Les Misérables Playbill by DPAC

10 GREAT YEARS

T H E

M U S I C A L

P H E N O M E N O N

January 30 - February 4, 2018

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TABLE OF CONTENTS 8

Welcome Messages : Christopher J. Bell – SunTrust Bank

Mayor Steve Schewel – City of Durham

Bob Klaus – General Manager, DPAC

16 20 .22 28 36-A 38 41 46 50 52 56 62 66

DPAC’s Guiding Principles Guest Etiquette Nederlander and PFM – Our Theatre Family Heart of the Arts – Community and Educational Outreach Show Credits and Cast Information Connect with DPAC Johnson Lexus President’s Club Discover Broadway DPAC’s Group Services DPAC’s National Ranking and Awards Triangle Rising Stars Consumer Ticket Warning DPAC Stars – Volunteer Program

Advertising Sales: Allison Panella, apanella@dpacnc.com Editorial: Rachel Traversari, Jennie Lanning, Josette Roten, Peter Holsapple Photography: Andy Martin, Ken and Colin Huth Publication Coordination & Design: Lisa Dardenne Parker, lisaparkerdesign.com Publication Printer: Theo Davis

THE BEST EXPERIENCE, LIFE’S NEW MEMORIES

Keeping it Local and Innovative

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GREAT PERFORMANCES START WITH GREAT HEALTH

Whether it’s on stage or in the audience here at DPAC – or simply at work or home – your health is essential to being your best. It’s why we’re here to help whenever you need us. With plans to meet your needs and budget – and the information and resources to help you make the most of your health.

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WELCOME FROM OUR SPONSOR Whether this is your first DPAC experience or you are an ongoing subscriber to SunTrust Broadway at DPAC, it is our great pleasure to welcome you to this exciting performance! Our long-standing sponsorship of SunTrust Broadway at DPAC continues not only because we know how critical the arts are to our community and quality of life, but because DPAC has been such an extraordinary community partner; they set a consistently high bar on quality which they meet and exceed again and again. Not long ago, SunTrust identified a national epidemic: 75% of Americans, regardless of their income, reported that their finances were their primary source of stress. Helping people gain confidence about their money became SunTrustâ&#x20AC;&#x2122;s passion and our purpose. In early 2016, we launched the onUp Movement to help all Americans take the first steps toward financial confidence. onUp resources and onUp.com would be open to all, SunTrust clients or not. Our goal was to help five million people within the first five years. We quickly cleared the halfway mark with two and a half million joining the onUp Movement in less than two years. Freeing yourself of financial stress allows you to enjoy a life well-spent. We encourage you to join the Movement at onUp.com, where youâ&#x20AC;&#x2122;ll find tips, resources, and challenge games to help you start your journey. Please join SunTrust in applauding DPAC on another exceptional season, and enjoy the show!

Christopher J. Bell SunTrust Region President, Triangle East

Welcome to SunTrust Broadway at DPAC!

WELCOME FROM THE MAYOR The traditional 10th anniversary gift is aluminum or tin, but that just does not seem fitting to celebrate a place that has delivered nothing but platinum for Durham for the last decade. As Durham’s newly elected mayor, it is my pleasure to welcome you to the Durham Performing Arts Center. My wife and I have been season ticket holders in DPAC’s Broadway series since it opened in 2008, and like DPAC’s more than 3 million guests, I continue to marvel at the caliber of performances showcased in our great city. Each year just gets better and better. For example, more than 450,000 visitors walked the red carpet last year to attend award-winning musicals, such as The King and I, Something Rotten, and soldout concerts including Chris Rock, Vince Gill and Tony Bennett. That’s not all. While providing entertainment that families can enjoy together is a top priority for DPAC, finding ways to involve those who may not otherwise enjoy all the arts have to offer has become a special passion. Last year, DPAC hosted North Carolina’s first-ever “sensory-friendly” theatrical performances for children with autism. No doubt, the arts contribute to Durham’s sense of community.Your attendance enables DPAC to support other nonprofit arts groups, such as the Durham Arts Council and the Hayti Heritage Center. DPAC also cultivates the arts in education by arranging visits from touring cast members to local schools through Heart of the Arts, and not to mention donating hundreds of tickets each year to schools and local charities to use for auctions and fundraising. DPAC is constantly working to ensure that the arts touch many areas of Durham and, indeed, the entire Triangle community. A visit to DPAC is an open invitation to experience Durham—from great, awardwinning restaurants to shopping and culture. It’s as easy as parking and taking the Bull City Connector free bus service to downtown eateries, or taking a short drive to nearby malls, museums or historical sites. If you stay the night, downtown hotels are here to welcome you with open arms. Milestone anniversaries are often the result of great partnerships, and DPAC is no different. Since the very beginning, the facility’s manager Nederlander/PFM has been responsible for bringing award-winning Broadway shows to Durham, making DPAC a source of local, regional and national pride. If the first 10 years indicate what’s to come, then buckle your seatbelts! You’ll want to “be in the room where it happens” in 2018. Thank you for choosing DPAC and Durham. Now, settle into our new comfy seats to enjoy your DPAC experience and an unforgettable show! Sincerely,

Mayor Steve Schewel

WELCOME FROM THE GENERAL MANAGER For ten great years now, I have had the honor of saying “Welcome to DPAC !” Who would have thought back in 2008 that a brand-new performing arts center in Durham, NC would be ranked yearly in the top five theaters in America? From humble beginnings in 2008 with just a few thousand Season Seat Members to this season with over 18,000 subscribers, it has been an exceptional journey for this great theater. I’m proud to be a part of the staff at DPAC, which numbers several hundred and includes both those you see working so hard when you come for a show and those that work equally hard behind the scenes. On behalf of everyone on Team DPAC, I send my thanks for your support. Some of you in the audience for this performance may be charter members, adventurous types that took a risk and purchased tickets even before we had hosted our first show. And others have joined us somewhere along the way. Whether this is your first visit or your hundredth, please know that every single guest at DPAC is important to us. As it is stated in DPAC’s guiding principles on page 16, “We want to be our guests’ favorite place for live entertainment”. Please know that we are always here to listen and to help since it is your feedback that helps us stay on track in delivering the best guest experiences possible. Sincerely,

Bob Klaus, General Manager DPAC

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DPACâ&#x20AC;&#x2122;S GUIDING PRINCIPLES We have an unfair advantage ... we care more.

OUR VISION

We believe in great entertainment experiences. We want to be our guestsâ&#x20AC;&#x2122; favorite place for live events.

OUR MISSION

To present one-of-a-kind live entertainment events. From Broadway to concerts, from comedy to family shows, there is something for everyone at DPAC.

OUR VALUES

Photo: Huthphoto

Huth Photo

Quality, safety and service. We deliver these values with warmth, friendliness and an attention to detail that are hallmarks of the legendary DPAC Experience.

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GUEST ETIQUETTE At DPAC, we’re committed to guest courtesy. Please remember to be a good neighbor to those seated around you. IT CAN WAIT. Please save texting until AFTER the show. The light from phones is distracting to others. QUIET PLEASE. Once the show starts, please let the stage be the center of attention. We ask that you turn off all phones and limit conversation. If children are attending this performance with you, please exit the seating area to the lobby immediately if they become restless or talkative. CAMERAS / RECORDING Photography and video recording is prohibited. All electronic devices (mobile phones, smart phones, tablets, digital cameras) must be turned off before entering the seating area. Cameras with detachable lenses are never allowed. ENTERING AND EXITING THE SEATING AREA Please time your exit and re-entry to the seating area to occur only at intermission for Broadway and concert events. This is a courtesy to other guests around you who will appreciate you keeping these disruptions to a minimum. IT’S SUPERSTAR ENTERTAINMENT, NOT A FOOD FEST. Small snacks and drinks are welcome in the seating area, but please eat and drink as quietly as possible. Odors and noisy wrappers can disturb others. We also ask that you finish sandwiches or other large food items before entering the seating area. KIDS AT DPAC Children must be able to sit quietly in their own seat without disturbing other guests. As a courtesy, DPAC recommends one parent or chaperone for every one child in attendance. Please exit the theater immediately if kids become restless or talkative. Above all, we hope you enjoy your experience at DPAC, and please know that we are here to help. If you have a question or need assistance of any kind, please just ask a member of our staff or contact us at dpacnc.com. We believe in great entertainment experiences, and we want to be our guests’ favorite place for live events.

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OUR THEATRE FAMILY THE NEDERLANDER ORGANIZATION If you’ve ever attended a Broadway show in New York, chances are you may have been to one of DPAC’s sister theaters operated by its parent company,The Nederlander Organization. With nine of the largest venues in New York’s theater district, Nederlander theaters are host to some of Broadway’s biggest productions including blockbuster musical Hamilton playing in Nederlander’s Richard Rodgers Theatre, Disney’s The Lion King in their Minskoff Theatre, and Wicked in their Gershwin Theatre. Other shows currently playing in Nederlander Theatres in New York include Angels in America, Escape to Margaritaville,Waitress, Spongebob Squarepants the Musical and Roald Dahl’s Charlie and the Chocolate Factory. It all started over fifty years ago when James M. Nederlander purchased the Palace Theatre on Broadway; it was a giant and consequential step toward building the Nederlander Organization into one of the largest privately held live entertainment companies in the world today. Prior to coming to New York, James M. got his start in the business in Detroit where his family managed theaters, and produced and presented hundreds of the top shows of the day. In collaboration with his father and brothers, he and the the Nederlander family established Detroit as the most successful theatre town in America outside of New York. Under the leadership of President James L. Nederlander, the Nederlanders have built a national network of theaters including nine Broadway venues in New York: the Brooks Atkinson, Gershwin, Lunt- Fontanne, Marquis, Minskoff, Nederlander, Palace, Richard Rodgers, and Neil Simon Theatres. Outside of New York, their venues include: Bank of America Theatre, Ford Center/ Oriental, Auditorium Theatre, Cadillac Palace Theatre and The Broadway Playhouse Theatre (Chicago, IL); Durham Performing Arts Center (Durham, NC); Hollywood Pantages Theatre, The Greek Theatre (Los Angeles, CA); Broadway San Diego at the Civic and Balboa Theatres (San Diego, CA);TCC Music Hall (Tucson, AZ); North Charleston Coliseum Performing Arts Center (North Charleston, SC); Fisher Theatre (Detroit, MI); City National Grove of Anaheim (Anaheim, CA); San Jose Civic Auditorium and San Jose Center for the Performing Arts (San Jose, CA); Civic Center Musical Hall (Oklahoma City, OK); and Aldwych Theatre, Adelphi Theatre and Dominion Theatre (London, England). For nearly five decades,The Nederlanders have been prolific producers of theatrical productions with over 100 Broadway and touring productions to their credit. The company has been instrumental in presenting many of Broadway’s most honored and successful shows most notably Annie, Chicago, La Cage aux Folles, Movin’ Out, Next to Normal, Peter Pan,West Side Story and many others. Currently, the Company is involved in the Broadway Productions of On Your Feet, Hello Dolly!, School of Rock,Waitress, Cats,War Paint, Charlie and The Chocolate Factory, Anastasia, Groundhog Day, A Dolls House Part 2 and A Bronx Tale The Musical. Beyond Broadway, Nederlander is acknowledged to be an innovator of the outdoor amphitheater concept as well as a presenter of thousands of concerts throughout the years. Among the

