American Paintings, Furniture & Decorative Arts - 3.27.19 by Doyle

AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS

Wednesday, March 27, 2019

NEW YORK

AMERICAN PAINTINGS, Janice Youngren, Director Steven Kuzio 212-427-4141, ext 207 212-427-4141, ext 202 FURNTURE & DECORATIVE ARTS Janice@Doyle.com ClientAccounts@Doyle.com

CLIENT SERVICES

CLIENT ACCOUNTS

BIDDING SERVICES Absentee & Telephone Bids Alanna Sutherland 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Tyler Kusler 212-427-4141, ext 203 BidLive@Doyle.com

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Penthouse 1012 Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com

SPECIALISTS

CONNECTICUT 136 East Putnam Avenue Greenwich, CT 06830 212-427-4141, ext 211 DoyleCT@Doyle.com NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com David A. Gallager SVP, Director, American Furniture and Decorative Arts 212-427-4141 ext 271 David.Gallager@ Doyle.com

Bill Fiddler Todd Sell, VP AUCTION Cataloguer, Paintings Silver Wednesday, March 27,ext 2019 212-427-4141 249 at 10am 212-427-4141 ext 269 Bill.Fiddler@ Todd.Sell@ Doyle.com Doyle.com

EXHIBITION Saturday, March 23, 10am – 5pm Sunday, March 24, Noon – 5pm Monday, March 25, 10am – 6pm

LOCATION

Cynthia Klein VP, Director, Prints and Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com

Doyle 175 East 87th Street New York City 212-427-2730 Mark Topalian www.Doyle.com Rugs, Carpets and Tapestries 212-427-4141 ext 244 Mark.Topalian@ Doyle.com

PENNSYLVANIA 212-427-4141, ext 225 DoylePA@Doyle.com WASHINGTON, DC / MID-ATLANTIC 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com

Front Cover Back Cover Inside Front Cover

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INCLUDING PROPERTY FROM THE ESTATES OF A Lady A Prominent Connecticut Estate James Chip Dale David Follett William and Abigail Gerdts George Labalme, Jr. Wendy Vanderbilt Lehman Marianne Schaller James W. Smith Joan Harmon Van Metre, The Plains, VA Barbara Wainscott The Wynant D. Vanderpoel Trust

INCLUDING PROPERTY FROM The Daniel M. Tabas Family Foundation The Personal Collection of the Owners of DÃ©cor International Newbury Street, Boston MA Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation Los Angeles Designer Lauren King A Distinguished Maryland Collector A Bedminster, New Jersey Collector A Connecticut Collector A Private New Jersey Estate A Red Bank, New Jersey Private Collector A Distinguished New York Collector A Collection on Rittenhouse Square A Society Hill Collection Sheldon and Judith Streisand

CONTENTS Paintings 1-145 Prints 146-162 Furniture & Decorative Arts 163-312 Silver & Silver Plate 313-386 Carpets & Rugs 387-408

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

AMERICAN PAINTINGS & SCULPTURE

Lot 70

2 1 American School 19th Century Portrait of a Woman Reading Sheet Music Oil on canvas 36 x 29 3/4 inches C $1,500-2,500 See Illustration

2 Robert Street American, 1796-1865 Portrait of a Lady, 1856 Signed Robt Street and dated 1856 (ll) Oil on canvas 30 x 25 inches C $1,500-2,500 See Illustration

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3 Attributed to Robert Deacon Peckham American, 1785-1877 Portrait of Mr. Silas Hale (1802-1857) and Portrait of Betsy Batchelor Hale (1802-1858), a pair, circa 1830-35 Oil on canvas Each 30 1/2 x 25 inches C $4,000-6,000

4 American School 19th Century Portrait of Mrs. McLean Oil on canvas 27 1/4 x 22 1/4 inches C $1,000-1,500

5 Zedekiah Belknap American, 1781-1858 Mother and Child, circa 1838 Oil on canvas 27 1/8 x 22 inches Provenance: Peter H. Tillou Fine Arts, Litchfield, CT C $12,000-18,000 See Illustration

6 Ammi Phillips American, 1788-1865 Portraits of a Gentleman and a Lady: a Pair Oil on canvas 33 x 27 1/4 and 33 1/2 x 27 1/2 inches respectively C $6,000-8,000 See Illustration

7 Delos C. Bell American, fl. 1870 Portrait of a Gentleman Signed D. C. Bell and dated 1874 (lr) Oil on canvas 30 x 25 inches C $600-800

9 8 Thomas Sully American, 1783-1872 Mrs. Thomas Poultney, 1857 Oil on canvas 24 1/4 x 20 inches oval Literature: Edward Biddle and Mantle Fielding, The Life and Works of Thomas Sully, 1783-1872, Philadelphia, 1921, p. 253, no. 1420 C $2,000-4,000 See Illustration

9 American School 19th Century Portrait of a Child in an Interior Oil on canvas 35 7/8 x 29 7/8 inches C $2,000-4,000 See Illustration

10 American School 19th Century Portrait of a Young Girl Oil on canvas 36 x 29 inches C $2,000-3,000

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JAMES 11 James Bard American, 1815-1897 King Bird, 1855 Signed James Bard, dated, 1855, and inscribed Picture Drawn & Painted by James Bard, 1855. / 162 Perry St. New York / August...12 (lr) Oil on canvas laid to Masonite 29 1/2 x 52 inches Provenance: Mr. and Mrs. William E. Wiltshire III Exhibited: New York, NY, The American Federation of Arts, American Folk Paintings, Nov. 1977-June 1979, cat no. 46 New York, NY, Museum of American Folk Art, Celebrate the Hudson, Oct. 28 - Nov. 2, 1980 C Estate of Joan Harmon Van Metre, The Plains, VA $40,000-60,000 See Illustration

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12 Antonio Jacobsen Danish/American, 1850-1920 S.S. Old Dominion, 1902 Signed A. Jacobsen, dated 1902, and inscribed 31 Palisade Av West Hoboken NJ (lr) Oil on canvas 22 x 36 inches

14 George E. Essig American, 1838-1926 Coastal Scene Signed G. SEssig (lr) Oil on canvas 11 1/2 x 17 1/2 inches C $700-1,000

Provenance: The Mariner’s Museum, Newport News, VA

15 William Codd American, 19th Century Charlestown, Massachusetts, 1894 Signed W. P. Codd and dated ‘94 (lr) Watercolor and gouache on paper Image size 7 3/8 x 13 3/4 inches C $1,500-2,000 See Illustration

Literature: Harold Sniffen, Antonio Jacobsen: The Checklist, pp. 226, no. 4 C $8,000-12,000 See Illustration 13 Antonio Jacobsen American, 1850-1921 The American Barque Onaway of Boston, 1915 Signed Antonio Jacobsen and dated 1915 (ll) Oil on board 11 3/4 x 19 3/4 inches

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Provenance: Private Estate, Allentown, PA C $5,000-7,000 See Illustration

16 Granville Perkins American, 1830-1895 Sailboats and Other Vessels in New York Harbor, 1891 Signed Granville Perkins and dated 1891 (ll) Oil on canvas 12 x 18 inches C $7,000-10,000 See Illustration

17 George Curtis American, 1826-1881 Sailing off the Coast , 1878 Signed Geo. Curtis and dated 1878 (lr) Oil on panel 11 1/2 x 20 inches Provenance: A Cape Cod Estate Private Collection, Plymouth, Massachusetts C $8,000-12,000 See Illustration

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20 18 Mauritz Frederick Hendrik De Haas Dutch/American, 1832-1895 Fishing on the Hudson Signed MFH de Hass and dated indistinctly (lr) Oil on canvas 28 1/8 x 44 1/8 inches Provenance: [Sale] Sothebys Arcade, New York, Sept. 24, 1998, lot 9 C Estate of Marianne Schaller $8,000-12,000 See Illustration

19 Mauritz Frederik Hendrik de Haas Dutch/American, 1832-1895 View from the Shore Signed MFH de Haas (lr) Oil on canvas 11 1/2 x 19 5/8 inches C $1,500-2,500

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22 20 William Mason Brown American, 1828-1898 Rough Seas Along the Coast, c. 1860 Signed WMB (ll) Oil on canvas 14 1/4 x 12 inches Provenance: Private Collection, Rumson, NJ, 1996-2007 C $7,000-10,000 See Illustration

21 William Trost Richards American, 1833-1905 Seascape with Whitecaps, 1886 Signed Wm. T. Richards and dated 1886 Watercolor on paper 13 1/8 x 23 1/4 inches C Property from the Wynant D. Vanderpoel Trust $1,500-2,500

22 American School 19th Century Rocky Coast Oil on canvasboard 12 x 9 inches C Estate of David Follett $800-1,200 See Illustration

23 Edward Moran American, 1829-1901 Fishing Boats Signed Edward Moran (ll) Oil on canvas 20 1/2 x 30 1/2 inches Provenance: Kennedy Galleries, Inc., New York C $18,000-25,000 See Illustration 24 Edward Moran American, 1829-1901 Rocky Coast Signed Edw. Moran (ll) Oil on canvas 18 x 16 inches C $6,000-8,000 See Illustration

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THOMAS 25 Thomas Moran American, 1837-1926 Venice (The Splendor of Venice), 1899 Signed with initials in monogram T Moran and dated 1899 (ll) Oil on canvas 20 x 30 1/8 inches Provenance: The artist Private collection, 1899 Andrew Crispo Gallery, New York The Thyssen-Bornemisza Collection, Lugano, Switzerland Spanierman Gallery, LLC, New York Hirschl & Adler Galleries, New York Middendorf Gallery, Washington DC Private collection Exhibited: New York, NY, Century Association, Nov. 4, 1899 Houston, TX, The Museum of Fine Arts, Houston, Nineteenth Century American Paintings from the Thyssen-Bornemisza Collection, Oct. 29, 1982-Jan. 23, 1983 Oklahoma City, OK, Oklahoma Art Center, 19th Century American Landscapes, Feb. 27 - May 8, 1983 New York, NY, Hirschl & Adler, Adventures and Inspiration: American Artists in Other Lands, 1988 Literature: Barbara Novak, The Thyssen-Bornemisza Collection: Nineteenth Century American Paintings, London, Sotheby’s, 1986, p. 184-85, no. 56, illus. p. 185 This work will be included in Stephen L. Good’s and Phyllis Braff’s forthcoming catalogue raisonné of the artist’s work. C Estate of Joan Harmon Van Metre, The Plains, VA $100,000-150,000 See Illustration

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27 26 Paul Gottlieb Weber German/American, 1823-1916 Fishing on the Channel Signed Paul Weber and inscribed indistinctly (ll) Oil on canvas 26 1/2 x 21 1/2 inches C Estate of David Follett $1,200-1,800 See Illustration 27 Paul Gottlieb Weber German/American The Watering Place, 1872 Signed Paul Weber and dated 1872 (ll) Oil on canvas 26 3/4 x 39 3/4 inches Provenance: Ms. Rachel Beel, Tunbridge Wells, UK C $1,500-2,500 See Illustration 16 DOYLE â&#x20AC;˘ MARCH 27, 2019 â&#x20AC;˘ NEW YORK

28 Ferdinand Richardt American/Danish, 1819-1895 River Landscape with an Estate on a Hill, 1854 Signed F. Richardt and dated 1854 (lr) Oil on canvas 18 1/2 x 28 1/8 inches Provenance: Mr. Leighton Coleman, New York, NY Private Collection, South Carolina C $8,000-12,000 See Illustration

29 Robert Salmon American/English, 1775-c. 1845 Tynemouth Lighthouse, 1836 Signed with initials RS and dated 1826 (lr); inscribed H. 85/Painted by R. Salmon/1836/ Tynemouth Lighthouse on verso Oil on panel 5 7/8 x 8 3/8 inches Provenance: Marine Art Gallery, Essex, MA E. Newbold Smith, Philadelphia Gloria and Richard Manney, New York Exhibited: Berry Hill Galleries, New York Literature: John Wilmerding, Robert Salmon: Painter of Ship & Shore (Boston, 1971), no. 850 C $7,000-10,000 See Illustration

33 30 Homer Dodge Martin American, 1836-1897 Inlet Initialed HDM (ll) Oil on panel 9 x 14 inches C $1,500-2,500 31 William R. Miller American, 1818-1893 Staten Island from West Hoboken, New Jersey, 1865 Signed W. R. Miller. Del., titled, and dated 1865 Watercolor on paper 11 x 18 inches Provenance: Gerald Peters Gallery, New York C $1,000-1,500 See Illustration

32 Samuel W. Griggs American, 1827-1898 A June Study Signed Griggs and dated â&#x20AC;&#x2DC;57 Oil on board 12 x 18 inches oval (board 12 1/4 x 18 1/2 inches) C $1,200-1,800 See Illustration

34 John Adams Parker American, 1837-1900 North South Lake Signed with monogram JAP (lr) Oil on canvas 9 x 13 7/8 inches C $1,200-1,800 See Illustration

33 William Coventry Wall American, 1810-1886 River Landscape Signed W. C. Wall and dated 185... Oil on canvas mounted to panel 18 x 26 inches C $7,000-9,000 See Illustration

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38 35 Walter Douglas American, 1868-1948 The Rooster’s Call Signed W. Douglas (lr) Oil on canvas 12 x 16 inches C $3,000-4,000 See Illustration

36 Albert Fitch Bellows American, 1829-1883 Feeding the Chicks Signed AF (conjoined) Bellows (ll) Oil on canvas 12 x 10 inches C $3,000-5,000 See Illustration

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37 George Glenn Newell American, 1870-1947 A Young Pig in an Orchard Signed G. Glenn Newell and inscribed JE (?) (ll) Oil on panel 9 3/4 x 11 3/8 inches C $600-800

38 William McEwan American, active 1859-1870 Balling Yarn in the Kitchen, 1870 Signed W. McEwan and dated 1870 (ll) Oil on canvas 14 1/4 x 17 1/8 inches Provenance: Frank S. Schwarz & Son, Philadelphia C $5,000-7,000 See Illustration

39 Lemuel Maynard Wiles American, 1826-1905 Morning, 1875 Signed L M Wiles, dated 18...8 and inscribed as titled on the reverse Oil on canvas 14 x 10 inches C $1,000-1,500 See Illustration

40 40 John George Brown American, 1831-1913 Donâ&#x20AC;&#x2122;t You Like Butter?, 1862 Signed J.G. Brown and dated 1862 (ll) Oil on canvas 22 1/2 x 16 1/2 inches Provenance: Private Collection, California By descent in the family until 2008 Exhibited: Brooklyn, New York, Brooklyn Art Association, , March 1863, no. 192 C $10,000-15,000 See Illustration

41 41 John George Brown American, 1831-1913 Peek-a-boo, 1869 Signed J G . . . (effaced) and dated 1869 (lr) Oil on canvas 13 1/4 x 9 1/4 inches Provenance: Alexander Gallery, New York C $4,000-6,000 See Illustration 42 Johann Mongels Culverhouse American/Dutch, 1820 about 1891 Children Walking Down a Path, 1873 Signed J. M. Culverhouse and dated 1873 (ll) Oil on canvas 10 1/8 x 8 1/8 inches C $3,000-5,000 See Illustration

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43 After Gilbert Stuart 19th Century Portrait of George Washington Oil on copper 25 x1/2 x 19 5/8 inches C $3,000-5,000 See Illustration 44 John Thomas Peele English, 1822-1897 Meditation (Song of the Shirt), 1847 Signed J. T. Peele and dated 1847 (lr) Oil on canvas 25 1/2 x 20 inches C $2,000-4,000 See Illustration 45 John Linton Chapman American, 1839-1905 Brigands of Sonnino and The Vesper Lesson: Two Each signed with monogram and dated Roma 1867 (lr); each inscribed with title, the name of the artist, date, and painted for W. C. Pickerswill, Esq. on the reverse Each oil on canvas Each 18 3/4 x 14 3/4 inches (47.5 x 37.5 cm) C $800-1,200

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46 Horatio Stone American, 1808-1875 Moses, 1867 Signed Hortio Stone and dated Fec. Rome 1867 at the rear of base; inscribed as titled at front of base Marble 29 1/2 x 17 x 13 inches including original socle Provenance: [Sale] Skinner Inc., Boston, July 19, 2014, lot 229 Horatio Stone was born in Jackson, NY on December 25th, 1808. At his father’s insistence that he give up his interest in whittling and concentrate on chores, young Stone decided to leave his rural home and the life of a farmer. Supporting himself through odd jobs Stone managed to acquire medical training eventually setting up his own practice in New York. Around 1848, however, he abruptly left his medical practice and relocated to Washington D.C. to pursue a professional career as a sculptor. Stone’s busts and figures of political figures include Alexander Hamilton (c. 1868), John Hancock (commissioned 1858) and Edward Dickinson Baker (c. 1873). Aside from prominent political figures, Stone sculpted a number of ideal allegorical works including Corinne at Rome, Beatrice Unveiling to Dante, Faith, and Uncle Sam. C $4,000-6,000 See Illustration

