemporary

1-50

51-119 120-140

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

IMPRESSIONIST & MODERN ART

Lot 21

Property from the Estate of Marianne Schaller 1 Eugène Verboeckhoven Belgian, 1798/99-1881 Heading Back to the Fold, 1878 Signed Eugène Verboeckhoven and dated ft 1878 (ll); also inscribed Je soussigné declare que le tableau ci-contre est original Eugène Verboeckhoven/Schaerbeek,... Bruxelles 1878 on the reverse Oil on canvas 27 1/4 x 22 1/16 inches (69.2 x 56 cm) C $7,000-10,000

Property of Sheldon and Judith Streisand 2 Emile Meyer French, 1823-1893 Count Potocki Riding in the Horse Show at the Hippodrome, Paris Signed and dedicated au Comte Potocki/homage amical E. Meyer (lr) Oil on canvas 18 1/4 x 21 5/8 inches (46.7 x 55 cm) Provenance: [Sale] Sotheby’s, New York, Jun. 6, 1985, lot 200 C $7,000-10,000

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DUCHOISELLE LE PECHE & LE CHASSE

3 Duchoiselle French, 19th Century La PÃªche and La Chasse (Allegories of Fishing and Hunting): Two One signed Duchoiselle Bronze with a green-brown patina and bronze with a polychrome patina, respectively 24 x 37 5/8 inches (61 x 95.5 cm); 24 5/8 x 42 7/8 inches (62.5 x 109 cm), respectively C $30,000-40,000

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4 Charles Napier Hemy British, 1841-1917 The Shrimper’s Return, 1901 Signed and dated D.N.H. 1901 (ll) Oil on canvas 24 x 36 inches (61 x 91.5 cm) Provenance: [Sale] Sotheby Parke Bernet, New York, Apr. 2, 1976, lot 192 C $8,000-12,000

5 Marin-Marie French, 1901-1987 The Good Cutter “Winibelle” as She was Passing the Désirade Lighthouse, 1933 Signed Marin Marie (ll); inscribed indistinctly and dedicated on the verso This is the Good Cutter “Winibelle” as seen by his (good) owner Marin-Marie as she was passing in 1933 The Désirade Lighthouse, The Spot Where Christopher Columbus hit .../ To Mr. Paul Hammond/Heartily/ Marin Marie Watercolor and gouache on heavy paper 20 1/2 x 29 1/2 inches (52 x 75.3 cm)

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Provenance: Gallery New World, Darien, CT Private collection, Darien, CT Acquired from the above on October 25, 1977 Thence by descent in the family to the present owner C $10,000-15,000

6 Montague Dawson British, 1890-1973 The Q. 9. Mary B. Mitchell Signed Montague Dawson (ll); stamped with the artistâ&#x20AC;&#x2122;s copyright notification on the reverse Oil on canvas 16 x 20 inches (40.6 x 50.8 cm) Provenance: Frost & Reed Gallery, London, Inv. no. 45901 Acquired by the present owner on Jun. 4, 1973 The British schooner Q.9. Mary B. Mitchell was a decoy ship who was believed to have sunk her first German submarine in 1917. She was built by Paul Rogers in 1892 at Carrickfergus and was owned by Lord Penrhyn. She was requisitioned in 1916 by the Admiralty to serve as a Q-ship until 1919, out of Falmouth. C $8,000-12,000

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7 7 Jack Lorimer Gray American/Canadian, 1927-1981 Nova Scotian Schooner, 1961 Signed Jack L Gray and dated 61; initialed JLG, dated 61, and inscribed as titled on the reverse Oil on canvasboard 24 x 36 inches (61 x 91.4 cm) Provenance: Mrs. Henry Dickson Henry Peterson Dickson C $15,000-25,000

8 Anthony D. Blake New Zealander, b. 1951 Race Day, Newport, 1893, 1991 Signed A.D. BLAKE (lr); signed A D Blake, dated 1991, and inscribed as titled and with notations naming the various yachts on the reverse and a legend inscribed along the bottom canvas overlap Oil on canvas 23 7/8 x 40 inches (60.5 x 101.6 cm) The scene depicts the yacht Vigilant beating the Colonia, Ariel, and Corsair II as they approach the New York Yacht Club during the selection trials for the America’s Cup defense. C $10,000-15,000

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Property from the Estate of Marianne Schaller 9 Percival Leonard Rosseau American, 1859-1937 The Pool in the Woods, 1910 Signed Rosseau and dated 1910 (ll); inscribed as titled on the stretcher Oil on canvas 54 3/8 x 39 1/4 inches (137.7 x 99.7 cm) Provenance: Graham Gallery, New York C $50,000-90,000

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10 William Merritt Chase American, 1849-1916) Head of a Young Girl (The Gray Kimono), 1901 Signed Wm M. Chase. (cl) Oil on canvas 20 x 16 inches (50.8 40.7 cm) Provenance: J. J. Haverty, Atlanta, Ga., from a label inscribed with his name on the stretcher [Sale] Parke-Bernet, New York, Apr. 20, 1972, lot 162

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Exhibited: Philadelphia, McClees Gallery, Exhibition of the Work of William M. Chase, March 1905 Buffalo, Buffalo Fine Arts Academy, A Collection of Oil Paintings by William Merritt Chase, N.A., 1909, a travelling exhibition; to Albright Art Gallery, Buffalo; John Herron Art Institute, Indianapolis; St. Louis Art Museum; Cincinnati Museum of Art Boston, Vose Gallery, Exhibition of Paintings by William Merritt Chase, Dec. 1909, no. 17 New York, National Arts Club, Exhibition of Paintings by William Merritt Chase Jan. 5-13, 1910 Bridgeport, Conn., Bridgeport Public Library, Exhibition of fifty-four Paintings by William Merritt Chase, 1910,

Literature: Ronald G. Pisano, William Merritt Chase Portraits in Oil, vol. 2, The Complete Catalogue of Known and documented work by William Merritt Chase (1849-1916), completed by Carolyn K. Lane and D. Frederick Baker, 2006, no. OP.339, Head of a Young Girl (The Gray Kimono), 1901, illus., as Location Unknown, pp. 174-175 The painting is identified as a portrait of Chase’s daughter, Alice Dieudonne. J. J. Haverty (1858-1939) was a preeminent collector of American art in his day. Upon his death, a number of his paintings were bequeathed to the High Musuem of Art in Atlanta, his hometown. C $10,000-15,000

11 Lucien Pissarro French, 1863-1944 Blackpool Cottage, June, 1921 Signed with artist’s monogram and dated 1921 (ll); also inscribed Blackpool 1921 on the stretcher Oil on canvas 25 1/2 x 21 inches (64.8 x 53.4 cm)

Exhibited: London, Goupil Gallery, 1921, no. 177

Provenance: Studio of the artist, marked in the studio book at The Brook, the artist’s home in Chiswick in 1949 [Sale] Sotheby’s, July 12, 1961 Leger Gallery, London Valerie Nelson, New York [Sale] Parke-Bernet, New York, May 21, 1969, lot 44, illus. Ross Peacock, United States

Literature: Sketchbook 71, Pissarro Family Archive, Ashmolean Museum, Oxford Daily Telegraph, Nov. 21, 1921 Daily Mail, Nov. 28, 1921 Anne Thorold, A Catalogue of the Oil Paintings of Lucien Pissarro, 1983, no. 325, p. 154, illus. C $30,000-40,000

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12 12 Louis Valtat French, 1869-1962 Paysage (Les Colettes a Cagnes) circa 1907 Signed with initials L. V (lr) [Lugt 1771]; inscribed Paysage on the stretcher Oil on canvas 10 3/4 x 16 1/4 inches (27.3 x 41.3 cm) Provenance: [Sale] Sotheby’s, New York, Nov. 6, 2003, lot 181 According to Louis-Andre Valtat, this work will be included in the forthcoming supplement to the catalogue raisonné under the sponsorship of the Wildenstein Institute. C $30,000-50,000 13 After Paul Gauguin Hina, conceived circa 1893 Signed with the initials PGo, numbered 10/20, inscribed HINA and stamped with the foundry mark C. VALSUANI/CIRE PERDUE at the bottom left Bronze with brown patina Height 14 inches (35.5 cm)

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Literature: C. Gray, Sculpture and Ceramics of Paul Gauguin, Baltimore, 1963, p. 223, no. 97 (carved wood version illustrated) M. Bodelsen, Gauguin’s Ceramics, A Study in the Development of his Art, London, 1964, p. 237 (carved wood version illustrated, p. 144, fig. 95). G. M. Sugana, L’opera completa di Gauguin, Milan, 1972, p. 101, no. 239I (carved wood version illustrated) C $10,000-15,000

