Duke's 16th April 2015 by john holmes

Dukeâ&#x20AC;&#x2122;s Thursday, 16th April. Paintings and Furniture.

Paintings and Furniture 2015

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 16th April

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) B31 47 and there are airports at Bournemouth and Exeter. The Saleroom has ample parking. If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith. MILL

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085 Bristol & North Somerset Michael Liversidge (01305) 265080 Hampshire Robert Nevin (0203) 4419830 North Of England Nick Bray 07860 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

22% plus VAT on the hammer price.

 From mid February 2006 living artists are entitled by law to receive a resale royalty Artist’s Resale Right: each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges. 3

ASIAN ART AUCTION: 15th May 2015

A large Chinese blue and white jar, Jiajing-Wanli, 14" high

Duke’s

Provenance: Private collection, Oxfordshire. Estimate: £8,000 - £15,000

Auctioneers since 1823

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 11th April, 9.30am - 12noon Monday, 13th April, 9.30 am - 5pm Tuesday, 14th April, 9.30am - 7pm Wednesday, 15th April, 9.30am - 5pm and on the morning of the auction day.

Catalogues £20.00 (by post)

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J ewe l l ery AUCTION: 11th June 2015 Entries are now being invited for this auction. Appointments can be arranged with jewellery valuer Amy Brenan in our impressive new offices, in the bank or in the privacy of your own home.

Contact: Amy Brenan MRICS Tel: 01305 265080 amy.brenan@dukes-auctions.com

Duke’s

An Art Deco diamond ring, in excess of 2.5cts.

Auctioneers since 1823

Estimate: £2,000-4,000 6

Duke’s AUCTIONEERS SINCE 1823

Thursday, 16th April 2015, 10.30am Lots 1 – 37

Prints and Engravings

Lots 40 – 128

Watercolours and Drawings

Lots 140 – 309

Oil Paintings

Lots 380 – 425

Sculpture and Works of Art

Lots 426 – 451

Clocks and Scientific Instruments

Lots 460 – 543

English and Continental Furniture

Front cover illustration is Lot 215 Inside front illustration is Lot 260 Inside back illustration is Lot 144 Back cover illustration is Lot 111

View images of all lots and bid live online

THURSDAY, 16 t h April 10.30A M

PRINTS AND ENGR AVINGS

Detail of lot 32 9

1 AFTER REMBRANDT VAN RIJN (1606-1669) A self-portrait with a drawn sabre, printed signature and dated 1634 within the image, possibly an early 20th century Armand Durand (18311905) duplicate, the paper with Arches watermark, etching, 5¾" x 4¾" (plate). See illustration £100-200 2 AFTER JOANNES GIOVANNI ORLANDIS, 16th/17th century "Roma Claudis Duchetti Sequani Q Antony Lafreri Nepotis Formis", C.Cortfe., titled with details to the margin, engravers name within the image, engraving, 13¾" x 7½" (plate)

£50-100

3 AFTER ALBERTO FONTANA, 16th century Engraved by either Giambattista Fontana, (16th century), or Girolamo Fagiuoli, (16th century), Warriors in battle dress preparing the horses, printed name "A. Fontana. Bleo. Bol", and with a reverse FG monogram, later annotations in pencil to the margin, engraving, 9½" x 9½" (plate). See illustration

£150-300

4 AFTER JEAN BAPTISTE SIMEON CHARDIN (1699-1779) Engraved by Charles Nicholas Cochin (1715-1790) "Le Garcon Cabartier (The Tavern Boy)", engraving, 9½" x 8" (trimmed)

£100-200

5 AFTER WILLIAM HOGARTH (1697-1764) Engraved by T. Cook "Harlot's Progress", titled with publishing details for GMG and J. Robinson, Paternoster Road, June 1st, 1798 to the margin, plates 1-6, engravings, 1 3¾" x 16½" (6)

£200-400

6 AFTER WILLIAM HOGARTH (1697-1764) "Before", invented, engraved and published December 15th 1736 by William Hogarth to the margin, engravings, 15¼" x 12¾", and the companion engraving "After" (2)

£150-250

7 DEAN WOLSTENHOLME (1757-1837) "The Essex Hunt" with printed title and publishing details for May 1st 1831 to the margin, hand coloured mezzotint, 22¼" x 28½", and the companions (4). See illustration

£100-200

8 AFTER J. BARROW, 19th century, engraved by George Maile "Windsor Castle" - a woman playing a pianoforte with Windsor Castle in the background, titled with publishing details for June 1st 1821, by J. Barrow to the margin, stipple engraving with hand colouring, 13" x 9½" (plate), with the original gilt gesso frame and glass

£50-100

9 AFTER JOHN GOULD (1804-1881) AND HENRY CONSTANTINE RICHTER (1804-1881) "Cacatua Sanguinea", impression by C. Hullmandel, titled with publishing details within the image, hand-coloured lithograph, 20½" x 14", and the companion "Calypto Rhynchus Basksil" (2)