NEDERLANDER

PRESENTATION

featured performers is a wide array of world-renowned artists ranging from Adele, Jimmy Buffet, Florence & The Machine, Billy Joel, Paul McCartney, Pink Floyd, the Rolling Stones, Barbra Streisand, The Police and U2 to international cultural attractions such as the Bolshoi Ballet, the Moiseyev Ballet, the D’Oyly-Carte Opera, the Georgian State Dance Company, Ballet Folklorico, and the Peking Opera, as well as national symphony concerts. The Nederlanders are industry leaders and generous supporters of arts organizations and social causes for which they have received countless honors. In 2009, the Nederlanders established The National High School Musical AwardsTM (The Jimmy® Awards) to celebrate outstanding student performances in high school musical productions across the United States. DPAC is a participant in the National High School Musical AwardsTM with its annual Triangle Rising Stars program.

PROFESSIONAL FACILITIES MANAGEMENT, INC. (PFM) PFM is a wholly-owned for-profit subsidiary of Providence Performing Arts Center (PPAC), incorporated in 1988 in response to a growing need for objective evaluation and management of small-to-medium-sized performing arts facilities in geographically-diverse locations. One of the first companies of its kind, PFM’s business is focused on what we know and do best – performing arts “product.” Our corporate mission – to bring a wide variety of programming to the broadest audience while maintaining financial responsibility and sensitivity to local constituency needs – has guided PFM to past successes and promises future growth. PFM is governed by a Board of Directors who contribute successful business experience, entrepreneurial spirit, and a bottom-line focus. Presently, PFM holds management/booking contracts in ten facilities located in eight states.

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EDUCATIONAL OUTREACH Since 2008, DPAC’s community outreach program Heart of the Arts has been making connections between the shows we present on our stage and local non-profit arts and education groups.

One of the commitments that we are most proud of at DPAC is being a bridge between professional Broadway shows and area students.This educational outreach initiative offers master classes and workshops to Durham area schools and their theater, dance and choral departments – including opportunities for young actors and ‘techies’ to see inside a touring Broadway production. Cast members visit local classrooms and offer instruction and feedback to aspiring stars, and crew and tour management professionals make themselves available for questions and career guidance. Students and their teachers have told us that DPAC’s educational outreach events are among the highlights of their students school year.The ability to interact with young professionals in theater could not come at a more relevant time for high school students interested in pursuing a career in the field; actors who are not much older than they are can offer realistic and broad-ranging information and experiences that the students could never get elsewhere.

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DPAC, Durham Performing Arts Center 123 Vivian Street, Durham, NC Operated under the direction of Nederlander and PFM

CAMERON MACKINTOSH presents BOUBLIL & SCHÖNBERG’S

A musical based on the novel by VICTOR HUGO Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by HERBERT KRETZMER Original French text by ALAIN BOUBLIL and JEAN-MARC NATEL Additional material by JAMES FENTON Adaptation by TREVOR NUNN and JOHN CAIRD Original Orchestrations by JOHN CAMERON New Orchestrations by CHRISTOPHER JAHNKE STEPHEN METCALFE and STEPHEN BROOKER Musical Staging by MICHAEL ASHCROFT and GEOFFREY GARRATT Projections realized by FIFTY-NINE PRODUCTIONS Sound by MICK POTTER Lighting by PAULE CONSTABLE Costume Design by ANDREANE NEOFITOU and CHRISTINE ROWLAND Set and Image Design by MATT KINLEY inspired by the paintings of VICTOR HUGO Directed by LAURENCE CONNOR and

JAMES POWELL For LES MISÉRABLES National Tour Casting by TARA RUBIN CASTING/ KAITLIN SHAW, CSA

General Management GREGORY VANDER PLOEG for Gentry & Associates

Executive Producers NICHOLAS ALLOTT & SETH SKLAR-HEYN for Cameron Mackintosh Inc.

Executive Producers SETH WENIG & TRINITY WHEELER for NETworks Presentations

Associate Sound Designer Associate Costume Designer Associate Lighting Designer NIC GRAY LAURA HUNT RICHARD PACHOLSKI Resident Director LIAM McILWAIN

Musical Director BRIAN EADS

Associate Set Designers DAVID HARRIS & CHRISTINE PETERS Associate Director Musical Supervision COREY AGNEW STEPHEN BROOKER & JAMES MOORE

A CAMERON MACKINTOSH and NETWORKS Presentation

THE BEST EXPERIENCE, LIFE’S NEW MEMORIES

36-A

THE CAST (In order of Appearance) Jean Valjean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NICK CARTELL Javert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSH DAVIS Farmer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . FELIPE BARBOSA BOMBONATO Laborer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MIKE SCHWITTER Innkeeper’s Wife. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH CETRULO Innkeeper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MONTÉ J. HOWELL The Bishop of Digne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW MAUGHAN Constables. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROBERT ARIZA, NICHOLAS EDWARDS Factory Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE CZARNECKI Fantine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MELISSA MITCHELL Factory Girl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY KATE MOORE Old Woman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MAGGIE ELIZABETH MAY Wigmaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JULIE CARDIA Bamatabois. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN AMBROSINO Fauchelevent. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROBERT ARIZA Champmathieu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE CZARNECKI Little Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ZOE GLICK / SOPHIE KNAPP Madame Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALLISON GUINN Young Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ZOE GLICK / SOPHIE KNAPP Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J ANTHONY CRANE Petit Gervais / Gavroche. . . . . . . . . . . . . . . . . . . . . . . . JORDAN COLE / JULIAN EMILE LERNER Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TALIA SIMONE ROBINSON (Jan 30-Feb 2) DANIELLE J. SUMMONS (Feb 3-4) Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JILLIAN BUTLER Thénardier’s Gang Montparnasse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NICHOLAS EDWARDS Babet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . FELIPE BARBOSA BOMBONATO Brujon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE CZARNECKI Claquesous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN AMBROSINO Students Enjolras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT SHINGLEDECKER Marius . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSHUA GROSSO Combeferre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MONTÉ J. HOWELL Feuilly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MIKE SCHWITTER Courfeyrac. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTOPHER VILJOEN Joly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GABRIEL SIDNEY BROWN Grantaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MOISEY Lesgles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW MAUGHAN Jean Prouvaire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROBERT ARIZA Loud Hailer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW MAUGHAN Major Domo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MOISEY Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AMELIA CORMACK, JULIA ROSE DI PIAZZA, CAITLIN FINNIE, TALIA SIMONE ROBINSON, DANIELLE J. SUMMONS Swings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DANIEL BERRYMAN, MICHELLE BETH HERMAN ASHLEY DAWN MORTENSEN, LIZ SHIVENER, BRETT STOELKER, KYLE TIMSON Dance Captain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LIZ SHIVENER Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE CZARNECKI UNDERSTUDIES For Jean Valjean–STEVE CZARNECKI, ANDREW MAUGHAN, CHRISTOPHER VILJOEN; for Javert–STEVE CZARNECKI, MONTÉ J. HOWELL; for Cosette–SARAH CETRULO, CAITLIN FINNIE; for Fantine – MARY KATE MOORE, TALIA SIMONE ROBINSON; for Thénardier– JOHN AMBROSINO, MATT MOISEY; for Madame Thénardier– JULIE CARDIA, AMELIA CORMACK; for Éponine–TALIA SIMONE ROBINSON, DANIELLE J. SUMMONS; for Marius– ROBERT ARIZA, MIKE SCHWITTER; for Enjolras– NICHOLAS EDWARDS, MIKE SCHWITTER; for Little Cosette/Young Éponine– JULIA ROSE DI PIAZZA; for the Bishop of Digne– FELIPE BARBOSA BOMBONATO, MONTÉ J. HOWELL; for the Factory Foreman–KYLE TIMSON, CHRISTOPHER VILJOEN; for the Factory Girl –AMELIA CORMACK, MICHELLE BETH HERMAN; for Bamatabois– MATT MOISEY, MIKE SCHWITTER; for Grantaire–JOHN AMBROSINO, FELIPE BARBOSA BOMBONATO.