14 Maurice de Vlaminck French, 1876-1958 Rue de Village Signed Vlaminck (lr) Gouache, watercolor, brush and ink on paper 17 5/8 x 21 3/8 inches (44.7 x 54.3 cm) This work will be included in the Digital Critical Catalogue of Vlaminck in preparation by the Wildenstein-Plattner Institute, Inc. C $12,000-18,000 Property from the Estate of James H. Wickersham Jr. 15 Eugène Galien-Laloue French, 1854-1941 Marché aux Fleurs et la Tour de l’Horloge Signed E. Galien-Laloue (ll) Gouache on thin board 13 1/8 x 16 3/8 inches (33.3 x 41.5 cm) C $8,000-12,000 15

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16 Property from the Estate of Eugene M. Lang 16 Jean Dufy French, 1888-1964 Le Quai Videcoq au Havre, circa 1938-40 Signed Jean Dufy (ll) Watercolor and gouache on paper 18 5/8 x 25 inches (47.3 x 63.5 cm) Literature: Jaques Bailly, Jean Dufy, Catalogue Raisonné d l’Oeuvre, Vol. I, Paris 2002, p. 118, no. J.34, illus. Accompanied by a photo-certificate from Germaine Dufy, sister of the artist, dated Paris, le Ier Octobre, 1970 C $15,000-25,000 17 Jean Dufy French, 1888-1965 Bouquet de Fleurs Signed Jean Dufy (lr) Watercolor and gouache on paper 23 3/8 x 17 5/8 (59.4 x 44.7 cm) The work is accompanied by a certificate of authenticity from Jacques Bailly, no. 4679, dated Paris 20 April 2018, in which he states that the painting will be included in a forthcoming volume of the Catalogue Raisonné. C $8,000-12,000 17 16 DOYLE • NOVEMBER 7, 2018 • NEW YORK

Property from the Estate of Eugene M. Lang 18 Jean Dufy French, 1888-1964 Sous-Bois Signed Jean Dufy (ll) Oil on canvas 36 1/4 x 28 3/4 inches (92 x 73 cm) This work is accompanied by a photo-certificate from André Pacitti, dated 5 November 1966; and by a photo certificate from Germaine Dufy, sister of the artist, dated Paris 25 November 1970. The work is also accompanied by a photo-certificate from Jacques Bailly, no. 4687, dated 25 June 2018, in which he states that the painting will be included in a forthcoming volume of the Catalogue Raisonné. C $12,000-18,000

19 Jean Dufy French, 1888-1964 Bouquet de Fleurs Signed Jean Dufy (lrc) Watercolor and gouache on paper 23 13/16 x 17 7/8 inches (60.5 x 45.5 cm) Provenance: Galerie Beaux-Arts, Paris (possibly) This work is accompanied by a certificate of authenticity from Jacques Bailly, no. 4680, dated Paris 20 April 2018, in which he states that the painting will be included in a forthcoming volume of the Catalogue Raisonné. C $7,000-10,000

19 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17

Property from the Estates of Lucille and Charles Plotz 20 Max Weber American, 1881-1961 Two Figures Signed Max Weber and dated 1912 (lc) Watercolor and pencil on thin board 19 x 12 1/2 inches (48.2 x 31.8 cm) Provenance: Krasner Gallery, New York C $15,000-20,000

Property from a Private New Jersey Collection 21 John Marin American, 1870-1953 Woolworth Building, circa 1925 Watercolor on card 9 3/4 x 8 1/16 inches (24.8 x 20.5 cm) Provenance: Lisa Marie Marin, New York The Downtown Gallery, New York Menconi+Schoelkopf, New York Literature: Sheldon Reich, John Marin: A Stylistic Analysis and Catalogue Raisonné, The University of Arizona Press, Tucson, 1970, no. 25.95 p. 561 C $15,000-20,000

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22 David Davidovich Burliuk Russian/American, 1882-1967 Suma Japan, 1922 Signed Burliuk, dated I. 1922., and inscribed as titled (ll) Oil on canvas 13 x 17 7/8 inches (33 x 45.6 cm) Provenance: Harbor Gallery, Cold Spring Harbor, New York Exhibited: New York, Ukrainian Museum, Futurism and After, Feb. - through Mar. 1, 2009 C $10,000-15,000 23 Leon Shulman Gaspard American/Russian, 1882-1964 Canton Signed Leon Gaspard, dated 1921, and inscribed with title (lr); Estate stamp on backing board Oil on linen mounted to board 19 1/2 x 14 7/8 inches (49.5 x 37.8 cm) Provenance: The artist Estate of the above Maxwell Gallery, San Francisco Private collection, New York [Sale] Christieâ&#x20AC;&#x2122;s. New York, Jun. 3, 1982, lot 125 Private Collection, New York [Sale] Christies, New York, Nov. 19, 2014, lot 151 Private collection C $40,000-60,000 23 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19

Property from the Estate of Hilda U. and Rudolph Forchheimer 24 Mordecai (Bronstein) Ardon Polish/Israeli, 1896-1992 Ein Karem, 1942 Signed Bronstein-Ardon and dated 1942 (ll) Oil on paper laid down on board 18 1/4 x 21 3/4 inches (46.4 x 55.3 cm) Provenance: Leo and Julia Forchheimer, New York; thence by descent in the family Exhibited: Tel Aviv, Israel, The Tel Aviv Museum, Ardon - Retrospective, May 25 - Oct. 14, 1985, cat. no. 20 Literature: Michele Vishy, Mordecai Ardon, New York, illus., no. 42 C $25,000-35,000

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Property from an East Hampton Collection 25 Sergei Arsenevich Vinogradov Russian, 1869-1938 Path to the Bay, 1932 Signed in Cyrillic and dated â&#x20AC;&#x2DC;32 (lr) Oil on canvas 19 1/8 x 25 3/4 (48.5 x 65.4 cm) C $10,000-15,000

26 Vasili Ivanovich Shukhaev Russian, 1887-1972 A Country Table, 1954 Signed in Cyrillic, dated 1954 and inscribed 20g on the reverse Oil on canvas 31 3/8 x 39 5/8 inches (79.7 x 100.7 cm) Provenance: A. Glaezer (until 1984) Collection of Anastasia Burliuk C $8,000-12,000

26 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 21

27 Gen Paul French, 1895-1975 Coney Island, 1937 Signed, inscribed and dated Gen Paul/Coney Island/1937 (ur); inscribed Gen Paul on the reverse Oil and pencil on paper laid down on board 19 3/8 x 25 1/2 inches (49.2 x 64.7 cm) C $8,000-12,000

28 Marcel Dyf French, 1899-1985 Place de la Concorde , 1948 Signed Dyf and dated 1948 Paris (lr) Oil on canvas 29 x 39 3/4 inches (73.6 x 99 cm) Accompanied by a photo-certificate of authenticity from Claudine Dyf, wife of the artist, in which she states that the painting is an original work from the hand of Marcel Dyf. The certificate is dated the 9th of July 2018. C $8,000-12,000

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Property of the Estate of Henrie Jo Barth 29 Emilio Grau-Sala Spanish, 1911-1975 Deauville, 1964 Signed Grau Sala (ll); inscribed on the reverse no. 33/ GRAU SALA/1964/Deauville Oil on canvas 21 1/4 x 25 1/2 inches (54 x 64.8 cm) C $10,000-20,000 30 Paul Augustin Aïzpiri French, 1919-2016 Canotier Jaune Signed Aïzpiri (lr); inscribed with artist’s name, title and 7108 PHD on the stretcher Oil on canvas 29 x 23 5/8 inches (73.6 x 60 cm) C $10,000-15,000

30 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 23

Property of a Bedminster, New Jersey Collector 31 William Langson Lathrop American, 1859-1938 Light and Shadow Signed W L Lathrop (lr) Oil on canvas 25 x 30 1/4 inches (65.5 x 76.2 cm) Provenance: Ingham Springs Antiques, New Hope, PA C $20,000-30,000

Property of a Bedminster, New Jersey Collector 32 William Langson Lathrop American, 1859-1938 Sunshowers Signed W Lathrop (lr) Oil on canvas 22 1/4 x 20 inches (56.5 x 50.8 cm) C $8,000-12,000 32 24 DOYLE • NOVEMBER 7, 2018 • NEW YORK

Property of Sheldon and Judith Streisand 33 Walter Elmer Schofield American, 1866-1944 December Day Signed Schofield (lr); signed W. E. Schofield on the reverse and inscribed as titled on the stretcher Oil on canvas 31 1/8 x 36 1/8 inches (76.4 x 91.8 cm) Provenance: Samuel T. Freeman and Co., Philadelphia, 1950 Private collection, Upper Darby, PA [Sale] Sotheby’s, New York, Dec. 3, 1987, lot 242 C $20,000-30,000

Property of a Bedminster, New Jersey Collector 34 John Fabian Carlson American, 1874/75-1945 Shadowy Haunts Signed John F. Carlson; signed John F. Carlson and inscribed as titled on the stretcher Oil on canvas 40 1/4 x 52 1/4 inches (102.2 x 132.7 cm) Provenance: The artist The artist’s son Vose Galleries, Boston Private collection, New Jersey C $15,000-20,000

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35 Kenneth Nunamaker American, 1890-1957 River Hills Signed K. Nunamaker (lr) Oil on canvas 14 x 14 inches (35.5 x 35.5 cm) Provenance: Salmagundi Club, New York C $8,000-12,000