£100-200

10. WILLIAM LIONEL WYLLIE (1851-1931) "Fishermen bringing in the catch", signed to the margin in pencil, etching, 7¾" x 10". See illustration

£150-250

11 WILLIAM LIONEL WYLLIE (1851-1931) "Waterloo Bridge", signed in pencil to the margin with old Wright & Son label verso, etching, 6" x 8¼" (plate) 10

£100-200

Lot 1

Lot 3

Lot 7

Lot 10

18  STEFAN MROZEWSKI (1894-1975) "Tower Bridge", titled, signed and dated 1935 and numbered 7 of 9, woodblock engraving, 14" x 16". See illustration

12 WILLIAM LIONEL WYLLIE (1851-1931) "Yachting" with a harbour fort in the background, signed in pencil to the margin, etching, 6¼" x 14¾" (plate) and the companion view (2)

£150-300

19 REINAGLE SENIOR R.A. "The Queen Flower", printed title to the margin, hand-coloured etching, 19¼" x 14½"

13  TOM CARR (1912-1977) "Gone to Ground", printed signature within the image, titled, signed and numbered 5/75 in pencil to the margin, hand-coloured etching, 9¾" x 15"

20  BERYL COOKE (1926-2008) "Bryant Park", titled, signed and numbered 266 of 300 in pencil to the margin, coloured serigraph on paper, 94¼" x 29", and another similar "Poetry Reading" (2) See illustration

£80-150

15 AFTER FOUGASSE (1887-1965) "A Corrective for Golf Nerves", lithograph with hand-colouring, circa 1921, 9½" x 7" £80-150

Provenance: Christopher Drake Gallery, November 1980.

The collection of the late Siva Swaminathan, (later Brendan Garry Nathan)

£200-400

22 PETER MUNRO, 20th century "Old Head 16th", printed signature within the image, further signed in pencil, titled and numbered 155 of 600 to the margin, with printed vignette to the remarque, coloured print, 19" x 21"

£80-150

17  STEFAN MROZEWSKI (1894-1975) "Delft", titled, signed and dated 1933, woodblock engraving, 9½" x 13" and another by the same artist entitled "Kock" (2)

£150-300

21 EUGENE CARRIER (1849-1906) "Maternite-Grande Planche", printed signature within the image, lithograph in umber, ochre and white (printed from three stones), Delteil 38, 16½" x 13¼"

16  LOUIS RAEMAEKERS (1869-1956) A collection of loose leaf monochrome lithograph depicting a series of political cartoons developed by Murray Allison and Sir Henry Du Cros, directed at securing support of the American public for the British war effort during the First World War, each sheet c.15¾" x 12" (a lot)

£50-100

£100-200

14 JOHN LUCK, early 20th century "Don't move there we shall clear you!", printed signature and title to the mount, hand-coloured lithograph, 15¼" x 23¼" (image only)

£100-200

£50-100 23 JOHN MIDGLEY, 20th century "Berkeley Musicians/La Trees", titled, signed and numbered 10 of 40 to the margin, coloured lithograph, 19¼" x 13¼"

£200-400

£50-100

Lot 18

Lot 20

28 AFTER PABLO PICASSO (1881-1973) Vollard suite, 1956, printed signature and numbering within the image, black linear lithograph, 8" x 10¾"

24 DI LI FENG (Chinese 1958) "Mountains and Rivers" - a study of three Chinese women, signed and numbered 46/195 in white crayon, coloured print, 26¾" x 23¾"

£80-150

£200-400

29 AFTER ERIC RAVILIOUS (1903-1942) A study of a windmill, woodblock, 1½" x 1½", and two similar building studies by Ravilious (3)

25  LIN JAMMET (b. 1958) "The Golden Horse", signed, dated '95 and numbered 44/50 in pencil to the margin, with publishers blind stamp lower right, aquatint, 44" x 36" (page). See illustration

30 ERIC GILL (1882-1940) "The Ship, 1929", woodblock engraving, 2½" x 3¼" and another "Five Stalks", 1929", (2)

£300-600

26  BERYL COOK (1926-2008) "Lunchtime Refreshment", printed signature within the image, further signed in pencil to the margin with printed title and publishing details for the Alexander Gallery, Bristol to the margin, coloured print, 25½" x 29½"

£100-200

31 AFTER ANNIBALE CARRACCI (1560-1609) Study of a windblown tree, printed signature within the image labelled "C Sculp", woodcut engraving, 15½" x 10¼"

£100-200

27 ANDY WARHOL (1928-1987) "Campbells Soup Can (Tomato)", 1966, published by The Institute of Contemporary Art, Boston, by Guild Paper Products Company on the occasion of a Warhol exhibition in October and November 1966, screen print in colours on a paper shopping bag, 19½" x 17". See illustration

