Duke's 14th and 15th September 2017 by john holmes

Dukeâ&#x20AC;&#x2122;s Thursday, 14th September, Ceramics, Asian Art and Jewellery. Friday, 15th September, Paintings, Furniture and Works of Art.

Ceramics, Asian Art and Jewellery Thursday, 14th September

Paintings, Furniture and Works of Art 2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Friday, 15th September

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) B31 47 and there are airports at Bournemouth and Exeter. The Saleroom has ample parking. If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith. MILL

DUKE’S GROVE AUCTIONS

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Cornwall Charles Cox (01288) 354100 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

22% plus VAT on the hammer price.

From mid February 2006 living artists are entitled by law to receive a resale Artist’s Resale Right: royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements. Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room

and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges. 3

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

FINE JEWELLERY 7th December 2017

CARTIER A citrine, emerald and diamond owl brooch, inscribed “Cartier London” 6.1cm , in original fitted presentation case Estimate £8,000 -£12,000

We are currently inviting entries to the above auction. For further information or should you wish to consign please contact Duke’s on 01305 265080 or email enquiries@dukes-auctions.com 4

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 9th September, 9.30am – 12noon Monday, 11th September, 9.30am – 5pm Tuesday, 12th September, 9.30am – 7pm Wednesday, 13th September, 9.30am – 5pm and on the morning of the auction days

Catalogues £20.00 (by post)

Find us on Facebook https://www.facebook.com/dukesauctions

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

DL F

Dorchester Literary Festival 2017 Dorchester Literary Festival 2016

Wednesday 18th - Sunday 22nd October Literary Passions and Country Pleasures

Val McDermid

Fergal Keane

Henry Blofeld

Christopher Biggins

Penny Junor

Tracy Chevalier

Adam Nicolson

A N Wilson

Minette Walters

Alastair Sawday

Kim Hughes

Katie Hickman

Marianne Kavanagh

Stephen Westaby

Iby Knill

Thomas Williams

Adam Ockelford

Patrick Marnham

Amanda Craig

Dave Ghoulson

Simon Cooper

Jane Corry

Ian Mortimer

Jamie McKendrick

Virginia Astley

Paul Atterbury

Hillary Kay

Steve Harris

Judi Spiers

Emma Howard

Duke’s AUCTIONEERS SINCE 1823

WESTERLY DORCHESTER

Tickets £10 or 3 for £25 from www.dorchesterliteraryfestival.com and Dorchester Tourist Information Centre 6

Duke’s AUCTIONEERS SINCE 1823

Thursday 14th September, 10.30am Lots 1-131

Ceramics

Lots 150 - 192

A Private Collection of Maiolica from a European Noble Family

Lots 200 – 214

Glass

Lots 300 – 396

Asian Art

Lots 400 – 510

Decorative Arts

Lots 600 – 655

Jewellery

Friday 15th September, 10.30am Lot 740 - 769

Prints and Multiples

Lots 771 -884

Works on Paper

Lots 950 - 976

Paintings from a European Noble Family

Lots 1000 - 1122

Paintings

Lots 1150 - 1204

Books and Ephemera

Lots 1380 – 1390

Fans

Lots 1391 – 1469

Works of Art

Lots 1470 – 1498

Clocks and Scientific Instruments

Lots 1500 – 1598

Furniture

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%.

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

VIEW IMAGES OF ALL LOTS AND BID LIVE ONLINE

Photography by

JONATHAN GOODING www.jonathangooding.co.uk

T HURSDAY, 14 th SEPTEMBER, 10.30A M

CER A MICS

Lot 121 detail 9

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 8

1 A DERBY PORCELAIN SAUCEBOAT of cabbage leaf form with a looped stem handle and applied with flowers, circa 1765, 7¼” long

6 A PAIR OF ENGLISH PORCELAIN CUPS AND SAUCERS “Great Britain Mourns Her Princess Weeps” commemorating the death of HRH Princess Charlotte, November 6th 1817; a similar bowl; and another cup and saucer “Wellington’s Retirn”, circa 1820 (7)

£80-150

£100-200

2 A WORCESTER PORCELAIN SAUCEBOAT of lettuce leaf form with a looped stem handle, painted with scattered flower sprigs and insects, painted marks, circa 1755, 7½” long

7 A SET OF THREE ENGLISH PORCELAIN CUPS AND SAUCERS “To The Memory of Princess Charlotte”; a similar cream jug and one other cup and saucer, circa 1820 (9)

£100-200

3 A CHANTILLY PORCELAIN LOBED DISH painted in polychrome with panels of flowers, on an apple green ground, 18th century, 10” wide

8 A PAIR OF WORCESTER PORCELAIN SOUP BOWLS from “The Celebrated Hope” service ordered by The Duke of Clarence and decorated by John Pennington, the centre painted with a classical maiden emblematic of hope, within an elaborate gilt border on blue ground, blue flight mark, one bowl with old paper label, circa 1790, 9¾” dia.

£100-200 4 A COALPORT TYPE CABINET PLATE with a central painted scene of a stately home and figures beside a lake, the border decorated with grand houses and architecture within oval cartouche decorated in gilt, on pink ground, gilt mark, 19th century, 9½” dia.

C.F.: For a similar example in the Museum of Royal Worcester Porcelain, Museum no. 1572, and Victoria & Albert Museum for a plate from the service, C. 990-1922. See Illustration

£80-150

£500-1,000

5 AN ENGLISH PORCELAIN LUSTRE WARE CUP AND SAUCER with transfer printed profile portraits of Queen Caroline and the crest of King George IV “Long Live Queen Caroline”, circa 1820, the saucer 5¾” dia.

9 A WORCESTER PORCELAIN TRAY, the centre painted with a basket of fruit with flowers, by R. Sebright, signed lower right, within an Adam style gilt border on yellow ground, printed puce mark, 19th century, 10” dia.

£50-100

£100-200 10

A ROYAL WORCESTER PORCELAIN CABINET CUP AND SAUCER, the cup painted with Highland cattle watering in a mountainous landscape, by Stinton, signed, the saucer painted with four painted scenes in roundels of highland cattle, fruit, a castle and flowers, within a white jewelled and gilt ground, puce marks, circa 1900, the saucer 3.8cm dia. See Illustration £150-250

Lot 10

A BERLIN PORCELAIN SUCRIER AND COVER polychrome painted with tropical birds, insects, ducks and swans, on a spiral-moulded white ground within gilt borders, underglaze blue and impressed marks, late 19th/ early 20th century, 4” high £50-100

Lot 13

A CONTINENTAL PORCELAIN ORNAMENT of a courting couple dancing with a garland of flowers beneath a cupid standing on a column, 19th century, 7¾” high £80-150 13

A PAIR OF MEISSEN PORCELAIN FIGURES of two young girls holding toys, wearing bonnets and elaborate dresses, polychrome painted with flowers, on rococo bases heightened in gilt, blue cross swords and impressed marks, 19th century, 5¾” high See Illustration £100-200 14

A KPM TYPE PORCELAIN PLAQUE painted with a classical female holding a dagger, standing beside a curtain and marble column, indistinctly stamped on verso “Prager Strasse”, impressed marks “107 / C”, contained in a gilt metal frame surmounted by an empire style eagle with wings outstretched, and a single strut support, 19th century, the porcelain plaque 5¾” x 3¾” See Illustration £200-400

Lot 14

BERNARD MOORE (1850-1935) A miniature flambe vase, signed in monogram to base “BM”, 2” high £50-100 16

A MINIATURE TIN-GLAZED POTTERY TWO HANDLED VASE standing on three feet and painted with blue decoration on white ground, 18th century or later, 2½” high £50-100 11

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 19

A MAIOLICA FLASK in the form of a book, polychrome painted with a rabbit and a dog running in a landscape 7¼” high, a Maiolica bowl and other similar Maiolica, 18th/19th century (6)

£100-200 19

A DELFTWARE TIN GLAZED FLOWER BRICK with blue painted floral decoration on white ground, 18th century, 3½” high x 6¼” wide See illustration

£100-200 20

Lot 21

A PAIR OF DELFTWARE TINGLAZED TILES painted in blue with a shepherd and shepherdess with sheep, and three other similar Delftware tiles, 18th century (5)

£50-100 21

A SLIPWARE GLAZED POTTERY BOWL decorated with the mask of the green man, 17/18th century, 8¼” dia. See illustration

£200-400 22

A DELFTWARE TIN-GLAZED POTTERY CHARGER painted in blue with floral decoration within a patterned blue border, 18th century, 14” dia.

A LOUIS XV STYLE ORMOLU MOUNTED INKSTAND with two compartments decorated in relief with shells and leaves, the sevres style porcelain panel painted in polychrome with flower decoration within a gilt scrolling cartouche on blue ground, 19th century, 11” wide See illustration

Lot 23

£300-600

24 A SET OF 17 SILVER PLATED AND PORCELAIN KNIVES AND FORKS, the continental porcelain handles polychrome painted with flower decoration, 19th century, the knives 8½” long

A DELFT-WARE TIN GLAZED POTTERY PLATE polychrome painted with bird and flower decoration within blue patterned borders, 18th century, 9¾” dia. and another similar Delft-ware tin-glazed plate decorated in blue with floral decoration, 18th century, 8¾” dia. (2)

£100-200

£80-150 12

A COLLECTION OF TEN VARIOUS SCOTTISH CERAMIC CARPET BOWLS polychrome painted in various designs including tartan style, one plain and one other glass ball, 19th century (11)

£100-200 26

A VICTORIAN CHILD’S MINIATURE CERAMIC PART DINNER SERVICE with transfer printed decoration of a church in wooded landscape. Comprising: tureens, stands, plates and other related items, 19th century, the largest tureen 4” high

£80-150 27

Lot 29

A CHILD’S PORCELAIN PEARLWARE MINIATURE PART TEA SET transfer printed with animals and wildlife within brown bands, and another part child’s tea set, early 19th century

£100-200 28

A DELFTWARE TIN GLAZED TOBACCO JAR painted in blue with a floral cartouche “Bergamot”, with a brass cover, 18th century, 12½” high including cover

£50-100 29

Lot 31

A LARGE SUNDERLAND LUSTRE JUG printed and painted with “West view of the Iron Bridge near Sunderland ... opened 9th August 1796”, and two poems within floral cartouche, 18th century, 8¾” high See illustration

£100-200 30 A FRENCH PORCELAIN CHOCOLATE POT with gilt chinoiserie decoration on green ground, with turned fruitwood handle and gilt metal mounts, painted mark, 7¾” high £80-150 31

A PAIR OF WEDGWOOD CREAMWARE ARMORIAL ICE PAILS with handles modelled as convolvulus flowers issuing from stiff leaves, decorated in puce and highlighted in gilt, each side polychrome painted with the Blake family armorial below a purple and gilt band, impressed marks, early 19th century, 7¾” high x 10” wide (including handles) See illustration

Lot 32 32

£200-400

A LARGE WEDGWOOD CREAMWARE TUREEN AND COVER with stand, en suite with the previous lot with two sweeping ear-shaped handles, the cover with a flower finial painted with the Blake family armorial, each side within bands of purple and gilt decoration, impressed marks, early 19th century, 12” high x 17½” wide See illustration

£500-1,000 13

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

A WORCESTER PORCELAIN POT POURRI and cover with painted Highland cattle in a mountainous landscape, by James Stinton, the painted decoration with gilt borders, the decoration signed and stamped puce marks on base for 1924, 5” high. See illustration £400-800

Lot 33

A PAIR OF VICTORIAN ROYAL WORCESTER HADLAY PORCELAIN FIGURES of a girl dancing and a boy playing a piccolo, impressed and stamped marks, 9¼” high £100-200 35

A PEARLWARE TOBY JUG painted in polychrome and modelled as a man holding a tankard of ale, 19th century, 10” high £80-150 36

A “MOSANIC” GALLE STYLE POTTERY SEATED CAT, the yellow ground with blue heart and dot decoration, with inset glass eyes, painted blue mark, 8½” high £50-100 37

A PAIR OF DOCCIA STYLE ITALIAN PORCELAIN VASES of urn form with polychrome painted classical scenes in relief with scroll handles, on pedestal feet, blue mark, 9½” high See illustration £200-400

Lot 37

Lot 38

A MINTON MAJOLICA JUG modelled with figures drinking, smoking and dancing, impressed marks, 19th century, 10¼” high See illustration £300-500 39

A PAIR OF DELFTWARE TIN GLAZED VASES painted in blue with a young man serenading a lady with a church in the distance, within a scrolled cartouche, and a pair of similar candlesticks, painted marks, 19th century, 10½” and 7” high (4) £80-150 40

A TREACLE GLAZED POTTERY JUG moulded with hunting scenes and mounted with a silver cover with fleur de lis thumbpiece, 19th century, 8” high £100-200 14

41 A TREACLE GLAZED POTTERY JUG with a moulded mask at the spout and one on the handle terminal, circa 1820, 7½” high

Lot 44

£50-80 42

A TREACLE GLAZED POTTERY TEA CANNISTER moulded in relief with floral decoration and mounted with a pewter screw cover, 19th century, 6½” high, and one other similar, 5½” high (2)

£80-150 43

A TREACLE GLAZED POTTERY JUG moulded in relief with a hunting scene, 19th century, 7¾” high, and a similar coffee pot and jug (3)

£80-150 44

Lot 46

A SLIPWARE POTTERY JUG decorated with a ship at sea with a compass above an inscription “The Hon Coms Ship Bridgwater Register 1,339 tons, April 10th 1830”, 10¾” high See illustration

£100-200 45

A ROYAL DUX PORCELAIN GROUP of a potter seated painting a vase beside an onlooking maiden, impressed marks, late 19th/early 20th century, 15¾” high

£100-200 46

A VIENNA PORCELAIN VASE raised on three legs above a circular pedestal, with ducks in an oval gilt cartouche on blue ground, blue mark, 14¾” high See illustration

Lot 48

£200-400 47

A MINTONS CHARGER painted with a young lady and her cat, signed “E Moira. FT.1880”, impressed marks, 19th century, 15¾” dia.

£100-200 48

A PAIR OF FRENCH PORCELAIN VASES painted in polychrome and jewelled, with floral decoration, in stylised borders, on blue ground, ormolu mounts with rams head ring handles and plinth bases, 19th century, 11½” high See illustration

£200-400 15

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

A PAIR OF PARIS PORCELAIN CANDLESTICKS in the neo-classical Egyptian style, with a figure standing above three leopards, on a trefoil base, glazed in white heightened in gilt and green, 19th century, 13” high See illustration

£300-600 51 Lot 49

A PAIR OF CONTINENTAL PORCELAIN ORNAMENTS of tropical birds, painted in colours and standing on naturalistic bases, 19th century, 9” high

£100-200 52

A DRESDEN PORCELAIN TEAPOT of globular form, painted in coloured enamels with floral decoration and ormolu mounts with a hinged handle, blue crossed swords marks, overall 10¾” high

£200-400 53

A PAIR OF MEISSEN STYLE PORCELAIN PUGS with a puppy, each with pink and gilt collars with blue ribbon, sitting on an oval base with encrusted flowers, 19th century, 6” high See illustration

£200-400 Lot 50

Lot 53

A CONTINENTAL PORCELAIN GROUP of four naked putti riding animals around an urn raised on a pedestal, encrusted with flowers, painted blue mark, 19th century, 11” high

£150-250 55

A MEISSEN STYLE CONTINENTAL PORCELAIN GROUP of five labourers working around a tree stump, encrusted with leaves and flowers, 19th century, 13½” high

£200-400

A PAIR OF SEVRES PORCELAIN CACHEPOTS painted with floral wreaths within gilt patterned borders on blue and white ground, all within green leaf and berry borders, painted blue marks, 19th century, 6¼” high See illustration

A SET OF THREE VIENNA PORCELAIN SALTS in the form of seated figures holding a floral encrusted cornucopia, a shell and a sheaf of wheat, on rococo bases heightened in puce, blue marks, 19th century, 6¾” - 7¼” high (3)

£100-200

£300-600 16

57 A PAIR OF DERBY PORCELAIN FIGURES of a girl and boy standing beside tree stumps, on a naturalistic ground encrusted with flowers, incised marks, 19th century, 7¼” high

Lot 59

£50-100 58

A PAIR OF CHELSEA STYLE PORCELAIN FIGURES of a young lady and man seated beside a dog and sheep, each sitting on a tree stump encrusted with leaves and flowers, on scrolling rococo bases, impressed marks, 19th century, 7” high

£80-150 Lot 61 59

A PAIR OF GERMAN FRANKENTHAL PORCELAIN FEMALE FIGURES, each standing beside columns, one with an open book, the other wearing a floral encrusted wreath, blue marks, 18th century, 7¾” high See illustration

£200-400 60

A CONTINENTAL PORCELAIN GROUP of two semi-clad putti dancing around a tree stump, white glaze with blue mark, 6½” high

£50-100 61

Lot 63

A CONTINENTAL WHITE BISCUIT FIGURE of a young man with tricorn hat standing beside a chair, impressed mark, probably 18th century, 7¾” high See illustration

£100-200 62

A DRESDEN WHITE GLAZED PORCELAIN GROUP of a soldier beside a young lady, seated on a floral encrusted rocky base, blue and incised marks, 19th century, 6” high

£80-150 63

A PAIR OF CONTINENTAL CREAMWARE CERAMIC GROUPS of figures standing around trees, on floral encrusted rococo bases, possibly 18th century, 15½” high See illustration

£300-600

A CAPODIMONTE WHITE GLAZED PORCELAIN GROUP of naked putti frolicking in a cart with garlands of flowers led by two goats, blue mark, 19th century, 7” high

£200-400 17

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

SIX CONTINENTAL BISCUIT PORCELAIN MINIATURE URNS issuing flowers, the urns decorated with raised angel mask and acanthus scroll decoration, 18th/19th century, each circa 9” high See illustration

£300-500 67

Lot 66

A CONTINENTAL WHITE GLAZED PORCELAIN ECUEIL with cover, decorated with underglaze rococo decoration, stork handles and rose finial, 18th century, 5” high, and a similar plate, 8½” dia. (2)

£80-150 68

A SET OF TWELVE CONTINENTAL PORCELAIN FIGURES OF DANCING LADIES with gilt dresses, on a white glazed ground, painted marks, 19th century, each circa 7¾” high (12) See illustration

£200-400 69

THREE CONTINENTAL PORCELAIN FIGURES OF PUTTI on naturalistic floral encrusted bases and three other continental white glazed porcelain figures, 19th century, 4½” and 5¾” high (6)

£80-150 Lot 68 70

A CONTINENTAL PORCELAIN TREMBLEUSE CUP AND SAUCER with panels of floral and fruit decoration within gilt floral cartouche, on green ground, the saucer with painted “Sevres” and with paper labels, 19th century, the saucer 6¼” dia. See illustration

£100-200 71

Lot 70

A WOLFSOHN OF DRESDEN PORCELAIN ECUILLE AND COVER with stand, painted with naked cherubs within gilt cartouche, on a white glazed and polychrome painted floral ground, twisted handles and flower finial, painted marks, 19th century, the stand 7½” dia.

£80-150 65 A SET OF SIX CONTINENTAL BISCUIT PORCELAIN MINIATURE URNS with applied floral garlands, two with impressed “Sevres” marks, 18th/19th century, 3” high £100-200

A SEVRES STYLE PORCELAIN CUP AND SAUCER with lattice style entwined bands of gilt buds, on a blue and white ground, painted marks, 19th century, the saucer 5” dia.

18 £50-100

A DOCCIA PORCELAIN CUP AND SAUCER painted in relief with the Basso Relivio Istoriato pattern, painted marks, 19th century, the saucer 6” dia.

£50-100 74

A BERTGHA MEISSEN PORCELAIN CUP with raised vine decoration, circa 1720, with later Hausmaler polychrome decoration, 3½” high See illustration

£300-500 75

Lot 74

A “SEVRES” GLAZED CERAMIC SMALL VASE with a gilt metal mount decorated with floral swags, on a mottled blue glaze, green stamped mark, 19th century, 3” high

£50-100 76

A SET OF SIX ITALIAN FAIENCE POTTERY MINIATURE URNS with flowers, two other similar sets of four urns, and one individual miniature urn with polychrome painted flowers, some with painted marks, 19th century, 4¾” high and 5½” high (15) See illustration

Lot 76

£200-400 77

A CONTINENTAL CREAMWARE DESK INKSTAND with a central standing female between removable containers and lidded compartments, raised on four scrolled feet, possibly Naples, 18th/19th century, 9½” high

£100-200 78

A MEISSEN PORCELAIN CENTREPIECE with figures standing around a rocky base below a tree, polychrome painted and encrusted with flowers and leaves, on a large heavy circular base, painted and impressed marks, 17¼” high See illustration

Lot 78

£100-200 79

A VICTORIAN PORCELAIN TEA SERVICE polychrome painted with “birds in flight” and “birds in branches” decoration, within turquoise and gilt borders. Comprising ten cups and saucers, two cake plates and a slops bowl (a lot)

£50-100

A VICTORIAN PORCELAIN SPODE TEA AND COFFEE SERVICE with gilt stylised leaf decoration, on blue and white ground. Comprising nine tea cups and saucers, nine coffee cups, a slops bowl and stand, and a similar dish, painted in puce “Spode 3628” (20)

£50-100 19

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

A CHAMBERLAINS WORCESTER PORCELAIN PART TEA SET painted in blue with stylised floral scroll decoration within Royal blue and gilt borders. Comprising teapot, sugar bowl and cover, milk jug, slops bowl, six tea bowls and five saucers, early 19th century (15)

£50-100 83

Lot 83

A CONTINENTAL PORCELAIN DESSERT SERVICE with polychrome painted birds amongst flowers within a pierced floral and trellis border heightened in gilt. Comprising comports, dessert plates and side plates, blue “Meissen” mark, 19th century (64) See illustration

£500-1,000 84

A CONTINENTAL PORCELAIN TABLE SNUFF BOX with polychrome painted decoration within gilt and scaled cartouche of figures playing musical instruments and landscapes, on gilt metal mounts, with blue crossed swords mark, 19th century, 3½” wide

£50-100 85

Lot 87

A FIRST PERIOD WORCESTER TYPE PORCELAIN JUG with transfer printed floral decoration, on a cabbage leaf moulded ground, 19th century, 6” high, and a First Period Worcester porcelain coffee cup with a transfer printed blue band above a reeded body, 18th century, 2¼” high (2)

£50-100 86

AN ENGLISH PORCELAIN DESSERT SERVICE painted with botanical decoration within scrolled borders heightened in gilt. Comprising a comport, three cake plates and fifteen plates, 19th century (19)

£100-200 87

A PAIR OF “MEISSEN” PORCELAIN CANDLESTICKS of classical form with panels of painted birds on a stepped ornamental base, blue crossed swords and incised marks, 19th century, 12” high See illustration

£80-150 Lot 88 20

A CONTINENTAL BISCUIT CENTREPIECE with classical figures standing around a rocky base amongst flowering urns surmounted by a naked putti draped with vines, on a giltwood base with acanthus leaf decoration, probably Paris, late 18th century, 25½” high See illustration

Lot 89

£300-600 89

A FRENCH PORCELAIN FIGURE OF A SHEPHERD standing holding a goat under his arm, painted in bright polychrome, 19th century, signed “A. Carrier”, 24½” high See illustration

£200-400 90

A MEISSEN PORCELAIN TEAPOT, COFFEE POT AND CREAM JUG with polychrome painted floral decoration within gilt borders, blue crossed swords mark, 19th century, and a similar part set of three cups and seven saucers, blue painted marks, 19th century (a lot)

£100-200 91

AN ENGLISH PORCELAIN BOUGH POT of urn form with moulded mask and rococo scrolled ground painted in polychrome with flowers, on a circular pedestal foot, 18th century, 5” high x 4½” dia.

£200-400 93

Lot 93

A COLLECTION OF FIVE MEISSEN PORCELAIN MONKEY BAND MEMBERS (AFFENKAPELLE) including conductor, pianist and others, blue crossed swords marks, some also incised, 19th century, 7¾” - 5½” high (5) See illustration

Lot 94

£400-800 94

A MEISSEN PORCELAIN CUP AND SAUCER polychrome painted with a lake scene with figures and buildings beyond, the saucer similarly decorated with fishermen and their boats on an island with buildings in the distance, blue crossed swords, gilt and incised marks, c.1735-40, 5½” wide See illustration

£400-800

A BERLIN KPM PORCELAIN CUP AND SAUCER with pale green and gilt decoration on white ground, painted, printed and impressed marks, 19th century, and two other similar cups and saucers (3)

£80-150 21

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 97

Lot 96

Lot 98

A DUTCH DELFT TOBACCO JAR painted in blue with a merchant trading with an Indian surrounded by barrels of tobacco, a ship with rigging in the distance, a cartouche below “Duinkerker” and “5”, painted marks, with an associated brass cover, 18th century, 15” high including cover See illustration

£50-100 100 A CONTINENTAL PORCELAIN BOX of oval shape painted with classical scenes to the top and underside of lid, above a gilt and polychrome painted body, 19th century, 3¾” wide

£400-800 97

A DUTCH DELFT TOBACCO JAR decorated in blue with an Indian smoking a pipe beside barrels of tobacco and an urn “B. Rappe” with ships in the background, painted marks for the “De Blompot” workshop, with an associated brass cover, 18th century, 10½” high (including cover) See illustration

£80-150 101 A FRENCH FAIENCE DESK INKSTAND with removable wells and drawer below, painted with romantic scenes within a foliate and leaf bordered ground, 19th century, 9½” wide

£300-500 98

A SWISS THOUNE SLIPWARE POTTERY OWL with cream tube-lined floral scroll decoration, on terracotta ground, incised on base, 19th century, 5½” high

£80-150

A DUTCH DELFT TOBACCO JAR with a blue painted floral cartouche “St Omer”, painted marks for the “De Blompot” workshop, with an associated brass cover, 18th century, 11” high See illustration

£200-400 22

102 A SPODE CREAMWARE PART DINNER AND TEA SERVICE with painted floral sprigs on cream ground within bluelined borders. Comprising sauce tureens, nut basket and stand, comport, side plates and other pieces, impressed marks, 19th century (a lot) £200-400 103 A SPODE “CHINESE TREE” PATTERN DINNER SERVICE comprising four tureens, four tureen stands, three graduated meat plates, 40 dinner plates and 17 soup bowls (a lot) See illustration

Lot 103

£500-1,000 104 A T. GOODE & CO. MASONS IRONSTONE DINNER SERVICE printed and painted with Chinese style foliage and flowers, comprising four tureens, three tureen stands, thirteen meat plates of varying sizes, 88 dinner plates and 20 soup bowls, 19th century (a lot) See illustration £600-1,000 105 A VICTORIAN ENGLISH PORCELAIN DESSERT SERVICE painted with floral decoration within a gilt floral scroll cartouche on apple green ground within moulded rococo borders heightened in gilt, comprising ten comports and fifteen dessert plates (a lot) See illustration

Lot 104

£800-1,500 106 A VICTORIAN STONE CHINA DINNER SERVICE painted and printed in the Chinese style with flowers, comprising five tureens, two tureen stands, five meat plates, two pickle dishes and eleven side plates (a lot) £250-450 Lot 105

1 107 A NAST A PARIS PART TEA SERVICE painted with flowers within a blue and gilt border, comprising nine cups, sixteen saucers and a slops bowl, 19th century (a lot) £500-1,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

108 A DELFTWARE PLATE painted in polychrome with floral decoration beside a fence within a yellow and floral border, 18th century, 9” dia.

115 A TIN GLAZED POTTERY PLATE decorated in the Chinese style with flowers in red and blue heightened in gilt, within a patterned border, 18th century, 10½” dia.

£80-150

109 A HEREND PORCELAIN PART DINNER SERVICE painted in the fruits and flowers pattern (BFRN), comprising a tureen, seven soup bowls, eight saucers, eight dinner plates, eight side plates, seven present side dishes, eight bread plates and a butter dish and cover (a lot)

116 AN ITALIAN CANTIGALLI LUSTRE POTTERY JUG decorated with cockerels and birds within flowers, on a copper lustre ground, painted blue marks, late 19th century, 7” high, and three other similar Italian Cantagalli vases (4)

£500-1,000

£80-160

110 A CONTINENTAL PORCELAIN ORNAMENT OF A HERON standing on a rocky base, underglaze blue mark, late 19th/ early 20th century, 16½” high

117 AN ITALIAN MAIOLICA FIGURE OF A BOY weeping over a smashed teacup, standing on a circular plinth base, late 19th century, 10½” high

£100-200

£50-100

111 A WORCESTER PORCELAIN CUP AND SAUCER decorated in the Queen Charlotte pattern, underglaze blue faux Chinese seal marks, 18th century, the saucer 4¾” dia.

118 AN ITALIAN MAIOLICA DISH painted with a sunset above a mountainous range with classical columns amongst trees in the foreground with figures, 19th century, 5¼” dia.

