Portfolio zhang xu

zhang xu protfolio

selected works 2008-2014

Zhang xu Architectural position applicant M.Arch-politecnico di milano B.Arch-lanzhou jiaotong university +0039-3315401211 xu1.zhang@mail.polimi.it

CURRICULUM VITAE

Zhang xu 10,April 1988,Gansu,China I live in milan,It +393315401211 xu1.zhang@mail.polimi.it

EDUCATION December,2014

Politecnico di Milano,Italy M,Arch Degree in I Scuola di Architettura

June,2011

Lanzhou Jiaotong University,China B.Arch of School of Architecture

PROFESSIONAL EXPERIENCE April-November,2014

Milan,Studio Marco Piva,Intership Involved in the following project:Yuhang culture center,The of Hotel Gallia

August,2011-May,2012

China,Gansu Institute of Architecture Design,Junior Architect Involved in the following project:Social Housing of Wuwei Design,Village Planning Survey of Yuzhong,Lanzhou Residential Planning Study.

June,2010-December,2010

Shengzhen,Mengjianming Studio,Intership Involved in the xi'an museum of contemporary art&planning exhibition project

SOFTWARE SKILLS Excellent

Autocad 2D

Proficient

Rhino+V-Ray

Proficient

Cinema 4D+V-Ray

Excellent

Sketchup+V-Ray

Excellent

Adobe Package:Photoshop,Illustrator,Indesign

Proficient

Zero Energy

Proficient

Office:Word,Excel,Power point

LANGUAGES Mother tongue Fluent

Chinese English IELTS 6.5

QUALITIES I graduated as Engineer with Architecture at Lanzhou Jiaotong University,where I gained the tecnical skills in construction calculation,detail drawings.I consolidated my strong design skills by using the most required 2D and 3D software as well as rendering programs,then through the practice ,I increased a solid problem solving orientation.

INTERESTS Travel,Photogragh also sport (snowboarding and my bigest passion Taekwondo) The 3rd Dan of World Taekwondo Federation,No.05235025 The champion of Competition of 5th City Games

