Duke's - Summer Fine Art - 18th July 2019

Duke’s Thursday 18th July Summer Fine Art 2019

PRINTED IN DORCHESTER BY EPIC PRINT

Summer Fine Art Thursday, 18th July

Summer Fine Art Thursday 18th July at 10.30am

Meet the specialists At Duke’s we are dedicated to making buying and selling at auction as simple and enjoyable as possible.

Our team of specialists are on hand to offer expert advice across the auction spectrum.

Whether you require more information about the current condition of a lot, or you have something similar you would like to sell, please contact a member of our team who will be delighted to assist.

Lee Young Ceramics and Works of Art

Garry Batt Rugs and Carpets

Guy Schwinge Furniture

lee.young@dukes-auctions.com

garry.batt@dukes-auctions.com

guy.schwinge@dukes-auctions.com

John Holmes Paintings

Deborah Doyle Jewellery and Clocks

Max Beaumont Silver

john.holmes@dukes-auctions.com

deborah.doyle@dukes-auctions.com

max.beaumont@dukes-auctions.com

www.sofaa.org

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station.

Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) and there are airports at Bournemouth and Exeter.

The Saleroom has ample parking.

If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith.

TRAVEL INFORM ATION South West Trains Train/Fare enquiries: 0845 748 4950 Credit Card Ticket sales: 0845 600 0650 Taxi Oriole Cars: 07823 338 367 or 07876 021 411

Duke’s Brewery Square Dorchester Dorset DT1 1GA Tel: 01305 265080 Duke’s Avenue Auctions Weymouth Avenue Dorchester Dorset DT1 1QS Tel: 01305 257544 Email: enquiries@dukes-auctions.com www.dukes-auctions.com

www.sofaa.org

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area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Midlands and Cotswolds Marc Allum (01249) 447478 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

B U Y E R S I N F O R M AT I O N

Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards: Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium:

25% plus VAT on the hammer price

Jewellery: The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only.

Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA. Artist’s Resale Right: From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

CITIES and Wildlife Material: ©Works being sold with a relevant CITIES certificate are denoted with this symbol. For further information regarding CITIES and wildlife material legislation, please see conditions of sale on page 204 Furniture:

‡ Lots marked with this symbol are sold for commercial use only

Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

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GREAT BRITISH AUCTIONS Later this year Duke’s will sell the exceptional CONTENTS OF ATHELHAMPTON one of England’s finest Tudor Manors.

Register your interest at athelhampton@dukes-auctions.com 01305 265080

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

VIEWING Saturday, 13th July, 9.30am-12noon Monday, 15th July, 9.30am-5pm Tuesday, 16th July, 9.30am-7pm Wednesday, 17th July, 9.30am-5pm And on the morning of the auction day

Catalogues £20.00 (by post)

Follow us on Twitter @DukesAuctions

Find us on Facebook https://www.facebook.com/dukesauctions

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Duke’s AUCTIONEERS SINCE 1823

Evening Viewing Duke’s are delighted to offer evening views each Tuesday before our Fine Art Auctions.

Come and join us between 5pm and 7pm for a drink and a chance to view our exciting auctions in our state of the art premises

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Coins, Medals, Militaria, Tribal, Sporting and Maritime 22nd August 2019

Duke’s are delighted to be accepting entries for this auction until Friday 19th July

A William III Five Guinea Gold Coin, 1701 Part of a private collection of gold coins ranging from the 17th to 20th centuries

For further information, or should you wish to consign, please contact Julian Smith on 01305 265080 or email

julian.smith@dukes-auctions.com

Estimate: £10,000 - £20,000 8

George Millar DSO MC (1910-2005)

This auction includes furniture and works of art formerly in the collection of George Millar DSO MC at Sydling Court.

George Millar was a war hero with the good looks of a matinée idol. He was awarded the MC in 1944 for escaping from Germany and getting back to Great Britain.

His heroic exploits behind enemy lines as a member of the top secret SOE resulted in the French Government awarding him not only the Croix De Guerre, but also the Légion d’Honneur avec Palmes.

For many years he lived at Sydling Court, a charming Dorset Manor House with a touch of the Strawberry Hill Gothic, which he filled with fine antique furniture and paintings. Many of these were sold by Duke’s when he sold the house. Latterly he lived in the idyllic bliss of West Dorset at Uploders Place. He died in 2005.

VIEW IMAGES OF ALL LOTS AND BID LIVE ONLINE

Auction photography by JONATHAN GOODING www.jonathangooding.co.uk 9

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Summer Fine Art Thursday 18th July at 10.30am Lots 1 – 33

Asian Art

Lots 34– 61

Ceramics and Glass

Lots 62 – 161

Silver

Lots 162 – 250

Pictures and Prints

Lots 251 – 256

Portrait Miniatures

Lots 257 – 270

Books

Lots 271 – 328

Works of Art

Lots 329 - 357

Watches, Clocks and Scientific Instruments

Lots 358 - 522

Furniture

Lots 523 - 538

Rugs and Carpets

Castlegar, Galway, ireland

This auction includes furniture, paintings and works of art formerly in situ at Castlegar, County Galway, Ireland 10

Uploders Place, Dorset

This auction includes furniture, paintings and works of art sold on the instructions of Mrs Venetia Ross Skinner from Uploders Place, Bridport, Dorset.

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

The Anthony du Boulay Collection CONNOISSEUR

GENTLEMAN

COLLECTOR

Auction: 11th November 2019

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Asian Art

Lot 30 detail 13

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

1 PAIR OF GILT BRONZE MOUNTED CHINESE EXPORT ‘MANDARIN’ VASE 18TH CENTURY AND LATER the flatted ovoid sides painted with courtiers against an iron red stylised ground enriched with gilt, surmounted by twin out scrolling branches, raised on applied oval bases, 43cm high £1,500-2,500

5 PAIR OF JAPANESE IMARI GILT METAL MOUNTED BOWLS LATE 19TH CENTURY decorated in the typical palette with stylised foliate motifs, raised on eight naturalistic hairy paw legs, 22cm diam

2 CHINESE WUCAI PORCELAIN VASE of square section baluster shape, twin fo-dog mask and ring shoulder mounts, painted with green dragons and blue phoenix amongst blossoms, 19th/20th century, 35.5cm high £200-400

£100-200

3 LARGE GREEN ‘FITZHUGH’ PATTERN BOWL QING DYNASTY, EARLY 19TH CENTURY 37cm diam; together with a MATCHING OVAL PLATTER, EARLY 19TH CENTURY, 36cm wide, PAIR OF FINE EXPORT PORCELAIN FAMILLE ROSE PLATES, QING DYNASTY, 18TH CENTURY, each centrally painted with a lotus against a gilt enriched white ground, 22.5cm diam, and an EXPORT TUREEN AND COVER, QING DYNASTY, 19TH CENTURY, the sides painted in green with lotus and bats, surmounted by a knop-finial and with twin boars head handles, 33cm wide (5)

6 BLANC DE CHINE FIGURE OF GUANYIN LATE QING DYNASTY the standing deity in a flowing robe tied at the waist, and wearing a long bead necklace, holding a ruyi sceptre in her left hand and a basket in her right, 22cm high £100-200 7 CHINESE EXPORT PORCELAIN PUNCH BOWL 18TH CENTURY the sides painted with flowering baskets and floral sprays, enriched with gilt, 28cm diam

£150-250 4 GILT BRONZE MOUNTED CHINESE TURQUOISE GLAZE BOTTLE VASE 19TH CENTURY with two rococo scroll handles, 42cm high £200-400

£100-200

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8 CHINESE BLUE AND WHITE JARDINIERE of hexagonal form, the sides painted in underglaze blue with panels of exotic birds within verdant landscape views, 50cm wide

Lot 8

£300-400 8A LARGE FAMILLE ROSE 'BOYS' VASE AND COVER REPUBLIC PERIOD the baluster sides painted with a precession of boys against a yellow ground, within lappet and ruyi bands, the domed cover surmounted by a lion, 86cm high £800-1,200 9 CHINESE EXPORT FAMILLE ROSE SHAVING BOWL 18TH CENTURY painted with figures in a fenced blossoming garden, 28cm diam £100-200 10 PAIR OF CHINESE FAMILLE ROSE VASES 20TH CENTURY the baluster sides decorated with immortals, apocryphal red seal marks, 63cm high

Lot 11

£200-400 10A PAIR OF FAMILLE ROSE GARDEN SEATS, QING DYNASTY, 19TH CENTURY, the sides painted in coloured enamels with flowerhead roundals, reserved against a trellis ground and within ruyi bands, 46cm high £4,000-6,000 11 LARGE CARVED BAMBOO FIGURE OF SHOU LAO QING DYNASTY, 19TH CENTURY the standing figure in typical costume, holding a peach and naturalistic ruyi carved staff, 77cm high £400-800

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 14

Lot 13

14 CARVED HARDWOOD ‘ZITAN’ SIDE CHAIR LATE QING DYNASTY the shaped panel back carved with peaches, over a solid seat, raised on square section legs, bears Horstmann & Godfrey, Hong Kong retailers label, 54cm wide, 89cm high

12 SET OF CANTON ENAMEL SWEETMEAT DISHES QING DYNASTY, 19TH CENTURY the fan shaped dishes decorated with auspicious items, 16cm wide; together with THREE CANTON ENAMEL BOXES, largest, 15cm wide, and a SMALL DISH, 11cm diam (8)

£200-400

£150-250 15 HOGMU DISPLAY CABINET QING DYNASTY, 19TH CENTURY the glazed side panels and two associated doors enclosing a later shelved interior, on square section legs, the whole resting on a cleated base with short scroll carved feet and conforming stretcher, 108cm wide, 181cm high

13 HUANGHUALI YOKEBACK ARMCHAIR (SICHUTOU GUANMAOYI) 20TH CENTURY with an arched crest rail united by a curved splat, the cleated rectangular seat with two out scrolling arms, carved with lingzhi fungus facings, on four turned legs united by peripheral stretchers, seat possibly later, 54cm wide, 112cm high

£200-300 16 MATCHED SET OF FIVE STAINED SOFTWOOD ARMCHAIRS QING DYNASTY, 19TH CENTURY the panelled backed carved with archaistic scrolls, above solid panelled seats, on rounded legs joined by stretchers

£200-400

£300-500 16

17 CHINESE HARDWOOD DISPLAY CABINET the upper section with an arrangement of open shelves, below are two cupboard doors carved with blossoming floral stems, 99cm wide, 189cm high, 39cm deep £2,000-3,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

18 PAIR OF JAPANESE SATSUMA GU FORM VASES MEIJI PERIOD the sides painted with blossoming chrysanthemum and prunus, with bands of lappets and stiff leaf, signed, 25cm high

Lot 18

£400-600 19 FINE AND LARGE JAPANESE SATSUMA COVERED KORO MEIJI PERIOD signed, of triform, the sides painted flowering chrysanthemums, the shoulders with two stylised phoenix, surmounted by repousse chrysanthemum silvered bronze cove, 19cm high £400-600 20 JAPANESE SATSUMA GARLIC MOUTH VASE MEIJI PERIOD the sides with elaborate foliate and geometric decoration, signed, 15cm high

Lot 19

£200-300 21 FINE BLUE AND WHITE AND IRON-RED KORO AND COVER

BY MAKUZO KOZAN (1842-1916) of compressed baluster form, the lobed sides painted in iron-red with medallions of dragons, flowers and stylised ornament, against a geometric radiating ground, character mark, 17cm diam £250-400 22 FINE JAPANESE BRONZE AND MIXED METAL VASE BY OSHIMA JOUN MEIJI PERIOD the sides decorated in relief with a bird perched on a rocky outcrop, seal mark, 30cm high

Lot 20

£250-400 23 LARGE JAPANESE SILVER BOWL MEIJI PERIOD the sides decorated in relief with a continuous landscape scene, signed, 22cm diam £400-600

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24 FINE PAIR OF MATCHING JAPANESE SWORDS EDO PERIOD the curved steel blades with stained shark skin scabbards and fine iron and mixed metal tsuba, the ray skin hilts with cloth bindings and applied ornament, 98cm long, 65cm long £2,500-3,500

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

25 PAIR OF JAPANESE CLOISONNE DISHES decorated with birds in landscapes, Meiji, 30.5cm diameter; and another larger example (3) £150-250 26 PAIR OF JAPANESE CLOISONNE DISHES MEIJI PERIOD decorated with birds in landscapes, 30cm diam; together with a larger example, 36cm diam (3) £200-300 27 RARE JAPANESE LACQUER FLORA-FORM STAND EDO PERIOD, SIGNED BY OGAWA HARITSU (RITSUO, 1663-1747) the shaped dish decorated in hiramaki-e with standing figures, 23cm wide £250-500 28 CINNABAR LACQUER BOX AND COVER EDO / MEIJI PERIOD the covered carved with scholars and pagoda, the sides with lotus and stylised motif, 25cm wide

Lot 29

£200-400 29 FOUR CASE SILVER-LACQUER INRO EDO PERIOD, BEARS RED POT SEAL FOR SEISAN (JOSENSAI) decorated throughout in takamaki-e with chrysanthemum blossoms, 10cm £1,000-2,000 30 FINE JAPANESE SUZURIBAKO [WRITING BOX] AND MATCHING RYOSHIBAKO [DOCUMENT BOX MEIJI PERIOD finely decorated throughout in natural and stained ivory, and tigers eye and wood with figures engaged in various pursuits, the interiors decorated in hiramaki-e with mountainous landscapes, 34cm wide, 17cm high, 40cm long, the other 22cm wide, 25cm long £6,000-8,000

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Lot 30

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 31

31 FINE AND LARGE CARVED HARDWOOD PANEL INDONESIAN, 20TH CENTURY finely carved throughout in high relief with immortals, deity and figures engaged in various pursuits, within clouds, pine trees and crashing waves, framed, 223cm wide, 106cm high

Lot 32

£800-1,200 32 OCTAGONAL METAL TURBAN BOX the raised lid decorated with gilt symbols and floral motifs, the sides similarly decorated, 19th century, 36cm wide £400-600 33 INDIAN SCHOOL, PORTRAIT OF AN EMPEROR oil on canvas, framed, 83cm wide, 117cm high; together with an INDIAN HALF-LENGTH PORTRAIT OF A MUGHAL WARRIOR, framed, 25cm wide, 35cm high (2) £550-650

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Ceramics

Lot 57 detail 23

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 36

36 PAIR OF FLIGHT, BARR & BARR IMARI CAMPANA ICE PAILS 19TH CENTURY with rich chinoiserie decoration throughout, with original liners, raised on socle bases, impressed crown marks, 36cm high

34 IMPORTANT COLLECTION OF ANGLO-FRENCH ENCAUSTIC TERRACOTTA FLOOR TILES 14TH / 15TH CENTURY the part glazed tiles decorated with a stags head and star motif, 12.5cm diam (160)

£500-800

A similar tile is illustrated by Maureen Miller in 'Pots and Tiles of the Middle Ages', the catalogue of Sam Fogg's recent selling exhibition in London, Comparable tiles may be seen in the country retreat of the Abbots of Citeaux, at the Chateau of Gillyles-Citeaux, in the room known as "des Cornes", where eachdecorated example alternates with a plain black tile.

37 THREE STAFFORDSHIRE FIGURES 19TH CENTURY comprising ‘Queen and Emperor’, ‘Wellington’, and a theatrical figure, largest 34cm high

£1,500-2,500

£100-200

35 PAIR OF MINTON MAJOLICA VASES LATE 19TH CENTURY modelled a male and female companion in traditional costume, supporting rope tied bamboo baskets, raised on naturlastic bases with impressed marks, 20cm high

38 THREE STAFFORDSHIRE GROUPS 19TH CENTURY comprising ‘Vicar & Moses’, ‘Androcles and lion’, and sleeping beauties, largest, 28cm high £100-200

£200-400 24

Lot 34

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

39 A PAIR OF PORCELAIN SPODE STYLE VASES 19TH CENTURY of flared form, the cream ground modelled with floral bocage painted with roses highlighted with gilding, 14cm

Lot 40

£100-200 40 VICTORIAN PEARL WARE OBELISK 19TH CENTURY encrusted with simulated stones, raised on a stepped square base with neo classical medalions, 30cm high £100-200 41 WORCESTER OVAL CHESTNUT BASKET AND COVER moulded with panels of formal florets, picked out in puce, the pierced cover applied with twig handle issuing colourful moulded flowers and leaves, 21cm wide x 13cm high

Lot 41

Provenance: Uploders Place, Bridport, Dorset £200-300 42 PAIR OF WEDGWOOD CASSOLETTES LATE 18TH CENTURY of neo-classical design with reversible lids with candle nozzles, the urns moulded with swags and paterae and with mottled painted decoration to simulate porphyry or granite, 22.5cm high, the base of each impressed “Wedgwood” and with a sunburst (a pair) £100-200

Lot 42

43 NEWHALL PART TEA SET 19TH CENTURY decorated with painted topographical and figural scenes with gilt highlights on a white ground, comprising teapot, milk jug and dish, sugar bowl and cover, six cups, six saucers and bowl (17) £300-500 44 PART IRONSTONE IMARI PATTERN DINNER SERVICE 19TH CENTURY with typical chinoiserie decoration throughout, comprising four shell shaped dishes, four square form serving dishes, three oval serving dishes, and other similar plates (31) £200-300 26

45 EXTENSIVE IMARI PATTERN IRONSTONE DINNER SERVICE 19TH CENTURY painted in the typical pallette with chinoiserie decoration throughout, comprising a soup tureen, four sauce tureens and stands, two vegetable dishes and covers, various graduated oval serving dishes, assorted soup bowls, dinner plates, and side plates (104 pieces) £500-800

48 MAIOLICA TUREEN AND COVER decorated in the Imari palette and gilt with flowers sprouting from rockwork, the domed lid with a moulded fruit finial, 18th century, 3.75” high

46 PAIR OF CUT GLASS COVERED URNS LATE 19TH CENTURY of stylised acorn form, raised on socle bases, 36cm high £300-500

£200-400

47 PAIR OF ETCHED AND FACET CUT GLASSES 18TH CENTURY 11cm high; together with two air twist stem glasses, both 18th century, 17cm & 13cm high (4) £200-400 27

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 49 Lot 53

49 DELFT BLUE AND WHITE VASE 18TH CENTURY decorated in underglazed blue in the Chinese transitional style, the underside with a stylised arrow mark, 31cm high

53 SEVRES STYLE PORCELAIN CUP AND SAUCER with lattice style entwined bands of gilt buds, on a blue and white ground, painted marks, 19th century, the saucer 12.75cm dia.

