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GRASSHOPPER: LIGHT & LANDSCAPES
KSS ARCHITECTS INTERNSHIP
ANNE LACATON: REINVENTING LA CHAPELLE
JEANNE GANG: BRIDGING
PRUITT-IGOE NOW COMPETITION
THESIS: LIBRARY OF THE FUTURE
PHILLY HOUSE ONE
GOWANUS CANAL
SOCIETY OF MULTICULTURAL ARCHITECTS AND DESIGNERS COMPETITION
SPECOLA MUSEM ADDITION
PIPE GARDEN COMPETITION
DESIGN PHILLY COMPETITION
CAMBRIDGE SCHOOL OF ARCHITECTURE
TSCHUMI SCHOOL OF ARCHITECTURE ANNALYSIS
FIRE STATION
URBAN PRIMER
CONCEPTUAL MODEL OF THORNDEN PARK
MODEL CONCEPTUALIZING THORNDEN PARK DESIGNED IN COLLABORATION WITH MICHELLE WU THORNDEN PARK, SYRACUSE NY CONCRETE, WOOD, METAL
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This model conceptually representsThorndon Park. The model is composed of four interlocking blocks with holes that offer views to a central core of wood. Similarly, the park is composed of four very different sections that offer views (or clues) to the park’s history.
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The Urban Primer is an exercise designed to introduce students to Microstation Triforma. The object I designed is a large structure intended to be placed into a park. People can walk through the object, sit on top of the object, or lay on top of the object. Perforations in the skin allow light into the interior space.
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URBAN PRIMER. CONTINUOUS FOLDED STRIP OF PAPER TO CREATE SPACE PAPER
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URBAN PRIMER. PUBLIC SPACE MICROSTATION TRIFORMA V8
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The Firehouse is designed to house 10 fire fighters. The formal strategy of the building draws pedestrians into and through the building in order to stimulate interaction between Fire Fighters and the surrounding community. This modern style building leans away from the classical building at its rear in order to depict a breaking away from traditional building vernacular as well as to represent the “on-the-go� lifestyle of the average fire fighter.
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FIREHOUSE SYRACUSE, NY MICROSTATION
FIREHOUSE SYRACUSE, NY MICROSTATION, ADOBE ILLUSTRATOR
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BERNARD TSCHUMI’S PAUL CEJAS SCHOOL OF ARCHITECTURE ANALYSIS MIAMI, FLORIDA MICROSTATION, ADOBE SUITE
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BERNARD TSCHUMI’S PAUL CEJAS SCHOOL OF ARCHITECTURE ANALYSIS MIAMI, FLORIDA MICROSTATION, ADOBE SUITE
Pre-cast concrete panels
Metal air ducts Sprinkler system Lights Concrete block
Spandrel pre-cast concrete floor
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Both drawings are representative swaths of major parts of Tschumi’s building. The drawing on page 8 is taken from the East side of the building and the drawing on page 7 is taken from the West side of the building.
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BERNARD TSCHUMI’S PAUL CEJAS SCHOOL OF ARCHITECTURE ANALYSIS MIAMI, FLORIDA MICROSTATION, ADOBE SUITE
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BERNARD TSCHUMI’S PAUL CEJAS SCHOOL OF ARCHITECTURE ANALYSIS MIAMI, FLORIDA MICROSTATION, ADOBE SUITE
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CAMBRIDGE SCHOOL OF ARCHITECTURE CAMBRIDGE, MASSACHUSETTS MICROSTATION, AUTOCAD
The Cambridge School of architecture is a school with a particular focus in Islamic Architecture. The building’s program includes: 1. Meeting Hall 2. Gallery Space 3. Studio 4. Library 5. Mosque My goal for this building was to make certain programs public and certain private, and then arrange the programs and circulation in such a way that the public, the teachers, and the students are forced to interact on a daily basis. This becomes particularly important when seen from a post 9/11 viewpoint when it is especially important that the public be educated about Islamic culture.
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A) North Brick Cladding B) South Brick Cladding D) HVAC E) Axon
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DESIGN PHILADELPHIA COMPETITION ENTRY PHILADELPHIA, PA MICROSTATION, AUTOCAD, ADOBE SUITE
The P.T.I. Booth, or Philadelphia’s Tourism Initiative Booth, is designed to assist visitors who are not familiar with Philadelphia by giving directions to major Philadelphia Landmarks as well as offering suggestions on places to visit. The inside of the Booth is equipped with an interactive touch screen that pin-points your location and maps out the surrounding tourist locations. In addition to giving directions, the interactive display will also be capable of giving in-depth information concerning specific tourist locations including hours of operation, menus, and costs. For those who are not technologically inclined, a variety of brochures are displayed on the left of the interactive display.
