Duke's Silver, Jewellery and Furniture Sale 21st & 22nd June 2012

Thursday, June 21st at 10.30am Silver and Works of Art Friday, June 22nd at 10.30am Jewellery and Furniture

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station.

Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) and there are airports at Bournemouth and Exeter.

The Saleroom is surrounded by a pay and display car park.

If you require further information please refer to the buyer’s guide on page 4, visit our website, or contact Stephanie Smith.

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Duke's Grove Auctions The Grove, Dorchester, Dorset DT1 1ST

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Duke's Fine Art Salerooms Weymouth Avenue, Dorchester, Dorset, DT1 1QS Tel: 01305 265080 Fax: 01305 260101

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Duke’s AUCTIONEERS SINCE 1823

a si a n a r t Sold for £537,750

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085

Bristol & North Somerset Michael Liversidge (01305) 265080

Hampshire Robert Nevin (01962) 866681

Duke’s

A Chinese blue and white vase and cover, the base with a six character Xuande mark Sold to a buyer from mainland China against competition from Europe, London and Hong Kong

AUCTIONEERS SINCE 1823

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Duke’s

J e w e l l e r y a nd si l v e r v a l u a ti o n m o r nin g S 2 0 1 2

AUCTIONEERS SINCE 1823

B UYER S I N F ORMAT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction.

Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £200 only.

Buyer’s Premium:

An Art Deco diamond and onyx brooch-pendant

Sold for £8,843

19½% plus VAT on the hammer price.

Artist’s Resale Right: 5From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Collection: Our offices are open Monday to Friday, 9am - 1pm and 2pm - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

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Specialist valuers will be on hand between 9.30am and 12.30pm to provide free, no obligation valuations for auction sale.

No appointment is necessary.

Thursday 9th August Thursday 13th September Thursday 18th October

Duke’s AUCTIONEERS SINCE 1823

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Duke’s

Duke’s

WE DN E S DAY 2 0 t h J u ne 2 0 1 2

On the instructions of vendors throughout the South and South West including property of the late ‘Guy Davey’ and property from a Hampshire manor house.

AUCTIONEERS SINCE 1823

The mor r e l l and 'gu y dave y ' collection s

AUCTIONEERS SINCE 1823

T H URS DAY 2 1 st J u ne 2 0 1 2 S ilv e r and Wor k s of Art

F R I DAY 2 2 nd J u ne 2 0 1 2 J e w e l l e ry and F u r nit ure

T h u r sd a y 2 1 S T J U N E 2 0 1 2 A T 1 0 . 3 0 AM Silver Plate Silver and Related items Small Silver and Objets de Vertu Flatware Works of Art

V I E W I N G T I ME S Saturday 16th June 9.30am – 12noon Monday 18th June 9.30am – 5pm

F R I D AY 2 2 N D J U N E 2 0 1 2 A T 1 0 . 3 0 AM Coins and Banknotes

Tuesday 19th June 9.30am – 7pm

Pocket Watches and Wristwatches

and on the morning of the auction days

Carriage Clocks Jewellery Boxes, Caddies and Bric a Brac Arms and Militaria Metalwork and Sculpture

Catalogues £20.00 (by post)

Clocks and Scientific Instruments Rugs Furniture

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THURSDAY 21ST JUNE: 10.30A M

SILVER PL ATE

View images of all lots and bid live online

£500-800

£100-200

£150-250

£50-100

599 A MIXED LOT OF PLATED ITEMS comprising a toast-rack modelled in the form of leaves, a pair of butter shells, a pair of Australian flower vases and other items (7)

£50-100

600 A SET OF FOUR 19TH CENTURY DECANTER STANDS of square form, with gadrooned borders and part fluted decoration, crested, a pair of 19th century circular wine coasters with pierced decoration and beaded borders, and another (7)

£150-250

594 A VICTORIAN CENTREPIECE modelled in the form of a palm tree, the branches with three attached baskets with blue glass liners, the base modelled in the form of a seated figure next to a camel, the whole on a shaped circular mirror plateau, by TB & S, 23” high.

See illustration

£250-450

598 A THREE BOTTLE TANTALUS with oak frame, cylindrical carrying handle and cut-glass bottles with stoppers, 9½” high, a six bottle cruet frame and a three section hors d’oeuvre (3)

593 A VICTORIAN TWO HANDLED ELECTROPLATED TUREEN AND COVER with scroll swan-head handles, the pull-off cover with wild boar finial, on wing capped mask feet, 11” long and a Victorian presentation horses hoof inkwell, the cover with an engraved presentation inscription (2)

£80-120

597 A CASED VICTORIAN FRUIT EATING SET with mother of pearl handles, in a fitted triangular-shaped wooden case with brass bound handles and a velvet and silk-lined interior, 10” high

592 A PAIR OF VICTORIAN ENTREE DISHES AND STANDS of shaped cushion form, with gadrooned borders, the pull-off covers with leaf and bud detachable handles, on scroll feet, crested, by Elkington & Co., 6” high, and two electroplated toddy ladles (a lot)

£100-200

596 A VICTORIAN CAKE STAND of circular form, on bracket feet with a wooden base, by Elkington & Co., 15” dia.

591 AN OLD SHEFFIELD PLATE DISH RING of waisted circular form, with pierced decoration, crested, 7” dia.

Lot 594

595 AN ELECTROPLATED FIVE LIGHT CANDELABRUM of Corinthian column form, with beaded sconces and drip pans, leaf-capped fluted arms, the whole on a square base, 24” high

590 A VICTORIAN ELECTRO-PLATED THREE BRANCH CANDELABRA/ CENTREPIECE of branch form, with a central cut-glass reservoir, the base modelled in the form of a rocky outcrop with a standing and a recumbent stag, also engraved with the crest of the Punjab Cavalry, the whole on a shaped circular mirror plateau, bearing a presentation inscription “Presented to the Mess 4th Punjab Cavalry by Lieutenant Colonel CJ Godby”, by Elkington & Co., 28” high

£100-150

601 A PAIR OF ELECTROPLATED ENTREE DISHES with gadrooned borders and detachable handles and two plated toast-racks (a lot)

£300-600

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£60-80

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604 A PAIR OF OLD SHEFFIELD PLATE CANDLESTICKS with knopped stems, on oval bases, 10½” high, a hot water pot, a wine funnel, a chamber stick and a pair of grape scissors (a lot)

602 A TEA URN of circular tapering form with pierced scroll handles and pull-off cover, with tapering finial, on a square base, 23” high, in a wooden case

£50-100

£50-100

SILVER AND REL ATED ITEMS

603 A LATE VICTORIAN COROMANDEL CASED TRAVELLING VANITY SET, the velvet-lined interior housing a number of glass bottles with plated mounts and covers, the front of the cover with a brass plaque, monogrammed and inscribed 14th February 1890, 12” wide

£250-350

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£300-600

607 A BOWL of circular tapering form with a flowerhead-shaped border and tucked-in foot, the base marked “Sterling 925”, 7” dia. (c.11oz) £100-200

£100-200

£500-800 617 A SALVER of shaped square form with a raised border, the centre engraved with an armorial, on leaf capped scroll feet, by SB & S Ltd, London 1927, 12” wide, (c.30oz)

£200-400

610 A PEDESTAL DISH of shaped circular form with a shell and scroll border, tucked-in circular foot, by Adie Brothers, Birmingham 1937, 11” dia. (c.13oz)

£400-600

618 A VICTORIAN THREE PIECE TEA SET of oval form, with angular handles and embossed flower and scroll decoration, by WW, Birmingham 1899, the teapot 5½” high (c.24oz)

£100-200

611 A VICTORIAN TEAPOT of tapering circular form with a gadrooned border, wooden scroll handle and part fluted decoration, monogrammed, makers mark rubbed, possibly J.H., London 1895, 4½” high (c.11oz)

£500-800

616 A VICTORIAN SALVER of shaped circular form, with a raised bead and scroll border, the centre bearing a presentation inscription and crested, the whole on pierced scroll feet, by Walter and John Barnard, London 1878, 14” dia. (c.38oz)

609 A PAIR OF CAST CANDLESTICKS with cylindrical sconces and knopped and faceted stems, on shaped square bases, by JLC, London 1969, 6¾” high (c.23oz)

£100-200

615 A FOUR PIECE ART DECO TEASET of tapering rectangular form with an engraved scroll border, flush hinged cover, wooden finial and handle, with stylised bracket feet, by S & W, Sheffield 1939, 6½” high

608 A PAIR OF CANDLESTICKS with faceted stems and filled bases, Chester 1926, 8½” high

£100-200

614 A MUG of tapering circular form with a plain scroll handle on a tucked-in foot, by JS, Birmingham 1966, 4½” high (c.7oz)

£700-1000

£500-1000

613 AN EDWARDIAN PORRINGER of circular form, with caryatid handles, initialled, on a tucked-in circular foot, London 1902, 3¼” high, (c.8oz)

606 A TWO HANDLED TRAY of oval form with a raised pierced border, the centre with an engraved presentation inscription, by D & H, Birmingham 1933, 18” long from handle to handle, (c.52oz)

Lot 612

612 A CONTINENTAL PARCEL GILT MODEL OF A STANDING OWL with yellow glass eyes, by IF & Son Ltd, also bearing import marks for London 1967, the underside of the talon also marked “Sterling 925”, 11” high, (c.38oz).

See illustration

605 A MATCHED VICTORIAN AND LATER THREE PIECE TEASET of circular tapering form, the teapot with wicker handle, with engraved decoration and vacant wreath cartouches, the whole on tucked-in feet, the teapot by Walker and Hall, Sheffield 1938, the sugar bowl London 1866, the cream jug by James Dixon & Sons, Sheffield 1938, the teapot 6” high, (c.36oz)

£200-400

619 A PAIR OF CANDLESTICKS of tapering oval form, with detachable sconces, on filled shaped oval bases, by William Hutton & Sons, Sheffield 1911, 9” high

£100-200

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£100-200

15

626 AN 18TH CENTURY WAITER of shaped square form with a raised border, the whole on extended pad feet, marks rubbed, 5¾” wide, (c.5oz)

620 AN ART DECO THREE PIECE TEA SET of graduated circular form, the teapot with a stylised black Bakelite finial and handle, the whole on a circular foot, by GB, Birmingham 1937, the teapot 6” high, (c.17oz)

£200-400

£500-1000

£100-200

£400-600

£80-160

631 A GEORGE III TEAPOT of oval form, the body bright engraved with swags and garlands and a wooden scroll handle, possibly by John Swift, London 1782, 5” high, (c.12oz)

£80-160

625 A GEORGE III TEAPOT STAND of oval form with raised border and bright-cut engraved decoration, with circular vacant cartouche, on splayed feet, by Alexander Field, London 1798, 5¾” wide (c.3oz)

£80-160

630 A GEORGE III TEAPOT STAND of oval form with a beaded border, Greek key bright engraved frieze, crested, on a wooden base, unmarked, 7” long

624 A GEORGE III WAITER of circular form with a plain raised border, the centre engraved with the initial “W” on plain bracket feet, by IM, London 1802, 5” dia. (c.3oz)

£400-600

629 A VICTORIAN CHRISTENING MUG of baluster form with scroll handle and circular spreading foot, initialled J.F.W., the base reading “James Fischer Wilkinson. He was killed in battle near Cattllon, October 29th 1918 ...”, by Charles Stewart Harris, London 1894, 3¾” high (c.5oz)

623 A GEORGE III WAITER of shaped circular form with a raised beaded border, the centre engraved with an armorial, on claw and ball feet,

by Ebenezer Coker, London 1771, 8” dia. (c.13oz)

£250-350

628 A GEORGE III MUG of baluster form with leaf capped and scroll handle, later gilded interior, crested and initialled, on a spreading circular foot, by I.K. London 1772, 5” high, (c.12oz)

622 A VICTORIAN SUGAR BASKET of shaped oval form with a beaded swing handle and border, with gilt interior, the body engraved with floral swags and two shield-shaped cartouches, on a shaped oval foot, by Henry Holland, London 1869, 8” high (handle extended), (c.7.5oz)

£80-160

627 A GEORGE II PROVINCIAL MUG of baluster form, scroll handle and spreading circular foot,

by John Langland I, Newcastle 1754, 4¾” high, (c.12oz)

621 A CHINESE THREE PIECE TEA SET of lobed form with bamboo style handles and spout, each panel bearing a different Chinese motif, with gilt interiors, initialled, by WN, double character mark, circa 1900, the teapot 5½” high, (c.26oz).

See illustration

Lot 621

£100-150

632 A GEORGE IV TEAPOT of compressed circular form with scroll handle, disc finial and ivory insulators, with reeded girdle, by RP/GB, London 1828, 3½” high (c.6oz)

£150-200

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£80-160

17

640 A PRESENTATION DISH of plain circular form on a tucked-in circular foot, the centre engraved with the inscription “Merton College, Arctic Exhibition 1923. Hugh Clutterbuck from George Binney”, by Mappin & Webb, London 1923, 3¾” dia. (c.2oz)

633 A PAIR OF GEORGE III WINE COASTERS of flared circular form, crested, on reeded graduated bases with wooden inserts, by John Emes, London 1802, 5¾” dia.

See illustration

£600-800

£80-120

635 A VICTORIAN SUGAR BOWL of plain circular form, initialled, on ball feet, London 1892 and two small pepper pots (3)

£50-100

£50-100

644 A VICTORIAN CHRISTENING MUG of baluster form, scroll handle, embossed with flowers and scrolls, on circular foot, presentation inscribed, by George Unite, Birmingham 1870, 5” high (c.5oz)

£100-150

638 A GEORGE III SMALL TAPERSTICK of circular form with reeded borders, initialled, possibly

by John Emes, London 1806, 3” dia. (c.1.5oz)

£100-200

643 A VICTORIAN SUGAR CASTOR of baluster form with pierced pull-off cover and flame finial, the body embossed with leaves and scrolls, the whole on down-curving legs, initialled, by HW, Sheffield 1897, 8” high (c.6oz)

£50-100

637 A VICTORIAN SEVEN BAR TOASTRACK with central loop carrying handle, on ball feet, by Joseph Angel, London assay, date letter rubbed, 5” high, (c.8oz)

£80-120

642 AN ARTS AND CRAFTS PEDESTAL DISH with three loop handles, on a spreading circular foot, with a hammered finish, by William Hutton & Sons, Sheffield 1906, 4½” high (c.7oz) and a pair of pierced coasters (3)

636 A PAIR OF VICTORIAN PEPPER POTS of baluster form with pierced pull-off covers, knop finials, makers mark rubbed, London 1896, 4¾” high (c.4oz)

£50-70

641 A LATE VICTORIAN PHOTOGRAPH FRAME of upright rectangular form with scroll embossed sides and a velvet strut back, Birmingham 1896, 8”, and a smaller silver mounted tortoiseshell frame (2)

634 A SAUCEBOAT (converted from a pap boat) with gilded interior and scroll handle, on three pad feet, London hallmarks, 5½” long (c.2oz), and an unmarked pap boat (2)

Lot 633

£80-160

£80-160

639 A CUP (probably formerly a sugar castor base) with 18th century marks, 3½” high (c.3oz)

£100-200

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£800-1200

£300-500

647 A FOUR PIECE TEA/COFFEE SERVICE of oval form with egg and dart borders and scroll handles, crested, on a tucked-in oval foot, by Adie Brothers, Birmingham 1933/1934, the teapot 11” long, (c.60oz)

£300-600

652 A GEORGE III TEAPOT of shaped rectangular form, the upper section with partfluted decoration above a reeded girdle, the lower section with foliate scroll decoration and angular handle, crested, the whole on four feet, by Alice and George Burrows, London 1811, 6” high (c.20oz)

646 A THREE PIECE TEA SET of shaped rectangular form with angular handles, by S.B. & S Ltd, Chester 1935/1937, the teapot 5½” high (c.34oz)

£200-400

653 AN EDWARDIAN PHOTOGRAPH FRAME of shaped rectangular upright form, with a wooden back and strut, Chester 1909, 8” high

£500-800

£50-100

648 A VICTORIAN PART TEA/COFFEE SET comprising teapot, tea kettle (lacking stand) and sugar bowl with an associated second sugar bowl, of oval form with part fluted decoration, crested, the teapot, kettle and sugar bowl by Walter & John Barnard, London 1886/1887, the second sugar bowl by Nathan & Hayes, Birmingham 1909, the teapot 6” high (c.47oz)

654 A PAIR OF EDWARDIAN SAUCE BOATS of tapering oval form with leaf capped flying scroll handles and gadrooned borders, crested, on shell capped hoof feet, by Charles Stuart Harris & Sons, London, 1904/1905, 4¾” high (c.20oz)

£400-800

655 AN ART NOUVEAU SIPHON STAND of circular form, the top section with pierced stylised decoration and twin handles, on a spreading circular foot with wooden insert, by the Goldsmiths & Silversmiths Company Ltd, also bearing a design registration mark, Sheffield, 1904, 7½” high

649 A TWO HANDLED TRAY of oval form with an egg and dart border, engraved crest to the centre. by Adie Brothers, Birmingham 1934, with additional Jubilee mark, 22” long from handle to handle, (c.68oz)

Lot 645

651 A GEORGE IV TEAPOT of compressed circular tapering form with flush-hinged cover, egg and dart border and part fluted decoration, the spout with acanthus leaf decoration, scroll handle, on a gadrooned tucked-in foot, by John Bridge, London 1826, 5” high, (c.23oz)

645 A PAIR OF VICTORIAN CANDLESTICKS of corinthian column form, with pull-off gadrooned sconces, the square bases embossed with classical urns and scrolls, filled, by J.K.B. Sheffield 1887/1888, 12¾” high.

See illustration

£800-1200

£200-400

£200-400

650 A SALVER of shaped circular form with a raised border, on leaf capped scroll feet, by Viners, Sheffield 1963, 10” dia. (c.16oz)

£100-200

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661 A KETTLE ON STAND of bellied circular form with gadrooned border and part wooden loop handle, the stand with pierced legs, London 1917, and with retailers mark of Stewart Dawson & Co. Ltd, Regent Street, 11½” high, (c.31oz)

656 A SET OF SIX CANDLESTICKS of corinthian column form with stepped square bases and beaded borders, filled, with later attachments for electricity, by W.L. & S., Sheffield 1913, 7½” high.

See illustration

£500-1000

£100-200

658 A THREE PIECE TEA SET of oval form with beaded borders and scroll handles,

by Roberts and Belk, Sheffield 1940, the teapot 5” high (c.14oz)

£150-250

£200-300 664 A PAIR OF BEAKERS of circular tapering form with stylised engraved decoration and applied girdle with lions head decoration, on spreading circular feet, by Pairpoint Brothers, London 1915, 6” high, (c.13oz)

£300-600

660 A VICTORIAN SILVER MOUNTED CLARET JUG of small size, tapering circular form with angular handle, wavy thumb piece and star-cut base, by E.F. & H.T., London 1889, also with an engraved retailers mark of H. Rodrigues, 42 Piccadilly, 7” high

£400-800

663 A GEORGE III TEAPOT of oval form, with flush hinged lid, wooden disc finial and wooden scroll handle, beaded borders, engraved with an armorial and a crest to each side, by RE over-striking another, London 1782, 5” high (c.14oz)

659 A SET OF FOUR LATE VICTORIAN CANDLESTICKS of tapering square form with urn-shaped capitals and pull-off gadrooned sconces, the stems with applied rams-head decoration, the square bases decorated in the neo-classical manner, filled, by L.A.W., London 1899, 7¾” high

£200-400

662 A KETTLE ON STAND of oval form, with fluted laminate handle and disc finial, the kettle with a bright engraved frieze, the stand with fluted legs and oval-shaped burner, with chain attachment, by the Goldsmiths & Silversmiths Co. Ltd, London 1931, 12” high, (c.38oz)

657 A VICTORIAN SAUCE BOAT of tapering oval form with leaf-capped scroll handle, the whole on leaf capped extended hoof feet, makers mark rubbed, Sheffield 1889, 8” long. (c.10oz)

Lot 656

£100-200

665 AN EDWARDIAN THREE PIECE TEA SET of compressed circular form with leaf capped scroll handles, part fluted decoration and foliate and shell cast borders, by Goldsmiths & Silversmiths Company Ltd, London 1906, also with engraved retailers mark to the base, the teapot 5¾” high (c.49oz)

£100-200

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£400-800

23

£300-600

£100-200

£500-800

£100-200

675 AN EDWARDIAN MUG of circular form embossed with cattle and figures, with a bolt-on pierced handle and gilded interior, by Nathan & Hayes, Chester 1902, 3” high (c.8oz)

669 A SUGAR CASTOR of baluster form with a high pierced pull-off cover, knop finial and reeded girdle, on a circular foot, by Richard Comyns, London 1933, 7” high (c.7oz)

£100-200

674 A PAIR OF VICTORIAN SQUAT CANDLESTICKS with urn capitals and pull-off reeded sconces, with square part fluted stems, on spreading square bases, filled, by J.K.B., Sheffield 1888, 5” high

668 AN EDWARDIAN SALAD BOWL of tapering circular form and a tucked-in circular foot with a hammered finish and a pair of matching salad servers, by Charles Edwards, London, 1909, 9” dia. (c.35oz weighable silver)

£150-250

673 A PAIR OF ARTS AND CRAFTS DISHES of circular tapering form with pierced sinuous legs, on domed bases, with a hammered finish, by JW, Glasgow 1917, 2¾” high (c.5oz)

667 A TABLE CIGAR BOX of rectangular form with cedar-lined interior, with presentation inscription, Birmingham 1928, 8¼” long

Lot 666

672 A SALVER of shaped circular form with an egg and dart border, crested, on bracket feet, by James Dixon & Sons, Sheffield 1926, 8” dia. and an American pierced circular dish by A. Stowell & Co., marked “Sterling” (c.16oz weighable silver) (2)

666 A VICTORIAN TEAPOT of melon form with leaf capped scroll handled and ivory insulators, the slightly domed lid with a flower finial and crest of coronet, the body with chased acanthus leaf decoration and cast spout, on a spreading circular foot with a flowerhead border, by Joseph Angell Senior and Joseph Angell Junior, London 1838, 7” high (c.23oz).

See illustration

£50-100

£100-200

670 A VICTORIAN CHRISTENING MUG of circular tapering form with a leaf-capped scroll handle, the body embossed with flowers and scrolls, by George Unite, Birmingham 1869, 4¼” high (c.4oz)

£80-160

671 A SALVER of shaped circular form with a raised pie-crust border, on extended hoof feet, by C.J. Vander, Sheffield Assay, 12” dia. (c.29oz)

£300-500

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£1000-2000

£300-500

£400-600

£100-200

£80-160

£180-250

£80-160

689 A MATCHED PAIR OF GEORGE IV & LATER SALTS of cauldron form with beaded borders, gilt interiors and embossed bodies with lions mask and claw feet, one London 1828, the other London 1830, by different makers, 3” dia. (c.7oz)

682 A BASKET of shaped square form with a gadrooned border and gadrooned shaped handle, with pierced body, on bracket feet, by MH & CO. Ltd, Sheffield 1918, (c.10oz)

£150-250

688 A VICTORIAN CHRISTENING MUG of circular form with panelled sections chased with flowers and scrolls, scroll handle, initialled, on spreading circular foot, by Charles Reily and George Storer, London 1844, 3¾” high (c.4oz)

681 A LATE VICTORIAN TEA POT of circular form with a crimped border, swirl-fluted pulloff cover and ivory insulators, by Walker & Hall, Sheffield 1895, and a cream jug ensuite, the teapot 4½” high (c.13oz)

£100-200

687 A GEORGE IV CHAMBERSTICK of shaped circular form, with loop carrying handle, detachable conical snuffer, crested, by Robert Hennell, London 1823, 5” long x 3” high

680 A PAIR OF SAUCEBOATS of shaped oval form with flying scroll handles, gadrooned rims, leaf capped hoof feet, by G.U. Birmingham 1910, 4” high (c.8oz)

£200-400

686 A GEORGE IV CHAMBER STICK of shaped circular form with a clover topped loop handle with detachable sconce and conical snuffer, crested, by Rebecca Emes and Edward Barnard, London 1827, 3½” dia. (c.4oz)

679 A SET OF SIX LIQUEUR GOBLETS of tapering circular form with cylindrical stems on circular bases, by Adie Brothers, Birmingham 1925, 4” high, and three further goblets with knopped stems (c.21oz) (9)

£100-200

685 A MATCHED PAIR OF VICTORIAN CHAMBER STICKS of tapering cylindrical form with rococo scroll decoration, scroll handles and detachable snuffers, on shaped circular bases, loaded, by Henry Wilkinson & Co. Sheffield 1837/1840, 5¾” high

678 A SET OF EIGHT GOBLETS with knopped stems and graduated circular bases, gilt interiors, with picture hallmarks, London Assay, 5” high (c.38oz)

£200-400

684 A TEA POT of circular faceted form with wooden scroll handle, on circular foot, makers mark rubbed, Sheffield 1931, 6” high, (c.13oz)

677 A SET OF SIX GOBLETS of circular waisted form with cylindrical tapering stems, circular bases and gilt interiors, Birmingham 1971, 6¾” high (c.31oz)

Lot 676

683 A GEORGE III TEAPOT of shaped rectangular form with a domed hinged cover and wooden angular handle, the body bright engraved with wriggle-work, initialled, possibly by I.D., London 1805, and a cream jug by Alice and George Burrows, London 1804, the teapot 7” high, (c.20oz) (2)

676 A MATCHED PAIR OF EDWARDIAN ENTREE DISHES AND COVERS of shaped rectangular form with gadrooned borders and detachable loop handles, each pull-off cover engraved with a differing crest and each engraved with the number “1”, by Gibson & Co. Ltd, one Sheffield 1902, the other Sheffield 1903/1907, the base bearing a retailers mark of “Gibson & Co. Ltd., Belfast”, the length of each 11½” (c.104oz).

See illustration

£80-120

26

£150-250

27

696 A CREAM JUG of circular tapering form with leaf-capped scroll handle, part-fluted decoration and gilt interior, by the Goldsmiths & Silversmiths Co. Ltd., and a matching sugar bowl, London 1910/1911, the cream jug 3” high, (c.10oz weighable silver)

690 A GEORGE III SILVER MOUNTED AND CUT-GLASS CONDIMENT SUITE comprising a pair of vinegar bottles of oval tapering form with textured serpent handles and hinged covers with flower finials, a pair of urn-shaped jars with pull-off covers and foliate friezes, flower and leaf finials, on oval feet, and an oval-shaped jar with pull-off cover with foliate frieze and leaf and berry finial, by Benjamin & James Smith 1809, the bottles 8½”.

