IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART
Tuesday, May 14, 2019
NEW YORK
IMPRESSIONIST & MODERN ART AUCTION Tuesday, May 14, 2019 at 11am
POST-WAR & CONTEMPORARY ART AUCTION Tuesday, May 14, 2019 at 2pm
EXHIBITION Saturday, May 11, 10am – 5pm Sunday, May 12, Noon – 5pm Monday, May 13, 10am – 6pm
LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com
INCLUDING PROPERTY FROM THE ESTATES OF John Bocchieri, New York Frances "Peggy" Brooks Claire Chasanoff David Follett A Gentleman, Park Avenue and Southampton, New York Robin Gottlieb Peter Mayer A Palm Beach Heiress Joan Harmon Van Metre, The Plains, VA Elisabeth B. Vondracek
INCLUDING PROPERTY FROM Formerly in the inventory of Berry-Hill Galleries, New York A Connecticut Private Collection The Gertrude D. Davis Trust A Private New Jersey Collection A New York Collector Two New York Gentlemen A North Carolina Collector The Collection of Faith Stewart-Gordon
CONTENTS IMPRESSIONIST & MODERN ART
1001-1072
POST-WAR & CONTEMPORARY ART Post-War Contemporary Art
2001-2079 2001-2042 2043-2079
Glossary I Conditions of Sale II Terms of Guarantee III Information on Sales & Use Tax IV Buying at Doyle V Selling at Doyle VII Auction Schedule VIII Company Directory IX Absentee Bid Form XI
IMPRESSIONIST & MODERN ART
Lot 1009
1001
1001 David James British, 1853-1904 A Northeaster, The Coast of Devon, 1889 Signed and dated D. James 89 (lr); inscribed as titled on the reverse Oil on canvas 25 x 50 1/8 inches (63.5 x 127.3 cm) C $10,000-15,000
1002 Attributed to Arthur J. Elsley Playing with Fire, circa 1897 Remnants of a signature and date A.J. ELSLEY 18...7 (ll) Oil on canvas 19 3/4 x 26 inches (50.1 x 66 cm) C $10,000-20,000
1002 6
MAY 14, 2019 • NEW YORK
1003 Johann Jan Zoetelief Tromp Dutch, 1872-1947 With Grandfather Signed J. ZOETELIEF TROMP (lr) Oil on canvas 25 3/4 x 40 inches (65.4 x 101.6 cm) Provenance: Julius Oehme, New York [Sale] American Art Galleries, New York, Valuable Modern Paintings Belonging to Mr. Julius Oehme, Jan. 27, 1911, lot 35 Henry Reinhardt Galleries, Milwaukee, WI C $40,000-60,000
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Property from the Estate of David Follett 1004 Jean-Baptiste-Camille Corot French, 1796-1875 Le Soir dans La Campagne au Bord de l’Eau, circa 1872 Signed COROT (lr) Oil on cradled panel 10 3/8 x 14 1/2 inches (26.4 x 36.8 cm) Provenance: Durand-Ruel, Paris M. Knoedler & Co., New York Newhouse Galleries, New York Private Collection Literature: Alfred Robaut, L’Oeuvre de Corot - Catalogue Raisonné et Illustré, Paris, vol. III, 1965, p. 352, no. 2290, illus. Claire Lebeau states in a letter dated 8 February 2019, that this is an authentic work by J.B.C. Corot. C $60,000-80,000
8
MAY 14, 2019 • NEW YORK
1005 Eugène Louis Boudin French, 1824-1898 Les Bords de la Touques à Trouville Pendant les Grandes Marées, 1889 Signed E. Boudin and dated 89 (lr); identified on a label affixed to the stretcher Oil on canvas 19 3/4 x 29 inches (50.2 x 74 cm), in a period frame Provenance: J. Eastman Chase (1840-1923), art dealer, Boston William Whitman, Boston, thence by descent within the family to the current owner Literature: Robert Schmit and Manuel Scmit, Eugène Boudin 1824-1898, Deuxième Supplément, v. 2 (Paris: Editions Galerie Schmit, 1993), cat. no. 4000, p. 61 illus. C $40,000-60,000
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1006 Emilio Sanchez-Perrier Spanish, 1855-1907 Tranquil River, Alcala, 1886 Signed, inscribed and dated E. Sanchez Perrier/Alcala/86 (lr) Oil on panel 21 5/8 x 30 7/8 inches (55 x 78.5 cm) C $20,000-30,000
10 MAY 14, 2019 • NEW YORK
1007 Marie Félix Hippolyte-Lucas French, 1854-1925 Salomé Signed F. Hippolyte-Lucas (lr) Oil on canvas 76 3/4 x 38 1/8 inches (195 x 96.8 cm) Unframed Provenance: Stuart Pivar, New York C $15,000-20,000
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Property of the Gertrude D. Davis Trust 1008 Henry Moret French, 1856-1913 Rochers de Penharn Baie de Douarnenez, 1911 Signed Henry Moret and dated 1911 (ll); inscribed as titled on the stretcher Oil on canvas 36 1/2 x 28 3/4 inches (92.7 x 73 cm) Provenance: Galerie Le Paul, Pont-Aven, France In a photo-certificate dated April 11, 2019, Jean-Yves Rolland confirms the authencitiy of this work and states that it will be included and illustrated in his forthcoming Catalogue RaisonnĂŠ of the paintings by Henry Moret. C $75,000-125,000
12 MAY 14, 2019 • NEW YORK
Property from the Estate of Claire Chasanoff 1009 Henry Moret French, 1865-1913 Les Deux Bretonnes, Falaises à Moëlan, Finistère Signed Henry Moret (ll); inscribed Falaises a Moëlan, Finistère on the stretcher Oil on canvas 21 1/8 x 25 5/8 inches (53.6 x 65 cm) In a photo-certificate dated April 11, 2019, Jean-Yves Rolland confirms the authenticity of this work and states that it will be included and illlustrated in his forthcoming Catalogue Raisonné of the paintings of Henry Moret. C $75,000-125,000
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1010 Francis Coates Jones American, 1857-1932 An Afternoon Reading Signed Francis Coates Jones (lr) Oil on canvas 26 x 19 1/4 inches (66 x 50.1 cm) Private Collection, Palm Beach, FL C $10,000-15,000 1010 1011 Walter Gay American, 1856-1937 Le Boudoir Le Bréau Signed Walter Gay (lr) Oil on board 21 3/4 x 18 1/4 inches (60.3 x 46.4 cm) Provenance: Collection of Stuart Symington, Jr., St. Louis, MO C $10,000-15,000
1011 14 MAY 14, 2019 • NEW YORK
1012
Property from the Estate of Joan Harmon Van Metre, The Plains, VA 1012 Theodore Earl Butler American, 1861-1936 The Wind in the Willows, Giverny, 1891 Signed Theo Earl Butler and dated 91 (lr); inscribed This picture is by Theodore Butler and / is not part of the Guy Rose work Ethel Rose on the stretcher, further inscribed “The Wind in the Willows” / by Theodore Earl Butler / Claude Monet’s son in law / Painted in Giverny, France on a label affixed to the stretcher Oil on canvas 18 1/4 x 24 1/4 inches (46.3 x 61.6 cm) Provenance: Goldfield Galleries, Los Angeles [Sale] Sotheby’s New York, Dec. 3, 1987 lot 198 Spanierman Gallery, LLC, New York C $10,000-15,000
1013 Harriet Whitney Frishmuth American, 1880-1980 Crest of the Wave, 1925 Signed Harriet W Frishmuth, dated 1925, and stamped Gorham Co. Founders QFHL at the base Bronze with a brown patina Height 20 1/4 inches (51.4 cm) Literature: Charles N. Aronson, Sculptured Hyacinths, New York, 1973, pp. 158-162, illustration of another example Janis Conner, Frank Hohmann, Leah Rosenblatt Lehmbeck, Thayer Tolles et al, Captured Motion: The Sculpture of Harriet Whitney Frishmuth, A Catalogue of Works, New York, 2006, no. 1925:5, pp. 27, 48, 79-80, 85-6, 90-1, 97, 102-03, 178-79, 250, 277, another example illustrated C $8,000-12,000
1013 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15
1014 Frederick Carl Frieseke American, 1874-1939 Portrait of a Girl, 1932 Signed F C Frieseke and dated 32 (lr) and (cr) Oil on canvas 31 7/8 x 25 5/8 inches (81 x 65.1 cm) Provenance: Grand Central Art Galleries, Inc., New York Berry-Hill Galleries, Inc., New York Exhibited: Pittsburgh, PA, The Carnegie Institute, International Exhibition, 1933 C $40,000-60,000
16 MAY 14, 2019 • NEW YORK
1015 Frederick Carl Frieseke American, 1874-1939 The Dancer Signed Frieseke (lr) Oil on panel 13 7/8 x 10 1/2 inches (35.2 x 26.7 cm) Provenance: Maxwell Galleries, Ltd., San Francisco Private Collection, CA C $18,000-25,000
1016 Thomas Wilmer Dewing American, 1851-1938 Female Nude Signed T. W. Dewing (ll) Graphite and pastel on dark brown paper mounted to board 10 1/2 x 7 inches (26.7 x 17.8 cm)
1015
Provenance: Davis and Long Company, New York • $8,000-12,000
1016 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17
1017 Maxime Maufra French, 1861-1918 Marée Basse à Kershostin, presqu’ile de Quiberon Signed Maufra (ll); titled and inscribed indistinctly on the stretcher Oil on canvas 18 1/4 x 21 5/8 inches (46.4 x 55 cm) Provenance: Acquired directly from the artist by Durand-Ruel, Paris on January 29, 1909 Sold by Durand-Ruel to a private collector April 26, 1954 Collection of Paul Myer Mazur, New York By descent to Peter Mazur, Oak Ridge, TN, 1979; to the current owner, circa 2015 Madame Caroline Durannd-Ruel Godfroy will include this work in the forthcoming Catalogue Critique of the works of Maufra. C $8,000-12,000 1017
Property of the Gertrude D. Davis Trust 1018 Maxime Maufra French, 1861-1918 Un Grain à Donnant, Belle-île-en-Mer Signed Maufra (ll); titled on the stretcher Oil on canvas 23 1/2 x 32 inches (59.7 x 81.4 cm) Provenance: Galerie Durand-Ruel, Paris Galerie le Paul, Pont-Aven, France Madame Caroline Durand-Ruel Godfroy will include this work in the forthcoming Catalogue Critique of the works of Maxime Maufra. C $20,000-30,000
1018
18 MAY 14, 2019 • NEW YORK
1019 Julian Alden Weir American, 1852-1919 Lady with Mandolin Oil on canvas 40 x 30 3/8 inches (101.6 x 77.2 cm) Provenance: Brigham Young University, Provo, UT The Edward Goldfield Collection Goldfield Gallery, Los Angeles [Sale] Christie’s, Los Angeles, April 28, 2004, lot 37 Exhibited: San Jose, CA, San Jose Museum of Art, The United States and the Impressionist Era, Nov. 17, 1979 - Jan. 9, 1980 C $15,000-25,000
1019 1020 Henri Lebasque French, 1865-1937 Le Devoir, circa 1905-06 Signed lebasque (lr) Oil on canvas 15 7/8 x 17 7/8 inches (40.3 x 45.4 cm) Provenance: [Sale] Loudmer, Paris, Jun. 18, 1969, lot 79 [Sale] Drouot-Estimation, Paris, Jun. 23, 2000, lot 125 [Sale] Sotheby's, New York, Feb. 23, 2001, lot 48 Literature: Denise Bazetoux, Henri Lebasque: Catalogue Raisonné, vol. I, no. 702, illus. p. 199 This lot is accompanied by a photo-certificate of authenticity from Denise Bazetoux, dated July 3, 2000. C $14,000-18,000
1020 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19
1021 After Paul Gauguin Hina, conceived circa 1893 Signed with the initials PGo, numbered 10/20, inscribed HINA and stamped with the foundry mark C. VALSUANI/CIRE PERDUE at the bottom left Bronze with brown patina Height 14 inches (35.5 cm) Literature: C. Gray, Sculpture and Ceramics of Paul Gauguin, Baltimore, 1963, p. 223, no. 97 (carved wood version illustrated) M. Bodelsen, Gauguin’s Ceramics, A Study in the Development of his Art, London, 1964, p. 237 (carved wood version illustrated, p. 144, fig. 95). G. M. Sugana, L’opera completa di Gauguin, Milan, 1972, p. 101, no. 239I (carved wood version illustrated) C $10,000-15,000 1022 No Lot