Property of a Bedminster, New Jersey Collector 36 Kenneth Nunamaker American, 1890-1957 The Quarry Signed K. Nunamaker (lr) Oil on canvas 20 x 22 1/8 inches (50.8 x 56.2 cm) Provenance: Jim’s Antiques Ltd., Lambertville, NJ C $7,000-10,000

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Property of a Bedminster, New Jersey Collector 37 Clarence Raymond Johnson American, 1894-1981 The Farm Signed C Johnson (lr) Oil on canvas 24 3/4 x 30 inches (60.3 x 76.2 cm) Provenance: Jim’s of Lambertville, Lambertville, NJ C $8,000-12,000

Property of a Bedminster, New Jersey Collector 38 Arthur Meltzer American, 1893-1989 Pennypack Creek, 1971-72 Signed Arthur Meltzer (lr); dated 1971 and inscribed Retouched / 2-72 on the stretcher Oil on canvas 20 x 24 inches (50.8 x 61 cm) Provenance: Jim’s of Lambertville, Lambertville, New Jersey C $10,000-15,000

38 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 27

Property from a New Jersey Private Collection 39 Ada Walter Shultz American, 1870-1928 An Afternoon Stroll Signed Ada W Shultz (lr) Oil on canvas 25 1/8 x 30 inches (63.8 x 76.2 cm) Provenance: Private collection, Vincennes, IN [Sale] Ripley Auctions, Indianapolis, IN, Mar. 15, 2014, lot 3 C $8,000-12,000

40 John Koch American, 1919-1978 Woman Bathing Signed Koch (lr) Oil on canvas 60 x 36 inches (152.3 x 91.4 cm) Provenance: Dora Koch, the artist’s wife Private collection C $10,000-15,000

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Property of a Bedminster, New Jersey Collector 41 Roy Nuse American, 1885-1975 Three Children Crossing a River Signed with monogram (ll) Oil on canvas 25 x 30 inches (63.5 x 76.2 cm) Provenance: The artistâ&#x20AC;&#x2122;s son; thence by descent in the family Bianco Gallery, Buckingham, PA Exhibited: Doylestown, PA, James A. Michener Art Museum, Roy C. Nuse-Figures and Landscapes, Feb. 9-May 12, 2002 C $20,000-40,000

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42 Colin Campbell Cooper American, 1856-1937 View of the Brooklyn Bridge Signed Colin Campbell Cooper (lr) Oil on canvas 11 7/8 x 23 7/8 inches (30.2 x 60.5 cm) Provenance: Igor Koulichkov, New York Alexander Kahan Fine Arts Ltd., New York C $20,000-30,000 43 Johann Berthelsen American, 1883-1972 Brooklyn Bridge by Night Signed Johann Berthelsen (lr) Oil on canvas 22 x 28 1/8 inches (55.9 x 71.1 cm)

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Provenance: The artist Virginia Warren and John Charles Daly Private collection C $12,000-18,000

44 Philip Evergood American, 1901-1973 Social Security Signed Philip Evergood (lc) and dated LXII (lr) Oil on canvas 40 x 30 1/4 inches (101.6 x 76.8 cm) Provenance: ACA Galleries, New York Private Collection, New York C $10,000-15,000

45 Reginald Marsh American, 1898-1954 Burlesque Show Signed Reginald Marsh (lr); bears inscription 50-2 on the reverse and on the stretcher Oil on canvas 30 x 36 inches (76.2 x 91.4 cm) Provenance: The F. Marsh Collection, no. 50-2 C $30,000-50,000

45 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 29

46 Diego Rivera Mexican, 1886-1957 Standing Woman in Doorway Signed Diego Rivera (ll) Watercolor on handmade rice paper 15 1/4 x 11 inches (38.7 x 28 cm) Provenance: Central Art Gallery, Mexico, acquired from the artist Private collection, acquired from the above in 1958 With letter from the Central Art Gallery dated January 31, 1958. C $20,000-30,000

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47 Diego Rivera Mexican, 1886-1957 The Worker Signed Diego Rivera (ll) Watercolor on handmade rice paper 15 1/4 x 10 3/4 inches (38.5 x 27.4 cm) Provenance: Central Art Gallery, Mexico, acquired from the artist Private collection, acquired from the above in 1958 C $20,000-30,000

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48 Pavel Tchelitchew Russian, 1898-1957 Head of Summer, 1941 Signed and dated P. Tchelitchew 1941 (ll) Watercolor on paper 14 7/8 x 11 inches (37.8 x 28 cm) Provenance: Collection of the artist Kirk Askew Jr., New York Exhibited: New York, Museum of Modern Art, Tchelitchew, Paintings Drawings, by James Thrall Soby, 1942, no. 183, collection of the artist

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This work is a study for the Head of Summer in Hide and Seek in The Museum of Modern Art, New York, which served as a transition between the heads in the branches and the Head of Spring on the left and the Head of Autumn on the right. Kirk Askew was the Director of Durlacher Bros., a gallery with branches in New York and London, dealing mostly in Old Master paintings. Askew introduced many contemporary artists to the gallery. His home was a meeting place for writers, musicians and painters, such as Eugene Berman, Massimo Campigli, and Pavel Tchelitchew. C $10,000-15,000

Property from The Collection of Charlotte Bergman 49 Henry Moore British, 1898-1986 Family Group, 1944 Signed Moore and dated 44 (lr) Watercolor, gouache, colored crayon, wax crayon and wash on paper 7 1/16 x 4 1/8 inches (18 x 10.3 cm) Provenance: Charlotte Bergman, Jerusalem, acquired directly from the artist Thence by descent in the family

The Henry Moore Foundation confirms the authenticity of the work, assigning it the number HMF 2206b. They add, in a letter of September 24, 2018, that, in their opinion, it is from the disbanded Family Group Notebook, c. 1943-44, illustrated on pp. 201-210, of Henry Moore Complete Drawings, vol. 3, 1940-1949, edited by Ann Garrould. C $20,000-30,000

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Property of a Lady 50 Jean (Hans) Arp French, 1886-1966 Deux Profils, 1959 Signed Arp on a label affixed to the reverse Oil on Pavatex (wood fiber) relief 18 x 19 inches (45.8 x 48.3 cm) Provenance: Dunkelman Gallery, Toronto C $60,000-80,000

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POST-WAR ART

Lot 87

Property from the Estate of Alexander C. Ewing 51 Jacques Lipchitz French/American, 1891-1973 Taureau (The Bull) Signed Lipchitz and with artist’s thumbprint Bronze with black patina 8 5/8 x 10 1/4 x 7 3/8 inches (21.9 x 26.03 x 18.73 cm) Literature: Wilkinson, Alan G., The Sculpture of Jacques Lipchitz: A Catalog Raisonne, Vol. 2, The American Years, 1941-1973, no . 585, illus. b/w, p. 188, another C $12,000-18,000 Property from the Estate of Marion Victor Perini 52 Alexander Calder American, 1898-1976 Heart and Ladder, 1975 Signed Calder and dated 75 (lc) Gouache on paper 15 x 5 1/2 inches (38.1 x 13.97 cm) Provenance: Perls Gallery, New York This work is registered in the archives of the Calder Foundation, New York, under application number A07280 C $15,000-20,000

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53 Stanton MacDonald Wright American, 1890-1973 Enfance, 1955 Signed S. Wright (lc), signed S. Wright, dated 1955 and inscribed as titled on the reverse Oil on canvas 60 x 44 inches (152.4 x 111.76 cm) Provenance: Duveen-Graham Gallery, New York Esther Robles Gallery, Los Angeles [Sale] Christieâ&#x20AC;&#x2122;s, New York, Nov. 19, 2014, sale 2899, lot no. 100 Mr. & Mrs. Edgar B. Miller, Chicago Exhibited: 27th Annual Exhibition, Apr. 11 - May 21, 1967, Society for Contemporary Art, Chicago C $60,000-80,000 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37

54 José Clemente Orozco Mexican, 1883-1949 Untitled Signed J.C. Orozco (lr) Watercolor on paper 21 x 14 3/4 inches (53.34 x 37.46 cm) C $8,000-12,000

55 Fidelio Ponce de León Cuban, 1895-1949 Untitled, 1935 Signed Ponce and dated 35 (lr) Oil on canvas 18 x 12 inches (45.72 x 30.48 cm) Provenance: Gift of the artist to Juan Cros Arrué, Madrid Thence by descent to the estate Purchased from the estate in 2017 by the current owner C $10,000-15,000

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56 Amelia Peláez Cuban, 1896-1968 Untitled, 1960 Signed Pelaez and dated 60 (lr) Oil on canvas 35 1/2 x 29 1/2 inches (90.17 x 74.93 cm) Unframed Provenance: Gift of the artist to Juan Cros Arrué, Madrid Thence by descent to the estate Purchased from the estate in 2017 by the current owner C $60,000-80,000