See illustration

£1200-1800

£400-800

£200-400

£100-200

700 A PAIR OF GEORGE III SALTS of oval form with beaded borders, pierced fretwork upper sections, on bracket feet, with blue glass liners, makers mark rubbed, London 1788, 3½” long

£200-300

£50-100

701 A SUGAR BOWL of tapering circular form decorated with embossed bows and swags, on a tucked-in circular foot, with added “let-in” Georgian hallmarks to the foot, 5” dia., (c.4oz)

694 A LATE 17TH/EARLY 18TH CENTURY SILVER MOUNTED COCONUT CUP of circular tapering form with pierced handles and flowerhead attachments, on a petal-shaped circular foot, unmarked, 4” high

£50-100

699 A PAIR OF EDWARDIAN BON BON DISHES of shaped oval form with ribbon and pierced borders, on oval feet, London 1907, 6” long (c.6.5oz)

693 A VICTORIAN SWING HANDLED SUGAR BASKET of circular form, with a flared rim, pierced handle and body, with applied trailing ivy leaves and foliage, on shell capped down-curving feet, with associated blue glass liner, by HE & Co., Sheffield 1845, 7” high (with handle extended)

£200-400

698 A PAIR OF VICTORIAN BON BON DISHES of shaped circular form with pierced decoration, by William Comyns, Birmingham 1893, 5” dia. (c.5.5oz)

692 A QUEEN ANNE IRISH TWO HANDLED CUP of circular form with scroll handles, central girdle and engraved “Temple Patrick”, on a raised circular foot, Dublin 1712, makers mark rubbed, 4½” high (c.8oz)

£100-200

697 AN EDWARDIAN PHOTOGRAPH FRAME of panoramic rectangular form, with a pierced border, velvet back and strut, centred with a Stevengraph entitled “The Present Time”, engraved mark of JK, London 1904, 9” high

691 A PAIR OF GEORGE III WINE COASTERS with beaded borders, the sides pierced with flowers and scrolls, crested, on wooden bases, makers mark possibly IR, London 1786, 4¾” dia.

Lot 690

£60-120

£100-200

695 A SILVER MOUNTED CUT-GLASS CLARET JUG of circular tapering form, with angular handle and Bacchus mask spout, Sheffield Assay, 12” high

£100-200

28

29

£150-250

£100-200

£50-100

709 A SUGAR CASTOR of baluster form with a high pierced pull-off cover, on a filled circular foot, Birmingham 1919, 8” high

705 A GEORGE III IRISH SUGAR BOWL of rectangular form with angular handles, bright engraved friezes of leaves amongst patchwork, initialled, on ball feet,

by RS, Dublin 1811, 8” long from handle to handle and a christening mug later converted into a cream jug (c.13oz) (2)

£50-100

708 A MUG of baluster form with leaf capped scroll handle and spreading foot, by Adie Brothers, Birmingham 1932, 3½” high (c.4oz)

704 A GEORGE III MUSTARD POT of drum form with beaded borders and slat pierced body, with blue glass liner, by Robert Hennell, London 1777, 3” high

£80-120

707 A THREE PIECE CONDIMENT SET of cauldron form with lions mask paw feet and gadrooned borders, London 1947

703 A PAIR OF GEORGE II CASTORS of baluster form with pierced pull-off covers and knop finials, on circular feet, possibly by IW, London 1753, 5½” high (c.4.5oz)

Lot 702

706 A VICTORIAN SWING HANDLED SUGAR BASKET of circular form with a pierced body, loop work swing handle and on pierced feet, with blue glass liner, by JS, AS, London circa 1840, 6” high

702 A PAIR OF EDWARDIAN SAUCE BOATS in the rococo manner of shaped oval form, leaf capped scroll handles and swirl fluted bodies, on shell and scroll oval feet, probably by Charles Stuart Harris, London 1901, 5¾” high (c.32oz).

See illustration

£100-200

710 AN EDWARDIAN THREE PIECE TEA SET of oval form with angular handles and part fluted decoration, by BB, Birmingham 1901, the teapot 7” high (c.28oz)

£100-200

30

£300-600

31

718 A LATE 18TH/EARLY 19TH CENTURY NORWEGIAN BEAKER of tapering circular form with a wriggle-work border and engraved with geometric and floral motifs, possibly Bergen, 2½” high, and a similar beaker (2)

711 A VICTORIAN SILVER MOUNTED CARVED IVORY JUG with bowl ensuite, the jug with spiral-turned wooden handle, the domed lid carved with a sun motif to the top, interspersed with diamond motifs, the body deep carved with diaper work and circles, the circular foot inlaid with ebony, with slate base, by Walter Thornhill, and bearing a retailers mark of W. Thornhill & Co., 144 New Bond Street, London 1879, the jug 9” high (2) See illustration

£300-600

£200-400

£200-300

£100-200

721 A NORWEGIAN STEM CUP of circular tapering form with a knopped stem, circular base and engraved decoration, by MH and a Fineness mark of 13 1/3, late 18th/early 19th century, 3¾” high, and two similar cups with later loaded bases (3)

714 A GEORGE III TEAPOT of oval form with a wooden scroll handle and disc finial, with bright engraved borders, by Robert Hennell, London 1792, 6” high, (c.12oz)

£200-400

£800-1200

£300-500

717 A CONTINENTAL TEA CADDY of shaped oval form with a pull-off cover surmounted by a bird, traces of gilding, unmarked, possibly Dutch, possibly 18th century, 5” high

£100-150

723 A LATE 18TH/EARLY 19TH CENTURY NORWEGIAN FLARED BEAKER of circular tapering form, with bands of prick dot engraving, the border initialled “MAD”, with ring attachments, on a flared circular foot, marked to the base, 4½” high, and a similar example (2)

716 A PART TEA/COFFEE SET comprising coffee pot, cream and sugar, all of faceted form, with angular handles, on claw feet, all by Viners, Sheffield/London 1935/1938, the coffee pot 9” (c.31oz weighable silver)

£150-250

722 A NORWEGIAN GOBLET of circular tapering form with faceted stem, the body engraved with leaves, on a circular base, the base marked “CS” twice and bearing a Fineness mark, probably late 18th/early 19th century, 4¾” high

715 A FOUR PIECE ART DECO TEA/ COFFEE SET of faceted form with angular handles, London 1939/1940, (c.57oz)

£200-300

720 A CONTINENTAL FOOTED CUP of circular waisted form with three reeded girdles, on mask capped feet, one girdle applied with ring attachments and bunches of grapes, traces of gilding, the base marked “SC”, “A”, possibly Norwegian 18th century, 4½” high (c.4oz)

713 A SCOTTISH TEAPOT STAND of oval form with a raised border and bright-cut frieze, on bracket feet, by Hamilton & Inches, Edinburgh 1886, 7” long, (c.4oz)

£150-250

719 A NORWEGIAN PEDESTAL DRINKING CUP of circular tapering form with pressed-out decoration of circles and dots, one side applied with a model of a cockerel, on a circular foot, the underside of the foot marked twice with “TAF”, 5” high

712 A GEORGE III TWO HANDLED CUP of tapering circular form with scroll handles terminating in hearts and later chased decoration, on a spreading circular foot, makers mark partially rubbed S.G., London 1799, 5¾” high (c.9oz)

Lot 711

£200-300

£120-180

32

33

731 A CONTINENTAL TABLE ORNAMENT modelled in the form of an ox pulling a cart driven by a cherub, the cart with embossed decoration and gilt interior, bearing import marks for London 1902, 10” long (c.15oz).

724 A LATE 18TH/EARLY 19TH CENTURY NORWEGIAN FLARED BEAKER of circular tapering form, with swag engraving, with four loop attachments, on a spreading circular foot, by “RH”, 4½” high, and a similar unmarked example (2)

£200-300

£200-300

£120-180

£100-200

736 A WHITE METAL EASTERN DISH of circular form, profusely engraved with a presentation inscription to the base and marked, 11” dia.

£150-300

729 A PAIR OF CONTINENTAL PARCEL GILT TABLE ORNAMENTS modelled in the form of standing game birds, retailers mark of IF & Son Ltd, bearing London import marks for 1958, 9” long, (c.17oz).

See illustration

£150-250

735 A CONTINENTAL BEAKER of circular flared form with a band of prick dot engravings,

by LP, possibly 18th century, 3¼” high

728 A NORWEGIAN SILVER BROOCH set with two red paste roundels and two swastika-shaped pendants, 3¼” long, and a cross-shaped pendant and two white metal bangles (a lot)

£200-400

734 A CONTINENTAL SUGAR CASTOR of waisted circular form with high pierced pull-off cover and pineapple finial, the body with swirl fluting, on a circular foot, bearing London import marks for 1899, 10” high (c.11oz)

£80-120

727 A NORWEGIAN PEDESTAL CUP of circular tapering form, with flat handle and applied ball attachment, engraved initials of “OOSS”, on a graduated circular foot, 3¾” high, possibly late 18th century

£200-400

733 A 19TH CENTURY MEXICAN INCENSE BOAT of tapering oval form with a flat hinged lid, plain body and knopped stem, on an oval foot, bearing marks for Cayetano Buitron, circa 1830

726 A LATE 18TH/EARLY 19TH CENTURY NORWEGIAN TUMBLER CUP of circular tapering form with prick dot engraving, the base with a Fineness mark, 2” dia., and two similar examples (3)

£200-400

732 AN INDIAN WHITE METAL THREE PIECE TEA SET of oval form, embossed with wild animals and foliage, together with an Indian circular pot and cover, unmarked (4)

725 AN EARLY 19TH CENTURY NORWEGIAN FLARED CUP of circular tapering form, engraved with flowers and geometric motifs, with six ring attachments and circular foot, the whole on mask capped feet, possibly by “HM”, circa 1815, also marked for Fineness, 5½” high, and a similar example (2)

Lots 729 and 730

£100-200

737 A CONTINENTAL WHITE METAL DISH of circular form with a raised border, the body chased with flowers and scrolls, 9” dia.

£200-400

£100-200

730 A CONTINENTAL TABLE ORNAMENT modelled in the form of a standing cockatoo with screwoff detachable head and hinged wings, by B.C.T. & Co. Ltd, London import marks, circa 1950, 7½” high (c.14oz).

See illustration

£400-600 34

35

743 A PARCEL GILT DRESSING TABLE MIRROR of oval form with a crimped border and embossed with flowers, leaves and scrolls against a gilt background, bevelled glass plate, wire-work and velvet strut, possibly

by CHO, London 1881 (possibly import marks), 16½” high

738 A PAIR OF CONTINENTAL CANDLESTICKS of plain column form with detachable shaped square sconces, above a fluted rectangular section and a square base, crested, the base marked “Lina Res”, also marked “P.P.”, possibly Spanish, 8” high

£500-1000

739 A WHITE METAL SUGAR BOWL of octagonal form with engraved border and angular handles, on an octagonal foot, unmarked, 4” high

£70-100

£200-400

746 A GEORGE II CASTOR of baluster form with a high pierced pull-off cover and flame finial, later embossed with masks, crested, on a circular foot, possibly by IL, London 1757, 6” high, (c.3oz)

£250-350

£300-600 747 A GEORGE III CASTOR of baluster form with high pierced pull-off cover and flame finial, the body embossed with scrolls and later applied with two classical heads, crested, on a circular foot, by IR Peaston, London 1770, 5¾”, (c.2oz)

742 A MATCHED FOUR PIECE TEA/ COFFEE SET of circular form with scroll handles, the teapot and coffee pot with chain attached pull-off covers and disc finials, with stylised borders, traces of gilding, the coffee pot, sugar bowl and cream jug by C & W, London 1913, the teapot bearing continental marks to the base, with an inscription “1864 A.B. & S.C.B. 1914”, the teapot 4½” high (c.32oz)

£180-220

745 A GEORGE III SALVER of shaped circular form with a beaded raised border, the centre engraved with a coat of arms, the whole on three claw and ball feet, by SI, London 1777, 10” dia. (c.18oz) £500-600

741 A CHINESE SALVER of shaped circular form, the raised border pierced with leaves, the centre with a matted ground engraved with branches, flowers and blossom, on three possibly later applied bracket feet, by WC, late 19th/early 20th century, 11¾” dia. (c.24.5oz).

See illustration

£350-450

744 A PEDESTAL BOWL of circular tapering form with scroll handles and reeded girdle, engraved with a presentation inscription, on a circular foot, by R.P. London 1912, 9” wide from handle to handle, (c.12oz)

740 A CHINESE EWER of circular tapering form with a bamboo style scroll handle, the body decorated with leaves and flying birds, on a circular foot, gilt interior, by Wang Hing, late 19th/ early 20th century, 8¾” high (c.9oz) See illustration

Lots 740 and 741

£250-350

£300-600

36

37

£200-400

£80-150

756 A PAIR OF LATE VICTORIAN SAUCEBOATS of shaped oval form with leaf capped scroll handles, on leaf capped hoof feet, by HA. Sheffield 1900, 7¼” long (c.20oz)

£200-300

£100-200 757 TIFFANY & CO: A TWO HANDLED CUP of circular tapering form with scroll handles, on a spreading circular foot with plain body, the base marked “Tiffany & Co.” and “Sterling Silver”, 5¼” high (c.14oz)

751 A SALVER (with later applied border) of circular form, the beaded border pierced with scrolls and ribbons, on pierced feet, the base bearing a makers mark of P.D. London, Assay 8” dia. (c.12oz)

£100-200

755 A COLLECTION OF TOASTRACKS of mixed makers and dates (c.8oz weighable silver) (4)

750 A VICTORIAN SILVER GILT AND GLASS MOUNTED MUSTARD POT of bellied circular form, the flat hinged lid with chased decoration and crested, with scroll handle and pierced thumb piece, with frosted glass body and silver gilt circular foot, by Charles Thomas Fox & George Fox, London 1855, and a matching spoon, 4¾” high

£80-120

754 A SAUCE BOAT of shaped oval form with a scroll handle, by GH, Sheffield 1923, and three other sauceboats, (c.12oz weighable silver)

£1000-1500

749 A COFFEE POT of baluster form with domed hinged lid, gadrooned borders, wooden scroll handle and leaf capped faceted spout, on a gadrooned circular foot, by D & J Wellby, London 1912, 11” high (c.24oz)

Lot 748

753 A PAIR OF PEDESTAL DISHES of plain oval form, on an oval foot, Birmingham assay, date letter rubbed, 7” wide, (c.8oz)

748 A GEORGE III CAKE BASKET of oval form with a beaded swing handle, the body pierced with paterae and swags, “slat and domed” pierced, on an oval foot, crested, makers mark lost in piercing, London 1774, 14” wide (c.26oz).

See illustration

£150-250

£100-200

752 A LATE VICTORIAN SALVER of shaped circular form with a raised scroll border and chased decoration, initialled, on three bracket feet, by TB, London 1899, 8½” dia. (c.12oz)

£150-250

38

39

£550-650 764 A PAIR OF GEORGE III SAUCEBOATS of shaped oval form with gadrooned borders and leaf capped scroll handles, on shaped oval feet, by WS, London 1759, 8” wide (c.22oz)

£300-600

759 A THREE PIECE TEA SET of octagonal form with angular handles and a central girdle, on an octagonal foot, by A.C. & Co. Ltd, Birmingham 1915, the teapot 6¾” high (c.37oz)

£400-600

£100-200

761 A VICTORIAN TEAPOT of oval form with a wooden scroll handle and urn finial, with part fluted decoration, on an oval foot, retailed by Mappin & Webb, Sheffield 1883, and a part fluted cream jug and sugar bowl, both London assay, the teapot 7½” high (c.21oz) (3)

£200-400

766 A VICTORIAN CHRISTENING MUG of tapering circular form, the scroll handle applied with a maidens head, the body engraved with a Greek key frieze and geometric motifs, crested, on a beaded circular foot, with gilt interior, by WE, London 1868, 5¾” high (c.7oz)

£200-400

£100-200

767 A VICTORIAN TEAPOT of tapering circular form with beaded borders, side hinged and slightly domed cover, “D”-shaped angular handle with ivory insulators, part fluted border, the body chased with geometric motifs and two star-shaped cartouches, one crested, on a part fluted circular foot, by Samuel Roberts and Charles Belk, Sheffield 1870, 10” high (c.22oz)

762 A THREE PIECE TEASET of tapering circular form with a crimped border, central reeded girdle and scroll handles, on lions mask capped hoof feet, by W & S, Birmingham 1915, the teapot 6¾” high (c.21oz)

£200-400

765 A GEORGE III SCOTTISH TWO HANDLED CUP of campana form with leaf capped angular handles and plain upper body, the lower body with an embossed stiff leaf frieze and applied lions head mask, on a circular pedestal foot, with gilt interior, by PC & S, Edinburgh 1811, 8¾” high (c.21oz)

760 A TEA STRAINER AND STAND of octagonal form, with pierced handles, on scroll feet, by RC, London 1934, with additional Jubilee mark, 5” wide handle to handle, (c.3.5oz)

Lot 758

763 A TEAPOT of oval bellied form with an angular handle, on an oval foot, Birmingham 1926, and a similar hot water pot by Walker & Hall, 9½” (c.37oz) (2)

758 GUILD OF HANDICRAFT: A PORRINGER of circular form with an oval-shaped wirework handle, centred with a green cabochon, with a hammered finish, by the Guild of Handicraft Ltd (after a design by Charles Robert Ashbee), London 1902, 7” wide (c.5oz).

See illustration

£200-400

40

£200-400

41

774 A GEORGE III CREAM JUG of oval bellied form, scroll handle, with part fluted decoration, gadrooned border and gilt interior, on four ball feet, makers mark rubbed, London 1813, 6” wide (c.6oz)

768 LIBERTY & CO: AN ARTS AND CRAFTS DRESSING TABLE CLOCK of rectangular form, with stylised loop handle, the circular dial decorated with blue and green enamel and silvered numbers, above a stylised enamel panel, the whole on compressed ball feet, the side marked “L & Co.”, also “Cymric”, Birmingham 1904, 4” high.

See illustration

£300-500

£400-800

772 A GEORGE III HELMET CREAM JUG with loop handle, the body with bright-cut engraved decoration, on a square base, by WS, London 1791, 6½” high (c.4oz)

£1500-2000

778 A GEORGE II COFFEE POT of baluster form with wooden scroll handle, domed hinged lid and cast spout, crested, with later embossed decoration, on a circular foot, possibly by Henry Brind, London 1749, 10” high, (c.26oz)

£100-200

773 A GEORGE III GOBLET of tapering circular form, with a gilt interior on a circular foot, by C.H. London 1790, 4½” high (c.2oz)

£200-400

777 A GEORGE III THREE PIECE TEA SET of compressed circular form, the tea pot with a scroll handle terminating in snakes heads, flower finial and foliate borders, with gilt interiors, the bodies with later embossed leaf friezes and vacant cartouches, on scroll and paw feet, makers mark rubbed, London 1817/1818/1820, the teapot 6” high, (c.44oz)

771 JUDAICA: A WHITE METAL SPICE TOWER of conventional form with a filigree body and rope-work borders, with applied flags, each marked “AA”, the whole on compressed ball feet, 12½” high

£100-200

776 A GEORGE IV TEAPOT of compressed circular form with gadrooned border, replacement ivory disc finial and wooden handle, with part fluted decoration, possibly by Solomon Houghan, London 1821, 5” high (c.19oz)

£50-100

770 A BEAKER of circular tapering form with embossed decoration, the base bearing a set of marks for Newcastle (let in), 3¾” high (c.3oz)

£150-250

775 A VICTORIAN TEAPOT of oval form with a wooden angular handle, gadrooned border and part fluted decoration, by W.B. & R.S., Birmingham 1900, 5” high (c.9oz)

£300-600

769 A WILLIAM IV MUG of circular tapering form with plain loop handle, crested, the body chased with leaves and flowers, by WB, Sheffield 1835, 3¼” high (c.4oz)

Lot 768

£600-1000

£80-160

42

43

782 A GEORGE III CREAM JUG of oval form with reeded angular handle and gadrooned border, initialled, on ball feet, by TD. London 1813, 4½” high (c.4oz)

779 A PAIR OF EDWARDIAN SCOTTISH THREE BRANCH CANDELABRA with shell and scroll borders and knop stems, on shaped square bases, loaded, by Hamilton & Inches, Edinburgh 1908, the detachable top sections 1903, 17¾” high.

See illustration

£1800-2500

783 A GEORGE III SUGAR BOWL of oval form with gadrooned border, part fluted decoration, gilt interior and angular handles, terminating in fluted sections, on an oval foot, makers mark partially obscured, London 1805, 8” wide from handle to handle, (c.12oz)

780 A GEORGE II LIDDED TANKARD of baluster form with domed hinged cover, loop thumb piece, the scroll handle terminating in a heart, engraved with a monogram, with later embossed decoration, the interior later gilded, on a spreading circular foot, by Richard Gurney & Thomas Cook, London 1740, 8” high, (c.25oz)

781 A PAIR OF GEORGE III WINE COASTERS of circular form with gadrooned borders and slat pierced decoration, the borders applied with classical urns and paterae, also crested, wooden inserts, makers mark partially rubbed, possibly of IR or IB & Co. Sheffield 1774, 5½” dia.

See illustration It is worth noting that these coasters were made only a year after the Sheffield Assay office opened in 1773

£300-600

£150-250

784 A WILLIAM IV TEAPOT of circular tapering form, with scroll handle and disc finial, embossed decoration and cast spout, on a circular foot,

by EE, London 1830, 7” high (c.20oz)

£1000-2000

£60-120

£300-500

Lot 779 44

Lot 781

45

788 A GEORGE IV SUGAR BOWL of circular form with gadrooned border, leaf capped scroll handles, gilt interior and part fluted decoration, on a circular foot, by MS, London 1824, 7½” wide from handle to handle, (c.12oz)

785 A GEORGE I IRISH TWO HANDLED CUP with a central reeded girdle and scroll handles, on a spreading circular foot, the body embossed with flowers, leaves, sea creatures and birds, also engraved with a coat of arms, with a presentation inscription “The Gift of Mr Andrews, Esquire to his Grandson John/Obit, 24th Feb 1769, the base bearing a scratch weight of 33/4, possibly

by John Clifton, Dublin 1723, 9½” (c.32oz).

See illustration

789 A CHINESE WHITE METAL DOUBLE PHOTOGRAPH FRAME of rectangular form with a hinged central section opening to reveal two oval sections for photographs, with dragon and leaf decoration, with panels depicting Chinese characters, 8½” high

786 A LATE 18TH/EARLY 19TH CENTURY PAP BOAT of conventional form with a reeded border, marked F or TW, and a castle struck four times, 5” long

£100-200

£200-400

790 A CHINESE TEAPOT of circular form with bamboo style scroll handle and spout, with hinged cover, the body decorated with flowers and blossom, by Luen-Wo, Shanghai, late 19th/early 20th century, 5” high, (c.15oz)

787 AN ART DECO THREE PIECE TEA SET of circular tapering form with stylised handles, on circular feet, London 1931, the teapot 5½” high, (c.24oz)

£80-160

£200-400

£300-600

Lot 785

46

47

791 A SET OF THREE GEORGE III TEA CADDIES of waisted rectangular form, the pull-off covers with scroll embossing and flower finials, gadrooned borders, the bodies with swirl fluted decoration and vacant cartouches, on pierced floral arched feet, one of slightly larger size, possibly by Thomas Foster, London 1766, 6” high (c.33oz), in a fitted oblong walnut case with velvet interior and swing handle.

See illustration

794 A PAIR OF LATE VICTORIAN CANDLESTICKS with tapering oval faceted stems, on oval bases, by William Hutton & Sons, London 1899, filled, 11¼”

£4500-5000

£150-200 796 A SILVER OBLONG THREE PIECE TEA SERVICE with gadrooned borders, on ball feet, the teapot with wood handle and knop, London 1919

£200-400

793 A LATE VICTORIAN SILVER MOUNTED CLARET JUG, the silver mount with chased decoration, loop handle and cut-glass tapering body, hallmarks on the collar rubbed, probably London/Birmingham circa 1900, 9” high

£300-500

795 A SILVER OVAL THREE PIECE CRUET SET with shell and gadrooned borders, each piece on four scroll feet, the salt cellar and mustard pot with blue glass liners, and with salt and mustard spoons, London 1965

792 A PAIR OF COMMEMORATIVE GOBLETS to commemorate the Royal Silver Wedding, of circular tapering form with gilt knopped sections to the stems, by Mappin & Webb, London 1972, 5¾” high (c.12oz)

Lot 791

£150-200

797-809 Spare lots

£300-500

48

49

SMALL SILVER AND OBJETS DU VERTU

817 AN ART DECO STYLE CIGARETTE BOX with engine-turned decoration and stylised feet and thumb piece, cedar wood lined interior, 6½” long, Birmingham

810 A CHINESE WHITE METAL CIGARETTE CASE of oblong form, the cover embossed with a dragon with red glass eyes, the interior marked “Zee Sung” and “85”, 5” long,

£50-100

£50-100

812 A CAPSTAN INKWELL with reeded borders, by Walker & Hall, loaded, Sheffield 1922, 6” dia.

£60-120

£100-200

£100-200

£100-150

822 A NOVELTY RULER/PENCIL CASE of shallow triangular form, with a central rectangular carrying handle, with one detachable end, by JC Vickery, London 1916, also bearing registration number, 10” long, (c.4oz)

£100-200

823 A CONTINENTAL COMMEMORATIVE TRINKET BOX of circular form, the hinged cover with a ribbon surround, depicting busts of two monarchs, surmounted by a crown, the borders with cherubs and foliage, possibly Dutch, late 19th/early 20th century, 5” dia. (c.8oz)

£300-500

816 A SET OF SIX MINIATURE COMMEMORATIVE TUMBLER CUPS, each with an engraved crest, to commemorate the Coronation of Elizabeth II, Birmingham 1952, in a fitted leather case, the largest 1½”

£120-180

821 A GEORGE III VINAIGRETTE of rectangular form with bright engraved and wrigglework decoration, with oval vacant cartouche, the grille with drilled holes and flowerhead decoration, by Joseph Willmore, Birmingham 1807, traces of gilding, 2” long

815 A SET OF FOUR NOVELTY MENU CARD HOLDERS modelled in the form of standing owls with yellow glass eyes, by Sampson Mordan & Co., Chester 1913, also engraved with registration marks, on circular bases, in a fitted case, 1½”.

See illustration

£100-200

820 A GEORGE IV SNUFF BOX of rectangular form, with raised foliate border, engine turned decoration, reeded sides and gilt interior, initialled,

by Thomas Shaw, Birmingham 1823, 2½” long.

814 A LATE VICTORIAN NOVELTY SILVER MOUNTED INKWELL, the cover in the form of an owls head, with yellow glass eyes, with a faceted circular glass body, By S.Mardon & Co, London 1896, also bearing retailers mark for Thornhill, 3” high.

See illustration

£100-200

819 A PAPER KNIFE/COMBINED RULER with a loop handle, London 1927, 9” long.

813 A CIGARETTE DISPENSER of circular form with engine-turned body, flame finial and swivel action, on wooden base, bearing a patent number, Birmingham 1928, 5” dia. and a cigarette box (2)

£80-120

818 LIBERTY & CO: A CANDLESTICK of circular form with cylindrical central section applied with circular bosses decorated with green and blue enamel, Birmingham 1907, 4” dia.

811 A HIP FLASK of shaped rectangular form with an engine-turned body, initialled, Birmingham 1949, 5” long

Lots 814 and 815

£100-200

£50-100 50

51

831 A CAST MODEL OF A STANDING STAG, London assay, 20th century, and a model of a cat and an unmarked toothpick holder in the form of a bull (3).