1021
20 MAY 14, 2019 • NEW YORK
1023 Pierre Eugène Montézin French, 1874-1946 Rue de Village sous la Neige Signed Montezin (ll) Oil on canvas 20 1/8 x 25 5/8 inches (51.1 x 65 cm) According to Cyril Klein-Montézin, this work is an original from the hand of his great grandfather Pierre Eugène Montézin. C $8,000-12,000 1023
1024 Henri Charles Manguin French, 1874-1949 Grenades et Figues, 1927 Signed Manguin (lr) Oil on canvas 15 1/8 x 18 1/4 inches (38.5 x 46.4 cm) Provenance: A. Hahnloser, Winterthur, acquired from the artist in Feb. 1928 Private Collection, France Galerie Norbert Hanse, Paris as Nature Morte 1922 Private Collection, France [Sale] Sotheby’s, New York, Feb. 12, 2003, lot 52 Literature: Lucile and Claude Manguin and Marie Caroline Sainsaulieu, Henri Manguin, Catalogue Raisonné de l’oeuvre peint, Neuchâtel, 1980, no. 877, illus. p. 289 C $15,000-25,000
1024
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1025 John Folinsbee American, 1892-1972 Bridge at New Hope Signed John Folinsbee (lr); inscribed 535. Bridge at New Hope on the stretcher Oil on canvas 24 x 30 inches (60.9 x 76.2 cm) C $10,000-15,000
22 MAY 14, 2019 • NEW YORK
1026 Harry Leith-Ross American, 1886-1973 April in Jericho, circa 1930s Signed Leith-Ross (lr); inscribed Leith-Ross and as titled on the stretcher Oil on canvas 24 x 32 inches (60.9 x 81.3 cm) C $12,000-18,000 1026
1027 Harry Leith-Ross American, 1886-1973 Winter in the Valley Signed Leith-Ross (lr); inscribed Leith-Ross and as titled on the stretcher Oil on canvas 24 x 30 inches (60.9 x 76.2 cm) C $12,000-18,000
1027
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1028 recto 1028 Albert Henry Robinson Canadian, 1881-1956 The Red Canoe (a double-sided work), 1920 Signed Albert Robinson and dated 1920 (lr); signed Albert Robinson and dated 1910 on the reverse Oil on panel 10 x 8 3/4 inches (21.6 x 25.1 cm) C $8,000-12,000
1029 Guy Carleton Wiggins American, 1883-1962 Winter on Fifth Avenue, circa 1950s Signed Guy Wiggins, NA (ll); signed Guy Wiggins NA and inscribed as titled on the reverse 12 x 9 inches (30.5 x 22.9 cm) This lot is accompanied by a letter of authenticity from Guy A. Wiggins, the son of the artist. C $7,000-10,000
1029 24 MAY 14, 2019 • NEW YORK
1030 Emma Fordyce MacRae American, 1887-1974 Central Park in April Signed Emma Fordyce MacRae (ll) Oil on canvas 22 x 30 inches (55.9 x 72.6 cm) Provenance: The Estate of the artist Exhibited: New York, National Academy Galleries, Allied Artists of America, Inc. C $10,000-15,000
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Property from the Estate of Joan Harmon Van Metre, The Plains, VA 1031 Alfred Maurer American, 1868-1932 Paris Cafe, circa 1904 Signed Maurer (lr) Oil on canvas 18 1/8 x 21 7/8 inches (46 x 55.5 cm) Provenance: Zabriskie Gallery, New York Hirschl and Adler Galleries, Inc., New York Collection of Leslie Katz Exhibited: New York, Barbara Mathes Gallery, Inc., Bohemian Night life: 1910-1935, Apr. 22-Jun. 1, 1989 C $40,000-60,000
26 MAY 14, 2019 • NEW YORK
Property from the Collection of Faith Stewart-Gordon 1032 William Glackens American, 1870-1938 Study for ‘Dream Ride’ IV Inscribed Sketch for ‘Dream Ride’, stamped W.G by E. G., and further inscribed K-10183 on the reverse Oil on canvasboard 12 x 16 1/8 inches (30.5 x 40.9 cm) Provenance: The artist The estate of the artist Kraushaar Galleries, New York ACA Galleries, New York [Sale] Sotheby’s, Dec. 3, 1987, lot 247 C $15,000-25,000
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1033
1033 Reginald Marsh American, 1898-1954 Burlesque Show Signed Reginald Marsh (lr); bears inscription 50-2 on the reverse and on the stretcher Oil on canvas 30 x 36 inches (76.2 x 91.4 cm) Provenance: The F. Marsh Collection, no. 50-2 C $15,000-20,000
1034 Glenn Coleman American, 1887-1932 A Music Hall Performance Signed Coleman (lr); inscribed AP6189090 / 006, 2985-16-3 and 1/13 on the reverse Charcoal and crayon on paper 16 1/2 x 13 1/4 inches (41.91 x 33.65 cm) C $8,000-12,000
1034 28 MAY 14, 2019 • NEW YORK
1035 Arthur Bowen Davies American, 1862-1928 On the Heights Signed A B Davies (ll) Oil on canvas mounted to board 26 1/4 x 40 inches (66.7 x 101.6 cm) Provenance: The Estate of Lizzie P. Bliss Thence by descent to the present owner Exhibited: New York, Museum of Modern Art, Memorial Exhibition: The Collection of the Late Miss Lizzie P. Bliss, Vice-President of the Museum, May 17- Sep. 27, 1931, no. 42 C $8,000-12,000
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1036 George Wesley Bellows American, 1882-1925 Portrait of Judge Peter Olney, 1914 Signed Geo. Bellows (lr); Inscribed Judge Peter Olney # 1, Harvard Club, and Geo Bellows on the stretcher Oil on canvas 52 x 38 inches (132.1 x 96.5 cm) Provenance: [Sale] Phillips de Pury & Co., June 12, 1997, lot 151 H. V. Allison Galleries, Inc., New York Berry-Hill Galleries, Inc., New York C $30,000-50,000
28 MAY 14, 2019 • NEW YORK
1037 Maxfield Parrish American, 1870-1966 Christmas Life, 1922 Signed M.P. (lr); signed Maxfield Parrish and inscribed Windsor, Vermont on the reverse Oil on board 17 3/8 x 14 3/4 inches (44.1 x 37.5 cm) Provenance: The artist Scott and Fowles Gallery, New York George M. Moffet Thence by descent to the current owner
Exhibited: Scott and Fowles Gallery, New York, Nov.-Dec., 1925 Literature: LIFE Magazine, Dec. 7, 1922, cover illus. Coy Ludwig, Maxfield Parrish, Watson-Guptill, New York, 1973, pp. 210, cat. no. 678 Alma Gilbert, Maxfield Parrish: The Masterworks, Tenspeed Press, 2001, pp. 18, 65, 75, 80, 91, and 267 C $150,000-250,000
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1038 Thomas Hart Benton American, 1889-1975 Study for “Minstrel Show”, circa 1934 Signed Benton (lr) Ink and sepia wash on paper 9 x 11 3/4 inches (22.9 x 30 cm) This work appears to be a study for the painting “Minstrel Show” that hangs in the Nelson-Akins Museum of Art, Kansas City, Mo. That painting bears an inscripion on the reverse that reads The picture was painted in 1934 from a drawing made of the scene in the West Virginia mountains (see “Artist in America”). The painting was done on gesso (masonite ground) with egg tempera and glazed with oil paint. It has been widely exhibited and has suffered damage several times. A final cleaning and restoration has been made, by my hand, in Feb. ‘64. Benton We wish to thank Andrew Thompson and Dr. Henry Adams for their assistance cataloguing this lot. • $12,000-18,000
30 MAY 14, 2019 • NEW YORK
1039 Thomas Hart Benton American, 1889-1975 Songfest Signed Benton (ll) Ink and sepia wash on paper 9 1/8 x 11 7/8 inches (23.2 x 30.2 cm) We wish to thank Andrew Thompson and Dr. Henry Adams for their assistance cataloguing this lot. • $10,000-15,000
1039
1040 Edward Hopper American, 1882-1967 A Misinterpreted Command, 1900 Signed E Hopper and dated 1900 (lr), inscribed as titled (ul), and further inscribed MRS. HENPECK. Now John I’m going out, and I’ll leave the fire in your hands. / MR. HENPECK. (thoroughly frightened) Oh no! you’d better leave it in the stove. (ll) Ink on paper mounted to card 11 1/2 x 14 1/2 inches (29.2 x 36.8 cm) Provenance: Kennedy Galleries Inc., New York Literature: Gail Levin, Edward Hopper: An Intimate Biography, New York, 1995, p. 25 C $8,000-12,000
1040
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1041
Property from a Private New Jersey Collection 1041 Oscar Bluemner German/American, 1867-1938 Color Psychology, circa 1933 Inscribed Record 280 on mount (lr); inscribed 280, and as titled on the reverse Gouache on paper laid to card 4 3/4 x 5 7/8 inches (12.1 x 14.9 cm) sheet 7 x 9 inches (17.8 x 22.8 cm), mount Provenance: J. B. Neumann, Chicago Irma Rudin, New York Private Collection Sid Deutsch Gallery, New York, 1989 C $15,000-20,000 Property from a Private New Jersey Collection 1042 Oscar Bluemner German/American, 1867-1938 Untitled, Study for ‘A House in the Night’, 1926 Signed with monogram (lr); inscibed, Goldsmith, in yellow chalk, and 37, in red crayon on reverse Watercolor on paper laid to black paper 3 5/8 x 2 7/8 inches (9.2 x 7.3 cm) Provenance: John Davis Hatch, Lenox, MA Sid Deutsch Gallery, New York, 1989
1042 32 MAY 14, 2019 • NEW YORK
The painting A House at Night which shares a similar composition with this study was originally owned by Mr. and Mrs. John F. Goldsmith. C $10,000-15,000
1043 John Marin American, 1870-1953 By The Sea, Maine, 1934 Signed Marin and dated 1934 (lr) Watercolor and graphite pencil on paper 17 1/8 x 22 1/4 inches (43.49 x 56.51 cm) Provenance: Estate of the artist The Downtown Gallery, New York Marlborough-Gerson Gallery, New York Cuthbert Train, Washington, DC Thence by descent in the family to the current owner Exhibited: New York, An American Place, John Marin, Oct. 27-Dec. 15, 1935, no. 5 [as Sea and Shore Movement, possibly] Boston, Institute of Modern Art, John Marin, 1947, no. 7; traveled to Washington, DC, The Phillips Collection; Minneapolis, MN, The Walker Art Center; San Francisco, The DeYoung Memorial Museum, John Marin, 1949, no. 29; traveled to Santa Barbara, Santa Barbara Museum; Los Angeles, Los Angeles County Museum of Art Washington, DC, Adams, Davidson Galleries, Inc., 100 Years of American Drawings and Watercolors, 1870-1970, Sep. 17- Oct. 31, 1974
1043
Literature: Sheldon Reich, John Marin: Catalogue RaisonnĂŠ, Part II, The University of Arizona Press, 1970, no. 34.2, illus. C $8,000-12,000 1044 Josef (Joseph) Floch Austrian/American, 1895-1977 The Mirror, 1959 Signed Floch (lr); inscribed as titled on the stretcher Oil on canvas 31 7/8 x 21 1/4 inches (81 x 54 cm) Provenance: Bernhardt Crystal Galleries, Inc., New York Literature: Yoseloff, Joseph Floch, 1968, no. 84 Karl Pallauf, Josef Floch - Leben und Werk, 1894-1977, 2000, p. 381, no. 688, illus. C $8,000-12,000
1044 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 33
1045 Giulio (Julius) Evola Italian, 1898-1974 Feste, circa 1918 Signed EVOLA (ur) Oil on canvas 29 1/4 x 28 inches (74.3 x 71 cm) Provenance: Ruth and Hy Glickstein, Florida Thence by descent to the current owner Exhibited: Rome, La Casa d’arte Bragaglia, 1920, no. 54 Rome, Galleria La Medusa, 1963, no. 2
34 MAY 14, 2019 • NEW YORK
