Doyle + Design - 12.18.19

Page 1

Wednesday, December 18, 2019

NEW YORK



DOYLE+DESIGN

®

MO DE R N AND CONT EM PORARY A RT AND DESI GN

AUCTION

Wednesday, December 18, 2019 at 10am

EXHIBITION

Saturday, December 14, 10am – 5pm Sunday, December 15, Noon – 5pm Monday, December 16, 11am – 6pm

LOCATION

Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalog: $25


THE ESTATE OF SYLVIA MILES Doyle is honored to offer artwork and memorabilia from the Estate of Sylvia Miles (1924-2019). Twice nominated for an Academy Award, Miles is best remembered for her strong performances in diverse works ranging from Midnight Cowboy to Sex and the City, as a bona fide “Warhol Superstar,” and as a prominent and frequent figure on the Manhattan party scene.

It was Miles’ association with Andy Warhol as a close friend and one of the so-called “Warhol Superstars” that cemented her status as a New York icon. Miles had a starring role in Warhol’s 1972 film Heat, the third in a trilogy that parodied Sunset Boulevard, alongside Joe Dallesandro.

INCLUDING PROPERTY FROM THE ESTATES OF Elsie Adler Evelyn Berezin Arthur Brandt Miriam Diner Steven R. Gross The Ben Heller Collection Dorothy Lewis 2013 Irrevocable Trust Sylvia Miles A Park Avenue Lady Patricia Patterson Leonard and Elaine Silverstein, Bethesda, MD Rosa Strygler Frederieke Sanders Taylor An Upper East Side Collector

INCLUDING PROPERTY FROM

A European Private Collector Sold for the Benefit of the Lake St. Louis Historical Society, Montréal, Quebec, Canada Ronald P. Marshall, Fairfield, CT A South Carolina Collector Two New York Gentlemen Susan Weber

Miles’ Central Park South apartment, which she occupied from 1968 until her death earlier this year, was filled with memorabilia from her career and artwork gifted by her talented group of friends, particularly Warhol. Property from the Estate of Sylvia Miles comprises lots 18, 21, 34-36, 62-65, 67, 73, 90, 99, 102, 103, 105, 127-131, 144, 146, 166.

CONTENTS

Paintings Prints Furniture & Decorative Arts Silver Furniture & Decorative Arts Glossary Conditions of Sale Terms of Guarantee Information on Sales & Use Tax Buying at Doyle Selling at Doyle Auction Schedule Company Directory Absentee Bid Form

1-155 156-171 172-253 254-270 271-395 I II IV V VI VIII IX X XII


PAINTINGS, SCULPTURE, PHOTOGRAPHS & PRINTS

Lot 70


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1 Mary Abbott American, 1921-2019 Untitled (Still Life) Oil on canvas 36 1/8 x 24 1/4 inches C $4,000-6,000 See Illustration

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2 Samuel Marcus Adler American, 1898-1979 Abstract Portrait, 1955 Signed S.M. Adler (ll), signed S.M. Adler and dated 55 on the reverse Oil on canvas 48 x 36 inches C $800-1,200 See Illustration

3 Calvin Albert American, 1918-2007 (i) Nude Drawing Signed C. Albert twice (lr) Ink and brown wash on paper 11 x 8 1/2 inches (ii) Bust of David Orr Aluminum Height 14 inches C $500-700 See Illustration of Part


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4 Joe Andoe American, b. 1955 Untitled (Fallen Tree) Signed Joe Andoe (uc) Oil on linen 20 x 24 inches Unframed

5 Joe Andoe American, b. 1955 Untitled (Wreath), 1989 Signed Joe Andoe (c) Oil on linen 20 x 24 inches Unframed

Provenance: Tom Cugliani Gallery, New York C $1,800-2,200 See Illustration

Provenance: Tom Cugliani Gallery, New York C $1,800-2,200 See Illustration

6 Benny Andrews American, 1930-2006 Preacher #1, 1964 Signed Benny Andrews, dated 7/9/64 and inscribed as titled (lr) Ink on paper 15 x 11 inches C $800-1,200 See Illustration

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7 Karen Arm American, 20th Century Untitled (Whirlpool), 2001 Signed Karen Arm, dated 2001 and inscribed as titled on the reverse Acrylic on canvas 44 x 36 inches Unframed Provenance: PPOW Gallery, New York C $3,000-5,000 See Illustration

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8 Milton Avery American, 1885-1965 Stella Seated, 1943 Signed Milton Avery (ll), inscribed Stella Seated by Milton Avery 17 x 14 Ink ‘43 on the reverse Ink on paper 16 3/4 x 13 3/4 inches Exhibited: Milton Avery in Black and White, Sep. 28 - Dec. 31, 1990, Brooklyn Museum, Brooklyn, New York, loan no. TL1990-.262 C $1,000-1,500 See Illustration

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9 Olivier Babin and Harold Ancart French, b. 1974; Belgian, b. 1980 Untitled, 2010 Signed with artists’ initials OBHAO Unique metal sculpture 13 1/2 x 20 1/2 x 18 1/4 inches Exhibited: Blood of a Poet, Jan. 8 - Mar. 7, 2010, Thierry Goldberg Gallery, New York C $6,000-8,000 See Illustration 10 Will Barnet American, 1911-2012 Untitled, Study for Sleeping Child, circa 1962 Signed Will Barnet (lr) Graphite on tissue paper 13 7/8 x 11 inches Exhibited: Acquired directly from the Artist by the current owner C $1,500-2,500 See Illustration

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11 Dunbar D. Beck American, 1902-1986 Boxer #1 Signed Dunbar Beck (lr), inscribed #1 on the stretcher Oil on canvas 30 x 40 inches C $5,000-7,000 See Illustration

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12 Ernst Benkert American, 1928-2010 True Cross, 1994 Inscribed Norfolk and dated July 29, 1994 (lr) India ink on paper 26 x 19 7/8 inches Provenance: Gift from the artist Thence by descent to the estate C $1,000-1,500 See Illustration


13 Ernst Benkert American, 1928-2010 (i) Vertical Bars, 1993 Signed Ernst Benkert on the reverse Watercolor on rag paper 12 3/4 x 9 3/4 inches (ii) Vertical Bars, 1993 Signed Ernst Benkert on the reverse Watercolor on rag paper 12 3/4 x 9 3/4 inches (iii) Vertical Bars, 1993 Inscribed W&N Paynes Grey and dated March 9, 1993 on the reverse Watercolor on paper 12 1/4 x 9 inches (iv) Vertical Bars, 1993 Inscribed W&N Paynes Grey and dated March 11, 1993 on the reverse Watercolor on paper 12 1/4 x 9 inches C $700-900 See Illustration

14 Miguel Berrocal Spanish, 1933-2006 Romeo and Juliet, 1966-67 Stamped Berrocal and numbered 714 Bronze, from an edition of 2000 6 x 8 x 4 7/8 inches C $2,000-4,000 See Illustration 15 Miguel Berrocal Spanish, 1933-2006 Mini-David, 1969 Signed Berrocal and stamped HC Nickel-plated aluminum, artist’s proof from an edition of 9500 This work is accompanied by the assembly manual, nephrite stand and polystyrene case C $600-800 See Illustration

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16 Varujan Boghosian American, b. 1926 Napoleon Signed Varujan Boghosian and inscribed as titled Wood and metal construction 19 x 12 3/4 x 9 3/4 inches C $1,500-2,500 See Illustration 17 Felipe Castañeda Mexican, b. 1933 La Juania, 1995 Signed F. Castañeda, dated 1995 and numbered V/VII Bronze with black patina 13 x 14 1/4 x 7 3/8 inches C Estate of Elsie Adler $1,500-1,800 See Illustration

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18 Collette Tunisian/American, b. 1952 Justine Joins La Rocha, 1983 Signed Collette, dated 1983 and inscribed as titled on the reverse Collage and resin on card 8 1/4 x 11 inches C Estate of Sylvia Miles $400-600 See Illustration


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19 George Zachary Constant Greek/American, 1892-1978 Spring Signed G. Constant (lr) Oil on canvas 42 x 32 inches Provenance: Ferargil Gallery, New York C $1,500-2,500 See Illustration

21 Gregory D’Alessio American, 1904-1993 Vignettes, 1967-71 Signed Gregory D’Alessio, dated 1967-’68-’69-’70-’71 and inscribed as titled (lr) Collage and mixed media on cardboard 28 1/2 x 23 1/4 inches C Estate of Sylvia Miles $400-600 See Illustration

20 John Edward Costigan American, 1888-1972 Tree with Heavy Snow, 1959 Signed J.E. Costigan and dated 1959 (ll), signed J.E. Costigan, dated 1959 and inscribed as titled on the reverse Watercolor on paper 22 x 28 1/2 inches C $600-800 See Illustration

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24 22 Horia Damian Romanian, 1922-2012 (i) Portrait Mixed media on paper laid to board 25 1/2 x 19 1/2 inches (ii) Abstract Mixed media on card 25 1/2 x 19 1/2 inches Provenance: Acquired by the current owner directly from the artist C $1,000-1,500 See Illustration

Provenance: Acquired by the current owner directly from the artist C $800-1,200 See Illustration 24 Horia Damian Romanian, 1922-2012 Portrait Mixed media on card 25 1/2 x 19 1/2 inches Provenance: Acquired by the current owner directly from the artist C $700-900 See Illustration

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25 Jose De Creeft American, 1884-1982 Untitled Signed de Creeft Granite on wooden base Dimensions excluding base 10 x 7 x 8 1/2 inches C $400-600 See Illustration

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23 Horia Damian Romanian, 1922-2012 Abstract, 1963 Signed Damian and dated 63 (lr) Mixed media on paper laid to board 25 1/2 x 19 1/2 inches


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26 Eleanor de Laittre American, b. 1911 Portrait of a Young Girl, 1939 Signed Eleanor de Laittre and dated 39 (lr), signed Eleanor de Laittre on the reverse Oil on Masonite 17 1/2 x 16 inches Provenance: Martin Diamond Fine Arts, Inc., New York C $1,000-1,500 See Illustration 27 Maurice de Vlaminck French, 1876-1958 Le Port, circa 1955 Signed Vlaminck (lr) Ink on paper 7 1/4 x 10 1/2 inches Provenance: [Sale] Swann Galleries, New York, NY, Sep. 28, 2000, lot 708 C Estate of Arthur Brandt $1,000-1,500 See Illustration 28 I Made Djirna Indonesian, b. 1957 Untitled, 1991 Signed IM Djirna and dated 1991 (lr) Oil on canvas 59 x 55 1/4 inches C $2,000-4,000 See Illustration

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29 29 Jiri Georg Dokoupil Czech, b. 1954 Flores Sobre Una Mesa, 1989 Soot on canvas 39 1/2 x 31 7/8 inches Unframed Provenance: Robert Miller Gallery, New York C $4,000-6,000 See Illustration

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30 Stephen Edlich American, 1944-1989 Untitled Aluminum Relief Three Layers, 1970 Signed S.P. Edlich, dated 1970 and numbered 1/9 on the reverse, signed Stephen Edlich on label Aluminum construction in wood and aluminum frame, from an edition of 9 36 x 36 x 4 inches C $1,000-1,500 See Illustration

31 Sir Jacob Epstein American/British, 1880-1959 Edward Goldston, 1936 Bronze with brown patina Height 18 1/2 inches Exhibited: Consumatum Est, Leicester Galleries, London, Oct. 1937 (another example exhibited) C $2,000-3,000 See Illustration


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32 ERO American, 1967-2011 The Creation from Within, 2009 Signed ERO and Dominique Philbert, dated 2009 and inscribed as titled on the reverse Aerosol paint on canvas 53 x 78 inches C $1,500-2,500 See Illustration

33 John Finneran American, b. 1979 Backgrounds One, 2006 Signed John Finneran, dated 2006, inscribed Cape May, New Jersey and as titled on the stretcher Oil on shaped aluminum panels 36 1/2 x 31 1/2 inches C $2,000-4,000 See Illustration

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36 34 Howard Finster American, 1916-2001 Coca-Cola, 1990 Inscribed 14.000.581 works since 1976/By Howard Finster/ May. 1990 God Bless/10:9: PM on the reverse Mixed media on board 34 x 10 3/8 inches

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Literature: Howard Finster, Man of Visions, Peachtree Publishers, 1989, no page number, color illus. This lot is accompanied by a copy of the book Howard Finster, Man of Visions. C Estate of Sylvia Miles $1,000-2,000 See Illustration 35 Howard Finster American, 1916-2001 Untitled (Preacher in Shoe), 1989 Inscribed 7:25:PM/Brian Rej/10.000.312-works since 1976/By Howard Finster/ Mar. 3. 1989/God Bless You all on the reverse Mixed media on panel 10 1/4 x 17 1/2 inches C Estate of Sylvia Miles $600-800 See Illustration 37 18 DOYLE • DECEMBER 18, 2019 • NEW YORK

36 Howard Finster American, 1916-2001 Untitled (Triceratops), 1990 Signed Howard Finster (lr), inscribed 15.000.499 - works since 1976/By Howard Finster/ July 17.1990. God Bless/ 12:15:PM: on the reverse Mixed media on panel 6 1/2 x 15 inches C Estate of Sylvia Miles $500-700 See Illustration 37 Llyn Foulkes American, b. 1934 Made in Mexico, 1976 Signed L. Foulkes and dated ‘76 (lr), signed Llyn Foulkes, dated 1976 and inscribed as titled on the reverse Mixed media and paper collage on found photo, within artist’s frame Overall 8 3/4 x 9 5/8 inches Provenance: Gruenebaum Gallery, Ltd., New York C $3,000-5,000 See Illustration


38 39 38 Mary Frank American, b. 1933 Three Faces Terra cotta Height excluding base 13 3/4 inches Provenance: Zabriskie Gallery, New York C $1,200-1,800 See Illustration 39 Eric Freeman American, b. 1970 Untitled, 2001 Signed Eric Freeman, dated 2001 and inscribed as titled on the reverse Oil on linen 60 x 72 1/4 inches Unframed C $3,000-5,000 See Illustration

40 Mark Freeman American, 1908-2003 Edison Plant, 14th Street, 1932 Signed Mark and dated July 5, 1932 (lr), inscribed 14th st. East River - Edison 1932 on the mount Graphite and charcoal on paper laid to card Card size 14 5/8 x 11 inches, paper size 11 x 8 1/4 inches C Estate of Arthur Brandt $600-800 See Illustration

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41 Cleve Gray American, 1918-2004 Roman Walls #77, 1980 Signed Gray, dated 80 and inscribed as titled on the reverse Oil on canvas 22 x 28 1/4 inches Provenance: Betty Parsons Gallery, New York C $1,500-2,500 See Illustration

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42 David Hayes American, 1931-2013 Untitled, 1065E, 1995 Signed David Hayes and dated 1995 (lr), inscribed 1065E on the reverse Gouache on Arches paper 22 1/4 x 30 inches C $600-800 See Illustration

43 David Hayes American, 1931-2013 Design #3, 1992 Signed David Hayes and dated 1992 (lr), inscribed Design #3 for Frank/completed Oct 31, 1992 on the reverse Gouache on Arches paper 30 x 22 1/4 inches C $600-800 See Illustration


