SCENOGRAPHY
PORTFOLIO CONTENT WORKS OF STUDENT CARRIER FROM YEAR 2009 TO 2015 ESTE PORTFÓLIO CONSISTE NOS TRABALHOS REALIZADOS NO PERCURSO ACADÉMICO COMEÇADO NO ANO DE 2009 NA FACULDADE DE ARQUITETURA DE LISBOA, NO CURSO DE ARQUITETURA DE CENA– CENOGRAFIA ATÉ AO ANO DE 2014, ONDE SE TERMINA O MESTRADO EM DESIGN DE EQUIPAMENTO NA ESPECIALIDADE DE DESIGN DE INTERIORES NA FACULDADE DE BELAS ARTES DE LISBOA. NO ENTANTO ENCONTRAM-SE TAMBÉM TRABALHOS REALIZADOS NA ALEMANHA, NA FACULDADE DE MUTHESIUS-KIEL E CONCURSOS REALIZADOS NO DECORRER DA VIDA ACADÉMICA. TODAS AS FOTOGRAFIAS, DESENHOS E RENDERS SÃO PRODUTO DE TRABALHOS INDIVIDUAIS.
NAME: DUARTE MORGADO FERREIRA MARQUES BIRTH: 24 I 05 I 1989 CONTACTS: MAGIC_BROTHERS700@HOTMAIL.COM [+351] 929401947 LISBOA-PORTUGAL
ACADEMIC COURSE
SKILLS & EXPERIENCE
CURSO PROFISSIONAL DE DESIGN DE EQUIPAMENTO -ESCOLA SECUNDARIA ARTÍSTICA ANTÓNIO ARROIO LICENCIATURA EM ARQUITETURA DE CENA - CENOGRAFIA -FACULDADE DE ARQUITETURA DE LISBOA - UTL MESTRADO EM DESIGN EQUIPAMENTO E INTERIORES -FACULDADE DE BELAS ARTES DE LISBOA - FBA SOFTWARE AND TECHINCAL AUTOCAD ++++ PHOTOSHOP ILUSTRATOR SKETCHUP RHINOS WORD POWERPOINT EXCEL SKETCHING VIDEO ANIMATION
LEADERSHIP & SERVICES
+++ +++ ++++ +++ ++++ ++++ ++++ +++ ++++
LANGUAGES PORTUGUESE ENGLISH SPANISH GERMAN
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BD COMPETITION–2009 ROCK IN RIO COMPETITION–2011 CENOGRAFIC MEATING/SHOWROOM EXIBITION –2012 C.U.B.O UNIVERSITY OF ARQUITECTURE EXPOSICION -2012 INDEPENDENT PROJECT CYCLE SHOP/CAFÉ-2014 ERAMUS MASTER PROGRAM –2014 MUTHESIUS MASTERS EXPOSITION –2014 THESIS PRESENTATION –2015 THESIS VIDEO ANIMATION DEMONSTRATION-2015
PROJECTS PART 1 THIS PORTFOLIO CONTAINS THE WORK OF DUARTE MORGADO FERREIRA MARQUES MEXIA, CENOGRAFER ARQCHITECT AND NTERIOR DESIGNER.STUDENT OF THE UNIVERSITYS OF UNIVERSIDADE DE ARQUITECTURA DE LISBOA , UNIVERSIDADE DE BELAS ARTES DE LISBOA AND MUTHESIUS UNIVERSTIY OF KIEL-GERMANY – 2014
PROJECT I MASTERS THESIS PROJECT INTERIOR ORGANIZATION AND STUDYS ABOUT THE POMBALINO ARQUITECTURE STYLE. CREATION OF SPACE, MATERIALS AND DISPOSITION FOR FUTURE REABILITATION ON HISTORICAL BUILDINGS AND APARTMENTS.PLANING THE FUTURE AND PRESENT WITH CARE AND KNOWLEGE. ORGANIZAÇÃO INTERIOR E ESTUDOS SOBRE O ESTILO ARQUITETONICO POMBALINO.CRIAÇÃO DO ESPAÇO, MATERIAIS E DISPOSIÇÃO PARA O FUTURO DA REABILITAÇÃO NO PATRIMÓNIO EDIFICADO PORTUGUÊS.
PROJECT II MASTERS THESIS MODELS
8-17
18-31
MODELS AND STUDIES OF INTERIOR ORGANIUZATION AND INTERIOR STRUCTURES FOR REABILITATION OF SISTEMS AND TECHNICS. MAQUETAS E ESTUDOS DE INTERIORE E SUA ORGANIZAÇÃO. ESTRUTURAS INTERIORES E REABILITAÇÃO DE SISTEMAS E TÉCNICAS.
PROJECT III - COVERS AND SHADOW’S
32-43
ORGANIZATION AND STUDYS OF LIGHT AND SHADOW AND IS POTENCIALITIES, MODELING MATERIALS AND SHAPES WITH THE HELP OF CENOGRAFIC STUDIES. ORGANIZAÇÃO E ESTUDOS DE LUZ E SOMBRA E SUAS POTENCIALIDADES, MODELAGEM DE MATERIAIS E FORMAS COM RECURSO A ESTUDOS CENOGRAFICOS.
PROJECT IV - SHAPES AND MOTION STUDIES OF MOVEMENT, COMPLEMENTARITY AND TRANSFORMATION. DISPOSTION AND TIME CONTROL ON EFEMERAL ESTRUCTURES. ESTUDOS DE MOVIMENTAÇÃO, COMPLEMENTARIADADE E TRANSFORMAÇÃO. DISPOSIÇÃO E CONTROLO DE TEMPO EM CONSTRUÇÕES E ESTRUTURAS EFEMERAS.
44-47
PROJECTS PART2 THIS PORTFOLIO CONTAINS THE WORK OF DUARTE MORGADO FERREIRA MARQUES MEXIA, CENOGRAFER ARQCHITECT AND NTERIOR DESIGNER.STUDENT OF THE UNIVERSITYS OF UNIVERSIDADE DE ARQUITECTURA DE LISBOA , UNIVERSIDADE DE BELAS ARTES DE LISBOA AND MUTHESIUS UNIVERSTIY OF KIEL-GERMANY – 2014
PROJECT V - PROJECT ROCK.IN.RIO
48-55
INDEPENDENT STUDY/CONTEST AND CREATION OF STAGE AND BUILDING FOR FAMOUSE CONCERT,PROJECT WINER OF THE SECOND PLACE ON THE AWARD 2012. ESTUDO PARA CONCURSO INDEPENDENTE PARA A CRIALÇÃO DE PALCO E ESTRUTURA PARA O EVENTO/CONCERTO ROCK IN RIO, VENCEDOR DO SEGUNDO LUGAR NO ANO 2011.
PROJECT VI - CENOGRAFY V-PROJECT PLANING AND CREATION OF A DRAMATIC PLAY FOR VIRTUAL SPACE, GREEN SCREEN AND KEYSHOT EFEECTS. PROJETO E CREAÇÃO D ESPAÇO TRIDIMENCIONAL VIRTUAL PARA CENOGRAFIA VIRTUAL.