47 47 Robert W. Weir American, 1803-1889 (i) Amerigo Vespucci, 1848 Signed R. W. Weir and dated 1848 (lr) Oil on canvas 20 x 16 inches Provenance: Joseph Tuckerman, Esq., New York [Sale] Doyle, New York, may, 5, 1999, lot 107 Private collection, MD Exhibited: Washington D.C., Italian Embassy, A Journey to Discovery, 2014 (ii) Study for Amerigo Vespucci Watercolor on paper 19 3/4 x 16 inches Robert Weir was Professor of Drawing for a generation after 1834 at West Point; his students included Generals Grant, Sherman, and Lee, as well as J. A. M. Whistler and his sons John Ferguson and Julian Alden Weir. His Embarkation of the Pilgrims was commissioned by Congress for the US Capitol Rotunda; completed in 1840. Amerigo Vespucciâ&#x20AC;&#x2122;s biography includes his role as a secret agent of Florenceâ&#x20AC;&#x2122;s Medici family, a navigator and outfitter for the Kings of Castile for Columbus, and Portugal for Brazil, and his lending of his name to our country and continent. In the present work, he is immersed in his role as master cartographer. His works are included in the collections of the Metropolitan Museum of Art, The Smithsonian American Art Museum in Washington DC, and well as many other important institutions. C Property of a Distinguished Maryland collector $7,000-9,000 See Illustration

48 Emanuel Gottlieb Leutze American, 1816-1868 St. Sylvester, 1848 Signed E Leutze, dated Anno Domini MDCCCXLVIII Oil on canvas 16 x 12 1/4 inches C $3,000-5,000 See Illustration

49 Attributed to John Gadsby Chapman The Roman Campagna with the Claudian Aquaduct Oil on canvas 15 1/2 x 23 inches C $2,000-4,000 50 Albert Bierstadt American 1830-19 Italian Costume Sketch- Kneeling Nun Oil on board mounted to Masonite 8 3/4 x 5 3/4 inches Provenance: Elliot Gallery, New Orleans, LA C $2,000-4,000 See Illustration

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51 George Henry Story American, 1835-1923 The Organ Grinder Signed C. H. Story and dated 77. (ll) Oil on canvas 23 1/2 x 15 3/4 inches Provenance: Vose Gallery, Boston Berry-Hill Galleries, New York Private collection, New York Private collection, MD since January 19, 2000

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Exhibited: Clinton, New York, Hamilton College, Emerson Gallery, The Art of Music: American Paintings of Musical Instruments 1770-1910, April 7 - June 3, 1984, traveling to New York, NY, Whitney Museum, , July 19 - Sept. 19, 1984 and other venues Brooklyn, NY, Brooklyn College, The Museum of the Borough of Brooklyn, Tides of Immigration: Romantic Visions and Urban Realities, Oct. 7 - Dec. 2, 1986 Literature: Celia Betsky, The Art of Music: American Paintings and Musical Instruments, 1770-1910, Clinton, NY, Fred L. Emerson Gallery, Hamilton College, 1984 Peter Trippi, Life Outdoors, Fine Art Connoisseur, Nov./Dec. 2006, illus. p. 26

George Henry Story was a prominent American genre painter, portraitist, and museum curator of the mid-nineteenth and early twentieth centuries. While he was working in Washington, he was commissioned to paint a portrait of President Lincoln, making pencil sketches in the Oval Office and posing the President for his first official photograph. (American Art Analog, 1986, vol.1, p.272) Public collections of his work include the Metropolitan Museum of Art, NY, where he served as a curator from 1889-1906, the Wadsworth Atheneum in Hartford, where he served as Curator of Painting from 1899 until his death in 1922, and the National Gallery of Art in Washington DC. C Property of a Distinguished Maryland collector $5,000-7,000 See Illustration

53 52 Daniel Huntington American, 1816-1906 Portrait of a Gentleman Holding a Print, 1885 Signed D Huntington and dated 1885 Oil on canvas 76 3/4 x 44 inches C $2,000-4,000

53 Samuel S. Carr American, 1837-1908 By the Seaside, 1881 Signed S.S. Carr and dated 81 (lr) Oil on canvas 15 x 12 inches Provenance: [Sale] Chistie’s, New York, December 1, 1989, lot 52 Private collection, New Canaan, CT, 1995 [Sale] Christie’s, New York, December 4, 1997, lot 9 Mark LaSalle Fine Art, Albany, NY C $20,000-30,000 See Illustration

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55 54 James McDougal Hart American, 1828-1901 By the Pond Signed James M Hart and dated 1870 (lr) Oil on canvas 20 x 34 1/4 inches C $6,000-8,000 See Illustration 55 David Johnson American, 1827-1908 A Passing Shower Signed with the artist’s device (ll); signed David Johnson and inscribed as titled on the reverse Oil on canvas 12 1/4 x 16 1/4 inches C $5,000-7,000 See Illustration 24 DOYLE • MARCH 27, 2019 • NEW YORK

56 John William Hill American, 1812-1879 Eckerson Brook, Clarkstown, Rockland County, circa 1870 Inscribed Eckerson and as titled on the reverse Watercolor on paper 11 3/8x 15 3/4 inches

57 Jervis McEntee American, 1823-1891 Looking Across the River, 1883 Dated June 1883, inscribed 26 and as titled on the overlap Oil on canvas 7 1/8 x 11 1/8 inches

Provenance: The artist Private collection, Nyack, NY Private collection, NY

Provenance: [Sale] Sotheby’s Arcade, New York, June 22, 2005, lot 242 C $2,000-3,000

Exhibited: New York, NY, Richard York Gallery, Determined Realist: The American Pre-Raphaelites, November 27 February 6, 1993 C $1,200-1,800 See Illustration

58 William Trost Richards American, 1833-1905 Alpine Scene (The Matterhorn in the Swiss Alps) Signed Wm T. Richards and dated Phil. 1860 Oil on canvas 26 1/2 x 36 1/4 inches

Literature: Linda Ferber, William T. Richards: American Landscape and Marine Painter 1833 - 1905, The Brooklyn Museum, 1973, p. 63, Illust. plate 30 Linda Ferber, William T. Richards, DDS, Columbia University, Garland Publishing, New York, 1980, p. 75, illust. p. 46, fig. 50 Antiques and Arts Weekly, September 23, 1988, illust. p. 224

Provenance: Harrison Earl, 1862 (possibly) Dr. And Mrs. Llewellyn Boyd, TN, by 1973 [Sale] De Caro Auction, Odessa, DE, Oct. 8, 1988 Private Collection, MD Exhibited: Philadelphia, PA, Pennsylvia Academy of Fine Arts, 1862 Brooklyn, NY, The Brooklyn Museum, May 1973 Philadelphia, PA, Pennsylvania Acedemy of Fine Arts, Sept. - Oct. 1973 Chattanooga, TN, May - July 1985

Note the prominence of the two glaciers in the process of carving out steep valleys; they have since substantially receded. Manâ&#x20AC;&#x2122;s works, as illustrated by the chalet in the right foreground, are at once dwarfed by those of nature and in full harmony with it. The overall impression conveyed by the scene is one of pastorial tranquility, underscored by the artistâ&#x20AC;&#x2122;s use of nearly pastel tones of blue and pink in the sky and mountains. C Property of a Distinguished Maryland collector $15,000-25,000 See Illustration

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61 59 Frederick Ferdinand Schafer American/German, 1839-1927 A Mountain Lake, with a Sailboat and a Town in the Distance Remnants of a signature (ll) Oil on canvas 43 1/2 x 35 1/2 inches C $6,000-8,000 See Illustration

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60 William Hart American, 1823-1894 A Wooded Landscape Signed Wm Ht on a rock (lr) Oil on canvas 13 1/4 x 10 1/4 inches Provenance: Private Collection, Kent, CT c. 1970-2005 C $5,000-7,000 See Illustration

61 Daniel Folger Bigelow American, 1823-1910 Autumn Lake Scene, Upstate New York Signed D. F. Bigelow (ll) Oil on canvas 24 x 44 inches C $6,000-8,000 See Illustration

64 62 Charles Henry Gifford American, 1839-1904 Foothills Along the River Signed C H Gifford and inscribed Study (ll) Oil on canvas 6 1/8 x 10 1/4 inches C $800-1,200

63 R. F. Durham 19th/20th Century View of Storm King from the Hudson River Signed R. F. Durham (lr) Oil on canvas 30 1/4 x 50 inches C $4,000-6,000 See Illustration

64 Attributed to Ralph Albert Blakelock American, 1847-1919 Landscape Signed R. A. Blakelock within the artist’s device (ll) Oil on panel 9 7/8 x 13 inches C $3,000-5,000 See Illustration

65 Attributed to Ralph Albert Blakelock American, 1847-1919 Landscape Signed R A Blakelock within the artist’s device (ll) Oil on panel 7 1/8 x 8 5/8 inches C $1,000-1,500 See Illustration

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66 William Holbrook Beard American, 1824-1900 The Owl’s Reprimand Signed W. H. Beard and dated 1859 (ll) Oil on canvas 15 x 21 inches Provenance: The Estate of Mrs. W. H. Beard Private collection, MD

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Born in Painesville, Ohio, to a family that already boasted another successful painter, James Henry Beard, William Holbrook Beard joined his brother depicting animals frequently in anthropomorphic poses ususually with satiric humor. In the present painting, amid a rich forest background, a young miscreant flanked by his concerned owl parents, appears to be approaching judgment by a senior owl to the right. After visiting Europe in the company of noted American artists Gifford, Whittriedge, and Bierstadt (1856-8), Beard established a studio in Buffalo in 1859. There, the Albright-Knox Gallery, commissioned an important charcoal, Minerva Reflecting, in 1874 and still owns his March of Silenus. C Property of a Distinguished Maryland collector $10,000-15,000 See Illustration

67 Levi Wells Prentice American, 1851-1935 Peaches Spilling From a Basket Signed L. W. Prentice. (lr); signed L. W. Prentice. on the reverse Oil on canvas 10 x 12 inches C Property of Sheldon and Judith Streisand $6,000-8,000 See Illustration and Front Cover

68 Attributed to Rubens Peale Fruit on a Tabletop Oil on canvas 18 x 24 inches C $12,000-18,000 See Illustration

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69 James Peale Still Life with Fruit in a Pierced Porcelain Basket Oil on canvas 16 1/4 x 22 1/4 inches Provenance: Kennedy Galleries, Inc., New York City, 1972 C $12,000-18,000 See Illustration

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70 George Cochran Lambdin American, 1830-1896 Roses Signed Geo. C. Lambdin and dated 1876 (lr) Oil on panel 24 x 11 3/4 inches Provenance: The Arden Collection Exhibition: New York, ACA Galleries, American Flower Painting: 1850-1950, April 1 x 22, 1978 Chadds Ford, PA, Brandywine River Museum, George Cochran Lambdin, Sept. 6 - Nov. 23, 1986 C $4,000-6,000 See Illustration

71 Arnoud Wydeveld American/Dutch, 1823-after 1888 Cherries and Peaches: A Pair Each signed A. Wydeveld, the first (lr), the second (ll) Oil on artist’s board Each 9 1/4 x 12 1/4 inches C $3,000-5,000 See Illustration

PROPERTY FROM THE COLLECTION OF

WILLIAM AND ABIGAIL GERDTS

Bill Gerdts–with Abbie–collected mid-to-late nineteenth-century still-life paintings by American artists for more than fifty years. Part of the recent streamlining of their lifestyle has been the dispersal of much of the collection to clear their large Upper East Side apartment in preparation for a move to the country. The selection from the Gerdts’s collection that Doyle is offering here reflects the couple’s lifelong careers as scholars of American painting and sculpture.

While it includes works by a few “star” artists, the grouping also illuminates a primary focus of the collection: American artists whose ability made them leading figures in communities beyond the spotlight of New York. Thus, examples by the foremost still-life specialists active in Fall River, Massachusetts; Bangor, Maine; Bordentown, New Jersey; Dayton, Ohio; and in Baltimore, Milwaukee, Chicago, New Orleans, and San Francisco are seen here in company with some unexpected subjects by familiar artists such as Lilly Martin Spencer, Shephard Alonzo Mount, and Ralph Blakelock.

72 72 F. L. Alden American, late 19th-early 20th Century Poetry Book and Hare-Bells, 1867 Signed F.L. Alden and dated 1867 (lr) ; bears inscription By FL ALDEN 1867 on the reverse Oil on canvas 7 x 9 inches Provenance: Collection of William and Abigail Gerdts, NY C Property from the collection of William and Abigail Gerdts $1,500-2,500 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 31

74 73 Charles P. Appel American, 1857-1928 Oysters, 1855 Oil on canvas 10 1/4 x 14 1/4 inches Provenance: Collection of William and Abigail Gerdts, NY C Property from the collection of William and Abigail Gerdts $800-1,200 See Illustration 74 Daniel Bigelow American, 1823-1910 Green Pears Signed D. F. Bigelow (lr) Oil on canvas mounted on panel 9 1/2 x 12 1/4 inches Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $300-500 See Illustration

75 Ralph Albert Blakelock American, 1847-1919 A Rose, circa 1900 Signed RA Blakelock (lr) Oil on canvas laid to board and mounted to stretched canvas 15 x 15 inches Provenance: Fenn Galleries, Ltd., Santa Fe, NM Collection of William & Abigail Gerdts, New York Exhibited: Tulsa, OK, Philbrook Art Center, Painters of the Humble Truth: American Still Life Painting, Sept. 27, 1981 - July 4, 1982, checklist # 4 Evanston, IL, Terra Museum of American Art, Solitude-Inner Visions in American Art, Sept. 25 - Dec. 30, 1982, Catalogue # 13 Amherst, MA, Mead Art Museum, For Beauty and for Truth: The William and Abigail Gerdts Collection of American Still Life, Feb. 27 - April 26, 1998

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76 Traveling to New York, NY, Berry-Hill Galleries, Inc., May 9 - June 26, 1998 New York, NY, Berry-Hill Galleries, American Beauty: The Rose in American Art (1800-1920), May 20 - July 18, 1997 Literature: Susan Danly and Bruce Weber, For Beauty and for Truth: The William and Abigail Gerdts Collection of American Still Life, exh. cat. (Amherst, Massachusetts: Mead Art Museum, 1998), No. 35, illus. C Property from the collection of William and Abigail Gerdts $4,000-6,000 See Illustration

76 Bryant Chapin American, 1859-1927 Palette: Still Life of Two Apples with Black and Green Grapes Signed Bryant Chapin (lr) Oil on panel (palette) 9 7/8 x 15 inches Provenance: Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $1,000-2,000 See Illustration

77 Edward Edmondson, Jr. American, 1830-1884 Geranium, 1866 Signed E. Edmondson and dated 1866 (ll) Oil on board 15 3/8 x 12 1/8 inches Provenance: Collection of William and Abigail Gerdts Exhibited: Amherst, MA, Mead Art Museum, For Beauty and for Truth: The William and Abigail Gerdts Collection of American Still Life, Feb. 27 April 26, 1998 Traveling to New York, NY, Berry-Hill Galleries, Inc., May 9 - June 26, 1998

Literature: Susan Danly and Bruce Weber, For Beauty and for Truth: The William and Abigail Gerdts Collection of American Still Life, exh. cat. (Amherst, Massachusetts: Mead Art Museum, 1998), No. 48, illus. C Property from the collection of William and Abigail Gerdts $1,200-1,800 See Illustration

78 Edward Espey American, 1860-1889 My Last Ham, 1889 Signed Espey (ul) and inscribed Notre Dernier Jambon (lr) Oil on canvas 11 3/4 x 15 3/4 inches

79 Werner Groshans German/American, 1913-1986 Still Life with Onions and Garlic Signed Groshans (lr) Pastel on paper 19 x 24 inches

80 George Henry Hall American, 1825-1913 Hanging Bunches of Grapes, 1882 Signed Geo. Henry Hall and dated â&#x20AC;&#x2DC;82 (ll) Oil on canvas 9 1/4 x 6 3/8 inches

Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $1,500-2,500 See Illustration

Provenance: Babcock Galleries, New York The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $800-1,200 See Illustration

Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $1,500-2,500 See Illustration

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81 George Henry Hall American, 1825-1913 Tiger Lily Gouache on paper laid to card 10 x 7 5/8 inches Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $1,200-1,800 See Illustration

82 Anna Eliza Hardy American, 1839-1934 Bowl of Flowers Signed A.E.H. (ll); bears inscription painted by Anna E. Hardy / Bangor, Maine on the reverse Oil on artist’s board 9 x 12 1/2 inches Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $1,500-2,500 See Illustration

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83 Barton S. Hays American, 1826-1914 Still Life: Peaches and Grapes Signed B.S. Hays (lr) Oil on board 6 1/2 x 10 inches

84 William Hubacek American, 1871-1958 Pansies on a Ledge, 1894 Signed Wm. Hubacek and dated 94 Oil on canvas 9 1/2 x 13 1/2 inches

Provenance: The Beard Art Gallery, Minneapolis, MN The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $800-1,200 See Illustration

Provenance: [Sale] Bonham’s, Los Angeles, CA, Dec. 12, 2005, lot 3 The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $4,000-6,000 See Illustration