44 Milton Elting Hebald American, 1917-2015 Family Tree Bronze Height 20 1/2 inches C $1,200-1,800 See Illustration 45 Jean Helion French, 1904-1987 Figure Dressee, 1938 Signed Helion and dated 38 (ll), stamped Inventaire No. 0370 Cat. B on the reverse Ink and watercolor on paper 9 1/2 x 12 1/4 inches Provenance: [Sale] Cornette de Saint Cyr, Paris, Apr. 2, 2001, lot 41 C Estate of Arthur Brandt $5,000-7,000 See Illustration

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46 Robert Helman French, 1910-1990 Untitled Signed Helman (lr) Oil on canvas 38 1/4 x 51 1/8 inches C $2,000-4,000 See Illustration 47 Philippe Hiquily French, 1925-2013 La parade, 1957 Stamped Hiquily and dated 57 (lc) Braised steel weldement 17 1/2 x 34 1/4 x 4 3/4 inches Provenance: Gaston de Havenon, New York This work has been authenticated by the Committee Hiquily, France. A certificate of authenticity can be obtained from the Committee Hiquily C $5,000-7,000 See Illustration

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48 David Hostetler American, 1926-2015 Duo, 1997 Signed D. Hostetler, stamped 8/24, dated 1997 and bearing foundry mark. Bronze with brown patina Height 24 1/4 inches C $1,500-2,500 See Illustration

50 Narine Isajanyan Armenian/American, 20th Century Fading Love, 2009 Signed Narine and dated 09 (lr) Monotype on paper 30 x 23 inches C $1,000-2,000 See Illustration

49 Stephen Hutchings Canadian, b. 1948 Atlantic, 2014 Signed Stephen Hutchings and dated 2014 on the reverse Oil and charcoal on canvas 60 x 60 inches Provenance: Studio 21 Fine Arts, Halifax, Nova Scotia C $2,000-3,000 See Illustration 50 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 23


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51 Robert Julius Tommy Jacobsen Danish, 1912-1993 Untitled Bronze 5 1/2 x 6 1/2 x 3 1/4 inches C Estate of Frederieke Sanders Taylor $1,000-2,000 See Illustration 52 Paul Jenkins American, 1923-2012 Phenomena Bow for Reach, 1978 Signed Paul Jenkins (lr), signed Paul Jenkins, dated 1978 and inscribed as titled on the reverse Watercolor on Arches paper 41 3/4 x 29 3/4 inches C $3,000-5,000 See Illustration 53 Buffie Johnson American, 1912-2006 Diwia, 1979 Signed Buffie Johnson (lr), signed Buffie Johnson, dated 1979 and inscribed as titled on the reverse Oil on canvas 33 x 35 1/2 inches C $400-600 See Illustration

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54 Lester Frederick Johnson American, 1910-2010 (i) Untitled, 1961 Signed Lester Johnson and dated 1961 (lr) Pastel on paper 19 3/4 x 12 3/4 inches

55 Earl Kerkam American, 1891-1965 (i) Seated Nude Signed Kerkam (lr) Pastel and gouache on paper 17 3/4 x 14 1/4 inches

(ii) Man’s Head, B, 1961 Signed Lester Johnson (lr) Pastel on paper 12 3/4 x 19 5/8 inches

(ii) Woman in Profile Signed Kerkam (lr) Ink on paper 14 1/8 x 14 1/8 inches

Provenance: Zabriskie Gallery, New York C $800-1,200 See Illustration

Provenance: Vanderwoud Tananbaum Gallery, New York C $800-1,200 See Illustration

56 William Dickey King American, 1925-2015 Untitled (in five parts), 1973 Signed William King and dated April 7, 1973 Aluminum 17 x 12 1/2 x 5 inches C $400-600 See Illustration

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57 Karl Knaths American, 1891-1971 Woman with Hat, circa 1930 Oil on canvas 12 x 10 1/2 inches C Estate of Arthur Brandt $1,000-1,500 See Illustration and Back Cover 58 Jiri Kolar Czech, 1914-2002 Untitled, 1971 Initialed JK and dated 71 (lr) Mixed paper collage on wood in lucite case 24 x 35 x 14 inches Provenance: Harriet Griffin Gallery, New York C $3,000-5,000 See Illustration

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59 Jiri Kolar Czech, 1914-2002 Flaesny Milion, 1970 Signed Jiri Kolar, stamped with artist’s signature, dated 1970 and inscribed as titled on the reverse Mixed paper collage on wood 15 3/4 x 12 x 2 inches

61 Jiri Kolar Czech, 1914-2002 Degas, 1962 Signed Jiri Kolar and dated 62 on the reverse Collage on illustration board Image size 9 1/4 x 13 inches, support size 17 5/8 x 13 inches

Provenance: Harriet Griffin Gallery, New York C $2,000-3,000 See Illustration

Provenance: Harriet Griffin Gallery, New York C $800-1,200 See Illustration

60 Jiri Kolar Czech, 1914-2002 Object Poem, 1971 Initialed JK and dated 71 (lr), signed Jiri Kolar, stamped with artist’s stamp and dated 1971 on the reverse Mixed media paper collage with found object on wood 15 3/4 x 11 3/4 x 2 inches Provenance: Harriet Griffin Gallery, New York Mrs. William Edwards Exhibited: Jiri Kolar, Sep. 12 - Nov. 16, 1975, The Solomon R. Guggenheim Museum, New York, loan no. 325.75 C $2,000-3,000 See Illustration

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62 Mark Kostabi American, b. 1960 Blue Line Cafe, 1990 Signed Kostabi and dated 1990 (lr), signed Kostabi, dated 1990 and inscribed as titled on the reverse Acrylic over screenprint on canvas 11 1/4 x 21 inches C Estate of Sylvia Miles $1,000-1,500 See Illustration

63 Mark Kostabi American, b. 1960 The Receivers, 1984 Acrylic, gesso and printed paper on canvas Signed Kostabi (cl), signed Kostabi, dated 1984 and inscribed Receivers on the reverse 10 x 8 inches Unframed Provenance: Semaphore East, New York C Estate of Sylvia Miles $800-1,200 See Illustration

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64 Mark Kostabi American, b. 1960 (i) Untitled Cherub, 1991 Signed Kostabi, dated 4-4-1991 and inscribed for Sylvia Acrylic on papier-mache Height 17 1/2 inches (ii) Untitled, 1989 Signed Kostabi and dated 1989 (lr), numbered 19/56 (ll) Lithograph on paper Plate size 4 5/8 x 3 1/8 inches C Estate of Sylvia Miles $600-800 See Illustration of Part

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65 Mark Kostabi American, b. 1960 Untitled, 1990 Signed Mark Kostabi, Kostabi, dated 1990 and 10.29.1990 and inscribed For Sylvia Acrylic on modern African fetish doll Height 17 7/8 inches C Estate of Sylvia Miles $500-700 See Illustration


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66 Andrew Kuo American, b. 1977 Daydream Nation (Twice), 2006 Signed Andrew Kuo, dated 2006 and inscribed as titled on the reverse Cut-out on silkscreened paper 30 x 22 1/4 inches C $1,000-1,500 See Illustration 67 Nicola L. French/American, 19372019 Feu, 1992 Signed Nicola L. Metal on metal stand Height 22 inches Literature: Nicola L., 2003, Editions Norma, Paris, p. 72, color illus. C Estate of Sylvia Miles $800-1,200 See Illustration

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68 Ger Lataster Dutch, 1920-2012 Peter Three Times, 1968 Signed G. Lataster and dated 68 (ll) Oil and paint sticks on canvas 28 3/4 x 36 1/4 inches Provenance: Gallerie Paul Facchetti, Paris C $1,500-2,500 See Illustration

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69 Natasha Law British, b. 1970 Folded Knees, 2007 Initialed NAL and dated ‘07 on the reverse, dated 2007 and inscribed as titled on the backing Gloss paint and graphite on paper 29 3/4 x 22 3/8 inches C $4,000-6,000 See Illustration 70 Michael Loew American, 1907-1985 Blue Cubic Head, 1928 Signed M. Loew (ll) Oil on jute canvas 23 1/4 x 18 3/4 inches Provenance: Estate of the artist C $1,500-2,500 See Illustration

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71 Michael Loew American, 1907-1985 Harlequin, 1928 Signed M. Loew (lr) Oil on canvas 20 x 17 5/8 inches Provenance: Estate of the artist C $1,000-1,500 See Illustration


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72 Ethel Magafan American, 1916-1993 Mountain Scene Signed Ethel Magafan (ll) Oil on Masonite 30 x 39 inches C $1,200-1,800 See Illustration 73 Christopher Makos American, b. 1948 Untitled Eye, 1990 Signed Makos and dated 90 on the reverse Acrylic and collage on canvas 8 x 8 inches Unframed C Estate of Sylvia Miles $400-600 See Illustration

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74 Conrad Marca-Relli American, 1913-2000 Untitled Oil on canvas 14 1/2 x 13 inches Provenance: Stable Gallery, New York Jeffrey Granger, NewYork Private collection [Sale] Doyle New York, Nov. 4, 2009, lot 26 Private collection C $3,000-5,000 See Illustration

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75 Jan Matulka American, 1890-1972 Untitled Stamped with estate stamp on the reverse Oil on canvas 20 x 25 inches Provenance: Estate of the artist C $3,000-5,000 See Illustration 76 Jan Matulka American, 1890-1972 Untitled Signed J Matulka (ll), stamped with estate stamp on the reverse Gouache on paper 21 5/8 x 14 1/2 inches Provenance: Estate of the artist C $2,000-3,000 See Illustration

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77 Jan Matulka American, 1890-1972 Untitled Signed Jan Matulka (lr), stamped with estate stamp on the reverse Gouache on paper 21 x 13 1/2 inches Provenance: Estate of the artist C $2,000-3,000 See Illustration 78 Norman Mercer American, 1916-2007 Pyramidal Quad, 2002 Initialed NJM, dated Oct. 02 and numbered 242 Cast acrylic Height 31 inches • $600-800 See Illustration Following Page


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78 79 Norman Mercer American, 1916-2007 Tri-Helicon III, 1993 Initialed NJM, dated 1993 and numbered 74 Cast acrylic 30 x 16 3/4 x 16 3/4 inches • $600-800 See Illustration 80 Norman Mercer American, 1916-2007 Panchromatic Stelladron, 2005 Initialed NJM, dated Nov. 05 and numbered 273 Cast acrylic 32 x 18 x 20 inches • $600-800 See Illustration

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81 Norman Mercer American, 1916-2007 Painting in 3 Dimensions Cast acrylic 32 x 31 1/2 x 13 inches • $600-800 See Illustration 82 Norman Mercer American, 1916-2007 (i) Helix Cast acrylic Height 38 1/4 inches (ii) Helix Triangle Cast acrylic 6 1/4 x 20 1/2 x 6 1/4 inches • $400-600 See Illustration of Part

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83 Ivan Mestrovic American, 1883-1962 Vestalin, circa 1915 Signed Mestrovic and inscribed Modern Art Foundry, NY Bronze with green patina, from an edition of 10 Height 13 1/2 inches C Estate of Arthur Brandt $2,000-4,000 See Illustration 84 Roger Mühl French, 1929-2008 Les Toits Roses, 2000 Signed Mühl (lr) Oil on canvas 39 1/2 x 43 1/4 inches Provenance: David Findlay Galleries, New York C $5,000-7,000 See Illustration 85 Roger Mühl French, 1929-2008 Village, 2002 Signed Mühl (lr) Oil on canvas 51 1/4 x 47 1/4 inches

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Provenance: David Findlay Galleries C $5,000-7,000 See Illustration


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86 Reuben Nakian American, 1897-1986 Leda and the Swan Signed Nakian, inscribed Renaissance Art Fndy and numbered 1/12 Bronze with brown patina Height 8 7/8 inches C Property of a Park Avenue Lady $1,000-1,500 See Illustration 87 Reuben Nakian American, 1897-1986 Leda and the Swan Signed Nakian (lr), stamped Renaissaince Art Fdry and numbered 1/24 on bottom edge Bronze with brown patina, from an edition of 24 17 3/8 x 18 3/4 x 1 inches C Property of a Park Avenue Lady $1,000-2,000 See Illustration

88 Reuben Nakian American, 1897-1986 Europa and the Bull Signed Nakian on the reverse Terracotta 10 x 12 x 4 inches C Property of a Park Avenue Lady $1,000-1,500 See Illustration 89 Robert Natkin American, 1920-2010 Untitled (Apollo), 1963 Signed Natkin and dated 63 (lc) Acrylic on illustration board 13 x 9 3/4 inches C $900-1,200 See Illustration

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90 LeRoy Neiman American, 1921-2012 Portrait of Sylvia Miles, 1984 Signed LeRoy Neiman, dated 6-10 ‘84 (lr) and inscribed of and/for/Sylvia/at “thirteen”(ll) Graphite on paper 8 x 5 inches C Estate of Sylvia Miles $500-700 See Illustration 91 Leonard Nelson American, 1912-1993 Yellow Fields, 1965 Signed Nelson and dated 65 (lr) Oil on canvas 25 x 20 inches C $4,000-6,000 See Illustration

92 Louise Nevelson American, 1899-1988 Untitled, circa 1944 Signed Nevelson Painted wood construction 6 1/2 x 5 x 3 inches Provenance: O’Hara Gallery, New York This work is accompanied by a photo certificate issued by Pace Wildenstein, New York and dated May 31, 2001 C $5,000-7,000 See Illustration

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93 Wilhelm Ohm American, 1905-1965 Untitled, 1961 Signed Ohm and dated 61(ll) Oil on canvas 30 x 26 1/4 inches C $3,000-5,000 See Illustration

95 Abbott Pattison American, 1916-1999 Female Signed A. Pattison Bronze with green/brown patina Height 20 1/2 inches C $600-800 See Illustration

94 Jerry Okimoto American, 1924-1998 Escape Signed J. Okimoto (lr) Oil on canvas 65 x 51 inches Provenance: Krasner Gallery, New York C $2,000-3,000 See Illustration

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96 Enoc Perez Puerto Rican, b. 1967 Bank of London & South America, Buenos Aires, 2005 Signed Enoc Perez, dated 2005 and inscribed as titled on the reverse Watercolor on paper 24 x 18 inches Provenance: Mitchell Inness & Nash, New York C $4,000-6,000 See Illustration 97 Francis Picabia French, 1879-1953 Femme Pencil on tissue paper 10 1/2 x 8 1/4 inches Exhibited: A Private Eye: Dada, Surrealism, and More from the Brandt Collection, Oct. 21 - Dec. 24, 2006, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY C Estate of Arthur Brandt $1,000-1,500 See Illustration

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98 Francis Picabia French, 1879-1953 Femme Assisse Charcoal on paper 10 1/2 x 8 1/4 inches Provenance: [Sale] Christie’s, South Kensington, Mar. 21, 2002, lot no. 132 Exhibited: A Private Eye: Dada, Surrealism, and More from the Brandt Collection, Oct. 21 - Dec. 24, 2006, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY This work is accompanied by a photo certificate issued by Committee Picabia and numbered 2371 C Estate of Arthur Brandt $1,000-1,500 See Illustration


100

99 99 Pop Art School 20th Century Untitled Coca-Cola bottle in lucite Height 8 7/8 inches C Estate of Sylvia Miles $100-200 See Illustration 100 Melville Price American, 1920-1970 Untitled, 1959 Stamped Melville Price (lr), estate stamp on the reverse Oil on paper laid down to canvas 18 x 24 inches C $1,500-2,500 See Illustration

