Drayton Hall Interiors Newsletter Fall 2018

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INTERIORS FALL 2018

T H E GAT E S GALLERY HOUSES HISTORY LOCAL MAKERS IN THE SHOP AN INDIGO IMMERSION W H AT ’ S NEXT FOR D R AY T O N HALL UPCOMING EVENTS

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O N T E X T M E A N S E V E RY T H I N G AT D R AY T O N H A L L .

Like many other historic house museums, the landscape surrounding Drayton Hall is essential to understanding and appreciating the history and character of the site and its ties to the larger region. Imagine then for a moment, that the 2,200 acres to the west of Drayton Hall was cleared ahead of the construction of new residential housing. Increased traffic, noise, and other negative impacts would follow, thus permanently eroding one of the most iconic places in the South Carolina Lowcountry and indeed the nation.

Such a situation, while difficult to stomach, is a very real possibility, and on June 26th, 2018, The National Trust for Historic Preservation nominated the Ashley River Historic District to its list of America’s 11 Most Endangered Historic Places. Comprised of nearly 24,000 acres and anchored by historic sites such as Drayton Hall and Middleton Place, the district is threatened by the annexation of approximately 2,200 acres by the City of North Charleston. Both the City of Charleston and the National Trust for Historic Preservation have filed lawsuits against the City of North Charleston to reverse this situation, but if unsuccessful, zoning changes implemented by the City of North Charleston could usher in intensive development.

Drayton Hall Preservation Trust stands beside our conservation and preservation partners and will continue to advocate for protections of the region and its viewsheds. As a Friend of Drayton Hall, your generous support helps us complete this essential part of our mission, and I encourage you to show further support by signing the National Trust’s online petition found here: https://bit.ly/2Ll3Pjd

A DVA N C E M E N T Marsha Ray, Director of Advancement Caroline Schultz, Advancement Manager Lauren Williams, Advancement Coordinator

C O M M U N I C AT I O N S AND MARKETING B OA R D O F T RU S T E E S Richard Almeida, Chair Marilynn Wood Hill, Vice Chair W. Hampton Morris, Vice Chair H. Montague (Monty) Osteen Jr., Treasurer Thomas W. (Woody) Rash Jr., Secretary Carter C. Hudgins, Ph.D., President and Chief Executive Officer Pamela Brown, Executive Assistant to the President and CEO Nathan (Nate) Berry Mary (MeMe) Black William B. (Bill) Bodine Catherine Brown Braxton Frank W. Brumley Amelia (Mimi) Cathcart Matthew Cochrane-Logan P. Steven (Steve) Dopp Frank B. Drayton Jr. John B. Hildreth Benjamin P. (Ben) Jenkins III Rise Johnson

P R E S E RVAT I O N Carter C. Hudgins Ph.D., Acting Director of Preservation Sarah Stroud Clarke, Archaeologist and Curator of Collections Patricia Lowe Smith, Curator of Historic Architectural Resources Eric Becker, Manager of Landscapes, Horticulture, and Modern Facilities Cameron Moon, Assistant Curator of Historic Architectural Resources Corey Heyward, Wexler Curatorial Fellow Raymond Nesmith, Landscape and Horticulture Technician Tom Eline, Landscape and Horticulture Technician

G U E S T S E RV I C E S Kate Ludwig, Director of Retail and Admissions Joseph Rizzo, Ph.D., Curator of Interpretation and Museum Programs Amanda Felder, Guest Services Coordinator

Kristopher B. King

Stephanie Demkowski, Guest Services and Volunteer Coordinator

Douglas B. (Doug) Lee

Patricia Jack, Guest Services Coordinator

Benjamin F. (Ben) Lenhardt Jr.

Historical Interpreters: Lucy Archie, James Boast, EmmaLee Boykin, Rosemary Giesy, Bev Hildreth, Mary Jo Lautier, Annika Liger, Mack Martin, Betsy McAmis, Diane Miller, Melanie Taylor, Katherine Wensel, Jordan Yale

Fulton D. (Tony) Lewis Jr. Michael B. Prevost Anthony C. (Tony) Wood

Carter C. Hudgins, Ph.D. President and Chief Executive Officer

Catherine Coughlin, Communications and Marketing Manager

FINANCE Paula Marion, Chief Financial Officer Michelle Johanek, Finance Associate

Visitor Services Associates: Sharon Kreuder, Leslie Lewis

FALL 2018

CONTENTS

02–03

A Weekend Worth Waiting For An intimate, show-stopping evening with our most dedicated supporters, followed by a family picnic and ribbon cutting.