£40-80

£50-100

112 A CHANTILLY STYLE PORCELAIN TABLE SNUFF BOX with early Worcester porcelain style polychrome painted decoration, a collection of other similar porcelain snuff and patch boxes and a pair of “Sevres” porcelain vases with ormolu mounts (10)

119 A PAIR OF ITALIAN CANTIGALLI MAIOLICA CANDLESTICKS in the form of snails, painted marks, 6¼” high, one other pair of Italian Maiolica candlesticks and a similar chamberstick (5)

£200-400

£80-150

113 A PAIR OF CONTINENTAL PORCELAIN VASES of urn form with twin handles and raised classical and polychrome painted decoration, blue underglaze marks, late 19th/early 20th century, 16” high

120 A COLLECTION OF ITALIAN MAIOLICA POTTERY ANIMALS including a rabbit, a dog, cow, donkey and a sheep, 3½” 6¾” high (5) £80-150

£100-200 114 AN ENGLISH PORCELAIN STIRRUP CUP in the form of a dog’s head with painted features and a black and gilt collar, 19th century, 5¾” long £100-200

Lot 121

121 A KPM PORCELAIN PLAQUE painted with Queen Louise of Prussia walking down steps wearing a white gown, impressed and incised marks, 19th century, signed lower left “K. Muller”, 12½” x 7½”, in a gold painted frame See illustration £500-1,000 25

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

A MEISSEN SERVICE FROM A EUROPEAN NOBLE FAMILY (Lots 122-128)

127 A SET OF SIX MEISSEN PORCELAIN DINNER PLATES, each decorated with central scenes of architecture and landscapes within scattered flower borders and gilt rims, blue crossed sword marks, 1765-80, 9¼” dia. (6) See illustration opposite

122 A SET OF SIX MEISSEN PORCELAIN DINNER PLATES AND SOUP BOWLS, each decorated with central scenes of architecture and landscapes, within scattered flower borders and gilt rims, blue crossed sword marks, 1765-80, 9¼” and 9” dia. (12) See illustration opposite

£200-400 128 A SET OF THREE MEISSEN PORCELAIN BOWLS, each decorated with central scenes of architecture and landscapes within scattered flower borders and gilt rims, blue crossed swords marks, 1765-80, 9½” dia., a pair of matching plates and an oval dish (6) See illustration opposite

£500-1,000 123 A SET OF SIX MEISSEN PORCELAIN DINNER PLATES AND SOUP BOWLS, each decorated with central scenes of architecture and landscapes, within scattered flower borders and gilt rims, blue crossed sword marks, 1765-80, 9¼” and 9” dia. (12) See illustration opposite

£300-600

£500-1,000

129 A EARLY 19TH CENTURY WORCESTER TEA AND COFFEE SERVICE, with gilt decoration on a white glazed ground. Comprising: Teapot, milk jug, sugar bowl, slop bowl, nine teacups, eight coffee cups, eleven saucers and a cake plate. (34)

124 A SET OF SIX MEISSEN PORCELAIN DINNER PLATES AND SOUP BOWLS, each decorated with central scenes of architecture and landscapes, within scattered flower borders and gilt rims, blue crossed sword marks, 1765-80, 9¼” and 9” dia. (12) See illustration opposite

£100-£200

£500-1,000

130 A PLYMOUTH WHITE GLAZED PORCELAIN FIGURE OF VICTORY, seated beside helmet and sword, 18th century, 7” high

125 A SET OF TWELVE MEISSEN PORCELAIN DINNER PLATES, each decorated with central scenes of architecture and landscapes within scattered flower borders and gilt rims, blue crossed swords mark, 1765-80, 9¼” dia. (12) See illustration opposite

£200-£400 131 A VICTORIAN COALPORT TYPE PORCELAIN DESERT SERVICE, painted with flowers within green and gilt moulded borders, impressed and printed registration marks. Comprising: Four comports and twelve plates. (16)

£500-1,000 126 A SET OF TWELVE MEISSEN PORCELAIN DINNER PLATES, each decorated with central scenes of architecture and landscapes within scattered flower borders and gilt rims, blue crossed swords mark, 1765-80, 9¼” dia. (12) See illustration opposite

£100-£200

£500-1,000

Lots 122-128

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 153 A PRIVATE COLLECTION OF MAIOLICA FROM A EUROPEAN NOBLE FAMILY

Lot 150

150 AN ITALIAN MAIOLICA DRUG JAR of baluster form decorated in polychrome with birds, flowers and strapwork, the body inscribed “Electuarium Theriacaa”, the domed cover with a moulded fruit finial, 23” high overall See illustration

£150-250

151 A “DERUTA” POLYCHROME MAIOLICA PORTRAIT DISH of a young woman within a lustre fish scale rim with an old collectors label, 14¾” dia. See illustration £200-400

Lot 151

152 AN ITALIAN BLUE AND WHITE MAIOLICA DISH the centre painted with a hound amongst plants, the broad rim with stylised floral scrolls, 17th/18th century, 15¾” dia. See illustration £100-150 153 AN ITALIAN BLUE AND WHITE MAIOLICA DISH the moulded base painted with a parrot perched amongst foliate scrolls, the ribbed rim with foliage, 17th/18th century, 15¾” dia. See illustration

Lot 152

£100-200 28

Lot 155 Lot 154 154 AN ITALIAN BLUE AND WHITE MAIOLICA DISH the centre painted with buildings on an island, the well with foliate sprays, 17th/18th century, 15½” dia. See illustration £100-200 155 AN ITALIAN MAIOLICA LUSTRE DISH the centre inscribed ‘VGENIA: B’, the broad rim with stylised acanthus scrolls, with old collectors label verso, 16¼” dia. See illustration

Lot 156

£80-160 156 A PAIR OF ITALIAN BLUE AND WHITE APOTHECARIES JARS each painted with delicate stylised flowering foliate scrolls, bold human mask and strap handles, the base with a masked spout, one labelled ‘A . ACETTOFE’, the other ‘A . PLANTAGMIS’, 18” high (2) See illustration £200-400 157 AN ITALIAN BLUE AND WHITE MAIOLICA JAR the baluster body painted with buildings, with rope tied loop handles, a spout to the base, 15” high See illustration £100-200 Lot 157 29

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 161 Lot 158

158 AN ITALIAN MAIOLICA JAR the ovoid body with strap handles and painted with a group of the Virgin and Child, within bold acanthus scrolls, 16½” high See illustration £80-160 159 A PAIR OF ITALIAN POLYCHROME APOTHECARY JARS one painted with a standing cherub, labelled ‘CHIAREZZA’, within a floral meander, inscribed ‘AQ. EVERAGIAE’, the other with a figure of Castita, her waist band inscribed ‘CASTIGO CORPV MEUM’, the lower part inscribed ‘AQ. RVT. CAPRAR’, 16½” high (2) See illustration

Lot 159

£200-400 160 AN ITALIAN POLYCHROME JAR of slender ovoid form, painted with a band of fruit, 18¼” high See illustration £50-100 161 A LARGE PAIR OF ITALIAN BLUE AND WHITE APOTHECARIES ALBARELLO each labelled within blue foliate scroll bands, one ‘I HPRIARA FINA’, with two associated covers, 18” high See illustration £300-600

Lot 160 30

Lot 162 Lot 163

162 AN ITALIAN MAIOLICA LUSTRE VASE the baluster body painted with masked acanthus scrolls, on a blue ground, the base labelled ‘COOP.VA CERAMISTI GUARDO TA DINO ITALIA’, 13½” high See illustration £50-100 163 AN ITALIAN MAIOLICA LUSTRE VASE of baluster shape, painted with a silhouette portrait of a woman, inscribed ‘ALLFINEELDILOAD’, the reverse with formalised scrolls, Cantagalli style mark to the base, 12½” high See illustration £50-100 164 AN ITALIAN “SAVONA” BLUE AND WHITE MAIOLICA ARMORIAL PLATE painted with a bold coat of arms, enriched in yellow, above a mountainous village landscape, church spire mark to the base, 14” dia. See illustration £200-400

Lot 164

165 A PAIR OF ITALIAN BLUE AND WHITE MAIOLICA VASES each of ovoid shape and with bold lions mask handles, one side painted with a bacchant on a goat, the reverse with a landscape, 10¾” high (2) See illustration £100-200

Lot 165 31

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 166

Lot 169 166 AN ITALIAN POLYCHROME MAIOLICA APOTHECARY JAR the shoulders with bold serpent handles and a spout above a label ‘CHARITAS’, flanked by scrolling oak leaves, 12¾” high See illustration £100-200 167 A PAIR OF ITALIAN BLUE AND WHITE MAIOLICA VASES of onion shape, each painted with a panel of waterside buildings, possibly Savona, 11½” high See illustration

Lot 167

£400-800 168 AN ITALIAN POLYCHROME MAIOLICA APOTHECARY VASE the baluster body with strap handles, painted with a vacant scroll, flanked by bird inhabited fruiting vine scrolls, 13¾” high See illustration £50-100 169 A LARGE ITALIAN POLYCHROME MAIOLICA JUG with the Medici arms, flanked by panels of scrolling foliage, 13½” high See illustration

Lot 168

£50-100 32

Lot 171 Lot 170

170 AN ITALIAN POLYCHROME MAIOLICA APOTHECARY JAR the baluster body painted with a large heraldic tower roundel above a label ‘DERV. LN. 3NR.’ on a tile pattern ground, 13” high See illustration £50-100 171 AN ITALIAN CANTIGALLI LUSTRE MAIOLICA VASE of squat spool shape with strap handles one side painted on an oval of a peacock, the reverse with a pelican in piety, reserved on a dark blue ground painted with stylised foliage, magenta mark, 12½” high See illustration

Lot 172

£100-200 172 AN ITALIAN POLYCHROME MAIOLICA VASE the ovoid body with strap handles, each side painted with a figure, one a Saint beside buildings in a wooded landscape, 16½” high See illustration £80-160 173 A LARGE PAIR OF ITALIAN POLYCHROME ARBORELLI AND COVERS each painted with a continuous game hunt within floral meander borders, the cover with a fruit finial, 20” high (2) See illustration Lot 173

£300-600 33

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 174

Lot 175 Lot 177 174 A PAIR OF ITALIAN POLYCHROME MAIOLICA VASES each vase painted with a religious or classical cartouche to each side, reserved on a yellow ground painted with grotesques, 18” high (2) See illustration £100-200 175 AN ITALIAN POLYCHROME MAIOLICA ALBARELLO painted with a silhouette bust of a man in a cartouche, the reverse with foliate scrolls, 17th/18th century, 15” high See illustration £300-600 176 AN ITALIAN POLYCHROME MAIOLICA VASE painted with a continuous scene of putti in a watery landscape, 7¼” high See illustration £50-100 177 AN ITALIAN “FENICE ALBISOLA” MAIOLICA URN of baluster shape, painted in cream and yellow with raised floral sprays, on a dark green ground, with painted mark, 11½” high See illustration

Lot 176

£80-150 34

Lot 178

Lot 180

Lot 179 178 AN ITALIAN (LEVANTINO OF ALBISOLA) MAIOLICA TRAY of cusped rectangular form, painted with an armorial, blue lighthouse mark, 10½” wide See illustration £50-100 179 AN ITALIAN SAVONA MAIOLICA FLOWER VASE of double gourd shape, painted with a building and scattered sprigs, shield mark, 18th century, 8¼” high See illustration £80-160 180 AN ITALIAN POLYCHROME MAIOLICA BUST OF A YOUNG WOMAN wearing an elaborate head scarf, 11¼” high See illustration £80-160 181 AN ITALIAN “GINORI” LUSTRE MAIOLICA EWER AND STOPPER of Islamic shape, painted with bands of blue and copper vine leaves, blue mark, 14” high See illustration

Lot 181

£60-120 35

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 184 182 AN ITALIAN POLYCHROME MAIOLICA JUG with a bold bearded mask spout, painted with stylised floral pendants, 7” high, and another jug (2) See illustration

Lot 185

£30-60 183 SPARE LOT 184 A PAIR OF MAIOLICA FIGURES OF CHINESE MEN wearing floral robes, 18th century, 9¼” high, on carved octagonal wooden bases (2) See illustration £200-400 185 A MAIOLICA TUREEN modelled as a recumbent hare, on a floral encrusted base, 15½” See illustration £80-150 36

186 A PAIR OF MAIOLICA VASES of globular form converted to lamps, each with a Renaissance style portrait medallion in profile amidst leafy scroll and foliage on a blue ground, with gilt metal mounts, 24” high (2) See illustration £300-600 187 A MAIOLICA EWER of helmet shape decorated in polychrome with sprays of flowers, with a screen scaly serpent handle, 18th century, 5½” high, and a double-handled sauceboat decorated in puce and green (2) £50-100 188 A MAIOLICA SHELL-SHAPED EWER of Renaissance design supported on a winged figure, with cockerel mark and numbered 22, 8” high, and a Maiolica tri-form table salt painted with a portrait of “Alesandro Seorsa”, 6¼” high (2)

Lot 186

Lot 189

£50-100 189 AN ITALIAN MAIOLICA TILE painted in polychrome with rustics and cows beside a ruined arch, 18th century, 5” x 6¾”, in a gilt wood frame See illustration £100-200 190 A ROCOCO STYLE BLUE AND WHITE TIN GLAZED CASKET, the lid painted with lovers in a landscape, within a scrollwork border, the sides with landscape and figural cartouches, the base with a monogram in blue, 10½” wide See illustration £100-200 191 A MAIOLICA TUREEN AND COVER decorated in the Imari palette and gilt with flowers sprouting from rockwork, the domed lid with a moulded fruit finial, 18th century, 3¾” high; and a maiolica dish of shaped oval form decorated in polychrome with a figure, a townscape and hounds with human faces, 14½” wide (2) £50-100 Lot 190

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

192 A RARE “FAENZA” MAIOLICA VESSEL in the form of an elegant boot with a siren handle and a grimacing grotesque mask forming the aperture, possibly circa 1580, 9¼” high. See illustration A number of comparable boots are known to exist including one in the collection of the Ashmolean Museum, Oxford, and another at Waddesdon Manor, the latter bearing the mark of the Faenza potter Don Pino Bettisi. It is unclear whether these vessels had a celebratory purpose, comparable to the tradition of drinking from a bride’s shoe at a wedding, or were merely playful objects designed to amuse. Literature: A comparable vessel in the form of a boot is illustrated (Cat. 49) in “At Home in Renaissance Italy” published by V & A Publications in 2006. edited by Marta Ajmar-Wollheim and Flora Dennis, pg. 215. See illustrations £1,000-2,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

GLASS

207 A CONTINENTAL YELLOW AND BLUE GLASS VASE with pinched shell feet, one other similar vase, a red and smoky glass top hat wine coaster and other similar glass (7)

200 A GERMAN GLASS DATED TUMBLER with white enamel decoration of a prize bull below “anno * 1701”, the reverse with text within a wreath border, 5” high

£50-100

£200-400

208 A CONTINENTAL CRANBERRY GLASS VASE of urn form with three loop handles and frosted clear glass leaf decoration, 19th century, (8½” high) together with similar other glassware (6)

201 A CONTINENTAL FRIENDSHIP WINE GLASS, the bell shaped bowl engraved with two soldiers greeting one another above a rococo cartouche inscribed “AMITIE” on a bulbous stem and circular foot, 18th century, 6¾” high

£80-150 209 A CONTINENTAL ART NOUVEAU GLASS VASE with green and vaseline stylised leaf decoration, late 19th/early 20th century, 12” high

£100-200 202 A CONTINENTAL FIRING GLASS, the conical bowl engraved with initials below crown all within a wreath, the hollow stem on a thick circular foot, 18th / early 19th century, (4¼” high) together with three other firing glasses.

£50-100 210 A PAIR OF CONTINENTAL BLUE AND GREEN OPAQUE GLASS VASES with elongated trumpet necks on a globular body with gold flecked decoration, late 19th / early 20th century, (8” high) and a similar vase (3)

£100-200 203 A MILLEFIORI AND ENGRAVED GLASS RUMMER, the bell shaped bowl engraved and cut with leaves, dots and stars within scattered coloured millefiori on an air twist stem and circular star cut foot, 19th century, 6¼” high

£50-100 211 A SET OF FOUR CONTINENTAL OPAQUE AND CRANBERRY GLASS DISHES with wavy borders on a raised green foot, late 19th/early 20th century, 8” dia. (4)

£50-100 204 A SMALL WALDGLAS TYPE EWER with a high scroll top handle and elongated neck, on a circular foot, 16th/17th century, 6½” high

£80-150 212 A CONTINENTAL CLEAR GLASS AND YELLOW METAL MOUNTED SCENT BOTTLE, the yellow metal and enamel screw lid decorated with leaf swags and a central crest, 19th century, 3” high, and two other similar scent bottles with yellow metal mounts (3)

£250-450 205 A CONTINENTAL TWIN HANDLED GLASS DECANTER with polychrome painted decoration of birds, boats and windmills within floral cartouche, heightened in gilt, each decoration between pinch glass panels, 19th century, 9½” high

£100-200 213 AN ART NOUVEAU VASELINE GLASS TRUMPET VASE with floral decoration, on a circular foot, late 19th/early 20th century, 15½” high

£80-150 206 A PAIR OF BOHEMIAN OVERLAID YELLOW AND CLEAR GLASS DECANTERS, with star-cut mushroom stoppers, the ring turned necks above a band of slice cut and engraved decoration on a cut banded base, 19th century, 10” high

£50-100 214 A LARGE VICTORIAN VASELINE GLASS FLOOR VASE with an elongated flowerhead stem, on a domed foot, 56¾” high

£80-150

£250-450 40

A SIAN ART

Lot 327 detail

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

300 A JAPANESE IMARI VASE of baluster form painted with flowering peonies interspersed with solid blue vase-shaped panels painted with mons, all enriched in gilt, early 18th century, 10½” high See illustration

Lot 300

£200-400 301 A PAIR OF JAPANESE IMARI VASES AND COVERS, each vertically ribbed body painted with chrysanthemums, 19th century, 14” high £100-200 302 A CHINESE BLUE AND WHITE BULB POT of conventional form, painted with scrolling peonies, blue four character mark, 10¾” high See illustration

Lot 302

£400-800 303 A CHINESE FAMILLE VERTE VASE of globular shape, painted with panels of figures on terraces, transitional, with a later pierced wood cover, 6¼” high See illustration £400-800 304 A CHINESE SANG DE BOEUF BOWL, the colour draining from the flared rim, 10” dia. £100-200 305 A CHINESE BLUE AND WHITE PILGRIM FLASK painted with scrolling peonies, 19th/20th century, 10¼” high

Lot 303

£100-200 306 A CHINESE FAMILLE ROSE IMMORTAL standing holding a scroll, wearing a floral sprigged green coat, 9½” high £150-250

Lot 309

307 TWO CHINESE MANDARIN PALETTE MUGS, each painted with figures on waterside terraces, reserved on a cod’s roe ground, 5½” x 5¼”high, together with two other famille rose mugs, one painted with a couple and a cow, reserved on a foliate moulded ground, 5” high, the other with a scroll and florettes reserved on a brickwork moulded ground, 4¾” high, all Qianlong (4) See illustration

Lot 307

£300-600 308 A CHINESE WUCAI DISH painted with peonies, Kangxi, 12¾” dia. See illustration

Lot 308

£200-400 309 A PAIR OF CHINESE RECUMBENT DOGS, each alert and with iron red patched coat, Qianlong, 9” long See illustration £500-1,000 310 TWO CHINESE WUCAI SLEEVE VASES, each painted with panels of flowering plants, Kangxi, 10” and 9½” high (2) £100-200 311 A COLLECTION OF FIVE CHINESE WUCAI WARES, each piece painted with flowers and foliage, comprising a slender bottle vase, 7¼” high, a bottle vase and cover, 4¼” high, a beaker and a pair of saucer dishes, 8½” dia., blue six character mark within double circle for Chenghua (5)

312 A CHINESE FAMILLE ROSE SMALL PLATE of octagonal form, painted with a cockerel, 7” wide, three variously painted plates, a saucer dish, two teabowls and a pair of iron red painted blue and white baluster vases, 6” high, all Qianlong (9)

£100-200

£100-200 43

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 314

Lot 316

313 A SET OF THREE CHINESE FAMILLE ROSE PLATES, each sparsely painted with floral sprays, three with butterflies and ribbon-tied spray, and two others, all Qianlong, 9” dia. (3)

317 A CHINESE BLUE AND WHITE VASE of compressed onion shape, painted with waterside views, 19th century, 11½” high, together with a blue and white globular jar boldly painted with flowering peonies, issuing from rockwork, 10” dia.

£100-200

£80-150

314 A CHINESE FAMILLE ROSE PHEASANT DISH painted with a brace upon rocky outcrops, Qianlong, 14½” wide See illustration

318 A CHINESE BLUE AND WHITE GLOBULAR VASE painted in the Imari palette with a bird perched on a rocky outcrop amongst peonies, Qianlong, 9” dia. £100-200

£150-250

319 A KOREAN BLUE AND WHITE JAR of compressed ovoid form, painted with peony sprays highlighted in green, possibly Joseon, 19th century, 7½”dia.

315 A CHINESE PROVINCIAL BLUE AND WHITE BASIN with a turnover rim, printed with a bold riverside landscape, 19th century, 11½” dia.

£100-200

£40-80 316 A CHINESE FAMILLE ROSE JARDINIERE printed with alternate panels of court figures and birds amongst flowering plants, 12¾” dia. See illustration £150-250

Lot 326

Lot 320 3320 A CHINESE FAMILLE ROSE VASE, the globular body with a flared elongated neck painted with a phoenix in flight, the vase with a dragon, iron red square seal mark, 15.5” high. See illustration

324 A PAIR OF CHINESE BLUE AND WHITE SAUCE TUREENS and covers of elongated quatrefoil form, each painted with a river landscape, Qianlong, 5¾” wide £80-150

£300-600

325 A CHINESE FAMILLE VERTE SAUCER DISH, the centre painted with a pane of a pheasant perched on a rocky outcrop, the well with panels of flowering plants, with metal rim, Kangxi, blue fungus and double circle mark, 14¾” dia.

321 A CHINESE FAMILLE ROSE CAFE AU LAIT PART SERVICE comprising a hot milk jug and cover, two tea bowls, two saucers and a saucer, all painted with panels of flowering peonies on a solid ground, Qianlong, the milk jug 6¼” high (6)

£80-120

£100-200

326 A CHINESE FAMILLE ROSE PART TEA SERVICE, each piece painted with panels of figures reserved on a solid gilt ground, enriched with green foliage, comprising: teapot and cover, milk jug, large two-handled cup and cover, six tea cups, seven saucers, one small and one large plate, together with an oval box and cover, a rounded rectangular soap box and cover and a rectangular box and cover; a baluster vase with gilt kylin handles and a jar containing two smaller jars and covers, 14” high (a lot) See illustration

322 TWO CHINESE CIZHOU-TYPE BOWLS, one painted with a stylised leaf motif, the other incised with foliage, both 6¼” dia. £100-200 323 A CHINESE BLUE AND WHITE SMALL BASIN with a barbed flared rim, the centre painted with flowering and fruiting plants issuing from rockwork, the wall and rim with alternate panels of utensils and flowering plants, pseudo character mark with double circle, Kangxi, 10½” dia.

£150-250

£150-250 45

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

327 A LARGE CHINESE BLUE AND WHITE BALUSTER VASE boldly painted with flowering peony scrolls, Kangxi, 18½” high, with a pierced hardwood cover See illustration £1,000-2,000

328 A LARGE JAPANESE IMARI VASE AND COVER of baluster shape, painted in colours with flowering plants issuing from fenced blue pierced rocks and “smoke” plumes, early 18th century, 23” high See illustration £200-400

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

329 A PAIR OF CHINESE FAMILLE ROSE VASES each of baluster shape with elongated neck and floral rim, painted with a continuous scene of riverside court figures. The shoulders applied with lizards. 24” high See illustration £200-400 330 A CHINESE FAMILLE ROSE FISH BOWL painted with flowering branches and ripe pomegranates, on a solid dark blue ground, the interior with fish and weeds, 17” dia. See illustration £200-400 331 A CHINESE FAMILLE ROSE WINE CUP of deep U-shape, painted with a boy standing, his feet at a rooster, the reverse with a hen and chicks. A long poem by Qianlong above, blue square seal mark for Qianlong, 2¾” high

Lot 329

CF: Eskenazi Catalogue November 2011, no. 14 for an original pair £50-100 332 A CHINESE POLYCHROME PLAQUE of circular shape, painted with a bird perched above flowering plants, two line inscription, 8¼” dia. £80-150 333 TWO CHINESE FAMILLE ROSE SMALL TEA POTS AND COVERS the baluster pot painted each side with a figure and an inscription, 4½” high, the globular pot similarly painted, 3½” high (2) See illustration

Lot 330

£150-250 334 A CHINESE FAMILLE ROSE TEAPOT, set within a cube outer case, painted with alternate panels of flower-filled utensils and verses, 5” high, a squat globular teapot painted with solitary figures and verses, 4” high, and a U-shaped bowl and cover also painted with figures and panels of vase, 4¾” high (3) £150-250 Lot 333 48

335 TWO CHINESE IMARI PALETTE BOWLS AND COVERS the squat example with blue foliage and scroll handles, 4½” high, the other with shell handles, 4¾” high, both Qianlong See illustration

Lot 335

£150-250 336 A CHINESE FAMILLE ROSE MUG the globular body with a ribbed elongated neck, painted with a bold group of flowering plants, Qianlong, 4” high £100-150 337 A CHINESE BLUE AND WHITE TEAPOT AND COVER of octagonal shape, painted with flowering plants enriched in gilt and iron red, contemporary gilt metal mounts, Kangxi, 4¼” high See illustration £200-400 338 A SMALL FAMILLE ROSE VASE the almost eggshell body of elongated globular form, delicately painted with flowering plants, the reverse with two lines of calligraphy, iron red seal mark, Republican period, 3¾” high See illustration

Lot 337

£60-120 339 A PAIR OF CHINESE BLUE AND WHITE DEEP DISHES each with a lobed floral rim, painted with a central crab amongst seaweed and fish, 8” high £100-200 340 A CHINESE DOUCAI SAUCER painted with scrolling foliage. blue six character mark, 4½” dia. £100-200

Lot 338 49

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

£40-80

348 A LARGE PAIR OF CANTONESE PORCELAIN VASES, each of baluster shape with flared and petalled rims, two pairs of fo-dogs, and dragons applied to the shoulders, typically decorated with panels of Manchu courtiers alternating with birds, flowers and insects, Qing dynasty, c. 1880, 81cm high (2)

342 A CHINESE BASIN painted in pale gilt with peony blooms and scrolling foliage, Qianlong, 15½” dia.

Provenance: Each with old labels pasted to base inscribed ‘Collections Lazzaroni Vent a Nice 16-21 Juin 1952’. See illustration

£150-250

£2,000-4,000

343 A CHINESE PROVINCIAL BLUE AND WHITE BOWL painted with dragons amongst clouds, the well with entwined scrolls, blue four character mark within a double circle, probably 17th century, 12” dia.

349 A CANTONESE FAMILLE ROSE BOWL painted with panels of figures on terraces, 13¼” dia.

341 A JAPANESE POLYCHROME DISH painted with cavalrymen beneath a tree, the everted rim with panels of flowers and insects reserved on a solid iron red ground, iron red nine character mark, 9½” dia.

£800-1,600

£50-100

350 A CHINESE WUCAI BOWL the exterior painted with dragons pursuing flaming pearls - blue square seal mark for Qianlong, 6¼”, dia., a famille verte cafe au lait pot and cover, painted with waves; a famille rose standing maiden, 6” high and a blanc de chine group of two courtiers, 5” high (a lot)

344 A CHINESE PROVINCIAL BLUE AND WHITE SAUCER DISH painted with stylised foliage, 10” dia. £40-80

£80-150

345 A CHINESE BLUE AND WHITE VASE the baluster body painted with stylised scrolling peonies, the shoulders applied with lion’s masks, Qianlong, 14½” high

351 A JAPANESE SATSUMA POTTERY VASE AND COVER with polychrome painted and gilt floral decoration, seal mark to base, Meiji, 5” high

£60-120

£100-200

346 A CHINESE BLUE AND WHITE VASE the baluster body boldly painted with fish amongst weeds, 14¼” high

352 A CHINESE EXPORT PORCELAIN FAMILLE ROSE SHAVING BOWL painted in polychrome with flowers and insects, 18th century, 14” wide

£100-200

347 A CHINESE FAMILLE VERTE VASE the baluster body painted with panels of birds and flowering plants, the ground with scattered blooms and sprigs, 18” high £400-800

Lot 348

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

353 A PAIR OF CANTONESE PORCELAIN VASES with polychrome painted figure decoration in reserves, on a celadon glazed ground, the necks with applied gilt dragons and dogs, Qing, 9” high

361 A SET OF JAPANESE RED LACQUERED BOWLS AND STANDS with polychrome floral and crane decoration, on gilt and red ground, contained in a wicker basket £100-200

£100-200 354 A CHINESE PORCELAIN VASE with blue painted figure decoration within tooth and Greek key borders, four character marks to base, Qing, late 19th century, 8¼” high

362 A JAPANESE CARVED WOOD NETSUKE in the form of a man seated wrapped in a cloak, Meiji, 19th century, 1½” high, and two other similar netsuke and a carved wood figure of a man holding a scroll, 7” high (3)

£80-150

£100-200

355 A CHINESE EXPORT PORCELAIN PLATE painted in blue with a leaping Pekingese within an iron red patterned border containing reserves painted with birds, Qing, 18th century, 10½” dia.