101

101 Leo Quanchi American, 1892-1974 In Space Signed Quanchi (lr) Oil on canvas 50 x 36 inches C $700-900 See Illustration

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103

102

102 Robert Rauschenberg American, 1925-2008 Untitled Inscribed With Love Rauschenberg (ll) Metal leaf and ink, on four sheets of brown tissue paper, two joined Total size 11 3/4 x 11 inches C Estate of Sylvia Miles $3,000-5,000 See Illustration 103 Marcus Reichert American, b. 1948 Untitled, 1971 Signed M. Riechert and dated 1971 (ur), inscribed for Charles (lr) Crayon on vellum 13 7/8 x 10 7/8 inches C Estate of Sylvia Miles $400-600 See Illustration 104 Larry Rivers American, 1923-2002 Janet Seated, 1968 Signed Larry Rivers and dated 68 (lr) Graphite, ballpoint pen, mixed paper collage and cellophane tape on paper 18 x 24 inches Provenance: Marlborough Gallery, New York C $4,000-6,000 See Illustration

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105

107

105 Larry Rivers American, 1923-2002 Portrait of Sylvia Miles Inscribed For S.M./Larry (R) (lr) Graphite on vellum 11 x 13 3/4 inches C Estate of Sylvia Miles $1,000-1,500 See Illustration 106 Jack Roth American, 1927-2004 New Synthesis LXVIII, 1981 Signed Roth and dated 81 on the reverse, inscribed JR-330-81 and stamped with estate stamp on stretcher Acrylic on unprimed canvas 48 x 46 inches C $5,000-7,000 See Illustration 107 Jack Roth American, 1927-2004 Untitled, 1976 Signed Roth, dated 76 and stamped with estate stamp on the overlap Acrylic on unprimed canvas 55 x 25 inches C $4,000-6,000 See Illustration

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108 Jack Roth American, 1927-2004 Untitled Signed J. Roth on the overlap, inscribed JR4322 on the stretcher Acrylic on unprimed canvas 24 x 10 inches C $2,000-3,000 See Illustration

110 Jack Roth American, 1924-2004 Untitled, 1981 Signed Roth and dated 81 (lr) Acrylic on paper 30 x 22 inches C $1,500-2,500 See Illustration

109 Jack Roth American, 1927-2004 Untitled, 1980 Signed Roth and dated 80 (ll) Acrylic on paper 30 x 22 1/2 inches C $1,500-2,500 See Illustration

108

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110


112

111

111 Allen Ruppersburg American, b. 1944 Quality Drink, 2008 Signed Allen Ruppersburg and dated 2008 on the reverse Silkscreen and graphite on Museum Board 10 x 8 inches C $2,000-4,000 See Illustration 112 Takako Saito Japanese, b. 1929 Grinder Chess, circa 1964 Wood box with printed label and metal Dremel bits Box (closed) 2 5/8 x 4 3/4 x 4 3/4 inches C $700-900 See Illustration 113 Edwina Sandys British, b. 1938 The Marriage Bed Mixed media sculpture 12 1/2 x 14 3/4 x 19 1/2 inches A large scale version of The Marriage Bed is included in the permanent collection of The Brooklyn Museum, Brooklyn, New York C Property of Two New York Gentlemen $2,000-4,000 See Illustration

113

114 Howard Schleeter American, 1903-1976 Coralline, 1950 Signed H.B. Schleeter and dated 50 (ll), signed Howard B. Schleeter, dated January 26, 1950 and inscribed as titled on backing board Mixed media on paper 14 1/2 x 18 1/2 inches C $500-700 See Illustration 114 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43


115 George Segal American, 1924-2000 Girl on a Chair, 1970 Signed George Segal and dated dec 75, numbered 27/30ap and dated 1970 on an artist’s label affixed to the reverse Painted plaster and wood, from and edition of 30 36 x 24 x 11 3/4 inches C $2,000-4,000 See Illustration 116 Senaka Senanayake Sri Lankan, b. 1951 Festival, 1968 Signed Senaka Senanayake and dated 1968 (ll) Acrylic on canvas 27 x 18 inches C $4,000-6,000 See Illustration

115

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117

117 Senaka Senanayake Sri Lankan, b. 1951 Bathers, 1968 Signed Senaka Senanayake and dated 1968 (ul) Acrylic on canvas 26 1/2 x 15 1/2 inches C $4,000-6,000 See Illustration


118 George Sepp American, 1884-1958 (i) The Woolworth Building from the Municipal Building, NY Signed G. Sepp (lr) Oil on canvasboard 16 x 12 inches (ii) The Queensboro Bridge Signed G. Sepp (lr) Oil on canvasboard 16 x 12 inches C $1,000-1,500 See Illustration

118

119 George Sepp American, 1884-1958 (i) Laundry on a Tenement Block Signed G. Sepp (lr) Oil on canvasboard 16 x 12 inches (ii) Columbus Circle, NYC Signed G. Sepp (lr) Oil on canvasboard 16 x 12 inches C $1,000-1,500 See Illustration

119

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120 Charles Green Shaw American, 1892-1974 Force in Space, 1950 Signed Charles G. Shaw and dated 1950 on the reverse Oil on Masonite 48 x 32 inches

122 Charles Green Shaw American, 1892-1974 Green Upsurge, 1966 Signed Charles Shaw and dated 1966 on the reverse Oil on canvasboard 16 x 12 inches

Provenance: Passedoit Gallery, New York Private collection

Provenance: Bertha Schaefer Gallery, New York C $2,000-3,000 See Illustration

Literature: Ritchie, Andrew Carnduff, Abstract Painting and Sculpture in America, The Museum of Modern Art, b/w illus., p. 121 C $5,000-7,000 See Illustration 121 Charles Green Shaw American, 1892-1974 Pay Ban Signed Shaw (lr) Oil on canvasboard 16 x 12 inches C $2,000-3,000 See Illustration

120

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122


123 123 Charles Green Shaw American, 1892-1974 Companion Piece #4, 1961 Signed Shaw (lr), signed Charles Shaw and dated 1961 on the reverse Oil on canvasboard 9 x 12 inches Provenance: Albert Landry Galleries, New York [Sale] Christies, New York, Jun 20, 2007, lot no. 219 C $1,200-1,800 See Illustration 124 Bernard Simon American, 1896-1980 Couple Signed Bernard Simon Bronze with black patina Height 36 inches C $1,000-1,500 See Illustration

125 Tom Slaughter American, b. 1955 Untitled (House), 1989 Signed T. Slaughter and dated 1989 (lr), signed T. Slaughter and dated 1989 on the stretcher Acrylic on canvas 20 x 16 inches C $2,000-4,000 See Illustration 126 Tom Slaughter American, b. 1955 Untitled (Hat), 1994 Signed T. Slaughter and dated 1994 on the stretcher Acrylic on canvas 11 x 14 inches C $1,500-2,500 See Illustration

126

124

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127 Hunt Slonem American, b. 1951 Portrait of Sylvia Miles, 2000 Signed Hunt Slonem, dated 2000 and inscribed Syliva Miles on the reverse Oil on canvas 20 x 16 inches Unframed C Estate of Sylvia Miles $1,500-2,500 See Illustration 128 Hunt Slonem American, b. 1951 (i) Untitled Rabbit Oil on found cardboard 8 x 6 inches (ii) Untitled Parakeets, 2001 Signed Hunt Slonem, dated 2001 and inscribed For Sylvia Happy Birthday Oil on panel 7 x 5 inches 127

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(iii) Untitled Butterfly, 2004 Signed Hunt Slonem, dated 2004 and inscribed Happy Birthday Sylvia Oil on panel 5 x 3 1/2 inches

(iv) Untitled Portrait of Sylvia Miles Inscribed For Sylvia Happy Birthday Love, Hunt on the reverse Oil on oval panel 3 3/4 x 3 inches (v) Untitled Portrait of Sylvia Miles, 1991 Inscribed For Sylvia (ll) and inscribed with all my heart, Hunt/1-13 ‘91(ur) Marker on paper 6 3/4 x 4 1/4 inches Unframed Together with an inscribed copy of Pleasure Palaces: The Art & Homes of Hunt Slonem C Estate of Sylvia Miles $1,000-1,500 See Illustration 129 Hunt Slonem American, b. 1951 #13, 1990 Signed Hunt Slonem, dated ‘90 and inscribed as titled on the reverse Oil on panel 10 x 7 7/8 inches C Estate of Sylvia Miles $1,000-1,500 See Illustration

129


130 130 Hunt Slonem American, b. 1951 Untitled (Parrot), 1991 Signed Hunt Slonem and dated ‘91 (lr), inscribed For Sylvia (ll), signed Hunt Slonem and dated 1991 on the reverse Oil on panel 10 x 8 inches C Estate of Sylvia Miles $1,000-1,500 See Illustration

131 131 Hunt Slonem American, b. 1951 Finches, 1991 Signed Hunt Slonem, dated 1991 and inscribed as titled on the reverse Oil on wood 5 3/4 x 4 3/4 inches Provenance: Helander Gallery, New York C Estate of Sylvia Miles $700-900 See Illustration 132 Kiki Smith American, b. 1954 Untitled (Bird), 2015 Signed Kiki Smith and dated 2015 (lr) Ink and glitter on paper 11 1/2 x 8 inches C Property of Two New York Gentlemen $1,000-1,500 See Illustration

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133

134 133 Joseph Solman American, 1909-2008 Woman in Interior, 1937 Initialed JS (lr), signed Jos. Solman, dated 1937 and inscribed as titled on the reverse Oil on canvas 32 x 21 1/4 inches Provenance: [Mercury Gallery, Boston] Mr. & Mrs. Stephen Bernow, Jan. 27, 2003 C $3,000-5,000 See Illustration 134 Joseph Stella Italian/American, 1877-1946 Nocturne I, circa 1919 Signed Joseph Stella (uc), signed Joseph Stella (lr) Pastel on Strathmore paper 19 x 24 3/4 inches

135

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Provenance: Mrs. Lester Francis Avnet [Sale] Sotheby’s, New York, Jan. 27, 1984, lot 590 Doris Bry, New York [Sale] Christie’s, New York, Mar. 14, 2016, lot 89 Private collection [Sale] Heritage Auctions, Dallas, Mar. 17, 2017, lot 65217

Exhibited: Neuberger Museum, State University of New York, Purchase, New York, 1977-79, on loan Joseph Stella, Apr. 22 - Oct. 9, 1994, Whitney Museum of American Art, New York Literature: Joseph Stella, Whitney Museum of American Art, 1994, p. 273 C $4,000-6,000 See Illustration 135 John Stephan American, 1906-1995 Disc #3, 1968 Signed John Stephan, dated 68 and inscribed #3, numbered JS-51-68 and estate stamped on the stretcher Oil and acrylic on canvas 58 x 52 inches Provenance: Estate of the artist C $6,000-8,000 See Illustration


136

136 George Spaventa American, 1918-1978 Standing Nude, 1965 Signed Spaventa and dated 2-65 Bronze with brown patina Height 7 1/4 inches C $500-700 See Illustration 137 Niles Spencer American, 1893-1952 Untitled City Buildings (a double sided work) Inscribed 42 at lower center on the reverse Ink and graphite on brown paper 18 1/4 x 13 1/4inches Provenance: Vanderwoude Tananbaum Gallery, New York C $1,000-1,500 See Illustration

137

138

138 Pavel Tchelitchew Russian/American, 1898-1957 Boy Seated in Chair Signed P. Tchelitchew (lr) Colored pencil on paper laid to card 10 3/4 x 8 1/8 inches Provenance: John Torson Gifted from the above to the present owner C $2,000-3,000 See Illustration 139 Igael Tumarkin Israeli, b. 1933 Untitled (Head), The Israeli Conflict Series, 1966 Signed Tumarkin, dated 66 and numbered 3/5 Bronze with brown patina and partial paint, from an edition of 5 15 x 12 1/2 x 9 inches C $1,000-1,500 See Illustration

139

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140

143

141

140 Claude Venard French, 1913-1999 Untitled Composition Signed C. Venard (ul) Oil on canvas 9 1/2 x 7 1/2 inches Provenance: Findlay Galleries, Inc., Chicago C Estate of Patricia Patterson $1,200-1,800 See Illustration 141 Boaz Vaadia Israeli/American, 1951-2017 Untitled, 1998 Signed Boaz Vaadia and dated 98 (lr) Graphite over color print on paper Sheet size 8 1/4 x 8 1/2 inches Provenance: Acquired directly from the artist by the current owner C $1,500-2,500 See Illustration

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142 Boaz Vaadia Israeli/American, 1951-2017 Untitled, 1998 Signed B. Vaadia and dated 1998 (lr) Graphite over color print on paper Sheet size 8 x 6 1/4 inches C $1,500-2,500 See Illustration 143 Bernar Venet French, b. 1941 Position of Two Undetermined Lines, 1979 Signed Bernar Venet, dated 1979 and inscribed This is the first drawing/of two undetermined lines on the reverse Graphite on paper 15 x 13 inches C $4,000-6,000 See Illustration


144

146

145

144 Vassilis Voglis Greek/American, 20th Century Untitled, 1976 Signed Vassilis Voglis and dated 76 (lr), inscribed To/Dearest Sylvia/ great thespian and/a greater friend/forever/with love/and gratitude/her friend/Vassilis and Amagansett/a lovely/weekend and dated 4/11/82 on the backing Graphite on paper Sight 14 1/4 x 20 1/2 inches C Estate of Sylvia Miles $400-600 See Illustration 145 Paul Wescott American, 1904-1970 The White Dory, 1967 Signed Paul Wescott (ll) Oil on canvas 18 x 28 inches Provenance: The artist James A. Diefenbeck, St. Louis [Aaron Payne Fine Art, Santa Fe]

Exhibited: Brandywine River Museum, Chadds Ford, PA, Paul Wescott: Landscape and Marine Painter, Jun. 3 - Sep. 4, 1989, illus. p.42, pl. 30. Aaron Payne Fine Art, Santa Fe Gallery Sellections, Fall 2006 Literature: Whiteley, Stark, Paul Wescott: Landscape and Marine Painter, Brandywine River Museum, b/w illus. plate 30, p. 42 C $1,000-1,500 See Illustration 146 Sir Terance White American, 20th Century Untitled, 1985 Signed Sir Terance (ll), dated 85 (lr) Watercolor and paint marker on paper Sight 24 x 17 3/4 inches C Estate of Sylvia Miles $400-600 See Illustration

147 147 Mary Whyte American, b. 1953 Spring Wash, 2003 Signed Mary Whyte and dated 03 (lr), inscribed as titled, in margin (lc) Watercolor on paper 18 x 18 3/4 inches C Property of a South Carolina Collector $7,000-9,000 See Illustration

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148

148 Timothy Woodman American, b. 1952 Watering, 1979 Signed Timothy Woodman, dated 1979 and inscribed as titled on the reverse Oil on aluminum 17 1/4 x 8 x 4 1/2 inches C $400-600 See Illustration

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150

149 Purvis Young American, 1943-2010 Shout Paint on found cardboard and wood 26 1/2 x 48 3/4 inches Provenance: Skot Foreman Gallery, New York Purchased from the above by the current owner C $3,000-5,000 See Illustration