Drayton’s doors are finally open.

04

A Story Unfolds “An Agreeable Prospect,” the inaugural exhibit in the Gates Gallery, brings Drayton Hall to life. Using decorative arts, documents, and archaeological artifacts, visitors learn about the origins of the estate.

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A Look at Where We’ve Been The efforts of the Drayton Hall community have set a new standard for support. We celebrate how far we’ve come and look ahead at new goals.

06–07

Bringing History Home The Shop at Drayton Hall has expanded in outreach and options.

The site’s retail offerings include fine art, locally made jewelry, and housewares inspired by our diverse collection.

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Inspired by Eliza Natasha Boyd, author of The Indigo Girl, anchors a weekend oriented around Drayton Hall’s first book club selection. This historic novel focuses on the life of Eliza Lucas Pinckney — a friend, colleague and contemporary of Drayton Hall’s founder, John Drayton.

On the Cover: C E L E B R ATO RY EVENING GALA AT D R AY TO N H A L L (PHOTO BY PAUL CHENEY)

Left page: AERIAL VIEW OF

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Become a Friend of Drayton Hall Drayton Hall’s annual giving program provides unique benefits for our supporters — chief among the benefits is contributing to our historymaking mission.

ASHLEY RIVER HISTORIC DISTRICT (PHOTO BY JON MARCEOUX)

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A Weekend Worth Waiting For I T WA S A S W E E T S I X T E E N MONTHS IN THE MAKING, B U T T H E D R AY T O N H A L L R E I M AG I N E D C A M PA I G N WA S A S M A S H I N G S U C C E S S .

D R AY T O N H A L L’ S N E W GALLERIES, LANDSCAPES, E D U C AT I O N S PAC E S A N D VISITOR AMENITIES A R E N OW O P E N .

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©

TONY SWEET

Images: C E L E B R ATO RY GALA AND RIBBON-CUTTING EVENT ON APRIL 27–28, 2018 (PHOTOS BY PAUL CHENEY)

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A Story Unfolds D R AY T O N H A L L’ S S T O R I E S H AV E B E E N T O L D F O R Y E A R S — on house tours, in lecture halls and in the pages of scholarly journals and glossy magazines alike but we have long dreamed of doing more.

With our new facilities, we have an exciting opportunity to expand the ways we tell these stories. We are finally able to showcase our diverse collections for every visitor to experience and in turn, greatly expand the impact of the Drayton Hall Preservation Trust.

Above: CA R E TA K E R’S

We think our supporters will be delighted to see the careful preservation work we have completed on the c. 1870 Caretaker’s House. The Richard and Jill Almeida Gallery will focus on the lives and contributions of the African American community that lived and worked at Drayton Hall during the post-bellum phosphate mining era and beyond.

HOUSE

The Stephen F. and Laura D. Gates Gallery is a rotating exhibition space. For the inaugural exhibit, we decided to start at the beginning: The conception of Drayton Hall. The exhibit, entitled An Agreeable Prospect: The Creation of a Colonial South Carolina Palace and Garden, uses objects from Drayton Hall’s collections to take visitors through the process of designing, building, and furnishing John Drayton’s estate in the eighteenth century.

While directed by John Drayton, the construction of the estate was executed by free and enslaved artisans using both local and imported materials. The completed home was then furnished with elaborate materials from around the world. Our first exhibit gives visitors an intimate look at the people, the objects, and the ideas that coalesced to make Drayton Hall such an extraordinary place.

Through architectural renderings, historic documents, decorative arts and archaeologically recovered artifacts, we are now able to show visitors a more complete picture of life at Drayton Hall.

A S E L E C T I O N O F O B J E C T S N OW O N D I S P L AY I N T H E G AT E S G A L L E RY I N C LU D E :

IMPORTED LIMESTONE COLUMNS We believe these are two of the original columns that supported the second floor of Drayton Hall’s portico.