PROJECT VII - CENOGRAFY PROJECT PLANING AND CREATION OF STAGE AND CENOGRAFY FOR THEATHER OR TELEVISION WITH STUDIES OF DRAWING FOR BACKGROUNDS. PROJETO E CREAÇÃO DE PALCO E CENOGRAFIA PARA TEATRO OU TELEVISAO COM ESTUDOS DE TELAS E FUNDOS DE CENA.
PROJECT VIII - PLANING CONTAINERS STUDIES AND PLANING OF BIKE SHOP AND BOX CAFÉ WITH CONTAINERS AND RECICLED MATERIALS, ESTUDOS E PLANEAMENTO DE LOJA DE BICICLETAS COM CONTENTORES E MATERIAIS RECICLAVEIS.
56-61
62-67
68-73
PROJECT I -MASTERS THESIS PROJECT I 6
PROJECT I - MASTERS THESIS PROJECT
CHOOSING BUILDING AND TYPE OF ARQUITECTURE
ESTILO POMBALINO MASTERS THESIS PROJECT YEAR:2014 THE POMBALINE STYLE WAS A PORTUGUESE ARCHITECTURAL STYLE OF THE 18TH CENTURY, NAMED AFTER SEBASTIÃO JOSÉ DE CARVALHO E MELO, THE FIRST MARQUÊS DE POMBALWHO WAS INSTRUMENTAL IN RECONSTRUCTING LISBON AFTER THE EARTHQUAKE OF 1755. POMBAL SUPERVISED THE PLANS DRAWN UP BY THE MILITARY ENGINEERS MANUEL DA MAIA, EUGÉNIO DOS SANTOS AND ELIAS SEBASTIAN POPE (LATER SUCCEEDED BYCARLOS MARDEL). THE NEW CITY (MOSTLY THE BAIXA AREA NOW CALLED BAIXA POMBALINA) WAS LAID OUT ON A GRID PLAN WITH ROADS AND PAVEMENTS FIXED AT 40 FT WIDE (12 M). THE PREVIOUSLY STANDING ROYAL PALACE WAS REPLACED WITH THE PRAÇA DO COMÉRCIO WHICH ALONG WITH SQUARE ROSSIO DEFINES THE LIMITS OF THE NEW CITY. MAIA AND SANTOS ALSO OUTLINED THE FORM OF THE FACADES THAT WERE TO LINE THE STREETS, CONCEIVED ON A HIERARCHICAL SCHEME WHEREBY DETAIL AND SIZE WERE DELINEATED BY THE IMPORTANCE OF THE STREET. THESE WERE IN A NOTABLY RESTRAINEDNEOCLASSICAL STYLE PARTLY THE RESULT OF LIMITED FUNDS AND THE URGENCY OF BUILDING BUT ALSO THANKS TO THE ENLIGHTENMENT CONCEPT OF ARCHITECTURAL RATIONALITY ADHERED TO BY POMBAL. A STANDARDIZED SYSTEM OF DECORATION WAS APPLIED BOTH INSIDE AND OUT WITH A DISTINCTIVELY REDUCED APPLICATION OF “AZULEJO”TILING.
LISBON AND BAIXA SEARCHING THE BUILDING YEAR: 2014 “LISBON” OR LISBOA IS THE CAPITAL AND THE LARGEST CITY OF PORTUGAL. IT IS THE WESTERNMOST LARGE CITY LOCATED IN CONTINENTAL EUROPE, AS WELL AS ITS WESTERNMOST CAPITAL CITY AND THE ONLY ONE ALONG THE ATLANTIC COAST. LISBON LIES IN THE WESTERN IBERIAN PENINSULA ON THE ATLANTIC OCEAN AND THE RIVER TAGUS, AND HAS A POPULATION OF 552,700 (2011 CENSUS) IN AN AREA OF 100.05 KM².THE URBAN AREA EXTENDS BEYOND THE ADMINISTRATIVE CITY LIMITS WITH AN ESTIMATED POPULATION OF 2.7 MILLION, ON AN AREA OF 958 SQUARE KILOMETRES (370 SQ MI), MAKING IT THE 11TH MOST POPULOUS URBAN AREA IN THE EUROPEAN UNION. ABOUT 3,035,000[5] [6] PEOPLE LIVE IN THELISBON METROPOLITAN AREA (WHICH REPRESENTS APPROXIMATELY 27% OF THE POPULATION OF THE COUNTRY). THIS IS THE CITY OF MY INSPIRATION AND MY HOME, THE PROJECT OF THE MASTERS STARTS AND FINISH ON THIS CITY.
CORDENATES
1100-318 129-134
PROJECT I -MASTERS THESIS PROJECT I 10
INSPIRATION
RECONIZE-DRAWING
MASTERS THESIS PROJECT YEAR:2014 LISBON IS CONSIDERED ONE OF EUROPE’S MOST FASHIONABLE PLACES TO VISIT, BUT IT’S ALSO THE NAME OF A REGION THAT HAS A LOT TO OFFER. PORTUGAL’S BRIGHT CAPITAL, SPREADS ALONG THE NORTH BANK OF THE RIVER TAGUS(TEJO), WHICH MEETS THE OCEAN HERE. ONE OF THE FEW EUROPEAN CAPITALS WITH BOTH A RIVER AND A COASTLINE, LISBON HAS PRAÇA DO COMÉRCIO SQUARE AS ITS MAIN MEETING AREA. THE CITY HAS ALWAYS BEEN READY TO WELCOME NEW VISITORS AND TO BID A FOND FAREWELL TO THOSE DEPARTING, SOMETHING THAT WAS NEVER MORE TRUE THAN WHEN SAYING GOODBYE TO SAILORS AT THE TIME OF THE GREAT PORTUGUESE MARITIME DISCOVERIES.
LOOKING-DRAWING
SEARCH-DRAWING LOOKING DRAWING
ARQUITECTURE MASTERS THESIS PROJECT YEAR:2014 THE POMBALINE STYLE INTRODUCED EARLY ANTI-SEISMIC DESIGN FEATURES AND EARLY PREFABRICATED BUILDING METHODS. A FLEXIBLE WOODEN STRUCTURE IMPLANTED ON THE WALLS, FLOORS AND ROOFS AND LATER COVERED BY PRE-MANUFACTURED BUILDING MATERIALS "SHAKES BUT DOESN’T FALL.
LOOKING DRAWING
SYSTEM/TYPE MASTERS THESIS PROJECT YEAR:2014 THE PREFABRICATION SYSTEM WAS COMPLETELY NEW. THE BUILDING WAS ENTIRELY MANUFACTURED OUTSIDE THE CITY, TRANSPORTED IN PIECES AND THEN ASSEMBLED ON SITE. THE CONSTRUCTION, WHICH LASTED INTO THE NINETEENTH CENTURY, LODGED THE CITY'S RESIDENTS IN SAFE NEW STRUCTURES UNHEARD-OF BEFORE THE QUAKE. LISBON WAS COMPLETELY CHANGED THE MEDIEVAL STREETS GAVE PLACE TO AN O RT HO GO N AL C I TY , ORGANIZING THE AREA BETWEEN THE CITY OLD SQUARES.