Literature: Francesco Tedeschi and Carli Carlo Fabrizio, Julius Evola e l’arte delle avanguardie tra Futurismo, Dada e Alchimia, Milan, Oct. 15-Nov. 29, 1998, p. 132, no. 2 Enrico Crispolti, Palatino, Jan.-Mar., 1968, p. 55, fig. 29 Lettere di Julius Evola a Tristan Tzara, Roma, 1991, p. 20 Elisabetta Valento, 1994, no. 10 C $70,000-90,000
Property from the Estate of Frances “Peggy” Brooks 1046 Massimo Campigli Italian, 1895-1971 Woman on Banister, 1930 Signed and dated Massimo Campigli 1930 (lr); remnants of a label affixed to the stretcher reads This picture...longs to...ggy I gave...her in 1930...C.J. Oil and newsprint laid down on canvas 24 x 15 inches (61 x 38.1 cm) Provenance: T. Catesby Jones Collection Gift to Fances Jones Brooks, his daughter, in 1930
T. Catesby Jones was a Virginia native who practiced admiralty law in New York, where he moved in 1911. He visited the Armory Show in 1913 and frequented galleries in New York. In 1924 he travelled to Paris and began what became a major collection of Fauve, Cubist, and early 20th century European painting. He was advised by artist friends, including André Masson and Jacques Lipchitz, and the dealers Jeanne Bucher in Paris and Pierre Matisse and Valentine Dudensing in New York. His bequest after his death in 1946 formed the important European collection of the Virginia Museum of Fine Arts in Richmond. C $20,000-30,000
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1047
1047 André Derain French, 1880-1954 Paysage Signed Derain (ll) Oil on canvas laid to Masonite 14 x 16 inches (35.5 x 40.7 cm) Provenance: [Sale] Christie’s, New York, Jan. 13, 2015, lot 17 The Comité Derain has confirmed the authenticity of this painting. C $12,000-18,000
Property from the Estate of Frances “Peggy” Brooks 1048 André Bauchant French, 1873-1958 Fleurs [digitales] au tronc d'arbre, 1929 Signed ABauchant and dated 1929 (lr) Oil on canvas 45 3/4 x 35 inches (116.2 x 88.9 cm) Provenance: [Sale] Parke-Bernet Galleries, Inc., New York, Mar. 28, 1969, lot 103 T. Catesby Jones collection Thence by descent to Frances Jones Brooks C $8,000-12,000 1048 36 MAY 14, 2019 • NEW YORK
1049 1049 Le Pho Vietnamese/French, 1907-2001 Les Roses Tremières Signed le pho in English and in Chinese characters (lr); inscribed as titled on the stretcher Oil on canvas 32 x 39 3/8 inches (81.3 x 100 cm) Provenance: Wally F. Galleries, New York, 1967 Accompanied by a certificate from the Wally F. Galleries, dated February 10, 1967. C $20,000-40,000
Property of a North Carolina Collector 1050 Le Pho Vietnamese/French, 1907-2001 Harmonie Bleu Signed le pho in English and in Chinese characters (lr) Oil on canvasboard 24 x 14 3/4 inches (61 x 37.5 cm) Provenance: Findlay Galleries, Palm Beach Acquired from the above on January 29, 1965 C $12,000-18,000
1050 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37
Property from the Estate of Frances “Peggy” Brooks 1051 Leonard Tsuguharu Foujita Japanese/French, 1886-1968 Jeune Fille au Renardeau, 1924 Signed Foujita and dated 1924 (cr) Watercolor and brush with black India ink on paper 10 x 7 3/4 inches (25.4 x 19.6 cm) Provenance: T. Catesby Jones Collection Thence by descent to Frances Jones Brooks In a photo-certificate dated March 26, 2019, Sylvie Buisson states that this work will be included in volume 4 of the Catalogue General Raisonné of Foujita, under the number D 24.203.A C $20,000-30,000
1051 1052 Ernst Ludwig Kirchner German, 1880-1938 Sitzender Akt im Tub, 1924 Signed ELKirchner (lr); also numbered KFZ 37 on the verso (ll) Colored crayons on paper 20 x 14 1/2 inches (50.8 x 36.8 cm) Provenance: Gervais Collection, Zurich/Lyon Christian Laely, Davos, circa 1945 Liberte Oberheide, Hamburg, 1981 [Sale] Christie’s, London, Jun. 27, 1989, no. 141 [Sale] Christie’s, London, Feb. 20, 1990, no. 106 William Weston Gallery, London Private Collection, USA The Kirchner Archives of Drawings, Pastels and Watercolours has kindly provided a letter dated March 7, 2019, with information about the drawing. This work is listed in the Ernst Ludwig Kirchner Archives, Wichtrach/Bern. C $8,000-12,000
1052 38 MAY 14, 2019 • NEW YORK
1053 Diego Rivera Mexican, 1886-1957 Profile of a Man, 1936 Signed Diego Rivera and dated 1936 (ul) Watercolor on paper 25 x 18 7/8 inches (63.5 x 48 cm) Provenance: Private Collection, thence by descent to the present owner C $20,000-30,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39
1054 Fernand Léger French, 1881-1955 Tête de Femme, 1950 Signed with initials and dated F.L 50 (lr) Gouache on paper 25 5/8 x 19 3/4 inches (85 x 50.2 cm) Provenance: Galerie D’Art du Faubourg, Paris, acquired in the late 1950’s Exhibited: Philadelphia, Philadelphia Museum of Art, Philadelphia Collects Twentieth Century, Oct. 2-Nov. 17, 1963 C $80,000-120,000
40 MAY 14, 2019 • NEW YORK
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 1055 Natalia Goncharova Russian, 1881-1962 Baigneuse, circa 1918 Signed with initials and dedicated To Nika Hulton avec grande simpathee de N.G. (lr); also signed N. Goncharova (lr) Pastel and colored crayons over graphite on buff paper 14 1/8 x 10 inches (35.9 x 25.4 cm) Provenance: Sir Edward and Lady Hulton, London [Sale] Christie, Manson & Woods International Inc., New York, Nov. 15, 1983, lot 151 [Sale] Christie's, South Kensington, Mar. 17, 1997, lot 37 Sir Edward Hulton was the founder of Picture Post magazine. His second wife was the Princess Nika Yourievitch, daughter of Serge Yourievitch, a Russian diplomat and sculptor who was a pupil of Rodin. Goncharova worked on a series of bathers in gouache and oil at this time. C $8,000-12,000
1055
1056 Ossip Zadkine Russian/French, 1890-1967 Tête de Nègre or L’Homme de New York, 1945 Signed with initials OZ on left side of neck and inscribed E.A. and Georges Rudier Fondeur Paris on back of neck Bronze with brown and green patina Height 12 5/8 inches (32 cm) Literature: Prof. A.M. Hammacher, Zadkine, 1959, no. 21, illus. (terra cotta version), dated 1944 Musée Zadkine, Sculptures, p. 23, no. 115, illus. another example in bronze C $15,000-20,000
1056 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 41
1057 Chana Orloff Ukrainian/French, 1888-1962 Glaneuse, conceived in 1955 Signed Ch. Orloff and with the foundry mark Susse Fondeur Paris Bronze with brown patina 15 3/4 x 11 3/4 x 5 3/4 inches (40 x 29.8 x 14.5 cm) Provenance: Ulrich Museum of Art, Wichita State University, Wichita, Kansas Literature: Félix Marcilhac, Chana Orloff, Paris, 1991, no. 361, p. 284, illus. of another cast, and p. 161, fig. 3, illus. of another cast There is also a larger version of this work, entitled Grande Glaneuse. The plaster is illustrated in Marcilhac, p. 284, as no. 361.1. C $10,000-15,000 1057 1058 Boris Izrailovich Anisfeld Russian, 1879-1973 Children Inscribed as titled on the reverse; also inscribed Grandson of Boris Anisfeld CCT (Charles Chatfield Taylor/June 27/03/testifies that this is the work of my/grandfather) Oil on canvas 50 x 39 15/16 inches (127 x 101.5 cm) Provenance: A. Sourpin, New York Literature: Eckart Lingenauber, Olga Sugrobova-Roth, with a preface by Charles Chatfield-Taylor, 2011, Boris Anisfeld Catalogue Raisonné, p. 147, no. P324, illus. in color C $20,000-30,000
1058 42 MAY 14, 2019 • NEW YORK
1059
1059 Efim (Yefim) Mikhailovich Cheptsov Russian, 1874-1950 In the Village, 1924 Signed in Cyrillic and dated 1924 (lr); inscribed as titled on the reverse Oil on board 12 x 16 1/4 inches (30.5 x 41.3 cm) Provenance: Private collection [Sale] Sotheby’s, New York, Apr. 15, 2008, lot 171 Private collection, acquired at the above auction C $10,000-15,000 1060 Leon Shulman Gaspard Russian/American, 1882-1964 Canton, 1921 Signed Leon Gaspard, dated 1921, and inscribed with title (lr); Estate stamp on backing board Oil on linen mounted to board 19 1/2 x 14 7/8 inches (49.5 x 37.8 cm) Provenance: The artist Estate of the above Maxwell Gallery, San Francisco Private Collection, New York [Sale] Christie’s New York, Jun. 3, 1982, lot 125 Private Collection, New York [Sale] Christie’sNew York, Nov. 19, 2014, lot 151 Private Collection C $20,000-30,000
1060 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43
Property from the Estate of Joan Harmon Van Metre, The Plains, VA 1061 Frederic Remington American, 1861-1909 Bronco Buster Inscribed Copyright by / Frederic Remington. and Roman Bronze Works N. Y. on the base; stamped No. 204 under the base Bronze with a dark brown patina Height 22 1/2 inches (57.1 cm) Literature: Bruce Wear, The Bronze World of Frederic Remington, Tulsa, Oklahoma, 1966, p. 56, (illus. of another example p. 57) Harold McCracken, The Frederic Remington
44 MAY 14, 2019 • NEW YORK
Book: A Pictorial History of the West, Garden City, New York, 1966, p. 255, (illus. of another example fig. 360) Patricia Janis Broder, Bronzes of the American West, New York, 1974, p. 24, (illus. of other examples pp. 25, 132, 148) Michael Edward Shapiro, Cast and Recast: The Sculpture of Frederic Remington, Washington, D.C., 1981, pp. 63-69, 98, (illus. of other examples pp. 65-67) Michael Edward Shapiro and Peter H. Hassrick, Frederic Remington: The Masterworks, New York, 1988, pp. 66, 186-187, 195, 206-207, 210- 211, 214, 223, (illus. of other examples pls. 47-49) Michael D. Greenbaum, Icons of the West: Frederic Remington’s Sculpture, Ogdensburg, New York, 1996, pp. 51, 53-56, 58-60, 176, (illus. of other examples pp. 52-53, 57-64) C $70,000-90,000
1062
1062 Frederic Remington American, 1861-1909 Taos Pueblo, circa 1890 Signed Frederic Remington (lr) Gouache and ink on board 11 x 18 5/8 inches (27.9 x 48.3 cm) This work appears in the online catalogue raisonné, no. 01049.1 C $30,000-50,000 1063 Charles Rumsey American, 1879-1922 Walking Puma Signed C C Rumsey and inscribed MHK and CF # 12 at the base Bronze with a brown patina 6 inches (15.2 cm) C $8,000-10,000
1063
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 45
Property from a Connecticut Private Collection 1064 John Frost American, 1890-1937 Western Landscape Signed John Frost (lr) Oil on canvas 26 x 30 inches (66 x 76.2 cm) C $15,000-25,000
1065 Robert William Wood American, 1889-1979 Bluebonnets Signed Robt. Wood (ll) Oil on canvas 20 1/8 x 30 1/8 inches (51.1 x 76.2 cm) C $8,000-12,000
1064
1065
46 MAY 14, 2019 • NEW YORK