CONTENS

2014

THE HEALING RESORT

2013

REDESIGN THE GROU

2011

XI'AN MUSEUM OF CO

2009

xining history museum

COMPANY PROJECT 2014

CULTURE AND ART CE

2014

INTERIOR DESIGN FOR

2006-2014

OTHER WORKS : ART

T IN SARDEGNA

06-31

UND FLOOR OF GALLARATESE II HOUSING

32-51

ONTEMPORARY ART&.PLANNING EXHIBITION

52-63

museum

64-71

ENTER DESIGN OF YUHANG DISTRICT

72-77

R MOVE HOTEL

78-81

T WORK PHOTOGRAPH

82-83

Coastline

ar

Porto tramatzu

SS 12 5

SS 12 5v

Camping proto corallo

Santa maria

SS

38

7

Villaputzu San vito Site Muravera

Framland

12

5v

ar

Coastline

SS

12

5

SS

The Healing Resort in Sardegna

Site location

SS

38

7

Coastline

Country road Site

Porto tramatzu Camping proto corallo

Main Road

Santa maria Villaputzu San vito Site Muravera

Framland

Stagno sa praia

SS

12

5

SS

12

5v

ar

Coastline

SS

38

7

Coastline Site

Water system

Country road Site

PROJECT:THE HEALING RESORT IN SARDEGNA

Main Road

DATE: SEP.2014 TO DEC.2014 SITE: SARDEGNA,ITALY TIME FRAME: 8 WEEKS INSTRUCTOR: FABRIZIO LEONI TYPE: INDIVIDUAL WORK



Coastline

7 

8 

Coastline

SS 12 5v ar

Porto tramatzu

SS 12 5

Camping proto corallo

Santa maria

SS

38

7

Villaputzu San vito Coastline Site Muravera Porto tramatzu

SS 12 5

SS 12 5v ar

Framland Camping proto corallo

Santa maria

SS

38

7

Villaputzu San vito Site

Area analysis

Muravera

Framland

Coastline

ar

Porto tramatzu

SS 12 5

SS 12 5v

Camping proto corallo

Santa maria

SS

38

7

Villaputzu San vito Site Muravera

Framland

SS 12 5

SS 12 5v

ar

Coastline

SS

38

7

Country road Coastline Site

ar

Main Road

SS

12

5

SS 12 5v

SS

38

7

Coastline Country road Site

ar

Porto tramatzu

SS

12

5

SS

12

5v

Camping proto corallo Main Road

Santa maria

SS

38

7

Villaputzu San vito Coastline Site Muravera

ar

Access analysis

12

5v

Framland

SS

12

5

SS

SS

38

7

Country road Site

Main Road

SS

12

5v

ar

Coastline

12

5

Stagno sa praia

SS

SS

38

7

SS

12

5v

ar

Coastline Site

12

5

Water system Stagno sa praia

SS

SS

38

7

Coastline

5

SS

12

5v

ar

Site

12

Water system

SS

SS

38

7

Country road Coastline

ar

Site

12

5v

Main Road Stagno sa praia

SS

12

5

SS

SS

38

7

Site

Water system analysis

Water system

Stagno sa praia

SS

12

5

SS

12

5v

ar

Coastline

SS

38

7

Site

Water system

View analysis



Concrete roof and ground floor

Raise and lower

Wooden structure and units

Plots distribution



Access road

View when access

Vertical&horizontal connection

360° view from building



ACTIVITY ANALYSIS

Studying

Accommodation

Planting

Eating Social Entertanment

THE CONCEPT OF ALLOTM

 12

MASTERPLAN

0

25

50

100

SCALE 1:1000

Learning Working

Working area

Working area

Accommodation Planting

Walking

Hotel room

Hotel room

Hotel room Hotel room

Thinking

Sports Planting Leisure

Leisure

Leisure Entertanment

Hotel room

Entertanment

Hotel room

Accommodation

MENT

SUITE

PLOT

CORRIDOR

 13





 16

Ground Floor

0

5

10

20

SCALE 1:300

First Floor Plan

First Floor Plan

 17

SECTION 4-4 SECTION 4-4

SECTION 4-4

0

5

10

20

0

5

10

20

0

5

10

20

Meeting room

Hotel room

Meeting room Meeting room

Hotel room Hotel room

Meeting room Meeting room

Hotel room Hotel room

Meeting room room Meeting

Hotel room room Hotel

Conference room Meeting room

Hotel room

Conference room Meeting room

Hotel room

Conference room

SCALE 1:300 SCALE 1:300

SCALE 1:300

Hotel room Hotel room

Terrace

Hotel room

Terrace

Hotel room

Terrace

Hotel room

Gym Terrace

Gym Gym Gym Hotel room Gym Spring

Lobby Lobby

Gym

Spring

Gym

SECTION 3-3 SECTION 3-3

SECTION 3-3

0

5

10

20

0

5

10

20

0

5

10

20

Spring

Lobby

SCALE 1:300 SCALE 1:300

SCALE 1:300

Suite B Suite B

Suite A Suite A

Suite A

 18

SECTION 1-1 SECTION 1-1

0

5

10

20

0

5

10

20

SCALE 1:300 SCALE 1:300

Terrace

Suite B

Gym Terrace

Gym

2

2

1

4

4

3

1

3

use

Hotel room

Terrace

Terrace Green house

Terrace

Restaurant

SECTION 2-2

eeting room

Hotel room

eeting room

Hotel room

eeting room

Hotel room

0

5

10

20

SCALE 1:300

Suite D

onference room

Suite C

Meeting room

Hotel room

Meeting room

Hotel room

Meeting room

Hotel room

Conference room

SECTION 4-4

0

5

10

20

SCALE 1:300

 19

CONCRETE SLAB ROOF

WOODEN ACCOMMDATION UNITS

WOODEN STRUCTURE

SERVICES

CONCRETE GROUND



SUITE

STUDY AREA

ENTERTAINMENT AREA

GYM

CONFERENCE ROOM