Carved from Portland limestone imported from England, and stored in the cellar of Drayton Hall since at least 1875, the four individual pieces making up each column were documented and cleaned

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before their careful relocation and assembly in the Gates Gallery. These two columns will permanently anchor the Gates Gallery while the pieces of remaining two original columns remain in the cellar.

carved lion heads, the furniture’s current red wool upholstery is representative of the original fabric identified while undergoing conservation.

H A I RY PAW FURNITURE This original suite of furniture created for Drayton Hall’s earliest years features iconic hairy paw feet—the first example of this type of carving found on furniture in the American colonies. A settee, side chair and slab table are on display.

Decorated with stylized acanthus leaves and

GEORGE E DWA R DS WAT E R C O LO R S Ten years before he finished his first volume of A Natural History of Uncommon Birds in 1743, George Edwards executed a series of ornithological watercolors as he worked to study the

natural world. John Drayton acquired 48 of the paintings in 1733. A rotating selection of the watercolors are on display.

AG R I C U LT U R A L AND DOMESTIC TOOLS Archaeologists have recovered a variety of tools that were used by enslaved laborers. Objects on display range from heavy clothes irons and a garden rake to the almost impossibly small straight pins and silver sequins.

Also on display are two shallow bowls with similar decorative rims—one an English-made Staffordshire slipware, the other, a low-fired earthenware made with local clays by an enslaved person. These two similarly decorated ceramics show the transfer of ideas between European, African and Native American individuals at Drayton Hall.

Above: D R AY TO N H A L L THROUGH THE MOSS (PHOTO BY TONY SWEET)

A Look at Where We’ve Been W H I L E 2 0 1 7 WA S S P E N T W I T H M A J O R C O N S T RU C T I O N M AC H I N E RY O N S I T E M O S T

DAYS , we rounded the new year eager to unveil our reimagined visitor experience, upgraded facilities and improved landscape.

By the time spring rolled around, we were able to spend the final weeks of this transformational project making detailed adjustments and additions in preparation for guests – finally revealing the big picture to ourselves and our guests.

With an opening date of May 1, we spent April refining exhibit layouts and testing interactive video technology while our retail staff stocked the brand new gift shop with a curated selection of offerings for shoppers of all ages and interests. Our grounds crew worked with contractors to install new landscapes and assisted in installing directional, interpretive and donor signage.

Every effort has been worth it: The grand opening was a joyful celebration of progress, and our first few months of visitors have been a gratifying reflection of support.

Left Page Bottom Left: SETTEE, ENGLAND OR SCOTLAND, C. 1750, MAHOGANY WITH B E EC H S E AT F R A M E , D R AY TO N HALL MUSEUM COLLECTION. GIFT OF THE

Today’s collective visitor journey brings us closer than ever to a world-class visitor experience and our increased abilities to share the Drayton Hall story have enhanced hundreds of visits already. The new Sally Reahard Visitor Center is part of a permanent and fundamental change in the care, study and visitation of the Drayton Hall estate and grounds. This critical phase of transition has set a new standard of support for Drayton Hall.

With the opening of the new facilities, Drayton Hall Preservation Trust enters a new era.

Already, new challenges and opportunities have emerged that demand ongoing support befitting the highest levels of stewardship, research and interpretation.

CHARLESTON MUSEUM ON BEHALF OF MR. CHARLES H. D R AY TO N I I I

Bottom Right: KINGFISHER, C. 1733, WAT E R C O LO R AND INK ON LAID PAPER . FROM THE LENHARDT COLLECTION OF G EO R G E E DWA R DS WAT E R C O LO R S AT D R AY TO N H A L L .

Joining the ranks of sister sites such as Monticello, Mount Vernon and Montpelier, Drayton Hall is now a world-class destination offering the highest levels of scholarship, interpretation, preservation and visitor experience. As such, Drayton Hall will rely on a blend of revenue sources including significant and consistent private support.

Rather than a memorial or monument to a famous historical figure or event, Drayton Hall tells the story of a community, both free and enslaved, across multiple generations and geographies in a way no other American site or collection can offer. Our work is active and urgent, including ongoing archaeological efforts, architectural stabilization, landscape preservation, object acquisition and conservation, artifact research and recovery, educational programming and advocacy for history as a lived experience.

Now is truly the critical juncture between hidden gem and national treasure, from preserved estate to fully realized historic site.