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PIPE GARDEN COMPETITION. ONE OF FOUR WINNING ENTRIES FLORENCE, ITALY COPPER PIPES, STONE
The Pipe Garden is an annual competition that takes place in Florence. We are given certain site restrictions and are limited to using only 100 pipes with which to create some sort of exhibit. For my exhibit I divided the yard into a grid and created an object that divides the garden into two primary spaces. One of the main ideas was that these spaces are not indelibly defined, but can change their definition based on the placement of simple pieces of outdoor furniture. For example, placing a table inside the bars makes the space a public room, whereas placing a single chair turns the space into a private retreat. The Second driving idea is a play between elevation and plan, the likes of which have been used since the Renaissance, even though this idea is more often associated to Le Corbusier’s Villa Schwob.
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PIPE GARDEN COMPETITION. ONE OF FOUR WINNING ENTRIES FLORENCE, ITALY COPPER PIPES, STONES
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SKETCHES FROM THE SPECOLA MUSEUM FLORENCE, ITALY PENCIL
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The Plan on page 18 is the main level of an extension to the Specola Museum. The Specola Museum is an antique collection of wax figures that portray the insides (organs, bones, etc.) of humans and animals. The Studio’s task was to design an extension to the Museum that included laboratory space and library stacks. My design uses Renaissance planning strategies that hold outdoor space to the same level of importance as indoor space. Column, trellis, and wall systems govern the spatial layout of the complex and create a varied means of experiencing the spaces.
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ADDITION TO THE SPECOLA MUSEUM FLORENCE, ITALY MICROSTATION, ADOBE SUITE
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EXAMPLE CONTEST ENTRY FOR SOCIETY OF MULTICULTURAL ARCHITECTS AND DESIGNERS SYRACUSE UNIVERSITY MICROSTATION, ADOBE SUITE, AUTOCAD
DIVERGENCE This project is about cultural divergence as it relates to African American History. It addresses the issue of cultural Divergence on five main levels: 1. Present Day- Today’s Progress in race relations 2. Civil Rights- History of Civil Rights and the social dynamics amongst blacks and whites 3. Slavery- Cultural dynamics between blacks and whites during slavery 4. African Cultures- Identifies the different African Cultures that were brought to the West and the collisions amongst these cultures 5.Campus- The bottom tendril is a bench providing an area of interaction amongst students. The form also reflects the idea of Divergence and can be described as multiple lines of different origins diverging at one point.
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EXAMPLE CONTEST ENTRY FOR THE SOCIETY OF MULTICULTURAL ARCHITECTS AND DESIGNERS THORNDEN PARK, SYRACUSE NY CONCRETE, WOOD, METAL 15 ft 20 ft
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GOWANUS CANAL MUSEUM. STUDY MODELS AND SECTION BROOKLYN, NEW YORK TOP- CHIP BOARD, FOAM CORE, BLUE FOAM; BOTTOM- AUTOCAD, ADOBE SUITE
“Containment�. I began the project by analyzing conditions of containment with respect to the Gowanus Canal. I studied how the canal itself is contained and how the canal separates and contains the surrounding neighborhoods. I conceive of this building as a container of the canal. The different programs, which include (1)Museum, Class room, and (2)Office, each have differing spatial relationships to the canal. In addition, the Museum acts as a Connector, connecting the pedestrian to the canal and connecting Community to Community. The model on the top left is an urban strategy elevating and sinking land mass and infrastructure to create connectivity. The middle model is a parti model describing the relationship between building and water, and the last model is an exercise in formal strategy.
