English & Continental Furniture, Decorative Arts & Silver Old Master Paintings & Drawings - 2.5.2020

ENGLISH & CONTINENTAL FURNITURE, DECORATIVE ARTS & SILVER OLD MASTER PAINTINGS & DRAWINGS

Wednesday, February 5, 2020

NEW YORK

ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS & SILVER OLD MASTER PAINTINGS & DRAWINGS AUCTION Wednesday, February 5, 2020 at 10am

EXHIBITION Saturday, February 1, 10am – 5pm Sunday, February 2, Noon – 5pm Monday, February 3, 11am – 6pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalog: $25

INCLUDING PROPERTY FROM THE ESTATES OF Otis and Fredericka Carney The Nelson Doubleday, Jr. Collection An Upper East Side Collector The Marian Sulzberger Heiskell and Andrew Heiskell Collection Virginia Strub Kelly JoAnn E. Macbeth A Park Avenue Lady A Pennsylvania Collection Percy Rivington and Evelyn Sloane Pyne Leonard and Elaine Silverstein, Bethesda, MD Rosa Strygler Jack Weisenhunt of Dallas and Laguna Beach

INCLUDING PROPERTY FROM A Beekman Place Apartment A Georgia Private Collector A New York Private Collector A Palm Beach Private Collection A Park Avenue Apartment A Private Collector, Greenwich, Connecticut A Private Collector, New York Susan Weber

CONTENTS Paintings Silver & Silver Plate Furniture & Decorative Arts Carpets, Rugs & Tapestries

1-83 84-155 156-392 393-413

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

OLD MASTER PAINTINGS & DRAWINGS Lot 14

1 Venetian School 17th Century The Baptism of Christ Oil on canvas 47 1/2 x 35 inches (120.5 x 89 cm) Provenance: Private collection, United Kingdom C $7,000-12,000 See Illustration

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2 Attributed to Luca Cambiaso The Flagellation of Christ Bears unidentified collector’s stamp CC with coronet (Lugt 513) Brown ink and wash on paper 7 ½ x 5 3/16 inches (19 x 13.3 cm) Provenance: The Collection of Mr. and Mrs. Lester Francis Avnet, New York Exhibited: New York, American Federation of Arts, and traveling, Old Master Drawings, May 1969-Dec. 1970, cat. no. 9 C $800-1,200 3 After Antonio Allegri, called Correggio Sleeping Venus, with Cupid and a Satyr (Jupiter and Antiope) Oil on canvas 38 x 24 1/4 inches (96.5 x 61.5 cm) The original of this work by Correggio is in the Musée du Louvre, Paris.

C $800-1,200

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4 Follower of Francesco Albani Bathsheba at her Bath Oil on canvas 28 3/4 x 22 inches (73 x 55.9 cm) C $2,000-4,000 5 After Carlo Maratta Portrait of the Artist’s Daughter, the Painter and Poet Faustina Maratta Oil on canvas 24 3/8 x 19 3/4 inches (62 x 50.2 cm) The original version of this portrait is now in the Corsini Gallery in Rome.

Faustina Maratta (circa 1679-1745) was born in Rome, the natural daughter of the artist Carlo Maratta, who saw to it that she received a good education in painting, music and poetry. Well-known both for her learning and her beauty as a young woman, she was attemptedly kidnapped by a local nobleman, but managed to escape, and her would-be abductor was forced to flee to Naples and later to Spain.

Later, in 1705, she married the poet Giambattista Felice Zappi, and the couple’s house in Rome became the meeting place of a distinguished literary circle.

C $800-1,200

6 Flemish School 17th Century The Wisdom of Solomon Oil on canvas, arched top 76 1/2 x 45 inches (194.3 x 114.3 cm) C $2,000-4,000 7 Attributed to Daniel Mytens A Lady Wearing a Pearl Necklace Oil on panel 29 1/4 x 23 1/2 inches (74.3 x 59.7 cm) Provenance: Private collection, New York, since the 1950s By inheritance to the present owner C $4,000-6,000 See Illustration 8 Attributed to Alexander Adriaenssen A Fishermaid with her Catch Oil on canvas 35 3/4 x 49 inches (90.9 x 124.5 cm) C $800-1,200 See Illustration 9 Attributed to Alexander Adriaenssen Fisherman with his Catch Oil on canvas 35 5/8 x 49 inches (90.5 x 124.5 cm) C $800-1,200 10 Manner of the Master of the Magdalen Legend Mary Magdalene Holding an Oil Jar Oil on panel 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) C $800-1,200

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11 After Theodoor Rombouts El Charlatรกn Saca Muelas (The Tooth Extractor) Oil on canvas 29 3/4 x 57 1/8 inches (75.5 x 145 cm) The original version of this work is in the the Museo del Prado, Madrid.

Provenance: The New York Academy of Medicine (presented to the Academy by Dr. Hayes Martin, 1961) C $800-1,200 12 Flemish School 17th/18th Century Floral Still Life in an Urn Ornamented with Dolphins Oil on panel 35 1/2 x 30 3/4 inches (90.2 x 78.2 cm) C $1,500-2,500

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13 Circle of Jusepe Ribera 17th Century Saint Jerome in his Study Oil on canvas 43 3/4 x 32 1/2 inches (111.2 x 82.6 cm) C $8,000-12,000 See Illustration 14 Spanish School 17th/Early 18th Century An Allegory of Autumn Oil on canvas 35 1/2 x 57 3/8 inches (90.2 x 145.7 cm) C $5,000-8,000 See Illustration 15 Italian School 17th/18th Century The Adoration of the Magi and The Adoration of the Shepherds: A Pair Each oil on canvas mounted on panel, ovoid Each 12 1/4 x 11 1/4 inches (31 x 28.5 cm) C $1,500-3,000

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16 Continental School 18th/19th Century The Finding of Moses and Moses Striking the Rock: Two Each oil on canvas Each appromiately 40 x 50 1/4 inches (101.7 x 127.6 cm) C $1,000-3,000 17 Manner of Sir Anthony van Dyck Three Boys with their Pets Signed with initials AL/pinxt and dated 1672 (ll) Oil on canvas 34 1/4 x 44 inches (87 x 111.9 cm) C $2,000-3,000 18 English School 17th Century Portrait of Oliver Cromwell Oil on canvas 19 3/4 x 16 inches (50.3 x 40.7 cm) C $1,000-2,000 19 Attributed to José Maria Vasquez Portrait of a Young Girl Holding a Rose Inscribed José Maria Vasquez/ pintor on the reverse Oil on canvas 35 x 25 1/2 inches (89 x 64.8 cm) Unframed C $1,500-2,500

20 Jan Looten Dutch, 1617/18-1681 A Mountainous Landscape with Hunters Signed J Looten and dated 1649 (on a rock, lc) Oil on canvas 44 1/4 x 57 5/8 inches (112.5 by 146.5 cm) Provenance: Pierard de Valenciennes [Sale] Edgard Fievez, Brussels, May 29, 1899, lot 68 (bt. Legrand) [Sale] Rasmussen, Copenhagen, Feb. 11, 1969, lot 237 [Sale] Christie’s, London, March 29, 1974, lot 16 Acquired at the above sale Galerie Sanct Lucas, Vienna, 1974-75 Private collection, Madrid Richard L. Feigen & Co., New York We are grateful to Marijke C. de Kinkelder of the RKD in The Hague for having confirmed Looten’s authorship of this painting.

C $6,000-8,000 See Illustration

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21 Attributed to Giuseppe Recco Still Life of Roses, Tulips and Other Flowers on a Ledge Oil on canvas 25 x 19 3/4 inches (64.2 x 50.2 cm) This work may have been intended as a floral Allegory of Summer, with flowers associated with that time of year.

C $3,000-5,000 See Illustration 22 Attributed to Giusseppe Recco Still Life of Passion Flowers, Dogwood and Other Blooms on a Ledge Oil on canvas 25 1/4 x 19 3/4 inches (64.2 x 50.2 cm) This work was possibly intended as a floral Allegory of Spring, with flowers associated with the Easter season.

C $3,000-5,000

23 French School 17th/18th Century Still Life of Flowers and Fruit Remnants of a signature (ll) Oil on canvas 34 1/4 x 47 1/2 inches (87 x 120.7 cm) Unframed C $1,500-3,500 24 Italian School 17th/18th century Vases of Flowers on Rock Ledges: A Pair Each oil on canvas Each 15 x 17 3/4 inches (38.1 x 145.1 cm) C $2,000-3,000 25 French School 19th Century Flowers in a Vase on a Ledge Oil on canvas 18 x 15 inches (45.7 x 38.1 cm) C $600-800

21 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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26 Nicola Grassi Italian, 1682-1748 Jacob Lifting the Stone from the Well Oil on canvas 38 x 51 1/8 inches (96.5 x 129.9 cm) The authenticity of this work has been confirmed by Professor Lino Moretti on the basis of photographs.

The unusual incident shown here is from Genesis 29:9, in which Jacob, fleeing the wrath of his brother Esau, has arrived in Paddan-Aram, the country of his uncle Laban.

Here, he comes upon a well covered by a heavy stone. When his cousin Rachel, whom he has never met, brings her flock of sheep to the well, he lifts the stone from its mouth so that she can give them water. By this act of kindness he is introduced to his extended family, including Rachel herself, who eventually becomes his wife. This may be one of series of paintings devoted to the life of Jacob, ancester of the twelve tribes of Israel.

C $6,000-10,000 See Illustration & Back Cover 26

Provenance: (possibly) Museum of Historic Art, Princeton, New Jersey Private collection, New York

27 Follower of Francesco Guardi Ponte dei Tre Archi a Canareggio Oil on canvas laid to panel 17 3/4 x 25 5/8 inches (45 x 65 cm) This may be the third, unlocated version of this subject mentioned by Antonio Morassi as “. . . della scuola, forse di Giacomo Guardi (of the artist’s school, possibly by Giacomo Guardi) in his monograph on the artist (see below).

Literature: (possibly) Antonio Morassi, Guardi: I Dipinti (Venice, 1984), Vol. 1, p. 418, note at the end of cat. 576 C $5,000-8,000 See Illustration

28 Continental School 18th Century Portrait of a Hussar Oil on canvas 29 x 24 inches (73.7 x 61 cm) Provenance: Private collection, New York C $2,000-3,000 29 Continental School 18th Century Profile Portrait of a Gentleman Pastel on paper laid to panel, ovoid 10 1/4 x 9 inches (26 x 22.8 cm) C $700-1,000 30 North Italian School 19th Century Kitchen Still Life, with Cat Oil on canvas 30 x 36 inches (76.3 x 91.5 cm) Unframed C $1,000-3,000

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31 English School 18th Century Portrait of a Lady as a Shepherdess Oil on canvas 30 x 25 inches (76.3 x 63.5 cm) C $800-1,200

32 Pietro Fabris Anglo-Italian, active 1756-1804 The Amorous Huntsman Oil on canvas 16 x 13 inches (40.6 x 33.5 cm) The authenticity of this work has been confirmed by Professor Nicola Spinosa from firsthand examination.

Provenance: Private collection [Sale] Sotheby’s London, July 10, 2008, lot 260 C $15,000-25,000 See Illustration 33 Italian School 18th Century Landscape with Apollo and Daphne Oil on canvas 21 1/2 x 27 7/8 inches (54.5 x 70.6 cm) This representation of the myth of Apollo and Daphne differs from its classical source in Ovid’s Metamorphoses in that it shows Apollo’s sister, the goddess Artemis (Diana), watching the action from within a cloud that has settled onto a nearby tree. Presumably in this version of the story it is she, rather than Daphne’s father, the river god Peneus, who rescues Daphne from Apollo.

C $3,000-5,000 See Illustration 34 French School 18th/19th Century A Young Man as Hercules Oil on canvas 31 7/8 x 39 1/4 inches (81 x 99.7 cm) C $2,000-4,000

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35 Manner of Carle van Loo Portrait of a Lady Oil on canvas, ovoid 31 x 22 3/4 inches (78.8 x 58 cm) C $400-600 36 European School 18th/19th Century Portrait of a Lady With a Nosegay Oil on canvas 30 3/8 x 27 1/8 inches (77 x 69 cm) C $1,000-1,500 37 Follower of Claude-Joseph Vernet View of a Mediterranean Port Oil on canvas 40 1/4 x 68 3/4 inches (102.2 x 174.7 cm) C $2,000-4,000

33 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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38 Marie-Victoire Lemoine French, 1754-1820 Madame Leclerc, née Pauline Bonaparte, circa 1798-99 Signed M. Vic. Lemoine on the pilaster (lr) Oil on canvas 77 x 54 1/8 inches (195.6 x 137.5 cm) Provenance: Apparently given by the sitter to her brother, Joseph Bonaparte Joseph Bonaparte, Comte de Survilliers, Bordentown, NJ Peter Gassner By descent in the family to Peter Gassner’s great-granddaughter, Mrs. Theodore F. Humphrey Private collection, Washington, DC Exhibited: Paris, Salon, an VII (1799), no. 208 New York, Wildenstein Galleries, The Winds of Revolution, catalogue by Joseph Baillio, Nov. 14-Dec. 28, 1989, no. 102 Literature: Joseph Baillio, The Winds of Revolution, exhibition catalogue (New York, 1989), p. 190, no. 102, illus.

Marie-Victoire Lemoine, one of a family of artists, lived her professional life at the center of the French art world, specializing in portraits and genre subjects. This lovely portrait by her of Pauline Bonaparte, younger sister of Napoleon I, was submitted anonymously to the Paris Salon of 1799 (Revolutionary year VII), where it was described as “Une jeune femme appuyeé sur le bord d ‘une croisée.” (A Young Woman Leaning on the Edge of a Window) Pauline Bonaparte (1780-1825) was married at 17 to the French general Charles Leclerc in 1797. This likeness of her was probably painted the following year, not long after the birth of her son.

In 1801 Pauline accompanied her husband on a military expedition to Haiti, where he died of yellow fever a year later. In 1803 Pauline married the Roman Prince Camillo Borghese, and thereafter lived as an Italian noblewoman. Notorious for her dissolute life, in later years she lived apart from Prince Borghese in the Villa Paolina in Rome.

C $40,000-70,000 See Illustration

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39 British School 18th Century A View of London about 1748, Showing Westminster Bridge and the Abbey, St. Pauls and Lambeth Palace Oil on canvas 24 x 44 inches (61 x 11.9 cm) C Estate of Percy Rivington and Evelyn Sloane Pyne $2,500-4,500 See Illustration 40 Attributed to Sir Thomas Lawrence Portrait of a Young Lord thought to be Anthony, 7th Earl of Shaftesbury, K. G. Oil on canvas 21 1/8 x 17 1/8 inches (53.5x 43.5 cm) Provenance: A. de Gany, Paris, by 1929 Arthur Ruck, London John Levy Gallery, New York Acquired from the above by Mrs. B. F. Jones, Sewickley Heights, PA [Sale] Parke-Bernet Galleries, New York, 4-5 Dec., 1941 (property of Mrs. B. F. Jones) Purchased from the above sale by Anne P. Owlesley, Hillside 40

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Literature: W. Roberts, Anthony, 7th Earl of Shaftsbury, K. G., by Sir Thomas Lawrence, P. R. A., privately printed pamphlet, circa 1929, essay dated London, October 10, 1929 C $800-1,200 See Illustration

41 Attributed to William Collins, R. A. British, 1788-1847 The Fish Market Oil on canvas 20 1/4 x 31 1/4 inches (50.8 x 79.3 cm) Provenance: Thomas Agnew & Sons, Ltd., London, no. 13981 Private collection, New York C Estate of Otis and Fredericka Carney $2,000-4,000 42 James Stokeld British, 1827-1877 The Sailor’s Letter—All’s Well Signed J. Stokeld and dated 1863 on the window ledge (cr); also signed J. Stokehld and dated 1862 on the green tablecloth (lr) Oil on canvas 36 x 28 inches (91.5 x 71 cm) C $1,000-3,000 43 English School 19th Century Two Children Oil on canvas 24 5/8 x 30 inches (62.5 x 76.2 cm) C The Nelson Doubleday, Jr. Collection $1,000-1,500 44 European School 19th Century Boy with a Lamb Oil on canvas 33 x 26 1/2 inches (83.8 x 67.3 cm) C $2,000-3,000

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45 British School 18th Century Westminster Abbey and Bridge and the Old Houses of Parliament, circa 1740 Oil on canvas 24 x 42 1/4 inches (61 x 107.3 cm) C Estate of Percy Rivington and Evelyn Sloane Pyne $2,500-4,500 See Illustration 46 French School 18th Century Diana Disarming Cupid Oil on canvas 57 x 41 5/8 inches (144.7 x 105.7 cm) C $3,000-5,000 See Illustration 47 French School 19th Century Portrait of a Boy Wearing a Gold Earring, circa 1800 Oil on canvas 21 3/4 x 17 3/4 inches (55.3 x 45.2 cm) C Estate of JoAnn E. Macbeth $2,000-4,000

48 Charles Zacharie Landelle French, 1821-1908 La Campagne de Rome (Shepherd Boy) Signed Ch. Landelle/Rome and dated 1858(?) (ll); also inscribed Ch. Landelle/Campagne de Rome/’58 on the reverse Oil on canvas 19 1/4 x 15 1/4 inches (49 x 38.7 cm) A student of Paul Delaroche and Ary Scheffer, Charles Landelle enjoyed great success in mid-19th-century Paris. His works were collected both by King Louis Philippe and Napoleon III, who awarded him a Legion d’honneur in 1855.

C $600-800 49 Manner of François Boucher 19th Century Courting Couple Oil on canvas 39 1/2 x 28 3/4 inches (100.3 x 72.4 cm) C $600-800 50 European School Late 18th/Early 19th Century A Military Officer and his Family Oil on canvas 32 x 25 1/2 inches (81.3 x 64.8 cm) C Estate of Percy Rivington and Evelyn Sloane Pyne $1,000-1,500

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51 Manner of Jean-Baptiste Pillement A Sculptor at Work: A Chinoiserie Panel Oil on canvas 86 1/4 x 66 3/4 inches (219 x 69.5 cm) C Property of a New York Private Collector $5,000-8,000 See Illustration 52 Attributed to Thomas Bardwell A View of Haldon House, Devon Oil on canvas 40 x 58 inches (101.7 x 147.8 cm) Provenance: Mallett & Son, London Purchased from the above November 12, 1996 Private collection, Greenwich, CT C $5,000-7,000 See Illustration 53 Attributed to Gustave Courbet Le Ruisseau entre les Rochers Oil on canvas 16 x 12 3/4 inches (40.7 x 32.4 cm) C $2,500-3,500 51

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54 Jean-Baptiste Carpeaux French, 1827-1875 Study for a Monument “A l’Univers Républicain /1848” Brown ink with gray and brown wash heightened with white on paper 11 x 6 1/2 inches (28 x 16.5 cm) Provenance: The Joan and Lester Avnet Collection, New York C $600-800 55 Manner of Jean-Louis Prévost Roses and Other Flowers in a Carved Stone Urn in a Landscape Oil on canvas 26 1/4 x 22 inches (66.5 x 55.8 cm) C $2,000-3,000 56 French School 19th Century A Lady Wearing a Gold Bracelet Oil on canvas, within a painted oval, laid to particle board 52 1/4 x 39 1/2 inches (132.7 x 100.3 cm) C $1,500-3,000

57 Circle of Francesco Tironi View of the Grand Canal, with the Church of San Simeone Piccolo and the Chiesa degli Scalzi, Venice Oil on canvas 24 x 37 inches (61 x 94 cm) C $2,000-4,000 See Illustration 58 Johan Laurentz Jensen Danish, 1800-1856 Flowers in a Glass Vase, 1839 Signed J. L. JENSEN and dated 1839 (lr) Oil on panel 12 1/4 x 9 3/8 inches (31 x 23.9 cm) Provenance: The Estate of Chamberlain Georg Frederik de Falsen, Baron Zytphen Adeler, Dragsholm Castle, Horve, Denmark Private collection, New York C Property from the Estate of Rosa Strygler $3,000-5,000 See Illustration

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59 James Salt English, 1850-1903 A View of Venice with a Sandolo in the Foreground Signed JSalt (ll) Oil on canvas 18 x 32 inches (45.7 x 81.4 cm) C $800-1,200 60 James Salt English, 1850-1903 A View of Venice with a Tented Gondola in the Foreground Signed JSalt (lr) Oil on canvas 18 x 32 inches (45.7 x 81.4 cm) C $800-1,200 61 Continental School 20th century Still Life of Fruit, Flowers and Game on a Table Oil on canvas 21 1/2 x 26 1/2 inches (54.6 x 67.4 cm) C $800-1,200

58 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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62 Joaquin Dominguez Becquer Spanish, 1817-1879 The Wayside Signed Joaq. D. Becquer (ll) Oil on canvas 15 1/2 x 13 1/4 inches (39.4 x 33.6 cm) C $800-1,200 63 Jacob Henricus Maris Dutch, 1837-1899 The Drawbridge (Ophaalbrug) Signed J. Maris and dated 72 (lr) Oil on canvas 9 x 15 inches (23 x 38 cm) Provenance: Kunsthandel E. J. van Wisselingh & Co., Amsterdam Private collection, Vermont C $3,000-5,000 See Illustration 64 Attributed to Charles Leaver A Cottage in the Woods Oil on canvas 36 1/2 x 30 1/2 inches (92.7 x 77.5 cm) C $600-900

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65 Charles Leaver British, 1824-1888 Winter Landscape with a Hunter near a Churchyard Signed C. Leaver and dated 1888 (lc) Oil on canvas 37 x 31 inches (94 x 78.8 cm) C $800-1,200 66 James Baker Pyne English, 1800-1870 A View of Savona from the Quiliano River Signed J. B. Pyne and dated 1860 (lr) Oil on canvas 30 x 48 inches (76.2 x 122 cm) Provenance: Frost & Reed, London Private collection, New York C $1,000-3,000 67 James Baker Pyne English, 1800-1870 A Sussex Landscape near the Sea Signed J. B. Pyne and dated 1841 (lr) Oil on canvas 28 x 44 inches (71 x 111.8 cm) Provenance: Frost & Reed, London Private collection, New York C $1,000-3,000

68 English School 19th century Portrait of John Kirkby Fenton (b. 1835) and his elder brother, William Kirkby Fenton (1834-1889) of Caldecote Hall, Warwickshire Oil on canvas 38 x 27 3/4 inches (96.5 x 70.5 cm) Provenance: The family of the sitters Private collection, Corrales, NM C $3,000-5,000 69 George Vincent British, 19th Century On the River Yare, Norfolk Signed Geo Vincent (lr) Ol on canvas 11 3/4 x 17 inches (30 x 43.2 cm) C $800-1,200

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70 Joachim de Vries Dutch, active circa 1753-1789 The Greenland Whale Fishery: The Dutch Fluyt De Hoop op de Walvisvangst and Other Ships in the Whaling Grounds Signed Joachim de Vries and dated 1770 on a log resting on floating ice (lr) Oil on canvas 18 1/2 x 27 1/2 inches (47 x 69.8 cm) C $5,000-8,000 See Illustration 71 Dutch School 19th Century A View Along a Canal in a Dutch Town Oil on canvas 19 x 25 inches (48.3 x 63.5 cm) C $600-800 72 Belgian School 19th/Early 20th Century Floral Still Lifes: A Pair Each oil on canvas 36 x 24 inches (91.5 x 61 cm) C $1,000-3,000

73 Victor Eeckhout Belgian, 1821-1879 Street Procession, Tangiers Signed Victor Eeckhout. and inscribed Tanger (ll) Oil on prepared artist’s board, with paper surface 10 5/8 x 14 1/4 inches (27 x 36.3 cm) Provenance: [Sale] Bonhams & Brooks, London, Nov. 1 2001, lot 49 Private collection, Massachusetts C $2,000-4,000 74 Austrian School 19th century Children with a Lady’s Portrait Inscribed Gemahlt worden in/Jahre 1840/ den 23 April/von/Ant. Fila (?)