NOBLE FLOOR 1ยบ PISO MASTERS THESIS PROJECT YEAR:2014 THE ORGANIC AND FUNCTIONAL DISTRIBUTION OF SPACE IN THIS BUILDING ENSURES ALL THE COMFORT AND TRANQUILITY, DESPITE BEING LOCATED IN ONE OF THE MOST BUSY ARTERIES OF THE CITY. THE INTERIOR REFINEMENT OWES EXCLUSIVELY TO THE ORIGINAL SOLID WOODFLOORS, FRAMED AND PANELLED DOORS AND SHUTTERS, AND THE EXCELLENT LUMINOSITY, WITH EVEN DISTRIBUTION OF SUNLIGHT THROUGH THE DIFFERENT GLASS SKYLIGHTS. THE FUNCTIONAL SPIRIT OF THE POMBALINE STYLE, ELIMINATING ALL EXTRANEOUS DECORATION AND IMPOSING A RATIONAL SOBERNESS THROUGHOUT, IS NOT COMPLETELY ROCOCO. IT REFLECTS AN ILLUMINIST SPIRIT A ND STRONG NEOCLASSICAL CHARACTER, EVEN WITHOUT CLASSICAL ARCHITECTURAL SHAPES. THE IMPORTANCE OF REASON FOR POMBALINE ARCHITECTURE HAS BEEN SYSTEMATICALLY IGNORED BY THE EUROPEAN ART HISTORY, WISHING TO SEE FRENCH ROCOCO OR NEOCLASSICISM IN ALL COUNTRIES
INTERIOR SPACES MASTERS THESIS PROJECT YEAR:2014 BUILDINGS SUCH AS THE STUDY CAN NOT BE THOROUGHLY EXTERIOR CHANGES AS WE SAW IN CHAPTER FOUR "MISTAKES MADE IN POMBAL FACADES". THUS THE DESIGN OF THE FACADES SHOULD REMAIN WITH ITS ORIGINAL IDENTITY AS INTACT AS POSSIBLE. THE INTRODUCTION OF SOME CHANGES ON THE GROUND FLOOR IN ORDER TO CREATE TRADE SHOULD BE AVOIDED TO THE MAXIMUM TO NOT DISTORT THE BUILDING OR THE STREET ITSELF. IF THERE IS A NEED TO CREATE A NEW FLOOR, YOU CAN (NOT RECOMMENDED), PROVIDED THAT THE HEIGHT OF THE BUILDING DOES NOT DISTORT THE OUTER ENVELOPE (STREET), AND IT ENSURES AN AESTHETIC CONTINUITY OF OWN FACADE. ANY CHANGES MUST BE COMPATIBLE WITH THE BUILDING, FRAMING THIS AND ENSURING PROPER OPERATION BETWEEN DIFFERENT BUILDING SYSTEMS, WHETHER MATERIAL OR TECHNICAL.
ESTILO POMBALINO HOW TO SOLVE PROBLEMS AND FIND SOLUTIONS YEAR:2014 THE DETERIORATION OF THE BUILDINGS IS A NATURAL AND INEVITABLE PROCESS. THE MECHANISMS OF DETERIORATION OF A BUILDING ARE THE RESULT OF THE INTERACTION BETWEEN THE PHYSICAL OBJECT AND THE ENVIRONMENT AND / OR USERS. DUE TO DEGRADATION OF THE ELEMENTS OF THE BUILDING BEING AN EXPECTED CONSEQUENCE OF THE AGING PROCESS, THEY MUST ESPECIALLY BE TAKEN INTO ACCOUNT DUE TO SOME FACTORS THAT INFLUENCE / ACCELERATE THE DEGRADATION PROCESS AND THEREFORE INCREASES COSTS TO THE REABILITAÇÃO.É THIS PREMISE THAT TRYING TO FIND SOLUTIONS TO COMMON PROBLEMS IN REHABILITATION.
ANALIZE PROBLEMS
O PORQUÊ DA REABILITAÇÃO NA ATUAL CONJUNTURA ECONÓMICA QUE SE VIVE EM PORTUGAL, EXISTEM GRANDES DIFICULDADES PARA AS FAMÍLIAS OU PEQUENAS E MEDIAS EMPRESAS TEREM CONDIÇÕES PARA DINAMIZAR/ COMEÇAR PROJETOS DE REABILITAÇÃO/RESTAURO NA CIDADE DE LISBOA. VIVEMOS UM PERÍODO DA NOSSA HISTÓRIA QUE NOS LEVA A REFLETIR E QUE DEVE SERVIR PARA NOS UNIR, JUNTAR SINERGIAS E PENSAR NA SUSTENTABILIDADE ECONÓMICA, NO RELANÇAR DO EMPREGO NESTA ÁREA, NA UTILIZAÇÃO DE PRODUTOS NACIONAIS, NO POTENCIAL DO INCREMENTO DA PROCURA TURÍSTICA E NO REFORÇO DA AUTOESTIMA NACIONAL OU CONTINUAR A DEIXAR O NOSSO PATRIMÓNIO A DEGRADAR-SE E A CONSTRUIR NOVO EDIFICADO DESPROVIDO DE HISTÓRIA OU CULTURA, A QUAL GASTA MAIS MATÉRIAS-PRIMAS E ENERGIA.
PROJECT II -MASTERS THESIS PROJECT I 18
PROJECT II - MASTERS THESIS PROJECT MODEL
RHINOS/KEYSHOT PROGRAMS AND SPECIALS YEAR:2014 THIS CHAPTER SHOWS THE WORK TOOLS USED AS TECHNICAL RECORIDAS FOR DEMONSTRATION OF THE PROPOSAL THESIS PRACTICE THEORY-PRACTICE.
PROJECT II -MASTERS THESIS PROJECT I 20
LIGHT AND SHADES INTERIOR DESIGN YEAR:2014 FOR LIGHTING ITS PROPOSE A SET OF RAILS THAT RUN ALONG THE CEILING FRAME AND PASS BETWEEN THE UPPER DECK SUPPORT BEAMS. THESE PROVIDE THE LIGHTS EMBEDDED IN THE TRANSPARENT ROOF PANELS AND CAN BE ADJUSTED BOTH IN THE ROOM AND IN THE HALLWAY. IN THE HALLWAY, THE LIGHTING WORKS THE S AM E WAY , S T RA TE GI C A LLY SPOTLIGHTS BEHIND THE GLAZING "EMANATE" INDIRECT LIGHT AND FILLING. IN THE ROOMS, KITCHEN AND BATHROOM, DUE TO THERE BEING NO SUCH INTERVENTION, THE LIGHTING IS MORE SIMPLIFIED. FOR THIS REASON THERE MAY BE LAMPS, CHANDELIERS OR RECESSED LIGHTING IN THE CEILING.