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SCENES & MUSICAL NUMBERS MUSICAL NUMBERS

PROLOGUE: 1815, DIGNE Prologue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company “Soliloquy” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean 1823, MONTREUIL-SUR-MER “At The End of the Day” . . . . . . . . . . . . . . . . . . . . . . . Unemployed and Factory Workers “I Dreamed a Dream” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fantine “Lovely Ladies” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clients “Who Am I?” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean “Fantine’s Death” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fantine and Valjean “Castle on a Cloud” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cosette 1823, MONTFERMEIL “Master of the House” . . . . . . . . . . . . . . . . . . . . . . . . Thénardier, his Wife and Customers “The Bargain”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . M. and Mme. Thénardier and Valjean 1832, PARIS “Paris” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gavroche and the Beggars “Stars” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Javert “ABC Café” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Enjolras, Marius and the Students “The People’s Song” . . . . . . . . . . . . . . . . . . . . . . . . Enjolras, the Students and the Citizens “In My Life” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cosette, Valjean, Marius and Éponine “A Heart Full of Love” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cosette, Marius and Éponine “One Day More” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company INTERMISSION “On My Own” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Éponine “A Little Fall of Rain” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Éponine and Marius “Drink with Me to Days Gone By” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Feuilly, Grantaire, Students and “Women” “Bring Him Home” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean “Dog Eats Dog” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thénardier “Soliloquy” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Javert “Turning” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Women “Empty Chairs at Empty Tables” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marius “Wedding Chorale” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guests “Beggars at the Feast” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M. and Mme. Thénardier Finale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company The Orchestra Music Director/Conductor – BRIAN EADS; Associate Conductor/Keyboards – ERIC EBBENGA; Assistant Conductor/Keyboards – EVAN ROIDER; Violin/ Concertmaster – DANIELLE GIULINI; Viola – DREW GRIFFIN; Cello – JEANETTE STENSON; Bass – BRAD LOVELACE; Flute / Piccolo / Alto Flute / Recorder – HILARY JONES; Oboe / Cor Anglais – KATHY HALVORSON; Clarinet in Bb / Clarinet in Eb / Bass Clarinet / Recorder – PETER SCUDERI; Horn 1 – MEREDITH MOORE; Horn 2 – TODD LEIGHTON; Trumpet in Bb / Flugel Horn / Piccolo Trumpet – JOSH NORTON; Bass Trombone / Tuba – JACK NOBLE; Drums / Percussion / Mallets / Timpani – JARED SOLDIVIERO; Music Coordinator – JOHN MILLER. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

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Synopsis ACT ONE PROLOGUE: 1815, DIGNE After 19 years on the chain gang, Jean Valjean finds that the ticket-of-leave he must display condemns him to be an outcast. Only the Bishop of Digne treats him kindly and Valjean, embittered by years of hardship, repays him by stealing some silver. Valjean is caught and brought back by the police and is astonished when the Bishop lies to the police to save him. Valjean decides to start his life anew. 1823, MONTREUIL-SUR-MER Eight years have passed and Valjean, having broken his parole and changed his name to Monsieur Madeleine, has become a factory owner and Mayor. One of his workers, Fantine, has a secret illegitimate child. When the other women discover this, they demand her dismissal. Desperate for money to pay for medicines for her daughter, Fantine sells her locket, her hair, and then joins the whores in selling herself. Utterly degraded, she gets into a fight with a prospective customer and is about to be taken to prison by Javert when the ‘Mayor’ arrives and demands she be taken to the hospital instead. The Mayor then rescues a man pinned beneath a cart. Javert is reminded of the abnormal strength of convict 24601 Jean Valjean, who, he says, has just been recaptured. Valjean, unable to see an innocent man go to prison, confesses that he is prisoner 24601. At the hospital, Valjean promises the dying Fantine to find and look after her daughter Cosette. Javert arrives to arrest him, but Valjean escapes. 1823, MONTFERMEIL Cosette has been lodged with the Thénardiers, who horribly abuse her while indulging their own daughter, Éponine. Valjean pays the Thénardiers to let him take her away to Paris. 1832, PARIS Nine years later, there is unrest in the city because of the likely demise of the popular leader General Lamarque, the only man left in the government who shows any feeling for the poor. A street gang led by Thénardier and his wife sets upon Jean Valjean and Cosette. They are rescued by Javert, who does not recognise Valjean until he has gone.

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The Thénardiers’ daughter Éponine, who is secretly in love with the student Marius, reluctantly agrees to help him find Cosette, with whom he has fallen in love. News of General Lamarque’s death circulates in the city and a group of politically-minded students stream out into the streets to whip up support for a revolution. Cosette is consumed by thoughts of Marius, with whom she has fallen in love. Éponine brings Marius to Cosette and then prevents an attempt by her father’s gang to rob Valjean’s house. Valjean, convinced it was Javert lurking outside his house, tells Cosette they must prepare to flee the country. ACT TWO The students prepare to build the barricade. Marius, noticing that Éponine has joined the insurrection, sends her away with a letter to Cosette, which is intercepted by Valjean. Éponine decides to rejoin her love at the barricade. The barricade is built and the revolutionaries defy an army warning to give up or die. Javert is exposed as a police spy. In trying to return to the barricade, Éponine is killed. Valjean arrives at the barricade in search of Marius. He is given the chance to kill Javert but instead lets him go. The students settle down for a night on the barricade and, in the quiet of the night, Valjean prays to God to save Marius. The next day the rebels are all killed. Valjean escapes into the sewers with the unconscious Marius. After meeting Thénardier, who is robbing the corpses of the rebels, he comes across Javert once more. He pleads for time to deliver the young man to the hospital. Javert lets Valjean go and, his unbending principles of justice having been shattered by Valjean’s own mercy, he kills himself. Unaware of the identity of his rescuer, Marius recovers in Cosette’s care. Valjean confesses the truth of his past to Marius and insists he must go away. At Marius and Cosette’s wedding, the Thénardiers try to blackmail Marius. Thénardier says Cosette’s ‘father’ is a murderer and as proof produces a ring which he stole from the corpse the night the barricade fell. It is Marius’s own ring and he realizes it was Valjean who rescued him that night. He and Cosette go to Valjean where Cosette learns for the first time of her own history before the old man dies.

WHO’S WHO in the CAST JOHN AMBROSINO (Bamatabois, Claquesous, u/s Thénardier, u/s Grantaire). Las Vegas: Jersey Boys (Billy Dixon & Bob Crewe). Nat’l Tour: The Musical Adventures of Flat Stanley (Stanley). Off Broadway: When Midnight Strikes (Bradley). Regional: Company (Bobby), Into the Woods (Baker), On The Town (Gabey), Avenue Q (Princeton/Rod), Rent (Mark).

ROBERT ARIZA (Constable, Fauchelevent, Jean Prouvaire, u/s Marius) is a proud alum of The University of Michigan Musical Theatre program and LaGuardia Arts High School. Broadway: Spring Awakening (revival). NYC: Spamilton, I Am Harvey Milk, soot and spit. Regional: Olney Theatre Center, Hangar Theatre, Goodspeed, Maltz Jupiter Theatre, Music Theatre Wichita. Featured on the OCR of Neil Bartram & Brian Hill’s The Theory of Relativity. robertariza.com DANIEL BERRYMAN (Swing). New York: The Golden Apple (Encores!), The Fantasticks (Theatre Center). Regional: Sweeney Todd, A Christmas Carol (Denver Center), West Side Story (Finger Lakes MT Festival), Hello, Dolly! (MUNY), The Most Happy Fella (Goodspeed), Rent (5th Ave Theatre). BFA U Michigan. Thanks to CGF. danielberryman. com. Love to Grace. Jesus is Lord.

FELIPE BARBOSA BOMBONATO (Farmer, Babet, u/s Bishop, u/s Grantaire) is ecstatic to be in his dream show! BFA UF 2011. Huge thanks to James Powell, Laurence Connor, Stephen Brooker, Corey Agnew, Liam McIlwain, James Dodgson, Kaitlin Shaw/Tara Rubin Casting and Meg at Katie/ Meg Pantera agency. Love and beijos to family and incredible fiancé, Sherwin and the Mackintosh family. For resume and credits, visit felipebombonato.com. @febrasil10. All glory to God 1 Corinthians 13:13. GABRIEL SIDNEY BROWN (Joly) is thrilled to be making his National Tour debut with Les Miz! Recent credits: The Secret Garden and King Lear (Idaho Shakespeare Festival), Dogfight (The Beck Center). Special thanks to Mom, Dad, Madison and all my ride-or-dies for their endless love and support. Baldwin Wallace University ’16. IG: @ gabrielbrown03

JILLIAN BUTLER (Cosette) is thrilled to be part of Les Misérables. National Tours: Wicked, R+H Cinderella. Regional Theatre: Paper Mill Playhouse, North Shore. Training: Boston Conservatory ’15. Much love and thanks to my family, Tara Rubin Casting, DGRW and the entire creative team. For my incredible parents.

JULIE CARDIA (Wigmaker, u/s Madame Thénardier). Tours: Annie (Lily St. Regis), The Music Man: In Concert starring Shirley

Jones, The Wizard of Oz (u/s Wicked Witch). Regional: Disney’s FROZEN at Disneyland (original cast). Regional: Sacramento Music Circus, Ogunquit Playhouse, Stages St. Louis, Merry-Go-Round Playhouse, Pittsburgh CLO, Musical Theatre West. Masters in Acting, Cal State, Fullerton. juliecardia.com

NICK CARTELL (Jean Valjean). Broadway: Cirque Du Soleil’s Paramour, Scandalous: The Musical, Jesus Christ Superstar (2012 revival). National Tour: The Phantom of the Opera. OffBroadway: Frankenstein. Regional: The Light in the Piazza (AriZoni Award—Best Actor, Musical), My Fair Lady, Les Misérables and many more! Concerts: South Coast Symphony, Phoenix Symphony and The Broadway Boys. Thank you to this amazing company, Tara Rubin Casting and Cynthia Katz. To my family, friends and Christine, thank you for your undying support. For MOM. nickcartell. com @nickcartell SARAH CETRULO (Innkeeper’s Wife, u/s Cosette) is thrilled to be making her Broadway national tour debut! International tour of China: My Fair Lady (Eliza Doolittle). Regional/Select Theater: Joe Iconis’ The Black Suits at Barrington Stage, A View From the Bridge (Catherine), South Pacific (Nellie Forbush). Television credits include “Elementary” (CBS).