1066 Jamie Wyeth American, b. 1946 Barn Roof Signed Jamie Wyeth (ll) Watercolor on paper mounted to paper 19 1/8 x 24 inches (48.6 x 60.9 cm) C $25,000-35,000
1067 Jack Lorimer Gray American/Canadian, 1927-1981 Nova Scotian Schooner, 1961 Signed Jack L Gray and dated 61; initialed JLG, dated 61, and inscribed as titled on the reverse Oil on canvasboard 24 x 36 inches (61 x 91.4 cm) Provenance: Mrs. Henry Dickson Henry Peterson Dickson C $15,000-25,000
1066
1067
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Property from the Estate of a Palm Beach Heiress 1068 Orville Bulman American, 1904-1978 Une AgrĂŠable Rencontre, 1969 Signed Orville Bulman and dated 1969 (lr); signed Orville Bulman, dated 1969 and inscribed as titled on the reverse Oil on canvas 40 x 36 inches (101.6 x 91.4 cm) Provenance: Hammer Galleries, New York [Sale] Leslie Hindman Auctioneers, Chicago, Sept. 19, 2004, lot 1649 Literature: Deborah Pollack, Orville Bulman: An Enchanted Life and Fantastic Legacy, Blue Heron Press, Toronto, ON, Canada, 2005, p. 220, illus. p. 221 C $30,000-50,000
1068
Property from the Estate of a Palm Beach Heiress 1069 Orville Bulman American, 1904-1978 Bas!, 1975 Signed Bulman (ll); Signed Orville Bulman, dated 1975, and inscribed as titled on the reverse Oil on canvas 18 x 14 inches (45.7 x 35.6 cm) C $8,000-12,000
1069 48 MAY 14, 2019 • NEW YORK
Property from the Estate of a Palm Beach Heiress 1070 Orville Bulman American, 1904-1978 Homme de Loi Signed Bulman (lr) Oil on canvas 20 x 22 inches (50.8 x 61 cm) Provenance: [Sale] Arthur James Galleries, Delray Beach, FL, Oct. 2, 2002, lot 451 C $15,000-25,000
1070
Property from the Estate of a Palm Beach Heiress 1071 Ralph Eugene Cahoon, Jr. American, 1910-1982 A Mermaid with Her Dog, 1965 Signed R. Cahoon and dated 1965 (lr) Oil on Masonite 12 7/8 x 10 inches (32.7 x 25.4 cm) C $8,000-12,000
1071 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49
1072 Richard Maury American, b. 1935 Epipactis Signed Maury (cl) Oil on canvas mounted on panel 37 x 32 5/8 inches (94 x 82.9 cm) Provenance: Gerold Wunderlich & Co., New York C $10,000-15,000
50 MAY 14, 2019 • NEW YORK
POST-WAR ART
Lot 2004
2001
2002
Property from the Estate of Frances “Peggy” Brooks 2001 André Masson French, 1896-1987 Untitled (Apedemak) Signed André Masson (ll) Ink and pastel on paper 23 x 18 inches (58.42 x 45.72 cm)
2002 Adolf Fleischmann German, 1892-1968 Untitled, 1963 Signed Fleischmann and dated 63 (lr) Oil on canvas 26 x 18 inches (66.04 x 45.72 cm)
Provenance: Acquired directly from the artist by T. Catesby Jones Thence by descent to Frances Jones Brooks C $8,000-12,000
Provenance: Private collection, New York C $15,000-20,000
52 MAY 14, 2019 • NEW YORK
2003
2004
2003 Irene Rice Pereira American, 1907-1971 Curves and Angles Composition, 1937 Signed I Rice Pereira (lr) Oil on canvas 30 x 24 inches (76.2 x 60.96 cm) Exhibited: World’s Fair I. Rice Pereira: Compositions, Feb. 20 - Mar. 6, 1939, Julian Levy Gallery, New York Havard Museum, Washington DC, Mar. 1938 Irene Rice Pereira’s Early Work: Embarking on an Eastward Journey, Jun. 23 - Aug. 7, 1994, The Lowe Art Museum, Coral Gables, FL C $8,000-12,000
2004 Alice Trumbull Mason American, 1904-1971 Untitled #12 Signed Alice Trumbull Mason and inscribed #12 on the stretcher, initialed ATM (lr) Oil on canvas 35 1/4 x 19 inches (90.17 x 48.26 cm) Provenance: Private collection, New York C $10,000-15,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 53
2005 Alexander Calder American, 1898-1976 Sunrise on Pyramids, 1970 Signed Calder and dated 70 (lr) Gouache on paper 29 3/8 x 39 1/4 inches (74.61 x 99.69 cm) Provenance: Perls Gallery, New York Jerry Brewster Gallery, New York This work is registered in the archives of the Calder Foundation, New York, under application number A06387 C $30,000-50,000
54 MAY 14, 2019 • NEW YORK
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2006 Roberto Matta Chilean, 1911-2002 The 50% Irrational in Matter, 1951 Oil on canvas 58 x 78 inches (147.32 x 198.12 cm) Provenance: Blum Helman Gallery, New York Exhibited: Galerie Moos, Toronto, Masters of the XXth Century, Sep. 10 - Oct. 1, 1977, cat. no. 18 This work is accompanied by a photo certificate issued by Germana Ferrari Matta C $100,000-200,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55
Property from the Estate of Elisabeth B. Vondracek 2007 Mark Tobey American, 1890-1976 Breath of Stone, 1954 Signed Tobey and dated 54 (lr), inscribed the breath of stone and painting/for Beyeler/1969 on reverse of mount Ink and gouache on paper laid to card 11 3/4 x 6 1/2 inches (29.84 x 16.51 cm), sheet mount size 13 1/8 x 8 1/8 inches (33.33 x 20.63 cm) Achim Moeller, Managing Principal of the Mark Tobey Project LLC, has confirmed the authenticity of this work. It is registered in the Mark Tobey archive with the number MT [259-3-26-19]. C $20,000-30,000
Property from the Estate of Elisabeth B. Vondracek 2008 Mark Tobey American, 1890-1976 Untitled, 1957 Tempera on paper laid to card 3 3/4 x 5 1/2 inches (9.5 x 14 cm) sheet 5 1/4 x 6 7/8 inches (13.3 x 17.5 cm) mount Achim Moeller, Managing Principal of the Mark Tobey Project LLC, has confirmed the authenticity of this work. It is registered in the Mark Tobey archive with the number MT [260-3-26-19]. C $8,000-12,000
2007
2008 56 MAY 14, 2019 • NEW YORK
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2009 Franz Kline American, 1910-1962 Untitled Inscribed ZP77 on the reverse Oil on paper 8 3/4 x 7 inches (22.22 x 17.78 cm)
Provenance: The Collection of Elizabeth V. Kline Prestige Arts Ltd., Mamaroneck, NY The Sidney Singer Collection, New York Marlborough Gallery, New York Acquired from the above in 1979 by the current owner
Exhibited: New York, Solomon R. Guggenheim Museum, loan no. 770.78B, estate no. ZP 77 C $50,000-70,000
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Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2010 Franz Kline American, 1910-1962 Untitled Inscribed ZD197 on the reverse Ink and gouache on cream paper 11 x 8 1/2 inches (27.94 x 21.59 cm)
58 MAY 14, 2019 • NEW YORK
Provenance: The Collection of Elizabeth V. Kline Prestige Arts Ltd., Mamaroneck, NY The Sidney Singer Collection, New York Marlborough Gallery, New York Acquired from the above in 1979 by the current owner
Exhibited: New York, Solomon R. Guggenheim Museum, loan no. 832.78, estate no. ZD 197 C $50,000-70,000
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2011 Franz Kline American, 1910-1962 Untitled Inscribed ZD 473 on the reverse Ink on tissue paper 8 5/8 x 8 3/8 inches (21.9 x 21.27 cm)
Provenance: The Collection of Elizabeth V. Kline Prestige Arts Ltd., Mamaroneck, NY The Sidney Singer Collection, New York Marlborough Gallery, New York Acquired from the above in 1979 by the current owner
Exhibited: New York, Solomon R. Guggenheim Museum, loan no. 919.78, estate no. ZD 473 C $20,000-30,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59
2012
Property from the Estate of Robin Gottlieb 2012 Saul Steinberg American, 1914-1999 Ex Voto #4, 1950 Signed Steinberg and dated 1950 (ur) Ink, crayon and collage on paper 11 1/2 x 14 1/2 inches (29.21 x 36.83 cm) Provenance: Sidney Janis Gallery, New York C $10,000-20,000
2013 David Hare American, 1917-1992 Untitled (Couple), 1950 Signed Hare dated 1950 and numbered 1/7 Bronze with brown patina Height 13 3/4 inches (34.92 cm) C $7,000-10,000
2013 60 MAY 14, 2019 • NEW YORK
2014 Alfonso Ossorio Filipino/American, 1916-1990 Systems Go, IV, 1975 Initialed with artist’s device and dated 75 (ll) Ink, wax and watercolor on paper 19 1/2 x 15 3/4 inches (49.5 x 40 cm) Provenance: Acquired directly from the artist C $20,000-30,000
2015 Charles Henry Alston American, 1907-1977 Untitled (Civil Rights), circa 1960 Signed Alston (ll) Oil on fiberboard 18 x 24 inches (45.72 x 60.96 cm) Provenance: Estate of the Artist Bill Hodges Gallery, New York (2005) Private Collection, Paris C $8,000-12,000
2014
2015 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 61
2016 John Grillo American, 1917-2014 Untitled, 1963 Signed Grillo and dated 63 on the reverse Oil on canvas 18 x 26 inches (45.72 x 66.04 cm) Unframed Provenance: Private collection, New York C $7,000-10,000
2016
2017 George J. McNeil American, 1908-1995 Untitled, 1957 Signed McNeil and dated 57 (ll) Oil on Masonite laid to a cradled panel 41 x 32 inches Provenance: Poindexter Gallery, NY C $8,000-12,000
2017
62 MAY 14, 2019 • NEW YORK
2018 Esteban Vicente American, 1903-2001 Around, 1984 Signed Esteban Vicente dated 1984 and inscribed as titled on the reverse Oil on canvas 53 x 42 inches (134.62 x 106.68 cm) Provenance: Gruenebaum Gallery, Ltd., New York C $20,000-30,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 63
2019 Zoran Antonio Mušic Slovenian, 1909-2005 Cavalini, 1957 Signed Music and dated 1957 (lc) Oil on canvas 16 1/8 x 13 inches (41 x 33 cm) C $20,000-30,000
64 MAY 14, 2019 • NEW YORK
2020 Eugène Leroy French, 1910-2000 Untitled (Two Nudes), circa 1960 Inscribed EB on the reverse Oil on canvas 58 x 38 inches (147.32 x 96.52 cm) This work is accompanied by a certificate of authenticity signed by Jean-Jacques Leroy. C $30,000-50,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65
2021 William Perehudoff Canadian, 1918-2013 Vertical Reds, 1973 Signed W. Perehudoff, dated 1973 and inscribed as titled on the reverse Acrylic on unprimed canvas 75 x 40 inches Provenance: Meredith Long Contemporary, NY C $25,000-35,000
66 MAY 14, 2019 • NEW YORK
2022 Nasreen Mohammedi Indian, 1937-1990 Untitled, 1960 Signed Nasreen and dated 60 on the reverse Oil on canvas 25 x 41 1/2 inches (63.5 x 105.41 cm) Provenance: Harvey Leyton Schwartz Thence by descent to the current owner C $30,000-50,000
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2023 2023 Nasreen Mohammedi Indian, 1937-1990 Night Signed Nasreen Mohammedi, inscribed NMP-I, 8001 and as titled on the reverse Oil on canvas 36 x 48 inches (91.44 x 121.92 cm) Provenance: Harvey Leyton Schwartz Thence by descent to the current owner This painting as well as the preceding lot were acquired by Harvey L. Schwartz circa 1965-68 during an information gathering trip to India while working for Rodman Rockefeller at IBEC, (International Basic Economy Corporation). Most of IBEC’s business ventures were focused on Latin America, but Harvey L. Schwartz was sent to Thailand and India in the mid to late 1960s, where he purchased these paintings. C $30,000-50,000