£180-250

£80-150

32 AFTER THOMAS ROWLANDSON (1756-1827) "Dr. Syntax: At Covent Garden", hand-coloured etching, 3¾" x 6".

£1,000-2,000

£80-120

Lot 25

Lot 27

34  PHILLIP TOWNSEND A photograph of The Rolling Stones, their first photo shoot at Chelsea Harbour, ink signature lower right, artist proof and numbered 3/5 to the margin, black and white photograph, 17" x 16". See illustration

Lot 34

Accompanying this lot is the original Phillip Townsend "The Limited Editions" book with inscription "To Karen and Emily, all best wishes, thanks for buying a print, with thanks again, Phillip Townsend 2009"

£200-400

35 AFTER HENRI MATISSE (1869-1954) "Femme a l'Amphore Verve", blue lithograph, 10¼" x 14". See illustration

Lot 35

£300-600

36 AFTER HENRI MATISSE (1869-1954) "Blue Nude", printed signature and dated '52 within the image, verve lithograph, 14" x 10½". See illustration

£200-400

37  J. STEVEN DEWS "Brynhild racing off caves", printed signature within image, further signed in pencil and numbered artists proof 5/6, with printed title to margin, with publishers blind stamp, coloured print, 20" x 29", and two others (3)

Lot 36

£200-400

38-39 Spare lots

WATER COLOURS AND DR AWINGS

Detail of Lot 88 17

46 IN THE MANNER OF RICHARD WILSON RA (1714-1782) A view of Bothwell Castle, initialled R.W. with old inscription verso, watercolour, 5" x 6", in the original gilt gesso frame

40 HÜGELGEM, German School, 19th century Portrait of Christopher Martin Wieland (1733-1813), signed lower right and titled to the margin, watercolour, 7" x 5¾".

Christopher Martin Wieland was a German poet and romance writer.

£80-150

47 JAMES AUMONIER (1832-1911) "Sheep washing, Bridge Marsh'", signed lower left, titled to the mount, watercolour, 6¾" x 15¼". See illustration

41 JAMES SEYMOURE (1702-1752) Study of a tacked-up horse and groom, initialled lower left and dated 1747, old family provenance label, and label for Exhibition of Treasures of Art of the West Country 1937 verso, pencil sketch, 11" x 16½"

42 SPARE LOT 43 ATTRIBUTED TO GEORGE ARTHUR FRIPP (1813-1896) "On the borders of Wales, Shropshire", unsigned but with Walker's Galleries label verso, watercolour over traces of pencil, 10½" x 13½"

Provenance: Private collection, Dorset.

£150-300

49 COLONIAL SCHOOL, 19th century A mountainous landscape with a lake and canoe, probably a view of The Pitons, St. Lucia, watercolour, 10½" x 16¾".

£150-300

44 ENGLISH SCHOOL, early 19th century A portrait study of a young boy wearing a ruffed collar and buttoned jacket , with steps and foliage in the background, possibly a portrait of Lewis Burnand, ownership inscription and dated 1819 verso, watercolour en grisaille and charcoal heightened with white on buff paper. 7¼" x 6½" See illustration

£300-600

48 ENGLISH SCHOOL, 19th century A study of a young woman taking care over a sailor arranging his pipe, indistinctly signed and titled verso, watercolour, 16½" x 14¼". See illustration

£150-300

£200-400

£300-600

Lot 49

£800-1,500

45 WILLIAM CRUICKSHANK (1848-1922) A study of a birds nest with blue eggs and a white and blue flower surround, signed, watercolour, oval, 4" x 5"

50 SPARE LOT

£200-400 18

Lot 44

Lot 48

Lot 47

55 FOLLOWER OF JOHN VARLEY (1778-1842) A sailboat at dusk with a church silhouette beyond, watercolour, 5¼" x 9½".

Lot 51

£100-200

£200-400 59 FRENCH SCHOOL, 19th century A study of fishing boats preparing to launch at a harbourside with lighthouse, indistinct applied title label verso, watercolour heightened with scratch work, 11¾" x 17½"

£200-400

£150-300

60 SPARE LOT 61 GERMAN GROBE (1857-1938) "Unloading a vessel on a beach", signed lower right, Manner Gallery label verso, watercolour and gouache heightened with white, 10¼" x 7¾"

£100-200

£200-400

54 ARTHUR TUCKER (1864-1929) "Eskdale, Cumberland", signed lower left, titled with artist's address verso, 23½" x 39". See illustration

£50-100

57-58 SPARE LOTS

53 L. GOODWIN, 19th/20th century "Evening on the Thames", signed lower right, printed title and artist's name to the mount, watercolour, 8½" x 10¾"

52 CIRCLE OF DAVID COX SENIOR (1783-1859) A boy carrying a basket riding a grey horse bareback through a heathland towards a town, watercolour, 17½" x 21½". See illustration

Provenance: The Estate of the Late Siva Swaminathan (later Brendan Garry Nathan).