Oil on canvas 16 3/4 x 13 1/2 inches (42.5 x 34.3 cm) C $800-1,200

75 Petrus Marinus Brouwer Dutch, 1819-1886 Winter Landscape with Figures Skating on a Frozen Canal Signed P. M. Brouwer Ft (lr) Oil on panel 13 7/8 x 17 7/8 inches (35.3 x 45.3 cm) C $1,500-3,000 76 Alfred de Breanski, Sr. British, 1852-1928 Shepperton on the Thames Signed Alfred de Breanski (lr); also titled and inscribed with the artist’s name and 2.

Hanover Sq./W on the reverse Oil on canvas 20 x 30 inches (50.8 x 76.2 cm) C $1,000-3,000

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77 John Frederick Herring, Jr. English, 1820-1907 A Farmyard in Winter Signed J F Herring (lc) Oil on canvas 12 x 18 inches (30.5 x 45.7 cm) C $800-1,200 See Illustration 78 Jean Paul Laurens French, 1838-1921 Portrait of a Child, circa 1880 Signed with monogram JPL and inscribed offert à la Tombola de/ la crêche (lr) Oil on canvas 16 3/8 x 11 1/2 inches (41.7 x 29.2 cm) Provenance: [Sale] Poulain & Le Fur, Paris, March 22, 1998 , lot 206 C $800-1,200 See Illustration

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79 John Charles Maggs British, 1819-1895 The Bristol-Bath Coach Stopping at an Inn Signed J. C. Maggs, inscribed Bath and dated 18. . . (ll) Oil on canvas 14 x 26 inches (35.6 x 66 cm) C Estate of Virginia Strub Kelly $700-1,000 80 Orlando Norie British, 1832-1901 The 14th, The Kings Hussars, Forming for Battle and The 14th, The Kings Hussars, at Full Gallop: Two, each circa 1865 Each signed, the first (lr), the second (ll) Watercolor on paper Sight of the first 12 1/2 x 18 1/2 inches (31.7 x 47.2 cm); sight of the second 12 1/2 x 19 inches (31.7 x 48.4 cm) C Estate of Virginia Strub Kelly $800-1,200

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81 Orlando Norie British, 1832-1901 The 6th Inniskilling Dragoons, the Regiment Drawn up in Review Order and The 6th Inniskilling Dragoons at Full Gallop:Two, each circa 1870 Each signed, the first (lc), the second (lr) Watercolor and gouache on paper Sight of each 12 1/2 x 19 1/2 inches (31.7 x 49.5 cm) C Estate of Virginia Strub Kelly $1,500-2,500

82 Orlando Norie British, 1832-1901 The The Royal Horse Artillery, circa 1890 and The 13th Hussars, circa 1865: Two Each signed Orlando Norie the first (ll); the second (lr) Each watercolor and gouache on paper Sight of the first 12 1/2 x 18 1/2; sight of the second 13 1/2 x 20 1/2 inches C Estate of Virginia Strub Kelly $600-900 83 Orlando Norie British, 1832-1901 “Prepare to Advance”: The 6th Inniskilling Dragoons on Maneuvers, circa 1870 Signed Orlando Norie (lc) Watercolor on paper 12 x 18 inches (30.4 x 45.7 cm) The 6th Inniskilling Dragoons was a cavalry regiment in the British Army, first raised in 1689 as Sir Albert Cunningham’s Regiment of Dragoons. It fought with distinction at the Battle of the Boyne in July 1690 and later, renamed the 6th (Inniskilling) Regment of Dragoons, at Waterloo in 1815 and at Balaclava in 1854. The new name was retained until amalgamation in 1922.

C Property of a Private Collector, New York $600-900

FURNITURE & DECORATIVE ARTS

Lot 157

Silver & Silver Plate 84 Elizabeth I Sterling Silver Gilt Mounted Salt-Glazed Rhenish Tigerware Jug Maker’s mark a head between IC (Jackson, pg 95), London, 1570 The globular body with cylindrical neck and loop handle in mottled reddish brown glaze, the foot with band of stylized acanthus, the collar at neck engraved with strapwork, the chased hinged cover with winged maiden thumbpiece. Height 9 inches (23 cm).

Provenance: Tiffany & Co., New York, November 29, 1932 for $1,800.

Surviving examples of English silver mounted German stoneware jugs are a perfect example of the complex and interwoven trading patterns and customs of Renaissance Europe. Beer was the preferred beverage in 16th century England for all classes, who chose handsome imported German Tigerware vessels for everyday use. Wealthy drinkers could have their pieces mounted with expensive sterling silver decorated in the latest style with strapwork, fruit and figures. The fragility of the material means that only a fraction of those produced over four hundred years ago have survived to the present.

C $8,000-12,000 See Illustration and Front Cover 20

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85 Pair of Irish Sterling Silver Waiters Maker’s mark AB, Dublin, 18th century Each circular with a molded rim on flared ring foot.

Diameter 4 3/4 inches (12 cm), total approximately 9 ounces.

C $1,000-2,000 See Illustration 86 George I Irish Sterling Silver Strawberry Dish David King, Dublin, 1719 Altered from a tazza, the circular fluted body with notched rim, with engraved heraldic crest to the center.

Diameter 12 1/2 inches (31.5 cm), approximately 38 ounces.

The Arms are those of Temple of Waterstown, County Westmeath impaling those of Jephson of Mallow.

Provenance: James Robinson Another tazza by David King dated 1701 with the same arms sold Christie’s New York, April 1996.

C Property from a Pennsylvania Collection $3,000-5,000 See Illustration 87 Set of Three George II Sterling Silver Casters Joseph Allen and Mordecai Fox, London, 1730s Of baluster-form, later chased with shells and scrolls on scalework ground, the pierced covers with acorn finials. Height of largest 7 3/8 inches (18.2 cm), total approximately 29 ounces.

C $800-1,200 88 George II Sterling Silver Coffee Pot London, 1740, probably John Robinson Tapering cylindrical form on ring foot with scroll spout; Together with a George III Sterling Silver Sugar Basket.

Height of coffee pot 8 1/2 (21.5 cm), total approximately 29 ounces.

C $800-1,200 89 George II Sterling Silver Cream Jug John Pollock, London, 1742 Baluster-form raised on three hoof feet with scrolling handle. Height 3 1/2 inches (9 cm), approximately 2 ounces, 10 pennyweights.

C $200-300

86

90 Assembled Set of Three George II Sterling Silver Casters Samuel Wood, London, 1741/1749 and Daniell & Mince, London, 1769 Each of baluster-form with pierced covers.

Height of largest 6 inches (15.2 cm), total approximately 11 ounces; Together with a Pair of Empire Sterling Silver Casters.

C $500-700

91 George II Sterling Silver Waiter Ebenezer Coker, London, 1757 Shaped circular with shell and scroll border, the center with engraved heraldic arms raised on three hoof feet.

Diameter 7 inches (17.8 cm), approximately 8 ounces.

C Property of a Georgia Private Collector $500-700

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92 George II Provincial Sterling Silver Punch Bowl John Langlands, Newcastle, 1757 Circular with shaped bowl raised on ring foot, the body later engraved with heraldic arms of Haig.

Diameter 10 inches (25.4 cm), approximately 28 ounces.

The arms are those of the Earl of Haig as borne by Field Marshall Sir Douglas Haig, Viscount Dawick and Baron Haig of Bermersyde (1861-1928). Haig was commander of British forces during the First World War and presided over some of the war’s great battles among them the Battles of the Somme, Arras and Ypres. On his death a day of national mourning was proclaimed to pay homage to the great general.

C $1,000-2,000 See Illustration 93 Four George II/III Sterling Silver Tapersticks Various makers, London, 1749, 1750, 1764 and 1795 Height of each 4 1/2 inches (11.4 cm), total approximately 17 ounces.

C $1,000-2,000 94 Set of Four George III Sterling Silver Candlesticks John Carter, London, 1769 The gadrooned knopped stems on dished square bases. Height 10 1/8 inches (25.7 cm), total approximately 78 ounces.

C $8,000-12,000 See Illustration

92

95 Set of Four George III Sterling Silver Salts Robert Hennell, London, 1773 Each oval with openwork body raised on four claw and ball feet, with blue glass liners. Length 3 1/4 inches (8.3 cm), total approximately 7 ounces.

C $200-400

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96 George III Sterling Silver Two Handled Cup London, 1774, maker’s mark ?S Of typical form with part foliate spiral fluting and two leaf capped scroll handles.

Height 8 inches (20 cm), approximately 17 ounces.

C $700-1,000

97 Pair of George III Sterling Silver Chambersticks London, 1779 Each circular with urn-form candle socket and conical snuffer.

Length 6 inches (15.1 cm), total approximately 14 ounces.

C Property from the Estate of an Upper East Side Collector $400-600 98 George III Sterling Silver Coffee Pot Joseph Steward, London, second half 18th century Baluster-form with scroll spout and domed cover all Chinoiserie decorated with figures and foliate scrolls.

Height 11 /34 inches (30 cm), approximately 33 ounces, all in.

C $1,000-2,000 See Illustration

100 George III Sterling Silver and Cut Glass Inkstand Burrage Davenport, London, 1780 Oval with reeded handles, the pierced gallery fitted for four silver mounted glass bottles and two pen holders, all on four scroll feet.

Length 12 1/4 inches (31.1 cm), total approximately 19 ounces, weighable.

C Property of a Georgia Private Collector $700-1,000 101 Pair of Large George III Sterling Silver Muffineers Robert Crossley and George Smith, London, 1797 Each vasiform on square base, the fluted bodies engraved with tied swags and rosettes. Height 11 inches (28 cm), total approximately 33 ounces.

C $500-700

99 Set of Four George III Sterling Silver Candlesticks William Cripps, London, 1767 Of columnar-form with fluted stems and pierced corinthian capitals, on square bases with gadrooning and floral swags and engraved with Baron’s coronet. Height 12 1/2 inches (32.5 cm), weighted.

C $5,000-7,000 See Illustration 98

99 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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102 Pair of George III Sterling Silver-Gilt Bowls London, 1800, maker’s marks obscured Each circular with scalloped rim and high sides chased with panels of flowers, the centers engraved with heraldic arms. Diameter 9 1/2 inches (24.2 cm), total approximately 32 ounces.

C $1,000-1,500 See Illustration

103 Pair of George III Sterling Silver Wine Coasters John Roberts & Co., Sheffield, 1806 Circular with fluted bodies and gadroon border.

Diameter 5 3/4 inches (14.6 cm), weighted.

C Property from the Estate of an Upper East Side Collector $500-700

102

104 Pair of George III Sterling Silver-Gilt Mounted Cut Glass Claret Jugs Digby Scott and Benjamin Smith, London, 1806 Each globular body, with entwined snakes forming the handle and the hinged covers modelled as eagle’s masks. Height 6 3/8 inches (16 cm).

C $3,000-5,000 See Illustration

104

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105 An Assembled George III Sterling Silver Tea and Coffee Service Early 19th century Comprising a teapot, coffee pot, cream jug and sugar bowl, each part fluted body, with bands of gadrooning and engraved diamonds, the hinged covers with crown of feather finials.

Height of coffee pot 10 inches (25.1 cm), total approximately 64 ounces, all in.

C $1,000-1,500

107

106 Set of Four Sheffield Plate Candlesticks and a Pair of Sheffield Plate Three-Light Branches 19th Century Each part fluted knopped stem on circular base, the branches with scrolling arms centering a light.

Height of candelabra 17 inches (43.1 cm).

C Property from the Estate of an Upper East Side Collector $1,000-2,000 107 Pair of George IV Sterling Silver, Silver Plate and Cut Glass Figural Epergnes Samuel Roberts & George Cadman & Co., Sheffield, 1823 Each with maiden supporting dish on square base with foliate supports issuing four foliate scroll branches.

Height 18 inches (45.5 cm), total approximately 16 ounces, weighable.

C $5,000-7,000 See Illustration 108 Regency Style Silver Plated Soup Tureen and Cover 19th Century Of bombĂŠ form, with two upswept foliate handles, with foliate scroll border, raised on four paw feet, the cover with a foliate ring finial.

Length over handles 19 inches (48.1 cm).

C $300-500

109 Pair of Regency Sheffield Plated Three-Light Candelabra 19th Century The knopped stem with acanthus leaves supporting two scrolling branches centering a single light, on a circular base decorated with shells and scrolls. Height 23 inches (58.1 cm).

C $600-800 110 Assembled George III Sterling Silver Tea Service Early 19th century Comprising teapot, cream jug and sugar bowl, each oblong with gadroon border. Length of teapot 11 inches (28 cm), total approximately 30 ounces, all in.

C Property from the Estate of an Upper East Side Collector $600-800 111 George III Sterling Silver Coffee Pot on Stand Paul Storr, London, 1814 Of part-fluted baluster-form with band of gadrooning, on circular stand with loose ring handles on three arched feet ending in paws, on a tripartite base. Height 11 1/2 inches (29.2 cm), total approximately 55 ounces.

C Estate of Jack Weisenhunt of Dallas and Laguna Beach $2,000-3,000 See Illustration

111

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115

112 Set of Twelve George III Sterling Silver Dessert Knives Paul Storr, London, 1819 The handles with foliate branch and shell terminal. Length overall 8 1/4 inches (21 cm).

C Property from the Estate of an Upper East Side Collector $500-700

26

113 George III Sterling Silver Cake Basket William Allen, London, 1808 Oval on conforming foot, with border of pierced grape vines and clusters, with overhead swing handle, engraved with the arms of the Comerford family.

Length 14 1/4 inches (36 cm), approximately 31 ounces.

C $800-1,200

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114 George III Sterling Silver Cup and Cover Nicholas Dumee, London, 1816 Of urn-form with swag drapery, with two reeded leaf-capped swag draped handles, the cover with urn-form finial.

Height 14 1/2 inches (37 cm), approximately 50 ounces.

C $2,000-3,000

115 Large William IV Sterling Silver Salver John Edward Terrey, London, 1833 Circular, with cast border of Bacchic masks, grape vines and clusters, the field engraved with foliate scrolls, raised on three shell and foliate feet.

Diameter 23 1/2 inches (59.5 cm), approximately 174 ounces.

C $7,000-10,000 See Illustration

116 George IV Sterling Silver Gilt Shaving Pot George Reid, London, 1826 Cylindrical-form, the hinged cover with band of flowers and foliate scrolls with engine-turned wreath centering monogrammed center, with detachable mother-of-pearl handle carved as heraldic crest. Height 3 1/4 inches (8.5 cm), approximately 7 ounces, weighable.

C Property of a Georgia Private Collector $500-700 117 Pair of William IV Sterling Silver Footed Dishes Paul Storr, London, 1836 Each shaped circular with gadrooned border raised on three shell feet, the center and cavetto engraved with heraldic arms. Diameter 9 1/2 inches (24 cm), total approximately 47 ounces.

C Property from the Estate of an Upper East Side Collector $2,000-3,000 See Illustration 118 Victorian Sterling Silver Castle Top Snuff Box Nathaniel Mills, Birmingham, 1836 Rectangular, the cover depicting Kenilworth Castle, the bottom and sides with engine turned decoration.

Length 2 3/4 inches (7 cm), approximately 2 ounces.

C $500-700 See Illustration

117

119 Group of English Sterling Silver Table Articles 18th to 20th Century Comprising a sugar caster, two pepper casters, pair of open salts with blue glass liners, chamberstick and cream jug. Height of sugar caster 9 1/2 inches (24.1 cm), total approximately 34 ounces, weighable.

C $600-800 120 Victorian Sterling Silver Inkstand Charles Thomas Fox and George Fox, London, 1850 The ink pot with heraldic arms in cartouche and a hinged cover on a shaped rectangular base ending in four scrolled bracket feet.

Length 10 inches (25.5 cm), approximately 18 ounces.

C $400-600 121 Pair of Victorian Sterling Silver Mounted Glass Claret Jugs Edward H. Stockwell, London, 1883 Of globular form, with a bamboo-form neck and handle, the glass engraved with crown; Together with a Pair of French Silver Claret Jugs.

The stopper and neck decorated with a tied laurel, the glass body engraved with swags. Height of English pair 10 inches (25.3 cm).

C $1,000-1,500

118 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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122 Victorian Sterling Silver Inkstand Barnard Bros., London, 1880 The central covered box with lamp flanked by two cylindrical pots with flame finials and with rams heads and swags, all on a shaped rectangular base raised on foliate paw feet.

Length 14 inches (35.5 cm), approximately 61 ounces.

C $1,000-2,000 See Illustration 123 Group of Ten Sterling Silver and Silver Plate Mounted Dresser Bottles Largely English, early 20th century Height of largest 7 1/2 inches (19cm), total approximately 3 ounces, weighable.

C $600-800 124 English Sterling Silver Gallery Tray Hunt & Roskell, London, 1901 Oval with openwork border of grape vines and clusters, the field with conforming engraving.

Length over handles 27 inches (68.5 cm), approximately 156 ounces.

C $2,000-3,000 See Illustration 125 Assembled English Sterling Silver Condiment Set Stewart Dawson & Co. Ltd., London, 1910/11/12 Comprising a sugar caster, two pepperettes, two mustard pots and two open salts, each with engraved band of tied urns and swags.

Total approximately 19 ounces, weighable.

C $400-600

122

126 English Sterling Silver Fruit Service Goldsmiths & Silversmiths Co., London, 1901 Comprising twenty-four fruit forks and twenty-four fruit knives, each with a pistol grip handle, in the original fitted box.

C Estate of Percy Rivington and Evelyn Sloane Pyne $700-1,000

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127 English Sterling Silver Candlestick Lamp Walker & Hall, Sheffield, 1903 The fluted columnar stem with corinthian capital, on stepped square base.

Height 21 inches (53.3 cm).

C $600-800

128 128 Assembled English George III Style Sterling Silver Tea Service Largely Crichton, London, 1916 In the manner of Robert Adam, comprising a teapot, coffee pot, cream jug, covered sugar bowl, waste bowl, and kettle on stand, each of vasiform, with applied band of scrolls and tied medallions with a classical figure, on a square base. Height of coffee pot 11 inches (28 cm), total approximately 139 ounces, all in.

C Estate of Percy Rivington and Evelyn Sloane Pyne $2,000-4,000 See Illustration

129 English Sterling Silver Two-Handle Tray Crichton, London, 1914 En suite to above lot, of rectangular form, the border with repeating blossoms and medallions with cupids in various pursuits.

Length 32 inches (81.3 cm), approximately 225 ounces.

C Estate of Percy Rivington and Evelyn Sloane Pyne $3,000-5,000 See Illustration

129 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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130 English Sterling Silver Flatware Service Charles Boyton & Son Ltd., Sheffield, 1950s/1960s Comprising ten dinner forks, twelve salad forks, nine dessert forks, eleven cocktail forks, twelve dinner knives, eleven dessert knives, twelve tablespoons, ten iced tea spoons, ten dessert spoons, twelve teaspoons, twelve demitasse spoons, serving spoon, serving fork, gravy ladle, and sugar spoon. Total approximately 156 ounces, weighable.

C $1,500-2,500

131 part

131 English Sterling Silver Flatware Service James Robinson, London, largely 1960s Comprising sixteen dinner forks, thirty-one lunch forks, seventeen fish forks, seventeen dinner knives, fifteen butter knives, sixteen fish knives, sixteen soup spoons, sixteen dessert spoons, and fourteen teaspoons. Total approximately 151 ounces, weighable.

C $6,000-8,000 See Illustration 132 Continental Silver Ewer and Basin The basin of shell form with floral garland and rocaille border, the helmet-form ewer with foliate scrolls and mask under spout with upswept scroll handle, all on a pierced domed foot. Length of basin 20 1/4 inches (52 cm), total approximately 115 ounces.

C $2,000-3,000 See Illustration

132

133 Portuguese Silver Tea and Coffee Service Maker HS, Porto, circa 1850 Comprising a teapot, coffee pot, cream jug, two covered sugar bowls, each globular body with bands of foliate scrolls at the waist and spout.

Together with a Portuguese Silver Waste Bowl.

Height of coffee pot 10 1/2 inches (26.5 cm), total approximately 137 ounces, all in.

C $2,000-3,000 See Illustration 134 Group of Continental Silver Table Articles Various dates and makers Comprising two bowls, covered urn, vase, basket, snuffer stand and scissors. Length of snuffer tray 8 1/2 inches (21.5 cm), total approximately 49 ounces, weighable.

C $800-1,200

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135 Set of Four Austrian Silver, Enamel, and Rock Crystal Candlesticks Herman Boehm, late 19th century The faceted knopped stems with domed base with band of stylized flowers and scrolls. Height 6 1/8 inches (15.5 cm).