£200-300

£800-1,200

50 DRESDEN PORCELAIN TEAPOT of globular form, painted in coloured enamels with floral decoration and ormolu mounts with a hinged handle, blue crossed swords marks, overall 27.5cm high

54 MEISSEN PORCELAIN FIGURE LATE 19TH CENTURY modelled as a boy seated on a chair in traditional costume, blue crossed sword mark, 13cm high

£100-200

£200-300

51 DRESDEN PORCELAIN PUNCH POT LATER 19TH CENTURY the sides painted with brightly coloured blossoming flowers, crossed sword mark, 16cm high

55 PAIR OF MEISSEN PORCELAIN CANDELABRA LATE 19TH CENTURY the naturalistic styems with male and female musicians, raised on rococo bases surmounted by a lamb and a dog, blue crossed sword marks, 42cm high

£100-200 52 DRESDEN PORCELAIN TUREEN AND COVER 19TH CENTURY the sides painted with panels of courting couples against a gilt enriched ground, surmounted by a coronet final flanked by two cherubs, pseudo Augustus Rex blue mark, 20cm high

£200-400 56 HEREND PORCELAIN PUNCH POT 20TH CENTURY the basket weave moulded sides painted in the ‘famille rose’ style, blue printed marks, 22cm high

£150-250

£100-200 28

57 PAIR OF PARIS PORCELAIN ICE PAILS/URNS the campana shaped vases with liners and lids, on square pedestal bases, the whole with chinoiserie vignettes and gilded decoration, the bases with initialled cartouches under coronets, 55cm max £700-900

58 LARGE PAIR OF SEVRES STYLE COVERED URNS LATE 19TH CENTURY the sides pianted with romantic scenes after Watteau, reserved against gilt enriched, and ‘jewelled’ powder blue grounds, raised on a socle base, interlaced L marks, 48cm high £400-800

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

59 PAIR OF CONTINENTAL BLANC-DE-CHINE PUGS modelled seated with ‘jingle bell’ ribbon tied collars, raised on platform bases, double cross sword and star marks, 12cm high £200-300

61 DUTCH DELFT CLOCK EARLY 20TH CENTURY in the rococo style and painted in underglaze blue with romantic scenes of lovers, riverscapes and scrolling foliage, 37cm high

60 SITZENDORF PORCELAIN CLOCK GARNITURE LATE 19TH CENTURY the ornate foliate encrusted clock applied with cherubs emblematic of the seasons, flanked by two conforming three light candelabra, 32cm high

£150-250

£200-400

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Silver

Lot 62 detail 31

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Silver Plated items

Lot 64

62 19TH CENTURY CONTINENTAL SILVER PLATED MOUNTED OSTRICH EGG c. 1880, the egg flanked by a pair of cast scrolled feathers, mounted with a figural finial in the form of a native hunter beside an ostrich, surmounted on a tapering stem with four ostriches on a naturalistic base, on four turtle feet, 38cm high x 20cm long

64 CHRISTOFLE: A PAIR OF FRENCH SILVER PLATED FIVE-LIGHT CANDELABRA circular form, fluted knopped stems, with four leaf-capped scroll arms supporting an urn capital, pull-off sconces, the whole on a spreading circular foot, decorated with a band of leaves, engraved with a crest, 53cm high (2)

£2,500-4,500

£150-250

63 SET OF FOUR ADAM STYLE SILVER PLATED CANDLESTICKS c. 1900, with rams head decoration, 34cm

65 CANTEEN OF OLD SHEFFIELD PLATE HANOVERIAN AND OLD ENGLISH PATTERN CUTLERY comprising twelve table forks, twelve dessert forks, twelve dessert spoons, twelve teaspoons, six coffee spoons, five tablespoons, two sauce ladles, one soup ladle, one basting spoon, two ivorine handled carving sets, twelve ivorine handled table knives, twelve dessert knives, one knife sharpener, fitted in a baize lined oak case.

£200-300

£100-200 32

Lot 62

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Silver 66 GEORGE III SILVER GILT INK STAND possibly by Thomas Robins, London 1809, of rectangular form with two detachable cut-glass vessels, gadrooned border, the central taperstick holder with detachable sconce, crested and monogrammed, the base decorated in the Empire style with shell capped winged feet, 26cm long x 13cm high (c.32.8oz) ÂŁ1,000-2,000

67 GEORGE III SILVER SAUCE TUREEN AND COVER

by Thomas Heming, London, 1769, oval form, pull-off cover with foliate cast handle, gadrooned border with leaf-capped scroll handles, the body with embossed decoration, engraved with a crest, the stand with gadrooned borders and four leaf and shell motifs, 24cm long x 16cm depth (c. 27.8oz) ÂŁ600-800

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68 GEORGE II SILVER SAUCE BOAT Makers mark rubbed, London, c.1739, oval form, cripped border, leaf-capped scroll handle, engraved with a monogram, raised on three capped hoof feet, 22.5cm long (c. 14.9oz)

Lot 68

£500-800 69 GEORGE III SILVER SALVER

by William Stroud, London, 1815, circular form, gadrooned and shell border, the centre engraved with a crest, raised on four paw feet, 24cm dia (c. 20.3oz) £150-250 70 GEORGE III SILVER MUG

by Hester Bateman, London, 1786, baluster form, thumb-piece, double scroll handle with heart shaped terminal, gurdle, engraved with a monogram, raised on a spreading circular foot, 17.5cm high (c. 18.5oz) £1,000-1,500 71 GEORGE III SILVER BASKET probably by Frances Purton, London, 1790, oval form, pierced and decorated with engraved swags and garlands, the cartouche engraved with a crest, bristol-blue glass liner, raised on a four shaped feet (filled), with associated wooden plinth, 18.5cm long (c.8.7oz)

Lot 70

£150-250 72 GEORGE III SILVER TANKARD probably by John Cox, London, 1775, tapering circular form, three reeded girdles, flat hinged cover with pierced thumb-piece, engraved with a monogram and crest, gilt-washed interior, scroll handle, 22cm high (c. 43.2oz) £1,500-2,500 73 GEORGE II SILVER COFFEE POT

by Thomas Tearle, London,1736, baluster form, hinged domed cover with flame finial, wooden scroll handle, leaf-capped scroll spout, the body embossed with flowers and leaves, monogrammed and engraved with a crest, raised on a circular foot, 21cm high (c.20.1oz)

Lot 72

£200-300

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

74 SET OF FOUR GEORGE II SILVER CANDLESTICKS

by William Grundy, London, 1752, knopped baluster stems with shell shoulders, spool shaped capitals, detachable sconces, on raised hexagonal bases with shell motifs, 25cm high (c. 92.6oz) (4) £3,000-5,000

75 GEORGE III SILVER TRAY

by Paul Storr, London, 1799, oval form, the raised border cast with shell mounts and leaves, twin acanthus leaf-capped loop handles, the centre engraved with a crest within a chased foliate and scroll border, raised on four shaped scroll feet, 62cm long x 38cm depth (c. 90.5oz) £3,500-4,500

36

76 GEORGE III SILVER TRAY

by William Bennett, London, 1796, oval form, twin leaf-capped loop reeded handles, reeded border, the centre engraved with a crest within an engine turned border, raised on four shaped feet, 49cm long (c. 47.9oz) ÂŁ1,500-2,500

77 GEORGE III SILVER SALVER

by Hester Bateman, London, 1784, circular form, beaded border, the centre engraved with a crest, raised on three ball and claw feet, and two matching silver waiters, largest 36cm dia (c. 54oz) (3) ÂŁ2,500-3,500

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

78 GEORGE III SILVER COFFEE POT

by Hester Bateman, London, 1782, baluster form, the hinged domed cover with pineapple finial with a beaded border, capped scroll spout, wooden scroll handle, the body engraved with a crest, raised on a spreading circular foot, 33.5cm high (c. 27.4oz) £1,500-2,500

79 GEORGE II SILVER SWING-HANDLED CAKE BASKET

by Peter Archambo I, London, 1738, oval form, pierced sides, shell motif border, the swing-handle cast with dolphins and engraved foliate decoration, the centre chased with scrolls and shells, raised on an oval pierced foot, 29cm long x 27cm depth (c. 51.1oz) £4,000-6,000

80 GEORGE III IRISH SILVER TANKARD probably by Joseph Jackson, Dublin, c.1791, tapering circular form, the domed hinged cover with scroll thumb-piece, gadrooned border, acanthus-leaf capped scroll handle, beaded girdle, on a spreading circular gadrooned foot, 22cm high (c. 32.6oz) £1,000-1,500

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81 GEORGE III SILVER SALVER

by Richard Rugg I, London, 1762, circular form, the pierced border decorated with birds and figures, the centre engraved with a crest, raised four cast scroll feet, and two matching waiters, largest 35.5cm dia (c. 68.5oz) (3) £2,200-2,800

82 SET OF GEORGE II SILVER CONDIMENT VASES AND COVERS probably by Thomas Gilpin, London, 1756, urn form, the domed covers with flower bud finials, reeded borders with leaf motifs, the body with part-fluted decoration, raised on a circular foot, 17.5cm high (c. 29.9oz) (3) £800-1,200

83 GEORGE II SILVER SAUCE BOAT

by Robert Inenes, London, 1749, oval form, gadrooned border, leaf-capped scroll handle, on three capped-paw feet, 21cm long (c. 12.9oz) £600-800

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

84 GEORGE III SILVER-GILT TRAY

by Daniel Smith & Robert Sharp, London, 1777, rectangular form, the centre embossed with cherubs within an oval wreath, the sides in relief with garlands and bows, beaded border, 27cm long x 22cm depth (c. 25.2oz) £1,200-1,800

85 PAIR OF MATCHED SILVER SAUCEBOATS

by Daniel Pontifex, London, 1799 and John Jacob, London, 1736, oval form, dolphin scroll handle, crimped border, gilt-washed interior, engraved with a crest, raised on three lion-capped cast feet, 20.5cm long (c. 33.9oz) (2) £1,500-2,500

86 PAIR OF GEORGE III SILVER SAUCE TUREENS AND COVERS

by John Edward Terry, London, 1818, rounded oblong form, the domed pull-off covers with cast central handle, the bases with gadrooned borders, leaf-capped loop handles, raised on four cast paw feet, 22.5cm long (c. 63.3oz) (2) £1,500-2,500

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87 GEORGE III IRISH SILVER GARNIATURE Makers mark rubbed, Dublin, c.1788, baluster form, the domed cover with foliate cast finial, leaf-capped reeded handles, the centre engraved with a crest, raised on a circular foot, and two others, tallest 35cm high (c. 72.8oz) (3) £2,500-3,500

88 PAIR OF GEORGE III IRISH SILVER CUPS

by Matthew West, Dublin, 1765, baluster form, leaf-capped scroll handles, the front engraved with a vacant cartouche, on a raised circular reeded foot, 14cm high (c. 26.5oz) (2) £800-1,200

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

89 GEORGE III SILVER WINE COOLER

by Phillip Rundell, London, 1820, campana form, leaf-capped handles, engraved with a crest, part-fluted decoration, raised on a circular foot and decorated with a band of acanthus leaves, 23cm high (c. 55.4oz) (no liner) £1,000-1,500

90 GEORGE III IRISH SILVER SWING-HANDLED CAKE BASKET Makers mark rubbed, Dublin, 1760, oval form, pierced decoration with gadrooned borders, foliate mounts, pierced swing handle, the centre engraved with a crest, raised on four feet, 40cm long (c. 40.8oz) £1,200-1,800

91 GEORGE III SILVER SOUP TUREEN AND COVER

by William Stroud, London, 1802, circular form, the domed cover with leaf-capped finial, tapering acanthus leaf-capped handles, engraved with a crest, on a circular base with gadrooned border, 40.5cm dia (c. 106oz approx) £3,000-5,000

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Lot 92

92 GEORGE III SILVER TRAY

by WT, London, 1779, rectangular form, two leaf and shell capped handles, chased with flowers and scrolls, the centre engraved with a crest, cast with a foliate border, 62.5cm long (c. 91.7oz) £500-1,000 93 GEORGE III SILVER INKSTAND

by John Cramer, London, 1812, rectangular form, the central chamberstick and snuffer flanked by two hobnail cut-glass inkwells with silver mounted tops, the border with shell and foliate mounts, two pen wells, raised on four ball and claw feet, 34.5cm long x 23cm depth (c. 49.6oz)

Lot 93

£2,000-3,000

94 GEORGE III IRISH SILVER COFFEE POT

by Richard Williams, Dublin, 1785, baluster form, the hinged domed cover with knop finial, wicker-bound scroll handle, the body embossed with garlands and roundels, raised on a circular foot, 29cm high (c. 27.4oz)

95 GEORGE III SILVER HOT WATER JUG probably by Jacob West, Dublin, 1817, baluster form, the hinged domed cover with knop finial, wicker-bound scroll handle, the body engraved with a crest, and one other example, 22cm high (c. 23.3oz) (2)

£800-1,200

£800-1,200

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96 PAIR OF GEORGE III SILVER WINE COOLERS

by James Kirby Waterhouse & Co, Sheffield, 1814, campana form, cast floral border, reeded handles, the bodies profusely embossed with shells and scrolls, each engraved with a crest, the whole raised on a circular foot and decorated with scrolls and shells, with detachable liners (mahogany reeded bases) 24.5cm high (c. 189.6oz) and a pair of matching three branch candelabras, with detachable branches and sconces (bases filled) (c.182oz total weight) (4) ÂŁ8,000-12,000

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97 PAIR OF GEORGE III SILVER-GILT TWO-LIGHT CANDELABRA

by Edward Capper, London, 1804, the stems modelled as a pair of maidens holding torches, two leaf-capped scroll branches with urn shaped capitals, pull-off sconces, the centre mounted with a pineapple, the whole raised on a spreading circular foot, cast with acanthus leaves, engraved with a crest, 43.5cm high (c. 94oz) (2) ÂŁ8,000-12,000

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98 LARGE PAIR OF GEORGE IV SILVER EWERS

by William Bateman, London, 1829, cylindrical tapering form, domed hinged covers with pierced thumb-piece, double scroll handle with shaped terminal, central girdle, spreading circular foot, 35cm high (c.113.1oz) (2) ÂŁ4,000-6,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

99 PAIR OF GEORGE IV SILVER ENTREE DISHES AND COVERS

by Joseph Angell I, London, 1826, rectangular form, the pull-off covers with detachable foliate mounted handles, engraved with a crest, the bases with gadrooned borders, 31.5cm long x 23.5cm depth (c. 137.1oz) (2) £4,000-6,000

100 GEORGE IV SILVER FIVE-PIECE TEA SET

by Joseph Angell I, London, 1830, compressed circular form, the hinged cover with flower bud finial, wooden scroll handle, the body embossed with flowers in segmented panels on a matted ground, raised on a pierced foliate circular foot, (c.120.9oz) (5) £4,000-6,000

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101 GEORGE IV SILVER BOWL ON STAND

by J E Terrey & Co, London, 1828, the bowl of circular form, leaf-capped scroll handles, gadrooned and beaded border, the body embossed with acorns and flowers, on a square base, the stand of octagonal form, the panel embossed and cast with a fox and cubs, the other with galloping horses, the corners each mounted with a horse mask with acanthus leaf borders, 33cm high inc stand x 39cm dia (c.117.7oz) ÂŁ10,000-20,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

102 WILLIAM IV SILVER SOUP TUREEN AND COVER

by Paul Storr, London, 1836, circular bellied form, pull-off domed cover, acanthus leaf-capped loop handle, bearing the crest of the Baillie Family, raised on four leaf-capped scroll feet, the base stamped “Storr & Mortimer 279”, 36.5cm dia (c.95.8oz) £10,000-20,000

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103 WILLIAM IV SILVER-GILT EWER

by Robert Hennell II, London, 1834, baluster form, hinged cover with acorn finial, scroll handle with ivory insulators, the body cast and embossed with acorn leaves and flowers, with fluted strands, engraved with a crest, raised on a circular foot, decorated with a band of flowers and leaves, 30cm high (c. 51.7oz) ÂŁ5,000-8,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

104 WILLIAM IV SILVER GILT CRYSTAL-MOUNTED INK STAND possibly by William Elliot, London 1834, shaped rectangular form centred with a detachable pierced taper stick, the column modelled in the form of cherubs holding a wreath, flanked by a pair of glass-mounted bottles with pierced stands, the whole on tapering circular feet, 31cm long x 17cm wide

Lot 104

£400-800 105 VICTORIAN SILVER GUERNSEY MILK CAN

by Joseph Cook & Son, Birmingham, 1897, circular form, scroll handle, the pull-off cover with a scroll handle, central girdle, retailed by A.P.Roger Arcade, Guernsey, 22cm high (c. 21.6oz) £150-250

Lot 106

106 SET OF FOUR VICTORIAN SILVER SALTS

by Daniel & Charles Houle, London, 1856, circular form, pierced foliate border inset with a detachable cut-glass liners with star-cut bases, raised on five shaped feet, 10.5cm dia (c.19.3oz) (4) £500-800 107 SET OF FOUR MATCHED VICTORIAN SILVER CANDLESTICKS

by Goldsmiths and Silversmiths, London, 1899/1900, shaped oval tapering form, urn shaped capitals, pull-off reeded sconces, 23.5cm high (filled) (c.47.5oz) (4)

Lot 109

£200-300 108 VICTORIAN FOUR-PIECE SILVER TEA SET

by Edward Barnard & Sons Ltd, London, 1899, circular form, wooden scroll handles, embossed with foliate and scroll decoration, raised on hoof feet; and an associated cream jug (c.60.1oz) (5) £400-600 109 PAIR OF VICTORIAN SILVER CORINTHIAN COLUMN CANDLESTICKS

by Samuel Smith, Sheffield, 1895, fluted columns, pull-off sconces, beaded borders, raised on stepped square bases, 29cm high (filled) (c.91.7oz) (2) £300-500

