Prints & Multiples - 4.30.19 by Doyle

PRINTS & MULTIPLES

Tuesday, April 30, 2019

NEW YORK

PRINTS & MULTIPLES

AUCTION Tuesday, April 30, 2019 at 10am

EXHIBITION Saturday, April 27, 10am – 5pm Sunday, April 28, Noon – 5pm Monday, April 29, 10am – 6pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

INCLUDING PROPERTY FROM THE ESTATES OF Evelyn Berezin Hilda U. and Rudolph Forchheimer Jeanne Frank Elizabeth H. Fuller A Gentleman, Park Avenue and Southampton, New York Alfred F. Hubay Leonore Hodorowski Monica Holmes Sidney B. Jacques A Lady Albert Lee Carol Lesnor Dorothy Lewis 2013 Irrevocable Trust Edith MacGuire Susan S. Maizell Peter Mayer Jesse Mines Rus Parker George and Laurette Podell J. Robert and Gladys Rosenthal Felice Ross Joanna and Steven Schot, Washington, DC Florence L. Shelby Bernice and Jules Teck

INCLUDING PROPERTY FROM Formerly in the inventory of Berry-Hill Galleries, New York A Private New York Collector Two New York Gentlemen A Palm Beach Collector

CONTENTS Prints

1-225

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PRINTS & MULTIPLES

Lot 141

1 Josef Albers (1888-1976) JHM-II (DANILOWITZ 224.2) Color screenprint, 1973, on German Etching paper, signed with initials, dated, titled and numbered 55/144 in pencil, from Josef Albers Honors the Hirshhorn Museum and Sculpture Garden, published by Ives-Sillman, Inc., New Haven and with their blindstamp, with full margins, framed. 15 x 15 inches; 381 x 381 mm. Sheet 25 x 35 inches; 635 x 889 mm. C $4,000-6,000 2 Jean (Hans) Arp (1886-1966) SEUIL CONFIGURATION Brushed aluminum multiple, 1977, with stamped signature, numbered 5/300 and incised L71122 on the underside, published by the Metropolitan Museum of Art, New York, with Plexiglas stand. Height 7 inches; 178 mm. C The Estate of George and Laurette Podell $1,500-2,500

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3 Peggy Bacon (1895-1987) AESTHETIC PLEASURE (FLINT 126) Drypoint, 1936, on cream laid paper, signed and titled in pencil, from the edition of 174, published by Associated American Artists, New York, with good margins, unframed. 6 x 8 1/2 inches; 152 x 216 mm. Sheet 8 5/8 x 11 inches; 219 x 279 mm. C Estate of Sidney B. Jacques $600-800

4 Romare Bearden (1911-1988) TIDINGS (NOT IN GELBURD/ROSENBERG) Color screenprint, circa 1970, signed and titled in pencil, with full margins, framed. 16 1/2 x 16 inches; 419 x 406 mm. Sheet 19 1/8 x 18 1/8 inches; 486 x 460 mm. C $1,500-2,500 5 Ludwig Bemelmans (1898-1962) THEY WENT LOOKING HIGH AND LOW Color lithograph, on wove paper, signed and numbered 137/300 in pencil, from Madeline’s Rescue, with wide margins, framed. 24 x 18 inches; 610 x 457 mm. Sheet 34 x 26 inches; 864 x 660 mm. C $800-1,200 6 Adam E. M. Paff ETCHINGS AND DRYPOINTS BY FRANK W. BENSON VOLUMES ONE, THREE, FOUR AND FIVE Four of the five volumes of the catalogue raisonné of etchings, 1917, 1923, 1929 and 1959, respectively, numbered 116, 124, 482 and 247 in ink, from editions of 275, 525, 600 and 400, each bound as issued with an original etching, the first three signed in pencil, with complete text, published by Houghton Mifflin Company, Boston and New York, the full sheets, the fourth with original dust jacket. Each overall 12 1/2 x 9 3/8 inches; 318 x 238 mm. Including: PAIR OF DUCKS; FRONTISPIECE FOR VOLUME THREE OF THE CATALOGUE [ON SET WINGS]; FLYING PINTAIL; PERCHING GROUSE (PAFF 192; 223; 275; 347) C $1,000-1,500

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7 Thomas Hart Benton (1889-1975) PRODIGAL SON (FATH 29) Lithograph, 1939, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with margins, unframed. 10 1/8 x 13 1/4 inches; 257 x 337 mm. Sheet 12 1/2 x 16 inches; 318 x 406 mm. C $1,500-2,500

8 Thomas Hart Benton INSTRUCTION (F. 41) Lithograph, 1940, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with (full?) margins, framed. 10 1/2 x 12 3/8 inches; 267 x 314 mm. Sheet 12 3/8 x 14 3/8 inches; 314 x 365 mm. C Estates of J. Robert and Gladys Rosenthal $1,500-2,500

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9 Thomas Hart Benton GATESIDE CONVERSATION (F. 69) Lithograph, 1946, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed. 9 7/8 x 14 inches; 251 x 356 mm. Sheet 10 1/4 x 15 1/8 inches; 260 x 384 mm. C $1,000-1,500

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10 Thomas Hart Benton YOUTH MUSIC (F. 92) Lithograph, 1974, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed. 17 x 20 5/8 inches; 432 x 524 mm. Sheet 20 1/2 x 27 inches; 521 x 686 mm. • $1,500-2,500

11 William Blake (1757-1827) CHAUCER’S CANTERBURY PILGRIMS (ESSICK 16) Etching, engraving and drypoint, 1810, on Rives BFK paper, fourth state of four, from the Charles Sessler edition printed by Ernest D. Roth in 1941, with margins, unframed. 14 x 38 inches; 356 x 965 mm. Sheet 16 1/2 x 39 1/4 inches; 419 x 997 mm. C $1,000-1,500

12 Edmund Blampied (1886-1966) MARRIAGES, BIRTHS AND DEATHS; MADAME DUPRÉ (APPLEBY 140; 147) Two drypoints, 1929, signed and numbered 77/100 and 98/100, respectively, in ink, with full margins, framed. Larger 8 1/4 x 10 1/4 inches; 210 x 261 mm. C The Estate of Elizabeth H. Fuller $600-800

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13 Richard Bosman (b. 1944) RIVER Color woodcut, 1989, on Kozo paper, signed and numbered 4/65 in pencil, published by the Metropolitan Museum of Art, New York, with full margins, framed. 30 x 34 inches; 762 x 864 mm. Sheet 35 3/4 x 38 3/4 inches; 908 x 984 mm. C $600-800 14 Georges Braque (1882-1963) UNTITLED Color offset lithograph, 1955, on wove paper, signed and numbered 40/75 in pencil, from Carnets Intimes de Georges Braque, published by Éditions de la Revue Verve, Paris, with margins, framed. 8 7/8 x 13 1/2 inches; 225 x 343 mm. Sheet 10 3/8 x 14 inches; 264 x 356 mm. C $1,000-1,500

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15 Alexander Calder (1898-1976) THE BIG I Etching, 1944, on cream Rives paper, signed, titled and numbered 24/30 in pencil, printed by Atelier 17, New York, published by Wittenborn & Co., New York, with full margins, unframed. 7 x 8 7/8 inches; 178 x 225 mm. 11 1/2 x 15 3/4 inches; 292 x 400 mm. C The Estate of Elizabeth H. Fuller $1,500-2,500

16 Alexander Calder COMPOSITION Color lithograph, on Rives BFK paper, signed and numbered 35/90 in pencil, with full margins, framed. 19 1/2 x 28 3/8 inches; 495 x 721 mm. Sheet 22 1/8 x 31 7/8 inches; 562 x 810 mm. C $1,500-2,500

17 Alexander Calder COMPOSITION WITH CIRCLES Color lithograph, 1971, signed and numbered 78/100 in pencil, with full margins, unframed. Sheet 30 1/4 x 44 1/2 inches; 768 x 1130 mm. C $1,000-1,500

18 Alexander Calder TANK TRAPS Color lithograph, 1973, on cream wove paper, signed and numbered 51/95 in pencil, the full sheet, framed. Sheet 28 7/8 x 42 3/4 inches; 733 x 1099 mm. C $1,500-2,500

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19 Alexander Calder LA MÉMOIRE ÉLÉMENTAIRE Complete set of 12 color lithographs, 1978, on Arches paper, signed and numbered 46/100 in pencil, with text (lacking the justification), published by Éditions de la Différence, Paris, the full sheets, in original linen-covered portfolio. Sheets 20 1/2 x 28 3/8 inches; 521 x 721 mm. C $15,000-25,000

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20 Jacques Callot (1592-1635) LE MARCHÉ D’ESCLAVES (LIEURE 369) Etching, 1629, on laid paper with proprietary watermark, a fine impression of the second state of six, with thread margins, unframed. Sheet 4 9/16 x 8 5/8 inches; 116 x 219 mm. C $900-1,200

21 Marc Chagall (1887-1985) DIE GROSSMUTTER (KORNFELD 4) Etching and drypoint, 1922, on cream laid paper, signed and numbered 86/110 in pencil, from Mein Leben, published by Paul Cassirer, Berlin, with full margins, framed. 8 1/4 x 6 3/8 inches; 210 x 162 mm. Sheet 14 1/2 x 10 1/2 inches; 368 x 267 mm.

22 Marc Chagall GEBURT (K. 6) Etching, 1922, on cream laid paper, signed and numbered 72/110 in pencil, from Mein Leben, published by Paul Cassirer, Berlin, with full margins, framed. 5 1/8 x 7 inches; 130 x 178 mm. Sheet 10 1/2 x 13 7/8 inches; 267 x 352 mm.

Provenance: Estate of Leon Levitt C $800-1,200

Provenance: Estate of Leon Levitt C $1,000-1,500

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23 Marc Chagall DER MANN MIT DEM KORB (K. 22) Etching and aquatint, 1922, on cream laid paper, signed and numbered 71/110 in pencil, from Mein Leben, published by Paul Cassirer, Berlin, with full margins, framed. 4 3/4 x 3 5/8 inches; 121 x 92 mm. Sheet 13 3/4 x 10 1/2 inches; 349 x 267 mm. Provenance: Estate of Leon Levitt C $800-1,200 24 Marc Chagall ÉLIE ET LA VEUVE DE SAREPTA (SEE CRAMER BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 64/100 in pencil, from Le Bible, published by Tériade, Paris in 1958, with full margins, framed. 11 3/8 x 9 3/4 inches; 289 x 248 mm. Sheet 21 x 15 3/8 inches; 533 x 391 mm. C $2,500-3,500

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25 Marc Chagall ENFANT RESSUSCITÉ PAR ÉLIE (SEE C. BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 86/100 in pencil, from Le Bible, published by Tériade, Paris in 1958, with full margins, framed. 12 x 9 5/8 inches; 305 x 244 mm. Sheet 21 1/8 x 15 3/8 inches; 637 x 391 mm. C $2,500-3,500

26 Marc Chagall L’ACCORDÉONISTE (MOURLOT 204) Color lithograph, 1957, on cream wove paper, signed and numbered 78/90 in pencil, with full margins, unframed. 9 3/4 x 15 3/4 inches; 248 x 400 mm. Sheet 14 7/8 x 19 7/8 inches; 378 x 505 mm. C $4,000-6,000 27 Marc Chagall CHAGALL LITHOGRAPHE I-V (M. 281-292; 391-402; 577-578; 729-730, C. BOOKS 43; 56; 77; 94) Five of six volumes with 28 lithographs, 1960-1984, bound (as issued), with complete text in English, published by André Sauret, Monte Carlo, the full sheets. Each overall 13 x 10 inches; 330 x 254 mm. Together with Longus DAPHNIS AND CHLOE, book with reproductions of Chagall lithographs, published by George Braziller, 1977. C Property of a Palm Beach Collector $3,000-4,000 28 Marc Chagall LE CLOWN À LA FLÛTE (M. 615) Color lithograph, 1970, on Arches paper, signed and numbered 42/50 in pencil, with full margins, framed. 14 1/8 x 19 3/8 inches; 359 x 492 mm. Sheet 19 1/2 x 24 3/4 inches; 495 x 629 mm. C Estate of Leon Levitt $4,000-6,000

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29 Marc Chagall LE PROFIL BLEU (M. 647) Color lithograph, 1972, on Arches paper, signed and inscribed Epreuve d’artiste in pencil, published by Maeght, Paris, with full margins, framed. 23 3/4 x 17 3/4 inches; 603 x 451 mm. Sheet 29 1/4 x 22 1/8 inches; 743 x 562 mm. C Estate of Leon Levitt $3,000-5,000 30 Marc Chagall CELUI QUI DIT LES CHOSES SANS RIEN DIRE (C. BOOKS 99) Color etching and aquatint, 1976, on Japon Impérial paper, signed and numbered 9/25 in pencil, from the same-titled portfolio, published by Maeght, Paris, with full margins, framed. 15 5/8 x 11 3/4 inches; 397 x 298 mm. Sheet 18 1/2 x 14 1/4 inches; 470 x 362 mm. C $3,000-4,000