85 Abbie Barnes Kirkpatrick American, 1851-1927 Bowl of Violets, 1894 Signed A.B. Kirkpatrick and dated 1-94 (lr) Oil on canvas 9 x 16 inches Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $800-1,200 See Illustration

86 Adolf Konrad German/American, 1915-2003 Two Apples Signed Konrad (lr); dated Sept. 9 / 1963 / Oct 8 / 1964 on the reverse Oil on canvasboard 3 1/2 x 5 1/2 inches Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $500-700 See Illustration

87 August Laux American/German, 1847-1921 Pomegranates Signed A. Laux (ll) Oil on canvas 10 x 12 1/8 inches Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $800-1,200 See Illustration

88 Attributed to John James Logue Fruit and Wine, circa 1872 Oil on canvas 14 x 10 inches Provenace: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $2,000-3,000 See Illustration

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89 Shepard Alonzo Mount American, 1807-1868 Vase of Apple Blossoms: “Remember Me”, 1866 Signed S.A. Mount. and dated 1866 (lr) Oil on panel 12 x 8 1/2 inches Provenance: The Collection of William and Abigail Gerdts

Literature: Susan Danly and Bruce Weber, For Beauty and for Truth: The William and Abigail Gerdts Collection of American Still Life, exh. cat. (Amherst, Massachusetts: Mead Art Museum, 1998), 80, illus. C Property from the collection of William and Abigail Gerdts $2,000-4,000 See Illustration

Exhibited: Stony Brook, NY, The Museums at Stony Brook, Shepard Alonzo Mount: His Life and Art, March 27 - Nov. 27, 1988 New York, NY, Berry Hill Galleries, The Apple of America: The Apple in 19th Century American Art , May 5 - June 26, 1993 36 DOYLE • MARCH 27, 2019 • NEW YORK

90 Carducius P. Ream American, 1837-1917 Grapes and a Pear in a Landscape Signed C.P. Ream (lr) Oil on panel 8 x 12 inches Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $800-1,200 See Illustration

91 Robert Schade American, 1861-1912 Still Life: Vegetables, Pan and Jug, 1906 Signed R. Schade and dated 1906 (ul) Oil on canvas 20 x 24 inches Provenance: Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $1,200-1,800 See Illustration

95 92 Marie Madeleine Seebold American, 1866-1948 Floral Still Life, before 1915 Signed M. M. Seebold (lr) Oil on canvas 8 x 10 inches Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $4,000-6,000 See Illustration

93 Lilly Martin Spencer American, 1822-1902 Fairies in a Flowered Landscape Oil on board laid to Masonite 6 x 9 3/8 inches

94 Joseph Tubby American, 1821-1896 Branch of Leaves Oil on canvas 13 1/4 x 19 inches

Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $2,000-4,000 See Illustration

Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $800-1,200 See Illustration

95 Henry Oliver Walker American, 1843-1929 Contemplative Nude by a Stream, 1887 Signed H.O. Walker and dated 1887 Oil on canvas 13 3/4 x 10 3/4 inches Provenance: [Sale] Doyle, New York, Nov. 12, 2008, lot 1236 The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $3,000-5,000 See Illustration

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97 96 Susan Catherine Moore Waters American, 1823-1900 The Marauder Signed S.C. Waters (ll) Oil on canvas 20 1/4 x 16 inches

97 Andrew J.H. Way American, 1826-1888 Oysters, 1872 Initialed A.W. and dated ‘72 (lr) Oil on board 6 1/2 x 9 1/2 inches

98 Arnoud Wydeveld American/Dutch, 1823- 1888 Hanging Fish Signed A. Wydeveld (lr) Oil on canvas 24 x 12 inches

Provenance: The Collection of William and Abigail Gerdts

Exhibited: New York, NY, The Whitney Museum of American Art, Nineteenth Century American Woman Artists, Jan. 14-Feb. 26, 1976 C Property from the collection of William and Abigail Gerdts $3,000-5,000 See Illustration

Exhibited: Tulsa, OK, Philbrook Art Center, Painters of the Humble Truth: American Still Life Painting, Sept 27, 1981 - July 4, 1982, checklist # 134 Amherst, MA, Mead Art Museum, For Beauty and for Truth: The William and Abigail Gerdts Collection of American Still Life, Feb. 27 - April 26, 1998 Traveling to New York, NY, Berry-Hill Galleries, Inc., May 9 - June 26, 1998 C Property from the collection of William and Abigail Gerdts $800-1,200 See Illustration

Provenance: The Collection of William and Abigail Gerdts C Property from the collection of William and Abigail Gerdts $1,500-2,500 See Illustration

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100

102

101

99 William Louis Sonntag Sr. American, 1822-1900 Coastal Scene with Ruins Signed W l Sonntag (lr) Oil on canvas 12 x 10 inchs Provenance: [Sale] Stair Galleries, Hudson, NY, Sept. 16, 2006, lot 357 C $800-1,500 See Illustration

100 George H. Smillie American, 1840-1921 Passing Shower Signed twice Geo. H Smillie N. A. (lr) Oil on canvas 26 1/4 x 40 1/4 inches C $6,000-8,000 See Illustration

101 Charles Harold Davis American, 1865-1933 Haystacks at Sunset, 1889 Signed C. H. Davis and dated 1889 (lr) Oil on canvas 10 1/8 x 17 1/4 inches Provenance: Private Collection, Brookline, MA Private Collection, New York C $3,000-5,000 See Illustration

102 Robert Swain Gifford American, 1840-1905 Landscape with Windmills Signed R. Swain Gifford (ll) Oil on canvas 6 1/2 x 11 1/2 inches Provenance: [Sale] Doyle, Sept. 19, 2012, lot 1043 C $1,000-1,500 See Illustration

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103 Samuel Coleman American, 1832-1920 Landscape Signed Sam’l Colman (lr) Oil on artist’s board 6 5/8 x 11 1/2 inches Provenance: [Sale] James D Julia, Inc., Jan. 8, 2004, lot 664 C $4,000-6,000 See Illustration

104 James Craig Nicoll American, 1846-1918 Landscape with a Mountain in the Distance Signed J. C. Nicoll (ll) Oil on heavy paper affixed to canvasboard 14 x 9 1/2 inches C $1,500-2,500 See Illustration

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105 Alexander Helwig Wyant American, 1836-1892 A Sunlit Vale, Adirondack Mountains, circa 1876-1880 Oil on canvas Signed A H Wyant (ll) 26 1/4 x 40 1/4 inches Provenance: Collection of Henry Harper Benedict (1844-1935), Owner and President of the Remington Typewriter Company By descent in the family to the present owner

Literature: Eliot Clark, Alexander Wyant, 1916, pp. 46-47 Anthony E. Batelle, www.alexanderwyant.org, no. 119.030. C $18,000-25,000 See Illustration

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106 Alexander Helwig Wyant American, 1836-1892 Landscape with Path, circa 1887 Signed A H Wyant (ll) Oil on canvas 20 x 15 7/8 inches C $3,000-5,000 See Illustration

107 Alexander Helwig Wyant American, 1836-1892 Autumn, Adirondacks Signed A H Wyant (lr) Oil on canvas 25 x 18 7/8 inches C $2,500-3,500 See Illustration

108 Attributed to Hermann Ottomar Herzog American, 1832-1932 Mountain Torrent Oil on canvas 17 3/4 x 25 3/4 inches C $4,000-6,000 See Illustration

109 Thomas Hill American, 1829-1908 Yosemite Valley Signed T Hill Oil on card mounted to panel 18 1/4 x 12 1/4 inches C $8,000-12,000 See Illustration

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110 William Leigh American, 1866-1955 Indian Sitting on a Rock, No. 3 Signed W. R. Leigh (lr) oil on board 8 3/8 x 6 1/8 inches C $15,000-25,000 See Illustration

110

111 Harry Jackson American, 1924-2011 The Victor, 1991 Signed Harry Jackson in the bronze and in pigment, dated 1991 in the bronze and in pigment, numbered VRP 7P, and stamped with fingerprint and WFS Italia foundry mark at base Bronze with polychrome patina 40 1/4 x 26 x 9 1/2 inches C Property of a Private Collector, Long Island $5,000-7,000 See Illustration

111

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112 Harry Jackson American, 1924-2011 Dog Soldier, 1983/85 Signed Harry Jackson in the bronze and in pigment, dated 1983 in the bronze and 1985 in pigment, numbered DS 6P, and stamped with fingerprint and WFS Italia foundry mark at base Bronze with polychrome patina 25 1/2 x 25 1/4 x 13 inches C Property of a Private Collector, Long Island $5,000-7,000 See Illustration 113 American School 19th Century Quetzal Oil on canvas 40 x 22 1/2 inches C $1,000-1,500 114 Elizabeth Janes Putnam Borglum American, 1848-1922 (i) Serria Madre Mountians Signed Elizabeth Borglum (lr) and inscribed as titled on a lable affixed to the reverse Oil on canvas mounted to card 5 x 7 inches (ii) Santa Barbara signed Elizabeth Borglum, dated 1906, and inscribed as titled (lr) Oil on canvas mounted to card 10 3/4 x 14 inches C $1,500-2,500 See Illustration

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114

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115

118 116

115 J. Carleton Wiggins and Marie Guise Newcomb American, 1848-1932 and 1865-1895 respectively Jewell, 1884 Signed Carleton Wiggins and dated 1884 (ll); signed Marie Guise Newcomb. (lr); inscribed Jewell painted for / E. T Bedford by Carleton / Wiggins on the reverse Oil on canvas 13 x 20 inches C $1,500-2,500 See Illustration

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116 Henry Stull American, 1851-1913 Galilee, Dobbins and Domino Running in the Futurity Stakes, Belmont Park, 1893 Signed Henry Stull (ll) Oil on canvas 10 1/4 x 12 1/4 inches The 1893 Futurity Stakes was won by Domino, shown in the foreground here. Called “The Black Whirlwind,” Domino was considered the fastest sprinter of his time. C Property of Sheldon and Judith Streisand $2,500-4,500 See Illustration

117 Louis Charles Moeller American, 1855-1930 Tuning Signed Louis Moeller NA (lr) Oil on canvas 16 x 12 inches • $1,500-2,500 118 Julius LeBlanc Stewart American, 1855-1919 Portrait of a Gentleman Signed J. L. Stewart, dated, 90, and inscribed to Mrs. Bakie/in kind remembrance (lr) Oil on canvas 12 x 10 inches, ovoid C $2,000-4,000 See Illustration

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119 Edith Barretto Parsons American, 1878-1956 Walking Terrier and Running Terrier: A Pair of Bookends Each signed E. B. Parsons ÂŠ and stamped Gorham Co. on the sides of the bases Bronze, with brown and green patina Walking Terrier 5 3/4 x 7 3/4 x 2 3/4 inches; Running Terrier 4 x 7 5/8 x 2 3/4 inches Provenance: Estate of Charles Schalebaum C $1,200-1,800 See Illustration

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120 William de Leftwich Dodge American, 1867-1935 Coming Home in Mourning Signed William L Dodge and dated Paris 1887 (lr) Oil on canvas 15 1/2 x 22 inches Provenance: Rafael Fine Art, Ltd., New York C Estate of David Follett $1,200-1,800 See Illustration

121 Hugh Bolton Jones American, 1848-1927 Haystacks in a Field Signed H. Bolton Jones (lr) Oil on canvas laid to panel 16 x 24 inches Provenance: Lynda Willauer Antiques C $3,000-5,000 See Illustration

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122

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122 Stephen Parrish American, 1846-1938 An Acadian Farm Signed S. Parrish (ll) Oil on canvas 10 1/8 x 14 1/8 inches

123 Arthur Diehl English/American, 1870-1929 Landscape with Cottage and Pond Signed Arthur Diehl. and dated 1901 (lr) Oil on canvas 20 1/4 x 30 1/4 inches

125 Frederick Judd Waugh American, 1861-1940 The Cabbage Picker, 1883 Signed Frederick J. Waugh and dated 1883 (lr) Oil on canvas 17 x 38 inches

Provenance: Vose Galleries, Boston Private collection, VA [Sale] Doyle, New York, Dec. 5, 2001, lot 12 Private collection, MD

Provenance: Spanierman Gallery, LLC, New York C $3,000-5,000 See Illustration

Provenance: [Sale] Sotheby’s, New York, Dec. 3, 1987, lot 107 C Property of Sheldon and Judith Streisand $5,000-7,000 See Illustration

Exhibition: Philadelphia, PA, Pennsylvania Academy of Fine Art Acadia was originally a distinct French colony with its own language, comprising Canada’s maritime provinces of Nova Scotia and New Brunswick. Stephen Parrish was the father of the noted artist Maxfield Parrish. C Property of a Distinguished Maryland collector $2,500-3,500 See Illustration

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124 Joseph Henry Boston American, 1860-1954 Landscape with a Lady Walking in the Countryside Signed J. H. Boston (ll) Oil on panel 11 3/4 x 15 1/2 inches C $600-900

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126 Frederick William MacMonnies American, 1863-1937 Bacchante and Infant Faun, 1894 Signed F. MacMonnies, dated 1894 and stamped 44 Avenue de Chatillon / E Gruet / Jeune / Fondeur / Paris at the base Bronze with a brown patina 34 1/4 inches C $5,000-7,000 See Illustration 127 Louis Michel Eilshemius American, 1864-1941 Landscape, 1909 Signed Elshemus and dated 1909 (lr) Oil on board mounted to panel 20 x 30 inches Provenance: Valentine Gallery, New York C $3,000-5,000 See Illustration

128 Elihu Vedder American, 1836-1923 Study for â&#x20AC;&#x2DC;Eclipse of the Sunâ&#x20AC;&#x2122; by the Moon Signed Vedder and dated 1892; inscribed as titled on the reverse pastel on paper laid to board 21 1/4 x 25 3/4 inches Provenance: Tom and Christine Accatino Collection C $3,000-5,000 See Illustration 129 Charles Courtney Curran American, 1861-1942 April Sunshine Signed Chas C. Curran, dated 1912 and inscribed as titled (lr) Oil on panel 9 1/2 x 5 5/8 inches C $1,200-1,800 See Illustration 126 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 47

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132 130 Thomas Pollack Anshutz American, 1851-1912 St. Cloud, 1893 Inscribed as titled, dated May 6 1893 and inscribed by Thomas P. Anshutz ANA/ Edward R. Anshutz/Artist’s son on the verso Watercolor and pencil on paper 11 1/4 x 9 inches Provenance: Estate of the artist James Graham & Sons, New York [Sale] Doyle, New York, Oct. 16, 2013, lot 78

133

Exhibited: New York, James Graham & Sons, Thomas Pollock Anshutz: Painting Arcadia, April 17 June 1, 2001 C $800-1,200 See Illustration 131 Wilson Henry Irvine American, 1869-1936 Winter on the Lieutenant River, Old Lyme, CT Signed Irvine (ll) Oil on canvas 23 3/4 x 26 3/4 inches C $3,000-5,000 See Illustration

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132 Peter Bela Mayer Hungarian/American, 1887-1993 Monhegan, Maine Inscribed Monhegan, Maine/Peter B. Mayer on the reverse Oil on panel 20 x 24 inches C $1,500-2,500 See Illustration

133 Peter Bela Mayer Hungarian/American, 1887-1993 Vermont Signed Peter Bela Mayer (ll) and inscribed as titled on the reverse Oil on canvas 20 x 24 inches C $1,500-2,500 See Illustration

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137 part

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134 Jonathan Scott Hartley American, 1845-1912 The Baseball Player, 1886 Signed J. S. Hartley. Sculptor. N. Y. Copyrighted, dated 1886 and inscribed The Henry-Bonnard Bronze Co. N. Y. on the outer edge of the bronze base Bronze with dark brown patina on a black marble base Height including the bronze base 14 1/8 inches Provenance: Private Collection, New York With Conner Rosenkranz, New York, mid 1980s Barry Halper Baseball Collection, New Jersey Conner Rosenkranz, New York, 2005 Mark Rucker

Literature: Bronzes d’Art: The Henry-Bonnard Bronze Company (New York, n. d.), no. 6 C $6,000-8,000 See Illustration 135 Colin Campbell Cooper American, 1856-1937 View of the Brooklyn Bridge Signed Colin Campbell Cooper (lr) Oil on canvas 11 7/8 x 23 7/8 inches

136 Gilbert Gaul American, 1855-1919 Barn Signed Gaul (ll) Oil on unstretched canvas 9 1/4 x 11 5/8 inches C $400-600

137 Gilbert Gaul American, 1855-1919 (i) High Bridge Park, New York City Signed Gaul (ll) and inscribed as titled on the reverse Oil on artist’s board 13 5/8 x 9 1/2 inches (ii) Spring Oil on canvas mounted to board 9 x 14 3/4 inches C $800-1,200 See Illustration of Part

Provenance: Igor Koulichkov, New York Alexander Kahan Fine Arts Ltd., New York C $10,000-20,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49