363 A CANTONESE CARVED TORTOISESHELL BRISÉE FAN with figures in landscape amongst trees, 19th century, 7½” high £200-400

£150-250

364 A CHINESE ROOTWOOD CARVING of a sage holding a pot with bead eyes and carved features, Qing, 19th century, 15” high

360 A CHINESE CLOISONNÉ VASE of large size, the body decorated with birds amidst chrysanthemums and blossoming branches on a pale blue ground with cellular and key pattern gilt wire decoration, the shoulders, neck and foot with stylised flowers, leafy scrolls, cloud scrolls and bats, probably Jiaqing, 28¼” high. See illustration

£80-150 365 A JAPANESE PORCELAIN NETSUKE in the form of a dog, with underglaze and overglaze decoration heightened in gilt, on a carved wood stand, 1½” high

£4,000-6,000

£100-200

Lot 360

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

366 A SET OF SIX JAPANESE SHIBYAMA IVORY NAPKIN RINGS with gilt bird and applied mother of pearl floral decoration amongst insects, fans and leaves contained in a wooden box with character marks, the napkin ring 1¾” dia. (6). See illustration

Lot 366

£300-600 367 A JAPANESE RED LACQUERED INRO with raised gilt tree decoration, signed, Meiji period, 3½” high, and one other similar black lacquered inro with a white metal ball netsuke with dragon decoration, Meiji period, the inro 3½” high. See illustration £300-600 Lot 367 368 A PAIR OF JAPANESE BRONZE VASES with raised dragon and dog of fo mask decoration, Meiji, 5” high, a similar koro and a pair of stands (5) £200-400 368A A LONG ROW OF BLUE LACE AGATE CHINESE PRAYER BEADS, each carved with the Shou symbol, c.40” long, and a Venetian glass pendant (2)

£150-250

369 A CHINESE LACQUERED FIGURE OF A SAGE seated on a throne with a hair beard, 16½” high. See illustration Lot 369

Provenance: Purchased by the vendor in Shanghai during a temple demolition

£200-400

370 NAPOLEONIC INTEREST: A CHINESE SANDALWOOD CARD CASE carved in high relief with a named view of Napoleon’s Tomb, the reverse with ‘LONGPOOL HONS’, 4¼” high See illustration

Lot 370

£150-250 371 A CHINESE MAGNIFYING GLASS the handle in the form of a pale celadon belt hook, carved in high relief with a sinuous lizard, handle 5½” long Provenance: Given in 1958 to the ADC of the last Governor of Singapore, Sir William Goode, by wealthy Chinese merchants See illustration £500-1,000 Lot 371

372 A CHINESE CLOISONNE ENAMEL BOX in the form of a duck, looking backwards, 5½” long £60-120 373 TWO CHINESE HARDSTONE FIGURES each of a standing woman, one holding a fungus spray, the other a large bloom, 7¼” and 6½” high £60-120 374 A CHINESE HARDSTONE SCROLL the mottled brown staves carved with archaistic script, 6¾” high x 12¼” long, opened £100-200

Lot 375 375 A CHINESE JADEITE SEAL of tapering square form, 1½” high See illustration £200-400

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

376 A CHINESE HARDSTONE BOWL the mottled green brown body of a shallow U-shape, 4¼” dia.

Lot 377

£50-100 377 A CHINESE MOTHER OF PEARL STAVED FAN the paper leaf painted one side with a profusion of court figures, the reverse with panels of figures, on a coral ground, 10¼” radius See illustration £150-250 378 A CANTONESE LACQUER FAN the paper leaf painted with panels of figures, the reverse with flowers, the staves worked with panels of figures, 8” radius. Together with a rectangular fan box (a lot)

Lot 379

£600-800 379 A CHINESE BRONZE BOWL of deep U-shape, with upright pierced lug handles, the rim cast with a band of Taotie masks, the base with two lines of archaistic script, 6¾” high overall See illustration £150-250 380 A JAPANESE KOMAI BOX of rounded rectangular shape, lift-off lid and a drawer to the base, the lid worked with a signed view of buildings, the sides with a variety of roundels, reserved on a ground of paulownia leaves - signed, 2¾” wide See illustration

Lot 380

£500-1,000 381 A JAPANESE BRONZE VASE AND STAND the greenish tinged body incised and cast with a hut beside a mountainous waterfall, signed, 9½” high overall £150-250

382 A JAPANESE BRONZE VASE of slender onion shape, applied with lappet shaped panels to the shoulders enriched with gilt star motifs, signed, 9½” high See illustration

Lot 382

£200-400 383 A JAPANESE BRONZE VASE the baluster body cast in low relief with a pheasant amongst flowering peonies, the reverse with a sparrow amongst peonies, all enriched in gilt, 14½” high See illustration £300-600 384 A SMALL JAPANESE IVORY OKIMONO carved as an open fruit containing two men playing a board game, 1½” wide, together with an engine-turned coquille nut egg shaped thimble holder (2)

Lot 383

£40-80 385 A GROUP OF FOUR JAPANESE IVORY OKIMONO two of musical instrument players, one of a man preparing food, the other reclining with books, all signed, largest 3¼” high, together with a small example of a food seller (5) See illustration £200-400 386 A JAPANESE LACQUER INRO one side carved in low relief with an elephant, the reverse with a man holding a hoe, the recessed cell diaper ground in cinnabar red, 3¾” high Lot 385

£80-150 387 A FABRIC TABLE RUNNER worked in silver coloured metal thread with foliate scrolls, 23” x 82” £20-40 388 THREE CHINESE REVERSE GLASS PAINTINGS each depicting women in interiors, hardwood frames, 21½” x 19¾”overall average (3) See illustration on page 58 £300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

389 LOKI BUNSIA (BUNYA) (Japanese, 1863-1906) Six various watercolours, waterside views, including two of Mount Fuji, signed, 5½” x 16¾”, average, some portrait format (6) See illustration

Lot 388

£300-600 390 OHARA KOSON (Japanese 1877-1945) ‘Dove and Pigeon’ signed lower right with seal, watercolour, 13” x 7¼” £50-100 391 INDO-PERSIAN SCHOOL Figures smoking huqqa pipe, other figures waiting, on an open landscape, within foliate narrow and lined border, watercolours, black ink, gouache and gilding on paper, early 20th century, 36cm x 26cm, and another of polo players, 20th century, 19cm x 25cm (2)

Lot 389

£100-200 392 A PERSIAN DAMASCENED STEEL KNIFE delicately inlaid with gilt foliate scrolls, 14¼” long See illustration £150-250 393 FIVE ANCIENT PERSIAN BRONZE HAIR PINS with various details, 4¾” - 6½” high (5)

Lot 392

£50-100 394 A CHINESE SILK PAINTING of a bird flying towards bamboo shoots with leaves, on a scroll, 33” high overall £50-100 395 ZHAO ZIYONG (1793-1846) A Chinese scroll painting of crabs below leaves, signed upper left, with ink character marks and red seal marks, the painting 36” x 18½” £200-400 396 A CHINESE PAINTING ON SILK: A mountainous landscape with trees and buildings, signed and dated 1990 lower left, 25” x 25” 58

£200-400

20TH CENTURY DESIGN

Lot 489 detail

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

400 A MOORCROFT POTTERY VASE, SANTORINI of baluster form with tubeline decoration, designed by Paul Hilditch, limited edition No. 40/75, c. 2011, signed and impressed markings, 14½” high. See illustration

Lot 400

£200-400 401 A MOORCROFT POTTERY VASE, DIAMOND CROWN of oviform with tubeline decoration, designed by Vicky Lovatt, limited edition No. 16/100, c. 2012, signed and impressed markings, 9” high. See illustration £150-250 402 A MOORCROFT POTTERY VASE, HIDDEN KINGS of squat ovoid form with tubeline decoration, designed by Vicky Lovatt, limited edition No. 68/100, c. 2012, signed and with impressed markings, 5½” high. Commissioned for the Born Free Foundation. See illustration

Lots 401 and 402

£150-250 403 A MOORCROFT POTTERY VASE “MECONOPSIS” of oviform, tubeline decoration, designed by Rachel Bishop, limited edition No. 67/150, c. 2004, signed and impressed markings, 10¾” high. £150-250 404 A MOORCROFT POTTERY TRIAL JUG “TULIP WEAVER” of cylindrical tapering form with “D”-shaped handle, tubeline decorated, designed by Kerry Goodwin, c. 2010, signed and impressed markings, 9½”

Lot 405

£80-150 405 A MOORCROFT POTTERY VASE “DUDDON VALLEY” of oviform with tubeline decoration, designed by Sian Leeper, limited edition No. 44/150, c. 2006, signed and impressed markings, 9½” See illustration £200-400

Lot 406

406 A LARGE MOORCROFT POTTERY PRESTIGE VASE, DERWENT RESERVOIR DAM BUSTER waisted form with long slender neck, tubeline decoration, designed by Vicky Lovatt, c.2014, signed and impressed markings, 17½” high See illustration

408 A MOORCROFT POTTERY VASE “PRIMAVERA” of squat oviform with tubeline decoration, designed by Nicola Stanley, limited edition No. 43/100, c. 2008, signed and impressed markings, 6” high. £100-200

£800-1,500

409 A MOORCROFT POTTERY VASE of oviform with tubeline decoration, decorated with flowers on a cream ground, c.2015, signed and impressed markings, 8¼”

407 A MOORCROFT POTTERY VASE “SHIREWOOD” of oviform with tubeline decoration, designed by Phillip Gibson, limited edition No. 55/150, c. 2003, signed and impressed markings, 10.¾” high. Commissioned by Connaught House.

£80-150

£150-250 61

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

410 A MOORCROFT POTTERY TRIAL JUG of gourd form with tubeline floral decoration, possibly designed by Kerry Goodwin, c.2014, signed and impressed markings, 7½” high £150-250

416 A LARGE MOORCROFT POTTERY PRESTIGE VASE “MAGIC WOOD” of oviform with tubeline decoration, designed by Vicky Lovatt, limited edition No. 15/35, c. 2011, signed and impressed markings, 15½” high See illustration

411 A MOORCROFT POTTERY PLAQUE “MOONLIGHT FLIGHT” of rectangular form with tubeline decoration and wooden surround, designed by Emma Bossons, limited edition No. 37/100, c. 2012, signed and impressed markings, 15½” x 7½” ex frame

417 A MOORCROFT POTTERY VASE “CORNFLOWER” of fluted form with tubeline floral decoration, designed by Vicky Lovatt, limited edition No. 68/150, c. 2012, signed and impressed markings, 9” high

£150-250

£100-200

412 A MOORCROFT POTTERY TRIAL PLAQUE of rectangular form with tubeline floral decoration and wooden surround, c.2007, signed and impressed markings, 12” x 8” ex frame

418 A MOORCROFT POTTERY JUG “SUNFLOWER” of bulbous form with single “C”-shaped handle with tubeline sunflower decoration, designed by Sally Tuffin, c.1999, signed and impressed markings, 7½” high

£150-250

£100-200

413 A MOORCROFT POTTERY TRIAL CLOCK of rectangular form with tubeline decoration, after a William Moorcroft design attributed to Renee Mackintosh, c.1995, signed and impressed markings, 6” high (boxed)

419 A MOORCROFT POTTERY VASE “SUNSHINE CHANDELIER” of oviform with tubeline floral decoration on cream ground, designed by Rachel Bishop, limited edition no. 23/100, c. 2014, signed and impressed markings, 10” high

£100-200

414 A MOORCROFT POTTERY VASE: THE CONNOISSEUR COLLECTION of baluster form with tubeline floral decoration, designed by Emma Bossons, c.2004, signed and impressed markings, 12½” high

420 A MOORCROFT POTTERY VASE “QUEENS CHOICE” of oviform with tubeline fruit decoration, designed by Emma Bossons, c. 2000, signed and impressed markings, 9½”

£100-200

415 A LARGE MOORCROFT POTTERY TRIAL VASE “HIGHLAND STAG” of baluster form with tubeline decoration, designed by Kerry Goodwin, c. 2012, signed and impressed markings, 16¾” See illustration

421 A MOORCROFT POTTERY VASE “GOLDEN LILY” of tall cylindrical oviform with tubeline scrolling bloom decoration on ivory ground, designed by Sally Tuffin, c.1993, signed and impressed markings, 12” high Commissioned for Sandersons Fabrics

£700-1,400

£80-150

£800-1,500

Lots 415 and 416

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

422 A MOORCROFT POTTERY TRIAL VASE “AUSTRALIAN GARDEN” of bulbous form with tubeline decoration, designed by Vicky Lovatt as part of the Great Southern Land collection, c.2014, signed and impressed markings, 12½” high See illustration £200-400

Lot 422

422A A MOORCROFT POTTERY LIDDED BISCUIT BARREL “PENCARROW” of square form with twin handles, tubeline floral decoration on green ground, designed by Emma Bossons, edition No. 125, c.2005, signed and impressed markings, 7” high £150-250 423 A MOORCROFT POTTERY CLOCK “DAMES’ PANSY” in the Art Nouveau style, shape CL4, tubeline floral decoration on black ground, white circular dial, designed by Kerry Goodwin as part of the Eventide collection, c.2010, signed and impressed markings, 9” high £80-150

Lot 424

424 A MOORCROFT POTTERY TWIN HANDLED LIDDED CUP “FROG MARCH” in the Art Nouveau style, tubeline decorated with frogs and lily pads on green ground, designed by Kerry Goodwin, limited edition No. 4/75, c.2010, signed and impressed markings, 10½” high See illustration £150-250 425 A MOORCROFT POTTERY TRIAL VASE “TRILLIUM FIRE FLIGHT” of baluster form with tubeline floral decoration on dark blue ground, possibly designed by Emma Bossons, c.2014, signed and impressed markings, 10” high £80-150

Lot 427

426 A MOORCROFT POTTERY TRIAL VASE of squat form decorated with a blue on blue Eventide style design, tubeline decoration, c.2013, signed and impressed markings, 4” high £80-150 427 A MOORCROFT POTTERY TRIAL VASE “STAG & OAK” of oviform, tubeline decoration, designed by Vicky Lovatt as part of the Berkshire Collection, c.2015, signed and impressed markings, 8½” high Exclusive edition for Talents of Windsor. See illustration £80-150 64

Lot 428-435

428 A POOLE POTTERY STUDIO GALLEON of Art Deco style, painted by Sarah Westlake, c.1995, originally designed by Harold Stabler, signed and impressed markings, 10½” high See illustration

431 A LARGE POOLE POTTERY STONEWARE BARN OWL designed by Barbara Linley Adams, signed and impressed markings, 12½” high See illustration £50-100

£50-100

432 A POOLE POTTERY CARTER STABLER ADAMS JARDINIÈRE of red body, shape no. 923, decorated in the DX pattern by Marian Jones, a traditional pattern vase, shape 439, decorated in the AP pattern by Ruth Pavely and three other items (5) See illustration

429 A POOLE POTTERY CARTER STABLER ADAMS TWIN HANDLED VASE of red bodied, shape no. 462, decorated in the YO pattern by Margaret Holder (7”) and a Poole Pottery CSA red bodied vase, shape No. 975, decorated in the CO pattern designed by Truda Carter (6¾” high) (2). See illustration

£50-100

£80-150

433 A POOLE POTTERY ART DECO DESIGN TWIN-HANDLED BOWL, shape no. 672, designed by John Adams, a Picotee design stripe vase, shape 266, a freeform cucumber dish, a squat vase and a Robert Jefferson design dagger (5) See illustration

430 A POOLE POTTERY RED BODIED TRADITIONAL PATTERN VASE, shape no. 979, decorated in the BM pattern by Marian Heath (8¾ “ high) and a Poole Pottery red bodied vase, shape No. 438, decorated in the VY pattern by Marjorie Batt (6¾ “ high) (2). See illustration

£50-100

£80-150 65

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lots 434-440

434 A POOLE POTTERY STUDIO FOOTED BOWL decorated in The Flags pattern, designed by Sally Tuffin, c.1998, 13¾” dia., and a matching vase, c.1995, 8½” See illustration

438 A LARGE POOLE POTTERY DELPHIS VASE, shape no. 85, decorated in tones of red, orange and greens in an abstract design, designed and painted by Wendy Smith, 15½” high See illustration

£80-150

435 A POOLE POTTERY STUDIO FOOTED BOWL decorated in The Seagull pattern, designed by Sally Tuffin, c.1996 13¾” dia. and a matching lidded vase with shell finial, c.1999, 10½” (2) See illustration

439 A LARGE POOLE POTTERY DELPHIS VASE, shape no. 85, decorated in early glazes in tones of red and black in an abstract design, 15½” high See illustration

£80-150

436 A POOLE POTTERY STUDIO VASE of triangular shape, blue glazed with embossed decoration depicting carp, insects and flowers, designed by Tony Morris, signed markings, 8½” high See illustration

440 A LARGE ANITA HARRIS STUDIO CHARGER, decorated with carp, limited edition no.½5, signed and stamped markings, 16” dia. Ex-Poole Pottery Paintress. See illustration

£80-120 437 A POOLE POTTERY STUDIO COMMEMORATIVE CHARGER, “100 Years of Powered Flight 1903-2003” The Red Arrows 40th display at Bournemouth, designed by Colin Van Geffen, limited edition No. 61/100, painted by Sue Pottinger (10”) and a Poole Pottery commemorative dish “Speedbird Sunset, 24th Oct 2003, Concorde final flight” limited edition No.100/100 painted by Karen Brown, boxed (2) See illustration £80-150

£80-150

Lots 441-447

441 A POOLE POTTERY CARTER STABLER ADAMS VASE of oviform, red bodied, shape 116, decorated in the YO pattern, originally designed by Truda Adams, 8½” high. See illustration

445 A POOLE POTTERY IONION VASE of cylindrical form with carved leaf decoration, glazed in tones of brown and blue, designed by Alan Clarke, signed and impressed markings, 16” high See illustration

£50-100

£80-150

442 A POOLE POTTERY RED BODIED TRADITIONAL PATTERN BOWL, shape no. 666 EX, decorated in the OF pattern by Ethel Barratt, signed and impressed markings, 14” dia See illustration

446 A POOLE POTTERY CARTER STABLER ADAMS JARDINIÈRE of large form, red bodied, decorated in the ZA pattern by Margaret Holder, signed and impressed markings, 13” dia. See illustration

£80-150

443 A POOLE POTTERY ATLANTIS VASE of tapering cylindrical form, shape no. A201/5 with all over carved decoration, glazed in tones of brown and blue, designed and decorated by Guy Sydenham, signed and impressed markings, 8” high See illustration

447 CARTER & CO (POOLE POTTERY): A TIN GLAZED VASE oviform, no. 109, hand painted in a yellow stripe and geometric design on a light grey ground, signed and impressed markings, 8½” high See illustration

£150-300

£100-200

444 A POOLE POTTERY ATLANTIS VASE of tapering cylindrical form, shape no. A20/5 with carved abstract decoration, glazed in tones of blue, designed and decorated by Guy Sydenham, signed and impressed markings, 8” high See illustration £150-300 67

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 452

Lot 453

448 A COBRIDGE POTTERY STONEWARE TRIAL VASE of oviform, decorated with a pagoda in a garden setting with tree’s and foliage in the Chinese style, c.1998, signed and impressed markings, 9½” high.

451 A COBRIDGE POTTERY STONEWARE TRIAL CHARGER with a raised border, salt glazed decorated with lobsters and seaweed, designed by Michelle Lunt, c. 1999, signed and impressed markings, 17” dia.

£80-150

£100-200

449 A COBRIDGE POTTERY STONEWARE TRIAL VASE of cylindrical tapering form decorated with flowers on a pink ground, designed by Sam Johnson, c.2002, signed and impressed markings, 10” high.

452 A WEDGWOOD PEARLWARE DELFT STYLE TEA AND COFFEE SET painted in blue with castle and landscape decoration, painted and impressed marks, pattern no. 4388. See illustration

£50-100

£200-400

450 A SET OF SIX COBRIDGE POTTERY STONEWARE EGG CUPS “SPRINGTIME” of waisted form, salt glazed decorated with flowers, insects and fruit, designed by Sam Johnson, c.2002, signed and impressed markings, boxed.

453 A LARGE TROIKA POTTERY PILLAR VASE of Totem pole form with incised and carved Aztec textured decoration in earthly tones, designed by Leslie Illsley and painted by Anne Lewis, 21¾” high Possibly part of the original Troika exhibition at Heals See illustration

£50-100

£300-500

Lot 454

Lot 457 and 458

454 A CLARICE CLIFF BIZARRE NEWPORT POTTERY TWIN HANDLED LOTUS JUG “LIBERTY BAND” decorated in a multi-colour stripe design in tones of oranges, yellows, blues and browns, stamped markings, 11½” high See illustration

457 A KEITH MURRAY FOR WEDGWOOD BOMB VASE of globular form with bands, decorated in the moonstone colourway, signed and impressed markings, 7½” high See illustration

£200-400

458 A WEDGWOOD COMMEMORATIVE CORONATION FOOTED PUNCH BOWL designed by Keith Murray, commemorating their Majesties King George VI and Queen Elizabeth, no.9z36, stamped and impressed markings, 10” dia. See illustration

£50-100

455 A CLARICE CLIFF BIZARRE NEWPORT POTTERY VASE “ORIGINAL BIZARRE” of hexagonal waisted form, decorated in tones of burnt orange, yellow and brown in a green and cream diamond border, signed markings, 6½”

£50-100

£80-150

458A A PAIR OF ROYAL DOULTON FLAMBE JIANYANG VASES, tapered cylindrical form, speckled glazed with grotesque mask to neck, limited edition No. 40 and 43/300, c.2001, as part of the Archives Burslem Artwares collection, 9” high

456 A CLARICE CLIFF BIZARRE WILKINSON POTTERY MADALION WALL PLAQUE “INSPIRATION” of circular form with raised border and embossed decoration, in tones of turquoise and yellow as part of the Persian range, signed markings, 13” dia.

£100-200 458B A PAIR OF ROYAL DOULTON FLAMBE NANJING BOWLS of footed form with Chang glaze, limited edition No. 118 and 119/350, c. 2000, as part of the Archives Burslem Artwares collection with certificates, 7½” dia

£80-150

£150-250 69

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

458C A ROYAL DOULTON FLAMBE JINTIN VASE, oviform with Sung glaze, limited edition No. 115/350, c.2000, as part of the Archives Burslem Artwares collection, 11” high

464 A ROYAL DOULTON CHINA FIGURE “A JESTER” HN.1295 modelled smiling on a seated plinth in blue, black and yellow striped costume, designed by C.J Noke, potted by Doulton & co, impressed 13.7429, signed and impressed markings, 9½” See illustration

£80–150

£1,000-1,500

459 A BURSLEY WARE CHARLOTTE RHEAD DESIGN CHARGER with tubeline floral decoration on green and cream ground, TL14 pattern, 16” dia., and another on grey ground decorated with red flowers and polka dots, pattern TL116 , 12” (2)

465 A LARGE ROYAL CROWN DERBY OLD IMARI PATTERN FRUIT BOWL of octagonal footed form with gilt decoration on dark blue ground, pattern no. 1128, signed markings, 10½” dia.

£80-150

£200-400

460 A DENNIS CHINAWORKS TRIAL TAZZA, POLAR BEAR with snowflake border and polar bear finial, on footed circular base, designed by Sally Tuffin, c.2006, thrown by Rory Mcleod, signed and impressed markings, 6” dia.

466 A ROYAL CROWN DERBY OLD IMARI PATTERN BOWL of octagonal footed form with gilt decoration on dark blue ground, pattern No. 1128, signed markings, 9¼” dia. £100-200

£60-100

467 A ROYAL CROWN DERBY IMARI PATTERN BOWL of octagonal footed form with gilt decoration on dark blue ground, pattern no. 1128, signed markings 7¼” dia. and a shallow footed octagonal formed sweet dish, 6¾” dia. (2)

461 A WILLIAM DE MORGAN “SAND’S END” POTTERY TILE cast in low relief with two lions, glazed in tones of brown, impressed markings, 6” £50-100

£80-150 462 A CARLTONWARE HANDCRAFT SANDWICH TRAY of rectangular form with stylised floral segments, decorated in the Floral Scallops pattern, no. 3234, signed markings, 14” long

468 A LARGE BOURNE DENBY DENESBY ORIENT WARE THREE HANDLED PLANTER of ovoid squat form, with incised stylised decoration in tones of blue, mauve and brown drip glazes, 11½” dia., another matching, 8” dia., and two twin handled vases, signed markings (4)

£50-100 463 A CARLTONWARE DEVIL’S COPSE PATTERN TWIN HANDLED DISH of oblong form with gilt enamel decoration on dark blue ground, shape No. 1236, pattern No. 3787, a small twin handled footed dish decorated in the Babylon pattern, a Bleu Royale pattern ashtray and two other items (5)

£50-100

Lot 464

469 A PAIR OF BOURNE DENBY DENESBY ORIENT WARE MONSAL VASES of bulbous form with Greek key design band, decorated in tones of blue, mauve and brown drip glazes, a pair of Stancliffe vases, three cylindrical formed shaped vases and a fruit bowl (8)

471  MICKI SCHLOESSINGK (b.1949) STONEWARE VASE of ovoid form with collar rim, wood-fired salt glazed, 10” high, together with a large C.H Brannam pottery lustre glazed ewer, 17½” high, (2) £60-100

£50-100

472 A LARGE BURMANTOFTS STYLE CONTINENTAL CERAMIC COCKATOO of oversized form with a turquoise blue glaze, 21½” high

470 A BOURNE DENBY DENESBY ORIENT WARE SINGLE HANDLE JUG of bulbous tapering form with incised stylised decoration in tones of blue, mauve and brown drip glazes, a ‘Ilam’ jug, and two other jugs (4)

£50-100

£50-100 71

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

473 A SPODE STYLE HEREND PORCELAIN VASE AND STAND of flared open form with gilt borders and floral decoration on mauve ground raised on four gilded claw feet joined by an integral plinth, further raised on a square plinth, signed marks, pattern No. 6401 / GDF, 11” high See Illustration

Lot 473

£200-400 474 A SET OF SIX CONTINENTAL HERAND PORCELAIN DINNER PLATES decorated in the Parsley pattern on white ground with gilt border rim, 10” dia. £100-200 475 A CONTINENTAL HEREND PORCELAIN SCALLOP SHAPED DISH decorated in the Fruits and Flowers pattern on white ground with gilt bordered rim, pattern No. 7444 / BFR, a lidded rectangular shaped box and an open flared form vase decorated with insects and flowers with gilt borders (3)

Lot 476

£100-200 476 A CONTINENTAL HEREND PORCELAIN COFFEE SET decorated in the Rothschild Bird (RO) pattern with birds, insects and foliage on pale ground. Comprising coffee pot, milk jug, six cups and saucers and other pieces. See Illustration £150-250 Lot 479

477 A PAIR OF CONTINENTAL HEREND PORCELAIN PARROTS perched on a tree trunk with entwined vines with berries, decorated in glazed tones of green and red, signed and impressed markings, 10½” high £50-100 478 A CONTINENTAL ROSENTHAL PORCELAIN DUCK glazed and decorated in tones of brown, 10½” high, a Rosenthal figure modelled as a bird, designed by E. Otto Eichw, impressed marks, 7” and a Dahl Jensen Copenhagen bird study, No. 1343, stamped marks, 6” high (3) £50-100 72

Lot 485

Lot 486

479 A CONTINENTAL PORCELAIN FIGURE MODELLED AS A BLACKAMOOR carrying a plate of fresh fruit in brightly coloured costume with gilt highlights, designed by H. Meisel, c.1931, model No. 749, impressed Schwarzburger Werkstätten für Porzellankunst to base, 7” high See Illustration

483 A BERNARD ROOKE STYLE ABSTRACT VASE of rectangular mallet form with incised glazed and matt decoration, incised mark, 8½” high £50-100 484 JIM MALONE (b.1946): A STUDIO POTTERY VASE of footed cup form, incised with a green glaze, impressed marks, 4” high

£80-150 480 A STUDIO POTTERY LIDDED VASE of uneven hexagonal form, matt pale glazed with green impressed decoration, 10”

£50-100 485 SAM HALL (b.1967): A ST IVES STUDIO POTTERY VASE of tapered oval form, with incised striped decoration under a dark copper and off white glaze, impressed marks, 8¼” high See Illustration

£50-100 481 IKA SCHILBOCK (b.1926): A STUDIO POTTERY VASE of triple gourd shape with a slender stalk neck, glazed in tones of brown and cream, painted marks, 8½” high

£200-400

£50-100

486 URSULA MOMMENS (1908-2010): A LARGE STUDIO STONEWARE VASE of shouldered form, with a running mottled brown tenmoku glaze, impressed mark, 9½” high See Illustration

482 A LARGE BERNARD ROOKE STYLE ARCHITECTURAL ORNAMENT of abstract form with a rusty effect glaze, 19” high £50-100

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 488

Lot 489

487 CHRIS LEWIS (b.1951): A STUDIO POTTERY BOWL of Chinese style, with blue and brown decoration on a flecked green ground, impressed marks, 5¾” dia. £50-100 489A A LARGE DENNIS CHINAWORKS STYLE STUDIO POTTERY VASE of tapering oviform decorated with stylised trees on a burnt orange ground, impressed marks, 10¾” high, together with an art pottery acorn vase, with textured, incised and glazed decoration and three other art pottery items (5)

487A JANET LEACH (1918-1997): A ST IVES STUDIO POTTERY FOOTED DISH of circular form with cross-hatch decoration on a twotone brown ground, impressed marks, 8¾” dia. £50-100

£100-200

488 JANET HAMER: A LARGE STUDIO POTTERY SCULPTURE OF A CORMORANT with a red lustre glaze and carved and incised decoration, the bird standing with open wings perched on a rocky base, limited edition No. 4/93, signed marks, 18½” high See illustration

490 A JONATHAN HARRIS ART GLASS VASE of oviform decorated in a blue leaf design together with a Martin Andrews tapering triangular glass vase and an Okra iridescent orange tinted leaf moulded dish, signed markings to bases (3)

£200-400

£80-150

489 ROGER CAPRON (b.1922 - d.2006): A STUDIO POTTERY SCULPTURE OF A STYLISED OWL with glazed and unglazed decoration, incised owl design on reverse, 14” high

491 A MILLEFIORE GLASS PAPERWEIGHT IN THE STYLE OF BACCARAT decorated with a close multi-coloured four ring concentric millefiore cane design with a silhouette of a camel, dated 1846, 3” dia. See illustration

Provenance: Purchased directly from the current vendor from Harsch, 2002. See illustration

£300-500

£200-400 74

492 A LALIQUE DAMPIERRE FOOTED VASE of footed flared form decorated with a band of birds in frosted and clear glass, signed marks, 5” high See illustration £50-100 493 A LALIQUE DAMPIERRE FOOTED VASE of footed flared form decorated with a band of birds in frosted and clear glass, signed marks, 5” high See illustration £50-100 Lot 491 494 A LALIQUE SYLVIE FROSTED ART GLASS VASE in the form of two entwined doves with internal frog, signed markings, 8½” high £80-150 495 ANTHONY STERN (b.1944): A CONTEMPORARY OPAQUE ART GLASS VASE of tall cylindrical form with flared rim, decorated with swirls in tones of purple and brown, signed marks, 11¾” high See illustration

Lots 492 and 493

£80-150 496 AN EMIL BROST FROSTED ART GLASS BOWL of waved circular form, c.1993, signed markings, 8” dia., a Martin Voitenleitner cylindrical art glass vase, etched with a check scarf design to rim, c.1985, signed markings to base (8½” high) and a modelled etched art glass vase decorated with a mythical scene (3) Emil Brost was a designer for Tiffany & Co. £50-100 497 ARCHILBALD KNOX FOR LIBERTY & CO, THE BOLLELLIN SHIELD: A Tudric pewter and enamel dish, circular form with raised boarders, model No. 044, decorated with flowers and whiplash foliage with central enamel turquoise panel, stamped markings, 10”dia. £200-400 Lot 495 75

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

497A ARCHIMEDE SEGUSO (b.1909 d.1999) A LARGE MURANO ITALIAN ART GLASS SCULPTURE of waved, swirl form in tones of green, on a polished square black glass base, signed markings, 20” high

Lot 498

£80-150 498 AN ART NOUVEAU STYLE OKRA DESK LAMP, the glass shade with frilled edge and iridescent swirl decoration, signed by Richard Golding, on brassed stylised base, 13” high See illustration £50-100 499 IN THE MANNER OF PAOLO VENINI, A MURANO GLASS WATERFALL CHANDELIER with two layers of pink glass “teardrops” on a “brass” frame. See illustration £200-400

Lot 499

500 ANGELO OSTUNI: AN ITALIAN TROLLEY TABLE, the glass top supported on a geometric black painted steel frame with lower central bronzed painted metal rack, on four swivel castors, 30” high x 23½” wide £100-200 501 GASTONE RINALDI (b.1920 d.2006) FOR RIMA: AN ITALIAN TABLE AND CHAIRS, the circular smoked glass top supported on a tubular chrome plated stand together with four matching chrome plated chairs, 42” dia. See illustration

Lot 501

£200-400 502 MICHEL DUMAS CREATIONS: A FRENCH OCCASIONAL TABLE of plexiglass square construction with lower central shelf, resting on four swivel castors, 18½” high x 15” wide £50-100

Lot 506 503 MICHEL DUMAS CREATIONS: A FRENCH RECTANGULAR COFFEE TABLE, the bronzed tinted plexiglass top supported on a cylindrical metal rotating pillar with lower black gloss shelf with chrome plated metal mounts, on a rectangular base, 15” high x 35½” wide

505 IN THE MANNER OF GUZZINI: A STANDARD LAMP, the globular tinted shade with ironwork frame, 66” high £80-150 506 A DAVID JOEL WALNUT FURNITURE SUITE; COMPRISING TABLE AND FOUR CHAIRS, SIDEBOARD AND COFFEE TABLE:

£100-200 504 PASCAL MOURGUE (b.1943 d.2014): A FRENCH ROCKING CHAIR, the black lacquered beech open structure with multicoloured upholstery, Model No. CM3, 43” high x 49½” wide This chair was designed for Forum Diffusion, c.1982. £80-150

The table of long rectangular form, supported on four outswept feet, 29½” high x 59” length

The sideboard with plain top over sliding cupboard doors enclosing a cutlery drawer and lower wooden shelf, 33” high x 53½” wide

The coffee table of circular form with a plain top supported on outswept feet, 18½” high x 26½” dia See illustration

£200-400

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 509

507 MAPLE & CO; AN ART NOUVEAU PALE OAK SINGLE WARDROBE with planished copper brackets, the mirrored and carved doors with stylised flower decoration, above a single long drawer with stylised copper and brass handles, a Maple & Co plaque on reverse of carved door, 75”high x 36” wide x 17¾” deep See illustration

Provenance: Purchased by the vendor from Liberty’s in 1987.

