Fine Paintings / Fine Modern Art - 3.10.2020 by Doyle

FINE PAINTINGS FINE MODERN ART

Tuesday, March 10, 2020

NEW YORK

FINE PAINTINGS FINE MODERN ART AUCTION Tuesday, March 10 at 10am

EXHIBITION Saturday, March 7, 10am – 5pm Sunday, March 8, Noon – 5pm Monday, March 9, 11am – 6pm

LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalog: $25

INCLUDING PROPERTY FROM THE ESTATES OF The Collection of Gary Combs A Gentleman, Park Avenue and Southampton, New York Virginia Strub Kelly Carl Lesnor Dorothy Lewis 2013 Irrevocable Trust Laura M. Mako Frank Mayo A Palm Beach Heiress Patricia Patterson Miriam K. Rothenberg A Westchester Private Collector

INCLUDING PROPERTY FROM A Florida Lady Ronald P. Marshall A Private Collector, New York A South Carolina Collector

CONTENTS Fine Paintings Fine Modern Art

1-105 106-186

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

FINE PAINTINGS

Lot 55

2 1 Attributed to René Charles Edmond His Mid Day Rest Signed HIS (ll) Oil on canvas 44 1/8 x 57 1/2 inches (112 x 146 cm) C $2,500-3,500

2 Leon Jean Basile Perrault French, 1832-1908 The Young Musician, Paris, 1890 Signed and dated L. Perrault 1890 (ll) Oil on canvas 33 1/8 x 18 7/8 inches (84.1 x 48 cm) C $6,000-9,000

3 François Rivoire French, 1842-1919 Hollyhocks Signed Rivoire (ll) Watercolor on paper Sight 39 1/8 x 25 1/8 inches (99.4 x 63.8 cm) C $1,500-2,500

4 Paul Louis Martin des Amoignes French, 1850-1912 Le Cabinet de l’Amateur, Jeune Femme Examinant un Tableau, 1890 Signed and dated twice P. L. Martin des Amoignes 1890 (lr and ll) Oil on canvas 23 3/4 x 32 1/4 inches (60.3 x 81.9 cm) Provenance: Sale, Deburaux et Associes, Paris, Dec. 4, 2005, lot no. 145 C $1,500-2,500

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5 Léon Richet French, 1847-1907 Farm in Autumn, circa 1880 Signed Léon Richet (lr); inscribed Siegman Nice on the stretcher Oil on canvas 25 x 36 1/4 inches (63.5 x 92 cm) Provenance: Private collection, Switzerland According to Koller Auction House, Michel Rodrigue has confirmed the authenticity and circa dated the work based on first-hand inspection of the painting. C $3,000-5,000

6 Rosa Bonheur French, 1822-1899 Young Alpine Ibex Initialed RB (ll) Oil on paper laid down on canvas 13 3/4 x 10 1/2 inches (35 x 26.6 cm) Provenance: Estate of the Artist (with Vente Rosa Bonheur 1900 red wax seal on the stretcher) C Estate of Patricia Patterson $2,000-3,000

7 François Charles Cachoud French, 1866-1943 Farmhouse by Moonlight Signed F. Cachoud (lr) Oil on canvas 25 1/2 x 31 3/4 (64.8 x 80.6 cm) C Property from the Estate of Miriam K. Rothenberg $1,500-2,000

8 Robert Russ Austrian, 1847-1922 Farmhouse Signed Robert Russ (ll) Gouache on paper 12 3/4 x 16 1/8 inches (32.5 x 41 cm) C Property from the Estate of Miriam K. Rothenberg $2,000-4,000

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10 9 Edwin Longsden Long British, 1829-1891 Young Girl in the Portal of a Cathedral Inscribed No. 2/Painted by Edwin Long/33 Ovington Square London on an old paper label affixed to the stretcher Oil on canvas 32 x 19 1/4 inches (81.3 x 48.9 cm) C $2,500-4,500

10 Charles Yardley Turner American, 1850-1919 Fisher Girl, 1883 Signed and dated C. Y. TURNER 1883 (lr) Oil on canvas 24 x 14 inches (61 x 35.5 cm) C $1,200-1,800

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12 11 Keeley Halswelle British, 1832-1891 Sunny Hours, 1860 Signed and dated Keeley Halswell ARSA/Newhaven 1860 (ll); titled and inscribed KEELEY HALSWELLE, BELLFIELD, DUDDINGSTON, EDINBURGH on the stretcher Oil on canvas 26 1/2 x 36 1/4 inches (67.4 cm x 92 cm) Provenance: Sale, Christie’s, New York, Oct. 30, 1995, lot 300 C $2,500-4,500

12 Friedrich August von Kaulbach German, 1850-1920 Portrait of the Artist’s Daughter, Doris Cooper, Age Three, circa 1901 Signed FA Kaulbach (ur) Oil on panel 17 3/4 x 13 5/8 inches (45 x 34.6 cm) Provenance: Collection of Mrs. T. J. White, Smithtown, New York, until 1954 C $1,000-3,000

13 Edmund Adler Austrian, 1876-1965 Children in the Rabbit Hutch Signed Edmund Adler (lr) Oil on canvas 21 3/4 x 27 inches (55.3 x 68.6 cm) Provenance: With Kunsthandlung Jenny Salzer, Vienna C $3,000-5,000

14 William Lee-Hankey British, 1869-1952 The Ferry, Brittany Signed Wm. Lee-Hankey (lr); titled on the canvas overlap Oil on canvas 25 x 30 inches (63.5 x 76.2 cm) C $2,000-3,000

15 Paul Emile Lecomte French, 1877-1950 St. Peter’s Port, Brittany, France Signed Paul Emile Lecomte (ll) Oil on canvas 27 7/8 x 35 5/8 inches (70.8 x 90.5 cm) Provenance: Private collection, Washington DC C $5,000-7,000

16 Montague J. Dawson British, 1890-1973 Rescue at Sea By Plane Oil on canvas laid to board 9 x 23 5/8 inches (22.8 x 60 cm) Provenance: Frost & Reed, London Sale, Sotheby’s, New York, Jun. 8, 1990, lot 260 C Property of a Private Collector, New York $4,000-6,000

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17 Maurice Bompard French, 1857-1936 Venice Signed Maurice Bompard (ll) Oil on panel 13 3/4 x 10 5/8 inches (35 x 27 cm) C $800-1,200 18 Georges Stein French, 1870-1930 Champs Elysees Signed and inscribed GEORGES STEIN PARIS (lr) Oil on panel 4 5/8 x 7 1/2 inches (11.7 x 19 cm) C $2,500-4,500

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19 Émile Bernard French, 1868-1941 Paysage de Tonnerre, 1920 Signed and dated Émile Bernard 1920 (ll) Oil on canvas 25 3/8 x 31 inches (64.5 x 78.8 cm) Provenance: Galerie Charpentier, Paris Sale, Christie’s, New York, Feb. 20, 2001, lot 8 Private collection Exhibited: Paris, Galerie Charpentier, Autumn 1943 According to the May 15, 2018 Bonhams sale catalogue, the authenticity of this work has been confirmed by Beatrice Recchi-Altarriba. C $4,000-6,000

20 André Albert Marie Dunoyer de Segonzac French, 1884-1974 Spring Landscape Signed A. Dunoyer de Segonzac (lr) Watercolor and ink on paper laid down on board 12 1/2 x 18 1/4 inches (sheet) (31.7 x 46.4 cm) C $1,000-1,500

21 Jan Stanislawski Polish, 1860-1907 White Picket Fence Signed JAN STANISLAWSKI (lr) Oil on panel 5 3/4 x 7 1/8 inches (14.6 x 18.1 cm) Provenance: Antyki Decco, Krakow, who confirmed that the painting is from the famed Zamoyski aristocratic estate. C $4,000-6,000

22 Constantine Terechkovitch Russian, 1902-1978 Little Bridge Signed C. Terechkovitch (ll) Oil on canvas 22 1/2 x 28 3/4 inches (57.1 x 73 cm) C $1,800-2,200

23 Achille-Émile Othon Friesz French, 1879-1949 Andrée, Femme de l’Artiste Signed E. Othon Friesz (ll) Oil on canvas 21 5/8 x 18 1/8 inches (55 x 46 cm) Provenance: Sale, Sotheby & Co., London, April 13, 1972, lot 73 Private collection, New Mexico Sale, Doyle, Nov. 5, 2013, lot 35 C $3,000-5,000

24 Marcel Dyf French, 1899-1965 Plage en Bretagne Signed Dyf (ll); stamped with copyright symbol and MARCEL DYF 1985 three times on the stretcher Oil on canvas 18 1/8 x 21 5/8 inches (46 x 55 cm) Provenance: Frost & Reed, London, no. 55549 C Estate of Virginia Strub Kelly $4,000-6,000

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26 25 Jean de Botton French, 1898-1978 Venise de puis ma Fenêtre, 1967 Signed Jean de Botton (lr); numbered 1395, inscribed, titled and dated on the reverse Oil on canvas 25 x 30 1/4 inches (63.5 x 76.8 cm) C Estate of Patricia Patterson $3,000-5,000