C Property from the Estate of an Upper East Side Collector $3,000-5,000 See Illustration 136 Continental Silver and Etched Glass Centerpiece Late 19th/ early 20th century Oval with scalloped rim, with two scrolling handles with putti. Length 18 1/2 inches (47 cm).

C Property from the Estate of an Upper East Side Collector $800-1,200

135

137 Louis XV Silver Coffee Pot Maker’s mark RI/D, 18th century Spiral fluted baluster form, on three scroll feet, the conforming cover with bud finial.

Height 9 1/2 inches (24 cm), approximately 22 ounces, all in.

C Property from the Estate of an Upper East Side Collector $500-700 138 French Louis XVI Style Silver Ecuelle, Cover and Stand A. Risler & Carré, Paris, late 19th/early 20th century Circular, with bands of husk and acanthus leaves, with two tied laurel wreath handles, the cover with an acanthus finial. Diameter of stand 6 3/4 inches (17 cm), total approximately 14 ounces.

C $1,000-1,500 See Illustration

138

139 Odiot Silver Salver and Silver Dessert Plate 19th Century The salver with floral border raised on three foliate bracket feet, the dessert plate with shell and gadroon border; Together with a Portuguese Silver Salver. Maker’s mark LJF, Porto, 19th century.

Diameter of first 9 inches (23 cm), total approximately 48 ounces.

C $800-1,200 140 French Silver and Glass Dressing Set in Original Fitted Case Maker’s mark JC with heart above and star below, Paris, 19th century Fitted with glass toilet bottles, sewing and writing implements. Total approximately 11 ounces, weighable.

C $2,000-3,000 See Illustration

140 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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141 part

141 French Silver Flatware Service in Original Box Pierre Queille, Paris, second half 19th century Comprising thirty-six dinner forks, eighteen dessert forks, eighteen dinner knives, eighteen fruit knives, eighteen dessert knives, eighteen tablespoons, eighteen dessert spoons, eighteen teaspoons, two mustard spoons, six salt spoons, sugar tongs, two sugar sifters, pate server, two pierced serving spoons, serving fork, two salad servers, two gravy ladles, soup lade, two piece carving set, and a flat server.

Total approximately 161 ounces, weighable.

C $5,000-7,000 See Illustration 142

142 Christofle Silver Tea and Coffee Service 20th Century Comprising a teapot, coffee pot; cream jug, and a covered sugar bowl, of baluster form, the cover with a finial formed as clusters of balls. Height of coffee pot 10 inches (25.5 cm), total approximately 86 ounces, all in.

C $1,500-2,500 See Illustration 143 Puiforcat Art Nouveau Silver Ewer Circa 1900 Of sack form, each side with a maiden in profile, with branch-form handle.

Height 7 1/4 inches (18.2 cm), approximately 21 ounces.

C $2,000-3,000 See Illustration

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144 French Silver-Mounted Glass Dresser Set G. Keller, Paris, early 20th century Comprising three bottles, two jars and rectangular box, each with spiral fluted glass body and covers with fluting and rocaille. Height of tallest 10 inches (25.4 cm), total approximately 28 ounces, weighable.

C $500-800 145 Pair of Baccarat Silver Mounted Glass Claret Jugs Late 19th/ early 20th century In the Louis XV style, the glass decorated with flowers, the silver neck with foliate scrolls and hinged cover with scroll thumbpiece, on scrolling circular foot.

Height 13 1/8 inches (33.4 cm).

C $1,200-1,800

146 Puiforcat Silver Noailles Pattern Flatware Service Comprising seventy-two dinner forks, eighteen seafood forks, thirty-six fish forks, thirty-six dessert forks, eighteen pastry forks, seventy-two dinner knives, thirty-six butter knives, thirty-six fish knives, thirty-six dessert knives, thirty-six fruit knives, thirty-six tablespoons, twenty-four dessert spoons, thirty-six sorbet spoons, eighteen teaspoons, thirty-six demitasse spoons, six serving spoons, two soup ladles, twelve cork toppers, four pairs of salad servers, two pairs of fish servers, two pate knives, four flat servers, asparagus tongs, crumber, two serving forks, eight gravy ladles, lemon fork, twenty-four butter pats, and a gilt dessert service comprising eighteen dessert forks, eighteen pastry forks, eighteen dessert knives, thirty dessert spoons, eighteen teaspoons, eighteen sorbet spoons, and four flat servers. Total approximately 1,100 ounces, weighable.

C $40,000-60,000 See Illustration

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147

147 Puiforcat Silver Part Table Service 20th Century Comprising three circular trays, an oval bowl, and sauceboat on fixed stand.

Diameter of trays 13 inches (33 cm), total approximately 167 ounces.

C $2,500-3,500 See Illustration 148 Set of Three Puiforcat Silver Wine Coasters 20th Century Each of circular form, with applied acanthus band to border and rosettes to sides. Diameter 5 5/8 inches (14.5 cm), total approximately 22 ounces.

C $400-600

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149 Assembled Set of Twelve French Silver and Glass Finger Bowls 20th Century Each of circular form, with pierced lattice and foliate panels, the rim with scrolls, with nine glass liners. Diameter 4 1/4 inches (11 cm), total approximately 30 ounces, weighable.

C $400-600 150 French Silver Empire Style Tea and Coffee Service 20th century Comprising a teapot, coffee pot, cream jug and sugar bowl, each of pear form with a gadrooned border at the rim, the handles with rosettes. Height of coffee pot 7 1/4 inches (18.5 cm), total approximately 48 ounces, all in.

C $1,000-1,500

151 French Silver and Enamel Cigar Box Retailed by A La Vieille Russie, Paris, 20th century Of rectangular form, the cover with applied heraldic arms.

Length 8 1/4 inches (21 cm).

C $400-600

152 152 Puiforcat Silver Iris Pattern Flatware Service Paris, early 20th century Comprising eighteen dinner forks, twelve fish forks, twenty-four dessert forks, eighteen dinner knives, twelve fish knives, eighteen fruit knives, eighteen dessert knives, eighteen tablespoons, twenty-four dessert spoons, twenty-four teaspoons, asparagus tongs, pair of salad servers, fish serving fork and knife, serving fork, two serving spoons, cake server, two sauce ladles, and a soup ladle.

Total approximately 287 ounces, weighable.

C $7,000-10,000 See Illustration

153 Two Greek Silver Table Articles Ilias Lalaounis, 20th century Comprising a bud vase and a bowl. Length of bowl 6 3/4 inches (17 cm) over handles, total approximately 6 ounces, weighable.

C $400-600 154 Buccellati Sterling Silver Leaf-Form Dish Modern Realistically modelled on branch-form support.

Length 15 1/4 inches (38.7 cm), approximately 13 ounces.

C $700-1,000

155 Group of Nine Buccellati Sterling Silver Dishes Modern Comprising five leaf-form examples, four flower-form examples and a shell-form example; Together with a Pair of Silver Leaf-Form Dishes. Diameter of largest 8 3/4 inches (22.2 cm), total approximately 43 ounces.

C $3,000-5,000 See Illustration

155

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157

Furniture & Decorative Arts 156 French Walnut Cabinet Partially 17th century In two parts, the upper section surmounted by a broken pediment centered by a tabernacle cresting with urn finial above swags, seraph’s head and shell carved niche flanked by Corinthian capitals and acanthus carved scrolls above eagle and laurel leaf carved frieze flanked by seraphs’ heads, over a pair of paneled doors opening to shelved interior fitted with three drawers, the lower section fitted with a pair of drawers over a pair of cupboard doors opening to a shelved interior, on block feet, top of lower section with stenciled number 38 and partial printed warehouse label.

Height 7 feet 8 1/2 inches (2.35 m), width 52 inches (1.32 m), depth 25 inches (63.5 cm).

Provenance: Sold, Doyle, May 21, 2014, lot 167.

C $2,500-3,500

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157 Southern German Hungarian Ash, Maple and Fruitwood Marquetry Cabinet Late 16th century The formerly hinged rectangular top opening to a well, the hinged front centered by ash panels within checkered borders and foliate scroll-inlaid rectangular borders and opening to a musical trophy-inlaid panel and an arrangement of drawers centered by a prospect door, all depicting architectural elements, the sides formerly fitted with handles. Height 18 1/2 inches (47 cm), width 25 1/2 inches (64.8 cm), depth 15 1/2 inches (34.3 cm).

A cabinet with very similar marquetry is in the collection of the Philadelphia Museum of Art, Accession Number: 1960-126-1 C $1,200-1,800 See Illustration

158 Italian Baroque Giltwood Mirror First half 18th century, possibly Florence The arched mirror plate within diaperwork-carved frame surmounted by a mask and flanked by scrolls, the sides and apron with masks.

Height 62 inches (157.5 cm), width 44 inches (111.8 cm).

Two similar mirrors are illustrated, G. Child, World Mirrors 1650-1900, London, 1990, p. 266, figs. 561-562.

C Property from a Beekman Place Apartment $3,000-5,000 159 Continental Painted and Giltwood Figure of a Female Saint 17th/18th Century The standing figure holding a crown and a book. Height 41 inches (104.1 cm).

C Property from a Beekman Place Apartment $1,200-1,800

160 French Mahogany Three-Panel Folding Screen Each spindled panel now hung with white fabric.

Height 64 inches (162.7 cm), width of each panel 24 inches (61 cm).

C Property of Susan Weber $1,200-1,800 161 French Walnut Buffet à Deux Corps 16th Century In two parts, the upper section with foliate and roundel-carved frieze above a pair of molded paneled doors opening to shelves, the projecting lower section with two frieze drawer above molded paneled doors, the sides of both sections with geometric panels, raised on ball feet.

Height 72 inches (182.9 cm), width 50 1/2 inches (128.3 cm), depth 25 inches (63.5 cm).

C Property of Susan Weber $2,000-3,000 See Illustration 162 Assembled Pair of Italian Stained Wood Armchairs In the style of Andrea Brustolon Each with upholstered back and seat, each armrest carved with a with a putto at the back and supported on a robed figure, the branch-carved legs joined by a pierced X-form stretcher; variations to carving and dimensions.

Height 50 inches (127 cm), width 38 inches (96.5 cm), depth of seat 18 inches (45.7 cm).

C $1,000-1,500 See Illustration of One of Two

161

163 Pair of Delft Platters Each oblong octagonal platter painted in blue with flowers and butterflies in a chinoiserie style, the back with ‘2’ in blue.

Width 13 1/2 inches (34.3 cm).

C $400-600

162

165 Four Delft & Continental Faience Chargers Each of circular form and variously decorated with chinoisere figures in landscapes, flowering trees and a vase of flowers.

Diameter 13 3/4 inches (35 cm).

C $1,000-1,500

164 Set of Three Delft Blue and White Shaped Dishes Each of fleur-de-lis form, decorated with flowers and birds; signed VE on the back. Width 8 1/2 inches (21.6 cm).

C $500-700

one of two VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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166 Italian Micromosaic Plaque of Christo Morto In the manner of Romolo Sellini Height within slate border 9 3/4 inches (24.8 cm), width 13 inches (33 cm), giltwood frame: height 20 inches (50.8 cm), width 24 inches (61 cm).

A very similar micromosaic signed Romolo Sellini was sold, La Suite Subastas, Barcelona, Spain, December 12, 2019, lot 55. Romolo Sellini is recorded as an artist employed at the Vatican Mosaic Workshop from 1920-1925.

C $3,000-5,000 See Illustration 167 Continental Pietre Dure and Slate Plaque Depicting ‘antique’ vessels, including urns, ewers and oil lamps. Height 22 inches (55.9 cm), width 35 inches (88.9 cm).

C Property from the Estate of an Upper East Side Collector $800-1,200 166

168 Chiurazzi Foundry Continental Green Patinated Bronze Figure of a Faun, After the Antique Late 19th century Height 36 1/2 inches ( 92.7 cm), length 31 inches (78.7 cm).

Literature: F. Grementieri and X. Verstraeten, pp. 182-183 For an illustration of this model, see J. Chiurazzi & Fils-s. De Angelis & Fils, Naples, 1910, p. 237, no. 4888.

Provenance: Sotheby’s, New York, Property formerly from the Ferreyra Palace, Córdoba, Argentina, April 20, 2007, lot 279.

C $3,000-5,000 See Illustration

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169 Neopolitan Patinated Bronze Figure of ‘The Dancing Faun’ and a Neapolitan Patinated Bronze Figure of ‘The Faun with Wine Sack’ Late 19th century The first on a rectangular plinth, the second on a marble rectangular plinth. Height of first 12 ¾ inches (32.4 cm), height of second 9 ½ inches (24.2 cm).

C $500-700

170 Pair of Continental Tortoiseshell Plaques 18th century Each depicting a mythological scene within an ebonized frame. Height of plaque 4 1/2 inches (11,5 cm), width 8 5/8 inches (21.9 cm), height of frame 10 inches (25.4 cm), width 13 inches (33 cm).

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $800-1,200 171 Italian Lacca Povera and Painted Commode The rectangular top with canted corners above two long drawers decorated with figures, flowers and state carriages, the sides with baskets of fruit. the flanking stiles carved with pendent foliage and fruit, the shaped apron raised on cabriole legs.

Height 36 inches (91.5 cm), width 48 inches (122 cm), depth 21 inches (53.3 cm).

C $600-800

172 Portuguese Rococo Walnut and Parcel-Gilt Side Chair Mid-18th century The shell-carved pierced toprail above a pierced foliate- and guilloche-carved backsplat, the needlework-upholstered seat raised on foliate-carved cabriole legs joined by an X-form stretcher.

Height 43 3/4 inches (111.2 cm), width 22 1/2 inches (57.1 cm), depth 17 inches (43.2 cm).

C $700-1,000 173 Continental Neoclassical Inlaid Walnut Firescreen with Embroidery Panel First quarter 19th century The velvet rectangular panel with exotic bird on a perch within a floral wreath, the frame with bead and reel molding, the pierced support on a triangular coved plinth, on paw feet. Height 40 inches (101.6 cm), width 22 1/4 inches (56.5 cm).

C $800-1,200

174 Pair of Continental Polychrome-Decorated and Parcel-Gilt Figures of Angels 19th Century Each figure with outstretched arms and kneeling on a tasseled cushion.

Height 10 1/2 inches (26.7 cm), width 11 1/2 inches (29.2 cm).

C $2,500-3,500 175 Russian Neoclassical Rosewood, Tulipwood, Fruitwood and Marquetry Games Table The hinged quarter-veneered top inlaid with a central urn within geometric-cornered borders and a scroll, opening to a baize-lined surface within a berried scrolling vine border and counter wells, the frieze inlaid with husk swags and raised on tapering square legs. Height 30 inches (76.2 cm), width 37 1/2 inches (95.3 cm), depth 18 3/4 inches (47.9 cm).

C $3,000-5,000 See Illustration

175

176 Austrian Biedermeier Walnut and Part-Ebonized Gilt-Metal Mounted Secretaire/Commode The rectangular top above a secretaire drawer opening to an ebonized writing surface and pigeon holes above three long drawers flanked by engaged pilasters headed by helmeted female heads and ending in block feet; the back with printed label FUMIGADO / BARTHEL MUEBLES S. C. A. Height 39 1/2 inches (100.4 cm), width 49 1/2 inches (125.7 cm), depth 24 inches (61 cm).

C $800-1,200 177 Spanish Colonial (Cusco) Verre EglomisĂŠ and Parcel-Gilt Mirror The rectangular mirror plate within foliate-carved slip and faceted mirrored border, the shaped frame with panels decorated with a helmeted crest, foliage and mythological beasts, the outer frame with mirrored circles. Height 27 1/2 inches (69.9 cm), width 20 inches (50.8 cm).

C $500-700

178 North German (Hamburg) Gilt-Metal-Mounted Stenciled Pier Mirror Second quarter 19th century The rectangular mirror plate within a frame with floral and foliate stenciling, with applied gilt-metal basket of fruit. Height 55 3/4 inches (145.1 cm), width 33 1/2 inches (85.1 cm).

C $400-600 179 German Empire Gilt-Metal-Mounted Walnut Small Pier Mirror The rectangular plate within a frame surmounted by an arched pediment and an applied vase, the apron with bifurcated chimeras. Height 38 inches (96.5 cm), width 18 inches (45.8 cm).

C $400-600 180 Pair of Italian White Glazed Terra-Cotta Statues by Fratelli Ceccarelli The first, depicting a woman with floral wreath and holding a basket of flowers, the second, clutching a cloak around herself.

Height of first 74 inches (188 cm), height of second 72 inches (182.8 cm).

C $2,000-4,000

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181 Louis XIV Walnut and Tapestry-Upholstered Stool The rectangular seat depicting a lyre and foliage above a woven leather-upholstered apron with oversized Clarence House looped braid, raised on ring-turned faceted legs joined by a shaped stretcher.

Height 16 inches (40.7 cm), width 20 1/2 inches (52 cm), depth 16 inches (40.7 cm).

Provenance: Sylvain Levy-Alban Antiques, Paris.

C Property from a Palm Beach Private Collection $500-700 182 Louis XV/XVI Transitional Gilt-Bronze-Mounted Tulipwood and Kingwood Commode The breakfronted marble top above a conforming case fitted with three long drawers flanked by rounded stiles headed by acanthus-cast mounts and continuing to sabots; the front left corner partially stamped J STU and JME. Height 35 1/2 inches (90.2 cm), width 52 inches (132 cm), depth 23 3/4 inches (60.5 cm).

C $2,500-3,500 See Illustration

182

183 Pair of Louis XV Beechwood and Silk-Upholstered Bergères Mid-18th century Each arched padded back and sides within a molded frame with flowerhead cresting above a serpentine loose-cushioned seat with similarly carved seatrail and raised on cabriole legs.

Height 37 inches (94 cm), width 27 1/4 inches (69.3 cm), depth 21 inches (53.4 cm).

C $3,000-5,000 See Illustration

183

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185

184 Chinese Style Brown Lacquer Low Table The rectangular top with Chinese characters, raised on square legs. Height 16 inches (41 cm), width 39 1/4 inches (100 cm), depth 22 1/2 inches (57 cm).

C $800-1,200

185 French Purplewood and Giltwood Console by Jeanselme Third quarter 19th century The rectangular granite top within a molded edge and raised on winged sphinx supports, the back supports with engaged pilasters ending in paw feet, on a molded conforming plinth; both back supports stenciled ‘JEANSELME Pere & fils’.

Height 33 3/4 inches (85.8 cm), width 78 1/2 inches (199.4 cm), depth 27 1/2 inches (69.9 cm).

The Jeanselme Père et Fils association was created in 1856, with Joseph Pierre François and his son Charles Joseph Marie.

C $8,000-12,000 See Illustration

186 Victorian Cut-Glass and Gilt-Metal Four-Light Chandelier 19th Century, possibly by F. & C. Osler The globular stem hung with prisms and swags above a panel-inset circular ring issuing four candle arms over scrolling elements and a drop pinecone finial. Height 34 inches (86.3 cm), diameter 28 inches (71.1 cm).

C $2,000-3,000 187 Pair of Jean Roger Faux Bois and Faux Tortoise Ceramic Covered Urns Height 21 1/4 inches.

C $1,200-1,800

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191

188 Continental Neoclassical Giltwood Mirror The rectangular plate within a beaded and ribbon-carved frame surmounted by a gardening and musical trophy with oak leaves flanked by urn finials. Height 59 inches (149.8 cm), width 34 1/2 inches (87.7 cm).

C Property from the Estate of an Upper East Side Collector $800-1,200 189 Continental Kingwood Parquetry Games Table The hinged rectangular top with outset corners and opening to a polished playing surface, the corners with candle recesses, raised on cabriole legs. Height 29 inches (73.5 cm), width 34 1/2 inches (85.5 cm), depth 16 3/4 inches (42 cm).

C $800-1,200 42

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190 Italian Neoclassical Pine, Fruitwood and Painted Corner Cabinet Late 18th century The coved green-painted upper section with keystone above two shaped shelves, the bowfronted lower section with crossbanded door flanked by reeded stiles continuing to tapered feet. Height 69 1/4 inches (175.8 cm), width 19 1/2 inches (49.5 cm), depth 12 1/2 inches (31.8 cm).

C $800-1,200

191 Pair of Italian Neoclassical Style Giltwood Pier Mirrors Each rectangular mirror plate within a molded foliate-carved frame surmounted with a cresting with a basket of flowers and raised on scrolled feet. Height 6 feet 3 inches (190.5 cm), width 27 inches (68.5 cm).

C $2,000-4,000 See Illustration 192 Rococo Giltwood Overmantel Mirror The divided mirror plate within flowerheadand ribbon-carved borders, the ruffled cresting carved with scrolls, the shaped apron with flowerheads. Height 70 inches (177.8 cm), width 44 inches (111.7 cm).

C $800-1,200

194

193 Biedermeier Fruitwood, Bronzed and Parcel-Gilt Commode Second quarter 19th century The rectangular top above three drawers flanked by helmeted term figures and continuing to paw feet; the back with partial paper label with inscription and another partial printed label. Height 38 inches (96.5 cm), width 49 inches (124.5 cm), depth 25 inches (63.5 cm).

C $800-1,200 194 Pair of Louis XVI Mahogany Open Armchairs (Fauteuils à la Reine) Late 18th century Each arched pierced backrest centered by a guilloche-carved panel, raised on tapering fluted legs, the splayed back legs also fluted; both back rails bearing spurious stamps ‘G. JACOB. Height 37 inches (94 cm), width 21 1/2 inches (54.6 cm), depth 18 inches (45.8 cm).

C $2,000-3,000 See Illustration

195 Louis XVI Kingwood Parquetry Decanter Box 18th century The hinged square box centered by a quatrefoil and opening to four stoppered decanters, the case mounted with brass bail handles to the sides. Height 6 3/4 inches (17.2 cm), width (square) 7 inches (17.9 cm).

C $300-500

197 Louis XVI Style Giltwood Open Armchair (Fauteuil à la Reine) The padded guilloche-carved oval backrest with flower-carved cresting above a bowfronted seat flanked by padded armrests and raised on tapering fluted legs. Height 43 1/2 inches (110.5 cm), width 26 inches (66 cm), depth 22 inches (81.3 cm).

C $800-1,200

196 Régence Style Giltwood Mirror The double-arched mirror plate within scroll-carved and mirrored borders, surmounted by a foliate-carved cresting with opposing C-scrolls, the apron similarly carved. Height 66 inches (167.7 cm), width 54 inches (137.2 cm).