2024
2024 Oskar Rabin Russian, 1928-2018 Lily of the Valley, Fish and House, 1971 Signed in Cyrillic and dated 71 (ll), inscribed as titled in Cyrillic, dated 1971 and numbered N 470 on the reverse Oil on canvas 27 1/8 x 31 1/2 inches (69 x 80.5 cm) Provenance: Acquired directly from the artist by the current owner’s grandfather C $8,000-12,000
68 MAY 14, 2019 • NEW YORK
2025 Andy Warhol American, 1928-1987 Pear Tree Signed Warhol (lc) Ink and watercolor on paper 21 3/4 x 18 1/2 inches (55.24 x 46.99 cm) Provenance: The artist Geraldine Stutz Acquired from the above by the present owner C $18,000-22,000
2025
Property from the Estate of Peter Mayer 2026 Xavier Bueno Italian, 1915-1979 Untitled Signed Xavier Bueno (ll), inscribed 90 on the stretcher Oil on canvas 39 3/8 x 31 1/2 inches (110 x 80 cm) This work is accompanied by a Certificate of Authenticity issued by Raffaele Bueno. C $15,000-25,000
2026 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69
2027
2027 Sadegh Tabrizi Iranian, b. 1939 Untitled Signed S. Tabrizi (lr) Oil and gold leaf on canvas 39 x 58 3/4 inches (99.06 x 149.22 cm) Provenance: [Sale] Christie’s New York, Sale 6765, lot 85, Feb. 14, 1989 C $15,000-25,000 Property of Gloria Starr Kins 2028 Burhan Cahit Dogançay Turkish/American, 1929-2013 Rosy PI, 1969 Signed B Dogancay and dated 1969 (ll) Watercolor on paper 27 x 22 1/4 inches (68.5 x 56.5 cm) Provenance: Acquired directly from the artist C $7,000-10,000
2028 70 MAY 14, 2019 • NEW YORK
2029
2029 Burhan Cahit Dogançay Turkish/American, 1929-2013 Kaleidoscopic Woman Want, 1987 Signed B. Dogancay and dated 1987 (lc); signed B. Dogancay on the reverse Acrylic, collage and fumage on board laid to panel 32 x 40 inches 81.5 x 101.5 cm Provenance: Purchased directly from the artist by the current owner C $30,000-50,000 Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2030 Louise Nevelson American, 1899-1988 Volcanic Magic XXIV, 1985 Signed Nevelson and dated ‘85 (lc) Mixed media assemblage with chair, painted wood, metal, sandpaper and paper 40 x 32 x 6 inches (101.6 x 81.28 x 15.24 cm) Provenance: Pace Gallery, New York, inventory no. 17467 Claude Bernard Gallery, Ltd., New York C $15,000-25,000
2030 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71
2031 John Stephan American, 1906-1995 Disc #5, 1970 Signed John Stephan dated, 70 and inscribed ACR #5 on the reverse, stamped with estate stamp and inscribed JS-26-70 on the stretcher Acrylic on canvas 70 x 68 inches (177.8 x 172.72 cm) Provenance: The Estate of the Artist C $7,000-10,000 Estate of a Gentleman, Park Avenue and Southampton, New York 2032 Hans Hartung German/French, 1904-1989 P1960-48, 1960 Signed Hartung and dated 60 (lr), inscribed P 1960-48 on the reverse Pastel and pencil on paper 19 1/4 x 28 3/4 inches (48.6 x 73 cm) Provenance: Galerie de France, Paris, 1960 This work is listed in The Hartung Bergman Foundation archives and will appear in the catalog raisonné of Hans Hartung’s work. C $25,000-35,000 2031
2032 72 MAY 14, 2019 • NEW YORK
Estate of a Gentleman, Park Avenue and Southampton, New York 2033 Richard Diebenkorn American, 1922-1993 Untitled, 1975 Initialed RD and dated ‘75 (ll) Acrylic and charcoal on paper 25 x 19 inches (63.5 x 48.26 cm) Provenance: Marlborough Gallery, New York, stock no. 19.732
Exhibited: Marlborough Gallery, New York, Richard Diebenkorn: The Ocean Park Series; Recent Work, Dec. 6-27 1975, cat. no. 30; Albright-Knox Art Gallery, Buffalo, Richard Diebenkorn: Paintings and Drawings,1943-1976, Nov. 12 1976 - Jan. 9, 1977, cat. no. 62, p. 109, illus., traveling.
Literature: Livingston, Jane, Richard Diebenkorn, The Catalogue Raisonne, Vol. IV: catalogue entries 3762-5197, 2016, no. 4184, illus. color, p. 188 C $100,000-200,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73
2034 Alvin Demar Loving Jr. American, 1935-2005 Untitled, circa 1966-68 Inscribed Loving and marked with a directional arrow on reverse Oil on canvas 68 x 61 inches (172.72 x 154.94 cm) This work is accompanied by a certificate of authenticity issued by Mara Kearney Loving. C $20,000-30,000
2034
2035 Tadasky Japanese/American, b. 1935 B-169, 1964 Signed Tadasky, dated 1964 and inscribed #B-169 on the reverse Acrylic on canvas 15 x 15 inches (38.1 x 38.1 cm) C $8,000-12,000
2035 74 MAY 14, 2019 • NEW YORK
2036 2036 Turi Simeti Italian, b. 1929 Un Ovale Rosso, 1967 Signed Simeti and dated 67 on the reverse Acrylic on shaped canvas 65 1/2 x 64 3/4 inches (166.37 x 164.46 cm) Provenance: Alfonso Ossorio, The Creeks, NY Literature: Antonio Addamiano e Federico Sardella, Turi Simeti: Catalogo ragionato, Milano: Skira: Archivio Turi Simeti, 2017 Vol. 2, p. 533, no. 181, illus. color, Archivio N. 1967-R 1501 F. Tedeschi, Turi Simeti, Artshow Edizioni, Milano 2001, p. 62 C $40,000-60,000
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2037 Dan Christensen American, 1942-2007 Crimson and Clover, 1980 Signed D. Christensen, dated 1980 and inscribed as titled on the overlap Acrylic or unprimed canvas 65 1/2 x 80 1/2 inches Provenance: Meredith Long Contemporary, NY C $7,000-10,000
2037
2038 John Little American, 1907-1984 Oz, 1975 Signed John Little and dated ‘75 (lr), signed John Little, dated 1975 and inscribed as titled on reverse Oil on canvas 90 x 60 inches (228.6 x 152.4 cm) Provenance: Estate of the Artist C $10,000-15,000
2038 76 MAY 14, 2019 • NEW YORK
2039 Jack Roth American, 1927-2004 Thesis IV, 1981 Signed Roth and dated ‘81 (ll); signed Roth, dated 81 numbered 32196 and inscribed as titled on overlap, numbered JR992-81 on the stretcher Acrylic on canvas 88 3/4 x 68 1/2 inches (225.42 x 173.99 cm) Provenance: Estate of the Artist C $8,000-12,000
2039
2040 Mathias Goeritz German/Mexican, 1915-1990 Family Tree Initialed MG on the underside Wood Height 31 inches (78.74 cm) C $10,000-15,000
2040 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77
2041 Claude Venard French, 1913-1999 Untitled, No. 3 Signed C. Venard (lr) and inscribed No.3 on the stretcher Oil and sand on canvas 51 1/4 x 63 3/4 inches (131 x 162 cm) Provenance: Galerie Felix Vercel, New York/Paris C $12,000-18,000
2041
2042 Roger Mühl French, 1929-2008 Jardin au Printemps Signed Mühl (lc) Oil on canvas 59 1/8 x 63 inches (150 x 160 cm) Provenance: David Findlay Gallery, New York, accession code D385 C $8,000-12,000
2042
78 MAY 14, 2019 • NEW YORK
CONTEMPORARY ART
Lot 2056
2043
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2043 James Brown American, b. 1951 Untitled, 1984 Signed James Brown, dated 1984 NYC and inscribed Untitled/No Title on the reverse Enamel and graphite on burlap in artist’s frame 56 x 50 inches (142.24 x 127 cm) Provenance: Tony Shafrazi Gallery, New York C $25,000-35,000
80 MAY 14, 2019 • NEW YORK
2044 James Brown American, b. 1951 Rectangles of Light Sweep, 1997 Signed James Brown, dated 1997, inscribed X-97-O-W9506 and as titled on the reverse Oil on canvas 65 1/2 x 94 1/2 inches (166.37 x 240.03 cm) Unframed Provenance: Galerie Alice Pauli, Lausanne, Switzerland Galerie Lelong, Paris C $8,000-12,000
2044
Property from the Estate of Peter Mayer 2045 Pat Steir American, b. 1940 Small Blue with Gold, Red and Green 2003 Artist’s label affixed to the overlap, with inventory no. STEI0837 Oil on canvas 24 x 24 inches (60.96 x 60.96 cm) Unframed C $18,000-22,000
2045
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81
2046 Martin Wong American, 1946-1999 WACO Studio Loft, circa 1975-78 Inscribed Feb 16 on the reverse Acrylic on canvas, in artist’s painted frame 14 x 11 inches (35.56 x 27.94 cm) Provenance: Gift of the artist to the current owner C $12,000-18,000
2046
2047 Martin Wong American, 1946-1999 Walt Bushman, circa 1975-78 Acrylic on canvas, in artist’s painted frame 14 x 16 inches (35.56 x 40.64 cm) Provenance: Gift of the artist to the current owner C $8,000-12,000
2047 82 MAY 14, 2019 • NEW YORK
2048 Kenny Scharf American, b. 1958 Blobeija, 1999 Signed Kenny Scharf, dated ‘99 and inscribed as titled on the reverse Oil, acrylic and enamel on canvas with artist’s frame Total size with frame 57 1/2 x 39 3/4 inches (146.05 x 100.96 cm) Provenance: Tony Shafrazi Gallery, New York C $30,000-50,000
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2049 Richard Hambleton Canadian/American, 1952-2017 Shadowman, 1983 Signed R. Hambleton and dated 83 on the reverse Acrylic, glass and plastic on Masonite in artist’s painted frame Total size 58 1/4 x 26 inches (147.95 x 66.04 cm) Provenance: Chris “Daze” Ellis Exhibited: East Village, USA, Dec. 9, 2004 - Mar. 19, 2005, New Museum, New York Literature: Cameron, Dan; Julie Ault, East Village USA, New Museum, 2004, illus. p. 38 C $80,000-120,000
84 MAY 14, 2019 • NEW YORK
2050 Richard Hambleton Canadian/American, 1952-2017 Shadow Head, 2016 Signed Richard Hambleton and dated 2016 (ll), signed Richard Hambleton and dated 2016 on the reverse Arcylic and ground glass medium on canvas 36 x 24 inches (91.44 x 60.96 cm) Provenance: Purchased directly from the artist by the current owner C $40,000-60,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85
2051 Richard Hambleton Canadian/American, 1952-2017 Shadow Head, 1997 Signed R Hambleton and dated 97 (ll) Acrylic on slate18 x 14 inches (45.72 x 35.56 cm) C $10,000-15,000
2051
2052 George Condo American, b. 1957 Untitled Portrait, circa 1983 Graphite on paper laid to card Sheet 12 x 9 inches (30.48 x 22.86 cm) Provenance: Gift of the artist to the current owner C $8,000-12,000
2052 86 MAY 14, 2019 • NEW YORK
2054 Bruno Romeda Italian, 1933-2017 Untitled Circle, 1995 Signed Romeda, dated 95 and numbered I/I Bronze 59 x 57 1/2 x 6 inches (149.86 x 146.05 x 15.24 cm) Provenance: Kouros Gallery, New York C $18,000-22,000
2053 2053 Nancy Graves American, 1939-1985 Vertilance (Pendula Series), 1985 Signed N.S. Graves, dated 3-85 and inscribed as titled Painted metal 90 x 45 x 19 1/2 inches (228.6 x 114.3 x 49.53 cm) C $12,000-18,000
2054 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87