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31 Marc Chagall CELUI QUI DIT LES CHOSES SANS RIEN DIRE (C. BOOKS 99) Color etching and aquatint, 1976, on Japon Impérial paper, signed and numbered 9/25 in pencil, from the same-titled portfolio, published by Maeght, Paris, with full margins, framed. 15 5/8 x 11 3/4 inches; 397 x 298 mm. Sheet 18 1/2 x 14 3/8 inches; 470 x 365 mm. C $3,000-4,000

32 After Marc Chagall COUPLE DANS LES MIMOSAS (MOURLOT CS. 32) Color lithograph by Charles Sorlier, 1967, on Arches paper, signed and numbered 11/150 in pencil, from Nice et la Côte d’Azur, with full margins, framed. 24 1/8 x 18 inches; 613 x 457 mm. Sheet 29 1/4 x 20 7/8 inches; 743 x 530 mm. C Property of a Palm Beach Collector $12,000-18,000

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33 Ed Clark (b. 1926) UNTITLED Color etching with hand-coloring in acrylic, on wove paper, signed twice, dated and inscribed A/P in pencil, with (full?) margins, unframed. 24 x 28 5/8 inches; 610 x 727 mm. Sheet 25 1/2 x 30 3/8 inches; 648 x 772 mm. Provenance: Gift of the artist to the present owner C $2,000-3,000 34 Chuck Close (b. 1940) SELF-PORTRAIT/SCRIBBLE/ETCHING Color etching, 2001, on wove paper, signed, dated and inscribed AP IX/XV in pencil (aside from the edition of 60), also with a 2003 signed and dated dedication in ink on the backing, published by Pace Editions, Inc., New York, with full margins, framed. 11 3/8 x 9 1/8 inches; 289 x 232 mm. Sheet 18 1/4 x 15 3/8 inches; 464 x 391 mm. C $2,500-3,500

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35 Howard Cook (1901-1980) EDISON PLANT (DUFFY 127) Lithograph, 1930, on Rives paper, signed and dated in pencil, edition of 35 (from an intended edition of 75), with full margins, unframed. 13 3/8 x 9 7/8 inches; 340 x 251 mm. Sheet 22 3/4 x 15 7/8 inches; 578 x 403 mm. C $2,500-3,500 36 Howard Cook ENGINE ROOM (D. 128) Lithograph, 1930, on Rives paper, signed, dated and inscribed 75 in pencil, edition of 35 (from an intended edition of 75), with full margins, unframed. 10 1/8 x 12 1/4 inches; 257 x 311 mm. Sheet 15 1/2 x 21 inches; 394 x 533 mm. C $2,000-3,000 37 Howard Cook FINANCIAL DISTRICT (D. 155) Lithograph, 1931, on Rives paper, signed, dated and inscribed 75 in pencil, from the edition of 75, with full margins, unframed. 13 3/8 x 10 3/8 inches; 340 x 264 mm. Sheet 23 x 16 inches; 584 x 406 mm. C $5,000-7,000

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38 Howard Cook NEW YORK NIGHT (D. 162) Lithograph, 1931, on Rives paper, signed and dated in pencil, edition of 30 (from an intended edition of 75), with full margins, unframed. 10 x 12 1/8 inches; 254 x 308 mm. Sheet 16 1/8 x 22 3/4 inches; 410 x 578 mm. C $5,000-7,000 39 Howard Cook GEORGE WASHINGTON BRIDGE WITH “B” (D. 156) Lithograph, 1932, on Rives paper, signed, dated and inscribed 75 in pencil, edition of 50 (from an intended edition of 75), unframed. 13 3/4 x 9 7/8 inches; 349 x 251 mm. Sheet 22 3/4 x 16 inches; 578 x 406 mm. C $3,000-5,000

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40 Lovis Corinth (1858-1925) WALCHENSEE MIT KAPELLE (MÜLLER 831) Drypoint, 1923, on cream laid paper, signed and numbered 71/120 in pencil, for Der Walchensee (Klein), published by Wohlgemuth & Lissner, Berlin and with their blindstamp, with (full?) margins, framed. 5 1/2 x 7 inches; 140 x 178 mm. Sheet 10 3/8 x 12 1/2 inches; 264 x 318 mm. C $800-1,200

41 Miguel Covarrubias (1904-1957) RUMBA Lithograph, 1942, on cream wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, unframed. 9 1/4 x 13 1/2 inches; 235 x 343 mm. Sheet 11 3/8 x 15 3/8 inches; 289 x 391 mm. C Estate of Sidney B. Jacques $800-1,200

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42 Salvador Dalí (1904-1989) DIE GÖTTLICHE KOMÖDIE (THE DIVINE COMEDY) (SEE FIELD PP. 189-200) Complete set of 100 color woodcuts, 1959-63, from the German edition of 1000 published by Art—Créations— Bibliophile, Geneva and sold by Dr. Jawdat Naffoui in 1974, with complete text, numbered 56 on the justification, with Certificate of Authenticity signed by Dr. Naffoui and Jean Estrade, publisher of the first edition, and numbered 56/1000 in ink, with full margins, 96 in original mats, in red, purple and blue paste boards and slipcases, two framed. Sheets 13 x 10 3/8 inches; 330 x 264 mm. C $2,000-3,000 43 Salvador Dalí PICASSO: A TICKET FOR GLORY (F. 74-8C; MICHLER/LÖPSINGER 670) Hand-colored drypoint, 1974, on Arches paper, signed and numbered A 67/195 in pencil, from After 50 Years of Surrealism, published by Transworld Art, Fribourg and with their blindstamp, with full margins, framed. 16 x 12 inches; 406 x 305 mm. Sheet 26 x 19 7/8 inches; 660 x 505 mm. C $600-800

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44 Sonia Delaunay-Terk (1885-1979) ORIFLAMMES; AFFREUX JOJO Two color lithographs, 1968 and 1969, on Arches paper, signed and numbered 24/75 and 19/75, respectively, in pencil, with full margins, unframed. Sheets 30 1/4 x 22 3/8 inches; 768 x 568 mm. C Dorothy Lewis 2013 Irrevocable Trust $3,000-4,000

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45 Sonia Delaunay-Terk À JOUR Color lithograph, circa 1970, on Arches paper, signed and numbered 41/75 in pencil, with full margins, unframed. Sheet 19 7/8 x 25 7/8 inches; 505 x 657 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500

46 Sonia Delaunay-Terk GRAND CARRÉ ROUGE Color lithograph, circa 1970, on Arches paper, signed and inscribed H.C. 6/10 (over an erased inscription), in pencil, with full margins, unframed. 29 7/8 x 21 5/8 inches; 759 x 549 mm. Sheet 35 3/4 x 25 inches; 908 x 635 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,200-1,800

47 Sonia Delaunay-Terk COMPOSITIONS Two color lithographs, circa 1970, on wove paper, signed, numbered 18/50 and inscribed épreuve d’ artiste in pencil, respectively, with full margins, unframed. Sheets approximately 30 x 22 3/4 inches; 762 x 578 mm. C Dorothy Lewis 2013 Irrevocable Trust $3,000-4,000

48 Sonia Delaunay-Terk LAMELLES Color lithograph, circa 1970, on Arches paper, signed and inscribed H.C. 24/25 in pencil, with full margins, unframed. 16 7/8 x 15 5/8 inches; 429 x 397 mm. Sheet 25 5/8 x 19 1/2 inches; 651 x 495 mm. C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

49 Sonia Delaunay-Terk COMPOSITION Color etching and aquatint, circa 1970, on Arches paper, signed and inscribed E.A. in pencil, with full margins, framed. 19 1/2 x 15 5/8 inches; 495 x 397 mm. Sheet 26 x 19 7/8 inches; 660 x 505 mm. C $800-1,200

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50 50 Jim Dine (b. 1935) WATERCOLOUR IN GALILEE Hand-colored etching, 2001, on Hahnemühle Copperplate paper, signed, dated and numbered 3/50 in pencil, published by Pace Editions Inc., New York, with full margins, framed. 18 3/8 x 16 1/4 inches; 467 x 413 mm. Sheet 30 3/4 x 22 1/4 inches; 781 x 565 mm. C $3,000-5,000

51 51 Marylyn Dintenfass (b. 1943) MORTON SERIES Color monotype, 2001, on wove paper, signed, dated and titled in pencil, with full margins, framed. 7 7/8 x 14 7/8 inches; 200 x 378 mm. Sheet 15 x 22 1/8 inches; 381 x 562 mm. C $1,000-1,500

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52 Peter Doig (b. 1959) PELICAN; FIGURE BY A RIVER; BOATHOUSE; FISHERMAN Four color etchings and aquatints, 2004, on Zerkall paper, signed and dated in pencil, from Black Palms, published by Griffelkunst-Vereinigung, Hamburg, with full margins, unframed. Each approximately 7 3/4 x 5 3/4 inches; 197 x 146 mm. Sheets 21 x 15 inches; 533 x 381 mm. C $4,000-6,000

53 Kees van Dongen (1877-1968) CÉRÈS (BUSTE DE FEMME) (JUFFERMANS JM 8) Color heliogravure and offset lithograph, 1948, on Rives BFK paper, signed and numbered 77/200 in pencil, published by Éditions Carmen Guillard, Paris, with full margins, unframed. 22 3/4 x 18 1/8 inches; 577 x 461 mm. Sheet 29 1/2 x 22 1/8 inches; 749 x 562 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 54 Kees van Dongen JEAN-MARIE À LA ROSE; JEAN-MARIE DANS LA HAVRE; DANS LA PLAGE (J. JL 20; JL 22; SEE PP. 180) Three color lithographs, circa 1950, on wove paper, signed, the second and third numbered 46/100 and 5/10, respectively, the first inscribed Ex H.C. C/6(?), in pencil, with full margins, unframed. Largest 16 1/ 8 x 13 3/4 inches; 410 x 330 mm C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 55 Kees van Dongen CLAUDINE (MLLE OEUIE DE LYNX) (J. JL 28) Color lithograph, circa 1950, on wove paper, signed and inscribed E. A. 6/24 in pencil (aside from the numbered edition of 150), with full margins, unframed. 13 7/8 x 9 1/2 inches; 352 x 241 mm. Sheet 21 1/8 x 15 3/4 inches; 537 x 400 mm. C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

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56 Kees van Dongen LA MARCHESE LUISA CASATI (J. JL 44) Color lithograph, circa 1950, on cream wove paper, signed and numbered 105/195 in pencil, with full margins, framed. 23 1/2 x 11 3/4 inches; 597 x 298 mm. Sheet 29 5/8 x 18 1/2 inches; 752 x 470 mm. C $2,000-3,000 57 Kees van Dongen LE CARROUSEL (LE CHAMPS-ÉLYSÉES) (J. JL 39) Color lithograph, 1963, on Rives BFK paper, signed in blue ballpoint pen, numbered 31/100 in black ink, with full margins, unframed. 22 x 18 3/8 inches; 559 x 467 mm. Sheet 30 1/4 x 22 3/4 inches; 768 x 578 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 58 Kees van Dongen BRIGITTE BARDOT (J. JL 42B) Color lithograph, 1964, on Arches paper, signed in blue ballpoint pen and numbered 9/150 in pencil, with full margins. 22 7/8 x 17 3/8 inches; 581 x 441 mm. Sheet 28 7/8 x 21 3/4 inches; 733 x 552 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500

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59 Jean Dubuffet (1901-1985) MARCHE EN CAMPAGNE (WEBEL 1171) Color screenprint, 1975, on Sirène Arjomari paper, signed with initials, dated and numbered 6/70 in pencil, published by Pace Editions, Inc., New York and Éditions Beyeler, Basel, the full sheet, framed. Sheet 31 1/4 x 28 inches; 794 x 711 mm. C $4,000-6,000

60 Albrecht Dürer (1471-1528) THE VIRGIN AND CHILD CROWNED BY ONE ANGEL (BARTSCH 37; MEDER 41) Engraving, 1520, on cream laid paper, with thread margins, a fine, early Meder I a impression, unframed. Sheet 5 1/2 x 4 inches; 140 x 102 mm. Ex-collection: Pierre Mariette, dated 1674 in ink (Lugt 1788) Karl Eduard von Liphart (L. 1687) Theodore Irwin, Oswego, New York (not in L.) Junius Spencer Morgan (L. 1536) C $6,000-9,000

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61 61 Tracey Emin (b. 1963) SHE LAY DOWN DEEP BENEATH THE SEA Color lithograph, 2011, on wove paper, signed, dated, titled and numbered 110/150 in pencil, printed and published by Counter Editions, London, the full sheet, framed. Sheet 22 x 28 1/2 inches; 559 x 724 mm. C $600-800