JORDAN COLE (Petit Gervais, Gavroche) is excited to be performing in his dream role in Les Misérables. First National Broadway Tour of Finding Neverland (original Michael Llewelyn Davies). Special thanks to Barry Kolker, Jordan’s teachers, friends and his Neverland family. Lots of love to Mom, Dad, Alexa and Grandparents. jordancoleofficial. com

AMELIA CORMACK (Ensemble, u/s Madame Thénardier, u/s Factory Girl). Original Cast - Priscilla, Queen of the Desert The Musical (West End, Australia & New Zealand); Kinky Boots (1st National Tour), Sirens of Song (Milwaukee Rep); The Full Monty; Rock of Ages; Man of La Mancha (Alpine Theatre Project). Amelia would like to thank Tara Rubin Casting, Whole Artist Management, Clear Talent Group and her family in America & Australia. Instagram/ Twitter: @ameliacormack

J ANTHONY CRANE (Thénardier). Broadway: The Country House, Sight Unseen, Butley and The Winslow Boy. Off-Broadway/ Regional: Cyrano (Theatre Works), Ragtime (Barrington Stage Co.) and Scar in The Lion King (First National Tour). Arena, Goodman, Berkeley Rep, Seattle Rep, Mark Taper Forum, The Old Globe, Pittsburgh CLO, Cleveland Playhouse, Paper Mill and others. TV/Film: “Chicago PD,” “Madam Secretary,” “Elementary,” “Ugly Betty,” “CSI” and USA’s

THE BEST EXPERIENCE, LIFE’S NEW MEMORIES

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WHO’S WHO in the CAST “The Big Easy.” Northwestern University graduate. For Susan Ellen. tckerouac.wixsite. com/janthonycrane

STEVE CZARNECKI (Factory Foreman, Champmatheu, Brujon, u/s Jean Valjean, Fight Captain) is elated to join the Les Misérables National Tour. NYC/Tours: The Phantom of the Opera (Swing), Paint Your Wagon (Ensemble). Regional: MUNY, Paper Mill, Fulton, North Shore. BFA MT Otterbein University. Love to The Circus, David Price, The Mine, Tara Rubin Casting and all of his heart to Liz with whom he shares this amazing adventure! JULIA ROSE DI PIAZZA (Ensemble, u/s Little Cosette, u/s Young Éponine) is thrilled to join the cast of Les Misérables. Past credits include Dr. Seuss’ How the Grinch Stole Christmas! (Cindy Lou Who), Shrek the Musical Jr. (Gingy - RTC), Mary Poppins (Michael Banks - Jeff Samaha Prod.). Many thanks to Barry Kolker, Kaitlin Shaw & Amelia DeMayo. Much love to God, family and friends for their continued support.

JOSH DAVIS (Javert). Broadway: Beautiful The Carole King Musical (Nick, Bill Medley). Off-Broadway: White’s Lies, My First Time. Regional: Bella: An American Tall Tale (Dallas Theater Center), Les Misérables (Pioneer Theatre, Flatrock); Guys and Dolls (J. Engeman Theater), Beauty and the Beast (Gateway Playhouse, Oklahoma Lyric), The Last 5 Years (Everyman Theater), One Red Flower (Signature Theater). TV/Film: “Law & Order,” “The Graduates,” “Guiding Light,” “All My Children,” “As the World Turns.” thisisjoshdavis.com NICHOLAS EDWARDS (Constable, Montparnasse, u/s Enjolras). Off-Broadway: Spamilton. National Tour: Sister Act (Pablo). DC Area: Jesus Christ Superstar (Jesus - Signature Theatre). Regional: Kiss of the Spider Woman (Valentin - Triangle Productions). Cruise Line: Celebrity Cruises (Vocalist). BFA Musical Theatre, Montclair State Univ. thenicholasedwards.com

CAITLIN FINNIE (Ensemble, u/s Cosette) is a recent graduate of Northwestern University and thrilled to be embarking on her first national tour. She has previously performed in The King and I at the Chicago Lyric Opera. Much love and thanks to mom, dad, Kaleigh, Bobby, Amera, family, teachers/mentors and friends!

ZOE GLICK (Little Cosette/Young Éponine). National Tour: The Sound of Music (u/s Gretl, u/s Marta). NYC: Madeline’s Christmas (Madeline), Happily Ever After (Sara). Broadway Youth Ensemble, “I Have a Voice” (Broadway Records). Thanks to Jack McLeod, Donna Garner, David Madore, Jamie Jordan,

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Laura Luc, Naomi Kolstein (Bohemia Group), Michelle Thompson (BMG), Tara Rubin Casting, Marie Eife and the Les Miz Team. Love to my family.

JOSHUA GROSSO (Marius) is thrilled to be joining the touring company of Les Misérables. His recent credits include In the Heights (Usnavi) with PCLO and The Light in the Piazza (Fabrizio) with Front Porch Theatricals. He was the winner of the 2012 Jimmy Awards and he recently graduated with a BFA from Carnegie Mellon University.

ALLISON GUINN (Madame Thénardier). Broadway: On The Town (2014), Hair (2009). Off Broadway/Regional: A Taste of Things to Come (York Theater), Noises Off (Alley Theater), Hair (Public Theater and West End). TV/Film: “Divorce” (HBO), “Inside Amy Schumer” (Comedy Central), “The Knick” (Cinemax), “Boardwalk Empire” (HBO). Love and thanks to Bear.

MICHELLE BETH HERMAN (Swing, u/s Factory Girl). Credits: In The Heights (Nina), TUTS; A Little Night Music (Petra), Barnstormers; Spamalot (Lady of the Lake), NLBP; For Tonight (Mirela), Goodspeed; Les Misérables (Ensemble), CRT; Carner & Gregor Songbook, Lincoln Center. The Hartt School, BFA. Proud member of AEA. Huge thanks to DGRW, Tara Rubin Casting & the Les Miz team! ILYTTMATSATCF. Follow: @ michellebethhh

MONTÉ J. HOWELL (Innkeeper, Combeferre, u/s Javert, u/s Bishop). Select Credits: The Golden Apple (City Center Encores!), Les Misérables (The MUNY), Shrek (Alliance Theatre), Sister Act (Arkansas Rep), The Music Man (Flat Rock Playhouse), Porgy and Bess (Opera Theatre of Pittsburgh), Little Shop of Horrors (Stages St. Louis). Praise to God. Love to Ma, Brown and Alyssa. Psalms 28:7.

SOPHIE KNAPP (Little Cosette/Young Éponine). Broadway/1st National Tour: Once the Musical (Ivanka). NYC: Chasing Rainbows (Young Judy Garland), Madeline’s Christmas (Madeline), A Little Princess (Little Girl), Annie (Molly). TV, film, commercials. Soloist: “BYE,” “Lyrics for Life,” “Broadway Sessions.” Love and gratitude to my family, friends, CESD, Zoom Talent, Amelia, Laura, Janine, Leorah, Bess, Tina-Marie, David and Tara Rubin Casting for this incredible opportunity. sophieknapp.actor

JULIAN EMILE LERNER (Petit Gervais, Gavroche) is excited to be a part of the Les Miz Tour! Commercials: Halos Oranges (national), Crayola Spray Maker (Nickelodeon). TV/Film: Voice of “Cian” on “Super Wings” (PBS) and “Samuel” in the upcoming movie Pottersville.

WHO’S WHO in the CAST USAG Level 6 Gymnast. Thank you Teri/ Haley (Teri B Talent), Ellen/Rachel (Paradigm), Badiene Magaziner, Minda Larsen. Love & big thanks to my family!

ANDREW MAUGHAN (Bishop of Digne, Lesgles, Loud Hailer, u/s Jean Valjean) is excited to join his first National Tour! Opera credits: Candide (Candide), Eugene Onegin (Lenski), Die Fledermaus (Eisenstein), La bohéme (Rodolfo), La traviata (Alfredo), Magic Flute (Tamino), Pirates of Penzance (Fredic), The Merry Widow (Camille). Musical Theater: My Fair Lady (Freddy). andrewmaughantenor.com

MAGGIE ELIZABETH MAY (Old Woman). West End: Sister Act w/ Whoopi Goldberg (1st u/s Mary Robert), Andrew Lloyd Webber’s Wizard of Oz w/ Michael Crawford (1st u/s Glinda). Proud graduate of London’s Royal Academy of Music. Endless thanks to teachers, creatives-cast-crew, Kaitlin, yoga & Ron Cisneros. Love you Mom & Dad! For Minow. Desiderata! @maggiemayfromca

MELISSA MITCHELL (Fantine) is honored and excited to be back on the barricade! Broadway: Les Misérables (Original Cast 2014 Revival, Ensemble, u/s Cosette, u/s Fantine). Off-Broadway: GIANT (Public Theater). Regional: Beauty & the Beast (Belle), Camelot (Guenevere), Les Misérables (Cosette). Film: Anger Management, Holes. B.A. in Psychology, UCLA, cum laude. Endless gratitude to creatives, casting & KMR. For God, my family and my whole support team. Soli Deo Gloria! Prov. 3:5-6. melissamitchell.us MATT MOISEY (Grantaire, Major Domo, u/s Thénardier, u/s Bamatabois) was last seen in the latest Broadway revival of Fiddler on the Roof. A big thank you to the wonderful team at Henderson Hogan, Tara Rubin Casting and the entire Les Miz team. Eastman ‘14. For friends, family, mentors and those who are all three! MARY KATE MOORE (Factory Girl, u/s Fantine) is honored to be a part of this timeless production. Previous credits include Fiasco Theater’s Into The Woods, Cats (Grizabella), The Rocky Horror Show (Magenta) and Spring Awakening (Anna). Mary Kate is a proud graduate of Oklahoma City University. marykate-moore.com

ASHLEY DAWN MORTENSEN (Swing) is excited to be joining Les Misérables on the road. Broadway: Les Misérables (Swing). National Tour/Regional: Wicked (u/s Elphaba), Spamalot (Lady of the Lake), White Christmas (Betty Haynes), The Sound of Music (Maria). BFA, NYU CAP21. Endless thanks to Davin, Nicolosi, Seth and Trinity.