DECK

LOBBY

DROP OFF

OFFICES

SPA

RESTAURANT



UNITS MOVEMENT UNITS MOVEMENT MOVEMENT 1 UNITS MOVEMENT MOVEMENT 1 MOVEMENT 1

MOVEMENT 2

MOVEMENT 2 MOVEMENT 2

MOVEMENT 3

MOVEMENT 3 MOVEMENT 3



BOTH SIDE AND DOUBLE FLOOR FOR BETTER LIGHT

NATURAL CROSS VENTILATION IN ALL APARTMENT

BOTH SIDE AND DOUBLE FLOOR FOR BETTER VIEW

PRIVATE

SEMI-PRIVATE

PRIVATE

THE FLOOR DIVIDE THE PRIVATE AND PUBLIC SPACE



SINGLE UNIT COMPOSITION

Suite B

Suite A

Suite D

Suite C



UNITS COMPOSITION PROTOTYPE PALN

UNITS COMPOSITION

UNITS COMPOSITION



ISOMETRIC VIEW

SUITE A

WOODEN STRUCTURE

SUITE C



SUITE B

SUITE D











REDESIGN THE GROUND FLOOR OF GALLARATESE II HOUSING

The plan of small space

The plan of middle space

The plan of large space

The plan of church

The grid and pillar

The pattern of floor

The original building plan

PROJECT:REDESIGN THE GROUND FLOOR OF GALLARATESE II HOUSING DATE: APR 2013 TO JUN.2013 SITE: MILANO,ITALY TIME FRAME: 8 WEEKS INSTRUCTOR: Poli Matteo Umberto TYPE: GROUP WORK ROLE: LEADER OF GROUP COOPERATOR: Hiroyuki Kakiuchi





The Survey for all religion buildings

Hinduism temple

Building Public space



Buddhist te

emple

Mosque

Synagoge

Chirch



The Survey for space ofall religion buildings

indoor area

7

Mosque

public space

3 6

Chirch

4

divided equal for five spa

3

Hinduism temple

7

indoor

4

Buddhist temple

6 8

Synagogue

2



public sp

958㎡

ace

192㎡

r area

58㎡

pace

192㎡

154㎡

192㎡

134㎡

134㎡

3:7

38㎡

58㎡

8:2

7:3

192㎡

77㎡

115㎡

4:6

192㎡

115㎡

77㎡ 6:4



case study for each religionreligion case study for each

8 am

10 am

12 pm

public space Hinduism temple

public space

Buddhist temple

public space

public space Hinduism temple

public space

Buddhist temple

public space

room 2 pm

room

room

public space public space

public space

room

public space



4 pm

Hinduism temple

Buddhist temple

public space public space

Mosque Mosque

public space public space

public space room public space public space room

public space

Synagoge

room

public space public space

Synagoge

chirch chirch

public space

room

public space

Mosque

public space

Synagoge

public space

room room

Chirch



•Constellations and Ambiguity.

We think of a constellation as a geometrical formation of lines connecting a group of particularly bright starts.

In something as indefinite and ambiguous as a cluster of stars becoming oriented into a very particular and enduring image or state.

We see in this a kind of accessible abstractness.



prototype plan •Almost none of the door are identical angle. Those being determined through the many interrelations existing in this space.

Our concept is not capacity for one enormous project to take up on entire one space, but for various activities of varying scale to go on, in different kind of spaces, in different areas of the building.

It seemed to make more sense to pursue flexibility in the relations between adjoining places, the size of the respective domains, and in the way different space are connected with each other.

There is a plan, and no defined borders, for the spaces.

wall material

•Separation and Connection Architecture is to generate various senses of distances. Distance predicated the degrees of interactions amongst persons and objects; t hus, the profound spatial expressions of potential expanses were enriched by diverse qualities of gradations and intonations.

One can be alienated and yet connected. Closed and yet separate.

Associations are solely indicated by propinuqity.

pillar-axis whirling system

steel frame



·Characteristic of each religion's architecture Weight Chirch Mosque

Synagoge

Full

Empty

Buddhist temple

Hinduism temple

Light



Number o

of the wall

·Rule of how to place the each walls

Thickness of the wall Weight→thick

Chirch Mosque

180

Synagoge

Full→many

Empty→small

Buddhist temple

Hinduism temple

Light→thin 60



B-B Section 1:100

0

1m

6m 3m

A

The floor materials 1:200

18m

3m 9m

A-A Section 1:200



0

•Model survey B

A

B



The plan of church 1:300 0

3m

18m 9m

The plan of small space 1:300

The plan of middle space 1:300

The plan of large space 1:300 



・Design for the outside

・outside p

400

200 400

200

400

400

400

800

400

1600

3200

2400

1600

800

・Hight of each wall

400

400

2400

3200 （㎜）

plan 1:500 18m



3m 9m

0

・image photo

・outside perspective 1

perspective 2

・diagram of overlayer



stage chair

A'