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110 PAIR OF VICTORIAN SILVER SOUP TUREENS

by Edward & John Barnard, London, 1854, circular form, domed covers, the finials modelled as a pair of rampant lions with battleaxes, the bases with gadrooned borders with shell motifs, acanthus leaf-capped loop handles, the body engraved with a crest, raised on a circular foot, 37cm dia x 33cm high (c. 205oz approx) £6,000-8,000

111 PAIR OF VICTORIAN SILVER ENTREE DISHES AND COVERS

by John Samuel Hunt, London, 1844, circular form, the covers with detachable beaded domed handles, engraved with a crest, cast shell border, 32cm dia (c. 125.8oz) (2) £3,000-5,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

112 VICTORIAN SILVER SUGAR CASTER

by Goldsmiths & Silversmiths Co, London, 1898, baluster form, pull-off pierced cover, knop finial, the body embossed with leaves, raised on a circular foot, embossed with shells, 19.5cm high (c.11.6oz)

119 EDWARDIAN SILVER INK STAND Sheffield, 1906, rectangular form, pierced scroll and foliate border, monogrammed, two cut glass wells with silver mounted tops, central pen-tray, raised on four bun feet, 27cm long x 17.5cm depth (c. 15.5oz)

£150-250

£100-200

113 VICTORIAN SILVER SAUCE BOAT

by George Wish, Sheffield, 1893, oval form, leaf-capped scroll handle, crimped border, raised on three leaf-capped hoof feet 20cm long; and one other similar (c. 20.3oz) (2)

120 PAIR OF SILVER REGENCY STYLE SINGLE CANDLESTICKS of eliptical form, Sheffield 1906, 30cm high £200-300

£150-250 114 VICTORIAN SILVER SALVER probably by Charles Horner, Birmingham, 1899, circular form, the border in relief with a gardrooned and foliate border, the centre engraved with initials, raised on three scroll feet, 31.5cm dia (c.25.4oz)

121 EDWARDIAN IRISH SILVER THREE-PIECE TEA SET

by John Smith, Dublin, 1908, circular form, wooden scroll handle, the hinged top with a swan finial, wavy border, the body embossed with a Victorian scene of figures and cattle, raised on lion-capped paw feet teapot 25cm (c.40oz) (3)

£150-250

£300-500

115 VICTORIAN SILVER SIX-BAR TOAST RACK

by Thomas Bradbury & Sons, London, 1898, rectangular form, two loop handles, gadrooned borders, arched wire-work bars, raised on four ball feet, 19cm long (c.8.1oz)

122 MATCHED SILVER FOUR-PIECE TEA SET

by Oldfields Ltd, Birmingham, 1916 and William Comyns & Sons Ltd, London, 1968, the teapot of circular form, leaf-capped wooden scroll handle, hinged cover with wooden disc finial, reeded wavy border, part-fluted body, raised on a circular foot, 26cm long (c.62.5oz) (4)

£150-250

£600-800

116 VICTORIAN SILVER TEN-PIECE CONDIMENT SET

by Goldsmiths and Silversmiths, London, 1897, lobbed circular form, comprising four pepper pots, four salt cellars and two mustard pots, Bristol blue pull-out liners, embossed foliate decoration (c.17.6oz)

123 LIBERTY & CO: A SILVER FOUR DIVISION TOAST RACK Birmingham, 1921, reg no. 5945, shaped rectangular form, loop carrying handle, the border engraved with stylised scrolls, planished decoration, raised on four bun feet, 11cm long (c.4.9oz)

£150-250

£250-450

117 EDWARDIAN SILVER ROSE BOWL

by Thomas Bradbury & Sons, London, 1905, circular form, wavy reeded border, raised on a circular foot, 25cm dia (c. 31.8oz)

124 SILVER ROSE BOWL

by J Boseck & Co, Birmingham, 1922, circular form, wavy border with pierced scrollwork panels, central reeded girdle, raised on a spreading circular foot, 20cm dia, a silver christening bowl and silver christening mug (c. 25.9oz) (3)

£200-300 118 EDWARDIAN SILVER SANDWICH BOX

by Elkington & Co, Sheffield, 1906, rectangular form, fold-out hinged cover, loop-ring handle, gilded interior, 14cm long (c.7.6oz)

£150-250

£150-250 54

125 FOUR-PIECE SILVER TEA SET

by Goldsmiths and Silversmiths, London, 1928, comprising a kettle on stand, teapot, milk jug and sugar bowl, circular form, chased foliate decoration, scroll ivory handles, the kettle on stand on three scroll legs with a burner, kettle on stand 34cm high (c.98.2oz) (4) £600-800

126 SILVER FOUR-PIECE SILVER TEA SET

by Viners, Sheffield, 1933, shaped oval form, hinged cover with wooden disc finial, wooden scroll handle, raised on four hoof feet, (c. 50.8oz) (4) £400-600

128 TWELVE EDWARDIAN SILVER CASED DEMITASSE CANS AND SAUCERS

by Charles S Green & Co Ltd Birmingham, 1925, circular form, pierced with leaf-capped scroll handles, with Lenox white glazed porcelain liners, with gilt borders, silver saucers stamped “Sterling”, 7cm dia (c.14.4oz)

127 ARTS AND CRAFTS SILVER COMMUNION SET

by F J Ross & Sons, London, 1924, circular form, loop handles, the body spot-hammered with raised latin text with lions, anchors and tudor rose motifs, raised on three hoof feet, 15cm dia (c. 12.6oz) £150-250

£100-200 55

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129 ARTS AND CRAFTS SILVER MOUNTED GLASS CLARET JUG

by A R Mowbray & Co Ltd, London, 1931, circular tapering form, domed hinged cover with ball finial, arched handled, raised on a circular foot, 21.5cm high £150-250 130 ART DECO SILVER CUP AND COVER

by James Fenton, Birmingham, 1933, circular form, pull-off conical cover with flame finial, tapering stem on a spreading circular foot 39cm high (c. 38.4oz)

Lot 130

£700-900 131 SILVER PEDESTAL CUP

by Charles Boyton, London, 1934, circular form, twin scroll handles, leaf cast band, tapering stem, on a stepped spreading circular foot (filled) 23.5cm (14.5oz) £200-400 132 FOUR-PIECE SILVER TEA SET

by John Round & Sons Ltd, Sheffield, 1938, oblong bellied form, wooden scroll handles, hinged cover with wooden disc finial, raised on a shaped foot (c. 62.5oz) (4) £400-600

Lot 131

133 SILVER CONDIMENT SET

by Elkington & Co, Birmingham, 1974, comprising two mustardpots, two salt-cellars, two pepperettes and four spoons, decorated with swags, with Bristol blue glass liners, retailed by Harrods, in fitted presentation case (c.7.1oz) £200-300 134 SILVER PERPETUAL DESK CALENDER AND NOTEPAD marks rubbed, rectangular form, ivorine pull-out cards, twistmechanism date-adjust, 15.5cm long £100-200 135 PAIR OF MATCHED SILVER MOUNTED GLASS DECANTER

by W I Broadway & Co, Birmingham, 2003/2005, tapering circular form, pull-off stoppers, 31.5cm high (2)

Lot 134

£150-250 56

136  GERALD BENNEY: A SILVER DESK TIDY rectangular form, textured sides, the interior inset with blue leather, 10.5cm x 8cm wide (c.9oz) £400-600

137  STUART DEVLIN: A SILVER PARCEL-GILT “SURPRISE” EASTER EGG London, 1985, the textured exterior to reveal rabbits and enamelled birds amongst flowers, 7cm high (2.8oz) £350-550

138  STUART DEVLIN: A PAIR OF SILVER PARCEL-GILT GOBLETS London, 1974, circular bowls, gilt washed interior, spot hammered decoration, knopped gilt textured stems, on a spreading circular foot, 15.5cm high (13.9oz) £800-1,500

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

139 IN THE MANNER OF GEORG JENSEN: A SET OF THREE GRADUATED SILVER CANDLESTICKS

by Melda, stamped 900, each of shaped rectangular form, largest 25.5cm high (c.23.5oz) (3)

Lot 139

£250-450 140 IN THE MANNER OF GEORG JENSEN: A SET OF THREE GRADUATED SILVER VASES

by Melda, stamped 900, each of shaped form with pointed collars, largest 37.5cm high (c.31.6oz) (3) £400-600 141  HANS HENRIKSEN FOR GEORG JENSEN: A PAIR OF SILVER SHAKERS barrelled form, no. 1031 (c.3.5oz) £300-500 142 COLLECTION OF MIXED SILVER comprising a silver sugar bowl, by Wilson & Gill, Birmingham, 1928, circular form, swing handle, pierced foliate and scroll sides, pull-out Bristol blue glass liner, on four shaped feet, and two matching sets of casters and cream jugs (c.24.1oz) (5) £200-300 143 COLLECTION OF MIXED SILVER comprising a Victorian silver sugar bowl, by Ackroyd Rhodes, London, 1900, circular form, embossed with a hunting scene with scrolls and flowers, raised on a circular foot, a set of four silver ashtrays, by Asprey & Co, Chester, 1924, a christening bowl, pair of salt cellars, two George III cream jugs, five mixed napkin rings, egg cup, jug and box (c. 31.4oz)

Lot 140

£200-300 144 COLLECTION OF MIXED SILVER various dates and makers, comprising a four-piece silver and blue enamel dressing table set, three silver sauce boats, pair of candlesticks, bud vase, clock, two silver mounted preserve jars, strainer, five-bar toast rack, five dishes, two silver bowls, condiments, silver mounted Coronation coasters, cased silver and enamel cocktail sticks (c.38.5oz) (qty) £250-450

Lot 141

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Lot 146

146 PAIR OF CONTINENTAL SILVER MOUNTED AND GLASS DECANTERS 19th century, baluster form, the pull-off stoppers in the form of coronets, cast with draped foliate garlands, the glass bodies cut, the whole raised on a circular foot with scrolls and flowers, 30cm high (2)

145 COLLECTION OF MIXED SILVER mixed dates and makers, comprising a silver dressing table box,

by George Nathan & Ridley Hayes, Chester, 1914, oval form, the hinged cover with pierced scrolls, raised on four scroll feet, 16.5cm long, a 1935 silver Jubilee commemorative silver tea strainer, by Robert E Stone, London, 1935, photograph frame, compact, toddy ladle, 18th century sugar nips, two patch boxes, continental violin, longcase clock, six Swedish silver-gilt, enamel teaspoons (cased) and a 9ct gold horn cheroot holder (cased) (c. 21.9oz total weight) (qty)

£1,200-1,800 147 BELGIAN SILVER FOUR PIECE TEA/COFFEE SET of baluster form, scroll handles, the body chased and applied with lance and strapwork, on circular bases, the undersides stamped 800, the teapot 20cm high (c.82oz)

£150-250

£400-600 59

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148 RUSSIAN SILVER NIELLO SNUFF BOX 19TH CENTURY Probably by Nicholai Bubrovin (1822-1855), Moscow, rectangular form, the hinged cover decorated with stylised scrolls and leaves, gilt-washed interior, impressed marks, 8cm long (c. 3.3oz)

Lot 148

£150-250 149 TORTOISESHELL AND SILVER MOUNTED BRIDGE BOX Chester, 1897, of rectangular form the corner applied with silver mounted representative of the four suits, 10cm wide £150-200 150 VICTORIAN SILVER VINAIGRETTE

by Nathaniel Mills, Birmingham, 1843, rectangular form, the top with engine turned decoration, vacant cartouche, foliate raised borders, gilt-washed interior with pierced floral and scroll grille, 4cm x 2.5cm (0.9oz)

Lot 150

£150-250 151 ASPREY & CO: AN ARTS AND CRAFTS SILVER WAX HOLDER London, 1905, rectangular form, with slide action, sky blue glass cabochon thumbpiece and seal end, monogrammed,17.9cm long (c.1.7oz) £200-300 152 EDWARDIAN SILVER AND ENAMEL BELT BUCKLE

by William Hair Heseler, London, 1904, import marks, rectangular form, decorated in polychrome with foliate garlands and bows, beaded border, on a black suede belt, 7.5cm long x 6cm high

Lot 153

£150-250 153 EDWARDIAN NOVELTY SILVER STIRRUP CUP

by John Charles Grinsell, Birmingham, 1907, modelled in the form of a nightcap, engraved “Have a Nightcap”, registration no. 490339, 7.5cm high (c.1.2oz) £100-200

60

154 PAIR OF VICTORIAN QUEENS PATTERN SILVER-GILT FISH SERVERS

by John Gilbert, Birmingham, 1864, embossed handles, pierced and engraved decoration, 31.5cm long (c. 8.5oz)

Lot 155

£200-300 155 EDWARDIAN AND LATER MATCHED SILVER HANOVERIAN / RAT-TAIL PATTERN CANTEEN comprising eight table spoons, eight table forks, eight silver handled table knives, six dessert forks, six dessert spoons, four teaspoons, eight coffee spoons, two sauce ladles, one ladle, one basting spoon, engraved with initials, and one 18th century rat-tail spoon (c.102.9oz approx) £400-600 156 COLLECTION OF 19TH CENTURY AND LATER CONTINENTAL AND ENGLISH SILVER FLATWARE mixed dates and makers, (c. 49.7oz)

Lot 156

£300-500 157 SET OF TWELVE VICTORIAN MATCHED SILVER AND MOTHER OF PEARL HANDLED FISH KNIVES AND FORKS

by Joseph Rodgers & Sons, Sheffield, 1896/1898, the handles carved with leaves, the blades engraved with scrolls and flowers, together with a pair of matching fish servers, knives 22cm long (c.54oz total weight) £200-300 158 SET VICTORIAN MATCHED SILVER AND MOTHER OF PEARL HANDLED DESSERT EATERS

by Joseph Rodgers & Sons, Sheffield, 1896/1898, comprising thirteen knives and twelve forks, the blades engraved with foliate decoration, knives 19.5cm long (c.28.4oz total weight)

Lot 158

£200-300 159 SET OF EIGHT VICTORIAN SILVER SHELL & THREAD FISH KNIVES AND FORKS

by William Hutton & Sons, London, 1900, the handles each engraved with an initial, knives 23cm long (c.28.9oz) £200-300

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

161 COLLECTION OF ENGLISH AND CHINESE MIXED SILVER FLATWARE 19th century and later, some stamped “800”, mixed dates and makers (c. 103.4oz)

160 EXTENSIVE VICTORIAN KING’S SHAPE PATTERN CANTEEN

by Goldsmiths & Silversmiths Co, London, 1898, comprising eighteen table forks, twelve table spoons, twelve soup spoons, twenty-four dessert spoons, thirty dessert forks, eleven teaspoons, four sauce ladles, twelve coffee spoons, one fish knife, pair of sugar tongs, eighteen asparagus tongs and two pickle forks (c.300oz)

£600-800

£2,000-3,000

Lot 160

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Pictures

Lot 219 detail 63

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Prints and Multiples

Lot 162

Lot 162

164 AFTER DOMENICO GHIRLANDAIO (1448-1494) Head and shoulders portrait of Lorenzo de’ Medici (1449-1492) engraved by Vitali, the image 18.5cm x 13.75cm; mounted together with a portrait study of the Renaissance sculptor Bartolomeo (Baccio) Bandinelli (1493-1560) after Giovanni Domenico Campiglia (1692-c. 1775) engraved by Silvio Pomarede (fl. 1736-1768), the image 22cm x 16.5cm; and a folio containing a quantity of similar prints (a lot)

162 VARIOUS ARTISTS: ‘THE TRIUMPHS OF EMPEROR MAXIMILIAN I’ Three studies depicting knights on horseback, holding standards and lances, handcoloured prints, numbered 45, 68 and 80, the smallest 37.5cm x 45.5cm overall, the largest 41cm x 50cm overall (3) Among the many endeavours undertaken by Holy Roman Emperor Maximilian I (1459-1519) to further his legacy was his plan of a monumental allegorical triumph, to be composed of more than 200 woodcuts. Many of the foremost artisans of the time worked on the project, but it was stopped after the Emperor’s death and thus was never finished. The Munich manuscript of the Turnierbuch (Tournament book, also known as The Triumphs of Maximilian) features copies of the preparatory drawings made by Hans Burgkmair the Elder (1473-1531), who was responsible for almost half of the illustrations for the triumph. The copies probably were drawn and hand-coloured by his son, Hans Burgkmair the Younger (circa 1500-59), and are of excellent quality. They show various knights and officials from Maximilian’s court representing different variations of tournament fighting, both mounted and on foot. Hans Burgkmair the Elder was a painter and woodcut print maker who was born and worked in Augsburg. Hans Burgkmair the Younger was also a painter and engraver.

£150-250 165 AFTER JOHN SINGLETON COPLEY (1738-1815) and DOMINIC SERRES (1722-1793) ‘Relief of Gibraltar by Lord Howe, Oct. 11th, 1782’ Panoramic view of the fleet flanked by portraits of Admiral Howe and Admiral Barrington, engraving, 31.5cm x 84.5cm (sheet) £200-300 166 WILLIAM LIONEL WYLLIE (1851-1931) ‘The Trawler Fleet’ signed in pencil to the margin, etching, 7.75cm x 35.5cm; ANDREW F AFFLECK (1874-1935) Continental street scene with figures, signed in pencil to the margin, etching, 40.5cm x 29.5cm (2)

£300-500 163 FOLIO OF MIXED WORKS including flora and fauna, portraits and topographical views (a lot) £200-400

£150-250

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Lot 167

Lot 168 167 WILLIAM LIONEL WYLLIE (1851-1931) ‘The German Fleet caged at Scapa Flow’ signed in pencil to the margin, etching, 8.75cm x 33cm (unframed) and two similar etchings by the same artist (3) £200-300 168  SIR FRANK BRANGWYN (1867-1956) ‘Venetian Mudlarks’ signed in pencil to the margin, etching, the image 55cm x 80cm

Lot 169

£200-300 169  SIR FRANK BRANGWYN (1867-1956) ‘The Feast of Lazarus’ signed in pencil to the margin, etching, the image 49cm x 70cm £200-300

Lot 170

170  SIR FRANK BRANGWYN (1867-1956) ‘St Leonard’s Abbey, near Tours’ signed in pencil to the margin, etching, the image 75cm x 60cm £200-300

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Works on Paper 171 ZUCCHERI ?