See illustration

824 A CONTINENTAL TOBACCO BOX of oval form, the body embossed with figures, 6½” long, (c.4.5oz)

£100-200

825 GROCERS COMPANY INTEREST: A MINIATURE CASKET of rectangular form, the pull-off cover surmounted by a recumbent camel, bearing the Grocers Company coat of arms, by IMS and retailed by Spink & Son London 1897, 4” long (c.4oz)

£80-120

£100-200

£100-200

£50-100

£100-200

836 A PAIR OF CONTINENTAL TABLE ORNAMENTS modelled in the form of game birds, bearing London import marks for 1960, 7” long

£50-100

£200-400

837 A WINE LABEL pierced “Latour” and modelled in the form of a castle with a lion surmount and attachment chain, unmarked

830 A CAST MODEL OF A BULL by Royal Irish Co., 3” long, and a horse (2).

See illustration

£200-400

835 AN EDWARDIAN NOVELTY SALT modelled in the form of a pig eating out of a trough, monogrammed, Birmingham 1906, together with a pair of continental silver mounted glass salts in the form of ducks, marked 835 and a novelty pen wipe in the form of a duck, by Sampson Mordan & Co. (4)

829 A MINIATURE MODEL OF A HIPPO with red glass eyes, retailed by Hancocks of London, London assay, 20th century, 2” long.

See illustration

£100-200

834 A MIXED LOT OF MINIATURE ANIMAL MODELS of mixed makers and dates, some with import marks (9)

828 A CONTINENTAL NOVELTY SEAL in the form of a standing cockerel, on a circular base, import marks, 20th century, together with a similar example in the form of a game bird (2).

See illustration

£100-200

833 A PAIR OF TABLE ORNAMENTS/ PAPERWEIGHTS modelled in the form of standing horses, on ebonised plinths, by Mappin & Webb, Sheffield 1933, 4½” high.

See illustration

827 AN EDWARDIAN NOVELTY PIN CUSHION in the form of a standing elephant, by S & Co. Birmingham 1905, 2½” long.

See illustration

£100-200

832 A PAIR OF VICTORIAN POSY VASES modelled in the form of standing owls, London 1891, 3” high.

See illustration

826 AN EDWARDIAN NOVELTY PIN CUSHION in the form of a fish, by Sampson Mordan & Co. Chester 1908, also bearing registration mark, 2” long.

See illustration

Lots 826 to 833

£100-200

52

£60-120

53

£100-200

£100-200

839 A MATCHED SET OF THREE GEORGE II/GEORGE III CAST BACCHANALIAN PATTERN WINE LABELS, one marked “Sandylands Drinkwater” (makers mark only), the other two unmarked, 2¼” long (3)

847 A PRESENTATION PAPER KNIFE modelled in the form of the Wilkinson Sword, engraved “Wilkinson Sword 1991”, London assay, 8¾” long, on a wooden plinth.

See illustration

£150-250

840 A MIXED LOT OF FILIGREE MINIATURE FURNITURE and a miniature drinks set (unmarked)

£100-200

£150-250

£80-120

£500-800

851 A LATE VICTORIAN HIP FLASK of rectangular form with a bayonet fitting cover, by Georgie Knight, Birmingham 1891, 5” long, (c.4oz), and a pair of napkin rings (3)

£80-120

844 AN OCTAGONAL DISH with a beaded border, inset with a Royal Worcester ceramic plaque of sailing boats near a rocky shore, makers mark rubbed, Birmingham 1912, 3½” dia.

£60-120

852 A VICTORIAN SEALING WAX HOLDER of cylindrical form with embossed decoration, each end with a hinged section, one surmounted by a standing lion, makers mark rubbed, London 1894, 9¼” long

£50-100

£80-120

845 A PRESENTATION REPLICA MODEL OF A MIDDLE EASTERN SWORD, the terminal set with a red cabochon, on a wooden presentation plinth, London Assay, 9” long,.

See illustration

£500-800

850 A PAIR OF VICTORIAN NOVELTY SUGAR NIPS in the form of a laughing character with red and green glass eyes and hinged long arms, by Francis Higgins, London 1885, 3” long

843 A VICTORIAN SILVER AND TORTOISESHELL MOUNTED SNUFF BOX of oval form, the hinged cover embossed with a scene of a shepherdess with animals, within a foliate scroll border, by SB, London 1892, 3½” long

£50-100

849 A VICTORIAN NOVELTY PEPPER POT in the form of a standing owl, with red glass eyes and pierced pull-off head, by ECB, London 1878, 3¼” high

842 A COLLAPSIBLE BEAKER of circular form with a screw-off cover, presentation inscribed, Birmingham 1914, 3¾” dia.

£50-100

848 A MODEL OF A GLOBE on a square filled base, with green and red stone inclusions, London assay, 4¼” high.

841 A LADIES PURSE of rectangular form, opening to reveal compartments for a mirror, compact, possibly stamps and sovereigns, with chain attachment, Birmingham 1912, 3½” wide

Lots 845 to 847

846 THREE SIMILAR PRESENTATION PAPER KNIVES, the terminals set with a model of an Arabian hunting hawk with red glass inclusions to the head, London assay, two in fitted cases, 8” long (3).

See illustration

838 A COLLECTION OF GEORGE III AND LATER WINE LABELS including a pair incised “Sherry” and “Madeira”, and six others including one Old Sheffield plate label (8)

£100-200 54

55

860 A COLLECTION OF DISHES, some with wavy borders, all of shaped circular form (7) (c.14oz)

853 AN INDIAN WHITE METAL DOUBLE ENDED SPICE MILL of barrel form, the body chased with flowers and scrolls, with two detachable screw-off ends, possibly Cutch, 19th century, 2½” long

£100-200

£80-120

£100-200

£100-200

£100-200

865 A QUANTITY OF INDIAN WHITE METAL CONDIMENTS together with a mesh purse, scent bottle and other items (a lot)

£50-100

858 A BOWL AND MATCHING COVER/ SAUCER

by Thomas Bradbury, Sheffield assay, and an unmarked cigarette/card case, engraved “Arthur” (3)

£50-100

864 A SCOTTISH MUSTARD POT of oval form, Edinburgh 1918, and a christening mug later converted to a cream jug, and two embossed pepper pots (4) (c.11oz)

857 A FOOTED DISH of circular form with a slat-pierced border, marked “Sterling”, 10” dia., and a butter shell (c.9oz weighable silver) (2)

£50-100

863 A VICTORIAN SUGAR BOWL of tapering circular form on a tucked-in circular foot, initialled, Birmingham 1885, and two sugar bowls with scroll handles (3) (c.9oz weighable silver)

856 A CHINESE WHITE METAL TEA STRAINER AND STAND of lobed form, with a mottled finish, and a pair of Chinese dishes with dragon motifs applied to the centres (a lot)

£50-100

862 A QUANTITY OF WHITE METAL EASTERN WARES comprising a rectangular box chased with flowers and scrolls, a dish and two boxes (4)

855 A COLLECTION OF CASED SETS comprising a christening set containing egg cup, napkin ring and spoon, Sheffield 1905, a pair of cased peppers and two other cased sets, of mixed makers and dates (5)

£150-250

861 A MIXED COLLECTION OF DISHES AND BOWLS comprising a pair of pierced bon bon dishes, a bowl with a beaded border and an unmarked salt (4)

854 A CONTINENTAL SEALING WAX HOLDER/SEAL of cylindrical form chased with figures amongst scrolls, with prick-dot engraved seal terminal and screw-off detachable section, one end marked “I.H”, possibly Dutch, 4” long

Lot 859

£50-100

866 A MIXED COLLECTION OF SILVER ITEMS comprising a silver mounted page turner, Birmingham assay, a tea strainer and stand, a small tazza with filled base, five napkin rings and a cream jug (a lot)

£100-200

859 A PLIQUE-A-JOUR ENAMEL CUP AND SAUCER, the cup with scroll rope-work handle and decorated in polychrome colours, the saucer with a blue guilloche enamel centre, by MT conjoined, also marked 830 standard, probably circa 1900, 2½” high, the saucer 4” dia.

See illustration

£80-160

867 A CAPSTAN INKWELL of conventional form, Birmingham 1911, another example, a silver mounted jam jar and a silver mounted butter dish (4)

£200-400

56

£50-100

57

875 AN ART DECO STYLE TABLE CIGAR BOX of rectangular form on stylised feet, Birmingham assay, and an engine turned cigarette box (2)

868 A MIXED COLLECTION OF SILVER ITEMS comprising a cased set of four salts with matching spoons, a small hot water pot, six silver mounted ashtrays with filled bases, and three salts, of mixed makers and dates (a lot)

£150-250

£600-800

£200-400

871 THE FRANKLIN MINT: “THE GREAT EXPLORERS MEDALS” in Sterling silver, limited edition, in a bound album

£200-400

The style of the lettering on this box may be compared to marks found on other provincial Irish silver. The "W" is particularly distinctive.

See illustration

£50-100

880 A SMALL COLLECTION OF TRINKET BOXES, two with Wedgwood style Jasperware plaques to the covers, Birmingham assay, and a pair of bon bon dishes (6)

873 A PAIR OF WILLIAM IV KNIFE RESTS with knopped shafts and shell-style terminals, on claw feet, makers mark rubbed, London 1831, 3” long

£100-150

£50-100

881 A NOVELTY RATTLE modelled in the form of Mr Punch, by Chrisford & Norris, Birmingham 1927, a compact, two fruit knives, a vesta and other items (a lot)

874 A COLLECTION OF SILVER AND WHITE METAL ITEMS comprising a Chinese trinket box, a tea strainer, an enamel dish and other items (7)

£80-120

879 A SILVER MOUNTED DRESSING TABLE SET comprising mirror, two brushes, and a silver mounted glass jar (4)

£500-1000

£150-250

878 A PAIR OF LATE VICTORIAN SALTS of oval form with pierced borders and blue glass liners, Birmingham 1899, a Victorian butter dish with cranberry glass liner, by George Unite, and a small quantity of other items (a lot)

872 A RARE SILVER SNUFF BOX of canted regular form, the lid with an entwined monogram and date "1693" enclosed by leaves, flowers and curling acanthus-leaves, the marks apparently not recorded, but probably Irish provincial, circa 1690, 3¼" wide

£50-100

877 AN EDWARDIAN TEA CADDY of oval form with a faceted body, by the Goldsmiths & Silversmiths Co. Ltd, London 1908, 4” long, and an engine turned cigarette canister by Mappin & Webb, a measure and a model of a shoe (4). (c.11oz)

870 THE FRANKLIN MINT: “GREAT EXPLORERS MEDALS” A limited edition, in Sterling silver, in a bound album

£80-160

876 A SILVER MOUNTED VINEGAR BOTTLE with foxes head to the lid, Birmingham assay, and two further silver mounted oil/vinegar bottles, with glass bodies (3)

869 A FRANKLIN MINT FIRST EDITION STERLING SILVER PROOF SET of “The Kings and Queens of England”, in a bound album, (c.55oz)

Lot 872

£50-100

£100-200

58

59

£100-200

£100-200

884 A VICTORIAN SILVER MOUNTED TORTOISESHELL CHAMBERSTICK in the form of a heart, with gadrooned borders, by William Comyns, London 1891, a silver mounted trinket box and two dishes (a lot)

£100-200

£80-120

£100-200

£80-120

£50-100

896 A MIXED LOT OF CONDIMENTS including two pierced salts with blue glass liners and other items (a lot)

£50-100

£50-100

897 A TABLE CIGARETTE BOX of rectangular form, Birmingham 1935, and a three piece condiment set (a lot)

889 “THE GENIUS OF REMBRANDT”: A collection of Sterling silver proof medals, set no. 494, struck by John Pinches (Medallist) Ltd, in a display box with pull-out drawers.

See illustration

£100-200

895 A PIERCED COASTER with wooden base, three napkin rings and a hand mirror (a lot)

888 A SILVER MOUNTED ASHTRAY applied with a scene of Grosvenor House, Birmingham 1930, and two souvenir ashtrays from the “National Dog Show Birmingham” (3)

£50-100

894 A VICTORIAN CHRISTENING MUG of circular tapering form with angular handle and gilt interior, London 1876, and a tea strainer and stand and a silver mounted inkwell (a lot)

887 A SILVER MOUNTED AND LEATHER HIP FLASK

by James Dixon & Sons, Sheffield 1917, 5” long

£50-100

893 AN ENGINE TURNED SPIRIT FLASK, a butterfly brooch, a model of a monkey and a paperweight in the form of an Oxo cube (4)

886 A VICTORIAN MUSTARD POT of oval form with part fluted decoration, London 1892, a pair of pepper pots with filled bases and a bowl (a lot)

£100-200

892 A SMALL COLLECTION OF PEN/ FRUIT KNIVES and a cheroot case (5)

885 TWO WHITE METAL CIGARETTE CASES and two napkin rings (4)

£500-800

891 A COLLECTION OF BOXES including a silver and tortoiseshell mounted circular trinket box, Birmingham 1913, retailed by Asprey & Co., a continental pot pourri box with pierced cover, and a continental trinket box with inlaid polychrome panel (3)

883 A LATE VICTORIAN CHATELAINE of pierced form with various attachments including a stamp box, a button hook and an extending pencil by S. Mordan & Co., the chatelaine Birmingham 1897 (a lot)

Lot 889

890 A COLLECTION OF FRANKLIN MINT STERLING SILVER EAST AFRICAN WILDLIFE SOCIETY MEDALS in a fitted display case, (c.41oz)

882 A PAIR OF NOVELTY SILVER GILT SUGAR NIPS in the form of a riding spur, by Levi & Salaman, Birmingham 1904, a pair of wish-bone sugar nips and a chatelaine clip (3)

£50-100

898 A RUSSIAN SILVER AND NIELLOWORK LEMON TEA GLASS HOLDER with a part pierced body, angular handle, early 20th century, 4” high, and a filigree example (2)

£1000-1500

60

£100-200 61

907 A BON BON DISH of shaped square form with a pierced border, Birmingham 1911, and another pierced dish, a sauceboat and a butter knife (4)

899 A RUSSIAN SILVER GILT TEA CUP AND SAUCER with a matt finish and floral decoration and a set of three top cups with beaded borders, early 20th century (a lot)

£80-120

£100-200

908 A PAIR OF CONTINENTAL WHITE METAL CANDLESTICKS with screw-off mid sections and graduated circular bases, marked “80” twice and bearing a crown mark, 3” high

900 A PAIR OF LATE VICTORIAN TRINKET BOXES of heart form, with embossed bodies, by Saunders and Shepherd, Birmingham 1898, and a quantity of silver topped dressing table jars with glass bodies (8)

£100-200

£50-100

£50-100

£50-100

913 A MIXED LOT comprising two engine-turned napkin rings, a mother of pearl handle bread fork, a pepper pot and a small quantity of flatware (a lot)

£50-100

905 A SILVER GILT BOOKMARK/PENCIL, the terminal with red, white and blue enamel decoration, with a small detachable extending pencil to the back, suspension ring, by John Collard Vickery, London 1916, and a pen wipe of bucket form, a trinket box and an eggshaped box with screw-off cover (4)

£50-100

914 A FINE EDWARDIAN LADIES SATINWOOD DRESSING TABLE

by Kirby & Beard, the rectangular rising top fitted with triple folding bevel edged mirror above rotating compartments fitted with ivory brushes and mirrors, the dressing table fitted with silver top cut glass jars and gilt metal and ivory manicure accessories above a glazed top enclosing a fitted interior, with two small drawers, on square legs with brass capped castors and with two gilt metal scrolling single branch light fittings, 35½” wide.

See illustration

£100-200

906 A COLLECTION OF BOXES including a circular pot pourri box by William Comyns, two continental boxes with embossed decoration and an unmarked white metal snuff box (4)

£50-100

912 A MIXED COLLECTION OF ITEMS comprising a vesta, a salt, a carpenters pencil, an eggshaped condiment and other items (a lot)

£50-100

904 A QUANTITY OF SILVER MOUNTED DRESSING TABLE ITEMS with engine-turned decoration (4)

£100-200

911 A SILVER MOUNTED PART DRESSING TABLE SET, the backs polychrome enamelled with flowers in a vase, Birmingham 1935, with additional Jubilee mark (4)

903 A SAUCE BOAT of shaped oval form with flying scroll handle, on hoof feet, by EB, London 1937, 3½” high (c.4oz)

£60-120

910 A QUANTITY OF GEORGE III AND LATER CAULDRON SALTS, two with blue glass liners, mixed makers and dates

902 A VICTORIAN SILVER MOUNTED PAGE TURNER with a wrythen fluted handle, London 1889, and a small spirit flask and a pocket book of “Hymns, Ancient and Modern”, with a cherub embossed silver cover (3)

£100-200

909 A VICTORIAN DOUBLE LIPPED CREAM JUG with scroll handles, London 1872, with a retailers mark, and a pair of cauldron salts with blue glass liners (3)

901 A LATE VICTORIAN SILVER MOUNTED POT POURRI BOX with a pierced cover, glass body, Birmingham 1893, a silver mounted jar and a quantity of dressing table items (a lot)

Lot 914

£100-200 62

£8000-12000

917 AN EDWARDIAN NOVELTY SEAL in the form of Mr Punch, Birmingham 1904, 2½” high

915 A PAIR OF ACORN PATTERN SALTS with blue enamel bowls and a pair of matching spoons,

by Georg Jensen, with additional Wendel mark, 2½” long

£100-200

918-924 Spare lots

916 A MIXED LOT comprising two pairs of sugar tongs, one with bright-cut decoration, and a quantity of knife rests (a lot)

£50-100

£150-250

63

FLATWARE

933 A MATCHED PART CANTEEN OF FIDDLE PATTERN FLATWARE comprising a set of six tableforks, London 1839, a set of six dessert spoons, by John Stone, Exeter 1856, four serving spoons of mixed makers and dates, and six dessert forks of mixed makers and dates, (a lot) (c.41.5oz)

925 A GEORGE III SOUP LADLE of Old English pattern, by Stephen Adams, London 1803, 13” long, (c.5oz)

£150-250

926 A PUNCH LADLE with whale bone twist handle and pouring lip, inset with a coin, with embossed bowl, and another ladle, both unmarked (2)

£150-200

928 A PAIR OF SALAD SERVERS of rat-tail pattern, crested with a sea creature, by Arthur & Frank Parsons, 1912, 10” long, (c.8oz)

£150-200

£50-100

937 AN ACORN PATTERN DOUBLE LIPPED SAUCE LADLE

by Georg Jensen, with a hammered bowl, marked Georg Jensen and Wendel, A/S, 8” long.

£180-220

931 A SOUP LADLE of rat-tail pattern with a sea creature crest, by Arthur & Frank Parsons, London 1912, 13” long (c.10oz)

£200-400

936 AN ACORN PATTERN CADDY SPOON

by Georg Jensen, marked also Wendel, 4”.

£80-160

930 A PAIR OF FISH SERVERS of rat-tail pattern, with a crest of a sea creature, by Arthur & Frank Parsons, London 1912, (c.9oz)

£300-500

935 A MIXED QUANTITY OF ACORN PATTERN FLATWARE

by Georg Jensen, including a set of three sundae spoons, a large serving spoon, a large serving fork and other items, of mixed periods, (a lot) (c.17oz weighable silver).

929 A BASTING SPOON of rat-tail pattern, with sea creature crest, by Arthur and Frank Parsons, London 1912, 11½” long, (c.4oz)

£600-800

934 A SET OF EIGHT ACORN PATTERN DESSERT SPOONS

by Georg Jensen, a set of six acorn pattern dessert forks to match, and a set of six silver handled knives with stainless steel blades, all marked Georg Jensen and Wendel, A/S (a lot) (c.22oz).

See illustration

£50-100

927 A SET OF THREE SAUCE LADLES of rat-tail pattern, by Arthur & Frank Parsons, London 1912, 7” long, (c.7oz)

Lot 934

£80-120

£150-200

932 A SIFTER LADLE of rat-tail pattern with a sea creature crest, pierced bowl,

by Arthur & Frank Parsons, London 1912, and a pair of matching sugar tongs (2) (c.2oz)

£50-80

64

65

946 A SET OF SIX FISH KNIVES AND FORKS of Old English pattern, by JR, Sheffield 1908, (c.19oz)

938 AN ACORN PATTERN SERVING SLICE with circular lipped bowl, by Georg Jensen and marked Georg Jensen and Wendel A/S, and a Danish serving spoon (2)

£80-120

£150-250

941 A QUANTITY OF GEORGE III AND LATER DESSERT SPOONS of mixed makers and dates, (c.9oz weighable silver)

£1500-2000 949 A MIXED COLLECTION OF FLATWARE comprising two Oriental spoons with enamel terminals, a quantity of silver gilt anointing style spoons, some berry embossed teaspoons, a quantity of Continental forks and other items (a lot)

£100-200

942 A PAIR OF VICTORIAN SAUCE LADLES of fiddle pattern, crested, by George Adams, London, 1866, three Exeter made ladles, a London ladle and a plated ladle (a lot)

£100-200

£150-250

950 A SET OF SIX SOUP SPOONS of Old English pattern, by Viners, Sheffield 1932, and four matching dessert spoons and five matching dessert forks, and a quantity of miscellaneous cutlery (a lot) (c.33oz)

943 A HARLEQUIN SET OF THREE GEORGE IV DESSERT FORKS of Old English pattern, by Lias Brothers, circa 1825 and a George III dessert fork 6½” long (6)(c.4.5oz)

£80-160

£100-150

952 A SET OF SIX TEASPOONS of Old English pattern, with feather edge, initialled, marked “WM” and “A”, possibly provincial or colonial, circa 1800, 5” long

£150-250

945 A MIXED LOT OF FLATWARE comprising condiment spoons, souvenir spoons, teaspoons and an unmarked salad server (a lot)

£300-600

951 A SET OF FOUR DESSERT FORKS of fiddle pattern, Newcastle assay, and two butter knives, of mixed makers and dates, (c.6oz)

944 A SET OF SIX GEORGE IV SERVING SPOONS of fiddle pattern, monogrammed, by TB, London 1827, 9” long, (c.12oz)

£150-250

948 A MATCHED CANTEEN of fiddle and thread pattern cutlery for 12, George III and later. Comprising twelve tableforks, monogrammed

by Richard Crossley and George Smith, eleven London 1809, one London 1808, twelve tablespoons, crested or monogrammed, of mixed makers and dates, twelve Victorian dessert spoons, all by George Adams, mixed makes, twelve dessert forks including a straight set of six, London 1855, twelve teaspoons, (c.119oz).

See illustration

£100-200

940 A SET OF SIX VICTORIAN TABLEFORKS of fiddle pattern, monogrammed, by John Stone, Exeter 1848, 8” long (c.12oz)

£200-400

947 A SET OF SIX VICTORIAN TABLEFORKS of Old English pattern, by SH/DC, London 1851, 8” long, (c.12oz)

939 OMAR RAMSDEN: A HARLEQUIN SET OF SIX TEASPOONS with seal style ends and part twisted stems, hammered finish, three London 1926, London 1922/1930/1932, 4” long (c.2oz)

Lot 948

£60-120

£50-100

66

67

954 A MATCHED SET OF AGATE HANDLED DESSERT KNIVES AND FORKS with silver gilt blades, possibly by Moses Brent, London circa 1810, crested, (7 knives and 9 forks)

£300-500

£100-200

£120-180

£400-600

£500-1000

965 A QUANTITY OF KINGS/ HOURGLASS PATTERN CUTLERY comprising a set of six Victorian tableforks, by George Adams, London 1869, a set of six tablespoons, London 1873, six dessert spoons, six dessert forks, two salt spoons, a sauce ladle, a further tablespoon and six teaspoons, mixed makers and dates (a lot) (c.72oz)

959 A SET OF SIX GEORGE III DESSERT SPOONS of Old English pattern, crested, by Richard Crossley, London 1805, and a similar set of four Old English pattern tableforks, and two continental spoons (a lot) (c.17oz)

£1500-2500

964 A PART CANTEEN OF ELECTROPLATED ELKINGTON & CO BEAD PATTERN CUTLERY in a fitted oak case with pull-out drawers, comprising eleven fish forks, ten fish knives, two egg spoons, four teaspoons, four asparagus servers, nine cake forks, three salt spoons, twenty four tablespoons, forty dessert spoons, three large serving spoons, four sauce ladles and a quantity of other smaller serving pieces (incomplete)

£150-250

958 A QUANTITY OF 19TH CENTURY KINGS AND QUEENS PATTERN CUTLERY comprising a set of four tablespoons, London 1840, and six dessert spoons, six dessert forks, in Queens pattern, and six teaspoons, all of mixed makers and dates, (c.42oz weighable silver)

£150-250

963 A PART CANTEEN OF KINGS PATTERN CUTLERY

by Mappin & Webb, monogrammed, comprising a set of six serving spoons, Sheffield 1910, a set of twelve tableforks, Sheffield 1909, a set of twelve dessert spoons, Sheffield 1909, a set of eleven dessert forks, Sheffield 1909, a set of six teaspoons, Sheffield 1910, three salt spoons, Sheffield 1909 and eleven fiddle, thread and shell pattern teaspoons, also by Mappin & Webb (a lot) (c.112oz).

See illustration

957 A SET OF SIX GEORGE III KINGS/ HOURGLASS PATTERN TABLE KNIVES

by Paul Storr, remaining marks rubbed, circa 1810, with steel blades, by Makepeace, (replacement) crested, 10” long

£100-200

962 A COLLECTION OF GEORGE III AND LATER DESSERT SPOONS, all of fiddle pattern, to include four Newcastle examples

by Thomas Watson, the others of mixed makers and dates, (c.14oz)

956 A SET OF SIX FRUIT KNIVES AND FORKS with reeded canted handles, by Thomas Bradbury & Sons, London 1912 (a lot)

£100-200

961 A SET OF SIX VICTORIAN DESSERT SPOONS of fiddle pattern, initialled, by John Stone, Exeter 1860, 7” long. (c.8oz)

955 A MIXED LOT OF CUTLERY comprising a pair of fiddle pattern tablespoons by John Stone of Exeter, a pair of George III Old English pattern sauce ladles and other items, of mixed makers and dates, (a lot) (c.10oz)

Lot 963

960 A SET OF SIX WILLIAM IV DESSERT SPOONS of fiddle pattern, by WE, London 1830, 7” long (c.7oz)

953 A QUANTITY OF FISH KNIVES AND FORKS, some with bone handles, plated blades (a lot) £40-60

£150-250

68

£600-800

69

974 A TREFID SPOON with rat-tail bowl, the reverse scratch engraved “I.C./1724”, struck with makers mark only of G or CS with a fleur de lis and crown above, 7” long

966 A HARLEQUIN SET OF SIX VICTORIAN AND LATER FISH KNIVES AND FORKS with bone handles

£50-100

975 A SET OF SIX SILVER GILT AND ENAMEL RUSSIAN TEASPOONS with part twisted stems, the bowls light blue enamel and white dot borders, with an Assay Masters mark of GK, Moscow, late 19th/early 20th century, 5” long.