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138 Gilbert Gaul American, 1855-1919 Directing Traffic Signed Gilbert Gaul (ll); inscribed as titled on the reverse Oil on canvas 30 x 40 inches C $4,000-6,000 See Illustration

139 Gilbert Gaul American, 1855-1919 Bringing up the Guns Inscribed as titled on the stretcher Oil on canvas 28 x 22 inches C $2,000-4,000 See Illustration

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140 Gilbert Gaul American, 1855-1919 No Prisoners Taken Inscribed as titled on the stretcher Oil on canvas 30 x 40 inches C $3,000-5,000 See Illustration

141 Gilbert Gaul American, 1855-1919 Charge of Bombers Inscribed as title on the stretcher Oil on canvas 30 1/4 x 40 inches C $5,000-7,000 See Illustration

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143 142 Gilbert Gaul American, 1855-1919 Here’s Fritz Who’s Downhearted Signed Gilbert Gaul (ll); inscribed as titled on the stretcher Oil on canvas 30 x 40 inches C $4,000-6,000 See Illustration

143 Gilbert Gaul American, 1855-1919 The Runner Signed Gilbert Gaul (lr); inscribed as titled on the reverse Oil on canvas 40 x 30 inches C $3,000-5,000 See Illustration

144 Gilbert Gaul American, 1855-1919 Machine Gun in Action Inscribed as titled on the stretcher Oil on canvas 30 x 40 inches C $3,000-5,000 See Illustration

145 Gilbert Gaul American, 1855-1919 Winning the DS0 Inscribed indistintly (ul) and as titled on the stretcher Oil on canvas 40 x 30 inches C $3,000-5,000 See Illustration

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PRINTS

Lot 159

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146 [WAR OF 1812] HEWETT, JOHN (LIEUT.). Storming Fort Oswego, by 2nd Battalion Royal Marines and a party of Seamen, 15m. past Twelve at Noon. [London: circa 1815]. Hand-colored aquatint engraved by Robert Havell after the drawing by Hewett. 17 x 21.5 inches (42.5 x 55 cm); framed. A dramatic view of the events of 6 May 1814 showing the British attack on the American held Fort Oswego on the south shore of Lake Ontario. C $200-400 147 Dr. Robert Thornton, publisher (1768-1837) TULIPS Hand-colored color mezzotint after Philip Reinagle by Richard Earlom, from The Temple of Flora, London, 1798, with good margins, framed. Plate 19 x 14 1/4 inches Sheet 23 1/4 x 18 1/8 inches C $800-1,200 See Illustration

148 part

148 Dr. Robert Thornton, publisher THE BLUE PASSION FLOWER; THE OBLIQUE-LEAVED BEGONIA Two hand-colored color etchings, aquatints and stipple engravings after Philip Reinagle by James Caldwall, from The Temple of Flora, London, 1800, with good margins, framed. Plate of each approximately 20 1/2 x 15 inches C $1,200-1,800 See Illustration of Part 149 After John James Audubon (1785-1851) CANADA WARBLER Hand-colored etching, engraving and aquatint by R. Havell, 1830, on J. Whatman paper dated 1830, plate CIII from The Birds of America, with full margins, framed. Plate 19 3/8 x 12 1/4 inches Sheet 38 1/4 x 25 5/8 inches C $1,000-1,500 See Illustration 149 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 53

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152 150 After John James Audubon CONNECTICUT WARBLER Hand-colored etching, engraving and aquatint by R. Havell, 1832, on J. Whatman paper dated 1836, plate CXXXVIII from The Birds of America, with full margins, framed. Plate 19 5/8 x 12 3/8 inches Sheet38 1/4 x 25 5/8 inches C $1,000-1,500 See Illustration

153 151 After John James Audubon ROUGH-LEGGED FALCON Hand-colored etching, engraving and aquatint by R. Havell, 1838, on J. Whatman paper dated 1838, plate CCCCXXII from The Birds of America, framed. Sheet 38 x 25 1/4 inches C $1,000-1,500 See Illustration

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152 After William Sidney Mount (1807-1868) CATCHING RABBITS Hand-colored lithograph by Léon-Noél and Bichebois, circa 1839, published by Goupil & Co., New York, with margins, trimmed slightly into dedication text at bottom, framed. Image 14 5/8 x 18 5/8 inches Sheet 18 3/8 x 21 1/8 inches C Property of a Distinguished New York Collector $700-1,000 See Illustration

153 After William Sidney Mount THE POWER OF MUSIC! Hand-colored lithograph by Léon Noel, 1848, published by Goupil, Vibert & Co., New York, with good margins, framed. Image 14 5/8 x 18 5/8 inches Sheet 20 x 22 5/8 inches C Property of a Distinguished New York Collector $1,000-1,500 See Illustration

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158 155 154 After George Caleb Bingham (1811-1879) THE COUNTY ELECTION (BLOCH P9) Hand-colored engraving, mezzotint and roulette by John Sartain, 1854, published by Goupil & Co., New York, with (full?) margins, framed. Plate 26 x 32 inches Sheet 27 7/8 x 33 5/8 inches C Property of a Distinguished New York Collector $1,500-2,500 See Illustration 155 After George Caleb Bingham STUMP SPEAKING (B. P10) Hand-colored engraving and mezzotint by Louis-Adolphe Gautier, 1856, on chine appliquÃ©, published by Goupil & Co., New York, with margins, framed. Plate 26 3/4 x 32 7/8 inches Sheet 28 x 33 5/8 inches C Property of a Distinguished New York Collector $1,000-1,500 See Illustration

156 Nathaniel Currier, publisher AMERICAN FARM SCENES NO. 1 Hand-colored lithograph after Frances F. Palmer, 1853, with good margins, framed. Image 16 7/8 x 24 inches Sheet 19 7/8 x 26 1/4 inches C Property of a Distinguished New York Collector $700-1,000 See Illustration

158 Currier & Ives, publishers LIFE IN THE COUNTRY, THE MORNING RIDE (C. 3512; G 3779; P. 2406) Hand-colored lithograph, 1859, with good margins, framed. Image 17 3/4 x 25 7/8 inches Sheet 20 7/8 x 28 5/8 inches C Property of a Distinguished New York Collector $1,000-1,500 See Illustration

157 Currier & Ives, publishers A RISING FAMILY (CONNINGHAM 5151; GALE 5587; PETERS 3191) Hand-colored lithograph after Arthur Fitzwilliam Tait, 1857, with good margins, framed. Image 18 1/4 x 23 5/8 inches Sheet 21 3/4 x 27 5/8 inches C Property of a Distinguished New York Collector $500-700

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162 part

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159 Currier & Ives, publishers NEW ENGLAND WINTER SCENE (C. 4420; G. 4801; P. 2431) Hand-colored lithograph after George Henry Durrie, 1861, with good margins, framed. Image 16 5/8 x 3 3/4 inches Sheet 22 x 27 15/16 inches C Property of a Distinguished New York Collector $2,000-3,000 See Illustration

160 Currier & Ives, publishers NIGHT BY THE CAMP-FIRE; WINTER SPORTS—PICKEREL FISHING; PLACID LAKE, ADIRONDACKS; UPPER AND LOWER BAY OF NEW YORK, FROM THE BATTERY LOOKING SOUTHWEST (G. 4855; 7285; 5191; 6805) Four hand-colored lithographs, the first two 1861 and 1872, respectively, with margins, framed. Image of largest 10 /2 x 15 inches C Estate of George Labalme, Jr. $600-800

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161 Currier & Ives, publishers HAYING-TIME. THE FIRST LOAD (C. 2760; G. 2988; P. 2380) Hand-colored lithograph after Francis F. Palmer and John Cameron, 1868, with good margins, framed. Image 15 3/4 x 23 7/8 inches Sheet 20 7/8 x 28 3/8 inches C Property of a Distinguished New York Collector $800-1,200 See Illustration

162 After Richard Canton Woodville MEXICAN NEWS Hand-colored engraving by Alfred Jones, 1853, published by the American Art Union, New York, with full margins; Together with After Asher B. Durand THE CAPTURE OF MAJOR ANDRE, hand-colored engraving by Alfred Jones and Smillie & Hinshelwood, published by the American Art Union, New York, with good margins, framed. (2) Image of largest 20 5/8 x 18 3/8 inches C Property of a Distinguished New York Collector $800-1,200 See Illustration of Part

FURNITURE & DECORATIVE ARTS

Lot 312

164

163 George II Mahogany Side Table With a frieze drawer, on turned legs with pad feet. Height 28 inches, width 26 3/4 inches, depth 13 inches. C $300-400 164 Pair of Needlework Pictures English or Continental, early 19th century One depicting a brick house, cow and dog holding a basket; the other depicting a contented cat on a cushion and a leopard. Overall 11 inches x 15 1/2 inches. C $400-600 See Illustration 165 Queen Anne Walnut Side Chair Boston Height 40 1/4 inches, width 21 1/2 inches, depth 17 inches. Together with a George II Mahogany Side Chair. C $800-1,200 See Illustration of Part

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166 Pair of Grain Painted Pine, Tôle and Glass Candle Sconces Each with scrolled crest and oval reflector. Height 27 1/2 inches, width 4 3/4 inches, depth 5 inches. C $400-600

167 American School Drawing of Ships in a Harbor 19th century In an eglomisé mat. Overall 16 1/2 inches x 42 1/2 inches. C $200-300 168 Queen Anne Walnut Corner Cupboard Possibly Canadian With a scrolled pediment over a glazed door with shaped muntons above a small drawer, the lower section with a fielded panel drawer on bracket feet. Height 7 feet 2 1/2 inches, width 31 inches, depth 22 1/2 inches. C $500-700 169 Queen Anne Cherry and Maple Drop-Leaf Table New England, 18th century The rectangular top above a shaped apron, raised on angular cabriole legs ending in pad feet. Height 28 inches, width 46 inches, depth 17 1/2 inches. C $400-600

170 Copper and Zinc Angel Gabriel Weathervane Attributed to L. W. Cushing and Son, Waltham, Massachusetts, circa 1880 Height 22 1/4 inches, width 23 inches. C Property of a Private Collector, Long Island $3,000-4,000 See Illustration and Inside Front Cover 171 Printed and Hand-Colored Certificate of Birth and Baptism Fraktur York County, Pennsylvania, dated 1844 Inscribed printed and for sale by G.s. Peters,___ Harrisburg, PA. Overall 18 inches x 15 inches. C $250-400 172 Group of Tramp Art Items Comprising two boxes and a frame. Box lengths 11 1/2 inches and 12 1/2 inches. Frame overall height 14 1/2 inches x width 12 inches, rabbet size 7 3/4 inches x 6 inches. C $300-500 173 Georgian Mahogany Tray-Top Table With a frieze drawer on cabriole legs. Height 27 inches, width 29 1/2 inches, depth 18 inches. C $400-600

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174 Chippendale Figured Maple Slant-Front Desk Connecticut, late 18th century With three-level fitted interior, the case with four graduated lip molded drawers, flanked by engaged fluted corner columns, molded base on ogee bracket feet. Height 42 3/4 inches, width 38 1/2 inches, depth 19 inches. Provenance: John Walton Inc., Jewett City, Connecticut. C Property of a Private Collector, Long Island $1,500-2,500 See Illustration 175 Pair of Chippendale Cherry Rush Seat Side Chairs 18th/Early 19th century On molded straight legs. Height 36 3/4 inches, width 19 inches, depth 16 1/2 inches. C $200-300 176 Queen Anne Cherry Tall Case Clock 18th Century The molded crest over arched hood door flanked by free-standing columns, the silver dial inscribed Jona Purinton Kensington, and with subsidiary seconds dial, arched case door and molded base with bracket feet. Height 7 feet 3/4 inches, width 20 inches, depth 9 1/2 inches. C $1,200-1,800

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177 177 Chinese Export Gilt Decorated Blue Fitzhugh Porcelain Partial Tea and Coffee Service Early 19th century Comprising a drum-form teapot, tea caddy, lobed teapot stand, covered sugar, waste bowl, twelve handleless cups, twelve saucers and six demitasse cups. Length of teapot 8 1/2 inches. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $300-500 See Illustration 178 Two George III Needlepoint Upholstered Mahogany Stools 18th/19th Century Height 18 inches, width 15 1/2 inches, depth 14 inches and height 17 1/2 inches, width 15 inches, depth 12 inches. • $200-300

179 Pair of Federal Brass and Wrought Iron Steeple-Top Andirons 19th Century Height 21 inches; Together with a Pair of Brass and Wrought Iron Fire Tools and Pair of Jamb Hooks. C $300-400 180 Federal Maple Chest of Drawers Early 19th century With four graduated drawers on bracket feet. Height 42 3/4 inches, width 38 inches, depth 18 1/4 inches. C $400-600

182 Federal Style Parcel Gilt Mahogany Mirror With a scrolled crest and apron. Height 24 1/2 inches, width 13 inches; Together with a Mahogany Shelf. Length 14 inches. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $400-600 183 Queen Anne Mahogany Tilt-Top Tripod Stand 18th Century The dished top above a turned stem raised on cabriole legs ending in pad feet. Height 28 inches, diameter 18 7/8 inches. C $800-1,200

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181 Classical Cumberland-Action Dining Table 19th Century The rectagular top with rounded corners, raised on four turned supports above a waisted platform, raised on reeded saber legs ending in casters. Height 29 1/2 inches, width 6 feet 11 inches, depth 47 3/4 inches. C $1,500-2,500 See Illustration

184 Set of Six Federal Side Chairs Mid Atlantic States, possibly Virginia, early 19th century Each with carved and pierced baluster splat, slip seat on square tapering legs with stretchers. Height 37 1/4 inches, width 19 7/8 inches, depth 16 1/2 inches. C $1,000-1,500 See Illustration 185 Four Child’s Chairs Comprising a George II example, a George III example and two others. Height of first 26 1/2 inches, width 16 inches, depth 12 1/2 inches. • $300-500

184

186 Chinese Export Porcelain Compote Early 19th century Of scrolling ovoid form. Height 6 1/2 inches, width 12 3/4 inches. C $400-600 187 Federal Mahogany Trick-Leg Fold-Over Card Table New York, circa 1815 With a treble-elliptical top on a reeded baluster stem and reeded saber legs with brass cap casters. Height 29 1/2 inches, width 35 3/4 inches, depth 17 3/4 inches. C $800-1,200 See Illustration

188 Classical Giltwood and Eglomisé Pier Mirror Early 19th century The frame with ribbon-tied reeding and leaf-tip borders, reeded ebonized liner, over an inset eglomisé panel. Height 65 inches, width 33 1/8 inches, depth 2 1/4 inches. C $600-900 189 Federal Inlaid Mahogany Sideboard 19th Century With three drawers above four cupboard doors on square tapering legs. Inscribed on upper left drawer Restored Feb. 1908 E. L Hagen. Height 39 3/4 inches, width 6 feet, depth 27 1/2 inches. C $600-900 187

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190 Two George II Mahogany Spoon Back Side Chairs 18th Century Height of larger 40 inches, width 20 1/2 inches, depth 16 3/4 inches. • $200-300 191 Queen Anne Walnut Wing Chair 18th Century Raised on cabriole legs with turned stretchers. Height 45 inches, width 32 3/4 inches, depth 24 1/2 inches. C $1,000-1,500 See Illustration 192 Queen Anne Walnut Mirror The two-section plate cut with central floral motif flanked by scrolls. Height 48 1/2 inches, width 20 inches. C $500-700 193 Pair of Chinese Export Famille Rose Porcelain Armorial Sauce Tureen Stands Circa 1776 Each with a chain border and painted with the arms of Spayne. Length 10 inches; Together with a Famille Rose Platter with a Mazarin, and Two Soup Plates en suite. Length of platter 15 1/2 inches. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $600-800

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194 Queen Anne Carved Walnut Dressing Table Connecticut The scalloped shaped top over two lip-molded frieze drawers, the shaped apron on cabriole legs. Height 30 inches, width 34 3/4 inches, depth 22 1/4 inches. C $800-1,200 See Illustration 195 Dutch Baroque Style Brass Twelve-Light Chandelier Height approximately 26 inches, diameter 22 1/2 inches. C $500-700 195A Cut and Engraved Success to Wilkes & Liberty Stem Glass; Together with an Etched Air-Twist Stem Glass Height of tallest 6 inches. C $600-900

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196 Queen Anne Cherry High Chest The upper and lower section with fan carved drawers, on cabriole legs. Height 7 feet 3 inches, width 37 1/2 inches, depth 19 inches. C Property from a Prominent Connecticut Estate $600-900