Study of putti raising the cross toward the heavens, inscribed “Zuccheri” to the lower register, pencil and red chalk on paper, 18cm x 19cm

Lot 172

£100-200 172 AFTER HANS HOLBEIN THE YOUNGER (c.1497-1543) A head and shoulders portrait of a lady, thought to be Anne Boleyn, wearing a head-dress, necklace and bodice with square neckline, signed ‘Corot’ lower right, charcoal and pencil heightened with white, 30.5cm x 21cm £200-300 173 MANNER OF CHARLES HAMILTON SMITH (1776-1859) ‘Columbus Arriving in America’ signed ‘C.H. Smith’ lower right, watercolour, 61.5cm x 75cm

Lot 173

£150-250 174 ATTRIBUTED TO JAMES DUFFIELD HARDING (1798-1863) An extensive wooded landscape with horses to the foreground, watercolour, 46cm x 63.5cm Provenance: Major General Mark Bond OBE (1922-2017), Moigne Combe, Dorchester, Dorset £200-400

Lot 174

175 JAMES DUFFIELD HARDING (1798-1863) A view of Crickhowell from the Llanbrder Road, watercolour, 21.5cm x 28cm; together with ENGLISH SCHOOL, 19th century An extensive coastal landscape with sailing ships off shore, watercolour, 17cm x 34cm (2) £150-250

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Lot 176

176 WILLIAM ROXLEY BEVERLEY (1811-1889) ‘Dogger Boat, Mouth of the Maas’ initialled and titled lower left, watercolour, 90cm x 131cm

Lot 178

£1,000-2,000 177 ALEXANDRE NICOLAIEVICH ROUSSOFF (1844-1928) ‘Venise’ A view across the Lagoon, signed and titled lower right, watercolour, 18.5cm x 36cm Provenance: The Fine Art Society, 148 New Bond Street, London £200-300 178 HARRY SUTTON PALMER (1854-1933) Lake District river landscape, signed lower left, watercolour and bodycolour, 67cm x 36cm £300-500 67

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Lot 180 179 WILLIAM BINGHAM MCGUINNESS (1849-1928) Continental street scene with figures, signed and dated 1878 lower right, watercolour, 33cm x 23cm £100-200 180 FREDERICK JOHN WIDGERY (1861-1942) Coastal view with a large chalk cliff face to the foreground and gulls in the sky, signed lower left, watercolour heightened with white, 35.5cm x 53cm

Lot 181

£150-250 181 WILLIAM HALL, 19TH CENTURY ‘A Sunny Heath’ figures and animals on a country path, signed lower left, titled verso, watercolour, 36cm x 60cm

Lot 182

£100-200 182 CHARLES ROBINSON (1870-1937) ‘The Slave Market’, signed lower left, watercolour, on paper, possibly an illustration for the Rubaiyat of Omar Khayyam, 40cm x 29cm £300-400 183 GEORGE SOPER (1870-1942) French market scene, watercolour and ink on paper, Ex. Chris Beetles, label verso, 27cm x 18cm

Lot 183

£150-250

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Lot 184

Lot 186

186 SIR WILLIAM ROTHENSTEIN (1872-1945) A bust-length portrait of Lieutenant M. Colonna of the Italian Army, signed and dated March 1918 lower left, further inscribed lower right, charcoal, 44cm x 31cm

184 HARRY WATSON (1871-1936) Head and shoulder portrait of a gentleman with white hair and beard, wearing a blue and yellow kerchief, signed lower right, watercolour, 26cm x 18cm £300-500

Provenance: The Family of the sitter and thence by descent

185 ARTHUR BRISCOE (1873-1943) Tall ship navigating rolling waves, signed and dated (19)39 lower right, pencil sketch of a ship verso watercolour 37cm x 53cm (unframed)

£400-800 187 DOROTHY COX (1882-1940) Figures and a horse and cart on a rural path, signed and dated 1913 lower left, watercolour, 25cm x 35cm; and the companion study of figures on horseback, signed and dated 1911 lower left, watercolour, 25cm x 35cm (2)

£200-300

£100-200

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Oil Paintings

Lot 188 188 AFTER RAPHAEL (1483-1520) ‘Madonna del Cardellino’ ('Madonna of the Goldfinch') oil on canvas, 60.5cm x 45cm £200-400 189 ITALIAN SCHOOL The Crucifixion, with Christ upon the cross and the Madonna, Mary Magdalene and Saint John the Apostle, oil on panel, 48.5cm x 29cm £150-250 190 AFTER CORNELIS VAN DER VOORT (1576-1624) Portrait of a lady, three-quarter-length, in a black vlieger brocade gown, with an elongated embroidered stomacher and embroidered mill ruff, holding a chain, oil on canvas, 19th century, 100cm x 69cm (unframed on stretcher)

Lot 190

£200-300 191 ATTRIBUTED TO JAN MOLENAER (1610-1668) A river landscape with a water mill, with a fir tree to one side and a figure on a track, signed, oil on panel, 54.5cm x 43cm Provenance: Major General Mark Bond OBE (1922-2017), Moigne Combe, Dorchester, Dorset £600-800 192 AFTER GERRIT DOU (1613-1675) ‘A Hermit Praying’ oil on canvas, 56cm x 43cm £200-400

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Lot 194

194 JAN JANSZ STOMME (FL. 1643-1657) Half-length portrait of man wearing black, grasping a rolled piece of paper in his right hand, his gloved left hand resting on a book, oil on canvas, 69cm x 58cm

193 FOLLOWER OF WILLEM VAN DER VELDE (1633-1707) The Evening Gun with a launch coming alongside a man o’war and other vessels in a calm sea, oil on canvas, 34.5cm x 45.5cm, in a 19th century giltwood and gesso frame

£1,000-2,000

Provenance: Major General Mark Bond OBE (1922-2017), Moigne Combe, Dorchester, Dorset £200-400 71

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195 ASCRIBED TO SIR PETER LELY (1618-1680) Half-length portrait of Sir William Morice depicted wearing plate armour and lace jabot, tied with a blue silk ribbon, oil on canvas, 74cm x 60cm, in in a contemporary giltwood auricular frame Provenance: Sold at Christie’s, 22nd March 1968 as Lely Private Collection, Berkshire £3,000-5,000 Sir William Morice (c.1628-1690) of Werrington, Cornwall (then Devon) was an English Member of Parliament.

His father, also Sir William Morice (1602-1676) was an English statesman and theologian who assisted in the Restoration of King Charles II. A portrait of the elder Morice by Jacob Huysmans is in the collection of the National Trust at Antony, Torpoint, Cornwall, in addition to a portrait of the younger Morice’s eldest daughter Mary (later the wife of Sir John Carew of Antony) by John Riley.

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196 ASCRIBED TO SIR PETER LELY (1618-1680) Half-length portrait of a gentleman wearing yellow doublet beneath a breastplate, oil on canvas, 73cm x 58cm, in a contemporary giltwood auricular frame Provenance: Private Collection, Berkshire ÂŁ3,000-5,000

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Lot 197

Lot 198 197 MANNER OF JAN WYCK (1652-1702) ‘The Hunt’ hounds and huntsmen in pursuit in an extensive landscape, oil on canvas, 86.5cm x 148cm Provenance: Property of a European Nobleman £600-800 198 AFTER JAN WYCK (1652-1702) ‘James Scott, Duke of Monmouth and Buccleuch’ oil on canvas, 30cm x 41cm

Lot 199

£300-500 199 AFTER THE BAMBOCCIANTI Figures outside a city, oil on canvas, 60cm x 72cm £200-400

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Lot 200

200 NAIVE SCHOOL, 18TH CENTURY A gentleman on horseback with three dogs pursuing a hare, inscribed “Ironside Pinxit - 1770” lower right, oil on canvas, 63cm x 126cm

Lot 201

£1,000-2,000 201 MANNER OF JOSEPH WRIGHT OF DERBY (1734-1797) Two boys blowing up a pig bladder balloon, oil on canvas, 71cm x 90cm (unframed on stretcher) £500-1,000 202 ATTRIBUTED TO THOMAS STOTHARD (1755-1834) A maiden, putti and a leopard in a garden, inscribed “Stothart, J. Hain Friswell” verso, oil on board, 12cm x 10cm £100-200

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ATTRIBUTED TO DEAN WOLSTENHOLME (1757-1837) A hunting scene with hounds cornering a fox, oil on panel, 38cm x 51.5cm; and the companion work of gentlemen taking a rest during a shoot (2)

Lot 203

£500-1,000 204 ASCRIBED TO JOHN CROME (1768-1821) A landscape with a windmill, oil on panel, 24cm x 29.25cm

Lot 204

£300-500 205 CONTINENTAL SCHOOL Study of a soldier kneeling over a fallen foe, oil on canvas, 25cm x 29.5cm £100-200 206 CONTINENTAL SCHOOL Extensive river landscape with figures conversing and fishing beside classical ruins to the foreground, oil on canvas, 43cm x 75cm

Lot 207

£200-400 207 CONTINENTAL SCHOOL Study of a peasant boy seated beside a water source, a pot on his lap, a piece of food in his right hand, an onion on the floor beside his feet, oil on panel, 49.5cm x 38cm £200-300 208 ENGLISH SCHOOL, 19TH CENTURY Wrecked ship in rough seas along the coast, a cliff top castle beyond, oil on canvas, 60cm x 90cm £200-300

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Lot 211

212 JAMES STARK (1794-1859) A drover and her cattle on a country lane, monogrammed lower left, oil on panel, 25.5cm x 37.5cm

AFTER JOHN CONSTABLE (1776-1837) ‘Flatford Mill (Scene on a Navigable River)’, oil on canvas, 99cm x 126cm £200-400

£300-500

210 ATTRIBUTED TO ANTHONY VANDYKE COPLEY FIELDING (1787-1855) Extensive open landscape with figures and cattle to the foreground and a lakeside keep to the distance, oil on canvas, 50cm x 60cm

213 CHARLES NICOLAS LEMERCIER (1797-1859) Figures resting under the shade of a tree at the edge of a forest, signed lower right, oil on canvas, 31cm x 39cm

£300-500

£200-400

211 CLARKSON STANFIELD (1793-1867) ‘On the East Coast’ signed and dated 1857 lower right, oil on canvas, 60cm x 90cm

214 CONTINENTAL SCHOOL, 19TH CENTURY Coastal moonlit scene with boats at anchor and a clifftop cottage with smoking chimney, oil on canvas, 34cm x 52.5cm

£1,000-2,000

£200-300

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215 SIR EDWIN HENRY LANDSEER (1802-1873) ‘Landscape with Shepherd and Sheep’, oil on panel, 27.5cm x 45cm Exhibited: ‘Paintings and Drawings by Sir Edwin Landseer RA’ Royal Academy of Arts, London, 1961, no. 29, listed as “Probably an early work”, Lent by Mrs Stanley Robinson, Steepleton, Iwerne Steepleton, Blandford Forum, Dorset.

Provenance: Acquired from P & D Colnaghi & Co Ltd, 14 Old Bond Street, London W1 £10,000-20,000

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Lot 219

219 ENGLISH SCHOOL, 19TH CENTURY View of Durham Castle and Cathedral, looking along the River Wear towards Prebends Bridge, with numerous figures including Military Officers congregating on Framwellgate Bridge to the foreground, oil on canvas, 66cm x 93cm

216 CONTINENTAL SCHOOL Street scene with figures, looking towards a church tower, indisctinctly signed and inscribed lower right, oil on panel, 22cm x 18cm £100-200

£700-1,000

217 CONTINENTAL SCHOOL, 19TH CENTURY View of a church through trees and over a river, oil on panel, 10.5cm x 18cm in a gilt frame named for Jean Baptiste Camille Corot (1796-1875)

220 HENRY BRITTAN WILLIS (1810-1884) Cattle watering in a river beside two ladies seated on the riverbank dipping their toes in the water, signed and dated 1850 lower right, oil on canvas, 44cm x 59cm

£100-200 218 ANTHONIE JACOBUS VAN WYNGAERDT (1808-1887) A river or harbour scene with a boat to the foreground and buildings beyond, oil on board, 23cm x 32cm

£300-500 221 A VICKERS (19TH CENTURY) River landscape with cattle and figures to the foreground, signed and dated 1855 lower right, oil on board, 27cm x 37cm

£200-300

£200-300 80

Lot 222

Lot 223 222 RUSSIAN ORTHODOX SCHOOL Icon of the Madonna and Child flanked by inscriptions and portraits of saints, tempera and gold leaf on a convex wooden panel, 30.5cm x 26.5cm framed together with its white metal oklad Provenance: Castlegar, County Galway, Ireland £300-600 223 RUSSIAN ORTHODOX SCHOOL LATE 19TH CENTURY Christ and his attendants with inscription below tempera and gold leaf on a wooden panel 18cm x 15cm £300-400

Lot 224

224 ASCRIBED TO NATHANIEL HONE II (1831-1917) River landscape, monogrammed lower right, oil on canvas laid on board, 24cm x 36cm £250-450

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Lot 225

Lot 226

225 WILLIAM JOSEPH JULIUS CAESER BOND (1833-1926) Coastal scene with beached fishing boats to the foreground, signed lower right, oil on canvas, 51cm x 76cm £600-1,200 226 HENRY CHARLES BRYANT (1835-1915) ‘Visitors Approaching’ a donkey in a field being approached by ducks, signed lower right, oil on canvas, 34cm x 44cm

Lot 227

£300-500 227 ALFRED EAST (1849-1913) Cottage scene with figures, oil on canvas, 29cm x 22cm £250-350

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228 EDUARD CHARLEMONT (1848-1906) A full length portrait of the Hon. Alice de Worms (1865-1952) aged eight, signed and dated 1873 lower right, oil on panel, 140.5cm x 80cm The Hon. Alice de Worms was the daughter of the first Baron Pirbright (1840-1903) and the great grandaughter of Mayer Amschel Rothschild (1744-1812), the founder of the Rothschild banking dynasty.

She married her second husband David MacLaren-Morrison in 1892 and her daughter Theodora (1900-1928) married Herbert Weld (1852-1935) of Lulworth in 1923. ÂŁ4,000-8,000 83

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229 FREDERICK WHITEHEAD (1853-1938) ‘Bulbarrow’ an extensive landscape depicting sheep atop Bulbarrow Hill, Dorset, overlooking the Blackmore Vale, signed and dated 1894 lower left, oil on canvas, 35cm x 55cm Provenance: Commissioned by Thomas Hardy (1840-1928) as a reduced version of Whitehead’s ‘Blackmore Vale (from Bulbarrow)’ The Estate of Dr. E. W. Mann, Thomas Hardy’s physician, and thence by descent £2,000-4,000 Duke's are grateful to Gwen Yarker for her assistance in cataloguing this lot Whitehead and Hardy

Among the first British impressionists exhibiting art specifically relating to Hardy’s Wessex was Frederick Whitehead.

Working en plein air - directly from nature - with landscapes viewed through a Hardyean lens- he embraced the Hardy brand - which was advantageous when exhibiting and selling work in London’s Royal Academy and other galleries.

Critics noted that Whitehead’s work attracted considerable attention outside art circles because of Mr. Hardy’s connection with the county.

To further emphasise the point, Whitehead accompanied his work with relevant Hardy quotations, often from Tess or the Return of the Native. Whitehead knew Hardy and was aware of his writings of the Wessex countryside, he wrote of reading his novels in the evening, relishing the descriptive passages of every hamlet of cob and thatch, and then painting his landscape settings by day. Whitehead often adopted overt Hardy references in his titles and accompanying text to make the work more commercial.

This nexus between pictures, place and words was sanctioned by Hardy who so admired Whitehead’s large painting of Blackmore Vale [ from Bulbarrow] - that he commissioned a smaller version (the lot offered here).

Hardy’s wife Emma painted landscapes explicitly acknowledging Whitehead’s influence, closely copying his work, as in her painting of Bulbarrow (now in the collection of the Dorset County Museum), which she inscribed as ‘after Whitehead’.

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230 ENGLISH SCHOOL, 19TH CENTURY Figure on a country path beside a windmill, oil on panel, 27cm x 36.5cm

Lot 232

£100-200 231 ENGLISH SCHOOL, 19TH CENTURY A naive style head and shoulders portrait of a young girl, oil on canvas, 39cm x 29cm £200-300 232 AGAPIT STEVENS (1849-1917) Orientalist style full-length portrait of a woman and child in an interior, signed upper right, oil on canvas, 109cm x 70cm £400-800 233 PERCY MACQUOID (1852-1925) A young girl standing on the steps of her house looking over her crop of artichokes, signed and dated 1875 lower right, oil on canvas, 31cm x 26.5cm

Lot 233

£500-1,000 234 DANIEL SHERRIN (1868-1940) Highland Cattle in a landscape, signed lower right, oil on canvas, 65cm x 54cm £200-400 235 W. DOWDEN (18th/19th Century) Steam Coaster in heavy seas, signed lower left, oil on canvas, 37cm x 55cm Similar works by the artist can be found in the collection of the Aberdeen Maritime Museum and Goole Museum £200-300

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Lot 236

236 ALGERNON TALMAGE (1871-1939) ‘The Old Chalk Pit’ signed and dated (19)09 lower right, oil on canvas, 61cm x 77cm

Lot 237

Exhibited: Carnegie Institute, Pittsburgh, Pennsylvania, USA, label verso listing the owner of the work as “artist” £800-1,500 237 ALGERNON TALMAGE (1871-1939) A study of figures on a beach below an imposing cliff face, signed and dated 1911 lower right, oil on panel, 37cm x 45cm £300-500 87

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Lot 238

238  ARTHUR A DIXON (1872-1959) Garden scene with a seated figure reading a book to the foreground,a woman and a young boy looking down a well and children dancing beyond, signed and dated 1913 lower right, oil on canvas, 121cm x 81cm £400-800 239 H CLARE, 19TH/20TH CENTURY Still life study of fruit and flowers on a stepped stone ledge, signed lower right, oil on board, 60cm x 30cm; together with a similar still life study of fruit, signed lower left, oil on board, 60cm x 30cm (2) £200-300 240 J. BAGE (19TH/20TH CENTURY) Sailing barges moored beside cottages on an estuary, signed lower left, oils, 35cm x 80cm; and the companion study of boats on an estuary (2) £200-400 241 ITALIAN SCHOOL, 20TH CENTURY A head and shoulders profile portrait of a gentleman, dated 1910 above the sitters head, the frame with name plate for Giovanni Boldini (1842-1931), oils, 30cm dia.