56 JOHN WYKEHAM ARCHER (1808-1864) "Sleeping Pigs at Cottlestone", signed and titled in pencil to the under-mount, Cannon Gallery label verso, watercolour over traces of pencil, 10½" x 11¾"

51 PAUL SANDBY (1725-1809) A castle on a river, apparently unsigned, old provenance label verso, watercolour, 4¼" x 7" See illustration

62 IN THE MANNER OF EVERET TAUBE, 19th century, A side profile portrait of a pre-Raphaelite woman with flowing auburn hair and a winged outline, initialled in iron red "ET" lower right, watercolour, 9" x 9¼"

£250-500

£100-200

63 SPARE LOT

Lot 52

Lot 54

64 AMERICAN SCHOOL, 19th century "St. Marys of the Woods", decorated title to the margin, watercolour en grisaille, 26¼" x 98¾". See illustration

Lot 64

St. Mary's of the Woods was a private Roman Catholic college for women located in Indiana, USA. It was founded in 1840 and it is believed this study of the school building dates to circa 1860.

£150-300

65 HERBERT LAKE (possibly Lt. Herbert Arnold Lake, The Royal Army Medical Corps 1883-1969) "I had a grand day last Sunday. Hunt met at the church at 11 ...", an annotated vignette study of a hunting day, signed in sepia ink lower right, sepia ink and watercolour over traces of pencil, 11¾" x 9½" See illustration

Lot 65

£100-200 66 JOHN CHRISTIAN SCHETKY (1778-1874) "The Capture of the Spanish Frigate De Gamo 32 Guns", signed lower right and titled with further title to the later mount, sepia watercolour over traces of pencil with pen and ink highlights, 9" x 14¼". See illustration Lot 66

£300-600

67 SPARE LOT 68  B. SCOTT-HOMER/MOWER A woman seated at a grand piano, signed in pencil lower left, watercolour wash over traces of pencil, 15¼" x 11¼"

£80-150

69  J. WALTON Georgian mansion houses in front of a ford being crossed by three horses and a full cart, signed lower right and dated 1794, watercolour, 14½" x 21". See illustration

Lot 69

£300-600

70  MARIAN BROOM (1878-1962) Blue delphiniums in a swan decorated baluster vase, signed lower right, watercolour, 30½" x 21¼"

Lot 71

£180-250

71 J. HARDY A man resting a rifle on his shoulders during a snowy shoot, signed in pencil, watercolour over traces of pencil heightened with white, 8¼", rondo, in the original gilt frame, and the companion portrait (2). See illustration

£200-400

72 FOLLOWER OF WILLIAM MULREADY (1786-1863) A nude head and torso portrait of a woman wearing hoop earrings, looking to her right, pencil, 8¾" x 8¼"

Lot 71

£100-200

73 ENGLISH SCHOOL, 19th century A study of figures in a wooded parkland with monument and palladian buildings in the background, possibly Soho Square, pencil, 5¼" x 8"

£50-100

74 WILLIAM LOUIS GARN (1802-1889) Folio of original watercolour, pen, ink and pencil landscape and figure studies, including two loose leaf sketches and a folio of history about Garn, circa 11¾" x 9½" (folio)

William Louis Garn is recorded in the 1841 census as an artist, but later became a pattern designer. He is recorded as living at the French Hospital, Victoria Park, Hackney, and is likely to be of Huguenot descent - his mother Elizabeth Godefroe was born in Bolbeck, Normandy.

£80-160 23

81 FRANK RICHARDS A grandfather and his grandson walking beside a canal, with a windmill, signed lower right, Rudolf Ackermann label verso, watercolour 12" x 15"

75  G.L. STAMPA Study of an ideal field reader, 1922, signed in pencil and dated lower left, watercolour over traces of pencil en grisaille, 11½" x 8½", a small note dated 1919 on Hodford Road, Childs Hill paper depicting a satirical study of a man and a small letter to "My dear Alison" accompanying the first watercolour (3)

£80-150

82 HECTOR CHALMERS (1849-1943) "The Temple Largo", signed and titled in pencil to the mount, gouache heightened with oil, 10¼" x 14¼". See illustration

76 W. GRANT, early 20th century A woman and her children playing in a rock pool overlooking Portland, signed lower right, watercolour, 6½" x 10¾"

£80-150

£200-400

83 SAMUEL WARBURTON (1874-1938) The view across hills down towards Windsor, signed lower right and dated 1921, watercolour, 21" x 17", oval. See illustration

77  SIR WILLIAM OLIPHANT HUTCHISON (1889-1970) A still life study of a wild white rose in a white vase, signed lower right in pencil with dedication to "Eve", pastel over traces of pencil, 12" x 9"

£200-400

£250-500

78  MONOGRAMMIST HGS/L (1892-1953) A study of three men conversing, initialled and dated November 1868 lower right, sepia, pen and ink, 4½" x 5¼", and another sketch of a showman on his horse and carriage, dated January 26th 1869, 5¼" x 6½", mounted as one