table

Section 1:100 18m

3m

0

9m

A

plan 1:300 18m

3m

0

9m

18m

A-A' Section 1:200 3m

0

9m



XI'AN MUSEUM OF CONTEMPORARY ART&PLANNING EXHIBITION

PROJECT:XI'AN MUSEUM OF CONTEMPORARY ART&.PLANNING EXHIBITION DATE: APR 2011 TO AGU.2011 SITE: XI'AN, CHINA TIME FRAME: 18 WEEKS INSTRUCTOR: DOU XUEYONG, MEN JIANMING TYPE: GROUP WORK ROLE: MEMBER OF GROUP COOPERATOR: LI LANJUN ,YANG XUAN

 52

53 



CONCEPT

TEXTURE

This design attempts to establish a profound connection between individual consciousness and the building space.It is to manifest that the art of space share the same origins with other art forms.Internal demands and external experiences propel human beings to express themselves and represent the world with such arts as architecture,pain tings,music,etc.Space is not a oneway tool only to describe the static external world;it is also a statement of mutual penetration between physical objects and the world.

The Site is located to the north of Xi'an CBD,adjacent to a number of important civic buildings including Xi'an Library,Concert Hall,Central Book Store and Children's Palace.The urban grid poses an organizing texture on all civic affairs within the area.To seek a poetical relationship between buildings and locations has become the texture of the city.

The introduction of diagonal linear elements increases the possibility of various narratives.These hidden "clues" radiate into the surroundings with tension and thus form dramatic links among the buildings and urban spaces.

Public space

Texture

Functional zones

Composition

ber of entral nizing onship e city. sibility ndings gs and

Cavity structure

Fission



Viewing platform

Exhibition Exhibition Shop

Exhibition

Auxiliary area Exhibition

Circulation node Exhibition

Public space

VIP reception

Exhibition

Exhibition

Exhibition

Office Multi-functional room Auditorium



Meeting Library

3

1 Freight elevator

1

CUTTING

2 Public elevator 3 Public stairs

2

4 Fire stairs 4

The building volume is cut through by "spatial line" again and again ,gradually forming interlocking spatial combinations of voids and substances,and the interiors and exteriors.

Vertical traffic system FISSION 3

1

1 Space bridge

2

2 Void 4

3 Public stairs 4 Central traffic concourse

Cutting creates horizontal fissions: The skewed and penetrating apertures form the continuous and complex voids,as well as functional cavities thus generated.Urban and architectural space produce dynamic transitions in a collage manner both at levels above and under ground.The big rift becomes the central pubilc space.The huge spacetruss corridor divides the building into three parts-a museum of contemporary arts,a city planning exhibition hall,and auxiliary functions.

Analysis of public space VOID 1

1 Office space

4

2

Reading room Multi-functional room Auditorium

2 Museum of contemporary arts 3 Viewing platform 4 Town planning pavilion

3

Analysis of functional bulks

The public spaces crisscross in midair.The visiting circulation is organized into two routes.The main circulation route of the museum of contemporary arts and city planning exhibition hall is organized along the central circulation concourse,which is clear and continuous.The bridges inserted in the space bring about a different and poetic experience for visitors.Horizontal transitions and vertical cuttings create a montage-type visual depth.All unexpected encounters and mutual observations of players on different levels become the performances acted on this stage. 

1

1

1 6

1

1

1

4

1

5

1 9 7

5

2 2

8

1 2 3 4 5 6

6 8

Storage for arts museum

4

3

3

Basement 2 plan

7 Loading area 8 Storage for city planning exhibition 9 Maintenance

Switch plant room HVAC plant room Pump room Department custody Provisional storage

1

3

Basement 1 plan 1 2 3 4 5 6

Design hall

7 Urban underground public space

Meeting City development exhibition Main entrance Management shops

1

1

1

1 1

1

6

6 2 2

6

3

6 5



1 2 3 4 5 6

General archive Reception Periodicals reading room Ministry of urban planning series Editorial board City planning exhibition

2 2 6

4

3

6

Level 3 plan

5 1 2 3 4 5 6

Laboratory museum Reception Landscaped atrium Landscaped office Reference room Urban development exhibition