Property of Two New York Gentlemen 2055 Alexis Rockman American, b. 1962 Fishing, 2000 Signed Alexis Rockman, dated 2000 and inscribed as titled on the reverse Oil and acrylic on wood 84 x 72 inches (213.36 x 182.88 cm) Unframed Provenance: Gorney, Bravin + Lee, New York C $7,000-10,000 2056 Max Ferguson American, b. 1959 My Father in the Subway I, 1982 Signed Max Ferguson, dated August 23, 1982-December 23, 1982, inscribed as titled and with extensive artist’s notes on the reverse Oil on panel 14 x 21 inches (35.56 x 53.34 cm) Provenance: Purchased directly from the artist by the current owner, includes a personal letter from the artist discussing the work. Exhibited: Painting My Father, Apr. 16 - Jun. 29, 2012, Hebrew Union College - Jewish Insititute of Religion Museum, New York Literature: The New York Times, Apr. 15, 2012, illus. Nassau Herald, Nassau County, New York, Apr. 26, 2012, illus. Painting My Father, Max Ferguson, 2012, p. 16, color illus. C $7,000-10,000
2055
2056 88 MAY 14, 2019 • NEW YORK
Property of Two New York Gentlemen 2057 Frank Moore American, 1953-2002 Conspicuous Consumption, 1990 Signed Frank Moore, dated 1990 and inscribed as titled on the reverse Oil on canvas stretched to panel, in artist’s frame 72 1/2 x 93 inches (184.15 x 236.22) Provenance: Sperone Westwater, New York C $30,000-50,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89
Property of Two New York Gentlemen 2058 Frank Moore American, 1953-2002 Jack and Jill Ran Up the Hill, 1995 Oil on canvas stretched to wood 19 x 23 inches (48.26 x 58.42 cm) Provenance: Sperone Westwater, New York Exhibited: Toxic Beauty: The Art of Frank Moore, Sep. 6 - Dec. 8, 2012, Grey Art Gallery, New York C $8,000-12,000
2058
Property of a New York Collector 2059 David H. Ligare American, b. 1945 Kalymnos (Thrown Drapery), 2004 Initialed L (lr), signed D. Ligare and dated 2004 on the reverse Oil on canvas 72 x 43 3/4 inches (182.88 x 111.12 cm) Provenance: Kristy Stubbs Gallery, Dallas Literature: Shields, Scott A., David Rodes, Patricia Junker; David Ligare: California Classicist, Papadakis, London, 2015, color illus. pg. 8 C $12,000-18,000
2059 90 MAY 14, 2019 • NEW YORK
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2060 Magdalena Abakanowicz Polish, 1930-2017 Artukil (Hoofed Mammal’s Heads Series), 1989 Inscribed with foundry mark Bronze and plaster Height overall 62 inches (157.48 cm) Provenance: The Artist Marlborough Gallery, New York C $20,000-30,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 91
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2061 Grisha Bruskin Russian, b. 1945 Alephbet - Lexicon 8, 1989-90 Signed in Cyrillic (lr) Acrylic on canvas 45 1/2 x 34 1/2 inches (115.57 x 87.63 cm)
92 MAY 14, 2019 • NEW YORK
Provenance: Marlborough Gallery, New York Exhibited: Chagall to Kitaj: Jewish Experience in the Art of the 20th Century, Barbican Art Gallery, London, Oct. 10, 1990 - Jan. 6, 1991
Literature: Kampf, Avram, Chagall to Kitaj: Jewish Experience in the Art of the 20th Century, Praeger Publishers, illus. cat. no. 88, 1990 C $40,000-60,000
2062 Grisha Bruskin Russian, b. 1945 Untitled (From Birth of a Hero Series): Two, 1988 Each signed with artist’s mark and initialed in Cyrillic, dated 88 and numbered 5/8 Painted bronze on stone base Height of tallest 27 1/2 inches (69.85 cm) Provenance: Meyerovich Gallery, San Francisco C $30,000-50,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93
2063 Grisha Bruskin Russian, b. 1945 Untitled (From Birth of a Hero Series): Two, 1988 Each signed with artist’s mark and initialed in Cyrillic, dated 88 and numbered 5/8 Painted bronze and aluminum on stone base Height of tallest 17 inches (43.18 cm) Provenance: Meyerovich Gallery, San Francisco C $30,000-50,000
94 MAY 14, 2019 • NEW YORK
2064 Grisha Bruskin Russian, b. 1945 Untitled (From Birth of a Hero Series): Two, 1988 Each signed with artist’s mark and initialed in Cyrillic, dated 88 and numbered 5/8 Painted bronze and aluminum on stone base Height of tallest 20 inches (50.8 cm) Provenance: Meyerovich Gallery, San Francisco C $30,000-50,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2065 Grisha Bruskin Russian, b. 1945 Untitled gg (Quadriptych), 1989 Signed in Cyrillic (lr) Each gouache and ink on paper Overall dimensions 21 1/2 x 16 3/4 inches (54.61 x 41.5 cm) Provenance: Acquired directly from the artist by the current owner [Marlborough Gallery, New York] C $12,000-18,000
2065
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2066 Grisha Bruskin Russian, b. 1945 Untitled hh (Quadriptych), 1989 Signed in Cyrillic (lr) Each gouache and ink on paper Overall dimensions 21 1/2 x 16 3/4 inches (54.61 x 41.5 cm) Provenance: Acquired directly from the artist by the current owner [Marlborough Gallery, New York] C $12,000-18,000
2066 96 MAY 14, 2019 • NEW YORK
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2067 Grisha Bruskin Russian, b. 1945 Untitled ii (Quadriptych), 1989 Signed in Cyrillic (lr) Each gouache and ink on paper Overall dimensions 21 1/2 x 16 3/4 inches (54.61 x 41.5 cm) Provenance: Acquired directly from the artist by the current owner [Marlborough Gallery, New York] C $12,000-18,000
2067
Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2068 Grisha Bruskin Russian, b. 1945 Untitled jj (Quadriptych), 1989 Signed in Cyrillic (lr) Each gouache and ink on paper Overall dimensions 21 1/2 x 16 3/4 inches (54.61 x 41.5 cm) Provenance: Acquired directly from the artist by the current owner [Marlborough Gallery, New York] C $12,000-18,000
2068 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 97
2069 Property from the Estate of a Gentleman, Park Avenue and Southampton, New York 2069 Grisha Bruskin Russian, b. 1945 Untitled (Priests Waiting): Two, 1988 Each signed in Cyrillic and dated ‘88 (lr) Each ink, watercolor and pencil on paper Each sheet 14 3/4 x 19 1/4 inches (37.46 x 48.89 cm)
Provenance: NF/Nieves Fernandez Gallery, Madrid
Provenance: Acquired directly from the artist by the current owner C $15,000-25,000
Exhibited: Green Go Home, Sep. 10 - Nov. 7, 2015, NF/Nieves Fernandez Gallery, Madrid C $8,000-12,000
2070 98 MAY 14, 2019 • NEW YORK
2070 Rirkrit Tiravanija and Tomas Vu Thai, b. 1961, Vietnamese/American, 1963 Green Go Home, 2015 Initialed RT and TV and dated 2015 (lr) Paint and print on newspaper 15 1/2 x 22 3/4 inches (39.37 x 57.78 cm)
2071 Margaret Kilgallen American, 1967-2001 Untitled Portrait, circa 1999 Acrylic on panel 10 3/4 x 10 1/4 inches (27.3 x 26.03 cm)
Provenance: Gift of the artist to the current owner Exhibited: Hammer Projects: Margaret Kilgallen,Feb. 6 - Apr 2, 2000, Hammer Museum, UCLA, Los Angeles
Literature: Eungie Joo, Margaret Kilgallen: In The Bye and Bye, Redcat, illus. pg. 51 C $14,000-18,000
VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 99
2072 Dan Colen American, b. 1979 To Be Titled, 2012 Acrylic on rock 17 x 14 x 20 inches (43.18 x 35.56 x 50.8 cm) Provenance: Karma, New York C $15,000-20,000
2072
2073 Tony Lewis American, b. 1986 Free Food, 2013 Pencil, graphite powder, and tape on paper 84 x 60 inches (213.36 x 152.4 cm) Provenance: Shane Campbell Gallery, Chicago C $15,000-25,000
2073 100 MAY 14, 2019 • NEW YORK
2074
2074 Julian Schnabel American, b. 1951 Untitled, 2014 Signed Julian Schnabel, dated 2014 and inscribed No. 7 on the overlap Ink and gesso on flag 31 x 52 1/4 inches (78.74 x 132.71 cm) Unframed Provenance: Karma, New York C $30,000-50,000
2075 Peter Sutherland American, b. 1976 Bonfire 9, 2014 Signed Peter Sutherland and dated 2104 on the reverse Inkjet on perforated vinyl, particle board (OSB), matte medum 72 x 48 inches (182.88 x 121.92 cm) Unframed Provenance: Andrew Kreps Gallery, New York C $8,000-12,000
2075 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 101
2076
2076 Leigh Wen-Cheng Taiwanese/American, b. 1959 Chesapeake X, 2009 Signed Leigh Wen and dated 09 (lr), signed Leigh Wen, dated 2009 and inscribed as titled on the reverse Oil on canvas 36 x 60 inches (91.44 x 152.4 cm) Unframed C $10,000-15,000
2077 Leigh Wen-Cheng Taiwanese/American, b. 1959 Night Water #13, 2007 Signed Leigh Wen and dated 07 (lr), signed Leigh Wen, dated 2007 and inscribed as titled on the reverse Oil on canvas 36 x 60 inches (91.44 x 152.4 cm) Unframed C $10,000-15,000
2077 102 MAY 14, 2019 • NEW YORK
2078 Deborah Margaret Bell South African, b. 1957 Untitled, 2000 Signed Bell and dated 2000 (lr) Charcoal and watercolor on paper 63 x 47 3/4 inches (160.02 x 121.28 cm) C $8,000-12,000
2079 Raphael Mazzucco Canadian/American, b. 1970 Untitled Signed with artist’s mark (lr) Photograph with resin and found elements 48 x 64 1/2 inches (121.92 x 163.83 cm) Provenance: Gift of the artist to the current owner C $8,000-12,000
End of Sale 2078
2079 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 103
ARTIST INDEX Abakanowicz, Magdalena Alston, Charles Henry Anisfeld, Boris Izrailovich Bauchant, Andre Bell, Deborah Margaret Bellows, George Wesley Benton, Thomas Hart Bluemner, Oscar Boudin, Eugene Louis Brown, James Bruskin, Grisha Bueno, Xavier Bulman, Orville Butler, Theodore Earl
2060 2015 1058 1048 2078 1036 1038, 1039 1041, 1042 1005 2043, 2044 2061-2069 2026 1068-1070 1012
Cahoon, Ralph Eugene Jr Calder, Alexander Campigli, Massimo Cheptsov, Efim (Yefim) Mikhailovich Christensen, Dan Coleman, Glenn Colen, Dan Condo, George Corot, Jean-Baptiste-Camille Davies, Arthur Bowen Derain, Andre Dewing, Thomas Wilmer Diebenkorn, Richard Dogancay, Burhan Cahit Elsley, Arthur J. (Attributed to) Evola, Giulio (Julius) Ferguson, Max Fleischmann, Adolf Floch, Josef Folinsbee, John Foujita, Leonard Tsuguharu Frieseke, Frederick Carl Frishmuth, Harriet Whitney Frost, John Gaspard, Leon Shulman Gauguin, Paul (After) Gay, Walter Glackens, William Goeritz, Mathias Goncharova, Natalia Graves, Nancy Gray, Jack Lorimer Grillo, John Hambleton, Richard Hare, David Hartung, Hans Hippolyte-Lucas, Marie Felix Hopper, Edward
104 MAY 14, 2019 • NEW YORK
1071 2005 1046 1059 2037 1034 2072 2052 1004 1035
1047 1016 2033 2028, 2029 1002 1045 20576 2002 1044 1025 1051 1014, 1015 1013 1064 1060 1021 1011 1032 2040 1055 2053 1067 2016 2049-2051 2013 2032 1007 1040
James, David Jones, Francis Coates
1001 1010
Kilgallen, Margaret Kirchner, Ernst Ludwig Kline, Franz Lebasque, Henri
2071 1052 2009-2011 1020
Leger, Fernand Leith-Ross, Harry Le Pho Leroy, Eugene Lewis, Tony Ligare, David H. Little, John Loving, Alvin Demar Jr.
1054 1026, 1027 1049, 1050 2020 2073 2059 2038 2034