AUTOCAD DRAWING INTERIOR DESIGN YEAR:2014
DRAW TO DISCOVER
FOR A BETTER USE OF SPACE, IT WAS PROPOSED THE POSSIBILITY OF REMOVING THE WALLS MARKED BY A RED CROSS IN THE SCHEMATIC DRAWING. THE WALLS MARKED BY A GREEN CIRCLE ARE THE WALLS THAT REMAIN, AND ARE IN GOOD CONDITION. THE WALLS APPEAR WITH A YELLOW SQUARE ARE THE WALLS THAT EXPOSE THE PARTITION AND BLUE TRIANGLE IN THE CAGE STRUCTURES. THIS TYPE OF APARTMENTS NEED TO BE ABLE TO EVOLVE, TO DISPOSE OF PARTS OF ITS SKELETON. THIS CAPABILITY IS CONSIDERED AN EVOLUTIONARY ADVANTAGE BECAUSE IT ALLOWS A BETTER ADAPTATION TO NEW WAYS OF INHABITING AND EXPLOITING NEW INFRASTRUCTURE AND SERVICES.
PROJECT II -MASTERS THESIS PROJECT I 22
INTERIOR PROPOSAL MASTERS THESIS PROJECT YEAR:2014 UMA VITRINE, DO FRANCÊS “EMONTRE” É UM ESPAÇO QUE SE ENCONTRA FECHADO POR VIDRO OU TRANSPARÊNCIA , ONDE SÃO DISPOSTOS PRODUTOS, ARTEFACTOS OU SERVIÇOS PARA VENDA OU EXPOSIÇÃO. ESTE ESPAÇO ISOLADO E INTOCÁVEL DA VITRINE PODE SER TAMBÉM USADO COMO VÍNCULO PARA DETERMINADAS PROPOSTAS ARTÍSTICAS, COMO A DO PRESENTE PROJETO. ESTE CONCEITO SERVIU DESDE SEMPRE PARA SE COLECIONAR, CLASSIFICAR E EXIBIR ALGO QUE É "QUERIDO" AO SEU PROPRIETÁRIO, TAL COMO UMA COLEÇÃO DE ARTEFACTOS, O ESTILO ARQUITETÓNICO TORNA-SE ALGO DE VALOR PARA AQUELE QUE INVESTE NUMA HABITAÇÃO QUE CONTEM PATRIMÓNIO HISTÓRICO. ESTA ESCOLHA DE ENQUADRAR, ISOLAR ALGO METENDO -O EM DESTAQUE E RESTRINGIR O ACESSO A ELE, CRIA UM DESEJO, UMA VALORIZAÇÃO, UMA COMPLEMENTAÇÃO Á OBRA, UMA TRANSIÇÃO DO TIPO CONSTRUTIVO PARA UM VALOR ARTÍSTICO. A COMPOSIÇÃO E ORGANIZAÇÃO DA CONSTRUÇÃO DE TABIQUE/GAIOLA PODE SER FACILMENTE CLASSIFICADA COMO DE VALOR ARTÍSTICO PELA SUA PATINE,
PROCESS MOUNTING
PROPOSAL ARCHI/INTERIOR INTERIOR DESIGN YEAR:2014 THE PROPOSAL OF THE FALOWING PROJECT ON THE INTERIORES IT WAS PROPOSED A SET OF TRANSPARENT PANELS THAT RIDE PARALLEL TO WALLS. THAT HAVE THE FUCTION OF PROTECTING AND EXPOSING THE DESIGN OF THE POMBALINE ARQUITECTURE AND THE METODOLOGY OF CONCEPTION OF “GAIOLA” ESTRUCTURE THAT EXISTS IN THIS HISTORICAL BUILDINGS.
PROJECT II - MATERS THESIS PROJECT MODEL
PATCHWORK TO SIMULATE
PHOTOSHOP AND PH. MATERS THESIS PROJECT YEAR:2014
MAQUETA 1/50
THE CREATION OF THE MODEL 1/50 WAS MADE WITH THE AIM OF BETTER UNDERSTANDING THE SPACE, WHILE ALSO APPLIED THEIR KNOWLEDGE OF THE CONSTRUCTIVE KIND OF RESEARCH AND FLOORS SUPPORT SYSTEM. THE FACT THAT WE HAVE CHOSEN TO DO THIS SCALE MODEL OF THE INTERIOR WAS DISASSEMBLED IN ORDER TO PHYSICALLY ASSIST THE PLANNING AND INSTALLATION SPACE, ALLOWING VARIOUS CHOICES OF ORGANIZATION. AT THE SAME TIME THIS SCALE MODEL OF DETAIL IS ALSO PRESENTATION AND EXPOSURE IN ADDITION TO STUDY, AS FAITHFULLY REPRESENTS THE SPACE AND THE PROPOSAL. IMPORTANTLY, THE USE OF PHYSICAL MODELS, AS PRESENTED, AS THE WEALTH OF THE EXERCISE IS PROPERLY THE FINDINGS FROM THE HANDLING OF DIMENSIONS COLLECTED THE PROPOSED SPACE. THE PROPOSED DEVELOPMENT OF MODELS FROM A SINGLE BASE IS TO PROVIDE THE ONE WHO HANDLES A COMPARATIVE REFLECTION BETWEEN THE DIFFERENT MOUNTING POSSIBILITIES, HIGHLIGHTING VARIOUS ASPECTS OF ARCHITECTURE, WHETHER ACQUIRED TANGIBLE FORM, OR LINK BETWEEN THE MODULATIONS AND LIMITATIONS MATERIAL AND CONSTRUCTIVE ORDER. THE CREATION OF THESE MODELS PROVIDED THE STUDY AND LEARNING ALSO A NEVER WORKED TYPE OF TECHNOLOGY AND USEFUL FOR FUTURE WORK.
3DWOOD MODELING MATERS THESIS PROJECT YEAR:2014 THE CREATION OF THE MODEL 1/100 WAS TAKEN IN ORDER TO EXPOSE THE CONSTRUCTION POMBALINO BUILDING SYSTEM STUDIED, IN CONTRAST TO THE REHABILITATED FACADE. THIS CONTRAST MAKES THE SCALE MODEL NOT ONLY STRUCTURAL BUT ALSO CONSTRUCTIVEEXPLANATORY.
RECONIZE-DRAWING MAQUETA 1/100
VIEWS AND SPACES
MODELS AND PHOTOS MATERS THESIS PROJECT YEAR:2014 ONE OF THE BIGGEST CHANGES I HAVE SEEN SINCE MOVING OVER TO MY NEW OFFICE IS THAT THE NUMBER OF SCALE MODELS HAS GONE UP CONSIDERABLY. THERE ARE CURRENTLY 7 FAIRLY LARGE MODELS STASHED ALL OVER THE OFFICE AND DESPITE THE FACT THAT THE STAFF IS ALMOST SITTING ON TOP OF ONE ANOTHER, WE ARE OKAY TAKING UP PRECIOUS REAL ESTATE BECAUSE WE THINK THESE MODELS SEND THE RIGHT SORT OF MESSAGE AND HELP SET THE TONE FOR THE TYPE OF DESIGN CULTURE WE WANT TO MAINTAIN IN THE OFFICE.