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57 Carlos (Gómez) Enriquez Cuban/American, 1900-1957 Untitled Initialed CE (lr) Ink on paper 18 x 13 inches (45.72 x 33.02 cm) C $10,000-15,000

58 Carlos (Gómez) Enriquez Cuban, 1900-1957 Los Desplayador, 1940 Signed C. Enriquez (lr), signed C Enriquez, dated 1940 and inscribed as titled on the reverse Scratch-out and ink on card 13 1/2 x 11 inches (34.29 x 27.94 cm) Unframed C $8,000-12,000

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59 Loló Soldevilla Cuban, 1904-1971 Construction, 1956 Signed Loló and dated ‘56 (uc) Acrylic on wood 39 x 51 inches (99.06 x 129.54 cm) Unframed Provenance: Gift of the artist to Juan Cros Arrué, Madrid Thence by descent to the estate Purchased from the estate in 2017 by the current owner C $60,000-80,000

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60 Loló Soldevilla Cuban, 1904-1971 Untitled, 1956 Signed Loló and dated ‘56 (lr) Oil on canvas 23 1/2 x 20 inches (59.69 x 50.8 cm) Provenance: Gift of the artist to Juan Cros Arrué, Madrid Thence by descent to the estate Purchased from the estate in 2017 by the current owner C $40,000-60,000

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61 Sandú Darié Romanian/Cuban, 1908-1991 Untitled Signed Darie (lr) Oil on canvas 39 3/8 x 39 3/8 inches (100 x 100 cm) This work includes a certificate of authenticity from Roberto Cobas Amate C $40,000-60,000

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62 62 Sandú Darié Cuban, 1908-1991 Espacios Vairables, 1955-57 Signed Darie (lr), signed Darie (ll) Oil on canvas 23 1/2 x 47 inches (59.69 x 119.38 cm) Unframed This work includes a certificate of authenticity from Robert Cobas Amate C $25,000-35,000

63 Sandú Darié Cuban, 1908-1991 Espacios Variables, 1955-57 Signed Darie (lr) Oil on canvas 27 1/2 x 39 1/2 inches (69.85 x 100.33 cm) This work includes a certificate of authenticity from Roberto Cobas Amate C $20,000-30,000

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64 Cundo BermÃºdez Cuban, 1914-2008 Untitled, circa 1950s Signed Cundo Bermudez (ll) Oil on canvasboard 20 3/4 x 26 3/4 inches (52.7 x 67.94 cm) This work includes a certificate of authenticity from Conrado Basulto C $70,000-90,000

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65 René Portocarrero Cuban, 1912-1985 El Cobre, 1951 Signed Rene Portocarrero and dated 1951 (ll) Oil on canvas 54 1/2 x 75 1/2 inches (138.43 x 191.77 cm) Provenance: The artist Acquired from the artist by Joseph R. Lopez, Hollywood, FL This work includes a certificate of authenticity from Giulio V. Blanc, 1990 C $150,000-250,000

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66 René Portocarrero Cuban, 1912-1985 Untitled, 1960 Signed Portocarrero and dated 60 (ll) Oil on canvas 27 1/2 x 39 1/2 inches (69.85 x 100.33 cm) Provenance: Gift of the artist to Juan Cros Arrué, Madrid Thence by descent to the estate Purchased from the estate in 2017 by the current owner C $70,000-90,000

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67 Luis Martinez Pedro Cuban, 1910-1990 Circle, 1965 Signed Martinez Pedro and with artist’s mark, dated 65 and numbered 7 on the reverse Acrylic on canvas 30 x 40 inches (76.2 x 101.6 cm) Provenance: Gift of the artist to Juan Cros Arrué, Madrid Thence by descent to the estate Purchased from the estate in 2017 by the current owner C $8,000-12,000 68 José Maria Mijares Cuban, 1921-2004 Concreto, 1959 Signed Mijares and dated 1959 (lr) Oil on canvas 39 1/4 x 23 3/4 inches (99.69 x 60.32 cm) This work includes a Certificate of Authenticity from Maria A. Cabrera de Mijares. C $15,000-20,000

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69 Ángel Botello Puerto Rican, 1913-1986 Three Children Signed Botello (lr) Oil on Masonite 20 3/4 x 19 7/8 inches (52.7 x 50.48 cm) C $8,000-12,000 70 Ángel Botello Puerto Rican, 1913-1986 Girl with Blue Bird Signed Botello (lr) Oil on canvas stretched over panel 44 1/2 x 22 3/4 inches (113.03 x 57.78 cm) C $15,000-20,000

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Property from the Estates of J. Robert and Gladys Rosenthal 71 Ángel Botello Haitian/Puerto Rican, 1913-1986 Study for Girl with Umbrella, circa 1983 Signed Botello and numbered 10/10 Bronze with silver finish Height 21 1/2 inches (54.61 cm) C $10,000-15,000 72 Mario Carreño Chilean, 1913-1999 (i) Untitled, 1948 Signed Carreno and dated 48 (lr), signed Carreño, dated 1948 and inscribed Papa Montero/Primera Idea on the reverse Oil on paperboard 20 1/8 x 16 inches (51.11 x 40.64 cm) (ii) Untitled, 1948 Signed Carreño and dated 48 (lr) Ink on cream paper laid to card 12 3/8 x 10 1/2 inches (31.43 x 26.67 cm) Each work includes a photo certificate from the artist’s widow, issued in 2010. C $10,000-15,000

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73 Carlos Alfonzo Cuban/American, 1950-1991 Untitled, 1988 Signed Alfonzo (ll), dated 88 (lr) Oil on canvas 36 x 47 inches (91.44 x 119.38 cm) Provenance: Acquired from the artist in 1988 by Joseph R. Lopez, Hollywood, FL Purchased from the above by the current owner Exhibited: Works on Paper, Sep. 13 - Oct. 6, 2013, Miami Hispanic Cultural Arts Center, Miami C $12,000-18,000 74 Ernesto Villanueva Cuban. b. 1970 El Silencio Signed Villanueva and dated 2003 (ll), signed Villanueva, dated 2003, inscribed Serie: La Verdad, 9/50 and as titled on the reverse Oil and acrylic on canvas 59 x 43 1/4 inches (149.86 x 109.85 cm) C $8,000-12,000

74 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 51

75 Oswaldo Guayasamin Ecuadorian, 1919-1999 Quito Signed Guayasamin (lr) Work on canvas 29 3/8 x 59 inches (74.48 x 149.86 cm) Provenance: The artist Purchased directly from the artist, private collection, Ecuador Thence by descent in the family This work includes a certificate of authenticity from Dayuma Guayasamin de Peron, daughter of the artist. C $70,000-90,000

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76 Fernando Cueto Amorsolo Filipino, 1892-1972 Girl with Mangos, 1950 Signed F. Amorsolo and dated 1950 (ll) Oil on canvasboard 13 3/4 x 17 3/4 inches (34.92 x 45.08 cm) C $25,000-35,000

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77 Eduardo MacEntyre Argentine, 1929-2014 Encuentros s/Gris, 1979 Signed E MacEntyre and MacEntyre and dated 1979 on the reverse Acrylic on canvas 51 3/8 x 43 3/8 inches (130.49 x 110.17 cm) C $15,000-20,000 78 Luis Feito López Spanish, b. 1929 Untitled, 1987 Signed Feito, dated 1987-NY, inscribed 1448 and BAS on the reverse Oil on canvas 54 x 80 inches (137.16 x 203.2 cm) C $10,000-15,000

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79 Blanche Lazzell American, 1878-1956 Provincetown, 1921 Pigment on original woodblock 11 1/2 x 12 inches (29.21 x 30.48 cm) Provenance: Graham Gallery, NY C $8,000-12,000 80 Vaclav Vytlacil American, 1892-1984 Colorful Fish, 1940 Signed Vytlacil (lr), dated 1940 on the stretcher Oil on board 15 1/4 x 20 inches (38.73 x 50.8 cm) C $15,000-20,000

80 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55

81 Vaclav Vytlacil American, 1892-1984 Geometric Figure, 1938 Signed Vytlacil and dated 1938 on the reverse Tempera on paperboard 23 3/4 x 18 inches (60.32 x 45.72 cm) C $10,000-15,000

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82 Vaclav Vytlacil American, 1892-1984 Geometric Figure, 1937 Signed Vytlacil and dated 1937 (ll), signed Vytlacil and dated 1937 on the reverse Tempera on paperboard 24 x 18 inches (60.96 x 45.72 cm) C $10,000-15,000

83 Vaclav Vytlacil American, 1892-1984 Untitled Still Life, 1939 Signed Vytlacil and dated 1939 on the reverse Tempera on paperboard 18 x 23 3/4 inches (45.72 x 60.32 cm) C $10,000-15,000

Property from a Private New Jersey Collection 84 John Ferren American, 1905-1970 Untitled, 1938 Signed Ferren and dated 38 (lc) Pastel on paper 19 5/8 x 25 3/4 inches (49.84 x 65.4 cm) Provenance: Am Sachs Gallery, New York [Sid Deutsch Gallery, New York] C $8,000-12,000