Lot 241

£300-500 242  HENRI JOSEPH PAUWELS (1903-1983) Study of woodland stream, signed lower right, oil on canvas, 37cm x 49cm £100-200

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243  HENRI JOSEPH PAUWELS (1903-1983) Still life study of flowers, signed lower right, oil on canvas, 84cm x 99cm

Lot 243

£300-500 244  HENRI JOSEPH PAUWELS (1903-1983) View of cottages, a church spire to the distance, signed lower right, oil on canvas, 64cm x 74cm £300-500

Lot 244

245  HENRI JOSEPH PAUWELS (1903-1983) Cottage interior, signed lower right, oil on canvas, 65cm x 69cm £300-500 246  HENRI JOSEPH PAUWELS (1903-1983) Blossoming trees in front of a cottage, signed lower right, oil on canvas, 63cm x 67cm

Lot 245

£300-500 247  HENRI JOSEPH PAUWELS (1903-1983) Continental street scene with figure, signed lower right, oil on canvas, 68cm x 63cm £300-500

Lot 246

248  HENRI JOSEPH PAUWELS (1903-1983) Still life study of flowers in a vase beside a bowl, signed lower right, oil on canvas, 67cm x 65cm £300-500 249  HENRI JOSEPH PAUWELS (1903-1983) Still life study of flowers in a vase beside pot and cover, signed lower right, oil on canvas, 69cm x 64cm £300-500 89

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250  SIR PETER SCOTT (1909-1989) A study of swans in flight, signed and dated 1968 lower right, oils on panel, 90cm x 142cm £5,000-8,000

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Portrait Miniatures

251 MANNER OF RICHARD GIBSON (1615-1690) Portrait of a young gentleman wearing plate armour and lace jabot, watercolour, probably on vellum, oval, 8.25cm x 6.5cm in a gilt-metal frame with scrolling surmount

Lot 252

Provenance: Private Collection, Somerset £500-1,000 252 ENGLISH SCHOOL, 18TH CENTURY Portrait of a gentleman wearing a maroon velvet jacket, watercolour, oval, 8cm x 6.5cm Provenance: Private Collection, Somerset £200-400 253 ENGLISH SCHOOL, 19TH CENTURY Portrait of Rev. John Fitz Moore-Halsey, watercolour, 9cm x 7cm

Lot 253

Provenance: Private Collection, Somerset Reverend John Fitz Moore-Halsey (1795-1864) lived at Gaddesden Estate, near Hemel Hempstead, Hertfordshire, home of the Halsey Family since before the dissolution of the monasteries by King Henry VIII. £200-400 254 ENGLISH SCHOOL, 19TH CENTURY Naive style portrait of a young girl wearing a blue jacket and white blouse with oversized lace collar, watercolour, oval, 4.5cm x 3.75cm, in a foliate engraved gilt-metal frame; together with an overpainted photograph of a young woman (2) Provenance: Private Collection, Somerset £200-400

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Lot 251

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Lot 255

255 NAIVE SCHOOL, 19TH CENTURY Pair of studies of young girls in dresses and bonnets, one holding a doll, the other a basket of flowers, c. 1820, watercolour, each 13.5cm x 8cm (2) £300-500 256 MANNER OF SOPHIE LIENARD (fl. 1837-1845) portrait of Elisa Bonaparte (1777-1820), sister of Napoleon, 7.5cm x 6cm (oval); together with a naive style portrait miniature of a lady wearing a white dress and red necklace, 6.75cm x 5.5cm (oval) (2)

Lot 256

£200-400

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Books

Lot 267 detail 95

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Lot 261

261 “THE LIFE AND EXPLORATIONS OF DR LIVINGSTONE” Adam & Co. 14 Ivy Lane, London, J.G. Murdoch, 46 Castle Street, Holborn; Robert Mofatt “Missionary Labours and Scenes in Southern Africa”, 1842, John Snow, Paternoster Row, London and a quantity of similar volumes relating to Livingstone, Moffatt and Missions in Africa

257 BENEDICTI ARIAE MONTANI (BENITO ARIAS MONTANO); HISPALENSIS COMMENTARIA in duodecim prophetas nunc tandem ab ipso auctore recognita, 1583, in velum bound £100-200

Provenance: The Moffatt Family and thence by descent

258 EMMANUEL BENEZIT ‘Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs’ Libraire Grund, 1960, 8 vols.

£200-400 262 SIDNEY HEATH AND W. DE C. PRIDEAUX ‘Some Dorset Manor Houses’ 1907, Bemrose and Sons Limited; ‘Memoir and Letters of the Rev. Sydney Smith’ by his daughter Lady Holland, two volumes, 1855, Longman, Brown, Green and Longmans, London; C.P. Snow ‘The Sleep of Reason’ uncorrected proof copy, Macmillan, with inscription from the author (4)

£50-100 259 QUANTITY OF BOOKS ON ART AND ANTIQUES Including ‘History of English Furniture’ by Macquiod (a lot). £50-100

£100-200

260 ANTHONY DU BOULAY “Chinese Porcelain” Octopus Books, 1963, and a quantity of books on Antiques, Art and Arms (12)

263 DORSET INTEREST: AN INDENTURE DOCUMENT between a Dorset based gentleman and another, dated 1891, 57cm x 69cm

£50-100

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264 LEWIS CARROLL ‘Alice’s Adventures Under Ground’ Publ. Macmillan and Co, London, 1886, Richard Clay and Sons, London, with thirty-seven illustrations by the author, first edition, presentation copy, inscribed on the half title in purple ink “Lilian Morgan from the Author, Jan 1887” , the cover bound in cloth with gilt embossed highlights £1,000-1,500

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Lot 266

268 THOMAS HARDY INTEREST: A QUANTITY OF VOLUMES relating to the life and works of Hardy, mostly first editions (15)

265 IV VOLUMES HISTORY OF DORSET

by John Hutchins third edition with a correct map of the county , and views of antiquities, seats of the nobility and gentry full leather bound circa 1861

£200-300

£400-600 269 FLORENCE EMILY HARDY ‘The Life Of Thomas Hardy’ Vols I & II, Publ. Macmillan & Co, Vol I 1840 - 1981, Vol II 1892 - 1928, Ex Libris Lawrence Jones Balliol, Vol I first edition 1926, new edition 1933, signed in black pen to front inside page “With all good wishes to Jack Jones from Florence Hardy Max Gate - 1935” Vol II first edition 1930, new edition 1933, signed in black pen “Jack Jones from F.E.H” both in maroon cloth with paper sleeves, dust jackets (2)

266 FROM THE PERSONAL LIBRARY OF THOMAS HARDY, MAX GATE: SIR ARTHUR QUILLER-COUCH: ‘ON THE ART OF WRITING’ Publ. and printed Cambridge University Press 1916, first edition, presentation copy, bookplate From The Library of Thomas Hardy O.M., Ex Libris H.V.INGRAM reverse of front cover, page inscribed in black ink “To Thomas Hardy from “Q” , March 8th 1916, blue cloth bound with gilt spine, dust jacket.

£200-300

£400-600 270 THOMAS HARDY (1840-1928) ‘The Dynasts’ Macmillan And Co. Ltd. London, 1923, single volume, with ink inscription “Dr. E. W. Mann, from Katherine Hardy” two further Hardy volumes and two volumes on T.E. Lawrence ‘The Letters of T.E. Lawrence’ and ‘Revolt in the Desert’ (5)

267 THOMAS HARDY (1840-1928) ‘The Wessex Novels’ Macmillan & Co, London, 1912/13, Wesex Edition, twenty numbered volumes and an un-numbered volume ‘A Changed Man’ 1914; Hermann Lea ‘Thomas Hardy’s Wessex’ Macmillan & Co, London, 1913, two examples, one inscribed Katherine Hardy” in ink to the frontispiece (23)

Provenance: The Estate of Dr. E. W. Mann, Thomas Hardy’s physician, and thence by descent

Provenance: The Estate of Dr. E. W. Mann, Thomas Hardy’s physician, and thence by descent £200-300

£50-100

98

Works of Art

Lot 318 detail 99

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

271 VICTORIAN CHRISTENING GOWN AND ROBE the satin and lace ruffled robe, with button fastening to the neckline, together with a matching satin and lace cap, a cotton Christening gown, with lace detail to the front panel, with several cotton petticoats, two matinee coats, bonnet and matching booties.

Lot 271

£300-500 272 SILKWORK MAP OF THE UNITED KINGDOM 19TH CENTURY framed, 38cm wide, 46cm high £200-400 273 THREE NEEDLEWORK SAMPLERS 18TH / 19TH CENTURY two framed and one unframed, largest 30cm wide, 52cm high; together with a FRAMED VICTORIAN WOOLWORK, 19TH CENTURY, depicting a flowering urn, 35cm wide, 38cm high (4) £200-300

Lot 276

274 THREE NEEDLEWORK SAMPLERS 19TH CENTURY largest 19cm wide, 34cm high £100-200 275 LARGE VICTORIAN NEEDLEWORK DATED 1874

by Harriet Ellen Gunner, aged 10 years, 66cm wide, 68cm high £200-400

Lot 277

276 PAIR OF TAPESTRY CUSHIONS each worked with an oval panel of Diana The Huntress in a landscape with hounds, in a strapwork border with flowers, fruit and lion’s masks, with later velvet backs, the panels probably 17th century, 60cm x 50cm (2) £200-400 277 FOUR TAPESTRY CUSHIONS worked with fruit and flowers within conforming borders with green velvet backs, the tapestry 17th century, 48cm x 48cm and various (4) £200-400 100

Lot 278

280 CONTINENTAL GILT-METAL PHOTOGRAPH FRAME inset with ‘jewels’ and cabochons, 28cm high x 16.5cm depth

278 AUBUSSON TAPESTRY 19TH CENTURY depicting a romantic scene in the manner of Watteau, 240cm wide, 250cm high

£100-200

£700-900 279 TWO CONTINENTAL ENAMEL SNUFF BOXES 18TH CENTURY one painted in puce with cherubs in landscape views the other with floral festoons, 8cm & 8.5cm wide

281 CONTINENTAL PLIQUE-A-JOUR AND GILT-METAL BASKET CIRCA 1900 of hexagonal for with a double swing handle, the sides decorated in coloured enamels panels of flowers and an exotic bird, raised on four cabriole feet, 15cm wide

£80-150

£100-200

101

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282 AUSTRIAN SILVER GILT AND AGATE COMPORT LATE 19TH CENTURY the oval agate bowl supported by a cherub and dragon cast stem, ending on a circular foot with enamel and ‘jewelled’ decoration, 14cm high £800-1,200

283 CONTINENTAL SILVER AND ENAMEL COVERED COMPOTE LATE 19TH CENTURY the green enamel sides with applied angel mask and stiff leaf decoration, 15cm high £250-450

284 CONTINENTAL ENAMEL SNUFF BOX 18TH / 19TH CENTURY painted with a mythological scene depicting Diana the huntress, 7cm wide

285 NEO-CLASSICAL MARBLE ROUNDEL carved in relief with a maiden with flowing hair surmounted by a crescent, 18th century, 12.75” dia.; and a similar roundel in the Greek style, 11.25” (2)

£200-300

£100-200 102

286 SIENNA MARBLE ‘GRAND TOUR’ RUIN 19TH CENTURY depicting the temple of Vespasian, 37cm high £1,000-2,000

103

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287 ITALIAN MICRO MOSAIC PLAQUE CIRCA 1840 depicting figures seated by the shore line, overlooking the Isle of Nisida, 38cm wide, 36cm high £8,000-12,000

104

105

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288 FRENCH GILT BRONZE BOULLE CIGAR BOX LATE 19TH CENTURY in the Louis XIV style, inlaid throughout with flowering urns, exotic birds and scrolling leafy tendrils, raised on toupie feet, 27cm wide Provenance: Castlegar, County Galway, Ireland £500-1,000

289 ANGLO-INDIAN “VIZAGAPATAM” IVORY WORK BOX LATE 18TH/EARLY 19TH CENTURY of rectangular form, the lid with engraved and inked decoration of a country house in a be-fenced park with elegant trees, within formalised floral scroll borders, with a side similarly decorated and with side carrying handles, the sandalwood interior with a hinged lid and internal divisions, 55cm wide x 31cm deep £400-600

291 ANGLO-INDIAN BRASS INLAID ROSEWOOD TRAY with carved foliate decoration and twin carrying handles 73cm wide

290 ANGLO-INDIAN SEWING STAND LATE 19TH CENTURY with carved bone attachments, 19cm wide £100-200

£100-200

106

292 RARE CHARLES II HORN AND CARVED WOOD SNUFF BOX DATED 1685 the oval box bears a verse “remember well and bare in mind a faithful friend is hard to find I H 1685”, 9cm wide £500-1,000

295 THREE CASED SETS OF SHELL SPECIMENS 20TH CENTURY largest case, 45cm wide

293 VICTORIAN COROMANDEL AND BRASS BOUND WRITING SLOPE CIRCA 1880 the rectangular top with central cartouche and corner trefoils, the sides with flush fitting twin carrying handles, the fitted interior with a green leather writing surface with gilt tooling, 40.5cm x 26cm x 13cm

Provenance: Purchased at Sotheby’s, lot 93, 29th October 2002. £100-200

£150-250

296 PAIR OF PLASTER NEO CLASSICAL STYLE PILASTERS modelled as female caryatids, 94cm high

294 VICTORIAN MINIATURE MAHOGANY BOW FRONT CHEST of two short and three long graduated drawers flanked by quarter pilasters, on turned feet, 52.5cm wide x 54.5cm high

£200-400

£150-250 107

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Lot 297

299 PAIR BRASS TABLE LAMPS late 19th century, the “Aladdin”-style oil lamps with lamp shades, on circular bases, 55cm high (2)

297 SET OF FOUR CARVED PAINTED-GILTWOOD AND GESSO WALL SCONCES the palmette carved backs each centred by ‘blackamoor’ figures, and from which issue two outscrolling candle branches, 83cm high

£150-250 300 PAIR OF HEPPLEWHITE STYLE GILTWOOD WALL LIGHTS the back plates carved to form a quiver of arrows, from which issues two outscrolling candle arms, 43cm high

£1,500-2,000 298 FRENCH GILT-BRONZE AND CUT GLASS TAZZA CIRCA 1900 the pedestal base surmounted by a winged cherub supporting a cut glass tier, 31cm diam

£300-500

Provenance: Castlegar, County Galway, Ireland £300-500 108

301 FINE AND IMPRESSIVE GILT-BRONZE EMPIRE CANDELABRA CIRCA 1830 the triform base with hoof feet and lions mask supports, surmounted by a reeded column from which issues three mythical caryatid Egyptian revival candle sconces Provenance: Castlegar, County Galway, Ireland £2,000-4,000

302 PAIR OF LOUIS XVI ORMOLU CANDLESTICKS each with an everted detachable nozzle over a leaf-cast bobeche, the tapering columnar shaft supported on a waisted socle and a spreading leaf and bead-cast circular foot, 29cm high Provenance: A Somerset country house.

These distinctive neo-classical candlesticks may be compared to two pairs from the collection of Maurice Segoura sold at Christie’s New York on 19th October 2006. £500-1,000

109

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303 FRENCH GILT-BRONZE TABLE-DE-SURTOUT 19TH CENTURY in the neo classical style, raised on paw feet, 41cm diam Provenance: Castlegar, County Galway, Ireland £500-1,000

304 PAIR OF LOUIS XVI STYLE BRONZE AND GILT-BRONZE LAMPS EARLY 20TH CENTURY the square bases surmounted by three bacchic scroll supports, and centred by coiled serpent columns, 59cm high (fitted for electricity) Provenance: Castlegar, County Galway, Ireland £400-600

305 PAIR OF LOUIS XV STYLE GILT-BRONZE CANDELABRA LATE 19TH CENTURY modelled as cherubs supporting two upturned candle branches, raised on white marble bases with applied mounts and toupie feet, 20cm high, previously fitted for electricity £200-400

110

306 LARGE PAIR OF LOUIS XV STYLE MARBLE AND GILT-BRONZE CANDELABRA LATE 19TH CENTURY the urn form bases with applied bacchic mask handles, and issuing four upturned naturalistic candle branches, terminating on toupie feet, 73cm high Provenance: Castlegar, County Galway, Ireland £1,000-2,000

307 PAIR OF LOUIS XVI STYLE BRONZE AND MARBLE CANDELABRA CIRCA 1900 modelled as cherubs holding a cornucopia from which issues five upscolling candle branches, raised on fluted white marble bases and toupie feet, 42cm high £800-1,200

111

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308 PAIR OF GILT-BRONZE CANDELABRA 19TH CENTURY in the aesthetic manner, the griffin mask triform base with a vine cast stem surmounted by four candle nozzles, 66cm high £600-900

312 PAIR OF BOHEMIAN GLASS, BRONZE AND MARBLE CORNUCOPIA VASES LATE 19TH CENTURY modelled dolphins supporting gilt enriched ruby glass cornucopia vases, raised on rectangular bases, 27cm high

309 TWO COPPER LOG BINS 19TH CENTURY each with a swing handle, 34cm wide; together with a similar brass bin and a brass urn (4) £100-200

£200-300

310 GEORGIAN STYLE PEWTER LIDDED WINE EWER 19th century, with scroll handle and domed cover, on circular fluted base, with crown feathers stamp mark to the base, 28cm high

313 AFTER EUTROPE BOURET 19TH CENTURY Musician, bronze, raised on a marble base, signed Bouret, 61cm high

£100-200

£300-450

311 DUTCH BRASS CHANDELIER central ball turned column with eleven candle sconce arms, 85cm drop

314 NOVELTY BRONZE INKWELL EARLY 19TH CENTURY modelled as a winged cherub in a barrel of grapes, the cover lifting to reveal fitted interior, 10cm high

£600-800

£200-400 112

315 AFTER THE ANTIQUE: A DANCING FAUN bronze, raised on a marble pedestal base, 19cm high, 29cm high (including base) £300-500

Lot 315

316 PAIR OF FRENCH SILVERED BRONZE FIGURAL VASE AFTER LOUIS KLEY LATE 19TH CENTURY each modelled as cherubs holding amphoras, raised on rouge marble bases, signed L Kley, 19cm high £200-400 317 MATTHEW NOBLE: A SMALL TERRACOTTA BUST OF GILES PULLE dated 1864, raised on a sienna marble base, 23cm high £200-400