84 L. HOCKNELL, early 20th century A portrait of a child wrapped up with mittens and a woollen hat, monogrammed "LH" lower right, watercolour and charcoal heightened with white, 8¾" x 8"

£80-150

£80-150 85  ATTRIBUTED TO REYNOLDS STONES (1909-1979) A study of a hedgerow and bank in autumn/winter, watercolour, pen and ink heightened with white, on blue paper, 14¾" x 14½"

79  FELIX KELLY (1914-1994) Kiosk Agra India, unsigned but Partridge Fine Art label verso, gouache, 3" x 4" Provenance: A gentleman's residence in Kensington, London W8

£200-400

80  "WYN" WINIFRED GEORGE A portrait of a young girl seated in greenery wearing a bonnet and beads, signed upper left and indistinctly dated, pastel on canvas, 24¼" x 20". See illustration

£200-400

Provenance: Private collection, Dorset.

£50-100

86 SIR CHARLES ANDERSON (1804-1891) "Llyn Ogwen, 1859", titled lower left, old artist's label verso, watercolour with traces of pencil, 5½" x 17½" 24

£50-100

Lot 80

Lot 81

Lot 82

Lot 83

87 CIRCLE OF BOUCHER Pastoral study of three women conversing under the branches of a tree, with lambs and baskets of flowers, pencil and wash with partial white highlights, 8" x 10¾". See illustration

Lot 87

£500-1,000

88 CIRCLE OF HENRIETTE RONNERKNIP (1821-1909) A tabby kitten goading a ginger kitten by the kitchen table leg, apparently unsigned, watercolour over traces of pencil, 10" x 7½"

Lot 90

£150-300

89  BENJAMIN EASTLAKE LEADER (b.1916-) Beach scape from sand dunes, signed lower right, watercolour heightened with white, 19¼" x 29"

£100-200

90  JOHN HUBBARD (b.1931-) "Cloud Study Argyll, 1994", signed lower right, artist's label verso, oil on paper, 23" x 18". See illustration

Lot 91

£500-1,000

91  JOCELYN GALSWORTHY (1942 - ) A portrait of Ian Botham, signed lower right and dated 2004 and further signed by Botham, sepia pastel, 28¾" x 21¼". See illustration

This lot is accompanied by the original exhibition catalogue featuring this portrait on the cover and "The Lords of Cricket" hardback book, with original purchase receipts.

£500-1,000

92  WILFRID RAMSEY Seascape, signed in pencil lower right, gouache on buff paper, 9¾" x 13¾" 26

£80-150

93  NICHOLAS HELY HUTCHINSON (b. 1955) "Hilltown, Chateauneuf, 1986", signed with Montpelier Studio label verso, watercolour and gouache over pencil traces, 22½" x 32½", with original receipt purchased from the Montpelier Studio in 1992. See illustration

Lot 93

£500-1,000

94  NICHOLAS HELY HUTCHINSON (b. 1955) "Tuscany 1987", initialled and dated '87 lower left, Montpelier Studio label verso, watercolour and gouache, 21¾" x 29". Sold with the vendor's original purchase receipt from The Montpelier Gallery, April 1992. See illustration

Lot 94

£400-800

95  LIONEL D. EDWARDS (1878-1966) "The British soldier scouting", a study of a British soldier with rifle and native beyond, titled with dedication "With all good wishes for 1908" and signed "from Lionel D. Edwards", gouache on blue card, 6¾" x 4¾". See illustration

Lot 95

£300-600

96  FREDERICK DONALD BLAKE (1908-1992) Snow-capped mountains, signed lower right, watercolour heightened with white, 6½" x 19"

£150-300

97  EDWARD WESSON (1910-1983) Autumn landscape with trees, signed lower right, watercolour and wash, 18½" x 26¼"

£150-300

98  RAY EVANS (1920 - ) Study of a ram's skull with barbed wire, signed lower right and dated 11/66, gouache on paper, 15" x 25¾"

99  PATRICK HAUGHTON "Secret Beaches II, 12.9.94", initialled lower right, titled and dated lower left, watercolour and pencil, circa 15¼" x 11¼"

£50-100

105



£80-150

CYRIL STONE (b.1912-) "Native reserve, Natal, 1950", signed lower right, titled to the mount, watercolour 11" x 15"

100



GEORGE HAYNES (1938-) "Hotel Veranda", signed in pencil and indistinctly dated lower right, old label verso, pastel, 5½" x 8¼"

106



£150-300

£200-400

107



Provenance: Private collection, East Dorset.