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150 Karl Zerbe American, 1903-1972 St. Augustine Rome, 1951 Signed Zerbe (lr), dated Aug. 1951 and inscribed Rome/St. Augustine on the reverse Encaustic on canvas laid to Masonite 27 1/2 x 21 1/4 inches C $1,000-1,500 See Illustration

151 William Zorach American, 1887-1966 Head Signed Zorach Marble 5 1/2 inches C $2,000-3,000 See Illustration


154

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152 William Zorach American, 1887-1966 Artists' Daughter Signed Zorach Bronze Height 12 inches C $1,500-2,500 See Illustration 153 William Zorach American, 1887-1966 Head, 1960 Signed Zorach and dated 1960 Marble Height 3 3/4 inches C $1,200-1,800 See Illustration

153

154 William Zorach American, 1887-1966 Winter Morning Signed William Zorach (lr), inscribed Winter Morning on the reverse Watercolor on paper 15 1/2 x 22 1/2 inches C $1,000-1,500 See Illustration 155 William Zorach American, 1887-1966 Snowy Landscape Signed William Zorach (lr) Watercolor on paper laid to board 15 x 21 3/4 inches C $1,000-1,500 See Illustration

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157 part

PRINTS & MULTIPLES 156 Yaacov Agam (b. 1928) COMPOSITION Color screenprint, signed and numbered 144/180 in white ink, with full margins, framed. Image 22 3/4 x 24 inches; 578 x 610 mm. C $400-600 See Illustration 56 DOYLE • DECEMBER 18, 2019 • NEW YORK

158 157 Richard Anuszkiewicz (b. 1930) COMPOSITIONS Nine color screenprints, 1970-1978, eight signed and dated, two dedicated in pencil, the full sheets, five framed. Largest 7 x 7 inches; 178 x 178 mm. C $700-1,000 See Illustration of Part

158 Jonathan Borofsky (b. 1942) WHITNEY MUSEUM OF AMERICAN ART EXHIBITION POSTER Color screenprint, 1984, signed and inscribed 2929337 in ink, published by the Whitney Museum of American Art, New York, with full margins, framed. Sheet 27 3/4 x 23 3/4 inches; 705 x 603 mm. C $700-1,000 See Illustration


160

159 159 Genaro de Carvalho (1926-1971) COMPOSITION Hand-knotted wool tapestry, with woven signature. 53 1/2 x 40 1/2 inches; 1359 x 1029 mm. C $700-1,000 See Illustration 160 Sonia Delaunay-Terk (1885-1975) 1930 Wool rug, with woven initials, signed, titled and numbered 31/100 in ink on publisher’s label affixed verso, published by Artcurial, Paris. 105 x 132 inches; 2667 x 3353 mm. C $1,000-1,500 See Illustration 161 Marylyn Dintenfass (b. 1943) MORTON SERIES Color monotype, 2001, on wove paper, signed, dated and titled in pencil, with full margins, framed. 7 7/8 x 14 7/8 inches; 200 x 378 mm. Sheet 15 x 22 1/8 inches; 381 x 562 mm. C $600-800 See Illustration

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162 Kees van Dongen (1877-1968) LE CARROUSEL (LE CHAMPS-ÉLYSÉES) (JUFFERMANS JL 39) Color lithograph, 1963, on Rives BFK paper, signed in blue ballpoint pen, numbered 41/100 in black ink, with full margins, unframed. 22 x 18 3/8 inches; 559 x 467 mm. Sheet 30 x 22 1/4 inches; 762 x 565 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 See Illustration

162

163 Gerald Laing (1936-2011) TWO PLAYERS Color screenprint and collage, 1968, signed, titled and numbered 21/75 in pencil, from Witness, printed and published by the artist and with his blindstamp, with full margins, unframed. Image 18 7/8 x 10 1/4 inches; 479 x 260 mm. Sheet 23 x 29 inches; 584 x 737 mm. C $600-800 See Illustration

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165

164 After Roy Lichtenstein (1923-1997) BULL I-VI (SEE CORLETT 116-121) Complete set of six glazed porcelain plates, 1989, signed, titled numbered 34/50 and with the Roy Lichtenstein/Gemini G.E.L. copyright inkstamp on the underside, produced by Charlotte Potok, Vermont, published by Artists to End Hunger, Inc., New York, with original cardboard box. Each 12 3/4 x 12 3/4 inches; 324 x 324 mm. C $3,000-5,000 See Illustration 165 Pablo Picasso (1881-1973) SABLE MOUVANT (B. 1185) Aquatint and drypoint, 1965, on wove paper, published by Louis Broder, Paris, with full margins, framed. 15 x 10 7/8 inches; 381 x 276 mm. Sheet 19 x 14 7/8 inches; 483 x 378 mm. C $500-700 See Illustration


166 166 Pierre-Auguste Renoir (1841-1919) FEMME AU CEP DE VIGNE, 3EME VARIANTE (DELTEIL 47) Lithograph, 1904, on cream wove paper, with the stamped signature, from an edition of 950, from L’Album des Douze Lithographies Originales de Pierre-Auguste Renoir, published by A. Vollard, Paris, with full margins, laid on card, framed. Image 6 1/2 x 4 inches; 165 x 102 mm. Sheet 12 1/8 x 8 inches; 308 x 203 mm. C Estate of Sylvia Miles $400-600 See Illustration

167 167 James Rosenquist (1933-2017) TIN ROOF Color etching and aquatint, 1977, signed, dated, titled and numbered 78/78 in pencil, from the first state of two, published by Multiples, Inc., New York, with full margins, framed. Plate 17 3/4 x 35 3/4 inches; 451 x 908 mm. C $500-700 See Illustration

168 George Segal (1924-2000) SLEEPING WOMAN Plaster and gauze multiple, 1970, signed, dated and numbered 11/25 ink verso. 17 x 25 1/2 x 6 inches; 432 x 648 x 152 mm. C $1,000-1,500 See Illustration

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169

170 part

169 Victor Vasarely (1906-1997) ORION BLANC BASF Polystyrene multiple, 1970, signed in ink, from the edition of 100, published by Editions Pyra A.G., Zurich, Switzerland, the full sheet, framed. 42 x 39 3/4 inches; 167 x 1010 mm. C $2,000-3,000 See Illustration

171 part

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170 Various Artists ROTHKO MEMORIAL PORTFOLIO Four color lithographs and screenprints from the set, 1973, including Merlyn Evans (1910-1973), Adrian Heath (1920-1992), Allen Jones (b. 1937) and John Hoyland (1934-2011), signed, dated and numbered 48/75 in pencil, published by the Matthews, Miller & Dunbar for the Mark Rothko Memorial Trust, with full margins, in original paper folders, unframed. Largest image 21 x 29 1/2 inches; 533 x 749 mm. C $800-1,200 See Illustration

171 Various Artists 35 ARTISTS’ PORTFOLIO Three color lithographs and screenprints from the set, 1982, including Jeffrey Edwards (b. 1945), Allen Jones (b. 1937) and Brian Furding, signed and numbered 3/50, the second titled in pencil, printed and published by the Royal College of Art, London, with full margins, unframed. (3) Largest image 13 3/4 x 20 inches; 349 x 508 mm. C $600-800 See Illustration of Part


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173

172 Daum Acid-Etched Cameo Glass Sunset Landscape Scene Vase Circa 1900 Signed DAUM NANCY with the Cross of Lorraine. Height 9 1/4 inches. C Property of a European Private Collector $800-1,200 See Illustration 173 Gallé Acid-Etched Cameo Glass Dragonfly Vase Circa 1900 Signed Gallé in cameo relief. Height 13 3/4 inches. C Property of a European Private Collector $3,000-5,000 See Illustration 174 Gallé Acid-Etched Cameo Glass Pond Lily Vase Circa 1900 Signed Gallé in cameo relief. Height 11 1/4 inches. C Property of a European Private Collector $1,500-2,500 See Illustration 175

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174

175 Daum French Silver Mounted Acid-Etched Cameo Glass Chrysanthemum Vase Circa 1900 Of flattened form, in frosted colorless and emerald green colored glass, heightened with gilt. Remnants of gilt signature, i.e., Nancy. Height 8 inches. C Property of a European Private Collector $800-1,200 See Illustration 176 Gallé Acid-Etched Floral Decorated Cameo Glass Vase Circa 1900 Of globular form, signed Gallé in cameo relief. Height 6 inches. C Property of a European Private Collector $1,000-1,500 See Illustration Next Page


177 Gallé Mold-Blown and Acid-Etched Cameo Glass Clematis Vase Circa 1915 Signed Gallé in cameo relief. Height 9 1/2 inches. An identical vase is illustrated in Berniece and Henry Blount’s French Cameo Glass, plate 30 B, p. 43. C Property of a European Private Collector $2,500-3,500 See Illustration 178 Daum Acid-Etched and Enameled Glass Winter Sunset Scene Vase Circa 1900-10 Of circular form with a quatrefoil mouth, signed DAUM NANCY FRANCE with the Cross of Lorraine. Height 4 3/4 inches, diameter 9 1/4 inches.

176

An identical Daum bowl is in the collection of The Corning Museum of Glass (Accession no. 63.3.99) C Property of a European Private Collector $800-1,200 See Illustration 179 Louis Majorelle Mahogany and Hardwood Chicorée Dining Table Early 20th century The top with molded edge on four foliate carved buttressed legs. Height 28 1/2 inches, width closed 62 1/2 inches, depth 51 inches. C Property of Ronald P. Marshall, Fairfield, CT $1,500-2,500 See Illustration

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181

180 Gallé Acid-Etched Floral Decorated Cameo Glass Vase Circa 1900 Signed Gallé in cameo relief. Height 11 inches. C Property of a European Private Collector $1,000-1,500 See Illustration 181 Daum Acid-Etched Flower-Form Vase with Flame Colored Parrot Tulips Circa 1900 Signed DAUM NANCY FRANCE with the Cross of Lorraine in cameo relief. Height 13 1/2 inches. C Property of a European Private Collector $2,500-3,500 See Illustration

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183

182 Gallé Acid-Etched Cameo Glass Lake and Mountain Landscape Scene Vase Circa 1900 Signed Gallé in cameo relief. Height 14 inches. C Property of a European Private Collector $2,000-4,000 See Illustration 183 Daum Acid-Etched and Frosted Cameo Glass Flower-Form Grape Vase Circa 1900 Signed DAUM NANCY with the Cross of Lorraine in cameo relief. Height 13 1/2 inches. C Property of a European Private Collector $1,000-1,500 See Illustration


184

184 Daum Acid-Etched and Enameled Glass Tulips Vase Circa 1900 Engraved Daum Nancy, height 11 inches. C Property of a European Private Collector $1,500-2,500 See Illustration 185 Gallé Acid-Etched Cameo Glass Landscape Vase Circa 1900 Signed Gallé in cameo relief. Height 11 3/4 inches. C Property of a European Private Collector $1,000-1,500 See Illustration

185

186

186 Gallé Acid-Etched Cameo Glass Two-Handled Vase Circa 1900 Of flattened form, decorated with a long-beaked bird perched on a branch above a lake with rippled water, signed Gallé in cameo relief. Height 11 5/8 inches, width 9 1/2 inches. C Property of a European Private Collector $3,000-5,000 See Illustration 187 Gallé Acid-Etched Cameo Glass Grape Vase Circa 1900 Signed Gallé in cameo relief. Height 14 inches. C Property of a European Private Collector $2,000-4,000 See Illustration

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190

188 Gallé Acid-Etched Floral Decorated Cameo Glass Vase Circa 1904 Signed Gallé with a star symbol in cameo relief. Height 17 7/8 inches. C Property of a European Private Collector $2,500-3,500 See Illustration 189 Two Daum Enameled Glass Vases Circa 1900-25 Comprising a cylindrical flower-form example with etched, enameled and engraved blossoms and stems, engraved Daum Nancy, height 9 3/4 inches; and a low vase, of flattened form with a rectangular mouth, in mottled green, cobalt and turquoise colored glass, engraved DAUM NANCY with the Cross of Lorraine, height 4 1/2 inches, width 7 inches. C Property of a European Private Collector $1,200-1,800 See Illustration

188

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190 Group of Three Gallé Acid-Etched Cameo Glass Articles Circa 1900 Comprising a floral decorated bud vase, of flattened teardrop form, height 5 inches; two-handled vase, of flattened form, decorated with leaf and berry motifs, height 5 1/4 inches; and a squat low bowl, decorated with maple seeds, height 1 3/4 inches, diameter 6 inches; each signed Gallé in cameo relief. C Property of a European Private Collector $1,200-1,800 See Illustration 191 Daum Acid-Etched, Gilt, Enameled and Applied Glass Wheat and Poppy Vase Circa 1900 Engraved Daum Nancy with the Cross of Lorraine. Height 5 1/2 inches, diameter 6 inches. C Property of a European Private Collector $3,000-5,000 See Illustration

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192 192 Daum Acid-Etched and Martelé Wheel-Engraved Triple Cameo Glass Stick Neck Bud Vase Circa 1900 Engraved DAUM NANCY with the Cross of Lorraine. Height 9 1/4 inches. A similar vase is illustrated in Ray & Lee Grover’s Carved and Decorated European Art Glass, illus. 163, p. 109. C Property of a European Private Collector $3,000-5,000 See Illustration

193 193 Gallé Acid-Etched Cameo Glass Tobacco Vase Circa 1900 Signed Gallé in cameo relief. Height 16 inches. C Property of a European Private Collector $2,500-3,500 See Illustration

194 194 Gallé Acid-Etched, Fire Polished, Applied and Internally Decorated Cameo Glass Flower-Form Vase Circa 1900 Signed E. Gallé déposé. Height 13 1/8 inches. This model was exhibited at the Paris Exposition in 1900. C Property of a European Private Collector $3,000-5,000 See Illustration

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195

195 Daum Acid-Etched and Enameled Glass White Daffodils Vase Circa 1900 Engraved DAUM NANCY. Height 17 5/8 inches. C Property of a European Private Collector $4,000-6,000 See Illustration 196 Monumental Daum Acid-Etched, Gilt and Enameled Glass Thistle Vase Circa 1900 Signed in gilt Daum Nancy with the Cross of Lorraine. Height 28 3/4 inches. C $5,000-7,000 See Illustration 66 DOYLE • DECEMBER 18, 2019 • NEW YORK

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197 Gallé Acid-Etched Cameo Glass Maple Seed Vase Circa 1904 Signed Gallé with a star symbol in cameo relief. Height 25 3/4 inches. C Property of a European Private Collector $2,500-3,500 See Illustration


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198 Oversize Daum Acid-Etched Cameo Glass Landscape Vase with Trees and Windmills Circa 1900 Engraved DAUM NANCY with the Cross of Lorraine. Height 19 inches. C Property of a European Private Collector $1,800-2,200 See Illustration 199 Gallé Acid-Etched and Wheel-Engraved Cameo Glass Cobweb and Spider Vase Circa 1900 Signed Emile Gallé in cameo relief. Height 19 1/4 inches. C Property of a European Private Collector $7,000-10,000 See Illustration