197 Chippendale Mahogany Bonnet-Top High Chest Probably Salem, circa 1770 The enclosed bonnet with three flame finials over a convex shell carved drawer and two small drawers above four graduated long drawers all flanked by fluted pilasters, the lower section with long drawer over a convex shell carved drawer and two drawers, above a scrolled apron on angular cabriole legs and claw and ball feet. Height 7 feet 5 3/4 inches, width 42 3/4 inches, depth 22 1/2 inches. C $4,000-6,000 See Illustration 198 Pair of Green Glass Hurricane Shades Each of baluster form. Height 20 3/4 inches. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $300-400 199 Pair of Queen Anne Style Mahogany Diminutive Upholstered Wing Chairs Height 39 inches, width 29 inches, depth 20 inches. â&#x20AC;˘ $300-400 200 George II Walnut Parcel-Gilt Mirror 18th Century Height 43 inches, width 12 1/4 inches. C $400-600 201 Queen Anne Cherry Drop-Leaf Table With D-shaped leaves, shaped concave apron on cabriole legs with turned feet. Height 27 1/2 inches, width 41 1/2 inches, depth 15 inches. C $800-1,200 202 Forty-Five Star American Flag in Tramp Art Frame Overall size height 22 inches, width 25 3/4 inches. Together with a Forty-Two Star American Flag in a Frame. C Property from Los Angeles Designer Lauren King $200-300 202A Group of Five Framed American Flags Overall sizes from 8 3/4 inches x 13 inches to 18 1/4 inches x 26 3/4 inches. C Property from Los Angeles Designer Lauren King $200-300

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203 Queen Anne Walnut Dressing Table Philadelphia, circa 1760 The molded top with inverted front corners over a long drawer and three small drawers, the shaped apron over shell carved cabriole legs on stocking trifid feet. Inscribed on the back indistinctly Sarah Bartlett. Height 29 inches, width 34 inches, depth 20 1/2 inches. C $2,000-3,000 See Illustration 204 George III Mahogany Mirror Probably using an earlier etched and beveled plate. Height 29 inches, width 16 inches; Together with Federal Style Figured Maple Mirror, height 32 inches, width 16 1/2 inches. C $400-600

205 Group of Silhouettes Primarily 19th century Including a group of three portraits of children in a home-made wooden frame, eglomisé examples, one of a girl with veil, gentleman with a military order, and a lady. Height of frame 11 x 7 1/8 inches; Together with a Wax Profile Portrait of a Gentleman. Probably 18th century, 6 1/2 inches x 5 inches. C $400-600 See Illustration of Part

203

206 Carved and Painted Figure of a Swan 20th Century Signed William Veasey. Height 10 3/4 inches, length 18 inches; Together with a Carved and Painted Wood Figure of a Flying Duck on Stand. C Property of a Private Collector, Long Island $200-300

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207 Queen Anne Mahogany Drop-Leaf Table New England With D-form leaves above an ogival apron, raised on cabriole legs ending in pad feet. Height 26 3/4 inches, width 29 1/2 inches. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $400-600

208 Pair of Folk Art Military Drawings Early 19th century One titled Commodore Bainbridge going to his Boarding house Boston, signed James Fuller... Approximately 12 1/2 inches x 7 1/2 inches. Another titled General Ripley Walking to Fort Erie, signed and dated James Fuller 1816. Approximately 12 3/4 inches x 7 inches; Together with a Drawing of Two Soldiers with Feathered Hats, Clay Pipes, and Swords, possibly by the same hand. Approximately 9 1/2 inches x 7 1/2 inches. The pair of drawings depict military leaders during the War of 1812. Commodore William Bainbridge commanded the USS Constitution from Boston to Brazil when the Constitution arrived back in Boston in February 1813, Bainbridge was hailed as a hero. General Eleazer Ripley commanded Fort Erie while General Jacob Brown was injured. C $400-600 See Illustration 208

209 George II Mahogany Drop-Leaf Gate-Leg Table 18th Century With D-shaped leaves, frieze drawer on cabriole legs with pad feet. Height 27 1/2 inches, width 34 1/4 inches, depth 14 1/2 inches, diameter 42 inches open. C $500-700 210 Chippendale Mahogany Side Chair Newport, Rhode Island, 1770 With an incised crest over a scrolling pierced splat and a molded shoe, slip seat on stop fluted legs joined by stretchers. Height 37 5/8 inches, width 20 1/2 inches, depth 17 1/2 inches. C $500-700 See Illustration

210

211 Two Similar Dutch Delft Polychrome Chargers 18th Century One decorated with blue, yellow, and rust flowers, the other with a bird and insect with a garden fence; Together with a Continental FaĂŻence Charger; And a Continental FaĂŻence Bowl. Diameter of largest 13 1/2 inches. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $500-700 212 Dutch Carved and Painted Folk Art Stool 19th Century The molded top deeply inscribed Y V. All four sides carved in relief with biblical subjects. Height 10 1/2 inches, width 23 1/2 inches, depth 12 1/2 inches. C $250-350

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213 Pair of Needlework Pictures Probably English, 18th century One depicting a shepherdess and flock in the foreground, squirrel in a tree, parrot in a tree, etc. Height overall 17 1/4 inches, width 21 3/4 inches. The other depicting a fortified structure in the foreground, sheep, deer, lions, birds, etc. Height overall 16 1/4 inches, width 19 5/8 inches. C $500-700 See Illustration

214 Queen Anne Walnut Side Chair Massachusetts, 18th century With pierced splat, slip seat and cabriole legs joined by stretchers and ending in pad feet. Height 38 inches, width 20 1/2 inches, depth 17 inches. C Property of a Private Collector, Long Island $400-600

215 Chippendale Mahogany Parcel-Gilt Mirror 18th Century With phoenix crest. Height 44 1/2 inches, width 21 1/2 inches. C Property of a Private Collector, Long Island $600-900 216 Chippendale Mahogany Pembroke Table Probably Mid-Atlantic States, 18th century The serpentine top and leaves over straight flush frieze drawer on molded straight legs joined by pierced X-stretchers. Height 28 inches, width 39 1/4 inches, depth 22 1/2 inches. C $1,500-2,000 See Illustration 217 Mahogany Pie Crust Tea Table With bird-cage mechanism over a pineapple carved stem on three cabriole legs. Height 27 inches, diameter 33 1/2 inches. C $500-700 218 Pair of English Delft Cornucopia Wall Pockets Probably Liverpool, 18th century Height 8 3/4 inches, width 5 3/4 inches. C Property of a Private Collector, Long Island $600-900 See Illustration on Next Page

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219 Painted Pine Dry Sink; Together with a Painted Whale-End Shelf Sink height 32 inches, width 25 3/4 inches, depth 18 1/2 inches; shelf height 32 1/2 inches, depth 26 1/2 inches, depth 8 1/2 inches. C $300-400

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220 Queen Anne Mahogany Tripod Stand The dished top on baluster turned stem and cabriole legs ending in pad feet. Height 27 3/4 inches, diameter 19 1/4 inches. C $250-350

225

221 Painted Pine Dower Chest Pennsylvania, first half 19th century The hinged lid with molded edge opening to a covered till, the case painted with pinwheel decoration above a mid-molding and a base drawer, all on bracket feet. Height 23 1/2 inches, width 34 inches, depth 18 3/4 inches. C $600-900 See Illustration 222 Pine and Cherry Hutch Table With a circular top, plank seat and straight legs. Height 29 inches, diameter 48 inches. C $400-600 223 Queen Anne Maple Chest on Chest With five graduated drawers in the upper section, four graduated drawers in the lower section, all on cabriole legs. Inscribed 1805 on reverse near top. Height 6 feet 11 1/2 inches, width 39 inches, depth 19 inches. C $600-900 224 Nanking Porcelain Oval Platter 19th Century Length 17 1/2 inches; Together with a Canton Platter, length 17 inches. C $400-600

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225 George III Style Gilt-Metal, Brass and Glass Bell Lantern 19th Century With smoke bell, the neck with swags and ramsheads, the base with removable pendant socket. Height approximately 28 inches, diameter 13 inches. C $1,200-1,800 See Illustration

226 Federal Mahogany Upholstered Lolling Chair With molded and shaped arms, on molded tapering legs joined by stretchers. â&#x20AC;˘ $300-500

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230

227 Federal Figured Maple Pembroke Table Rhode Island, early 19th century With D-shaped leaves and a straight molded frieze drawer ending in square tapering legs. Height 27 1/4 inches, width 34 inches, depth 16 inches. Hand written letter attached inside drawer states ‘This table was left to me by my Mother. It belonged to her parents Asa & Mary (Wheaton) Handy. Other furniture & likely this was bought by Mr. Handy (I think in New York) about the time of their marriage, which occurred Nov. 29.1799. My mother said her father used this to write at home. Other articles which belonged to Asa & Mary Handy are the mahogany sideboard, mahogany center table, mahogany square table with leaves & the rush bottom chairs.” Signed J. Albert Stowe. C Property of a Private Collector, Long Island $600-900 See Illustration

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228 Chinese Export Large Blue and White Porcelain Crested Mug Probably 19th century With interlaced handles. Height 7 1/2 inches. C Estate of James W. Smith $500-700 See Illustration 229 Chippendale Style Mahogany Wing Chair and Ottoman Height of wing chair 49 inches, width 32 inches, depth 25 inches. C Property of a Private Collector, Long Island $300-500 230 Queen Anne Sycamore Secretary Bookcase Possibly New Jersey, 18th century The molded cornice over two panelled doors, the slant-front opening to a serpentine fitted interior with valenced pigeonholes, small drawers and a covered well, the case with four long graduated drawers on bracket feet. Height 6 feet 3 1/2 inches, width 36 1/2 inches, depth 21 1/2 inches. C $800-1,200 See Illustration

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231 Pair of George III Style Giltwood Mirrors Each with scrolling foliate frame and pagoda crest. Height 39 1/2 inches, width 22 1/4 inches. C Property of a Private Collector, Long Island $800-1,200 See Illustration 232 Mahogany Pole Screen Shield shape on a tripod base. Height 60 inches. C $150-250 233 Federal Mahogany Canterbury 19th Century With three sections and base drawer on turned legs with casters. Height 20 inches, width 20 3/4 inches, depth 14 3/4 inches. C $400-600 234 Federal Inlaid Mahogany Cylinder Desk Possibly Baltimore, early 19th century The fitted interior with a pull-out writing surface, the case with four drawers around a kneehole, on square tapering legs with spade feet. Height 44 1/2 inches, width 43 inches, depth 26 inches. C $1,200-1,800 See Illustration

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235

235 George II Parcel Gilt Walnut Girandole Mirror 18th Century With two brass candle arms. Height 39 1/2 inches, width 20 inches, depth 7 1/4 inches. C $600-900 See Illustration 236 Queen Anne Style Mahogany Upholstered Child’s Wing Chair Height 34 inches, width 19 inches, depth 15 1/2 inches. • $150-250 237 Queen Anne Walnut Secretary Bookcase English or American, 18th century The bonnet top above arched panel doors opening to a fitted interior, the slant-front lower section with a stepped and fitted interior above two short and two long case drawers on bun feet. Height 7 feet 6 inches, width 39 3/4 inches, depth 22 1/2 inches. C $1,000-1,500 See Illustration

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238 Group of Three English Delft Wall Pockets 18th Century Height of largest 8 3/4 inches, width of largest 8 inches. Provenance of white example: Matthew & Elisabeth Sharpe Antiques, Spring Hill, Conshohocken, Pennsylvania Provenance of example with green bird: Art Trading Ltd., David B. Newbon, 305 East 61st Street, New York, NY. C Property of a Private Collector, Long Island $400-600

242 Chippendale Mahogany Tilt-Top Tea Table Rhode Island, second half 18th century The dished top over a fluted columnar standard on three shell carved cabriole legs with claw and ball feet. Remains of a Ginsburg and Levy paper label. Height 28 inches, diameter 30 1/2 inches. C $700-1,000 See Illustration 243 Group of Pewter Articles Primarily 19th century Including candlesticks, spoons, dishes, measures, mugs, etc. Approximately fifty-three pieces. Height of largest 9 1/4 inches. C $300-500 244 Queen Anne Maple Drop-Leaf Table New England, 18th century With D-shaped leaves on turned legs with turned feet. Height 26 1/2 inches, width 48 inches, depth 15 inches. C $400-600

240

239 Pair of Wrought Iron and Brass Floor Candlesticks Height 39 inches. C Property of a Private Collector, Long Island $400-600 240 Chippendale Mahogany Upholstered Wing Chair Newport, Rhode Island, last quarter 18th century With serpentine crest and wings, outscrolled arms, loose cushion seat on stop-fluted square legs joined by H-stretchers. Height 45 inches, width 34 inches, depth 24 inches. Provenance: John C. R. Tompkins, Millbrook, NY Estate of Deborah K. Seeley C $4,000-6,000 See Illustration 241 Group of Five Brass Candleholders Including a Continental capstan candlestick, candlestick with wide drip pan, chamberstick, and three hanging candleholders. Height of tallest 11 inches. C Property of a Private Collector, Long Island $400-600

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245 part

245 Three Dutch Delft Polychrome Chargers 18th Century Each depicting a parrot on a branch with rockwork and flowers. Diameter of largest 13 1/2 inches; Together with a Continental Faïence Chinoiserie Decorated Charger. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $600-800 See Illustration of Part 246 Queen Anne Pine and Maple Turrett-Top Table 18th Century Height 25 3/4 inches, width 34 inches, depth 24 inches. • $400-600 247 Queen Anne Walnut Side Chair Philadelphia The scrolled crest with flanged shell over a spooned splat, compass slip seat on cabriole legs with trifid feet. Height 42 inches, 20 3/4 inches, diameter 16 inches. C $1,500-2,500 See Illustration 248 Group of Brass Lighting Devices Including two pairs of wall mounted sconces, pair of cast brass scroll sconces, pair of brass and wrought iron single sconces and a lantern. Height of lantern 17 3/4 inches. C Property of a Private Collector, Long Island $400-600 249 Set of Nine Delft Polychrome Decorated Pictorial Tiles in Frame Overall 17 1/2 inches square. C Property of a Private Collector, Long Island $300-500

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250

250 Set of Eight Chippendale Mahogany Dining Side Chairs Each serpentine crest above a pierced splat, over a slip seat, raised on square legs joined by stretchers. Height 37 3/4 inches, width 21 inches, depth 18 inches. C $1,500-2,500 See Illustration

251 Pair of Delft Polychrome FaĂŻence Melon Tureens Probably 19th century On leaf-form stands. Height 4 1/2 inches, width 8 1/2 inches; Together with Three Manganese-Decorated FaĂŻence Articles. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $400-600 See Illustration of Part

251A Dutch Delft Polychrome Three-Piece Garniture 18th Century Including a pair of covered vases and a beaker vase. Height of tallest 10 1/8 inches. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $300-500

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252 Federal Figured Maple Tambour Secretary Bookcase New England, early 19th century The hinged top opening to a well, above the tambour enclosing a fitted interior, four graduated case drawers, shaped apron with central tablet, continuing to splayed bracket feet. Height 50 1/4 inches, width 39 1/4 inches, depth 20 inches. C $700-1,000 See Illustration 253 Queen Anne Style Mahogany Miniature Lowboy Height 17 inches, width 19 1/2 inches, depth 10 1/2 inches. C $150-250

254 part

254 Two Zuber Wallpaper Sections from Les Vues de Bresil With printed border. Smaller section 65 1/2 inches x 68 inches. Larger section 65 1/4 inches x 84 1/4 inches. C $1,500-2,500 See Illustration of Part 255 Georgian Mahogany Handkerchief Table 18th Century The top with revolving mechanism, opening to hexagonal shape raised on cabriole legs. Height 27 1/2 inches, width 32 3/4 inches, depth 28 1/2 inches closed, diameter 38 inches open. C $600-900 256 Chippendale Style Mahogany Block-Front Chest of Drawers With four graduated drawers, on bracket feet. Height 31 1/2 inches, width 36 inches, depth 20 1/2 inches. C Property of a Private Collector, Long Island $500-700

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257 Georgian Mahogany Drop-Leaf Table With D-shaped leaves, turned legs and feet. Height 28 inches, width 29 1/2 inches, depth 17 1/4 inches. C $400-600

258 Federal Mahogany Tall Case Clock L. Watson, Cincinnati, first quarter 19th century The scrolled pediment with three turned finials, the painted wood dial with subsidiary seconds dial, wooden works, the case with shaped banded door, the base with serpentine apron continuing to bracket feet. Height 7 feet 11 1/2 inches, width 18 1/2 inches, depth 11 inches. C $700-1,000 259 Federal Mahogany Tall Case Clock John Fite, Baltimore, early 19th century The scrolled and pierced pediment with urn finial, arched painted dial with moon phase, subsidiary seconds dial and day of the month, the case with banded door flanked by fluted corner columns over conforming base with ogee bracket feet. Height 10 feet 1 inch, width 22 3/4 inches, depth 10 1/4 inches. C $3,000-4,000 See Illustration 260 Chippendale Mahogany Slant-Front Desk The interior with valanced pigeonholes and ten small drawers, the case with four graduated cockbeaded drawers, raised on bracket feet. Height 40 inches, width 41 inches, depth 21 inches. C $500-700 261 George II Mahogany Wing Chair Raised on cabriole legs joined by turned stretchers. Height 44 3/4 inches, width 32 1/2 inches, depth 24 inches. C $600-900 262 Chippendale Style Serpentine-Back Upholstered Sofa Height 33 1/2 inches, length 6 feet 9 inches, depth 28 inches. C $400-600 263 Queen Anne Walnut and Parcel-Gilt Mirror Sconce Early 18th century With brass candlearm. Height 22 1/2 inches, width 9 1/2 inches. C Property of a Private Collector, Long Island $600-900 264 Queen Anne Style Walnut Chaise Longue With seat cushion and three loose pillows, raised on cabriole legs. Height 38 1/4 inches, length 66 inches, depth 22 1/2 inches. C $500-700