C $1,000-2,000

198 Louis XV Style Gilt and Silvered-Gilt Mirror The shaped beveled mirror plate within a frame carved with foliage and scrolls and surmounted by a pierced cresting.

Height 55 inches (139.7 cm), width 40 inches (101.6 cm).

C $800-1,200

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199 Louis XVI Tulipwood, Kingwood, Sycamore and Ormolu-Mounted Marquetry Commode The breakfronted marble top with rounded corners above two drawers inlaid sans traverse, the central panel with a trophy of musical instruments flanked by vases, the sides similarly inlaid, above a shaped apron, the rounded stiles with simulated fluting headed by fluted mounts with husks and ending in cabriole legs with scrolled feet ; the right corner stamped ‘CAUMONT’ and ‘JME’. Height 34 inches (86.4 cm), width 49 1/2 inches (125.7 cm), depth 22 1/2 inches (57.1 cm).

Jean Caumont (b. 1739), maître in 1774.

C $3,000-5,000 See Illustration 200 Louis XV Provincial Walnut Commode Mid-18th century The serpentine top above three conforming scroll-carved drawers, with later gilt-metal handles, raised on scrolled feet.

38 1/2 inches (97.9 cm), width 49 1/2 inches (125.8 cm), depth 22 1/2 inches (57.2 cm).

C $800-1,200

201 Louis XV Fruitwood Provincial Commode The serpentine above two drawers, raised on cabriole legs. Height 32 3/4 inches (83.3 cm), width 45 1/2 inches (115.6 cm), depth 26 inches (66 cm).

C The Marian Sulzberger Heiskell and Andrew Heiskell Collection $1,200-1,800

199

202 Pair of Louis XVI Style Ormolu and Marble Gueridons Each circular top on inscrolled legs with medial undertier and joined by a pierced tripartite stretcher mounted with an urn, ending in paw feet, on casters. Height 28 1/2 inches (72.5 cm), diameter 27 1/4 inches (69.3 cm).

C $2,000-3,000 See Illustration

203 Louis XVI Style Satinwood, Kingwood, Tulipwood and Part-Ebonized Ormolu-Mounted Parquetry Side Table The crossbanded rectangular top above a leaftip-mounted frieze and raised on tapering square legs. Height 32 1/2 inches (82.6 cm), width 44 1/2 inches (119.1 cm), depth 20 inches (50.8 cm).

C $1,200-1,800 204 Pair of Louis XVI Style Gilt-Metal Mounted Tulipwood, Kingwood, Yewwood and Marquetry Tables à Ecrire Each rectangular top with outset corners and depicting a stack of books and an inkwell with a quill on a table, sliding back to a drawer with a leather-lined writing panel and inkwell recesses, raised on tapering square legs. Height 26 1/4 inches (66.7 cm), width 18 1/4 inches (46.3 cm), depth 12 3/4 inches (32.4 cm).

C Property from the Estate of an Upper East Side Collector $1,500-2,500

202

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205 Louis XV Giltwood Mirror Mid-18th century The divided mirror plate within frond- and foliate scrolled-carved borders, the crest and apron centered by a cabochon.

Height 72 inches (183 cm), width 51 inches (129.5 cm).

C Property from a Palm Beach Private Collection $1,000-1,500

206 Louis XVI Satinwood and Brass-Mounted Secretaire Last quarter 18th century The D-shaped grey marble top above a frieze drawer with a drop front opening to a leather-lined surface and two drawers, one fitted for inkwells, above a pair of paneled doors and flanked by galleried marble top shelves and raised on tapering fluted legs; the secretaire drawer bearing a printed book plate label with a coronet above a coat of arms over the name ‘Augusta Carington’ [sic] and the inked inscription ‘Bought in Paris 1867’ (crossed out), ‘1872’ below; bearing spurious G. Jacob stamp. Height 34 inches (86.3 cm), width 46 inches (116.9 cm), depth 19 inches (48.3 cm).

Provenance: Presumably Hon. Augusta Clementina Carington (1841-1922), daughter of Robert Carington, 2nd Baron Carrington, and Charlotte Augusta Annabella Drummond-Willoughby, sister of Charles Robert Wynn Carington, 1st Marquess of Lincolnshire and the wife of Archibald Campbell (later 1st Baron Blythswood).

Sotheby’s, New York, Property from the San Antonio Museum Association, September 29, 1990, lot 238.

C $2,500-3,500 See Illustration

206

207 Pair of Louis XVI Style Walnut and Tapestry-Upholstered Large Open Armchairs (Fauteuils à la Reine) Late 19th century Each beaded and entrelac-carved oval backrest depicting figures in a bucolic landscape above a serpentine seat with dogs and birds and similarly carved seatrail flanked by padded arms on foliate-carved armrests, raised on tapering chandelle-fluted legs.

Height 43 inches (109.3 cm), width 30 inches (76.2 cm, depth 24 inches 24 inches (61 cm).

207

Provenance: Guinevere, London.

C Property from a Palm Beach Private Collection $3,000-5,000 See Illustration

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210

208 Pair of Louis XVI Painted and Leather-Upholstered Benches by Jacques Lechartier Last quarter 18th century Each leather-upholstered rectangular seat raised on stop-fluted legs; one rail stamped J. LECHARTIER. Height 17 3/4 inches (45 cm), width 30 3/4 inches (78.1 cm), depth 14 1/2 inches (36.8 cm).

Jacques Lechartier, maître in 1773.

C $1,200-1,800

209 Set of Eight Louis XV Style Tapestry-Upholstered Beechwood Dining Chairs Each padded serpentine backrest above a shell-carved apron and raised on foliate-carved cabriole legs. Height 40 inches (101.6 cm), width 20 inches (50.8 cm), depth 17 inches (43.3 cm).

C $800-1,200

210 Pair of Louis XVI Painted Bergères Last quarter 18th century Each frame carved with beading and leaf tips, the back, arms and seat with cream silk upholstery, raised on tapering fluted legs.

Height 40 3/4 inches (103.5 cm), width 27 inches (68.6 cm), depth 19 inches (48.3 cm).

Provenance: Bernd Goeckler, New York.

C Property of Susan Weber $2,000-3,000 See Illustration 211 Pair of Patinated Metal and Mineral Geode Lamps Style of Marc du Plantier Height of body 11 1/2 inches, width 10 1/2 inches.

Provenance: Alan Moss, New York C Property of Susan Weber $500-700 See Illustration 212 Louis XV Painted Paper, Parcel-Gilt and Mother-Pearl Fan Mid-18th century Depicting a scene of Venus and Adonis, on pierced mother-of-pearl sticks and guards; now in a giltwood case. Height 11 inches (28 cm), width (extended) 21 inches (53.4 cm).

C $700-1,000

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213 Pair of French Ormolu Four-Light Candelabra Each with flaring triangular stem surmounted by a nozzle centering three scrolling candle arms, the scrolling feet on a later triangular plinth; now drilled for electricity.

Height of candelabra 23 inches (58.4 cm).

C Property from a Park Avenue Apartment $1,500-2,500 214 Pair of Louis XVI Style White Bisque Porcelain and Gilt-Metal Mounted Lidded Urns Each of ovoid form, the lid with berried finial and decorated with mythological figures, with goat’s head handles, the spreading foot on a square plinth. Height 20 1/2 inches (52.1 cm), width over handles 11 inches (28 cm).

C $2,000-4,000 See Illustration 215 Pair of Louis XVI Painted Bergères Last quarter 18th century Each molded frame with padded back, sides and seat upholstered in cream silk, raised on stop-fluted legs. Height 38 inches (96.5 cm), width 25 1/2 inches (84.8 cm), depth 19 inches (48.2 cm).

Provenance : Bernd Goeckler, New York.

C Property of Susan Weber $2,000-3,000 See Illustration

214

215 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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220 216 Pair of Louis XVI Style Tulipwood Parquetry and Gilt-Metal Mounted Side Tables Each three-quarter galleried rectangular top above a frieze drawer and raised on a tapering square legs headed by foliate mounts and collars and joined by a concave-fronted galleried shelf. Height 29 1/2 inches (74.9 cm), width 27 1/2 inches (69.9 cm), depth 17 inches (43.1 cm).

C Property from a Park Avenue Apartment $1,500-2,500

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221 219 Pair of Italian Neoclassical Painted Panels of Allegories of the Art Early 19th century Painted en grisaille, each depicting a mother holding a child her her lap, one at a desk writing, the other playing a harp. Oil on canvas.

Height 34 inches (86.4 cm), width 59 inches (149.7 cm).

C $1,200-1,800

217 Pair of Louis XVI Style Gilt-Bronze Wall Lights Each with shaped backplate issuing a scrolling candle arm ending in a handled urn-form nozzle with husk swags. Height 18 inches (45.8 cm), depth 15 inches (38.1 cm).

C $1,000-1,500

220 George III Fruitwood Apple-Form Tea Caddy Circa 1800 The hinged lid opening to a foil-lined interior, with a bone stem; bearing traces of red stain.

Height 4 1/2 inches (11.5 cm).

C Property from the Estate of an Upper East Side Collector $800-1,200 See Illustration

218 Pair of Louis XVI Style Gilt-Bronze Two-Light Wall Lights Each with tapering backplate headed by a flaming finial and issuing husk-cast scrolling candle arms. Height 16 1/2 inches (41.9 cm), width 12 1/2 inches (31.8 cm).

C $1,000-1,500

221 George III Fruitwood Pear-Form Tea Caddy Circa 1800 The hinged lid opening to a later foil-lined interior. Height 7 inches (17.8 cm).

C Property from the Estate of an Upper East Side Collector $400-600 See Illustration

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224

222 222 George III Green-Stained Beechwood Melon-Form Tea Caddy Circa 1800 The hinged lid opening to a foil-lined interior.

Height 6 1/4 inches (16 cm).

C Property from the Estate of an Upper East Side Collector $800-1,200 See Illustration 223 Spode Felspar Porcelain Dessert Service Second quarter 19th century Puce printed factory marks and red script pattern number 3955, decorated in iron-red, blue and gold in the Imari style, comprising a pair of fruit coolers, pair of sauce tureens, covers and stands, a footed bowl, two dessert plates, pair of oblong dishes, set of four smaller oblong dishes, oblong serving dish and four scalloped dishes. Height of fruit coolers 13 inches (33 cm).

C Property from the Estate of an Upper East Side Collector $800-1,200 224 Four Worcester ‘Blind Earl’ Pattern Dessert Plates 18th Century Each painted and molded with flowers and leaves, enriched with gilt scrolls at the scalloped rim.

Diameter 7 7/8 inches (19.7 cm).

Together with Chamberlain’s ‘Blind Earl’ pattern plate, circa 1825, and a Royal Worcester Leaf-Shaped Dish, 20th century.

C Property from the Estate of an Upper East Side Collector $2,500-3,500 See Illustration

226

225 VISSCHER, NICHOLAS Totius Alsatiae Novissima Tabula...

Amsterdam: circa 1710 or later.

Hand-colored engraved map.

Neatlines 22 3/4 x 18 1/4 inches (58 x 46 cm).

Framed. Margins lightly toned, possibly split to central fold at left border, generally a fresh example, unexamined out of frame, backlabel of Arader Galleries.

C $600-900

226 Assembled Set of Twelve Mahogany and Yewwood Windsor Armchairs Thames Valley Each arched backrest with pierced lancet-carved backsplat and sides, the U-shaped arm rest centering a saddle seat, raised on cabriole legs headed by pierced brackets and joined by a crinoline stretcher and ending in pad feet.

Height of largest backrest 39 inches (99 cm), width 21 inches (53.3. cm), height of seat 17 1/2 inches (44.5 cm), width 22 3/4 inches (57.8 cm), depth 16 1/2 inches (41.9 cm), width over arm rests 25 1/4 inches (64.2 cm).

Designed in the ‘Gothick’ style popularized

by Horace Walpole at Strawberry Hill, the form of the present armchairs is ‘considered to be the ‘best’ Windsor seating furniture’

by Bernard D. Cotton, The English Regional Chair, 1990; cf. a similar example of a double bow Windsor armchair, p. 47, fig. TV20.

C $12,000-18,000 See Illustration

227 Pair of Etched Glass and Ormolu Lamps Each with four graduated ovoid-shaped glass components and circular base, each with foliate-cast collars, on a tripartite plinth.

Height overall 31 inches (78.7 cm).

C Property from the Estate of an Upper East Side Collector $1,500-2,500 228 Pair of George III Style Mahogany and Parcel-Gilt Open Armchairs Each padded backrest within a molded frame carved with flowerheads above a serpentine seat with fluted apron and flanked by padded armrests, raised on tapering fluted legs headed by paterae.

Height 38 inches (96.5 cm), width 26 1/2 inches (67.5 cm), depth 20 inches (50.8 cm).

C Property from the Estate of an Upper East Side Collector $1,000-1,500

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229

229 Chinese Polychrome-Decorated Coromandel and Brown Lacquer Twelve-Panel Screen Depicting figures in pavilioned landscapes.

Height 111 inches (281.9 cm), width of each panel 19 3/4 inches ( 50.3 cm).

Provenance: Florian Papp, New York.

C Property of Susan Weber $3,000-5,000 See Illustration 230 First Period Worcester Reticulated Covered Chestnut Basket on Stand Circa 1775 Quatrefoil-form with honeycomb molded body decorated with stylized flowers, the branch-form handles with applied flower joins, the cover and stand pierced with foliate lappets. Length of stand 10 7/8 inches (27.2 cm).

Provenance: Christie’s, New York, November 21, 2008, lot 280 Waddington’s, Toronto, November 26, 1990 from the collection of Donald McLeish 230

Exhibited: The George R. Gardiner Museum of Ceramic Art, Toronto, The Art of Dining, September 1998 to February 1999.

An identical Worcester chestnut basket and stand in the collection of the Hermitage, St. Petersburg, is illustrated in “The Hermitage: English Art”, 1979, pg 200. Another example is in the collection of the High Museum, Atlanta.

C Property of a Georgia Private Collector $1,000-2,000 See Illustration

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231 Chinese Export Famille Rose Porcelain Plate for the Indian Market 1760s Shaped circular, the center with figure of a mahout riding an elephant between rockery and flowers, on floral ground enamelled in bianco-sopra-bianco with floral sprays.

Diameter 9 1/4 inches (23.5 cm).

C Property of a Georgia Private Collector $500-700

232

232 Pair of Chamberlain’s Worcester Porcelain Open Dishes First quarter 19th century Each shaped oval with border of foliate scrolls and diamonds in gilt on salmon ground centering an armorial crest.

Length 11 1/2 inches (29.2 cm).

C Property of a Georgia Private Collector $1,000-1,500 See Illustration 233 Queen Anne Style Figured Walnut and Gilt-Metal Mounted Bracket Clock The case with handle to inverted bell top applied with gilt-metal foliate mounts, double-fusee four-pillar movement striking on a bell, verge escapement, with winged cherub spandrels and false pendulum, the backplate engraved with a basket of flowers and scrolling foliage. Height 17 inches (43.2 cm).

C $400-600 234 George II Inlaid- and Figured-Walnut Double-Dome Bureau Cabinet Circa 1725 In two parts, the upper section with molded cornice surmounted by three giltwood finials above a pair of arched doors with inset bevelled mirror plates and opening to shelves, document slots, valenced pigeonholes and drawers, all over candle slides, the lower section with featherbanded fall front opening to a suede-lined writing surface and an interior fitted with pigeonholes, drawers and a sliding panel opening to a well, above two short over two long drawers, raised on bracket feet; the lower section bearing an Apter-Fredericks label.

Height 92 1/4 inches (234.3 cm), width 41 3/4 inches (106.1 cm), depth 23 1/2 inches (59.7 cm).

Provenance: Apter-Fredericks, Ltd., purchased in June 1989.

Exhibited: Burlington House Fair, London, 1983.

C $10,000-15,000 See Illustration 234

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235 235 Set of Four Elizabethan Revival Walnut Side Chairs with Needlework Upholstery 19th Century, the needlework partially 16th/17th century Each arched tall padded back above an overupholstered seat, raised on block-and-ring-turned legs joined by stretchers; the needlework with flowers and fruit, one back with a rearing centaur wearing a feathered headress and facing a ‘green man’ and a fruit-filled cornucopia.

Height 46 1/2 inches (118.2 cm), width 19 inches (48.2 cm), depth 16 inches (40.7 cm).

C Property of a Park Avenue Lady $1,200-1,800 See Illustration 236 George II Burr and Figured Inlaid Walnut Kneehole Desk Second quarter 18th century The feather-banded rectangular top with nset front corners above a case fitted with a frieze drawer over two banks of three drawers centering a recessed cupboard door, on bracket feet. Height 31 inches (78.7 cm), width 32 3/4 inches (83.2 cm), depth 19 inches (48.3 cm).

C $500-700

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237 George II Style Walnut and Marquetry Concertina-Action Card Table Partially composed of 17th and 18th century elements The hinged rectangular top now inlaid with 17th century seaweed marquetry panels and opening to a leather-lined playing surface within later seaweed marquetry panels, the frieze with two drawers, the underside with a sliding panel fitted with a counter well, raised on square legs and feet.

Height 28 1/2 inches (72.4 cm), width 35 1/2 inches (90.2 cm), depth 13 inches (33 cm).

C $1,000-1,500 238 George II Inlaid Walnut Highboy The upper section with coved cornice above two short over three long featherbanded drawers, the lower section with a short drawer over and arched recess flanked by deep drawers, on squared cabriole legs. Height 62 inches (157.5 cm), width 39 inches (99 cm), depth 22 1/2 inches (57.2 cm).

C $2,000-3,000 239 George II Gilt-Gesso Mirror The beveled rectangular mirror within a molded slip, the frame carved with scrolling foliage, the apron with Prince of Wales’ feathers, the apron with a shell.

Height 34 1/2 inches (87.7 cm), width 19 1/4 inches (49 cm).

C $1,500-2,500

240 William III Walnut Secretaire Cabinet Late 17th century The upper section with arched cornice above a pair of arched paneled doors opening to hinged panels over short and long drawers, the lower section with secretaire drawer with small and long drawers, all over three graduated long drawers, on bun feet.

Height 86 inches (218.5 cm), width 43 1/2 inches (110.5 cm), depth 23 inches (58.4 cm).

C $4,000-6,000 See Illustration Next page 241 George II Walnut Concertina-Action Games Table Circa 1730 The hinged quarter-veneered and featherbanded rectangular top with outset rounded corners, opening to a baize-lined surface with candle recesses and counter wells, raised on lappet-carved cabriole legs and ending in pad feet. Height 29 inches (73.7 cm), width 36 inches (91.5 cm), depth 18 inches (45.8 cm).

C The Nelson Doubleday, Jr. Collection $800-1,200 242 George II Style Giltwood Mirror The oval mirror plate within a pierced frame surmounted by a scroll-carved cresting, the sides with leafy branches. Height 58 inches (147.3 cm), width 33 inches (83.8 cm).

C $1,200-1,800

243 George II Mahogany and Parcel-Gilt Mirror Circa 1740 The beveled mirror plate within a gilt slip, the scrolled pierced cresting centered by Prince of Wales’s feathers, the sides with pendent swags above a serpentine apron.

Height 38 inches (96.5 cm), width 21 1/4 inches (54 cm).

C $1,500-2,500 244 William III Oyster-Veneered Olivewood and Walnut Chest of Drawers The rectangular top with a line inlaid circular medallion and heart inlaid corners, above two short and three long drawers, over a molded apron, raised on bun feet.

Height 33 1/2 inches (85 cm), width 37 1/2 inches (95.2 cm), depth 22 inches (55.9 cm).

C $1,000-2,000 245 George II Inlaid Mahogany Triple-Action Games/Writing Table Second quarter 18th century The hinged top with outset rounded corners opening a surface inlaid for chess and backgammon, further opening to a leather-lined surface with counter wells and candle recesses, further opening to a well fitted for inkwells, a sander and a pen recess, raised on lappet-carved circular legs ending in pad feet. Height 29 1/2 inches (75 cm), width 32 1/4 inches (81.9 cm), depth 16 inches (40.7 cm).

C $1,200-1,800 246 Pair of Chinese Export Porcelain Famille Rose Mandarin Ground Covered Urns with Gilt-Bronze Mounts Early 19th Century Each mounted as a lamp, of flattened urn form, with molded figures in panels depicting Guanyin and attendants in a landscape on a turquoise ground. Height 23 inches (58.5 cm).

C $1,200-1,800 See Illustration

240

247 Pair Chinese Export Porcelain Candlesticks Circa 1775 Each of elephant form, with head turned to side and wearing a saddle and blanket, supporting a baluster-form candle nozzle and sepia painted wrinkled skin.

Height 9 1/2 inches.

Nozzle of one restored and now discolored.

C $2,000-3,000

248 Chinese Export Armorial Porcelain Chestnut Basket Of oval form, decorated with the arms of Curtis impaling Wildbore. Length 13 1/2 inches (34.3 cm).

C $600-800

246 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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249

249 Pair of George III Giltwood Wall Brackets Circa 1800 Each U-form shelf with spherule-mounted edge on a leaf-carved support above a pinecone pendant. Height 9 3/4 inches (24.8 cm), width 8 1/2 inches (21.6 cm), depth 8 inches (20.2 cm).

A similar pair of brackets with Prince of Wales’s feathers, the design attributed to Henry Holland, was sold, Christie’s, London, The Collection of Professor Sir Albert Richardson, P.R.A., September 18-19, 2013, lot 73.

C $1,000-2,000 See Illustration 250 Regency Calamander-Banded Mahogany Breakfast Table The rectangular top with rounded corners, raised on four splayed legs joined by a shelf stretcher ending in casters. Height 27 1/2 inches (69.8 cm), length 66 inches (167.7 cm).

C $1,500-2,500 251 Pair of Chinese Export Famille Rose Porcelain Covered Fruit Coolers Circa 1785 Each with a liner, decorated with figures before a lake in a mountainous landscape, within a puce scaled border. Height 10 inches (25.4 cm).