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BROOKLYN, NEW YORK TOP- CHIP BOARD, FOAM CORE, BLUE FOAM; BOTTOM- AUTOCAD, ADOBE SUITE
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GOWANUS CANAL MUSEUM. STUDY MODELS AND SECTION
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GOWANUS CANAL MUSEUM G O W A N U S C A N A L M U S E U M : B R O O K LY N , N E W Y O R K M U S E U MBROOKLYN, L E V E L P L A N : 1 6NEW T H S C AYORK LE | LONGITUDINAL SECTION A: 8TH SCALE MICROSTATION, ADOBE SUITE PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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GOWANUS CANAL MUSEUM BROOKLYN, NEW YORK MICROSTATION, ADOBE SUITE
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GOWANUS CANAL MUSEUM BROOKLYN, NEW YORK MICROSTATION, ADOBE SUITE
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PHILLY HOUSE 1 PHILADELPHIA, PENNSYLVANIA AUTOCAD
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PHILLY HOUSE 1 PHILADELPHIA, PENNSYLVANIA AUTOCAD
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B. ARCH THESIS
BUILDING AGILITY LIBRARY OF THE FUTURE I began my thesis with and interest in Building Life Cycles. What causes buildings to no longer be useful? How can the life of a building be prolonged? Eventually, I came to the conclusion that the cause of a building’s demise is its inability to adapt to one of four variables: Occupancy Environment Program Technology From there, I studied architecture that attempts to prolong the building’s lifespan and increase its usability. These precedents include the Chrystal Palace (a system of reconfigurable parts) and Norman Foster’s Hong Kong Shang Hai building (with movable floor plates).* Then I chose a program and a site that would allow me to take the findings of my exploration in flexible building systems and combine them into a single prototypical building whose goal would be to maximize the building’s usage and prolong the building’s lifespan. Program: Digital Library Site: Philadelphia, PA My idea to create a Digital Library is a direct response to a shift in present day technology from paper books to digital books that is beginning to challenge the necessity of the Library as a physical entity. Why go to the Library when the book can come to you? * The concept of the digital book conflicts with the book as a tangible artifact that occupies space. There is technically no need to designate occupiable space for a digital Library. However, there are a set of events and interactions that take place in occupiable space, that cannot take place in virtual reality, that are central to research. These include 1) Librarian Assistance 2) Chance encounters with people of similar interests and 3) Unintentional discoveries of new recourse and interests. In this new Library, the physical artifact of the book has been removed from the equation and replaced by something intangible. All that remains is space. Thus, the digital Library is nothing more than a gathering space. My project is a composition of small, medium, and large gathering spaces around an extra large gathering space. These gathering spaces –or chat rooms- each represent a single topic of interest. Subject matter is assigned to a small, medium, or extra large gather space in response to anticipated interest in said topic. The walls and floors of these spaces can be reconfigured to accommodate a range of programmatic needs and a varying demand for small, medium, or large congregation spaces. Additionally, should the building cease to be a library, it is easily reconfigurable into a wide variety program types such as mall, office building, or Cineplex. The building’s site is Philadelphia PA, a city which has recently suffered budgetary cutbacks that have resulted in the closure of several library branches. The building is situated on the corner of Logan Square, on Benjamin Franklin Avenue, within a grouping of the city’s premier civic buildings.
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LIBRARY OF THE FUTURE. TRACE PENCIL, INK
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LIBRARY OF THE FUTURE. STUDY MODELS
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LIBRARY OF THE FUTURE. SITE PLAN PHILADELPHIA, PENNSYLVANIA AUTOCAD, ADOBE SUITE
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BUILDING AGILITY
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DANIEL ELMORE THESIS
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BRUCE COLEMAN
ELEVATIONS PHILADELPHIA, PENNSYLVANIA MICROSTATION, ADOBE SUITE
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THESIS. LIBRARY OF THE FUTURE. EXPLODED AXON PHILADELPHIA, PENNSYLVANIA MICROSTATION
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THESIS. LIBRARY OF THE FUTURE. LONGITUDINAL SECTION PHILADELPHIA, PENNSYLVANIA AUTOCAD, ADOBE SUITE
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THESIS. LIBRARY OF THE FUTURE. SITE PLAN PHILADELPHIA, PENNSYLVANIA AUTOCAD, ADOBE SUITE
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THESIS. LIBRARY OF THE FUTURE. INTERIOR PERSPECTIVE PHILADELPHIA, PENNSYLVANIA MICROSTATION, ADOBE SUITE
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THESIS. LIBRARY OF THE FUTURE. DETAILED SECTION PHILADELPHIA, PENNSYLVANIA MICROSTATION, ADOBE SUITE
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THESIS. LIBRARY OF THE FUTURE. EXTERIOR PERSPECTIVE PHILADELPHIA, PENNSYLVANIA MICROSTATION, ADOBE SUITE
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THESIS. LIBRARY OF THE FUTURE. LOBBY PERSPECTIVE PHILADELPHIA, PENNSYLVANIA MICROSTATION, ADOBE SUITE
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PRUITTIGOE N O W
PRUITT-IGOE NOW COMPETITION: P.I. PARK REIFYING THE RUIN Those who visit the site of Pruitt-Igoe today do so in search of remnants, for surely its catastrophic destruction, heralding “the end of Modern Architecture,” would leave traces. Perhaps, on the other hand, these people are really in search of a catharsis. Catharsis - noun 1.elimination of a complex by bringing it to consciousness and affording it expression. (MerriamWebster’s Dictionary) There can be no true catharsis without an expression of the original complex. P.I. Park (Pruitt-Igoe Park) expresses the mythology of Pruitt-Igoe by reanimating it in the form of a ruin. Activity areas and trees are placed in their originally planned locations and curvilinear paved walkways flow through large hills, mimicking the curvilinear geometries of the original Pruitt-Igoe scheme. Large embankments of earth rise up to partially cover reconstructed ruins of the original Pruitt-Igoe buildings. They simulate years of geological accumulation and conceptually represent the accretion of myths that have formed the allegorical notion of PruittIgoe’s failure as a symptom of Modern design and its destruction as the end of Modern Architecture. These remnants may not be occupied - they are unobtainable remnants of Pruitt-Igoe, offering visitors and young architect pilgrims a means of experiencing a catharsis. The “remnants” offer both proof of existence and expression of mythological artifacts by representing them as aged ruins. P.I. Park provides the surrounding community with a community center and activity areas (playgrounds, barbecue areas, climbing walls, etc.); amenities intended for the original Pruitt-Igoe development but never constructed due to lack of finances. The new P.I. Park will take on the life and purpose that the original Pruitt-Igoe development was denied, while offering a traumatized community of architects a kind of reconciliation through the reification and recreation of a metaphysical ruin.