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200 Russian Acid-Etched Cameo Glass Vase Imperial Glass Works, St. Petersburg, period of Nicholas II, dated 1901 Baluster form, with everted neck and knopped stem, raised on a circular foot, depicting two cranes standing in shallow water amid reeds and rushes and hunting a frog, engraved factory mark and date under foot. Height 14 inches (36 cm.). For other examples of cameo glass vases by the Imperial Glass Works, see Christie’s, London, November 30, 2015, lot 355; Christie’s, London, November 26, 2012, lot 401; and Christie’s, New York, April 18, 2007, lot 293. A further example with silver mounts by Fabergé, sold Christie’s, New York, April 23, 2010, is now part of the McFerrin Collection, Houston, Texas. C Property of a European Private Collector $8,000-12,000 See Illustration

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201 recto and verso 201 William Hunt Diederich Painted Plywood and Canvas Three-Panel Double-Sided Screen Circa 1908 One side depicting an elephant hunt scene, the other side depicting leaping ibexes in a field. Each panel 59 3/4 x 25 inches; Together with Two William Hunt Diederich Preliminary Drawings Including one related to the present screen. 8 1/2 inches x 12 1/2 inches and 7 inches x 14 inches, respectively. Provenance: Christie’s, New York, 20th Century Decorative Arts, December 6, 2001, lot 16, Property from the Collection of Ms. Diana Diederich Blake, daughter of William Hunt Diederich. C $1,000-1,500 See Illustration 201A Vally Wieselthier for the Wiener Werkstätte Hand-Painted and Glazed Earthenware Two-Handled Vase 1920s With WW MADE IN AUSTRIA stamp mark, incised 5/6 and VW stamp mark. Height 13 1/8 inches. C $800-1,200

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202 William Hunt Diederich Hand-Painted and Glazed Earthenware Charger Depicting a Fighting Cock Second quarter of the 20th century With incised monogram on the front and reverse sides. Diameter 11 inches. Provenance: Christie’s, New York, 20th Century Decorative Arts, December 6, 2001, lot 15, Property from the Collection of Ms. Diana Diederich Blake, daughter of William Hunt Diederich. C $600-800 See Illustration 203 Walter Bosse for the Viennese Porcelain Manufactory Augarten Hand-Painted Ceramic Figure of a Seated Child with a Ball Circa 1920 With blue stamp mark Wien and red stamp mark Augarten Austria. Height 4 7/8 inches. C $200-300 See Illustration

204 Pair of Thonet Viennese Secessionist Bentwood Side Chairs Circa 1906 Height 36 inches, width 16 1/4 inches, depth 16 1/4 inches. Provenance: Riverside Library C Property of Susan Weber $300-500 205 Josef Hoffmann for J. and J. Kohn Fledermaus Stained and Bent Beechwood Café Set Early 20th century Comprising a table and two side chairs. Height of table 29 inches, diameter 25 1/2 inches; height of chairs 30 inches, width 22 inches, depth 18 inches. Vienna’s Kabarett Fledermaus (active 1907-1913) had interiors designed by the great members of the Secessionist movement including Josef Hoffmann, Gustav Klimt and Oskar Kokoschika. The distinctive furnishings became an instant classic of early 20th century design. C $1,500-2,500 See Illustration


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206 Susi Singer-Schinnerl Hand-Painted and Glazed Terracotta Seated Figure of a Semi-Nude Woman Playing Cards Second quarter of the 20th century With a wooden base. Height 19 3/8 inches, width 15 inches, depth 11 inches. Provenance: John Moran Auctioneers, Pasadena, CA, October 21, 2014, lot 204. C $1,000-1,500 See Illustration

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207 Max Läuger Glazed Earthenware Figure of a Reclining Female Nude No. 3022, 1929 Signed with the artist’s initials, dated and numbered. Length 15 1/2 inches; Together with a Max Läuger Plaster Set Glazed Ceramic Nude Figural Relief Charger Mounted as a Panel Signed on reverse M.L. No.1749. Height of panel 10 1/8 inches, width 8 7/8 inches. C $600-900

208 Assembled Margarete Heymann-Marks for Haël-Werkstaetten Glazed Ceramic Tea Service Circa 1930 Comprising a small teapot, four demitasse cups, four saucers and a biscuit box. Height of box 4 3/4 inches, height of teapot 3 3/4 inches. C $300-500 See Illustration 209 Group of Three Clarice Cliff Pottery Bizarre Ware Articles Second Quarter 20th Century Comprising a Rhodanthe Lotus pattern jug, vase and a bowl. Height of tallest 11 1/4 inches. C Property of Ronald P. Marshall, Fairfield, CT $500-700 210 Pair of French Art Deco Silk Upholstered Amboyna, Black Lacquered and Silvered Bronze Club Chairs Attributed to René Prou, 1920s Height 27 1/2 inches, width 27 inches, depth 28 inches. Provenance: Two Zero C Applied Art Ltd., London, 2006 C $6,000-8,000 See Illustration

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211 Eileen Gray Leather Upholstered Nickeled Tubular Metal and Bubunga Sabots Side Chair Circa 1965, originally designed for E-1027 in 1926 Height 32 1/4 inches, 15 1/4 inches, depth 20 inches. This examples predates 1973 when Gray gave reproduction rights to Aram Designs who granted license to Classicon of Germany.

One of the 20th century’s most iconic designers, Eileen Gray designed this model of chair for her own villa E-1027 in the South of France which became a showcase of modernist design. C $400-600 See Illustration

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212 Edouard-Wilfred Buquet Nickeled Metal Adjustable Floor Lamp Designed 1927, modern Height 62 inches. C $2,000-4,000 See Illustration 213 Chromed Metal and Glass E1027 Style Occasional Table After Eileen Gray Height 26 inches, diameter 20 inches. C $200-300 214 Daum Art Deco Acid-Etched Glass and Silvered Iron Hanging Hall Fixture Circa 1925-30 Signed DAUM NANCY FRANCE and with the Cross of Lorraine. Height overall 34 3/4 inches; height of shade 15 1/4 inches, diameter 12 1/4 inches. C $800-1,200

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215 R. Lalique Blue Patinated Molded Glass Gui Vase Marcilhac no. 948, circa 1920-47 Molded intaglio signature R. LALIQUE. Height 6 5/8 inches. C $600-800 See Illustration

216 R. Lalique Blue Patinated Molded Glass Marguerites Vase Marcilhac no. 922, circa 1923-47 Engraved R. LALIQUE FRANCE. Height 8 inches. C $800-1,200 See Illustration

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217 R. Lalique Blue Patinated Molded Glass Plumes Vase Marcilhac no. 944, circa 1920-47 Engraved R. Lalique France No. 944. Height 8 3/8 inches. C $600-800 See Illustration

218 R. Lalique Blue Patinated Molded Glass Monnaie du Pape Vase Marcilhac no. 897, circa 1914-47 Molded intaglio signature R. LALIQUE. Height 9 inches. C $600-800 See Illustration

219 R. Lalique Molded Opalescent Glass Ceylan Vase Marcilhac no. 905, circa 1928-47 Engraved R. LALIQUE FRANCE. Height 9 1/2 inches. C $2,500-3,500 See Illustration


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220 R. Lalique Blue Patinated Molded Glass Escargot Vase Marcilhac no. 931, circa 1920-47 Molded signature R. LALIQUE. Height 8 1/4 inches. C $2,500-3,500 See Illustration

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221 R. Lalique Blue Patinated Molded Glass Poissons Vase Marcilhac no. 925, circa 1921-47 Engraved R. Lalique France No. 925. Height 9 1/4 inches. C $2,000-3,000 See Illustration

222 R. Lalique Blue Patinated Molded Glass Montmorency Vase Marcilhac no. 1050, circa 1930-47 Engraved R. LALIQUE FRANCE. Height 8 inches. C $1,200-1,800 See Illustration

223 R. Lalique Teal Blue-Green Molded Glass Perruches Vase Marcilhac no. 876, circa 1919-47 Molded intaglio signature R. LALIQUE. Height 9 3/4 inches. Provenance: Spencer Antiques Gallery, Palm Beach, Florida. C $2,500-3,500 See Illustration

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224 R. Lalique Molded Opalescent Glass Sculpture Entitled Suzanne Marclihac no. 833, circa 1925-32 Molded signature R. LALIQUE. Height 9 inches, width 7 1/8 inches. C $5,000-7,000 See Illustration

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225 R. Lalique Blue Patinated Molded Glass Ceylan Vase Marcilhac no. 905, circa 1924-47 Engraved R. LALIQUE FRANCE. Height 9 1/2 inches. C $2,500-3,500 See Illustration

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226 R. Lalique Molded and Frosted Glass Ornis Vase Marcilhac no. 976, circa 1926-47 Signed R. LALIQUE FRANCE. Height 7 1/2 inches. C $600-800

227 R. Lalique Molded Glass Sauterelles Vase Marcilhac no. 888, circa 1912-47 Engraved LALIQUE. Height 10 5/8 inches. C Property from the Estate of Rosa Strygler $2,000-3,000 See Illustration

228 R. Lalique Molded Glass Archers Vase Marcilhac no. 893, circa 1921-47 In translucent sea green colored glass, with molded intaglio signature R. LALIQUE. Height 10 3/8 inches. C $3,000-4,000 See Illustration


229 R. Lalique Nickel-Plated Metal and Molded Glass Feuilles de Charme Chandelier Marcilhac no. 2262, circa 1926-47 Of circular form, in colorless frosted glass, comprised of twelve individual curved segments decorated with an all-over leaf design, each signed R. LALIQUE and with a conforming bowl-shaped terminal, suspended from braided silk cords and a later frosted glass ceiling cap. Height overall 46 3/4 inches; height of shade 11 1/4 inches, diameter 19 1/2 inches. Provenance: Bernd Goeckler, New York, 2005 C Property of Susan Weber $4,000-6,000 See Illustration

230 R. Lalique Molded and Frosted Amber Glass Bacchantes Vase Marcilhac no. 997, designed 1927 Engraved R. LALIQUE FRANCE. Height 9 5/8 inches. C $8,000-12,000 See Illustration and Front Cover 231 R. Lalique Molded Glass Tortues Vase Marcilhac no. 966, circa 1926-47 Molded intaglio signature R. LALIQUE and also acid-etched R. LALIQUE FRANCE. Height 10 1/2 inches. C $7,000-10,000 See Illustration

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233

232 Set of Eight Tiffany Hand-Blown Gold Favrile Glass Champagne Glasses Circa 1902-3 In the Royal pattern, each with a deep bowl raised on a double twisted stem continuing to a circular foot, each engraved L.C.T. and R 189, R 195, R 199, R 9098, R 9117, R 9146, R 9152, and T 3958, respectively. Height 6 inches. C $1,000-1,500 See Illustration 233 Set of Six Tiffany Hand-Blown Gold Favrile Wheel-Engraved Glass Wine Glasses First quarter 20th Century Five examples engraved L.C.T. Favrile; one example signed L.C.T. C $800-1,200 See Illustration 234

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234 Tiffany Hand-Blown Favrile Glass Flower-Form Vase Circa 1896 Engraved L.C.T. F24. Height 13 inches. C $600-800 See Illustration 235 Tiffany Hand-Blown Favrile Glass Flower-Form Vase Circa 1903 Engraved L.C.T. T1694. Height 13 3/4 inches. C $3,000-5,000 See Illustration


236 Tiffany Hand-Blown Gold Favrile Glass “Diatreta” Vase First Quarter 20th Century Engraved 1653 L.C. Tiffany-Favrile. Height 4 inches. C $800-1,200 See Illustration 237 Tiffany Hand-Blown Gold Favrile Glass Footed Vase Circa 1916 Of classic urn shape, engraved 7211 K L.C. Tiffany-Favrile. Height 7 inches. C $500-700 See Illustration 236

237 239 Assembled Pair of Tiffany Studios Bronze and Hand-Blown Favrile Glass Flower-Form Candlesticks with Bamboo-Form Bases Circa 1910-20 Bases stamped TIFFANY STUDIOS NEW YORK and TIFFANY STUDIOS, respectively; shades engraved S 6841 and S 7007, respectively. Height 12 1/4 inches; height of shade 4 5/8 inches. C $3,000-5,000 See Illustration

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238 Assembled Pair of Tiffany Studios Bronze and Hand-Blown Favrile Glass Flower-Form Candlesticks with “Jeweled” Bases Circa 1910-20 Each base stamped TIFFANY STUDIOS NEW YORK 1210; one shade engraved L.C.T., the other shade engraved L.C.T. Favrile. Height of taller 13 3/4 inches; height of shade 5 1/4 inches. C $4,000-6,000 See Illustration

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244 240 Tiffany Studios Bronze and Hand-Blown Gold Favrile Glass Counter-Balance Desk Lamp Shade signed L.C.T.; base stamped TIFFANY STUDIOS NEW YORK 416. Height 14 3/4 inches; height of shade 4 1/4 inches, diameter 7 inches. C Estate of Miriam Diner $2,000-3,000 See Illustration

243 Tiffany Studios Bronze and Hand-Blown Favrile Damascene Glass Counter Balance Desk Lamp Circa 1910-20 Base probably signed, height 15 3/4 inches; shade signed L.C.T., height of shade 4 1/2 inches, diameter 7 1/4 inches. C $5,000-7,000 See Illustration

241 Tiffany Studios Bronze and Green Favrile Linenfold Desk Harp Lamp Circa 1910-20 Base stamped TIFFANY STUDIOS NEW YORK 613, height 18 1/2 inches, width 9 3/4 inches; shade stamped TIFFANY STUDIOS NEW YORK 1938 PAT. APPL’D FOR, width 7 3/4 inches. C $3,000-5,000 See Illustration

244 Tiffany Studios Bronze and Leaded Glass Leaf and Vine (Acorn) Lamp Circa 1910-20 Base stamped TIFFANY STUDIOS NEW YORK and with the T.G.D.Co. logo, also with an affixed metal tag with 28621; shade with metal tag stamped TIFFANY STUDIOS NEW YORK 1435. Height 6 5/8 inches, diameter 16 inches. C $10,000-15,000 See Illustration

242 Tiffany Studios Bronze and Favrile Glass Turtle Back Desk Lamp In the Zodiac pattern, circa 1906-29 Base stamped TIFFANY STUDIOS NEW YORK 541. Height 14 3/8 inches, width 10 inches. C $5,000-7,000 See Illustration

245 Tiffany Studios Bronze and Hand-Blown Green Damascene Favrile Glass Piano Harp Floor Lamp Design attributed to Alvin J. Tuck for Tiffany Studios, circa 1910-20 The tripod lamp base stamped TIFFANY STUDIOS NEW YORK 386. Height 61 inches; shade engraved L.C.T. Height of shade 5 inches, diameter 10 inches. According to a Tiffany Studios Price List dated October 1, 1906, this lamp model originally retailed for $125. C The Ben Heller Collection $5,000-7,000 See Illustration 245 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79


246 Tiffany Studio Green Patinated Bronze and Hand-Blown Gold Favrile Glass Ten-Light Pond Lily Lamp Circa 1910-20 Base stamped TIFFANY STUDIOS NEW YORK 381, height 21 1/4 inches; each shade engraved L.C.T. Favrile, height of tallest shade 4 3/4 inches. C $10,000-15,000 See Illustration

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247 Tiffany Studios Bronze and Leaded Glass Dragonfly Lamp Designed by Clara Driscoll, circa 1910 Shade signed TIFFANY STUDIOS NEW YORK 1495; base stamped TIFFANY STUDIOS NEW YORK 531. Height 26 inches; height of shade 7 3/4 inches, diameter 20 1/4 inches. Provenance: Sotheby’s, New York C $30,000-50,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81