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Property from a Private New Jersey Collection 85 George L. K. Morris American, 1905-1975 Breakfast in Bed, 1947 Signed Morris (lr), George L.K. Morris, dated 1947 and inscribed as titled on the reverse Oil on canvas 9 1/2 x 8 1/2 inches (24.13 x 21.59 cm) Provenance: The Downtown Gallery, New York Salander Galleries, New York Jeffrey Hoffeld & Company, Inc., New York C $10,000-15,000 Property from a Private New Jersey Collection 86 Ilya Bolotowsky Russian/American, 1907-1981 Untitled, Open Column, 1978 Signed Ilya Bolotowsky and dated 1978 Oil on wood 96 x 15 1/2 x 9 inches (243.84 x 39.37 x 22.86 cm) C $8,000-12,000

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Property from a Private New Jersey Collection 87 Charles Green Shaw American, 1892-1974 Polygon, circa 1938 Inscribed 33 with estate stamp on reverse Painted wood construction 20 x 22 inches (50.8 x 55.88 cm) Provenance: Estate of the artist Washburn Gallery, New York C $20,000-30,000

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Property from a Philadelphia Private Collection 88 Lynn Chadwick British, 1914-2003 Lion, 1973 Signed with artist’s mark, stamped 0.750/18k, dated 1973, numbered 1/2 and stamped 648G 18 karat gold 2 x 3 1/2 x 1 1/2 inches (5.08 x 8.89 x 3.81 cm) Provenance: [Sale] Sotheby’s London, Dec. 6, 1996, lot no. 199 C $12,000-18,000

89 Lynn Chadwick British, 1914-2003 Maquette XIII Beast, 1967 Initialed L.C., numbered 1/4 and inscribed 556 Bronze with black patina Height 8 inches (20.32 cm) Provenance: Private collection, London Waddington Galleries, Ltd., London no. 2152 Literature: Farr, Dennis; Lynn Chadwick, Sculptor: with a Complete Illustrated Catalogue, 1947-1996, no, 556, b/w illus. of another work from this edition C $10,000-20,000

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90 David Hockney British, b. 1937 Patrick Proctor Smoking, 1966 Signed David, dated Dec. 66 and inscribed Patrick Proctor Smoking/ in 165 E 61st/For Gene/From (lr) Ink on paper 14 x 17 inches (35.56 x 43.18 cm) C $12,000-18,000 91 David Hockney British, b. 1937 Untitled, 1970 Signed and inscribed for Gene with love from David XX and dated May 13th 1970 (lr) Ink on paper 16 3/4 x 14 inches (42.54 x 35.56 cm) C $15,000-20,000

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92 Property of Sheldon and Judith Streisand 92 Saul Steinberg American, 1914-1999 Document, 1954 Signed Steinberg and dated 1954 on label affixed to the backing, inscribed Document/300 on the reverse Watercolor, with black, brown and red ink on paper 14 5/8 x 23 1/4 inches (37.14 x 59.05 cm) Provenance: Sidney Janis Gallery, New York [Sale] Sotheby’s, New York, Impressionist, Modern & Contemporary Painting, Drawings and Sculpture, Oct. 8, 1986, sale no. 5494, lot no. 65 C $8,000-12,000

93 Wolf Kahn German/American, b. 1927 The Weight of Summer, 2003 Signed W Kahn (lc), dated 2003 and numbered 96 on the reverse, dated 2003, numbered 96 and inscribed as titled on the stretcher Oil on linen 16 x 24 inches (40.64 x 60.96 cm) C $8,000-12,000

93 62 DOYLE • NOVEMBER 7, 2018 • NEW YORK

94 Fairfield Porter American, 1907-1975 Portrait of James Schuyler Signed Fairfield Porter and dated 1955 (lr) Oil on canvas 48 x 42 inches (121.9 x 106.6 cm.) Provenance: Tibor de Nagy Gallery, New York Knoedler Gallery, New York Hirschl and Adler Galleries, New York Ashby McCulloch Sutherland Private collection Exhibited: American Painters, Sept. 26 - Nov. 24, 1962, Kansas City Art Museum, Kansas City, MO Fairfield Porter, Jan. 17 - Mar. 20, 1964, University of Alabama, Tuscaloosa, AL Fairfield Porter Paintings, Nov. 1-27, 1964, Southern Illinois University, Mr. and Mrs. John Russell Mitchell Gallery, Carbondale, IL Fairfield Porter, Nov. 5, 1965 - Mar. 15, 1966, Reed College, Portland, OR

Fairfield Porter, Apr. 21 - June 1966, Trinity College, Hartford, CT Fairfield Porter, Feb. 22, 967 - Feb. 21, 1968, Swarthmore College, Swarthmore, PA Group Show, Nov. 25, 1968 - Feb. 21, 1969, New Jersey State Museum, Trenton, NJ The Figurative Fifties: New York Figurative Expressionism, July 19 - Sept. 18, 1988, Newport Harbor Art Museum, Newport Beach, CA; traveling to Pennsylvania Academy of the Fine Arts, Oct. 12 - Dec. 31, 1988, Philadelphia PA; traveling to McNay Art Museum, Feb. 15 - Apr. 30, 1989, San Antonio, TX Rebels: Painters and Poets of the 1950s, Feb. 24 - June 2, 1996, National Portrait Gallery, Smithsonian Institution, Washington D. C. Fairfield Porter: A Life in Art, Mar. 23 - May 27, 2000, AXA Gallery, New York, NY; traveling to Frye Art Museum, Oct. 5, 2002-Jan. 5, 2003, Seattle, WA; and other venues

Literature: Mitchell Gallery, Fairfield Porter Paintings, Carbondale, IL, Southern Illinois University, 1964 Kertess, Klaus, Carter Ratcliff, Paul Schimmel, and Judith E. Stein, The Figurative Fifties: New York Figurative Expressionism, New York, Rizzoli, 1988, p.138, ill., 167, no. 61 Spike, John T., Fairfield Porter: An American Classic, New York, Abrams, 1992, p. 124, color ill. Joan Ludman, “Checklist of the Paintings by Fairfield Porter,” Fairfield Porter: An American Classic, New York, 1992, p. 293 Watson, Steven and Carolyn Kinder Carr, Rebels: Painters and Poets of the 1950s, Washington, D.C., National Portrait Gallery, 1996 Spring, Justin, Fairfield Porter: A Life in Art, Yale University Press, New Haven, 2000, p. 213 Joan Ludman, Fairfield Porter: A Catalogue Raisonné of the Paintings, Watercolors, and Pastels, New York, 2001, no. L209, p. 147, color ill. p. 59 C $80,000-120,000

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95 Nicolas Carone American, 1917-2010 Mourning Sleep Signed Carone (lr), inscribed 66.115.002 on the reverse Oil on canvas 72 x 96 inches (182.88 x 243.84 cm) C $20,000-30,000

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Property from Gloria Starr Kins 96 Manoucher Yektai Iranian/American, b. 1922 Untitled, 1958 Signed Yektai and dated 58 (ll) Oil on canvas 28 x 49 inches (71.12 x 124.46 cm) Provenance: Acquired directly from the artist by the current owner C $50,000-70,000

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97 Michael Goldberg American, 1924-2007 Composte Heap, 1964 Signed, Goldberg, dated 64, and inscribed Composte Heap on reverse Oil, oil pastel, and paper on canvas 78 x 98 inches (198.12 x 248.92 cm) Provenance: Martha Jackson Gallery, New York B.R. Kornblatt Gallery, Inc., Baltimore C $12,000-18,000 98 Paul Jenkins American, 1923-2012 Phenomena: Bright Bright, 1964 Signed Paul Jenkins (lr), inscribed as titled on stretcher of one canvas, inscribed Phen. Bright Bright New York and dated 1964 on the stretcher of second canvas Acrylic on canvas, diptych Each canvas 20 1/4 x 16 inches (51.43 x 40.64 cm), overall 20 1/4 x 32 3/8 inches (51.43 x 82.23 cm) C $8,000-12,000

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Property from the Estate of Beatrice Meyerson 99 James Suzuki American, b. 1932 Untitled, 1962 Signed Suzuki and dated 62 (lr), signed J. Suzuki and dated 1962 March on the reverse Oil on canvas 63 1/2 x 59 1/2 inches (161.3 x 151.2 cm) C $8,000-12,000 100 James Suzuki American, b. 1933 Untitled Diptych, 1991 Oil and paper collage on canvas Each canvas 60 x 60 inches (152.4 x 152.4 cm) C $10,000-15,000

100

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101 Cleve Gray American, 1918-2004 Zen Gardens #73, 1982 Acrylic on canvas Signed Gray, dated 82 and inscribed as titled on reverse Acrylic on canvas 70 x 65 inches (177.8 x 165.1 cm) Provenance: Irving Galleries, Palm Beach, FL C $10,000-15,000 102 Jules Olitski American, 1922-2007 Paradise C, 1985 Signed Jules Olitski, dated 85, inscribed as titled, and inscribed 85-02-2 on the reverse Acrylic on canvas 31 x 55 inches (78.74 x 139.7 cm) Provenance: Helander Gallery, Palm Beach, FL C $10,000-15,000