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265 Pair of Cut Paper and Painted Profile Portraits of a Man and Woman 19th Century Sight size 16 1/2 inches x 11 3/4 inches; Together With a Pair of Painted Paper Portraits of a Man and Woman, Each with a Wooded Background. C $300-500 See Illustration of Part

265 part

266 Pine Spoon Rack; Together with Fourteen Pewter Spoons 19th Century Height 27 inches, width 13 1/2 inches, depth 6 inches. C Property of a Private Collector, Long Island $500-700 267 Queen Anne Walnut High Chest Massachusetts, mid-18th century The bonnet top with three turned finials, over central arched drawer and two small drawers above four graduated long drawers, the lower section with an arched drawer and four small drawers, on cabriole legs. Height 7 feet 2 1/4 inches, width 41 inches, depth 20 1/4 inches. C $1,500-2,500 See Illustration 268 Group of Pewter Articles Primarily 19th century Including flagons, cannisters, tureen, chargers, ladles, etc. Approximately thirty-five pieces. Diameter of largest 16 1/2 inches. C $300-500

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269 Queen Anne Parcel Gilt Walnut Pier Mirror 18th Century Height 46 1/2 inches, width 17 1/2 inches. C $600-900

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270 Double-Sided Painted Game Board Height 19 1/2 inches, width 29 inches. C Property of a Private Collector, Long Island $600-900 See Illustration 271 Group of Two Child’s Chairs and Two Highchairs 19th Century Including a George III Provincial highchair and an English Windsor child’s chair. Heights 22 to 36 1/2 inches. C $300-500

274 Queen Anne Maple Slant-Front Desk on Stand New England Height 36 1/2 inches, width 29 inches, depth 15 1/2 inches. • $200-300

272 Queen Anne Painted Rush Seat Open Armchair New England, 18th century With turned stiles and baluster splat. Height 44 1/2 inches, width 24 1/2 inches, depth 18 3/4 inches. C $800-1,200 See Illustration 273 Group of Brass Fireplace Equipment 19th/20th Century Including a bed warmer, skimmer, coal scuttle, and trivet. Length of bedwarmer 43 inches. C Property of a Private Collector, Long Island $200-300 272

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275 Classical Giltwood and Composition Convex Girandole Mirror 19th Century With eagle and olive branch crest and three scrolling candle arms. Height 47 1/2 inches, width 23 3/4 inches. C $1,500-2,500 See Illustration 276 Patinated Bronze Figure of Napoleon 19th Century On a stepped marble base. Height 16 inches. C $300-400 277 Chinese Export Porcelain Partial Table Service Early 19th century Each with blue and gold borders centering a rondel of two birds and a tree. Comprising well-and tree-platter, length 19 inches; platter with mazarin, length 15 5/8 inches; platter, diameter 15 5/8 inches; and a pair of small platters, length 11 inches. • $500-700 See Illustration 278 Mahogany and Eglomisé Brass-Mounted Banjo Clock 19th Century With bracket base. Height 42 inches, width 11 inches. • $300-500

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279 Classical Mahogany Brass-Mounted Armoire New York, circa 1820 With an open pediment above a reeded and molded cornice, two paneled doors with pilasters, interior with drawers and linen shelves all on paw feet. Height 7 feet 11 inches, width 62 inches, depth 26 3/4 inches. C $800-1,200

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280 Federal Mahogany Drop-Leaf Table New York, early 19th century The rectangular top with shaped leaves above a frieze drawer raised on turned reeded legs. Height 28 1/2 inches, width 38 inches, depth 24 1/2 inches. C $300-500 281 Chippendale Mahogany Slat-Back Side Chair Philadelphia, circa 1775 With serpentine over-upholstered seat on straight molded legs with stretchers. Height 37 inches, width 22 inches, depth 18 3/4 inches. C $400-600 282 Classical Carved and Inlaid Mahogany Upholstered Sofa Attributed to Samuel Field McIntire, first quarter 19th century The rope carved crest centering a fruit basket and flanked by grape leaves and vines on a punched ground, the outscrolled cornucopia-form arms with grapes on inlaid saber legs with casters. Height 36 1/2 inches, length 6 feet 11 inches, depth 27 inches. C $2,000-4,000 See Illustration

283 Regency Inlaid Mahogany Breakfast Table 19th Century The banded rectangular top over a pedestal continuing to four downswept scrolled reeded legs ending in paw casters. Height 30 1/2 inches, width 49 1/2 inches, depth 31 1/2 inches. C $800-1,200 284 Southwestern Woven Yei Rug Depicting four figures. Appoximately 32 inches x 53 inches. C Property of a Private Collector, Long Island $400-600 285 Canton Rose Medallion Porcelain Punch Bowl 19th Century Diameter 13 1/4 inches. C Property of a Private Collector, Long Island $400-600

286 Classical Carved Mahogany and Upholstered Sofa Manner of Samuel Field McIntire, second quarter 19th century The star- punched crest centering a fruit basket and flanked by grape vines, with clover leaves metal mount, rope carved scrolled arms and seat rail, on carved legs with casters. Height 33 3/4 inches, length 6 feet 9 inches inches, depth 25 inches. C $800-1,200 287 Classical Giltwood Convex Mirror 19th Century With eagle crest. Height 40 1/2 inches, width 24 inches. C $800-1,200 288 Federal Carved Mahogany Shield Back Side Chair Early 19th century The serpentine over-upholstered seat on square tapering legs. Height 36 1/2 inches, width 22 inches, depth 19 inches. C $150-250

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289 Set of Six George III Mahogany Dining Chairs 18th Century Including one armchair. The serpentine crest above a pierced splat and slip seat, raised on square legs joined by stretchers. Height 28 1/2 inches, width 19 1/2 inches, depth 18 inches. C $1,500-2,500 290 Chippendale Style Mahogany Tilt-Top Tea Table In the Philadelphia manner Signed Margolis. Height 28 1/2 inches, diameter 33 inches. C Property of a Private Collector, Long Island $600-900 See Illustration 291 Chippendale Mahogany Chest of Drawers Probably Mid-Atlantic States, 18th century The rectangular top with molded edge over four graduated cockbeaded drawers, on ogee bracket feet. Height 34 inches, width 41 inches, depth 22 inches. C $800-1,200 292 Chippendale Style Mahogany Tray Top Tea Table In the Newport manner Height 27 1/2 inches, width 32 inches, depth 19 1/2 inches. C Property of a Private Collector, Long Island $400-600

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293 George II Mahogany Upholstered Stool 18th Century The over-upholstered rectangular seat raised on carved cabriole legs ending in claw and ball feet. Height 18 inches, width 22 inches, depth 18 inches. C $1,000-1,500 See Illustration 294 George II Mahogany Tripod Stand 18th Century The piecrust top, raised on a bird-cage mechanism on partially fluted columnar standard, raised on leaf carved cabriole legs with pad feet. Height 27 inches, diameter 24 inches. C $1,500-2,000 293

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295 George III Mahogany Diminutive Chest of Drawers Early 19th century The rectangular top above two short drawers over three long drawers, raised on bracket feet. Height 19 3/4 inches, width 18 inches, depth 9 3/4 inches. C $400-600 See Illustration 296 Queen Anne Walnut Stool 18th Century The rectangular slip seat with cabriole legs and pad feet. Height 16 inches, width 20 1/2 inches, depth 16 1/2 inches. C $400-600 See Illustration 297 Chippendale Walnut Slant-Front Desk 18th Century With a shaped and fitted interior, four graduated lip molded case drawers, raised on ogee bracket feet. Height 42 1/4 inches, width 37 3/4 inches, depth 21 inches. C $200-400 298 Queen Anne Birch and Maple Drop-Leaf Table New England, 18th century With D-shaped leaves, on cabriole legs with pointed feet. Height 27 1/2 inches, width 32 inches, depth 12 1/2 inches, diameter 31 1/2 inches open. C $300-500

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299 Pair of Chippendale Mahogany Side Chairs In the Philadelphia manner With shell carved seat rail and legs. Height 41 1/4 inches, width 21 inches, depth 16 inches. C Property of a Private Collector, Long Island $400-600 300 George II Mahogany Open Armchair 18th Century Together with a George II Style Mahogany Open Armchair, with shell carved legs. Height of first 39 1/2 inches, width 28 inches, depth 19 inches. C Property of a Private Collector, Long Island $500-700

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302 American Carved and Painted Stander Carousel Horse Gustav and William Dentzel With pole and oak platform base. Height overall 64 1/4 inches, height of horse 59 inches, width 59 inches. Pictured in The Carousel News and Trader, June, 2000; wherein it states that this horse sat in front of Kauffman & Sons Saddlery Co. in New York City. C Property of a Red Bank, New Jersey Private Collector $6,000-8,000 See Illustration

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301 American Carved and Painted Outer Row Stander Carousel Horse Gustav and William Dentzel With pole and oak platform base. Overall height 6 feet 6 inches, height of horse 61 inches, width 56 inches. Provenance: Sold Guernsey’s, New York December 10, 1988, lot 42. C Property of a Red Bank, New Jersey Private Collector $6,000-8,000 See Illustration

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303 Painted Cast Iron Lily of the Valley Bench Height 35 inches, width 56 1/2 inches, depth 14 inches. C Property of a Private Collector, Long Island $600-900 See Illustration

305 American Maple and Mahogany Dining Table 19th Century With molded ends, raised on turned legs. Height 28 inches, width 67 inches, depth 47 1/2 inches. C $400-600

304 West Indian Mahogany Four Post Bed With an arched and scrolled panelled headboard, fluting and ring-turned post and balustrade footboard. Height 6 feet 11 inches, width 65 inches, length 7 feet 5 3/4 inches. C $700-1,000

306 Group of Five Southwestern Woven Baskets Havasupai, early 20th century Diameters from 7 1/4 inches to 17 1/2 inches long. Provenance: Jon F. Tanner Just Us, J&S Schneider, Tucson, AZ, 1979 C Property of a Private Collector, Long Island $700-1,000 See Illustration

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307 Pair of Bronze Lion Head Down Spouts Early 20th century On custom metal stands. Height 11 1/4 inches, width 6 inches. C Property of a Private Collector, Long Island $1,200-1,800 See Illustration

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308 Pair of Painted Cast Iron Lyre Back Armchhairs Height 32 inches, width 21 inches, depth 18 1/2 inches. C Property of a Private Collector, Long Island $400-600 309 Haviland Limoges Hand Painted Porcelain Presidential Turkey Platter From the Rutherford B. Hayes White House Administration Service Designed by Theodore Russell Davis, circa 1880 Painted with an eagle on underside, fully marked. Length 20 inches. C Estate of James W. Smith $6,000-9,000 See Illustration

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310 Tiffany Studios Gilt-Bronze Louis XVI Pattern Nine-Piece Desk Set Early 20th century All marked Tiffany Studios New York. Comprising a letter rack, no. 1826, height 8 7/8 inches; pair of blotter ends, no. 1820, length 12 1/4 inches; calendar frame, no. 1830; notepad holder, no. 1828; rocker blotter, possibly no. 1829; inkwell, no. 1821; stamp box, possibly no. 1831; and pen tray, no. 1822. C Property of a Red Bank, New Jersey Private Collector $5,000-7,000 See Illustration 311 American Renaissance Walnut Upholstered Settee Manner of John Jelliff, Newark, New Jersey, last quarter 19th century Crested with an oval cartouche, the arms fronted by busts of bearded men, on turned and fluted legs with casters. Height 44 3/4 inches, length 6 feet 2 1/2 inches, depth 26 inches. C $500-700 See Illustration

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312 Herter Brothers Aesthetic Movement Rosewood, Marquetry and Parcel-Gilt Inlaid Center Table New York, last quarter 19th century The rectangular top with molded edge and rounded corners, centering floral marquetry above two floral inlaid frieze drawers, on turned and incised carved legs connected by an H-form stretcher, on paw feet and casters. Stamped HERTER BROS underside the top. Height 29 1/2 inches, width 49 inches, depth 31 inches. Provenance: Descended in the family of an early owner. A similar table is depicted in Howe, Katherine S, et. al, Herter Brothers: Furniture and Interiors for a Gilded Age, New York: Harry N. Abramson, 1994, pp. 172-173. This similar table is in the collection of The Cleveland Museum of Art, believed to come from Colonel James Elverson’s home in Philadelphia.

312 detail

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The Herter Brothers became one of the most popular furnishing and interior design firms in the later half of the 19th century. Their distinct designs placed them at the forefront of high style furniture in America. Their designs included patterns on every surface and high attention to detail. Some surfaces were finished black paint to give the appearance for ebony wood. Gustave Herter was known for fine carving, such as the low-relief foliate passages in the legs on this example and the similar example in the collection of The Cleveland Museum of Art. In the 1870s, the Herter Brothers incorporated incised lines, reeding, gilding and turned elements, all of which are also seen in our table. The firm was also known for fine marquetry. The marquetry bordering the table top of our example is also seen on Figure 96, Appendix 1, p. 218 in Herter Brothers: Furniture and Interiors for a Gilded Age. One trademark of the brothers’ style was unmatching marquetry, such as the flattened stylized flowers on the apron and stretcher compared to the ornate three-dimensional design on the table top. The firm was known for importing complicated marquetry panels from France, a trend which dated back to the 1820s for American cabinetmakers. The imported table tops with natural subjects including flowers in the French style began to go out of fashion in the 1870s. C $12,000-20,000 See Illustration

SILVER

Lot 327 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87

313 American Colonial Silver Tankard Benjamin Burt, Boston, late 18th century Tapering cylindrical form with molded band at waist, with hinged stepped dome cover with spiral finial and scroll thumbpiece, with S-scroll handle, and later spout. Height 9 inches, approximately 29 ounces. C $2,000-3,000 See Illustration

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314 American Sterling Silver Water Pitcher of Southern and Jewish Interest Circa 1870 Of ovoid-form with beaded band at waist, the body with an applied shield, the upswept loop handle with foliate join. Height 10 3/4 inches, approximately 28 ounces. The monogram “JPB” is for Judah P. Benjamin (1811-1884), once U.S. Senator for Louisiana and then Secretary of War and Secretary of State for President Jefferson Davis of the Confederate States of America. Benjamin was also the first person of Jewish descent to be elected to the US Senate and to hold a U.S. Cabinet position. • $500-700 315 American Silver Water Pitcher Edwin Stebbins & Co., New York, circa 1840 Of inverted pear form with applied bands of palmettes, the body chased with flowers and foliage centering a blank reserve, the foliate handle with shield and knight’s helmet thumbpiece. Height 14 inches, approximately 45 ounces. C $600-800 See Illustration 315 88 DOYLE • MARCH 27, 2019 • NEW YORK

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316 Early Samuel Kirk Silver Five Piece Tea Service Baltimore, 1828 Comprising a teapot, cream jug, covered sugar bowl, waste bowl and hot water kettle, each chased with birds and baskets on foliate ground, the upswept angular handles with rams mask terminals, the sugar and waste bowls with crenelated castle top rim. Height of kettle 10 1/2 inches, total approximately 160 ounces, all in. An early tea service by Americaâ&#x20AC;&#x2122;s oldest silversmiths, Samuel Kirk built his small Baltimore shop into the great house that transformed American tastes with their classic floral repousse pattern introduced about 1825. Repousse was a technique used in Antiquity to decorate silver and metal and was perfected by Kirk in their rich floral patterns. This tea service incorporates birds and baskets amongst the flowers and foliage. A tea service of this size and quality would have been ordered by one of Kirkâ&#x20AC;&#x2122;s wealthy clients, among whom was counted President James Monroe and his family. C Property of a Connecticut Collector $7,000-10,000 See Illustration

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317 Early Samuel Kirk Silver Ewer Baltimore, 1830-46 On pedestal foot, the body chased with band of acanthus at base and floral band at shoulder, with flowers, shells and mask under spout. Height 12 3/8 inches, approximately 37 ounces. In 1815 Samuel Kirk of Baltimore founded a small shop that remains America’s oldest silversmith. An advertisement from 1830 details the offerings of Samuel Kirk including the most fashionable silver ware made of Standard Assayed Silver... elegantly chased...(and) of every description made to order at the shortest notice. This ewer is a classic example of the floral repousse that Kirk introduced to American silver, a style still known as Baltimore silver. C $800-1,200 See Illustration 318 Six Baltimore Sterling Silver Table Articles Late 19th/ early 20th century Comprising a footed salver, water pitcher, pair of open salts and pair of casters, each decorated with floral repousse. Diameter of salver 10 1/4 inches, total approximately 51 ounces. • $500-700 317