MacRae, Emma Fordyce Manguin, Henri Charles Marin, John Marsh, Reginald Mason, Alice Trumbull Masson, Andre Matta, Roberto Maufra, Maxime Maurer, Alfred Maury, Richard Mazzucco, Raphael McNeil, George J. Mohammedi, Nasreen Montezin, Pierre Eugene Moore, Frank Moret, Henry Muhl, Roger Music, Zoran Antonio
1030 1024 1043 1033 2004 2001 2006 1017, 1018 1031 1072 2079 2017 2022, 2023 1023 2057, 2058 1008, 1009 2042 2019
Nevelson, Louise
2030
Orloff, Chana Ossorio, Alfonso Parrish, Maxfield
1057 2014 1037
Perehudoff, William Pereira, Irene Rice
2021 2003
Rabin, Oskar Remington, Frederic Rivera, Diego Robinson, Albert Henry Rockman, Alexis Romeda, Bruno Roth, Jack Rumsey, Charles
2024 1061, 1062 1053 1028 2055 2054 2039 1063
Sanchez-Perrier, Emilio Scharf, Kenny Schnabel, Julian Simeti, Turi Steinberg, Saul Steir, Pat Stephan, John Sutherland, Peter
1006 2048 2074 2036 2012 2045 2031 2075
Tabrizi, Sadegh 2027 Tadasky 2035 Tiravanija, Rirkrit and Tomas Vu 2070 Tobey, Mark 2007, 2008 Tromp, Johann Jan Zoetelief 1003 Venard, Claude Vicente, Esteban Warhol, Andy Weir, J. Alden Wen-Cheng, Leigh Wiggins, Guy Wong, Martin Wood, Robert Wyeth, Jamie Zadkine, Ossip
2041 2018 2025 1019 2076, 2077 1029 2046, 2047 1065 1066 1056
GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:
FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.
PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.
SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.
PRINTS
EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.
NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.
CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.
MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.
MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.
DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.
I
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6. BIDDING
CONDITIONS OF SALE 1. BINDING TERMS
The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:
2. AS IS
All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.
The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.
3. WITHDRAWAL
Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.
4. RESERVES
If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.
5. ESTIMATES
Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.
Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.
7. PURCHASER’S RESPONSIBILITY
Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot. Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. II
Classic Elegance
West Hartford, CT • 112 Stoner Drive • $1,399,000
This home is completely updated while retaining all the beautiful details of its 1928 era. Over 3 acres of manicured lawns and a 50 ft. pool, this significant estate is nestled on a desired neighborhood street. MARY MCGOWAN Licensed Real Estate Salesperson (860) 869-4060 MaryMcGowan@bhhsne.com MLS# G10227870 A member of the franchise system of BHH Affiliates, LLC
CONDITIONS OF SALE CONTINUED The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.
8. REMEDIES AVAILABLE TO DOYLE NEW YORK
In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;
c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs;
11. WAIVER OF CONDITIONS
Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.
12. All measurements and weight are approximate.
Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.
13. If any part of these Conditions of Sale is found
g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids;
by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.
h) To take such other actions as we deem necessary or appropriate; or
14. The rights and obligations of the parties with
i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.
9. LIMITED LIABILITY
If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.
respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.
TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.
1. DEFINITION OF AUTHORSHIP
“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale.
10. DOYLE NEW YORK EMPLOYEES
Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public. III
Thoroughly Modern Tudor in Bridgewater, NJ
$1,350,000
Enjoy spectacular views from almost every room in this elegantly restored 1930's Tudor-style estate home located on 1.20 acres in the Martinsville section of Bridgewater. This unique 5,576 square foot residence features the period charm of leaded glass windows, exquisite oak paneled rooms, grand scale fireplaces and an elaborate two-story foyer with a turned oak and iron accented staircase. Modern updates abound and are showcased in the high-end custom kitchen complementing the classic look of the quartzite counters and Italian marble back-splash. The exterior is just as stunning featuring chestnut, real stucco and brick facade, slate roof, manicured gardens, and an expansive masonry veranda with stairs leading to a heated gunite pool. An easy commute to New York City, this home is conveniently located close to all major local highways and is only minutes from world class shopping and dining.
www.7KramsTrail.com
Kristina Ridente Sales Associate Cell: (732) 433-3689 Office: (908) 753-4450 kristina.ridente@bhhsnj.com www.bhhsnj.com/kristina.ridente Watchung Office | 659 Mountain Boulevard, Watchung, NJ 07069 Š2019 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.Ž Equal Housing Opportunity.
TERMS OF GUARANTEE CONTINUED
ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or
This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.
iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or
2. COVERAGE UNDER THE GUARANTEE
Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.
The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.
3. NON-ASSIGNABILITY
The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.
4. SOLE REMEDY
The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.
5. EXCLUSIONS
This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or
iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.
6. LIMITED WARRANTY
As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.
INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction. WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.
WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.
If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.
WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.
RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.
LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.
CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when reselling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property. IV
L U X U R Y
C O L L E C T I O N
Pacific Palisades • Offered at $6,795,000 Sue Kohl • Lic # 00560679 • 310.720.3400
bhhscalifornia.com ©2019 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Buyer is advised to independently verify the accuracy of that information.
BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.
BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.
BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown.
ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.
TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.
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zachys
®
Private Sales & Estate Planning Zachys is committed to bringing the greatest collections to market in various ways. Auction is one of the most effective ways to maximize the value of your collection, and Zachys did nearly $80m in auction sales last year. Zachys is also a market leader in Private Sales. Zachys is uniquely suited to buy and sell collections that are better suited to private sales instead of auction because of our combined retail and auction divisions, and our Specialists throughout Asia, Europe and the United States. In 2018, Zachys did millions in private sales to collectors all over the world. Is Private Sale right for you? It may be. One of Zachys strengths is the ability to tailor a financial deal to the needs of you, the collector. Zachys is number one in auctions, for a reason: auction remains one of the best ways to sell rare wine. Consignors can take advantage of an upwards-rising market. That said, there are also reasons to consider an outright purchase or private sale. The best thing to do is speak to a Zachys Specialist, discuss your goals and outline a plan of action together. Estate Planning The best way to deal with the liquidation of a wine collection at some point in the future, is to plan now. In estate planning, too often the wine collection is forgotten, and this can be a huge mistake. From logistics to finances and sale strategy, Zachys can help plan the liquidation of a cellar far in advance. Start a conversation today with a Zachys specialist. You might be surprised to learn of all of the ways we can help. Zachys Wine Specialists are ready to assist you with all of your wine needs, whether consignment or sale.
Jeff Zacharia President jzacharia@zachys.com
Jamie Pollack Global Managing Director jpollack@zachys.com
Stuart Jakub Shoshana Filene Senior Specialist, New York Senior Specialist, New York sjakub@zachys.com sfilene@zachys.com
zachys
®
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Fritz Hatton Senior Advisor fhatton@zachys.com
Charles Antin Senior International Specialist, New York cantin@zachys.com
Terrence Tang Head of Asia, Hong Kong ttang@zachys.com
Christy Erickson Head of Europe, Paris cerickson@zachys.com
Kim Busch Specialist, New York kbusch@zachys.com
Austin Zhang Sales Director, China xzhang@zachys.com
Ching Wong Specialist, Hong Kong cwong@zachys.com
Dora Kam Specialist, Hong Kong dkam@zachys.com
New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838
BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.
AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.
To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.
STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.
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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.
OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.
REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.
SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.
AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.
VII #
ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”
INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.
HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com
AUCTION SCHEDULE MAY
JUNE
JULY
CALIFORNIA JEWELRY NY Auction: Monday, May 6 at 10am NY Exhibition: May 3 – 5 LA Preview by Appt: April 25 & 26
DOYLE+DESIGN® Auction: Wednesday, June 5 at 10am Exhibition: June 1 – 3
JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, July 17 at 10am Exhibition: July 12, 15 – 16
ODDITIES Auction: Tuesday, May 7 at 10am Exhibition: May 3 – 5 IMPRESSIONIST & MODERN ART Auction: Tuesday, May 14 at 11am Exhibition: May 11 – 13 POST-WAR & CONTEMPORARY ART Auction: Tuesday, May 14 at 2pm Exhibition: May 11 – 13
FINE JEWELRY Auction: Wednesday, June 12 at 10am Exhibition: June 8 – 10 PHOTOGRAPHS Auction: Thursday, June 13 at 10am Exhibition: June 8 – 10 DOYLE AT HOME® Auction: Wednesday, June 26 at 10am Exhibition: June 22 – 24
DOYLE AT HOME® Auction: Thursday, July 18 at 10am Exhibition: July 12, 15 – 16 AUGUST DOYLE AT HOME® Auction: Wednesday, August 7 at 10am Exhibition: August 1 – 2, 5 JEWELRY & CONTENTS OF ABANDONED SAFE DEPOSIT BOXES Auction: Thursday, August 8 at 10am Exhibition: August 1 – 2, 5
ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS/ OLD MASTER PAINTINGS / Auction: Wednesday, May 22 at 10am Exhibition: May 18 – 20
CATALOGUES
EXHIBITION HOURS
SELLING AT AUCTION
View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com
212-427-4141, option 5 or visit Doyle.com
We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com
DOYLE
175 EAST 8 7 TH STREET
NEW YORK, NY 10128
212 - 4 2 7- 2 730
DOY L E .COM
VIII #
DIRECTORY
YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 PLUS THE EXTENSION.
OFFICERS
Kathleen M. Doyle Chairman ext 215, Kathy.Doyle@Doyle.com Laura Doyle Chief Executive Officer ext 219, Laura.Doyle@Doyle.com Joanne Porrino Mournet President ext 227, Joanne@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Rodney Lang Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com Peter Costanzo Senior Vice President ext 248, Peter.Costanzo@Doyle.com
Reid Dunavant Senior Vice President 202-342-6100 Reid.Dunavant@Doyle.com
Nan Summerfield Senior Vice President 310-276-6616 Nan.Summerfield@Doyle.com
David A. Gallager Senior Vice President ext 271, David.Gallager@Doyle.com
Gillian M. Ryan Senior Vice President ext 245, Gillian.Ryan@Doyle.com
Peter Lang Senior Vice President ext 274, Peter.Lang@Doyle.com
Louis LeB. Webre Senior Vice President ext 232, Louis.Webre@Doyle.com
Ann Limer Lange Senior Vice President ext 221, Ann.Lange@Doyle.com
Samira Farmer, Vice President 202-342-6100 Samira.Farmer@Doyle.com
Angelo Madrigale Senior Vice President ext 237, Angelo.Madrigale@Doyle.com
Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com
Elaine Banks Stainton Senior Vice President ext 238, Elaine.Stainton@Doyle.com
Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com
Mark J. Moehrke, Vice President ext 272, Mark.Moehrke@Doyle.com Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com Edward Ripley-Duggan, Vice President ext 234 Edward.Ripley-Duggan@Doyle.com Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com Todd Sell, Vice President ext 269, Todd.Sell@Doyle.com Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com
ADMINISTRATION BID DEPARTMENT ABSENTEE & TELEPHONE BIDS Alanna Sutherland Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com BIDLIVE! INTERNET BIDDING Tyler Kusler ext 203, Tyler.Kusler@Doyle.com ACCOUNTING Ryan Won Accounting Manager IT Manager ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com
ESTATE & APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com
MEDIA & COMMUNICATIONS Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com
Peter Costanzo ext 248, Peter.Costanzo@Doyle.com
Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com
Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com
Kosala Kumara, Advertising ext 258, Kosala.Kumara@Doyle.com
Alexis Gyateng, Senior Appraisal Coordinator ext 228, Alexis.Gyateng@Doyle.com Daniel Sarver, Appraisal Coordinator ext. 240, Daniel.Sarver@doyle.com Arielle Goldstein, Appraisal Coordinator ext. 259, Arielle.Goldstein@doyle.com
Chelsea Wynne ext 223, Chelsea.Wynne@Doyle.com
CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com
CATALOGUE SUBSCRIPTIONS Gianine Crowell ext 200, Gianne.Crowell@Doyle.com
Erin Mandley ext 231, Erin.Mandley@Doyle.com
CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Alanna Sutherland ext 242, Alanna.Sutherland@Doyle.com Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com Tyler Kusler ext 203, Tyler.Kusler@Doyle.com Gianine Crowell ext 200, Gianine.Crowell@Doyle.com
Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com Gail Jaffe ext 239, Gail.Jaffe@Doyle.com MUSEUM SERVICES Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com Angelo Madrigale Paintings & Drawings ext 237, Angelo.Madrigale@Doyle.com David A. Gallager Furniture & Decorative Arts ext 271, David.Gallagher@Doyle.com
IX #
CATALOGUE PRODUCTION Stephanie Cuenca Production Manager/Senior Designer ext 250, Stephanie.Cuenca@Doyle.com Nancy Ramos Digital Marketing Coordinator Graphic Designer ext 276, Nancy.Ramos@Doyle.com PHOTOGRAPHY Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Ray Adams, Photographer ext 278, Ray.Adams@Doyle.com Hann Browning, Photographer ext 247, Hann.Browning@Doyle.com Hanna Siesel, Traffic Coordinator ext 277, Hanna.Siesel@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo
REGIONAL REPRESENTATIVES Joanne Porrino Mournet, Director of Regions 212-427-2730, ext 227 Joanne@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254, Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G., Director 310-276-6616, Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616, Emily.Marchick@Doyle.com CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 Kathy.Brackenridge@Doyle.com
FLORIDA Collin Albertsson 561-322-6795, Collin.Albertsson@Doyle.com
WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100, Reid.Dunavant@Doyle.com
NEW JERSEY Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com
Samira Farmer 202-342-6100, Samira.Farmer@Doyle.com
NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258, Hilary.Pitts@Doyle.com PENNSYLVANIA Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com
SPECIALIST DEPARTMENTS FURNITURE AND DECORATIVE ARTS David A. Gallager Executive Director ext 271, David.Gallager@Doyle.com 19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com AMERICAN FURNITURE & DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE & DECORATIVE ARTS Rodney Lang ext 243, Rodney.Lang@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Mark J. Moehrke ext 272, Mark.Moehrke@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Leigh Kendrick, Client Relationship Manager ext 243, Leigh.Kendrick@Doyle.com Courtney Washington, Client Relationship Manager ext 244, Courtney.Washington@Doyle.com RUSSIAN WORKS OF ART Mark J. Moehrke, Director ext 272, Mark.Moehrke@Doyle.com
BOOKS, AUTOGRAPHS & PHOTOGRAPHS Peter Costanzo, Executive Director ext 248, Peter.Costanzo@Doyle.com Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com PAINTINGS & DRAWINGS Angelo Madrigale, Director Director Contemporary Art ext 237, Angelo.Madrigale@Doyle.com Elaine Banks Stainton Senior Specialist, Paintings & Drawings ext 238, Elaine.Stainton@Doyle.com
BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com
RUGS, CARPETS & TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com JEWELRY Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com NEW YORK JEWELRY Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Laura Chambers, Jewelry Administrator ext 210, Laura.Chambers@Doyle.com
Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com
CALIFORNIA JEWELRY
Shani Toledano Associate Director ext 236, Shani@Doyle.com
Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com
Anne Cohen DePietro Senior Specialist, American Art ext 281, Anne.DePietro@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com Bill Fiddler Specialist, American Art ext 249, Bill.Fiddler@Doyle.com Milan Tessler Registrar ext 266, Milan.Tessler@Doyle.com ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com COINS, STAMPS & COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com PRINTS & MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com
Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com Ilana Pickard, G.G. Office Administrator 310-276-6616 Ilana.Pickard@Doyle.com NORTH CAROLINA JEWELRY Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com HAYLOFT AUCTIONS Brian Corcoran, Director 914-575-7263 Brian@HayloftAuctions.com Blythe Knapp, Business Manager Blythe@HayloftAuctions.com 929-303-3266 Stephanie Cuenca, Art Director Stephanie.Cuenca@Doyle.com
X #
175 EAST 87TH STREET NEW YORK, NY 10128
F OR O FF I CE U SE O NLY
212-427-2730 DOYLE.COM
ABSENTEE & TELEPHONE BID FORM
1.16
* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.
Please indicate the type of bid you are submitting. Please check one:
ABSENTEE BID
** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.
TELEPHONE BID
Please indicate in what capacity you are bidding. Please check one:
• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above. You must be prepared to bid at least to the low estimate.
B I D D I N G A S A P R I VAT E B U Y E R
B I D D I N G O N B E H A L F O F A C O M PA N Y
S A L E TI TLE
19PT01 • IMPRESSIONIST & MODERN ART 19PT02 • POST-WAR & CONTEMPORARY ART
S A L E D AT E
MAY 14, 2019
N A M E*
• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.
C O MPA NY (If applicable) A D DRE SS *
Change of Address
C IT Y
STATE
ZIP CODE
• In the event that identical bids are submitted, the earliest will take precedence.
P HO N E
FAX
• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.
P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)
LOT N U MB ER
• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions. Changes to bids on the day of sale must be submitted in writing by fax or email.
TOP LIMIT OF BI D / SAFE TY BI D
Excluding Buyer’s Premium
L OT N U MB E R
T O P L I MI T O F B ID / S A F ET Y BI D
Excluding Buyer’s Premium
L OT N U M BE R
T OP LI M I T O F B ID / S A FE TY B I D
Excluding Buyer’s Premium
• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date. Otherwise, purchases cannot leave our premises until checks have cleared. • A 25% deposit may be required on certain absentee bids. • Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request. • Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.
Terms and Conditions of Sale°
B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000
S I GNATU RE
Consumer Affairs No. 0777006
I understand and agree to the
XI
Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction. Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207
CLIENT SERVICES
CLIENT ACCOUNTS
Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com
Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com
BIDDING SERVICES Absentee & Telephone Bids Alanna Sutherland 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com
BidLive! Internet Bidding Tyler Kusler 212-427-4141, ext 203 BidLive@Doyle.com
SPECIALISTS
NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com CONNECTICUT 212-427-4141, ext 211 DoyleCT@Doyle.com NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com
Elaine Banks Stainton SVP, Senior Specialist, Fine Art 212-427-4141 ext 238 Elaine.Stainton@ Doyle.com
Shani Toledano VP, Associate Director, Paintings 212-427-4141 ext 236 Shani@ Doyle.com
Harold E. Porcher VP, Director, Modern & Post-War Art 212-427-4141 ext 235 Harold.Porcher@ Doyle.com
Angelo Madrigale SVP, Director of Paintings, Director of Contemporary Art 212-427-4141 ext 237 Angelo.Madrigale@ Doyle.com
PENNSYLVANIA 212-427-4141, ext 225 DoylePA@Doyle.com WASHINGTON, DC / MID-ATLANTIC 10421A Metropolitan Ave Kensington, MD 20895 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com
Bill Fiddler Specialist, American Art 212-427-4141 ext 249 Bill.Fiddler@ Doyle.com
Anne Cohen DePietro, Senior Specialist, American Art 212-427-4141 ext 281 Anne.DePietro@ Doyle.com
Hermine Chivian-Cobb Senior Specialist, Fine Art 212-427-4141 ext 252 Hermine@ Doyle.com
Milan Tessler Registrar,Paintings 212-427-4141 ext 266 Milan.Tessler@ Doyle.com
Front Cover Back Cover Inside Front Cover
Lot 2034 Lot 1072 Lot 2002
DOYLE
175 EAST 8 7 TH STREET
NEW YORK, NY 10128
212 - 4 2 7- 2 730
DOY L E .COM