See illustration

967 A SET OF SIX WILLIAM IV AND LATER KINGS PATTERN FRUIT KNIVES AND FORKS, crested, together with a small quantity of miscellaneous flatware (a lot)

£100-200

968 A SET OF SIX GEORGE II TABLESPOONS of Hanoverian pattern, crested, by Isaac Callard, London 1742, 7½” long, and an Old English pattern dessert spoon (7) (c.14oz)

£150-250

£100-200

971 A SET OF SIX DECORATIVE TEASPOONS marked “Sterling” and by H.R. Howland, and a set of six Old English pattern teaspoons (a lot) (c.5oz)

£50-100

973 A GEORGE IV SILVER HANDLED KINGS PATTERN CHEESE KNIFE, crested, Sheffield 1823, with steel blade, 9” long.

This lot comes with an accompanying note “Found in Napoleon’s travelling carriage after the Battle of Waterloo”

£50-100

£100-200

979 OMAR RAMSDEN: A JAM SPOON cast in the form of sinuous leaves and flowers, London 1931, 5” long.

See illustration

£500-1000

£100-200

978 TIFFANY & CO: A DESSERT/JAM SPOON with straight hammered stem, decorated with circular stylised motifs with yellow and red enamels, the reverse of the bowl marked “Tiffany & Co. Sterling” with a pattern no. of “370764”, 6” long.

See illustration

972 A MIXED LOT OF GEORGE III AND LATER FLATWARE comprising Old English pattern Scottish tablespoons, a set of five Scottish dessert spoons, a quantity of bright-cut teaspoons and other items (some plated) (a lot)

£100-200

977 A SET OF FIVE RUSSIAN SILVER GILT SPOONS with part twist stems, the back of the bowls with chased decoration, Assay Masters mark of “AK”, Moscow 1885, 6” long, (c.3oz).

See illustration

£50-100

970 A SET OF SIX VICTORIAN TABLEFORKS of fiddle pattern, crested, London 1849, 8” long, (c.12oz)

£100-200

976 A LATE 19TH/EARLY 20TH CENTURY RUSSIAN SILVER GILT AND POLYCHROME ENAMEL SPOON with part-twist stem, marked with Moscow town mark and “84”, 6½” long, and a silver gilt and polychrome enamel early 20th century Russian spoon, marked “88”, 5” long (2) See illustration

969 A MIXED COLLECTION OF CUTLERY comprising a shell backed 18th century Hanoverian pattern spoon and a quantity of teaspoons, sugar tongs and other items (a lot)

£200-400

£100-200

Lots 975 to 979 70

71

986 FOUR VARIOUS CASED SETS OF SPOONS including a christening set, of mixed makers and dates, teaspoons, mixed makers and dates (4)

980 A PAIR OF WILLIAM IV SAUCE LADLES of fiddle pattern, initialled, by WB, London 1833, 7” long

£50-100

981 A PAIR OF 18TH CENTURY SUGAR TONGS with pierced cast arms, two further pairs of sugar tongs and a pair of scissor nips (4)

£200-400

£60-120

988 A COLLECTED PART CANTEEN OF 19TH CENTURY AND LATER FIDDLE PATTERN CUTLERY, mainly London and Exeter assay offices, comprising seven tableforks, eight tablespoons, eight dessert forks, eight dessert spoons, two sauce ladles, in a mahogany fitted case with a Skinner & Co. ivory trade label, (c.55oz)

£50-100

983 A SET OF THREE GEORGE III SCOTTISH OLD ENGLISH PATTERN TABLESPOONS, initialled, Edinburgh 1792, 9” long, (c.5.5oz)

£700-1200

989 A CASED SET OF TWELVE VICTORIAN FRUIT KNIVES AND FORKS with mother of pearl handles, engraved decoration to the blades, by Mappin & Webb, Sheffield 1897/1898/1899

£50-100

984 A QUANTITY OF REPRODUCTION PICTURE BACK TEASPOONS, some silver gilt examples, crested, mixed makers and dates (a lot)

£100-200

987 A SET OF SIX DESSERT SPOONS of Old English pattern, initialled, Birmingham 1935, and a quantity of miscellaneous cutlery (a lot)

982 A BUTTER KNIFE, possibly by Omar Ramsden, with stretched hallmarks, together with another butter knife with green Connemara marble terminal, a plated paper knife, and other items (a lot)

WORK S OF ART

£200-400

990-999 Spare lots

£50-100

985 A WILLIAM IV QUEENS PATTERN CHRISTENING SET in a fitted case, comprising knife, fork and spoon, marked “AH”, Sheffield 1833

£40-60

72

73

1007 AN ITALIAN AVENTURINE AND MILLEFIORE “PORTRAIT” SCENT BOTTLE, late 19th/early 20th century, the flattened spherical body decorated with various portrait canes amidst a polychrome ground, with brass mounts and stopper, 2½” high, and a similar aventurine example with an ovoid body, the hinged brass cover mounted with a faceted cabochon, 3” high (2).

See illustration

1000 AN ONYX BOX, the lid painted with a pheasant in flight above a landscape, the brass hinge marked “HG&S”, 4” wide, and another similar smaller box, with silver mounts also marked “HG&S”, the lid with inset turquoise, 3½” wide (2)

£50-100

1001 AN ONYX BOX of plain form, the hinge marked “BETJEMAN’S PATENT”, 5¼” wide, and a similar smaller box, 4” wide (2)

1008 A MOTHER OF PEARL COVERED RECTANGULAR BOX with rococo style silver mounts, 4” long, a pair of spectacles with dark lenses in a lacquer and mother of pearl inlaid box, 5¾” long, and a porcelain egg-shaped box, 2½” (3)

£50-100

1002 A LAPIS LAZULI COVERED RECTANGULAR BOX with silver mounts by GB & Sons, London 1922, 6” wide

£50-100

£100-200

1010 TWO LATE 19TH/EARLY 20TH CENTURY MOTHER OF PEARL CARD CASES, one with chequer decoration, 4¼” high, the other with foliate decoration, 3½” high, and a Jerusalem olivewood example, 4¾” high (3)

1004 A COLD-PAINTED BRONZE AND ONYX FIGURAL ASHTRAY of circular form mounted with three ducks, 8” across overall

£100-200

1005 A COLLECTION OF STONE ORNAMENTS comprising: a moss agate oval dish, 4” long, a similar white onyx dish with silver mounts, 4¼” long, a red stone jarlet and cover, 1¾” high a serpentine scent bottle with malachite band to the shoulder, 4” high, and a fillet of agate stone (5)

£80-160

1011 A VICTORIAN CARVED IVORY CANE HANDLE in the form of a horse’s head, with glass eyes, 4” long.

See illustration

£100-200

£80-160 1012 A VICTORIAN TORTOISESHELL AND PIQUE OBLONG BOX with rounded corners and fabric interior, 19th century, 5½” long.

See illustration

1006 A BLUE JOHN CIRCULAR PAPERWEIGHT of cushion form, 2” dia.

See illustration

£50-100

1009 A SILVER PLATED PORTABLE MUSIC BOX of rectangular form with foliate border, early 20th century, 3¾” long, a ruby glass and metal stamp box, 3¼” long, a carved tigers eye owl, 2¾” high and another piece mounted with a lizard, 3” across the base (4) £50-100

1003 A COLD-PAINTED BRONZE AND ONYX ASHTRAY, the central owl figure above the lower circular base, 4¾” dia., and a similar rectangular example with a pheasant, 4½” long (2)

£150-300

£50-100

£100-200

Lots 1006, 1007, 1011 and 1012 74

75

1020 A 9CT GOLD NEAR-SQUARE CIGARETTE CASE with all-over engine-turned decoration, by OT & BD, 3¼” x 3¼”, (c.85gms).

See illustration

1013 A PRESSED HORN PORTRAIT OF AMALIA, wife of Frederick Henry, Prince of Orange, possibly 17th/18th century, she in part profile with hair up and elaborate neck collar, mounted on glass and in a gilt frame, the portrait 4¾” high.

The original receipt accompanies this lot: Purchased from Drury & Drury of Eaton Terrace, London, in 1953 for £10.

1021 A RECTANGULAR 9CT GOLD CIGARETTE CASE with engine-turned decoration and Greek-key border, 3¾” x 3¼”, (c.112grams).

See illustration

£200-400

1014 A MODERN SILVER-TOP WALKING STICK, the handle modelled as a falcon’s head, bearing London import marks, 34” long overall

£150-300

£100-200

£100-200

£250-500

1025 A SILVER AND ENAMEL LADIES COMPACT with engine-turned decoration, the cover with birds amongst foliage, 2¾” x 2¾”

1018 A CONTINENTAL ENAMEL PORTRAIT MINIATURE of a 17th century gentleman with long hair and wearing part armour, with an arch and landscape beyond, the reverse decorated with figures in a classical landscape, probably 19th century, 1¾” x 1½”

£50-100

1026 TWO GOLD WHISTLES, one in 9ct gold of straight form, 1½” long, the other of tapering conical form in 18ct gold, 1½” long (2)

£50-100

1019 A RONSON 9CT GOLD CASED CIGARETTE LIGHTER, the body with engine-turned decoration, in a leather slip case, the lighter 2½” long

£600-800

1024 A SMALL RECTANGULAR 9CT GOLD CIGARETTE CASE with engine-turned decoration and Greek-key border, by WN Ltd, 2½” x 1¾”, (c.38grams).

See illustration

1017 ENGLISH SCHOOL, 18th century An oval portrait miniature of a gentleman wearing a blue waistcoat, watercolour on ivory, in a yellow metal frame with rose-cut diamond-mounted bow to the top, 1¾” high overall

£400-600

1023 A 9CT GOLD RECTANGULAR CIGARETTE CASE with engine-turned decoration and rounded sides, by the Goldsmiths and Silversmiths Co., 3” x 2” (c.69grams).

See illustration

1016 A RUSSIAN CIRCULAR LACQUERED BOX, the cover painted with a winter scene of figures in a sledge beside a cottage, the body of banded form, late 19th/early 20th century, 2¾” dia.

£1000-2000

1022 A 9CT GOLD RECTANGULAR CIGARETTE CASE with chequered engine-turned decoration and Greek-key border, by Asprey, 3¼” x 2½”, (c.62grams).

See illustration

£50-100

1015 A GOLD-TOPPED MALACCA WALKING CANE, the 18ct gold finial marked “From H. Constable 1879 Rosebery 107 Piccadilly”, 35½” high overall.

£1000-2000

£100-200

1027 A 9CT GOLD “YARD-O-LED” BALL POINT PEN with engine-turned decoration, 5” long

£200-400

76

£100-200

Lots 1020 to 1024 77

1036 AN OVAL CARVED IVORY BOX decorated with flowers, probably Victorian, 4” long, and a carved ivory flower group on an onyx base, 5” long (2)

1028 A YELLOW METAL PENCIL

by S. Mordan & Co., with textured grip, 3¾” long extended

£100-200

£100-200

£500-1000

1031 A SMALL IVORY INLAID OBLONG TOOTHPICK BOX, 19th century, 2½” long

£50-100

£100-200

£60-120 1042 A GILT-BRONZE PORTRAIT MEDALLION OF NAPOLEON after Andrieu, the reverse with an inscription “INTERNATIONAL FARIO-CLUB TO JOHN PIPER WITH APPRECIATION AND FRIENDSHIP CHARLES C RITZ NOV. 17.72”, 4½” dia. in a fitted presentation case.

£50-100

1035 FIVE IVORY PIECES, a pair of napkin rings carved with flowers and beaded borders, 2” dia., a pointed panel carved with a stag, 4” long, a gaming counter box with pierced cover, 1¼” dia. and an owl, 2” high (5)

£50-100

1041 A SILHOUETTE PORTRAIT MINIATURE OF GEORGE III wearing a wide brimmed hat, in an ebonised frame with floral surmount, 4½” x 4” overall

£100-200

1034 A VICTORIAN TURNED IVORY GAVEL with banded decoration, 4½” long

£200-400

1040 A VICTORIAN PHOTOGRAPH OF TWO GIRLS in a patent pressed case decorated with classical maidens, 5” x 4” overall

1033 A VICTORIAN IVORY AND SILVERMOUNTED NUT-CRACKER, the body of circular form, 2” dia., an ivory whistle and a stone example (3)

£400-800

1039 A SET OF THREE 19TH CENTURY WAX PORTRAITS, identified on the reverse as “Dr. Black”, “Lady Hamilton” and “Reverend Hugh Whitefield”, in burrwood frames, 7” - 7½” high x 6” wide overall (3)

1032 A CIRCULAR IVORY BOX, the cover decorated with a still life study of flowers, the sides decorated with stylised waves in speckled gilt, probably 19th century, 3¾” dia., and an ebony and ivory figure of a boy holding a basket, on an oval base, 3½” high (2)

£700-1000

1038 A CONTINENTAL VERRE EGLOMISÉ PICTURE of Christ carrying his cross with soldiers and mourning figures around a landscape with a town beyond and river in the foreground, 18th/19th century, in a gilt frame, 6” x 11”

1030 FERDINAND PREISS (1882-1943) An ivory figure of a girl holding a casket, signed to the base “F. Preiss”, on an octagonal onyx base, 5¾” high overall.

See illustration

£100-200

1037 A 19TH CENTURY CARVED IVORY AND WOOD CRUCIFIX of typical form, the Saviour with arms outstretched on an ebonised cross, 17¼” high overall

1029 A YELLOW METAL COMBINED PEN AND PENCIL

by Newton Kurtz & Co., of lobed form with engineturned decoration, 4” long when extended

Lot 1030

£100-200

78

A gift from Charles Ritz (of Ritz Hotels fame) and thence by descent within the family of the vendor.

£100-200

79

1049 A CANADIAN INUIT SOAPSTONE CARVING of a seal hunter tackling the animal, the base with inscribed markings, circa 1920’s/30’s, 5¾” long

1043 A GILT-METAL ECCLESIASTICAL KEY with baluster stem and the teeth pierced “IHS”, probably 19th century, 8” long

£50-100

£200-400

£200-400

£100-200

£100-200

1054 “BILSTON” ENAMEL OVAL BOX decorated with flower sprays amidst raised borders, late 18th/early 19th century, 2½” long

£300-400

1055 A GEORGE III OVAL SATINWOOD SNUFF BOX with crossbanded borders, 4” long

£60-120

1048 A VICTORIAN TREEN SNUFF BOX in the form of a pair of bellows with inlaid point-metal text “MAY THE ANGEL GUARD THY BED”, 5¾” long

£50-100

1053 A “BILSTON” ENAMEL CIRCULAR BOX, the lid decorated with figures among buildings, the waisted body decorated with flowers, late 18th/early 19th century, 2¼” dia.

1047 A VICTORIAN WELSH TREEN SPOON, the handle with a Celtic knot band surmounted by a stepped and pointed finial, 10½” long, and a bone scoop with chip-carved detail and marked “J.R.V ”, 4¾” long

£60-120

1052 A BANDED AGATE FIGURE OF AN ELEPHANT on a stepped base, 1¾” high

1046 TWO SIMILAR WELSH TREEN KNITTING NEEDLE HOLDERS, one inscribed “JANE WEBBER DECEMBER 14 1817 TC”, the curved section with chip-carved decoration, 6½” long, the other example marked “SARAH ANN WEBBER, DECEMBER 14, 1842”, ALSO WITH CHIP-CARVED DECORATION, 7” long (2)

£50-100

1051 A CONTINENTAL GOURD FLASK with white metal collar and on a tripod stand, 18th/19th century, 6” high

1045 A VICTORIAN TURNED IVORY “LIGHTHOUSE” DESK THERMOMETER with dial reading in Fahrenheit and Centigrade, the base with banded decoration and pierced gallery, the top with spiral-cut sphere and urn finial, the whole mounted on an octagonal wooden base, 11” high overall.

See illustration

£100-200

1050 A FOLK ART DECORATED GOURD FLASK with white metal collar, the body decorated with a heart pierced by an arrow with birds to the right and left, the other side with an heraldic motif, 18th/19th century, 4½” long

1044 A VICTORIAN TURNED IVORY “LIGHTHOUSE” DESK THERMOMETER, the dial reading in Fahrenheit and Centigrade, the top inset with a compass dial marked “T. Staight, London”, 6¼” high.

See illustration

Lots 1044 and 1045

£80-160

1056 AN ASPREY LAPIS LAZULI TABLE PHOTOGRAPH FRAME with bevelled glass and brass border, in original box, the frame 10” x 8” overall

£60-120

80

£200-400

81

1059 A CONTINENTAL ENAMEL RECTANGULAR SNUFF BOX, the exterior decorated in puce with landscape vignette, the interior of the lid with a portrait of an elegant lady, 18th century, 3¼” long.

See illustration

1057 A CARVED IVORY HERALDIC GRIFFIN, probably German circa 1600, the beast seated on its hind legs and with one front leg raised on a scroll, 3” long, on a marble base.

See illustration

£800-1200

£300-600

1060-1249 Spare lots

1058 AN ITALIAN MICRO-MOSAIC PANEL depicting pigeons around a bird bath, apparently in original fitted red leather-covered case. containing a card “Vincent Verdejo Professeur en Mosaique Travail en Histoire Paysages, Animeaux Rome Rue Condotti no.

33.34.35”, the panel late 19th/early 20th century, 3¾” x 2¾”.

See illustration

Lots 1057, 1058 and 1059

END OF SECOND DAYS SALE

£500-1000

82

83

FRIDAY 22ND JUNE: 10.30A M

COINS POCKET WATCHES WRIST WATCHES CARRIAGE CLOCK S

84

85

COINS

1259 A GEORGE V GOLD HALF SOVEREIGN dated 1914

1250 ROYAL MINT: A UNITED KINGDOM GOLD PROOF THREE COIN SET dated 1987, in a presentation case, with certificate no.

11342

£400-800

1260 A GEORGE III HALF GOLD SOVEREIGN dated 1818 and a gold 1 Peso date 1860 with a drilled hold (2)

1251 A VICTORIAN HALF SOVEREIGN dated 1898

£80-160

£100-200

£80-150

1254 A QUEEN ELIZABETH II GOLD SOVEREIGN dated 1967

£150-250

£180-220

£80-160

£200-400

1266 A VICTORIAN GOLD SOVEREIGN dated 1899, mounted as a ring, on a 9ct gold shank

£250-400

£300-600

1267 AN EDWARD VII GOLD SOVEREIGN dated 1904 and two gold half sovereigns dated 1910 and 1912, all three mounted on a bar brooch

1258 A GEORGE V GOLD SOVEREIGN dated 1914

£100-200

1265 A VICTORIAN GOLD SOVEREIGN DATED 1899 mounted as a ring on a 9ct gold shank

1257 A GEORGE III GOLD SPADE GUINEA dated 1794

£150-300

1264 A GEORGE V GOLD HALF SOVEREIGN dated 1912, mounted as a pendant

1256 A GEORGE V GOLD HALF SOVEREIGN dated 1914

£300-500

1263 A GEORGE V GOLD SOVEREIGN dated 1918 with attached scrolled loop

1255 A QUEEN ELIZABETH II GOLD SOVEREIGN dated 1958

£200-250

1262 A GEORGE V GOLD SOVEREIGN dated 1912 and a William III gold guinea dated 1698 (2) See illustration

1253 A VICTORIAN GOLD SOVEREIGN dated 1893

£150-300

1261 A VICTORIAN GOLD SOVEREIGN dated 1895

1252 AN EDWARD VII GOLD HALF SOVEREIGN dated 1906, mounted as a pendant

£100-200

£200-250

Lots 1262

£450-550 86

87

1272 A COLLECTION OF EIGHT AMERICAN SILVER DOLLARS dated 1795, 1796, 1804, 1878, 1906, 1921 and 1994

1268 A GEORGE V GOLD HALF SOVEREIGN dated 1911, and two American gold coins with attachments (3)

£100-200

£600-1200

1270 A GOLD 50 PESOS COIN mounted in an openwork unmarked pendant attached to a 9k gold chain-link necklace.

See illustration

£600-1200

1274 A CASED SET OF VARIOUS USA DOLLAR COINS, six gold coins dated 1853, 1892, 1900, 1901, 1903 and 1909, six silver coins dated 1922, 1959, three coins 1963 and one 1964

£1500-3000

1271 WESTMINSTER: THE QUEEN VICTORIA JUBILEE HEAD SOVEREIGN dated 1890, in presentation case

£150-300

1273 SPECIMEN COINS 1902: A COLLECTION OF FOUR GOLD COINS and eight silver coins in original red leatherette presentation case, also includes two bank notes.

See illustration

1269 A VICTORIAN GOLD FIVE POUND COIN dated 1887 attached to a scrollwork pendant See illustration

Lots 1269, 1270, and 1273

£800-1600

1275 A CASED SET OF JUBILEE GOLD AND SILVER COINS dated 1887, four gold £5, £2, sovereign and half sovereign, seven silver, crown, double florin,. half crown, florin, shilling, sixpence and threepence

£180-220

88

£1000-2000

89

POCKET WATCHES

Lot 1279

1279 A GENTLEMAN’S 18CT GOLD OPEN FACE POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the fusee movement, inscribed “John Moncas, Liverpool, 5849”, in an engine-turned and engraved case, attached to a 15ct gold fob chain with attached key.

See illustration

£1000-2000

90

91

1287 A GENTLEMAN’S 9CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the centre with painted scene of a castle beside a river

1280 A LADIES FRENCH ENAMEL AND MARCASITE FOB WATCH, the gilt engine-turned dial with Arabic numerals, in pink guilloche enamel case, the back decorated with marcasite, attached to a yellow gold scrollwork brooch decorated throughout with marcasites, the reverse of the brooch with indistinct marks.

See illustration

1288 A GENTLEMAN’S GOLD PLATED AMERICAN POCKET WATCH, the white enamel dial with black Roman numerals and subsidiary seconds dial, inscribed “A.W.W. Co. Waltham, Mass.”

£400-800

1281 A LADIES 0.585 YELLOW GOLD FOB WATCH, the white enamel dial with Roman numerals, in an engraved case

£200-400

£200-400

£100-200

1284 A GENTLEMAN’S 18CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial. The movement inscribed “Haddon & Franklin, Taunton”

£200-400

£500-1000

£200-400 Lot 1280

1292 A GENTLEMAN’S 18CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial. The movement cover inscribed “Camerer Kuss & Co. London”, in a blue leatherette presentation case

£300-500

1286 A GENTLEMAN’S 9CT GOLD OPEN FACED SLIM POCKET WATCH, the black dial with raised gilt numerals and subsidiary seconds dial

£450-650

1291 A GENTLEMAN’S 18CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial. The movement inscribed “FJ Spiller, Taunton”

1285 A GENTLEMAN’S 18CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial. The movement cover inscribed “Sir John Bennett no. 4533”

£200-400

1290 A GENTLEMAN’S 14K GOLD OPEN FACED POCKET WATCH, the white enamel dial with black Roman numerals and subsidiary seconds dial attached to an 18ct yellow and white gold fob chain See illustration on page 95

1283 A LADIES 18K GOLD FOB WATCH, the white enamel dial with blue Roman numerals, with outer gilt decoration, in a foliate engraved case

Lot 1334

1289 A GENTLEMAN’S 18CT GOLD OPEN FACED POCKET WATCH, the dial with gilt Roman numerals, engine turned decoration to the centre, the fusee movement inscribed “Saunders, Dorchester no. 4824” See illustration on page 95

1282 BAUME, GENÈVE: A LADIES 18K GOLD HALF HUNTING CASE FOB WATCH, the white enamel dial with Roman numerals, inscribed “Baume, Genève”, the front cover with black Roman numerals

£100-200

£300-600

1293 A LADIES 18K GOLD OPEN FACED POCKET WATCH, the gilt dial with black Roman numerals, in an engraved foliate case, attached to a silver bow brooch, a 14ct gold pocket watch and two other pocket watches (4)

£400-800

92

£200-400 93

1297 WALTHAM: A GENTLEMAN’S 9CT GOLD HUNTING CASED POCKET WATCH, the white enamel dial with black Roman numerals and subsidiary seconds dial, inscribed “Waltham”, 15 jewelled movement also inscribed

1294 PAUL GARNIER: A GENTLEMAN’S SILVER OPEN CASED POCKET WATCH, the silvered dial with black Arabic numerals and subsidiary seconds dial, the fob attached to a short leather fob strap with yellow metal terminals

£200-400

1298 A GENTLEMAN’S SILVER OPEN FACED POCKET WATCH, the white enamel dial with black Roman numerals and subsidiary seconds dial and two ladies silver fob watches, one with an attached short silver fob chain (3)

1295 A LADIES 18K GOLD HALF HUNTER FOB WATCH, the silvered dial with Roman numerals in an 18k yellow gold engraved case, the front cover with pink enamel chapter ring with blue Roman numerals, attached to a 9ct gold bar brooch

£150-300

£100-200

1299 E.I. DENT, LONDON: A GENTLEMAN’S 18CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, subsidiary seconds dial, inscribed “E.I. Dent, London, 7158” , the movement also inscribed and numbered.

See illustration

1296 ELLIOTT BROS LONDON: A WHITE METAL EIGHT DAY LARGE POCKET WATCH, possibly a World War I pilot’s watch, the white dial with black Arabic numerals and subsidiary seconds dial, inscribed “Eight Days, Elliott Bros. London”, with side winder

£150-250

£100-200

£400-800

1300-1304 Spare lots

Lot 1299

Lot 1289

Lot 1290

94

95

WRIST WATCHES

1310 CARTIER: A GENTLEMAN’S STAINLESS STEEL WRISTWATCH, the square white dial with black Roman numerals, sweep seconds hand and date aperture, inscribed “Cartier”, the reverse numbered “1564 383670CE”, attached to an articulated Cartier stainless steel bracelet

1305 ROLEX: A GENTLEMAN’S 18K YELLOW GOLD SUPERLATIVE CHRONOMETER WRISTWATCH, the black dial with raised diamond numerals and crown at 12 o’clock, with sweep seconds hand, date and day apertures, inscribed “Rolex Oyster Perpetual Day/Date”, surrounded by a diamond bezel, attached to an 18k yellow gold articulated Rolex bracelet with folding clasp.

See illustration

£500-1000

£200-400

£300-600

Lot 1311

£500-1000

1314 CARTIER: A GENTLEMAN’S SILVER GILT WRISTWATCH, the black dial with white Roman numerals, inscribed “Must de Cartier”, the side-winder with a cabochon blue stone attached to a black Cartier leather strap with gilt buckle

1309 OMEGA: A GENTLEMAN’S YELLOW METAL WRISTWATCH, the white dial with raised baton numerals and sweep second hand, inscribed “Omega”, attached to a black leather strap with Omega clasp

£1200-1800

1313 CORUM: A GENTLEMAN’S 18K YELLOW GOLD WRISTWATCH, the square dial with black Roman numerals, inscribed “Corum”, attached to a yellow gold mesh bracelet with folding clasp

1308 A GENTLEMAN’S 18K GOLD WRISTWATCH, the cream Rolex script dial with raised gilt Roman numerals and crown at 12 o’clock, inscribed “Rolex Genève Cellini”, the case back numbered “5112 WO52566”, attached to a black leather Rolex strap, with 18k gold buckle

£300-500

1312 JEAN RENET: A GENTLEMAN’S 18K YELLOW GOLD WRISTWATCH, the square gilt dial with raised gilt baton numerals, inscribed “Jean Renet”, attached to a black leather strap, in leatherette presentation case.