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P.I. PARK. CONTEXT ST. LOUIS, MISSOURI RHINO, PHOTOSHOP
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P.I. PARK. PERSPECTIVE ST. LOUIS, MISSOURI RHINO, PHOTOSHOP
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P.I. PARK. PERSPECTIVE ST. LOUIS, MISSOURI RHINO, PHOTOSHOP
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P.I. PARK. DIAGRAMS ST. LOUIS, MISSOURI ADOBE ILLUSTRATOR
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Diagram 1. Proposed Site Plan Pruitt-Igoe Ruins Green Space Trees Community Gardens Community Areas Shallow Water Features New Community Center
Diagram 2. Original Site Plan
Diagram 3. Geometries and plan elements taken from original scheme to be used in new scheme.
Diagram 4. Projected city grid determines the position of the Community Gardens.
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BRIDGING. DIAGRAMS CHICAGO, ILLINOIS ADOBE SUITE
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BRIDGING. DIAGRAMS CHICAGO, ILLINOIS ADOBE SUITE
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BRIDGING. WATER MITIGATION STRATEGIES CHICAGO, ILLINOIS RHINO, ADOBE SUITE
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BRIDGING. WATER MITIGATION STRATEGIES CHICAGO, ILLINOIS RHINO, ADOBE SUITE
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BRIDGING. URBAN STRATEGY CHICAGO, ILLINOIS ADOBE SUITE
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BRIDGING. URBAN STRATEGY CHICAGO, ILLINOIS ADOBE SUITE
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BRIDGING. BUILDING DIAGRAMS CHICAGO, ILLINOIS ADOBE SUITE
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BRIDGING. BUILDING PLANS CHICAGO, ILLINOIS AUTOCAD, ADOBE SUITE
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BRIDGING. BUILDING PLANS CHICAGO, ILLINOIS AUTOCAD, ADOBE SUITE
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BRIDGING. BUILDING PLANS CHICAGO, ILLINOIS AUTOCAD, ADOBE SUITE
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BRIDGING. EXTERIOR RENDERINGS CHICAGO, ILLINOIS RHINO, ADOBE SUITE
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BRIDGING. EXTERIOR RENDERINGS CHICAGO, ILLINOIS RHINO, ADOBE SUITE
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STORYBOARD AS ARCHITECTURE. MOVIE ONE. SUNLIGHT PARIS, FRANCE ADOBE PREMIERE
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STORYBOARD AS ARCHITECTURE. MOVIE ONE. SUNLIGHT PARIS, FRANCE ADOBE PREMIERE
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STORYBOARD AS ARCHITECTURE. MOVIE TWO. REINVENTING LA CHAPELLE PARIS, FRANCE ADOBE PREMIERE
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STORYBOARD AS ARCHITECTURE. MOVIE TWO. REINVENTING LA CHAPELLE PARIS, FRANCE ADOBE PHOTOSHOP
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KSS ARCHITECTS INTERNSHIP. LUCAS GALLERY RENOVATION PHILADELPHIA, PENNSYLVANIA PHOTOSHOP
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LIGHT & LANDSCAPE
LIGHT AND LANDSCAPE GRASSHOPPER EXERCISE This project utilizes Grasshopper to create a horizontal surface, or membrane, which controls the passage of sunlight from the top of the surface to a potential program below. The sizes of the square apertures are controlled by two points on the base of the membrane. The closer the apertures are to these points, the skinnier the apertures become. The angles of these apertures are determined by two attractor points that hover in the space above the membrane. The sizes of the top openings of the apertures can also be scaled in Grasshopper for an even greater degree of control. The following diagrams show four iterations and their respective attractor points, as well as the points that determine the apertures’ sizes. The diagrams at the bottom of each page show the resulting lighting effects of each membrane on a potential programmatic space below.
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LIGHT & LANDSCAPES GRASSHOPPER, RHINO, ADOBE SUITE + +
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LIGHT MANIPULATING MEMBRANE Iteration 1
Point (Direction) Point (Direction)
VIS 2322 Intermediate Landscapes as Digital Media Professor David Mah Daniel Elmore
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LIGHT MANIPULATING MEMBRANE Iteration 2
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LIGHT MANIPULATING MEMBRANE Iteration 4
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