101

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Property from the Estate of Felice Ross 103 Charles Houghton Howard American, 1899-1978 Interior, 1954 Signed Chas. Howard and dated /54 (lr), signed Charles Howard, dated 1954 and inscribed as titled on the stretcher, inscribed Mrs. Halpert and numbered 41 on the reverse Oil on canvas 14 x 16 inches (35.56 x 40.64 cm) C $10,000-15,000 Property from Gloria Starr Kins 104 Burhan Cahit Dogancay American, 1929-2013 Who Will Win in November, 1965 Signed B Dogancay and dated 1965 (ll) Oil and torn paper collage on canvas 28 x 22 inches (71.12 x 55.88 cm)

103

Provenance: Acquired directly from the artist by the current owner This work will be included in the forthcoming Catalogue Raisonne. C $20,000-30,000

104 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69

105 Louise Nevelson American, 1899-1988 End of Day XI, 1972 Black paint on wood construction 32 1/4 x 16 5/8 inches (81.91 x 42.22 cm) Provenance: Pace Gallery, New York, no. 3686 C $18,000-22,000

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106 Chryssa Greek/American, 1933-2013 Analysis of the Letter Y, 1967 Neon, wiring, and rheostat in Plexiglas case on Plexiglas base Sculpture 18 3/4 x 23 1/2 x 18 1/2 inches (47.62 x 59.69 x 46.99 cm), base 18 1/4 x 23 1/2 x 18 1/2 inches (47.62 x 59.69 x 46.99 cm) C $8,000-12,000 Property from the Estate of Felice Ross 107 Kenneth Snelson American, b. 1927 Leda #7634, 1969 Stamped and dated KS 69 and numbered 3/3 Aluminum and wire 23 1/4 x 25 1/2 x 16 1/4 inches (59.05 x 64.77 x 41.27 cm) C $8,000-12,000

106

107 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71

108 Richard Anuszkiewicz American, b. 1930 Lino Yellow (318), 1970 Signed Richard Anuszkiewicz, dated 1970 and inscribed 318 on the reverse Acrylic on board 16 x 21 inches (40.64 x 53.34 cm) Provenance: Sidney Janis Gallery, New York C $20,000-30,000

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109 Paul Ã&#x2030;mile Borduas Canadian, 1905-1960 Untitled, 1956 Signed Borduas and dated 56 (lr) Oil on canvas 24 x 20 inches (60.96 x 50.8 cm) C $100,000-150,000

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110 Jean-Paul Riopelle Canadian, 1923-2002 Le Flore, circa 1962 Signed Riopelle (lr), signed Riopelle and inscribed le Flore on the stretcher Oil on canvas 10 5/8 x 8 5/8 inches (27 x 22 cm) Provenance: Gimpel Fils Gallery, London Lady Jamieson, purchased from the above, Apr. 1964 [Sale] Sotheby’s New York, Feb. 27, 1985, Contemporary Art sale #5293, lot no. 15 C $18,000-22,000

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Property from the Estate of Howard Pitsch 111 Ibrahim Hussein Malaysian, 1936-2009 No. 8, Assembly of Figures, 1964 Signed Ibrahim Hussein and dated 64 (lr), signed Ibrahim Hussein, inscribed Demonstration 37 and as titled on the stretcher Oil on jute canvas 50 x 40 inches (127 x 101.6 cm) C $40,000-60,000

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112 112 Ibrahim Hussein Malaysian, 1936-2009 (i) Untitled, 1965 Signed Ibrahim Hussein and dated ‘65 (ll) Gouache and collaged paper on magazine page laid to card 9 3/4 x 7 1/8 inches (24.76 x 18.09) (ii) Two Pilots, 1964 Signed Ibrahim Hussein and dated 64 (lr), signed Ibrahim Hussein on mount and (ll) and inscibred as titled on mount (lr) Gouache on magazine page laid to card 7 7/8 x 8 7/8 inches (20 x 22.54 cm) (iii) Untitled, 1963 Signed Ibrahim Hussein dated 63 (ll), initialed IH (lr) Gouache and collaged paper on magazine page laid to card 9 7/8 x 8 1/4 inches (25.08 x 20.95 cm)

Property from the Estates of Lucille and Charles Plotz 113 Sigmund Menkes Ukrainian, 1896-1986 Woman in an Interior Signed Menkes (lr) Oil on canvas 20 x 30 inches (50.8 x 76.2 cm) C $10,000-15,000

Provenance for all three works: The artist Galerie Internationale, New York Thence by descent to the current owner C $8,000-12,000

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114 Yevgeny Rukhin Russian, 1943-1976 Untitled, 1969 Signed in Cyrillic and dated 69 (ll) Oil and sand on coarse canvas 39 1/2 x 31 1/2 inches (100.33 x 80.01 cm) Provenance: Acquired directly from the artist By Jerrold Schecter while serving as Time Magazineâ&#x20AC;&#x2122;s Bureau Chief for the Moscow office. [Sale] Doyle, NY May 13, 2013, lot no. 159 C $8,000-12,000

115 Oskar Rabin Russian, b. 1928 Orange Garden in Snow, 1980 Signed O. Rabine and dated 80 (lr), dated 1980, numbered N747 and inscribed as titled in Cyrillic on the reverse Oil on canvas 18 1/8 x 21 3/4 inches (46.03 x 55.24 cm) C $8,000-12,000

114

115 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77

Property from the Estate of Hilda U. and Rudolph Forchheimer 116 Bernard Buffet French, 1928-1999 Bouquet de marguerites, 1957 Signed Bernard Buffet and dated 57 (ur), numbered T77 and inscribed LeBlanc 10/148 on the reverse Oil on canvas 25 5/8 x 21 1/2 inches (65.08 x 54.61 cm) Provenance: Galerie David Garnier, Paris Arthur Tooth and Sons, Ltd., London This work is referenced in the Galerie Maurice Garnier archives. C $40,000-60,000

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Property from the Estate of Henrie Jo Barth 117 Claude Venard French, 1913-1999 Composition En Rose Signed C. Venard (lr) Oil on canvas 39 1/2 x 39 1/2 inches (100.33 x 100.33 cm) Provenance: Romanet Rive-Gauche, Paris Le Monde Galleries, New York C $10,000-15,000

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118 Property from the Estate of Marcella Katz 118 Claude Venard French, 1913-1999 Port Signed C. Venard (lr) Oil on canvas 38 x 51 3/8 inches (96.52 x 130.49 cm) C $7,000-10,000

119 Marcel Mouly French, 1918-2008 La Feentre en Grete, 1976 Signed M. Mouly and dated 76 (lr), signed M. Mouly, dated Paris 1976 - Mai and inscribed as titled on the reverse Oil on canvas 50 x 64 inches (127 x 162.56 cm) C $8,000-12,000

119

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CONTEMPORARY ART

Lot 134

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120 120 Julie Heffernan American, b. 1956 Self Portrait as Many Lives, 1994 Signed J. Heffernan, dated 1994 and inscribed as titled on the reverse Oil on canvas 68 x 71 inches (172.72 x 180.34 cm) Unframed Provenance: Littlejohn Contemporary, New York Private collection, New York C $8,000-12,000 121 Vito Acconci American, 1940-2017 China Doll Flag, 1989 Nylon flag, mannequin and rope 84 1/2 x 55 1/2 x 7 inches (214.63 x 140.97 x 17.78 cm) Provenance: The artist Asian American Arts Centre, New York Exhibited: CHINA: June 4, 1989 An Art Exhibition organized by the Asian American Arts Centre, Blum Helman, New York Traveled to: Mexic-Arte, Austin, TX, Jun. 4 - Jul. 14, 1992, Cleveland Institute of Art, Cleveland, Aug. 24 - Oct. 4, 1992, Buckham Gallery Flint, MI, Oct. 14 - Nov 30, 1994, China: June 4, 1989 The 25th Anniversary Exhibition, In Commemoration of the Tiananmen Square 1989 Student Movement, Whitebox, New York, Jun. 1 - Jun. 10, 2014 Literature: Artspiral, New York, Winter, 1989 CHINA: June 4, 1989 An Art Exhibition, exh. cat. Flint, Michigan: Buckham Gallery, 1994 C $8,000-12,000 121 82 DOYLE • NOVEMBER 7, 2018 • NEW YORK

122

123

122 Edward Clark American, b. 1926 Untitled, 1994 Signed Clark and dated 94 on the reverse Acrylic on canvas 30 x 30 inches (76.2 x 76.2 cm) Unframed

123 Edward Clark American, b. 1926 Untitled, 1994 Signed Clark and dated 94 on the reverse Acrylic on canvas 20 x 24 inches (50.8 x 60.96 cm) Unframed