£400-600

Lot 507

508 MAPLE & CO: AN ART NOUVEAU PALE OAK DRESSING TABLE with a mirror back above three graduated drawers, with stylised copper and brass handles, on slender turned feet, 66½” high x 30” wide x 19” deep See illustration

Lot 508

Provenance: Purchased by the vendor from Liberty’s in 1987 £200-400 509 ROBERT “MOUSEMAN”THOMPSON (b. 1876 - d.1955): AN ARTS AND CRAFTS STYLE PALE OAK COFFEE TABLE, the adzed rectangular top supported on octagonal shaped legs, joined by a stretcher, signed carved mouse, 36” long x 17½” high x 15” deep See illustration

Provenance: Purchased as wedding present in the 1960’s.

£200-400

510 EDWARD BARNSLEY (1900-1987): A BARNSLEY WORKSHOPS WALNUT DINING TABLE, the shaped rectangular top with central fold-out extending leaf set with a boxwood inlaid border supported on four tapering legs, stamped ‘Barnsley’ to the underside, 86” long (extended) x 39” deep x 28½” high. See illustration £2,000-4,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

JE WELLERY

Lot 648 detail 81

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

ANTIQUE AND ESTATE JEWELS, INCLUDING CARTIER, BULGARI, VAN CLEY AND ARPELS AND BOUCHERON 600 AN HISPANIC PENDANT of foliate design set with four yellow stones and numerous old-cut diamonds, 18th century See illustration £1,000-2,000 601 A GEORGE III PASTE PENDANT with a central cushion-shaped paste, surrounded by circular-cut pastes, in a closed silver setting.

Lot 600

£100-200

602 A REGENCY TOPAZ CROSS set in yellow gold, with a simple suspension loop See illustration £500-800 603 A PAIR OF PEARL AND DIAMOND EAR CLIPS, each with a central pearl on a ground of interlocking scrolls set with old-cut diamonds (2) See illustration £600-1,200 605 A GEM SET BUTTERFLY BROOCH the body composed of diamonds and an elongated oval sapphire and the wings each set with four pearls on a ground of diamonds edged with a line of black enamel and with an outer band of rubies See illustration

Lot 602

£2,000-3,000

Lot 603

Lot 605 82

606 A HOLBEINESQUE GEM SET AND ENAMEL NECKLACE set with rubies and diamonds interspersed with panels of scroll work picked out in cream, blue and green enamel Â£5,000-7,000 83

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

607 AN EDWARDIAN PEARL AND DIAMOND CIRCLET BROOCH set with five pearls, on an openwork ground of undulating scrolls set with old-cut diamonds See illustration

Lot 607

£600-900 608 A MODERNIST STERLING SILVER FISH BROOCH signed Ed Wiener with a cabochon amethyst eye and a pair of earrings en suite (3) £300-600 609 A PAIR OF JORG JENSEN SILVER CUFFLINKS of simple block design, with a matching tie clip, stamped, and another pair of Jensen silver cufflinks with granulated decoration (5) £300-600 610 A FINE GEORGE III OVAL CAMEO BROOCH carved with cupid approaching a partially draped maiden sitting on rockwork within a yellow-gold engraved border £300-600 611 A 1940’S GEM SET AND ROCK CRYSTAL BROOCH modelled as a vase of flowers, set with precious and semiprecious stones including diamonds, cabochon rubies and pearls See illustration

Lot 611

£1,000-2,000

Lot 612

612 AN ART DECO STYLE SAPPHIRE AND DIAMOND CLAW BROOCH calibré-set with a shaped panel of square-cut sapphires within diamond borders See illustration £800-1,600

613 A PAIR OF GEORGE III GARNET EARRINGS, each in the form of a leaf composed of three oval-cut stones suspended from a single circular-cut stone, with enclosed gold metal settings (2) £200-300 614 A BAROQUE PEARL AND YELLOW GOLD NECKLACE with four strands, the inner two with gold bead spacers and the outer three with irregular spaces imitating pearls at intervals, with a ribbed oval yellow gold box clasp, stamped 14k

Lot 615

Lot 617

£300-600 615 AN EDWARDIAN EMERALD BOW BROOCH set with a central cabochon emerald on a ribbon set with further rectangular and circular-cut stones See illustration £1,500-2,500 616 A HARDSTONE BRACELET composed of seven oval hardstones carved as scarab beetles, including tiger’s eye, cornelian, bloodstone and banded agate £400-600 617 AN ART DECO SEED PEARL AND DIAMOND BRACELET with a geometric panel of pearls and a rectangular clasp set with three lines of old-cut diamonds See illustration

Lot 618

£600-1,000 618 A GEM-SET YELLOW GOLD BRACELET with a clover leaf set with a cabochon ruby, a cabochon sapphire and a cushion-shaped diamond, with a fine safety link See illustration £600-1,200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 619

Lot 620

Lot 622 619 A PAIR OF SAPPHIRE AND DIAMOND EAR CLIPS in the form of flowerheads, each set with a central circular-cut sapphire from which radiate eight baguettecut diamonds, circa 1950 (2) See illustration £3,000-5,000 620 A “MODERNIST” YELLOW GOLD AND GEM-SET BANGLE in the form of an “S”-scroll overlaid with leafy branches set with precious and semi-precious stones, including cabochon rubies, a sapphire, a cabochon emerald and diamonds, probably 1970’s See illustration £1,000-2,000 621 AN ART DECO EMERALD AND SAPPHIRE BEAD BRACELET with five strands set with seed pearls at intervals, on a diamond-set stylised padlock clasp See illustration £1,000-2,000 622 A DIAMOND BRANCH BROOCH set with numerous old-cut diamonds and a principal teardrop shaped stone, late 18th/early 19th century See illustration

Lot 621

£1,500-2,500 86

Lot 623

Lot 624 623 A DIAMOND EAGLE BROOCH, the bird with displayed wings and perched on a curved rockwork base set with numerous old-cut diamonds and a cabochon ruby eye See illustration £600-1,200 Lot 625 624 A FRENCH YELLOW GOLD CROSS set with baroque pearls and old-cut diamonds on an onyx ground, with yellow flowerhead terminals, on a fine twisted herringbone link chain See illustration

Lot 626

£800-1,500 625 AN ART NOUVEAU DIAMOND AND MOONSTONE BRACELET with overlapping stylised flower head terminals each incorporating an oval moonstone with diamond-set petals on an openwork ground, flanked by two circularcut diamonds See illustration £1,000-2,000 626 AN 18CT YELLOW GOLD ARTICULATED NECKLACE in the form of an openwork tube containing articulated white gold rings at intervals See illustration £800-1,600 87

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 627

Lot 628 Lot 630

627 A PAIR OF ART DECO ONYX AND DIAMOND CUFFLINKS of geometric design, with square panels of black onyx enclosed on two sides with a band of circular-cut diamonds (2) See illustration £600-1,200 628 AN ITALIAN YELLOW GOLD AND CITRINE BRACELET with a large circular-cut citrine, on an entwined oval loop bracelet imitating a simple interlocking belt buckle See illustration

Lot 629

£1,500-2,500 629 A TWO-COLOUR GOLD AND DIAMOND BRACELET set with eight brilliant-cut diamonds between rectangular yellow gold panels with diagonal lines in white gold See illustration £800-1,200 630 AN EDWARDIAN YELLOW GOLD BRANCH BROOCH set with coloured pearls and old-cut diamonds in heartshaped leaf panels See illustration £600-900 88

Lot 631 631 A SUITE OF AMETHYST AND PEARL JEWELLERY comprising a necklace with nine graduated tier-drop shaped amethysts suspended from pearls on a looped and garlanded close herringbone link gold necklace with further pearls at intervals and a pair of earrings en suite (3) See illustration

633 A COLLECTION OF BELT BUCKLES including examples set with coloured paste and others of Art Nouveau and Art Deco design (a collection) £150-250 634 A VICTORIAN FOUR LEAF CLOVER BROOCH set with old and mine-cut diamonds in a closed setting

£2,000-3,000

£400-600 632 A PAIR OF RUBY AND DIAMOND DROP EARRINGS each with three irregular carved rubies with small diamonds between suspended from a panel containing a baguette-cut diamond (2) £300-600 89

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 635

Lot 638

Lot 636

635 A 1950’S DIAMOND AND PEARL COCKTAIL RING with a central pearl in a crossover setting with brilliant and baguette-cut diamonds, on a white metal shank See illustration £800-1,600 636 AN AMETHYST COCKTAIL RING set with a large oval amethyst of good colour in a border of old-cut diamonds, on a yellow-gold shank See illustration £800-1,600 Lot 637

637 A SAPPHIRE ETERNITY RING with a band of calibré-cut sapphires set in 18 carat white gold See illustration £800-1,500 638 A SAPPHIRE AND DIAMOND COCKTAIL RING set in yellow gold central band containing seven lines of calibré-set sapphires enclosed by conforming baguettediamond borders, on a 18k yellow gold shank with moulded shoulders See illustration £600-1,200

Lot 639

Lot 640

Lot 641 639 A 1940’S SAPPHIRE AND DIAMOND COCKTAIL RING of crossover design, set on one side with an oval-cut sapphire and on the other with a shaped panel pave-set with numerous diamonds, on a yellow gold shank See illustration £3,000-5,000 640 AN ART DECO DIAMOND COCKTAIL RING of geometric design with a large central oval-cut diamond on a ground of numerous old brilliant-cut diamonds, on a platinum shank See illustration £3,000-5,000 641 A DIAMOND “STIRRUP” RING set with a single old brilliant-cut diamond in a broad yellow gold setting tapering into the 18k yellow gold shank See illustration

Lot 642

£800-1,500 642 A 1950’S DIAMOND SOLITAIRE COCKTAIL RING set with an old brilliant-cut diamond in a fluted crossover setting continuing to form the shank £800-1,200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 643

Lot 644

Lot 645

643 A VAN CLEEF AND ARPELS YELLOW GOLD RING of ribbed design, stamped, VCA 750 See illustration £500-700 644 A VAN CLEEF AND ARPELS YELLOW GOLD PENDANT of openwork design, designed as a cherub riding on the back of a lion set with sapphires, diamonds and rubies, signed on the suspension loop See illustration £1,500-2,500 645 A BOUCHERON YELLOW GOLD BRACELET set with rectangular cabochon corals within black enamel borders interspersed with canted rectangular openwork gold links, stamped, 1940’s See illustration

Lot 646

£2,000-4,000 646 A CARTIER STYLE ENAMEL FLOWER BROOCH set with a central cluster of rubies and diamonds enclosed by six curling leaves covered in enamel of a pale pink hue, 1940’s See illustration £800-1,600 92

Lot 648 647 A CARTIER WHITE ENAMEL AND DIAMOND FLOWER BROOCH in the form of a chrysanthemum with petals radiating from a central baguette-cut diamond, the yellow gold back signed “Cartier, Paris” and numbered See illustration

Lot 647

£3,000-4,000 648 A CARTIER SAPPHIRE AND DIAMOND TURTLE BROOCH set in yellow gold with geometric pattern of sapphires and diamonds across the shell, with cabochon sapphire eyes, signed “Cartier” See illustration £2,000-3,000 Lot 649 649 A CARTIER MALACHITE AND DIAMOND CHOKER set on a yellow gold “wirework” band with three ribbed collars of malachite separated by gold collars set with brilliant-cut diamonds, signed “Cartier” and stamped 18k See illustration £2,500-4,500 650 A CARTIER YELLOW GOLD ZODIAC PENDANT of hexagonal form, signed “Cartier”, stamped 750 and numbered 155061 See illustration £800-1,500 651 CARTIER: A simulated black onyx evening bag, with a rectangular button clasp set with old-cut diamonds, the fitted interior with a mirror to the underside of the lid, the outer black velvet case signed “Cartier Ltd. London”, 1920’/30’s

Lot 650

£400-600 93

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

652 A BULGARI SAPPHIRE AND DIAMOND NECKLACE with a large tear-drop shaped sapphire suspended from a geometric herringbone panel set with brilliant and baguette-cut diamonds, on a yellow gold chain link necklace, signed and stamped 750 ÂŁ10,000-15,000

653 A BULGARI EMERALD AND DIAMOND NECKLACE with a wing-shaped panel set with a large cabochon emerald on a ground of brilliant-cut diamonds enclosing a central line of tapering baguette-cut diamonds, on a yellow gold chain link necklace, signed and stamped 750 ÂŁ12,000-18,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

654 BULGARI: A suite of diamond ear clips and a brooch each modelled as a spray of flowers set with numerous brilliant and baguette-cut diamonds, signed, 1950’s (3) £15,000-£25,000

655 A BOUCHERON EMERALD, SAPPHIRE, RUBY AND DIAMOND BRACELET set on an engraved yellow gold articulated panel with numerous cabochon sapphires, emeralds and rubies with pave-set diamond terminals at either end attached to a double yellow gold rope twist, signed “Boucheron, Paris”, 1950’s. £25,000-35,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

FRIDAY, 15 th SEPTEMBER, 10.30A M

PRINTS AND M ULTIPLES

Lot 758 detail 99

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

740 TRACEY EMIN (b.1963) “Sometimes the dress is with more money than the money” signed and dated 2001 lower right, numbered 0185/2000 verso, colour reproduction, 33” x 23¼” (rolled). See illustration £150-300 741 TRACEY EMIN (b.1963) “Tattoo” A4 colour photocopies on paper, limited edition 57/200, 2001/02, each sheet 11¾ x 8¼”. See illustration

Provenance: White Cube, 48 Hoxton Square, London

£250-450 742 TRACEY EMIN (b.1963) “Fighting For Love”, signed, dated 1998 and numbered 185/300 in pencil lower left, reproduction on apple green paper, 11¾” x 8.¼”. See illustration

Lot 740

Provenance: Modern Culture at the Gershwin Hotel, 3 East 27th Street, New York, 13th November 2001 £200-400 743 TRACEY EMIN (b.1963) “Exploration of the Soul - part one” Published by Counter on the occasion of Emin’s 2003 exhibition “Menphis” at the Counter Gallery, London, two editions, both signed by the artist, numbers 477/1000 and 956/1000, soft cover; “Details of Depression”, Cyprus/London 2003, signed and dated 15-1-04 to the frontispiece, soft cover; “Holiday Inn”, Gessellschaft fur Aktuelle Kunst, Bremen, 1998, soft cover; and a paper serviette bearing the inscription “Every time i make love it feels like I’m being crusifide (sic)” (5). See illustration

Lots 741 and 742

£100-200

744 TRACEY EMIN (b.1963) “When I Think About Sex - I Make Art” Exhibition Catalogue, signed and dated ‘05 in pencil to the cover, White Cube, 2005, soft cover

Provenance: White Cube, 48 Hoxton Square, London

£40-80

745 TRACEY EMIN (b.1963) “This is Another Place” Exhibition poster and book, Modern Art Oxford, 10th January 2002 - 19th January 2003 (2) £40-80

Lot 743 100

Lot 748

Lot 749 746 TRACEY EMIN (b.1963) A small quantity of books and Exhibition catalogues, “Works 1963/2006” Rizzoli; “The Art of Tracey Emin”, Thames & Hudson; “Strangeland” Sceptre; “I Need Art Like I Need God” Jay Jopling, White Cube; “Interview: Tracey Emin” Modern Art Oxford (5)

748 TRACEY EMIN (b.1963) “Something more than me - Love”, signed and dated 1995 in pencil lower right, monoprint on paper, 5¾” x 8¼”. See illustration £500-1,000

£30-60

749 TRACEY EMIN (b.1963) “My tears for you run slowly down my body and burn into my soul”, signed and dated 1998 in pencil lower right, monoprint on paper, 8¼” x 11½”. See illustration

747 TRACEY EMIN (b.1963) A collectable tea towel “Not a Happy Kitten” a Tracey Emin Beck’s beer bottle, four Oyster card wallets by Arts Council England, a Portmeirion mug, a National Portrait Gallery postcard and three exhibition cards (11)

£500-1,000

£30-60 101

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

750 AFTER JEAN LAMOUR (1698-1771) Designs for the gilded ironwork around the Neptune fountain, Place Stanislas, Nancy, France, etching and engraved by Dominique Collin (1725-1781) 38” x 70½”. See illustration Inscribed, “Dessein de grandes Grilles posees sur La PLace Royale de Nancy en 1755 par ordre de S.M. Le Roy de Pologne, and Collin Regis Sculptor”. Jean Lamour carried out commissions for King Stanislas of Poland- the father-in-law of Louis XV, during the 1750’s. King Stanislas (1677-1766) had abdicated as King of Poland but retained the title of King whilst ruling Lorraine as the Duke of Lorraine. The ironwork in Place Stanislas- the former Place Royale at Nancy (17511759) is a fine masterpiece and one of his most elevated triumphs of the blacksmith’s art. The Cooper-Hewitt museum, New York has another version of this print (ref. 1921-6-210-3); this was exhibited in the 2008 exhibition at the Cooper-Hewitt, ‘Rococo: The Continuing Curve, 1730-2008’. Shown in Fig.12, p.98 in the section ‘Eighteenth century Nancy: The Good King and the Blacksmith’ by Penelope Hunter-Stiebel, pp. 90-101 of the exhibition catalogue.

Lot 750

Lot 751

£400-600 751 AFTER HENRY SALT (1780-1827) “Poonah”, engraved by D. Havell &Son, 18” x 23½”, and seven other Indian topographical aquatint prints after J.B Fraser (1782- 1856) (8). See illustration

Lot 753

£1,000-2,000 753 A FOLIO OF COLOURED BOOK PLATES depicting animals in their natural habitats; ‘The Lion and Welps’ (1805), The Alpine Marmot, Capra, The American Bison and others, also including anatomical prints of the short-tailed Manis, Scaly Lizard and the Virginia Opossum (19). See illustration. £100-200

102

756 AFTER HARRIET DANIEL (c.1850) “Views of Bournemouth, Hants”, lithograph, printed and published by Dickinson & Co. Bond Street, London, 11¼” x 16½” (4).

Lot 761

£150-250 757 AFTER JOHN GOULD (1804-1897) AND HENRY CONSTANTINE RICHTER (1804-1881) “Cacatua Sanguinea”, impression by C. Hullmandel, titled with publishing details within the image, lithograph, 20½” x 14”, and the companion “Calypto Rhynchus Basksil” (2). £80-150 758 CECIL ALDIN (1870-1935) Dogs at rest, signed in pencil lower right and No. 87/100 in the margin, ‘Frank T Sabin, Old Bond St’, label on verso, etching, 8¼” x 11¾”.

754 A FOLIO OF ETCHINGS AND ENGRAVINGS OF GENTLEMEN OF THE NOBLE-BORN including Lord John Cavendish (1782), Lord Sidney (1784) and others; topographical interest including ‘View of Beeston Castle in Cheshire’ and ‘Prospect of Nantwich Church, in Cheshire’; animals in their natural habitats and watercolour sketches and drawings of local interest (a lot).

£80-150 760 ENGLISH SCHOOL (20th century) Shire horse, indistinctly signed in pencil to the margin, etching, 5½” x 5½” £50-100

£100-200

761 PUDLO PUDLAT (1916-1992) “Owl family- Lucy, titled in pencil and numbered 6/50, an indistinctive blind stamp lower right and printed mark ‘Delauny, 40 Rue Passy, Paris’ on verso, screenprint with red and black colours, 23” x 18½”. See illustration

755 A FOLIO OF COLOURED BOOK PLATES (c.19th century) including botanical, lepidoptera, ornithological, Acrochordus, animals in their natural habitats and others (a lot). £100-200

£300-600

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Lot 762

762 JOHN PIPER (1903-1992) An architectural view of a Gothic building surrounded by trees, signed in pencil and marked ‘artists proof ’ to the margin, lithograph, 21” x 28”. See illustration

Lot 762A

£800-1,200 762A JOHN PIPER (1903-1992) A church in blues and greens, signed and No. 8/70 on the margin, lithograph, 20¾” x 15½”. See illustration £400-600 763 PHILIP SUTTON (b.1928) “Heather”, signed, dated 1967 and titled in pencil, lithograph with colours on wove paper, 24” x 21”. £100-200

104

764 AFTER PABLO PICASSO (1881-1973) Polyxena beheaded by Neoptolemus in the tomb of Achilles, lithograph, 31” x 23”

Lot 765

£50-100 765 PABLO PICASSO (1881-1973) Figurative studies, two coloured lithograph prints each signed and numbered 50/70 in the margin and stamped “ED, Verve”, 10½” x 13” (2). See illustration £600-800 Lot 765

765A PABLO PICASSO (1881-1973) ‘Picasso Lingravures- Editions Cercle D’Art Paris’ bound as a book, part complete £500-1,000 766 ANDY WARHOL (1928-1987) Campbells Soup Can (Tomato), published by Guild Paper Products Co. New York, screen print in colours on a paper bag, 23½” x 17¾”. See illustration £300-500

Lot 766

767 AN “ANDY WARHOL” SIGNATURE on a United States one dollar bank note, stamped New York 1985. £300-500 768 JOHN TENNENT (bn. 1926) “Redshanks”, signed, titled and dated 1969 in pencil, silkscreen print in colours, 15½” x 12”. £80-150 769 JOHN TENNENT (1926-) “Herons”, signed, titled and dated 1970 in pencil, silkscreen in colours, 18¾” x 12¾”. £80-150

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771 ITALIAN SCHOOL (17th century) Deliverance, indistinctly inscribed and dated 1616 top left, brown ink with wash, 5½” x 8”. See illustration

Lot 771

£150-300 772 FOLLOWER OF JEAN AUGUSTE DOMINIQUE INGRES (1780-1867) Portrait of a lady with dog, pencil and wash, 13” x 10¼”. £200-400 773 ASCRIBED TO JACQUES CALLOT (1592-1635) Figures approaching a fortified settlement on horseback, with a dog and figures smoking pipes, seated on a rock in the foreground, pen and ink, 4¾” x 7¼”, and a similar drawing of a fortified building with a bridge spanning a river with a town beyond, 4½” x 7¼” (2). See illustration

Lot 773

Provenance: The Hoare Family and thence by descent

£500-1,000 774 ALFRED EDWARD CHALON (1780-1860) A lady seated by two gentlemen looking on intently, signed lower left, a ‘caricature’ style sepia-tone watercolour and pencil sketch, 13” x 14¾”.

Lot 773

£80-150 774A PETER DE WINT (1784-1849) “Christchurch Bridge- Hampshire”, ‘The Fine Art Society Ltd, London’ label on verso, watercolour 14½” x 21¼”. £300-600

106

Lot 775

775 ASCRIBED TO GIACOMO GUARDI (1764-1835) A view of the Arsenale, Venice, with figures promenading and others on gondolas, gouache on blue paper, 6”x 9¾”. See illustration

778 GERMAN SCHOOL, circa 1700 A figure driving sheep along a track with a lake and an Italianate landscape beyond, gouache, 5½” x 7”, in a black and gilt Japanned frame. £100-200

Provenance: Private collection, Hampshire. £800-1,600

779 EASTERN MEDITERRANEAN SCHOOL (19th century) Chasing mouse, indistinctly signed lower left, watercolour, 8½” x 9½”, See illustration on page 108

776 ATTRIBUTED TO THOMAS RACKETT THE ELDER (1725-1799) A view from the village of Charing c.1750, watercolour, 12” x 19”. £100-200

£200-400

777 ATTRIBUTED TO THOMAS MILES RICHARDSON SNR (1784-1848) A study of an Abbey crypt, watercolour and pencil sketch, 8¾” x 13¼”

780 A.DALZKI....CASSALO (19th century) Draped maiden, signed, watercolour and gouache, 3½” x 5”. £100-200

£50-100

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Lot 782

Lot 779

781 ITALIAN SCHOOL (19th century) A child and his dog at play beside a river and two women at rest, indistinctly inscribed on verso and dated 1810, watercolour, 7½” x 16½”.

784 AMERICAN SCHOOL (18th century) Working horses, hounds and cart crossing a river, chalk pastel, 12¾” x 15¾”. £200-400

£80-150

784A SAMUEL AUSTIN R.W.S (1796-1834) “Honfleur”, pencil sketch, 7¾” x 5¼”.

782 J.F. HEFELE (d. 1710) A parrot perched on a branch nad another bird pecking at a nut, an extensive landscape beyond, signed (lower left), gouache, 5” x 6½”. See illustration

£50-100 785 ALBERT VARLEY (1804- 1876) Cows by a river, signed and dated 1849, watercolour, 4¾” x 6¾”.

£400-700 783 ASCRIBED TO JOHN AUGUSTUS ATKINSON (fl.1775-1833) “Civil War battle scene”, watercolour, 9¾” x 8”

£50-100 786 FREDERICK WILLIAM HATTERSLEY (19th century) “On the Donegal Coast” signed lower right, watercolour, 10” x 7¼” and the companion painting “Got Him!”, signed lower left, 10” x 7¼” (2).

£100-£200

£300-500

108

787 FREDERICK WILLIAM HATTERSLEY (19th century) “Low Tide, Nevin”, signed lower right, watercolour, 9¾” x 13¼”, and the companion painting “A little rest after foil”, signed lower right, watercolour 9¾” x 13¼” (2). See illustrations

Lot 787

£400-600 788 FREDERICK WILLIAM HATTERSLEY (19th century) Figures by the shore, with fishing boats moored beyond, signed, watercolour, 12” x 19¾”. See illustration

Lot 787

£300-500 789 FREDERICK WILLIAM HATTERSLEY (19th century) “Hauling the Boats for repair”, signed lower left, watercolour, 10 x 13¾”, and companion painting “A Good Catch”, signed lower left, 10” x 13¾” (2).

Lot 788

£200-400 790 FREDERICK WILLIAM HATTERSLEY (19th century) Sheep Drovers, signed lower left, watercolour, 14” x 9¾” £150-300 791 FREDERICK WILLIAM HATTERSLEY (19th century) “Changing Pastures”, signed lower right, watercolour, 9¾” x 13½”, and companion painting ‘Sheep at rest’, signed lower right, watercolour, 9½” x 13½” (2). £150-300 109

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

792 FREDERICK WILLIAM HATTERSLEY (19th century) Cattle and a hay cart, signed lower right, watercolour, 11” x 16”. £100-200

Lot 793

793 FREDERICK WILLIAM HATTERSLEY (19th century) Figures on the shore, horse and cart, boats beyond, signed, watercolour, 13”x 19”. See illustration £400-600 Lot 794

793A FREDERICK WILLIAM HATTERSLEY (19th century) Storm clouds and cattle on a dirt track, signed lower right, watercolour, 9” x 13”. £100-200 794 ENGLISH SCHOOL (19th century) A portrait of a Bedlington terrier, indistinctly inscribed lower left, chalk pastel, 11” x 9¼”. See illustration. £200-400 795 HECTOR CAFFIERI (1847-1932) Two figures cockling on a French beach, signed lower left, watercolour, 9” x 13”. See illustration £400-600 796 ENGLISH SCHOOL (c. 19th century) Portrait of a mother and child, red chalk on paper, 5½” x 3½”, with companion drawing, Crouching figure, red chalk, 2¾” x 2” and another of religious interest, monogrammed and dated in pencil 1875 lower left, red chalk, 9¾” x 8¾” (3). £100-150

Lot 795

110

797 GUISEPPE GUSTAVO SCOPPA (bn. 1856) “Strada De Sepolcri A pompeii”, watercolour, 20” x 28½”.

Lot 801

£300-500 798 EDWARD PRITCHETT (c.1828-1864) “S. Georgio Maggiore, Venice”, watercolour, 9¾” x 13¾”.