4

Level 4 plan

2

1

9

6

2 7

1

8 1

2 5 3

1 6

5

3

5

Level 1 plan

4

n 1 2 3 4 5 6

5

Office entrance

7 Main entrance 8 Booking 9 Boutique

Spacial theme exhibition 300-seat multi-purpose room Secondary entrance Planning consultation Planning results of inquiries

2 4

Level 2 plan 1 2 3 4 5 6

General archive Management Bookstore Library reading room City planning exhibition shops

1

3 9

2

9 4

5 6 8 1 2 3 4 5 6

Storage Appraisal Design studio

7

Level 5 plan

7 Information research center 8 Reference room 9 Production room

Repair Exchange center Landscaped atrium



4 Main entrance 5 Management 6 shops

4 Pump room 5 Department custody 6 Provisional storage

1

1

1 Urban Construction exhibition

Office

1

Meeting Landscape courtyard

1 Urban Construction exhibition

1

Urban Development exhibition

3

5

City planning exhibition

4

Storage for city planning exhibition

13

1 2 3 4 5 6

General archive Reception Periodicals reading room Ministry of urban planning series Editorial board City planning exhibition

6

2 2

City planning exhibition

6

Meeting

Meeting

Reading room

Urban Development exhibition

6

6

Office

Urban Construction exhibition

6

exhibition LevelCity3planning plan

Library reading room 300 multi-purpose room

2 2

300 multi-purpose room

3

6

Air-conditioned room

1 2 3 4 5 6

1

Laboratory museum

5

4

Level 4 plan

Section

Reception Landscaped atrium Landscaped office Reference room Urban development exhibition

South elevation

15 

the performances acted on this stage.

pavilion 4 Town planning consultation 5 Planning

Analysis of functional bulks

6 Planning results of inquiries

5 City planning exhibition 6 shops

1

3 9

public space

2

9

corridor corridor

4

public space

corridor corridor

5

Main entrance

Foyer

To urban underground space

6

8 1 2 3 4 5 6

Storage Appraisal Design studio

7

Level 5 plan

Underground garage

public space

Office entrance

corridor

Section

7 Information research center 8 Reference room 9 Production room

14

Repair Exchange center Landscaped atrium

East elevation

16 



CAVITY The cavities adopt a mega-tube structure and doublelayer floor slabs with beamless honeycomb floor plates in the middle.This is to realize voluminous spaces with large spans.The structural cavity penetrates the whole building.Under the Venturi ef fect,air flows upward through the cavity,thus realizing natural ventilation in the space.

The exhibition spaces connect with each other inside the cavity and transform continuously.Natural lighting is introduced from different angles,and provides a peaceful and yet dramatic backdrop for the display of contemporary arts.



XINING HISTORY MUSEUM

This project is located on a gentle site by the water.Pond,sand beach and marsh consititute the only locus information.

I hope to reconstruct the "landscape" by this project.The Cubes become the only abstract motif element;through such simple operations as superimposition,displacement,a nd rotation,they produce a "possibility of complexity" .Each cube is designed as a rigid structure and assigned serial property,so that precise positioning can be neatly conducted in a three-dimensional space.Through constant replication and superimposition,the motif cubes produce a series of interlocking exhibition spaces.The design of the scheme is the result of a single-dimensional operation of sequencings.

The cubes are spatial as well as structural elements.This dramatic exchange of the spatial and structural roles in architecture creates a unique feel for one to experience and perceive the space and structure.

PROJECT:xining history museum DATE: SEP.2009 TO OCT.2009 SITE: XINING, CHINA TIME FRAME: 6 WEEKS INSTRUCTOR: QIUFENG HOU TYPE: INDIVIDUAL WORK





Concept diagram of self--rotation

Rolations produce complexities--spaces generalerate uncertainty,volumes become less easy to describe,and boundaries are blurred.

Diagrammatic operation--uncertain narratives When the layout of the motif elements cannot be defined in a conventional way,it is deemed irregular.

Traditional rules of design and order are completely irrelevant here.

I try to apply a new design method--diagrammatic operation for a renewed elucidation.Diagrammatic operation implies that the design can display the traces of diagrammatic operation.It is not only explanatory,but also generative.That means it not only sheds light on the relation between the work and its internality,but also opens up the narrative possibilities of the work,turning it into a more autonomous operation.