124 Edward Clark American, b. 1926 Untitled, 1994 Signed Clark and dated 94 on the reverse Acrylic on canvas 20 x 24 inches (50.8 x 60.96 cm) Unframed

Provenance: Acquired directly from the artist by a New York artist. C $20,000-30,000

Provenance: Acquired directly from the artist by a New York artist. C $10,000-15,000

Provenance: Acquired directly from the artist by a New York artist C $10,000-15,000

124 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83

125 Edward Clark American, b. 1926 Untitled, 2002 Signed Clark and dated 02 on the reverse Acrylic on canvas 20 x 24 inches (50.8 x 60.96 cm) Unframed Provenance: Acquired directly from the artist by a New York artist. C $10,000-15,000

125

126 Hermann Nitsch Austrian, b. 1938 Naium, 2005 Signed Hermann Nitsch and dated 05 on the reverse, dated 05 and inscribed as titled on the stretcher Acrylic on burlap 39 1/4 x 31 3/4 inches (99.69 x 80.64 cm) Unframed Provenance: Mike Weiss Gallery, New York C $10,000-15,000

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127 Hermann Nitsch Austrian, b. 1938 Niki, 2005 Dated 05 and inscribed as titled on the stretcher Acrylic on burlap 39 1/4 x 31 3/4 inches (99.69 x 80.64 cm) Unframed Provenance: Mike Weiss Gallery, New York C $10,000-15,000

128 Hermann Nitsch Austrian, b. 1938 Raoul, 2005 Signed Hermann Nitsch and dated 05 on the reverse, dated 05 and inscribed as titled on the stretcher Acrylic on burlap 39 1/4 x 31 3/4 inches (99.69 x 80.64 cm) Unframed

127

Provenance: Mike Weiss Gallery, New York C $10,000-15,000

128 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

129 129 Hanneke Beaumont Belgian, b. 1947 Bronze #41, 1998 Initialed HB, numbered 2/8 and stamped with Mariani Foundry mark Cast bronze, from an edition of 8 37 x 17 1/4 x 17 1/4 (94 x 43.8 x 43.8 cm), total size with table-form base 56 x 26 x 34 inches (142.24 x 66.04 x 86.36 cm) Provenance: Neuhoff Gallery, New York Purchased from the above by the current owner C $10,000-20,000

130 130 Boaz Vaadia Israeli/American, 1951-2017 Ge’u’el & Binyamin, 2002 Signed with artist’s mark and numbered 4/7 Bronze, boulder and bluestone, from an edition of 7 22 1/2 x 25 x 25 inches (57.15 x 63.5 x 63.5 cm) Provenance: Purchased from the artist by the current owner C $10,000-15,000

131 86 DOYLE • NOVEMBER 7, 2018 • NEW YORK

131 Stephen Hannock American, b. 1951 Untitled (New York Skyline) Acrylic and phosphorescent paint on canvas stretched over panel, with blacklight 24 x 43 inches (60.96 x 109.22 cm) Unframed Provenance: Acquired from the artist by the present owner C $8,000-12,000

132 Joe Andoe American, b. 1955 (i) Untitled (Red Horse Head), 2003 Signed Joe Andoe and dated 03 (ur) Oil on linen 44 x 11 inches (111.76 x 27.94 cm) Unframed (ii) Untitled (Horse Head), 2003 Initialed J.A. (uc) Oil on linen 42 x 13 inches (106.68 x 33.02 cm) Unframed (iii) Untitled (Horse Head), 2003 Signed Joe Andoe (lc) Oil on linen 40 x 11 1/2 inches (101.6 x 29.21 cm) Unframed Provenance for all three works: Feigen Contemporary, New York C $8,000-12,000

132

133 Erwin Bohatsch Austrian, b. 1951 Untitled, 1985 Signed Bohatsch and dated 9.85 on the reverse Oil on linen 70 3/4 x 55 inches (179.7 x 139.7 cm) C $8,000-12,000

133 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87

MARTIN Can a still life be autobiographical? A tower of objects, Walt Bushman and Ducks is a very early example of Wong’s practice of depicting his collections, one that would continue throughout his career. Typically when we think of Martin Wong, we think of the East Village in the 1980s and 90s. Yet roughly a decade of artwork exists before Martin arrived in New York City, a formative body of work not nearly as well documented. Artist John Rotter found an old store front in the waterfront area of Eureka CA, in 1973, long before the area now known as Old Town became gentrified. Rent was $25 a month, and John set to build live/work spaces for himself and a closely-knit group of artists within the space, which became Chirimoya Metals and Textiles. Martin Wong wandered into Chirimoya one day, his loft studio within the WACO building mere blocks away. Martin became an indispensable part of the Chirimoya family, painting portraits of the group, as well as other locals, including Walt Bushman, whose portrait is included among the objects depicted here. Walt Bushman was a local fellow who would happen by the arts space, talking about the sounds playing on the radio in his head. It was little wonder Martin was fascinated, much as he was with Eureka’s waterfront area on a whole, the fishermen and their boats, the smell of seafood processing plants, the second hand stores and card rooms, and the dive bars on every corner. The waterfront area of Eureka was Martin’s living room, with much of the same bohemian charm the East Village would have for him in his future. Enrolling in Humboldt State University in 1964, Martin Wong was living and working in San Francisco and Eureka until he left for NYC in 1978 at 32 years of age. Chirimoya was, for him, a formative time immersed in a DIY arts space leading to collaboration and lasting friendships with John, John’s wife Jeannette “Pirate Jenny” Gavin, and many others. Much like his well-documented time in the East Village among artist friends such as Charlie Ahearn, DAZE and others, Martin’s gang in Eureka was similarly active in creating art and looked to Martin as a peer, a sounding board, and a beloved friend. Walt Bushman and Ducks has much to say: the black and white painted frame surrounding Walt’s portrait was a constant at this time - Martin had stacks of painted frames ready to be paired with a finished work. This was before Martin settled on simply painting a frame directly on his canvas, typically a wood grain border, often with text “carved” into the pattern. The tchotchkes, toys and assorted items surrounding the portrait are small elements of Martin’s massive collections. And in simply painting a corner of his room, Martin shows us how very important his collecting, accumulating, hoarding, even - could be.

134 134 Martin Wong American, 1946-1999 Walt Bushman and Ducks, circa 1976 Acrylic on canvas 36 x 18 inches (91.44 x 45.72 cm) Unframed Provenance: Gift of the artist to the current owner C $20,000-30,000 88 DOYLE • NOVEMBER 7, 2018 • NEW YORK

Beginning his obsession with buying up little treasures as a young boy, his mother Florence not only encouraged his buying habits, but often was knee-deep in collectibles right along with Martin, out on adventures together, seeking out the kitschiest salt and pepper shakers they could find. Martin took this passion with him to New York, and Walt Bushman and Ducks proved to be an influential early work that led to, among other paintings, his 1978-81 masterpiece My Secret World, a more mature and deliberate peek into Martin’s living space - and more importantly, the piles and piles of amazing curiosities with which he surrounded himself. As we are defined by our passions, Martin painting his collections of seemingly random objects, culled from his living space, may seem mundane on its face, yet reveals more to us about him than a simple self portrait could. Walt Bushman and Ducks tells us about Martin’s simple love of painting all the curious people and all the little objects that he found important and necessary and fulfilling; an interior view providing an insight into his fascinatingly cluttered world.

135 Martin Wong American, 1946-1999 Some Call It Par-A-Dice, circa 1976 Acrylic on canvas 11 x 14 inches (27.94 x 35.56 cm) Unframed Provenance: Acquired directly from the artist by the current owner C $12,000-18,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89

136

136 Roni Horn American, b. 1955 Untitled, 1985 Signed Roni Horn (lr) Pastel, powdered pigment, and varnish on cut paper Mount size 12 1/4 x 12 3/4 inches (31.11 x 32.38 cm), image size 7 x 7 5/8 inches (17.78 x 19.36 cm) Provenance: Galerie Maeght Lelong, Paris, cat no. W4762 no.1 Galerie Maeght Lelong, New York, cat. no. GML 490 C Estate of Felice Ross $10,000-15,000 137 John Ahearn American, b. 1951 Barbara (for Ethiopia), 1982-1985 Oil on reinforced polyadam and wood 84 x 36 x 20 inches (213 x 91 x 51 cm) Provenance: Purchased from the artist by the current owner Literature: South Bronx Hall of Fame, John Ahearn & Rigoberto Torres, 1991, Contemporary Arts Museum, Houston C $10,000-15,000

137

90 DOYLE â&#x20AC;˘ NOVEMBER 7, 2018 â&#x20AC;˘ NEW YORK

138 Richard Hambleton Canadian/American, 1952-2017 Rodeo, 2016 Signed R Hambleton and dated 2016 (lr), signed R Hambleton and dated 2016 on the reverse, inscribed for J.S. and dated 11/19/16 on the overlap Acrylic on canvas 40 x 30 inches (101.6 x 76.2 cm) Unframed Provenance: Acquired directly from the artist by the current owner C $40,000-60,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 91