Provenance: Acquired from the the Appleby Bros. Ltd London, 1967- label on verso. Original receipt available to view upon request. Lot 804

£800-1,500 799 DAVID HALL MCKEWAN (1816-1873) A river landscape with bridge, figures, and eel bucks, signed lower right, watercolour, 10” x 18”. £150-250 800 ENGLISH SCHOOL (19th century) A portrait stufy of John Scott, 1st earl of Eldon, seated wearing Chancellors robes and regalia, watercolour, 14” x 11¼”. The 1st Earl of Eldon was Lord Chancellor of Great Britain between 1801 and 1806 and again between 1807 and 1827. £100-200 801 WILLIAM LIONEL WYLLIE R.A. (1851-1931) “Coming home for Sunday”, signed and titled lower left, Dowdeswell & Dowdeswells label on verso, watercolour, 9¾” x 17”. See illustration £300-500 802 WILLIAM LIONEL WYLLIE R.A. (1851-1931) “The Mussel Fleet at Bruinisse”, signed lower right, watercolour, 7½” x 21½”. £200-400

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803 H SCHAFER (19th century) “ Milan Cathedral, Italy”, signed and titled lower right, watercolour, 18” x 13¾”.

809 CLAUDE HAYES (1852-1922) Working in the fields, signed lower left, watercolour, 9¾” x 13½”.

£100-200

804 R.M KALLOCH (1843-1947) “The Dancer”, old label on verso reads ‘For Madame Pavlova..from Madame (Anna) Pavlova’s personal collection of drawings from the Russian Ballet’, pencil sketch and white gouache, 14” x 6”. See illustration on page 111 Robert Kalloch was renowned for his costume designs; a follower of Anna Pavlova and who later produced many drawings for her. Madame Pavlova was most recognised for the creation of ‘The Dying Swan’.

810 CLAUDE HAYES (1852-1922) Figures at rest on a footbridge and a working horse drinking from the river, signed lower left, watercolour, 9¼” x 13¾”. £100-200 811 FRED HINES (fl. 1879-1928) Grazing sheep in heathland, signed lower left, watercolour, 14” x 10½”.

£100-200 805 H.G JALLAND (1888-1908) “Tom Whitemore”, monogrammed and signed lower right, watercolour, 135” x 19”, and one other hunting scene, “Tom Firr, Quorn Huntsman’, watercolour 12½” x 19” (2).

£50-100 812 ROBERT WINCHESTER FRASER (1848-1906) “Iffley mill”, signed lower left, watercolour, 4” x 10”.

£80-150

£100-200

806 PHILIP BRANNON (1817-1890) View looking towards Bournemouth with caricature to cliffs, signed and dated 1878 lower right, watercolour, 12” x 17¾”.

813 SARAH LOUISE KILPACK (1839-1909) Shrimping and lobster fishing as the sun sets, signed lower left, oil on card, 11½” x 17½” £200-400

£200-400

814 NEWLYN SCHOOL (late 19th century) Saying their goodbyes, indistinctly signed lower right, watercolour, 9¾” x 8”.

807 CLAUDE HAYES (1852-1922) “Haymaking, Near Herne Bay”, signed lower left, watercolour, 14” x 20¾”.

£100-200

£200-400

815 HENRY WILLIAMS (19th century) Mountain sheep herding, signed lower left, watercolour, 13” x 19”.

808 CLAUDE HAYES (1852-1922) “Near Lewis , Sussex”, signed lower left, watercolour, 13¼” x 20½”.

£80-150

£200-400 112

816 HENRY WILLIAMS (19th century) A fisherman lakeside, signed lower left, watercolour, 12½” x 19”. £80-150

Lot 817

817 CONTINENTAL SCHOOL (19th century) Mother and child, inscribed and indistinctly signed ...Foster? old label on verso, watercolour and gouache, 7½” x 5¼”. See illustration £200-400 818 LOUIS VAN STAAEN (1836-1909) A Dutch estuary scene with windmill, signed lower right, watercolour, 12” x 19¾”. £100-200 Lot 820

819 J HOLDEN (19th century) “Moonlight scene”, signed lower right, chalk pastel, 11” x 21¼”. £150-250 820 WILLIAM ALISTER MACDONALD (fl.1884-1936) “Tahiti”, signed and dated 1928 lower left, watercolour, 9¾” x 19”. See illustration £200-400

Lot 822

821 GERTRUDE MARTINEAU (1840-1924) “Birches in Spring, Loch-an-Eilan, Aviemore”, signed and dated 1905 lower left, Tho’s Agnew & Sons old label on verso, watercolour, 10½” x 8¾”. £80-120 822 CHARLES SIM MOTTRAM (1852-1919) “Pilchard drivers leaving Penzance”, signed and dated ‘09 lower right, watercolour, 11¾” x 9½”. See illustration £300-500 113

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

822A W.G.N BOYER (c.19th/20th century) Paddlesteamer towing schooner into Tynemouth harbour, signed and dated 1909 lower right, watercolour, 18¾” x 28¼”.

Lot 823

£80-150 823 LIONEL EDWARDS (1878-1966) Boxer dog, signed and dated 1920 lower right, ‘Frank T Sabin - Old Bond St’ label on verson, gouache on paper, 9¾” x 13½”. See illustration £150-300 824 PARKER HAGARTY (1859-1934) “Bolt trail, Devon”, signed lower left and titled on old label on verso, watercolour, 15¼” x 19¼”.

Lot 827

£80-150 825 ADOLPHE RAGON (d. 1924) “Making for open sea”, signed lower left, watercolour, 16¼” x 24½”. £100-200 826 JOHN HAMILTON GLASS (fl.1890-1925) “On the Dutch coast”, signed lower left, watercolour, 13¼” x 19½”.

Lot 828

£100-200 827 JOHN MACALLAN SWAN (1847- 1910) “Leopard drinking”, signed lower left, chalk pastel on blue paper, 9½” x 13½”. See illustration £150-300 828 JOHN MACALLAN SWAN (1847-1910) “Lioness reclining”, signed lower right, charcoal and chalk, 12” x 18”. See illustration £150-300 114

829 MANNER OF JOHN MACALLAN SWAN (1846- 1910) Head and shoulders of a man smoking a pipe, pen and ink, 7½” x 5½”, a Figure study, black and white chalk, 7½” x 5¾” and one other of a prowling lion, charcoal on paper, 4½” x 8” (3).

Lot 831

£80-150 830 FRED WHITEHEAD (c.19th/20th century) “The Peeping Tom of Coventry”, signed and dated 1905 lower right, watercolour, 9½” x 7¾”.

Lot 831

£50-100 831 FRANK DEAN (1865-1947) “India”, signed and dated 1909 lower left, watercolour, 12” x 17¼”. See illustration £300-500 832 ROBERT GEMMEL HUTCHINSON (1855-1936) “Tired out”, signed lower left, watercolour, 8¾” x 11¾”. See illustration £600-1,200

Lot 833

833 A SKETCHBOOK OF INTERESTING JEWELLERY DESIGNS (c.early 20th century) inc. Vienna brooches, tiara’s and a diamond necklace- inscribed ‘to the proper owner, the late King of Hanover’, various dates are inscribed throughout - 18th and 19th century designs. See illustration £100-200

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Lot 836

834 RHYS JENKINS (20th century) A view across the city, signed lower right, watercolour, 6¾” x 9½”.

837 GEORGE SOPER (1870-1942) “The Gypsy encampment”, signed lower left, watercolour, 8¾” x 11¾”.

£100-200

£50-100

835 FRED LAWSON (1888-1968) A congregation of mourners outside a French cathedral, signed and dated 1911 lower left, watercolour, 14½” x 9½”.

838 FREDERICK JOHN WIDGERY (1861-1942) Cattle in the Highlands, signed lower right, watercolour, 10½” x 18¾”.

£100-200

£80-150

836 WILLIAM WALCOTT (1874-1943) “In the days of ancient Rome”, signed in pencil lower right, the title inscribed on The Fine Art Society Ltd old label on verso, watercolour, 10½” x 13¾”. See illustration

839 GEORGE HAMMOND STEEL (1900-1960) “Richmond Yorkshire”, signed and dated ‘38 lower right, watercolour, 9½” x 13½”. £80-150

£800-1,500 116

840 MAURICE BOMPARD (1857-1936) A view from a villa in Italy, signed lower right, gouache, 10½” x 13¾”. See illustration

Lot 840

£100-200 841 PHILIPPE JULLIAN (1919-1977) “Waddesdon”, signed and titled lower left, pen, ink and watercolour, 14” x 10”. See illustration

Lot 841

£100-200 842 MARY E. HAWARD (20th century) “Fruit stall at San Remo”, signed lower left, watercolour, 10” x 14”. £50-100 843 M.C COX (20th century) A rural cottage scene with cattle and two figures by the stream, signed lower left, watercolour, 15” x 20¾”. £80-150 844 WILLIAM DRING R.A. (1904-1991) “Lady in a hat”, signed in pencil lower right, pencil sketch, 8¾” x 14½”, a nd one other portrait of a woman, in graphite, 4¾” x 4¾” (2).

Lot 845

£100-200 845 ENGLISH SCHOOL (20th century) Two horses in a landscape, watercolour and gouache, 15” x 20½”. See illustration £250-450 117

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

846 T. CARDY (20th century) “Timber sheds, P & O SS Ranchi, R. Thames Norwegian SS ‘Bastant’ with timber for S? C Dock”, signed and titled, three sketches of the above mounted in one frame, brown pen and ink, 5” x 6¼”, 4¼” x 9¾”, 5¼” x 8”.

851 RALPH THOMPSON (1913-2009) “European Wild Cat- Scotland”, signed lower right, pencil, brown pen and ink 12¾” x 9¾”. £100-200

£50-100

852 RALPH THOMPSON (1913-2009) “Toast to the future- sad not to be with you later, Bill and Ralph”, pen and ink with colour pencil, 9” x 14”.

847 AFTER GEORGE BRAQUE (1882-1963) Papier colle- guitar and still-life, watercolour and pencil sketch, 5½” x 8¾”, and three other similar watercolour sketches (4).

£100-200

£50-100

853 LOUISA POUND (20th century) Still life study, signed lower right, chalk pastel, 14” x 23”.

848 REYNOLDS (20th century) A view down a rue, signed lower right, watercolour, 12” x 10”.

£80-150 854 ENGLISH SCHOOL (20th century) Stormy skies out to sea, watercolour, 9½” x 13½”, and the companion painting, a coastal view, watercolour, 9½” x 13½”.

£80-150 849 SIR WILLIAM RUSSELL FLINT (1880-1969) “Model at Heatherley’s” Tribesman (five heads, signed and dated 6th December 1902, pencil drawing, 6” x 4½”.

£100-200 855 PHILIP GARDINER (1922- 1986) “When will I see you again?”, signed lower right, watercolour laid on museum board, 10¼” x 13¾”.

Provenance: Acquired from Sue Russell Flint, May 1980. Original receipt available to view upon request. £200-400 850 SIR WILLIAM RUSSELL FLINT (1880-1969) “Patsy” My landlady’s pet, monogrammed and dated 1902, pencil drawing, 5½” x 4”.

£100-200 856 PHILIP GARDINER (1922-1986) “The loneliness of a digger”, signed lower left, watercolour laid on museum board, 6¼” x 9”.

Provenance: Acquired from Sue Russell Flint, May 1980. Original receipt available to view upon request.

£80-120

£150-250

857 DAVID MURRAY SMITH (1865-1962) a view of the hills, signed lower right, watercolour, 7” x 10½”. £80-120 118

858 ENGLISH SCHOOL (20th century) Man in street, old part-label with inscription ‘Kininmo.th?’ on verso, pastel, charcoal and watercolour, 15½” x 12”.

Lot 859

£200-400 859 ADOLPHE MATHIS (1873-1940) Un port a Martigues, signed lower right, watercolour, 12” x 18”. See illustration £300-500

Lot 860

860 MANNER OF JOHN PIPER (19031992) A monochrome study of a stylised bird aganist a circular background, with hieroglyphics lower left, watercolour, 16” x 19”. See illustration £400-600 861 ANNA MACMIADHACHAIN (20th century) “Hill Bottom”, signed, titled and dated ‘84 lower left, watercolour, 8¼” x 11¾”.

Lot 862

£50-100 862 GRAHAM OAKLEY (bn. 1929) “The Church Mice take a break”, watercolour for a poster for a book illustration, 17” x 12¾”. See illustration £300-500 863 GRAHAM OAKLEY (bn. 1929) “Sunday morning in the vestry”, illustration from the book ‘The Church Mice and the Moon’, signed top right, watercolour, 6½” x 10”. £100-200

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Lot 865 864 GRAHAM OAKLEY (bn. 1929) “Wortlethorpe Borough Council at the launch site”, illustration for the book ‘The Church Mice and the Moon’, signed lower left, watercolour, 6½” x 9¾”.

867 GRAHAM OAKLEY (bn.1929) “Catch me if you can!” illustration from the book ‘The Church Mice take a break’, signed lower right, watercolour, 11” x 12½”.

£100-200

865 GRAHAM OAKLEY (bn.1929) “Blast off!” illustration for the book ‘The Church Mice and the Moon’, signed top left, watercolour, 8” x 19¾”. See illustration

868 GRAHAM OAKLEY (bn.1929) “The waters edge”, illustration from the book ‘Hetty and Harriet’, signed top right, watercolour, 9¼” x 10”. £100-200

£100-200

869 GRAHAM OAKLEY (bn.1929) “The fall”, illustration for the book ‘The Church Mice take a break’, signed lower right, watercolour, 11” x 6¾”.

866 GRAHAM OAKLEY (bn.1929) “Rescuing the fossil”, illustration from the book ‘The Church Mice take a break’, signed lower left, watercolour, 5” x 13¼”.

£100-200

120

Lot 870

870 HAROLD RILEY (bn. 1931) “Eccles Town Hall”, signed and dated ‘74 in pencil lower right, nk and chalk, 8” x 6”. See illustration

872 RONALD JESTY (1926-2016) “River Carrie, Midsummer”, signed and dated ‘89 in pencil lower right, watercolour, 9¼” x 13¾”.

£500-1,000

£100-200

871 GEOFFREY ROPER (bn. 1942-) “City”, titled and dated on verso, oil on paper, 6¾” x 6¼”.

873 RONALD JESTY (1926-2016) “Cala D’or, Majorca”, signed and dated ‘89 in pencil lower right, watercolour, 10¾” x 8”.

£100-200

£100-200 121

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 874

874 MARY FEDDON (1915-2012) “Artichoke, A Portuguese landscape”, signed lower right, watercolour, 14” x 18½”. See illustration

875 John Campbell (20th century) Valley and a mountain, signed lower left, watercolour, 6½” x 20½”, a nd the companion painting, a detail of, 4¾” x 13½”(2).

£500-1,000

£80-150

122

Lot 878

876 MICHAEL JACKSON (b.1961) French partridges, signed and dated 1996, gouache, 12¾” x 16¾”.

878 FELIX ANAUT (b.1944) “Content without vision”, signed and dated ‘89 in pencil, titled in Spanish and No. 5 on verso, acrylic on paper, 25” x 36”. See illustration

£150-300

£2,000-4,000

877 MONOGRAMMIST J.P (20th century) “Sunflower seeds drying”, titled, initialled and dated 1950 in pencil, watercolour, 13½” x 19½”.

879 ENGLISH SCHOOL (20th century) Figurative study, indistinctly signed lower right, chalk pastel, 38” x 26¾”.

£200-300

£200-400

123

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

880 SVEN BERLIN (1911-2000) “Roe Buck and Doe”, signed, titled and dated ‘94 in pencil lower right, pencil sketch, 15½” x 21¼”. See illustration

Lot 880

Provenance: The Estate of the artist £250-500 881 SVEN BERLIN (1911-2000) Stag- study for sculpture, black ink on paper, 15¼” x 22½”. See illustration

Lot 881

Provenance: The Estate of the artist £200-400 882 SVEN BERLIN (1911-2000) Study of an Italian greyhound, black ink on paper, 15¾” x 20”.

Provenance: The Estate of the artist

£180-250 883 SVEN BERLIN (1911-2000) Study of a greyhound, black ink on paper, 15¾” x 19¾”.

Lot 884

Provenance: The Estate of the artist

£180-250 884 SVEN BERLIN (1911-2000) Study of horses head, monogrammed lower right in pencil, blue wash on paper, 15¼” x 23”. See illustration Provenance: The Estate of the artist £200-400

124

OLD M A STER PAINTINGS FR OM A NOBLE EUR OPEAN FA MILY

Lot 974 detail 125

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Lot 951

950 MANNER OF LEANDRO DA PONTE, CALLED BASSANO (1557-1622) The Adoration of the Magi, oil on canvas, 22½” x 17½”. See illustration

Lot 950

£1,000-2,000 951 FLEMISH SCHOOL, 16th century (?) After Jan Brueghel the Elder (1568-1625) The Dormition of the Virgin in a painted architectural niche with foliate scrolls in black, the reverse with an attribution to Jan Joest, and with old labels, oil on panel, 13” x 17½”. See illustration £3,000-6,000

126

Lot 952

Lot 953

952 CIRCLE OF GIOVANNI DE’BUSI, CALLED CARIANI (1485-1547) Figures at a table including a man in a slashed doublet and hose with an extensive landscape beyond, oil on canvas, 35” x 46”. See illustration

953 CIRCLE OF GIOVANNI DE’BUSI, CALLED CARIANI (1485-1547), A concert party with figures eating fruit and drinking at a table, oil on canvas, 35” x 46” See illustration

£3,000-6,000

£3,000-6,000 127

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

954 ROMAN SCHOOL, 17th/18th century Moses and the Tablets with a female saint, oil on canvas, 36” x 51”. See illustration

Lot 954

£500-1,000 955 BOLOGNESE SCHOOL, late 17th century The Blessing of a child with a bandaged hand, oil on canvas, 36” x 51. See illustration £500-1,000 Lot 955 956 BOLOGNESE SCHOOL, late 17th century, A biblical scene with a woman wearing a green cloak taking the hand of a Saint, with other figures in the shadows, oil on canvas, 36” x 51”. See illustration £500-1,000 957 ROMAN SCHOOL, circa 1700, ‘King Solomon and the Queen of Sheba’, oil on canvas, 36” x 50½”. See illustration

Lot 956

£1,000-2,000 958 NORTH ITALIAN SCHOOL, circa 1500(?) The Virgin and Child with Saints Catherine of Alexandria and Barbara, oil on panel, 25½” x 37”, in a painted and parcel-gilt frame carved with foliage. See illustration £5,000-10,000 Lot 957 959 CIRCLE OF JACQUES COURTOIS, CALLED IL BORGOGNONE (1621-1676) A battle between Turks and Christians, oil on canvas, 28” x 38”, in a carved giltwood frame. See illustration £2,000-4,000

128

Lot 958

Lot 959

129

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Lot 960

Lot 961

960 CIRCLE OF DOMENICO ROBUSTI, CALLED DOMENICO TINTORETTO (1560-1635) A portrait of a lady, possibly the infanta Isabella Clara Eugenia of Spain, standing three-quarter length wearing a high lace ruff and a long gold chain, which she holds with the thumb of her right hand, oil on canvas, 38” x 29”, in a carved wood frame. See illustration

962 CIRCLE OF JACOPO ROBUSTI, CALLED JACOPO TINTORETTO (1518-1594) A portrait of a gentleman standing three-quarter length in armour, his arm resting on a helmet placed on a table covered in a carpet, an architectural niche with a landscape beyond, oil on canvas, 50” x 39”, in a painted and parcel-gilt carved frame. See illustration

£3,000-6,000

£4,500-7,500

961 CIRCLE OF DOMENICO ROBUSTI, CALLED DOMENICO TINTORETTO (1560-1635) A portrait of a woman standing three-quarter length holding a gold chain and wearing a jewelled pendant from a button, oil on canvas, 37½” x 28½”, in a carved wood frame. See illustration

963 NORTH ITALIAN SCHOOL, 16th/17th century (?) A military commander wearing a red sash and armour, standing three-quarter length holding a baton, oil on canvas, 44½” x 33” (unframed) (extensively water damaged) £200-400

£3,000-6,000

130

Lot 962

131

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Lot 964

Lot 966 965 NORTH ITALIAN SCHOOL, 17th century A portrait of Matteo I Visconti (1250-1322) in profile, inscribed along the top of the canvas “Matthevs Magnvs Vicecomes”, the reverse inscribed and with an old label identifying a location in a house, oil on canvas, 29” x 23½” apparently retaining the original painted frame carved with curling leaves. See illustration £500-1,000 966 MANNER OF FRANCOIS CLOUET (1522-1572) A portrait of a lady in a finely embroidered dress with upturned lace collar and a bejewelled headdress, oil on panel, 10½” x 8¼”, and the companion portrait (2). See illustration £800-1,500

Lot 965 964 NORTH ITALIAN SCHOOL, 16th/17th century After Marinus Van Reymerswaele (1493-1567) St. Jerome pointing to a skull, a wellhead with a star above in an oval upper right, oil on canvas, 43” x 34½”, in a carved wood frame. See illustration

967 CIRCLE OF JUSTUS SUSTERMANS (1597-1681) A portrait of a gentleman standing three-quarter length in an interior with his hand holding a flower and resting on a table, inscribed lower right “IAC. Frncvs B” oil on canvas, 48½” x 37½”. See illustration

£1,500-3,000

£5,000-10,000 132

Lot 967 133

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968 CIRCLE OF JUSTUS SUSTERMANS (1597-1681) A portrait of a prelate inscribed in the upper spandrels of the feigned oval, oil on canvas, 32” x 26”, and the companion portrait of a man in armour wearing a lace jabot, inscribed and dated “1672” in the upper spandrels of the feigned oval (2). See illustration £800-1,600 969 CIRCLE OF JUSTUS SUSTERMANS (1597-1681) A portrait of a lady wearing a lace trimmed dress and pearls, bust-length, in a feigned oval, the reverse inscribed 706/939 and with an engraved coat of arms pasted to the canvas, and remnants of two red seals, oil on canvas, 29” x 24½” (unframed). See illustration

Lot 968

£500-1,000 970 FOLLOWER OF FRANCESCO DE MURA (1696-1782) The Virgin, in a feigned oval, painted within an oval cartouche, oil on canvas, 15½” x 12½” (unframed) £200-400 971 ITALIAN SCHOOL, 17th/18th century, A biblical scene with an angel overhead, oil on canvas, 31” x 47¾” (unframed)

Lot 968

Lot 969

£100-200 972 CIRCLE OF JACOB FERDINAND VOET (1639-1700) A portrait of a young gentleman wearing armour and a blue ribbon at the neck, half-length, oil on canvas, 29” x 23” (unframed) £400-800

134

Lot 973

973 JACOB FERDINAND VOET (1639-1700) A portrait of a gentleman in armour wearing a lace jabot and a blue ribbon, bust-length, the reverse inscribed on the frame and on a label, oil on canvas, 28” x 21”. See illustration £2,000-4,000 135

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

974 CIRCLE OF GIOVANNI BATTISTA MORONI (1525-1578) A portrait of a gentleman standing half-length holding a letter, inscribed “Al moles Moroni”, oil on canvas, 36” x 29” Apparently retaining the original carved giltwood frame. See illustration £5,000-10,000 136

975 ASCRIBED TO GIOVANNI BATTISTA PIAZZETTA (1682-1754) The Madonna and Child, inscribed on the reverse, oil on canvas, 24” x 18” In a Baroque giltwood frame carved and pierced with scrolling feathery leaves. See illustration 137

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

976 PIEDMONTESE SCHOOL, 17th century (?) A child standing full-length in an interior with a spaniel to one side and drapery above, oil on canvas, 45” x 31½”, and the companion painting (2) (unframed). See illustration £3,000-6,000

138

OIL PAINTINGS

Lot 1023 detail 139

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1004

Lot 1000

1003 FLEMISH BAROQUE SCHOOL “The Education of the Virgin”, oil on panel, 5¾” x 4”

1000 RUSSIAN ORTHODOX SCHOOL, 16th/17th Century An icon of St. Nicholas the Wonderworker, traditionally painted, the Saint shown half-length with a scriptural quote from Luke 6:17 in his left hand, with the Mother of God and Christ at his shoulders, 13½” x 11”. See illustration

Provenance: Societe des Artistes Francais label verso dated 1897, attributing the work to Hendrick Van Balen £100-200 1004 FLEMISH SCHOOL, 17th century Jesus, Mary and St. Anne in an interior, the infant Jesus holding the globus cruciger, oil on copper, 6” x 4¼”. See illustration

£500-1,000 1001 RUSSIAN SCHOOL A naive style icon depicting the Nativity, with inscription upper left, oils on panel, 14½” x 11¾”

Provenance: Apparently formerly in the collection of the Late John Page-Phillips.

£400-800

£100-200

1005 CIRCLE OF AMICO ASPERTINI (1474-1552) An allegorical study depicting figures fleeing from fauns, a burning building to the distance, with Latin inscription above “Ini Uet A Me Facit Amor”, oil on panel, 15½” x 10½”. See illustration

1002 ITALIAN SCHOOL “Madonna in the Clouds”, indistinctly inscribed verso, oil on panel, 8¾” x 7” £100-200

Provenance: Sotheby’s, London, 26th April 2001, lot 21 £1,000-2,000 140

Lot 1006

Lot 1005 1006 CIRCLE OF GIOVANNI BATTISTA TINTI (1558-1609) “The Agony in the Garden”, oil on panel, 14¼” x 11¼”. See illustration

1009 FLEMISH SCHOOL A blacksmith working at his anvil, oil on copper, 8” x 6½”, and a similar study of a man seated in a tavern interior, oil on copper, 6½” x 5” (2)

Provenance: Sotheby’s, Olympia, 10th December 2001, Lot 366

£100-200

£2,500-4,500 1010 DUTCH SCHOOL, 18th century Figures in a tavern interior, oil on panel, 11¾” x 15”

1007 FLEMISH SCHOOL Christ blessing the children, oil on panel, 7½” x 9½”

£100-200

£80-150 1010A CONTINENTAL SCHOOL 18th/19th century, a woman seated in an interior, a child asleep on her lap, a spaniel at her feet as her maid folds linen close by, oil on panel, 16¼” x 13½”

1008 FLEMISH SCHOOL, circa 1700 A family at a table, the young girl drinking from a glass, oil on metal panel 4¼” x 3½” £80-150

£100-200

141

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Lot 1013

Lot 1011

1011 ATTRIBUTED TO FRANS BREYDEL (1679-1750) A classical scene of figures dining around a table in an arcadian interior, oil on canvas, 21” x 18”, and the companion painting of classical figures gathered around a woman playing a musical instrument (2). See illustration

Provenance: The Batten Family, Church Farm, Ryme Intrinsica, Dorset.

£500-1,000 1012 AFTER RAPHAEL (1483-1520) “Madonna Della Sedia”, oil on panel, 18” dia.