Please contact Marsha Ray, Director of Advancement, with any questions about increasing your valued giving level, mray@draytonhall.org or (843) 769-2601.

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Bringing History Home T H E R E C E P T I O N P O I N T F O R G U E S T S AT D R AY T O N H A L L M A R K S T H E I R F I R S T F O O T S T E P S

O N A PAT H O F D I S C OV E RY. And yet, their journey through the estate will likely end at the same place­—the Shop at Drayton Hall.

The new shop is a remarkable space full of items that thoughtfully marry the history of the property and its people. From kids’ toys to fine arts and food, our Retail Director, Kate Ludwig has been hard at work updating the shopping experience.

Some of our historic preservation peers do an exceptional job at bringing their stories to life in tactile ways: chairs by Mies van der Rohe at The Glass House in New Canaan, Connecticut, or vintage-inspired spoon rings at The Tenement Museum in New York City. That’s why it was important that our next phase include greater opportunities for our visitors to become supporters and find small (and large) ways to bring the history and emotion of Drayton Hall home.

At Drayton Hall, we’ve leveraged the deep knowledge of our curators to tie in architectural and personal details as we stock our shop shelves. Some of the most exciting items we sell are custom-made or inspired by the details of Drayton Hall. That includes a scarf based on a teapot with an applied dragon decoration found in our collections, a full set of George Edwards watercolor prints, and sweetgrass baskets made by nationally recognized artist Henrietta Snype.

We’ve also created some fun ways for you to bring elements of Drayton Hall into your home—including crested mugs and pint glasses, socks, patches, and even some silk neckties for the preservationist who likes a formal detail. Don’t forget that Friends of Drayton Hall receive 10% off in the Shop!

Below: T H E S H O P AT D R AY TO N H A L L (PHOTO BY LAURA CAMPBELL)

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We are also excited to announce that we’ll soon be opening Rudi’s Café at Drayton Hall, an outpost of Rudi’s Old Village Wine Shop in Mount Pleasant. Thanks to their wonderful team, we’ll be able to offer coffee, pastries, sandwiches, cheese and charcuterie boards, plus wine and beer to our guests. Keep an eye on our website for an opening date.

Timber Artisans LLC and Fountain Building Services Bring World Class Building Talent to the Sally Reahard Visitor Center W H E N D R AY T O N H A L L E N G AG E D G L E N N K E Y E S A RC H I T E C T S T O D E S I G N

T H E S A L LY R E A H A R D V I S I T O R C E N T E R , we sought a seamless level of talent and craftsmanship that would complement—yet not compete with—the site’s 18th century architecture. The use of traditional building materials and techniques was made a priority, and representative of this approach are the timber framed elements that anchor both the Sally Reahard Visitor Center and the George McDaniel Education Center.

Following design and engineering, Charleston-based Timber Artisans LLC and Fountain Building Services were selected as the minds and hands to fabricate and erect Drayton Hall’s new timber framed features.

Above: TIMBER FRAMING OF THE LEIGH BRUMLEY SMITH ENTRANCE HALL I N T H E S A L LY R E A H A R D VISITOR CENTER (PHOTO

BY TONY SWEET)

LO C A L F O O D PRODUCTS & MAKERS AT T H E S H O P AMERICAN COLLEGE OF BUILDING ARTS BITTERMILK B OTA N Y B OW T I E S

Led by Bruno Sutter, Peter McGinnis and Moyer Fountain, the team has national and international experience. Educated in his native France, Mr. Sutter received extensive education and training from the internationally renowned Compagnon du Devoir.

At the completion of a rigorous 10 years of education, training, and professional work experience, he received his Brevet Professionnel Charpente; a master’s degree equivalent in heavy timber design and construction. After significant and notable work in his field, he was named to the faculty of The American College of the Building Arts both to create the curriculum and teach. Mr. McGinnis, a native of South Carolina, was educated at The American College of the Building Arts where he focused on timber construction and received the Herbert A. Costa Jr. Award- a prize presented to artisans with superior skills in the most refined traditions of craftsmanship. Mr. McGinnis is also a recipient of the Founders Achievement Award from the Guild of Colonial Artisans and Tradesman for outstanding achievement in the study of architectural craftsmanship and preservation. One of the many notable projects in which Mr. McGinnis has participated was the timber frame addition to George Washington’s Library in Mt. Vernon, VA. Mr. Fountain apprenticed under Mr. Sutter and spent four years at the American College of the Building Arts where he received Valedictorian honors as part of the school’s inaugural class. Prior experience includes work with MoreSun Custom Woodworking of Mtn. Rest, SC, Carolina Timberworks of Boone, NC, and Blue Ridge Timber Frame of Asheville, NC. Today, the team’s careful, skilled, and accurate work is central to our new and improved visitor experience and helps further Drayton Hall’s legacy of design and craftsmanship.