139 SEEN American, b. 1961 Untitled (Batman), 2016 Signed SEEN and dated 2016 on the reverse Aerosol paint on canvas 55 1/2 x 56 inches (140.97 x 142.24 cm) Unframed C $15,000-25,000

92 DOYLE • NOVEMBER 7, 2018 • NEW YORK

140 Margaret Kilgallen American, 1967-2001 Untitled (May Brussel), circa 1997 Inscribed May Brussel/Housewife - Researcher on the reverse Acrylic on board 13 x 5 inches (33.02 x 12.7 cm) Provenance: Gift of the artist to the current owner Exhibited: Nellie Was There, Jan. 8 - Feb. 8, 1997, Gallery 16, San Francisco Literature: Eungie Joo, Margaret Kilgallen: In The Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, pp. 134 color illus. C $12,000-18,000

END OF SALE

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93

ARTIST INDEX Acconci, Vito Ahearn, John Aïzpiri, Paul Augustin Alfonzo, Carlos Amorsolo, Fernando Cueto Andoe, Joe Anuszkiewicz, Richard Ardon, Mordecai (Bronstein) Arp, Jean (Hans)

121 137 30 73 76 132 108 24 50

Beaumont, Hanneke Bermudez, Cundo Berthelsen, Johann Blake, Anthony D. Bohatsch, Erwin Bolotowsky, Ilya Borduas, Paul Emile Botello, Angel Buffet, Bernard Burliuk, David Davidovich

129 64 43 8 133 86 109 69-71 116 22

Calder, Alexander 52 Carlson, John Fabian 34 Carone, Nicolas 95 Carreno, Mario 72 Chadwick, Lynn 88, 89 Chase, Willam Merritt 10 Chryssa 106 Clark, Edward 122-125 Cooper, Colin Campbell 42 Darie, Sandu 61-63 Dawson, Montague 6 de Leon, Fidelio Ponce 55 Dogancay, Burhan Cahit 104 Duchoiselle 3 Dufy, Jean 16-19 Dyf, Marcel 28

94 DOYLE • NOVEMBER 7, 2018 • NEW YORK

Enriquez, Carlos (Gomez) Evergood, Philip

57, 58 44

Ferren, John

Galien-Laloue, Eugène 15 Gaspard, Leon Shulman 23 Gauguin, Paul (After) 13 Gen-Paul 27 Goldberg, Michael 97 Grau-Sala, Emilio 29 Gray, Cleve 101 Gray, Jack Lorimer 7 Guayasamin, Oswaldo 75 Hambleton, Richard Hannock, Stephen Heffernan, Julie Hemy, Charles Napier Hockney, David Horn, Roni Howard, Charles Houghton Hussein, Ibrahim

138 131 120 4 90, 91 136 103 111, 112

Jenkins, Paul Johnson, Clarence Raymond

98 37

Kahn, Wolf Kilgallen, Margaret Koch, John Lathrop, William Langson Lazzell, Blanche Lipchitz, Jacques Lopez, Luis Feito

93 140 40 31, 32 79 51 78

MacDonald Wright, Stanton 53 MacEntyre, Eduardo 77 Marin-Marie 5 Marin, John 21 Marsh, Reginald 45 Meltzer, Arthur 38 Menkes, Sigmund 113 Meyer, Émile 2 Mijares, Jose Maria 68 Moore, Henry 49 Morris, George L.K. 85 Mouly, Marcel 119 Nevelson, Louise Nitsch, Hermann Nunamaker, Kenneth Nuse, Roy Olitski, Jules Orozco, Jose Clemente

105 126-128 35, 36 41 102 54

Pedro, Luis Martinez Pelaez, Amelia Pissarro, Lucien Porter, Fairfield Portocarrero, Rene

67 56 11 94 65, 66

Rabin, Oskar Riopelle, Jean-Paul Rivera, Diego Rosseau, Percival Leonard Rukhin, Yevgeny

115 110 46, 47 9 114

Schofield, Walter Elmer SEEN Shaw, Charles Green Shukhaev, Vasili Ivanovich Shultz, Ada Walter Snelson, Kenneth Soldevilla, Lolo Steinberg, Saul Suzuki, James Tchelitchew, Pavel

33 139 87 26 39 107 59, 60 92 99, 100 48

Vaadia, Boaz Valtat, Louis Venard, Claude Verboeckhoven, Eugène Villanueva, Ernesto Vinogradov, Sergei Arsenevich de Vlaminck, Maurice Vytlacil, Vaclav

130 12 117, 118 1 74 25 14 80-83

Weber, Max Wong, Martin

20 134, 135

Yektai, Manoucher

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95

CLASSIC PRE-WAR CHARM

333 East 68th Street, 6E | $1,650,000 | Cooperative 2 Bedrooms | 2 Bathrooms This classic pre-war apartment exudes warmth and charm. The combined living and dining room features a magnificent wood burning fireplace. Oversized West facing windows allow ample sunlight throughout.

New York Properties

Sheila Starr | Sales Executive, Associate Real Estate Broker SheilaStarr@bhhsnyp.com | 646.677.1023

212.710.1900 • bhhsnyp.com • 590 Madison Avenue, New York, New York © 2018 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliae, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity. Information not verified or guaranteed. If your home is currently listed with a Broker, this is not intended as a solicitation.

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

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CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

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SAMJOSEPH Sales Associate Luxury Collection Specialist Cell: 917-359-8990 Sam.Joseph@BHHSNJ.com BHHSNJ.com/Sam.Joseph Livingston Office | 973-992-6363 | 79 S. Livingston Ace., Livingston, NJ 07039 ÂŠ2018 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.ÂŽ Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

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LUXURY COLLECTION

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310.230.3799

bhhscalifornia.com ÂŠ2018 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

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Private Sales & Estate Planning For Your Wine Collection Zachys is committed to bringing the greatest collections to market in various ways. Auction is one of the most effective ways to maximize the value of your collection, and Zachys did nearly $80m in auction sales last year. Zachys is also a market leader in Private Sales. Zachys is uniquely suited to buy and sell collections that are better suited to private sales instead of auction because of our combined retail and auction divisions, and our Specialists throughout Asia, Europe and the United States. In 2017, Zachys did millions in private sales to collectors all over the world. Is Private Sale right for you? It may be. One of Zachys strengths is the ability to tailor a financial deal to the needs of you, the collector. Zachys is number one in auctions, for a reason: auction remains one of the best ways to sell rare wine. Consignors can take advantage of an upwards-rising market. That said, there are also reasons to consider an outright purchase or private sale. The best thing to do is speak to a Zachys Specialist, discuss your goals and outline a plan of action together. Estate Planning The best way to deal with the liquidation of a wine collection at some point in the future, is to plan now. In estate planning, too often the wine collection is forgotten, and this can be a huge mistake. From logistics to finances and sale strategy, Zachys can help plan the liquidation of a cellar far in advance. Start a conversation today with a Zachys specialist. You might be surprised to learn of all of the ways we can help. Zachys Wine Specialists are ready to assist you with all of your wine needs, whether consignment or sale.

Jeff Zacharia President jzacharia@zachys.com

Jamie Pollack Global Managing Director jpollack@zachys.com

Stuart Jakub Shoshana Filene Senior Specialist, New York Senior Specialist, New York sjakub@zachys.com sfilene@zachys.com

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Fritz Hatton Senior Advisor fhatton@zachys.com

Charles Antin Senior International Specialist, New York cantin@zachys.com

Terrence Tang Head of Asia, Hong Kong ttang@zachys.com

Christy Erickson Head of Europe, Paris cerickson@zachys.com

Kim Busch Specialist, New York kbusch@zachys.com

Austin Zhang Sales Director, China xzhang@zachys.com

Ching Wong Specialist, Hong Kong cwong@zachys.com

Dora Kam Specialist, Hong Kong dkam@zachys.com

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INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

V #I

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII #

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII #

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

AUCTION SCHEDULE OCTOBER

DECEMBER

ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS / RUSSIAN WORKS OF ART Auction: Wednesday, October 31 at 10am Exhibition: October 27 – 29

DOYLE AT HOME /HOLIDAY GIFTS / JEWELRY Auction: Wednesday, December 5 at 10am Exhibition: December 1 – 3

NOVEMBER IMPRESSIONIST & MODERN ART Auction: Wednesday, November 7 at 11am Exhibition: November 3 – 5 POST-WAR & CONTEMPORARY ART Auction: Wednesday, November 7 at 2pm Exhibition: November 3 – 5

IMPORTANT JEWELRY Auction: Wednesday, December 12 at 10am Exhibition: December 8 – 11 PHOTOGRAPHS Auction: Thursday, December 13 at 10am Exhibition: December 8 – 11

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, November 13 at 10am Exhibition: November 10 – 12 JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, November 14 at 10am Exhibition: November 10 – 12 CALIFORNIA JEWELRY NYC Auction: Monday, November 19 at 10am NYC Exhibition: November 16 – 18 THE ORESMAN COLLECTION Auction: Tuesday, November 20 at 10am Exhibition: November 16 – 18

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

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