PROJECT II -MASTERS THESIS PROJECT I 30
PROTOTYPE FOR SUCESSFULL STUDYS. WOOD MODELING LAZER PRINTER YEAR:2014 ONE OF THE REWARDING THINGS ABOUT MODELING (AS A CREATIVE ENDEAVOR) IS THE EASE AND SPEED WITH WHICH WE CAN TRANSLATE PLANS, IDEAS, AND EVEN WHIMS INTO REALITY. THIS TEACHES US TO VIEW SOFTWARE AS DISPOSABLE. WE REGULARLY BUILD THINGS, SEE HOW THEY WORK, AND USE THE LESSONS WE LEARN TO REDESIGN AND REFACTOR THE CODE MANY TIMES. AT THE SAME TIME MODELING IN WOOD AND WITH THIS KIND OF DETAILS TEACH THE ONE THAT IS PROJECTING HOW INFRASTRUCTURES WORK.
PROJECT III - FIRST YEAR MATERS PROJECT MODEL
PAPPER MODELS SHAPES AND SHADOWS YEAR:2014 THIS CHAPTER SHOWS THE WORK TOOLS USED AS TECHNICAL RECORIDAS FOR DEMONSTRATION OF MODELING WITH PAPER AND LIGHTS.
DRAWING AND PERCEPTION
DRAWING COVERS FIRST YEAR MASTERS YEAR:2014 PLAN AND PROJECT TYPES OF COVERS WITH MULTI-PORPOSE FUNCTIONS,THAT CAN BE CENOGRAFIC AND ARTISTICAL.
COBERTURAS – VELAS E PILARES
PROJECT III -COVERS AND SHADOW’SI 36
SKETCHING COVERS FIRST YEAR MASTERS YEAR:2014 THE PORTUGUESE COAST IS EXTENSIVE: IT HAS 943 KM IN CONTINENTAL PORTUGAL, 667 KM IN THE AZORES, 250 KM IN MADEIRA WHICH ALSO INCLUDE THE DESERT ISLANDS, THE SAVAGE ISLANDS AND THE ISLAND OF PORTO SANTO. THE COAST FORMED BEAUTIFUL BEACHES, WITH VARIETY OF CLIFFS AND BEACHES. ON THE ISLAND OF PORTO SANTO IS FORMATION OF ORGANIC ORIGIN DUNES (UNLIKE MINERAL CONTINENTAL PORTUGUESE COAST) WITH ABOUT 9 KM IS A TOURIST SPOT MUCH APPRECIATED INTERNATIONALLY. AN IMPORTANT FEATURE IN THE PORTUGUESE COAST IS THE RIA DE AVEIRO, ESTUARY OF THE RIVER VOUGA, NEAR THE CITY OF AVEIRO, 45 KM LONG AND UP TO 11 KM WIDE, RICH IN FISH AND SEA BIRDS. THERE ARE FOUR CHANNELS, AND BETWEEN THE VARIOUS ISLANDS AND ISLETS, AND IS WHERE FOUR RIVERS MEET THE OCEAN THIS PROJECT WAS MADE TO CREATE A POSSIBILITY TO TAKE ADVANTAGE OF ALL THIS COAST.
PATTERNS F/M FIRST YEAR MASTERS YEAR:2013 AN OPTICAL ILLUSION (ALSO CALLED A VISUAL ILLUSION) IS VISUALLY PERCEIVED IMAGES CHARACTERIZED BY QUE DIFFER FROM OBJECTIVE RE ALI TY . THE INFORM ATI ON GATHERED BY THE EYE IS PROCESSED IN THE BRAIN TO GIVE A PERCEPTION QUE DOES NOT TALLY WITH A PHYSICAL MEASUREMENT OF THE STIMULUS SOURCE. THERE ARE THREE MAIN TYPES: LITERAL OPTICAL ILLUSIONS QUE QUE CREATE IMAGES ARE DIFFERENT FROM THE OBJECTS QUE MAKE THEM, PHYSIOLOGICAL ILLUSIONS QUE ARE THE EFFECTS OF EXCESSIVE STIMULATION OF A SPECIFIC TYPE (BRIGHTNESS, COLOR, SIZE, POSITION, TILT, MOVEMENT), AND COGNITIVE ILLUSIONS, THE RESULT OF UNCONSCIOUS INFERENCES. PATHOLOGICAL VISUAL I L L U S I O N S A RI S E F R O M A PATHOLOGICAL EXAGGERATION IN PHYSIOLOGICAL VISUAL PERCEPTION M E C HAN I S M S C A US I N G T HE AFOREMENTIONED TYPES OF ILLUSIONS.THIS WAS THE MAIN IDEIA FOR THIS PROJECT , FINDING A SOLUTION THAT COUD INTERACT WITH THE OPTICAL ILLUSIONS MADE BY THE SUN/LIGHT.
SHADES SYSTEMS FIRST YEAR MASTERS YEAR:2013 THIS KIND OF SHADE STRUCTURES, C O V E RS , T E N T S , A WN I N G S , UMBRELLAS, AND SHADE CANOPIES ARE PERFECT FOR PLAYGROUNDS, POOLS, SCHOOLS, AND OTHER OUTDOOR SPACES WHERE PEOPLE AND CHILDREN SEEK PROTECTION FROM THE SUN’S HARMFUL U.V. (ULTRA VIOLET) RAYS WHICH HAVE BEEN SHOWN TO CAUSE SKIN CANCER. THIS DESIGN OF THE STRUCTURES AND CANOPIES ARE MORE AFFORDABLE THAN TRADITIONAL METAL OR WOOD SHELTERS, AND OFFER MORE VERSATILITY WITH ATTRACTIVE COLORS AND VIRTUALLY ENDLESS DESIGN POSSIBILITIES. SHADE SYSTEMS SHADE STRUCTURES FEATURE A STURDY HURRICANERATED METAL FRAME. THE MAIN IDEIA OF THE SYSTEM,FUCTION WITH TWO DIFERENT PIECES, THE FLOOR THE COVER AND THE PROJECTION OF THE LIGHT ON THE COVER, THAT WILL PROJECT A SHADOW ON THE FLOOR.
PROJECT III -COVERS AND SHADOW’SI 42
RENDERS DC/UC REALISTIC/M PROJECT YEAR:2013 MOST REAL WORLD OBJECTS ARE NOT CLEAN AND PRISTINE, SO LEAVING YOUR WAY QUE MODELS CAN COME OFF AS LAZY AND WILL ALMOST CERTAINLY UNDERMINE YOUR QUEST FOR PHOTO-REALISM. IT DOES NOT JUST HAVE TO BE TEXTURAL DETAILS EITHER-TRY ADDING LARGE SCALE CRACKS AND DESTRUCTION TO SOME OF YOUR MODELS, ESPECIALLY IF YOU'RE WORKING ON FPS STYLE GAME ENVIRONMENTS.THE ABILITY TO TURN ON SYMMETRY WHEN MODELING OR SCULPTING A CHARACTER IS A GREAT LUXURY—IT MEANS THAT AS MODELERS WE ONLY HAVE TO DO HALF THE WORK AND NEVER HAVE TO WORRY OURSELVES OVER ONE EYE BEING BIGGER THAN THE OTHER, OR MAKING SURE THE LEFT SIDE LINES
METAL/WOOD STRUCTURE
MODULAR AND F/R RENDER/PROTOTYPE YEAR:2014 MODULAR DESIGN, OR "MODULARITY IN DESIGN" IS A DESIGN APPROACH QUE SUBDIVIDES THE SYSTEM INTO SMALLER PARTS CALLED MODULES OR SKIDS, QUE CAN BE INDEPENDENTLY CREATED AND USED IN DIFFERENT SYSTEMS THEN. THE MODULAR SYSTEM CAN BE CHARACTERIZED BY FUNCTIONAL PARTITIONING INTO DISCRETE SCALABLE, REUSABLE MODULES,
RENDERING WITH DRAWING
PROJECT IV– MODELS AND SPACES
SPACE EXERCIZES MATERS THESIS PROJECT YEAR:2014 THE PURPOSE OF THE FOLLOWING EXERCISES IS TO PROVIDE SOME EXPERIENCE WITH THE BASIC PROCESSES AND PROCEDURES OF MODELING. THEY PRIMARILY FOCUS ON THE INFORMATION GATHERING PHASE OF THE MODELING PROCESS, AND COVER A RANGE OF MODELING SKILLS, INCLUDING "IMPLICIT" AND "EXPLICIT" MODELING FORMATS, AND THE USE OF MULTIPLE PERCEPTUAL POSITIONS TO GATHER DIFFERENT TYPES AND LEVELS OF INFORMATION ABOUT A PARTICULAR PERFORMANCE.