C $3,000-5,000 See Illustration 252 Irish George II Mahogany Tea Table The rectangular top above a shaped apron centered by a carved shell, raised on acanthus-carved cabriole legs ending in faceted pad feet. Height 27 inches (68.6 cm), width 34 inches (86.3 cm), depth 21 1/2 inches (54.6 cm).58 C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $1,500-2,500 54

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251

253 George III Inlaid Mahogany Work Table Late 18th century The crossbanded bowfronted top with drop leaf at the back above two compartmentalized cedar-lined drawers over a deep drawer, raised on line-inlaid tapering square legs, joined by an X-form stretcher, on casters; bearing a Norman Adams Ltd. label.

Height 28 inches (71.1 cm), width 21 inches (53.3 cm), depth 14 inches (35.6 cm), extended depth 25 1/2 inches (64.8 cm)..

Provenance: Norman Adams Ltd., London.

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $800-1,200 254 English Porcelain Figure of Ceres and the Lion Probably Bow Porcelain Factory, possibly 18th century Height 7 7/8 inches (20.1 cm); Together with an English Porcelain Figure of Neptune Height 8 inches (20.3 cm).

Provenance: Henry Stern Antiques, New Orleans.

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $1,200-1,800 255 George III Mahogany and Brass-Bound Cellaret Third quarter 18th century The hinged octagonal top opening to a later brass liner, the tapering body with lions’ head brass handles, on a conforming fluted stand with splayed legs on casters. Height 24 3/4 inches (62.5 cm), diameter 18 inches (45.7 cm).

Provenance: Stair & Co., New York.

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $500-700

256 George III Satinwood Inlaid Mahogany Sideboard The crossbanded serpentine top above a frieze drawer and arched recess flanked by deep drawer and raised on tapering square legs ending in spade feet; left interior with penciled inscription: ‘Culloden 29 April 1891 for Dining room’. Height 36 1/4 inches (92 cm), length 72 inches (183 cm), depth 24 1/4 inches (61.5 cm).

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $1,000-1,500 257 Two Wax Relief Portraits 19th Century Depicting the clergyman Hugh Blair (1718-1800), Scottish minister of religion, author and rhetorician and possibly his wife Katherine Bannatyne.

Diameter 6 inches (15.3 cm).

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $200-300 258 Pair of George III Mahogany Open Armchairs Circa 1780 Each arched crest above three vertical carved slats, over an overupholstered seat, raised on tapering square legs ending in spade feet.

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $500-700

259 Two Elizabethan Needlework Fragmentary Panels of Bed Hangings from Cassiobury House Late 16th century Embroidered in gros and petit point, depicting vignettes of pastoral life and exotic animals including an elephant, crocodile and a monkey.

Provenance: Sir Charles Morrison, Cassiobury House, Watford, Hertfordshire.

Knight, Frank & Rutley, The Contents of Cassiobury Park, June 21, 1922, lot 1764, the eighth day of the sale, described from the Blue Bed Room: ‘A Hepplewhite Four-Post Bedstead, 4ft with ... wool needlework hangings of floral design and interlaced borders ... and a green and yellow striped silk bedspread, trimmed with fringe.’

Sotheby’s London, July 8, 1960, lot 66: ‘FINE NEEDLEWORK. Two large “U”-shaped Panels and a single Panel, the upright panels appliqué with pale golden satin in the shape of Ionic capitals and the cross panels with cartouche-shaped satin panels enclosing twenty-nine extremely rate panels of gros and petit-point embroideries of imaginative designs.’ (followed by description and measurements); sold to Perrotti for £45.

Sotheby’s, London, July 2, 1965, lot 76: ‘THE CASSIOBURY PARK BED HANGINGS. A set of thirteen late 16th Century Bed Hangings embroidered in gros and petit point on yellow silk and worked with panels depicting rural pursuits of Elizabethan England’ (followed by description of three oblong valances. five upright hangings in the form of Ionic pillars. and five other panels in the form of scrolls . Yellow silk backing probably renewed in the 18th century and the panels now mounted on brown velvet, framed - with measurements)’; sold to H. Stern for £200 $560.

Purchased from the above, Henry Stern Antiques, 329 Royal Street, New Orleans, Louisiana, July 2, 1966.

The colorful needlework motifs worked in wool and silk on the bed hangings from Cassiobury House date from the later sixteenth century when Sir Charles Morrison was furnishing his Tudor house. They are a rare survival of a popular pastime among ladies of this period who embroidered small ‘slips’ in cross and tent (half cross) stitches, sometimes in different sizes (gros and petit point) to apply to furnishing items such as cushions, chair covers and bed hangings of silk and/or velvet.

This type of Elizabethan embroidery was mainly floral, including large leaved trees and laden with ripe fruit, often based on illustrations in herbal books, while others were hunting scenes or images from country life dotted with the occasional exotic animal, taken from other published works in circulation. While the yellow silk satin and brown velvet on which they have been re-applied are not original the slips, which have been overworked in places,

259 might have been used in a similar manner to create attractive and eye-catching panels, the Ionic columns and scrolls introducing a strong classical theme, not often seen at this date. The backing velvet was probably originally green as noted for the ‘green and yellow striped silk bedspread, trimmed with fringe’ listed in the 1922 Sale Catalogue of the house contents.

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $2,000-3,000 See Illustration & Inside Front Cover

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260 Pair of George III Inlaid Mahogany Card Tables Circa 1785 Each hinged tulipwood-crossbanded demilune top opening to a baize-lined surface, raised on tapering square legs ending in spade feet.

Height 29 1/2 inches (75 cm), width 33 1/4 inches (84.5 cm), depth 16 1/2 inches (42 cm).

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $1,200-1,800 261 George III Style Mahogany Tripod Table Partially composed of older elements, the piecrust top tilting above a fluted and spiral-carved stem on acanthus-carved cabriole legs ending in claw-and-ball feet. Height 27 1/4 inches (69 cm), diameter 29 1/2 inches (75 cm).

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $700-900

262 George II Oak Dressing Table Second quarter 18th Century The rectangular top above a shaped apron with three small drawers, raised on cabriole legs.

Height 28 1/2 inches (72.5 cm), width 32 1/4 inches (82 cm), depth 19 1/4 inches (49 cm).

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $300-500 263 Pair of George II Mahogany Open Armchairs Mid 18th century Each molded crest with upturned ears, above a pierced urn-form splat, over a slip seat, raised on cabriole legs.

C Property from the Estate of Leonard and Elaine Silverstein, Bethesda, MD $700-900 264 Set of Six Irish George III Style Mahogany Dining Side Chairs Each shell-carved toprail above a pierced interlaced and fretwork-carved backsplat, raised on fluted square legs. Height 37 inches (94 cm), width 22 1/2 inches (57.1 cm), depth 17 1/2 inches (44.5 cm).

C $1,500-2,500

265

265 Irish George III Style Oval Mirror 19th Century The oval plate within aqua blue and white glass and parcel-gilt border and a metal frame.

Height 33 3/4 inches (85.7 cm), width 25 inches (63.5 cm).

C Property of Susan Weber $2,000-3,000 See Illustration 266 Pair of George IV Mahogany Hall Chairs Circa 1820 Each with molded laurel wreath-carved oval backrest above a bowfronted seat and raised on spiral-carved legs ending in turned feet.

Height 35 1/2 inches (90.2 cm), width 18 inches (45.8 cm), depth 17 inches (43.2 cm).

Provenance: Hyde Park Antiques, New York.

C Property of Susan Weber $2,500-3,500 See Illustration

266 56

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267 Victorian Mahogany Three-Tier Etagère Third quarter 19th century Each rectangular shelf between baluster-turned stiles ending in caster. Height 46 inches (116.9 cm), width 54 1/4 inches (137.8 cm), depth 20 inches (50.8 cm).

C Property of Susan Weber $2,000-3,000

268 George II Style Mahogany Open Armchair The serpentine toprail above an interlaced and ogee-arched pierced backsplat and leather-upholstered drop-in seat flanked by shaped armrests on foliate-carved supports and raised on cabochon-carved cabriole legs ending in claw-and-ball feet.

Height 38 inches (96.5 cm), width 30 1/2 inches (76.2 cm), depth 20 inches (50.8 cm).

C $1,000-1,500 269 George III Sabicu, Mahogany, Lacewood and Marquetry Cabinet The crossbanded rectangular top above a pair of molded crossbanded doors with roundel-inlaid corners and opening to an interior later fitted with shelves above a baize-lined sliding shelf, raised on tapering fluted legs. Height 34 inches (86.4 cm), width 43 1/4 inches (109.8 cm), depth 22 1/4 inches (56.5 cm).

C $1,500-2,500

270 George III Mahogany Pedestal Partners’ Desk The leather-lined rectangular top above three frieze drawers on each side, each paneled pedestal fitted with three drawers opposed by cupboard doors, the molded plinth on casters. Height 32 inches (81.2 cm), width 71 1/4 inches (181 cm), depth 40 1/4 inches (102.2 cm).

Provenance: J. Paul Getty Museum (according to certificate supplied by Prides of London, Ltd. and dated December 7, 1978).

C $8,000-12,000 See Illustration 271 Pair of George III Style Giltwood Mirrors Partially compsed of older elements Each oval mirror plate within a gadrooned and beaded frame surmounted by pierced husk-swagged anthemion cresting and a pierced foliate-carved apron. Height 55 inches (139.7 cm), width 24 inches (61 cm).

C $1,000-1,500 See Illustration 271

270

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272 Pair of George III Style Leather-Upholstered Mahogany Bergères Each padded rectangular backrest and sides with nailhead trim within a molded frame centering a tufted loose-cushioned seat, raised on tapering square legs ending in spade feet and casters. Height of backrest 34 inches (86.4 cm), width 22 inches (55.8 cm), height of seat 17 inches (43.2 cm), width 22 inches (55.9 cm), depth 21 inches (53.3 cm), width overall 25 inches (63.5 cm).

C $1,500-2,500 See Illustration 272

273 George III Inlaid Satinwood and Mahogany Bookcase Cabinet Circa 1780 In two parts, the upper section with molded serpentine cornice above a pair of conforming glazed doors opening to shelves, the projecting lower section with a pair of oval-inlaid doors and raised on a molded plinth.

Height 7 feet 4 1/2 inches (224.8 cm), width 44 inches (111.8 cm), depth 15 inches (38.1 cm).

Provenance: With Kentshire Galleries, New York.

C $3,000-5,000 See Illustration 274 George III Satinwood and Mahogany Sideboard The crossbanded bowfronted top above a frieze drawer and shaped recess flanked by deep drawers, raised on tapering square legs ending in spade feet.

Height 35 1/2 inches (90. cm), width 53 1/2 inches (135.9 cm), depth 25 1/2 inches (64.8 cm).

C $700-1,000

273 58

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275 George III Inlaid Mahogany Sideboard Last quarter 18th century The serpentine top above a frieze drawer over an arched recess flanked by a deep drawer and two drawers and raised on tapering square legs. Height 37 1/2 inches (95.3 cm), width 66 1/4 inches (168.9 cm), depth 27 1/4 inches (69.2 cm).

• $1,200-1,800

276 George III Inlaid Mahogany Pembroke Table Last quarter 18th century The shell-inlaid crossbanded top above a frieze drawer, raised on tapering square legs ending in casters, Height 28 1/2 inches (72.4 cm), width 26 1/2 inches (67.3 cm), extended width 47 inches (119.4 cm), depth 36 inches (91.5 cm).

C Property of a New York Private Collector $400-600 277 George III Style Green-Painted and Marble Top Table The rectangular marble top with outset square corners above a frieze drawer mounted with basaltware oval plaques depicting classical figures and putti, raised on beaded tapering rope twist-carved square legs. Height 34 3/4 inches (88 cm), width 44 1/4 inches (113 cm), depth 21 3/4 inches (55 cm).

C Property from the Estate of an Upper East Side Collector $800-1,200 278 Pair of George III Style Giltwood Two-Light Girandoles Each with oval mirrored backplate within oak leaves and acorns, surmounted by a flowered cresting and issuing two scrolling candle arms from a mirrored three-part faceted platform above oak leaves.

Height 33 inches (83.8 cm), width 15 inches (38.2 cm).

C $1,200-1,800

279

279 Pair of Regency Mahogany, Satinwood, Tulipwood, Painted, Parcel-Gilt and Gilt-Metal Cabinets Early 19th century Each crossbanded rectangular top above a pair of grille-inset and silk-lined doors opening to adjustable shelves flanked by turned and spiral-carved stiles continuing to toupie feet; each backboard with partial label and inked inscription: ‘Octagon Room right of big window’ and ‘Octagon Room left of big window’. Height 36 1/2 inches (92.7 cm), width 41 1/2 inches (105.4 cm), depth 13 3/4 inches (35 cm).

C Property of Susan Weber $5,000-7,000 See Illustration 280 Pair of Regency Mahogany Window Seats Each loose-cushioned rectangular seat with reeded apron raised on sabre legs headed by roundels. Height with cushion 19 1/2 inches (49.5 cm), width 38 1/2 inches (98 cm), depth 11 1/2 inches (29.2 cm).

281 Pair of Regency Ebonized, Polychrome-Decorated and Parcel-Gilt Side Chairs Early 19th century Each back with inset square panel depicting putti and allegorical female figures playing musical instruments above a bowfronted caned seat raised on splayed sabre legs joined by stretchers, the toprail and stiles with stenciled neoclassical motifs.

Height 32 1/2 inches (83.5 cm), width 19 1/2 inches (49.5 cm), depth 16 3/4 inches (42.5 cm).

Cf. an armchair from the Collection of Edward Hudson, the noted English furniture collector, ‘with decoration in Pompeian style’, almost certainly from the same set, Macquoid and Edwards, The Dictionary of English Furniture, 1983, rev. ed., vol. I, p.

309, fig. 272.

C Property from the Estate of an Upper East Side Collector $400-600

282 George III Harewood and Rosewood Marquetry Pembroke Table The rectangular top with bowed ends and inlaid with a scrolling flower within a cartouche, the serpentine flaps similarly inlaid, raised on tapering square legs; underside of drawer with white-stenciled number ‘2611’, underside of side rail stamped ‘MADE IN ENGLAND’ twice. Height 27 inches (68.6 cm), width 18 1/4 inches (46.4 cm), extended width 32 1/2 inches (82.6 cm), depth 26 inches (66 cm).

C $600-800 283 George III Style Glass and Gilt-Metal Mounted Hall Lantern 19th Century Of bell form suspended by three chains, with leaf tip-cast rim and now drilled with three lights. Height 37 inches (94 cm), diameter 13 inches (33 cm).

C $500-700

Provenance: Ariane Dandois, Paris.

C $1,500-2,500

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284 George II Mahogany Library Armchair Circa 1755 The padded rectangular back and seat flanked by arms on downswept supports carved with scrolling acanthus and ruffles, raised on similarly carved and channeled cabriole legs, the sides of the cabriole back legs also carved and ending in bun feet, with sunk casters.

Height 39 inches (99 cm), width 27 1/2 inches (69.8 cm), depth 22 inches (55.8 cm).

A mahogany armchair with closely-related carved legs is illustrated, R. W. Symonds, Furniture Making in Seventeenth and Eighteenth Century England, 1955, p. 100, pl. 146, and was sold subsequently, Christie’s, London, The Moller Collection from Thorncombe Park, Surrey, November 18, 1993, lot 48. A set of six walnut side chairs with very similar backrest and carving to the legs as the Moller armchair is illustrated, Mallett Handbook, 1995, pp. 14-15.

C $2,000-3,000 See Illustration 284

285 George II Style Mahogany Library Armchair The padded serpentine back and serpentine seat with shaped cabochon-carved seatrail and flanked by padded armrests, raised on cabriole legs with similarly carved knees and ending in scrolled feet. Height 39 inches (99 cm), width 29 inches (73.7 cm), depth 22 inches (55.9 cm).

C $700-1,000 286 George II Walnut and Parcel-Gilt Mirror Circa 1735 The beveled rectangular mirror plate within a gilt slip and surmounted by a scrolled pediment centered by a cartouche, the sides with pendent leaves, the serpentine apron with rosettes. Height 56 3/4 inches (144.3 cm), width 31 1/2 inches (80 cm).

C $1,000-2,000

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287 Continental Chinoserie-Decorated Painted Canvas Three-Panel Screen With arched central panel flanked by shaped panel, each decorated with Chinoiserie figures at various pursuits. Height 67 inches (170.2 cm), width (extended) 70 inches (177.8 cm).

C $1,000-1,500 288 George III Mahogany Tea Table The crossbanded rectangular top with fretwork gallery above a plain frieze with molded edge, raised on tapering square legs ending in spade feet. Height 30 inches (77.5 cm, width 31 1/2 inches (80 cm), depth 21 1/2 inches (54.7 cm).

C $800-1,200

289 Queen Anne Burr and Figured Walnut Chest on Stand The crossbanded and featherbanded rectangular top above two short and three long drawers, on a waisted and molded stand with one long drawer over a double-arched apron on ball feet. Height 45 inches (114.3 cm), width 41 1/4 inches (104.8 cm), depth 24 inches (61 cm).

C $2,000-4,000 290 George II Walnut Wing Armchair The padded rectangular back with shaped wings and outscrolled arms above a padded seat rail, raised on lappet-carved cabriole legs joined by stretchers and ending in pad feet.

C $1,000-1,500

291 George III Mahogany Bookcase Cabinet Circa 1760 The scrolling pediment centered by a platform above a pair of diamond-mullioned glazed doors opening to adjustable shelves, the waisted lower section with a pair of cupboard doors with serpentine flowerhead and ribbon-carved molding, the corners with acanthus clasps, opening to shelves, raised on a molded plinth base and bracket feet; the back and underside with red wash, the bracket feet with laminated blocks. Height 8 feet 2 inches (249 cm), width 61 inches (155 cm), depth 18 inches (45.8 cm)..

C $6,000-8,000 See Illustration 292 George II Style Upholstered Walnut Wing Armchair In the style of Giles Grendey The tall rectangular back with wings and outscrolled arms, above a loose-cushioned seat, raised on acanthus- and shell-carved cabriole legs ending in scrolled feet, with cabriole back legs. Height 48 1/2 inches (123.3 cm), width 30 1/2 inches (77.5 cm), depth 19 inches (48.3 cm).

C $1,200-1,800

291

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293 Pair of Chinese Export Armorial Porcelain Candlesticks Made for the Spanish market, circa 1790 Each with a knopped stem painted with foliage and garlands and the arms of Astequieta, on a scalloped and domed base.

Height 8 1/4 inches (21 cm).

C $3,000-4,000 See Illustration

293

294 Set of Four Continental Embossed Paper Watercolor Pictures 18th Century Each painted with scenes from Aesop’s Fables, depicting a lion and eagle; wolf, bird and fox; bird, leopard and pig; and a stag and hound. Height of each 12 inches (30.5 cm), width 16 inches (40.7 cm).

C $1,000-1,500 295 Royal Copenhagen Porcelain Two-Handled Cachepot In the Flora Danica pattern, of ovoid form and decorated with morning glories. Height 7 inches (17.8 cm).

C $600-800 296 Chinese Export Painted and Parcel-Gilt Wood Figure of a European Merchant 18th/19th century The standing figure wearing a tricorn hat and holding a walking stick.

Height 18 1/2 inches (47 cm).

C $2,000-3,000 See Illustration 297 Pair of Chinese Famille Rose Gravy Boats 19th Century Each decorated with flowers.

Length 8 1/2 inches (21.6 cm).

C Property from the Estate of an Upper East Side Collector $600-800 298 Pair of Chinese Enamel-Decorated Vases Each of baluster form, decorated on one side with warriors, the other side with exotic birds; now drilled for electricity and with stained wood top and base.

Height of vase 14 inches (35.6 cm).

C $1,000-1,500

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299 Chinese Famille Rose Enamel-Decorated and Parcel-Gilt Porcelain Footed Dish First half 19th century Of shaped form, decorated with ears of corn, fruit, plants, flowers, butterflies and insects and centered by a basket of flowers, on a shaped foot. Height 4 inches (10.2 cm), width 15 1/2 inches (30.4 cm).

Provenance: Elinor Gordon, Villanova, Pa. • $1,000-1,500 300 Chinese Famille Rose Platter Mid-18th century With parrot and shell decoration and a central cypher en grisaille.

Length 16 1/2 inches (41.9 cm).

• $600-800 301 Pair of Red Lacquer, Parcel-Gilt and Bronze Two-Tier Etagères Each rectangular shelf with scrolling foliage and exotic birds between rounded stiles with X-form sides.

Height 27 3/4 inches (70.5 cm), width 25 inches (63.5 cm), depth 13 inches (33 cm).

C $1,200-1,800 302 Floral-Decorated and Painted Beechwood Armchair The U-form top rail and serpentine slat above a caned high seat, raised on straight legs joined by stretchers, the underside of the the back rail stamped 04482.

Height 36 1/2 inches (92.8 cm), width 26 inches (66 cm), depth 18 1/2 inches (47 cm).

C Property of a Park Avenue Lady $400-600

303 George III Inlaid Satinwood Tall Chest of Drawers Circa 1780 The crossbanded rectangular top above five graduated drawers, the bottom drawer with shaped apron and raised on flaring squared feet; the top drawer with small oval brass plaque with an embossed L; with short grain kickers and chamfered drawer stops, the back with label and inked inscription ‘Lord Leigh’.

Height 42 inches (106.6 cm), width 31 inches (78.8 cm), depth 15 inches (38.2 cm).

The label with inked inscription could possibly refer to Lord Leigh of Stoneleigh Abbey, Warwickshire.

C $3,000-5,000 See Illustration 304 Pair of George III Style Giltwood Two-Light Girandoles Late 19th century, by E. L. Hill of Bath Each with three mirror plates within a pierced foliate-scrolled frame suspended by a bow-tied ribbon, the apron with scrolled candle arms, now electrified; each backboard with printed label: E.L. HILL,/ORNAMENTAL GILDER, ARTISTIC,/AND GENERAL FRAME MAKER,/ PICTURE CLEANER, LINER,/AND RESTORER,/ 4 WOOD STREET, (QUEEN SQUARE),/ BATH/Pictures Bought, Sold or Exchanged.

Height 47 inches (119.4 cm), width 20 1/2 inches (52 cm).

Provenance: Vernay & Jussel, Inc., New York.

Christie’s, New York, January 24-26, 2001, lot 346.

C Property from a Park Avenue Apartment $2,500-3,500 305 George III Style Mahogany Bracket Clock The case with caddy top, brass handle and four urn finials above an arched door with fret panels, three-train fusee movement, quarter chiming on eight bells with hour strike on a further large bell, anchor escapement, Chime/Silent in the arch, name cartouche signed Rich Grove London, the backplate engraved with scrolling foliage and flowerheads.