Lot 1011

£200-400 1013 FOLLOWER OF MARMADUKE CRADDOCK (1660-1716) A study of a peacock, chickens and other foul in a landscape, oil on canvas, 19” x 25”. See illustration £600-1,200 142

Lot 1018

1014 CIRCLE OF PIER FRANCESCO MOLA (1612-1666) Figures and animals by the shore of a lake, oil on canvas, 11¼” x 16¼”

1017 ANGLO-AMERICAN SCHOOL, 19th century, a half length portrait of John Endecott, in puritanical dress, oil on canvas, 37” x 31½”

£100-200

1015 DUTCH SCHOOL, 18th century Figures dancing in a tavern interior, oil on panel, 5¾” x 7½” £200-400

John Endecott (1588-1664/5) is regarded as one of the ‘Fathers of New England’ and was the first and longest serving Governor of the Massachusetts Bay Colony. Endecott set sail aboard the ‘Abigail’ on the 20th June 1629 from Weymouth, Dorset. A memorial is situated in Weymouth Harbour, unveiled on 2nd June 1914 by Mrs Joseph Chamberlain, a direct descendant of Endecott

Provenance: The Family of John Endecott and thence by descent

1016 CONTINENTAL SCHOOL, 18th century Figures preparing for a falconry hunt, an extensive landscape beyond, oil on canvas, 17½” x 22½”

1018 CIRCLE OF JEAN-FRANCOIS MILLET (1642-1679) “A Wooded Landscape with Diana Hunting”, oil on canvas, 24½” x 29½”. See illustration

£100-200

£1,000-2,000 143

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Lot 1019

Lot 1022

1021 ENGLISH SCHOOL, 18th century A portrait of a woman wearing a pearl necklace, half-length, in an oval cartouche, oil on canvas, 11” x 9”. See illustration £300-600

Lot 1021

1022 ITALIAN SCHOOL, 19th century A portrait of a mother and child, half-length, oil on metal panel, 5½” x 4½”. See illustration £300-600 1023 MANNER OF GIOVANNI PAOLO PANINI (1691-1765) An architectural capriccio with classical figures presenting offerings to a statue probably of the Goddess Ceres, oil on canvas, 18¼” x 30½”. See illustration £500-1,000

1019 AFTER ANDREA DEL SARTO (1486-1530) The Virgin and child with the infant Baptist, oil on canvas, 39½” x 32”. See illustration £500-1,000 1020 ENGLISH SCHOOL, 18th century A half-length portrait of a young girl holding a rose, oil on canvas, 28” x 24” (unframed) £100-200

1024 STYLE OF JAN PEETERS I (1624-c.1677) “Jonah and the Whale”, oil on canvas, 20” x 24”. See illustration £1,500-2,500 144

Lot 1023

Lot 1024

145

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1030 ENGLISH SCHOOL, 19th century “HMS Ganges leaving Portsmouth, 2nd January 1839”, monogrammed M.Y. lower right, oil on canvas, 21½” x 29½”. See illustration

Lot 1030

£200-400 1031 ENGLISH SCHOOL, 19th century Fishermen landing their catch at the shore with a tall ship to the distance, oil on canvas, 11¾” x 15½” £50-100 Lot 1032 1032 H. FROST, 19th century A study of a frigate at sail, two figures in a fishing boat to the foreground, signed lower left, oil on canvas, 11½” x 17½”, in a naval inspired gilt frame. See illustration £200-400 1033 ENGLISH SCHOOL A study of a frigate passing through choppy seas, bearing inscription “Walton 1876” lower right, oil on canvas, 7½” x 9½”

Lot 1034

£200-400 1034 ENGLISH SCHOOL, 19th century Fishermen hauling in their catch in rough seas with tall ships beyond, oil on canvas, 11½” x 23½”. See illustration

Lot 1035

£200-400 1035 ENGLISH SCHOOL, 19th century A study of ships in calm waters, possibly off the coast of Dover, oil on canvas, 22½” x 35¼”. See illustration £300-600

146

Lot 1037

1036 ASCRIBED TO JOHN MOORE OF IPSWICH (1820-1902) Ships in heavy seas with waves crashing against cliffs to the foreground, oil on panel, 16½” x 37¼”

1038 ASCRIBED TO WILHELM CORRODI (1826-1885) A portrait of a gentleman seated in a high-back chair holding papers in his hand, oil on board, 10½” x 8½” (oval), and the companion of a lady in a similar seated pose wearing jewellery (2)

£200-400

1037 FOLLOWER OF JOHN OPIE (1761-1807) Study of a young peasant boy seated outside a house, oil on canvas, 28¾” x 24½”. See illustration

1039 ENGLISH SCHOOL, 19th century A half-length portrait of a woman seated before a landscape, her elbow resting on her knee, oil on canvas, 15¼” x 12¼”

Provenance: Chateau Miramar Collection, Nice. Sotheby’s Amsterdam, 17th December 2003, lot 1300

£100-200

£3,000-6,000 147

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1040 ENGLISH SCHOOL, 18th/19th century A rural farmyard scene with a farmer, a horse, a cow, pigs and chickens, a cathedral to the distance, oil on canvas laid on panel, 17¾” x 22½”. See illustration £400-800 1041 ENGLISH SCHOOL, 19th century A woman placing a young child on the back of a donkey whilst a young boy holds the reins, oil on canvas, 23½” x 19¼”

Lot 1040

£300-600 1042 AFTER THOMAS WEBSTER (1800-1886) A Punch & Judy show, oil on canvas, 24½” x 29½”. See illustration £200-400 1043 ENGLISH SCHOOL, 19th century A study of a racehorse in a landscape, oil on canvas, 23½” x 25½” £100-200

Lot 1045A

1044 ENGLISH SCHOOL, 19th century A woman walking two donkeys along a path, her children in a basket on the back of one of the donkeys, oil on panel, 11¼” x 14½”

Lot 1045

£100-200 1045 ENGLISH SCHOOL, 19th century A half-length portrait of a young girl holding a basket of plants, oil on canvas, 26½” x 22½”. See illustration £400-800 1045A CIRCLE OF ROBERT SCHUSTER VON BARNRODE (1845-1894) A genre painting depicting figures in 16th century dress in an interior, oil on canvas, 36¼” x 43½” (unframed). See illustration £300-600 148

Lot 1046

1046 JAMES BARENGER (1780-1831) A study of a young boy wearing a top hat seated on his pony, in a woodland landscape, signed lower right, oil on canvas, 39” x 48”. See illustration

1048 ATTRIBUTED TO ANTONIE VOLKMAR (1827-1903) “The Letter of Introduction”, titled and attributed verso, oil on canvas, 25” x 19¼” £300-600

£3,000-6,000

1049 NAIVE SCHOOL, 19th century A study of figures in a Turkish market scene, oil on canvas, 25” x 47½”

1047 FREDERICK CARLTON, 19th century A shepherd guiding his flock through a gate onto a country path, signed lower right, oil on canvas, 15½” x 23¼”

£400-800 1049A ENGLISH SCHOOL, 19th century, a tacked up horse and a spaniel in a yard, the dog with a riding crop in its mouth, oil on panel, 9¾” x 13¼”

£150-300 1047A ENGLISH SCHOOL, 19th century, a huntsman, his lurchers and horse returned from the hunt, inscribed “Widdas” verso, oil on canvas, 11¼” x 16½”

£100-200

£100-200 149

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Lot 1050

1050 AMERICAN NAIVE SCHOOL, 19th century A study of a locomotive and carriages emerging from a tunnel and crossing a bridge, two figures waving red flags to the foreground, oil on canvas, 28” x 36”. See illustration

1052 H. MOHKER A still life study of a lobster, oysters, fruit and other items on a table top, signed lower right, oil on canvas, 23” x 31” £200-400

£1,500-3,000

1053 AFTER JOHN JOSEPH BARKER OF BATH (1824-1904) “Lane near Box, Bath”, two figures and a dog walking through a snowy woodland landscape, signed “J. Barker” lower left, signed and titled verso, oil on canvas, 23½” x 17½”

1051 JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951) A shepherd and his flock in a yard beside a thatched barn, signed lower right, oil on canvas, 26½” x 38¼”

£200-400

£300-600

1053A ENGLISH SCHOOL 18th/19th century, a bust length portrait of an elderly woman wearing a lace bonnet, a flower at her chest, indistinct inscription verso, oil on canvas, 17 x 15¼” £300-600 150

1054 CLAUDIO RINALDI (1860-1900) A half-length portrait study of an elderly lady, a bird perched on her finger, signed “C. Rinaldi, Firenze”upper left, oil on canvas, 21” x 16½”. See illustration

Lot 1054

£500-1,000 1055 HENRY HADFIELD CUBLEY (1858-1934) “On Rannach Moor”, Highland cows in a landscape, signed lower left, oil on canvas board, 10½” x 14½” £100-200 1056 JOHN WESTALL (fl. 1873-1893) A rural river scene with figures on the bank whilst another is seated in a boat, signed lower left, 7½” x 15½”, and the companion painting of figures outside a rural cottage (2) £200-400

Lot 1057

1057 GIUSEPPE RAGGIO (1823-1916) “War Party”, signed “G. Raggio, Roma (18)83”, oil on canvas, 21” x 31”. See illustration

Provenance: Lot 97, 19th century Continental Pictures and Watercolours, Christie’s London, October 2nd 1992.

£500-1,000 1058 JEANNA MARIA CHARLOTTA BAUCK (1840-1926) A group of figures unloading a boat at the water’s edge, a windmill to the distance, signed lower right, oil on canvas, 38½” x 22½”. See illustration

Lot 1058

£400-800 1059 RALPH HEDLEY (1851-1913) A study of figures maintaining a hedgerow, signed and dated 1900 lower right, oil on canvas, 32” x 25” £500-1,000 151

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1060 1060 JOHN MACALLAN SWAN (1847-1910) “Boy fishing”, two young boys and their terrier fishing in a stream, signed lower right, oil on canvas, 15½” x 23½”. See illustration Exhibited: Royal Academy Winter Exhibition 1911 label verso. Provenance: Deceased Estate, Dorset. The artist was a friend of the family. £1,500-3,000

1061 JOHN MACALLAN SWAN (1847-1910) A recumbent lion, signed and dated 1877 lower left, oil on panel, 7” x 9½”. See illustration Provenance: Deceased Estate, Dorset. The artist was a friend of the family. £400-800 1062 JOHN MACALLAN SWAN (1847-1910) “Dante and the Leopard”, signed and dated 1875 lower left, oil on canvas, 35¾” x 25¼”. See illustration Provenance: Deceased Estate, Dorset. The artist was a friend of the family. £3,000-6,000 1063 JOHN MACALLAN SWAN (1847-1910) A crouching tiger drinking from a stream, signed lower right, oils on canvas board, 6½” x 9½”. See illustration £200-400

Lot 1061

Lot 1063 152

Lot 1062

153

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1064 Lot 1065 1064 HENRY SCOTT TUKE (1858-1929) A portrait of a young man, head and shoulders, his head turned to the left, signed and dated 1879, oil on canvas board, 5½” x 4½”. See illustration

1065 ALBERT CHEVALLIER TAYLER (1862-1925) Swordsman looking through a window, signed and dated (18)88 lower right, oil on canvas, 18” x 14”. See illustration

Exhibited: Fine Art Society, London.

Literature: Catching the Light, the Art and Life of Henry Scott Tuke, Catherine Wallace, pg19.

Exhibited: Poems, Plays and Fairy Tales at Penlee House Gallery and Museum, Cornwall, 15th June-7th September 2013.

£3,000-6,000

154

1066 EDWIN LONG (1829-1891) “Katherine (The Taming of the Shrew)”, oil on canvas, 25½” x 19¼”. See illustration

Literature: “Edwin Longsden Long”, Mark Bills, Cygnus Arts, London, 1998, no. 257, pgs. 172-173.

£15,000-25,000 155

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1069 Lot 1067 1067 MAURICE BOMPARD (1857-1936) A self-portrait of the artist, the head and shoulders study set against a reddish brown background, with inscription verso “Fait par moi, 1875”, Maurice Bompard 1919, oil on canvas, 9” x 6¾”. See illustration £400-800 1068 MAURICE BOMPARD (1857-1936) A profile portrait of a young woman, oil on panel, 9¼” x 7¼”. See illustration £400-800 1069 MAURICE BOMPARD (1857-1936) A woman seated in an interior, her dog at her feet while they made works in the next room, oil on panel, 23¼” x 18¾”. See illustration

Lot 1068

£600-1,200

156

Lot 1071

1070 MAURICE BOMPARD (1857-1936) A still life study of flowers in a vase beside a jewellery box, signed, inscribed and dated 1919 lower right, oil on canvas, 20¼” x 24¼”. See illustration £500-1,000 1071 MAURICE BOMPARD (1857-1936) A still life study of flowers in a large pottery vase, a blue and white dish and other items atop a green painted commode, signed lower left, oil on canvas, 41” x 35”. See illustration

Lot 1070

£1,500-3,000 157

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1074

Lot 1073 1072 WILLIAM MOUAT LOUDAN (1868-1925) A study of a woman seated in an interior, a book open on her lap, signed upper left, dated 1891 upper right, oil on canvas, 11¼” x 9¼”. See illustration

Lot 1072

£300-600 1073 COWAN DOBSON (1893-1980) A portrait study of a young boy seated on a pedestal, signed upper left, oil on canvas, 35½” x 27½”. See illustration £300-600 1074 ELSIE GREGORY (1877-1938) “Portrait of Mrs Moreland-Aird”, signed and dated 1932 lower left, oil on canvas, 39¼” x 29”. See illustration

Exhibited: Royal Academy Exhibition 1932 labels verso.

£500-1,000 158

Lot 1076

1075 ARTHUR J. BLACK (1855-1936) Nude children frolicking in a garden, signed lower right, oil on canvas, 29½” x 35½”

1076 JOHN WILLIAM GODWARD (1861-1922) A head and shoulders profile portrait of a young woman wearing a white tunic style blouse, her black hair tied back, circa 1889, oil on canvas, 12” x 10”. See illustration

£300-600

£12,000-18,000 159

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1077 ROBERT MCGOWN COVENTRY (1855-1914) A study of sheep beside a waterfall in an extensive landscape, signed lower right, oil on canvas, 27½” x 35½”. See illustration

Lot 1077

£1,500-3,000 1078 CONTINENTAL SCHOOL, 19th century A study of a woman and a wounded cavalry officer, in a snowy graveyard, the officers’ dead horse behind them, oil on canvas, 34” x 28½”. See illustration

Lot 1078

£400-800 1079 CONTINENTAL SCHOOL, 19th century A profile portrait study of a man in cavalier dress holding a glass of wine, half-length, oil on canvas, 30½” x 32”, and the companion study of a woman, and three similar studies of musicians (5). See illustration £500-1,000

Lot 1079

Lot 1079 160

Lot 1080

1080 DUNCAN GRANT (1885-1978) “Brighton Beach”, monogrammed and dated (19)49 lower right, oil on canvas board, 14” x 21¼”. See illustration Provenance: Deceased Estate, Dorset. £5,000-10,000

161

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Lot 1082

1081 JOHN MACLAUCHLAN MILNE (1866-1957) A still life study of flowers, signed lower right, oil on canvas, 35¼” x 25”. See illustration £8,000-15,000 1082 ANTOINE BLANCHARD (1910-1988) A pair of Parisian street scenes, signed lower right and left respectively, oils on canvas, 12” x 17” (2). See illustration £1,500-2,500 1083 ANTOINE BLANCHARD (1910-1988) A busy Parisian street scene looking towards the Moulin Rouge, signed lower right, oil on canvas, 19½” x 15¼”. See illustration

Lot 1083

Lot 1084

£500-1,000 1084 GEORGE SPENCER WATSON (1869-1934) A stylised rural landscape, oil on board, 10¾” x 15½”. See illustration £400-800

162

Lot 1081 163

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1085

1085 CHRISTOPHER WOOD (1901-1930) “Shipping off Newlyn Harbour”, circa 1926-27, oil on canvas, 15” x 19”. See illustration Provenance: Acquired by Mr Charlton of The Holsen Gallery, Chelsea, 1964, for his own collection.

Acquired by Paul Cherret of The Reynolds Gallery in 1973 for his own collection of works by Christopher Wood.

Acquired in 1976 from the Wills Lane Gallery, St. Ives, Cornwall.

The Collection of Major L.G. Tighe.

Private Collection, Dorset.

Sold at Duke’s, 7th July 2005 for £55,200

£30,000-50,000

164

165

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Lot 1086

1086 EDWARD SEAGO (1910-1974) “The Wirral”, signed and indistinctly dated lower left, oil on board, 11½” x 15½”. See illustration

1088 LOUCIEN POTRONAT (1889-1974) “La Croix-Valmer”, a view on the French Riviera, signed lower right and signed and titled verso, oil on canvas, 15½”x 31¾”

Provenance: P & D Colnaghi & Co. Ltd, 14 Old Bond Street, London W1 label verso.

£200-400

£5,000-10,000

1089 ERNST JUGEL (b. 1913) A lakeland landscape with cows to the foreground and mountains beyond, signed lower right, oil on canvas, 23½” x 35½”

1087 ARTHUR H. DAVIS (fl. 1871-1894) “Flaghead Chine, Canford Cliffs 1880”, signed lower right, oil on canvas, 9½” x 15½”

£100-200

166

1090 D.H. WATERFIELD (1908-1971) Figures in a marketplace, signed lower left, oil on board, 17¾” x 14½”. See illustration

Lot 1090

£100-200 1091 J. COLLINS, 20th century A street scene with single tree to the foreground, signed lower right, oil on board, 11½” x 14½” £200-400 1092 ELIE LASCAUX (1888-1969) “Homage a Picasso, Lascaux”, titled verso, oil on canvas, 10½” x 20½”. See illustration £800-1,200 Lot 1092 1093 SPARE LOT 1094 SERGE CHERMAYEFF (1900-1996) “Background for ballet, #11”, extensively inscribed, titled and signed to the reverse, oil on canvas, 19¾” x 25½”. See illustration £1,000-2,000 1095 ROBERT PALMER RBA ROI (19272005) ‘Carnations and Daisies’ signed lower left, inscribed and titled verso, oil on board, 23½” x 29½”

Lot 1094

£100-200

167

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1096 M JEFFRIES 20th century ‘Lagonda at Le Mans’ a study of a racing car, signed lower right, oil on canvas board, 19” x 29”

Lot 1097

£200-400 1097 KEN HOWARD (b.1932) ‘The red and brown windbreak’, signed lower right, signed and titled verso, oil on board, 8¾” x 11½”. See illustration £500-1,000 1098 FRED YATES (1922-2008) ‘Wild landscape, Cornwall’, signed lower right, oil on canvas, 10” x 13¾”. See illustration

Lot 1098

£150-250 1099 ASCRIBED TO KYFFIN WILLIAMS (1918-2006) a stylised landscape view in blacks, greys, whites and greens, monogrammed ‘KW’ lower right, oil on board, 8¾” x 14”. See illustration

Lot 1099

£200-400 1100 JOHN MILLER (1931-2002) ‘Winter Valley’ a view north towards Beaminster Downs from Netherbury, signed lower right and titled verso, oil on canvas, 23” x 35½” See illustration

Lot 1100

£1,000-2,000

1101 BERNARD DUNSTAN (1920-2005) A woman seated in an interior, dressed only in an open shirt, monogrammed lower left, oil on board, 19½” x 14½”. See illustration £3,000-6,000 168

Lot 1101

169

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Lot 1104

Lot 1102

1102 SVEN BERLIN (1911-2000) a portrait study of a young woman seated on a chair holding an apple in her right hand, a bowl of fruit in her lap, oil on board, 48” x 24”. See illustration Provenance: The Estate of the Artist £2,000-4,000 1103 SVEN BERLIN (1911-2000) a still life study of a vase of dahlias on a tabletop, signed and dated ‘69 lower left, oil on board, 36” x 24”. See illustration Provenance: The Estate of the Artist £1,200-1,800 1104 SVEN BERLIN (1911-2000) a still life study of a basket of fruit beside gladioli, signed and dated ‘76 lower right, oil on board, 24” x 36”. See illustration Provenance: The Estate of the Artist £1,200-1,800 1105 SVEN BERLIN (1911-2000) a still life study of rhododendrons in a vase , oil on board, 13¼” x 10½”

Provenance: The Estate of the Artist

£200-400 Lot 1103 170

Lot 1106

Lot 1107

1106 SVEN BERLIN (1911-2000) ‘The Great Wave’, signed and dated ‘81 lower left, oil on board, 36” x 24”. See illustration Provenance: The Estate of the Artist £1,200-1,800 1107 SVEN BERLIN (1911-2000) A figure beneath a magnolia tree, with houses and a ship beyond, signed and dated ‘78 lower right, oil on board, 36” x 24”. See illustration Provenance: The Estate of the Artist

£1,200-1,800

Lot 1108

1108 SVEN BERLIN (1911-2000) a study of a cockerel, signed and dated ‘80 lower right and further signed and dated verso, oil on board, 12” x 16”. See illustration

Lot 1109

Provenance: The Estate of the Artist £250-450 1109 SVEN BERLIN (1911-2000) a study of a harlequin Great Dane, oil on board, 16” x 12”. See illustration Provenance: The Estate of the Artist £250-450

171

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1110 SVEN BERLIN (1911-2000) a head and shoulders portrait of a clown, signed and dated ‘78 lower left, oil on board, 11¾” x 7¾”

Lot 1114

Provenance: The Estate of the Artist £150-250 1111 CONG KIM HOA (b.1962) an abstract study in gilts, reds, blacks and greys, signed and dated ‘99 lower left, mixed media on lacquer, 11¾” x 15¼” £100-200 1112 CONG KIM HOA (b.1962) an abstract study in greens, gilts, reds, blacks and greys, signed and dated 2001 lower left, mixed media on lacquer, 11¾” x 15¼”

Lot 1115

£100-200 1113 CONG KIM HOA (b.1962) an abstract study in gilts, blacks and oranges, signed and dated ‘99 lower left, mixed media on lacquer, 11¾” x 15¼” £100-200 1114 FRED CRAYK (b.1952) ‘Scheme, 1992’, an abstract composition, signed and dated verso, oil on canvas, 36” x 42”. See illustration £200-400 1115 MICHAEL J STRANG (b.1942) a stylised beach scene, signed and dated ‘90 lower right, oil on board, 16” x 20”. See illustration

Lot 1116

£100-200 1116 ALLICK RIDDELL STURROCK (1885-1953) ‘Corfe Castle from Challow Farm’ signed lower left, oil on canvas board, 16” x 19¾”. See illustration £400-800 172

Lot 1121

1117 ROBERT FREAME “The Cobb, Lyme Regis’ signed lower left, oil on canvas board, 9” x 14”

1120 FRANCIS RUSSEL FLINT (1915-1977) ‘ The Sleeping Fisherman’, signed lower right, further titled and marked verso, oil on canvas, 21” x 24”

£100-200

£150-250

1118 HUBERT ANDREW FREETH (1912-1986) ‘Landscape - Black Mountains’ signed lower right, oil on board, 16” x 23¼”

1121 SIMEON STAFFORD (b.1956) ‘St. Ives’, signed lower left, further signed and titled verso, oil on canvas, 32” x 32”. See illustration

£200-400

£800-1,500

1119 PETER KUHFELD (b.1952) ‘Duomo - Arrival in Florence...’ signed lower right, oil on panel, 9½” x 13”

Exhibited: Peter Kuhfeld, Messum’s Fine Art, 2012

£300-600 173

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1122 PADRAIG MACMIADHACHAIN (1929-2017) ‘Moon Near the Lighthouse, Anvil Point, Isle of Purbeck, Dorset’ a stylised landscape with houses, cliffs and a lighthouse, signed lower left, extensively inscribed verso, oil on canvas, 36” x 36”. See illustration

£3,000-6,000

174

BOOK S AND EPHEMER A

Lot 1161 detail 175

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Lot 1151

Lot 1152

1150 T.E. LAWRENCE: A letter to “H.W ” (probably Henry Williamson) “They have posted me to Plymouth so if ever the frost breaks (brrr... ughhhh) ... it will be comic, our meeting: I am icy cold, and very English, and correct. Sober as Judges used to be. However, all the more reason for meeting a wild man. At least your reputation won’t scare me off A bas all the hawthorndens. Hawthorn forsooth! Den forsooth!”, the letter is signed “TE Shaw”.

1152 REV. JOHN COLLINSON, F.A.S.: “The History of Somersetshire”, three first edition volumes, Bath printed by R. Cruttwell, 1791. See illustration £200-300 1153 “THE CIVIL WARS OF SPAIN IN THE BEGINNING OF THE REIGN OF CHARLES V, EMPEROR OF GERMANY AND KING OF THAT NATION”: “Written originally in the Spanish Tongue ... now put into English by Captain FW”, London printed by William du Gard 1652, with a later leather binding

Williamson was an army officer, writer and naturalist, winner of the Hawthornden Prize in 1928 for his novel “Tarka The Otter” around which he and Lawrence struck up a friendship. The letter is dated 22/2/29. See illustration

£1,000-2,000

£100-200

1151 T.E. LAWRENCE: Portrait of T.E. Lawrence by Eric Kennington, collotype with detached signed label numbered 94/100, and various associated correspondence from Kennington, together with a number of framed Lawrence/ Kennington items (a lot) See illustration

1154 E.W. BRAYLEY & JOHN BRITTON: “History of Dorset” (pages 321-560 of the series, plus book lists, maps, plates etc., all in a modern binding) £150-250 1155 R.B. CUNNINGHAME GRAHAM: “The Conquest of the River Plate”, published William Heinemann Ltd 1924, and six other volumes (7)

£300-500

£100-200 176

Lot 1150 177

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Lot 1159

Lot 1161

1156 THEODORE ROOSEVELT: “Through the Brazilian Wilderness”, London published John Murray 1914; William Gilpin “Observations on the Western Parts of England”, published London 1798; and various 19th and early 20th century travel books (11)

1159 JOHN HUTCHINS MA: “The History and Antiquities of the County of Dorset”, 4vols, printed John Bowyer Nichols & Sons, 1861 (4) See illustration £400-600

£300-500

1160 ISAAC TAYLOR: A map of Dorsetshire, engraved and coloured with various engraved vignettes, within rococo cartouches, dedicated to the Right Honourable Earl of Shaftesbury, linen-backed, 46” x 62”, with original leather slip case See illustration

1157 “THE ETCHINGS OF FRANK BRANGWYN, R.A.” A catalogue raisonne by W. Gaunt, published The Studio 1926, and “Belgium” by Frank Brangwyn ARA, published Tegan Paul Trench Trubner & Co. Ltd. London 1916 (2)

£1,500-3,000

£50-100 1158 FRANK BRANGWYN R.A.: “The Pageant of Venice” by Edward Hutton; “A Book of Bridges”, “Eothen” and other books of Brangwyn interest (6)

1161 SIR JAMES EDWARD SMITH & JAMES SOWERBY: “English Botany; or, coloured figures of British Plants”, second edition, published London 1832, (12 leather bound volumes) See illustration

£80-150

£400-800

178

Lot 1160

179

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1162 RICHARD PULTENEY, M.D.F.R.S: “A General View of the Writings of Linnaeus”, second edition, London, J. Mawman, 1805.

1168 VLADIMIR NABOKOV: “Look at the Harlequins!”, published McGraw-Hill, 1974, signed and annotated by Graham Greene.

£50-100

1163 AN ALBUM OF PHOTOGRAPHS dated in the inside cover 1898, the photographs depicting scenes of an Alpine tour, winter sports, figures in uniform, views, motorcars, Egypt and numerous other subjects

£100-200

£150-300

£50-100

1169 RAYMOND CHANDLER: “The Little Sister”, first USA edition, Houghton Mifflin Co. 1949

1164 JAMES BRUCE OF KINNAIRD (1730-1794): “Travels to Discover the Source of the Nile”, printed by J. Ruthven, 1790, 5vols, in tooled leather bindings.

1170 GRAHAM GREENE: “The End of the Affair”, published Viking 1951; George Orwell: “The Road to Wigan Pier”, Victor Gollancz 1937; George Orwell: “Critical Essays”, Seeker & Warburg, 1946; and John Fowels: “The Magus”, Boden Library edition 1998 (signed John Fowels) (4)

1165 A 19TH CENTURY ALBUM OF PHOTOGRAPHS of Greek views, ancient Greek architecture and sculpture

£80-150 1171 THOMAS HARDY: “Tess of the D’Urbervilles”, published Osgood McIlvaine 1892 (1st one volume edition); Florence Emily Hardy: “The Later Years of Thomas Hardy 1892-1928”, McMillan 1930 and “The Early Life of Thomas Hardy 1840-1891”, McMillan 1928; and Stevensoniana: “The Anecdotal Life of Robert Louis Stephenson” edited by J.A. Hammerton, published John Grant 1910, with hand-written notes of a visit to Stephenson’s nurse, Alison Cunningham (4)

£200-400 1166 JOHN SYDENHAM: “The History of the Town and County of Poole”, published Whittaker & Co. 1839, with marbled boards £50-100 1167 F. SCOTT FITZGERALD: “The Great Gatsby”, first edition, second issue, Scriveners 1925 (with “Echolalia” chatter on page 60, line 16, and “Southern” not “Northern” on page 119, line 22)

£80-150 1172 EDWARD WRIGHT: “Some Observations Made in Travelling Through France, Italy and Sea. In the Years 1720, 1721 and 1722”, published 1730, vols. I and II with pull-outs, in a single tooled leather binding (2 books bound as one)

£200-400 1167A “ DICCIONARIO, GEOGRAFICO – HISTORIO DE LAS INDIAS OCCIDENTALES O AMERICA” Madrid 1787, single volume, 2, “D-L” and seven further volumes (8)

Provenance: The Collection of Clinton Ives Smallyan Junior, Sotheby’s 16th December 1996.