£1,500-2,500

101 W. A. DONNELLY, A portrait of Mrs Coggans, signed and dated 1807 lower left, watercolour and gouache, 26½" x 21¼"

£200-400

102 VERE TEMPLE, 20th century A still life study of yellow wild flowers, pen and ink heightened with gouache, 12¾" x 8¼", and the two companions, possibly illustrations for books (3)

103 ROBERT JUNIPER (Australian 1929-2012) A flower study in a vase, signed lower right and dated '69, mixed media, 10" x 9". See illustration Provenance: A gentleman's residence in South Kensington.

£200-400

104



SIR FRANK BRANGWYN (1867-1956) "Sunday morning on board an outward bound vessel", initialled lower right and dated '91, gouache on paper, 23¾" x 16". See illustration

108 ELLA FRY (Australian, 1916-1997) Study of a wombat, signed lower right, pencil, 5¼" x 5¾", and two further wombat studies, mounted as one, 10½" x 26"

£250-500

ROWLAND SUDDABY (1912-1973) "Raw, Yorkshire", signed lower right, Redfern Gallery label verso, watercolour, 10½" x 14½"

JOHN NEWBERRY 20th century View from the roof of a palace at Bishtok, Cairo 1997, signed lower left in pencil, watercolour 9¾" x 13¾" £100-200

£150-300

109



Provenance: The Estate of the artist.

£200-400

110



Provenance: The Estate of the artist.

£250-500

SVEN BERLIN (1911-2000) Study of a black and white spotted rabbit, black ink, 15½" x 23"

SVEN BERLIN (1911-2000) Seven swallows in flight, black ink, 23¼" x 16"

Lot 107

111



ELISABETH FRINK (1930-1993) Goggle man running with winged ankles, signed lower right and dated '82, pencil sketch. 22½” x 15” See illustration

Provenance: Private collection, Dorset.

£1,000-2,000

112

 GRAYSON PERRY "F*****g cow, how dare you say that" The workings of the mind depicted as a motorbike in parts, pencil with black and red pen and ink, signed, 8¼" x 11¾". See illustration

This work was donated to Blandford-based mental support group, Willow Tree Group by Grayson Perry himself. Having seen the artist on BBC’s Newsnight, Barrie Smith, a member of Willow Tree Group, wrote a letter to the Saatchi Gallery who represent Perry in the hope that they may be able to donate an artwork in order to raise much needed funds for the group. A few weeks later, a jiffy bag arrived containing the artwork with a yellow post-it note attached which read: ‘Dear Barrie, This Drawing by Grayson Perry is for the Willow Tree Group Silent Auction. It is probably worth about £2000. Good luck!’. The sketch will be sold with the original packaging and Post-it note as received by Barrie Smith.

£1,000-2,000

Lot 113

113



Provenance: The Estate of the artist.

£350-650

114



Provenance: The Estate of the artist.

£250-500

115



Provenance: The Estate of the artist.

£250-500

116



£50-100

117



Provenance: The Estate of the artist.

£400-800

118



Provenance: The Estate of the artist.

£400-800

Lot 117

Lot 118

SVEN BERLIN (1911-2000) "Rain Girl", signed and dated '68 lower right, titled lower left, black ink, 22½" x 19¼".

SVEN BERLIN (1911-2000) Study of a leaping hare, signed in pencil lower right and dated '79, black ink, 16½" x 23½".

SVEN BERLIN (1911-2000) A bird of prey, signed in pencil lower left, 19¼" x 22½"

SVEN BERLIN (1911-2000) "Send Back!", monogrammed and dated '82 lower right, black ink, 13" x 8"

SVEN BERLIN (1911-2000) A pair of white stoats harassing a brown rabbit, signed and dated '90 lower right, further inscribed in pencil to the margin, titled and monogrammed, 16" x 22". See illustration

SVEN BERLIN (1911-2000) Heron with a fish, signed in pencil and dated '92, with fish monogram, black pen and ink and watercolour, 21¾" x 16". See illustration

119 OMAR RAMSDEN (1873-1939) Original designs and letter correspondence for "Peter the Fisherman standing salt", as made for John Naphtali-Hart, Esq., the main pen and ink design with colourwash highlights and lifting flap to demonstrate the addition of the cover, signed in blue ink and dated 1928 in Roman numerals, 22½" x 15½" (page), together with a pen and ink sketch details of Peter the fisherman clutching the keys of heaven, on Omar Ramsden headed paper, hand dated April 24th 1928, 10¼" x 8" (page), the original receipt and a series of hand-written and typed correspondence between Hart, Omar Ramsden and a Ramsden worker discussing the production of the salt (a lot). See illustration

Lot 119

120 DOMENIC SERRES (fl. 1783 - 1804) "Shipping becalmed", indistinct handwritten label verso, Thomas Agnew & Sons label verso, watercolour over traces of pencil, 3¾" x 9". See illustration

Lot 120

£300-600

121 HENRIETTA BEANE, 19th century After the original by Van Dyke, a portrait of Rubens, this work painted 1844, various artist inscriptions verso, watercolour, 5" x 4½", in the original 19th century gilt gesso glazed frame.