248 Set of Three Tiffany Studios Bronze and Leaded Glass Three-Panel Single-Arm Sconces Circa 1910-20 Two shades with metal tags stamped TIFFANY STUDIOS NEW YORK. Height overall 13 1/4 inches, depth 8 1/2 inches; height of shade 6 3/8 inches, width of widest shade 7 1/2 inches. C The Ben Heller Collection $4,000-6,000 See Illustration

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249 Pair of Tiffany Studios Bronze and Hand-Blown Favrile Glass Two-Light Sconces Circa 1910-20 Bronze unsigned. Height 11 1/4 inches, width 10 1/2 inches, depth 8 3/4 inches; three shades engraved L.C.T., one shade engraved S 12737. Height of shade 4 /4 inches. C The Ben Heller Collection $6,000-8,000 See Illustration 250 Pair of Tiffany Studio Bronze and Hand-Blown Favrile Glass Two-Light Sconces Circa 1910-20 Height 9 1/2 inches, width 10 inches, depth 6 3/4 inches; each shade engraved L.C.T. Height of tallest 5 inches. C The Ben Heller Collection $7,000-10,000 See Illustration

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251 Pair of Tiffany Studios Bronze, Leaded Geometric Glass and Turtle Back Tile Sconces Circa 1910-20 Each of curved curtain form and comprised of thirty-nine individual green glass segments and seven small pressed turtle back tiles with chiseled backs, unsigned. Height 12 3/4 inches, width 11 3/4 inches, depth 4 inches. Two identical pairs of Tiffany Studios bronze, geometric leaded glass and turtle back tile wall sconces were sold at Sotheby’s, New York, 20th Century Design, March 10, 2011, lot 10 and 11. C The Ben Heller Collection $15,000-20,000 See Illustration

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252 252 Tiffany Studios Moorish Style Silvered Bronze and Hand-Blown Favrile Millefiore Glass Stalactite Lighting Fixture Circa 1910 Shade engraved L.C.T. Height 13 3/4 inches. C $15,000-20,000 See Illustration 253 Tiffany Studios Moorish Style Silvered Bronze and Hand-Blown Favrile Millefiore Glass Stalactite Lighting Fixture Circa 1910 En suite with the preceding. Shade engraved L.C.T. Height overall 13 5/8 inches. C $15,000-20,000 See Illustration 253

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SILVER 254 Josef Hoffmann for the Wiener Werkstätte Vienna Secession Reticulated Silver and Glass Flower Basket Vase Model S1962, from the “Gitterwerk” series, circa 1906-16 With an elliptical lattice-form body, conforming looped handle and colorless glass liner. Stamped with the Wiener Werkstätte mark (W.W.), Vienna assay mark for 900 silver, the firm's "rose" mark and JH. Height 10 1/8 inches, width 3 1/2 inces, approximately 3 ounces, weighable. The Wiener Werkstätte also produced this model in white painted zinc and silver plate. Examples in silver, however, are quite rare. An example of this form in silver can be found in the collection of the Austrian Museum of Applied Arts/Contemporary Art (MAK) in Vienna. Another example in silver but missing its original glass liner is in the collection of theVictoria & Albert Museum, in London.

255 Jean Després Silver Plated and Wood Covered Saucepan With a hammered surface and chain-link decoration. The handle signed J-Després. Length over one handle 14 1/4 inches. C $800-1,200 See Illustration 256 Pair of Maison Desny Silver Plate and Rosewood Cups 1930s Height 2 1/8 inches, width 4 7/8 inches; Together with a Pair of Maison Desny Chromed Metal Candelsticks. Each stamped DESNY PARIS MADE IN FRANCE. Height 6 1/4 inches. C $800-1,200 See Illustration

Literature: Josef Hoffmann Designs, MAK-Austrian Museum of Applied Arts Vienna, p. 182, no. 288. C Estate of Steven R. Gross $3,000-5,000 See Illustration

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257 Jean E. Puiforcat Silver Monaco Pattern Tray Stamped JEAN E. PUIFORCAT Length 25 3/4 inches, width 11 7/8 inches, approximately 90 ounces. C $2,000-3,000 See Illustration 258 Set of Six French Art Deco Silvered Metal Martini Glasses After Maison Desny Each stamped MADE IN FRANCE. Height 3 3/8 inches; Together with Two Jean Després Plated Metal Goblets. Each with script signature J. Després. Height of taller 8 1/2 inches. C $400-600 See Illustration 259 Group of Louis Süe et André Mare Silver Plated Table Articles For Christofle, 1930s Comprising four water pitchers, model no. 5978; three beakers; one coffee cup, model no. 5966; and one egg cup; two demitasse cups, model no. 5968; one teacup and saucer, model no. 5967; and two saucers. Height of water pitcher 7 inches;

260

Literature: Alastair Duncan, The Encyclopedia of Art Deco, New York, 1988, pg. 134. For a pair of water pitchers in this pattern, please see Sotheby’s, New York, December 17, 2004, lot 48. C $1,000-1,500 260 Georg Jensen Sterling Silver Louvre Bowl Pattern no. 19A Diameter 8 inches; Together with a Georg Jensen Sterling Silver Bowl. Pattern no. 17A. Total approximately 30 ounces. C $2,000-3,000 See Illustration

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263

261 Georg Jensen Sterling Silver Footed Bowl Designed by Ove Brobeck, pattern no. 641B Circular on openwork base of stylized foliage. Diameter 6 7/8 inches, approximately 12 ounces. C $700-1,000 See Illustration 262 Set of Nine Georg Jensen Sterling Silver Nut Dishes Pattern no. 355B Each of circular form, with stylized shell handles. Length 3 3/4 inches; Together with a Georg Jensen Sterling Silver Bowl. Pattern no. 527. Diameter 3 1/4 inches, total approximately 16 ounces. C $600-800

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263 Georg Jensen Sterling Silver Blossom Pattern Bowl Pattern no. 2 C, post-1947 Diameter 11 1/4 inches, approximately 25 ounces. C $2,000-3,000 See Illustration 264 Georg Jensen Sterling Silver Water Pitcher Pattern no. 432E, designed by Johan Rohde Height 9 inches, approximately 16 ounces. C Property from the Estate of an Upper East Side Collector $1,500-2,500 See Illustration


265 Pair of Georg Jensen Sterling Silver Compotes Pattern no. 263B The flared circular bowl on spiral stem capped with scrolling vine and grape clusters, on circular base. Height 7 1/2 inches, total approximately 39 ounces. C $3,000-5,000 See Illustration 266 Pair of Gio Ponti Silver-Plated Candelabra With two entwined horn-form branches on circular base. Height 11 inches, length 11 inches. C $800-1,200 See Illustration 266

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267 Josef Hoffmann Sterling Silver Flatware Service Designed 1955 for C. Hugo Pott, late 20th century Marked Mozart, from the series Excellent, comprising six dinner forks, six lunch forks, six dessert forks, six cocktail forks, six dinner knives, six lunch knives, six fish knives, six butter knives, eight tablespoons, eight dessert spoons, six sauce spoons, eight ice cream spoons, three iced tea spoons, six teaspoons, six demitasse spoons and a serving fork. 268 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89


269

Total approximately 108 ounces, weighable. C $3,000-5,000 See Illustration of Part 268 Tiffany & Co. Sterling Silver Bamboo Pattern Center Bowl Late 20th century Cylindrical with flared sides. Diameter 8 inches, approximately 31 ounces. C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $800-1,200 See Illustration

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269 Group of Stuart Devlin Sterling Silver and Silver-Gilt Table Articles For Viners, London, 1972 Comprising nine champagne flutes, height 8 7/8 inches; eight wine goblets, height 7 inches; and four candlesticks, height 5 7/8 inches, total approximately 141 ounces. C $4,000-6,000 See Illustration


270 Elizabeth II Sterling Silver Coffee Service Hector Miller, London, circa 1975 Comprising a coffee pot, creamer, circular open sugar bowl and a circular tray. Height of coffee pot 10 1/4 inches; diameter of tray 11 1/2 inches. Total approximately 74 ounces. C $1,000-1,500

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FURNITURE & DECORATIVE ARTS 271 Set of Four Maurice Jallot French Art Deco Upholstered Fruitwood Fauteuils 1930s Height 36 1/2 inches, width 23 inches, depth 21 inches. Provenance: Bernd Goeckler, New York,

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2004 C Property of Susan Weber $3,000-5,000 See Illustration 272 Two Art Deco Circular Tables One brass and metal, the other silvered wood with cobalt glass top. Height of first 24 3/4 inches, diameter 23 1/4 inches; height of second 19 3/4 inches, diameter 21 inches. C $500-800

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273 Russell Wright Maple and Mahogany Low Table Heywood-Wakefield, 1930s Square with staggered drawers and cantilevered shelves. Height 20 3/4 inches, 27 inches, square.

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An example of this table was offered Sotheby’s New York, June 12, 2016, lot 95. C $1,500-2,500 See Illustration

274 Art Deco Inlaid Rosewood Bar Cabinet Rectangular with pair of doors and drop front opening to mirrored interior, over pair of doors. Height 55 inches, width 33 1/2 inches, depth 17 1/4 inches. C $3,000-5,000 See Illustration


279 275 Attributed to Jean-Michel Frank Oak and Leather Rodo Stool Bearing Stamp JM Frank Height 17 inches, width 23 1/2 inches, depth 18 inches. C $3,000-5,000 See Illustration 276 Ercole Barovier for Barovier & Toso Hand-Blown Glass Crepuscolo Lamp Designed 1935-6 In colorless glass, unsigned. Height of body 14 3/4 inches. C $1,000-1,500 See Illustration

278 Art Deco Marble and Iron Console Style of Edgar Brandt Shaped rectangular top on four scroll supports and conforming base. Height 34 1/4 inches, width 58 inches, depth 16 inches. C Property of Ronald P. Marshall, Fairfield, CT $1,000-2,000 See Illustration

277 Art Deco Style Upholstered Stained Wood Daybed Rectangular with upswept ends on arched feet. Height 27 inches, length 6 feet 6 inches, depth 36 inches. C $1,000-1,500

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279 French Art Deco Maple, Walnut and NickelPlated Tubular Metal Desk Circa 1935 Demilune form, with three drawers and divided file space. Height 32 1/2 inches, width 59 inches, depth 29 1/2 inches. Provenance: Frederick P. Victoria & Son, LLC., Bridgehampton, New York, 2004 C Property of Susan Weber $800-1,200 See Illustration 280 Frank Lloyd Wright for Noritake Porcelain Imperial Hotel Collection Dinner Service Retailed by Tiffany & Co., 1992 Comprising eleven dinner plates, twelve salad plates, sixteen side plates, six bowls, twelve mugs, teapot, cream jug and covered sugar bowl. Diameter of dinner plates 10 1/2 inches. C $1,000-1,500

282

281 Pair of Eugene Schoen Upholstered Slipper Chairs By Schmeig & Kotzian, stamped E.S. and S.K For the residence of Morris and Gwendolyn Cafritz, Washington D.C., 1937 Height 30 inches, width 23 inches, depth 28 inches. A period image of the living room shows several of these chairs placed around the space. C $800-1,200 See Illustration 282 Charles J. Weinstein Company Molded Glass and Chrome-Plated Metal Star-Shaped Chandelier Designed 1931 Probably made in the Czech Republic. Height 25 inches, width 30 inches; length of largest glass element 10 1/4 inches. C $10,000-15,000 See Illustration 283 Ercole Barovier for Barovier & Toso Hand-Blown Glass Vase 1970s, after an earlier design Of classic urn shape, in mirror black colored glass, engraved barovier & toso murano. Height 10 5/8 inches. C Sold for the Benefit of the Lake St. Louis Historical Society, Montréal, Quebec, Canada $1,000-1,500 See Illustration

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289 284 Art Deco Macassar Cabinet 1930s Rectangular with slanting sides, with glass front opening to fitted bar interior over four long drawers, flanked by open shelf over door. Height 59 inches, width 63 inches, depth 22 inches. C $700-1,000 285 French Art Deco Rosewood Sideboard 1930s/1940s Rectangular with canted corners, with mirrored door flanked by doors, on hipped legs. Height 40 inches, width 6 feet 5 inches, depth 20 inches. C $800-1,200

286 Art Deco Style Rosewood Lacquered Extension Dining Table Height 29 3/4 inches, width 66 inches, depth 44 inches. C $800-1,200

288 Art Deco Style Gilt-Metal Miniature Model of Prometheus Signed P. MANSHIP, after Paul Manship, ed. no. 20/300, 1999, cast by Bedi-Makky Art Foundry Corp, Brooklyn, NY. Height of figure 5 3/4 inches, width 6 inches.

287 Set of Eight French Art Deco Upholstered Black Lacquered Dining Chairs Height of armchairs 39 1/2 inches, width 24 inches, depth 26 inches. C $1,000-1,500

A model of Manship’s famous sculpture overlooking the lower plaza at Rockefeller Center. C Property of Ronald P. Marshall, Fairfield, CT $400-600

290

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289 Pair of Paul Rodocanachi Oak and Leather Rodo Folding Stools Circa 1938, produced by Comte, Buenos Aires, Argentina Height 14 3/4 inches, width 24 1/4 inches, depth 16 1/4 inches. A pair of these stools also by Paul Rodocanachi for Jean-Michel Frank by Comte sold Phillips, New York, June 6, 2018, lot 21. C $7,000-9,000 See Illustration 290 Jean-Michel Frank Leather Upholstered Club 1930 Sofa For Ecart International Height 31 inches, width 7 feet 6 1/2 inches, depth 30 inches. C $2,000-3,000 See Illustration

291 part

291 Set of Four Etched Glass and Oak Panels From the Stork Club, New York, 1940s Height of largest 80 1/2 inches, width 42 inches.

294

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Although it closed in 1965, the Stork Club remains one of the most well known names in entertainment history. Founded in 1929, it was originally located on West 58th Street, but after a police raid during Prohibition in 1931 it relocated to 3 East 53rd Street. The club was a favorite with New York society, Hollywood celebrities and international visitors. Grace Kelly’s engagement to Prince Rainier hit the news when they were seen together at the club; New York socialite Evalyn Walsh McLean, owner of the Hope Diamond, once lost it under a table; Ernest Hemmingway settled his bill at the club with a $100,000 check from the movie rights to For Whom the Bell Tolls which they cashed at the usual closing time of 4:00 am. C Property of Ronald P. Marshall, Fairfield, CT $4,000-6,000


295

See Illustration of Part 292 French Art Moderne Mirror Circa 1950 Tapering rectangular with scalloped crest and apron, the border with scattered foliage. Height 41 inches, width 27 inches. Provenance: Bernd Goeckler, New York C Property of Susan Weber $600-900

293 Lorin Jackson for Grosfeld House Mirror and Cerused Oak Console 1940s The top with canted front corners on inverse fluted ionic column base. Height 31 inches, width 30 3/4 inches, depth 15 inches. C $400-600

296

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298

302

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298

294 Art Moderne Palisander Del Rio and Bronze Chest of Drawers 1940s Rectangular with three long drawers on shaped legs ending in sabots. Height 32 1/4 inches, width 30 1/2 inches, depth 16 inches. C Property of Susan Weber $1,000-1,500 See Illustration

296 Set of Four Art Deco Style Upholstered Rosewood Open Armchairs After Émile-Jacques Ruhlmann Height 36 inches, width 22 inches, depth 22 inches. C $3,000-5,000 See Illustration

295 Pair of Jean-Michel Frank Parchment-Covered Wood Low Tables Stamped 7096, EMM Height 12 1/2 inches, width 25 1/2 inches, depth 17 3/4 inches. C $20,000-30,000 See Illustration

297

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297 Italian Modern Marquetry Inlaid Pearwood, Sycamore, Parchment and Giltwood Illuminating Bar Cabinet Giovanni Gariboldi, 1940s Demilune form, with pair of doors opening to mirrored interior and drawers, flanked by two doors. Height 46 1/8 inches, width 65 inches, depth 17 3/4 inches.