26 Maximilien Luce French, 1858-1941 Pitcher of Flowers Signed Luce (lr) Oil on canvas 18 1/4 x 15 1/8 inches (46.3 x 38.5 cm) Provenance: Sale, Drouot-Richelieu, Paris, Dec. 9. 1998, lot 153 Sale, Sotheby’s, London, Mar. 24, 1999, lot 215 C $4,000-6,000

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28 27 Jean Jules-Louis Cavaillès French, 1901-1977 Le Bouquet de Fête Signed J. CAVAILLÈS, circa 1964 Signed J. CAVAILLÈS (lr); signed and titled on the reverse Oil on canvas 31 7/8 x 25 1/2 inches (81 x 64.7 cm) Provenance: Galerie 65, Cannes C $3,000-5,000

28 Le Pho French/Vietnamese, 1907-2001 Fleurs Signed Le Pho in Latin and Vietnamese characters (ll) Oil on canvas 13 3/4 x 9 1/2 inches (35 x 24.1 cm) Provenance: Wally F. Galleries, New York Mr. and Mrs. G. Manolovici, New York, acquired from the above in 1971 This work is accompanied by a letter of authenticity from the Wally F. Galleries, New York, dated May 26, 1971. C $5,000-7,000

30 29 Gen Paul French, 1895-1975 The Violinist, circa 1934-35 Signed Gen Paul (lr) Oil on canvas 39 1/2 x 25 1/2 inches (100.33 x 64.77 cm) Provenance: Galerie de Cannes, France Private collection Sale, Skinner, Sep. 2018, lot 356 Private collection, Virginia C $7,000-9,000

30 Arbit Blatas Lithuanian, 1908-1999 Place des Vosges Signed BLATAS (ll) Oil on canvas 25 1/2 x 31 3/4 inches (64.8 x 80.6 cm) Unframed C $3,000-5,000

31 Arbit Blatas Lithuanian, 1908-1999 Pont St. Michel, Paris Signed BLATAS (lr); inscribed as titled and BLATAS on the reverse Oil on canvas 25 3/8 x 31 3/4 inches (64.5 x 80.6 cm) Unframed C $3,000-5,000

32 Arbit Blatas Lithuanian, 1908-1999 Dorothee and Friends Signed A. Blatas (ll) Oil on board 23 1/2 x 19 1/2 inches (59.69 x 49.53 cm) C $2,000-4,000

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33 Edward Lear British, 1812-1888 Sailing Barges, Venice, 1865 Inscribed and dated Venice 24. Nov. 1865 (56) (lr) Ink, watercolor and gouache with traces of pencil on light blue/gray paper 7 x 10 inches (17.8 x 25.4 cm) Provenance: Thos. Agnew & Sons, Ltd., London, no. 29431 C $3,000-5,000

34 Leon Nikolaievitch Bakst Russian, 1866-1924 Costume Design for ‘Salome’: Five Jewish Handmaidens, 1908 (Oscar Wilde’s production for St. Petersburg) Inscribed indistinctly (ur) and numbered 21 (lr) Watercolor and pencil with silver paint on paper on board 11 7/8 x 6 1/2 inches (30.5 x 16.5 cm) C $1,500-2,500

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35 Fulco di Verdura Italian, 1898-1978 Lindos, Greece Titled and inscribed 3306/ Verdura in the margins Oil and gouache on card Image size 1 3/8 x 1 7/8 inches (3.2 x 4.7 cm) C $800-1,200

36 Fulco di Verdura Italian, 1898-1978 The Balcony Signed Fulco (ll); inscribed 3611 Verdura in the lower margin Gouache on ink on card Sheet size 4 3/4 x 3 1/2 inches (12 x 8.9 cm); image size 3 x 2 inches (7.6 x 5.1 cm) C $800-1,200

37 Helene Riedel German, b. 1901 Smoker Signed Riedel (lr); remnants of an inscription Rue de la Folie/ M...court/Paris on the reverse Oil and collage with newsprint on canvasboard 24 x 19 5/8 inches (61 x 49.8 cm) C $3,000-4,000

38 Gregoire Johannes Boonzaier South African, 1909-2005 Trees and Houses, 1953 Signed and dated Gregoire/1953 (ll) Ink, wash and watercolor on paper laid down on board 15 1/4 x 22 1/2 inches (38.7 x 57.1 cm) C A La Jolla Family Collection $500-700

39 Bela de Kristo Hungarian, 1920-2006 Le Motards, 1952 Signed de Kristo (ll), dated 1952 and inscribed as titled on the reverse Oil on board 19 3/4 x 25 1/4 inches (50.16 x 64.13 cm) C $3,000-5,000

40 Bela de Kristo Hungarian, 1920-2006 Village de Touraine Signed de Kristo (ll) Oil on board 18 1/8 x 23 3/4 inches (46 x 60.3 cm) Provenance: Schillay Fine Art, New York C $1,500-2,500

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42 44 41 Henry Maïk French, 1922-1993 Seaside, 1966 Signed Maïk and dated 66 (lr) Oil on canvas 8 3/4 x 10 3/4 inches (22.22 x 27.3 cm) C Estate of Patricia Patterson $2,000-3,000

42 François Gall French, 1912-1987 Montmartre, circa 1950 Signed F. Gall and inscribed as titled (lr) Oil on canvas 17 3/4 x 23 inches (45 x 58.4 cm)

43 Constantine Kluge French, 1912-2003 La pointe de L’lle St. Louis, 1993 Signed C. Kluge (lr), inscribed as titled on the stretcher Oil on canvas 23 3/4 x 28 3/4 inches (60.32 x 73.02 cm)

Provenance: Sale, Christies, New York, Impressionist & Modern Art, Sep. 10, 2008, lot 122 C $4,000-6,000

Provenance: Wally Findlay Galleries, New York C $3,000-5,000

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44 Constantine Kluge French, 1912-2003 Chateau du Mont l’Eveque Signed C. Kluge (lr) Oil on canvas 32 1/8 x 31 1/2 inches (81.5 x 80 cm) Provenance: Wally Findlay Galleries, Palm Beach/New York C $2,000-3,000

46 45 Hughes Claude Pissarro French, b. 1935 Cafe de Glaces Signed H. Claude Pissarro (lr) Pastel on paper 14 1/2 x 20 inches (36.8 x 50.8 cm) C $2,000-4,000 46 André Gisson American, 1921-2003 Balloons over Paris Signed Gisson (ll) Oil on canvas 24 x 30 inches (61 x 76.2 cm) C $1,200-1,800

48 47 Jane Peterson American, 1876-1965 Zinnias in a Rooster Vase Signed Jane Peterson (ll) Oil on canvas 30 x 25 inches (76.2 x 63.5 cm)

48 Jane Peterson American, 1876-1965 Climbing Morning Glories Signed Jane Peterson (ll) Ink on paper 12 1/2 x 9 1/2 inches (31.7 x 24.1 cm)

Provenance: Estate of the Artist Sale, O. Rundle Gilbert, Ipswich, MA, Estate of Jane Peterson Philip, Aug. 9-10, 1966, lot 299 Sale, Skinner, Boston, May 29, 2015, lot 346 Private Collector, San Francisco Dryads Green Gallery, New York C $3,000-5,000

Provenance: Marvin Sadik, Falmouth, ME D. Wigmore Fine Art, New York Private collection, New York Exhibited: New York, NY, Argent Galleries, National Association of Women Artists Little Rock, AR, Arkansas Art Center, Collectors’ Show and Sale, 2010 C $600-800

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50 recto 52

49 John Marshall Gamble American, 1863-1957 Coastal Nocturne Signed J. M. Gamble and dated 1896. Oil on canvas 18 1/8 x 26 1/8 inches (46 x 66.4 cm) C $4,000-6,000

50 Robert Henri American, 1865-1929 Harbor Scene, France and Woman by a Cottage: a Double-sided work Numbered 173A 2 (ul, recto) Oil on panel Sight of recto 3 1/2 x 5 5/8 inches (8.9 x 14.3 cm) Provenance: Davis Galleries, New York With Hirschl & Adler Galleries, New York, Inv. no. 9686 C $3,000-5,000

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51 Robert Henri American, 1865-1929 Trees and Sky, Black Walnut, 1902 Titled and dated and numbered 154 A/2 on the reverse Oil on panel Sight size 4 3/4 x 6 inches (12 x 15.2 cm) Provenance: Davis Galleries, New York With Hirschl & Adler Galleries, New York, Inv. no. 9687A C $3,000-5,000

52 Martha Walter American, 1875-1976 Luxembourg Garden Signed Martha Walter (ll); inscribed #989/Leaving/ Luxembourg Garden/Reluctantly on the reverse Oil on board 7 7/8 x 10 5/8 (20 x 27 cm) Provenance: Hammer Galleries, New York, no. 22514-4 C Estate of Patricia Patterson $4,000-6,000

53 Martha Walter American, 1875-1976 Girl with Pink Bonnet Estate stamped and numbered 101 on the reverse Oil on board 17 3/4 x 13 7/8 inches (45 x 35.3 cm)