£100-200 1172A “ DOCUMENTS RELATING TO THE JAPANESE AMBASSADORS SENT TO EUROPE” Kyoto University, 1929, and four further volumes (5)

£50-100

180

£50-100

1173 RICHARD BRIGHT, M.D. (1759-1858): “Travels from Vienna through Lower Hungary”, printed for Archibald Constable & Co., Edinburgh 1818, in a half-tooled leather binding See illustration £150-300 1174 MACGREGOR & LAIRD (1808-1861) & R.A.K. OLDFIELD: “Narrative of an Expedition into the Interior of Africa by the River Niger”, printed by Richard Bentley, 1837, 2vols. See illustration

Lot 1173

£200-400 1175 JOSEPH MARSHALL: “Travels Through Holland, Flanders, Germany in the Years 1768, 1769 and 1770”, printed for J. Almon, 1773, vols. I-III in leather bindings (3) £80-150 1176 JONAS HANWAY (1712-1786): “An Historical Account of the British Trade over the Caspian Sea”, 1753, vols. I-IV with pull-out maps, 4vols in three tooled leather bindings See illustration

Lot 1174

£400-800 1177 SIR HENRY CHAUNCY (1632-1719): “The Historical Anquities of Hertfordshire”, re-printed and published by JM Mullinger 1826, vols.I and II in half tooled leather bindings (2) £80-150 1178 JOHN COOK: “Voyages and Travels through the Russian Empire, Tartary and Part of the Kingdom of Persia”, 1770, 2vols in tooled leather bindings (2) £150-300 1178A J OHN HUTCHINS, “THE HISTORY AND ANTIQUITIES OF THE COUNTY OF DORSET”, Westminster, 1861, Third Edition, four volumes with leather spines

Lot 1176

£200-400 181

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1179 CHARLES WARNE F.S.A: “Ancient Dorset: The Celtic, Roman, Saxon and Danish Antiquities of the County”, published Bournemouth 1872 (ex Bournemouth Reference Library)

1184 J.F. GATES CLARKE: “A Catalogue of the Type Specimens of Microlepidoptera in the British Museum (Natural History)” described by Edward Meyrick, 8vols, published Trustees of the British Museum 1955

£50-100

1180 “THE BUILDER”: A collection of variously bound volumes from 18481883 (a lot)

1185 J.D. HOLLOWAY: “The Lepidoptera of Norfolk Island. Their Biogeography and Ecology”, published Dr. W. Junk, The Hague 1977, and a collection of books of similar interest (a lot)

£180-250 1181 P. CAMPION: “A Recent History of Hampshire” (The Wessex Series) published Poole, signed subscription edition, numbered 124/500; and Benjamin Ferrey “The Antiquities of the Priory of Christchurch, Hampshire”, London 1834; Berry’s Genealogies and various other books and periodicals (a lot)

£40-80 1186 BERNARD D’ABRERA: “Butterflies of the Oriental Region”, published Hill House 1982, and other similar volumes (8) £40-80

£50-100

1187 G. TALBOT FRES: “The Fauna of British India including Ceylon & Burma, Butterflies” vols I & II, second Indian reprint edition 1978, and various other butterfly books (a lot)

A LIBRARY OF LEPIDOPTERA, ENTOMOLOGICAL AND OTHER NATURAL HISTORY BOOKS

£40-80 1188 AKITO KAWAZOE: “Coloured Illustrations of The Butterflies of Japan”, Hoikusha Publishing Co. Ltd 1976, and various other butterfly books (a lot)

1182 DR. ADALBERT SEITZ: “The Macrolepidoptera of the World”, published Stuttgart, various dates and differing bindings (20) £300-500

£40-80

1183 RICHARD SOUTH: “A Catalogue of the Collection of Palaearctic Butterflies formed by the Late John Henry Leech”, published Trustees of the British Museum, 1902, and various other catalogues, periodicals and transactions of a similar interest (a lot)

1189 J.D. HOLLOWAY: “Moths of Borneo with special reference to Mt. Kinabalu”, published The Malayan Nature Society 1976, and a collection of similar books (a lot) £40-80

£50-100 1190 G.F. HAMPSON: “The Fauna of British India including Ceylon and Burma Moths”, vols. I-V, published Dr. W. Junk, The Hague 1976, and other related publications (a lot) £50-100

182

1191 J.D.BRADLEY & OTHERS: “British Tortricoid Moths”, published The Ray Society 1979, and other volumes of similar interest

1197 M.A. WYNTER-BLYTH: “Butterflies of the Indian Region” published Bombay Natural History Society 1957, and other similar volumes (a lot)

£50-100

1192 BRIGADIER W.H. EVANS: “A Catalogue of the Hesperiidai from Europe, Asia and Australia in the British Museum”, published by The Trustees of the British Museum 1949, and various other books of Lepidopteran interest (a lot)

1198 GRZIMEK’S ANIMAL LIFE ENCYCLOPEDIA published Van Nostrand Reinhold Co. 1974, 16vols £40-80

£50-100

1199 E.J.H. CORNER M.A: “Wayside Trees of Malaya”, 2vols, published Singapore 1952, and various other books of similar interest

1193 EDWARD MEYRICK: “Exotic Microlepidoptera” vols.I-V (reprint) published EW Classey 1969, and a further collection of similar books

£50-100

1200 D & W BANNERMAN: “Birds of the Atlantic Islands”, 3vols, published Oliver & Boyd 1966, and various other ornithological books (a lot)

1194 JOHN TENANT: “Butterflies of the Soloman Islands”, published by Storm Entomological Publications 2002 (inscribed by the author), and a quantity of books of similar interest (a lot)

£50-100 1201 A COLLECTION OF BOOKS OF BIOLOGICAL, ENTOMOLOGICAL AND SCIENTIFIC INTEREST including some on photography (a lot)

£50-100 1195 DR. SIGERU MORIUTI: “Fauna Japonica (Lepidoptera)”, Tokyo 1977, with slip case, and a collection of books of similar interest (a lot)

£50-100

£50-100 1202 JOHN BRERELEY, PRIEST: “The Lytvergie Of The Masse”, printed at Colen 1620, a bound volume in a later leather and marbled board binding

1196 A. STEVEN CORBET & H.M. PENDELBURY: “The Butterflies of the Malay Peninsula”, published Oliver & Boyd, second edition 1956, and other books of similar interest (a lot)

£100-200

£50-100 1202A T HE BUSHELL COLLECTION OF NETSUKE, 3 vols. of auction catalogues, and a collection of similar volumes on netsuke and Japanese Art

£50-100

1202B C HINESE AND JAPANESE ART AND DESIGN, a quantity of volumes 183

£50-100

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Lot 1204

1203 ROBERT BURTON: “The English Acquisitions in Guinea and East India”, printed for A.Bettesworth and J. Batley, 1728, with engraved plates, in a leather binding, 6” high See illustration £800-1,200 1204 HUMPHRY REPTON (1752-1818) AND JOHN ADEY REPTON (17751860) Fragments on the Theory and Practice of Landscape Gardening” Londom, T. Bensley & Son for J. Taylor, 1816, one plate lacking. See illustration £1,500-2,500

Lot 1203

184

WORK S OF ART

Lot 1396 detail 185

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1380 1380 AN IVORY FAN the silk leaf with skin backing, printed with a classical scene, flanked by sequin enriched foliate scrolls and urns. The ivory staves very finely carved and pierced with classical putti and simulated Wedgwood blue jasper tablets - giltwood frame, 9½” radius See illustration £200-400 1381 AN IVORY FAN the silk leaf painted with an heraldic lozenge cartouche of a crowned serpent flanked by initialled cartouches CPE and CLA, joined by florette swags, the rim painted with cornflowers - giltwood case, 8¼” radius

Lot 1382

£60-100 1382 AN IVORY FAN the silk leaf painted with Watteauesque cartouches, flanked by thread and sequin ribbon tied floral sprays. The staves pierced and silvered and gilt with figures, urns and trophies gilt wood and gesso case, 11” radius See illustration £60-100

Lot 1383

1383 AN IVORY FAN the paper leaf painted with a cartouche of a couple in a park, flanked by ribbon suspended vignettes, the parcel gilt staves with three mother of pearl backed pierced Watteaesque cartouches, 11¼” radius See illustration £500-1,000 186

1384 A MOTHER OF PEARL AND LACE FAN the staves with silvered and gilt scrolls and putti - gilt case, 9¼” radius and another, ivory and lace fan with scroll and flower pierced staves - gilt case, 10¾” radius £100-150 1385 AN IVORY FAN one side painted with flowers within acanthus scrolls, the other with an elaborate monogram, each gard applied with an engraved crowned monogram, 8¼” radius, contained in an ivory box See illustration

Lot 1385

£300-500 1386 A MOTHER OF PEARL FAN the paper leaf painted with classical figures in a river landscape, the pierced staves with a central figure cartouche painted giltwood case, 10¼” radius and a mother of pearl fan with a coloured printed leaf of Spanish ladies, giltwood case, 10½” radius See illustration £150-250 1387 AN IVORY FAN the silk leaf set with sequined “curtains”, giltwood case, 8¼” radius; a tortoiseshell and lace example, giltwood case, 11” radius, and a black ostrich feather example, giltwood case, 14½” radius overall £100-150 1388 TWO MOTHER OF PEARL FANS an ivory fan and a simulated tortoiseshell fan, contained in a pair of giltwood cases (a lot)

Lot 1386

£60-100 1389 A CHINESE LACQUER FAN the black and gilt staves worked with a cartouche of buildings, 7¾” radius, and an ivory example, the black fabric leaf embroidered with white flowering branches, 9” radius £60-100 1390 A FRENCH IVORY FAN, the painted leaf with a scene of a courting couple in a landscape, on pierced and silver painted ivory sticks, 10½” See illustration

Lot 1390

£150-300 187

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Lot 1393

1391 A CLASSICAL STYLE MARBLE RELIEF OF TWO MASKS with finely drilled hair, 10½” See illustration £150-250 1392 A NEO-CLASSICAL MARBLE ROUNDEL of a maiden with flowing hair surmounted by a crescent, 18th century, 12¾” dia.; and a similar roundel in the Greek style, probably 18th century, 11¼” (2). See illustration

Lot 1391

£300-600 1393 A SET OF FOUR CARVED MARBLE ROUNDELS of The Pope’s Gregory XII, Alexander VIII, Paolos II and Evgenivs IV, the largest 13½” dia. (4). See illustration £2,000-4,000

Lot 1392 188

Lot 1394

1394 A ROMAN MARBLE BUST OF A MAN, possibly representing the Emperor Trajan, the head and shoulders associated, possibly 2nd century AD with later elements and restorations, on a later green marble socle, 24½” high. See illustration £2,000-4,000 189

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1395 PRINCE PAUL TROUBETZKOY (1866-1938) A woman seated, signed and dated “Paul Troubetzkoy, Paris, 1906”. Bronze, 46cm high Provenance: A European noble family Exhibited: Prima Esposizione Internazionale D’arte, Della Secessione, Roma 1913, No. 452

Prince Paul Troubetzkoy was born in Lake Maggiore, Italy, the son of an aristocratic Russian diplomat and an American opera singer. This gilded social status, coupled with his artistic talent meant Troubetzkoy was perfectly placed to capture the social elite at the turn of the nineteenth to twentieth centuries and indeed was a celebrity in his in own right. Troubetzkoy’s forte was the society portrait, with particular emphasis on the seated figure. The present bronze can be compared to the well-known ‘After the Ball’, a portrait of Adelaide Auernheimer who along with her wealthy merchant husband Carlo Federico Aurnheimer became one of the main patrons of the Famiglia artistica milanese, an art gallery founded in 1873 for supporting young artists. Instead of modelling in clay, Troubetzkoy used a non-drying compound of clay and wax called plastilene, giving his finished works a great impression of immediacy. The present bronze is no exception. Troubetzkoy’s fluid modelling technique can be seen here in the manipulation of the material, leaving clear thumb prints to be seen in the folds of drapery around the base. See illustration

190

191

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1396 ERIC GILL (1882 - 1940) “Madonna and Child”, a marine ivory, executed circa 1922, 7” high. 6” excluding the original wooden base. 8 ¼” high overall. The base with an old paper label inscribed “T W 4, Eric Gill Madonna and Child £100.”

Provenance: Apparently Father John O’Connor. Presumably acquired by Sir Ernest Debenham and thence by family descent.

Literature. Listed as number 123 in “Eric Gill: The Sculpture, a Catalogue Raisonne” by Judith Collins. Published and recorded as “location unknown.”

Exhibited - Presumably the Goupil Gallery Salon, November-December 1922 (400).

Job 800 in Gill’s ledgers states “1 ivory woman, 2 M & C Madonna and Child, Fr John O’Connor and it appears that this work and a female nude in ivory were commissioned by Gill’s friend, Father John O’ Connor, the priest at St. Cuthbert’s Church, Bradford. Until the catalogue raisonne was published this work was illustrated as “location unknown”. It was only known from its illustration in Joseph Thorp’s 1929 book on the sculptor, where its size is given.

Gill rarely worked in the material and only three small pieces are recorded. In view of this fact it does not seem unreasonable to assume that the ivory Madonna and Child exhibited at the Goupil Gallery Salon in November 1922 can be identified with the present work. Although not inconceivable that Sir Ernest Debenham acquired the piece from Father O’Connor, it seems much more likely that he was the purchaser at the Goupil Gallery were the ivory was offered with the exceptionally high price of £100. In view of this it is quite possible that the ivory that was exhibited at the Goupil Gallery Salon was another work. Sir Ernest Debenham Bt. commissioned Eric Gill to create a memorial at Briantspuddle to commemorate those of the local community who lost their lives in the First World War. The Debenhams had bought the estate from the Frampton family in 1914 and developed it as the Bladen Estate, an experimental agricultural community of small holdings. Eric Gill’s, brother, MacDonald Gill was responsible for the design of the model village at Bladen Valley. See illustration

£15,000-25,000

192

193

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1400 A VICTORIAN COROMANDEL WOOD TEA CADDY of domed sarcophagus shape, applied with bold brass strapwork, the interior fitted with two lift-out canisters flanking a vacant sugar bowl space, 13½” wide See illustration £80-160 1401 A FRENCH AMBOYNA TABLE TOP JARDINIERE of serpentine rectangular form, Kingwood crossbanding and with ormolu mounts, 14¾” wide

Lot 1400

£200-400 1402 AN IVORY TABLE BOX of rectangular shape, with a slide off lid, the top and sides each set with a plaque carved in high relief with a mask from which issues scrolling foliage inhabited with cherubs and fabulous creatures, within a variety of moulding, 12¼” wide x 5” high x 8” deep See illustration £400-800 1403 A POLISHED STEEL TANTALUS containing three cut glass square section decanters and stoppers. The frame set with gilt metal rope mouldings 13¾” wide

Lot 1402

£200-400 1404 A REGENCY SERPENTINE AND ORMOLU DESK STAND of rectangular shape, centred by a recumbent lion on a plinth, flanked by receivers in the form of a hussar hat, 14½” wide See illustration £300-600 1405 A FOLDING ROSEWOOD BACKGAMMON BOARD the outer part for chequers with boxwood squares, the interior with ivory inlay. Together with boxwood and ebony counters and a brass mounted mahogany cribbage board, backgammon set 19¾” wide

Lot 1404

£150-250

194

1406 AN OAK CARTRIDGE BOX the interior with a lift-out twin division to the right. The front carved 1912 in the Arts and Crafts style, 26” wide x 4¼” high x 4¾” deep

Lot 1408

£20-40 1407 A LATE 19TH CENTURY ITALIAN APOTHECARIES CHEST possibly walnut, the domed casket with steel strapwork mounts, dividing and opening up to reveal an assortment of glass bottles, some bearing labels for the Farmaccia Piazza Duomo, Milano, fitted with a variety of small drawers, 7½” wide £100-200 Lot 1409

1408 A PAIR OF GEORGE III MAHOGANY KNIFE BOXES each with a shell inlaid sloping lid enclosing an interior fitted for cutlery. Serpentine front and chequer stringing, 8½” wide See illustration £500-1,000 1409 A LATE GEORGE III MAHOGANY BOX of sarcophagus shape, with rosewood crossbanding, set with panels of Chinese pith paintings of birds, 10” wide See illustration £500-1,000 1410 A PAIR OF EMPIRE BRONZE BRULES PARFUM, each of ovoid shape, supported on a triform stand with rams head masks and chain swags, 11” high See illustration £500-1,000 1411 AN ITALIAN EBONY TRIPTYCH FRAME with silvered coloured metal mounts, set with a deceased photographs, flowers and plaited hair, 9¼” high £80-120

Lot 1410 195

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1412 A MAHOGANY GAMES COMPENDIUM the box with a divided front enclosing a boxwood and ebonised Staunton pattern chess set, King 2½” high, draughts set, together with approximately 160 Chinese mother of pearl gaming counters of various patterns and an assortment of dice, case 13” wide

1418 A STAFFORDSHIRE ENAMEL BOX of oval shape, lilac base, the lid painted with a named view of Weymouth, a mirror to the lid, 2” wide; A blondwood thimble box printed with a view of Weymouth from the New Pier, together with a white metal thimble (3)

£200-400

1419 A LIMOGES ENAMEL TASTE VIN the interior with a profile bust of Christ, the rim with a stylised band of tulips, the base exterior with a watermill, 3½” dia.

1413 A LATE VICTORIAN GILT METAL CASKET with a domed top incised with bands of florettes set with simulated turquoise beads, 8¼” wide

£60-120

£150-250

1420 A BIDRI TYPE SAUCER worked with stylised plants, 6” dia.

1414 A WOODEN WALKING CANE the handle carved as a boar’s head, with glass eyes, 36” long

£150-250

£40-80

£100-200

1415 A CONTINENTAL NEO ROCOCO SILVER COLOURED METAL SURTOUT TABLE of cartouche shape, set with cherubs, 26” wide

1421 A TABLE BOX the red silk worked with a needlework picture of a recumbent girl and floral spandrels, all enriched with silver coloured metal thread scrolls, 12½” wide, together with a glass topped leather display box, 9½” wide

£100-200

£60-120

1416 A MIDDLE EASTERN SILVER COLOURED METAL BELT of woven wire, 37¾” long overall

1422 A COLLECTION OF WRITING DESK ACCESSORIES including a “Quorn” upright expanding writing case; a leather diptych; an easel mirror (a lot)

£80-150

£60-120

1417 TWO SIMULATED TORTOISESHELL PARASOL HANDLES one applied with a coral crowned V, the other with an inlaid silver monogram, 11” long, together with tortoiseshell parasol frame terminals (a lot)

1423 A COLLECTION OF CANDLE SHADES variously printed and painted including approximately thirty conical paper examples, four paper segment section and eleven silk portrait set examples (distressed - a lot)

£40-80

£30-60

196

Lot 1429 1424 A COLLECTION OF TWENTY EIGHT VICTORIAN IVORY BILLIARD BALLS

1427 A PAIR OF CANADIAN CHILDS MOCCASINS of brown hide. decorated with coloured beads, 5¼” long

£500-1,000

£50-100

1425 FIVE VICTORIAN IVORY SNOOKER BALLS

1428 A BRONZE FIGURE OF A HARE, seated, 5½” high

£200-400

£30-60

1426 A LIMOGES ENAMEL PLAQUE delicately painted with Diana wearing white flowing dress, on a black ground, gilt metal frame, 5¾” x 3¾” overall

1429 AFTER THE ANTIQUE: A CAST AND PATINATED BRONZE of a reclining bacchanalian cherub with vine and grape in his hair, resting on a wine flask and naturalistic base, 10” high x 21” wide. See illustration

£100-200

£500-1,000

1430 SPARE LOT

197

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1431 AN IVORY FIGURE OF A COURSING DOG 3¼” long, a Japanese ivory okimono of a peasant with a cat; an ivory and beadwork egg thimble holder; an ivory needle case and a pierced finial (a lot)

1437 A COLD PAINTED BRONZE FIGURE OF A GARDEN BIRD 4½” long £150-250

£50-80

1438 A MARBLE HERM BUST in the manner of Jean-Melchior Raon (circa 16691719) f Ceres, in the manner of Jean-Melchior Raon (circa 1669-1719) wearing ribbons in her finely-braided hair, the sides carved in relief with dolphins amidst waved scrolls with tails held aloft, 19” high

1432 PROFESSOR GIUSEPPI BESSI (18571922) A MARBLE AND ALABASTER BUST OF MIGNON the shoulders showing figured folds, signed, 12” high overall

£150-250

Provenance: The Hoare Family and thence by descent

£1,500-3,000

1433 A TERRACOTTA BUST OF A YOUNG GIRL her hair tied with a ribbon, incised ‘H.A.’ and ‘Susse Freres, Editeur, Paris’, 12” high

1439 A MARBLE HERM BUST probably representing Neptune, the bearded God wearing a simple diadem and with ribbons tied in his hair cascading onto his shoulders, the hollowed sides without ornamentation, 18½” high

£80-150

Provenance: The Hoare Family and thence descent

£1,500-3,000

1434 A TERRACOTTA FIGURE OF A YOUNG GIRL seated, nude, on a draped rocky outcrop, signed Peiffer and stamped ‘AW’ 300, 25½” high

1440 A PAIR OF LOUIS XVI STYLE SIMULATED GRANITE AND PARCEL-GILT COLUMNS, each with a fluted column carved with suspended swags and husks and further foliage at the base of each flute, on canted square bases, 40¼” high (2). See illustration

£400-600 1435 A PAIR OF JAPANESE CLOISONNE ENAMEL VASES each worked with birds amongst flowering plants, on a pale blue ground - adapted for electricity, 12” high

£100-200

£1,000-2,000

1441 A NAPOLEONIC PERIOD MINIATURE IVORY OR BONE SPINNING WHEEL, 3½” high, and a similar bowl with all over pierced decoration, 2” wide (2)

1436 A PAIR OF SILVER PLATED TABLE CANDLESTICKS each with a square base, rising to a cluster column with barley ear capital, adapted for electricity, coloumn 12½” high

£200-400

198

£50-100

Lot 1438

Lot 1439

Lot 1440

199

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1442 A GEORGE III TORTOISESHELL BOW FRONTED TEA CADDY with silver stringing, the hinged lid enclosing twin compartments lined with ivory standing on four ball feet, 5¼” high x 6¾” wide. See illustration

Lot 1442

£800-1,500 1443 A TUNBRIDGEWARE STATIONERY BOX, the domed lid inlaid with Shakespeare’s birthplace and bands of floral decoration, on a walnut ground, the fitted satinwood interior with removable dividing slides, 19th century, 4½” high x 8¾” wide. See illustration £300-600 Lot 1443

1444 A CITY OF LONDON POLICE OFFICERS TIP STAFF, the brass shaft engraved “George Horne, Officer, City of London” with a crown finial and turned fruitwood handle, 19th century, 7¼”

£100-200

1445 A LARGE BLACK FOREST TYPE CARVED WOOD BEAR with glass eyes, late 19th/early 20th century, 12¼” high. See illustration £200-400 1446 A BLACK FOREST TYPE CARVED WOOD BEAR PIN CUSHION AND REEL HOLDER sitting on a single drawer, late 19th/early 20th century, 5½” high

Lot 1445

£50-100 1447 A BLACK FOREST TYPE CARVED WOOD BEAR with a tree trunk on his shoulder to fit a clock movement, late 19th/early 20th century, 9” high £80-150

200

1448 A SET OF SIX CONTINENTAL GLASS SPIRIT DECANTERS with target stoppers, gilt with floral swag decoration and a pair of similar cut port glasses contained in apparently the original inlaid mahogany decanter box with floral decoration within patterned borders, the hinged lid with a gilt brass swan-neck handle and enclosing a leather and paper-lined interior with divisions, late 18th/early 19th century, 9” high x 11¼” wide. See illustration £300-600

Lot 1448

1449 A COLLECTION OF SIXTEEN COLOURED AND CLEAR GLASS “TASSIE” TYPE GEMS, each cast in intaglio with a Roman scene or portrait, the largest 2½” x 2½” and smaller, mounted in an oval frame, 14½” x 12”. See illustration £600-1,200

Lot 1449

1449A A SET OF FIVE BLACK LACQUERED PAPIER MACHE GAMING COUNTER DISHES, each decorated with painted dogs, a goat and a fox head, with gilt-lined rims, early 19th century, 4” dia. (5) £80-150 1450 A REGENCY ROSEWOOD SARCOPHAGUS FORM BRASS INLAID TEA CADDY, the raised lid with central brass patera, the interior with twin lidded compartments and central cut-glass bowl, the front with geometric brass inlay, on ball feet, 7½” high x 13” wide. £200-400 1451 A FRENCH PALAIS ROYALE STYLE MUSICAL BIRD in a gilt brass cage with raised floral decoration, 11¾” high £100-200

Lot 1453

1452 A REGENCY STEEL CORKSCREW with a turned ivory handle, the faceted and turned stem terminating on a petal collar, 5½” overall height including helix £50-100 1453 A PAIR OF LARGE HEEMSKERK BRASS CANDLESTICKS with ring-turned stems divided by large circular drip pans, on heavy stepped feet, 14” high. See illustration £200-400

201

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1459

1454 A SET OF NINE PEWTER DINNER PLATES with stamped initials “KMM” and touch marks, possibly for the father of John Ormiston of Dublin, circa 1750, 9½” dia.

1458 A VIOLIN bearing a label “Sivori Orchester Violine Fabrik Marke no. 525 A.D. 1895”, 23¼” long overall (14¼” including button) in a fitted case with a bow £200-400

£150-250

1459 AN EARLY 20TH CENTURY VIOLIN bearing a label “Andrea Cortese Al Fegno Dei Fec In Genova Tre Cuori 1925”, overall 23¼” long (14½” long including button), in a fitted case with a bow. See illustration

1455 A SET OF FOUR CONTINENTAL PAINTED THREE BRANCH WALL SCONCES with floral scroll decoration, converted to electricity, 19th century, 14” high

£1,000-2,000

£200-400 1456 A GEORGE III BRASS BOUND MAHOGANY WRITING SLOPE with a single drawer below, 7” high x 22” wide

1460 A COLLECTION OF FOUR AUSTRIAN COLD-PAINTED BRONZE DOLLS HOUSE FLOWERS in terracotta style pots, the tallest 2½” high (4)

£50-100

£80-150

1457 AN ART DECO STYLE GROUP OF TWO BRONZED PHEASANTS polychrome painted in gilt, standing on a heavy rectangular slate base, 13½” high x 24” wide

1461 A FRENCH LEATHER CASKET with embossed fleur de lis and floral scroll decoration, the domed cover with steel mounts, 18th/early 19th century, 5¾” high x 13” wide

£150-250

£50-100 202

1462 TWO 17TH CENTURY SILK PANEL FRAGMENTS with floral and leaf decoration in pink on brown ground, 23½” long and 62½” long (2)

Lot 1463

£100-200 1463 SIR EDUARDO LUIGI PAOLOZZI (1924-2005) “Under the Sea”, a cast plaster relief panel on a cork board, overall 12” high, with letter of provenance. See illustration £100-200 1463A A NATURAL OPAL STONE FRAGMENT circa 2” wide, an amber piece, 5¾” wide and a piece of natural and polished agate, 5¼” high (3) £80-150 1464 A NEEDLEWORK PICTURE OF A PARROT perched amongst colourful flowers, 18th century or earlier, 14” x 11¾”, contained in a gilt-lined glazed frame See illustration £200-400 1464A A NEEDLEWORK PICTURE of two figures in a wooded landscape with buildings in the background, 18th century or earlier, 6¼” x 7¼”, contained in a gilt glazed frame £150-250 1465 A PAIR OF WOOLWORK PICTURES of ships with rigging, one at full sail and the other at anchor, 11½” x 13½”, and 11” x 15½”, both in apparently the original oak frames, 19th century See illustration

Lot 1464

£200-400 Lot 1465 1465A A WELSH LANGUAGE/ALPHABET SAMPLER dated 1874, decorated in colours with a ship amongst trees and flowers, 27” x 24½” £150-250

203

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lots 1466

Lots 1467

Lots 1469 Lots 1468

1466 A GRODNERTAL TYPE ARTICULATED DOLL with painted features, wearing the original linen dress with blue and gold waistband, c.1820, 3¾” long. See illustration

1468 A GRODNERTAL TYPE ARTICULATED DOLL with finely painted features, wearing the original dress with blue velvet bodice and silk skirt with clover detailing, c.1820, 13¾” long. See illustration

£100-200

£400-800

1467 A GRODNERTAL TYPE ARTICULATED DOLL with finely painted features, wearing the original brocade dress with lace trim, c.1820. 6¼” long. See illustration

1469 AN ARTICULATED PINE ‘PEG’ DOLL, typically painted, 11¾” long, and a similar miniature example, 3¾” long (2). See illustration

£200-400

£80-150

204

CLOCK S AND SCIENTIFIC INSTRUMENTS

Lot 1493 205

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1470 A GILT METAL CARRIAGE CLOCK the ivory coloured dial with an engraved and foliate pierced overlay, the repeating movement with lever escapement, striking on on gong. The case of architectural form - with leather travelling case, 6½” high See illustration

Lot 1470

£300-500 1471 AN ORMOLU OVAL CARRIAGE CLOCK the white enamel dial with a subsidiary alarm dial, the repeating movement with lever escapement, striking on a gong - with leather travelling case, 6” high See illustration £450-650 Lot 1471

1472 A BRASS JAPONAISE TASTE CARRIAGE CLOCK the dial and sides set with ivory coloured painted panels. The repeating movement with lever escapement striking on a gong, 6¾” high See illustration £300-400 1473 A LOUIS XVI STYLE GILT BRONZE MANTEL CLOCK, the movement flanked to one side with a figure playing a lyre, and a harp, with a white enamel dial and small fusee movement, 19th century, 8” high x 6¼” wide. 1475 A NOVELTY THERMOMETER in the form of a white metal and wood string instrument, the neck set with a mercury thermometer, 17½” long £40-60 1476 AN AUTOMATON CLOCKWORK PICTURE the articulated watercolour picture of a man seated reading Il Secolo newspaper, possibly 19th century Argentinian, image 8½” x 12¼” £60-100

Lot 1472 206

1477 A CARVED MAHOGANY WALL CLOCK, the 8” dial with Roman numerals, with a single fusee movement, in a carved foliate case, above a fixed wall bracket, 19” high (including the bracket). See illustration

Lot 1477

£200-400 1478 WILLIAM YOUNG, LONDON: A DROP DIAL ROSEWOOD WALL CLOCK, the 6” convex dial with Roman numerals, inscribed “William Young AB Church Lane, London”, with a single fusee movement, 17” high. See illustration £400-600 Lot 1478

1479 SMORTHWAIT, COLCHESTER: A BRASS CASED LANTERN CLOCK, the engraved dial inscribed “Smorthwait, Colchester”, the movement with anchor escapement striking on a bell, early 18th century and later, 15¾” high. See illustration £300-500 1480 A FRENCH MANTEL CLOCK, the white enamel dial with Roman numerals, the eight day movement striking on a bell, in a figured brown marble case, 8” high £80-150 1481 A FRENCH BOULE WORK AND EBONY MANTEL CLOCK, the gilt dial with raised tablet Roman numerals, the eight day movement striking on a bell, in a rococo style case with gilt metal mounts, 15” high

Lot 1479

£200-400 1482 A PLATED “PORTICO” MANTEL CLOCK, the architectural frame with triangular pediment, on twin reeded columns supporting a circular gilt dial with engine-turned decoration and drum case movement striking on a coiled gong, 11½” high x 8” wide £100-200

207

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1483 A BRASS “FOUR GLASS” MANTEL CLOCK, the bevelled glass plates enclosing a circular white enamel dial with Roman numerals, with a two train movement striking on a bell and a “grid iron” type pendulum, 9½” high x 7” wide

1490 A REGENCY MAHOGANY BRACKET CLOCK, the 8” brass dial with Roman numerals, inscribed “J. Slear, London”, with single fusee movement, in a string inlaid case, with ring-drop handles and ball feet, 22” high (including ball finial)

£150-300

£300-500

1484 A BRASS “FOUR GLASS” OVAL MANTEL CLOCK, the shaped bevel edged glass panels enclosing a white enamel dial with Roman numerals, with a two train eight day movement striking on a bell, 10½” high x 7” wide

1491 A VICTORIAN BRASS SKELETON CLOCK, the openwork dial with Roman numerals, with a twin fusee movement striking on a coiled gong, standing on a wooden plinth, under a glass dome, 18” high. £200-400

£150-300

1492 A REGENCY ROSEWOOD MANTEL CLOCK, the 5” dial with Roman numerals, single fusee movement, in a brass inlaid rosewood case with side ring handles and ball feet