300

A pair of these cabinets sold Christie’s, New York, June 8, 2016, lot 48. C $4,000-6,000 See Illustration 298 Max Ingrand for Fontana Arte Glass Dahlia Chandelier Circa 1958 Provenance: Bernd Goeckler, New York, 2012 C Property of Susan Weber $15,000-20,000 See Illustration

302

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299 Maison Jansen Burled Maple, Walnut, Nickeled Bronze and Black Glass Dining Table 1940s Height 31 inches, width 9 feet 9 inches, depth 47 inches. Provenance: Alan Moss, New York, August 2006 C Property of Susan Weber $2,000-4,000 See Illustration 300 Jean Royère Patinated Iron Yo-Yo Andiron 1940s/1950s Height 8 1/4 inches, width 23 3/4 inches, depth 14 inches. Provenance: Long Island Collection Literature: Pierre-Emmanuel Martin-Vivier, Jean Royère, p. 119. C $4,000-6,000 See Illustration


304

301 Jean-Michel Frank Style Iron and Stitched Leather Console Modern Rectangular on slender tapering legs, signed David DeSantis. Height 35 1/2 inches, width 35 1/2 inches, depth 10 inches. C $500-700

302 André Sornay Mahogany Game Table 1940s Square top with brass nail head banding reversing to felt lined top, on X-form open base. Height 29 3/4 inches, 29 1/2 inches square. Provenance: Bernd Goeckler, New York, 2012

303 Pair of Leather Upholstered Club Chairs Manner of Paul Follot Square back and shaped arms with nailhead trim to legs. Height 30 inches, width 29 1/2 inches, depth 32 inches. C $1,500-2,500 See Illustration

Literature: Thierry Roche, André Sornay, p. 104 for a similar model. C Property of Susan Weber $5,000-7,000 See Illustration

307

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This model was used at Windsor Villa, Bois de Boulogne, France, home of the Late Duke and Duchess of Windsor and is also illustrated used in a Park Lane, London address decorated by Maugham. C $4,000-6,000 See Illustration

308

304 Pair of Syrie Maugham Painted Wood Side Chairs 1940s Height 32 7/8 inches, width 23 5/8 inches, depth 17 3/4 inches. Literature: Pauline Metcalf, Syrie Maugham, 2010, pp. 107 and 109.

309 305 Pair of Italian Art Moderne Birdseye Maple and Rosewood Stools With sloping seat on tapering supports. Height 16 1/4 inches, width 24 inches, depth 12 3/4 inches. Provenance: Bernd Goeckler, New York, 2009 C Property of Susan Weber $800-1,200 See Illustration

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306 Bruno Mathsson Bentwood and Jute Straps Pernilla 2 Armchair and Ottoman Height of chair 38 inches, width 25 3/4 inches, depth 33 inches; height of ottoman 15 1/2 inches, width 19 3/4 inches, depth 25 inches. C $500-700


307 Hagenauer Style Hammered Pewter and Brass Articulated Half Figure of a Nude Woman on Stand Unmarked. Height overall 63 7/8 inches, width 15 inches. C $500-700 See Illustration 308 Art Moderne Metal and Coppered Mirror Draw-Leaf Table Rectangular on conforming pedestal base. Height open 29 1/4 inches, width 60 inches, depth 36 inches. C $1,000-1,500 See Illustration

313

309 Marcel Vertès Three-Panel Double Sided Painted Screen Circa 1955 One side depicting a young female artist painting a seminude female woman in a bucolic setting; the other side depicting a young woman riding a horse; each side signed Vertès. Height 70 inches; width of each panel 21 3/8 inches. C $3,000-5,000 See Illustration 314

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315 310 French Modernist Nickel-Plated Brass Desk Lamp Stamped MADE IN FRANCE. Height 13 3/8 inches. C $500-700 311 Italian Modernist Style Rosewood Extension Dining Table The circular top on faceted base with three scroll legs. Height 27 3/4 inches, diameter 55 inches. C $400-600 312 Marcel Breuer Upholstered Bentwood Long Chair Isokon Height 31 1/4 inches, width 51 1/2 inches, depth 26 inches. C Sold for the Benefit of the Lake St. Louis Historical Society, Montréal, Quebec, Canada $800-1,200 See Illustration

316

313 Jean Royère Twelve-Light Wrought Iron Bouquet Chandelier 1950s Height 40 inches, diameter 40 inches. Provenance: Long Island Collection Literature: Galerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, Volume I, 2012, p. 82. This model was used by Royère in the lobby of the Hotel Saint-Georges, Beirut, Lebanon, in 1955. C $10,000-15,000 See Illustration 319

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314 Nest of Three Jean Royère Marble Top Gilt Iron Créneaux Tables 1950s/1960s Height of largest 16 inches, width 19 5/8 inches, depth 11 3/4 inches. Literature: Galerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, pp. 70 and 197. C $15,000-25,000 See Illustration


315 Two Archimede Seguso for Vetreria Archimede Seguso Internally Decorated Blown Glass Piume Bowls Circa 1955-6 Comprising a circular example in colorless glass with bright yellow stylized feather motifs, diameter 11 1/2 inches; and an irregular shaped example in colorless glass with orange stylized feather motifs, length 9 inches; Together with a Vetreria Archimede Seguso Cobalt Glass “Sample” Bowl Designed by Elsa Peretti. Engraved with numerous company test signatures and date year 1985, length 7 1/2 inches. C $1,200-1,800 See Illustration

318 Gordon and Jane Martz Tile Top Walnut Low Table Modern Rectangular on tapering square legs. Height 16 inches, width 60 1/2 inches, depth 19 inches. C $400-600

320

321 316 Pair of French Black Leather and Metal Open Armchairs Height 29 inches, width 24 inches, depth 20 inches. C $1,500-2,500 See Illustration 317 Three Acrylic and Brass Floor Lamps and an Acrylic Blanket Stand Height of lamps overall 51 inches; height of blanket stand 33 1/2 inches, width 31 1/2 inches, depth 7 1/4 inches. C $400-600

324

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326 325

319 Jean-Pierre Hagnauer Leather Upholstered Mahogany Adjustable Campaign-Style Deck Chair 1950s Height 35 1/2 inches, width 24 1/4 inches, depth 36 inches. Designed by French designer Jean-Pierre Hagnauer and used for commissions including the terrace of French film star Jean Marais’s country house and for Arturo Lopez-Willshaw’s yacht Gaviota I. C $2,000-3,000 See Illustration

328

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320 Pair of Italian Art Moderne Hand-Blown Glass and Brass Lamps Circa 1940 Unsigned. Height 27 1/2 inches; diameter of shade 11 1/2 inches. Provenance: Bernd Goeckler, New York C Property of Susan Weber $1,500-2,500 See Illustration 321 Pair of Maison Jansen Upholstered Oak Armchairs 1950s Arched back with nailhead trim, on cabriole legs. Height 34 inches, width 29 1/2 inches, depth 28 inches. C $3,000-5,000 See Illustration

322 Set of Ten Upholstered Dining Chairs Modern Including a pair of armchairs. Height of armchairs 39 inches, width 24 inches, depth 24 inches; height of side chairs 36 inches, width 20 inches, depth 20 inches. C $700-1,000 323 Art Moderne Style Mahogany Extension Dining Table Rectangular with faceted double pedestal base. Height 29 inches, width 98 inches, depth 50 inches. C $600-800


324 Jean Prouvé Oak and Painted Steel Gueridon Les Ateliers Jean Prouvé, Nancy, France, Model 401, designed 1951 Height 29 inches, diameter 46 1/4 inches. Provenance: Melva Bucksbaum, Connecticut C $8,000-12,000 See Illustration 325 Paolo Venini for Venini & C. Hourglass Designed circa 1950s, made 1980s In colorless glass with green colored sand, unsigned. Height 11 1/8 inches. C Sold for the Benefit of the Lake St. Louis Historical Society, Montréal, Quebec, Canada $1,000-1,500 See Illustration 326 Pair of Alberto Giacometti Style Plaster Shell-Form Sconces 1950s After a model designed for Jean-Michel Frank. Height 5 inches, width 7 1/2 inches, depth 7 1/2 inches. C $2,000-3,000 See Illustration

329

327 Pair of Plaster Tête de Femme Table Lamps After Alberto Giacometti for Jean-Michel Frank Height 21 inches. C $400-600

332

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334

328 Italian Art Moderne Walnut, Onyx and Brass Two-Tiered Low Table Ico Parisi, 1940s With shaped shelves on angular supports. Height 20 inches, width 53 inches, depth 18 inches.

329 Gilt-Metal and Beaded Glass Ship-Form Chandelier 1940s In the style of Bagues, with three masts and five-light sockets. Height 42 inches, width 14 inches, length 50 3/4 inches.

Provenance: Bernd Goeckler, New York, 2008 C Property of Susan Weber $3,000-5,000 See Illustration

Provenance: D & D Antiques Gallery, New York, December 2004. C $4,000-6,000 See Illustration

336

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330 Ico Parisi Marble Top Black Lacquered Wood Low Table Circular top with three arched legs with ring stretcher. Height 14 1/2 inches, diameter 37 inches. C $600-800 331 Jean-Charles Moreux Gilt Iron Armchair Shaped crest with scrolling back on cabriole legs. Height 33 1/4 inches, width 22 1/4 inches, depth 25 1/2 inches. This model is illustrated in Susan Day, Jean-Charles Moreux: Architecte-Dècorateur-Paysagiste An assembled set of twelve chairs in this model, including a pair of armchairs similar to this example by Moreux were sold Christie’s, New York, November 26, 2002, lot 190. C Property of Ronald P. Marshall, Fairfield, CT $500-700 337 part

333 Mid-Century Modern Papa Bear Style Upholstered Walnut Armchair and Ottoman After Hans Wegner Height of chair 39 inches, width 30 inches, depth 32 inhces; height of ottoman 14 inches, width 20 inches, depth 14 inches. C Estate of Evelyn Berezin $1,000-1,500

338

332 Hans Wegner Oak CH338 Dining Table and Set of Four CH37 Chairs Carl Hansen & Son, modern Height of table 28 1/2 inches, width closed 55 inches, depth 45 1/4 inches; height of chairs 31 3/4 inches, width 22 3/4 inches, depth 19 inches. C $3,000-5,000 See Illustration

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334 Group of Three Roger Capron White Glazed and Polychrome Enameled Earthenware Vases Third Quarter 20th Century Comprising two examples with mosaic type decoration, signed CAPRON FRANCE C5 and CAPRON VALLAURIS A8, respectively, height of taller 10 inches; and a flared example with striped decoration, signed CAPRON VALLAURIS T. Height 12 1/8 inches. C $1,200-1,800 See Illustration 340

335 Pair of Patinated Metal Columnar Lamps Each of cylindrical form. Height 21 3/4 inches. C Estate of Evelyn Berezin $300-500 336 Gianfranco Frattini Rosewood Double Sided Sideboard Model no. 503, 1960s Rectangular with four open bays and six small drawers to one side and three tambour doors opening to six small drawers to reverse. Height 28 1/2 inches, width 6 feet 10 1/2 inches, depth 27 3/4 inches. C $2,000-3,000 See Illustration

341

337 Pair of George Nakashima Walnut Slat Back Twin Headboards 1960s Height 36 inches, width 38 3/4 inches, depth 4 inches. Provenance: Commissioned directly from the artist in the 1960s. Another similar pair of twin headboards sold Rago, New Jersey, February 2012, lot 826. C $1,500-2,500 See Illustration of Part 338 George Nakashima Black Walnut and Pandanus Cloth Double Sliding-Door Cabinet and Free-Standing Shelf 1960s Height of cabinet 32 inches, width 60 inches, depth 24 inches; height of shelves 39 1/2 inches, width 41 1/4 inches, depth 18 inches.

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Provenance: Commissioned directly from the artist, 1960s Sold with copy of original studio design. C $15,000-25,000 See Illustration


339 T.H. Robsjohn-Gibbings for Widdicomb Bleached Mahogany Cabinet Model 1671 Rectangular with four doors with concentric decoration opening to fitted shelves, dividers and drawers. Height 69 inches, width 54 inches, depth 20 1/8 inches. C $3,000-5,000 See Illustration

342 Paul McCobb for Calvin Walnut Gentlemen’s Chest 1950s With three short drawers over fall front opening to drawers, over four long drawers on tapering feet with brass X-form stretcher. Height 52 1/2 inches, width 36 inches, depth 19 inches. Provenance: Purchased from Directional, July 1956 C $600-900

340 Maison Ramsay Style Gilt Iron and Glass Low Table The rectangular top with canted corners on scrolling supports tied with rope twist stretcher. Height 19 inches, width 36 inches, depth 17 1/2 inches. C $600-800 See Illustration

346

347

341 Pair of Paul McCobb for Calvin Walnut and Carrara Marble Night Stands Model no. 8714, 1950s Square with two drawers and caned shelf stretcher. Height 23 1/2 inches, 20 inches, square. Provenance: Purchased from Directional, July 1956 C $1,000-1,500 See Illustration

350

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343 Paul McCobb for Calvin Walnut Headboard 1950s Height 38 1/2 inches, width 79 inches, depth 4 inches. Provenance: Directional, July 1956 C $200-300 344 Paul McCobb for Calvin Walnut Long Chest of Drawers 1950s Rectangular with eight drawers in pairs, on tapering legs with brass X-form stretcher. Height 36 inches, width 66 inches, depth 19 inches. Provenance: Purchased from Directional, July 1956 C $800-1,200 See Illustration 351

345 Eero Saarinen Womb Chair and Ottoman Height of chair 34 1/2 inches, width 41 inches, depth 35 inches; height of ottoman 15 1/2 inches, width 25 inches, depth 20 3/4 inches. C Estate of Evelyn Berezin $600-800

352

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346 Georges Jouve Black Glazed Ceramic Vase Circa 1955-60 Incised monogram, height 11 1/2 inches. C $3,000-5,000 See Illustration 347 Pair of Charles Pollock Leather and Chromed Steel Sling Armchairs 1960s Height 28 inches, width 25 1/4 inches, depth 25 1/2 inches. C Estate of Evelyn Berezin $700-1,000 See Illustration 348 Set of Four Jean Pascaud Silvered Bronze-Mounted Black Lacquered Dining Chairs 1950s Height 42 3/4 inches, width 18 1/2 inches, depth 19 1/2 inches. C $1,000-1,500


356

349 Phillip Lloyd Powell Silver Leaf Mirror Height 72 inches, width 22 inches.

351 Tom Shannon Metal Synchronous World Clock No. 7 from an edition of 20, 1974 Diameter 32 inches.

Provenance: Rago Modern Auctions, Lambertville, New Jersey, April 21, 2007, lot 417 (part). C Property of Susan Weber $800-1,200

Provenance: Purchased directly from the artist, December 5, 2001. C $1,500-2,500 See Illustration

350 Jacques Adnet Leather Wrapped Silvered Metal and Glass Low Table 1950s Rectangular with inset glass top and open shelf stretcher, on faux bamboo legs. Height 18 1/8 inches, width 37 1/4 inches, depth 16 inches.