The sequence of diagrammatic operation implicates two types of states--time and movement.For reasons of accuracy and ease of control,I divide the operation into the following steps.

Control point

Trajectory of movement

Superimposition

Composition



The sequence of diagrammatic operation implicates two types of states--time and movement.For reasons of accuracy and ease of control,I divide the operation into the following steps.

1 Set the trajectory Create or design a trajectory of movement which is linked to the geometric center of all the cubes.In other words,the scheme can be construed as the result of a standard cube moving along the trajectory within a fixed time span.One example is Duchamp's attempt to express the sense of movement in a disassembling manner in his "Nude Descending a Staircase No.2" .The final image is the outcome of superimposing one element's movements in space and time.Different trajectory may lead to different narratives.

NUDE DESCENDING A STAIR CASE NO.2,Marcel Duchamp In NUDE DESCENDING A STAIR CASE NO.2,Marcel Duchamp explored a sense of movement by means of disassembly

2 Disentangle the Movement A cube's movement on the trajectory can be described with two vectorial states of movement and rotation.Analysis shows that motions in these two vectorial dimensions produce different results.Like movement analysis is physics,I break up a movement into coplanar shift (movement of the cube center along the trajectory) and rotation (rotation of the cube round its center) .Overlapping these movements,overall characters of the building can be controlled:conditions like relation to the site,general outline,volumes,spaces etc.Rotations produce complexities--spaces generate uncertainty,volumes become less easy to describe,and bounfaries are blurred.With the help of computer,shifts and rotations can be accurately set and quantitatively analyzed.

 67

When piling up a number of resultant movements,the complex spatial configuration erupts the original order of Euclidean geometr y.Suc h oblivious spaces in- and outside the building are unable to be presented with conventional architectural perspectives;it is more like abstract art.

System resulted from cube movement

Disentangle the movement



1

2

3

21

22

23

41

42

43

61

62

63

81

82

83

Self rotation of cubes

A cube's movement on the trajectory can be described with two vectorial states of movement and rotation.Analysis shows that motions in these two vectorial dimensions produce different results.

Like movement analysis is physics,we break up a movement into coplanar shift (monement of the cube center along the trajectory) and rotation (rotation of the cube round its center).

New movement system

Reference list of self

f-rotation sequence

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

24

25

26

27

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44

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100



4000mm plan

6000mm plan

8000mm plan



10000mm plan

12000mm plan

14000mm plan

Types of intersection of two given cubes in space

Embedded vertexes of the cubed Structure menber between vertexes Structure menber formed by vertexes and planes

Structure concept

Spatial distribution of the structures

Intersection of the structures

Plane of projection

(using horizontal ground surface as reference)



CULTURE AND ART CENTER DESIGN OF YUHANG DISTRICT

PROJECT:CULTURE AND ART CENTER DESIGN OF YUHANG DISTRICT DATE: SEP.2013 TO APR.2014 SITE: HANGZHOU, CHINA TIME FRAME: 30 WEEKS INSTRUCTOR: MARCO PIVA TYPE: COMPANY PROJECT

 72

73 



MASTERPLAN 



文化艺术中心

THE CULTURAL AND ART CENTER

演出建筑

THE PERFORMANCE ARCHITECTURE 放射状星形连接体

THE SHOOTING STAR 屋顶平台

TERRACE PLAZA 文化艺术广场

CULTURAL AND ART PLAZA 屋顶平台

TERRACE PLAZA

建筑基地

PLOT AREA

水汀东湖

SHUITING EAST LAKE

GENERAL FUNCTION ZONE

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interior design for move hotel PROJECT:INTERIOR DESIGN FOR MOVE HOTEL The main element of the project was the development of a formal continuity between the structure and the surounding area,with a focus on light colours and natural materials,in hamony with the surounding green areas,to create a pleasant,welcoming and elegant environment.

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Company Profile 88.pdf 1 2015/1/14 11:55:48

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PHOTO&SPORT

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Thanks!

Give me a chance,I will surprising you!

Zhang xu Architectural position applicant M.Arch-politecnico di milano B.Arch-lanzhou jiaotong university +0039-3315401211 xu1.zhang@mail.polimi.it