Lot 122

£80-150

122 ... FISHER Still life study of fruit beside a blue jug, indistinctly signed and dated 1911 lower left, pastel, 19" x 15¼" See illustration

£100-200

123

 ANNIE MOORE GILLIAND "Seascape", signed lower left, watercolour, 14¾" x 21½"

£60-120 33

Lot 127

Lot 124

124 17TH/18TH CENTURY SCHOOL Study of a Sphinx, On laid paper with a ‘pm’ watermark, Pencil, 10½" x 15” See illustration

£200-400 Lot 128

125 FRANK SOUTHGATE (1872-1916) Pheasant launching into flight with his female companion behind, Signed in pencil lower right and dated ’99, Watercolour, 10¾” x 14½”

£300-600

126 19TH CENTURY SCHOOL ‘Honister (?) Crag’ Indistinctly titled to mount, apparently unsigned, Watercolour heightened with white, 16 x 22¾”

£200-400

127 JOSEPH JOHN JENKINS (1811-1885) Full length portrait of a woman trimming a bough of roses in a porch, Signed and dated 1856, Watercolour and gouache, 19½ x 13½” In the original gilt frame. See illustration

128 EDWARD SEAGO (1910-1974) ‘Rockhale’ Titled in pencil, signed and date 1934 Pencil sketch with sepia ink, 7¾” x 4½” See illustration

£300-600

£200-400

129-139 Spare lots 34

OIL PAINTINGS

Detail of Lot 243 35

140 RUSSIAN ORTHODOX SCCHOOL, 19TH CENTURY, an icon of the Holy Face with angles above, painted on a wood panel, with a bead work polychrome oclad, 15" x 11½" See illustration

Lot 140

Provenance: Private collection, Herefordshire.

£400-600

141 RUSSIAN ORTHODOX SCHOOL, 18TH/19TH CENTURY, an icon of the Mother of God with the Christ child and two Saints, painted on a wood panel, 15½" x 11½" See illustration

Lot 141

Provenance: Private collection, Herefordshire.

£400-600

142 RUSSIAN ORTHODOX SCHOOL, 19TH CENTURY, an icon of Our Lady of Joy, flanked by angels and figures and with God the Father and Son above, painted on a wood panel, 21" x 17½" See illustration

Provenance: Private collection, Herefordshire.

£400-600

143 RUSSIAN ORTHODOX SCHOOL, 19TH CENTURY, an icon of the Madonna and Child, the ornate silver oclad with inset beads, 11" x 9" Lot 142

Provenance: Private collection, Herefordshire.

£400-600

144 SYRIAN ORTHODOX SCHOOL, 19TH CENTURY, Saint Anthony of the Desert, in a landscape beside a tree, with an inscription above reading 'Al Kadiz Anaboula', painted on a wooden panel, with moulded frame, 15¾" x 11¾" overall

This icon is of exceptional rarity. Only a handful of icon painters are thought to have been working in Syria, and examples rarely appear on the open market. See illustration

Provenance: Private collection, Herefordshire.

£10,000-20,000

Lot 144 37

145 DUTCH SCHOOL, 18TH CENTURY, figures in a landscape with buildings beyond, oil on copper, 4¼" x 6¼"

Lot 148

£100-200

146 DUTCH SCHOOL, 19TH CENTURY, a man smoking a pipe, oil on panel, 6" x 4", in a giltwood and gesso frame

£150-300

147 DUTCH SCHOOL, 19TH CENTURY, a man wearing a hat and smiling, oil on panel, 6" x 4"

£150-300

148 DUTCH/FLEMISH SCHOOL, 19TH CENTURY, a man in a hat with one eye closed, standing behind a screen with an inscription, oil on panel, 7" x 5", in a giltwood and gesso frame See illustration

Lot 149

£200-400

149 DUTCH/FLEMISH SCHOOL, 19TH CENTURY, figures at a table with a dog in the foreground, oil on panel, 9½" x 7", in a gilt foliate frame See illustration

£200-400

150 DUTCH SCHOOL, 18TH/19TH CENTURY, an encampment beside a lake with mountains beyond, oval, oil on canvas, 11" x 8¼" in an ornate gilt frame See illustration

Lot 150

£200-400

151 DUTCH SCHOOL, 18TH/19TH CENTURY, figures and livestock beside a monument in a landscape, oil on panel, 12" x 16" 38

£100-200

152 FRENCH SCHOOL, 18TH CENTURY, a still life of fruit and vegetables with a mountain landscape beyond, oil on canvas, 34" x 52"

Provenance: Private Collection, North Dorset.

£1,000-2,000

153 CIRCLE OF WILLIAM HAMILTON (1751-1801), lovers in a garden landscape beside a classical urn, probably and allegory, the reverse with a Doig, Wilson and Wheatley label, oil on panel, 15" x 19½"

Provenance: Private Collection, Somerset.