£300-500

1307 ROLEX: A GENTLEMAN’S SUPERLATIVE CHRONOMETER STAINLESS STEEL WRISTWATCH, the dial with raised baton numerals and crown at 12 o’clock, sweep seconds hand, date aperture, inscribed “Rolex Oyster Perpetual Date Just”, attached to an articulated Rolex stainless steel bracelet with folding clasp

Lot 1315

1311 A GENTLEMAN’S 18CT GOLD WRISTWATCH, the gilt dial with raised baton numerals, sweep seconds hand and date aperture, inscribed “Roamer Anfibio Matic”, attached to an 18ct yellow gold mesh bracelet.

See illustration

£2000-4000

1306 ROLEX: A GENTLEMAN’S STAINLESS STEEL WRISTWATCH, the dial with Arabic numerals and subsidiary seconds dial, inscribed “Rolex Oyster Perpetual”, attached to an articulated stainless steel Rolex bracelet with folding clasp

Lot 1342

Lot 1305

£300-600

1315 PATEK PHILIPPE: A GENTLEMAN’S 18CT YELLOW GOLD WRISTWATCH, the round dial with raised black baton numerals, inscribed “Patek Philippe Genève” attached to a black leather strap with an 18ct yellow gold buckle in a Patek Philippe leatherette presentation case.

See illustration

£150-300

96

£1000-2000 97

1321A omega: a ladies white metal cocktail watch, the oval dial with raised baton numerals, inscribed "Omega Geneve", surrounded by a border of brilliant cut diamonds and four sapphires, attached to a white metal bracelet with folding clasp.

1316 ASTON GERARD: A GENTLEMAN’S GILT METAL CHRONOGRAPH WRISTWATCH, the black dial with raised gilt baton numerals, three subsidiary dials and date aperture, inscribed “Aston Gerard”, the reverse numbered “130939KM 46263”, the diamond bezel attached to a gilt bracelet with three rows of pave-set diamonds, in original case

£200-300

1323 A LADIES WHITE GOLD AND DIAMOND WRISTWATCH, the dial with four raised baton numerals, inscribed “Omega de Ville”, surrounded by a single row of rose-cut diamonds attached to a white gold bracelet

1317 ROLEX: A GENTLEMAN’S TAN LEATHER WATCH CASE, the strap decorated with gilt metal Rolex clasp, the interior with gilt label inscribed “Rolex Creation Genève”

£50-100

£200-400

£1500-3000

£800-1600

£80-160

£1500-3000

£300-600

£400-800

1327 A LADIES 9CT GOLD WRISTWATCH, the white dial with raised gilt baton numerals, inscribed “Rotary” attached to a 9ct gold bracelet with folding clasp

1328 A LADIES 9CT GOLD WRISTWATCH, the lozenge-shape dial with raised baton numerals, inscribed “Rotary” attached to a leaf design 9ct gold bracelet with folding clasp

1321 PULSAR: A GENTLEMAN’S GOLD PLATED AND STAINLESS STEEL PULSAR DATE COMMAND WRISTWATCH, the black dial with illuminated red numerals when pressed for time date and month, attached to an articulated bracelet with folding clasp, in original Pulsar presentation case and outer box, and documents.

£400-800

1326 A LADIES 18CT GOLD WRISTWATCH, the square gilt dial with black Roman and baton numerals, inscribed “Piaget” attached to an 18ct gold bracelet with folding clasp

1320 JAEGER-LE-COULTRE: A GENTLEMAN’S MEMOVOX ALARM WRISTWATCH, the round dial with outer gilt raised batten numerals, the centre with a blue triangle alarm set mark and sweep seconds hand, two side crowns, one for winding, the other to set the alarm, attached to a leather strap with a yellow gold buckle

£8000-12000

1325 A LADIES 18CT GOLD WRISTWATCH, the oval dial with raised baton numerals, inscribed “Tudor Precision” attached to an 18ct gold mesh bracelet with folding clasp

1319 UNIVERSAL TRI-COMPAX: A GENTLEMAN’S 14K YELLOW GOLD MANUAL WIND WRISTWATCH, the round dial with gilt Arabic numerals surrounded by an outer tachymeter scale, three registers recording seconds, minutes and hours, date and day aperture, moon phase calendar function and sweep seconds hand, attached to a brown leather strap with gilt buckle.

£800-1200

1322 AUDEMARS PIGUET: A GENTLEMAN’S 18CT GOLD PERPETUAL CALENDAR WRISTWATCH, the white dial with raised baton numerals, moon phases and three subsidiary dials for date, day and month, attached to an 18ct gold mesh bracelet with folding clasp in original leather presentation case, outer box, documents and Audemars setting tool.

1324 A LADIES 18CT GOLD WRISTWATCH, the round dial set in a square gold case, with raised baton numerals, inscribed “Para Klasse”, attached to an 18ct gold mesh bracelet

1318 BULOVA ACCUTRON: A GENTLEMAN’S YELLOW METAL AND STAINLESS STEEL WRISTWATCH, the round gilt dial with raised gilt baton numerals, date aperture, sweep seconds hand, inscribed “Bulova Accutron”, attached to a burgundy leather strap with yellow gilt buckle

£500-1000

98

£60-120

99

1336 A LADIES 9CT GOLD WRISTWATCH, the cream dial with raised gilt baton numerals, inscribed “Omega” attached to a 9ct gold snake bracelet with folding clasp

1329 ROYCE: A LADIES GOLD PLATED WRISTWATCH, the square dial with raised baton numerals, inscribed “Royce” with a gold plated outer frame attached to a gold plated bracelet with folding clasp

£50-100

1330 ROLEX: A LADIES 9CT GOLD WATCH, the round dial with Arabic numerals inscribed “Rolex”, attached to an expanding yellow metal bracelet

£200-400

1331 A LADIES 9CT GOLD COCKTAIL WATCH, the rectangular dial with Arabic numerals, diamond and ruby shoulders, attached to a 9ct yellow gold snake bracelet, with fold over clasp and safety chain, in a leatherette presentation case

£200-400

1332 A LADIES 9CT GOLD WRISTWATCH, the dial with Arabic and baton numerals, inscribed “Rotary” attached to a 9ct gold bracelet, with folding clasp and a collection of wristwatches

£150-300

1333 OMEGA: A LADIES 9CT GOLD WRISTWATCH, the square gilt dial with raised gilt baton numerals inscribed “Omega de Ville” attached to a 9ct gold bracelet with folding clasp, in an Omega presentation case.

See illustration £250-350 1334 DAUMIER: A LADIES 14K YELLOW GOLD WRISTWATCH, the cream dial with raised Arabic and baton numerals, inscribed “Daumier”, the dial cover with a cluster of seven brilliant-cut diamonds, with a border of six raised yellow gold petals, attached to a 14k gold bracelet, with safety chain.

See illustration on page 93

£1000-2000

1335 A LADIES 14K GOLD WRISTWATCH, the cream dial with gilt and black numerals inscribed “Cardinal” attached to a 14k gold bracelet with concealed clasp

£150-300

£200-400

1337 A LADIES VICTORIAN 9CT GOLD WRISTWATCH, the white dial with Arabic numerals, attached to a 9ct gold expanding bracelet

£80-160

1338 AVIA: A LADIES YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, subsidiary seconds dial, inscribed “Avia” attached to a yellow gold plated bracelet with folding clasp

£100-200

Lot 1333

1339 A LADIES YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, inscribed “Vertex”, an expanding yellow gold bracelet, a 9ct gold tie-pin and a gold oval locket (4)

£100-150

1340 A LADIES 15CT GOLD WRISTWATCH, the cream dial with Arabic numerals, subsidiary seconds dial, inscribed “Waltham, USA”, attached to an expanding yellow gold bracelet with enclosed clasp

£150-300

1341 OMEGA AUTOMATIC SEAMASTER, A GENTLEMAN’S 18CT YELLOW GOLD WRISTWATCH, the black dial with Arabic and raised baton numerals, sweep seconds hand, inscribed “Omega Automatic Seamaster”, attached to a 9ct yellow gold bracelet with folding clasp See illustration

Lot 1341

£500-1000

1342 ROLEX: A GENTLEMAN’S ROLEX OYSTER PERPETUAL SUBMARINER WRISTWATCH, the black dial with raised baton and dotted numerals, sweep seconds hand, Mercedes hour hand inscribed “Rolex Oyster Perpetual Submariner, 100m=330ft”, attached to a stainless-steel bracelet with folding clasp, circa 1962.

See illustration on page 97 100

£1000-2000

101

CARRIAGE CLOCKS

1350 A FRENCH BRASS CASED REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals, outer Arabic seconds numerals and subsidiary alarm set dial, striking on a coiled gong in a plain brass case with swing handle, 7½” high in original leatherette travelling case

1345 A FRENCH BRASS CASED REPEATING CARRIAGE CLOCK, the cream dial with black Arabic numerals, sunken centre with pierced decoration, surrounded by a pierced gilt metal mask, striking on a coiled gong in a brass case with twisted corner columns and swing handle, 8½” high

£400-800

1351 A FRENCH STRIKING BRASS CASED CARRIAGE CLOCK, the silvered chapter ring dial with Arabic numerals, with pierced centre decoration, surrounded by a plain gilt mask, in a brass case with beaded edges and swing handle, 7½” high

1346 A FRENCH BRASS CASED CARRIAGE CLOCK, the white enamel dial with Roman numerals in a plain brass case with swing handle, 7¼” high, in original leatherette travelling case

£100-200

1347 ASPREY: A BRASS CASED DESK CLOCK of oval form, with ivory frame, the gilt dial with black Roman numerals inscribed “Asprey”, on an easel stand, 4½” high

1348 JAEGER: AN ART DECO PENDULETTE EIGHT DAY TABLE CLOCK, the round dial with Arabic numerals and outer seconds numerals, sweep seconds hand, inscribed “Jaeger en Suisse”, surrounded by a chrome bezel, mounted on a square leatherette frame with chrome baton numerals

£250-450

1353 A FRENCH BRASS CASED REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals, inscribed “L Epee Fondee en 1839 Sainte Luxanne, France”, subsidiary alarm dial with Arabic numerals, surrounded by an engraved gilt mask, striking on a coiled gong in a plain brass case with swing handle, 7½” high

£150-300

1349 CARTIER: AN UNUSUAL SMALL DRUM-SHAPED MUSICAL ALARM TRAVEL CLOCK, the dial with black baton numerals, sweep seconds hand and alarm set hand, inscribed “Cartier”, in a yellow metal (possibly silver gilt) case, the side with red and green striped guilloche enamel, back-winder and two setting crowns used as feet, in original cream fitted fabric case.

See illustration

£150-300

1352 A FRENCH CLOCK, BAROMETER AND MUSIC BOX DESK PIECE, the oval clock with black Roman numerals inscribed “Bergmiller, 48 Rue Montmartre, Paris” with a matching barometer to the side, thermometer to the centre, compass to the top attached to a brass cased music box, 6” high

£200-400

£300-500

£150-250

1354 A FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, outer seconds numerals, inscribed “L Epee Fondee en 1839 Sainte Luxanne, France”, striking on a coiled gong, the side panels with scenes of French figures in a landscape in a plain brass case with swing handles, 7½” high

£1000-2000

£100-200

1355-1359 Spare lots

102

Lot 1349 103

JE WELLERY

Lot 1619 104

105

1367 BOUCHERON: A DIAMOND, RUBY AND TURQUOISE DRESS RING, the yellow gold rope knot setting with four rows of alternating diamonds, rubies and turquoise, the reverse stamped “Boucheron”, on a yellow gold rope knot shank, with openwork shoulders.

See illustration

1360 AN EMERALD AND DIAMOND DRESS RING of large form, the emerald surrounded by two rows of brilliant-cut diamonds, on an unmarked yellow gold shank with pillar shoulders

£400-800

1361 A DIAMOND AND ENAMEL DRESS RING of oval form, the central old-cut diamond with eight further diamonds set between cross work green guilloche enamel on a yellow gold shank

£1500-3000

£2500-3000

£150-300

Lot 1379

Lot 1373

£50-100

Lot 1447

Lot 1367

£500-1000

1372 A FULL DIAMOND ETERNITY RING, the rub-over set diamonds in an unmarked white metal band

£200-400

£100-200

Lot 1394

1373 A PEARL AND DIAMOND DRESS RING, the large round pearl raised set with flames of claw-set millegrain diamonds, on a white metal shank with diamond shoulders.

See illustration

£200-400

1366 AN OPAL AND DIAMOND DRESS RING, the cabochon amber tone opal surrounded by a border of rub-over set diamonds, on a white metal shank, with diamond-set shoulders

£100-200

1371 A THREE ROW DIAMOND HALF ETERNITY BAND, the three tension-set rows of graduated round brilliantcut diamonds, in an 18ct yellow gold setting

1365 A SAPPHIRE AND DIAMOND 18K WHITE GOLD COCKTAIL RING, the raised oval shaped white gold setting with eight claw-set sapphires, surrounded by a scattering of small diamonds, on an 18k white gold shank

Lot 1386

1370 A PALE BLUE SEMI-PRECIOUS STONE DRESS RING, claw-set on a 9ct gold shank with openwork shoulders and one other dress ring (2)

1364 AN EMERALD AND DIAMOND DRESS RING, the centre row of five baguette-cut emeralds flanked to either side by a row of four claw-set diamonds and two further baguette-cut emeralds raised set on a white metal shank

£300-500

Lot 1385

1369 A GENTLEMAN’S 9CT GOLD TIGER’S EYE DRESS RING, the oval cabochon tiger’s eye set in a plain 9ct yellow gold shank

1363 AN EMERALD AND DIAMOND DRESS RING, set to the centre in a row with two emerald-cut emeralds, collet-set and surrounded by millegrain border of old-cut diamonds, on an 18ct yellow gold shank

Lot 1400

£1000-2000

1368 A CITRINE, AMETHYST AND DIAMOND COCKTAIL RING, the centre raised claw-set citrine flanked with reeded yellow gold shoulders, with a border of six tiny brilliantcut diamonds, the outer sides set with an amethyst on a chunky yellow gold shank

1362 AN EMERALD AND DIAMOND DRESS RING, the central square-cut emerald, circa 1.70cts, flanked by two brilliant-cut diamonds, circa 1.60cts total, claw-set, on an unmarked white metal shank with diamond shoulders.

See illustration

Lot 1362

£1000-2000

£700-1400 106

107

1381 AN ART DECO STYLE SAPPHIRE AND DIAMOND DRESS RING, the five graduating sapphires with a border of brilliantcut claw-set diamonds, on a white gold shank with open shoulders

1374 A PEARL DRESS RING, claw-set with five graduating white tone pearls on a yellow gold unmarked shank

£200-400

1375 AN AGATE AND DIAMOND DRESS RING, the tiny diamond set to the centre of the oval green agate on a 14k gold shank with openwork shoulders

1382 AN ART DECO SAPPHIRE AND DIAMOND DRESS RING, with triple crescent shaped setting, the centre setting with rub over set sapphires, with rub over set diamonds to the sides, the top crescent with a mounted cabochon sapphire, on a white metal shank, possibly platinum £150-300

£150-300

1376 A DIAMOND AND ENAMEL DRESS RING of circular form, the central blue enamel with seven raised claw-set diamonds with a border of rub-over set diamonds on an unmarked metal shank

1383 A REGENCY DRESS RING, the blue stone (possibly sapphire) surrounded by a border of pearls, on a rose gold shank with pearl shoulders

£250-500

1377 AN 18CT WHITE GOLD MULTICOLOURED SAPPHIRE AND DIAMOND COCKTAIL RING, with seven pink and three blue oval sapphires and two oval-shaped brilliant-cut diamond clusters attached to a white gold double shank

£400-800

£800-1500

£1000-1500

1386 A NATURAL SAPPHIRE AND DIAMOND DRESS RING, the oval-cut claw-set sapphire c.8.67cts surrounded by a border of brilliant-cut diamonds, on an 18k white gold shank, with GRS Gemstone Report.

See illustration on page 107

£2800-3500

£3000-4000

1387 A RUBY AND DIAMOND PLAQUE CLUSTER RING, the central oval-cut ruby surrounded by two rows of brilliant-cut diamonds, on a yellow gold shank with diamond shoulders

£200-400

£250-500

£400-800

£500-800 1398 A DOUBLE PEARL DRESS RING, within a pierced diamond pave-set surround, on a white metal shank, in a red leatherette presentation case

£400-800

£600-800

1392 A FULL ETERNITY RING (possibly amethyst), the graduated “amethysts” claw-set in an unmarked yellow gold band

£250-500

1400 A DIAMOND AND RUBY DRESS RING, the three brilliant-cut diamonds c.0.80cts total and two brilliant-cut rubies, claw-set on a yellow gold shank.

See illustration on page 107

£200-400

1393 A THREE STONE OPAL DRESS RING, the three oval cabochon claw-set opals on a yellow gold shank with ribbed shoulders

£600-1200

1401 A GENTLEMAN’S SOLITAIRE GYPSY RING, c.0.85cts, the brilliant-cut claw-set diamond with reeded shoulders on an 18ct yellow gold shank.

See illustration on page 111

£200-400

1394 A LARGE AMETHYST AND DIAMOND DRESS RING, the oval-cut amethyst surrounded by a border of scrolling pave-set diamonds, raised set with pave-set diamonds on an unmarked yellow gold shank with paveset diamond shoulders.

See illustration on page 107

£200-400

1399 A STAR RUBY AND DIAMOND DRESS RING, the dark purple/red cabochon ruby claw-set and showing asterisms and surrounded by a border of sixteen round brilliant-cut diamonds on an unmarked yellow metal shank with open shoulders, in original fitted Liberty box

1391 A RUBY AND DIAMOND CLUSTER DRESS RING, the oval-cut ruby surrounded by fourteen brilliant-cut diamonds on an 18ct white gold shank and one eternity ring (2)

£500-1000

1397 A HEART-SHAPED CLEAR STONE CLUSTER DRESS RING, the double heart-shaped setting flanked with pear-shaped settings to each side, the reverse, sides and shank with enamel decoration, in a fitted case

1390 A RUBY AND DIAMOND CLUSTER RING, the central brilliant-cut ruby surrounded by pave-set diamonds on an 18ct gold shank

£500-1000

1402 A DIAMOND CLUSTER DRESS RING, the central diamond surrounded by a further eight rub-over set diamonds, on an 18ct yellow gold shank

£800-1500

1395 A SAPPHIRE AND DIAMOND CLUSTER RING, the central claw-set sapphire surrounded by nine brilliant-cut diamonds on an 18ct gold shank with single diamond shoulders

108

£200-400

1389 A RUBY AND DIAMOND DRESS RING, the three graduated rubies interspersed with brilliant-cut diamonds on an unmarked yellow gold shank

1380 A 19TH CENTURY TURQUOISE, PEARL AND DIAMOND DRESS RING, the centre claw-set diamond surrounded by four pearls, on a yellow gold shank, with turquoise stones to the shaped shoulders

£600-1200

1385 A THREE STONE SAPPHIRE AND DIAMOND CLUSTER RING, each rub-over set sapphire surrounded by a cluster of diamonds, on an 18ct gold shank, circa early 19th century.

See illustration on page 107

1379 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire c.8.20cts, surrounded by a border of old-cut diamonds, on a yellow gold etched shank.

See illustration on page 107

£80-160

1384 A DIAMOND AND GUILLOCHE ENAMEL DRESS RING, the circular blue guilloche enamel set with seven old-cut diamonds, on a rose gold shank

1378 A SAPPHIRE DRESS RING, the emerald-cut sapphire c.2.50cts, rub-over set on an 18ct yellow gold shank with openwork shoulders

£500-1000

1396 A PLATINUM AND DIAMOND OPENWORK ETERNITY RING, with scattered rub-over set diamonds

1388 AN EDWARDIAN DRESS RING, the three pink (possibly tourmaline) interspersed with pearls on a 15ct yellow gold shank

£400-600 109

£150-300

1411 A DIAMOND DRESS RING, the central emerald-cut diamond surrounded with a border of brilliant-cut diamonds on a white gold shank with diamond openwork shoulders

1403 A THREE STONE DIAMOND DRESS RING, the three brilliant-cut diamonds in a crossover setting on an 18ct gold shank

£150-300

£200-400

£200-400

1406 A DIAMOND CLUSTER DRESS RING, the central brilliant-cut diamond surrounded by six further brilliant-cut diamonds, claw set in white metal on an 18ct gold shank with openwork shoulders

1407 A DIAMOND CLUSTER DRESS RING, the central old-cut diamond surrounded by a further six diamonds, claw-set in yellow gold on an 18ct gold shank

£100-200

Lot 1423

£1000-2000

£1000-1500

1416 A BELLE ÉPOQUE DIAMOND RING, the central rose-cut diamonds surrounded by millegrain old and rose-cut diamonds, flowing on to the shoulders, on a yellow gold shank

£200-400

Lot 1430

Lot 1426

£300-600

1417 A DIAMOND DRESS RING, the brilliant-cut diamond claw-set on an unmarked white metal shank, with diamond shoulders, c.1.07cts total.

See illustration

£200-400

1410 A DOUBLE CLUSTER DIAMOND DRESS RING, the clusters of seven brilliant-cut diamonds in a crossover setting on a white gold shank

Lot 1417

Lot 1419

1409 A DIAMOND SOLITAIRE DRESS RING, the brilliant-cut diamond c.0.50cts, raised claw-set on white metal on a 9ct yellow gold shank, with openwork shoulders

Lot 1435

1415 A FIVE STONE DIAMOND RING, the five graduated brilliant-cut diamonds totalling c.1.3cts, in a raised open claw setting on an 18ct white gold shank with open shoulders

1408 A TWO STONE DIAMOND DRESS RING, brilliant-cut and claw-set in a crossover platinum setting c.0.80cts total, on a yellow gold shank

Lot 1448

Lot 1420

£1500-3000

1414 A DIAMOND SOLITAIRE DRESS RING, the emerald-cut diamond c.1.30cts, on an unmarked white metal shank, with certificate from the Gemmological Institute of America.

See illustration

£300-500

Lot 1414

£300-600

1413 A DIAMOND CLUSTER DRESS RING of marcasite form, the centre brilliant-cut diamond flanked by two smaller diamonds, surrounded by a cluster of various size diamonds, claw-set in white metal on a yellow gold shank.

See illustration

1405 A DIAMOND SOLITAIRE DRESS RING, the brilliant-cut diamond c.0.50cts claw-set in white metal on a yellow gold shank

£400-600

1412 A DIAMOND GYPSY STYLE RING, the brilliant-cut diamond c.0.40cts, claw-set on a yellow gold shank with reeded shoulders

1404 A GYPSY STYLE DIAMOND DRESS RING, the brilliant-cut diamond c.0.25cts set into a yellow gold engraved shank

Lot 1401

£2000-4000

Lot 1413

1418 A LARGE DIAMOND CLUSTER COCKTAIL RING, claw-set in white gold, overall with 37 brilliant-cut diamonds totalling c.1.85cts on an 18ct yellow gold shank with open shoulders

£300-500

110

£500-1000 111

1426 AN ART DECO DIAMOND RING, the brilliant-cut diamond c.1.50cts set in a square frame, on an unmarked white metal shank with baguette and brilliant-cut diamond shoulders.

See illustration on page 111

1419 A THREE STONE DIAMOND CROSSOVER DRESS RING, the central brilliant-cut diamond c.1.04cts, flanked to either side by a further brilliant-cut diamond, crossover set with scroll work of graduating diamonds, c.2.30cts total on an unmarked yellow gold shank See illustration on page 111

1427 A FIVE STONE DIAMOND DRESS RING, the five brilliant-cut diamonds claw-set on an 18ct yellow gold shank

1420 AN EARLY VICTORIAN FIVE STONE DIAMOND DRESS RING, the five graduated oval old cushion-cut diamonds, totalling c.1.8cts, in an open scrolling claw setting, on an 18ct yellow gold shank, with leaf scroll shoulders.

See illustration on page 111

£800-1000

£150-250

1423 A DIAMOND SOLITAIRE DRESS RING, c.0.75cts, raised claw-set on a white metal (possibly white gold) shank.

See illustration on page 111

£1200-1400

£1500-2000

1431 A DIAMOND CLUSTER RING, the central brilliant-cut diamond surrounded by a border of eight rub-over set diamonds, c.1.50cts total, on an 18ct white gold shank

£150-300

£1200-1400

1432 A FOUR STONE DIAMOND DRESS RING, the four brilliant-cut claw-set diamonds, c.1.45cts total, on an 18ct yellow gold shank, with openwork shoulders

£60-120

£1200-1400

£450-650

1442 A DIAMOND CLUSTER RING, the central brilliant-cut diamond c.1ct surrounded by pave-set diamonds in the form of a diamond, on a white metal shank with openwork shoulders

£1500-2000

1436 A DIAMOND AND RUBY DRESS RING, the central rub-over set diamond surrounded by a border of four princess-cut rubies and four brilliant-cut diamonds in a rub-over setting, forming a diamond on an unmarked yellow gold shank

£2500-3500

1443 AN OPAL AND DIAMOND DRESS RING, the central green/yellow tone cabochon opal with a border of rub-over set diamonds, on a white gold shank, with diamond shoulders

£650-800

£1200-1800

1444 A PINK SAPPHIRE AND DIAMOND DRESS RING, the central emerald-cut pink sapphire surrounded by a border of pave and baguette-cut diamonds on a white 18ct gold shank

1437 A SAPPHIRE AND DIAMOND DRESS RING, the central princess-cut sapphire surrounded by a border of pave-set diamonds, on a white metal shank with openwork and baguette-cut diamond shoulders

£300-500

1441 MARZO: AN ART DECO JADITE ONYX AND DIAMOND RING, the brilliant-cut diamond c.0.40cts, set on jadite and onyx, on a white metal shank with a rubbed mark (Marzo), with diamond pave-set shoulders £600-800

1435 A THREE STONE DIAMOND DRESS RING, the three brilliant-cut diamonds, claw-set in platinum, c.1.50cts total on an 18ct yellow gold shank.

See illustration on page 111

£450-550

£450-550

1445 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire claw-set to the centre and surrounded by two rows of graduated brilliant-cut diamonds, forming a snowflake design on an 18ct white gold shank with open shoulders and framework

1438 A SAPPHIRE AND DIAMOND DRESS RING, the central princess-cut sapphire surrounded by a border of pave and baguette-cut diamonds, on an unmarked white metal shank £400-800

1439 AN EMERALD AND DIAMOND CLUSTER DRESS RING, the central brilliant-cut emerald surrounded by six brilliant-cut diamonds in an openwork setting, with a border of pave-set diamonds on an 18ct yellow gold shank

112

£800-1200

1434 AN ART NOUVEAU DIAMOND DRESS RING, brilliant-cut and pave-set diamonds in an openwork setting, on an 18ct white gold shank

1425 A DIAMOND CLUSTER DRESS RING, the seven rub-over set small diamonds on an 18ct yellow gold shank

£150-300

1430 A DIAMOND CLUSTER RING, the central brilliant-cut diamond, surrounded by a border of ten rub-over set diamonds, c.1.70cts total, on an 18ct yellow gold shank.