62 Erté (1892-1990) STATUE OF LIBERTY SUITE: DAY AND NIGHT Two color screenprints with embossing, 1986, signed and inscribed AP 28/75 in pencil, with full margins, framed. Each 28 1/8 x 20 inches; 714 x 508 mm. Sheets 34 5/8 x 26 1/4 inches; 879 x 667 mm. C $1,500-2,500

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63 Sam Francis (1923-1994) UNTITLED (LEMBARK S.19) Color screenprint, 1988, on wove paper, signed and numbered 63/114 in pencil, published by La Paloma, Santa Monica, the full sheet, unframed. Sheet 30 x 22 inches; 762 x 559 mm. C $1,500-2,500

64 Helen Frankenthaler (1928-2011) SUDDEN SNOW (HARRISON 129) Color lithograph, 1987, on Arches Cover mould-made paper, signed, dated and numbered 16/50 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York and with their blindstamp, with full margins, framed. Sheet 31 5/8 x 23 5/8 inches; 803 x 600 mm. Provenance: Tyler Graphics, Ltd Acquired by the present owner from the above in 1987 C $2,500-3,500

65 Helen Frankenthaler TRIBAL SIGN (H. 132) Color lithograph, 1987, on TGL handmade paper, signed, dated and numbered 36/47 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed. Sheet 23 7/8 x 18 1/4 inches; 606 x 464 mm. Provenance: Tyler Graphics, Ltd. Acquired by the present owner from the above in 1987 C $4,000-6,000 66 Helen Frankenthaler SOLAR IMP Color screenprint, 2001, on wove paper, signed and numbered 20/126 in pencil, printed by Brand X Editions, Ltd., New York and with their inkstamp verso, published by List Art Posters and Lincoln Center for the Performing Arts, New York, the full sheet, framed. Sheet 39 1/4 x 29 7/8 inches; 997 x 759 mm. C $4,500-5,500

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67 Elisabeth Frink (1930-1993) DOG; HORSE; HARE; LIONESS; WILD BOAR (WISEMAN 11; 14; 15; 17; 18) Five color lithographs, 1967, on J. Green paper, signed and inscribed C in pencil (one of five lettered artist’s proofs aside from the edition of 25), from Images, published by Alistair McAlpine and Waddington Galleries, London, with full margins, framed. Four sheets approximately 30 5/8 x 23 3/8 inches; 778 x 594 mm. One sheet 23 3/8 x 30 5/8 inches; 594 x 778 mm. C $2,000-4,000 68 Elisabeth Frink HORSE AND RIDER III (W. 45) Color lithograph, 1970-1971, on T.H. Saunders paper, signed and numbered 6/70 in pencil, from Horse and Rider, published by Leslie Waddington Prints Ltd., London, with full margins, framed. Sheet 22 7/8 x 30 1/2 inches; 581 x 775 mm. C $1,000-1,500

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69 Elisabeth Frink HONEY BUZZARD; LAMMERGEIER (W. 108; 115) Two color etchings and aquatints, 1974, on J. Green paper, signed and numbered 30/50 and 36/50, respectively, in pencil, from Birds of Prey, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd., London, with full margins, unframed. Each 21 1/4 x 18 1/2 inches; 540 x 470 mm. Each sheet approximately 36 x 25 3/4 inches; 914 x 654 mm. Provenance: Berry-Hill Galleries, New York C $1,000-1,500

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70 Alberto Giacometti (1901-1966) L’HOMME QUI MARCHE (LUST 202) Lithograph, 1957, on Arches paper, signed and numbered 185/200 in pencil, published by Maeght, Paris, with full margins, framed. Sheet 30 x 22 3/8 inches; 762 x 568 mm. C Estate of Jeanne Frank $4,000-6,000

71 Alberto Giacometti SCULPTURES DANS L’ATELIER (L. 185) Etching, 1964, on wove paper, signed and numbered 69/150 in pencil, published by Galerie Beyeler, Basel, with full margins, framed. 10 1/8 x 7 3/4 inches; 257 x 197mm. Sheet 11 1/2 x 8 3/4 inches; 292 x 222 mm. C Estate of Jeanne Frank $2,000-4,000

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72 Sam Gilliam (b. 1933) FOR XAVIER Color screenprint, 1990, on Bainbridge 2 Ply Rag paper, signed, dated, titled and numbered 18/99 in pencil, printed by Lou Stovall, Workshop Inc., Washington, DC and with his blindstamp, with full margins, framed. 30 1/4 x 38 1/4 inches; 768 x 972 mm. Sheet 32 3/16 x 40 1/8 inches; 818 x 1019 mm. C $2,000-3,000 73 Sam Gilliam UNTITLED Color monoprint and collage on various papers with screenprint, acrylic, aluminum and string, 1997, signed and dated in ink, produced by the artist in collaboration with Lou Stovall, Workshop Inc., Washington, DC, in shadow box frame. Overall 37 1/4 x 23 1/4 x 2 1/4 inches; 946 x 591 x 57 mm. C $6,000-8,000

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74 Francisco José de Goya (1746-1828) QUIEN SE PONDRÁ EL CASCABEL AL GATO? (DELTEIL 222; HARRIS 268) Etching, aquatint and drypoint, circa 1824, on Michallet laid paper, from Los Proverbios, a trial proof before the edition with text published in L’Art, with full margins, framed. 9 1/2 x 14 inches; 241 x 356 mm. Sheet 12 3/8 x 18 1/4 inches; 314 x 464 mm. C $3,000-5,000 75 Childe Hassam (1859-1935) COS COB DOCK (CORTISSOZ/CLAYTON 58) Etching and drypoint, 1915, on laid paper, signed with the artist’s cipher and inscribed imp in pencil, with the artist’s tack holes at sheet edges, with full margins, framed. 8 3/8 x 6 3/8 inches; 213 x 162 mm. Sheet 11 1/2 x 9 inches; 292 x 229 mm. C $600-800 76 Childe Hassam PORTSMOUTH DOORWAY (C./C. 104) Etching, 1916, on laid paper, signed with the artist’s cipher and inscribed imp in pencil, with the artist’s tack holes at sheet edges, with full margins, framed. 5 1/2 x 4 1/2 inches; 140 x 114 mm. Sheet 7 1/4 x 5 5/8 inches; 184 x 143 mm. C The Estate of Elizabeth H. Fuller $800-1,200

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77 David Hockney (b. 1937) PANAMA HAT (S.A.C. 127; M.C.A.T. 119) Etching and aquatint, 1972, on Crisbrook handmade paper, signed, dated and numbered 29/125 in pencil, co-published by Brooke Alexander and Petersburg Press, New York, the full sheet, framed. Sheet 16 3/8 x 13 1/4 inches; 416 x 337 mm. C Property of Two New York Gentlemen $12,000-18,000

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78 David Hockney PARADE, METROPOLITAN OPERA (BAGGOT 102) Color offset lithograph, 1981, on wove paper, signed and dedicated in ink, from an edition of unknown size, printed and published by Petersburg Press, New York and London, the full sheet, framed. Sheet 38 x 24 inches; 965 x 610 mm. C The Estate of Alfred F. Hubay $1,000-1,500

79 David Hockney IGOR STRAVINSKY, METROPOLITAN OPERA (B. 104) Color lithograph, 1981, on wove paper, signed and dedicated in red ink, from an edition of unknown size, printed and published by Petersburg Press, New York and London, with full margins, framed. 35 3/8 x 13 3/8 inches; 899 x 340 mm. Sheet 37 7/8 x 17 inches; 962 x 432 mm. C The Estate of Alfred F. Hubay $600-800

80 Howard Hodgkin (b. 1932) ONE DOWN (HEENK 65) Hand-colored color lithograph, 1981, on buff Velin Arches mould-made paper, signed with initials, dated and numbered 42/100 in pencil, printed by Solo Press Inc., New York and with their blindstamp, published by Bernard Jacobson Ltd., London, the full sheet, unframed. Sheet 36 1/8 x 48 inches; 918 x 1220 mm. C $1,500-2,500 81 Ellison Hoover (1888-1955) CENTRAL PARK Lithograph, on wove paper, signed and titled in pencil, with full margins, framed. 11 x 8 3/4 inches; 279 x 222 mm. Sheet 15 5/8 x 12 3/4 inches; 397 x 324 mm. C Estate of Edith MacGuire $1,200-1,800 81

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82 Edward Hopper (1882-1967) EAST SIDE INTERIOR (ZIGROSSER 8; LEVIN 85) Etching, 1922, on wove paper, signed in pencil, from the edition of approximately 100, with good margins, framed. 7 7/8 x 9 7/8 inches; 200 x 251 mm. Sheet 11 1/2 x 13 5/8 inches; 292 x 346 mm. Provenance: Kennedy Galleries, Inc., New York C Estate of Leonore Hodorowski $25,000-35,000

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83 Wolf Huber (1485-1553) THE CIRCUMCISION (BARTSCH 3) Woodcut, circa 1512-13 or circa 1521, a fine impression, with narrow to thread margins, unframed. 4 3/4 x 3 11/16 inches; 119 x 94 mm. Sheet 4 15/16 x 3 13/16 inches; 125 x 97 mm. Ex-collection: Gustav von Rath (Lugt 2772) C $7,000-10,000

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84 Alexandre Evgenievich Iacovleff (1887-1938) DESSINS ET PEINTURES Dâ&#x20AC;&#x2122;AFRIQUE 49 of 50 color prints (including one double-page), and two duplicates (of plates 16 and 36), 1927, the justification stamp numbered 118 and dated in black ink, from the edition of 750, with complete text, published by Lucien Vogel, Paris, lacking plate 19, loose as issued, in original decorative silk covered folder and leather covered portfolio. Overall 16 x 12 inches; 406 x 305 mm. C $2,000-3,000

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85 part 85 Louis Icart (1880-1950) FAVORITE; BLACK BOWS; FISHING; BLACK CAPE; HYDRANGEAS (HOLLAND/ CATANIA/ISEN 111; 115; 181; 209; 373) Five hand-colored drypoints and aquatints, 1920 (2), 1923, circa 1924 and 1929, respectively, signed, the first and third numbered 197 and 184, the third inscribed Bon à tirer, in pencil, the first and second distributed by Estampe Moderne, Paris and with their blindstamp, with good or full margins, framed. Largest 16 5/8 x 20 3/4 inches; 422 x 527 mm. C $2,000-3,000

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86 Robert Indiana (1928-2018) PICASSO (SEE SHEEHAN 82) Color screenprint, 1997, on hand-pulled Coventry paper, signed and numbered 139/395 in pencil, from The American Dream, printed and published by Marco Fine Arts Studio, El Segundo, with full margins, unframed. 17 x 14 inches; 430 x 355 mm. Sheet 19 x 16 inches; 483 x 152 mm. C $1,200-1,800

87 Alex Katz (b. 1927) SWEATSHIRT II (SELF PORTRAIT) (SCHRÖDER 248) Color screenprint, 1990, on Arches paper, signed and numbered 40/150 in pencil, from Alex and Ada, the 1960’s to the 1980’s, printed by Styria Studio, Inc., New York and with their inkstamp verso, published by Gaultney-Klineman Art, the full sheet, unframed. Sheet 36 x 28 3/4 inches; 914 x 730 mm. C $1,500-2,500

88 Ellsworth Kelly (1923-2015) PEACH BRANCH (AXSOM 93) Lithograph, 1973-74, on Arches paper, signed and numbered 31/50 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed. Sheet 47 1/4 x 31 1/2 inches; 1200 x 800 mm. C Estate of Florence L. Shelby $3,000-5,000 89 Ellsworth Kelly GRAPE LEAVES II (A. 95) Lithograph, 1973-74, on Arches paper, signed and numbered 31/50 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed. Sheet 47 1/4 x 31 1/2 inches; 1200 x 800 mm. Together with 1978 brochure for TWELVE LEAVES, signed, dated and dedicated in pencil. C Estate of Florence L. Shelby $4,000-6,000 90 Ellsworth Kelly GRAPE LEAVES III (A. 96) Lithograph, 1973-74, on Arches paper, signed and numbered 31/50 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed. Sheet 47 1/4 x 31 1/2 inches; 1200 x 800 mm C Estate of Florence L. Shelby $10,000-15,000 90 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37

91 Rockwell Kent (1882-1971) GIRL ON A CLIFF (BURNE-JONES 57) Wood engraving, 1930, on cream wove paper, signed in pencil, from the edition of 1750, published by the Literary Guild of America, New York, with full margins, unframed. 6 1/2 x 4 3/4 inches; 165 x 121 mm. Sheet 9 1/2 x 7 1/2 inches; 241 x 191 mm. C $1,000-1,500 92 Robert Kipniss (b. 1931) TWO VASES (GRACE G137) Mezzotint, 2004, on wove paper, signed and numbered 93/100 in pencil, printed by the Center for Contemporary Printmaking, Norwalk, Connecticut and with their blindstamp, published by Weinstein Gallery, San Francisco, with full margins, framed. 19 1/2 x 15 1/4 inches; 495 x 387 mm. Sheet 27 3/4 x 20 7/8 inches; 705 x 530 mm. C $1,000-1,500