TALIA SIMONE ROBINSON (Éponine, Ensemble, u/s Fantine) is a graduate of Emerson College, where she earned her

Bachelor of Fine Arts in Musical Theatre. Most recently she had the honor of playing Grace in Grace for President at the Children’s Theatre of Charlotte. Favorite roles include: Les Misérables (Éponine), Once on This Island (Ti Moune). taliarobinson.com

MIKE SCHWITTER (Laborer, Feuilly, u/s Marius, u/s Enjolras, u/s Bamatabois). Broadway: Pippin (Lewis, u/s Pippin). National Tour: The Book of Mormon (Swing, u/s Elder Price). Regional: Next to Normal (Regional Premier, Gabe), Jesus Christ Superstar, Love Changes Everything, Unsinkable Molly Brown, Chamberlain. He has performed with symphonies across the country in shows such as Cirque Musica, “The Spy Who Loved Me” with Sheena Easton, West Side Story (Hollywood Bowl.) mikeschwitter.com

MATT SHINGLEDECKER (Enjolras). Broadway: Wicked (Fiyero), West Side Story (Tony - Featured in Arthur Laurent’s Memoir “The Rest of the Story: A Life Completed”), Spring Awakening. Off-Broadway: Rent (Roger – Orig. Revival), Standby (Jonathan). Tour: Wicked (Fiyero), Spring Awakening (Georg). London: Homemade Fusion. Immersive: Dani Girl (Marty), Michael Arden’s Adaptation of La Ronde. TV/Film: “Blue Bloods,” “Regis & Kelly” (Regis’s Farewell Episode), Seaside, Future 38. BFA: Elon University. Twitter/ Instagram: @m_shingledecker

LIZ SHIVENER (Swing, Dance Captain) is honored to be joining the Les Misérables family and her third NETworks Tour. Off Broadway: The Underclassman, Hell’s Belles. National Tours: Disney’s Beauty and the Beast (Belle), Shrek The Musical (Fiona). World Premieres: Mann…and Wife at Lyric Theatre of Oklahoma, Ghost (Molly) at Fulton Theatre Chamber Version. BFA Otterbein University. Love to her family, Steve and Teddy. BRETT STOELKER (Swing). Nat’l Tour: Rock of Ages - Las Vegas (Stacee Jaxx), Joseph and the...Dreamcoat, Tenors of Rock, Radio City Christmas Spectacular. Regional: Les Misérables (Enjolras), Next To Normal (Gabe), Jesus Christ Superstar, Miss Saigon. Workshop: Carrie: The Musical. Awards: “Outstanding Featured Actor” Next To Normal (Gabe). Instagram: @brettstoelker DANIELLE J. SUMMONS (Éponine, Ensemble) is overjoyed to not only be a part of such a beautiful body of work as Les Misérables, but a group of wonderfully talented artists. Regional: Memphis (Felicia Farrell), Dreamgirls (Deena Jones). Many thanks to God, the cast and creatives of Les Miz, Shug, Irene and family/friends.

KYLE TIMSON (Swing, u/s Factory Foreman) is thrilled to be joining the cast of Les Miz! Previously seen in the title role

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WHO’S WHO in the CAST of Shrek the Musical on the International Tour. Training: BFA University of Michigan. Thanks to the creatives, Kaitlin Shaw and The Price Group! Love to my friends, family and BROHO. For Baba. kyletimson.com CHRISTOPHER VILJOEN (Courfeyrac, u/s Jean Valjean, u/s Factory Foreman). Previous theatre: The Wedding Singer (Sammy), Chess (The American), Carousel (Billy Bigalow), Songs For A New World (Man 1), Escaping Queens (Ensemble). Proudly South African! Special thanks to Avalon, Tara Rubin Casting, family and friends.

ALAIN BOUBLIL (Book & Original French Text). Librettist/original lyricist: La Révolution Française, Les Misérables, Miss Saigon, Martin Guerre and The Pirate Queen with Claude-Michel Schönberg and Marguerite with Michel Legrand. Co-wrote the screenplay and co-produced the movie soundtrack of Golden Globe-winning Les Misérables (AcademyAward nomination, best song). Author: plays The Diary of Adam and Eve and Manhattan Parisienne, prize-winning novel, Les Dessous de Soi. Awards: two Tony, Grammy, Victoires de la Musique Awards; Molière, Evening Standard and Olivier Award; special Grammy honor; honoree of NY Pops at Carnegie Hall (2016). Producer: Boublil/Schönberg Do You Hear the People Sing worldwide symphonic concerts. Member Board of Directors, NY Pops.

CLAUDE-MICHEL SCHÖNBERG (Book & Music). Co-book writer and composer of La Revolution Française, Les Misérables, Miss Saigon, Martin Guerre and The Pirate Queen. Co-wrote Marguerite in collaboration with Alain Boublil, Michel Legrand, Herbert Kretzmer. Supervised overseas productions and co-produced international cast albums of his shows. Composed the ballet scores for Wuthering Heights and Cleopatra for Northern Ballet. Co-wrote the screenplay and reconceived the music for the Les Misérables musical movie. Golden Globe winner, Oscar nominee, 2016 honoree of the New York Pops at Carnegie Hall with Alain Boublil. Appointed visiting Professor of Contemporary Theatre at St. Catherine’s College, Oxford University. CAMERON MACKINTOSH (Producer) has produced the three longest-running musicals in history: Les Misérables, The Phantom of the Opera and Cats. His co-production with Disney of Mary Poppins continues to sprinkle its magic world-wide and his recent reimagining of Half a Sixpence played to great acclaim in the West End. He’s currently working on a film version of Oliver! and Miss Saigon, following the hugely successful film of Les Misérables. He owns eight London theatres including the Victoria Palace which, after a major rebuild

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and restoration, will re-open later in 2017 with the award-winning musical Hamilton, co-produced with Jeffrey Seller. This year, Cameron had 22 productions running around the world, including six in London’s West End and two currently running on Broadway. Cameron was knighted in 1996 and recently was the first British producer to be elected to the Theater Hall Fame; and the recipient of the 2017 Stephen Sondheim Award. This year marks his 50th anniversary as a producer.

HERBERT KRETZMER (Lyrics) was a London journalist when Cameron Mackintosh invited him to write the lyrics for Les Misérables epochal West End production in 1985. Combining twin careers as a journalist/ lyricist, he contributed regular lyrics for the BBC’s famous satire series “That Was the Week That Was” and had also written lyrics for the French singer Charles Aznavour (“Yesterday When I Was Young,” “She,” etc.). It was Kretzmer’s work with Aznavour which led to Cameron’s invitation. Herbert Kretzmer was born in South Africa to immigrant parents from Lithuania. He now lives in London with his (American) wife Sybil.

JAMES FENTON (Additional Material) has worked as a political and literary journalist, drama critic and war correspondent. He won the Newdigate Prize for Poetry, was made Fellow of the Royal Society of Literature in 1983, Professor of Poetry at Oxford from 1994 to 1999 and awarded the Queen’s Medal for Poetry in 2007. Libretti include Haroun and the Sea Stories (New York City Opera). Plays include Pictures at an Exhibiton (Young Vic) and Orphan of Zhao (RSC, ACT).

TREVOR NUNN & JOHN CAIRD (Adaptors). Trevor Nunn joined the RSC in 1964, and in 1968, was made the company’s youngest ever Artistic Director. He was responsible for running it until retiring from the post in 1986. From 1997-2003, he was director of the National Theatre. Trevor has worked extensively in theatre, opera and musical theatre. John Caird is a freelance director, librettist and writer working worldwide in theatre, opera and musical theatre – at the National Theatre, the RSC (Honorary Associate Director) and at the Royal Dramatic Theatre Stockholm (Principal Guest Director). Theatre Craft, his encyclopedic book about directing, is published by Faber. Together, John and Trevor directed Nicholas Nickleby (five Tony Awards), JM Barrie’s Peter Pan and the original Les Misérables (eight Tonys). LAURENCE CONNOR (Director). Theatre: School of Rock (Broadway, West End, U.S. tour), Les Misérables (Broadway, West End, worldwide), Miss Saigon (Broadway, West End, U.K. tour, worldwide), Jesus Christ

WHO’S WHO in the CAST Superstar (U.K. arena tour, Australia), the entirely new stage production of The Phantom of the Opera (U.S., U.K. tours), Oliver! (U.K. tour). Concerts: The Phantom of the Opera 25th anniversary (Royal Albert Hall, worldwide cinema streaming, DVD), Les Misérables 25th anniversary (O2 Arena, worldwide cinema streaming, DVD), Miss Saigon 25th anniversary (cinema release, DVD). Awards: Miss Saigon West End (Best Direction – WhatsOnStage, Broadway World awards), Miss Saigon Australia (Best Director of a Musical – Green Room Awards), Les Misérables Korea (Best Director of a Musical).

JAMES POWELL (Director) was in Les Misérables in London when he took over as resident director in 1996 and then associate director a few years later. He has since directed it in Scandinavia and Berlin, joint directed the anniversary production as a U.K. tour, Japan, Australia, Toronto and the O2 arena concert in London, Broadway, Sao Paolo, Dubai. Other work: Singin’ in the Rain (West Yorkshire Playhouse, RNT), The Witches of Eastwick (London, Australia), Mary Poppins (Bristol, London, Australia, Holland, New Zealand, Zurich, Germany), Dirty Dancing (London, Utrecht, Chicago, Toronto, Berlin, Oberhausen, U.S. Tour). He co-directed Batman Live (U.K., South America, U.S.). This is the 2nd U.S. tour James has directed and he is about to direct Mary Poppins (Japan).

MATT KINLEY (Set & Image Designer) graduated from the Motley course in 1994 and spent the next decade in production and design at the National Theatre and the West End in London. As part of a long-working partnership with Cameron Mackintosh, he has designed and adapted productions of My Fair Lady, Mary Poppins, Phantom and Miss Saigon all over the world amongst the design of numerous other independent productions . In 2009 he was asked to redesign Les Misérables for its 25th Anniversary, the success of this re-imagining has seen many international productions and he is delighted to present the latest version of this legendary show on this new U.S. tour.

ANDREANE NEOFITOU (Costume Designer). Theatre includes Les Misérables (Tony nomination) and Miss Saigon (worldwide); Once in a Lifetime, Nicholas Nickleby, Hedda Gabler, The Merchant of Venice, Fair Maid of the West, The Changeling (all Royal Shakespeare Company); Peter Pan (National Theatre); Grease (West End); Miss Julie (Athens); Carmen (Royal Albert Hall); Timon of Athens with David Suchet (Old Vic); Martin Guerre (Guthrie); Nabucco (the Met); Jane Eyre (Broadway, Outer Critics Circle nomination). Film include Rosencrantz and Guildenstern Are Dead (dir. Tom Stoppard).