Lot 318

318 PIERRE-JULES CAVELIER (1814-1894) ‘Penelope’ in the neo classical taste, signed J Cavelier and with Barbedienne Fondeur stamp, 25cm high £800-1,200 319 AFTER THE ANTIQUE: STANDING MERCURY bronze, raised on a circular base £300-500 320 AFTER THE ANTIQUE: VENUS bronze, bears Barbedienne seal mark and inscription, 106cm high £300-600 321 AFTER THE ANTIQUE: MARCUS AURELIUS LATE 19TH CENTURY raised on a later wooden base, 17cm high (without base)

Lot 321

£200-300 322 BRONZE FIGURE OF A CHILD EARLY 19TH CENTURY modelled as the child seated on a cushioned stool cuddling a small dog, 11cm high £100-200 113

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 323

324 LARGE CONTINENTAL CARVED WOOD FIGURE GROUP 20TH CENTURY modelled as two semi-naked men one draped in a lions pelt and the other a goat, raised on a naturalistic base, 73cm high

323 AFTER GUILLAUME COUSTOU (1677-1746) Pair of Marley Horses, each being restrained by a groom, signed to the naturalistic bases, 59cm high £2,000-4,000

£2,000-3,000

Lot 324

114

Lot 325

325 TABLE-TOP ROULETTE WHEEL

by John Huxley, London, the chromed turret on a central revolving section with burrwood veneer with red and black sequenced pockets and two green ‘zero’ pockets, on a stained wood base, 80cm diameter £500-800 326 SANTA CLAUS FAIRGROUND BALL GAME depicting a polychrome decorated bust of Father Christmas with open mouth, above the playing area with painted numbers and instructions “All balls must score” on a blue painted wooden base 76cm x 56cm x 73cm £500-800 327 LIGHT WOOD MODEL OF A CANADIAN CANOE 97cm long £200-400

115

Lot 326

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

328 SUPERMAN INTEREST: A LARGE SCALE LIGHT UP DAILY PLANET GLOBE with relief stencil lettering on a ring around the globe, approx. 92cm high £1,200-1,800

116

Watches, Clocks and Scientific Instruments

Lot 350 detail 117

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 329

Lot 330

329 TAG HEUER CHRONOGRAPH GENTLEMAN’S WRISTWATCH with manual wind movement, the blue dial with white double subsidiary dials, silver baton numerals and hands, date aperture, on a black leather strap, no. 741-1, the case approx. 34mm

332 JOHN WALKER OF LONDON: AN 18CT GOLD HALF-HUNTER POCKET WATCH with keyless wind movement, the white enamel dial with subsidiary seconds dial, black Roman numerals and dark blue steel hands, no. 17496, the case c.44mm dia., (c.93grams)

£1,500-2,000

£200-400

330 ROLEX 18CT GOLD OYSTER PERPETUAL DATE JUST LADY’S BRACELET WATCH with automatic movement, the black dial with diamond numerals and gold hands, date aperture, Rolex crown and diamond bezel, with original Rolex box, the case. approx 26mm dia.

333 COZENS MATTHEWS AND THORP OF LONDON: AN 18CT GOLD OPEN-FACED POCKET WATCH with key-wind movement, the white enamel dial with subsidiary seconds dial and dark blue steel hands, black Roman numerals and gold hands, no. 99618, (c.92grams)

£3,000-4,000

£200-400

331 JW BENSON OF LONDON: A 9CT GOLD OPEN FACED POCKET WATCH the white enamel dial with black Roman numerals, dark blue steel hands and subsidiary seconds dial; and a 9ct gold chain-link pocket watch chain, in a leather Dent of London pocket watch box, no. 487761, the case approx. 44mm dia.

334 9CT GOLD CHAIN-LINK POCKET WATCH CHAIN (c.14 grams) £200-400

£400-600

335 18CT GOLD CHAIN-LINK POCKET WATCH CHAIN (c.39grams) £400-600 118

336 EARLY 20TH CENTURY GERMAN SYMPHONION TOGETHER WITH 32 DISCS the double combe with seral number “290472”, wind motor on right brass handle, pull start button on left brass handle, in a walnut case with brass claw feet, the interior lid with sepia picture of young musicians, 51cm x42cm x26cm £1,000-1,500

119

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344 FRENCH FOUR GLASS MANTLE CLOCK the 10cm white enamel dial with Roman numerals, inscribed “ J W Benson London”, the movement with outside count wheel, striking on a coiled gong, mercury pendulum, in a bevelled glass and brass case with Corinthian columns 34cm

337 BRASS SINGLE DRAWER TELESCOPE inscribed ‘James Motion, Singapore’, the body bound in plaited rope, 69cm long (extended) £100-200

£200-400

338 19TH CENTURY BRASS TELESCOPE with mahogany & brass folding tripod stand, fitted stained pine box, lenses and paper work

345 BELLE EPOQUE LYRE-SHAPED GILT METAL MANTEL CLOCK the case with a jewelled bezel surmounted by floral swags and urn finial, the white enamel dial with Arabic numerals conjoined by floral garlands, with two train movement with outside count wheel striking on a single bell, 37cm

£700-900 339 19TH CENTURY MAHOGANY BANJO BAROMETER with dry/damp dial over thermometer mirror, main dial and alcohol bubble and broken arched pediment, 99cm

£250-350 346 REGENCY STYLE “MILLENNIUM 2000” MAHOGANY MANTEL CLOCK of architectural form, the white enamel dial with Roman numerals enclosing three train movement, inscribed “Millennium 2000 Meridian Clocks, Greenwich, England”, with three subsidiary dials, 15”

£120-180 340 19TH CENTURY STICK BAROMETER the split ivory dial, inscribed “Uglow Newton Abbott”, in an oak case with fitted thermometer, 90cm

£150-200

£300-500

347 FRENCH BOULLE MANTLE CLOCK the gilt metal dial with Roman numeral tablets, the movement stamped “A&N 2453”,striking on a coiled gong, in a boulle case with metal mounts. 32cms high

341 MINIATURE ITALIAN AGATE TABLE CLOCK the dial with Roman numerals and outer Arabic seconds numerals, the case with gilt mounts, claw feet and lion finial, the reverse stamped “CHIELLINI CLOCK COMPANY ITALY 2000”

£250-350 348 19TH CENTURY FRENCH EMPIRE STYLE PORTICO MANTLE CLOCK the silvered dial with Roman numerals, cast gilt bezel and pendulum, the drum movement with outside count wheel, striking on a bell, in an inlaid rosewood case, with column supports, 51cm

£100-150 342 FRENCH GILT BRASS STRIKING CARRIAGE CLOCK the white enamel dial with Roman numerals, inscribed “ WILSON PENRITH”, the movement striking on a coiled gong, in a fitted gilt brass case with swing handle. 17cms high including the handle.

£300-500 349 GUSTAV BECKER LATE 19TH CENTURY BRACKET CLOCK the 20cm silver dial, with Roman numerals, the three train movement striking on a coiled gong, the back plate inscribed “ Gustav Becker” “ MEDAILLE D’OR” , in a mahogany case, with burr walnut panels, 39cm

£200-400 343 FRENCH EIGHT DAY REPEATING CARRIAGE CLOCK the 5.5cm dial with Roman numerals, inscribed “ Monk Bros Bolton”surrounded by a silvered mask, the movement stamped “BREVETTE SDGD” striking on a coiled gong, in a brass case with swing handle, 19.3cm high including the handle

£200-400

£150-250 120

350 BIRCH AND GAYDON LTD EIGHT DAY CHRONOMETER ENGLISH BRACKET CLOCK CIRCA 1930 in the style of Thomas Mercer, the 14cm silvered dial with subsidiary seconds and up/down dials, inscribed “Birch & Gaydon ltd, 155 Fenchurch St London”, the chain fusee movement with maintaining power, Ernshaw’s spring detent escapement with split bi-metal balance and helical spring, in a burr walnut case with brass string inlay, the reverse with two outside battery connections 29.5 x 26 x 14cm £2,000-4,000

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351 EARLY 19TH CENTURY FRENCH ORMOLU AND MARBLE MANTLE CLOCK the 9cm white enamel dial, with Roman numerals, inscribed “ á Parin”, the two train movement with outside count wheel, striking on a bell, in an Empire Egyptian case modelled as a desk, with seated Lady Justice, standing on a marble plinth, with turned gilt ormolu feet, 37cm £3,000-4,000

352 19TH CENTURY ROSEWOOD FOUR GLASS MANTLE CLOCK the 9cm silvered dial with Roman numerals, inscribed “G J Wagstaff London”, the single chain fusee movement, with anchor escapement, locking pendulum, in a Rosewood four glass case, with swing handle and brass ball feet, 30cm high including the handle £800-1,200

353 19TH CENTURY FRENCH BOULLE WORK MANTLE CLOCK the 18cm brass dial with Roman tablet numerals, the two train movement striking on a bell, sun burst pendulum, in a boulle work case with gilt metal mounts, 61cm £800-1,000

122

354 18TH CENTURY 'ACT OF PARLIAMENT' WALL CLOCK the 63cm dial, with Roman numerals, four pillar movement with anchor escapement, lead weight, in a black japanned and chinoiserie case, inscribed “ Jno Simpson Reading”, 141cm £1,000-2,000

123

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

355 GEORGE III MAHOGANY LONGCASE CLOCK the painted arch dial, with Roman numerals, subsidiary seconds dial and date aperture inscribed “Sam Hart Devizes”, the two train movement striking on a bell, in a mahogany case, 209cm £400-600

356 GEORGE III MAHOGANY LONGCASE CLOCK the 30cm arched dial with two subsidiary dials, inscribed “Edward Cooper London”, the eight day movement striking on a bell, in a mahogany cross banded case with Corinthian brass capped columns and pagoda hood, 245cm high

Lot 356

£800-1,200

357 GEORGE II MAHOGANY LONGCASE CLOCK the brass arched dial, with two subsidiary dials and date aperture, inscribed “ James Chater London”, the five pillar movement striking on a bell, in a mahogany case, 221cm high £500-800

124

Furniture

Lot 430 detail 125

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

A Suite of colonial furniture, once in situ in the British High Commission, Bogota, Colombia

The British High Commission, Bogota

The British High Commission, Bogota. Dining Room Interior

358 PAIR OF COLONIAL CHAIRS probably Ceylonese, early 19th century, with bone inlay and cane seats, on turned and reeded front legs, 45cm wide (2) (one with a replaced splat)

360 COLONIAL HARDWOOD COFFER probably Ceylonese, early 19th century, with bone inlay decoration, with a domed top and shaped bracket feet, 82.5cm wide x 46cm deep x 51cm high

£100-200

£150-250

359 COLONIAL HARDWOOD SIDEBOARD probably Ceylonese, early 19th century, inlaid with bone, with a bow front top over three drawers and a shaped apron with turned pendant drops, on square tapering legs ending in spade feet, 154cm wide x 65.5cm deep x 97cm high

361 COLONIAL HARDWOOD OCCASIONAL TABLE probably Ceylonese, early 19th century, the tip-up circular top with bone inlay and stringing, on a turned and reeded shaft and a tripod base, 69cm dia. x 76cm high

£300-600

£200-400

Lot359

126

Lot 362

362 SET OF SIX COLONIAL HARDWOOD CHAIRS probably Ceylonese, early 19th century, with bone inlay and carved backs and seats, on turned and reeded front legs joined by turned stretchers, 48cm wide (6) £300-500

363 COLONIAL HARDWOOD SIDE TABLE probably Ceylonese, early 19th century, inlaid with stylised branches and flowerheads in bone, with a rectangular top over a single frieze drawer, on twin turned end supports joined by conforming stretchers, 66cm wide x 40cm deep x 70cm high

Lot 364

£200-400

364 COLONIAL HARDWOOD SIDE CABINET probably Ceylonese, early 19th century, with inlaid bone decoration, the rectangular over two drawers and a pair of panelled cupboards flanked by turned columns headed by small drawers, on turned feet, 139cm wide x 54cm deep x 112cm high £300-600

Lot 365 365 COLONIAL HARDWOOD SERVING TABLE probably Ceylonese, early 19th century, with inlaid bone decoration, the line inlaid rectangular top over three drawers fitted with turned wood handles and engraved silver coloured metal oval escutcheon plates, on turned legs, 118cm wide x 57cm deep x 94.5cm high £300-600

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366 VICTORIAN ROSEWOOD SIDE TABLE in the manner of Gillows, the rectangular shaped top with single drawer below, turned handles, on four turned tapered legs, 81cm wide x 50cm deep x 66cm high £3,000-5,000

370 VICTORIAN WALNUT CHEVAL FIRESCREEN of rococo design with a later floral needlework panel, 61cm wide x 112cm high

367 HARDWOOD OCCASIONAL TABLE with a circular marble top with geometric inlay, on five scroll supports joined by “Star of David” stretchers, 44.5cm x 51cm high £150-250

£100-200

368 EARLY VICTORIAN WHAT-NOT with four shaped shelves on spirally-turned uprights, the base with a single drawer, 50cm wide x 118cm high

371 VICTORIAN GILTWOOD AND GESSO HANGING CORNER ETAGERE the ribbon tied surmount above two shelves with mirror backs, with leaf and bead moulding, 123cm H x 30cm D

£100-200

£200-400

369 GEORGE III MAHOGANY PIE CRUST TILT TOP TABLE circa 1770, the circular top with a shaped moulded edge raised on a fluted column support ending in a tripod base with pointed pad feet 83cm wide 71cm high

372 CONTINENTAL MAHOGANY CORNER CABINET 19th century, with marquetry inlaid decoration, on tapering splayed legs, 26cm high x 64cm wide

£100-200

£100-200 128

373 FRENCH LOUIS XV STYLE KINGWOOD AND ORMOLU MOUNTED CENTRE TABLE shaped rectangular top with gilt-metal border, below a breakfront freize, inset with painted porcelain plaques depicting winged cherubs and floral boquets, ormolu female mask mounts, on cabriole legs, terminating on sabots feet, 83.5cm W x 55cm D x 76.5cm H

Lot 373

£500-1,000 374 CHARLES II CARVED OAK WAINSCOT CHAIR last quarter 17th century the panelled back centered by a diamond motif, the shaped cresting bears the initials A N, the down swept scroll arms, above a solid seat raised on baluster turned legs, united by a peripheral stretcher 55cm width 106.5 cm height

Lot 375

£200-400 375 GEORGE I WALNUT CHEST OF DRAWERS with a quarter veneered crossbanded top inlaid with herringbone banding, over an arrangement of two short and three long graduated drawers, on bracket feet, 96.5cm wide x 54.5cm deep x 89cm high Provenance: Major General Mark Bond OBE, Moigne Combe, Dorset. £500-1,000 376 19TH CENTURY GOTHIC REVIVAL OAK AND WALNUT CORNER CUPBOARD moulded frieze with a carved paneled cupboard below, 86cm H x 57cm L x 36.5cm D £150-200

Lot 377

377 DUTCH MAHOGANY BOMBE COMMODE circa 1800 with gilt metal mounts the rectangular top above three long drawers raised on splade bracket feet, 102cm wide 73cm high 53cm deep £500-1,000 378 GEORGE III MAHOGANY SERPENTINE CARD TABLE of Chippendale design, with a folding top opening to reveal a baize-lined interior, on chamfered square legs carved with blind fretwork, 90.5cm wide x 46cm deep x 71.5cm high £200-400 129

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

379 REGENCY ROSEWOOD AND GILT METAL MOUNTED CHIFFONIER the raised back with a shelved back with mirrors over four doors filled with gilt metal trellis-work with columns between, the swept sides with open shelves, on a plinth base, 219cm wide x 45.5cm deep x 122cm high £1,500-2,000

380 GEORGE III MAHOGANY CHEST ON CHEST of Chippendale design, the upper section with a moulded and key pattern cornice over a pediment of blind fretwork and an arrangement of two short and three long drawers flanked by canted and fluted angles, the base with a brushing slide over three drawers, on bracket feet, 97cm wide x 197cm high x 57cm deep

383 GEORGE III MAHOGANY AND SATINWOOD BANDED GAMES TABLE circa 1800, the rouded gentile breakfront fold over top enclosing a inset baize palying surface, raised on simulated reeded turned tapered legs 91.5cm x 73.5cm

£250-450

384 GEORGE III OAK PRESS CUPBOARD mid-18th century, the moulded cornice above two arched panelled cupboard doors closing a shelved interior, the lower section fitted with four short drawers raised on stile feet.