1485 A CONTINENTAL GILTWOOD MANTEL CLOCK, the circular convex dial with Roman numerals within a Barrie-form carved and gilt case flanked by an oil lamp and classical figure, on a conforming base and stand, with all over classical decoration, 18” high x 12¼” wide

£200-400

£100-200

1493 SAMUEL WHICHCOTE, LONDON: A GEORGE II EBONISED BRACKET CLOCK, the arched brass dial with pendulum and date apertures, silver chapter ring with Roman numerals and Arabic seconds numerals, the corner spandrels in the form of busts of Diana surrounded by birds and flowers, the arched cartouche inscribed “Samuel Whichcote, London”, the twin fusee movement with verge escapement and bob pendulum, the back-plate engraved with entwined foliage, also inscribed, in an ebonised case, with brass acorn finials and bracket feet, 24” high (including the handle). See illustration on page 205

1486 JAEGAR-LE COULTRE: AN “ATMOS” CLOCK, the white chapter ring with black Roman numerals, the movement numbered “526614”, in a gilt brass and five glass case, 8¾” high x 7” wide £200-400 1487 A ROYAL GEOGRAPHICAL SOCIETY WORLD CLOCK, the gilt metal frame supporting a terrestrial globe marked in gilt on a black ground, raised on a drum movement with annular 24 hour dial, the base dated 1979, 8¾” square x 11” high

£150-250

£1,000-2,000

1494 A GEORGE II MAHOGANY EIGHT DAY LONGCASE CLOCK by “Samuel Green, Tenbury”, the arched dial with silvered chapter ring engraved with Roman and Arabic numerals, silvered subsidiary dial, the cartouche engraved “Samuel Green, Tenbury”, the eight day movement striking on a bell, in a fitted mahogany case, 85” high

1488 THE HERITAGE COLLECTION: A LIMITED EDITION CALENDAR CLOCK, the gilt metal frame supporting two astrological chapter rings, above a visual drum movement, the wooden base numbered “7/500”, under a glass dome, 8” high

1495 HALEY & SON, LONDON: A REGENCY FLAME MAHOGANY REGULATOR, the 11” square silvered dial with Arabic seconds numerals, subsidiary seconds dial and hour aperture, inscribed “Haley & Son, London”, single black steel hand, with six pillar movement, the architectural case with visual mercury pendulum, 77” high. See illustration

£200-400 1489 A MINIATURE SKELETON CLOCK, the enamelled dial with Roman numerals and “A”-shaped frame, the base stamped “Ms. Honorables Exp. Paris. Londres”, on an ebonised base with glass dome, 10½” high £80-160

£5,000-10,000 208

Lot 1495

209

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1496

Lot 1497

1496 A REGENCY ROSEWOOD WHEEL BAROMETER, the silvered dial inscribed “A. Tagliabue & F. Ciceri, 31 Brooke Street, Holburn, London”, below a mercury thermometer, in a fitted rosewood case with scroll decoration, 44” high. See illustration

1497 A BRASS TERRESTRIAL TELESCOPE inscribed “Spencer, Glasgow” with side adjusting wheel, on a fitted black tripod steel stand, in a fitted wooden case. See illustration £200-400

£150-250

1498 AN EARLY 20TH CENTURY BAROGRAPH in a bevelled edge four glass case, on an oak stepped base with front drawer £50-100

210

FURNITURE

Lot 1546 detail

211

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1500 AN ASH STICK BACK ARMCHAIR with a yoke top rail and out-turned arms, the turned legs joined by an H stretcher £200-400 1501 A GEORGE III IRISH SHERATON MAHOGANY SERVING TABLE the bow front fitted with pedestal drawers, 35½” high x 58¾” wide x 24½” deep See illustration

Provenance: The Persse Family, Co. Galway The Persse Family lived at Moyode Castle and Glenarde House, near Galway

£2,000-4,000 Lot 1503 Lot 1504

1502 A CHILD’S WINDSOR HOOP-BACK ARMCHAIR, the raised back above a central pierced splat and shaped arms above a dished elm seat, on turned legs and curved stretcher, 27” high £200-400 1503 A GEORGE III IRISH MAHOGANY ‘CAMPAIGN’ WASHSTAND in the form of a cylinder bureau, the top rising to reveal a lifting toilet mirror and three water cisterns, the front with an arrangement of real and false drawers and cupboards, the sides with flush brass carrying handles and a slop drawer to the left, 43¼” x 30” wide x 19” deep See illustration

Provenance: The Persse Family, Co. Galway The Persse Family lived at Moyode Castle and Glenarde House, near Galway

£3,000-6,000

Lot 1501

1504 A VICTORIAN WALNUT AND MARQUETRY MIRROR BACK SIDEBOARD, the back with a large mirror plate within a shaped surround with a central cresting and carved leaf columns, with chequered and geometric marquetry, the top inset with a central white marble panel above a frieze of scrolling and foliate marquetry, with a central panelled door decorated with a ribbon-tied bouquet of flowers within a scrolling border, flanked by projecting tapering columns and twin quarter-round mirrormounted doors with all over conforming marquetry, on a plinth base, the interior with burr walnut veneered shelves, 100” high x 66” wide. See illustration 212 £1,000-2,000

1505 A GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS, the shaped top with moulded border above four long graduated drawers with brass knob handles, on splayed bracket feet, 33” high x 36” wide. £500-1,000 1506 A SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS each with a rectangular back and stiff leaf capped reeded vertical splats, the stuffed over seat on square tapering legs

Lot 1507

£200-400 1507 A CONTINENTAL MARBLE TOP AND CARVED GILTWOOD CENTRE TABLE, the circular top with inlaid marble and radiating marble panels within a moulded border, on four heavy scrolling foliate carved legs and platform base, 30” high x 54” dia. See illustration £2,000-4,000 1509 AN OAK COURT CUPBOARD the frieze and cupboard inlaid with blond wood and ebonised parquetry motifs, set with bold cup and cover pillars, the plinth open - constructed in parts from old elements, 45” high x 50½” wide x 17” deep

Lot 1510

£300-600 1510 A CREAM PAINTED EMPIRE STYLE STOOL in the manner of George Smith, the stuffed-over seat on X frame legs with inturned paw feet, 35½” wide x 19” deep See illustration £500-1,000 1511 A GEORGE III MAHOGANY WINE COOLER of octagonal shape, the top with a caddy moulded edge, brass banded and with bold loop handles. Interior divisions. The stand with a fluted frieze, on slightly splayed reeded legs, 28½” high x 19½” wide See illustration £800-1,600

Lot 1511 213

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1512

1512 A GEORGE IV ROSEWOOD BREAKFAST TABLE now with extensions to form a dining table, the circular top inlaid with brass lines and florettes on a bold turned column and three leaf caped hipped down-curved legs, the four later segment extension leaves similarly inlaid, table 60” dia., 126” dia. extended. Leaf cabinet made by Partridges See illustration £1,500-2,500 1513 A MAHOGANY PARTRIDGE CAGE set with metal bars, inscribed ‘Partridge Only, Ken Hill Shooting Lodge’, the panelled reverse door also painted ‘All keys to be left at beaters hut Gamekeeper: Ken Hill House, Norfolk’, on ball bearing feet, 29¼” wide x 25½” high x 21½” dia. See illustration

Lot 1513

£1,500-2,500 1514 A GEORGE III STYLE MAHOGANY DISPLAY TABLE of square section, with a rising top, on slender reeded square legs joined by an X stretcher with a pot stand, all with chinoiseries, blind fret carvings, 28½” high x 15½” wide £150-250

214

1515 A GEORGE III MAHOGANY DRUM TABLE, the revolving leather lined top set with alternate real and false drawers, the knop turned column on three hipped moulded legs, 31” high x 38½” dia. See illustration 1516 A GEORGE III MAHOGANY TWO PILLAR DINING TABLE with one extra leaf, rounded rectangular ends and moulded edge, each pillar with a blade turned column and four moulded cabriole legs, 92” long extended x 47” wide See illustration £600-1200 Lot 1515

1517 A FRENCH GILTWOOD FOUR FOLD SCREEN the moulded frame set with husk pendants and foliate cresting, each fold with a bevelled glazed upper part and pleated cotton lower portion, each fold 61” high x 25¼” wide See illustration £300-600 1517A A CHARLES II OAK ‘WAINSCOT’ TYPE CHAIR, the panelled back with turned finials above a solid seat and turned front legs, 40” high

£200-400 Lot 1516

Lot 1517

215

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1518 A CHINESE HARDWOOD SIDE CABINET fitted with three short frieze drawers above a central cupboard door, a short drawer beneath, all delicately inlaid with mother-of-pearl floral sprays and figures amongst pavilions, 41½” high x 43” wide x 16½” deep See illustration £400-800 1519 A PAIR OF CHINESE RED STAINED SOFTWOOD ARMCHAIRS each with a carved splat carved and pierced, the solid panelled seat on square legs joined by stretchers See illustration £300-600 Lot 1518 1520 A CHINESE BROWN LACQUER OCCASIONAL TABLE with a rectangular top and under-tier, on square legs with paw feet, all worked with flowering branches, 27½” high x 17½” wide x 13¾” deep £200-400 1521 A PAIR OF CHINESE BLACK LACQUER SIDE TABLES each with a rectangular top, open frieze and square legs, 33” high x 35” wide x 17½” deep £300-600 Lot 1519 1522 A JAPANESE LACQUER CABINET with panelled top, sides and doors, the doors enclosing an arrangement of drawers, all with roundels on a black ground, along drawer beneath, painted with flowers, the frieze of a brown red hue, now on a later stand, cabinet 29¾” wide x 25½” high x 15” deep See illustration £400-800 1523 TWO FRENCH JAPONAISE TASTE TRIPTYCH MIRRORS each with folding plates within simulated bamboo wood frames, 14.¼” square, closed £80-150

Lot 1522 216

Lot 1524

Lot 1525

1524 A LATE GEORGE II MAHOGANY HALL CHAIR with outscrolled arms carved with floret knuckles, the scallop-shell back carved with an armorial, probably a Drummond widow or possibly of Bassett of Cornwall, the shell- shaped seat on scrolled legs, 38½” high x 24½” wide. See illustration

1525 A WILLIAM AND MARY BLACK JAPANNED CABINET ON STAND the upper part decorated in shades of gilt and red with Chinese pavilions and elegant figures engaged in a variety of pursuits with birds soaring overhead, with engraved gilt metal mounts, hinges and lock plate and the interior fitted with an arrangement of twelve drawers, on a later silvered stand carved with cherubs masks, entwined birds, leafage and flowers and a pair of billing doves, 45” wide x 65½” high See illustration

£2,000-4,000

217

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1526 A ITALIAN IVORY INLAID TABLE CABINET of rectangular form all over, inlaid with ivory lines and foliate scrolls, 17” high x 23½” wide x 14” deep See illustration £1,000-2,000 1527 AN ITALIAN EBONY AND IVORY INLAID TABLE CABINET of chamfered rectangular form, fitted with a pair of doors enclosing a recess with drawers, flanked by a bank of drawers, two short drawers beneath, all delicately inlaid with ivory scrolls inhabited by birds, cherubs and other figures, 14¼” high x 17¾” wide x 12” deep See illustration

Lot 1526

£1,000-2,000 1528 A FLEMISH IVORY INLAID EBONISED TABLE CABINET fitted with a central cupboard flanked by drawers, a long drawer beneath, set with ivory panels incised with figures in landscapes, within ripple moulded frames, 15¼” high x 23” wide x 9½” deep £200-400 1529 A LOUIS XVI STYLE GILTWOOD VITRINE TABLE with lift up circular top, the frieze carved and pierced with ribbon tied foliage, 30¼” high x 20” dia. See illustration

Lot 1527

£400-800 1530 A PAIR OF ITALIAN GILTWOOD ROCOCO WALL MIRRORS of cartouche shape, each rocaille frame with bold scrolls, 18½” high £100-200 1531 A PAIR OF ITALIAN GILTWOOD GIRANDOLES each mirror of cartouche shape with foliate scrolls and mounted with gilt metal twin foliate sconces, 33½” high £200-400

Lot 1529 218

1532 AN ITALIAN GILTWOOD WALL MIRROR of cartouche shape, the boldly scrolled carved frame headed by winged cherub heads, surmounted by partial Ionic capitals, 44” high See illustration £800-1,500 1533 A PAIR OF ITALIAN CARVED WOOD FIGURES of a man and his companion, he holding a bowl and wearing acanthus motif applied costume, she flowing robes, each standing on a rocky outcrop, 59” high £400-800

Lot 1532

1534 A PAIR OF ITALIAN CARVED WOOD FIGURES one of Bacchus, his female companion holding a fruit filled cornucopia, both dark stained, standing on florette encrusted rocky outcrops, 5¼” high See illustration

Lot 1534

£800-1,500 1535 A PAIR OF ITALIAN GILTWOOD FLOOR CANDELABRA each modelled as a dolphin holding aloft six scrolling branches strung with glass beads and pendants, on a rocky outcrop, 81” high overall See illustration £1,000-2,000 1536 A PAIR OF GEORGE III STYLE NEOCLASSICAL WALL MIRRORS each of narrow escutcheon shape, the plate superimposed by pierced acanthus foliage and surmounted by an urn, 40½” high x 14¾” wide £200-400 1537 AN ORMOLU MOUNTED MAHOGANY VITRINE TABLE of heart shape, bevelled glazed top and glazed sides, on slender angular cabriole legs, 32” high x 17” wide £800-1,500

Lot 1535 219

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1538

1538 A PAIR OF GEORGE III MAHOGANY SECRETAIRE LIBRARY BOOKCASES, the upper sections with domed dentil moulded cornices above astragal glazed doors enclosing shelved interiors above double drawer fronted fall fronts enclosing fitted interiors with an arrangement of short drawers and pigeonholes, above three further graduated drawers, all with brass handles, on bracket feet, 89” high x 33” wide, 18th century and later. See illsutration £2,000-4,000 220

1539 A GEORGE III MAHOGANY SECRETAIRE BOOKCASE, the upper section with a moulded cornice above twin glazed doors enclosing a shelved interior, the lower section with a secretaire drawer fitted with short drawers and pigeonholes, above twin panelled cupboard doors enclosing slides, on bracket feet, 93” high x 49” wide £150-300 Lot 1541

1540 A LATE GEORGE III MAHOGANY TWO PILLAR DINING TABLE with one extra leaf, the top with rounded rectangular ends, each pedestal ring turned and on three hipped, moulded down-curved legs, 65½” long extended x 46½” wide £200-400 1541 A CAST IRON NASTURTIUM GARDEN BENCH, 72” wide See illustration £800-1,500 1542 A PAIR OF WROUGHT IRON GARDEN SEATS with curved back splats, 41¼” wide See illustration

Lot 1542

£300-600 1543 A LEAD GARDEN URN the campana body with boldly scrolled cherub mask foliate scroll handles, on a stonework pedestal urn, 19” high See illustration £300-600 1544 A PAIR OF ITALIAN GILTWOOD GIRANDOLE FRAMES of rococo cartouche form, 19” high £80-150

Lot 1543 221

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1545 A LOUIS XIV STYLE MARQUETRY COMMODE stamped Edwards & Roberts, slightly bowfront, the top inlaid with a large stylised florette and burr-wood roundels, moulded gilt metal edge, fitted with two short and two long drawers, each with bold bird inhabited floral spandrels on an ebony ground. The sides with large flower-filled urns, on an ebony ground, 30½” high x 46” wide x 23” deep See illustration £1,500-2,500

222

1546 A CREAM-PAINTED AND PARCELGILT CONSOLE TABLE in the manner of Robert Adam, the satinwood top painted with a circular mythological medallion, suspended from ribbon-tied bows with scrolling leafy foliage issuing from the sides and enclosed by a green painted border with swags, anthemia and paterae, the frieze with a musical trophy and a running band of oak leaves and acorns, on panelled square tapering legs, carved with oval paterae, joined by shaped stretchers with a central flaming urn finial and ending in carved hoof feet, 41¾” wide See Illustration

Provenance: The Hoare Family and thence by descent

The overall form of this table relates to Thomas Sheraton’s “The Cabinet-Maker and Upholsterer’s Drawing Book”, published 1793, plate IV from the appendix - Pier Tables.

£800-1,500

223

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1547 A REGENCY ROSEWOOD BREAKFRONT SIDE CABINET with a green marble top, the concave centre with two doors flanked by doors, with pleated silk panels, inlaid with brass lines, 36” high x 59” wide x 17¾” deep See illustration £1,000-2,000 1548 A MAHOGANY TRIPOD TABLE with dished top and piecrust border, on a turned column and cabriole legs, George III and later, 37” dia.

Lot 1547

£400-800 Lot 1549 1549 A GEORGE III MAHOGANY DINING TABLE with semi circular ends and four extra leaves, on square tapering legs with spade feet, 50” wide x 164” long (extended) See illustration £1,200-1,800 1550 A WILLIAM IV ROSEWOOD DAVENPORT, the sloping rising top with gilt tooled leather insert opening to reveal an interior with short drawers and pigeonholes, above a column of four short drawers with turned knob handles and conforming dummy drawers, on turned feet, 32” high x 24” wide £200-400 1551 A PAIR OF GEORGE IV ROSEWOOD POLE SCREENS each with a triform plinth rising to a reeded column and fabric set chamfered rectangular banner, 48” high £300-600 1552 A NEST OF FOUR VERNIS MARTIN TYPE TABLES each with a rectangular top, painted with a Watteau style couple or landscapes, on slender turned legs, largest 21½” wide See illustration £300-600

Lot 1552

224

Lot 1553 1553 AN IMPORTANT GEORGE II GILTWOOD CONSOLE TABLE in the Manner of William Kent with a green marble top over a frieze carved with a central scallop shell flanked by flowering branches and the sides with conforming carving, on twisted dolphin supports with scaly bodies with winged fins issuing from the mouth, 49” See Illustration

Provenance: The Hoare Family and thence by descent

225

The bold execution of this distinctive pier table is reminiscent of William Kent’s oeuvre it relates closely to the published designs of Batty Langley and William Jones. In the former’s “The City and Country Builder’ and Workmen’s Treasury of Designs”, published in 1740, include several plates which relate to the present table. Plate cxlv1 (the design published in 1739) is comparable in overall form, although there are marked variations. This particular plate indicates the table offered here may originally have had a rectangular plinth base.

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1554 A GEORGE III MAHOGANY SECRETAIRE the pull-out drawers with a satinwood faced interior arrangement of drawers and pigeon holes, two long drawers beneath, 39½” wide £100-200 1555 A GEORGE IV ROSEWOOD CONSOLE TABLE with a rectangular grey marble top, fitted with a panelled frieze drawer set with gilt metal anthemion mounts, on stiff leaf carved spiral twist baluster legs joined by a concave stretcher shelf, 35” high x 37¾” wide x 13¾” deep See illustration

Lot 1555

£500-1,000 1556 A VICTORIAN WALNUT CREDENZA set with a central Sevres type porcelain panel within ormolu mounts, the central cupboard door enclosing a shelved interior, 59½” wide. See illustration

Lot 1556

£400-800 1557 A 19TH CENTURY BOW FRONTED CHEST OF DRAWERS with two short and three long drawers above splayed feet, 42” wide x 41” high x 20½” deep £150-250 1558 A 19TH CENTURY MAHOGANY SERPENTINE CHEST OF DRAWERS with brushing slide above two short and two long graduated drawers, 45¾” wide x 35¼” high x 22½” deep. See illustration £200-400 1559 A CONTINENTAL CARVED GREEN PAINTED AND GILT CEILING BOSS or canopy centre of domed oval form with projecting carved leaf decoration and central rosette, within a gadrooned border, 36” x 26” £200-400 Lot 1558 226

1560 AN EMPIRE STYLE GONZALO ALVES GILT AND MARBLE TOP CONSOLE TABLE and pier mirror, the rectangular plate beneath a pointed cornice and gilt frieze, flanked by semi-circular columns, the table with variegated green marble top on a conforming decorated frieze and animal paw feet with platform base, 99” high x 38” wide. See illustration £600-1,200 Lot 1562

1561 A GEORGE III MAHOGANY BREAKFRONT SIDEBOARD, the rectangular top with projecting front with satinwood crossbanding and ebony stringing, above a central frieze drawer and concealed drawer flanked by two short graduated drawers and similarly modelled deep drawer with brass handles, on square tapering legs, 35½” high x 58½” wide £300-600 1562 A COMPOSITE SET OF SIX HOOPBACK WINDSOR ARMCHAIRS, each with hooped backs and pierced splats above solid seats, on turned legs and curved or straight stretchers, 18th century, 36” high and similar (5). See illustration £800-1,500

Lot 1564

1563 A PAIR OF EDWARDIAN SATINWOOD INLAID BEDROOM CHAIRS, the back rail inlaid with foliate swags, on turned and fluted legs, 35¾” high £60-120 1564 A WILLIAM AND MARY WALNUT LOWBOY with oyster veneered top above a single frieze drawer on turned legs joined by a wavy ‘X-form’ stretcher, 32” wide x 29¾” wide x 21” deep. See illustration Lot 1566

£400-800 1565 A MAHOGANY THREE TIER WHATNOT, joined by turned supports, the lower section with a single frieze drawer, 19th century, 41½” high

1566 A GEORGE III ADAM STYLE PINE FIRE SURROUND with foliate and shell decoration, 58½” x 52¾”. See illustration

£60-120

£400-800 227

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1567 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with six graduated drawers between canted corners, the lower section with four graduated drawers on square bracket feet, 71” high x 43” wide. See illustration £300-600 1568 A GEORGE III STYLE TOILET MIRROR, the shield form mirror housed in a mahogany frame with mother of pearl roundels, 27¼” high x 20 wide £50-100 1569 A VICTORIAN CAMPAIGN CHEST OF DRAWERS in two parts, the rectangular top with corner mounts above two short and three long drawers with flush fitting brass handles and corner mounts, 39” wide x 39¾” high x 17” deep. See illustration

Lot 1567

£600-1,200 1570 A 19TH CENTURY MAHOGANY HANGING CORNER CUPBOARD of barrel form, the twin panelled doors enclosing a shelved interior, 42” high £100-200 1571 GILLOWS OF LANCASTER: A BURR WALNUT CENTRE TABLE the wavy top above a single frieze drawer stamped “Gillow & Co” and numbered, on four slender cabriole legs, 42½” wide. See illustration

Lot 1569

£800-1,500 1572 A GEORGE III MAHOGANY DRESSING TABLE MIRROR, the oval plate above a serpentine fronted base with three small drawers, 23½” high x 17½” wide £50-100

Lot 1571 228

1573 A GEORGE II STYLE WING CHAIR, upholstered in green button back fabric, on ball and claw feet, 36” wide x 48” high x 30” deep. See illustration £400-800 1574 A SET OF EIGHT GEORGE III DINING CHAIRS, the back splats with shell motif, with leather drop in seats, 34½” high £500-1,000 1575 A GEORGE III MAHOGANY TRAYTOP COMMODE with twin cupboard doors above a single drawer, 22¼” wide x 31¾” high See illustration £350-550

Lot 1573

1576 A REGENCY MAHOGANY TEA TABLE, the rectangular top on square tapering legs, 36” wide x 29¼” high x 18” deep

Lot 1575

£100-200 1577 A GEORGE III MAHOGANY KNEEHOLE DESK, the rectangular top above a single frieze drawer and eight pedestal drawers, the recessed central cupboard below a single small drawer, 34” wide x 28¾” high x 17” deep. See illustration £800-1,200 1578 A GEORGE III MAHOGANY BUREAU, the fall front enclosing an arrangement of drawers, cupboards and pigeon holes, above two short and three long drawers on ogee bracket feet, 37¾” wide x 42¼” high x 20¼” deep £150-250

Lot 1577 229

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1579 A GEORGE II WALNUT BUREAU BOOKCASE in three parts, the upper section with twin cupboard doors enclosing a shelved interior, the fall front enclosing an arrangement of drawers, cupboards and pigeon holes, the lower section with two short and two long drawers on bracket feet, 40½” wide x c.67” high. See illustration £1,800-2,500 1580 AN 18TH CENTURY ‘FRUITWOOD’ SIDE TABLE, the rectangular top above a single frieze drawer, on square tapering legs, 36” wide x 28¾” high x 20½” deep £100-200 1581 A HARLEQUIN SET OF TEN GEORGE III HEPPLEWHITE STYLE DINING CHAIRS with pierced splats above drop-in seats on square section legs and stretchers, 36½” high and similar (10)

Lot 1579

£300-600 1582 AN 18TH CENTURY OAK DRESSER BASE, the front with an arrangement of six drawers and two cupboards, on bracket feet, 69” wide x 35” high x 18½” wide £300-600 1583 AN ITALIAN WALNUT AND MARQUETRY COMMODE, the rectangular inlaid top above two drawers with ormolu mounts and repeating swag decoration, on fluted tapering legs, 19th century, 34” wide x 32¼” high x 18¼” deep. See illustration

Lot 1583

£1,000-2,000 1584 AN ITALIAN WALNUT AND MARQUETRY BOMBE ‘PETIT’ COMMODE, the top inlaid with foliate decoration, a central cartouche enclosing flowers and surmounted by a coronet, the sides depicting the head of a maiden surrounded by foliate scrolling, the front with three drawers all over decorated with foliate scrolling, the central door also showing two lions rampant, with ormolu side mounts in the form of a maiden, on four ormolu mounted legs, 19th century, 30” wide x 34½” high x 16” deep. See illustration

Lot 1584

£1,000-2,000 230

Lot 1585

1585 AN ITALIAN MARBLE CENTRE TABLE, the broad rectangular variegated top with moulded border, on twin Roman style conjoined winged lion supports with broad single feet, on platform bases, 29½” high, the top 71” x 35½”. See illustration

1586 A LARGE OAK REFECTORY TABLE, the rectangular three plank top above turned legs joined by a central stretcher, 18th century and later, 89” wide x 30” high x 31”wide. See illustration £500-1,000

Lot 1586 231

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1587 EDWARDS AND ROBERTS: A REGENCY BURR AMBOYNA AND GILTWOOD KIDNEY SHAPED LIBRARY TABLE in the manner of Holland & Sons, the kidney-shaped top above a moulded frieze with gilt mouldings on twin supports with scrolling giltwood brackets, on platform bases with turned gilt feet, the underside stamped “Edwards & Roberts, 20 & 21 Wardour St. London, 54¼” wide. See illustration £2,500-4,500 1588 AN 18TH CENTURY OAK COURT CUPBOARD the upper section with a central panelled section flanked by two matching cupboard doors, the lower section with three drawers above twin cupboard doors enclosing a single shelved interior, 55¾” wide x 72” high x 22” deep £400-800 Lot 1589 1589 AN OAK ‘WAINSCOT’ TYPE CHAIR, the rectangular back carved with a central foliate panel below a human face between two fantastical beasts and dated ‘1617’, the shaped arms and solid seat supported by turned legs and stretchers, 17th century and later, 40” high x 22” wide. See illustration £300-600 1590 A GEORGE III MAHOGANY HANGING CORNER CUPBOARD of barrel form, the twin cupboard doors enclosing a shelved interior, 39” high £150-250 1591 A REGENCY MAHOGANY THREE FOLD SCREEN, each section with nine later bevelled glass panes above a solid lower section decorated with geometric moulding and paterae, 60¼” high. See illustration £300-600 Lot 1591

232

Lot 1587

1592 A GEORGE III STEEL FENDER with curved pierced front and twin integral tool stands, on ball feet, 44¾” wide £100-200 1593 A VICTORIAN MAHOGANY OPEN FRONTED BOOKCASE with adjustable shelves, 48¼” wide x 53¾” high x 13¼” wide. See illustration £250-450 1594 A SHIRVAN SMALL CARPET, the shrouded blue field woven with five star burst medallions in varying reds and blues, within a cream border, indistinctly dated, 140” x 83”

Lot 1593

233

£500-1,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Matthew Burt (b.1951) is a furniture designer-maker who runs a contemporary practice from a studio and workshop (established 1978) based in South West Wiltshire. His work has been displayed in significant public exhibitions, most notably in the OneTree touring show and at the House of Commons in 2008 in a selection of work intended to raise the profile of UK furniture making to members of Parliament. His solo museum exhibition Idea to Object was held at the Crafts Study Centre, Farnham in 2008.Matthew Burt’s workshop steadily built on a reputation for furniture design that allies structurally robust work that fulfils its function with a lean, elegant line and the occasional bravura surface. Burt has said that he regards the ‘intermingling of science, engineering, mathematics, aesthetics and metaphorics’ as the fundamental building blocks for his furniture

Lot 1595

1595 MATTHEW BURT – SPLINTER GROUP: AN ASH AND OLIVE ASH CONFERENCE TABLE with an elongated oval top on two pedestal supports, 106” wide x 48.5” high. See illustration

Lot 1596

£400-800

1596 MATTHEW BURT – SPLINTER GROUP: A SET OF TWELVE SOMERSET ASH “4 HOUR” STACKING CHAIRS, the curved arm rails becoming the front legs, with padded seat and back rest in ocean blue upholstery, 32” high. See illustration

£400-800

1587 MATTHEW BURT – SPLINTER GROUP: A SET OF TWELVE SOMERSET ASH “4 HOUR” STACKING CHAIRS, the curved arm rails becoming the front legs, with padded seat and back rest in ocean blue upholstery, 32” high. See illustration Lot 1587

234

£400-800

1598 MATTHEW BURT – SPLINTER GROUP: A PAIR OF WILTSHIRE ASH FOLDING CONSOLE TABLES of hinged segmented form, each folding out to seat twelve, or using a central separate leaf, the two tables can join to seat twenty, 72” wide individually, c.148” x 72” fully extended. See illustration

235

£1,000-2,0000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

PAINTINGS, DRAWINGS AND PRINTS A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence. Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist. Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt. The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style. A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700. All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted 236 for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

239

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

240

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Dukeâ&#x20AC;&#x2122;s Thursday, 14th September, Ceramics, Asian Art and Jewellery. Friday, 15th September, Paintings, Furniture and Works of Art.

Ceramics, Asian Art and Jewellery Thursday, 14th September

Paintings, Furniture and Works of Art 2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Friday, 15th September