5 Local Makers in the Shop at Drayton Hall 1

CANDY SHOP VINTAGE | Charleston’s version of pearls, a long strand of C H A R L E S T O N

RICE BEADS

can be wrapped around the neck or wrist a few times, or worn as a looped and lengthy

necklace. The five feet of rice beads come in a variety of tones and are inspired by the city’s historic crop.

B R AC K I S H B OW T I E S CALLIE’S BISCUITS C A N DY S H O P V I N TAG E C H A R L E S TO N T E A P L A N TAT I O N C H R I S TO P H E A R T I S A N C H O C O L AT I E R FOOD FOR THE SOUTHERN SOUL 42 PRESSED G2 G E E C H I E B OY GOLDBUG COLLECTION GREY GHOST BAKERY G R I T A N D G R AC E H E N R I E T TA S N Y P E HERMOSA JEWELRY JAC K R U DY C O C K TA I L C O. KING BEAN COFFEE LO WC O U N T R Y O L I V E O I L M A DA M E M AG A R M O L LY & M E P E C A N S

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BRACKISH BOWTIES | Handmade in Charleston, B R AC K I S H

B OW T I E s

are created by a team

of 50 artisans and worn at black tie events and celebrity galas around the world. The intricately detailed bowties use sustainable feathers.

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OLD WHALING CO.

W H A L I N G C O .’ S

| Swirling textural patterns, soft scents and rich colors make O L D

bar soaps, bath bombs, salt scrubs and body butters instantly recognizable. Even

better, they’re handmade locally.

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GREY GHOST BAKERY | Like the apparition it is named after, G R E Y

G H O S T B A K E RY

cookies. We keep Chocolate Bourbon, Almond Toffee and Lemon Sugar reliably stocked.

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MADAME MAGAR | Artist L E I G H

M AG A R

was inspired by Eliza Lucas Pinckney’s efforts

O L D W H A L I N G C O.

to make indigo a viable Lowountry crop. Today Magar uses textile dying, stitching techniques,

OLIVER PLUFF & CO

performances, workshops and art installations to share her inspired works.

R E D C L AY H OT S A U C E

is

legendary along the Charleston coast. All-natural, fresh ingredients combine in made-from-scratch

RIPPLE COFFEE TEXTURE TO W N S E R I F

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Right: “ T H E I N D I G O G I R L“

BY N ATA S H A B OY D AVA I L A B L E AT D R AY TO N H A L L SHOP OR D R AY TO N H A L L .O R G

Inspired by Eliza T H I S FA L L , W E I N V I T E YO U T O T H E F I R S T G AT H E R I N G O F T H E D R AY T O N H A L L B O O K C LU B .

Friends of Drayton Hall are invited to read The Indigo Girl by Natasha Boyd. A book of historical fiction, it is based on the life and writings of Drayton family friend Eliza Lucas Pinckney, who made indigo a viable (and valuable) crop in colonial South Carolina. At the age of 16, she took seeds her father sent from Antigua and used her deep botanical knowledge to experiment with crops to supplement the Lowcountry’s successful cultivation of rice.

Throughout the book, Eliza’s experiences shed light on the society and economy of her time, and the ways in which she was personally and professionally remarkable—making an impact not only on those that she knew but the country at large.

D R AY TO N HALL BOOK CLUB TO P R E PA R E , P U R C H A S E A COPY OF “THE INDIGO G I R L” AT O U R G I F T SHOP THE NEXT TIME YO U ’ R E AT D R AY TO N H A L L — D O N ’ T F O R G E T, F R I E N D S O F D R AY TO N HALL RECEIVE 10% OFF THEIR PURCHASES I N T H E S H O P. YO U CAN ALSO ORDER THE B O O K O N L I N E AT S H O P. D R AY TO N H A L L .O R G .