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93 Le Corbusier (1887-1965) UNITÉ XX Color etching and aquatint, 1953, on Rives BFK paper, signed and numbered 9/130 in pencil, from the same-titled portfolio, published by Alain C. Mazo, Paris, with full margins, framed. 16 1/2 x 12 1/2 inches; 419 x 3 18 mm. Sheet 22 5/8 x 17 7/8 inches; 575 x 454 mm. C Estate of Joanna and Steven Schot, Washington, DC $1,000-1,500

94 94 Sol LeWitt (1928-2007) STRAIGHT LINE IN ALL DIRECTIONS #21 Color screenprint monoprint, 1996, signed and annotated 21 in pencil, published by Pace Editions, Ltd., New York, the full sheet, framed. Sheet 55 1/2 x 55 1/2 inches; 1410 x 1410 mm. Provenance: Pace Prints, New York Acquired by the present owner from the above in 1996 C $10,000-15,000

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95 part 95 After Roy Lichtenstein (1923-1997) BULL I-VI (SEE CORLETT 116-121) Complete set of six glazed porcelain plates, 1989, signed, titled numbered 34/50 and with the Roy Lichtenstein/Gemini G.E.L. copyright inkstamp on the underside, produced by Charlotte Potok, Vermont, published by Artists to End Hunger, Inc., New York, with original cardboard box. Each 12 3/4 x 12 3/4 inches; 324 x 324 mm. C $4,000-6,000

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96 Monogrammist PM (Pieter Maes?) HERCULES PREVENTS THE RAPE OF HIPPODAMEIA Engraving, 1577, a very good impression, partial thread margins or trimmed to the image, unframed. Sheet 3 11/16 x 2 5/8 inches; 94 x 67 mm. C $500-700

97 Robert Mangold (b. 1937) DOUBLE COLUMN B Color soft-ground etching and aquatint, 2006, on wove paper, signed, annotated B and numbered 34/40 in pencil, printed and published by Pace Editions, Inc., New York, the full sheet, framed. Sheet 30 3/8 x 21 5/8 inches; 772 x 549 mm. C $2,000-3,000

98 Man Ray (1890-1976) LA POIRE D’ERIK SATIE (ANSELMINO 46) Color etching and aquatint, 1969, on Arches paper, signed and numbered 63/125 in pencil, with full margins, framed. 11 5/8 x 9 1/8 inches; 295 x 233 mm. Sheet 21 3/8 x 15 inches; 543 x 381 mm. C $800-1,200 99 Man Ray LES AMOUREUX (A L’HEURE DE L’OBSERVATOIRE) (A. 15) Color offset lithograph, 1970, on wove paper, signed and numbered 30/150 in pencil, published by J. Petithory, Paris, with full margins, framed. 14 x 35 3/8 inches; 356 x 899 mm. Sheet 26 5/8 x 40 7/8 inches; 676 x 1038 mm. C $20,000-30,000 98

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100 Reginald Marsh (1898-1954) TATTOO-SHAVE-HAIRCUT (SASOWSKY 140) Etching, 1932, on wove paper, numbered 95/100 in pencil, from the Whitney Museum Edition printed in 1969 and with their blindstamp, with full margins, unframed. 9 7/8 x 9 3/4 inches; 251 x 248 mm. Sheet 15 1/2 x 13 1/4 inches; 394 x 227 mm. C $2,000-3,000 101 Reginald Marsh SWITCH ENGINES, ERIE YARDS JERSEY CITY, STONE 3 (S. 30) Lithograph, 1947, on wove paper, signed in pencil, from the edition of 253, published by the Print Club of Cleveland and with their inkstamp verso, with full margins, unframed. 8 7/8 x 13 3/8 inches; 225 x 340 mm. Sheet 13 1/8 x 16 3/4 inches; 333 x 425 mm. C $600-800

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102 Agnes Martin (1912-2004) PAINTINGS AND DRAWINGS: STEDELIJK MUSEUM PORTFOLIO 1974-1990 Complete set of 10 lithographs, 1991, on imitation vellum, from the edition of 2500, published by Nemela & Lenzen GmbH, Mönchengladback and Stedelijk Museum, Amsterdam for Agnes Martin’s 1991 retrospective at the Stedelijk Museum, the full sheets, with exhibition catalogue, unframed. Sheets 11 3/4 x 11 3/4 inches; 298 x 298 mm. C $2,000-3,000

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103 103 Henri Matisse (1869-1954) NU COUCHÉ DE DOS (DUTHUIT 496) Lithograph, 1929, on Arches paper, signed and numbered 26/50 in pencil, with full margins, framed. 18 1/8 x 22 inches; 460 x 559 mm. Sheet 19 3/4 x 25 7/8 inches; 502 x 657 mm. C Estate of Albert Lee $4,000-6,000

104 Henri Matisse PASIPHAÉ (DUTHUIT BOOKS 38) Nine linocuts, 1944, on BFK Rives paper, numbered 17/100 in pencil, from the posthumous edition of the same-titled book printed in 1981, published by the Matisse Estate, New York and with their HM blindstamp, with full margins, framed. Sheets approximately 13 x 10 inches; 330 x 254 mm. C $2,000-3,000

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106 part

105 Craig McPherson (b. 1948) BRADDOCK; CLAIRTON; EDGAR THOMPSON Three mezzotints, 1997, the first and third on blue, the second on pale green, laid paper, signed, dated, titled, the first and third numbered 9/75 and 25/75 respectively, the second inscribed ED. 75, in pencil, with full margins, framed. Largest 17 3/8 x 23 3/4 inches; 441 x 603 mm. C $1,500-2,500 106 Frederick Mershimer (b. 1958) NEW YORK STOCK EXCHANGE; NIGHT’S COVER; BOWLING GREEN; BEACON Four mezzotints (two printed in color), 1989, 1994, 1995 and 2001, respectively, signed, dated, titled and numbered 43/100, 83/90, 117/120 and 30/100 in pencil, with full margins, framed. Largest 13 3/4 x 21 3/4 inches; 349 x 552 mm. C $1,500-2,500

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107 Joan Miró (1893-1983) LA BAGUE D’AURORE (DUPIN 140) Color aquatint, 1957, on Rives BFK paper, signed and numbered 38/60 in pencil, published by Louis Broder, Paris, with full margins, framed. 4 1/2 x 5 1/2 inches; 114 X 140 mm. Sheet 14 7/8 x 11 1/4 inches; 378 x 286 mm. C Estate of Rus Parker $1,500-2,000

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108 Joan Miró PERSONNAGE SUR FOND BLEU (MOURLOT 244) Color lithograph, 1957, on cream wove paper, signed and numbered 49/75 in pencil, published by Editions XXe Siècle, Paris, with good margins, laid on card, framed. 12 1/2 x 9 5/8 inches; 318 x 244 mm. Sheet 16 7/8 x 13 5/8 inches; 429 x 346 mm. C $1,000-1,500 109 Joan Miró L’ÉTRANGÈRE (M. 184) Color lithograph, 1958, on Arches paper, signed and numbered 23/75 in pencil, published by Maeght, Paris, with full margins, framed. Sheet 26 x 20 1/8 inches; 660 x 511 mm. C $1,500-2,000 110 Joan Miró SANS LE SOLEIL (SEE DUPIN 408; SEE CRAMER BOOKS 98) Color etching and aquatint, 1965, on cream laid paper, signed and numbered 11/25 in pencil, from the additional suite for the same-titled portfolio, printed and published by Maeght, Paris, with full margins, framed. Sheet 8 3/4 x 11 1/4 inches; 222 x 286 mm. C Estate of Jeanne Frank $1,000-1,500

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111

112 111 Joan Miró SANS LE SOLEIL (D. 404; C. BOOKS 98) Color etching and aquatint, 1965, on wove paper, signed and numbered 43/75 in pencil, from the same-titled portfolio, printed and published by Maeght, Paris, with full margins, framed. Sheet 8 5/8 x 11 3/8 inches; 219 x 289 mm. C $1,000-1,500

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113 112 Joan Miró LES ESSÈNCIES DE LA TERRA (M. 578; SEE C. BOOKS 123) Brush and ink over color lithograph, 1968, on Japon nacré paper, signed and numbered 67F/100 in pencil, from the edition of 100 color variants, published by Ediciones Polígrafa, Barcelona, the full sheet, framed. Sheet 19 3/4 x 14 inches; 502 x 356 mm. C $4,000-6,000

113 Joan Miró LES ESSÈNCIES DE LA TERRA (M. 582; SEE C. BOOKS 123) Hand-colored lithograph, 1968, on Japon nacré paper, signed and numbered 71D/100 in pencil, from the edition of 100 color variants, published by Ediciones Polígrafa, Barcelona, with full margins, framed. Sheet 19 5/8 x 14 1/4 inches; 498 x 362 mm. C A Private New York Collector $4,000-6,000

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114 Joan Miró UNE TELLE ET SON PETIT MARI (D. 540) Color etching, aquatint and carborundum, 1970, on Arches paper, signed and numbered 22/75 in pencil, published by Maeght, Paris, the full sheet, framed. Sheet 25 7/8 x 19 3/4 inches; 657 x 502 mm. C $3,000-4,000 115 Joan Miró PYGMÉES SOUS LA LUNE (D. 562) Color etching and aquatint, 1972, on Arches paper, signed and inscribed HC in pencil (hors commerce impression aside from the edition of 50), published by Maeght, Paris, with full margins, framed. 21 1/8 x 26 5/8 inches; 537 x 676 mm. Sheet 27 5/8 x 36 7/8 inches; 702 x 937 mm. C $3,000-5,000

116 Joan Miró MIRÓ LITHOGRAPHS VOLUME 1 (M. 854; 857-867; C. BOOKS 160) The first volume of the catalogue raisonné for lithographs by the artist, with 12 lithographs, 1972-81, on wove paper, bound (as issued), with complete text in English, numbered 618 in ink on the justification, from the edition of 5000, published by Tudor Publishing Company, New York, the full sheets. Overall 13 x 10 1/4 inches; 330 x 260 mm. C $700-1,000

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117 Henry Moore (1898-1986) TWO WOMEN BATHING CHILD II (CRAMER 310) Color lithograph, 1973, on T. H. Saunders paper, signed and numbered 109/175 in pencil, published by Transworld Art, New York and with their blindstamp, with full margins, framed. 14 1/2 x 16 3/4 inches; 368 x 425 mm. Sheet 19 5/8 x 25 1/2 inches; 498 x 648 mm. C $600-800 117

118 Henry Moore RECLINING FIGURE ON ARCHITECTURAL BACKGROUND I (C. 454) Color lithograph, 1977, on T. H. Saunders paper, signed and numbered 30/50 in pencil, published by Raymond Spencer Company for The Henry Moore Foundation, Much Hadham, with full margins, framed. 12 1/2 x 16 inches; 318 x 406 mm. Sheet 21 7/8 x 25 1/4 inches; 556 x 641 mm. C $1,000-1,500 119 Thomas Moran (1837-1926) LOOKING OVER THE SAND DUNES— EAST HAMPTON; THE RESOUNDING SEA (KLACKNER 16; NOT IN K.) Two etchings, 1880 and 1886, respectively, signed in pencil, with good or full margins, framed. Larger 6 x 11 3/4 inches; 152 x 298 mm. C The Estate of Elizabeth H. Fuller $700-1,000

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121 Robert Motherwell UNTITLED (B. 150; E./B. 181) Color etching and aquatint, 1975, on Rives BFK paper, signed and inscribed trial in pencil, published by the artist and with his blindstamp, with full margins, unframed. 9 1/4 x 11 7/8 inches; 235 x 302 mm. Sheet 25 1/2 x 19 3/4 inches; 648 x 502 mm. C $4,500-5,500

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120 Robert Motherwell (1915-1991) PAUILLAC #4 (BELKNAP 122; ENGBERG/BANACH 151) Color lithograph with collage and embossing, 1973, on George Duchêne Hawthorne of Larrouque handmade paper, signed and numbered 39/54 in pencil, from Summer Light Series, published by Gemini G.E.L., Los Angeles and with their and the artist’s blindstamps, with full margins, unframed. 30 x 12 inches; 762 x 305 mm. Sheet 35 1/2 x 18 1/2 inches; 902 x 470 mm. C $2,500-3,500

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122

122 Robert Motherwell RUNNING ELEGY II, BLUE STATE (B. 295; E./B. 320) Color etching and aquatint, 1983, on George Duchêne Hawthorne of Larrouque handmade paper, signed and numbered 1/10 in pencil, published by the artist and with his blindstamp, with full margins, framed. 11 3/4 x 29 1/2 inches; 298 x 749 mm. Sheet 18 3/8 x 35 1/2 inches; 467 x 902 mm. Provenance: Tyler Graphics, Ltd. Acquired by the present owner from the above in 1996 C $10,000-15,000 123 Robert Motherwell BLACK FOR MOZART (E./B. 521) Color lithograph and collage, 1991, on BFK Rives paper, signed with initials and inscribed ap 15/16 in pencil (aside from the numbered edition of 40), published by Tyler Graphics Ltd., Mount Kisco, New York and with their blindstamp, with full margins, framed. 59 3/4 x 37 7/8 inches; 1518 x 962 mm. Sheet 63 5/8 x 40 5/8 inches; 1616 x 1032 mm. C $10,000-15,000