Height 18 1/2 inches (47 cm).

C $1,200-1,800 306 English Porcelain Dessert Service 19th Century Comprising a teapot, creamer, covered sugar, waste bowl, two serving plates and twenty cups and saucers, each painted with flowers on a cobalt ground.

Height of teapot 10 1/2 inches (26 cm).

C $300-500

303

307 Pair of Rock Crystal and Gilt-Metal Mounted Table Lamps Each of columnar form on a square base.

Height 26 inches (66 cm), height overall 41 inches (104.2 cm).

C $1,000-2,000 308 George IV Mahogany and Parcel-Gilt Occasional Table Circa 1825 The rectangular top with gadrooned edge above a flaring reeded and acanthus-carved stem on a tripartite plinth raised on scrolled feet. Height 29 inches (73.7 cm), width 30 inches (76.2 cm), depth 19 inches (48.2 cm).

C Property of a Private Collector, New York $1,200-1,800

309 George IV Rosewood and Gilt-Metal-Mounted Center Table First quarter 19th century The rectangular top above two frieze drawers opposed by dummy drawers, the ring-turned trestle base on rectangular plinths joined by a stretcher and raised on foliate-cast paw feet, on casters.

Height 29 3/4 inches (75.5 cm), width 38 inches (96.5 cm), depth 25 1/4 inches (64 cm).

Provenance: Hyde Park Antiques Ltd., New York.

C Property of a Private Collector, New York $2,500-3,500

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312

310 George IV Rosewood Four-Tier Etagère Circa 1820 Each rectangular shelf between turned stiles, the bottom shelf with frieze drawer, on casters.

Height 50 inches (127 cm), width 18 inches (45.7 cm), depth 15 3/4 inches (40 cm).

C Property of a Private Collector, New York $2,000-3,000

311 Pair of Regency Mahogany Leather-Upholstered Side Chairs In the manner of Gillow, circa 1815 Each padded back and loose-cushioned seat raised on reeded tapering legs. Height 33 inches (83.9 cm), width 22 inches (55.9 cm), depth 19 inches (48.2 cm).

C Property of a Private Collector, New York $800-1,200

312 George IV Mahogany and Leather-Upholstered Sofa Circa 1825, possibly Irish The tufted back, sides and loose-cushioned seat within a reeded frame, the scrolled handholds on spiral-carved flaring supports continuing to similarly turned tapering legs, on casters, one stamped ‘COPE COLLINSON PATENT.’ Height 75 1/2 inches (90.2 cm), 74 1/2 inches (189.3 cm), depth 19 inches (48.3 cm).

C Property of a Private Collector, New York $4,000-6,000 See Illustration 313 Pair of Irish Regency Mahogany Hall Chairs Circa 1815 Each molded quatrefoil back centered by a roundel and fitted with brass loop handle, raised on line-incised sabre legs.

Height 36 inches (91.5 cm), width 16 1/4 inches (41.2 cm), depth 14 3/4 inches (37.5 cm).

Cf. a similar pair of Irish Regency mahogany hall chairs, Christie’s, London, Glin Castle A Knight in Ireland,, May 7, 2009, lot 1, supplied to John Fraunceis FitzGerald for Glin Castle, Co. Limerick, Ireland, following his marriage in 1812 and thence by descent, the roundels painted with the FitzGerald arms; (J. O’Brien and D. Guinness, Great Irish Houses and Castles, London, 1992, p. 150). Two similar pairs, without handles, were sold, Christie’s, London, March 10, 2005, lots 256 and 257.

C Property of a Private Collector, New York $1,200-1,800 See Illustration

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316

314 Pair of William IV Rosewood Bergères Second quarter 19th century Each spoon back and seat flanked by scrolled armrests and raised on turned legs ending in casters. Height 40 1/2 inches (102.9 cm), width 27 inches (68.6 cm), depth 22 inches (55.9 cm).

C Property of a Private Collector, New York $3,000-5,000 315 Pair of Continental 16-inch Terrestrial and Celestial Table Globes Each ebonized stand with turned supports.

Diameter (approximately) 16 inches (40.7 cm).

C Property of a Private Collector, New York $2,000-3,000

318 Assembled Pair of William IV Rosewood and Rosewood-Grained Open Armchairs Second quarter 19th century One rosewood, the second rosewood-grained, each padded arched backrest above a bowfronted seat flanked by padded arms with foliate-carved scrolling handholds, raised on tapering legs with reeded collars, on casters stamped COPES PATENT. Height 37 1/2 inches (95.3 cm), width 23 inches (58.5 cm), depth 21 inches (53.4 cm).

C Property of a Private Collector, New York $2,000-3,000

319 William IV Style Walnut Occasional Table The octagonal top above a reeded baluster stem on a tripartite plinth. Height 25 inches (63.5 cm), diameter 25 1/2 inches (65 cm).

C Property of a Private Collector, New York $800-1,200

316 Set of Four Regency Style Inlaid Mahogany Window Seats designed by Jed Johnson Each loose-cushioned rectangular seat flanked by rounded stiles joined by stretchers continuing to ring-turned tapering legs.

Height 23 inches (58.5 cm), width 37 1/4 inches (94.5 cm), depth 18 1/2 inches (47 m).

C Property of a Private Collector, New York $2,500-3,500 See Illustration 317 Pair of William IV Style Mahogany Double-Sided Standing Bookshelves designed by Jed Johnson Each rectangular top above adjustable shelves flanked by reeded and ring-turned stiles, the sides paneled, raised on reeded bun feet. Height 54 3/4 inches (139 cm), width 66 inches (176.6 cm), depth 30 inches (76.2 cm).

C Property of a Private Collector, New York $3,000-5,000 See Illustration of Part

317 one of a pair

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321

320 Pair of George IV Style Mahogany Bergères Each backscrolled toprail above a padded back and sides, raised on tapering reeded legs.

Height 36 1/2 inches (92.7 cm), width 23 inches (58.5 cm), depth 20 inches (50.8 cm).

C Property of a Private Collector, New York $1,200-1,800 321 Pair of George IV Style Rosewood and Specimen Marble Occasional Tables The specimen tops 19th century, each marble-inset octagonal top with bobbin-turned edge raised on a flaring hexagonal stem, the tripartite plinth on scrolled feet.

Height 28 1/2 inches (72.4 cm), width (square) 18 1/4 inches (46.3 cm).

C Property of a Private Collector, New York $8,000-12,000 See Illustration

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322 Pair of Continental Marble Obelisks Height 27 3/4 inches (70.6 cm).

C Property of a Private Collector, New York $2,000-3,000 See Illustration 323 George IV Rosewood Sofa

by Gillows Second quarter 19th century the padded rounded back and arms with acanthus-carved scrolling fronts and raised on foliate-carved circular legs with reeded feet; the back rail with penciled inscription: ort 1927.

Height 35 1/12 inches (90.2 cm), length 96 inches (244 cm), depth 25 inches (63.5 cm).

Provenance: By repute, Lady le Fleming, Rydal Hall, Cumbria.

C Property of a Private Collector, New York $4,000-6,000 See Illustration Next Page

323

324 Pair of George IV Mahogany Torchères Each dished circular top above a lotus-carved and reeded stem on a tripartite plinth, on bun feet.

Height 28 1/2 inches (17.5 cm), diameter of top 8 1/2 inches (21.5 cm), diameter of plinth 13 1/2 inches (34.5 cm).

C Property of a Private Collector, New York $5,000-7,000 325 Set of Twenty George IV Style Mahogany and Leather-Upholstered Dining Chairs Including four armchairs, each armchair with tufted back and seat flanked by padded armrests on flaring reeded supports and raised on reeded tapering legs.

C Property of a Private Collector, New York $5,000-7,000 See Illustration of Part

325 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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326

326 George IV Burr Elmwood and Oak Center Table Circa 1825 The line-inlaid top tilting above a foliate-carved baluster standard with gadrooned collar on a tripartite plinth, raised on scrolled paw feet, on casters.

Height 29 1/2 inches (75 cm), diameter 60 inches (153.7 cm).

C Property of a Private Collector, New York $2,500-3,500 See Illustration 327 Pair of Victorian Upholstered Walnut Armchairs by Holland & Sons Third quarter 19th century Each tufted spoonback continuing to padded arms with scroll-carved handholds on fluted supports above a molded serpentine seat on tapering fluted legs headed by foliate-carved collars and ending in casters stamped ‘COPES PATENT’; both back rails stamped ‘HOLLAND & SONS’, one also stamped ‘J. OSBO . . .’, stamps partially obscured. Height 36 1/4 inches (92 cm), width 26 inches (66 cm), depth 19 inches (49.3 cm).

C Property of a Private Collector, New York $1,500-2,500

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328 Pair of George IV Style Rosewood and Brass-Inlaid Marquetry Occasional Tables Each octagonal top with foliate brass-inlaid border and rotating above a scrolling flaring standard on a tripartite plinth, on scrolling brass feet. Height 20 3/4 inches (51.5 cm), diameter 18 1/4 inches (46.5 cm).

C Property of a Private Collector, New York $1,500-2,500 329 Pair of Hardwood Occasional Tables Mid-19th century, possibly Colonial Each square top with leaf-carved edge above a bead-and-reel molding, the flaring foliate-carved stem with lotus base, the quadripartite plinth on scrolled feet, on casters. Height 29 inches (73.7 cm), width (square) 20 3/4 inches (52.7 cm).

C Property of a Private Collector, New York $3,000-5,000 330 George IV Brass-Inlaid Rosewood Occasional Table Second quarter 19th century The rectangular top with foliate brass-inlaid border and beaded edge, tilting above a baluster stem, the tripartitie plinth on acanthus-carved scrolled feet.

Height 29 inches (73.7 cm), width 22 1/4 inches (56.6 cm), depth 18 inches (45.7 cm).

C Property of a Private Collector, New York $2,000-4,000

331 George IV Rosewood Center Table

by T. & G. Seddon Circa 1820 The rectangular top above a cushion-molded frieze, the scrolled trestle supports joined by a platform stretcher, raised on scrolling paw feet, on sunk casters. Height 29 1/4 inches (74.5 cm), width 48 inches (122 cm), depth 25 1/4 inches (64 cm).

Cf. a similar center table, C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, p. 413, fig. 819; also a similar writing table, Christie’s, London, April 24, 2008, lot 18. The brothers T. & G. Seddon, descendents of the well-known London cabinetmaker George Seddon, established their firm in 1815. Originally based at the two-acre family premises on Aldersgate Street, London, the firm later moved to Gray’s Inn Road.

C Property of a Private Collector, New York $3,000-5,000 See Illustration Next Page

332 Regency Rosewood and Marquetry Ormolu-Mounted Side Cabinet In the manner of George Bullock, circa 1820 The reverse-breakfronted top above a conforming case with bead-and-reel-molded frieze and a pair of grille-inset doors opening to a shelf and flanked by flaring columns with pierced capitals, arched panels inlaid with neoclassical bacchantes on scolling supports and columns, the sides with cupboard doors, on a conforming plinth; the top formerly fitted with a backboard.

Height 34 1/4 inches (87 cm), width 80 inches (203.2 cm), depth 16 3/4 inches (42.6 cm).

The marquetry designs for the doors are based on reliefs by Bartolomeo Cavaceppi (1716-1799) in the collection of Bullock’s patron Henry Blundell at Ince Blundell Hall, Lancashire. A related drawing by Bullock of a female figure with billowing robes is found in the Wilkinson Tracings, City Museums and Art Galleries, Birmingham; see Levy, M., (1990). ‘George Bullock: Aspects of His Development and Influence’, Antologia di Belle Arti, Il Neoclassicsmo, nn. 35-36-37-38., pp. 67-74, figs. 2 and 3. For cabinets with similar marquetry panels to the doors, see Christie’s, London, September 4, 1987, lot 121 and Phillips, Leeds, July 25, 1990, lot 65.

C Property of a Private Collector, New York $4,000-6,000 See Illustration

331

333 [BINDINGS] BOSWELL, JAMES. The Works of Samuel Johnson.

London: Pickering, 1825. 11 (of possible 12) volumes. Three quarters polished brown morocco gilt, the spines tooled in gilt and with gilt lettering, the top edge gilt. 9 x 5 1/2 inches. Slight fade to spine, a few nicks, bookplate, fine overall.

C Property of a Private Collector, New York $400-600

334 [BINDINGS] MOORE, GEORGE. Works.

New York: Boni & Liveright, 1922. One of 1000 numbered sets signed by Moore.

21 volumes. Three quarters brown morocco gilt. 9 x 5 1/2 inches.

Most volumes rebacked and one board detached, some wear to blank and half title in volume 1.

C Property of a Private Collector, New York $400-600

332 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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338 George II Brass-Inlaid Walnut Bureau Cabinet Second quarter 18th century Possibly German The upper section with arched molded cornice above a pair of mirrored doors opening to an interior fitted with valenced pigeonholes over folio slides centered by a shaped shelved recess flanked by stop-fluted columnar drawers and secret drawers, all over small drawers, the fall front opening to a leather-lined writing surface and small and long drawers above three drawers over three long graduated drawers, on bracket feet. Height 85 inches (216 cm), width 41 inches (104.2 cm), depth 22 3/4 inches (57.8 cm).

C Property of a Private Collector, New York $6,000-8,000 See Illustration

337

335 [BINDINGS] FISKE, JOHN. Works. Cambridge: Riverside Press, 1892.

One of 1000 sets. Three quarters blue morocco over marbled boards by Bayntun, the spines tooled and lettered in gilt, the top edge gilt. 9 x 6 inches. A few boards detached, some wear to spine tips and other light wear.

C Property of a Private Collector, New York $300-500 336 [BINDINGS] The British Essayists. London: 1827 and after. 30 volumes.

Three quarters tan morocco gilt, the spines with raised bands and red lettering labels. 7 x 4 1/2 inches.

Spines darkened and with some wear to joints, a few lettering labels replaced.

C Property of a Private Collector, New York $200-300 337 William and Mary Olivewood, Figured Walnut and Parquetry Chest of Drawers Late 17th century The crossbanded rectangular top centered by a roundel above two short over three long graduated drawers, the sides inlaid with ovals, raised on bun feet.

Height 31 1/2 inches (80 cm), width 38 inches (96.5 cm), depth 23 inches (58.4 cm).

Provenance: Hyde Park Antiques Ltd., New York.

C Property of a Private Collector, New York $3,000-5,000 See Illustration

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339 George III Mahogany Secretaire-Cabinet on Stand attributed to Thomas Chippendale circa 1770 Of breakfront form, the scrolled pediment with later fretwork panels, centered and flanked by urn finials, the center section fitted with a pair of glazed doors and patera-mounted corners, opening to later glass shelves and flanked by similar doors also opening to shelves, the projecting lower section fitted with a central frieze drawer opening to a leather slide and flanked by drawers, raised on husk-carved tapering square legs headed by paterae and ending in block feet. Height 89 inches (226 cm), width 62 inches (157.5 cm), depth 26 inches (66 cm).

Provenance: Stair & Co., Inc., New York.

Sold, Parke-Bernet Galleries, The Walter P. Chrysler Jr. Collection, April 29, 1960, lot 147.

Partridge (Fine Arts) Ltd., London.

Sold, Sotheby’s, New York, April 12-13, 1996, lot 488.

Purchased from the above sale by the present owner.

C Property of a Private Collector, New York $40,000-60,000 See Illustration 339 This secretaire-cabinet exhibits characteristics found in Thomas Chippendale’s designs in The Gentleman and Cabinet-Maker’s Director, 1762, for ‘A China Case,’ pl. CXXXVI, ‘A Lady’s Writing Table & Bookcase,’ pl. CXVI, and a ‘Library Bookcase,’ pl. XCV. The present cabinet is similar in outline to the design for the ‘China Case.: of breakfront form, the cornice with finials and fitted with glazed doors.

However, unlike the present lot, the ‘China Case’ is in the Chinese taste, with a pagoda cresting, fretwork glazing bars to the doors and blind fret-carved square legs. The present cabinet shares more elements with Chippendale’s design for ‘A Lady’s Writing Table & Bookcase,’ whose ‘upper Doors are intended for glass,’ and a center drawer, ‘which hath a Slider covered with a green Cloth, or Spanish leather,’ op. cit., p. 14. This design, illustrated in the Director, is an example of Chippendale’s

burgeoning interest in the neo-classical style.

Although Chippendale incorporates remnants of ‘Chinese,’ ‘Gothick’ and rococo taste in the 1762 edition of the Director, he is starting to use newly-popular ‘Antique’ elements.

These motifs were advocated by the architect Robert Adam, self-named ‘Bob the Roman,’ who had spent almost four years on the Grand Tour studying Roman architecture and incorporated elements of Roman design into his work. Adam worked with Chippendale most notably at Harewood House and his influence is seen on the present lot in Chippendale’s use of urn-from finials and panels with patera-mounted inset corners to the flanking cabinets, tapering square legs carved with husks and block feet.

This cabinet is firmly rooted in neo-classical design both in form and its use of simplified decoration with motifs derived from ‘Antique’ or classical sources. Cf. two related examples: Christie’s, London, The Samuel Messer Collection, December 5, 1991, lot 128, sold again, Christie’s, New York, October 23, 2002, lot 29; another, Christie’s, New York, October 12, 1990, lot 173, formerly in the Collection of Mr. and Mrs. Jack Warner.

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340 George III Painted and Parcel-Gilt Window Seat In the manner of François Hervé, circa 1785 The bowfronted seat flanked by outscrolled padded sides, the seat rail centered by a drop-down panel with an oval patera flanked by foliage, and raised on tapering fluted legs headed by flowerheads; the underside with partial label and inked inscription Robert S. .... Height 26 inches (66 cm), width 44 inches (111.7 cm), depth 18 inches (45.7 cm).

340

An attribution for the present window seat to François Hervé is based on ‘the documented pieces at Chatsworth where [Hervé’s style] can be seen as a light, elegant and adroit mixture of English and French detail’, (Beard and Gilbert, Dictionary of English Furniture Makers 1660-1840, Leeds, 1986, pp. 423-424). Ivan Hall, op. cit., describes Hervé’s style as embodying ‘certain distinctive features, among them the stepping down of the seat rails at their junction with the legs, a sensible constructional device that retained the slender elegance of the seat rails while providing a stronger joint at the leg junctions. The top-most part of the leg is frequently a quadrant in plan, sometimes overlaid with a patera or a half patera of radiating petals . . . the leg below the seat frame often has a turned necking band deeper that that found upon wholly English chairs’. These characteristics are found on the present window seat.

C Property of a Private Collector, Greenwich, Connecticut $1,500-2,500 See Illustration 341 Continental Neoclassical Painted and Parcel-Gilt Pier Mirror Late 18th century The arched divided mirror plate within a perspectival frame with trompe l’oeil coffered arch above flanking engaged pilasters. Height 94 inches (238.8 cm), width 54 1/2 inches (138.5 cm).

C Property of a Private Collector, Greenwich, Connecticut $3,000-5,000 See Illustration 342 George IV Rosewood and Needlework-Upholstered X-form Bench Circa 1820 The floral needlework rectangular drop-in seat within a molded frame and raised on scrolling X-form legs joined by a turned stretcher.

Height 17 1/2 inches (44.5 cm), width 33 1/4 inches (84.5 cm), depth 26 1/2 inches (67.5 cm).

C Property of a Private Collector, Greenwich, Connecticut $1,200-1,800 343 George III Style Satinwood and Mahogany Marquetry Low Table The oval top centered by a musical trophy within scrolling foliate borders, raised on splayed legs.

Height 19 3/4 inches (49 cm), width 34 3/4 inches (88 cm), depth 19 1/4 inches (49 cm).

C Property of a Private Collector, Greenwich, Connecticut $300-500

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344

344 Pair of George III Inlaid Amboyna, Kingwood and Polychrome-Decorated Games Tables Circa1780 Each hinged demi-lune top with scrolling floral border of poppies and opening to a baize-lined surface, the frieze centered by a panel with a displayed eagle, the tapering square legs headed by flower-decorated panels and ending in spade feet. 29 1/2 inches (74.9 cm), width 36 3/4 inches (93.4 cm), depth 17 3/4 inches (45.1 cm).

Provenance: Mallett at Bourdon House, London.

The highly figured amboyna tops have painted borders of scrolling poppies. Thomas Sheraton, in his Accompaniment to the Cabinet-Maker and Upholsterer’s Drawing-Book, 1793, pl. 3 illustrates ‘a variety of ornaments useful for learners to copy from, but particularly adapted to the cabinet and chair branches.’ Included are instructions for ‘japanning’ or painting and designs for ‘Borders for Pier Tables’, pl. 3, similar to those of the present tables.

C Property of a Private Collector, Greenwich, Connecticut $5,000-7,000 See Illustration 344 detail VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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345 Pair of George III Painted and Parcel-Gilt Side Chairs Late 18th century, in the manner of Henry Holland Each arched molded and padded crestrail above an arched padded backrest flanked by flaring fluted stiles above a bowed seat and raised on tapering fluted legs.

Height 34 inches (86.3 cm), width 19 inches (48.3 cm), depth 17 inches (43.2 cm).

C Property of a Private Collector, Greenwich, Connecticut $700-1,000 See Illustration

345

346 Pair of George III Painted Armchairs in the manner of Mayhew and Ince Circa 1775 The padded shaped backrest carved with entrelac above a fluted serpentine seatrail flanked by padded armrests with square handholds on husk-carved supports, raised on reeded tapering legs headed by paterae; the seat rails with cramp-cuts and batten carrying holes.

Height 34 inches (86.4 cm), width 24 inches (61 cm), depth 18 inches (45.7 cm).

346

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Provenance: Stair and Co., New York.

Numerous characteristics of the London firm of Mayhew and Ince feature on the present pair of armchairs: the square handholds, downswept supports joining the seat rail at the top of the legs, cramp-cuts and batten carrying holes to the rails; cf. a related armchair, Sotheby’s, New York, October 18, 1997, lot 120, and a pair of armchairs, Christie’s, London, September 19, 2019, lot 33 C Property of a Private Collector, Greenwich, Connecticut $1,000-2,000 See Illustration

348

347 Set of Twelve Lebon Halley Paris Porcelain Dinner Plates 19th CenturyEach centered by a pink rose and rosebuds, the rim with meandering foliate and blue flowers and gilt edge. Diameter 8 3/8 inches (21.3 cm). Together with a Set of Eleven Continental Porcelain Dinner Plates Similarly decorated. Diameter 9 1/2 inches (24.2 cm).