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319 Three Baltimore Sterling Silver Platters and Bowls Early 20th century Comprising two graduated oval platters and a circular bowl, each with floral repousse border. Length of largest 20 inches, total approximately 122 ounces. • $1,000-1,500 320 Two Baltimore Sterling Silver Graduated Platters The larger marked Steiff, the other S. Kirk & Son Co. Each oval with floral repousse border. Length of larger 14 inches, total approximately 46 ounces. C $600-800 321 J.E. Caldwell Sterling Silver Covered Entrée Dish Late 19th/ early 20th century Square on four scroll feet, the body chased with band of rocaille and acanthus, the cover with floral repousse overall and with floral finial. 8 3/4 Inches square, approximately 44 ounces. C Property from the Daniel M. Tabas Family Foundation $800-1,200 See Illustration and Back Cover

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322 Shiebler Sterling Silver and 14kt Gold Bonbon Dish Circa 1890 The shaped oval body with an arched handle and set with portrait medallions depicting classical figures, on three paw feet. Length 9 1/2 inches, approximately 9 ounces. A similar bonbon dish was sold Heritage, Dallas, November 10, 2009, lot 71468. C Property of a Lady $1,000-1,500 See Illustration 323 Pair of Dominick & Haff Sterling Silver and Mixed Metal Salt and Pepper Casters 1880 Each ovoid form with applied lizards, butterflies and foliage on textured ground. Height 2 7/8 inches, total approximately 3 ounces. Another pair of similar salt and pepper casters sold in these rooms December 9, 2015, lot 357. C Property from a Society Hill Collection $300-500

324 Gorham Sterling Silver and Parcel Gilt Oyster Shell-Form Open Salt Cellar and Ensuite Spoon 1891 Realistically modelled, the spoon with textured branch-form handle. Length of salt cellar 4 7/8 inches, total approximately 3 ounces. C Property from a Society Hill Collection $300-500 325 American Sterling Silver Water Pitcher William Wilson & Son, Philadelphia, circa 1890 Globular form, the body chased with birds, insects and flowering branches. Height 7 1/2 inches, approximately 18 ounces. C Property from a Collection on Rittenhouse Square $500-800 See Illustration

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326 Japanese Silver Six-Piece Tea and Coffee Service Samurai Shokai, Yokohama, early 20th century Comprising a teapot, coffee pot, covered sugar bowl, waste bowl, covered tea caddy and kettle-on-stand, each chased overall with floral repousse incorporating chrysanthemum blossoms. Height of coffee pot 10 1/2 inches, total approximately 123 ounces. C Property from the Daniel M. Tabas Family Foundation $7,000-10,000 See Illustration

327 Whiting Sterling Silver Yacht Trophy 1880s Oval with scroll border, the center acid etched with yacht in rolling sea, the rim acid etched “Race Between the Captain of the Dauntless and Owner of the Coronet. March 12th 1887”. Length 10 inches, approximately 9 ounces. For two weeks in March 1887, the American public waited for news from London about the transatlantic yacht race between the Coronet and the Dauntless, two of the largest schooners at the New York Yacht Club. The Royal Thames Yacht Club in London proposed a race for Queen Victoria’s Golden Jubilee Year and Mr. R.T. Bush, owner of the Coronet challenged other club members to race over to join the race. A prize of $10,000 (almost $250,000 in today’s currency) was put forward. The Dauntless’s owner G.H. Colt took up the challenge and the two yachts set out for the finish line at Queenstown, Ireland from New York City on March 12th, 1887. The first transatlantic yacht race was only held in 1866 and this first generation of races could be treacherous as they battled weather and currents without modern equipment to help them through. Newspapers anxiously published sightings of the yachts as reported by ocean liners and other vessels as they arrived in port.

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On March 27 the Coronet arrived in Queenstown and claimed victory; the Dauntless, the favorite of the club, was thirty hours later. Newspapers reported a rough crossing with “mountainous waves... but fortunately no icebergs or fields of ice”. The image on our trophy depicts one of the ships tossing in heavy seas and it is interesting that this commemorates the event without naming the winner and end of the race. C $700-1,000 See Illustration

328 American Sterling Silver Mounted Oak Loving Cup Maker’s mark B&F, late 19th/ early 20th century Of barrel-form with shaped silver mounts and applied shield engraved “AGV” for Alfred Gwynne Vanderbilt, with three loop handles. Height 8 inches. Alfred Gwynne Vanderbilt (1877-1915) was the third son of Cornelius Vanderbilt who became head of the family on his father’s unexpected death in 1899. Vanderbilt continued to build the family’s railroad empire. He was tragically lost in the sinking of the RMS Lusitania when it was torpedoed off the coast of Ireland in 1915 by German U-boats, an act that brought America into the First World War. C Property from the Estate of Wendy Vanderbilt Lehman $500-700 See Illustration 329 Gorham Sterling Silver Loving Cup Early 20th century Of cylindrical form with three loop handles, the body engraved “Monmouth County Horse Show 1904”, “First Prize Road Four and Appointments”, “Won by Coach Venture Venture Viking Vanity Vogue”. Height 8 inches, approximately 49 ounces. The Ashbury Park Evening Press for Saturday July 30, 1904 reported on the race and the victory of the coach Venture driven by Alfred G. Vanderbilt. The course of six miles took Vanderbilt 25 minutes to finish. C Property from the Estate of Wendy Vanderbilt Lehman $800-1,200 See Illustration

330 Set of Twelve Gorham Sterling Silver Dinner Plates 1912, retailed by Spaulding & Co., Chicago Each shaped circular with repeating flowers and foliage. Diameter 10 3/4 inches, total approximately 262 ounces. C $4,000-6,000 See Illustration 331 Set of Twelve Gorham Sterling Silver Bread and Butter Plates 1912, retailed by Spaulding & Co., Chicago Ensuite with the preceding, each shaped circular with repeating flowers and foliage. Diameter 7 inches, total approximately 85 ounces. C $2,000-4,000

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332 Gorham Sterling Silver Sauceboat and Stand 1907/1908, retailed by Spaulding & Co., Chicago Ensuite with the preceding lot. Length of stand 8 1/2 inches, total approximately 20 ounces. C $500-700 333 Pair of Gorham Sterling Silver Compotes 1909 Each shaped circular on domed foot, the border with floral garlands. Diameter 9 3/4 inches, total approximately 38 ounces. C $800-1,200

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335 part

334 Graff, Washbourne & Dunn Sterling Silver Platter Early 20th century, retailed by Spaulding & Co., Chicago Shaped circular with foliate scroll border. Diameter 14 1/2 inches, approximately 32 ounces. C $500-700

335 Whiting Sterling Silver Livingston Pattern Flatware Service Comprising twelve dinner forks, twelve salad forks, twelve dinner knives, twelve lunch knives, twelve butter knives, twelve tablespoons, twelve soup spoons, twenty-six teaspoons, and two sugar spoons. Total approximately 118 ounces, weighable. C $1,000-1,500 See Illustration of Part

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336 Gorham Sterling Silver Fish Platter and Mazarine 20th Century Shaped oval with applied border of foliate scrolls and chased swags of fruit, the mazarine pierced with scrolls. Length 25 1/4 inches, total approximately 117 ounces. C $2,000-2,500 See Illustration

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Property from a Society Hill Collection 337 Tiffany & Co. Sterling Silver Olympian Pattern Waffle Server Decorated with Paris, the son of Priam. Length 8 3/4 inches, approximately 3 ounces. C Property from a Society Hill Collection $400-600 See Illustration

338 Set of Twelve Tiffany & Co. Sterling Silver Olympian Pattern Tablespoons Decorated with Venus born of the sea. Length 8 5/8 inches, total approximately 40 ounces. C Property from a Society Hill Collection $1,000-1,500 See Illustration

339 Set of Twelve Tiffany & Co. Sterling Silver Vine Pattern Oyster Forks Squash motif. Length 6 1/8 inches, total approximately 7 ounces. Literature: Tiffany Silver Flatware: When Dining Was an Art, William P. Hood, 2003, pg. 86, figure 102 for a similar example illustrated with the original design drawing. C Property from a Society Hill Collection $700-1,000 See Illustration

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340 Tiffany & Co. Sterling Silver Olympian Pattern Sandwich Tongs Decorated with Venus born of the sea, in original fitted Tiffany & Co. box. Length 9 1/4 inches, approximately 7 ounces. C Property from a Society Hill Collection $1,000-1,500 See Illustration 341 Rare Set of Twelve Tiffany & Co. Sterling Silver St. Dunstan Pattern Individual Asparagus Eaters Length 4 7/8 inches, total approximately 11 ounces. C Property from a Society Hill Collection $1,000-1,500 See Illustration 342 Tiffany & Co. Sterling Silver and Gold Lap Over Edge, Applied Pattern Gravy Ladle Decorated with dragonflies. Length 7 1/2 inches, approximately 2 ounces. Literature: Tiffany Silver Flatware: When Dining Was an Art, William P. Hood, 2003, pg. 224, figure 338. C Property from a Society Hill Collection $1,000-1,500 See Illustration on Next Page 343 Tiffany & Co. Sterling Silver Vine Pattern Gravy Ladle Raspberry motif. Length 7 inches, approximately 1 ounce. C Property from a Society Hill Collection $600-800 See Illustration on Next Page 340 96 DOYLE â&#x20AC;˘ MARCH 27, 2019 â&#x20AC;˘ NEW YORK

344 Tiffany & Co. Sterling Silver and Parcel Gilt Lap Over Edge, Applied Fork Decorated with fish and seaweed, with applied crab at handle join. Length 7 inches, approximately 1 ounce. C Property from a Society Hill Collection $400-600 345 A Pair of Tiffany & Co. Sterling Silver and Parcel Gilt Lap Over Edge Pattern Long Handled Salad Servers Decorated with trailing flowers, the fork with a spider in its web. Length 10 3/4 inches, total approximately 8 ounces. Literature: Tiffany Silver Flatware: When Dining Was an Art, William P. Hood, 2003, pg. 336, figure 336. C Property from a Society Hill Collection $1,000-1,500 See Illustration on Next Page 346 Rare and Unusual Set of Ten Pairs of S. Kirk & Son Corn Picks First half 20th century Each with floral repousse decoration on biforcated stand. Length 3 1/8 inches. C Property from a Society Hill Collection $500-700 347 Tiffany & Co. Sterling Silver Vine Pattern Ice Cream Server Grapevine motif. Length 10 7/8 inches, approximately 4 ounces. Literature: A similar example is illustrated Tiffany Silver Flatware: When Dining Was an Art, William P. Hood, 2003, pg. 130, figure 185. C Property from a Society Hill Collection $400-600

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348 Tiffany & Co. Sterling Silver Blackberry Pattern Berry Spoon With kidney-shaped bowl. Length 9 1/4 inches, approximately 4 ounces. Literature: A similar example is illustrated Tiffany Silver Flatware: When Dining Was an Art, William P. Hood, 2003, pg. 262, figure 386. C Property from a Society Hill Collection $300-500 349 Tiffany & Co. Sterling Silver Vine Pattern Ice Tongs Daisy motif, with piered bowl and chicken claw foot tongs. Length 5 5/8 inches, approximately 3 ounces. Literature: Illustrated Tiffany Silver Flatware: When Dining Was an Art, William P. Hood, 2003, pg. 129, figure 183. C Property from a Society Hill Collection $300-500

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350 Set of Eleven Dominick & Haff Sterling Silver and Mixed Metal Escargot Forks 1879 Each terminal inlaid with butterflies, flowers and foliage. Length 5 7/8 inches, total approximately 8 ounces. C Property from a Society Hill Collection $500-700 351 A Pair of Reed & Barton Sterling Silver Love Disarmed Pattern Salad Servers Length 10 1/2 inches, total approximately 15 ounces. C Property from a Society Hill Collection $400-600

Property from Various Collectors 352A Tiffany & Co. Sterling Silver Spirits Flask Circa 1890 Stylized leaf-form body with hammered surface overall and chased with grape clusters and vines, with screw top cover. Height 5 3/4 inches, approximately 5 ounces. C $700-1,000

352 A Pair of Reed & Barton Sterling Silver Love Disarmed Pattern Salad Servers Length 10 1/2 inches, total approximately 15 ounces. C Property from a Society Hill Collection $400-600

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353 Tiffany & Co. Sterling Silver Tea Service 1891-1902 Each globular body with band of husk at waist, comprising teapot, coffee pot, hot milk jug, cream jug, covered sugar bowl, waste bowl and kettle on stand. Height of coffee pot 8 1/2 inches, total approximately 143 ounces. C The Estate of Barbara Wainscott $3,000-5,000 See Illustration 354 Tiffany & Co. Sterling Silver Clover Bowl 1902-1907 Circular with everted rim of clovers and foliage. Diameter 10 inches, approximately 19 ounces. C $800-1,200 353

355 Tiffany & Co. Sterling Silver English King Pattern Part Flatware Service Comprising twenty-two lunch forks, ten salad forks, nine lunch knives, six butter knives, seven round soup spoons, twenty teaspoons, two piece carving set, cake server, serving fork, serving spoon, and a sugar spoon. Total approximately 130 ounces, weighable. C $2,500-3,500 See Illustration 356 Set of Eighteen Towle Sterling Silver Lady Constance Pattern Dinner Plates Diameter 10 1/2 inches, total approximately 223 ounces. • $4,000-6,000

355

357 98 DOYLE • MARCH 27, 2019 • NEW YORK

357 American George III Style Sterling Silver Tea and Coffee Service 20th Century, after an example from 1776 Comprising a teapot, coffee pot, ceam jug, covered sugar bowl, waste bowl, kettle-on-stand and two handled tray, each of baluster form, with gadrooned borders. Height of coffee pot 10 1/4 inches,length of tray over handles 28 1/2 inches, total approximately 249 ounces, all in. C Property of a Private New Jersey Estate $3,000-5,000 See Illustration 358 Gorham Sterling Silver Rose Marie Pattern Flatware Service Comprising nine dinner forks, twenty lunch forks, twenty-four ice cream forks, twenty-two fish forks, twenty-four iced tea spoons, seven tablespoons, eighteen soup spoons, twelve dessert spoons, seventeen fruit spoons, nine bouillon spoons, twenty-four teaspoons, seven demitasse spoons, twelve dinner knives, eight fish knives, twenty-one lunch knives, twelve fruit knives, twenty-three butter knives, three piece carving set, two cake servers, pate knife, two serving spoons, two serving forks, sugar spoon, jelly knife and pierced flat server. Total 265 ouncces, weighable. C Property of a Private New Jersey Estate $3,000-5,000

362

359 Durgin Sterling Silver Punch Bowl 20th Century Circular on domed foot with two upswept scroll handles. Length over handles 16 1/4 inches, approximately 72 ounces. C Property of a Connecticut Collector $800-1,200 360 International Sterling Silver Fontaine Pattern Flatware Service Comprising twenty dinner forks, twenty-two salad forks, eleven dinner knives, ten lunch knives, eleven butter knives, twelve round soup spoons, eleven fruit spoons, and twenty-one teaspoons. Total approximately 129 ounces, weighable. C Property of a Red Bank, New Jersey Private Collector $1,500-2,500

361 Pair of American Sterling Silver Three-Light Candelabra M. Fred Hirsch Co., second quarter 20th century Each on domed circular base with gadroon border, the knopped stems with band of acanthus, with pair of scrolling branches centering a single light. Height 16 1/8 inches, weighted. C Property of a Connecticut Collector $800-1,200 362 American Sterling Silver Five-Piece Tea and Coffee Service Retailed by Hennegen Bates & Co., Baltimore, circa 1920 Comprising a teapot, coffee pot, cream jug, covered sugar bowl and waste bowl, each vasiform body chased with flowers and foliage with idyllic country scenes with figures and architectural views, the covers with rampant lion finials. Height of coffee pot 11 3/4 inches, total approximately 113 ounces. C Property from the Daniel M. Tabas Family Foundation $2,000-3,000 See Illustration

363 Durgin Co. Sterling Silver Two Handle Tray Retailed by Chester Billings & Son, New York Shaped rectangular, with loop handles with foliate joins, the center engraved with script monogram in wreath. Length over handles 33 inches, approximately 262 ounces. C $2,500-3,500 See Illustration 364 S. Kirk & Son Co. Sterling Silver Water Pitcher 1903-1924 The globular body with band of floral repousse at shoulder and under neck. Height 8 1/2 inches, approximately 22 ounces. C Property of a Connecticut Collector $700-1,000

363 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 99

370

365 Tiffany & Co. Sterling Silver Faneuil Pattern Flatware Service 1907-1938 Comprising ten dinner forks, ten salad forks, nine dinner knives, ten butter knives, and nineteen teaspoons. Total approximately 68 ounces, weighable. C $2,000-3,000 366 Tiffany & Co. Sterling Silver Center Bowl 1907-1938 Circular with everted rim with repeating cartouches and foliate scroll border. Diameter 17 inches, approximately 68 ounces. • $2,000-3,000 367 Reed & Barton Sterling Silver Windsor Pattern Dinner Service Comprising a pair of covered entree dishes, bread tray and open serving bowl. Length of serving bowl 15 inches, total approximately 94 ounces. C $800-1,200