See illustration on page 111

1424 A DIAMOND CLUSTER DRESS RING, the central brilliant-cut diamond surrounded by a further six brilliant-cut diamonds, claw-set on an 18ct yellow gold shank

£300-500

1429 A DIAMOND SOLITAIRE DRESS RING, the brilliant-cut diamond claw-set in platinum, mounted on a yellow gold oval frame and shank with open shoulders

1422 A THREE STONE DIAMOND DRESS RING, claw-set on a white unmarked metal shank

£200-400

1428 A THREE STONE DIAMOND GYPSY STYLE RING, the centre brilliant-cut diamond, c.0.33cts flanked by two brilliant-cut diamonds, c.0.15cts each, set in an 18ct yellow gold band

£1000-2000

1421 A DIAMOND SOLITAIRE DRESS RING, the princess-cut diamond c.0.30cts on a white metal shank marked 950, with openwork shoulders

£2000-4000

1440 A SAPPHIRE AND DIAMOND CLUSTER RING, the central brilliant-cut sapphire claw-set, surrounded by eight further brilliant-cut sapphires, with a border of pave-set diamonds, on an unmarked yellow gold shank

1433 A DIAMOND CLUSTER RING, the central brilliant-cut diamond surrounded by a border of six rub-over set diamonds, c.1.40cts total on an 18ct yellow gold shank

£250-350

1446 A RUBY AND CLUSTER DRESS RING, the central oval-cut ruby surrounded by a border of rubover set diamonds on an unmarked white metal shank

£350-450

113

£400-800

1455 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire with a border of pave-set diamonds on an 18ct yellow gold shank and one other similar dress ring (2)

1447 AN AQUAMARINE AND DIAMOND DRESS RING, the large oval-cut aquamarine surrounded by a border of 26 brilliant-cut diamonds in an openwork setting on a white metal (possibly platinum) shank with openwork shoulders.

See illustration on page 107

£2000-4000

1456 A DIAMOND DRESS RING, set overall with nine graduated brilliant-cut diamonds totalling c.1.03cts, forming a stylised cross, on an 18ct white gold shank

1448 A CONTINENTAL DIAMOND CLUSTER DRESS RING, the central old-cut “blue” diamond c.0.50cts with a border of rub-over set diamonds and outer six white gold petals set with pave-set diamonds on an 18ct white gold shank.

See illustration on page 111

£2000-4000

1449 A GENTLEMAN’S 9CT GOLD SIGNET RING and one other (2)

£100-150

£500-1000

1452 A 22CT YELLOW GOLD WEDDING BAND

Lot 1466

£350-700

£350-700

1459 AN EMERALD AND DIAMOND DRESS RING, the baguette-cut emerald surrounded by a border of pave-set diamonds on a white metal shank and one other pearl dress ring (2)

£100-200

1453 AN 18CT YELLOW GOLD ENGRAVED WEDDING BAND and two 22ct plain wedding bands (3)

£200-400

£80-150

Lot 1460

1460 A PAIR OF GEORGE III BUCKLES, the single row of large clear paste stones with central clear stone bow decoration, set in white metal See illustration

1454 A THREE STONE RUBY DRESS RING with three rub-over set rubies set in white metal (possibly platinum) on an 18ct yellow gold shank

Lot 1467

1458 A DIAMOND AND TOURMALINE DRESS RING, the 18ct white gold chunky shank pave-set overall with graduated round brilliant-cut diamonds and horizontally claw-set to the centre with an oval purple/pink tourmaline

£150-300

£100-200

This ring is accompanied by two HKD Diamond Laboratory, Canada Certificates stating the central stone to be 0.13cts, VS2 in clarity and G in colour. A further certificate states the surrounding stones to be F1 in clarity and H/1 in colour

1451 AN 18CT YELLOW GOLD WEDDING BAND

1457 A PINK SAPPHIRE AND DIAMOND DRESS RING, the central cushion-cut pink sapphire claw-set and flanked to either side by rows of graduated brilliant-cut diamonds, on an 18ct white gold shank

1450 A 22CT YELLOW GOLD WEDDING BAND and one other (2)

£200-400

£150-300

£300-500 1461 A PAIR OF GEORGE III BUCKLES, a double row of large and small claw-set clear paste stones set in white metal and one single buckle set with clear paste stones with a floral design set in white and yellow metal (3)

114

£300-500 115

1470 A “JET” DOUBLE ROW NECKLACE of graduated faceted beads

1462 A PAIR OF GEORGE III BUCKLES, the yellow metal trim with borders of clear cut paste stones, with white and yellow metal clasps

£300-500

1463 A GEORGE III SHOE BUCKLE, with two rows of clear paste stones and a collection of similar small buckles (6)

£200-400

£800-1200

£400-600

£250-350

1477 A COLLECTION OF VARIOUS STONES including: sapphires, opals, diamonds, moonstones, scarabs, turquoise and oval brown stones (a lot)

£100-200

1469 A BLOODSTONE BEAD NECKLACE, the three rows of graduated beads attached to a yellow metal clasp

£600-1200

1476 A LARGE SEMI-PRECIOUS STONE NECKLACE of tribal type with marcasite panels and suspending tassels

1468 A GEORGE III APPLIQUÉ WORK CLASP, set with clusters of seed pearls and raised pink stones, set on yellow metal and two other similar smaller clasps (3)

£400-600

1475 A LARGE PRECIOUS STONE MULTISTRAND CHUNKY NECKLACE, featuring citrine, aquamarine and tourmaline with 14k yellow gold ball clasp

1467 A PAIR OF BLUE AND CLEAR STONE SHOE BUCKLES of lozenge form, in a fitted red leatherette presentation case inscribed “Shapland, London”.

See illustration on page 115

£1800-2000

1474 AN AMETHYST AQUAMARINE AND RUBY NECKLACE, a large multi-strand chunky necklace with white gold ball clasp

£200-400

1466 A PAIR OF GEORGE III TOPAZ BUCKLES, the double row of pale champagne brilliant-cut topaz, claw-set in a fitted leatherette case.

See illustration on page 115

£250-500

1473 A TRIPLE STRAND CORAL BEAD NECKLACE, the three rows of graduated knotted corals attached to an unmarked gold clasp, with a border of old-cut diamonds surrounding a cabochon coral of floral form

1465 A GEORGE III SHOE BUCKLE, with lines of blue enamel edged with single rows of clear paste stones with clusters to the centre and corners, one other similar buckle and two smaller pairs (4)

£40-80

1472 A LAPIS LAZULI BEAD NECKLACE, each lapis bead c.2cms diameter, knotted, with a 14ct yellow and white gold spherical basket clasp, 16”

£200-400

1464 A GEORGE III SHOE BUCKLE, the twisted openwork design of clear paste stones scattered with single larger stones, set in yellow metal and two other similar buckles (3)

£50-100

1471 A COLLECTION OF “JET” OVAL CAMEOS, NECKLACE AND LOCKET

£100-200

1478 A CORNELIAN AND CRYSTAL NECKLACE, one other crystal necklace and a silver thistle brooch (3)

£50-100

1487 ROBERT DOUGLAS: A PAIR OF DRESS CLIPS, the white metal clips of bow form decorated throughout with clear and red paste stones in a pink leatherette presentation case, marked “Robert Doublas, Bond Street Ltd, 21 New Bond St, W1”

1479 AN EARLY 20TH CENTURY “HORN” AND BEAD NECKLACE, the pendant of winged form with central cabochon amber coloured bead, single amber coloured bead drop attached to a brown cord necklace with knotted bead decoration

£150-300

1488 FORTNUM & MASON’S: A CLEAR AND RED PASTE WIDE BRACELET, the white articulated metal decorated throughout with clear and red paste stones with enclosed clasp in a leatherette presentation case marked “From Fortnum & Mason’s Gift Department”

1480 A TRIPLE STRAND PEARL NECKLACE, the three rows of graduated cream/white tone pearls, attached to an unmarked yellow gold clasp set with a peridot and red stone (possibly ruby) cluster, 16” long

£250-450

1481 A TRIPLE STRAND PEARL NECKLACE, the three rows of graduated cream/white tone pearls, attached to an unmarked yellow gold clasp with weaved hair-work and a border of seed pearls, 22” long

£500-800

£300-600

£600-1200

£600-1200

£200-400 1494 A PORTRAIT PENDANT, the hand painted head and shoulders portrait of a lady in an unmarked yellow gold mount with hanging loop

£300-500

116

£150-300

1493 A CAMEO BROOCH, the finely carved cameo of a lady’s head and shoulders set in an unmarked yellow gold mount with beaded border

1486 A MATCHING SET OF THREE MOONSTONE BANGLES, each black bangle claw-set with moonstones (3)

£50-100

£40-80

1492 A CAMEO BROOCH, the shell carved with a Grecian lady in a scrolling 9ct yellow gold frame, with safety chain

1485 A YELLOW GOLD AND SCULL NECKLACE, the chain link necklace interspersed with 14 scull-shaped sculls, possibly bone, 22” long

£300-500

1491 A CAMEO BROOCH, the shell carved with Pliny’s dove, set in scrolling gilt metal mount and one other (2)

£800-1600

1484 A DOUBLE ROW PEARL NECKLACE, the graduated cream tone knotted pearls terminating into an 18k yellow gold clasp with a cluster of old-cut diamonds.

See illustration on page 135

£250-450

1490 A MINIATURE HARDSTONE SWIVEL SEAL in an unmarked gold mount, with attached unmarked gold deer and a collection of similar hardstone swivel seals (7)

1483 A DOUBLE ROW PEARL NECKLACE, the graduated cream tone knotted pearls terminating to an unmarked gold clasp, set with a princess-cut ruby with diamond shoulders

£150-300

1489 BULGARI: A WHITE AND YELLOW GOLD RING, the three conjoining white gold bands with outer edge yellow gold, engraved “Bulgari” and a pair of matching stud earrings with folding clasps (2)

1482 A LONG CULTURED PEARL NECKLACE, the single row of cream tone pearls knotted, 22” long

£100-200

117

£400-600

1503 A MOONSTONE BRACELET, the hinged links set with graduated oval opal cabochons and terminating each side in six-leaf-shaped links, set in unmarked yellow metal

1495 AN INTARSIA “FORGET-ME-NOT” BROOCH, set in yellow metal

£40-80

1496 A PAIR OF GENTLEMAN’S CUFFLINKS of oval form, decorated with hand-painted standing and flying ducks in unmarked yellow gold frames

£550-650

£1400-1600

£300-500

£100-200

£80-160

Lot 1608

Lot 1618

£50-100

£100-200

Lot 1609

£30-60

1509 A MODERN WHITE AND YELLOW GOLD DIAMOND BRACELET, the white gold links with rub-over set brilliant-cut diamonds, between interlinked yellow gold crosses and a white and yellow gold diamond pendant set with 14 graduated baguette-cut diamonds on a yellow gold chain (2)

Lot 1552

£400-800

1510 A PAIR OF GOLD PERIDOT AND PEARL DROP EARRINGS and a matching pendant

1502 AN ARTS AND CRAFTS ENAMEL AND SILVER HAT PIN of butterfly form, the wings decorated with blue and green enamel, hallmarked Birmingham “J.I” and two brooches

£100-200

1508 DAVID ANDERSON, a silver and enamel brooch in the shape of a swallow, with cream enamel head and wings and blue enamel body

1501 AN EMERALD AND OPAL BROOCH, set to the centre with an elongated opal cabochon and surrounded by a rub-over border of graduated native-cut emeralds, in unmarked yellow metal, the reverse with brooch fitment and safety chain

Lot 1516

1507 A CAT’S EYE AND SEED PEARL BANGLE, seven graduated claw-set cat’s eyes with seed pearl decoration between each one, attached to a white metal bangle with safety chain

1500 A DIAMOND-SET BAR BROOCH, in the shape of an arrow, with a diamond-set horseshoe to the centre and one other turquoise, pearl and garnet brooch (2)

£200-400

1506 A WHITE METAL TORQUE BANGLE, set with a large blue oval semi-precious stone

1499 A CARVED JADE BROOCH, decorated with Oriental figures and scrollwork, claw-set on a white metal mount

£80-160

1505 A GEORGE III CLEAR PASTE MALTESE CROSS PENDANT, set in white metal

1498 A MOONSTONE CUFF BRACELET, the double row of graduating cabochon moonstones claw-set in 9ct yellow gold, attached to a short link bracelet

£250-500

1504 BULGARI: A WHITE AND YELLOW GOLD PENDANT of circular form, the centre with cut-out star decoration, attached to a silver snake chain, 18”

1497 AN OPAL AND DIAMOND NECKLACE, the graduating blue/tone sliced opals with interlinked foliage design yellow gold links, each set with diamonds, with concealed clasp, 15½” long.

See illustration on page 135

Lot 1625

£80-160

£80-160 118

119

1518 A PAIR OF AQUAMARINE DIAMOND AND PINK SAPPHIRE TRAIN EARRINGS set with three graduated kite-shaped aquamarines, the lowest drops surrounded by a cluster border of round brilliant-cut diamonds, with claw-set round-cut pink sapphires, between each aquamarine and terminating in a cushion-cut aquamarine with 14ct white gold stud fitments

1511 A GILT METAL CROSS PENDANT with various animal motifs attached to a blue velvet collar and a 15ct yellow gold cross pendant and chain (2)

£100-200

1512 A MINER’S YELLOW GOLD STICKPIN, decorated with a shovel, coal, pick-axe and rope

£50-100

1519 A 9CT GOLD CRESCENT-SHAPE BAR BROOCH set with diamonds, rubies and seed pearls

1513 A DIAMOND-SET PENDANT, the diamond set in openwork white metal and yellow gold, surrounded by millegrain set diamonds, attached to a white metal chain with safety clasp

£70-140

£600-1200

1515 A LARGE OPAL AND DIAMONDSET PENDANT, the oval opal of green/blue tone in a heavy claw setting, the unmarked yellow metal reverse with pierced Maltese cross decoration, the pendant hanger claw-set with a round brilliant-cut diamond, c.0.2cts

£350-700

Lot 1620

£400-800

Lot 1523

1522 A PAIR OF CITRINE, DIAMOND AND PINK SAPPHIRE EARRINGS, the claw-set citrine, with a train of alternating pink sapphires and diamond clusters, terminating to a large brilliant-cut citrine surrounded by a border of diamonds, set in white gold

£400-800

£500-1000

1523 A PAIR OF PEARL AND DIAMOND CLUSTER EARSTUDS, the cream tone pearl surrounded by a row of claw-set diamonds, set in white metal.

See illustration

1517 A PAIR OF LARGE AMETHYST AND DIAMOND DROP EARRINGS, the stud set with three marcasite-cut amethyst, forming a fleur-de-lis and suspending three graduated round-cut amethysts with quatrefoil and trefoil diamond spacers, the largest amethyst surrounded by a claw-set border of round-cut diamonds, all in 14ct white gold with stud fitments

£150-300

1521 A PAIR OF AQUAMARINE AND RED TOURMALINE DIAMOND CLUSTER TRAIN EARRINGS, the claw-set cabochon tourmaline with a train of alternating diamonds, aquamarine and red tourmaline, with a suspending red tourmaline diamond cluster, set in white gold £500-1000

1516 A MOONSTONE AND DIAMOND BAR BROOCH, the circular moonstone with a carved face, surrounded by a single row of claw-set diamonds attached to an 18ct gold plain bar brooch.

See illustration on page 119

Lot 1526

1520 A BELLE ÉPOQUE “PERIDOT” AND DIAMOND BROOCH in the form of entwined hearts, each set to the centre with a cushion-cut “peridot” and surrounded by a graduated border of rose-cut diamonds and surmounted by a diamond-set ribbon-tie, in white metal, the reverse in unmarked yellow gold with bar brooch fitment and safety clip in a fitted case

1514 A PAIR OF MOONSTONE SAPPHIRE AND DIAMOND TRAIN EARRINGS, formed from three oval cabochon moonstone, claw-set and spaced with two oval claw-set sapphires, the last drop surrounded by a cluster border of round brilliantcut diamonds, with 14ct white gold earstud fitments

£600-1200

Lot 1612

Lot 1622

£800-1600

£600-1200

120

121

1531 A DIAMOND, SAPPHIRE, EMERALD, RUBY AND PEARL PARROT BROOCH, the parrot body with pave-set diamonds, its wings and tail with pave-set rubies, emeralds and sapphires, clutching a pearl in its claw

1524 A BLISTER PEARL RING AND MATCHING EARSTUDS, the ring with a large white/grey tone blister pearl, cushion-set on a 14ct yellow gold shank, with openwork shoulders and a pair of matching earstuds

£250-500

1525 A PAIR OF AQUAMARINE, RUBY AND DIAMOND EARRINGS, the emerald-cut aquamarine and diamond cluster with a train of alternating small diamonds and rubies with a suspending large emerald-cut aquamarine with a diamond border, set in white gold

1532 A 19TH CENTURY YELLOW GOLD MOURNING RING, with enclosed hair decoration, one other ring and a small bar brooch (3)

£600-1200

£400-600

£200-400

£400-800

£200-400

£250-500

£300-500

122

£50-100

1548 A PAIR OF SAPPHIRE AND DIAMOND DROP EARRINGS, the tier-shaped claw-set sapphire attached to a solid yellow gold bar with two claw-set diamonds and a sapphire drop

£150-300

1543 AN EDWARDIAN BROOCH PENDANT in yellow gold, set with seed pearl, peridot and amethysts attached to a 9ct yellow gold link chain, 18” long £150-250

£150-300

£50-100

1538 A DROP PEARL NECKLACE, attached to an 18ct yellow gold chain with a rub-over set diamond

£80-160

1547 A 9CT GOLD BANGLE, slash decoration with safety clasp, marked 375

£100-200

1542 AN OPAL AND SEED PEARL BAR BROOCH, the central cabochon opal surrounded by four seed pearls, set in an openwork floral design, on an openwork 15ct gold bar, in original leatherette presentation case marked “Tessiers, Ltd, 26 New Bond Street, London”

£250-500

1546 A 9CT YELLOW GOLD ETRUSCAN STYLE BANGLE, decorated with seed pearls, red and blue stones, with a concealed clasp and safety chain

1541 AN INDIAN TIGER’S CLAW BRACELET, each claw set with yellow metal mounts, a 9ct gold chain bracelet, a horseshoe-shaped tie-pin and a yellow metal bar brooch (4)

£200-400

1545 A PAIR OF SAPPHIRE AND DIAMOND EARRINGS, set in yellow metal in the form of scorpions

1540 A GARNET AND YELLOW GOLD FLORAL CLUSTER BROOCH, a garnet and gold link bracelet and a garnet cluster ring on a yellow gold shank (3)

1537 A PAIR OF 9CT YELLOW GOLD CLOVER LEAF-SHAPED EARRINGS, the leaves decorated with black enamel, with a central claw-set pearl, a pair of drop pearl earrings, three yellow metal seals and a yellow metal chain (a lot)

1530 A DIAMOND AND RUBY BROOCH, in the form of a dove delivering a ruby heart, the dove with pave-set old-cut diamonds, the heart with pave-set rubies

£80-160

1536 A PAIR OF EMERALD AND DIAMOND CLUSTER EARSTUDS, each claw-set to the centre with a cabochon emerald and surrounded by a gold-set diamond pave border, the 9ct yellow gold backs with stud fitments

1529 A TRILOGY DIAMOND PENDANT, c.0.65cts total, claw-set on a white metal bar, attached to an 18ct white gold fine link chain

£500-1000

1535 A 9CT GOLD BAR BROOCH in the shape of a game bird in flight, with enamel decoration to its head and one other similar game bird brooch (2)

1528 A DIAMOND AND RUBY SET “LITTLE PIG” CHARM, all over pave-set with diamonds, with ruby eyes, curly yellow metal tail and attached hanging loop

£350-450

1534 A YELLOW GOLD BANGLE set with black star-sapphires and rubies, with a ring and pendant ensuite (3)

£1400-2000

1527 A PAIR OF DIAMOND STUD EARRINGS, the brilliant-cut diamonds claw-set on white metal, c.0.55cts each

£150-300

1533 A VICTORIAN SEED PEARL AND TURQUOISE NECKLACE of foliate design with two turquoise drops in a foliate frame, set with seed pearls, on a fine link chain

1526 A PAIR OF SAPPHIRE AND DIAMOND STUD EARRINGS, each oval-cut sapphire set in white metal, surrounded by a border of ten brilliant-cut diamonds, on an unmarked yellow gold openwork back.

See illustration on page 121

£450-650

1544 A DOUBLE TIGER CLAW AND GOLD BROOCH, the conjoined claws with raised unmarked yellow gold foliage and tiger decoration

1539 A RUBY AND DIAMOND STAR BROOCH, the central emerald-cut ruby attached to a yellow gold star decorated with pave-set diamonds in an openwork oval form brooch

£200-400

123

£150-300

1549 A CLAW-SET YELLOW GOLD NECKLACE AND BROOCH ENSUITE, the necklace with five tiger claws set in engraved yellow gold mounts, attached to an unmarked yellow gold twisted chain, 18� and a double claw brooch set in yellow gold, the centre with a yellow gold mask of a tiger, set on an engraved mount, in original red leatherette presentation case.

See illustration

ÂŁ1000-2000

Lot 1549 124

125

1555 A PAIR OF DIAMOND CLUSTER EARRINGS, the central diamond surrounded by a border of eight old-cut diamonds and one outer single diamond, set on unmarked yellow gold studs

1550 A YELLOW GOLD MODERN DESIGN BROOCH, the conjoining slats scattered with a diamond, ruby and sapphire, the back numbered 4 L18, attached white metal pin with safety clasp

£50-100

1556 A PAIR OF OPAL AND DIAMOND EARRINGS, the central cabochon opal surrounded by a border of rub-over set diamonds on white metal clips

1551 TRABERT HOEFFER & NAUBOUSSIN: A 1940’S EMERALD AND DIAMOND “REFLECTION” SERIES BROOCH, eleven cabochon emeralds enclosed in a scroll edged with three sprays of pave-set diamonds and one scrollwork of pave-set diamonds, set on yellow gold, the reverse marked “Trabert Hoeffer & Naubousin” and “Reflections”

£600-1200

1557 A BLUE TOPAZ AND SEED PEARL EDWARDIAN PENDANT, collet-set to the centre with an oval faceted topaz and surrounded by open scrolling borders of collet-set seed pearls and diamonds, mounted in 15ct yellow gold.

See illustration on page 135

£600-800

1552 AN EMERALD AND DIAMOND STAR BROOCH, set with thirteen various size emeralds, interlinked with pave-set diamonds, set in yellow gold with pin clasp and pendant loop.

See illustration on page 119

£1000-2000

£1000-2000

1558 AN EDWARDIAN PERIDOT AND PEARL PENDANT, the three peridots in an openwork clover leaf, with a single peridot drop, scattered with seed pearls attached to a fine yellow metal chain in original presentation case

£1200-1400

1553 A PAIR OF OPAL AND DIAMOND

£200-400 DROP EARRINGS, the tear-shaped cabochon opals suspended in a border 1559 A REVERSE INTAGLIO PENDANT, of rub-over set diamonds, attached to a white metal clip the painted intaglio crystal of a duck in an unmarked with a single rub-over set diamond yellow gold mount, with hanging loop See illustration

£1400-1600

£300-500

1554 A PAIR OF DIAMOND AND GOLD EARRINGS, the central old-cut diamond raised-set on yellow gold forming a flower, suspended from one single old-cut diamond attached to unmarked yellow gold loop, c.1ct total

£300-500

Lot 1553 126

127

1560 BALOGH: AN EMERALD, DIAMOND AND WHITE ENAMEL NECKLACE with detachable brooch, set in 18ct yellow gold, the ten white enamel butterfly style links set with raised cabochon emeralds and four clusters of brilliant-cut diamonds, interlinked with 18ct gold links, each link set with two small cabochon emeralds and three brilliantcut pave-set diamonds, the detachable brooch of floral form with nine graduating cabochon emeralds, forty-five brilliant-cut diamonds of various size and eight diamond clusters of petal form. The reverse stamped “Balogh” in a fitted presentation case.

See illustration

£8000-10000

Lot 1560 128

129

1569 A PAIR OF REPOUSSÉ DECORATED SCROLL PANEL DROP EARRINGS in gold and one other similar pair (2)

1561 A TIGER CLAW AND GOLD BRACELET, the five claws set in gold engraved mounts, with interlink yellow gold chain decorated with a flowerhead, concealed clasp, in a fitted presentation case

£400-600

1570 A CHILD’S GOLD TORQUE BRACELET, with faceted decoration and ball terminals, possibly ancient.

See illustration

1562 A YELLOW GOLD FINE ROPE CHAIN, 56”,c.14gms, a damaged cross and a yellow metal bar brooch in the form of a jockey crop with attached reverse crystal intaglio of a jockey on a horse (3)

£200-400

£200-400

£300-600

£700-1400

1566 A YELLOW GOLD FANCY LINK CHAIN, 19” long and one other similar chain, 16” long

£150-300

£200-400

£400-800

Lot 1591

1575 A PAIR OF VICTORIAN UNMARKED GOLD HALF BARREL EARSTUDS with foliate decoration

£80-160

1568 A YELLOW GOLD CHUNKY CURB LINK BRACELET, the four brushed tubes joined with plain circular links, with concealed clasp and safety clip

£1200-1800

1574 A YELLOW GOLD CUFF BRACELET, the articulated four rows indistinctly marked “14k”, the concealed clasp with side safety clasp, c.48gms

1567 AN UNMARKED YELLOW GOLD CHAIN LINK NECKLACE, c.9gms, 31” long

Lot 1595

1573 AN UNMARKED YELLOW GOLD BANGLE of Etruscan design with plain back, in a fitted leatherette presentation case

1565 AN 18CT YELLOW GOLD ARTICULATED NECKLACE with concealed clasp, 17” long, c.35gms

£800-1600

1572 A VICTORIAN 18CT YELLOW GOLD BOX LINK MESH CHOKER NECKLACE with concealed clasp and slider suspending a jump ring for pendant attachment, c.76.6gms, 17½” long

1564 A YELLOW METAL CHUNKY CURB LINK BRACELET with concealed clasp, c.38gms

£300-500

1571 AN 18CT YELLOW GOLD MESH CUFF BRACELET, with concealed clasp, c.65gms.

1563 A PAIR OF GENTLEMAN’S 18CT GOLD CUFFLINKS of oval form, with linear decoration, stamped 18ct

£150-300

£50-100

1576 A 9CT GOLD CHARM BRACELET with padlock lock, various charms attached.

£300-600

£800-1200 Lot 1570 Lot 1603

130

131

1587 AN 18CT YELLOW GOLD FANCY LINK CHAIN BRACELET, with ring clip and safety chain, c.38gms

1577 A 9CT ROSE GOLD CHAIN LINK BRACELET with padlock clasp and one other 9ct gold bracelet with attached yellow metal charms (2)

£100-200

1588 A 9CT GOLD BELCHER CHAIN, 21” long, c.26gms

1578 A SILVER BROOCH IN THE FORM OF A LADY’S HEAD, wearing a turban and a collection of costume jewellery

£50-100

£500-1000

£150-300

£100-200

£150-300

£700-1000

1595 AN 18CT YELLOW GOLD ARTICULATED BRACELET of brick design, with concealed clasp and safety chain, c.66gms.

See illustration on page 131

£500-800

1586 A CHILD’S YELLOW GOLD CHAIN LINK BRACELET with concealed clasp, 5,5” long

£450-550

Lot 1623

1585 A 9CT GOLD FOB CHAIN with attached George V Sovereign, dated 1925

Lot 1641

1594 AN 18CT YELLOW GOLD FANCY LINK NECKLACE with concealed clasp, 17” long, c.40gms

1584 A 15CT YELLOW GOLD ETRUSCAN STYLE BANGLE, with concealed clasp and safety chain

Lot 1606

£400-600

1593 A LONG 9CT GOLD BELCHER CHAIN, 31½” long, c.22gms

1583 A 9CT ROSE GOLD CHAIN LINK BRACELET, with padlock clasp

£1000-2000

1592 A TORQUE GOLD BRACELET, with twisted decoration and ball terminals, two 9ct gold chains, c.46gms

1582 A 9CT YELLOW GOLD CHAIN LINK BRACELET with padlock clasp and safety chain

£600-1200

1591 AN UNMARKED INDIAN GOLD CUFF BRACELET, each tapered rectangular link relief decorated with six relief Deities, with concealed clasp.