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124 Jan Muller (1571-1628) THE FIGHT BETWEEN ODYSSEUS AND IRUS (BARTSCH 30) Engraving after Cornelis Cornelisz van Haarlem, 1589, a fine impression of the second state of three, with partial thread margins or trimmed to or just within the platemark, unframed. Sheet 16 3/4 x 12 15/16 inches; 425 x 329 mm. C $2,000-3,000

125 Alfred MÃ¼ller (b. 1882) [SWANS] Color lithograph, on wove paper, laid on Japan paper on linen, signed in pencil, framed. Sheet 21 3/4 x 60 5/8 inches; 552 x 1540 mm. Support sheet 23 7/8 x 62 7/8 inches; 606 x 1597 mm. C $1,000-1,500

126 Shiko Munakata (1903-1975) GAUTAMA AND BODHISATTVAS Woodcut, 1958, on cream laid Japan paper, signed, dated and inscribed in pencil, from the edition of 260, published by the Print Club of Cleveland, with full margins, unframed. 9 1/8 x 13 1/8 inches; 232 x 333 mm. Sheet 13 1/4 x 18 inches; 337 x 457 mm. C $2,000-4,000

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127 part

127 Takashi Murakami (b. 1962) YOSHIKO AND THE CREATURES CAME FROM PLANET 66; MAMU CAME FROM THE SKY; PLANET 66: SUMMER VACATION Three color offset lithographs, 2003 (2) and 2004, on wove paper, signed and numbered 175/300, 99/300 and 109/300, respectively, in silver or black ink, published by Kaikai Kiki Co., Ltd., Tokyo, the full sheets, unframed. Largest sheet 30 3/8 x 35 1/2 inches; 772 x 902 mm. C $4,000-6,000

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128 Antonio Zoran Music (1909-2005) CAVALLINI (SCHMÜCKING 44) Color lithograph, 1953, on Arches paper, signed and numbered 180/250 in pencil, published by Guilde de la Gravure, Paris, with good margins, framed. 14 x 21 inches; 356 x 533 mm. Sheet 15 3/8 x 22 1/4 inches; 391 x 565 mm. C The Estate of Elizabeth H. Fuller $700-1,000 129 Antonio Zoran Music MOTIVO CARSICO (S. 121) Color aquatint, 1966-67, on BFK Rives paper, signed, dated and numbered 20/200 in pencil, published by International Graphic Art Society, New York, with full margins, framed. 7 7/8 x 11 1/4 inches; 200 x 286 mm. Sheet 14 1/8 x 17 3/8 inches; 359 x 441 mm. C $600-800

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130 Louise Nevelson (1899-1988) UNTITLED Cast paper relief, 1985, signed, dated and numbered 82/250 in pencil, co-published by the artist and Pace Editions, Inc., New York for the UJA-Federation Campaign Inaugural Celebration, the full sheet, in original presentation box. Sheet 13 1/2 x 14 inches; 343 x 356 mm. C $800-1,200

131 Bror J. O. Nordfeldt (1878-1955) BROAD STREET, NEW YORK; ARCHWAY, PARIS Drypoints, signed and inscribed imp in pencil; Together with Lionel Lindsay (1874-1961) PASADA DE LA SANGRE, TOLEDO; MOORISH MARKET, GRANADA, drypoints, signed, the first inscribed 75 in pencil; and Henry Ziegler (1889-1968) BOUND HOME, etching, signed in pencil, with good or full margins, framed. (5) Largest 12 3/4 x 10 3/4 inches; 324 x 273 mm. C The Estate of Elizabeth H. Fuller $700-1,000

132 Elizabeth Olds (1896- 1991) HARLEM RIVER BRIDGES Color screenprint, 1940, signed, dated, titled and inscribed Silkscreen in pencil, with full margins, framed. 10 x 18 1/2 inches; 254 x 470 mm. Sheet 12 3/4 x 21 1/2 inches; 324 x 546 mm. C $600-800

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133 Jules Olitski (1922-2007) GRAPHIC SUITE #1 (WILKIN/LONG 48) Color screenprint, 1970, on J. B. Green paper, signed, dated and numbered 2/150 in pencil, published by Waddington Graphics Limited, London, the full sheet, framed. Sheet 34 3/4 x 25 3/4 inches; 883 x 654 mm. C $800-1,200 134 Adriaen Jansz van Ostade (1610-1685) THE WANDERING MUSICIANS (HOLLSTEIN, GODEFROY 39) Etching, circa 1642, from the sixth state of six, with thread margins or trimmed to the platemark, framed. 4 1/8 x 3 1/2 inches; 105 x 89 mm. Sheet 4 1/8 x 3 9/16 inches; 105 x 90 mm.

135 Joseph Pennell (1857-1926) WALL STREET; WOOLWORTH BUILDING; THE ELEVATED; MONTAGUE TERRACE; THE DESERTED FERRY (WUERTH 344; 675; 789; 832; 838) Five etchings and drypoints, 1904, 1915, 1921, 1924(2), respectively, signed, four inscribed imp, the fourth inscribed Woolworth from Brooklyn, in pencil, the first and second front mounted, the first and the last three laid on card; Together with Chester B. Price (1885-1962) LIBERTY STREET, drypoint, signed in pencil; and Thompson [TRINITY CHURCH], drypoint, signed in pencil, with good or full margins, framed. (7) Largest 12 x 7 1/2 inches; 305 x 191 mm. C The Estate of Elizabeth H. Fuller $800-1,200

Ex-collection: Joseph Camberlyn (Lugt 514). C Estate of Peter Mayer $600-800

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136 Pablo Picasso (1881-1973) LES PAUVRES (BLOCH 3) Etching, 1905, on Van Gelder Zonen wove paper, edition of 250, from La Suite des Saltimbanques, published by Vollard, Paris in 1913, with full margins, framed. 9 3/8 x 7 1/8 inches; 238 x 181 mm. Sheet 20 x 13 inches; 508 x 330 mm. C Estate of Jeanne Frank $3,000-5,000

138 Pablo Picasso DEUX HOMMES SCULPTÉS (B. 161) Etching, 1933, signed in pencil, on laid Montval paper watermarked Vollard, from the edition of 260, from La Suite Vollard, published by Vollard, Paris, with full margins, framed. 10 5/8 x 7 3/4 inches; 270 x 197 mm. Sheet 17 5/8 x 13 1/4 inches; 448 x 337 mm. C $5,000-7,000

137 Pablo Picasso BUSTE D’HOMME (B. 4) Drypoint, 1905, on Van Gelder Zonen wove paper, from the edition of 250, from La Suite des Saltimbanques, published by Vollard, Paris in 1913, with full margins, framed. 4 3/4 x 3 1/2 inches; 121 x 89 mm. Sheet 20 x 13 inches; 508 x 330 mm. C Estate of Jeanne Frank $2,000-4,000

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139 Pablo Picasso SUEÑO Y MENTIRA DE FRANCO (B. 297-298; BAER 615-616; CRAMER BOOKS 28) Set of two etchings and aquatints, 1937, on chine collé on japon ancien paper, signed and numbered 57/150 in pencil, published by the artist, with margins, laid on card, framed. Each 12 1/2 x 16 1/2 inches; 318 x 419 mm. Sheets 13 1/4 x 17 1/8 inches; 337 x 435 mm. C $8,000-12,000

140 Pablo Picasso SUEÑO Y MENTIRA DE FRANCO (B. 297; BA. 615; C. BOOKS 28) Etching and aquatint, 1937, on Montval laid paper, with the artist’s stamped signature and numbered 241/850 in pencil, published by the artist, with full margins, framed. 12 1/2 x 16 5/8 inches; 318 x 422 mm. Sheet 15 1/4 x 21 1/2 inches; 387 x 546 mm. C $2,000-3,000

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141 141 Pablo Picasso TÃ&#x160;TE DE JEUNE FEMME (B. 458; MOURLOT 106) Lithograph, 1947, on Arches paper, signed and numbered 35/50 in pencil, with full margins, framed. 23 5/8 x 17 3/4 inches; 600 x 451 mm. Sheet 25 7/8 x 19 5/8 inches; 657 x 498 mm. C $20,000-30,000

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142 Pablo Picasso LA DANSE DES FAUNES (B. 830) Lithograph printed in black and cream, 1957, on Arches paper, with the artist’s stamped signature, from the edition of 1000, with full margins, framed. 16 1/8 x 20 7/8 inches; 410 x 530 mm. Sheet 19 x 25 3/8 inches; 483 x 645 mm. • $1,000-1,500

143 Pablo Picasso LE VIEUX ROI (B. 869) Lithograph, 1959, on Arches paper, signed in blue crayon, numbered 142/200 in pencil, with full margins, framed. 25 1/2 x 19 1/2 inches; 648 x 495 mm. Sheet 30 1/4 x 22 1/8 inches; 768 x 562 mm. C $4,500-5,500

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144 Pablo Picasso LA PIQUE (B. 911) Color linocut, 1959, on Arches paper, signed and numbered 39/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, framed. 20 3/4 x 25 1/4 inches; 527 x 641 mm. Sheet 24 5/8 x 29 5/8 inches; 625 x 752 mm. C $30,000-40,000

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145 Pablo Picasso TOROS Y TOREROS (B. 1012; M. 345; SEE C. BOOKS 112) Lithograph, 1961, on Arches paper, signed and numbered 112/150 in pencil, published by Aux Éditions Cercle d’Art, Paris, the full sheet, framed. Sheet 14 1/2 x 10 5/8 inches; 368 x 270 mm. C $2,000-3,000 146 Pablo Picasso SABLE MOUVANT (B. 1185) Aquatint and drypoint, 1965, on wove paper, published by Louis Broder, Paris, with full margins, framed. 15 x 10 7/8 inches; 381 x 276 mm. Sheet 19 x 14 7/8 inches; 483 x 378 mm. C $800-1,200

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147 Pablo Picasso PEINTRE ET SON MODÈLE (B. 1209) Aquatint, 1965, on Richard de Bas paper, signed and numbered 25/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, framed. 8 3/4 x 12 3/4 inches; 222 x 324 mm. Sheet 13 1/8 x 17 3/4 inches; 333 x 451 mm. C Estate of Susan S. Maizell $3,000-5,000

148 Pablo Picasso SCULPTEUR DEVANT SA SELLETTE, AVEC UN SPECTATEUR BARBU (B. 1191; SEE C. BOOKS 136) Aquatint, 1966, on laid Japan paper, signed and numbered XVIII/XX in pencil, from Sable Mouvant, published by Louis Broder, Paris, with full margins, framed. 15 1/4 x 11 inches; 387 x 279 mm. Sheet 21 x 16 1/8 inches; 533 x 410 mm. C $3,000-4,000 149 Pablo Picasso TAUREAU SOUS L’ARBRE (ALAIN RAMIÉ 159) Painted and partially glazed white ceramic plaque, 1952, from the edition of 500, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 7 3/4 x 7 3/4 inches; 197 x 197 mm. C $1,500-2,500 150 Pablo Picasso TÊTES (A.R. 221) Painted and partially glazed ceramic pitcher, 1953, edition of 500, incised Edition Picasso and Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 5 1/8 inches; 130 mm. C Estate of Evelyn Berezin $2,000-3,000

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151 Pablo Picasso VISAGE (A.R. 288) Painted and partially glazed (interior only) white ceramic pitcher, 1955, incised Edition Picasso Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 12 1/8 inches; 308 mm. C Estate of Jeanne Frank $6,000-8,000 152 Pablo Picasso PROFIL DE JACQUELINE (SEE A.R. 309) 23 kt. gold medallion, conceived in 1956 and executed after 1967, with stamped signature, number 8/20, François and Pierre Hugo hallmark and reference number 1412 and French assay mark on the reverse, with original fitted wood presentation box. 2 x 2 1/16 inches; 51 x 52 mm. Provenance: Jane Kahan Gallery, New York Acquired by the present owner from the above in 1989 C $15,000-25,000

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153 Pablo Picasso TÃ&#x160;TES (A.R. 367) Painted and partially glazed ceramic pitcher, 1956, from the edition of 500, incised Edition Picasso and Madoura with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 5 1/4 inches; 133 mm. C $2,000-3,000 154 Pablo Picasso PROFIL DE JACQUELINE (A.R. 383) Painted and partially glazed white ceramic plaque, 1956, from the edition of 500, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 7 3/8 x 7 1/2 inches; 187 x 191 mm. C $5,000-8,000