C Property of a Private Collector, Greenwich, Connecticut $2,000-4,000

348 Pair of George III Style Giltwood Pier Mirrors In the style of Robert Adam, by Frederick P. Victoria Each divided arched mirrored top with husk swags above mirror plates divided by fluted pilasters; each back stamped FACSIMILE REPRODUCTION BY FREDERICK P. VICTORIA. Height 80 1/2 inches (204.5 cm), width 44 1/2 inches (113 cm).

C Property of a Private Collector, Greenwich, Connecticut $3,000-5,000 See Illustration

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352 detail

352 Pair of George III Satinwood, Tulipwood and Marquetry Pier Tables In the manner of Thomas Chippendale, circa 1775 Each semi-elliptical crossbanded top with a half-oval sunflower, pendent husks, palmettes and oval panels centered by whorled flowerheads, the frieze centered by an Antique male profile flanked by laurel swags suspended from flowerheads, raised on tapering square legs ending in spade feet. Height 36 1/2 inches (92.7 cm), width 44 1/2 inches (113 cm), depth 19 inches (48.3 cm).

The use of marquetry on the present pier tables shares affinities with the work of Thomas Chippendale and his son, Thomas Chippendale Junior. This includes the half-oval sunflower motif at the back of each top, palmettes, anthemia, pendent husks and whorled flowerheads within ovals. The husk swags on the frieze are very similar to a pair of pier tables made by Thomas Chippendale Junior for Denton Hall and now in the collection of The Chippendale Society; see Judith Goodison, The Life and Work of Thomas Chippendale Junior, 2017, p. 389, fig. 225; see also, a pair of commodes with swagged frieze supplied to William Constable for the drawing room of his London house, Mansfield Street, sold, Christie’s, London, July 9, 1992, lot 55. Interestingly, each frieze of the present tables is centered by an Antique profile portrait.

Etching by Thomas Chippendale Junior, 1779

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Chippendale’s use of these portraits is rarely found but can be seen on a pier table made in 1775 for the Yellow Drawing Room at Harewood House, which also features ‘Emblematic Heads’ of the Four Elements; see Adam Bowett and James Lomax, Thomas Chippendale 1718-1779: A Celebration of British Craftsmanship and Design, 2018, pp. 134-137, fig. 6.17, and also to the frieze of a pair of card tables at Newby Hall; see Christopher Gilbert, The Life and Work of Thomas Chippendale, 1978, vol. II, p. 223, fig. 408. An etching by Thomas Chippendale Junior, Sketches of Ornament, ‘Tho’ Chippendale JUNr., 1779, features a classical head within a roundel suspended from a bow-tied ribbon flanked by swagged husks and pendants, as is found at the center of each frieze of the present tables; see Goodison, op. cit., p. 38, fig. 15.

C Property of a Private Collector, Greenwich, Connecticut $20,000-30,000 See Illustration

352

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357

353 Italian Marble Top on Gilt Capitals The square top with sienna and statuary marble borders raised on two associated gilt Composite order capitals. Height 20 inches (50.8 cm), length 57 inches (144.8 cm), width 30 1/2 inches (77.5 cm).

C Property of a Private Collector, Greenwich, Connecticut $1,500-2,500 354 Continental Neoclassical Beechwood and Needlework Side Table The later glazed rectangular top with needlework-inset panel above a swagged drapery-carved frieze centered by tassels, raised on stop-fluted tapering legs joined by stretchers. Height 28 1.2 inches (72.3 cm), width 37 1/4 inches (94.7 cm), depth 22 1/4 inches (56.5 cm).

C Property of a Private Collector, Greenwich, Connecticut $1,000-1,500

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355 George III Style Mahogany Armchair The pierced back flanked by outscrolled armrests with birds’ head terminals and raised foliate-carved cabriole legs ending in claw-and-ball feet.

C Property of a Private Collector, Greenwich, Connecticut $800-1,200 356 George III 9-Inch Table Globe Wright’s New Improved Terrestrial Globe . . . with all the New Discoveries Made by the late CAPT. COOK . . ., Sold by W.& S. Jones, No. 30, Lower Holborn, London, on four ring-turned legs joined by stretchers. Diameter 9 inches (22.8 cm), overall height 13 inches (33 cm).

C Property of a Private Collector, Greenwich, Connecticut $1,000-1,500

357 Set of Four Biedermeier Inlaid Tulipwood and Needlework Side Chairs Circa 1825 Each arched backrest above a concave seat covered in 20th needlework panels depicting gardening, musical, sporting and farming trophies, the seat corners worked with the initials ‘PRP’ and the dates ‘1940, 1941, 1942, 1944’ respectively; one interior front rail with inked inscription to partail paper label: ‘Miss Alice Carson . . .Designs / worked by Mrs. Reed.’ Height 31 1/2 inches (80 cm), width 18 inches (45.7 cm), depth 13 inches (33 cm).

C Property of a Private Collector, Greenwich, Connecticut $800-1,200 See Illustration 358 Pair of Swedish Painted Commodes Each rectangular top with outset canted corners and dentiled edge above three drawers flanked by canted fluted stiles headed by paterae and continuing to tapering feet. Height 31 1/2 inches (80 cm), 33 1/4 inches (84.5 cm), depth 16 inches (40.6 cm).

C Property of a Private Collector, Greenwich, Connecticut $1,500-2,500

359 George III Satinwood and Marquetry Card Table In the manner of Thomas Chippendale, circa 1770 The hinged crossbanded rectangular top centered by an oval reserve inlaid with a spray of flowers, each corner inlaid with a scrolling acanthus leaf and opening to a leather-lined playing surface, the frieze and sides centered by bow-tied oval flowerhead paterae flanked by husk swags, the chamfered square legs with pendent husks, veneered on the reverse.

Height 28 inches (71.1 cm), width 39 inches (99 cm), depth 19 1/4 inches (48.9 cm).

The present table has marquetry found on much of the work of Chippendale, although the top is centered by an oval panel with a spray of flowers in the rococo taste, indicating a slightly earlier date of manufacture than the pier tables (lot 352). The pendent husks hung over flowerheads to the front and sides are similar to those of a bureau dressing table made by Chippendale in 1770 for Harewood House and now in the collection of the Victoria and Albert Museum, London; see Christopher Gilbert, The Life and Work of Thomas Chippendale, 1978, vol. II, pp. 234-5, fig. 430. See also a pair of commodes with swagged frieze supplied to William Constable for the drawing room of his London house, Mansfield Street, sold, Christie’s, London, July 9, 1992, lot 55 and a serving table with related marquetry, Christie’s, London, November 22, 2007, lot 689.

C Property of a Private Collector, Greenwich, Connecticut $2,500-3,500 See Illustration

359

360 George III Painted Window Seat Circa 1775 The serpentine-fronted seat flanked by outscrolled sides and raised on tapering ring-turned legs headed by fluted collars; later painted with berried vines.

Height 29 inches (73.7 cm), width 43 inches (40.8 cm), depth 16 inches (66 cm).

C Property of a Private Collector, Greenwich, Connecticut $1,000-1,500 361 George II Walnut and Parcel-Gilt Pier Mirror The beveled mirror plate within a gilt slip and surmounted by a scrolled broken pediment centered by a shell-carved cartouche, the sides with pendent drapery and tasseled swags, with a shaped apron.

Height 51 inches (129.6 cm), width 30 1/2 inches (77.5 cm).

C Property of a Private Collector, Greenwich, Connecticut $1,000-1,500 362 George III Painted and Parcel-Gilt Pier Table Circa 1780 The demilune top centered by a panel depicting putti resting on dolphins flanked by musical trohpies, all within a husk border, the beaded and fluted frieze carved with roundels, raised on tapering fluted legs headed by long leaves and joined by a concave platform stretcher decorated with a military trophy within a ribboned husk wreath, on turned feet.

Height 32 inches (81.2 cm), width 39 1/2 inches (99 cm), depth 20 inches (50.8 cm).

C Property of a Private Collector, Greenwich, Connecticut $2,000-3,000 See Illustration

362

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363

363 English Polychrome-Decorated and Parcel-Gilt Tôle Tray on Later Stand Possibly Pontypool and depicting Lismore Castle First half 19th century The rectangular top depicting a riverscape with ruins and a house on a hill with women washing clothes, a man with a house and cart, cows drinking in the water and grazing on an island in the background; the back with inscription: ‘Lismore Castle / property of the Duke of Devonshire’. 22 by 30 inches (55 by 76.2 cm), height 18 inches (45.7 cm).

Provenance: Partridge Fine Arts PLC, London.

C Property of a Private Collector, Greenwich, Connecticut $800-1,200 See Illustration

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364 Chinese Export Brown and Black Lacquer and Parcel-Gilt Four-Panel Screen 19th Century Depicting figures in exotic landscapes with pavilions, pagodas, terraces and riverscapes.

Height 79 1/2 inches (202 cm), width of each panel 22 inches (55.9 cm).

C Estate of Percy Rivington and Evelyn Sloane Pyne $1,000-1,500 365 Chinese Export Porcelain Armorial Partial Table Service Late 18th century Comprising a pair of octagonal plates, diameter 9 3/4 inches (24.8 cm); pair of covered sauce tureens; and an oblong dish; each decorated with trails of flowers on a white ground centering the arms of Blunt beneath an eye crest.

C Estate of Percy Rivington and Evelyn Sloane Pyne $1,000-2,000

366 Pair of Chinese Export Porcelain Armorial Dishes Late 18th century Each of oblong form, decorated with trails of flowers on a white ground, centering the arms of Jeafferson impaling Dayrell beneath a talbot’s head crest. Length 11 1/2 inches (29.3 cm); Together with a Chinese Export Porcelain Armorial Coffee Pot. Height 9 1/2 inches (24.1 cm).

C Estate of Percy Rivington and Evelyn Sloane Pyne $500-800 367 Indian School Early 20th century Workers in Various Pursuits and Servers in Various Pursuits: Pair of reverse paintings on glass. 14 1/4 by 20 1/4 inches.

C Estate of Percy Rivington and Evelyn Sloane Pyne $400-600

368 George III Style Inlaid Mahogany and Marquetry Secretaire Bookcase The upper section with oval-mullioned glazed doors opening to shelves, the lower section with a secretaire drawer above cupboard doors opening to drawers, flanked by cupboard doors, raised on tapering square legs; the drawer and doors inlaid with husk wreaths. Height 102 inches (259 cm), width 72 inches (182.9 cm), depth 21 inches (53.3 cm).

C Estate of Percy Rivington and Evelyn Sloane Pyne $2,500-3,500 See Illustration 369 Pair of Chinese Export Reverse-Painted Mirror Paintings Second half 18th century One depicting a maiden on a boat in an exotic riverscape, the other of a maiden with sheep (numerous cracks and losses), each within a mahogany frame with a gilt shell and slip; once doors to a cabinet. Height 30 1/4 inches (76.8 cm), width 23 1/2 inches (59.8 cm).

C Estate of Percy Rivington and Evelyn Sloane Pyne $1,000-2,000 See Illustration and Inside Front Cover

369 one of a pair 370 Pair of Chelsea Porcelain Vases Third quarter 18th century Each of baluster form, decorated with floral sprays, birds and insects on a white ground, with a gold anchor mark . Height 9 inches (22.8 cm).

C Estate of Percy Rivington and Evelyn Sloane Pyne $1,000-2,000 371 South German Inlaid Walnut Miniature Chest of Drawers The shaped rectangular top above a conforming case fitted with three drawers, raised on shaped bracket feet. Height 14 inches (35.6 cm), width 17 inches (43.2 cm), depth 10 inches (25.4 cm).

C Estate of Percy Rivington and Evelyn Sloane Pyne $500-700 372 Pair of Italian Neoclassical Upholstered Walnut Armchairs Late 18th century Each shaped arched backrest above a bowfronted seat flanked by shaped armrests, the toprail and apron with portrait medallions, raised on tapering fluted legs. Height 37 inches (94 cm), width 24 1/2 inches (62.2), depth 19 inches (48.3 cm).

C Estate of Percy Rivington and Evelyn Sloane Pyne $1,000-2,000

368 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM

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373 Victorian Pollard Oak, Oak and Part-Ebonized Two-Tier Etagère in the manner of A.W.N. Pugin Third quarter 19th century The rectangular top and shelf veneered on mahogany boards between pierced sides joined by a turned stretcher and ending in U-shaped legs, on casters.

Height 41 1/2 inches (105.5 cm), width 41 1/2 inches (105.5 cm), depth 22 inches (54.6 cm).

Provenance: Hyde Park Antiques, New York.

C Property of Susan Weber $3,000-5,000 See Illustration

373

374 Victorian ‘Country House’ Penfold Walnut Letter Box Third quarter 19th century The finial-mounted domed hexagonal top carved with leaves above a beaded edge and a conforming case fitted with a brass mail slot and a hinged door with brass-edged glazed panel opening to a well above a drawer with brass handle, on a molded base.

Height 22 inches (55.9 cm).

C Property from the Estate of an Upper East Side Collector $2,000-3,000 See Illustration 375 George III Yewwood Bureau Bookcase In two parts, the upper section molded cornice above diamond-mullioned glazed doors opening to shelves, the lower section with fall front opening to a fitted interior above four long graduated drawers, on bracket feet. Height 90 inches (228.5 cm), width 43 inches (109.2 cm), depth 20 inches (50.8 cm).

C $1,000-1,500

374 82

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378

376 Walnut Parquetry and Gilt-Metal Low Table The geometric-inlaid crossbanded rectangular top within a pierced gallery and raised on splayed circular legs joined by scrolling stretchers. Height 18 1/2 inches (47 cm), width 28 inches (71.1 cm), depth 16 inches (40.6 cm).

C $1,000-1,500

378 George IV Mahogany Bookcase Cabinet Second quarter 19th century The superstructure with spindled three-quarter galleried shelf, the reverse-breakfronted grey marble rectangular top above adjustable shelves flanked by grille-inset doors, on a conforming plinth. Height 60 inches (152.5 cm), length 161 1/2 inches (410.3 cm), depth 18 3/4 inches (47.6 cm).

377 Pair of George Smith Stained Beechwood Upholstered Club Chairs Each backscrolled padded backrest, arms and bowfronted seat raised on ring-turned tapering legs, on casters. Height 36 inches (91.5 cm), width 32 inches (81.3 cm), depth 21 inches (53.4 cm).

C $700-1,000

Provenance: Anthony Outred, London.

C Property from a Palm Beach Private Collection $3,000-5,000 See Illustration 379 George IV Mahogany Double-Pedestal Dining Table The rectangular top with rounded corners above stop-fluted hexagonal standards raised on downswept reeded legs; together with three later leaves.

Height 29 1/2 inches (75 cm), length 99 inches (251.5 cm), extended length 14 feet (426.8 cm), width 50 inches (127 cm).

C $1,500-2,500

380 Regency Brass-Mounted and Inlaid Mahogany Chiffonier Circa 1810, in the manner of George Oakley The rectangular superstructure with mirrored back flanked by lyre-form supports, above a projecting lower section with a frieze drawer, over a pair of cupboard doors flanked by turned columns, raised on a plinth with outset corners. Height 63 1/4 inches (160.5 cm), width 36 1/2 inches (92.7 cm), depth 13 3/4 inches (35 cm).

C $800-1,200 381 George IV Papier-MâchÊ and Ebonized Games Table The rectangular top with a chessboard within scrolling foliate borders and now rising on an adjustable stem, the flaring fluted standard on a tripartite plinth.

Height 28 1/4 inches (71.8 cm), width (square) 21 inches (53.4 cm).

C $800-1,200

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382 George III Mahogany Concertina-Action Card Table Circa 1760 The hinged rectangular fiddleback mahogany top with flowerhead and ribbon-carved edge opening to a leather-lined playing surface above a blind fret-carved frieze and raised on similarly carved chamfered legs ending in guttae feet. Height 29 inches (73.7 cm), width 36 inches (91.5 cm), depth 17 3/4 inches (45.1 cm), extended depth 35 1/4 inches (89.5 cm).

C Property from the Estate of an Upper East Side Collector $2,000-3,000 See Illustration 382

383 Pair of George III Beechwood Armchairs In the manner of François Hervé, circa 1780 Each padded oval back with a petaled patera above a bowfronted seat centered by a patera and flanked by padded armrests on foliate-carved fluted downswept supports, raised on fluted tapering legs headed by collars.

Height 38 inches (96.5 cm), width 24 inches (61 cm), depth 19 inches (48.2 cm).

Please see footnote to lot 339.

C $500-700 See Illustration

383

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388

384 Regency Mahogany Dwarf Bookcase The stepped D-shaped top above a pair of gilt-wire inset conforming doors opening to three shelves with leather-spined book dividers, on paw feet.

Height 32 1/2 inches (82.6 cm), width 25 inches (63.5 cm), depth 16 1/2 inches (41.9 cm).

C $800-1,200

386 Regency Mahogany and Leather-Upholstered Bergère The padded back and sides within a reeded frame, the baluster arm supports continuing to ring-turned legs, on casters stamped ‘COPES PATENT’. Height 37 1/2 inches (95.3 cm), width 23 1/2 inches (58.5 cm), depth 21 inches (53.3 cm).

C $400-600

385 Regency Green-Painted and Parcel-Gilt Upholstered Settee Early 19th century The padded rectangular backrest and seat flanked by downswept armrests and seat on flaring spiral-carved legs; once caned.

Height 33 1/2 inches (85 cm), width 48 1/2 inches (123 cm), depth 21 1/4 inches (54 cm).

C $500-700

387 Regency Mahogany Sideboard First quarter 19th century Possibly Scottish The rectangular top with three-quarter gallery above a frieze drawer flanked by deep drawers and raised on tapering ring-turned legs. Height (with gallery) 36 1/2 inches (92.7 cm), height 32 1/2 inches (82.6 cm), width 48 inches (122 cm), depth 24 inches (61 cm).

C $800-1,200

388 George III Mahogany Kneehole Desk In the manner of Thomas Chippendale, circa 1760 The leather-lined rectangular top with sabicu-crossbanded edge above a long drawer and a recess with a shelf at the back and flanked by three graduated cockbeaded drawers and raised on bracket feet; laminated blocks and red wash to underside and back, appearing to retain original gilt-brass handles.

Height 32 1/2 inches (82.5 cm), width 38 1/2 inches (97.8 cm), depth 23 1/4 inches (59 cm).

The design of this kneehole desk is derived from that of ‘Buroe Tables’, dated 1753 and found in Chippendale’s The Gentlemen and Cabinet-Maker’s Director, 1754, pl. XLVI., C $800-1,200 See Illustration

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85

389 389 George III Mahogany Breakfront Bookcase Cabinet In the manner of Gillows, late 18th century The molded cornice above oval-mullioned glazed doors opening to adjustable shelves, the projecting lower section with drawers and cupboard doors opening to adjustable shelves, on a molded plinth. Height 94 1/2 inches (240 cm), width 140 inches (355.6 cm), depth 22 inches (55.9 cm).

Similar glazing bars are found on a George III mahogany breakfront cabinet with a drawer stamped twice GILLOWS.LANCASTER, Christie’s, New York, April 19, 2001, lot 299.

The oval drop handle centered by a patera was a popular Gillow model in the late 18th century; see Susan Stuart, Gillows of Lancaster and London 1730 - 1840, Woodbridge, 2008, vol, II, p.335, pl. D9a.

C $8,000-12,000 See Illustration 390 George III Inlaid Mahogany Longcase Clock The flat top hood with a white painted dial with an oval bucolic scene, associated two-train four-pillar movement and an anchor escapement, above a case with an ogre-arched door, raised on a base ending in bracket feet. Height 7 feet 2 1/2 inches (219.7 cm).

C The Nelson Doubleday, Jr. Collection $1,500-2,000 See Illustration 86

DOYLE • FEBRUARY 5, 2020 • NEW YORK

391 George III Mahogany Pembroke Table Circa 1760 The rectangular top and flaps above a frieze drawer and raised on chamfered square legs joined by a concave-sided shelf and ending in leather casters. Height 29 inches (73.7 cm), width 24 1/4 inches (61.6 cm), width extended 41 1/2 inches (105.5 cm), depth 24 inches (61 cm).

C $1,200-1,800 392 George III Mahogany and Needlework-Upholstered Stool Last quarter 18th century The oval seat with geometric needlework and raised on fluted flaring legs headed by brackets. Height 17 inches (43.2 cm), width 17 inches (43.2 cm), depth 14 inches (35.5 cm).

C $800-1,200

Rugs, Carpets & Tapestries 393 Karadja Carpet Northwest Persia, circa 1900 The central polychrome geometric pendant medallion on the indigo field flanked by ivory spandrels is within a madder floral vinery border. Approximately 19 feet 4 inches x 11 feet 9 inches.

Losses and wear to one end, small localized areas of wear, wear to selvedges.

C $5,000-7,000 394 Dabir Kashan Carpet Central Persia, second quarter of the 20th century The central pictorial pendant medallion flanked by boteh on the ivory field is within a palmette and vine border. Signed.

Approximately 10 feet 1 inch x 7 feet 1 inch.

C $2,000-3,000 395 Kula Rug West Anatolia, circa 1900 The ivory field with a central floral spray is within a scarlet greek-key border.

Approximately 5 feet 6 inches x 4 feet 3 inches.

C Property of a Park Avenue Lady $300-500

396 Oushak Carpet West Anatolia, circa 1900 The central pendant medallion on the ivory field is within a buff floral vinery border.

Approximately 21 feet 4 inches x 14 feet 4 inches.

Restored areas one end, crude repairs, soiled.

C Property of a New York Private Collector $7,000-9,000 397 Silk Kashan Carpet Central Persia, first quarter of the 20th century Animals amongst flora on the ivory field are within a palmette and leaf border. Signed.

Approximately 13 feet 2 inches x 10 feet 7 inches.

Partial ends, stains, areas of wear, re-wrapped selvedges, small restoration to one end.

C $2,000-3,000 398 Pair of Northwest Persian Runners Northwest Persia, circa 1900 Each with an ascending shrub pattern on an ivory field within a reciprocal trefoil border.