123cm wide 172cm high 51cm deep

£200-300

381 GEORGE IV MAHOGANY CHEVAL MIRROR in the manner of Gillows of Lancaster with a rectangular swing plate between turned and reeded uprights, on panelled downswept legs ending in scroll feet carved with lotus and applied roundels, 88cm wide x 178cm high

£300-500 385 GEORGE III MAHOGANY CHEST ON CHEST the moulded cornice above two short and three long drawers, the base with a brushing slide, above three long graduated drawers on bracket feet, 113.5cm W x 54cm D x 184cm H

£300-500 382 VICTORIAN WALNUT SUTHERLAND TABLE the oval drop flap top above pierced supports joined by a single turned stretcher 109cm (extended)

£200-300

£150-200 130

386 GEORGE III MAHOGANY GUERNSEY TALLBOY with moulded cornice, above two short and four graduating drawers, chevron inlaid chamfered edges, the base with three further drawers, standing on scrolled feet, 210cm x 118cm x 51cm Provenance: Le Pelley Family Guernsey, to be sold with accompanying letter stating this piece of furniture was left to the present families late mother ÂŁ1,000-2,000

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387 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS early 20th century, including two arm chairs, the shaped backs with ornate open work vasiform splats obove over stuffed seats, with vibrant upholstery. raised on foliate carved cabriole legs, terminating in dolphin feet 56cm wide 92cm high £1,500-2,000

388 PAIR OF LOUIS XV STYLE FAUTEUIL the frames carved with stiff acanthus leaves and scale-work, on cabriole front legs with knurled toes, 72cm wide x 101cm high (2) £700-1,000

132

389 EMPIRE MAHOGANY BUREAU PLAT in the manner of Georges Jacob, the rectangular top with a gilt-tooled leatherlined surface, over a carved frieze fitted with three flush drawers and opposing simulated drawers in the reverse, on shaped legs carved with anthemia and headed by helmeted masks, with a moulded “H”-stretcher base, 180cm x 94cm wide x 73.5cm high £1,500-2,500

390 FRENCH EMPIRE ROSEWOOD AND ORMOLU MOUNTED COMMODE the rectangular mottled grey marble top above an inverted breakfront freize, mounted with a chariot, three straight front long drawers with gilt-lion cast ring handles, with egg and dart moulded edge, flanked by two turned columns, on turned feet, 110.5cm W x 53.5cm cm D x 91.5cm H Provenance: Castlegar, County Galway, Ireland £1,000-2,000

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391 GEORGE III STYLE GILTWOOD AND GESSO WALL MIRROR the rectangular mirror plate within a moulded border, acanthus leaf scroll surround, 77cm H x 60cm L

398 GEORGE III WING ARMCHAIR of large proportions, the arched frame with scroll arms, two stretchers, on cabriole and tapered legs, later upholstered in a stripped material, 81cm W x 119cm H

£100-200

£200-300

392 EMPIRE MAHOGANY TALL CHEST OF DRAWERS circa 1820, with six drawers apparently retaining the original oval pressed brass handle flanked by neo-classical caryatids with bronze mounts and feet, on short square tapering legs, 98cm wide x 45.5cm deep x 146.5cm high

399 VICTORIAN GILTWOOD AND GESSO OVAL WALL MIRROR the oval plate within a bead border with a ribbon tied surmount, 111cm H x 75cm dia

£200-300

400 VICTORIAN GREEN SERPENTINE COLUMN with a revolving circular top on a fluted shaft and an octagonal base, 30cm dia. x 107.5cm high

£100-200

393 VICTORIAN ROSEWOOD POLE FIRESCREEN the scroll panel inset with an embroidered bouquet of flowers, half-moon moulded shelf, supported on a turned stem, on three cabriole legs, 105.5cm H

Provenance: Castlegar, County Galway, Ireland £200-400

£100-200

401 JAMES I STYLE CAST IRON FIRE BACK with a lion passant beneath the Tudor Rose, a thistle and a crowned fleur-de-lys, 77cm wide x 67cm high

394 LOUIS XV STYLE KINGWOOD BANDED GUERIDON early 20th century, with gilt metal mounts the circular top above one frieze draw, raised on slender scroll supports, united by an under tier. 34.5cm width 72cm high

Provenance: Private Collection, Wiltshire £100-200

£200-400

402 LATE REGENCY MAHOGANY PEMBROKE TABLE the top with rectangular drop flaps and a single drawer to the frieze, on turned legs with brass castors, 70cm high x 87cm wide

395 GEORGE III MAHOGANY BACHELOR’S CHEST four graduated long drawers with brass handles, inset with ivory urn shaped keyhole escutcheons, on bracket feet, 86.5cm W x 46cm D x 81.5cm H

£200-400 403 PAIR OF HEPPLEWHITE STYLE MAHOGANY ELBOW CHAIRS the humped backs carved with wheat ears over saddle seats, on square tapering legs joined by stretchers, 51cm wide, and a George III mahogany single chair of Hepplewhite design (3)

£100-200 396 LATE GEORGE III ELM DOUGH BIN early 19th century, raised on square tapered legs united by stretchers, 90cm wide, 78cm high, 50cm deep

£100-200

£200-300 397 KENYAN HARDWOOD STOOL the circular top with a geometric and foliate pattern in blue, red and white beads, on four slightly splayed legs, 38.5cm dia

404 LATE GEORGE III FOLD-OVER TEA TABLE with a rounded rectangular base above a ebonised inlay, with tapering reeded and turned legs terminating in brass cappings and castors. 91cm wide 74cm high 45cm deep

£100-200

£150-200 134

405 GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE circa 1780 the dentil moulded cornice with a broken arch pediment above four asragal galzed doors, enclosing adjustable shelves, the lower section with four further fielded panelled doors enclosing shelves raised on a plinth base.

289cm wide 270cm high approx 63cm deep ÂŁ4,000-6,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

406 GEORGE III IRISH MAHOGANY “WAKE” TABLE with an oval flap top on eight square moulded legs, 216cm x 123cm x 72cm high £1,000-2,000

407 GEORGE III SHERATON STYLE FLAME-MAHOGANY SERPENTINE SIDEBOARD the shaped top above a long single drawers, flanked by four short drawers, satinwood stringing, on tapered legs, terminating on spade feet, 178cm W x 65.5cm D x 91.5cm H

Lot 408

£200-300 408 LOUIS XV STYLE FLORAL MARQUETRY SIDE CABINET late 19th century, with ormolu mounts throughout, the raised upper section with a door centred by an oval panel flanked by open shelves, over a serpentine base fitted with a flush frieze drawer, on cabriole legs with ormolu sabots and mounts, 75cm wide x 46cm deep x 123cm high £500-1,000 409 QUEEN ANNE WALNUT CHEST ON STAND with a quarter veneered and banded rectangular top over two short and three long graduated drawers, on a later stand with cabriole legs, 95cm wide x 53cm deep x 110cm high £200-400 136

410 GEORGE III SETTEE in the manner of Thomas Chippendale, with a shaped back and downswept arms carved with acanthus leaves and beading, the serpentine seat carved with a band of guilloche and the square tapering legs with cascading bellflowers in panels beneath oval paterae, with associated brass toe caop and castors, 190cm wide x 80cm deep x 52cm high £500-1,000

411 EMPIRE MAHOGANY COMMODE with a grey marble top over a cushion drawer and three further drawers fitted with the original gilt brass dolphin and shell handles and cornucopiae escutcheons, on shaped bracket feet, 102.5cm wide x 50cm deep x 88cm high

Lot 413

£300-500 412 FRENCH EMPIRE STYLE MAHOGANY BIBLIOTHEQUE architectural pediment above a single drawer, a pair of glazed paneled doors, flanked by two turned ebonised columns, with ormolu mounts, terminating on brass paw feet, 82cm W x 30.5cm D x 162cm H Provenance: Castlegar, County Galway, Ireland £1,000-2,000 413 GEORGE III MAHOGANY SECRETAIRE LIBRARY BOOKCASE the upper section with astragal glazed doors, with fall front enclosing a secretaire drawer, the fitted interior with drawers and pigeonholes, over a double cupboard base on bracket feet, 217cm high x 114cm wide x 51cm deep £200-400 137

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

414 QUEEN ANNE BURR WALNUT CHEST OF DRAWERS with a quarter-veneered and herringbone banded rectangular top over two short and three long graduated drawers, on turned bun feet, 102.5cm x 58cm deep x 89cm high

Lot 414

£400-600 415 EDWARDIAN MAHOGANY AND LINE INLAID CORNER CABINET circa 1910 the simulated dentil cornice above one astrogal glazed door, enclosing a shelved interior, the lower section with a further solid panelled door, and raised on shaped brackett feet 66cm wide 183cm high and 36cm deep £300-400 416 VICTORIAN MAHOGANY DRESSING TABLE 19th century with alterations, the moulded rounded rectangular top above five short drawers, one with a compartmented interior, surronding the arched knee-hole raised on reeded turned tapred legs terminating in brass cappings in ceramic castors, width 114cm depth 55.5cm height 82cm

Lot 416

£500-800 417 GEORGE III SIMULATED BAMBOO ELBOW CHAIR of Chinese Chippendale design with pale-work back and arms over a drop-in saddle seat, on turned legs with pierced corner brackets, 64cm wide x 95cm wide Provenance: Private Collection, West Dorset

Lot 417

£300-500 41 DUTCH MAHOGANY AND EBONY INLAID SECRETAIRE A ABBATANT 19th century, with single frieze drawer to fall front, two long graduated drawers, with ormolu gilt handles and escutcheons, on square tapering legs, 137cm high x 82cm wide £300-600 419 REGENCY STYLE GILTWOOD CONVEX MIRROR the beaded frame surmounted by an eagle on a perch with an apron of acanthus leaves centered by a flowerhead, 93cm high x 64cm dia. £200-400 138

420 SET OF SIX GEORGE III DINING CHAIRS circa 1780, with bell flower carved interlaced pierced splats and drop in seats raised on square chamfered legs united by H-shaped stretchers. 52cm wide 98cm high

Lot 420

£300-500 421 GEORGE III STYLE MAHOGANY SIDEBOARD of Hepplewhite design, the bow front fitted with an arrangement of four drawers, including a cellarette, on square tapering legs ending in spade feet, 193cm wide x 72cm deep x 92cm high £300-500 422 GEORGE II MAHOGANY SIDE TABLE with a rectangular top above twin pull-out flaps on four tapering legs terminating in pad feet 71.5cm x 45cm x 69cm

Lot 422

£500-700 423 GEORGE III MAHOGANY AND CROSS BANDED SERPENTINE COMMODE circa 1800, the shaped moulded top above a brushing slide and four long graduated drawers, raised on bracket feet.

95cm wide 82cm high 52cm deep £300-500 424 RARE REGENCY BRASS TRIVET the serpentine upper section pierced and engraved with a wheel flanked by lion and unicorn supporters, perhaps to commemorate the Act of Union of 1801, the frieze with acanthus scrolls, on hipped cabriole front supports, 61cm wide x 26cm deep x 42cm wide

Lot 425

Provenance: Private Collection, Dorset £100-200 425 SET TWELVE CONTINENTAL EBONISED AND ROSEWOOD DINING CHAIRS 19th century, with upholstered shield backs and upholstered seats, on turned and reeded legs terminating in block feet (12) £500-1,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

426 LOUIS XVI STYLE GILTWOOD DRAWING ROOM SUITE comprising four armchairs with oval backs and an oval-shaped sofa, on reeded turned legs, upholstered in floral needlework fabric £700-1,000

427 NORTH EUROPEAN KINGWOOD AND MARQUETRY BOMBE COMMODE with ormolu rococo style mounts, the mottled marble top with a moulded edge above two drawers inlaid with Chinese figures in a landscape setting, 102cm W x 56cm D x 89cm H Provenance: Castlegar, County Galway, Ireland £3,000-5,000

428 GEORGE III MAHOGANY AND BRASSBOUND WINE COOLER of octagonal form, with a fluted frieze and moulded square tapering legs ending in brass toe caps and castors, 44cm wide x 71cm high

429 PAIR DUTCH MAHOGANY AND MARQUETRY INLAID CORNER DISPLAY CABINETS 19th century, with glazed arched tops on cupboard bases to bracket feet, 190cm x 80cm wide (2)

£300-500

£300-600

140

430 REGENCY STYLE MAHOGANY AND PARCEL-GILT CENTRE TABLE in the manner of Marsh and Tatton, the circular green marble top inlaid with a central wreath of oak leaves and acorns within an outer key pattern border, on a faceted hexagonal shaft with parcel-gilt dolphin supports and a triform base with paw feet, 152cm dia. x 79cm high Provenance: Castlegar, County Galway, Ireland ÂŁ3,000-6,000

top detail

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431 PAIR OF FRENCH MAHOGANY EMPIRE SIDE CABINETS the square top, below a single straight front drawer with cupboard below, gilt ormolu mounts, raised on a four shaped bun feet, 84.5cm H x 41cm L x 38cm D Provenance: Castlegar, County Galway, Ireland £800-1,500

432 FRENCH EMPIRE MAHOGANY AND MARBLE GUERIDON the circular verde marble top, below a plain freize with gilt ormolu roundels and leaf mounts, supported on three fluted columns, on a triform base, terminating on three paw feet, 78cm H x 50cm Dia Provenance: Castlegar, County Galway, Ireland £300-600

433 FRENCH LOUIS XVI STYLE MAHOGANY AND ORMOLU MOUNTED BUREAU PLAT the top inset with a tooled brown leather writing surface with a gilt metal gallery, below a frieze with gilt bronze mounts, raised on four tapering legs on brass toupie feet, 83.5cm W x 48.5cm D x 78.5cm H Provenance: Castlegar, County Galway, Ireland £1,000-2,000

142

434 PAIR OF FRENCH EMPIRE STYLE MAHOGANY SIDE CABINETS the circular mottled grey marbled top above a single cupboard, the front mounted with a pair of winged cherubs, raised on a fluted stem with three giltwood dolphins on a triform base, terminating on paw feet, 41cm Dia x 85.5cm H Provenance: Castlegar, County Galway, Ireland £2,000-4,000

435 FRENCH EMPIRE MAHOGANY DRESSING CHEST the rectangular mirror plate above an architectural pediment, flanked by two gilt-bronzed caryatids on tapered columns, two gilt-metal branch lights, below four straight front long drawers, raised on bracket feet, 95cm L x 50cm D x 198cm H Provenance: Castlegar, County Galway, Ireland £1,000-2,000

143

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436 REGENCY STYLE BRONZE AND MARBLE JARDINIERE STAND the circular verde marble top above a cast moulded freize, below three stems with x-frame, on three paw feet, on a triform mottled marble base, 111cm high x 36.5cm dia

Lot 436

£500-1,000 437 GEORGE I WALNUT AND FEATHERBANDED KNEE HOLE DESK 18th century with alterations. the moulded rectangular top above one frieze draw and a shaped apron draw, flanked by six further short drawers around the knee-hole, fitted with a cupboard and one further short draw, raised on shape bracket feet.

77cm wide 50cm depth 80.5cm height £200-400 438 COALBROOKDALE STYLE GARDEN BENCH with a fern-pattern white painted metal frame and a wooden slatted seat, 152cm wide, together with an armchair ensuite and a Victorian style white painted wrought iron garden table, 62cm dia. (3)

Lot 439

£300-500 439 PAIR OF BRASS AND WALNUT TWO TIER ETAGERES late 19th century, with pierced galleries and cone finials, on brass legs, 58cm high x 113cm wide (2) £500-1,000 440 LOUIS XVI STYLE ALABASTER TORCHERE with chased ormolu mounts, the square top on a turned column with a stepped square base, 29.5cm wide x 107cm high £500-1,000

Lot 440

441 SYCAMORE SPOON-BACK ARMCHAIR late 19th century, with upholstered back and seat, on sabre legs £100-200 442 WALNUT “COCKFIGHTING” CHAIR with a “U”-shaped back over a compass-shaped seat, on cabriole front legs and castors, 77cm wide x 91.5cm high £150-250 144

443 REGENCY MAHOGANY TRIPLE PILLAR DINING TABLE circa 1815, with two leaf insertions, the rounded rectangular top with a reeded edge raised on ring turned column supports and reeded down swept legs terminating in brass cappings and castors, 178 cm wide 73cm high 248 cm long (unextended) 368 cm long (extended) £800-1,200

447 CHARLES II OAK COFFER the rectangular top with two hinged iron-work straps, paneled front, on four square feet, 100.5cm W x 45cm D x 55.5cm H

444 GEORGE III MAHOGANY TILT-TOP TRIPOD OCCASIONAL TABLE the circular top, raised on a baluster stem, terminating on three cabriole legs, 79cm Dia x 72cm H

£200-300

£100-200 448 GEORGE III OAK COMMODE CORNER CHAIR the arched frame with scroll arms, on tapered square and cabriole legs, 72cm W x 81cm H

445 GEORGE III STYLE MAHOGANY TORCHERE with a circular top on a reeded shaft and a tripod base, 25cm dia. x 139cm high.

£100-200

£100-200 449 GEORGE II STYLE OAK CONVERTED MULE CHEST rectangular top above two paneled cupboards, fitted with a single shelf, below one long and two short drawers, raised on bracket feet, 137.5cm W x 47.5cm D x 100cm H

446 VICTORIAN MAHOGANY LONG STOOL embroided upholstered cushion pad, on four legs terminating on ball and claw feet, 105cm L x 30cm D x 21cm H £100-200

£200-300 145

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

450 GEORGE II WALNUT AND PARCEL-GILT BUREAU BOOKCASE inlaid throughout with ebony and boxwood stringing, the upper section with a swan-neck pediment inlaid with a central star panel and a line of geometric banding, over a pair of bevelled mirror doors with carved parcel-gilt borders, over candle slides, the lower section with a fall flap enclosing a fitted interior, the exterior with four short and two long drawers, on bracket feet, 93cm wide x 50cm deep (with the flap closed) x 222cm high.