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155 Pablo Picasso JOUEUR DE FLÛTE ET CHÈVRE (A.R. 382) Painted and partially glazed white ceramic plaque, 1956, from the edition of 450, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 9 7/8 x 9 7/8 inches; 251 x 251 mm. C Estate of Monica Holmes $5,000-7,000 156 Pablo Picasso SCÈNE DE PLAGE (A.R. 389) Painted and partially glazed white ceramic plaque, 1956, from the edition of 450, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. 9 7/8 x 9 7/8 inches; 251 x 251 mm. C Estate of Monica Holmes $5,000-7,000

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157 Pablo Picasso LA DANSE (A.R. 400) Painted white ceramic plate, 1957, from the edition of 400, inscribed Edition Picasso and Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse. 12 1/2 x 15 1/4 inches; 318 x 387 mm. C Property of a Lady $4,000-6,000 158 Pablo Picasso CHOPE VISAGE (A.R. 432) Painted and glazed white ceramic pitcher, 1959, numbered 114/300 and inscribed Edition Picasso and Madoura and with the Madoura Plein Feu and Edition Picasso pottery stamps on the base. Height 8 1/8 inches; 206 mm. C $2,500-3,500

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159 Pablo Picasso VISAGE AUX CHEVAUX BOUCLÉS (A.R. 573) Painted and partially glazed red ceramic plaque, 1968-69, numbered 16/100 and inscribed J. 114A and with the Madoura Plein Feu and Empriente Originale de Picasso pottery stamps on the reverse, framed. 12 1/8 x 12 1/8 inches; 308 x 308 mm. C Estate of Peter Mayer $6,000-8,000 160 Alain Ramié PICASSO, CATALOGUE OF THE EDITED CERAMIC WORKS 1947-1971 The complete catalogue raisonné of Picasso’s ceramic editions, in English, published in 1988 by Galerie Madoura, lacking dust jacket. Overall 11 3/4 x 9 5/8 x 1 5/8 inches; 298 x 244 x 41 mm. C Estate of Jeanne Frank $600-800

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161 After Pablo Picasso MATERNITÉ (GINESTET/POUILLON 670) Color aquatint by Jacques Villon, 1930, on cream wove paper, published by the Chalcographie du Louvre, Paris and with their blindstamp, with full margins, framed. 25 5/8 x 16 3/4 inches; 651 x 425 mm. Sheet 35 3/8 x 25 1/8 inches; 899 x 638 mm. • $800-1,200

162 162 After Pablo Picasso TÃ&#x160;TE DE FEMME AU CHAPEAU (CZWIKLITZER 105) Color lithograph by Henri Deschamps, 1956, on Rives BFK paper, signed and inscribed ed. 100 in pencil, proof before letters (aside from the published edition of 500), published by Galerie Beyeler, Basel, the full sheet, framed. Sheet 28 1/2 x 21 5/8 inches; 724 x 549 mm. C The Estate of Alfred F. Hubay $12,000-18,000

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163 After Pablo Picasso BETHSABÉE Color aquatint, 1960, on BFK Rives paper, signed and numbered 152/300 in pencil, printed and published by Atelier Crommelynck, Paris and with their blindstamp, with wide margins, laid on card, framed. 10 1/2 x 14 1/2 inches; 267 x 368 mm. Sheet 17 3/4 x 21 7/8 inches; 451 x 556 mm. C $4,000-6,000 164 After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 153/200 in pencil, with full margins, unframed. 25 5/8 x 19 3/4 inches; 651 x 502 mm. Sheet 29 1/4 x 21 1/2 inches; 743 x 546 mm. C Estate of Carl Lesnor $3,000-4,000

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165 After Pablo Picasso MADAME RECARDO CANALS Color offset lithograph, 1966, on Arches paper, signed and inscribed E.A. ed. 60 in pencil, from Barcelona Suite, published by Museo Picasso, Barcelona and with their blindstamp, with full margins, framed. 22 3/4 x 17 3/8 inches; 578 x 441 mm. Sheet 29 5/8 x 21 3/4 inches; 752 x 552 mm. C Estate of Bernice and Jules Teck $2,000-3,000 166 After Pablo Picasso PAPIERS COLLÃ&#x2030;S 1910-1914 (SEE C. BOOKS 137) Nine color offset lithographs, 1966, on Rives BFK paper, published by Au Pont des Arts, Paris and Leon Amiel, New York, with full margins, framed. Eight sheets 25 1/4 x 19 inches; 641 x 483 mm. One sheet 19 x 25 1/4 inches; 483 x 641 mm. C $1,500-2,500

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167 Giovanni Battista Piranesi (1720-1778) VEDUTA DI PIAZZA NAVONA SOPRA LE ROVINE DEL CIRCO AGONALE (HIND 16) Etching, 1751, on laid paper with the Fleur-de-Lys in a Double Circle watermark (H. 3), a fine impression of the fourth state of six, from Vedute di Roma, with full margins, unframed. 16 1/4 x 21 5/8 inches; 413 x 549 mm. Sheet 22 x 30 3/4 inches; 559 x 781 mm. C Estate of Joanna and Steven Schot, Washington, DC $1,500-2,500 167 168 Giovanni Battista Piranesi VEDUTA DELL INTERNO DELL’ANFITEATRO FLAVIO DETTO IL COLOSSEO (H. 78) Etching, 1766, on laid paper with the Fleur-de-Lys in a Double Circle watermark (H. 3), a fine impression of the second state of five, from Vedute di Roma, with full margins, framed. 18 x 27 1/4 inches; 457 x 692 mm. Sheet 22 x 31 1/8 inches; 559 x 791 mm. Ex-collection: Sir Kenneth Clark C Estate of Felice Ross $700-1,000

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169 Giovanni Batista Piranesi VEDUTA DI PIAZZA NAVONA SOPRA LE ROVINE DEL CIRCO AGONALE (H. 108) Etching, 1773, on laid paper, a fine impression of the first state of four, from Vedute di Roma, with full margins, unframed. 18 1/4 x 27 1/2 inches; 464 x 699 mm. Sheet 22 1/4 x 32 inches; 565 x 813 mm. C Estate of Joanna and Steven Schot, Washington, DC $1,500-2,500

170 170 Fairfield Porter (1907-1975) THE DOG AT THE DOOR (LUDMAN 19) Color lithograph, 1971, on Arches, signed and numbered 5/120 in pencil, from Ten Lithographs by Ten Artists, printed and published by Bank Street Atelier Ltd., New York and with their blindstamp, the full sheet, framed. Sheet 30 x 22 inches; 762 x 559 mm. C $5,000-7,000

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171 Robert Rauschenberg (1925-2008) VISITATION II (FOSTER 30) Lithograph, 1965, on Rives BFK paper, signed, dated and numbered 8/44 in pencil, published by ULAE, West Islip and with their blindstamp, with full margins, framed. Sheet 30 1/8 x 22 1/8 inches; 765 x 562 mm. C $1,500-2,500 172 Robert Rauschenberg HOWL (GEMINI 1035) Paper and fabric collage, with silk medallion and mirror and applied gold leaf, 1982, on Chinese Xuan paper, signed and dated in pencil, from the edition of 70 unique impressions, from 7 Characters, published by Gemini G.E.L., Los Angeles, in Plexiglas box. 42 1/2 x 30 1/2 x 2 1/8 inches; 1080 x 775 x 54 mm. Overall 43 x 31 x 2 1/2 inches; 1093 x 787 x 63 mm.

173 Robert Rauschenberg TRUTH (GEMINI 1039) Paper and fabric collage, with silk medallion and mirror and applied gold leaf, 1982, on Chinese Xuan paper, signed and dated in pencil, from the edition of 70 unique impressions, from 7 Characters, published by Gemini G.E.L., Los Angeles, in Plexiglas box. 42 1/2 x 30 1/2 x 2 1/8 inches; 1080 x 775 x 54 mm. Overall 43 x 31 x 2 1/2 inches; 1093 x 787 x 63 mm. Provenance: Leo Castelli, New York C The Estate of a Gentleman, Park Avenue and Southampton, New York $4,000-6,000

Provenance: Leo Castelli, New York C The Estate of a Gentleman, Park Avenue and Southampton, New York $4,000-6,000

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174 Robert Rauschenberg [UNTITLED] Color offset lithograph, 1984, on wove paper, signed, dated and numbered 25/120 in pencil, printed by Larry B. Wright Art Productions, New York and with their blindstamp, the full sheet, framed. Sheet 23 x 18 1/4 inches; 584 x 464 mm. C The Estate of a Gentleman, Park Avenue and Southampton, New York $1,000-1,500 175 Rembrandt van Rijn (1606-1669) JOSEPH AND POTIPHARâ&#x20AC;&#x2122;S WIFE (BARTSCH, HOLLSTEIN 39; HIND 118; NEW HOLLSTEIN 128) Etching, 1634, on cream laid paper, a good but later impression, with good margins, framed. 3 5/8 x 4 5/8 inches; 92 x 118 mm. Sheet 4 3/8 x 5 3/8 inches; 111 x 137 mm. C $700-1,000

176 Rembrandt van Rijn BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; H.130; NEW HOLL. 148) Etching, circa 1635, on laid paper, a good but later impression, with small margins, framed. 4 1/2 1/8 x 4 1/8 inches; 114 x 105 mm. Sheet 5 x 4 1/2 inches; 127 x 114 mm. C Estate of Bernice and Jules Teck $700-1,000

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177 Rembrandt van Rijn STUDIES OF THE HEADS OF SASKIA AND OTHERS (B., HOLL 365; H. 145; NEW HOLL. 157) Etching, 1636, on cream laid paper with three balls of a Foolscap watermark, with narrow margins on three sides, trimmed to the platemark or with thread margins on the left side, a fine, early impression of Usticke’s first state of two, unframed. 6 x 5 inches; 152 x 127 mm. Sheet 6 1/8 x 5 1/16 inches; 156 x 129 mm. C $10,000-15,000

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179 Rembrandt van Rijn PEASANT IN A HIGH CAP, STANDING LEANING ON A STICK (B., HOLL 133; H. 164; NEW HOLL. 178) Etching, 1639, on cream laid paper, a good but later impression, with narrow margins, framed. 3 1/4 x 1 3/4 inches; 83 x 44 mm. Sheet 3 5/8 x 2 1/8 inches; 92 x 54 mm. C $700-1,000

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178 178 Rembrandt van Rijn THE DEATH OF THE VIRGIN (B., HOLL. 99; H. 130; NEW HOLL. 148) Etching and drypoint, 1639, on laid paper with the letters P and G in a cartouche watermark, a very good impression of Usticke’s third state of five, New Hollstein’s fourth state of five, with thread margins, unframed. Sheet 16 3/8 x 12 1/2 inches; 416 x 318 mm. Ex-collection: Kennedy Galleries, New York C $5,000-7,000

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182 180 Rembrandt van Rijn ABRAHAM AND ISAAC (B., HOLL 34; H. 214; NEW HOLL. 224) Etching, drypoint and engraving, 1645, a fine impression of Usticke’s second state of three, trimmed to or within the platemark, framed. Sheet 6 1/4 x 5 1/8 inches; 159 x 130 mm. C $2,000-3,000 181 Rembrandt van Rijn WOMAN BATHING HER FEET AT A BROOK (B., HOLL 200; H. 298; NEW HOLL. 309) Etching, 1658, on cream laid paper, with narrow margins, a fine impression of Usticke’s second state of two, unframed. 6 3/8 x 3 3/16 inches; 162 x 81 mm. Sheet 6 1/2 x 3 5/16 inches; 165 x 84 mm. Ex-collection: W. E. Drugulin (Lugt 2612) C $4,000-6,000

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182 Pierre-Auguste Renoir (1841-1919) ENFANTS JOUANT À LA BALLE (DELTEIL 32) Lithograph, circa 1900, on Arches Ingres laid paper with the MBM watermark, one of several proofs printed in black (aside from the edition of 200 printed in colors), published by Vollard, Paris, with full margins, framed. Sheet 34 1/2 x 24 3/8 inches; 876 x 619 mm. C $5,000-7,000

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183 Bridget Riley (b. 1931) UNTITLED (BASED ON BLAZE) (SCHUBERT 4) Screenprint, 1964, signed, dated and numbered 38/50 in pencil, with full margins, framed. 14 1/4 x 14 inches; 362 x 356 mm. Sheet 20 7/8 x 20 1/2 inches; 530 x 521 mm. C $8,000-12,000

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184 Norman Rockwell (1894-1978) DOCTOR AND DOLL Color collotype, signed and inscribed A .P. XVI/XXXV in pencil, with full margins, framed. 28 x 23 inches; 711 x 584 mm. Sheet 34 1/2 x 28 3/4 inches; 876 x 730 mm. C $1,000-1,500

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185 Teódulo Rómulo (b. 1943) DOS PAJAROS Color mixograph, 1981, on handmade paper, signed, dated and numbered 48/100 in black pencil, with full margins, framed. 39 1/4 x 26 inches; 997 x 660 mm. Sheet approximately 42 1/2 x 29 inches; 1080 x 737 mm. C $600-800