54 Martha Walter American, 1875-1976 Still Life with Flowers Signed Martha Walter (ll); inscribed Woodmere Fall Show 1958 on the stretcher Oil on canvasboard 20 x 24 inches (50.8 x 61 cm)

Provenance: Estate of the Artist David David Inc., Philadelphia C Estate of Laura M. Mako $2,000-3,000

Provenance: David David, Inc., Philadelphia Hammer Galleries, New York, Inv. no. 21122 Exhibited: Philadelphia, Woodmere Art Museum, 1958 (possibly) C Estate of Laura M. Mako $2,000-4,000

55 Henry Salem Hubbell American, 1870-1949 The Chinese Lantern, circa 1916 Signed H. S. Hubbell (ll) Oil on board 17 1/2 x 13 inches (44.5 x 33 cm) Literature: McKissick Museum, University of South Carolina, The Figurative Paintings of Henry Salem Hubbell, An Elegance Rediscovered, 1998, p. 20, no. 75, illus. p. 26 Jay Williams, American Art Review, Henry Salem Hubbell, Vol. X, No. 5, Oct. 1998, p. 5, illus. p. 6 C $2,000-4,000

56 William Wallace Gilchrist, Jr. American, 1879-1926 Nude, 1919 Signed and dated W. W. Gilchrist J./1919 (lr); inscribed W. Gilchrist/Reverie on the reverse Oil on cradled board 18 1/4 x 24 inches (46.4 x 61 cm) Exhibited: Philadelphia, Pennsylvania Academy, 118 Annual Exhibition, 1923, no. 356 Literature: Art In America, Winter 1957-58, p. 17 C $5,000-7,000

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60 58

57 Everett Lloyd Bryant American, 1864-1945 River on a Spring Day Estate stamped twice on the stretcher, with Ref. no. 3 Oil on canvas 25 1/8 x 30 1/8 inches (63.8 x 76.5 cm) Provenance: Estate of the Artist, thence by descent in the family Private collection, acquired directly from the family of the artist C $2,500-4,500

58 Everett Lloyd Bryant American, 1864-1945 Amongst the Water Lilies Signed E. L. Bryant (lr); estate stamped twice on the stretcher with reference number15 Oil on canvas 24 7/8 x 29 3/4 inches (63.2 x 75.5 cm) Provenance: Estate of the Artist, thence by descent in the family Private collection, acquired directly from the family of the artist C $1,500-2,500

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59 Paul King American, 1867-1947 In Blue Waters , 1941 Signed Paul King (lr); signed Paul King, dated 1941 and inscribed as titled on the reverse Oil on Masonite 25 1/8 x 30 inches (63.81 x 76.2 cm) C $4,000-6,000

60 Paul King American, 1867-1947 Snug Harbor Signed Paul King (lr); inscribed as titled on the stretcher Oil on canvas 25 1/4 x 30 inches (64.1 x 76.2 cm) Provenance: The Connoisseur Gallery, Bernardsville, New Jersey C $2,000-4,000

61 Charles Henry Ebert American, 1873-1959 Lieutenant River Connecticut Signed Ebert (ll); Estate stamped on the reverse and on the stretcher Oil on canvas 30 x 41 1/2 inches (76.2 x 102.9 cm)

62 Guy Carleton Wiggins American, 1883-1962 Golden Autumn, Lyme, Conn., 1938 Signed Guy Wiggins (lr); titled and dated on the reverse Oil on canvas 24 x 30 inches (61 x 76.2 cm)

Provenance: Spanierman Gallery, LLC, New York

Provenance: Sale, Shannon’s, Milford, CT, Apr. 28. 2005, lot 76 Sale, Waddington’s, Toronto, Dec. 11, 2012, lot 13 C $4,000-6,000

Exhibition: Chicago, IL, R. H. Love Galleries, Inc., American Winter Scenes of Yesteryear, Dec. 14, 1996 - Feb. 8, 1997 Laguna Beach, CA, Laguna Art Museum, Colonies of American Impressionism: Cos Cob, Old Lyme, Shinnecock, and Laguna Beach, Jan. 9 April 11, 1999 C $3,000-5,000

63 John Fabian Carlson American 1974/5-1945 Summer Sketch #2 Inscribed as titled on the reverse Oil on canvasboard 12 x 13 5/8 inches (30.5 x 34.6 cm) Provenance: Estate of the Artist With Vose Galleries of Boston Registered with the Vose Galleries of Boston Picture Authentication Registry no. 302; estate no. 194 C $1,500-2,500

64 John Fabian Carlson American 1974/5-1945 Spring Melody, circa 1940 Signed John F. Carlson (ll); titled and inscribed with artist’s name on the reverse Oil on canvasboard 10 x 8 inches (25.4 x 20.2 cm) Provenance: Estate of the Artist With Vose Galleries of Boston, no. C-268 Babcock Galleries, New York, no. C18293 Registered with the Vose Galleries of Boston Picture Authentication Registry C $1,200-1,800

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65 Gifford Beal American, 1879-1956 Bringing in the Catch Signed Gifford Beal (ll) Oil on board 14 x 17 3/4 inches (35.6 x 54.1 cm) Provenance: Edith Beal Tuttle, the artist’s granddaughter Sale, Shannon’s, Milford, CT, Oct. 29, 2009, lot 26 Private collection, CT C $5,000-7,000

66 Gifford Beal American, 1879-1956 Pink Sky Stamped with estate stamp on the reverse Oil on canvasboard 8 x 10 inches (20.3 x 25.4 cm) Provenance: Estate of the artist Edith Beal Tuttle, the artist’s granddaughter Sale, Shannon’s, April 29, 2009, lot 193(b) Private collection, CT C $1,000-1,500

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67 John William Bentley American 1880-1951 Back of the Village Green, 1943 Signed John W. Bentley (ll) Oil on canvasboard 12 x 16 inches (30.48 x 40.64 cm) C $1,200-1,800

68 William Lester Stevens American, 1888-1969 Thru the Window Signed W. Lester Stevens N. A. (ll); signed W. Lester Stevens and inscribed with size and as titled on the reverse Oil on Masonite 24 x 36 inches (61 x 91.4 cm) C $5,000-7,000

69 Margaret Goddard Carlson American, 1882-1964 Woman in a Glade Signed Margaret G. Carlson (lr) Oil on canvas laid to board 10 3/8 x 8 1/4 inches (26.3 x 21 cm) C $800-1,200

70 Ernest Fiene German/American, 1894-1965 Big Deep, Woodstock, 1922 Signed and dated Ernest Fiene 1922 (lr); inscribed Fiene on the stretcher Oil on canvas 20 x 16 inches (50.8 x 40.6 cm) C $1,500-2,500

71 Ernest Fiene German/American, 1894-1965 Low Tide At Noon Signed E. Fiene (lr); inscribed Ernest Fiene and as titled on the stretcher Oil on canvas 25 7/8 x 36 inches (65.7 x 91.5 cm) C $2,000-3,000

72 Charles Rosen American, 1878-1950 The Bridge, 1918 Signed CHARLES ROSEN (ll); titled and dated on the stretcher Oil on canvas 20 x 24 inches (50.8 x 61 cm) C $3,000-5,000

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73 Antoine Bourdelle French, 1861-1929 Masque du Beethoven Marked with cypher and inscribed with copyright symbol and BY BOURDELLE VI; inscribed BUSATO-fond. on the left side of the base Bronze with dark brown patina Height 9 1/2 inches (24.1 cm) C Estate of Patricia Patterson $3,000-5,000

74 Harriet Whitney Frishmuth American, 1880-1980 Vide-Poche, with Jester and Two Owls, 1911 Signed HARRIET W. FRISHMUTH, inscribed and dated Copyright 1911 and stamped GORHAM CO. FOUNDERS/0IL Bronze with gold and brown patina Height 2 3/8 inches (6 cm); width 10 inches (25.4 cm) C Property from the Estate of Miriam K. Rothenberg $1,500-2,500

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76 75 Abastenia St. Leger Eberle American, 1878-1942 Hide and Seek, 1911: A Pair of Bookends Signed A. Eberle./Cop. 1911., the girl inscribed II; each stamped CAST BY GRIFFOUL NEWARK, NJ and THEODORE B. STARR INC. NEW YORK on the bases Bronze with green/brown patina Height of each 6 3/4 inches (17.1 cm) C $1,500-2,500

76 Attributed to Adolf Wolff The Family, circa 1940 Signed A. Wolff Terracotta Height 25 1/2 inches (64.77 cm) C $2,500-3,500

78 77 Sir Jacob Epstein British/American, 1880-1959 Second Portrait of Kitty with Short Hair Signed Epstein Bronze on stone base Height with base 15 1/2 inches (39.37 cm) C $3,000-5,000

80 78 Grigory Gluckmann Russian, 1898-1973 Lawn Party Signed GLUCKMANN (lr) Oil on panel 15 3/4 x 11 1/2 inches (40 x 29.2 cm) Provenance: Dalzell Hatfield Galleries, Los Angeles C Estate of Laura M. Mako $1,500-2,500