Lot 450

Provenance: Private collection, West Dorset. £500-1,000 451 GEORGE III OAK COURT CUPBOARD above the straight cornice with two turned finials, below three cupboard doors, single shelf, one short drawers flanked by two long drawers with brass handles, below two paneled doors, terminating on square feet, 132cm W x 54.5cm D x 179.5cm H £300-500 452 GEORGE II STYLE OAK CONVERTED MULE CHEST the upper section with four fielded panels raised on three short and two long drawers 142cm x 53cm x 127.5cm £300-500

Lot 453

453 VICTORIAN MAHOGANY DOUBLE WELLINGTON CHEST seven graduated drawers, turned handles, locking pilaster, 101.5cm W x 43.5cm D x 124.5cm H £300-500 454 REGENCY BIRDS EYE MAPLE SIDE CABINET with a rectangular top over a pair of doors with gilt-brass trelliswork backed with pleated material, on a plinth base, 115cm wide x 32cm deep x 71.5cm high £200-400 455 SET OF EIGHT EBONISED AND PARCEL-GILT REGENCY STYLE DINING CHAIRS including one carver, with rope twist backs and Trafalgar drop in seats raised on sabre legs 51cm x 83cm £400-600 146

456 JAMES I STYLE OAK TRESTLE REFECTORY TABLE with a two-plank rectangular top, on three shaped square supports joined by a central lateral stretcher and ending in shaped block feet, 243cm long x 67cm wide x 78cm high Provenance: Private Collection, West Dorset £600-1,200

457 GEORGE III MAHOGANY TRIPOD TABLE 18th century with alterations, the shaped dished top raised on a gun barrel turned column support and three cabriole legs terminating in pad feet. 63 cm width 69cm high

Lot 458

£200-300 458 MAHOGANY AND INLAID SIDE CABINET 19th century with alterations, the simulated pipe organ back above a dished rectangular top and two cupbaord doors raised on splade bracket feet, 107cm wide 181cm high 49cm deep £400-600 459 REGENCY MAHOGANY AND KINGWOOD BANDED PEMBROKE TABLE the rounded rectangular flap top with a broad band of Kingwood over a single frieze drawer with a baize-lined writing slope and another drawer in the reverse, on a ring-turned central shaft and four down-swept moulded sabre legs with turned feet and castors, 92cm x 92.5cm Provenance: Private Collection, Dorset £200-400 147

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

460 BRASS AND PATINATED METAL CLUB FENDER with brown suede seats, 190cm L x 67cm D

Lot 462

£300-500 461 GEORGE III MAHOGANY AND SATINWOOD BANDED D-SHAPED GAMES TABLE circa 1790, with line inlay decoration, the foldover top enclosing a baize plain surface, raised on slender square tapered legs 91.5cm wide 71.5 cm high £200-300 462 MAHOGANY EGYPTIAN REVIVAL CHIFFONIER with a raised gallery back above one frieze draw, below are two panelled covered doors flanked by sphinx pillasters, raised on a plinth base. 91.5cm width 123cm high 36.5 cm deep £800-1,200 463 REGENCY ROSEWOOD TUB CHAIR the arched frame with reeded scroll arms with roundels, reeded front stretcher, raised on fluted tapering legs on brass castors, 22.5cm D x 64cm W x 101.5cm H £200-300

Lot 464

464 EMPIRE MAHOGANY AND PARCEL-GILT ENVELOPE CARD TABLE the square top with a blind fretwork frieze incorporating a drawer, on turned and carved legs ending in paw feet and castors, 60.5cm wide x 70.5cm high £500-800 465 GEORGE III MAHOGANY BUREAU late 18th century with later inlay decoration, with full front enclosing a fitted interior and inset writing surface, below are four long graduated drawers raised on shaped bracket feet, width 102cm depth 51.5cm height 106cm £250-300 466 GEORGE III MAHOGANY BUREAU the interior fitted with pigeonholes and drawers, above four long drawers and bracket feet, 90.5cm W x 51cm D x 103cm H £200-300 148

467 DUTCH PAINTED MAHOGANY CYLINDER BUREAU late 18th century, painted with musical trophies, drapery swags and flowers, with a cylinder over a pull-out writing surface and three drawers flanked by canted angles, on fluted tapering feet, 116cm wide x 56cm deep x 115cm high

Lot 467

£400-700 468 GEORGE III DEMI-LUNE AND CROSSBANDED CARD TABLE circa 1790 the foldover top opening to reveal a now polished interior, raised on moulded square tapered legs. 100.5cm wide 73cm high £200-300 469 DUTCH PAINTED BOW-FRONT HANGING CORNER CUPBOARD early 19th century, the two cupboard doors painted with a romantic scene in the manner of Watteau depicting figures in a verdant garden. 58cm wide 116 high 38cm deep £200-300 470 VICTORIAN GILT BRASS GIRANDOLE WALL MIRROR 19th Century the oval plate within an ornate budding oak leaf cast frame 73cm wide 114cm high (lacks candle branches)

Lot 470

£500-800 471 GEORGE III STYLE MAHOGANY SATINWOOD INLAID SIDEBOARD the bow front fitted drawers and cupboard, on spade feet, 59cm high x 153cm wide £100-200 472 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS of Sheraton design, comprising a pair of elbow chairs and six single chairs, the backs carved with bellflowers cascading from a lunette, on square moulded legs joined by stretchers, the elbow chair 54cm wide (8) £300-600

149

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481 GEORGE IV MAHOGANY CENTRE TABLE with a circular top over a moulded frieze, on a turned column mounted with four carved acanthus leaves and a quadriform base with carved claw and ball feet, 165cm dia. x 75.5cm high

473 GEORGE III MAHOGANY AND BRASS BOUND PLATE BUCKET circa 1800, of typical form, 37cm wide £300-500

£400-600

474 GEORGE III MAHOGANY TEA TABLE circa 1800 with line inlay decoration, the canted rectangular top above a gentle break front frieze raised on square tapered legs.

91cm width 74cm height

482 GEORGE III MAHOGANY DRESSING TABLE the shaped rectangular top over two drawers flanking an arched kneehole, on square tapering legs with line inlay, 106.5cm wide x 54cm deep x 79cm high

£200-300

£100-200

475 SET OF SIX VICTORIAN SALON CHAIRS of Louis XV design with oval padded backs and serpentine seats, on moulded cabriole legs, 44cm wide x 83cm high (6)

483 GEORGE III WING ARMCHAIR later upholstered with a leaf fabric design, on four tapered legs, single cross-stretcher, terminating on brass castors, 80cm W x 110cm H

£150-250 476 FRENCH WALNUT MARBLE TOP SERPENTINE OCCASIONAL TABLE 19th century, with single frieze drawer, on cabriole swept legs joined by a shaped stretcher, 77cm high x 60cm wide

£100-200 484 VICTORIAN AMBOYNA JARDINIERE TABLE with a removable quarter-veneered top inlaid with lime inlay within ebonised mouldings, enclosing an interior with a metal liner, on turned tapering and fluted legs ending in toupie feet, 70cm wide x 41cm deep x 74cm high

£150-250 477 OAK GATELEG DINING TABLE 17th century, the oval drop-leaf top above two single frieze drawers, on baluster turned and block legs, united by peripheral stretchers, 77cm high x 137cm wide

£100-200 485 GEORGE III MAHOGANY TILT-TOP OCCASIONAL TABLE the square top on a turned stem, on three cabriole legs, 55.5cm W x 52cm D x 70.5cm H

£150-250 478 MAHOGANY CIRCULAR TRIPOD TABLE 18th century, the tilt-top with birdcage movement, the carved barrel shaft on cabriole legs with pad feet, 70cm high x 93cm dia.

£100-200

£150-250

486 CARVED VICTORIAN ‘BLACKAMOOR’ JARDINIERE stand 19th century, modelled as a boy performing a handstand on a cushioned base 35cm wide 85cm high

479 IRON-BOUND “ARMADA” STRONG BOX with a complex lock beneath the lid, with side carrying handles, 91cm wide x 53cm deep x 42cm high

£200-300

£200-400 480 VICTORIAN MAHOGANY DAY BED upholstered in green edged with gold braid, the carved and scrolling frame on claw feet, the back 88cm high x 140cm long

487 LATE GEORGE III MAHOGANY PILLAR TABLE the square tip-up top with rounded corners on a ring-turned shaft and a tripod base, 55.5cm wide x 70.5cm high

£200-400

£100-200 150

488 PAIR LOUIS XV STYLE KINGWOOD TABLE A ENCRIER with gilt metal mounts throughout, each with a shaped rectangular top over two frieze drawers, on cabriole legs with gilt metal mounts and sabots, 99.5cm wide x 57.5cm deep x 74.5cm high (2) £2,000-3,000

492 PAIR OF WILLIAM AND MARY STYLE SIDE CHAIRS embroided floral padded seats, turned stretcher, on turned tapered legs, 102cm H x 41cm D x 47cm L

489 LATE GEORGE III FIGURED MAHOGANY CARD TABLE with a crossbanded folding rectangular top enclosing a baize-lined interior, over a banded and line inlaid frieze, on square tapering legs ending in spade feet, 91cm wide x 45cm deep x 73cm high

£100-200

£100-200 493 PAIR OF WILLIAM AND MARY STYLE SIDE CHAIRS of good proportions, embroided floral padded seats, turned stretcher, on turned tapered legs, 93cm H x 51cm D x 57cm D

490 GEORGE III MAHOGANY LIBRARY TABLE circa 1825 the rounded rectangular top above a panelled frieze, fitted with opposing drawers raised on a spiral turned acanthus carved column support ending in a quatrofrom platfrom base and bun feet. 133cm wide 73cm high 66cm deep

£100-200

£300-500

494 GEORGE III MAHOGANY TRIPOD TABLE with a dished circular top with an undulating edge on a balusterturned shaft and a tripod base, 57.5cm dia. x 74.5cm high

491 PAIR OF 18TH CENTURY STYLE WALNUT OPEN ARMCHAIRS each with padded back and seat, acanthus leaf carved scroll arms with flower head roundels, on spiral twist stretchered supports, 65.5cm W x 116cm H x 70cm D

£300-500

£500-800

151

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495 DUTCH MAHOGANY AND MARQUETRY KETTLE STAND of neo-classical design with an octagonal top inlaid with a paterae over a slide, on square tapering legs joined by a crossover stretcher, 30cm wide x 68cm deep

502 VICTORIAN PAINTED LEATHER FOUR FOLD SCREEN 19th century, the studded arched panels profusely painted throughout with blossoming scrolling flowers. each fold 57cm wide x 175 high

£400-600

£200-400

496 SET EIGHT FRENCH GREY PAINTED ARMCHAIRS late 19th century, the caned backs and seats with scroll arms, on fluted turned legs (8)

503 GEORGE II OAK LOWBOY mid-18th century the moulded rectangular top above three frieze drawers surrounding the shaped apron, raised on slender cabriole legs ending in pointed pad feet. 75cm wide 69cm high 48cm deep

£300-600

£200-400

497 TERRACOTA STANDING BULLDOG FIGURE standing on a contemporary stone plinth with rectangular moulded top and brick effect sides

504 GEORGE III MAHOGANY AND PAINTED DEMI-LUME SIDE TABLE circa 1790, the shaped top and frieze with later painted decoration of trailing bell flowers and ribbon tied floral swags raised on moulded square tapered legs ending on spade feet.

127cm wide 72cm high 58cm deep

£200-300 498 19TH CENTURY NORTH EUROPEAN OAK EXTENDING DINING TABLE the oval top with a carved border above a baluster turned stem, with pedestal with four recumbent hounds, terminating on castors, 237cm L x 73cm H x 143cm W (extended)

£400-800

£800-1,200

£300-500

499 WILLIAM IV FLAME MAHOGANY GENTLEMAN’S BREAKFRONT WARDROBE in the Manner of Gillows, the Pagoda cornice above a plain freize, six graduated long drawers with turned handles, flanked by two paneled doors, raised on a plinth, 250.5cm L x 65cm D x 84cm H

506 EMPIRE STYLE CONTINENTAL PIER MIRROR 19th century, the rectangular bevelled plate within a mahogany and gilt metal ormolu frame, 165cm high x 65cm wide

505 GEORGE III YEW WING ARM CHAIR with red silk upholstered seat and back on cabriole legs 122cm x 74cm

£200-400

£200-300 507 PAIR OF GEORGE III STYLE TORCHERE with dished tops, fluted columns and triform bases, 122cm high

500 PAIR OF LATE GEORGE III STYLE MAHOGANY TORCHERES each with a dished circular top on a fluted shaft and a downswept triform base with turned feet, 29.5cm dia. x 104cm high (2)

£100-200 508 TUSCAN WALNUT AND MARQUETRY CENTRE TABLE with a circular top on four baluster supports and a sledge base, 158cm dia. x 75cm high

£300-500 501 VENETIAN TYPE WALL MIRROR of rectangular form, the bevelled glass centre plate surrounded by foliate etched panels with applied geometric corner mounts, 84cm x 69cm

£300-500

£250-450 152

509 EARLY VICTORIAN MAHOGANY CENTRE TABLE the circular tip-up top with segmented veneers and a crossbanded and carved border, on an acanthus-carved shaft and three scroll legs with castors, 132.5cm dia. x 74.5cm high £800-1,200

510 SUITE OF VICTORIAN OAK DINING ROOM FURNITURE in the manner of Gillows of Lancaster, the table with an elongated oval top on four turned and fluted tapering legs, three additional leaves, the chairs with carved acanthus leaf decoration surmounted by lion finials, the cushion seats and back rests upholstered in tan ostrich leather, the two carvers with similarly upholstered arm rests, the table 227cm x 120cm x 72cm (fully extended), the carvers 63cm x 57cm x 116cm £700-1,200

153

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

511 HARDWOOD AND BRASS BOUND ZANZIBAR CHEST 19th century, with ornate studded and pierced strap work decoration, the hinge lid enclosing a void interior with candle box, below are three apron drawers, 115cm wide x 50cm high x 52cm deep

Lot 511

£400-800 512 GEORGE III OAK AND MAHOGANY CROSSBANDED DRESSER circa 1760, the shelved super structure with a dentil cornice and two arched cupboard doors, the lower section fitted with four short drawers and two further central cupboard doors, flanked by fluted quarter columns raised short cabriole legs with pad feet, 156cm wide 199cm high 56cm deep

Lot 513

£300-500 513 WILLIAM & MARY OAK CARVED STOOL the red cushioned velvet top above a carved freize, turned legs with strecher, terminating on hoof feet, 40cm H x 33cm Sq Provenance: Formerly in Lancotbury Manor, Bedfordshire £300-500 514 CHARLES II OAK STOOL the cane top above a a carved freize, with figures and a crown, twisted and carved strechered supports 44.5cm L x34cm D x39.5cm H Provenance: Formerly in Lancotbury Manor, Bedfordshire £200-400

Lot 514

515 VICTORIAN MAHOGANY CENTRE TABLE the circular top raised on a central baluster column and circular base with three lions paw feet with castors £200-300 516 GEORGE II OAK TILT-TOP OCCASIONAL TABLE the circular top above a fluted stem, on three cabriole Chippendale style legs, terminating on ball feet, 69cm H x 50.5cm D £200-300

154

Lot 517

Lot 518

517 VICTORIAN PAINTED AND PARCEL-GILT CARVED ‘BLACKAMOOR’ STOOL modelled as a kneeling boy supporting a velvet upholstered over stuffed seat, raised on a simulated marble and parcel-gilt platform base. 58cm high

Lot 519

£400-800 518 GEORGE III OAK CHEST OF DRAWERS circa 1760, the caddy moulded top above a brushing slide above four long graduated doors on shaped bracket feet 86cm wide 75cm high 52cm deep £600-800 519 GEORGE III MAHOGANY CHEST ON CHEST circa 1760, the dentil moulded cornice above three long and three short graduated drawers, flanked by stop fluted canted corners, the lower section fitted with three further long drawers raised on ogee bracket feet. 110cm wide 196cm high 53cm deep £1,000-2,000 520 EARLY VICTORIAN CAST IRON “GOTHIC” GATE decorated with trefoils over a register of arcading, with the original cluster column posts with square bases, retaining traces of a green pain finish, 82cm wide x 128cm high (excluding the posts) £200-300 155

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

521 STELLA ‘CHAMPION’ FOOSBALL TABLE each team with eleven polychrome decorated metal ‘foos men’ controlled by four rods per team, the oak table with coin operated mechanism, four corner chrome mounted ashtrays, and metal goals, the table standing on four legs, 140cm x 78cm x 97cm (excluding rods) £2,000-3,000

522 PIETRA DURA CIRCULAR TABLE TOP inlaid with semi precious stones including malachite, jasper and other precious marbles, enclosed in a brass rim, 70cm diameter x 25cm deep £400-600

156

Rugs and Carpets

Lot 523

523 PERSIAN RUG of Isfahan type, the central rectangular panel worked with multicoloured floral garlands and serrated leaves within blue ground herati pattern outer borders and guards, 152cm x 108cm

527 SMALL FINE TABRIZ TYPE RUG 20th century

£100-200

528 SMALL CHINESE STYLE CARPET the pale salmon pink ground worked with five ivory medallions within conforming outer borders, 266cm x 185cm

£100-200

524 TEKKE BOKHARA RUG the brick red ground with three rows of ivory elephants foot guhls within floral pattern outer borders and guards, 175cm x 126cm

£100-200

£80-150

529 TEKKE BOKHARA PRAYER RUG the brick red ground with a central mirhab within ivory patterned outer borders and guards, 130cm x 74cm

525 GEOMETRIC DESIGN RUG with cream ground and stylised animals, 20th century

£50-100

£150-250

530 TEKKE BOKHARA TYPE RUNNER the red ground with a central elephant’s foot pole medallion within outer borders and guards, 300cm x 83cm

526 PERSIAN PRAYER RUG the brick red ground with a central rectangular mirhab of the “Gates of Paradise” pattern within ivory borders and guards with diamond quadrilateral selvedges, 174cm x 117cm

£80-150

£100-200

157

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 531

531 FINE PERSIAN SILK RUG of Tabriz type, the central ivory panel with a pale blue medallion within serrated leaf floral herati-type outer borders within aubergine ground running guards, 195cm x 130cm

535 MULTI-COLOURED PERSIAN KELIM the brick red ground with orange, ivory, black and blue octagonal guhls within multi-coloured striped serrated borders, 170cm x 292cm

£300-500

£100-200

532 AFGHAN TRIBAL PRAYER RUG the aubergine ground with a central rectangular prayer niche within ivory hooked boteh and diamond quadrilateral borders, 183cm x 158cm

536 NORTH WEST PERSIAN TRIBAL RUG the brick red ground with a central rectangular panel worked with four rectangular panels within ivory lined geometric outer borders and guards and wide diamond quadrilateral selvedges, 200cm x 113cm

£100-200

£80-150

533 NORTH-WEST PERSIAN TRIBAL RUG the brick red ground with a central rectangular panel worked with four elephants foot guhls within outer borders and guards, 206cm x 110cm

537 TEKKE BOKHARA TYPE RUG the madder ground rectangular panel worked with three rows of ivory elephants foot guhls within floral herati type outer borders and guards, 184cm x 105cm, and an Afghan rug (2)

£70-100

£100-200

534 NORTH WEST PERSIAN STYLE SMALL CARPET the salmon pink ground with a central stepped diamond quadrilateral medallion flanked by stylised flowers in vases, with brown ground spandrels and outer borders and guards, 280cm x 204cm

538 CAUCASIAN TRIBAL RUNNER the pale madder ground worked with a central diamond quadrilateral motif within ivory ground floral outer borders and guards, 110cm x 380cm £100-200

£80-150 158

NOTES

159

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

NOTES

160

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice.

The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description.

The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

PAINTINGS, DRAWINGS AND PRINTS A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g.

NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence.

Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.

The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.

A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700.

All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional.

From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

161 161

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS

In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 25% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) The Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and with any photograph of the Lot in the Catalogue.

The remainder of the Entry, which is not printed in bold letters, represents Duke’s opinion (given on behalf of the seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

(2) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

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CONDITIONS OF SALE (continued) DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £500 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 164 164

Duke’s Thursday 18th July Summer Fine Art 2019

PRINTED IN DORCHESTER BY EPIC PRINT

Summer Fine Art Thursday, 18th July