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To celebrate our first book club choice, Drayton Hall Preservation Trust will host guests for a series of indigo-inspired events in September and October. We’re thrilled to be able to expand our capabilities by integrating multidisciplinary academics, artists and authors in events that celebrate history, passion and innovation.

RSVP’s and tickets will be available at draytonhall.org for the following Friends events:

SEPTEMBER 11 Drayton Hall Book Club: Join in person or virtually! The inaugural gathering of our new Drayton Hall Book Club will be held at Drayton Hall to discuss Natasha Boyd’s The Indigo Girl. Friends of Drayton Hall far afield will also be able to join in by live streaming.

SEPTEMBER 20 Indigo Workshop: We’ll host a half-day indigo dying and pattern-making workshop conducted by Leigh Magar of Madame Magar. Attendees will take home one of their own creations.

OCTOBER 7 As part of our Distinguished Speaker Series author of The Indigo Girl, Natasha Boyd, will join us for an intimate conversation at Drayton Hall on her writing process and the true-life events that inspired her characters.

Become a Friend of Drayton Hall N OW M O R E T H A N E V E R , O U R G I V I N G P RO G R A M S S U P P O RT O U R

Thanks to our generous donors and Friends of Drayton Hall, we’ve been able to educate the next generation, support our own team’s work and enhance the visitor experience.

H I S T O RY- M A K I N G WO R K .

Year-round, members are invited to exclusive events to expand their knowledge of historic preservation, architecture, landscapes, archaeology and historic figures over the years. Along the way, our members are the ones supporting our efforts in each of these fields, further enabling our discoveries and deepening the conversations we can have with you and others in our field.

The new Sally Reahard Visitor Center is part of a permanent and fundamental change in the care, study and visitation of the Drayton Hall estate and grounds.

The support of our donors and members only gets us closer to creating a worldclass visitor experience to complement our new facilities.

We invite you to renew your membership or to extend your support to the next level.

Your philanthropy enhances our work beyond measure. Please join us again this year as we continue to honor Drayton Hall as a world-class historic site.

Friends of Drayton Hall support the Drayton Hall Preservation Trust and provide unrestricted operating support for Drayton Hall. Memberships are available at a variety of levels and we welcome the opportunity to speak with you about your interest.

Below: LENHARDT GARDEN

Please contact Caroline Schultz, Advancement Manager, at (843) 769-2611 or cschultz@draytonhall.org for membership inquiries, or visit draytonhall.org/give to review benefits of all levels of membership.

Thank you for your support.

(PHOTO BY PAUL CHENEY)

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NONPROFIT ORG. U . S . P O S TAG E

PA I D 3 3 8 0 A S H L E Y R I V E R R OA D

C H A R L E S TO N , S C

C H A R L E S TO N , S C

P E R M I T N O. 1 0 8 8

2 9 4 1 4

Upcoming Events T U E S DAY, SEPTEMBER 11 5:30PM

Drayton Hall Book Club Member discussion with live streaming of The Indigo Girl

by Natasha Boyd

S AT U R DAY, SEPTEMBER 15

An Agreeable Prospect: Rediscovering Drayton Hall A one-day symposium with The Decorative Arts Preservation Trust and Drayton Hall Preservation Trust Visit decorativeartstrust.org/ drayton-hall for information and reservations

©

T H U R S DAY, SEPTEMBER 20 1 TO 5 P M

S U N DAY, O C TO B E R 7 2PM

Heritage Indigo Workshop with Madame Magar

The Indigo Girl by Natasha Boyd

O C TO B E R S U N DAY S 5 TO 7 P M

October After Hours Wine in the Lenhardt Garden at Drayton Hall

DISTINGUISHED SPEAKER SERIES

Author lecture and reception

N OV E M B E R S U N DAY S 9AM

Yoga on the Great Lawn

TONY SWEET

DISTINGUISHED SPEAKER SERIES

T H U R S DAY, N OV E M B E R 2 9 6PM

Whiskey in America Lecture and Tasting at the Charleston Library Society

M O R E I N FO R M AT I O N AT D R AY TO N H A L L .O R G

A L L I M AG E S A R E C O U RT E SY O F T H E D R AY TO N H A L L P R E S E RVAT I O N T R U S T U N L E S S OT H E R W I S E N OT E D.