79 Max Weber American, 1881-1961 Standing Female Nude, 1911 Signed and dated Max Weber 1911 (lr) Watercolor, gouache and charcoal on paper 24 1/4 x 11 inches (61.5 x 27.9 cm) C $4,000-6,000

80 Max Weber (1881-1961) THE BALCONY (RUBENSTEIN 82) Lithograph, 1929, signed in pencil, with good or full margins, framed. Image 7 1/4 x 8 5/8 inches; 184 x 219 mm. C $600-800

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81 Herbert Bolivar (Judy) Tschudy American, 1874-1946 Fulton Ferry - Evening, N.Y., 1914 Signed H. B. Tschudy (ll); titled on the stretcher Oil on canvas 20 x 16 inches (50.8 x 40.6 cm)

82 William Samuel Horton American, 1865-1936 Tower Shadows No. 2, 1930 Signed and dated W. S. Horton 1930 (lr) Pastel on light brown paper 18 7/8 x 24 1/4 inches (48 x 61.5 cm)

Provenance: Sarah Hunter Kelly, New York Sale, Sotheby’s, New York, Sep. 24, 1998, lot no. 160 R. H. Love Galleries, Inc., Chicago Sale, Doyle, New York, Dec. 3, 2003, lot 257 C $2,500-3,500

With label from the The Art Exhibitions Bureau, London affixed to the backing board. C $1,200-1,800

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84 83 Walter Stuempfig American, 1914-1970 The Boatsmen Signed Stuempfig (lr) Oil on canvas 22 1/8 x 30 1/8 inches (56.2 x 76.5 cm) Provenance: Durlacher Bros., New York Alfred Corning Clark, New York Hirschl & Adler Galleries, New York Private collection, acquired from the above, 1981 Exhibited: Southampton, NY, The Parrish Art Museum (possibly - there is an old musuem label affixed to the backing board) C $2,000-4,000

84 Alfred Mira American, 1900-1981 Urban Grocery Signed Mira (lr) Oil on board 20 x 16 inches (50.8 x 40.6 cm) C $2,000-3,000

86 88 85 Emma Fordyce MacRae American, 1887-1974 Bethesda Fountain with The Dakota in the Background, Central Park, New York Signed Emma Fordyce MacRae (ll), stamped with estate stamp on the reverse Oil on Masonite 16 x 20 inches (40.6 x 50.8 cm) Provenance: Estate of the artist C $3,000-5,000

86 Emma Fordyce MacRae American, 1887-1974 By Bethesda Fountain, Central Park Signed Emma Fordyce MacRae (ll); Estate stamped on the reverse Oil on Masonite 18 x 26 inches (45.7 x 66 cm) Provenance: Estate of the artist C $4,000-6,000

87 Adolf Arthur Dehn American, 1895-1968 Spring Blossoms, Central Park Signed Adolf Dehn (lr); titled on the verso Watercolor and gouache on paper 20 x 27 7/8 inches (50.8 x 70.8 cm) C $3,000-5,000

88 Johann Berthelsen American, 1883-1972 Washington Square Signed Johann Berthelsen (lr) Oil on canvas 16 1/4 x 12 inches (41.27 x 30.48 cm) C $2,000-3,000

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92 part

90 89 Allen Dean Cochran American, 1888-1971 Portrait of a Lady Signed Allen D. Cochran (lr) Oil on canvas 30 x 25 inches (76.2 x 63.5 cm) C $1,000-1,500 90 Robert Kulicke American, 1924-2007 Vase of Flowers, 1975 Signed and dated Kulicke 75 (lc) Oil on canvasboard 10 7/8 x 8 3/4 inches (27.6 x 22.2 cm) C $2,000-3,000 28

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91 Robert Kulicke American, 1924-2007 Apples, 1975 Signed and dated Kulicke 75 (lc) Oil on canvasboard 5 1/4 x 8 1/4 inches (13.3 x 21 cm) C $1,500-2,500

92 Robert Kulicke American, 1924-2007 (i) Apple Signed Bob K. (ur), initialed RMK (lc), inscribed a sketch for June (ul) Oil on card, framed with a student work, signed Jane Maslin (lr) Each sight size 5 x 5 1/4 inches (12.7 x 13.33 cm) (ii) Pear, 1978 Signed Bob K. (ur), Kulicke and dated 78 (lc), inscribed for June (ul) Oil on card, framed with a student work, signed Jane Maslin (lr) Each sight size 5 1/2 x 5 inches (13.97 x 12.7 cm) C $2,000-3,000

93 Moses Soyer American, 1899-1974 Four Dancers in Orange Signed M. Soyer (ur) Oil on canvas 30 x 25 1/4 inches (76.2 x 64.13 cm) Provenance: ACA Galleries, New York C $5,000-7,000 94 Moses Soyer American, 1899-1974 Dancer in Blue Skirt Signed M. Soyer (lr) Oil on canvas 37 x 18 inches (93.98 x 45.72 cm) Provenance: Charles Renthal, New York C $3,000-5,000

95 Margaret Keane American, b. 1927 Alone Signed KEANE (ll); inscribed on the reverse 30 x 14 inches (76.2 x 35.5 cm)

The authentication of this work has been confirmed by the Keane Eyes Gallery. C $3,000-5,000 96 Margaret Keane American, b. 1927 Young Girl Bears signature KEANE (ul) Oil on canvas 12 x 9 inches (30.5 x 22.8 cm) The authentication of this work has been confirmed by the Keane Eyes Gallery. C $1,000-1,500

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100

97 John Whorf American, 1903-1959 Farm in Winter Signed John Whorf (ll) Watercolor and gouache on heavy paper 22 x 28 inches (55.9 x 71.1 cm) Provenance: Sale, Swann Galleries, New York, Jun. 13, 2013, lot 123 C $3,000-5,000

98 Henry Gasser American, 1909-1981 Harbor Vista Signed H. GASSER (lr) Watercolor on paper laid down on board 22 1/4 x 30 1/4 inches (56.5 x 76.8 cm) C $4,000-6,000

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99 Henry Gasser American, 1909-1981 View of Slag Valley Signed H. Gasser (lr) and inscribed as titled and stamped with artist’s stamp on the reverse Watercolor on paper laid to paperboard 22 1/2 x 25 3/4 inches (57.15 x 65.4 cm) C $3,000-5,000

100 Henry Gasser American, 1909-1981 Winter Village Signed H. GASSER (lr) Watercolor and gouache with white highlights on board 16 1/8 x 19 inches (41 x 48.3 cm) C $2,000-3,000

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101 Hayley Lever American, 1876-1958 The White Villa Signed Hayley Lever (ll) Watercolor over traces of pencil on paper 9 x 11 1/4 inches (22.8 x 28.6 cm) C $700-1,000

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102 Orville Bulman American 1904-1978 Parapluie, 1954 Signed Orville Bulman, dated 1954 and inscribed as titled on the reverse Oil on canvas 20 x 18 inches (50.8 x 45.7 cm) C $4,000-6,000

103 Orville Bulman American, 1904-1978 Maison Jaune, 1945 Signed Bulman (lr); titled, signed and dated on the reverse Oil on canvas 20 x 18 inches (50.8 x 45.7 cm) C Estate of a Palm Beach Heiress $5,000-7,000

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104

104 Orville Bulman American, 1904-1978 Le Chagrin, 1963 Signed Bulman (lr); titled, signed and dated on reverse; inscribed Bulman.../Dunes W I; 8 x 10 Dutch Ant on an old label affixed to the frame Oil on Masonite 10 1/8 x 8 inches (25.6 x 20.2 cm) Provenance: Palm Beach Galleries, Palm Beach, FL C Estate of a Palm Beach Heiress $4,000-6,000

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105 Orville Bulman American, 1904-1978 Taquine, 1963 Signed Bulman (cr); titled, signed and dated on the reverse Oil on board 10 1/16 x 8 inches (25.5 x 20.2 cm) Provenance: Hammer Galleries, New York C Estate of a Palm Beach Heiress $4,000-6,000

FINE MODERN ART

Lot 180

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107 109 106 Kees van Dongen (1877-1968) CÉRÈS (BUSTE DE FEMME) (JUFFERMANS JM 8) Color heliogravure and offset lithograph, 1948, on Rives BFK paper, signed and numbered 115/200 in pencil, published by Éditions Carmen Guillard, Paris, with full margins, unframed. Image 22 5/8 x 18 1/8 inches; 575 x 460 mm. Sheet 29 5/8 x 22 1/8 inches; 752 x 562 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500

107 After Georges Braque (1882-1963) GRAND OISEAU BLEU (MAEGHT 1016) Color lithograph, 1956, on wove paper, signed and numbered 77/95 in pencil, with good or full margins, framed. Image 14 3/4 x 41 1/4 inches; 375 x 1048 mm. Sheet 22 x 44 inches; 559 x 1118 mm. C $700-1,000

