zhang xu protfolio
selected works 2008-2014
Zhang xu Architectural position applicant M.Arch-politecnico di milano B.Arch-lanzhou jiaotong university +0039-3315401211 xu1.zhang@mail.polimi.it
CURRICULUM VITAE
Zhang xu 10,April 1988,Gansu,China I live in milan,It +393315401211 xu1.zhang@mail.polimi.it
EDUCATION December,2014
Politecnico di Milano,Italy M,Arch Degree in I Scuola di Architettura
June,2011
Lanzhou Jiaotong University,China B.Arch of School of Architecture
PROFESSIONAL EXPERIENCE April-November,2014
Milan,Studio Marco Piva,Intership Involved in the following project:Yuhang culture center,The of Hotel Gallia
August,2011-May,2012
China,Gansu Institute of Architecture Design,Junior Architect Involved in the following project:Social Housing of Wuwei Design,Village Planning Survey of Yuzhong,Lanzhou Residential Planning Study.
June,2010-December,2010
Shengzhen,Mengjianming Studio,Intership Involved in the xi'an museum of contemporary art&planning exhibition project
SOFTWARE SKILLS Excellent
Autocad 2D
Proficient
Rhino+V-Ray
Proficient
Cinema 4D+V-Ray
Excellent
Sketchup+V-Ray
Excellent
Adobe Package:Photoshop,Illustrator,Indesign
Proficient
Zero Energy
Proficient
Office:Word,Excel,Power point
LANGUAGES Mother tongue Fluent
Chinese English IELTS 6.5
QUALITIES I graduated as Engineer with Architecture at Lanzhou Jiaotong University,where I gained the tecnical skills in construction calculation,detail drawings.I consolidated my strong design skills by using the most required 2D and 3D software as well as rendering programs,then through the practice ,I increased a solid problem solving orientation.
INTERESTS Travel,Photogragh also sport (snowboarding and my bigest passion Taekwondo) The 3rd Dan of World Taekwondo Federation,No.05235025 The champion of Competition of 5th City Games
CONTENS
2014
THE HEALING RESORT
2013
REDESIGN THE GROU
2011
XI'AN MUSEUM OF CO
2009
xining history museum
COMPANY PROJECT 2014
CULTURE AND ART CE
2014
INTERIOR DESIGN FOR
2006-2014
OTHER WORKS : ART
T IN SARDEGNA
06-31
UND FLOOR OF GALLARATESE II HOUSING
32-51
ONTEMPORARY ART&.PLANNING EXHIBITION
52-63
museum
64-71
ENTER DESIGN OF YUHANG DISTRICT
72-77
R MOVE HOTEL
78-81
T WORK PHOTOGRAPH
82-83
Coastline
ar
Porto tramatzu
SS 12 5
SS 12 5v
Camping proto corallo
Santa maria
SS
38
7
Villaputzu San vito Site Muravera
Framland
12
5v
ar
Coastline
SS
12
5
SS
The Healing Resort in Sardegna
Site location
SS
38
7
Coastline
Country road Site
Porto tramatzu Camping proto corallo
Main Road
Santa maria Villaputzu San vito Site Muravera
Framland
Stagno sa praia
SS
12
5
SS
12
5v
ar
Coastline
SS
38
7
Coastline Site
Water system
Country road Site
PROJECT:THE HEALING RESORT IN SARDEGNA
Main Road
DATE: SEP.2014 TO DEC.2014 SITE: SARDEGNA,ITALY TIME FRAME: 8 WEEKS INSTRUCTOR: FABRIZIO LEONI TYPE: INDIVIDUAL WORK