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368 Stieff Sterling Silver Royal Dynasty Pattern Flatware Service Comprising ten dinner forks, twelve salad forks, twelve dinner knives, twelve dessert spoons, eleven teaspoons, twelve coffee spoons. Total approximately 85 ounces, weighable. C Property of a Red Bank, New Jersey Private Collector $700-1,000 369 Tiffany & Co. Art Deco Sterling Silver Footed Cake Plate 1907-1938 Square with canted corners, with border and corners with stylized foliage. 10 3/4 Inches square, approximately 28 ounces. C $500-700

370 Gorham Sterling Silver Tea and Coffee Service 20th Century Comprising a teapot, coffee pot, cream jug, milk jug, covered sugar bowl and waste bowl, each vasiform body with chased foliate panels, the covers with foliate finials; Together with a Dominick & Haff Silver Plated Two-Handle Tray. Height of coffee pot 11 inches, total approximately 142 ounces, weighable. C Property of a Red Bank, New Jersey Private Collector $2,500-3,500 See Illustration 371 Wallace Sterling Silver Grand Baroque Pattern Flatware Service Comprising sixteen dinner forks, sixteen salad forks, seventeen dinner knives, five butter knives, eight round soup spoons, eight dessert spoons, twenty-three teaspoons, pie server, three master butter knives, two sauce ladles, three serving spoons and a sugar spoon. Total approximately 129 ounces, weighable. Together with a Reed & Barton Silver Plated Epergne and Silver Plated Mirror Plateau. C $1,500-2,500

372

373

372 Tiffany & Co. 14 kt. Gold Tray 20th Century Of circular form, with a molded rim. Diameter 12 inches, approximately 563 dwts. C Property of a Private New Jersey Estate $12,000-18,000 See Illustration

374

373 Tiffany & Co. 14 kt. Gold Covered Sugar Urn 1907-1938 Of urn form, the cover with an urn-form finial, on a square base with bands of beading. Height 10 inches, approximately 341 dwts. C Property of a Private New Jersey Estate $7,000-10,000 See Illustration

374 Tiffany & Co. 14 kt. Gold Dresser Set 1907-1938 Comprising a covered dresser box, hand mirror, hair brush, two clothes brushes, and two combs. Diameter of box 2 7/8 inches, approximately 85 dwt, weighable; Together with a Tiffany & Co. Silver-Gilt Comb. C Property of a Private New Jersey Estate $3,000-5,000 See Illustration

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377

375 Set of Twelve Monticello Sterling Silver Jefferson Tumblers 20th Century Height 2 1/2 inches, total approximately 49 ounces. C $800-1,200

376 Set of Twelve Monticello Sterling Silver Goblets 20th Century Each inverted bell-form on square base. Height 4 5/8 inches, total approximately 71 ounces. C $1,000-1,500

377 Tiffany & Co. Sterling Silver Covered Entree Dish 1947-1956 Rectangular with shell and gadroon border, the cover with removable ring finial. Length 11 inches, total approximately 50 ounces. C Property from a Collection on Rittenhouse Square $800-1,200 See Illustration 378 Tiffany & Co. Sterling Silver Platter 1956-1965 Rectangular with shell and gadroon border. Length 17 3/4 inches, approximately 59 ounces. C Property from a Collection on Rittenhouse Square $1,000-1,500 See Illustration 379 Towle Sterling Silver Platter 20th Century Shaped oval with foliate scroll border. Length 23 3/4 inches, approximately 92 ounces. C $800-1,200

378

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380 Gorham Sterling Silver Covered Entree Dish 1948 Shaped oval with gadroon border, the removable cover with ring finial. Length 11 inches, total approximately 35 ounces. C Property from a Collection on Rittenhouse Square $500-700

381 381 Frank Whiting Sterling Silver Talisman Rose Pattern Centerpiece Bowl 20th Century Shaped oval on pedestal foot, the rim applied with roses and foliage. Length 14 1/2 inches, approximately 41 ounces. C Property from a Collection on Rittenhouse Square $600-800 See Illustration 382 Gorham Sterling Silver Platter 1949 Shaped oval with gadroon border. Length 18 1/2 inches, approximately 49 ounces. C Property from a Collection on Rittenhouse Square $700-1,000

384 Pair of Cellini Craft Sterling Silver Compotes and a Pair of Two-Light Candelabra Height of compotes 5 3/4 inches, total approximately 49 ounces.

385 Celini Craft Sterling Silver Water Pitcher and Fruit Bowl 20th Century Height of water pitcher 8 1/4 inches, total approximately 57 ounces.

Provenance: Pair of candelabra purchased Georg Jensen Inc., New York, January 1950 for $148.00. C $1,000-1,500

Provenance: Purchased Georg Jensen Inc., New York, January 1950, the water pitcher for $190 and the bowl for $170. C $1,000-1,500

383 Cellini Craft Sterling Silver Demitasse Service Comprising coffee pot, cream jug, sugar bowl and two handle tray. Height of coffee pot 9 inches, length of tray 16 1/4 inches, total approximately 62 ounces, all in. Provenance: Purchased Georg Jensen Inc., New York, January 1950 as a four piece tea service and matching tray for $1,250. C $1,000-1,500 See Illustration

383 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 103

386 Towle Sterling Silver Georgian Pattern Flatware Service Comprising twelve dinner forks, twelve lunch forks, twenty-four salad forks, twelve cocktail forks, twelve ice cream forks, twelve dinner knives, twelve lunch knives, twelve butter knives, twelve soup spoons, twelve bouillon spoons, twelve fruit spoons, twenty-four teaspoons, twelve demitasse spoons, four tablespoons, pie server, pate server, and a sugar spoon. Total approximately 182 ounces, weighable. • $2,000-3,000

Rugs & Carpets 387 Heriz Carpet Northwest Persia, circa 1900 The central polychrome geometric medallion on the madder field flanked by ivory spandrels is within a midnight blue palmette and vine border. Approximately 13 feet 1 inch x 10 feet 1 inch. Areas of wear, losses to ends, restored area. C $2,000-3,000 388 Mahal Carpet Central Persia, first quarter of the 20th century The rust field with polychrome stylized vinery overall is within a midnight blue palmette border. Approximately 13 feet 6 inches x 10 feet 4 inches. Losses to ends, areas of wear, re-piled areas, re-wrapped selvedges. C $1,000-2,000 389 Group of Five Hooked Rugs Approximately 5 feet 1 inch x 3 feet 1 inch, 4 feet 8 inches x 3 feet, 4 feet x 2 feet 1 inch, 3 feet 2 inches x 1 foot 10 inches, and 3 feet 3 inches x 1 foot 9 inches, respectively. C Property from a Prominent Connecticut Estate $200-300 390 Karadja Carpet Northwest Persia, first quarter of the 20th century The central geometric pendant medallion on the rust field flanked by ivory spandrels is within a rosette and serrated leaf border. Approximately 14 feet 10 inches x 10 feet 7 inches. Losses to ends, areas of wear, moth damage, re-piled areas. C $3,000-5,000

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391 Bakhtiari Carpet South Persia, circa 1925 The allover polychrome garden design is within an ivory meandering vine border. Approximately 17 feet 6 inches x 11 feet 10 inches. Partial ends, patches, restored and re-piled areas, stains, sewn slits, re-wrapped selvedges. C $1,500-2,500 392 Heriz Rug Northwest Persia, circa 1925 The midnight blue field with a polychrome Herati pattern overall is within a terracotta rosette and serrated leaf border. Approximately 6 feet x 4 feet 9 inches. Minor wear, partial ends. C Property of a Bedminster, New Jersey Collector $600-900 393 Bidjar Carpet North Persia, late 19th century The central circular pendant medallion on the midnight blue field is within a madder palmette and vine border. Approximately 14 feet 7 inches x 9 feet 7 inches. Areas of wear, 4 inch x 5 inch restored area one corner, re-wrapped selvedges. C $3,000-5,000 394 Heriz Carpet Northwest Persia, circa 1900 The central stepped geometric pendant medallion on the madder field flanked by ivory spandrels is within a khaki palmette and vine border. Karadja weave. Approximately 14 feet 9 inches x 10 feet 1 inch. Areas of wear, re-piled areas, losses to ends, tinted areas. C $2,500-3,500 395 Bakhtiari Carpet South Persia, second quarter of the 20th century The allover polychrome garden design is within a scarlet palmette and vine border. Approximately 6 feet 11 inches x 5 feet 1 inch. Minor wear to perimeter. C Estate of James Chip Dale $800-1,200

396 Heriz Carpet Northwest Persia, second quarter of the 20th century The madder field with a central polychrome geometric medallion flanked by ivory spandrels is within an indigo palmette and vine border. Approximately 13 feet 2 inches x 10 feet 3 inches. Partial ends, areas of wear, slightly dry area, crude restorations. C $600-900 397 Mahal Carpet Central Persia, early 20th century The central circular medallion on the buff field is within a palmette border. Approximately 16 feet 3 inches x 11 feet 8 inches. Areas of wear, sewn slits, spot stains, 12 inch slit, soiled, holes. C Property of a Lady $1,500-2,500 398 Karadja Gallery Carpet Northwest Iran, mid 20th century Seven polychrome geometric medallions on the madder field are within a midnight blue rosette border. Approximately 12 feet 6 inches x 4 feet 10 inches. Rewoven end border, minor wear, stains, fraying to edges. C Property of a Bedminster, New Jersey Collector $600-900 399 Heriz Carpet Northwest Persia, circa 1925 The madder field with a central geometric medallion amongst stylized flora is within a saffron rosette and serrated leaf border. Approximately 12 feet 7 inches x 9 feet 3 inches. Partial ends, areas or wear, tinted areas, minor moth damage on reverse. C $800-1,200 400 Shiraz Rug South Persia, first quarter of the 20th century Three ivory and madder stepped medallions on the midnight blue field is within an ivory floral border. Approximately 10 feet 5 inches x 5 feet. C From the Personal Collection of the Owners of Decor International, Newbury Street, Boston, MA $600-900

401 Bidjar Runner North Persia, late 19th century The midnight blue field with a polychrome Herati pattern overall is within an indigo palmette and vine border. Together with a Hamadan runner. Approximately 16 feet 11 inches x 3 feet 6 inches and 9 feet 3 inches x 4 feet 2 inches respectively. Bidjar- even overall wear, re-piled areas. Hamadan- areas of wear, restored areas. C Property of a Bedminster, New Jersey Collector $600-900

406 Tekke Carpet West Turkestan, last quarter of the 19th century Five columns of gul medallions on the madder field are within a stylized rosette border. Approximately 10 feet 3 inches x 6 feet 9 inches. Areas of wear, restorations, nicks to sides, re-wrapped selvedges. C Property from the Estate of Mary Jane Kenny to be Sold to Benefit the Bonaventura Devine Foundation $500-700

402 Heriz Carpet Northwest Persia, circa 1925 The central geometric medallion on the madder field flanked by saffron spandrels is within a midnight blue rosette and serrated leaf border. Approximately 10 feet 10 inches x 7 feet 9 inches. Partial ends, thin and tinted areas. C $1,000-2,000

407 Karadja Rug Northwest Persia, second quarter of the 20th century The crimson field with three polychrome geometric medallions is within a midnight blue floral border. Approximately 6 feet 2 inches x 4 feet 10 inches. Losses to ends, small holes. C From the Personal Collection of the Owners of Decor International, Newbury Street, Boston, MA $200-300

403 Mahal Carpet Central Persia, circa 1925 The madder field with polychrome floral vinery overall is within an ivory rosette border. Approximately 14 feet x 10 feet 10 inches. Areas of wear, re-wrapped selvedges. C Estate of James W. Smith $1,000-2,000 404 Baluch Runner West Turkestan, circa 1900 Eight polychrome diamond latch hook medallions on the madder field are within a rosette border. Approximately 8 feet x 2 feet 2 inches. Oxidized browns, small spot stains. C $800-1,200

408 Kurdish Rug West Persia, first quarter of the 20th century The allover pattern is within an ivory meandering vine border. Approximately 9 feet 9 inches x 5 feet 3 inches. Areas of wear, partial ends, 3 inch x 3 inch restored area. C $500-700

End of Sale

405 Heriz Carpet Northwest Persia, second quarter of the 20th century The madder field with a central geometric medallion flanked by indigo spandrels is within a midnight blue palmette and vine border. Approximately 9 feet 9 inches x 7 feet 5 inches. Rewoven ends, even wear, two small holes, cashmere repairs. C Property of a Bedminster, New Jersey Collector $800-1,200

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FIND YOUR REAL ESTATE ADVOCATE Our agents understand that buying or selling a home is not just a two bedroom or one bedroom; it is the community you are looking to build and the relationships around you. We have the agents who understand your needs that listen and care.

Find your real estate advocate at New York Properties. contact@bhhsnyp.com

300 East 33rd Street, 4C | $1,430,000 | Condominium JoAnne Kao | 646.677.9360 | Licensed Real Estate Salesperson Craig M. Dix | 646.677.1038 | Sr. Sales Executive, Associate Real Estate Broker

212.710.1900 • bhhsnyp.com • 590 Madison Avenue, New York, New York © 2019 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliae, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity. Information not verified or guaranteed. If your home is currently listed with a Broker, this is not intended as a solicitation.

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

Shoreline Living

Madison, CT • 61 Wickford Place • $1,195,000

This elegant Tidewater Colonial is located on a cul-de-sac in the charming town of Madison. It was modeled after Carter’s Grove Mansion in Virginia. Superior craftsmanship throughout. Triple moldings, wood floors with Brazilian Cherry inlay, 4 fireplaces. All 4 bedrooms are ensuite. 6,142 sq. ft.

SHEILA TINN-MURPHY Sales Associate (203) 915-7530 STinnMurphy@bhhsne.com MLS# 170112595 A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

COMMUTER’S DREAM HOME IN NEW PROVIDENCE

$1,065,000

Enjoy open-floor plan living in this four bedroom home located in desirable New Providence, New Jersey. The home was completely renovated in 2013 by a local builder. Notable features include, hardwood floors, large great room, and updated baths. The custom kitchen includes professional appliances,a large center island, and opens to the dining room. The great room boasts lovely French doors that open to the tranquil bluestone patio, garden, and backyard. Located two miles from I-78 and one mile to the train station, this home is ideal for the everyday commuter.

www.27MountainAve.com

ELIZABETH “LIZ” PARCELLS Sales Associate - Luxury Collection Specialist Cell: 908-578-8099 Liz.Parcells@bhhsnj.com BHHSNJ.com/Liz.Parcells Summit Office | 908-273-0400 | 392 Springfield Avenue, Summit, NJ 07901 ©2017 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

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L U X U R Y C O L L E C T I O N

M O N T E C I T O Offered at $19,995,000 Dan Encell • Lic # 00976141 • 805.565.4896

bhhscalifornia.com ©2019 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Buyer is advised to independently verify the accuracy of that information.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

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CHÂTEAU LAFITE-ROTHSCHILD 1868 1868 to to 2018 2018

New New York York City City March March 30, 30, 2019 2019

CHARLES ANTIN

This Edition Is 1 Of 50 Prepared Specially For This Edition Is 1 Of 50 Prepared Specially For

Please Inquire for Attendance | Auction@zachys.com

zachys

New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

AUCTION SCHEDULE MARCH

APRIL

MAY

ASIAN WORKS OF ART Auction: Monday, March 18 at 10am Exhibition: March 15 – 17

DOYLE AT HOME® Auction: Wednesday, April 10 at 10am Exhibition: April 6 – 8

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Tuesday, March 19 at 10am Exhibition: March 15 – 17

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Wednesday April 17 at 10am Exhibition: April 13 – 16

CALIFORNIA JEWELRY NY Auction: Monday, May 6 at 10am NY Exhibition: May 4 – 5 LA Exhibition: TBA

AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS Auction: Wednesday, March 27 at 10am Exhibition: March 23 – 25

ODDITIES Auction: Tuesday, May 7 at 10am Exhibition: May 4 – 5

IMPORTANT JEWELRY Auction: Thursday, April 18 at 10am Exhibition: April 13 – 16

IMPRESSIONIST & MODERN ART Auction: Tuesday, May 14 at 11am Exhibition: May 11 – 13

PRINTS & MULTIPLES Auction: Tuesday, April 30 at 10am Exhibition: April 27 – 29

POST-WAR & CONTEMPORARY ART Auction: Tuesday, May 14 at 2pm Exhibition: May 11 – 13

COINS, BANK NOTES & POSTAGE STAMPS Auction: Tuesday, April 30 at 2pm Exhibition: April 27 – 29

ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS/ OLD MASTER PAINTINGS / Auction: Wednesday, May 22 at 10am Exhibition: May 18 – 20 JUNE DOYLE+DESIGN® Auction: Wednesday, June 5 at 10am Exhibition: June 1 – 3 FINE JEWELRY Auction: Wednesday, June 12 at 10am Exhibition: June 8 – 10 PHOTOGRAPHS Auction: Thursday, June 13 at 10am Exhibition: June 8 – 10 DOYLE AT HOME® Auction: Wednesday, June 26 at 10am Exhibition: June 22 – 24

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

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