PROJECT IV– MODELS AND SPACES
EXERCISE TO STUDY SPACES
SPACE EXERCIZES ERASMUS STUDYS YEAR:2014 ENTERPRISE MODELING IS THE PROCESS OF BUILDING MODELS OF WHOLE OR PART OF AN ENTERPRISE WITH PROCESS MODELS, DATA MODELS, AND RESOURCE MODELS OR NEW ONTOLOGIES ETC. IT IS BASED ON KNOWLEDGE ABOUT THE ENTERPRISE, PREVIOUS MODELS AND / OR REFERENCE MODELS AS WELL AS DOMAIN ONTOLOGIES USING MODEL REPRESENTATION LANGUAGES.AN ENTERPRISE IN GENERAL IS A UNIT OF ECONOMIC ORGANIZATION OR ACTIVITY. THESE ACTIVITIES ARE REQUIRED TO DEVELOP AND DELIVER PRODUCTS AND / OR SERVICES TO THE CUS TOME R. AN E NTE RPRISE INCLUDES A NUMBER OF FUNCTIONS AND OPERATIONS SUCH AS PURCHASING, MANUFACTURING, MARKETING, FINANCE, ENGINEERING, AND RESEARCH AND DEVELOPMENT. THE ENTERPRISE OF INTEREST ARE CORPORATE THOSE FUNCTIONS AND OPERATIONS NECESSARY TO CURRENT AND POTENTIAL FUTURE MANUFACTURE VARIANTS OF THE PRODUCT.
STAGE ROCK.IN.RIO SCENOGRAFIC PROJECT YEAR:2012 ROCK IN RIO IS A VEHICLE FOR COMMUNICATION OF EMOTIONS AND CAUSES. USING MUSIC AS A UNIVERSAL LANGUAGE, IT USES ITS POWER TO GATHER PEOPLE, NOT ONLY TO THRILL THE AUDIENCE, BUT ALSO TO IMPACT THE LIVES OF THOSE IN NEED.THIS FEELING PERMEATES THE HISTORY OF THE FESTIVAL, BUT REDBOURN SHAPE IN 2001. IT WAS FROM THE 3RD EDITION OF THE ROCK IN RIO QUE THE PROJECT FOR A BETTER WORLD WAS CONSOLIDATED; IT WAS BORN TO USE THE STRENGTH OF THE FESTIVAL TO MOTIVATE PEOPLE TO SEEK IMPROVEMENTS IN LIFE THROUGH CHANGES IN THE DAILY ROUTINE.
OBJECT AND SISTEM CONTROLS SCENOGRAFIC PROJECT YEAR:2012 IN THIS PROJECT IS STUDYED THAT THE FORM AND MOTION CAN BE THE INTEGRAL FACTOR FOR A NON-EPHEMERAL.SCENOGRAPHY .
PROJECT V –PROJECT ROCK IN RIO I 50
STAGE ROCK.IN.RIO MOVEMENTS AND TECH. YEAR:2012 RECOGNIZING THAT EXCESSIVE INTERMODULE DEPENDENCIES ARE AN INDICATOR OF POOR SOFTWARE DESIGN, A SYSTEM SHOULD BE INTENDED TO BE LOOSELY COUPLED TO AVOID UNNECESSARY DEPENDENCIES.THUS, INTER-MODULAR DESIGN SHOULD BE EASY TO WORK WITH BECAUSE MODULES CAN BE EASILY UNDERSTOOD IN ISOLATION, AND CHANGES OR EXTENSIONS TO FUNCTIONALITY WOULD BE EASILY LOCALIZED.FOR THIS PROJECT THE IDEA WAS TO MADE A STRUCTURE THAT COULD MOVE AND SHAPE IT SELFE TO CREATE ANOTHER DIPOSITIONS AND FORMS. ALL OF THE MOVEMENTS HELPED BY MACHINERY WOULD INSTERACT WITH ALL OTHER TWIIN PIECES. IN THE DRAWINGS IS SHOWN THE MOVEMENTS OF EACH SINGLE MODEL OF FOUR PIECES AND THE ROTATIONS THAT THEY CAN DO.THE SEQUENCE OF THE MODELS ARE ALLWAYS MOVING FROM THE LEFT TO THE RIGHT TO THE STRUCTURE WORK .
STAGE -CONFIGURATIONS AND THE OBJECT
CUBE SISTEMATICS
STAGE ROCK.IN.RIO OPEN AIR CENOGRAPHY YEAR:2012 THE ROCK IN RIO OPENED A DESIGN COMPETITION FOR THE VARIOUS SPACES OF THE CITY OF ROCK, THE NEXT PORTUGUESE EDITION, TO BE HELD IN 2012. THE INITIATIVE HAS A PARTNERSHIP WITH THE FACULTY OF ARCHITECTURE OF THE TECHNICAL UNIVERSITY OF LISBON (FAUTL) SO THE COMPETITION IS OPEN TO STUDENTS OF ARCHITECTURE COURSES, SET DESIGN AND DESIGN OF THIS EDUCATIONAL INSTITUTION.OS TRABALHOS SERÃO AVALIADOS POR UM JÚRI CONSTITUÍDO POR ELEMENTOS DO ROCK IN RIO LISBOA, FAUTL E DO ISCSP,
ILUMINATION ROCK.IN.RIO MATERS THESIS PROJECT YEAR:2012 ON THIS PROJECT IT WAS CONSIDERED THAT THE PROBLEM OF ILLUMINATING A STRAIGHT LINE SEGMENT WITH FLOODLIGHTS WAS AT THE SAME PLACE THE POSSIBLE LOCATIONS OF THE FLOODLIGHTS THAT CAN GIVE IN ADVANCE A TOTAL SIZE OF THE FLOODLIGHTS TO BE MINIMUM. ITS SHOWN THAT THIS PROBLEM ADMITS A POLYNOMIAL TIME ALGORITHM EVEN IF WE REQUIRE THAT NO TWO FLOODLIGHTS ARE PLACED AT THE SAME LOCATION. THIS IS A REFLEX OF THE OBJECT THAT IS USE IN THE CENOGRAPHY.