186 James Rosenquist (1933-2017) ONE MILLION TONS PER SQUARE INCH (GLENN 117) Color etching and aquatint with pochoir, 1977, on Pescia Italia paper, signed, dated, titled and numbered 44/78 in pencil, printed by Flatstone Studio and with their blindstamp, published by Multiples, Inc., New York, with full margins, framed. 17 3/4 x 35 7/8 inches; 451 x 911 mm. Sheet 22 7/8 x 39 7/8 inches; 581 x 1013 mm. C $1,000-1,500

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187 James Rosenquist BLACK TIE (G. 121) Color lithograph, 1977, on Arches Cover paper, signed, dated and numbered 64/100 in pencil, published by Sidney Singer, New York, the full sheet, framed. Sheet 36 1/2 x 74 inches; 927 x 1880 mm. C $1,500-2,500

188 Georges Rouault (1871-1958) QUI NE SE GRIME PAS? (CHAPON/ROUAULT 61) Heliogravure, aquatint and drypoint, 1923, edition of 425, from Miserere, published by Editions de l’Étoile Filante, Paris, with full margins, framed. 22 1/4 x 16 7/8 inches; 565 x 429 mm. Sheet 25 5/8 x 19 3/4 inches; 651 x 502 mm. • $1,000-1,500

189 Ben Shahn (1898-1969) HALLELUJAH (PRESCOTT 258-282a) Complete set of 24 color lithographs, 1970, on Arches Grand Velin paper, with complete text, numbered 20 on the justification, from the edition of 240, published by Kennedy Graphics, New York the full sheets, in original cloth clamshell case. Overall 16 x 18 inches; 406 x 457 mm. C Estate of Hilda U. and Rudolph Forchheimer $500-700

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190 Joel Shapiro (b. 1941) UNTITLED (BLUE SQUARE WITH GREEN); UNTITLED (RED SQUARE WITH BLUE) Two color etchings and aquatints, 1992, on wove paper, signed, dated and numbered 3/60 in pencil, printed by Aldo Crommelynck and with his blindstamp, published by Pace Editions, Inc., New York, with full margins, framed. Each 24 x 18 inches; 610 x 457 mm. Sheets approximately 31 1/4 x 24 inches; 794 x 610 mm. Provenance: Pace Prints, New York Acquired by the present owner from the above in 2001 C $1,000-1,500

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191 John Sloan (1871-1951) SUNDAY, DRYING THEIR HAIR ON THE ROOF (MORSE 209) Lithograph, 1923, on cream wove paper, signed, titled and inscribed in pencil, also signed and inscribed imp by the printer, Bolton Brown, with good margins, framed. 7 3/8 x 9 inches; 187 x 229 mm. Sheet 9 1/2 x 12 3/4 inches; 241 x 324 mm. C $800-1,200

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192 John Sloan EASTER EVE, WASHINGTON SQUARE (M. 222) Etching and aquatint, 1926, on cream wove paper, signed, titled and inscribed 100 proofs in pencil, edition of 60 (the intended edition of 100), from the third state of three, with artistâ&#x20AC;&#x2122;s tack holes at sheet edges, with good margins, framed. 10 x 8 inches; 254 x 203 mm. Sheet 16 1/4 x 12 inches; 413 x 305 mm. C $1,000-1,500 193 John Sloan A THIRST FOR ART (M. 306) Etching, 1939, on cream wove paper, signed, and titled in pencil, the fourth state of four, from the edition of 100, with full margins, framed. 4 x 6 inches; 102 x 152 mm. Sheet 8 x 9 7/8 inches; 203 x 251 mm. C $800-1,200 194 Donald Sultan (b. 1951) FIVE LEMONS, A PEAR AND AN EGG Color screenprint, 1994, on Somerset paper, signed with initials, dated, titled and numbered 55/125 in pencil, published by Parasol Press, Ltd., New York, with full margins, framed. 12 x 12 inches; 305 x 305 mm. Sheet 23 x 22 inches; 584 x 559 mm. C $600-800

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196

195 Rufino Tamayo (1899-1991) DOS MUJERES (PEREDA 35) Color lithograph, 1950, on Rives BFK paper, signed and numbered 53/100 in pencil, with good margins, framed. 21 1/8 x 17 inches; 537 x 432 mm. Sheet 22 1/2 x 17 7/8 inches; 572 x 454 mm. • $1,500-2,500 196 Rufino Tamayo DOS CABEZAS (P. 107) Color lithograph, 1969, signed and numbered V/XXV in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins, framed. 27 1/2 x 21 1/4 inches; 699 x 540 mm. Sheet 29 7/8 x 22 1/2 inches; 759 x 572 mm. C Estate of Jesse Mines $1,000-1,500 197 Rufino Tamayo LA NEGRA (P. 109) Color lithograph, 1969, on Rives BFK paper, signed and numbered 148/150 in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, framed. 27 1/4 x 21 inches; 692 x 537 mm. Sheet 29 7/8 x 22 3/8 inches; 759 x 568 mm. • $1,000-1,500 197 82 DOYLE • APRIL 30, 2019 • NEW YORK

198 Rufino Tamayo VENUS NEGRA (P. 110) Color lithograph, 1969, on Rives BFK paper, signed and numbered 135/150 in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, unframed. 27 3/8 x 21 inches; 695 x 533 mm. Sheet 29 7/8 x 22 1/2 inches; 759 x 572 mm. • $1,000-1,500 199 Rufino Tamayo MUJER CON MALLAS ROSAS (P. 116) Color lithograph, 1969, on Rives BFK paper, signed and numbered 54/150 in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, unframed. 27 1/2 x 21 1/8 inches; 699 x 537 mm. Sheet 29 7/8 x 22 3/8 inches; 759 x 568 mm. • $1,000-1,500 200 Rufino Tamayo SANDÍA #2 (P. 119) Color lithograph, 1969, on Rives BFK paper, signed and numbered XII/XXV in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins, framed. 27 3/8 x 20 7/8 inches; 695 x 530 mm. Sheet 29 7/8 x 22 3/8 inches; 759 x 568 mm. C Estate of Jesse Mines $2,000-3,000 199

198

200 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83

201 201 Rufino Tamayo LA CAMPESINA (P. 120) Color lithograph, 1969, on Rives BFK paper, signed and numbered V/XXV in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, framed. 27 1/2 x 21 inches; 699 x 533 mm. Sheet 29 7/8 x 22 3/8 inches; 759 x 568 mm. C Estate of Jesse Mines $1,000-1,500

202 202 Rufino Tamayo NOCTURNO (P. 183) Etching, 1975, on Guarro paper, signed and numbered 2/75 in pencil, published by Ediciones Polígrafa, Barcelona, with full margins, framed. Sheet 22 1/4 x 29 3/4; 565 x 756 mm. C Estate of Peter Mayer $1,500-2,500

203 84 DOYLE • APRIL 30, 2019 • NEW YORK

203 Rufino Tamayo QUETZALCOATL (P. 248) Color mixograph, 1979, on handmade paper, signed and numbered 10/70 in white crayon, printed and published by Taller de Gráfica Mexicana, Mexico City, the full sheet, framed. 24 1/8 x 47 5/8 inches; 613 x 1210 mm. Sheet approximately 27 x 51 inches; 686 x 1295 mm. C $5,000-7,000

204 204 Rufino Tamayo DOS PERSONAJES ATACADOS POR PERROS (P. 311) Color mixograph, 1983, on handmade paper, signed and numbered 71/75 in white pencil, printed and published by Taller de Grรกfica Mexicana, Mexico City, the full sheet, framed. Sheet 60 3/4 x 97 inches; 1543 x 2464 mm. C Estate of Peter Mayer $7,000-10,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

205 part

206

205 Antoni Tàpies (1923-2012) JEAN DAIVE (GALFETTI 525-529) Complete set of five etchings with embossing and carborundum, 1975, on Arches paper, the first signed and numbered 98/120 in pencil, also signed by the artist and author and numbered 98 on the justification, with text in French, published by Maeght, Paris, the full sheets, with original linen-covered boards and slipcase, one framed. Overall 10 1/2 x 7 3/4 inches; 267 x 197 mm. C Estate of Jeanne Frank $1,000-1,500 206 Fred Tomaselli (b. 1956) AFTER ECHOLOCATION #2 Color inkjet print, 2000, on wove paper, signed and numbered 76/100 in pencil, the full sheet, framed. Sheet 18 1/4 x 15 inches; 464 x 381 mm. C Property of Two New York Gentlemen $600-800 207 Henri de Toulouse-Lautrec (1864-1901) LA REVUE BLANCHE (DELTEIL 355; ADHEMAR 115; WITTROCK P18) Color lithograph, 1895, on two joined wove sheets laid on linen, third state of three, printed by Ancourt, Paris, with margins, framed. Sheet 50 1/8 x 36 1/4 inches; 1273 x 921 mm. C $5,000-7,000

207 86 DOYLE • APRIL 30, 2019 • NEW YORK

208 front

208 back

208 Victor Vasarely (1908-1997) TSILLAG Hand-painted acrylic on wood three-dimensional multiple, 1990, signed and numbered 20/175 in ink. 20 3/4 x 24 x 3 1/8 inches; 527 x 610 x 79 mm. C $2,000-3,000 209 Elizabeth Oâ&#x20AC;&#x2122;Neill Verner (1883-1979) DO AS YOU CHOOSE ALLEY, CHARLESTON Etching, on cream wove paper, signed, titled and numbered 34/80 in pencil, with (full?) margins, framed. 6 7/8 x 5 inches; 175 x 127 mm. Sheet 11 1/8 x 8 3/4 inches; 283 x 222 mm. C $700-1,000

209 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87

210 part

210 Andy Warhol (1928-1987) LOVE IS A PINK CAKE (FELDMAN/SCHELLMAN IV.27-50) Complete set of 25 offset lithographs, 1953, on pale blue wove paper, with accompanying poetry by Ralph Thomas Ward, from the edition of approximately 100, published by the artist, New York, the full sheets. Sheets 11 x 8 1/2 inches; 279 x 216 mm. Provenance: The artist Billy Cecil (William Cissell), a New York artist and set designer Private Collection C $4,000-6,000

88 DOYLE • APRIL 30, 2019 • NEW YORK

211 part

211 Andy Warhol HOLY CATS BY ANDY WARHOL’S MOTHER (NOT IN F./S.) Complete set of 21 offset lithographs (including the cover), 1954, on colored wove papers, signed in ink, also inscribed by Jackie Curtis in pencil, from the edition of unknown size, published by the artist, New York, with cover lithograph affixed to the original boards, the full sheets, bound (as issued), front board detached. Overall 9 1/8 x 6 inches; 232 x 152 mm. Provenance: Gift of the artist to the present owner Jackie Curtis, actress, writer, singer and Warhol muse, annotated the first page with vocabulary suggestions for the present owner’s then 2 year old daughter, Jennifer. C $4,000-6,000

212 part

212 Andy Warhol BEAUTY IS SHOE, SHOE IS BEAUTY; TO SHOE OR NOT TO SHOE; WHEN I’M CALLING SHOE (F./S. IV.71A, IV.74A, IV. 80A) Three offset lithographs (two hand-colored), circa 1955, on cream wove paper, from the edition of unknown size, from À la Recherche du Shoe Perdu, published by the artist, New York, with full margins, unframed. Sheets 9 3/4 x 13 3/4 inches; 248 x 349 mm. Provenance: The artist Geraldine Stutz, former president of Henri Bendel, who previously worked at the footwear manufacturer I. Miller, where Warhol was appointed sole illustrator for their shoe campaign in 1955. To the present owner C $3,000-4,000 213 Andy Warhol HAPPY BUTTERFLY DAY Hand-colored offset lithograph, circa 1955, on cream wove paper, with full margins. Sheet 13 7/8 x 10 inches; 352 x 254 mm. Provenance: The artist Billy Cecil (William Cissell), a New York artist and set designer Private Collection C $1,000-1,500

213

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214 part

216

214 Carol Wax (b. 1953) SINGER II Mezzotint, signed, titled and numbered 54/75 in pencil; Together with Art Werger (b. 1955) EXPECTATIONS; INTERMITTENT SHOWERS; DAYBREAK, three mezzotints, 1989, 1992 and 1995, respectively, signed, dated, titled and numbered 5/50, 17/75 and 19/25 in pencil; and Robert Kipniss (b. 1931) ROOFTOPS I; FINAL PREFACE (WINDOW WITH DARK LEAVES) (LUNDE 57; GRACE G065), a color lithograph and a mezzotint, 1972 and 1997, respectively, signed, the first numbered 40/90, the second titled in pencil, with full margins, framed. (6) Largest 17 3/4 x 11 3/4 inches; 451 x 298 mm. C $600-900