See illustration on page 131

£100-200

1581 AN ETRUSCAN STYLE YELLOW GOLD NECKLACE, unmarked but tests as gold, 14” , c.86gms

£300-500

1590 A 14CT YELLOW GOLD MESH NECKLACE, with concealed clasp, 16¼” long, c.59gms

£150-300

1580 AN UNMARKED YELLOW GOLD ROPE TWIST CHAIN, c.8gms and three yellow metal lockets (a lot)

£200-400

1589 A 9CT GOLD FOB CHAIN, c.34gms, 12½” long

1579 A 9CT YELLOW GOLD BELCHER CHAIN NECKLACE, 19” long

£700-1000

£1400-2000

£200-300 132

133

1605 A SAPPHIRE AND DIAMOND LONG BAR BROOCH, the central diamond and sapphire cluster conjoining to a row of alternating sapphires and diamonds, set in white metal with yellow gold back, the setting with Continental mark, possibly French

1596 A 9CT GOLD CHAIN LINK BRACELET with padlock and a collection of gold chains, c.48gms

£500-1000

1597 A COLLECTION OF GOLD EARRINGS AND RINGS, c.40gms

£100-200

£100-200

1600 A YELLOW GOLD FANCY LINK BRACELET, c.11gms

£300-400

£250-450

1603 ASPREY: A PAIR OF 18CT YELLOW GOLD AND LAPIS LAZULI CUFFLINKS, the circular lapis lazuli in an 18ct yellow gold mount with reeded decoration, the links inscribed “Asprey”.

See illustration on page 131

Lot 1497

£4000-6000

1610 A PAIR OF PEARL AND DIAMOND EARRINGS, each white tone pearl, surrounded by a border of brilliant-cut pave-set diamonds, with yellow metal stud backs

£1000-2000

1604 A DIAMOND AND PEARL BAR BROOCH, the single diamond set within a pierced pearl and diamond border, with pave-set shoulders, set in white and yellow gold

£500-1000

1609 AN ART DECO STYLE DIAMOND DOUBLE CLIP BROOCH, set with two brilliant-cut diamonds in a scrolling design of graduating brilliant and baguette-cut diamonds, set in white metal, c.6.50cts total.

See illustration on page 119

1602 A ROSE GOLD LONG CHAIN, 28” long, with attached gold cross, c.27gms

£750-850

1608 A DIAMOND SET BAR BROOCH, set to the centre with a cluster of brilliant-cut diamonds, flanked each side with nine rub-over set diamonds, set in white metal and yellow gold, the reverse with a bar brooch safety clasp, See illustration on page 119

£100-150

1601 A COLLECTION OF MISCELLANEOUS GOLD PIECES, c.45gms

£3000-4000

1607 A DIAMOND, RUBY AND PEARL INSECT BROOCH, the wings and body set with old-cut diamonds with ruby eyes and single pearl between the wings, set on yellow metal

1599 A 9CT GOLD CROSS and a fancy link gold chain (2), c.9gms

£150-300

1606 A DIAMOND AND PEARL BANGLE of pierced foliage design, with pave-set diamonds and seven raised white tone pearls, on a yellow gold openwork bangle, with concealed clasp, marked “Vever”.

See illustration on page 133

£300-600

1598 A 9CT ROSE GOLD CHAIN LINK BRACELET with padlock,

Lot 1484

Lot 1613

£700-1000

1611 A DIAMOND AND SAPPHIRE CROSS PENDANT, the centre of the cross claw-set with an oval cut sapphire, the remainder of the cross formed from seven round collet-set brilliant-cut diamonds, each c.0.1cts, set in unmarked white metal

£100-200

134

Lot 1557

£350-700 135

1619 A DIAMOND CRESCENT-SHAPE BROOCH, two brilliant-cut pear-shape diamonds to the centre surrounded by graduating pave-set diamonds, set in platinum and openwork yellow gold, once part of a larger piece.

See illustration

1612 A PAIR OF DIAMOND CLUSTER STUD EARRINGS, the central brilliant-cut claw-set diamond, surrounded by a further eight claw-set diamonds, c.2.50cts total, set on 18ct yellow gold.

See illustration on page 121

£1800-2200

1613 AN INTAGLIO AND DIAMOND PENDANT, the intaglio of hexagon shape with engraved details of a lady’s head and shoulders, with a border of brilliant-cut claw-set diamonds, attached to a diamond clasp on a white gold fine link chain.

See illustration on page 135

1620 A PAIR OF DIAMOND CLUSTER EARSTUDS, the central brilliant-cut claw-set diamond surrounded by a border of nine further brilliant-cut diamonds, set in white gold.

See illustration on page 121

£600-1000

1614 A PAIR OF SAPPHIRE AND DIAMOND CLUSTER STUD EARRINGS, the central claw-set sapphire surrounded by pave-set diamonds in the form of a flower, set in 18ct white gold

£500-800

£500-800

£400-800

1618 A LARGE DIAMOND SET DOUBLE CLIP BROOCH, baguette-set diamonds to the centre surround by paveset brilliant and further baguette-cut diamonds, forming a fancy bow, set in unmarked white metal (possibly platinum).

See illustration on page 119

£800-1500

1623 A DIAMOND AND GUILLOCHE ENAMEL FLEXIBLE HAIR ORNAMENT, the blue guilloche enamel with pierced circular sections, decorated with five scrolls of graduating brilliant-cut diamonds, linked together with yellow gold links, flanked each side by an articulated yellow gold strap terminating with circular links in original red leatherette presentation case.

See illustration on page 133

£350-450

1617 A DIAMOND-SET BAR BROOCH, rub-over set overall with thirteen graduated old-cut diamonds forming a linear bar and totalling c. 1.5cts, in a white metal setting with bar brooch fitment and safety chain

£500-1000

1622 A PAIR OF ART DECO DIAMOND AND “JADE” DROP EARRINGS, the six brilliant-cut claw-set diamonds terminating in a jade ball, edged with white metal with yellow metal studs.

See illustration

1616 A DIAMOND AND ONYX ARROW JABOT, with indistinct marking, in a Mappin & Webb leatherette case

£1000-2000

1621 A SAPPHIRE AND DIAMOND BAR BROOCH, set with alternating rows of four brilliant-cut pave-set diamonds and four princess-cut sapphires, set on an engraved white metal bar with pin clip in a leatherette presentation case

1615 A PAIR OF AQUAMARINE AND DIAMOND CLUSTER STUD EARRINGS, the central princess-cut aquamarine surrounded by a border of rub-over set diamonds, set in 18ct white gold

£4000-8000

£800-1200

1624 A SAPPHIRE AND DIAMOND BROOCH, the three graduated sapphires flanked by two brilliant-cut diamonds, in an openwork setting of pave diamonds

£2000-4000 136

£500-1000

1634 A 9CT YELLOW GOLD GATELINK BRACELET with padlock clasp, and a collection of assorted gold pieces

1625 A DIAMOND AND PEARL BROOCH converted from a tiara, the pave-set diamonds in an openwork setting, scattered throughout with pearls, pin clasp to the back, also including a screw fitment for a pendant.

See illustration on page 119

£800-1200

1635 A YELLOW GOLD MEDAL STRAP, gold signet ring, Regimental brooch and other similar items

1626 A DIAMOND SOLITAIRE RING, c.0.26cts on an 18ct white gold shank with jewellery identification report in original presentation box

£150-300

£150-300

£300-500

£200-400

£300-600

£1500-2500

1642 a diamond star brooch, set with old cut diamonds

1633 A YELLOW AND WHITE GOLD FOB CHAIN, 17” long, c.24gms

£150-300

1641 A TRIPLE STRAND 18CT YELLOW GOLD NECKLACE, the side tie decoration set with rows of brilliant-cut rubies, with a matching brooch of twisted form with a single border of brilliant-cut rubies, with an engraved clover leaf with central ruby (2)

1632 A 9CT YELLOW GOLD FOB CHAIN, 29” long, c.42gms

£150-300

1640 AN 18CT WHITE GOLD BAR BROOCH, with a single white tone pearl

£100-200

1631 A PAIR OF GENTLEMAN’S 18CT GOLD CUFFLINKS of oval form, one other pair in unmarked yellow gold (2)

£150-300

1639 A 22CT YELLOW GOLD WEDDING BAND

£80-160

1630 A 9CT GOLD DRESS RING and a collection of similar gold and silver items (a lot)

£1800-2000

1638 A CHILD’S YELLOW GOLD BRACELET, decorated with two seed pearls and a turquoise, a 9ct gold garnet cluster ring and two stick-pins (4)

£80-150

1629 A PAIR OF RED STONE (POSSIBLY RUBY) AND PEARL TREFOIL SCREW-BACK EARRINGS in a yellow gold setting

£150-300

1637 A PAIR OF DROP DIAMOND AND PEARL EARRINGS, the articulated train of pave-set diamonds terminating into an openwork pear-shape decorated with pave-set diamonds, a border of seed pearls and a diamond drop to the centre, set on unmarked yellow gold.

1628 A PEARL AND TURQUOISE STAR BROOCH, graduating white tone pearls set in yellow gold with a centre spray of turquoise stones

£200-400

1636 DE SARRE: A NECKLACE WITH ENSUITE BRACELET and two pairs of clip earrings (4)

1627 AN INDIAN GILT METAL BRACELET, each link set with an oval and round cabochon moonstone and surrounded by a wirework border set with pink stones (probably rubies), with a concealed clasp

£200-400

137

£200-400

BOXES, CADDIES AND BRIC A BRAC ARMS AND MILITARIA METALWORK AND SCULPTURE CLOCKS AND INSTRUMENTS RUGS FURNITURE

138

139

BOXES, CADDIES AND BRIC A BRAC

1656 AN EARLY 20TH CENTURY SATINWOOD, IVORY AND SHAGREEN CIGAR BOX, the rectangular top with shagreen crossbanding and ivory stringing, the interior fitted with gilt metal hinges and lock, 11” wide

1650 A GEORGE III TEA CADDY, the shaped top veneered with three oval panels within decorative crossbanding, with a central ring handle, the front and sides similarly decorated, the interior with three lidded tea canisters with sliding lids with conforming oval veneered decoration, 9½” wide

£1000-1500

1657 A 19TH CENTURY DUTCH MARQUETRY DECANTER BOX, the square top inlaid with an oval foliate panel within a border of a bird amongst foliage within a chequered surround, the front and sides similarly decorated, with twin carrying handles, 7” wide

1651 A GEORGE III TREEN GOBLET of straight sided ringed form on a spreading circular foot, possibly plum wood, 5” high

£100-200

1652 A LATE 19TH CENTURY FRENCH AMBOYNA, EBONY AND BRASS STRUNG DRESSING TABLE BOX, the shaped top with a central rectangular compartment flanked by two downswept lidded compartments, on short turned feet, 11½” wide

£150-250

£200-400

£200-400

1660 A GOLD AND SILVER THREAD NEEDLEWORK PANEL worked with scrolling foliate design against a pale silk ground with a silver thread border, probably an altar front, 39” x 38”

£4000-6000

1655 TUNBRIDGEWARE: AN EBONY AND MOSAIC INLAID DESK STAND attributed to Thomas Barton, with a central turned handle flanked by twin cylindrical lidded containers and square top stamp boxes flanking a pocket watch holder, with a match strike to the right hand side, with decorated tapering sides on bun feet, 9” wide

£300-500

1659 A NEEDLEWORK SAMPLER worked with a central motto “Whene’er I take my walks abroad ....” within a border of flowers and scrolls, by Elisabeth Crutchfield, her sampler, finished October 18th in the 9th year of her age, 1770, 13” x 12”

1654 AN ANGLO-INDIAN VIZAGAPATAM WORKBOX with a raised gadrooned top with a central carved ivory finial and decorated ivory borders, the sandalwood fitted interior with a removable tray with ivory lidded compartments and accessories, on carved compressed feet, circa 1800, 12½” wide.

See illustration

£150-250

1658 TUNBRIDGEWARE: A BIRDSEYE MAPLE BOX

by Edmund Nye, the square lid decorated with a central mosaic panel of flowers amongst foliage within a mosaic border of running floral decoration, the sides decorated with a band of oak leaves and acorns, with a paper label to the base “Edmund Nye, Manufacturer, Mount Ephraim & Parade, Tunbridge Wells”, 8¼” wide

1653 ROBERT THOMPSON, MOUSEMAN OF KILBURN: AN OAK BOOK RACK with rounded ends and carved mouse detail, 18” wide

£300-500

£200-400

£600-800

Lot 1654 140

141

1666 A PRIMITIVE HALF MODEL of a three masted sailing ship mounted in a glazed case with a carved sea, a smaller single masted ship in a painted landscape beyond, 40¾” wide.

See illustration

1661 A NEEDLEWORK SAMPLER worked with The Lord’s Prayer within a border of scrolling foliate and floral decoration, by “Alice Lord born February 11th 1738 finished this in the year 1751”, 14¾” x 12¾”

£300-600

1662 A 19TH CENTURY BRASS AND IVORY INLAID ROSEWOOD BOX, the rising lid with a central panel of a flowering vase flanked by winged cherubs, the corners similarly decorated and with a gadrooned border, above a similarly decorated fall front and plinth base with compressed bun feet, 24” wide

1667 TAXIDERMY: VAN INGEN AND VAN INGEN OF MYSORE, a preserved tiger-skin rug with full head and open mouth, on a felt backing, 107” (maximum length) with stamped marks to the underside

£150-250

£1000-2000

£50-100

1669ATaxidermy: a preserved hawksbill turtle, 61” long

£100-200

1665 A SCRATCH BUILT TRACTION ENGINE with a red painted boiler, 19”

£150-250

1669 a treen tea caddy, of turned barrel form with circular lid with applied 'ivory' detailing, probably c1800

1664 A CONTINENTAL GILT METAL CASKET, the rectangular top decorated with geometric alternating panels, the sides similarly decorated, the interior with red silk lining, on short turned feet, 7” wide

£1500-2500

1668 A CHILDS WICKER SLEIGH with a wrought iron frame with scrolling uprights and a wicker body, with white ceramic handle, 35” high

1663 A VIOLIN CELLO stamped “77” to the reverse and with a two piece back in a fitted case with a selection of bows, possibly late 19th century German

£300-500

£500-1000

Lot 1666

£500-1000

142

143

ARMS AND MILITARIA

1673 A SECOND WORLD WAR GROUP OF FIVE MEDALS awarded to Warrant Officer D.C. Thorpe (573001) of the RAF comprising the Africa Star with North Africa 1942-1943 bar, three other campaign medals and a long service and good conduct medal, with associated miniatures, a sweetheart brooch, dog tag and ribbons

1670 A MIDDLE EASTERN COMBINED GUN AND SHORT SWORD, the firing action with a percussion cap mechanism and decorative mounts, the barrel withdrawn to form a short sword, 24”

£200-400

1671 A PRIMITIVE TRIBAL AXE with a short round ended blade on a shaped branch, 24”

1674 A CONTINENTAL HORN SHOT FLASK of faceted tapering design with pierced and engraved white metal mounts, on a short chain, 15”

£100-200

1672 A PAIR OF CONTINENTAL WALNUT AND BRASS MOUNTED DUELLING PISTOLS, each with octagonal barrels engraved “Beyemedew Negahgnal”, with decorative percussion cap firing mechanisms and carved handles, numbered 1 & 2, 16” (2).

See illustration

£200-400

£100-200

£500-1000

Lot 1672 144

145

METALWORK AND SCULPTURE

1681 A BRONZE EFFECT SCULPTURE OF A WALKING LION, with signature to the base “Coinchon”, 9”

1675 A PAIR OF BRONZE “WARWICK” VASES, the bodies decorated with eight busts, with entwined handles and spreading bases, 12” high

£800-1500

1682 A FRENCH BRONZE GROUP IN THE MANNER OF CLODION of a satyr, a woman and two cherubs, one riding on a goat and playing cymbals, on a naturalistic base, 16½” high

1676 HENRI GIRAUD: A CAST AND PATINATED BRONZE OF A SMALL BOY wearing a hat and holding a woven basket, on a circular base with cast signature, 6” high

£50-100

£100-200

£200-400

1679 A 19TH CENTURY FRENCH GILT METAL CHINOISERIE CENSER of lobed circular form decorated with cast panels of figures in various settings, with twin ring handles and three short legs, stamped “Susse Fres”, 6½” wide

£50-100

1684 ERNEST BARRIAS: A BARBEDIENNE CAST BRONZE VASE mounted with a winged nymph against scrolling drapery and with cupid flying above, on an oriental style integral base, 6½” high

1678 A CARVED SERPENTINE STONE SCULPTURE OF A SEATED DOG on a plinth base, 11” wide

£1500-2500

1683 A 19TH CENTURY FRENCH CAST BRONZE TRAY mounted with a cherub sitting by a pond, stamped to the reverse “Maison Alph Giroux Paris”, 7½”

1677 A 19TH CENTURY FRENCH BRONZE OF A YOUNG MAN carrying a bird over his shoulder, wearing a quiver of arrows around his waist, on a square base, 9¾” high

£80-150

£200-400

1685 PIERRE JULES MENE: A CAST BRONZE SCULPTURE OF A STAG by a tree, on a naturalistic base with a cast signature, 14½” high.

See illustration

£150-250

1680 A RENAISSANCE REVIVAL BRONZE HAND MIRROR FRAME cast with a central cherub and grotesques, on a scrolling handle, 13½”

£500-1000

1686 A CAST BRONZE SCULPTURE of a seated collie dog, 14” high

£250-450

£400-800

Lot 1685 146

147

1691 A NEAR PAIR OF BRASS FOUR LIGHT CANDELABRA, each with a line of sconces and broad drip pans on a scrolling support and central column, and broad spreading foot, 17th century and later, 16½” high

1687 A CAST BRONZE SCULPTURE OF A LION drinking from a broad orange marble bowl, 8¼” wide

£80-150

1688 A VICTORIAN CAST IRON BRASS FRONTED MINIATURE FIREPLACE, the fire beneath a Royal crest flanked by oak leaves, on a serpentine base, 12¼” wide

1692 A PAIR OF CAST IRON HORSE HEAD MOUNTS naturalistically cast with bits in their mouths, decorated in black and gold, 10” high (2)

£100-200

1689 A WMF “IKORA” VASE of narrow necked ovoid form with all over variegated finish, 12” high

£100-200

1693 A PAIR OF EMPIRE BRONZE AND ORMOLU CANDELABRA, each modelled with a running figure wearing a tunic and carrying a horn in one hand and holding aloft a gilt metal candelabra with a central sconce with reversible flambeau sconce and four similar sconces, the figures standing on a sphere and decorated column and square base, 29” high (2).

See illustration

£100-200

1690 A GEORGE III STYLE BRASS HALL LANTERN of hexagonal form with hanging swag decoration and scrolling supports on a broad ring suspension

£400-600

£400-800

£6000-8000

1694 Spare lot

Lot 1693 148

149

CLOCKS AND INSTRUMENTS Lot 1706 1695 A VICTORIAN OAK STICK BAROMETER

by Bennett of Blackheath, with engraved ivory gauge above a mercury filled thermometer, in an elaborately carved scrolling case, 44” high

£200-400

1701 A VICTORIAN POLISHED SLATE AND MARBLE EGYPTIAN REVIVAL MANTEL CLOCK, the architectural case with a central dial with gilt incised Roman numerals, within a shaped case with Egyptian style decoration, with a two train movement striking on a bell, 9¼” high

£200-400

1696 A GEORGE III MAHOGANY CASED BRACKET CLOCK, the silvered dial signed “William Blannin Jnr. Bristol” with Arabic numerals and gilt hands, with a two train eight day movement striking on a bell, the balloonshaped case with narrow crossbanding, on short gilt metal feet, 17¼” high

£200-400

1702 A 19TH CENTURY FRENCH CLOCK GARNITURE, the central enamelled dial with painted foliate decoration, with a single train movement in an architectural case supported on two pairs of columns on a platform base, the pendulum cast as a basket of flowers flanked by twin urn-shaped ornaments with gilt metal mounts, on ball feet, the clock 11” high

£200-400

1697 A GEORGE III WALL CLOCK with a broad circular silvered dial signed “J. Levy, London”, with Roman numerals and Arabic minutes, with a two train fusee movement, with a drop case with fall front door, 20” wide

£200-400

1703 A GILT BRASS AND ALABASTER CASED “FOUR GLASS” MANTEL CLOCK, the circular dial with central enamel decoration, with a two train movement striking on a coiled gong with a mercury filled pendulum with further enamelled detailing, 10½” high

£300-500

1698 A CHARLES II STYLE LANTERN CLOCK, the brass case with a circular chapter ring enclosing an engraved centre sign “Benj. Stribling, Stowmarkett”, the arched case suspending a bell, on a later bracket with lead weight and brass fronted pendulum, the clock 15” high

£300-500

1704 A VICTORIAN ADMIRAL FITZROY BAROMETER in a carved oak case with foliate cresting, 46” high

£200-400

1699 A LOUIS XIV STYLE BOULLE AND GILT METAL MANTEL CLOCK, the hourglass case with all over scrolling metal mounts and brass and tortoiseshell panels, with a circular dial with Roman numerals, with a two train movement striking on a coiled gong, 16” high

£200-400

1705 A GERMAN KIENZLE ART DECO MIRROR AND COPPER MANTEL CLOCK, the circular dial with pierced numerals and mirrored centre with decorative hands, on a platform base, 8½”

£200-300

1700 A VICTORIAN BRASS SEXTANT indistinctly marked with a makers name, with a variety of lenses and fittings, 10”

£300-500

1706 A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK, the circular convex dial signed “J.L. Vick, Stroud” with Roman numerals, with a two train chain fusee movement striking on a bell, the case with a central dome-shaped top above a shaped case with scrolling brass inlay, the sides with twin ring carrying handles and “fish scale” fretted panels, on ball feet, 24½” high.

See illustration

£2000-4000 150

151

1712 A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, the silvered chapter ring enclosing a silvered and engraved centre signed “Coats, Wiggin” with a subsidiary seconds dial and date aperture showing the phases of the moon, the chapter ring with Roman numerals, with a two train movement striking on a bell, the hood with swan-neck pediment above a verre eglomisé glass panel, the door flanked by turned columns, the shaped door with mahogany crossbanding and between quarter recessed columns, on a conforming base, 85” high

1707 A VICTORIAN OAK CASED DROP DIAL WALL CLOCK, the broad dial signed “R. Thompson, Newcastle on Tyne”, with Roman numerals, with a single train fusee movement, the dial within a broad carved acorn and oak leaf surround, the drop dial with a painted crest bearing the motto “The Gift of R.Thompson, Fecit 1869”, 36”

£300-600

1708 A GEORGE III MAHOGANY LONGCASE CLOCK, the white enamel dial signed “Jn. Chapman, Loughboro”, the dial with subsidiary seconds dial and date aperture, beneath an arch with moonphase indicator, with a two train movement striking on a bell, the hood with a swanneck pediment and central finial, the case with rosewood crossbanding and chequered stringing, 90” high

£600-800

£800-1500

£500-1000

1715 A GEORGE III MAHOGANY LONGCASE CLOCK, the silvered chapter ring signed “Gregy. Furfs, Truro”, the centre with a subsidiary seconds dial and date aperture, engraved with a landscape scene, with pierced gilt spandrels and a central arch with a tempus fugit plaque, with a two train movement striking on a bell, the arched top hood with three ball and eagle finials, the dial flanked by spiral twist columns, the trunk with an arched top door between quarter recessed spiral columns, 81” high

£700-900

1711 A MAHOGANY CASED STICK BAROMETER in an architectural case with sloping top and stepped plinth base, 37” high

£600-800

1714 A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, the brass dial with a silvered chapter ring enclosing an engraved brass centre signed “Jno. Barnish, Rochdale” and “Richard Harrison” with subsidiary date aperture and phases of the moon, an engraved motto “Harve you here with all my might”, with a two train movement striking on a bell, the arch topped hood with scrolling cornice and painted glass panels, the trunk with a shaped door between quarter recessed columns, 87” high, 18th century and later

1710 A GEORGE III MAHOGANY LONGCASE CLOCK, the brass dial signed “Willm. Hughes, High Holborn, London, with a silvered chapter ring and similar subsidiary date and seconds dials beneath an arch with a strike/silent dial, with an eight day two train five pillar movement striking on a bell, the arch topped hood with three ball finials, the door flanked by brass stop fluted columns, the arch top trunk door flanked by similar quarter recess columns, on bracket feet, 91” high

£800-1500

1713 A CHARLES II STYLE OAK CASED LONGCASE CLOCK, the brass dial with silvered chapter ring signed “Jno. Ogden, Darlington”, the dial with subsidiary seconds dial, date aperture and turned winding holes, with a two train movement striking on a bell, the hood with a carved scrolling cornice above spiral turned uprights, the trunk with a long door with central glass lenticle, the sides with conforming details, 86” high

1709 A GEORGE II WALNUT LONGCASE CLOCK, the brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, the arch with a circular panel signed “Hen. Baker, Appleby”, with two train movement striking on a bell, the flat topped hood with a moulded cornice above twin turned columns, the trunk with a tall crossbanded door, on conforming base, 89” high

Lot 1709 and 1719

£200-400

152

£2000-4000

153

1719 A GEORGE I WALNUT AND SEAWEED MARQUETRY LONGCASE CLOCK, the brass dial with silvered chapter ring signed “Bon Byewater, Stamford”, with a central subsidiary seconds dial, date aperture and shuttered winding holes, the chapter ring flanked by “boys and crown” spandrels, with a two train five pillar movement striking on a bell, the hood with a raised arch and twin ball finials, the trunk door elaborately inlaid with a bird over a vase of flowers and scrolling motifs, with a central glass lenticle, on conforming base, 93” high, 18th century and later.