CHRISTINE ROWLAND (Costume Designer) was head of costume for the Royal Shakespeare Company and resident costume supervisor at the National Theatre. For Cameron Mackintosh: Carousel (London, NY, Tokyo), Oliver! (London, U.S. tour, Australia), The Witches of Eastwick (London, Australia), My Fair Lady (London, U.S. tour), Mary Poppins (London, NY, U.S. tour, Australia, Holland), Betty Blue Eyes (London), The Phantom of the Opera (U.K. tour, U.S. tour), Les Miz (Japan, South Korea, Australia, Brazil, Broadway, U.K. tour, U.S. tour, Spain, Canada). Other musicals: Gypsy (NY), Chitty Chitty Bang Bang (London, NY).

PAULE CONSTABLE (Lighting Designer) has designed productions for all the major U.K. companies including Follies, Angels in America and The Red Barn for the National Theatre and the 25th anniversary concert of Les Miz at the O2. Awards: Tony Awards for The Curious Incident of the Dog in the Night Time, War Horse, four Olivier Awards, L.A. Critics Circle Awards, New York Critics Circle Award, Drama Desk Award and Helpmann Award. Opera includes Cav and Pag and Roberto Devereux at the Met; dance includes The Red Shoes and Sleeping Beauty for Matthew Bourne.

MICK POTTER (Sound Designer) has designed the sound for over 100 musicals worldwide including Broadway and West End productions of School Of Rock (Drama Desk Award nominee), Les Misérables (Tony Award nominee, Helpmann Award, Broadway World Audience Award Canada), The Phantom of the Opera (Parnelii Award), Miss Saigon (Broadway World Audience Award, London), Love Never Dies (Green Room Award, Helpmann Award nominee), The Woman in White (Olivier Award), Cats (Drama Desk Award nominee), Evita, Bombay Dreams, Saturday Night Fever, Sunset Boulevard (Starring Glenn Close), From Here To Eternity, Betty Blue Eyes, The Wizard Of Oz, Sister Act, Joseph, Zorro The Musical, The Sound Of Music, Half A Sixpence, Carousel. MICHAEL ASHCROFT (Musical Staging). Movement director: Henry V (MGC), Dirty Dancing (Playful Productions), The Power of Yes (RNT), Resurrection Blues (Old Vic), Life Is a Dream (Donmar), The Blue Room (West End). RSC (associate artist): Hamlet, Richard III, Othello, A Midsummer Night’s Dream, Antony and Cleopatra, Julius Caesar, The Tempest, Merry Wives the Musical, Macbeth, Richard II. Film: Hamlet, Richard II, Henry IV. GEOFFREY GARRATT (Musical Staging). Trained at Bird Theatre College in London. Associate choreographer on Mary Poppins (London); Miss Saigon (Broadway, U.K. tour,

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WHO’S WHO in the CAST Korea, Australia); Oliver! (London, Australia, Holland, Toronto, U.K., U.S. tours); Witches of Eastwick (London, Australia); South Pacific (National Theatre); Hey, Mr. Producer! (London, U.S.). Choreographic credits include Little Shop of Horrors, Blues in the Night and A Doll’s House for West Yorkshire Playhouse; Jack and the Beanstalk (Barbican); and Fascinating Aida (U.K. tour and West End). Performed in Cats, Martin Guerre, Fiddler on the Roof, Matador, West Side Tory, Mister Cinders and Joseph…. 59 PRODUCTIONS (Projections Realization). Led by Leo Warner, Mark Grimmer and Lysander Aston along with director of animation, Peter Stenhouse, 59 productions is a film and anew media production company with specialized in film-making and integrating the moving image into live performance. The company’s team plays both a creative and technical role in realization of film, theater, opera, music, ballet and fine art projects. Theater projects include Waves (National Theatre/Schauspiel Holn), and Les Misérables (Cameron Mackintosh/world tour). Opera include 125th Anniversary Gala, Doctor Atomic (Met Opera/ENO), Satyagraha ENO/ Met Opera), Al Gran Sole Carico d’Amore (Salzburg Festival). Dance includes Invitus Invitam and The Goldberg Project (Royal Ballet), and Dorian Gray (Matthew Bourne’s New Adventures). Live Music includes the set and video design for Icelandic singer Jónsi (Sigur Rós). Short film includes the multiaward-winning A Family Portrait and The Half-Light. fiftynineproductions.co.uk

BRIAN EADS (Musical Director, Conductor) is a doctoral candidate in Orchestral Conducting, Indiana University. Guest conducting credits: Great Lakes Chamber Orchestra, Mississippi Symphony Orchestra, North Mississippi Symphony Orchestra, Princeton Festival Orchestra, Lima Symphony Orchestra. His orchestral arrangements have been performed by: Indianapolis Chamber Orchestra and Chorus, Madison Symphony Orchestra and Chorus, Kalamazoo Symphony Orchestra, Nashville Symphony Orchestra, Chicago Symphony Orchestra. Master of Music in Orchestral Conducting, Florida State University; Bachelor of Music, Piano Performance, Delta State University. Unending love and thanks to all of my family, friends and teachers. Soli Deo Gloria!

JAMES DODGSON (Musical Supervisor) is based in New York and has worked on productions throughout the U.S., Canada, Brazil, Holland, Spain, Australia, South Korea and London’s West End. Musicals: Disney’s Newsies, Mary Poppins, Les Misérables, Chicago, Miss Saigon, The Phantom of the Opera, Disney’s Beauty and the Beast, The

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Secret Garden, On A Clear Day You Can See Forever and Stiles and Drewe’s Peter Pan with The Royal Philharmonic Orchestra. National Theatre London: Oh What A Lovely War and The Villains Opera. STEPHEN BROOKER (New Orchestrations). Conductor/musical director: Les Misérables film. Supervisor: Les Misérables (NY, London, Tokyo), Half a Sixpence, Barnum, Oliver!, Mary Poppins, Miss Saigon, Cats, My Fair Lady, The Secret Garden, South Pacific, Chess, The Woman in White, Saturday Night Fever, The Phantom of the Opera. Conductor: symphonies and choirs worldwide including Royal Choral Society for Her Majesty Queen Elizabeth. Composer: Walt Disney, CocaCola, Ford Motors, BMW cars, Jaguar Cars. Produced recordings of Les Misérables, Oliver!, Mary Poppins, South Pacific. Conducted the 85th Academy Awards.

JOHN CAMERON (Original Orchestrations) arranged the Orchestral Score for all the original productions of Les Misérables, Paris, London, Broadway, the Symphonic recordings, Concert, 10th Anniversary and 2006 Queen’s Theatre versions. As a composer his extensive film and television film score credits include the Academy Award-nominated A Touch of Class and the Emmy-nominated “Path to 9-11.” John co-composed Zorro the Musical, nominated for an Olivier Award for Best New Musical 2009. Other arranging credits include Joseph and the Amazing Technicolor Dreamcoat. CHRISTOPHER JAHNKE (New Orchestrations). Orchestrations: Porgy and Bess (2012 Tony nom.), Heart And Lights (2014 Radio City), Legally Blonde, Cry Baby, Grease (2007 Revival), Do You Hear the People Sing? (Symphonic arena tour of Boublil/Schönberg), Dessa Rose, A Man of No Importance, Tom Jones (Stiles/Leigh), Chasing Nicolette, Not Wanted on the Voyage (Bartram/Hill), Just So (Stiles/Drewe). Music Producer/Music Supervisor of Memphis. Assistant to William David Brohn: Ragtime, Sweet Smell of Success, The Witches of Eastwick, Mary Poppins, Wicked.

STEPHEN METCALFE (New Orchestrations). For the past 17 years, Stephen has been Head Of Music at Cameron Mackintosh Ltd. Productions include Les Misérables, Miss Saigon, Mary Poppins, My Fair Lady, Avenue Q, Hair, Betty Blue Eyes, Barnum and Half A Sixpence. Stephen produced the cast albums of Les Misérables (25th anniversary), Oliver! (London), Mary Poppins (Australia), Miss Saigon (London, Holland), Betty Blue Eyes (London) and Half A Sixpence. He orchestrated and produced the soundtrack albums for the Universal Pictures film of Les Miserables, for which he was nominated for a Grammy Award.

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WHO’S WHO in the CAST JEAN-MARC NATEL (Original French Text) was born in 1942. He studied art at the Beaux Arts in Toulon before turning to poetry and has published two volumes of his poems. In 1968 he moved to Paris where he met Alain Boublil, who introduced him to songwriting with the daunting task of co-writing the lyrics for Les Misérables. Since then, he has written songs for a variety of artists and, recently, some of his poetry has been set to music by Franck Pourcel.

COREY AGNEW (Associate Director) is happy to be back with the team here at Les Misérables. Most recently, Corey worked as the Resident Director of the U.S. Tour and Toronto productions of Matilda. Prior to that, he was the Resident Director of Cameron Mackintosh’s Les Misérables in Toronto, Australia and on the U.S. National Tour. Favorite credits include Mary Poppins (Broadway, Australian Premier, 1st and 2nd U.S. National Tours), The Sunshine Boys (Soulpepper Theatre), Robin Hood (Ross Petty). LIAM McILWAIN (Resident Director) is thrilled to be working on this new U.S. Tour of Les Misérables. He began as a cast member with the Australian production, then became Resident Director for international tours in Manila, Singapore and Dubai. Liam worked as Assistant Director/Choreographer on local language productions in São Paulo and Tokyo. Performer and creative theatrical credits include Out From Under, Mary Poppins, Chitty Chitty Bang Bang, High School Musical, Shout, Cats, Dusty, Grease, The Pirates of Penzance, Gypsy, Sunset Boulevard and Bye Bye Birdie.