Coastline
7
8
Coastline
SS 12 5v ar
Porto tramatzu
SS 12 5
Camping proto corallo
Santa maria
SS
38
7
Villaputzu San vito Coastline Site Muravera Porto tramatzu
SS 12 5
SS 12 5v ar
Framland Camping proto corallo
Santa maria
SS
38
7
Villaputzu San vito Site
Area analysis
Muravera
Framland
Coastline
ar
Porto tramatzu
SS 12 5
SS 12 5v
Camping proto corallo
Santa maria
SS
38
7
Villaputzu San vito Site Muravera
Framland
SS 12 5
SS 12 5v
ar
Coastline
SS
38
7
Country road Coastline Site
ar
Main Road
SS
12
5
SS 12 5v
SS
38
7
Coastline Country road Site
ar
Porto tramatzu
SS
12
5
SS
12
5v
Camping proto corallo Main Road
Santa maria
SS
38
7
Villaputzu San vito Coastline Site Muravera
ar
Access analysis
12
5v
Framland
SS
12
5
SS
SS
38
7
Country road Site
Main Road
SS
12
5v
ar
Coastline
12
5
Stagno sa praia
SS
SS
38
7
SS
12
5v
ar
Coastline Site
12
5
Water system Stagno sa praia
SS
SS
38
7
Coastline
5
SS
12
5v
ar
Site
12
Water system
SS
SS
38
7
Country road Coastline
ar
Site
12
5v
Main Road Stagno sa praia
SS
12
5
SS
SS
38
7
Site
Water system analysis
Water system
Stagno sa praia
SS
12
5
SS
12
5v
ar
Coastline
SS
38
7
Site
Water system
View analysis

Concrete roof and ground floor
Raise and lower
Wooden structure and units
Plots distribution

Access road
View when access
Vertical&horizontal connection
360° view from building
ACTIVITY ANALYSIS
Studying
Accommodation
Planting
Eating Social Entertanment
THE CONCEPT OF ALLOTM
12
MASTERPLAN
0
25
50
100
SCALE 1:1000
Learning Working
Working area
Working area
Accommodation Planting
Walking
Hotel room
Hotel room
Hotel room Hotel room
Thinking
Sports Planting Leisure
Leisure
Leisure Entertanment
Hotel room
Entertanment
Hotel room
Accommodation
MENT
SUITE
PLOT
CORRIDOR
 13
16
Ground Floor
0
5
10
20
SCALE 1:300
First Floor Plan
First Floor Plan
17
SECTION 4-4 SECTION 4-4
SECTION 4-4
0
5
10
20
0
5
10
20
0
5
10
20
Meeting room
Hotel room
Meeting room Meeting room
Hotel room Hotel room
Meeting room Meeting room
Hotel room Hotel room
Meeting room room Meeting
Hotel room room Hotel
Conference room Meeting room
Hotel room
Conference room Meeting room
Hotel room
Conference room
SCALE 1:300 SCALE 1:300
SCALE 1:300
Hotel room Hotel room
Terrace
Hotel room
Terrace
Hotel room
Terrace
Hotel room
Gym Terrace
Gym Gym Gym Hotel room Gym Spring
Lobby Lobby
Gym
Spring
Gym
SECTION 3-3 SECTION 3-3
SECTION 3-3
0
5
10
20
0
5
10
20
0
5
10
20
Spring
Lobby
SCALE 1:300 SCALE 1:300
SCALE 1:300
Suite B Suite B
Suite A Suite A
Suite A
18
SECTION 1-1 SECTION 1-1
0
5
10
20
0
5
10
20
SCALE 1:300 SCALE 1:300
Terrace
Suite B
Gym Terrace
Gym
2
2
1
4
4
3
1
3
use
Hotel room
Terrace
Terrace Green house
Terrace
Restaurant
SECTION 2-2
eeting room
Hotel room
eeting room
Hotel room
eeting room
Hotel room
0
5
10
20
SCALE 1:300
Suite D
onference room
Suite C
Meeting room
Hotel room
Meeting room
Hotel room
Meeting room
Hotel room
Conference room
SECTION 4-4
0
5
10
20
SCALE 1:300
19
CONCRETE SLAB ROOF
WOODEN ACCOMMDATION UNITS
WOODEN STRUCTURE
SERVICES
CONCRETE GROUND
SUITE
STUDY AREA
ENTERTAINMENT AREA
GYM
CONFERENCE ROOM
DECK
LOBBY
DROP OFF
OFFICES
SPA
RESTAURANT
UNITS MOVEMENT UNITS MOVEMENT MOVEMENT 1 UNITS MOVEMENT MOVEMENT 1 MOVEMENT 1
MOVEMENT 2
MOVEMENT 2 MOVEMENT 2
MOVEMENT 3
MOVEMENT 3 MOVEMENT 3
BOTH SIDE AND DOUBLE FLOOR FOR BETTER LIGHT
NATURAL CROSS VENTILATION IN ALL APARTMENT
BOTH SIDE AND DOUBLE FLOOR FOR BETTER VIEW
PRIVATE
SEMI-PRIVATE
PRIVATE
THE FLOOR DIVIDE THE PRIVATE AND PUBLIC SPACE
SINGLE UNIT COMPOSITION
Suite B
Suite A
Suite D
Suite C
UNITS COMPOSITION PROTOTYPE PALN
UNITS COMPOSITION
UNITS COMPOSITION
ISOMETRIC VIEW
SUITE A
WOODEN STRUCTURE
SUITE C
SUITE B
SUITE D
REDESIGN THE GROUND FLOOR OF GALLARATESE II HOUSING
The plan of small space
The plan of middle space
The plan of large space
The plan of church
The grid and pillar
The pattern of floor
The original building plan
PROJECT:REDESIGN THE GROUND FLOOR OF GALLARATESE II HOUSING DATE: APR 2013 TO JUN.2013 SITE: MILANO,ITALY TIME FRAME: 8 WEEKS INSTRUCTOR: Poli Matteo Umberto TYPE: GROUP WORK ROLE: LEADER OF GROUP COOPERATOR: Hiroyuki Kakiuchi
The Survey for all religion buildings
Hinduism temple
Building Public space