DAY/NIGHT CONFIGURATION
PROJECT V –PROJECT ROCK IN RIO I 54
STAGE ROCK.IN.RIO 2D SHAPES/REG. PLYGONS YEAR:2012 LEARNING ABOUT 2D POLYGON SHAPES WITH OUR RANGE OF INTERESTING FACTS. FIND INFORMATION ABOUT TRIANGLES, SQUARES, PENTAGONS, HEXAGONS, HEPTAGONS, OCTAGONS, NONAGONS, DECAGONS AND MORE. SEE WHAT THEY LOOK LIKE, HOW MANY SIDES THEY HAVE AND LEARN SOME COOL TRIVIA. THIS SIMPLE FORMS ARE ALLWAYS A GOOD STARTING POINT FOR INSPIRATION AND COMPLEX PROJECTS LIKE A STAGE FOR A MAIN CONCERT.
STAGE ROCK.IN.RIO WORK METHOD IN DESIGN YEAR:2012 BLOCK DESIGN, ALSO KNOWN AS « WHITE BOX », IS A DESIGN METHOD WE ESPECIALLY APPLY IN LEVEL DESIGN. TO MAKE IT SIMPLE, IT IS THE FACT OF CREATING YOUR LD FROM GEOMETRIC FORMS, HENCE THE NAME « WHITE BOX », DUE TO THE ENGINES THAT OFTEN USE WHITE AS A DEFAULT COLOR. THIS METHOD REQUIRES NOT TO ADD ANY FORM OF DETAIL, AND FOCUS ON THE BASIC PRINCIPLES OF LEVEL DESIGN,
STAGE AND CROWD
PROJECT VI - CENOGRAFY AND THEATER
STAGE AND CROWD
THEATER AND SHOWS SCENOGRAPHY/MEANING YEAR:2011 WHILE ALIGNED WITH THE PROFESSIONAL PRACTICE ALSO OF THE SCENOGRAPHER, IT IS IMPORTANT TO DISTINGUISH THE INDIVIDUAL ELEMENTS QUE COMPRISE THE 'DESIGN' OF THE EVENT PERFORMANCE (SUCH AS LIGHT, ENVIRONMENT, CUSTOM, ETC.) FROM THE TERM 'SCENOGRAPHY' WHICH IS THE AN ARTISTIC PERSPECTIVE CONCERN- ING THE VISUAL, EXPERIENTIAL AND SPATIAL COMPOSITION OF PERFORMANCE. INFLUENCED BY THE WORK OF MODERNIST PIONEERS ADOLPHE APPIA AND EDWARD GORDON CRAIG, SCENOGRAPHY PROPOSES QUE DESIGN PRACTICES WITHIN ARE AN EQUA L PARTNER CONSIDERED PERFORMANCE, ALONGSIDE OTHER ELEMENTS SUCH AS LITERARY TEXTS AND PERFORMANCE TECHNIQUE, WITHIN THE CONSTRUCTION AND RECEPTION OF MEANING. THE PRACTICE OF SCENOGRAPHY IS THE HOLISTIC APPROACH THEREBY TO THE COMPOSITION OF PERFORMANCE AND CAN BE APPLIED TO THE DESIGN OR CURATION OF EVENTS WITHIN, AND OUTSIDE, OF THE CONVENTIONAL THEATER ENVIRONMENT.THIS KIND OF ARQUITECTURE IT CAN BE USED IN ALL THE PROJECTS , BECAUSE ITS JUST MAINLY A WORKING PHILOSOHY.
STAGE AND THEATER PIECE
SCENOGRAPHY ETIMOLOGY YEAR:2011 THE TERM IS OF GREEK ORIGIN SCENOGRAPHY (SKENE, MEANING 'STAGE OR SCENE BUILDING GRAPHO, ORIGINALLY DETAILED ARISTOTLE'S POETICS WITHIN THE 'SKENOGRAPHIA'. NEVERTHELESS, WITHIN CONTINENTAL EUROPE THE TERM HAS BEEN CLOSELY ALIGNED WITH THE PROFESSIONAL PRACTICE OF SCÉNOGRAPHIE AND IS SYNONYMOUS WITH THE LANGUAGE INGLÊS TERM 'THEATER DESIGN'. MORE RECENTLY, THE TERM HAS BEEN USED IN MUSEOGRAPHY WITH REGARDS THE CURATION OF MUSEUM EXHIBITS.
BACKSTAGE
STAGES LITERATURE
AND
THE WAYS OF DRAMATURGY YEAR:2011 DRAMATURGY IS THE ART OF DRAMATIC COMPOSITION AND THE REPRESENTATION OF THE MAIN ELEMENTS OF DRAMA ON THE STAGE. THE WORD DRAMATURGY WAS COINED BY GOTTHOLD EPHRAIM LESSING. DRAMATURGY IS A DISTINCT PRACTICE SEPARATE FROM PLAY WRITING AND DIRECTING, ALTHOUGH A SINGLE INDIVIDUAL MAY PERFORM ANY COMBINATION OF THE THREE. SOME DRAMATISTS COMBINE WRITING AND DRAMATURGY WHEN CREATING A DRAMA. OTHERS WORK WITH A SPECIALIST, CALLED A DRAMATURG, TO ADAPT A WORK FOR THE STAGE. THIS TOOL IS IMPORTANTE TO FOR OTHER WORKS IN DESIGN AND ARQUITECTURE.