CAMPBELL YOUNG ASSOCIATES (Hair & Wig Designer) and his team design hair and wigs for many opera, theatre, film and television companies in the U.K. and abroad. Credits include Tristan and Isolde (La Scala, Milan), From the House of the Dead, (Vienna Festival), Un Ballo in Maschera and La Bohème (Bregenz Festival), The Ring Cycle (Tokyo), Lord of the Rings the Musical (Toronto and London), Rock ‘n’ Roll (London and Broadway) and Les Liaisons Dangereuses (Metropolitan Museum of Art, New York). TARA RUBIN CASTING (Casting). Selected Broadway: The Band’s Visit (upcoming), Prince of Broadway, Bandstand, Indecent, Sunset Boulevard, Miss Saigon, Dear Evan Hansen, A Bronx Tale, Cats, Falsettos, Disaster!, School of Rock, Gigi, Bullets Over Broadway, Aladdin, Les Misérables, The Heiress, How to Succeed.., Billy Elliot, Shrek, Young Frankenstein, Mary Poppins, Spamalot, …Spelling Bee, The Producers, Mamma Mia!, Jersey Boys, The Phantom of the Opera. OffBroadway: The Band’s Visit; Here Lies Love; Love, Loss, and What I Wore. Regional: Yale

Repertory Theatre, Paper Mill Playhouse, La Jolla Playhouse, Berkeley Rep, The Old Globe, Asolo Rep.

JOHN MILLER (Musical Coordinator). Over 100 Broadway shows. Recent: Once On This Island; Hello, Dolly!; Indecent; Charlie and the Chocolate Factory; A Bronx Tale; The Great Comet of 1812; Waitress; Something Rotten!; Beautiful; Jersey Boys. Musician (bass): Leonard Cohen, Michael Jackson, Madonna, Bette Midler, Peter, Paul and Mary, Eric Clapton, Frank Sinatra, Bette Midler. johnmillerbass.com RYAN PARLIMENT (Company Manager) is excited to be be a part of Les Misérables! National tours include The Sound of Music, Dirty Dancing, The Bridges of Madison County, NETworks presents Disney’s Beauty and the Beast and Riverdance. He earned his M.B.A from the University of North Florida, completed undergraduate studies at the University of Central Florida, is proud to be ATPAM Board Certified and will always be a Florida Gator at heart. CHOMP CHOMP.

JACK McLEOD (Production Stage Manager). Broadway & Touring credits including The Sound of Music, Dirty Dancing, Kinky Boots, Jersey Boys, Hedwig and the Angry Inch, An American In Paris, Cabaret, Avenue Q, White Christmas, Chitty Chitty Bang Bang, BoeingBoeing, Grease, Porgy & Bess, The King & I, Smokey Joe’s Café and Cats. Love to Frederick and Oliver. jack-mcleod.com

ALAN D. KNIGHT (Stage Manager) is on his sixth year working on touring Broadway musicals. His credits include The Sound of Music directed by Jack O’Brien, Mamma Mia!, The Book of Mormon (1st and 2nd National Tours) and Sister Act the Musical. Lots of love to his family!

STEPHANIE HALBEDEL (Assistant Stage Manager). Credits include NETworks Tours of The Phantom of the Opera, Dirty Dancing, Beauty and the Beast, Blue Man Group and Shrek, as well as shows throughout the Northeast and New York. This one’s for the wonderful & greathearted Caitlin Fahey!

BROADWAY BOOKING OFFICE NYC (Tour Booking, Engagement, Press and Marketing) is a leading theatrical tour booking, marketing and press company representing award-winning musicals and plays. Currently: Jersey Boys, Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s The Phantom of the Opera, Les Misérables, Miss Saigon, Beautiful – The Carole King Musical, A Bronx Tale, Falsettos, A Gentleman’s Guide to Love and Murder, The Sound of Music, Rodgers & Hammerstein’s The King and I, Fun Home, Andrew Lloyd

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Webber’s Love Never Dies, Bright Star and an industry leading producer and manager of Matthew Bourne’s The Red Shoes. www.bbonyc. touring musical theatre productions and remains committed to delivering quality entertainment com to audiences worldwide. Having toured over NICHOLAS ALLOTT (Executive Producer) 70 productions internationally, NETworks joined Cameron Mackintosh in 1981 as current touring productions include Cameron executive producer for Cats and subsequently Mackintosh’s The Phantom of the Opera, Les Les Misérables, Miss Saigon, The Phantom of Misérables, Elf the Musical, Finding Neverland, the Opera, Oliver! and Mary Poppins, amongst A Gentleman’s Guide to Love and Murder, Dirty others. Since 2000, Managing Director of Dancing, The Sound of Music and Rodgers and Cameron Mackintosh Ltd. Chairman of the Soho Hammerstein’s The King and I. Theatre, Trustee of the Roundhouse, Patron of Shakespeare Schools Festival and U.K. Business OPENING NIGHT SEPTEMBER 28, 2017 Ambassador for the Prime Minister’s Office. STAFF FOR LES MISÉRABLES Awarded an OBE for services to theatre and EXECUTIVE PRODUCERS charity by the Queen in the 2014. Nicholas Allott Seth Sklar-Heyn SETH SKLAR-HEYN (Executive Producer). Broadway: Miss Saigon, Les Misérables (Executive Producer); The Phantom of the Opera (Production Supervisor); Miss Saigon, Evita, A Little Night Music, Finian’s Rainbow, Good Vibrations (Associate Director); Mary Stuart, Rock’n’Roll, Frost/Nixon (Assistant Director); The Coast of Utopia (Assistant to the Director). National tour: The Phantom of the Opera (Associate Director) and Billy Elliot (Resident Director). Seth directed the national tours of Frost/Nixon and Evita (2012 revival) and recently directed Ragtime at the Ogunquit Playhouse. Seth serves as Executive Producer for Cameron Mackintosh Inc. in N.Y. Graduate of Vassar College.

Seth Wenig Trinity Wheeler GENERAL MANAGEMENT Gentry & Associates Gregory Vander Ploeg Jamey Jennings Brad Broman Kevin Persaud PRODUCTION MANAGEMENT NETworks Presentations Jason Juenker Hector Guivas Cody O’Dell Emma Downey COMPANY MANAGER Ryan Parliment Associate Company Manager James Yandoli TOUR BOOKING, ENGAGEMENT MANAGEMENT PRESS AND MARKETING Broadway Booking Office NYC Steven Schnepp Kent McIngvale, Jenny Bates, David Freeland, Zach Stevenson, Sean Mackey, Stacey Burns, Danny Knaub, Rachel Peterson, Phil Della Noce BBONYC.com CASTING Tara Rubin Casting Tara Rubin CSA, Eric Woodall CSA, Merri Sugarman CSA, Laura Schutzel, CSA Kaitlin Shaw CSA, Lindsay Levine CSA, Claire Burke CSA, Felicia Rudolph CSA Xavier Rubiano LIla Stallone

SETH WENIG (Executive Producer) has been with NETworks since its inception in 1995. He spearheaded the international tours of Fosse starring Ben Vereen and Ruthie Henshall. Seth has produced the Lincoln Center Theater production of Rodgers & Hammerstein’s South Pacific and the National Theatre production of War Horse. Together with Cameron Mackintosh, Seth served as Executive Producer for both the U.S. and U.K. tours of the National Theatre’s My Fair Lady, the 25th Anniversary U.S. Tour of Les Misérables and the new The Phantom of the Opera tour. He is most proud of his greatest U.S. ASSOC. DIRECTOR.................. COREY AGNEW productions – Marlo and Camden. RESIDENT DIRECTOR................... LIAM McILWAIN

PRODUCTION STAGE MANAGER....JACK McLEOD Stage Manager..........................................Alan D. Knight Assistant Stage Manager.................... Stephanie Halbedel Fight Director..................................................Joe Bostick Dance Captain...............................................Liz Shivener Fight Captain........................................... Steve Czarnecki Voice Consultant..............................................Liz Caplan U.K. Assoc. Scenic Designer........................David Harris U.S. Assoc. Scenic Designer.................... Christine Peters U.K. Assoc. Costume Supervisor................... Laura Hunt U.S. Costume Supervisor............................. Sam Fleming Costume Assistants.................................Joseph D. Sibley Hair & Wig Designer..........Campbell Young Associates/ Luc Verschueren U.K. Assoc. Lighting Designer............ Richard Pacholski U.S. Assoc. Lighting Designer...................... Gina Scherr Lighting Programmer................................ Tommy Hague Production Electrician....................................Rob Virzera U.K. Assoc. Sound Designer..............................Nic Gray NETWORKS PRESENTATIONS (Producer), Production Sound......................................David Stollings from its inception over 20 years ago, has been Projection Realization............................... 59 Productions Ben Pearcy, Brad Peterson

TRINITY WHEELER (Executive Producer). Broadway: Les Misérables (Production Stage Manager). National Tours: Bullets Over Broadway (Executive Producer), Elf the Musical (Executive Producer), Disney’s Beauty and the Beast (Executive Producer), The Phantom of the Opera (Supervisory Production Stage Manager), Les Misérables (Production Stage Manager), Mary Poppins (Production Stage Manager), Young Frankenstein starring Roger Bart and Rent starring Adam Pascal and Anthony Rapp. Trinity currently works on the national tours of Les Misérables, Finding Neverland, Dirty Dancing and Rodgers & Hammerstein’s The Sound of Music. Instagram: @trinityonbroadway