See illustration on page 153

1716 A GEORGE III MAHOGANY LONGCASE CLOCK, the brass dial signed “Gas. Gradelle, Dublin”, the brass chapter ring with Roman numerals, with a subsidiary seconds dial, date aperture and ring-turned winding holes, within “boys and crown” spandrels, with a two train movement striking on a bell, the hood with a carved scrolling cornice and central mask detail, the trunk with a shaped door between quarter recessed columns, 89” high

£1000-2000

1717 A GEORGE III OAK LONGCASE CLOCK, the enamelled dial signed “Juler Cambridge” with subsidiary seconds dial and date aperture, the arch and corners with gilt painted decoration, with an eight day two-train movement striking on a bell, the hood with a scrolling pediment, the trunk door inlaid with a shell motif, 21” high

1720 A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK, the circular convex dial with Roman numerals, with a two train fusee movement striking on a bell, with repeat mechanism, the movement stamped “RB”, the case surmounted by a gilt pineapple above a pagoda-type top, the dial flanked by gilt brass inlay, on a plinth base, with an associated shelf, the clock 19” high

£300-600

1718 A GEORGE III OAK LONGCASE CLOCK, the brass dial with silvered chapter ring with central subsidiary seconds dial, the chapter ring flanked by pierced spandrels, the arch with dolphin spandrels and a figure of Old Father Time, with a two train movement striking on a bell, the flat topped hood with turned columns and gilt fittings above a conforming trunk door, 88” high

£2000-4000

RUGS

1728 A NORTH WEST PERSIAN TRIBAL RUG, the central brick red and dark blue lozenge medallion worked with multi-coloured flowers within dark blue floral pattern corner spandrels and pale blue serrated leaf outer borders and guards, 72” x 50”

1725 A TEKKE BOKHARA RUG, the brick red ground with a central rectangular panel, with three rows of “elephant foot” guhls, 70” x 48”

£80-150

1726 A SMALL NORTH WEST PERSIAN RUG, the multi-coloured ground with a central pole medallion within Herati pattern outer borders and guards, 48” x 32”

1729 A TABRIZ STYLE CARPET, the central brick red and ivory ground with a multicoloured floral medallion and ivory spandrels, within serrated leaf and floral Herati pattern outer borders and guards, 114” x 144”

£40-60

1727 A RARE CAUCASIAN TYPE RUG (possibly Polish), the brown ground with multi-coloured vase and floral design, within floral pattern corner spandrels, 60” x 60” .

See illustration

£800-1500

£400-800

1730-1734 Spare lots

£700-900

1721-1724 Spare lots

£800-1500

154

£80-150

155

Furniture

1735 A LOUIS XV STYLE KINGWOOD AND GILT METAL BIJOUTERIE TABLE, the shaped top with gilt metal border enclosing a lined interior, on slender cabriole legs with conforming mounts, 22” wide

£300-500

1741 A LARGE VICTORIAN NEOCLASSICAL STYLE GILTWOOD AND GESSO WALL MIRROR with a large rectangular plate within a ribbon-carved border, surmounted by a small rectangular bevel-edged plate within a classical trophy and decorated with a hanging foliate swag, 97” high x 56” wide

£1000-1500

1736 A SET OF EIGHT REGENCY MAHOGANY BAR BACK DINING CHAIRS with dished backs above solid dished seats on turned tapering legs. Comprising six standard and two armchairs (8)

£300-500

1746 A FINE LOUIS XV STYLE KINGWOOD AND ORMOLU CONSOLE BOOKCASE with a shaped oval top with leather-lined surface within a gilt metal mount above open shelves with faux book dividers, on short cabriole legs, 29” wide.

See illustration

£10000-15000

1742 A GEORGE III MAHOGANY BOW FRONT SIDEBOARD, the top inlaid with a central oval panel of veneer within broad crossbanding, above a single bow-front drawer and a tambour fronted cupboard, flanked by a single deep drawer and conforming cupboard, all with satinwood stringing and gilt metal ring handles, on square tapering legs, 72” wide

£400-600

1737 A REGENCY MAHOGANY DINING TABLE, the rectangular tip-up top on a heavy turned column and four downswept legs with carved toes and castors, 60” wide

£200-400

1743 A GEORGE II WALNUT CHEST ON CHEST with a moulded cornice above three short drawers and three long graduated drawers between canted fluted corners, the lower section with a brushing slide above three further long drawers, all with gilt brass handles and chequered stringing, on bracket feet, 42” wide

£5000-7000

1738 AN EDWARDIAN SHERATON REVIVAL TWO TIER SIDE TABLE, the oval shelves with elaborate marquetry inlay against a satinwood ground and with rosewood crossbanding and a raised wavy border, on slender legs with urn-shaped finials, 28” wide

£300-500

1744 A FINE MAHOGANY SERVING TABLE, IN THE MANNER OF THOMAS CHIPPENDALE with a variegated marble top above a fluted frieze, on square tapering patera-headed legs, 69½” wide

£6000-8000

1739 A GEORGE II STYLE GILTWOOD WALL MIRROR, the rectangular bevel edged plate within a carved scrolling giltwood frame, 21” wide

£200-400

1745 A LOUIS XIV STYLE CHINOISERIE BUREAU PLAT, the rectangular top with a moulded border and central tooled leather writing surface, above a frieze of three drawers all over decorated with scenes of oriental figures in buildings against a red ground, on cabriole legs with gilt metal feet, 57” wide

£1000-2000

1740 A PAIR OF ITALIAN WALNUT AND IVORY INLAID HALL CHAIRS with rectangular backs with gilt centres surrounded by walnut, ivory and rosewood decoration, between spiral-turned uprights, above a similarly decorated seat on spiralturned legs, 40” high (2)

£500-800

156

157

1754 A PAIR OF GEORGE II STYLE DINING CHAIRS with carved and pierced backsplats above drop-in “hourglass” shaped seats, on broad rails and cabriole legs with shell-carved knees and ball and claw feet, 36½” high (2)

1747 A GEORGE III CHERRYWOOD TIPTOP OCCASIONAL TABLE, the circular top on a tapering column with three downswept cabriole legs with ball and claw feet, 33” wide

£300-600

1748 A PAIR OF VICTORIAN LADIES AND GENTLEMAN’S WALNUT AND BUTTON UPHOLSTERED PARLOUR CHAIRS with foliate carved and turned frames, with button upholstered backs and over-stuffed seats, on tapering turned front legs (2), 36”

£400-800

£250-450

£200-400

Thomas Wilmott is mentioned in Sheraton’s list of Master Cabinet-makers published in 1803. See Christopher Gilbert “Pictorial Dictionary of Marked London Furniture 1740-1840”, Leeds 1996, page 490. no. 10084 and illustration of a similarly labelled sofa table

Provenance: Elizabeth Mary Scott Daniell and thence by descent.

£2000-4000

£250-450

1753 A REGENCY MAHOGANY COMMODE, the two part rising top above a blind and single short drawer with brass handles, above a tambour slide and a pull-out front modelled as two further short drawers, on square tapering legs, 21” wide

£250-450

1758 THOMAS WILMOTT: A GEORGE III MAHOGANY SATINWOOD AND FOLD-TOP CARD TABLE, the “D”-shaped top with broad satinwood crossbanding, with a baize-lined interior above a decorated frieze, on tapering ring turned legs with ebonised details, 35½” wide, with a paper label to the underside “T. Wilmott Upholder, Cabinet-maker and Undertaker, no. 16 John Street, Oxford Street. Imperial dining tables, sofa and chair beds on an improved principle”.

See illustration

1752 A REGENCY ROSEWOOD FOLD TOP CARD TABLE, the “D”-shaped top above a decorative frieze, on a tapering octagonal column and platform base, 36¼” wide

£200-400

1757 A VICTORIAN ROSEWOOD WHATNOT with three serpentine fronted shelves beneath a scrolling pierced three-quarter gallery, on spiral-turned and slender uprights, with short tapering legs and castors, 22” wide

£300-500

1751 AN EDWARDIAN MAHOGANY BOW FRONT DISPLAY CABINET, the shaped top with broad crossbanding above twin astragal glazed doors enclosing a shelved interior, on short tapering legs, 54½” wide

£200-400

1756 A VICTORIAN ROSEWOOD OPEN FRONTED BOOKCASE, the rectangular top above three open shelves with carved shelf fronts, on a plinth base, 50” wide

1750 A GEORGE III MAHOGANY STOOL, the over-stuffed rectangular seat on square blind fret carved legs with Gothic detailing, with a pierced “H”form stretcher, 18th century and later, 26” wide

£200-400

1755 A GEORGE III STYLE MAHOGANY TORCHERE with a circular dished top on a tapering ring-turned column and three cabriole legs with pad feet, 47” high

1749 A GEORGE III MAHOGANY FOLDTOP CARD TABLE, the rectangular top with a ribbon and foliate carved edge on a blind fret carved base, 18th century and later, 35” wide

Lot 1758

£400-600

158

159

1766 AN ITALIAN UPHOLSTERED AND WALNUT FRAMED HIGH BACK RECLINING ARMCHAIR, the tall back with shaped side panels and reclining mechanism above an over-stuffed seat and upholstered arm rests, on scrolling legs, 53” high

1759 A GEORGE III MAHOGANY PEMBROKE TABLE, the rectangular top with broad rosewood crossbanding and drop-flap sides with rounded corners above a single frieze drawer and conforming dummy drawer, on turned tapering reeded legs, 40” wide

£100-200

£180-250

1761 AN EDWARDIAN SHERATON REVIVAL PAINTED SATINWOOD OCCASIONAL TABLE, the rectangular top with concave sides painted with a musical trophy and bouquets of roses, on a similarly decorated frieze on square tapering legs with “X”-frame stretcher, 12” wide

£180-250

£600-800

£300-600

1765 A PAIR OF GEORGE II STYLE GILTWOOD WALL MIRRORS with cartouche-shaped plates within scrolling “C” and “S”-scroll carved frames with foliate detailing, 37” high x 23” wide

£500-800

1770 A PAIR OF "EMPIRE" BRONZE AND ORMOLU MOUNTED TABLES with associated circular rouge marble tops on tapering reeded columns with applied ormolu mounts, on triform base with lion head mounts above a Greek key border, on turned feet, 12” wide.

See illustration

£1200-1500

1764 A GEORGE III OAK CUPBOARD with a moulded top above a pair of small and a pair of larger panelled doors above a single drawer, with brass fittings, 18th century and later, 37½”

£200-400

1769 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers, the lower section with three further drawers with brass handles, on bracket feet, 46” wide

1763 A CHARLES II OAK GATELEG DINING TABLE, the oval top with drop flap sides, on turned legs and rectangular section stretchers, with a single frieze drawer, 61” wide

£3000-4000

1768 A REGENCY MAHOGANY AND SATINWOOD CROSSBANDED SIDEBOARD with a bowed front above a central frieze drawer flanked by twin short drawers and a single deep drawer moulded as two further short drawers, each with ebonised cockbeading and gilt metal lion mask ring handles, on tapering legs, 60” wide

1762 A CHARLES II OAK COFFER, the rectangular top with a moulded border and chip carved ends above a two panel front within carved rails, 46” wide

£250-450

1767 A REGENCY ROSEWOOD WRITING TABLE, the rectangular top with rounded corners above a frieze with two end drawers and gilt metal mouldings, on twin turned standard end supports with conforming crossstretcher and downswept legs with brass cap castors, 39” wide

1760 A VICTORIAN ROSEWOOD CENTRE TABLE, the shaped top with scrolling moulded sides on turned carved legs with conforming cross-stretcher and downswept legs with castors, 42” wide

Lot 1770

£5000-8000

1771 A GEORGE III WELSH OAK CUPBOARD, the upper section with twin panelled doors, above a base with four short drawers with brass handles, on bracket feet, 49½” wide

£600-800

160

£700-900

161

1778 A WILLIAM IV MAHOGANY EXTENDING DINING TABLE, the rectangular top with a moulded border with four removable leaves, on tapering reeded legs with brass castors, 132” (fully extended)

1772 A GEORGE III MAHOGANY WASH STAND, the two part rising top enclosing a fitted interior above a single short dummy drawer, a deep drawer modelled as two short drawers and a deep commode drawer, all with turned knob handles, on square tapering legs with castors and carrying handles to either side, 20” wide

£100-200

£700-900

£300-500

£600-1200

1777 A SET OF SIX RED JAPANNED CHAIRS in the manner of Giles Grendy, with tall shaped backs with all over gilt decoration of different animals amongst foliage, with caned panels, above over-stuffed seats on cabriole legs and “H”-form stretchers with conforming gilt decoration, 43” high (6)

£300-500

1782 A GEORGE I WALNUT MINIATURE BUREAU BOOKCASE, with two crossbanded drawers enclosing a fitted interior with pigeon holes and two small drawers, the sloping fall front similarly decorated enclosing a stepped interior of short drawers, all above a single frieze drawer, on short bracket feet, 17” wide.

See illustration

1776 A REGENCY STYLE CENTRE TABLE with a rosewood veneered circular top with a broad border of inlaid key pattern, on a tapering triangular column and platform base with gilt feet and details, 54” wide

£400-600

1781 A GEORGE I STYLE WALNUT KNEEHOLE DESK, with a rectangular top with re-entrant corners and foliate inlay above a single frieze drawer and a central cupboard flanked by three short drawers, all with crossbanding and brass handles, on bracket feet, 33” wide, 18th century and later

1775 A REGENCY ROSEWOOD CANTERBURY with four scrolling divisions and turned dividers above a single frieze drawer with turned knob handles, on short legs with brass castors, 22” wide

£200-400

1780 A GEORGE I OAK DRESSER BASE, the rectangular top with a moulded border above two frieze drawers and two panelled cupboards and a central arch panel, on turned legs, 56” wide

£400-600

1774 AN 18TH CENTURY CONTINENTAL INLAID WALNUT COMMODE, the serpentine front with two short and three long drawers with cast brass handles, flanked by canted corners, on tapering feet, 51” wide x 38½” high

£1000-2000

1779 A SET OF SIX WILLIAM IV MAHOGANY BAR-BACK DINING CHAIRS, with curved back-rails above overstuffed seats on tapering octagonal legs with turned feet, (6)

1773 A GEORGE III STYLE MAHOGANY TWIN PEDESTAL WRITING DESK, the rectangular top with a moulded border and an inset writing surface, above a frieze of three short drawers, on two pedestals of three further short drawers, with brass ring handles, on bracket feet, 54” wide

Lot 1782

£3000-5000

1783 A GEORGE II STYLE OAK HIGHBACKED CORNER ARMCHAIR, the shaped dished back with outswept arm supports above a drop-in seat on three cabriole legs with pad feet and a swept rear leg, 52” high

£450-750

162

£700-900

163

1790 MAPLES: AN EDWARDIAN MAHOGANY AND SATINWOOD CROSSBANDED LADIES WRITING DESK, the rectangular top with inset leather writing surface, the raised back with two pairs of short drawers and pierced gilt gallery, all above two frieze drawers on square tapering legs and castors, 39” wide, stamped to one drawer “Maple & Co, Ltd”

1784 A GEORGE I STYLE WALNUT KNEEHOLE DESK, the rectangular top with broad crossbanding and a moulded border above a fall front drawer fitted with a central cupboard and serpentine fronted short drawers beneath a row of pigeon holes, above a central cupboard flanked by two columns of three small drawers with brass handles and key escutcheons on paw bracket feet, 32½” wide, 18th century and later

£600-800

£200-400

£300-600

£300-500

£1000-1500

1789 A GEORGE I “TAVERN TABLE” with a circular top on four splayed turned legs with rectangular stretchers, 30” wide

£300-500

1794 AN 18TH CENTURY FRENCH OAK DRESSER, the raised back with a moulded cornice and wavy frieze above three shelves and a panelled back, the lower section with a moulded border above three central short drawers with brass knob handles, flanked by twin panelled doors with carved and moulded panels, on turned feet, 77” wide.

See illustration

1788 A PAIR OF GEORGE II PINE PLINTHS with rectangular tops with bowed fronts on tapering columns with stepped bases, now with faux marble paint effect, 50” high x 18” wide,

£150-300

1793 A LATE 19TH CENTURY FRENCH WALNUT AND GILT METAL BIJOUTERIE CABINET, the rectangular top with bevel set glass panels on square tapering legs with a wavy “X”-form stretcher, with all over gilt metal mounts and gilt sabot feet, 30” wide

1787 AN 18TH CENTURY STYLE CONTINENTAL WALL MIRROR, with a rectangular plate with bevelled edge in an elaborate scrolling and inlaid frame with a scrolling foliate cresting above and carved border, inlaid beneath the plate with an oval panel of cherubs holding swags, 46” high

£200-400

1792 A MAHOGANY “CAPTAIN’S” SWIVEL OFFICE CHAIR with a raised back above a pierced splat with inverted heart decoration, above a solid seat on four downswept legs and castors, 34 ” high

1786 A PAIR OF CAST BRASS TORCHERES with circular dished tops on square section reeded columns and cast circular bases, with animal paw feet, 48½” high

£200-400

1791 A GEORGE VI CORONATION CHAIR, the upholstered back with royal monogram, above a dished seat, on stained beech frame, stamped to the underside GRVI Coronation, B. North & Sons, West Wickham, 32½” high

1785 A 19TH CENTURY FRENCH ROSEWOOD AND MARQUETRY LADIES WRITING DESK with bombe fronted fall, decorated with foliate marquetry enclosing a fitted interior with short drawers and slide, on cabriole legs with gilt metal mounts, 29” wide

Lot 1794

£2000-4000 1795 AN ART DECO STYLE WALL MIRROR with a large rectangular plate within a peach glass border with cut decoration, all within a wavy edged frame, 79” x 40”

£600-800

164

£500-1000

165

1802 AN 18TH CENTURY LEATHER COVERED PINE TRUNK, with a domed top with all over studded decoration of tulips with strap hinges, 46” wide

1796 A GEORGE III OAK DRESSER, the raised back with a moulded cornice above three central shelves flanked by twin panel cupboards and smaller shelves, the lower section with a moulded border above three frieze drawers, on cabriole legs, with all over later carved decoration, 71” wide, 18th century and later

£600-800

£150-250

£300-500

£600-800 1806 TUNBRIDGEWARE: A TIP-TOP OCCASIONAL TABLE attributed to Robert Russell, the circular top decorated with a mosaic pattern of a radiating multi-coloured star within a geometric border and bobbin-turned edge, the rosewood mounted top on a spiral turned walnut column on three downswept legs with pad feet, 23” wide.

See illustration

£200-400

1800 A GEORGE III OAK DRESSER, the raised back with three central shelves flanked by cupboards and faux short drawers, the lower section with three frieze drawers above twin panelled cupboard doors, on bracket feet, 62” wide

£200-400

1805 A CHARLES II OAK DROP FLAP DINING TABLE, the shaped top above two frieze drawers, on turned legs with moulded rails, 58½” wide

1799 A GEORGE III MAHOGANY TIPTOP OCCASIONAL TABLE, the circular top on a vase-shaped column with downswept legs, 33” wide

£100-200

1804 A GEORGE III STYLE TORCHERE with a dished top of “X”-form with moulded border on a tapering fluted column with three downswept legs and block feet, 36½” high

1798 A GEORGE III MAHOGANY SECRETAIRE BOOKCASE, the upper section with a moulded cornice and carved ivory detailing above twin glazed doors with arched topped glazing bars, enclosing a shelved interior, the lower section with a fall front secretaire drawer enclosing a fitted interior, with short drawers, pigeon holes and a central recess with silk curtain, above a further three long graduated drawers with conforming brass handles, on bracket feet, 47” wide

£300-500

1803 A VICTORIAN OVERMANTEL MIRROR with an arched plate within a moulded and painted composition surround, decorated with flowering foliage, 58” x 51”

1797 A LOUIS XV STYLE FRENCH DISPLAY CABINET, with twin glazed doors, enclosing a lined shelved interior, the cabinet with an arched top and foliate carved doors, on short cabriole legs, 72” high

Lot 1806

1807 A VICTORIAN OAK BREAKFRONT LIBRARY BOOKCASE, the upper section with a dentil moulded cornice above central glazed doors, flanked by open shelves, the lower section with three pairs of panelled doors, divided by fluted uprights on a plinth base, 122” wide

£800-1500

1801 ARTHUR SIMPSON OF KENDAL: AN OAK ARTS AND CRAFTS DINING TABLE, with a rectangular top on four square tapering legs with splayed feet, and an “H”-form stretcher with double central rail, 63” wide

Provenance: This table was originally part of a dining room suite which included six chairs, sideboard, bookcase, and a settle made for Highlands in Arnside, the home of the previous owners grandfather, circa 1910

£400-800

£1000-2000

£1000-2000

1808 A VICTORIAN ROSEWOOD FOLD TOP CARD TABLE, the rectangular top with a moulded border above a carved frieze, on a bellied octagonal column and quadriform base, on carved animal paw feet with recessed castors, 37” wide

166

£200-400 167

1816 A REGENCY THREE DIVISION CANTERBURY with all over painted decoration, the front and back with panels of floral decoration, above a single frieze drawer with a painted classical scene between metal drop handles, on short turned legs and castors, 18” wide

1809 A VICTORIAN BUTTON UPHOLSTERED ARMCHAIR with a raised back, with moulded and foliate carved frame above outswept upholstered arms on foliate carved legs and seat rail, 41” high

£300-500

1810 A NEST OF FOUR MAHOGANY QUARTETTO TABLES with rectangular tops on bobbin-turned uprights and cross stretchers and platform feet, 19” wide

£400-600

£800-1500

£800-1600

1813 A SET OF SIX WILLIAM IV MAHOGANY DINING CHAIRS, with broad dished back rails above pierced and carved cross rails, with drop-in seats on tapering turned and carved legs, comprising two armchairs and four standard (6), 33¾” high

£500-1000

£500-1000

1820 A REGENCY POLLARD OAK FOLDTOP CARD TABLE, the “D”-shaped top with broad crossbanding enclosing a baize-lined playing surface, on a stylised carved and turned column and four downswept legs and brass castors, 36” wide

£500-1000

1815 A GEORGE III STYLE OVAL “NINE PLATE” MIRROR with a central oval bevel edged plate within a border of eight subsidiary plates with gilt patera and leaf divisions, within a broad moulded frame, 45” wide

£10000-15000

1819 A VICTORIAN WALNUT WRITING DESK, the rectangular top with a moulded border folding forward and resting on foliate fronted lopers, the folding top enclosing a compartment with rising lid, above a central recessed column of three short drawers with knob handles flanked by twin panelled cupboard doors enclosing two columns of three and four short drawers with flush fitting handles, on a plinth base, 40” wide

1814 A WILLIAM IV ROSEWOOD CHAISE LONGUE with all over foliate paterae carved frame and leather upholstery with squab cushion, on leaf-carved and lobed legs with gilt metal socket castors, 80” wide

£1000-2000

1818 A GEORGE III MAHOGANY SECRETAIRE BOOKCASE, IN THE MANNER OF THOMAS CHIPPENDALE the upper section with a pierced swan-neck pediment and frieze above twin glazed doors with a rope effect central moulding and astragal glazing bars, the lower section with a fitted drawer with leather-lined writing surface above a fitted interior with compartments and “secret drawers”, above twin panelled doors with conforming rope-twist centre, on bracket feet, 52” wide.

See illustration

1812 A REGENCY MAHOGANY DINING TABLE in the manner of Gillows, the extending top with two additional leaves and drop flap ends, on turned tapering reeded legs with brass castors, 80” wide (fully extended)

£1200-1800

1817 A PAIR OF GEORGE III STYLE GILTWOOD AND GESSO WALL SCONCES with tied ribbon effect tops above winged eagles, on a rocky outcrop above a foliate carving with two candle branches, 46” (2)

1811 AN 18TH CENTURY AND LATER GILTWOOD AND GESSO CONSOLE TABLE, with a rectangular mottled green marble top, the base with an ornate pierced frieze carved with hanging swags and a central basket of flowers, on two scrolling legs joined by a stretcher with two cherubs, 48¼” wide

Lot 1818

£300-600

£400-800

168

169

1827 A PIEDMONTESE CHINOISERIE PANEL in a moulded cartouche-shaped frame decorated with a figure of Chinese warriors fighting mythical beasts in a flowering forest, possibly early 18th century, oil on canvas laid on board, 28” x 54”

1821 A LOUIS XV STYLE KINGWOOD COMMODE, the shaped top with broad crossbanding and a gilt metal border, above a tambour front, each section of which with herringbone pattern veneers, on short legs, with all over gilt metal mounts, 47” wide

£3000-5000

1822 A 19TH CENTURY FRENCH BIJOUTERIE CABINET, the rectangular top with serpentine edges set with a central bevel edged glass top, with an ormolu border, on slender cabriole legs with conforming shell stretchers below, 31” wide

£250-450

£100-200

1831 a george iii style gilt framed wall mirror, with a rectangular plate within a swept scrolling surround 33½” x 30”

£80-150

1826 A 19TH CENTURY DUTCH MAHOGANY AND MARQUETRY SIDE CABINET, the rectangular top with canted corners and satinwood crossbanding above a gentle moulded frieze and a single panelled door with inlaid shell motifs, enclosing a shelved interior, on short square tapering legs, 29” wide

£100-200

1830 a george iii mahogany chest of drawers, with a rectangular moulded top above two short and three long graduated drawers, on bracket feet, 38” wide

1825 A CHARLES II OAK BOX, the rectangular top with a moulded border above a front carved with stylised foliate decorated and carved with initials “R.L”, 23” wide

£5000-10000

1829 A PAIR OF GEORGE III STYLE OVAL GILT FRAMED MIRRORS, with beaded and moulded frames 20” x 14”

£700-900

1824 A VICTORIAN BUTTON UPHOLSTERED LOW CHAIR, the waisted back with a moulded frame above an overstuffed seat on short scrolling legs and castors, 33” high

£1000-2000

1828 A PAIR OF CONTINENTAL “ROCK CRYSTAL” AND GILT METAL TABLE CANDELABRA, each of multi-layered design with a central column with hexagonal elements divided by gilt metal bands, with a single central sconce and two layers of four sconces, on scrolling gilt metal arms, decorated throughout with hanging beads and pear-shaped drops, on a cruciform base mounted with lions and mythical creatures, all supported on gilt metal winged female mythical beasts, 31” high (2).

See illustration

1823 A NEAR PAIR OF VICTORIAN WALNUT FRAMED LADIES AND GENTLEMAN’S BUTTON UPHOLSTERED PARLOUR CHAIRS, the larger chair with a moulded and carved frame with upholstered back and splayed arms above an over-stuffed seat on a serpentine seat rail with scrolling arm supports, the smaller chair without arms, the larger 40” high (2)

Lot 1828

£100-200

END OF SALE

£300-500

170

171

Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. An art work must be resold for more than 1,000 Euros (approx £890 according to the daily exchange rate) to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%.

The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Coloured Gem Stones 172

Prospective buyers of coloured gemstones should be aware that some stones might have been treated to enhance their colour or clarity.

Sapphires and rubies are commonly heat-treated and emeralds are commonly oiled. In the case of oiling, this may need to be redone after a period of years. The international jewellery trade has generally accepted these methods.

173

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS

In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 19.5% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

In the absence of such information, a Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day.

Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at Melplash Court, Dorset, or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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175

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953 176

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 177

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

£’s

Lot No:-

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 178

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