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108 Marc Chagall (1887-1985) NICE SOLEIL FLEURS—LA BAIE DES ANGES (MOURLOT 350) Color lithograph, 1962, on smooth wove paper, signed and dated in ink, from the edition of 5000 (of which an unknown number were signed), published by Éditions Commissariat au Tourisme Français, Paris, the full sheet (folded in the bottom margin), framed. Sheet 39 x 24 3/4 inches; 991 x 629 mm. C $800-1,200

109 After Pablo Picasso (1881-1973) TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 155/200 in pencil, with full margins, unframed. Image 25 5/8 x 19 3/4 inches; 651 x 502 mm. Sheet 29 1/8 x 21 1/2 inches; 740 x 546 mm. C Estate of Carl Lesnor $3,000-4,000

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110 Claude Venard French, 1913-1999 Still Life with Coffee Grinder, Glass with Pipes and Window Signed C. Venard (lr) Oil on canvas 14 x 10 5/8 inches (35.56 x 26.98 cm) Provenance: Arthur Tooth & Sons Ltd., London C $2,000-3,000

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111 Mario Sironi Italian, 1885-1961 Untitled Signed Sironi (lr) Tempera on paperboard 8 1/2 x 20 inches (21.59 x 50.8 cm) Provenance: Cadby-Birch Gallery, New York C $3,000-5,000

112 Nat Werner American, 1908-1991 Female Torso, 1956 Signed Werner and dated â&#x20AC;&#x2DC;56 Wood on wood base Total size 22 1/2 x 39 x 4 5/8 inches (57.15 x 99 x 11.74 cm) C $1,000-1,500

113 Nathaniel Kaz American, 1917-2010 Family Initialed NK Wood on stone base Total height with base 22 3/4 inches (57.78 cm) C $1,000-1,500

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114 part

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115 114 Rosalind Bengelsdorf American, 1916-1979 (i) Untitled, 1937 Signed Rosalind Bengelsdorf and dated 1937 (lr) Offset lithograph from 1937 American Abstract Artists portfolio Image size 7 x 9 1/2 inches (17.78 x 24.13 cm), sheet size 9 1/4 x 12 inches (23.49 x 30.48 cm) (ii) Untitled, 1937 Graphite and litho crayon on paper 9 3/8 x 12 inches (23.81 x 30.48 cm) (iii) Untitled, 1937 Graphite and litho crayon on paper 9 1/4 x 12 inches (23.49 x 30.48 cm) (iv) Untitled, 1937 Signed R. Bengelsdorf (lr) Graphite, ink and white gouache on paper 9 1/4 x 12 inches (23.49 x 30.48 cm) (v) Untitled, 1937 Signed R. Bengelsdorf (ll) Graphite and ink on paper 9 1/4 x 12 inches (23.49 x 30.48 cm) C $5,000-7,000 34

DOYLE • MARCH 10, 2020 • NEW YORK

115 Rosalind Bengelsdorf American, 1916-1979 Study for Painting, 1936-37 Signed Rosalind Bengelsdorf, dated 1937 and inscribed as titled on the reverse Graphite on card 8 1/2 x 11 1/2 inches (21.59 x 29.21 cm) Exhibited: New York, American Fine Arts Society, America Abstract Artists Annual Exhibition, Feb. 14-28, 1938, C $1,200-1,800

116 Werner Drewes German/American, 1899-1985 Untitled Abstraction, 1942 Signed with artist’s device and dated 42 (lr), signed with artist’s device on the reverse, signed Drewes and numbered M2.83 on the stretcher Oil on canvas 19 x 25 inches (48.26 x 63.5 cm) Provenance: Collection of Helene Trosky, Purchase, NY Private collection C $5,000-7,000

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117 Thomas B. Eldred American, 1903-1993 (i) Abstract # 11, 1941 Signed Eldred and dated ’41 (lr) Gouache and ink with traces of graphite on paper Image 11 7/8 x 8 inches (30.16 x 20.32 cm)

118 Thomas B. Eldred American, 1903-1993 (i) Abstract # 4, 1942 Signed Eldred and dated ’42 (ll) Gouache and ink on paper 18 x 12 1/4 inches (45.7 x 31.1 cm)

Provenance: Connor-Rosenkranz Gallery, New York Private collection, New York

(ii) Abstract # 9, 1942 Signed Eldred and dated ’42 (lr) Gouache and ink on paper 12 3/4 x 9 5/8 inches (32.4 x 24.5 cm) Unframed C $1,000-1,500

Exhibited: Little Rock, AR, Arkansas Art Center, 48th Collectors Show and Sale, Nov. 11, 2016 - Jan. 8, 2017. (ii) Abstract # 3, 1942 Signed Eldred and dated ’42 (lr) Gouache and ink on paper 12 1/4 x 18 inches (31.11 x 45.72 cm) Unframed C $1,000-1,500

119 Rolph Scarlett American, 1889-1984 Geometric, circa 1945 Gouache and graphite on card 8 1/2 x 10 inches (21.59 x 25.4 cm) Provenance: Conner-Rosenkranz Gallery, New York Private collection, New York C $800-1,200 120 George L.K. Morris American, 1905-1975 Space - Recession, 1954 Signed Morris (lr), signed G.L.K. Morris, dated 1954 and inscribed as titled on a label affixed to reverse, signed George L.K. Morris, dated 1954 and inscribed as titled on the stretcher Oil on canvas 14 x 17 3/4 inches (35.56 x 45.08 cm) C $4,000-6,000

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121

122 121 Konrad Cramer German/American, 1888-1963 Castles in the Air Monogramed and dated KC. 17. (lr) Tempera over traces of pencil on card Sight size 11 x 9 3/4 inches (27.94 x 24.76 cm) Provenance: Franz Hanfstaengl Gallery, New York C Estate of Patricia Patterson $1,200-1,800

122 Konrad Cramer German/American, 1888-1963 Fruit in Bowl Monogramed and dated KC. 17. (lr) Tempera over traces of pencil on card 11 x 9 7/8 inches (27.94 x 25.08 cm) Provenance: Frans Hanfstaengl Gallery, New York C Estate of Patricia Patterson $1,200-1,800

DOYLE • MARCH 10, 2020 • NEW YORK

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124 123 Charles Sebree American, 1914-1985 Seated Figure, 1938 Signed C. Sebree and dated 38 (lr) Gouache on paper laid to board 18 x 14 inches (45.72 x 35.56 cm) C $2,000-4,000

124 Carl Adolph Büchner South African, 1921-2003 Untitled (Musician) Signed Büchner (ul) Oil on Masonite 40 x 36 inches (101.6 x 91.44 cm) C A La Jolla Family Collection $2,000-3,000

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126 part 125 Frans Martin Claerhout South African, 1919-2006 Untitled, Harvester Signed F Claerhout (ll) Oil on Masonite 23 3/4 x 11 3/4 inches (60.32 x 29.84 cm) C A La Jolla Family Collection $1,200-1,800

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126 Lester Frederick Johnson American, 1910-2010 (i) Untitled, 1961 Signed Lester Johnson and dated 1961 (lr) Pastel on paper 19 3/4 x 12 3/4 inches (50.16 x 32.38 cm) (ii) Man’s Head, B, 1961 Signed Lester Johnson (lr) Pastel on paper 12 3/4 x 19 5/8 inches (32.4 x 49.8 cm) Provenance: Zabriskie Gallery, New York C $800-1,200

127 Carl Robert Holty American, 1900-1973 Untitled (Blue Green) Signed Holty (lr) Oil on canvas 15 x 23 inches (38.1 x 58.42 cm) Provenance: Graham Gallery, New York Salander-O’Reilly Galleries, New York Sale, Doyle New York, Doyle + Design, Apr. 12, 2011, lot 30

128 Carl Robert Holty American, 1900-1973 Don Quixote Signed Carl Holty (ll) Watercolor on paper laid to card 10 1/2 x 8 inches (26.67 x 20.32 cm) C $1,000-1,500

Exhibited: Rochester, New York, Memorial Art Gallery C $3,000-5,000

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129 Gandy Brodie American, 1925-1975 Giotto’s Campanile, 1953 Signed Gandy Brodie, dated 4...53 and inscribed indistinctly on the reverse, inscribed as titled on the backing Pastel and acrylic on paper 15 3/4 x 20 1/8 inches (40 x 51.11 cm) C $800-1,200

130 Gandy Brodie American, 1925-1975 Landscape Near Florence, 1955 Signed Gandy Brodie, dated 1955 and inscribed Florence on the reverse Pastel and watercolor on paper 15 1/2 x 20 inches (39.37 x 50.8 cm) Provenance: Robert Schoelkopf Gallery, New York Baltimore Museum of Art (Rental Gallery), Baltimore C $800-1,200

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131 Gandy Brodie American, 1925-1975 Untitled (Orange Sailboat), 1955 Signed Gandy Brodie, dated 1955 and inscribed indistinctly on the reverse, inscribed Orange Sailboat on the backing Pastel and watercolor on paper 15 3/4 x 20 inches (40 x 50.8 cm) C $800-1,200

132 Gandy Brodie American, 1925-1975 Sta. Maria Novella Firenze Signed Gandy Brodie, inscribed Firenze and dated indistinctly on the reverse, inscribed as titled on the backing Pastel and arcylic on paper 15 3/4 x 20 inches (40 x 50.8 cm) C $800-1,200

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136 134 133 Emory Ladanyi Hungarian/American, 19021986 Untitled, 1962 Signed Ladanyi and dated 62 (lr) Oil on canvas 36 x 30 inches (91.44 x 76.2 cm) Unframed C $1,000-1,500

134 Yu Chian Chia Malaysian, 1936-1991 Street Scene, 1962 Signed Yu Chian and dated 1962 (ul), artistâ&#x20AC;&#x2122;s metal label affixed to stretcher, Yu Chian Art Gallery stamp on stretcher Oil on canvas 30 x 19 3/4 inches (76.2 x 50.16 cm) C $2,000-3,000

135 Esteban Vicente Spanish/American, 1903-2001 Untitled, 1985 Signed Esteban Vicente and dated 1985 (lr), inscribed to David (ll) Pastel, collage and wash on paper Sheet size 30 x 22 inches (76.2 x 55.88 cm) C $4,000-6,000

136 Esteban Vicente Spanish/American, 1903-2001 Untitled Inscribed to David/my great friend/Esteban Vicente (lr) Paper collage and watercolor on paper 7 1/8 x 8 inches (18.09 x 20.32 cm) Provenance: Gallery of Graphic Arts, Ltd., New York C $3,000-5,000

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137 Albert Kotin American, 1907-1980 Shriek (AK0263), 1966 Signed Albert Kotin, dated 1966 and inscribed Shriek A Diptych each panel on the reverse Oil on canvas Each 60 x 48 inches (152.4 x 121.92 cm) C $5,000-7,000 138 Albert Kotin American, 1907-1980 Woodwind (AK0230) Signed Albert Kotin on the reverse Oil on canvas 50 1/2 x 68 1/2 inches (128.27 x 173.99 cm) C $3,000-5,000

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139 Albert Kotin American, 1907-1980 Abstraction (AK0441) Inscribed #0441 on the reverse Oil on canvas 20 x 10 inches (50.8 x 25.4 cm) C $1,200-1,800 140 Albert Kotin American, 1907-1980 (i) Two Faces (AK0239) Stamped with estate stamp and numbered AK0239 on the reverse Watercolor on paper 11 3/4 x 9 inches (29.84 x 22.86 cm) (ii) Seated Figure (AK0845), a double sided work Signed Kotin (lr) Ink on paper 10 x 7 1/4 inches (25.4 x 18.41 cm)

(iii) Seated Figure (AK0844) Signed Kotin (ll) Ink on paper 10 x 7 3/4 inches (25.4 x 19.68 cm) (iv) Seated Figure (AK0843), a double sided work Signed Kotin (lr) Ink on paper 9 x 6 inches (22.86 x 15.24 cm) C $700-900

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141 Albert Kotin American, 1907-1980 Abstract (AK0697) Stamped with estate stamp and numbered 0697 on the reverse Gouache on paper 16 x 12 inches (40.64 x 30.48 cm) C $500-700 142 Fred Mitchell American, 1923-2013 Untitled Signed MF Mitchell (lr) Oil on Masonite 15 x 24 inches (38.1 x 60.96 cm) C $1,000-1,500

143 John Opper American, 1908-1994 Untitled, 1966 Signed John Opper and dated 66 (lr) Painted paper collage on card 11 x 14 inches (27.94 x 35.56 cm) C $400-600

144 Luis Feito Spanish, b. 1929 (i) Noel, 1974 Signed Feito (ll) Collage on folded card 10 5/8 x 5 1/4 inches (26.98 x 13.33 cm) (ii) Noel, 1975 Signed Feito (ll), inscribed Noel and dated 1975 (lr) Collage on paper 19 x 17 1/2 inches (48.26 x 44.45 cm) (iii) Untitled, 1975 Signed Feito (lr), dated Octobre, 1975 (lc) Colored pencil and collage on paper 26 x 20 inches (66.04 x 50.8 cm) C $1,000-1,500

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148 part

146 145 Luis Feito Spanish, b. 1929 1675-NY, 1993 Signed Feito, dated 1993 and inscribed 1675-NY on the reverse Acrylic on canvas 18 x 24 inches (45.72 x 60.96 cm) C $3,000-5,000

146 Luis Feito Spanish, b. 1929 Untitled, 1990 Signed Feito and dated 90 (lr) Mixed paper collage on paper 45 1/2 x 31 1/4 inches (115.57 x 79.37 cm) C $1,500-2,500

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147 Luis Feito Spanish, b. 1929 (i) 1324, 1984 Signed Feito, dated 1984 and numbered 1324 on the reverse Acrylic on canvas 20 x 16 inches (50.8 x 40.64 cm) (ii) 1325, 1984 Signed Feito, dated 1984 and numbered 1325 on the reverse Acrylic on canvas 20 x 16 inches (50.8 x 40.64 cm) C $3,000-5,000

148 Luis Feito Spanish, b. 1929 (i) Untitled, 1984 Signed Feito (ll), signed Feito and dated N.Y. 3-8-1984 (lr) Watercolor on paper 10 1/4 x 15 7/8 inches (26.03 x 40.32 cm) (ii) Untitled Signed Feito (ll) Watercolor on paper 11 1/4 x 13 inches (28.57 x 33.02 cm) C $800-1,200

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149 Jose Luis Sanchez Spanish, 1926-2018 Untitled Signed Jose Luis Sanchez and numbered P/A at lower edge Bronze with black patina 21 1/2 x 25 x 11 1/2 inches (54.61 x 29.21 cm) C $3,000-5,000

150 James Guitet French, 1925-2010 80/80-10-81, 1981 Signed James Guitet, dated 1981 and inscribed as titled on the reverse Oil on cut canvas 21 1/2 x 31 1/2 inches (54.61 x 80.01 cm) (ii) Untitled, 1976 Signed James Guitet and dated 1976 (ur) Ink and mixed paper collage on paper 22 1/2 x 7 1/2 inches (57.15 x 19.05 cm) C $1,800-2,200

151 AndrĂŠ Marfaing French, 1925-1987 Untitled Signed Marfaing (lr) Oil on canvas 9 1/2 x 7 1/2 inches (24.13 x 19.05 cm) C $4,000-6,000

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152 part

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153 152 Peter Milton (b. 1930) THE GARDEN; CARD HOUSE (JOHNSON/MILTON 45; 93) Two etchings and engravings, 1966 and 1974, respectively, signed, dated and titled, the first numbered 16/50, the second inscribed ST.PR.#8 3/9 in pencil, with full margins, framed. Larger plate 19 x 30 inches; 483 x 762 mm. C $1,000-1,500

153 Frederick Hutchison Page South African, 1908-1984 District 6, Cape Town, 1970 Signed Page and dated 70 (lr) Acrylic on board 27 1/2 x 34 3/4 inches (69.85 x 88.26 cm) Provenance: Wolpe Gallery, Cape Town C A La Jolla Family Collection $4,000-6,000

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155 154 Wilhelmina Barns Graham British, 1912-2004 Autumn Dusk, 1978 Signed W Barnes Graham and dated 1978 on the mat Ink and watercolor on paper Sight size 7 1/2 x 5 5/8 inches (19.05 x 14 2/8 cm) Provenance: The New Art Center, London C $3,000-5,000

155 Yuri Kuper Russian/French, b. 1940 Palette Knife Oil on canvas 79 x 79 inches (200.66 x 200.66 cm) Provenance: Galerie Claude Bernard, New York C Estate of a Gentleman, Park Avenue and Southampton, New York $4,000-6,000

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156 Boris Zaborov Russian, b. 1937 Untitled (Young Woman and Dog), 1985 Signed Zab in Cyrillic and dated â&#x20AC;&#x2DC;85 (lr) Acrylic on canvas 76 1/2 x 50 3/4 inches (194.31 x 128.9 cm) Provenance: Galerie Claude Bernard, New York C Estate of a Gentleman, Park Avenue and Southampton, New York $4,000-6,000

157 Mihail Chemiakin Russian, b. 1943 Untitled (Figures and Dog), 1977 Signed M. Chemiakin and dated 77 (lr), signed M. Chemiakin and dated 1977 on the reverse Ink and watercolor on paper 12 1/2 x 12 1/2 inches (31.75 x 31.75 cm) C Estate of a Gentleman, Park Avenue and Southampton, New York $2,500-3,500

158 Rainer Fetting German, b. 1949 Untitled, 1987 Signed Fetting and dated 87 (ll) Acrylic on paper 39 1/2 x 28 1/2 inches (100.33 x 72.39 cm) C $4,000-6,000

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159 Jan Müller German/American, 1922-1958 The Yellow Path Pastel on paper 8 7/8 x 12 inches (22.5 x 30.5 cm) Provenance: Spanierman Gallery, New York Exhibited: New York, Spanierman Gallery, American Works on Paper, 1800 to the Present, Apr. 1 May 1, 2010, p. 48, illus. C $1,000-1,500

160 John Seery American, b. 1941 Canto, 1974 Signed John Seery, dated 1974 and inscribed as titled Acrylic on canvas 56 x 50 1/2 inches (142.24 x 128.27 cm) Provenance: André Emmerich Gallery, New York Exhibited: John Seery: Paintings, Oct. 18 - Nov. 24, 1974, Madison Art Center, Madison, WI C $3,000-5,000

DOYLE • MARCH 10, 2020 • NEW YORK

161 Robert Natkin American, 1930-2010 SHEMA #1, 1976 Signed Natkin (ll); inscribed Shema #1, dated 1976 and inscribed For Arthur and Will Aeder with love from Bob and Judy on the stretcher Oil on canvas 36 x 35 1/2 inches (91.44 x 90.17 cm) C $3,000-5,000

162 Robert Goodnough American, 1917-2010 On Gray Pink, 1988 Signed Goodnough and dated 88 (lr), signed Goodnough, numbered G-331/10445, dated 1988 and inscribed as titled on the reverse Oil and acrylic on canvas 26 x 48 inches (66.04 x 121.92 cm) C $2,000-3,000

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164 163 John Heliker American, 1909-2000 Landscape with Trees Signed Heliker (lr) Oil on canvas 26 1/2 x 26 1/2 inches (67.31 x 67.31 cm) Provenance: Kraushaar Galleries, New York C $2,000-4,000

166 164 Yaacov Agam (b. 1928) COMPOSITION Agamograph, signed and numbered 60/99 in ink, the full sheet, framed. Image 19 1/8 x 19 1/8 inches; 486 x 486 mm. Sheet 32 1/2 x 32 inches; 826 x 813 mm. C $700-1,000

165 Ernst Benkert American, 1928-2010 True Cross, 1994 Inscribed Norfolk and dated July 29, 1994 (lr) India ink on paper 26 x 19 7/8 inches (66.04 x 50.48 cm) Provenance: Gift from the artist Thence by descent to the estate C $700-900

166 Jacob Kainen American, 1909-2001 Logos II, 1995-96 Signed Jacob Kainen, dated 1995-6 and inscribed as titled on the reverse Oil on canvas 48 x 72 inches (121.92 x 182.88 cm) C $2,000-3,000

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167 James Rosenquist (1933-2017) FLOWER GARDEN (GLENN 52) Color lithograph, 1972, signed, dated, titled and inscribed A.P. 18/20 in pencil, published by Petersburg Press, London, with full margins, framed. Image 22 x 28 1/2 inches; 559 x 724 mm. C $600-800

168 James Rosenquist PUSHBUTTONS (G. 51) Lithograph, 1972, signed, dated, titled and numbered 31/75 in pencil, published by Petersburg Press, London, with full margins, framed. Image 21 1/4 x 27 1/4 inches; 540 x 692mm. C $500-700

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169 Roy Lichtenstein (1923-1997) FOOT MEDICATION POSTER (CORLETT APP. 3) Offset lithograph, 1963, on wove paper, signed and numbered 42/100 in pencil, published by Leo Castelli Gallery, New York, with full margins, unframed. Image 15 1/2 x 15 3/4 inches; 394 x 400 mm. Sheet 23 x 16 5/8 inches; 584 x 422 mm. C From the Personal Collection of Gary Combs $600-800

170 Roy Lichtenstein ENTABLATURE VIII (C. 145) Color screenprint, lithograph and collage with embossing, 1976, on Rives BFK, signed, dated and numbered 29/30 in pencil, from Entablature Series, published by Tyler Graphics Ltd., Mount Kisco, New York and with their blindstamp, with full margins, unframed. Image 21 7/8 x 38 inches; 556 x 965 mm. Sheet 29 1/8 x 45 inches; 740 x 1143 mm. • $1,500-2,500

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172 171 Roy Lichtenstein STEPPING OUT Color poster, 1979, signed in pencil, published for the Leo Castelli Gallery, New York, the full sheet, framed. Sheet 51 x 35 3/4 inches; 1295 x 908 mm. C $800-1,200

172 Raoul Middleman American, b. 1935 Cherry, 1964 Signed Middleman and dated ‘64 (ul) Oil on canvas 36 x 30 inches (91.44 x 76.2 cm) C $800-1,200

173 Larry Rivers (1923-2002) GIRLIE Color screenprint and collage, 1970, signed and inscribed artist’s proof VIII/XVIII in pencil, printed by Styria Studio, New York, published by Marlborough Graphics, New York, framed Overall 30 1/2 x 18 5/8 inches; 775 x 473 mm. C Estate of Patricia Patterson $500-700

174 Andy Warhol (1928-1987) GOLDA MEIR (FELDMAN/SCHELLMAN 153A) Color screenprint on felt, 1973, published by the American Friends of the Israel Museum, New York and numbered 349/550 on their label verso, the full sheet, unframed. Sheet 6 3/4 x 6 3/4 inches; 171 x 171 mm. C $700-1,000

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176 175 Robert Dash American, 1934-2013 Wayside, 1970 Signed Robert Dash (lr); titled, and inscribed with artist’s name and date on the stretcher; also stamped Reproduction Rights Reserved twice on the stretcher Acrylic on canvas 60 x 60 inches (152.4 x 152.4 cm) Provenance: Harold Reed, New York Sale, Doyle, New York, May 5, 1993, lot 57 Property of a Pennsylvania Collector C $6,000-8,000 50

176 Robert Dash American, 1934-2013 Untitled, 1961 Signed Dash and dated ‘61 (lr) Oil on canvas 59 3/4 x 45 inches (151.76 x 114.3 cm) Provenance: Acquired from the artist C $4,000-6,000

DOYLE • MARCH 10, 2020 • NEW YORK

177

178 177 Lowell Nesbitt American, 1933-1993 Light Lavender Iris, 1984 Signed L. Nesbitt, dated 84 and inscribed as titled on reverse Oil on canvas 40 x 30 inches (101.6 x 76.2 cm) C $3,000-5,000

178 Lowell Nesbitt American, 1933-1993 White Iris, 1966 Signed L. Nesbitt, dated ‘66 and inscribed as titled on the reverse Oil on canvas 24 x 24 inches (60.96 x 60.96 cm) C $2,000-3,000

179

181

180 179 Jim Dine (b. 1935) EIGHT HEARTS Color screenprint, 1970, the full sheet, framed. Sheet 25 x 29 3/4 inches; 635 x 756 mm. C $600-800

182

180 Hunt Slonem American, b. 1951 Nocturne, 1997 Signed Hunt Slonem, dated 1997 and inscribed as titled on the reverse Oil on canvas 40 x 30 inches (101.6 x 76.2 cm) C $5,000-7,000

181 Hunt Slonem American, b. 1951 Hornbills, 1986 Signed Hunt Slonem, dated 1986 and inscribed as titled on the reverse Oil on canvas 66 x 50 inches (167.64 x 127 cm) C $5,000-8,000

182 Hunt Slonem American, b. 1951 Oslo, 1997 Signed Hunt Slonem, dated 1997 and inscribed as titled on the reverse Oil on canvas 20 x 16 inches (50.8 x 40.64 cm) Provenance: Harmon-Meek Gallery, Naples, FL C $3,000-5,000

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183

184

183 Alan Falk American, b. 1945 Argus, 1981 Signed A Falk (lr), signed Alan Falk, dated 1981 and inscribed as titled on the reverse Oil on canvas 40 1/4 x 70 1/4 inches (102.23 x 178.43 cm) C $700-900

DOYLE â&#x20AC;˘ MARCH 10, 2020 â&#x20AC;˘ NEW YORK

185

184 Malcolm Morley (1931-2018) UNTITLED Color lithograph, 1985, signed and inscribed AP 2/12 in pencil, published by Vermillion Editions Limited, Minneapolis, Minnesota, the full sheet, framed. Sheet 40 1/4 x 30 inches; 1022 x 762 mm. Provenance: Gift of the artist to the present owner C $700-1,000

185 Mary Whyte American, b. 1953 Spring Wash, 2003 Signed Mary Whyte and dated 03 (lr), inscribed as titled, in margin (lc) Watercolor on paper 18 x 18 3/4 inches (45.72 x 47.62 cm) C Property of a South Carolina Collector $4,000-6,000

186 Chuck Close (b. 1940) SELF PORTRAIT-PULP Colored, pressed handmade paper pulp consisting of eleven various grays, 2001, signed, dated and numbered 33/35 in pencil, published by Pace Editions, Inc., New York, the full sheet, framed. Sheet 56 x 40 inches; 1422 x 1016 mm. C $20,000-30,000

End of Sale

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INDEX Adler, Edmund Agam, Yaacov des Amoignes, Paul Louis Martin

13 164 4

Bakst, Leon Nikolaievitch 34 Beal, Gifford 65, 66 Bengelsdorf, Rosalind 114, 115 Benkert, Ernst 165 Bentley, John William 67 Bernard, Émile 19 Berthelsen, Johann 88 Blatas, Arbit 31, 32 Bompard, Maurice 17 Bonheur, Rosa 6 Boonzaier, Gregoire Johannes 38 de Botton, Jean 25 Bourdelle, Antoine 73 Braque, Georges (After) 107 Brodie, Gandy 129-132 Bryant, Everett Lloyd 57, 58 Buchner, Carl Adolph 124 Bulman, Orville 102-105 Cachoud, François Charles 7 Carlson, John Fabian 63, 64 Carlson, Margaret Goddard 69 Cavaillès, Jean Jules-Louis 27 Chagall, Marc 108 Chemiakin, Mihail 157 Chia, Yu Chian 134 Claerhout, Frans Martin 125 Cochran, Allen Dean 89 Cramer, Konrad 121, 122 Dawson, Montague J. Dehn, Adolf Arthur Van Dongen, Kees Drewes, Werner Dyf, Marcel

DOYLE • MARCH 10, 2020 • NEW YORK

16 87 106 116 24

Eberle, Abastenia St. Leger Ebert, Charles Henry Eldred, Thomas B. Epstein, Sir Jacob

75 61 117, 118 77

Feito, Luis 144-148 Fetting, Rainer 158 Fiene, Ernest 70, 71 Friesz, Achille-Émile Othon 23 Frishmuth, Harriet Whitney 74 Gall, François 42 Gamble, John Marshall 49 Gasser, Henry 98-100 Gilchrist, William Wallace Jr. 56 Gisson, André 46 Gluckmann, Grigory 78 Goodnough, Robert 162 Graham, Wilhelmina Barns 154 Guitet, James 150 Halswelle, Keeley 11 Heliker, John 163 Henri, Robert 50, 51 His, René Charles Edmond (Attributed to) 1 Holty, Carl Robert 127, 128 Horton, William Samuel 82 Hubbell, Henry Salem 55 Johnson, Lester Frederick

126

Kainen, Jacob 166 von Kaulbach, Friedrich August 12 Kaz, Nathaniel 113 Keane, Margaret 95, 96 King, Paul 59, 60 Kluge, Constantine 43, 44 Kotin, Albert 137-141 de Kristo, Bela 39, 40 Kulicke, Robert 90-92 Kuper, Yuri 155

Ladanyi, Emory 133 Lear, Edward 33 Lecomte, Paul-Emile 15 Lee-Hankey, William 14 Lever, Haley 101 Lichtenstein, Roy 169-171 Long, Edwin Longsden 9 Luce, Maximilien 26 MacRae, Emma Fordyce 85, 86 Maïk, Henry 41 Marfaing, André 151 Middleman, Raoul 172 Milton, Peter 152 Mira, Alfred 84 Mitchell, Fred 142 Morris, George L.K. 120 Müller, Jan 159

Sanchez, Jose Luis 149 Scarlett, Rolph 119 Sebree, Charles 123 Seery, John 160 de Segonzac, André Albert Marie Dunoyer 20 Sironi, Mario 111 Soyer, Moses 93, 94 Stanislawski, Jan 21 Stein, Georges 18 Stuempfig, Walter 83 Stevens, William Lester 68 Terechkovitch, Constantine Tschudy, Herbert Bolivar (Judy) Turner, Charles Yardley

22 81 10

Venard, Claude 110 di Verdura, Fulco 35, 36 Vicente, Esteban 135, 136

Natkin, Robert 161 Opper, John 143 Page, Frederick Hutchison 153 Paul, Gen 29, 30 Perrault, Léon Jean Basile 2 Peterson, Jane 47, 48 Pho, Le 28 Picasso, Pablo (After) 109 Pissarro, Hughes Claude 45

Walter, Martha 52-54 Weber, Max 79, 80 Wener, Nat 112 Whorf, John 97 Wiggins, Guy Carleton 62 Wölff, Adolf (Attributed to) 76 Zaborov, Boris 156

Richet, Léon 5 Riedel, Helene 37 Rivers, Larry 173 Rivoire, François 3 Rosen, Charles 72 Rosenquist, James 167, 168 Russ, Robert 8

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THERE IS A PENTHOUSE FOR EVERYONE 116 East 66th St. PHA • New York, NY 10065 Overlooking the majestic midtown skyline the expansive open-plan living/ dining room accommodates entertaining or quiet relaxation that leads to the wraparound terrace and the stunning private roof deck.

$3,999,000 • mnt/cc • $5,622 3 beds • 3 baths • COOP

virtually staged

Lorenzo Avati Global Sales Executive Associate Broker 917.873.7858 (M) 646.677.1061 (O) LorenzoAvati@bhhsnyproperties.com

2 East End Ave. PHG • New York, NY 10075 This triplex abode boasts direct East River and Manhattan cityscape views. This remarkable penthouse features soaring 10 foot ceilings on the main floor, an opulent entry foyer and custom library making this triplex the perfect home.

$2,400,000 • mnt/cc • $5,629 3 beds • 3.5 baths • COOP Antonia Watson Licensed as Antonia Palmieri Senior Global Sales Executive Associate Real Estate Broker 347.768.5952 (M) 646.677.9368 (O) AntoniaWatson@bhhsnyproperties.com

virtually staged

212.710.1900 | CONTACT@BHHSNYP.COM 590 MADISON AVENUE, NEW YORK, NEW YORK @bhhsnewyork

bhhsnyp.com © 2020 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliate, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

Shoreline Sanctuary

Clinton, CT â&#x20AC;˘ 163 Shore Road â&#x20AC;˘ $995,000

Custom built in 1980 and spanning more than 2,000 square feet, this shoreline sanctuary is perfect for family and friends. Architectural touches include hand-carved wood doors, stained glass windows, 200-year-old brass-pegged chestnut floors and blue-stained exposed beam ceilings. 4 bedrooms, 4 bathrooms.

LORI VALIMONT c: 203.910.4930 o: 860.661.3053 LoriValimont@bhhsne.com MLS# 170188414 A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

CUSTOM COLONIAL IN SUMMIT, NEW JERSEY

$4,250,000

This newly renovated custom colonial is located on the desirable north side of Summit, New Jersey. Exquisite detail and custom finishes throughout the home provide elegance and warmth. The custom chef's kitchen with center island, Wolf and Sub Zero appliances, and custom copper accents is ideal for entertaining large or small groups. The dining area has a full wall of French doors opening to an amazing deck with a gas fire pit and in-ground hot tub. The home also features four en-suite bathrooms, a finished basement, gym, game area, media area, and a large laundry room. 115 Woodland Ave., Summit, NJ 07901 MLS# 3605637

PAUL CIANCIULLI Sales Associate Cell: 908-656-5200 Paul.Cianciulli@bhhsnj.com www.Paul-Cianciulli.BHHSNJ.com Summit Office | 908-273-0400 | 392 Springfield Avenue, Summit, NJ 07901 ÂŠ2020 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.ÂŽ Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

L U X U R Y

C O L L E C T I O N

Montecito • Offered at $13,650,000 Nancy Kogevinas • Lic# 01209514 • 805.450.6233

bhhscalifornia.com ©2020 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Seller will entertain and respond to all offers within this range. Buyer is advised to independently verify the accuracy of that information.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

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INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX

WHY DOYLE NEW YORK COLLECTS SALES TAX

If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state.

Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales tax collected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%. If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

LOCAL TAX ADVISORS

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

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BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

SPRING 2020 AUCTION SCHEDULE March DOYLE AT HOME ® Auction: Wednesday, Mar 4 at 10am Exhibition: Feb 4 – Mar 1 FINE PAINTINGS & FINE MODERN ART Auction: Tuesday, Mar 10 at 10am Exhibition: Mar 7 – 9 JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Tuesday, Mar 17 at 10am Exhibition: Mar 14 – 16

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Exhibitions 175 East 87th Street New York, NY 10128 212-427-4141, option 5 or visit Doyle.com

Selling at Auction

THE MOLLIE BREWSTER BROUSSARD COLLECTION: PART II Auction: Wednesday, Mar 18 at 10am Exhibition: Mar 13 – 15

We invite you to contact us for a complimentary auction evaluation of your collection. Contact us at 212-427-2730 or info@Doyle.com

DOYLE AT HOME ® Auction: Tuesday, Mar 31 at 10am Exhibition: Mar 27 – 29

Catalogues

April AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS Auction: Tuesday, Apr 7 at 10am Exhibition: Apr 4 – 6

212-427-2730 x203 subscriptions@Doyle.com View Lots & Bid Online at

DOYLE.com

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Wednesday, Apr 22 at 10am Exhibition: Apr 18 – 20 IMPORTANT JEWELRY Auction: Thursday, Apr 23 at 10am Exhibition: Apr 18 – 21 PRINTS & MULTIPLES Auction: Tuesday, Apr 28 at 10am Exhibition: Apr 25 – 27 RUSSIAN WORKS OF ART Auction: Tuesday, Apr 28 at 1pm Exhibition: Apr 25 – 27 COINS & BANK NOTES Auction: Tuesday, Apr 28 at 3pm Exhibition: Apr 25 – 27

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