Buddhist te
emple
Mosque
Synagoge
Chirch
The Survey for space ofall religion buildings
indoor area
7
Mosque
public space
3 6
Chirch
4
divided equal for five spa
3
Hinduism temple
7
indoor
4
Buddhist temple
6 8
Synagogue
2

public sp
958㎡
ace
192㎡
r area
58㎡
pace
192㎡
154㎡
192㎡
134㎡
134㎡
3:7
38㎡
58㎡
8:2
7:3
192㎡
77㎡
115㎡
4:6
192㎡
115㎡
77㎡ 6:4
case study for each religionreligion case study for each
8 am
10 am
12 pm
public space Hinduism temple
public space
Buddhist temple
public space
public space Hinduism temple
public space
Buddhist temple
public space
room 2 pm
room
room
public space public space
public space
room
public space

4 pm
Hinduism temple
Buddhist temple
public space public space
Mosque Mosque
public space public space
public space room public space public space room
public space
Synagoge
room
public space public space
Synagoge
chirch chirch
public space
room
public space
Mosque
public space
Synagoge
public space
room room
Chirch
•Constellations and Ambiguity. We think of a constellation as a geometrical formation of lines connecting a group of particularly bright starts. In something as indefinite and ambiguous as a cluster of stars becoming oriented into a very particular and enduring image or state. We see in this a kind of accessible abstractness.

prototype plan •Almost none of the door are identical angle. Those being determined through the many interrelations existing in this space. Our concept is not capacity for one enormous project to take up on entire one space, but for various activities of varying scale to go on, in different kind of spaces, in different areas of the building. It seemed to make more sense to pursue flexibility in the relations between adjoining places, the size of the respective domains, and in the way different space are connected with each other. There is a plan, and no defined borders, for the spaces.
wall material
•Separation and Connection Architecture is to generate various senses of distances. Distance predicated the degrees of interactions amongst persons and objects; t hus, the profound spatial expressions of potential expanses were enriched by diverse qualities of gradations and intonations. One can be alienated and yet connected. Closed and yet separate. Associations are solely indicated by propinuqity.
pillar-axis whirling system
steel frame
·Characteristic of each religion's architecture Weight Chirch Mosque
Synagoge
Full
Empty
Buddhist temple
Hinduism temple
Light
Number o
of the wall
·Rule of how to place the each walls
Thickness of the wall Weight→thick
Chirch Mosque
180
Synagoge
Full→many
Empty→small
Buddhist temple
Hinduism temple
Light→thin 60
B-B Section 1:100
0
1m
6m 3m
A
The floor materials 1:200
18m
3m 9m
A-A Section 1:200
0
•Model survey B
A
B
The plan of church 1:300 0
3m
18m 9m
The plan of small space 1:300
The plan of middle space 1:300
The plan of large space 1:300
・Design for the outside
・outside p
400
200 400
200
400
400
400
800
400
1600
3200
2400
1600
800
・Hight of each wall
400
400
2400
3200 （㎜）
plan 1:500 18m
3m 9m
0
・image photo
・outside perspective 1
perspective 2
・diagram of overlayer
stage chair
A'
table
Section 1:100 18m
3m
0
9m
A
plan 1:300 18m
3m
0
9m
18m
A-A' Section 1:200 3m
0
9m
XI'AN MUSEUM OF CONTEMPORARY ART&PLANNING EXHIBITION
PROJECT:XI'AN MUSEUM OF CONTEMPORARY ART&.PLANNING EXHIBITION DATE: APR 2011 TO AGU.2011 SITE: XI'AN, CHINA TIME FRAME: 18 WEEKS INSTRUCTOR: DOU XUEYONG, MEN JIANMING TYPE: GROUP WORK ROLE: MEMBER OF GROUP COOPERATOR: LI LANJUN ,YANG XUAN
52
53

CONCEPT
TEXTURE
This design attempts to establish a profound connection between individual consciousness and the building space.It is to manifest that the art of space share the same origins with other art forms.Internal demands and external experiences propel human beings to express themselves and represent the world with such arts as architecture,pain tings,music,etc.Space is not a oneway tool only to describe the static external world;it is also a statement of mutual penetration between physical objects and the world.
The Site is located to the north of Xi'an CBD,adjacent to a number of important civic buildings including Xi'an Library,Concert Hall,Central Book Store and Children's Palace.The urban grid poses an organizing texture on all civic affairs within the area.To seek a poetical relationship between buildings and locations has become the texture of the city. The introduction of diagonal linear elements increases the possibility of various narratives.These hidden "clues" radiate into the surroundings with tension and thus form dramatic links among the buildings and urban spaces.
Public space
Texture
Functional zones
Composition
ber of entral nizing onship e city. sibility ndings gs and
Cavity structure
Fission

Viewing platform
Exhibition Exhibition Shop
Exhibition
Auxiliary area Exhibition
Circulation node Exhibition
Public space
VIP reception
Exhibition
Exhibition
Exhibition
Office Multi-functional room Auditorium
Meeting Library
3
1 Freight elevator
1
CUTTING
2 Public elevator 3 Public stairs
2
4 Fire stairs 4
The building volume is cut through by "spatial line" again and again ,gradually forming interlocking spatial combinations of voids and substances,and the interiors and exteriors.
Vertical traffic system FISSION 3
1
1 Space bridge
2
2 Void 4
3 Public stairs 4 Central traffic concourse
Cutting creates horizontal fissions: The skewed and penetrating apertures form the continuous and complex voids,as well as functional cavities thus generated.Urban and architectural space produce dynamic transitions in a collage manner both at levels above and under ground.The big rift becomes the central pubilc space.The huge spacetruss corridor divides the building into three parts-a museum of contemporary arts,a city planning exhibition hall,and auxiliary functions.
Analysis of public space VOID 1
1 Office space
4
2
Reading room Multi-functional room Auditorium
2 Museum of contemporary arts 3 Viewing platform 4 Town planning pavilion
3
Analysis of functional bulks
The public spaces crisscross in midair.The visiting circulation is organized into two routes.The main circulation route of the museum of contemporary arts and city planning exhibition hall is organized along the central circulation concourse,which is clear and continuous.The bridges inserted in the space bring about a different and poetic experience for visitors.Horizontal transitions and vertical cuttings create a montage-type visual depth.All unexpected encounters and mutual observations of players on different levels become the performances acted on this stage. 
1
1
1 6
1
1
1
4
1
5
1 9 7
5
2 2
8
1 2 3 4 5 6
6 8
Storage for arts museum
4
3
3
Basement 2 plan
7 Loading area 8 Storage for city planning exhibition 9 Maintenance
Switch plant room HVAC plant room Pump room Department custody Provisional storage
1
3
Basement 1 plan 1 2 3 4 5 6
Design hall
7 Urban underground public space
Meeting City development exhibition Main entrance Management shops
1
1
1
1 1
1
6
6 2 2
6
3
6 5

1 2 3 4 5 6
General archive Reception Periodicals reading room Ministry of urban planning series Editorial board City planning exhibition
2 2 6
4
3
6
Level 3 plan
5 1 2 3 4 5 6
Laboratory museum Reception Landscaped atrium Landscaped office Reference room Urban development exhibition
4
Level 4 plan
2
1
9
6
2 7
1
8 1
2 5 3
1 6
5
3
5
Level 1 plan
4
n 1 2 3 4 5 6
5
Office entrance
7 Main entrance 8 Booking 9 Boutique
Spacial theme exhibition 300-seat multi-purpose room Secondary entrance Planning consultation Planning results of inquiries
2 4
Level 2 plan 1 2 3 4 5 6
General archive Management Bookstore Library reading room City planning exhibition shops
1
3 9
2
9 4
5 6 8 1 2 3 4 5 6
Storage Appraisal Design studio
7
Level 5 plan
7 Information research center 8 Reference room 9 Production room
Repair Exchange center Landscaped atrium

4 Main entrance 5 Management 6 shops
4 Pump room 5 Department custody 6 Provisional storage
1
1
1 Urban Construction exhibition
Office
1
Meeting Landscape courtyard
1 Urban Construction exhibition
1
Urban Development exhibition
3
5
City planning exhibition
4
Storage for city planning exhibition
13
1 2 3 4 5 6
General archive Reception Periodicals reading room Ministry of urban planning series Editorial board City planning exhibition
6
2 2
City planning exhibition
6
Meeting
Meeting
Reading room
Urban Development exhibition
6
6
Office
Urban Construction exhibition
6
exhibition LevelCity3planning plan
Library reading room 300 multi-purpose room
2 2
300 multi-purpose room
3
6
Air-conditioned room
1 2 3 4 5 6
1
Laboratory museum
5
4
Level 4 plan
Section
Reception Landscaped atrium Landscaped office Reference room Urban development exhibition
South elevation
15 
the performances acted on this stage.
pavilion 4 Town planning consultation 5 Planning
Analysis of functional bulks
6 Planning results of inquiries
5 City planning exhibition 6 shops
1
3 9
public space
2
9
corridor corridor
4
public space
corridor corridor
5
Main entrance
Foyer
To urban underground space
6
8 1 2 3 4 5 6
Storage Appraisal Design studio
7
Level 5 plan
Underground garage
public space
Office entrance
corridor
Section
7 Information research center 8 Reference room 9 Production room
14
Repair Exchange center Landscaped atrium
East elevation
16 
CAVITY The cavities adopt a mega-tube structure and doublelayer floor slabs with beamless honeycomb floor plates in the middle.This is to realize voluminous spaces with large spans.The structural cavity penetrates the whole building.Under the Venturi ef fect,air flows upward through the cavity,thus realizing natural ventilation in the space. The exhibition spaces connect with each other inside the cavity and transform continuously.Natural lighting is introduced from different angles,and provides a peaceful and yet dramatic backdrop for the display of contemporary arts.

XINING HISTORY MUSEUM
This project is located on a gentle site by the water.Pond,sand beach and marsh consititute the only locus information. I hope to reconstruct the "landscape" by this project.The Cubes become the only abstract motif element;through such simple operations as superimposition,displacement,a nd rotation,they produce a "possibility of complexity" .Each cube is designed as a rigid structure and assigned serial property,so that precise positioning can be neatly conducted in a three-dimensional space.Through constant replication and superimposition,the motif cubes produce a series of interlocking exhibition spaces.The design of the scheme is the result of a single-dimensional operation of sequencings. The cubes are spatial as well as structural elements.This dramatic exchange of the spatial and structural roles in architecture creates a unique feel for one to experience and perceive the space and structure.
PROJECT:xining history museum DATE: SEP.2009 TO OCT.2009 SITE: XINING, CHINA TIME FRAME: 6 WEEKS INSTRUCTOR: QIUFENG HOU TYPE: INDIVIDUAL WORK

Concept diagram of self--rotation
Rolations produce complexities--spaces generalerate uncertainty,volumes become less easy to describe,and boundaries are blurred.
Diagrammatic operation--uncertain narratives When the layout of the motif elements cannot be defined in a conventional way,it is deemed irregular. Traditional rules of design and order are completely irrelevant here. I try to apply a new design method--diagrammatic operation for a renewed elucidation.Diagrammatic operation implies that the design can display the traces of diagrammatic operation.It is not only explanatory,but also generative.That means it not only sheds light on the relation between the work and its internality,but also opens up the narrative possibilities of the work,turning it into a more autonomous operation. The sequence of diagrammatic operation implicates two types of states--time and movement.For reasons of accuracy and ease of control,I divide the operation into the following steps.
Control point
Trajectory of movement
Superimposition
Composition