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Projections Programmer.............................Marc Polimeni U.S. Musical Supervisor...........................James Dodgson U.K. Musical Supervisor.........................Stephen Brooker Music Coordinator.......................................... John Miller Assistant to John Miller..................... Jennifer Coolbaugh Keyboard Programming............................Stuart Andrews Asst. Keyboard Programming................. Jean Bellefeuille Production Carpenter...................................George Munz Head Carpenter.............................................. Dani Taylor Automation Carpenter................................ Ryan D. Yorty Assistant Carpenter.....................................Aaron Gilman Flyman..................................................... Louis Riquelme Head Electrician.................................................Erik Plath Assistant Electricians.................... Mary Anderson, John Stinson Head Sound Engineer..........................Heather Augustine Assistant Audio............................................... Mark Rivet Head Properties...............................................Kurt Oostra Assistant Properties....................... Anna Katharine Mantz Advance Rigger/Crew Swing.......................... Tim Buzza Head Wardrobe..........................................Kaitlyn Barrett Assisant Wardrobe...................................... Emily Staloch Wig/Hair Supervisor.................................... Jennifer Chin Assistant Wigs...........................................Brittany Steele Casting Associate..................................... Felicia Rudolph Production Assistants..............Claire Carden, Willie Porter, Annie Schroeder Rehearsal Pianist.............................................Sinai Tabak Tutoring Services........................On Location Eduacation Child Wrangler/Teacher............................... Jessica Balun Physical Therapy Consultant................. Carolyn Lawson, NEURO Tour Print/Advertising Design....... Cameron Mackintosh LTD Radio and Television Spot Production........... Steam U.K. Website............................................................ Dewynters Social Media...................... Marathon Live Entertainment Production Photography.........................Matthew Murphy Merchandising........................ Platypus Productions, LLC Merchandising Manager............................ Jelani Peterkin Legal Services.......................................Rick Pappas, Esq. Accounting........................ NETworks Presentations LLC Technical Production Accounting.................. Colin Byrne HR & Payroll Services....................Human Resources inc Housing.............Road Concierge, an ALTOUR Company Travel Agency............................................Janice Kessler, Carlson Wagonlit Travel Trucking..................................................... Clark Transfer For Cameron Mackintosh LTD Directors.......................Cameron Mackintosh (Chairman) Nicholas Allott Alan Finch Richard Johnston Deputy Managing Director.......................... Robert Noble Financial Controller................................... Richard Knibb Executive Producer & Casting Director........... Trevor Jackson Executive Producer.............................Thomas Schönberg Technical Director.................................. Jerry Donaldson Head of Sales and Marketing..................... David Dolman Ass’t. to Cameron Mackintosh....................... Jane Austin Ass’t. to Nicholas Allott.............................. Claire Mistry Ass’t. to Robert Noble...............................Zory Mishchiy Technical Coordinator................................ Charlie Lester For Cameron Mackintosh, Inc. Managing Director.................................... Nicholas Allott Executive Producer................................. Seth Sklar-Heyn Production Associate.................................. Shidan Majidi For NETworks Presentations Chief Executive Officer.................................. Ken Gentry Chief Operating Officer......................... Scott W. Jackson President............................................................ Orin Wolf Executive Vice President Production.............. Seth Wenig Executive Assistant/Associate General Manager..... Curt Owens Director of Finance......................................... John Kinna

Controller................................................. Jennifer Gifford Director of Tour Accounting..................... Laura S. Carey Executive Producer.................................. Trinity Wheeler Senior Director, Booking & Engagements........... Mary K. Witte Director, Booking & Engagements...................... Colin Byrne Engagement Manager...................... Esther Schwarzbauer Director of Marketing/PR.............................Heather Hess Digital Marketing Strategist........................Perrin Shapiro Senior General Manager................Gregory Vander Ploeg General Manager.......................................Jamey Jennings Asst. General Managers.................. Brad Broman, Kevin Persaud Senior Production Manager.........................Jason Juenker Production Managers..............Hector Guivas, Cody O’Dell Assistant Production Manager.................. Emma Downey Music Coordinator.........................................John Mezzio IT Manager.........................................................Tim Pizza Warehouse Manager........................................ Brad Korff Warehouse Costume Manager.............Bobby Maglaughlin Office Manager....................................... Buddy Piccolino Office Assistant.............................................. Carol Jewell Credits

Rigging and Lighting Equipment supplied by Christie Lites; Video Projection and Sound Equipment supplied by Sound Associates; Set, Show control and scenic motion control featuring stage command systems® by PRG-Scenic Technologies, a division of Production Resource Group, L.L.C., New Windsor, NY; Scenic Construction by Global Scenic; Costumes constructed by Eric Winterling, John Schneeman Studio; Weapons and Torches by J&M Special Effects. Rehearsed at Ripley Grier and New 42nd Street Studios Special Thanks to Providence Performing Arts Center; Norbert Mongeon, J. L. “Lynn” Singleton. Liz Caplan Vocal Studios Tax & Financial Consulting, Accounting Services CliftonLarsonAllen LLP Brian Enverso, Pat Guerieri Insurance Broker Services Maury Donnelly and Parr, Inc. Robert B. Middleton, Sr and Meghan Shriver Financial Services and banking arrangements by SunTrust Bank Online www.lesmiz.com Facebook, Instagram, Twitter, Snapchat: LesMizUS The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. All stage work performed by employees represented by IATSE. UNITED SCENIC ARTISTS represents the designers and scenic painters for the American Theatre. The Musicians employed in this production are members of the American Federation of Musicians of the United States and Canada. The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union. The Press Agents, Company and House Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers. This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

THE BEST EXPERIENCE, LIFE’S NEW MEMORIES

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FOUNDER’S SPOTLIGHT ‘Get the Right Thing Done’ Duke University and DPAC

Tallman Trask III has served as Duke University’s executive vice president since 1995. As such, according to his bio on the school’s website, “[he] is responsible for the budget, financial affairs, procurement, debt, campus planning, architecture, maintenance and construction, real estate, human resources, academic and administrative computing, audit, safety and security, and auxiliary services (including stores, parking and transportation).” Oh, is that all? During his tenure, Trask has overseen a building and renovation boom both on and off campus. On-campus projects include the Nasher Museum of Art and the renovation of Duke Chapel, among many, many others. Off campus, Trask has been instrumental in Duke’s concerted effort to reach beyond its stone walls to bolster Durham, downtown in particular. That includes key support for the Durham Performing Arts Center during a pivotal stage. The idea of a theater had been kicked around for a while. As the city grew closer toward a final plan, they realized they didn’t have enough funding to complete architect Phil Szostak’s design. Trask had consulted with Szostak during the design process and had kept a close eye as the project wended its way through City Hall. When city officials announced the shortfall, Trask went to then-Duke President, Nan Keohane. “I explained to her that, with [theater operator] PFM/Nederlander on board, I now thought this thing was for real but the city didn’t have the money. The city was going to have to value engineer it, and that was the worst possible outcome.” So Keohane agreed to fill the funding gap of $7.5 million in exchange for the American Dance Festival having use of the theater during the summer. This preserved three things from Szostak’s original design, Trask says: A full, open lobby area, a larger stage that could accommodate not only dance but Broadway shows, and spacious back-of-the-house amenities, including ample loading docks. “The loading docks are actually important. This is one of the easiest theaters in America to load and unload a Broadway show.” Duke’s support was instrumental in making DPAC what it is today. And Tallman Trask III was instrumental in securing it.

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And yet it’s just one example of how Duke has sparked the downtown renaissance. Trask unhesitatingly concedes that Duke was closed off from its home city prior to his arrival. His first impression of downtown Durham back then? “It wasn’t positive.There were millions of square feet vacant, all of which is now occupied and then some.” That’s due in large part to Duke’s “conscious choice” to move many of its offices and departments downtown. Having Duke as an anchor tenant helped secure funding for renovation projects such as the American Tobacco Campus, Diamond View office buildings, West Village apartments and, most recently, The Chesterfield, which turned the old Liggett & Myers cigarette factory into a hub of engineering and medical research. Duke now has more than 3,000 employees working downtown. Asked why Duke made such a commitment to Durham, Trask says, “Well, we live here. And we’re not going anywhere.” He’s had season tickets to DPAC since it opened. He particularly enjoyed Phantom of the Opera. “And, of course, like everyone else, I’m waiting for Hamilton.” When he’s in the theater, he says he doesn’t give much thought to his role in making it happen. “It is pretty cool, but we were just trying to get the right thing done.”

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TEAM DPAC Management:

Event Services:

Corporate Partnerships:

Bob Klaus

Jenny Fornoff

Allison Panella

Sam LoCascio

Josette Roten

Haven Boyd

Ticketing:

General Manager

Stuart Klein

Business Manager

Megan Rindoks

Community Outreach and Guest Experience Manager

Alyssa Beckitt

Administrative Assistant

Marketing: Rachel Traversari

Senior Director of Marketing

Candice Terrell

Assistant Director of Marketing – Concerts & Comedy

Jennie Lanning

Assistant Director of Marketing – Broadway

Tyler Piette

Director of Audience and Event Services Audience and Event Services Manager Volunteer Coordinator

Tawan Alexander Angela Andrews Kristine Balluyot Barbara Berro Jerry Boylan Joshua Cosby Patti Dickson Catherine Evans Michelle Frost Astrid Gatling Edward Gerhardt Jacob Holbrook Rebecca Klein Regina McNair Karen Scher Sylvia Staggs Event Supervisors

Marketing & Promotions Coordinator – Concerts & Comedy

Food & Beverages:

Taylor Zansberg

Director of Food & Beverage Spectra by Comcast-Spectator

Digital Marketing Manager

Allie Carlton

Marketing Assistant

Chelsey McCotter

Digital Marketing Assistant

Ken and Colin Huth Andy Martin House Photographers

Affonso Jefferson

Aisha McWilliams Office Manager

Facility Operations: Jonn Andree

Taki Pappas

Director of Programming – Concerts & Comedy

Caitlin Taranto

Programming Assistant

Kelley Monts de Oca Director of Ticketing

Jessica Fennig

Ticketing Manager – Operations

Michael Washington Ticketing Manager – Customer Care

Charlotte Wulff

Ticketing Manager – Broadway & Season Member Services

Meredith Reed

President’s Club – Membership Manager

Jacob Holland

Senior Ticketing and Group Sales Supervisor

Cassie Pettit Keystra Williams

Ticketing Supervisors

Production: Josh Anderson Technical Director

Joshua Aldridge

Rick Roberts

Karen Byers

Kevin Feeley Eric Horton Joey Infinito Greg Jacek Stuart McCallum Matt Oliverio Facility Operations Techs

Lonnie Barfield

Overnight Security Manager

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Sponsor Services Coordinator

Director of Facility Operations Facility Operations Supervisor

Programming:

Director of Corporate Partnerships

Head Electrician Head Props

Karen McClanahan Head Wardrobe

Erik Ramquist Head Audio

Les Wells

Head Carpenter/Flyman

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