Approximately 16 feet 9 inches x 3 feet 3 inches and 16 feet 11 inches x 3 feet 4 inches.

6 inch x 4 inch restoration to one, re-wrapped selvedges, small re-piled areas.

C $3,000-5,000 399 Sultanabad Carpet Central Persia, last quarter of the 19th century The madder field with an overall pattern of large-scale rosettes and palmettes is within a gold and lime green floral vinery border.

Approximately 17 feet 11 inches x 10 feet 10 inches.

Areas of wear, restored areas, cashmere repairs, partial ends, re-wrapped selvedges.

C Property of a Park Avenue Lady $6,000-9,000 400 Khotan Rug East Turkestan, early 19th century Three circular medallions on the auburn field are within a cloud and wave border.

Approximately 11 feet 4 inches x 5 feet 4 inches.

Re-piled areas, 2 inch rewoven on each end.

Provenance: Sotheby’s, New York, Bergi Andonian sale, May 19, 2011, lot 90.

C $15,000-25,000 401 Malayer Rug Northwest Persia, first quarter of the 20th century The central polychrome pendant medallion on the ivory field flanked by complimentary spandrels is within a madder palmette and meandering vine border. Approximately 6 feet 11 inches x 4 feet 9 inches.

Losses to one end, moth damage, re-piled areas C $700-900

402 Indo-Isfahan Carpet North India, circa 1900 The ivory field with an overall Isfahan pattern of large-scale palmettes amongst cloud bands and vinery is within a camel meandering floral vinery border.

Approximately 32 feet x 10 inches x 13 feet 10 inches.

C $12,000-18,000 403 Sultanabad Carpet Central Persia, late 19th century The allover pattern of large-scale floral vinery on the ivory field is within a slate blue rosette border. Approximately 11 feet 11 inches x 6 feet 7 inches.

Stains, re-wrapping to selvedges.

C Property of a Park Avenue Lady $3,000-5,000 404 Kerman Rug Southeast Persia, circa 1930 The midnight blue field with ascending flowering vases overall is within a shrub border.

Approximately 7 feet 2 inches x 4 feet 6 inches.

Stains, losses to fringes one end.

C $500-700 405 Bakshaish Carpet Northwest Persia, last quarter of the 19th century The allover pattern of polychrome shrubs on the madder field is within an ivory rosette border. Approximately 19 feet x 10 feet 6 inches.

Partial ends and sides, reselvedged C $10,000-15,000 406 Safavid Isfahan Rug Central Persia, 17th century The overall in-and-out palmette design on the cranberry field is within a jade palmette and curled leaf border. Approximately 6 feet 7 inches x 4 feet 8 inches.

Even overall wear, 4 inch x 4 inch restoration, re-piled areas, fraying to perimeter.

C $5,000-7,000 407 Bakshaish Carpet Northwest Persia, last quarter of the 19th century Three geometric stepped medallions on the madder field flanked by indigo spandrels are within a midnight blue rosette border.

Approximately 18 feet 5 inches x 12 feet 10 inches.

Minor losses to ends, minor wear through nick to one side, re-piled areas, minor moth damage on reverse.

C $8,000-12,000

408 Q’ashqa’i Rug Southwest Persia, circa 1900 The allover pattern of polychrome sprays on the charcoal field is within a sky blue border.

Approximately 6 feet 5 inches x 4 feet 6 inches.

C $600-900 409 Karabagh Gallery Carpet Southwest Caucasus, 18th century The indigo field with polychrome blossoms amongst angular vinery overall is within a saffron rosette border. Approximately 13 feet 10 inches x 5 feet 5 inches.

Evenly low pile throughout, old restorations, outer guard border added later.

C $4,000-6,000 410 Senna Pictorial Rug Northwest Persia, circa 1900 A person riding a camel in a landscape is within an ivory spruce tree and boteh border. Woven horizontally. Approximately 6 feet 3 inches x 4 feet 2 inches.

6 inch x 8 inch restored area in side border, other small restored area C $1,500-2,500 411 Aubusson Tapestry France, 17th century With Poseidon, Amymone, and Cupid in a landscape within a floral border.

Height 9 feet 5 inches x width 7 feet 6 inches.

Restorations.

C $5,000-7,000 412 Wool and Metal Thread Aubusson Rug France, mid 19th century The central floral spray on the ivory field is within a madder cartouche border.

Approximately 6 feet 5 inches x 6 feet 5 inches.

Stains.

C $1,000-2,000 413 Aubusson Tapestry France, 19th century Two hunters and a dog in a wooded landscape are within a floral border.

Height 6 feet 4 inches x width 3 feet 9 inches.

Some silk deterioration, small restorations.

C Property of Susan Weber $800-1,200

End of Sale

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87

THANK YOU TO OUR LOYAL CLIENTS FOR THE SUCCESSES OF 2019 HIGHLIGHTS OF THE YEAR 400 EAST 51ST STREET, APARTMENT 27A SO

LD

A. LAURANCE KAISER IV • LauranceKaiser@bhhsnyp.com • 646.677.1039

CRAIG M. DIX • CraigDix@bhhsnyp.com • 646.677.1038

$3,900,000 • 3 Bedrooms | 3.5 Bathrooms | CONDO

303 EAST 77TH STREET, APARTMENT 10A SO

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400 EAST 56TH STREET, APARTMENT 9G SO

CHRISTINE FIELDS • ChristineFields@bhhsnyp.com • 646.677.1042 SHEILA STARR • SheilaStarr@bhhsnyp.com • 646.677.1023 $2,342,500 • 3 Bedrooms | 3 Bathrooms | CONDO

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LYNN SCHECK • LynnScheck@bhhsnyp.com • 646.677.9357 $1,250,000 • 2 Bedrooms | 2 Bathrooms | CO-OP

If you are thinking of buying or selling your home, contact us at: 212.710.1900 | CONTACT@BHHSNYP.COM 590 MADISON AVENUE, NEW YORK, NEW YORK @bhhsnewyork

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GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee.

In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations.

REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts.

REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue.

ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him.

SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows:

(u.l.) Upper left

(l.l.) Lower left

(u.r.) Upper right

(l.r.) Lower right

(u.c.) Upper center

(l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date.

DATED In our best judgment, the date indicated on the work is the date the work was executed.

DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible.

SIGNATURE Only manuscript signatures of the artists are indicated.

Signatures “in the plate” are not mentioned since they are considered part of the image.

QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee.

The print sleeves are the property of Doyle New York and are not included in the sale.

MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements.

Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width.

Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images.

All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist.

TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets.

REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

I

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Middletown, CT • 85 Flynn Lane • $949,900

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JEANNE BAILEY & SUSAN WAGNER 860.665.1094 203.444.7403 JeanneBailey@bhhsne.com SusanWagner@bhhsne.com MLS# 170248913 A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions.

Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored.

Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative.

The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact.

Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry.

Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance.

Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold.

No reserve will exceed the low estimate of the lot.

Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York.

Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue.

Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest.

Doyle New York on occasion makes loans or advances funds to consignors.

The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller.

The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances.

The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations.

Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

Estimates do not include the buyer’s premium.

Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

II

CUSTOM COLONIAL IN SUMMIT, NEW JERSEY

$4,250,000

This newly renovated custom colonial is located on the desirable north side of Summit, New Jersey. Exquisite detail and custom finishes throughout the home provide elegance and warmth. The custom chef's kitchen with center island, Wolf and Sub Zero appliances, and custom copper accents is ideal for entertaining large or small groups. The dining area has a full wall of French doors opening to an amazing deck with a gas fire pit and in-ground hot tub. The home also features four en-suite bathrooms, a finished basement, gym, game area, media area, and a large laundry room.

115 Woodland Ave., Summit, NJ 07901 MLS# 3605637

ELIZABETH “LIZ” PARCELLS Sales Associate Cell: 908-656-5200 Paul.Cianciulli@bhhsnj.com www.Paul-Cianciulli.BHHSNJ.com Summit Office | 908-273-0400 | 392 Springfield Avenue, Summit, NJ 07901 ©2020 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made.

The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee.

At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors.

Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold.

It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation.

Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed.

Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof.

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser.

At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York.

The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale.

Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press.

They are posted in the viewing galleries and salesroom or are announced by the auctioneer.

Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York.

By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

L U X U R Y

C O L L E C T I O N

Rancho Santa Fe • Offered at $5,495,000 Bibbi Conner • Lic# 01805387 • 858.774.4499

bhhscalifornia.com ©2019 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Seller will entertain and respond to all offers within this range. Buyer is advised to independently verify the accuracy of that information.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale.

This catalogue may contain one or more glossaries explaining the terminology used in the catalogue.

All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid.

The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

IV

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#

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New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX

WHY DOYLE NEW YORK COLLECTS SALES TAX

If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state.

Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales tax collected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

LOCAL TAX ADVISORS

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property.

If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

V#

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information.

The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date.

Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction.

In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches.

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references.

PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department.

You may also request a condition report from the specialist in charge.

#VI

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue.

The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction.

LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account.

To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion.

Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown.

TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion.

By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242.

Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time.

Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential.

For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence.

INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers.

MAC USERS: Please use Firefox browser (download).

BidLive!, powered by Invaluable, does not support iPhone or iPad at this time.

Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot.

METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above.

Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium.

Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total.

New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale.

PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible.

Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt.

The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale.

In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan.

SHIPPING Shipping is the responsibility of the buyer.

Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia.

ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country.

Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII#

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market.

There are various ways to obtain appraisals.

Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require.

SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

#VIII

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction.

THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records.

Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees.

RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price.

OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services.

Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States.

Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs.

Appraisal fees are based on the scope of the property with travel expenses additional.

Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors.

We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland.

Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event.

We invite you to contact us for a complimentary proposal.

NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

SPRING 2020 AUCTION SCHEDULE January

........................................................

CHERISHED: AMERICAN FOLK ART AND TOYS FROM THE ESTATE OF A PRIVATE COLLECTOR Auction: Thursday, Jan 23 at 10am Exhibition: Jan 18 – 20

Exhibitions

February ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS Auction: Wednesday, Feb 5 at 10am Exhibition: Feb 1 – 3 DOGS IN ART ® & SPORTING ART Auction: Wednesday, Feb 12 at 10am Exhibition: Feb 8 – 10 JEWELRY & CONTENTS OF ABANDONED SAFE DEPOSIT BOXES Auction: Wednesday, Feb 19 at 10am Exhibition: Feb 15 – 17 FINE JEWELRY Auction: Thursday, Feb 20 at 10am Exhibition: Feb 15 – 17

175 East 87th Street New York, NY 10128 212-427-4141, option 5 or visit Doyle.com

Selling at Auction We invite you to contact us for a complimentary auction evaluation of your collection.

Contact us at 212-427-2730 or info@Doyle.com

Catalogues 212-427-2730 x203 subscriptions@Doyle.com View Lots & Bid Online at

DOYLE.com

March FINE PAINTINGS Auction: Tuesday, Mar 3 at 10am Exhibition: Feb 29 – Mar 2 FINE MODERN ART Auction: Tuesday, Mar 10 at 10am Exhibition: Mar 7 – 9 ASIAN WORKS OF ART Auction: Monday, Mar 16 at 10am Exhibition: Mar 13 – 15 JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Tuesday, Mar 17 at 10am Exhibition: Mar 13 – 15 DOYLE AT HOME ® Auction: Tuesday, Mar 31 at 10am Exhibition: Mar 27 – 29

IX

#

DIRECTORY

YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 PLUS THE EXTENSION.

Kathleen M. Doyle Chairman ext 215, Kathy.Doyle@Doyle.com

Peter Costanzo Senior Vice President ext 248, Peter.Costanzo@Doyle.com

Laura Doyle Chief Executive Officer ext 219, Laura.Doyle@Doyle.com

Reid Dunavant Senior Vice President 202-342-6100 Reid.Dunavant@Doyle.com

Joanne Porrino Mournet President ext 227, Joanne@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Rodney Lang Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com Collin Albertsson Senior Vice President 561-322-6795, Collin.Albertsson@Doyle.com Sebastian Clarke Senior Vice President 917-664-0697, Sebastian@Doyle.com

ADMINISTRATION BID DEPARTMENT ABSENTEE & TELEPHONE BIDS Alanna Sutherland Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com BIDLIVE! INTERNET BIDDING Tyler Kusler ext 203, Tyler.Kusler@Doyle.com ACCOUNTING Ryan Won Manager / IT Manager ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com Chelsea Wynne ext 223, Chelsea.Wynne@Doyle.com CATALOGUE SUBSCRIPTIONS Gianine Crowell ext 200, Gianne.Crowell@Doyle.com CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Alanna Sutherland ext 242, Alanna.Sutherland@Doyle.com Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com Tyler Kusler ext 203, Tyler.Kusler@Doyle.com Gianine Crowell ext 200, Gianine.Crowell@Doyle.com

Nan Summerfield Senior Vice President 310-276-6616 Nan.Summerfield@Doyle.com Gillian M. Ryan Senior Vice President ext 245, Gillian.Ryan@Doyle.com

Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com Todd Sell, Vice President ext 269, Todd.Sell@Doyle.com

David A. Gallager Senior Vice President ext 271, David.Gallager@Doyle.com

Louis LeB. Webre Senior Vice President ext 232, Louis.Webre@Doyle.com

Peter Lang Senior Vice President ext 274, Peter.Lang@Doyle.com

Samira Farmer, Vice President 202-342-6100 Samira.Farmer@Doyle.com

Ann Limer Lange Senior Vice President ext 221, Ann.Lange@Doyle.com

Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com

Katherine Van Dell, Vice President 215-847-6146, Katherine.VanDell@Doyle.com

Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com

Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com

Angelo Madrigale Senior Vice President ext 237, Angelo.Madrigale@Doyle.com Elaine Banks Stainton Senior Vice President ext 238, Elaine.Stainton@Doyle.com

Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com

Mark J. Moehrke, Vice President ext 272, Mark.Moehrke@Doyle.com Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com

ESTATE & APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com

MEDIA & COMMUNICATIONS Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com

Peter Costanzo ext 248, Peter.Costanzo@Doyle.com

Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com

Carl Raymond, Manager ext 216, Carl.Raymond@Doyle.com

Sarah Horn, Marketing Manager ext 258, Sarah.Horn@Doyle.com

Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com

Stephanie Cuenca Production Manager/Senior Designer ext 250, Stephanie.Cuenca@Doyle.com

Alexis Gyateng, Senior Appraisal Coordinator ext 228, Alexis.Gyateng@Doyle.com Daniel Sarver, Appraisal Coordinator ext. 240, Daniel.Sarver@Doyle.com Frederica Tam, Appraisal Coordinator ext. 251, Frederica.Tam@Doyle.com Isabella Kapczynski, Appraisal Coordinator ext. 259, Isabella.Kapczynski@Doyle.com CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com Erin Mandley ext 231, Erin.Mandley@Doyle.com Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com Gail Jaffe ext 239, Gail.Jaffe@Doyle.com MUSEUM SERVICES Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com Angelo Madrigale Paintings & Drawings ext 237, Angelo.Madrigale@Doyle.com David A. Gallager Furniture & Decorative Arts ext 271, David.Gallagher@Doyle.com

#X

Edward Ripley-Duggan, Vice President ext 234 Edward.Ripley-Duggan@Doyle.com

Nancy Ramos Digital Marketing Coordinator Graphic Designer ext 276, Nancy.Ramos@Doyle.com PHOTOGRAPHY Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Ray Adams, Photographer ext 278, Ray.Adams@Doyle.com Fennel Harper, Photographer ext 247, Fennel.Harper@Doyle.com David Warga, Traffic Coordinator ext 277, David.Warga@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo Sebastian Clarke Angelo Madrigale

REGIONAL REPRESENTATIVES Joanne Porrino Mournet Director of Regions 212-427-2730, ext 227 Joanne@Doyle.com BEVERLY HILLS / CALIFORNIA Nan Summerfield, G.G., Director 310-276-6616, Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616, Emily.Marchick@Doyle.com BOSTON / MASSACHUSETTS Kathryn Craig 617-999-8254, Boston@Doyle.com CHICAGO / MIDWEST Roger Ward 773-575-7696 Roger.Ward@Doyle.com

CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 Kathy.Brackenridge@Doyle.com

WASHINGTON, DC / MID-ATLANTIC Reid Dunavant, Director 202-342-6100, Reid.Dunavant@Doyle.com

NEW JERSEY Jill Bowers 212-427-4141, ext. 225, Jill@Doyle.com

Samira Farmer 202-342-6100, Samira.Farmer@Doyle.com

NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258, Hilary.Pitts@Doyle.com

PENNSYLVANIA Jill Bowers 212-427-4141, ext. 225, Jill@Doyle.com

PALM BEACH / FLORIDA Collin Albertsson, Director 561-322-6795, Collin.Albertsson@Doyle.com

BEIJING Winnie Hu Winnie.Hu@Doyle.com

Sebastian Clarke 917-664-0697, Sebastian@Doyle.com

HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com

Katherine Van Dell 215-847-6146, Katherine.VanDell@Doyle.com

SPECIALIST DEPARTMENTS FURNITURE AND DECORATIVE ARTS David A. Gallager Executive Director ext 271, David.Gallager@Doyle.com

PAINTINGS & DRAWINGS Angelo Madrigale, Director Director Contemporary Art ext 237, Angelo.Madrigale@Doyle.com

19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com

Elaine Banks Stainton Senior Specialist, Paintings & Drawings ext 238, Elaine.Stainton@Doyle.com

20TH CENTURY DESIGN Todd Sell ext 269, Todd.Sell@Doyle.com Roger Ward 773-575-7696, Roger.Ward@Doyle.com AMERICAN FURNITURE & DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE & DECORATIVE ARTS Rodney Lang ext 243, Rodney.Lang@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com

Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com Shani Toledano Associate Director ext 236, Shani@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com Bill Fiddler Specialist, American Art ext 249, Bill.Fiddler@Doyle.com Milan Tessler Registrar ext 266, Milan.Tessler@Doyle.com ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com

Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com

BOOKS, AUTOGRAPHS & PHOTOGRAPHS Peter Costanzo, Executive Director ext 248, Peter.Costanzo@Doyle.com

Mark J. Moehrke ext 272, Mark.Moehrke@Doyle.com

Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com

Todd Sell ext 269, Todd.Sell@Doyle.com Leigh Kendrick, Client Relationship Manager ext 243, Leigh.Kendrick@Doyle.com Courtney Washington, Client Relationship Manager ext 244, Courtney.Washington@Doyle.com RUSSIAN WORKS OF ART Mark J. Moehrke, Director ext 272, Mark.Moehrke@Doyle.com

COINS, STAMPS & COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com PRINTS & MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com RUGS, CARPETS & TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com

JEWELRY Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com NEW YORK JEWELRY Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Laura Chambers, Jewelry Administrator ext 210, Laura.Chambers@Doyle.com CALIFORNIA JEWELRY Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com Cassie Ho Office Administrator 310-276-6616 Cassie.Ho@Doyle.com FLORIDA JEWELRY Katherine Van Dell 215-847-6146, Katherine.VanDell@Doyle.com NORTH CAROLINA JEWELRY Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com HAYLOFT AUCTIONS By appointment only 719 East 134th Street, Bronx NY 10454 929-303-3266 Info@HayloftAuctions.com Stephanie Cuenca, Art Director Marketing@HayloftAuctions.com

XI#

175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730

FO R O FFI CE U SE O NLY

DOYLE.COM Consumer Affairs No. 0777006

ABSENTEE & TELEPHONE BID FORM

4.19

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above.

You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

SALE T IT LE

• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions.

Changes to bids on the day of sale must be submitted in writing by fax or email.

S A L E D ATE

NAM E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

COM PA NY (If applicable) ADD RESS *

Change of Address

C IT Y

STATE

Z IP C O D E

CO UNTRY

• In the event that identical bids are submitted, the earliest will take precedence.

PHON E

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

PHON E (DAY OF SA LE **)

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date.

Otherwise, purchases cannot leave our premises until checks have cleared.

E MA IL CL IE NT N UM B ER ( NE W C L IEN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT NUMBER

T OP L IM IT OF BI D / SA FE T Y B ID

Excluding Buyer’s Premium

LOT N U M BE R

TO P L I M I T O F B ID / S A F E TY B I D

Excluding Buyer’s Premium

LO T N U MB E R

T O P LI MI T O F B I D / S A F E T Y B ID

Excluding Buyer’s Premium

• A 25% deposit may be required on certain absentee bids.

• Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request.

• Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

I understand and agree to the Terms and Conditions of Sale°

S IGNATUR E

Submit bid form by email: Bids @DOYLE.com or FAX XII

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his/ her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

212- 427-7526 by 4pm (Eastern) the evening before the auction.

Alternatively, absentee bids may be placed online at DOYLE.com until 8am (Eastern) the morning of the auction.

Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207

CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES BidLive! Internet Bidding Tyler Kusler 212-427-4141, ext 203 BidLive@Doyle.com

Absentee & Telephone Bids Alanna Sutherland 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

SPECIALISTS

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com BEVERLY HILLS / CALIFORNIA 9595 Wilshire Boulevard Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / MASSACHUSETTS 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@ Doyle.com CHICAGO / MIDWEST 773-575-7696 CONNECTICUT 212-427-4141, ext 211 DoyleCT@Doyle.com

Peter Lang

SVP, Director, English & Continental Furniture & Decorative Arts

212-427-4141 ext 274 Peter.Lang@ Doyle.com

Elaine Banks Stainton Senior Specialist, Fine Art

212-427-4141 ext 238 Elaine.Stainton@ Doyle.com

Todd Sell VP, Furniture & Decorative Arts

212-427-4141 ext 269 Todd.Sell@ Doyle.com

NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com PALM BEACH / FLORIDA 561-322-6795 DoyleFL@Doyle.com PENNSYLVANIA 212-427-4141, ext 225 DoylePA@Doyle.com

Bill Fiddler Specialist, American Art

212-427-4141 ext 249 Bill.Fiddler@ Doyle.com

Mark Topalian

Rugs, Carpets & Tapestries

212-427-4141 ext 244 Mark.Topalian@ Doyle.com

WASHINGTON, DC / MID-ATLANTIC 10421A Metropolitan Ave Kensington, MD 20895 202-342-6100 DoyleDC@Doyle.com

Front Cover Back Cover Inside Front Cover

84 26 259

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM