REFERENCES AND CREDITS SYSTEMS: CRITIQUE INSTITUTIONALIZED MEMORY Image courtesy of Asato Kitamura CEREBRAL CORTEX: A NOSTALGIC JOURNEY OF MEMORY WITH MY MOTHER Images courtesy of Asato Kitamura LA MODA LATINOAMERICANA: FROM CASTA PAINTINGS TO COLONIAL STEREOTYPES Image 1: Courtesy of Mailye Matos Lopez Images 2-4: Meisel, Steven, Linda Evangelista, Vogue Italia, February 1989. [1] Chris Kortright, “Colonization and Identity,” accessed February 14, 2021, https://theanarchistlibrary.org/library/chris-kortright-colonization-andidentity. [2] “La Raza En Los Cuadros De Castas De La Nueva España,” ADN Cultura, May 31, 2020, https://adncultura.org/la-raza-en-los-cuadros-de-castasde-la-nueva-espana. [3] “Castizo, Za,” in Diccionario De La Lengua Española, 23.ª Ed (Real Academia Española, 2020), https://dle.rae.es/castizo. [4] Regina Root and Mariselle Meléndez,“The Latin American Fashion Reader,” in The Latin American Fashion Reader (Oxford, UK: Berg Publishers, 2005), pp. 17-30. THE POWER OF THE ARCHIVE: (RE)TELLING HISTORICAL NARRATIVES [1] Alexander Fury, “In Fashion, the Beauty (and Challenge) of Looking Back.” New York Times, 2017. [2] Joanne Entwistle, The Fashioned Body: Fashion, Dress and Social Theory. (Oxford: Polity Press), 2015. 31. [3] Richard Hobbs, “Repository Spotlight: Pendleton Woolen Mills Archives,” Society of American Archivists, 2017. [4] Ibid. [5] Jonathan Michael Square, “Opinion: A Stain on an All-American Brand: How Brooks Brothers Once Clothed Slaves,” Vestoj. [6] Alexandra Walsham, “The Social History of the Archive,” 2016, pg. 10.
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