The sequence of diagrammatic operation implicates two types of states--time and movement.For reasons of accuracy and ease of control,I divide the operation into the following steps.
1 Set the trajectory Create or design a trajectory of movement which is linked to the geometric center of all the cubes.In other words,the scheme can be construed as the result of a standard cube moving along the trajectory within a fixed time span.One example is Duchamp's attempt to express the sense of movement in a disassembling manner in his "Nude Descending a Staircase No.2" .The final image is the outcome of superimposing one element's movements in space and time.Different trajectory may lead to different narratives.
NUDE DESCENDING A STAIR CASE NO.2,Marcel Duchamp In NUDE DESCENDING A STAIR CASE NO.2,Marcel Duchamp explored a sense of movement by means of disassembly
2 Disentangle the Movement A cube's movement on the trajectory can be described with two vectorial states of movement and rotation.Analysis shows that motions in these two vectorial dimensions produce different results.Like movement analysis is physics,I break up a movement into coplanar shift (movement of the cube center along the trajectory) and rotation (rotation of the cube round its center) .Overlapping these movements,overall characters of the building can be controlled:conditions like relation to the site,general outline,volumes,spaces etc.Rotations produce complexities--spaces generate uncertainty,volumes become less easy to describe,and bounfaries are blurred.With the help of computer,shifts and rotations can be accurately set and quantitatively analyzed.
 67
When piling up a number of resultant movements,the complex spatial configuration erupts the original order of Euclidean geometr y.Suc h oblivious spaces in- and outside the building are unable to be presented with conventional architectural perspectives;it is more like abstract art. System resulted from cube movement
Disentangle the movement

1
2
3
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23
41
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43
61
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81
82
83
Self rotation of cubes
A cube's movement on the trajectory can be described with two vectorial states of movement and rotation.Analysis shows that motions in these two vectorial dimensions produce different results. Like movement analysis is physics,we break up a movement into coplanar shift (monement of the cube center along the trajectory) and rotation (rotation of the cube round its center).
New movement system
Reference list of self
f-rotation sequence
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4000mm plan
6000mm plan
8000mm plan

10000mm plan
12000mm plan
14000mm plan
Types of intersection of two given cubes in space
Embedded vertexes of the cubed Structure menber between vertexes Structure menber formed by vertexes and planes
Structure concept
Spatial distribution of the structures
Intersection of the structures
Plane of projection
(using horizontal ground surface as reference)

CULTURE AND ART CENTER DESIGN OF YUHANG DISTRICT
PROJECT:CULTURE AND ART CENTER DESIGN OF YUHANG DISTRICT DATE: SEP.2013 TO APR.2014 SITE: HANGZHOU, CHINA TIME FRAME: 30 WEEKS INSTRUCTOR: MARCO PIVA TYPE: COMPANY PROJECT
72
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MASTERPLAN
文化艺术中心
THE CULTURAL AND ART CENTER
演出建筑
THE PERFORMANCE ARCHITECTURE 放射状星形连接体
THE SHOOTING STAR 屋顶平台
TERRACE PLAZA 文化艺术广场
CULTURAL AND ART PLAZA 屋顶平台
TERRACE PLAZA
建筑基地
PLOT AREA
水汀东湖
SHUITING EAST LAKE
GENERAL FUNCTION ZONE
interior design for move hotel PROJECT:INTERIOR DESIGN FOR MOVE HOTEL The main element of the project was the development of a formal continuity between the structure and the surounding area,with a focus on light colours and natural materials,in hamony with the surounding green areas,to create a pleasant,welcoming and elegant environment.

Company Profile 88.pdf 1 2015/1/14 11:55:48
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OTHER WORKS DRAWINGS
PHOTO&SPORT
Thanks! Give me a chance,I will surprising you!
Zhang xu Architectural position applicant M.Arch-politecnico di milano B.Arch-lanzhou jiaotong university +0039-3315401211 xu1.zhang@mail.polimi.it