215

90 DOYLE • APRIL 30, 2019 • NEW YORK

215 James Abbott McNeill Whistler (1834-1903) READING BY LAMPLIGHT (KENNEDY 32; GLASGOW 37) Etching and drypoint printed in brownish-black, 1859, on cream laid paper, Glasgow’s third state of three, with full margins, unframed. 6 1/4 x 4 3/4 inches; 159 x 121 mm. Sheet 8 3/4 x 6 3/8 inches; 222 x 162 mm. C $1,000-1,500 216 James Abbott McNeill Whistler BIBI LALOUETTE (K. 51; G. 33) Etching and drypoint, 1859, on tissue-thin Japan paper, Glasgow’s second state of two, with good margins, framed. 9 x 6 inches; 229 x 152 mm. Sheet 12 3/8 x 9 1/4 inches; 314 x 235 mm. C $1,000-1,500

217 217 James Abbott McNeill Whistler FREE TRADE WHARF (K. 163; G. 171) Etching and drypoint, 1877, on antique cream laid paper, signed and inscribed 4 (ot. 29) in pencil, Glasgow’s eight state of eight, with full margins, unframed. 3 7/8 x 7 3/8 inches; 98 x 187 mm. Sheet 7 3/4 x 10 7/8 inches; 197 x 276 mm. C $1,500-2,500

218 James Abbott McNeill Whistler HURLINGHAM (K. 181; G. 184) Etching and drypoint, 1879, on cream laid paper, Glasgow’s fourth state of four, with good margins, framed. 5 1/2 x 8 inches; 140 x 203 mm. Sheet 7 x 12 1/8 inches; 178 x 308 mm. C The Estate of Elizabeth H. Fuller $800-1,200

218

219 James Abbott McNeill Whistler LITTLE DORDRECHT (K. 243; G. 260) Etching printed in brownish-black, 1886, on cream laid paper, signed and inscribed From Mortimer Menpes in pencil (Menpes owned the copper plate and probably printed this impression posthumously), with good margins, unframed. 3 7/8 x 5 1/4 inches; 98 x 133 mm. Sheet 5 1/4 x 8 1/8 inches; 133 x 206 mm. C $800-1,200

219

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220

222

220 Fred Williams (1927-1982) HUMMOCK IN LANDSCAPE Etching, circa 1965, signed and numbered 5-20 in pencil, with full margins, framed. 5 7/8 x 5 7/8 inches; 149 x 149 mm. Sheet 10 1/8 x 9 3/4 inches; 257 x 248 mm. C Estate of Peter Mayer $800-1,200 221 Fred Williams WERRIBEE GORGE LANDSCAPE Color lithograph, 1976-1978, Rives BFK paper, signed, titled and numbered 42/50 in pencil, from Fred Williams Lithographs 1976-1978, with full margins, framed. 24 1/2 x 18 inches; 622 x 457 mm. Sheet 29 7/8 x 22 1/2 inches; 759 x 572 mm. C Estate of Peter Mayer $800-1,200

221

92 DOYLE • APRIL 30, 2019 • NEW YORK

222 Betty Woodman (1930-2018) SIENNA Color woodcut, lithograph and pochoir with chine collé, gold leaf and collage, 2005, signed, dated, titled and numbered 30/30 in pencil, published by Shark’s Ink, Lyons, Colorado, the full sheet, framed. Sheet 39 3/4 x 36 inches; 1010 x 914 mm. C $1,000-1,500

223 Zao Wou-Ki (1921-2013) PAYSAGE DE RÃ&#x160;VE (AGERUP 67) Color etching, 1951, on wove paper, signed and numbered 22/50 in pencil, with full margins, framed. 10 1/2 x 9 1/2 inches; 267 x 241 mm. Sheet 16 1/2 x 15 inches; 419 x 381 mm C The Estate of Elizabeth H. Fuller $1,000-1,500 224 Zao Wou-Ki UNTITLED (A. 159) Color lithograph, 1965, on wove paper, signed, dated and numbered 56/200 in pencil, published by the International Graphic Arts Society, New York, with good margins, framed. 23 3/8 x 14 3/4 inches; 594 x 375 mm. Sheet 27 3/8 x 17 1/2 inches; 695 x 445 mm. C $2,000-3,000 225 Zao Wou-Ki UNTITLED [ROCKY COAST] (A. 190) Color etching and aquatint, 1968, on BFK Rives paper, signed, dated and numbered 15/99 in pencil, published by Al Lublin, New York, with full margins, framed. 21 1/2 x 17 3/8 inches; 546 x 441 mm. Sheet 29 7/8 x 22 inches; 759 x 559 mm. C $4,000-6,000

224

END OF SALE

223

225 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93

ARTIST INDEX Albers, J. Arp, J.

1 2

Bacon, P. Bearden, R. Bemelmans, L. Benson, F. W. Benton, T. H. Blake, W. Blampied, E. Bosman, R. Braque, G.

3 4 5 6 7-10 11 12 13 14

Calder, A. Callot, J. Chagall, M. Chagall, M., After Clark, E. Close, C. Cook, H. Corinth, L. Covarrubias, M.

15-19 20 21-31 32 33 34 35-39 40 41

Dalí, S. Delaunay-Terk, S. Dine, J. Dintenfass, M. Doig, P. Dongen, K. van Dubuffet, J. Dürer, A.

42, 43 44-49 50 51 52 53-58 59 60

Emin, T. Erté

61 62

Francis, S. Frankenthaler, H. Frink, E.

63 64-66 67-69

Giacometti, A. Gilliam, S. Goya, F. J. de

70, 71 72, 73 74

94 DOYLE • APRIL 30, 2019 • NEW YORK

Hassam, C. Hockney, D. Hodgkin, H. Hoover, E. Hopper, E. Huber, W.

75, 76 77-79 80 81 82 83

Iacovleff, A. E. Icart, L. Indiana, R. Katz, A. Kelly, E. Kent, R. Kipniss, R.

84 85 86 87 88-90 91 92, 214

Le Corbusier LeWitt, S. Lichtenstein, R., After Lindsay, L.

93 94 95 131

Maes, P. (?) Mangold, R. Man Ray Marsh, R. Martin, A. Matisse, H. McPherson, C. Mershimer, F. Miró, J. Moore, H. Moran, T. Motherwell, R. Muller, J. Müller, A. Munakata, S. Murakami, T. Music, A. Z.

96 97 98, 99 100, 101 102 103, 104 105 106 107-116 117, 118 119 120-123 124 125 126 127 129

Nevelson, L. Nordfeldt, B. J.

130 131

Olds, E. Olitski, J. Ostade, A. J. van

132 133 134

Pennell, J. Picasso, P. Picasso, P., After Piranesi, G. B. Porter, F. Price, C. B.

135 136-160 161-166 167-169 170 135

Rauschenberg, R. Rembrandt Renoir, P. A. Riley, B. Rockwell, N. Rómulo, T. Rosenquist, J. Rouault, G.

171-174 175-181 182 183 184 185 186, 187 188

Shahn, B. Shapiro, J. Sloan, J. Sultan, D.

189 190 191-193 194

Tamayo, R. Tàpies, A. Thompson Tomaselli, F. Toulouse-Lautrec, H.

195-204 205 135 206 207

Vasarely, V. Verner, E. O.

208 209

Warhol, A. Wax, C. Werger, A. Whistler, J. A. M. Williams, F. Woodman, B. Wou-Ki, Z.

210-213 214 214 215-219 220, 221 222 223-224

Ziegler, H.

131

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FIND YOUR REAL ESTATE ADVOCATE Our agents understand that buying or selling a home is not just a two bedroom or one bedroom; it is the community you are looking to build and the relationships around you. We have the agents who understand your needs that listen and care.

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300 East 33rd Street, 4C | $1,430,000 | Condominium JoAnne Kao | 646.677.9360 | Licensed Real Estate Salesperson Craig M. Dix | 646.677.1038 | Sr. Sales Executive, Associate Real Estate Broker

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GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

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CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

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$1,199,000

Fantastic architecture and chic design encompass this contemporary ranch in sought-after Forest Park, Livingston, New Jersey. The two-story foyer opens to a dramatic great room and dining room with walls of glass doors offering an abundance of natural light, skylights, and a cathedral ceiling. The chef's kitchen boasts high-end appliances, a large island, and natural light to fill every corner. The extraordinary master suite features dual, en-suite master baths, large walk in closets, and mirrored dressing area. The expansive lower level and two-car garage offer a multi-purpose area. This home is located in an excellent school district and is in close proximity to shopping, dining, and public transportation to NYC!

www.29HemlockRd.com CAROL EISENSTEIN Sales Associate Cell: 973-879-3282 Carol.Eisenstein@bhhsnj.com BHHSNJ.com/Carol.Eisenstein Livingston Office | 973-992-6363 | 79 South Livingston Ave., Livingston ÂŠ2019 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.ÂŽ Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

zachys

Private Sales & Estate Planning Zachys is committed to bringing the greatest collections to market in various ways. Auction is one of the most effective ways to maximize the value of your collection, and Zachys did nearly $80m in auction sales last year. Zachys is also a market leader in Private Sales. Zachys is uniquely suited to buy and sell collections that are better suited to private sales instead of auction because of our combined retail and auction divisions, and our Specialists throughout Asia, Europe and the United States. In 2018, Zachys did millions in private sales to collectors all over the world. Is Private Sale right for you? It may be. One of Zachys strengths is the ability to tailor a financial deal to the needs of you, the collector. Zachys is number one in auctions, for a reason: auction remains one of the best ways to sell rare wine. Consignors can take advantage of an upwards-rising market. That said, there are also reasons to consider an outright purchase or private sale. The best thing to do is speak to a Zachys Specialist, discuss your goals and outline a plan of action together. Estate Planning The best way to deal with the liquidation of a wine collection at some point in the future, is to plan now. In estate planning, too often the wine collection is forgotten, and this can be a huge mistake. From logistics to finances and sale strategy, Zachys can help plan the liquidation of a cellar far in advance. Start a conversation today with a Zachys specialist. You might be surprised to learn of all of the ways we can help. Zachys Wine Specialists are ready to assist you with all of your wine needs, whether consignment or sale.

Jeff Zacharia President jzacharia@zachys.com

Jamie Pollack Global Managing Director jpollack@zachys.com

Stuart Jakub Shoshana Filene Senior Specialist, New York Senior Specialist, New York sjakub@zachys.com sfilene@zachys.com

zachys

Fritz Hatton Senior Advisor fhatton@zachys.com

Charles Antin Senior International Specialist, New York cantin@zachys.com

Terrence Tang Head of Asia, Hong Kong ttang@zachys.com

Christy Erickson Head of Europe, Paris cerickson@zachys.com

Kim Busch Specialist, New York kbusch@zachys.com

Austin Zhang Sales Director, China xzhang@zachys.com

Ching Wong Specialist, Hong Kong cwong@zachys.com

Dora Kam Specialist, Hong Kong dkam@zachys.com

New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

V #I

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

AUCTION SCHEDULE APRIL

JUNE

AUGUST

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Wednesday April 17 at 10am Exhibition: April 13 – 16

DOYLE+DESIGN® Auction: Wednesday, June 5 at 10am Exhibition: June 1 – 3

DOYLE AT HOME® Auction: Wednesday, August 7 at 10am Exhibition: August 1 – 2, 5

FINE JEWELRY Auction: Wednesday, June 12 at 10am Exhibition: June 8 – 10

JEWELRY & CONTENTS OF ABANDONED SAFE DEPOSIT BOXES Auction: Thursday, August 8 at 10am Exhibition: August 1 – 2, 5

IMPORTANT JEWELRY Auction: Thursday, April 18 at 10am Exhibition: April 13 – 16 PRINTS & MULTIPLES Auction: Tuesday, April 30 at 10am Exhibition: April 27 – 29 COINS, BANK NOTES & POSTAGE STAMPS Auction: Tuesday, April 30 at 2pm Exhibition: April 27 – 29 MAY

PHOTOGRAPHS Auction: Thursday, June 13 at 10am Exhibition: June 8 – 10 DOYLE AT HOME® Auction: Wednesday, June 26 at 10am Exhibition: June 22 – 24 JULY

CALIFORNIA JEWELRY NY Auction: Monday, May 6 at 10am NY Exhibition: May 3 – 5 LA Preview by Appt: April 25 & 26

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, July 17 at 10am Exhibition: July 12, 15 – 16

ODDITIES Auction: Tuesday, May 7 at 10am Exhibition: May 3 – 5

DOYLE AT HOME® Auction: Thursday, July 18 at 10am Exhibition: July 12, 15 – 16

IMPRESSIONIST & MODERN ART Auction: Tuesday, May 14 at 11am Exhibition: May 11 – 13 POST-WAR & CONTEMPORARY ART Auction: Tuesday, May 14 at 2pm Exhibition: May 11 – 13 ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS/ OLD MASTER PAINTINGS / Auction: Wednesday, May 22 at 10am Exhibition: May 18 – 20

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

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