INTERPRETATION OF TEXT
MESSAGE RECEPTOR SEMIOTICS AND MESSAGE/RECEPTOR LINGUISTIC AND SEMIOLOGY YEAR:2011
MESSAGE RECEPTOR
MESSAGE RECEPTOR
MESSAGE RECEPTOR
SEMIOTICS (ALSO CALLED SEMIOTIC STUDIES; NOT TO BE CONFUSED WITH THE SAUSSUREAN TRADITION CALLED SEMIOLOGY) IS THE STUDY OF MEANINGMAKING, THE PHILOSOPHICAL THEORY OF SIGNS AND SYMBOLS.THIS INCLUDES THE STUDY OF SIGNS AND SIGN PROCESSES (SEMIOSIS), INDICATION, DESIGNATION, LIKENESS, ANALOGY, METAPHOR, SYMBOLISM, SIGNIFICATION, AND COMMUNICATION. SEMIOTICS IS CLOSELY RELATED TO THE FIELD OF LINGUISTICS, WHICH, FOR ITS PART, STUDIES THE STRUCTURE AND MEANING OF LANGUAGE MORE SPECIFICALLY. AS DIFFERENT F ROM LI N G UI S TI C S , HO WE V E R, SEMIOTICS ALSO STUDIES NONLINGUISTIC SIGN SYSTEMS.SEMIOTICS FREQUENTLY IS SEEN AS HAVING IMPORTANT ANTHROPOLOGICAL DIMENSIONS; FOR EXAMPLE, UMBERTO ECO PROPOSES THAT EVERY CULTURAL PHENOMENON MAY BE STUDIED AS COMMUNICATION.SOME SEMIOTICIANS FOCUS ON THE LOGICAL DIMENSIONS OF THE SCIENCE, HOWEVER. THEY EXAMINE AREAS BELONGING ALSO TO THE LIFE SCIENCES LIKE DESIGN AND ARQUITECTURAL PROJECTS.THIS TEMATICS ARE ALLWAYS IN THE PRECEPTION OF A SCENOGRAFER/ DESIGNER,
PROJECT VII– THEATER AND ARTS
INTO THE WOODS THEATER PROJECT YEAR:2011 INTO THE WOODS IS A MUSICAL THAT INCLUDES LYRICS BY STEPHEN SONDHEIM AND BOOK BY JAMES LAPINE. IT DEBUTED IN SAN DIEGO AT THE OLD GLOBE THEATRE IN 1986, AND PREMIERED ON BROADWAY ON NOVEMBER 5, 1987. BERNADETTE PETERS'S PERFORMANCE AS THE WITCH AND JOANNA GLEASON'S PORTRAYAL OF THE BAKER'S WIFE BROUGHT ACCLAIM TO THE PRODUCTION DURING ITS ORIGINAL BROADWAY RUN. INTO THE WOODS WON SEVERAL TONY AWARDS, INCLUDING BEST SCORE, BEST BOOK, AND BEST ACTRESS IN A MUSICAL (JOANNA GLEASON), IN A YEAR DOMINATED BY THE PHANTOM OF THE OPERA. THE MUSICAL HAS BEEN PRODUCED MANY TIMES, WITH A 1988 US NATIONAL TOUR, A 1990 WEST END PRODUCTION, A 1991 TELEVISION PRODUCTION, A 1997 TENTH ANNIVERSARY CONCERT, A 2002 BROADWAY REVIVAL, A 2010 LONDON REVIVAL AND IN 2012 AS PART OF NEW YORK CITY'S OUTDOOR SHAKESPEARE IN THE PARK SERIES. THE MUSICAL INTERTWINES THE PLOTS OF SEVERAL BROTHERS GRIMM FAIRY TALES AND FOLLOWS THEM TO EXPLORE THE CONSEQUENCES OF THE CHARACTERS' WISHES AND QUESTS. THE MAIN CHARACTERS ARE TAKEN FROM "LITTLE RED RIDING HOOD", "JACK AND THE BEANSTALK", "RAPUNZEL", AND "CINDERELLA", AS WELL AS SEVERAL OTHERS. THE MUSICAL IS TIED TOGETHER BY AN ORIGINAL STORY INVOLVING A CHILDLESS BAKER AND HIS WIFE AND THEIR QUEST TO BEGIN A FAMILY, THEIR INTERACTION WITH A WITCH WHO HAS PLACED A CURSE ON THEM, AND THEIR INTERACTION WITH OTHER STORYBOOK CHARACTERS DURING THEIR JOURNEY.
PROJECT VI - THEATER AND “INTO THE WOODS”
THEATER/PAINTING SCREEN PAINTING YEAR:2011 THEATER PAINTING IS OTHER OF THE TOOLS THAT WAS STUDIED AND LOVED IN THE SCENOGRAFY CARRIER. THE STUDIE OF PRESPECTIVES AND OTHER WAYS OF SIMULATE PLACES AND SPACES ARE OTHER OF THE MOST IMPORTANT TOOLS THAT CAN BE USED IN DE DESIGN AND ARQUITECTURE PROJECTS.
SCREEN PAINTING TO TELL A STORY
PROJECT VII –TEATHER AND ARTS I 65
PROTOTYPE WITH MODELS TO STUDY STAGE AND ACTORS
ACT 1.
ACT 4.
ACT 5.
SCREEN PAINTING AND ACT’S
ACT 3.
ACT 2.
ACT 6. THEATER/PAINTING BACKGROUND AND “DROP” YEAR:2011
BEHIND THE SCENE
A "DROP" IS A PIECE OF SCENERY USED IN FILM AND THEATRE TO ESTABLISH THE LOCATION OF A SCENE. USUALLY A DROP IS A LARGE PIECE OF FABRIC THAT HAS AN IMAGE ON IT AND HANGS IN THE BACKGROUND. BY USING DROPS AND OTHER PIECES OF SCENERY IT IS POSSIBLE TO CREATE CONVINCING LOCATION CHANGES. OVER THE LAST FEW YEARS COMPUTER GENERATED LANDSCAPES HAVE BECOME THE METHOD OF CHOICE USED IN FILM. HOWEVER, LIVE THEATRE STILL RELIES HEAVILY ON PRINTED OR PAINTED DROPS. THIS INSTRUCTABLE WILL SHOW YOU THE BASIC METHODS USED IN THE PREPARING A DROP USED IN THEATRE.
BIKE SHOP BOX CAFÉ PROJECT YEAR:2014 THE BIKE SHOP CAFÉ WAS SUSTAINABLE DESIGN PROJECT THAT WAS MADE WITH ENVIRONMENTALLY CONSCIOUS AND PHILOSOPHY OF DESIGNING PHYSICAL OBJECTS, THE BUILT ENVIRONMENT, AND SERVICES TO COMPLY WITH THE PRINCIPLES OF SOCIAL, ECONOMIC, ANDECOLOGICAL SUSTAINABILITY.
PROJECT VIII –BIKE SHOP AND /CAFE I 71
BIKE SHOP BOX CAFÉ PROJECT YEAR:2014 THIS PROJECT WAS MOSTLY PLANNED TO BE A EASY AND CHEAP WAY TO CREATE A PLACE THAT COULD HAVE SOME SEATS AND TABLES MADE BY RECICLED MATERIALS THAT WOULD CLOSE A EXTERIOR SPACE NOT USING WALLS OR PHYSICAL OBJECTS THAT WOULD INTERFERE WITH THE PLACE THAT WOULD COHABIT. THE PLACE WAS NEAR A MARINE SO THE USE OF CANVAS WITH THE SAILING BOAT MOTIVE WOULD BE A GOOD IDEA TO MAKE A RELATION W IT H T H E S P A C E S A L R E A DY EXISTING.THE TABLES AND THE SEATS THAT HAD A MARINE MOTIVE HAD MULTIFUNCTION NOT JUST FOR SEATING OR HOLDING THE FOOD BUT TO BE THE ONES TO CLOOSE THE SPACE AND TO ILUMINATE THE EXTERIOR SPACE NEAR TO THE CONTAINER CAFÉ.
RECICLING MATERIALS
LIGHT TO DRAWING
COLOUR TO DRAW
PROJECT VIII - INDEPENDENT PROJECT
BOX
LETHERING AND SPACE STUDYS
STEP2.
STEP2.
X
STEP1.
BOX CAFÉ CONTAINER DESIGN YEAR:2014
STEP1.
DESIGN PROJECT CREATION OF INTERIOR WITH LOW BUDGET IN A CONTAINER WITH COFFEE FUNCTIONALITY, BAR AND TERRACE.ROOT PROJECT FOR A AREA THAT WAS READY FOR IDEAL SUSTAINABLE DESIGN.3D VIEWS HELPED THE CREATION AND DISPOSITION OF BAR, LETHERING AND TERRACE FOR A SUCESSFULL WORKING AREA .
RENDERING PLANING STEP3.
STEP3.