352 Charles and Ray Eames Palisander and Leather 670 Lounge Chair and 671 Ottoman Height of chair 32 inches, width 33 inches, depth 31 inches; height of ottoman 16 inches, width 26 inches, depth 20 inches. C $700-1,000 See Illustration

A table of this model by Adnet was sold Rago Arts, March 2, 2014, lot 807. And another sold Sotheby’s, Paris, November 24, 2010, lot 107. C $4,000-6,000 See Illustration

359

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361

353 Eero Saarinen Laminate and Black Metal Tulip Center Table Knoll Height 28 1/4 inches, diameter 36 inches. C Estate of Evelyn Berezin $600-800 354 Edward Wormley Upholstered Walnut Sofa With shaped back on tapering square legs with X-form stretcher. Height 28 1/2 inches, width 61 inches, depth 29 inches. Provenance: Wyeth, New York, 2004 C Property of Susan Weber $800-1,200 362

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355 Danish Teak and Brass Sideboard Model no. 38, Sofus Jorgensen Rectangular with sliding doors over four drawers. Height 45 inches, width 6 feet 10 3/4 inches, depth 17 inches. C Property of Ronald P. Marshall, Fairfield, CT $500-700


356 Philip and Kelvin LaVerne Bronze and Pewter Interlocking Circles Mirror circa 1960 Height 36 inches, width 26 inches. Provenance: Wooster Gallery, NYC, 1988 C $2,500-3,500 See Illustration 357 Pair of Mid-Century Design Brass-Plated Metal and Walnut Two-Light Lamps with Glass Shades Circa 1970 Height of taller 41 inches, width 13 3/4 inches. C $600-800 358 Pair of Pace International Argenta Leather and Acrylic Armchairs 1970s Height 29 inches, width 34 inches, depth 34 inches. C $600-800

359 Phillip and Kelvin LaVerne Patinated Bronze Michelangelo Low Table 1960s Rectangular with shaped corners on four columnar legs. Height 17 inches, width 65 inches, depth 23 1/2 inches. C $1,000-2,000 See Illustration and Inside Front Cover 360 Afra and Tobia Scarpa Leather and Chromed Metal Soriana Sofa Cassina, 1970s Height 26 inches, width 64 inches, depth 35 inches. C $1,500-2,500 See Illustration

365

361 Set of Four Charles Eames and Eero Saarinen Organic Chairs Vitra, modern Height 33 inches, width 29 inches, depth 24 inches. C $1,000-2,000 See Illustration

368

369

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362 Pair of Ricardo Fasanello Lacquered Metal Upholstered Anel Lounge Chairs Atelier Ricardo Fasanello, Rio de Janeiro, 1990s Height 29 inches, width 27 inches, depth 21 inches. C $1,000-1,500 See Illustration 363 Edward Wormley for Dunbar Glass and Olive Burl Wood Low Table 1950s Model #6302G, with paper label Height 17 inches, diameter 36 inches. C $500-700

370

366 Warren Platner Chrome Plated Metal and Glass Low Table Height 15 inches, diameter 41 inches. C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $700-900

372 364 Paul Legeard Chromed Steel and Glass Dining Table For Maison Jansen, 1970s Oval top on conjoined C-curve base. Height 28 1/2 inches, width 6 feet 6 inches, depth 51 inches. Provenance: Doyle New York, November 9, 2016, lot 337. C $1,000-1,500 See Illustration 365 John Dickinson for David Sutherland Glass Fiber Reinforced Concrete Footed Table Height 23 1/2 inches, width 30 inches, depth 20 3/4 inches. C $800-1,200 See Illustration

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373


367 Pair of Copper and Suede Upholstered Barrel Back Lounge Chairs After Milo Baughman With barrel back and “floating” base. Height 26 inches, width 29 inches, depth 27 inches. C $500-700 368 Vladimir Kagan Upholstered Lucite Erica Lounge Model No. 6910, 1980s Height 35 inches, width 62 inches, depth 24 inches. C $3,000-5,000 See Illustration 374 part

370 Pair of Patinated Metal and Mineral Geode Lamps Style of Marc du Plantier Height of body 11 1/2 inches, width 10 1/2 inches. Provenance: Alan Moss, New York C Property of Susan Weber $1,000-1,500 See Illustration 375

371 Paul Evans Chromed Metal Cityscape Stool Custom, 1970s/1980s Rectangular with square legs ending in casters, with Paul Evans Inc. label to underside. Height 18 inches, width 24 1/4 inches, depth 19 1/4 inches. C $800-1,200

369 Poul Kjaerholm Stainless Steel and Leather PK80 Daybed Fritz Hansen, 1998 Height 12 inches, width 75 1/2 inches, depth 31 1/2 inches. C $4,000-6,000 See Illustration

376

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379

372 Paul Evans Patinated Metal and Glass Low Cube Table 1970s/1980s Signed to interior with script signature. Height 15 5/8 inches, 42 inches square. C $1,000-1,500 See Illustration

380

373 Paul Evans Steel Cabinet Custom by Paul Evans, Inc., 1970s/1980s With two doors opening to shelves. Height 32 1/2 inches, width 42 inches, depth 18 inches. C $1,500-2,000 See Illustration

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374 Set of Four Matali Crasset for Meta/Mallett Chromed Metal, Glass and Mirrored Glass Diamonds are a Girls Best Friend Wall Lights France, 2009 Height 18 inches, width 12 1/2 inches, depth 6 1/4 inches. C $3,000-5,000 See Illustration of Part


382

375 Hermès Pearwood, Leather and Brass Pippa Console Rectangular removable tray top on folding X-form base. Height 29 inches, width 48 1/4 inches, depth 13 1/8 inches. C $2,000-3,000 See Illustration

376 Rojo Alicante Marble Jumbo Low Table Designed by Gae Aulenti for Knoll, circa 1980 Of square form, with a slab top, raised on conforming truncated columnar corner supports. Height 14 inches, 43 1/4 inches square. C $2,000-3,000 See Illustration 377 Florence Knoll Chromed Steel and Marble Table The oval top above a cylindrical stem, raised on four legs. Height 28 inches, width 6 feet 6 1/2 inches. C $1,500-2,500

383

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387

378 Pair of Danish Modern Style Leather Upholstered Walnut Callan Armchairs Room & Board, Modern Height 34 inches, width 28 1/4 inches, depth 32 inches. C $800-1,200

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379 Gaetano Pesce Felt and Fabric Feltri Armchair Cassina, 1980s Height 31 inches, width 42 inches, depth 26 inches. C $800-1,200 See Illustration


380 Gaetano Pesce Resin and Metal Friend Lamp 1990s From the Open Sky series. Height 19 inches, width 11 inches. C $800-1,200 See Illustration

388

381 Pair of Jeff Messerschmidt Chromed Metal Mounted Pipeline Acrylic Armchairs 1980s Height 34 1/2 inches, width 22 1/2 inches, depth 25 inches. A pair of these armchairs sold Wright, October 17, 2019, lot 341. C $800-1,200 See Illustration

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391

393

392 382 Laurent Chauvat Branch and Bird-Form Iron Eight-Light Ceiling Fixture Circa 2015 Signed Chauvat. Height 21 3/4 inches (excluding birds); diameter 55 1/2 inches. C $2,500-3,500 See Illustration 383 Pair of De Pas, D’Urbino & Lomazzi Tan Leather Joe Chairs 1970s Height 36 inches, width 6 feet, depth 39 inches. C $4,000-6,000 See Illustration

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384 Hariri & Hariri Two-Part White Painted Fiberglass-Reinforced Plywood Desk Situ Studio, 2011 Of angular crystalline form. Height of larger section 35 inches, width 110 inches, depth 37 inches. Hariri & Hariri Architecture is a New York based firm founded by sisters Giuse and Mojgan Hariri. The award winning duo have residential and public projects across the USA, Europe, the Middle East and China. Their distinctive style is a fresh look at the Modernist aesthetic. C $4,000-6,000 See Illustration


385 Dark Stained Wood and Walnut Low Table Modern Square on rectangular legs. Height 16 1/4 inches, 59 inches, square. C $500-700 386 Chris Lehrecke Upholstered Walnut Classic Daybed Rectangular with shaped ends on tapering square feet. Height 24 inches, width 81 inches, depth 30 inches. C $800-1,200

394

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155 Newel St. 4A BROOKLYN, NY 11222 The exquisite residence features a private roof deck approx. 400 sq ft off the upper level, a spacious terrace off the living and dining room on the lower level and a charming Juliet balcony off the first floor bedroom. The home boasts a striking open concept chef’s kitchen equipped with stainless steel GE Profile appliances. $1,100,000 • 2 Beds • 1 Bath Condominium

virtually staged

2 East End Ave. PHG NEW YORK, NY 10075 This triplex abode is the epitome of sophistication and elegance! Boasting direct East River and Manhattan city scape views, this south facing trophy residence is sure to impress even the most discerning of buyers. In addition to the superb layout, Penthouse G offers individually controlled central air conditioning.

$ 2,400,000 • 3 Beds • 3.5 Baths Cooperative

virtually staged

ANTONIA WATSON Licensed as Antonia Palmieri Senior Global Sales Executive Associate Real Estate Broker c: 347.768.5952 o: 646.677.9368 AntoniaWatson@bhhsnyproperties.com

A premier international real estate authority, Antonia excels in all facets of the industry and has been involved in over $1 billion of residential and commercial real estate transactions to-date. Her real estate background expands from general contractor, property manager, interior designer and real estate consultant.

212.710.1900 | CONTACT@BHHSNYP.COM 590 MADISON AVENUE, NEW YORK, NEW YORK @bhhsnewyork

bhhsnyp.com © 2019 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliate, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity. Information not verified or guaranteed. If your home is currently listed with a Broker, this is not intended as a solicitation.


GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

I


Luxurious Home In Chester, New Jersey

$ ,250,000

Located in the lush hills of Chester, New Jersey, this private home sits on 3.22 acres and boasts four beds, four full and two half baths. The gourmet chef's kitchen is complete with Wood-Mode cabinetry, chef-grade stainless steel appliances, expansive The luxurious master bedroom features a newer spa bath and overlooks private rear grounds. Enjoy breathtaking views from the full length two-story verandas, 9' ceilings, solid wood doors and floors. Close to Gill St. Bernards! Entertain, work, and play at home in perfect harmony!

5BeaconHillEstates.com CATHERINE "CATHY" FRATES Sales Associate Luxury Collection Specialist Cell: 908-334-1789 catherin.frates@bhhsnj.com www.BHHSNJ.com/Catherine.Frates Basking Ridge

665 Martinsville Rd., Basking Ridge, NJ 07920

©2019 Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.


CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

II


Timeless Elegance

Wilton, CT • 92 Spectacle Lane • $1,867,000

Masterfully built in 2007, in the gracious style of the 1930’s era, the home exudes sophistication and timeless elegance. Exterior features include well maintained cedar shingle roof, exquisitely landscaped gardens, fire pit, built in grill, tiered stone walls and paved circular driveway.

Katy Williams & Lynne Murphy

A member of the franchise system of BHH Affiliates, LLC

203-856-0033 203-940-0628 KatyWilliams@bhhsne.com LynneMurphy@bhhsne.com MLS# 170185788


CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III


L U X U R Y

C O L L E C T I O N

Rancho Santa Fe • Offered at $5,495,000 Bibbi Conner • Lic# 01805387 • 858.774.4499

bhhscalifornia.com ©2019 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Seller will entertain and respond to all offers within this range. Buyer is advised to independently verify the accuracy of that information.


TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

IV


INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX

WHY DOYLE NEW YORK COLLECTS SALES TAX

If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state.

Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales tax collected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%. If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

LOCAL TAX ADVISORS

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

V


BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

VI

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.


BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII


SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com


175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730

F OR O F F I CE U S E O N LY

DOYLE.COM Consumer Affairs No. 0777006

ABSENTEE & TELEPHONE BID FORM

4.19

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above. You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

S A LE T IT LE

• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions. Changes to bids on the day of sale must be submitted in writing by fax or email.

SA LE D AT E

N AM E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

C O MPANY (If applicable) A DD RE S S *

Change of Address

CI TY

S TATE

Z I P CO D E

C O UN TRY

• In the event that identical bids are submitted, the earliest will take precedence.

P HO N E

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

P HO N E ( DAY OF S ALE ** )

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date. Otherwise, purchases cannot leave our premises until checks have cleared.

E MAI L CL I EN T N UMBER ( N EW CL I EN TS: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT N UMB ER

TOP LI MIT O F B ID / SAFE TY BI D

Excluding Buyer’s Premium

LOT NU M BE R

TO P LIM IT OF B I D / S AF ETY B ID

Excluding Buyer’s Premium

LO T N UM BE R

T OP L I MI T O F B I D / SA F E T Y BI D

Excluding Buyer’s Premium

• A 25% deposit may be required on certain absentee bids. • Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request. • Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

I understand and agree to the Terms and Conditions of Sale°

SIG NATURE

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

Submit bid form by email: Bids@DOYLE.com or FAX 212-427-7526 by 4pm (Eastern) the evening before the auction. XIII

Alternatively, absentee bids may be placed online at DOYLE.com until 8am (Eastern) the morning of the auction. Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207


CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES Absentee & Telephone Bids Alanna Sutherland 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Tyler Kusler 212-427-4141, ext 203 BidLive@Doyle.com

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com BEVERLY HILLS / CALIFORNIA 9595 Wilshire Boulevard Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com

SPECIALISTS

BOSTON / MASSACHUSETTS 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@ Doyle.com Todd Sell VP, Furniture & Decorative Arts 212-427-4141 ext 269 Todd.Sell@ Doyle.com

Rodger Ward Chicago / Midwest Regional Representative 773-575-7696 Rodger.Ward@ Doyle.com

Malcolm Mac Neil VP, Belle Epoque Furniture & Decorative Arts 212-427-4141 ext 218 Malcolm.Macneil@ Doyle.com

CHICAGO / MIDWEST 773-575-7696 CONNECTICUT 212-427-4141, ext 211 DoyleCT@Doyle.com NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com

Harold E. Porcher VP, Director, Modern & Post-War Art 212-427-4141 ext 235 Harold.Porcher@ Doyle.com

Cynthia Klein VP, Director, Prints & Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com

PALM BEACH / FLORIDA 561-322-6795 DoyleFL@Doyle.com PENNSYLVANIA 212-427-4141, ext 225 DoylePA@Doyle.com WASHINGTON, DC / MID-ATLANTIC 10421A Metropolitan Ave Kensington, MD 20895 202-342-6100 DoyleDC@Doyle.com

Alexis Gyateng Prints & Multiples 212-427-4141 ext 226 Alexis.Gyateng@ Doyle.com

Leigh Kendrick Furniture & Decorative Arts 212-427-4141 ext 243 Leigh.Kendrick@ Doyle.com

Front Cover Back Cover Inside Front Cover

230 57 359


DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM


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