£2,000-4,000

Lot 154

154 CIRCLE OF CORNELIS VAN POELENBURGH (c.1594-1667), nymphs in a classical landscape, oil on canvas, 9" x 15½" See illustration

Lot 155

£500-1,000

155 STUDIO OF LAM QUA (1801-1860), two beauties in a landscape beside a pool, oil on canvas, 11½" x 8¾" See illustration

Provenance: Private Collection, Somerset.

£1,000-2,000

Lot 157

156 CIRCLE OF JOHN NOST SARTORIUS (1759-1828), a windswept stallion in a landscape beside two sheep, oil on panel, 5¼" x 7½" See illustration

Provenance: Private Collection, West Dorset.

£500-1,000

Lot 156

157 FLEMISH SCHOOL, 16TH/17TH CENTURY, Adam and Eve in the garden of Eden, initialled lower right D.B.? and dated, oil on panel, 8½" x 12½" See illustration

£1,000-2,000

158 MANNER OF FRANCESCO GUARDI (1712-1793), a Venetian canal scene with gondolas before a bridge, oil on canvas, 14" x 17½" See illustration

Lot 158

£500-1,000

159 FRENCH SCHOOl 18TH CENTURY, a still life study of flowers before a classical urn, oil on canvas, 28½" x 31½" See illustration

£500-1,000 Lot 159

160 VENETIAN SCHOOL, 16TH CENTURY, a head and shoulder study of Christ, the reverse indistinctly inscribed, G. V. Magoli?, oil on copper, 6½" x 5½"

£1,000-2,000 43

161 SIR JOHN LAVERY (1856-1941), a portrait of Mrs W F Burton, signed lower right, oil on canvas, 30" x 25"

Provenance: The sitter – Mrs. W.F. Burton nee Georgina Spencer Wellesley (d. 1943), Great Niece of the Duke of Wellington, daughter of Hon. Captain William Henry George Wellesley (1806-1875) and Amelia St. John Niblock.

£2,000-4,000

Thence by descent.

162 ATTRIBUTED TO JOSEPH HIGHMORE (1692-1780), self-portrait, oil on canvas, 30" x 25"

Provenance: Private Collection, Yorkshire.

ÂŁ1,500-3,000

163 CIRCLE OF WILLIAM JONES OF BATH (fl.1764-1777), a still life study of fruit on a shelf, oil on canvas, 17½" x 13½" See illustration

Lot 163

£500-1,000

164 JOS DISKY? (20TH CENTURY), still life study of fruit and vessels on a table, oil on canvas, 18" x 25½" See illustration

£200-400

165 DAVIDSON KNOWLES (fl.1879-1902), an old testament scene with a prophet or leader surrounded by children and others, before a temple, signed and dated lower right, oil on canvas, 24" x 18" See illustration

£300-600

Lot 164

Lot 165

166 JACQUES DELANOY (1820-1890), a still life study of flowers and fruit, signed lower left, oil on canvas, 15" x 18½"

£500-1,000

167 ADOLPHE MONTICELLI (1824-1886), 'Fete Scanpetre', signed indistinctly lower right, oil on panel, 17" x 21½"

£1,000-2,000 48

168 ATTRIBUTED TO THOMAS BARDWELL (1704-1767) A half-length portrait of a lady wearing a pearl necklace and blue dress, signed indistinctly lower right, 'B f 1746' (?), oil on canvas, 30" x 25", in a gilt wood foliate frame

ÂŁ1,000-2,000

Lot 168A

169 WILLIAM DUFFIELD (1816-1863) Still life studies of fruit, a pair, one signed lower left, oval, 17½" x 14" See illustrations

168A W ILLIAM DUFFIELD (1816-1863) Still life study of fruit beside a glass and jug, signed lower left and dated 1868, oil on canvas, 12" x 21" See illustration

£500-1,000

£800-1,500

Lot 169

170 ENGLISH SCHOOL, 19th century A galleon at half-sail firing cannons from the broadside, with figures in the rigging and other boats on calm water, oil on canvas, 15½" x 22½". See illustration

Lot 170

£200-400

171 SIDNEY YATES JOHNSON (fl.1901-1910) Fishing boats on calm water with landscape to the distance, signed lower left, oil on canvas, 13½" x 21". See illustration

Lot 171

£150-250

172 H. POPE, 19th century A three-masted barque in choppy waters, signed lower right, oil on canvas laid to board, 8½" x 12¼".

£150-250

173 IN THE MANNER OF LUNY (1759-1837) Fishermen with a boat beside the shore, with galleons moored in the background, 19th century, 18" x 23". See illustration

Lot 173

£300-600

174 ARTHUR JOSEPH MEADOWS (1843-1907) A seascape with boats on choppy waters and a port with lighthouse in the distance, 19th century, 23½" x 41"

Lot 175

£800-1,500

175 ENGLISH SCHOOL, early 19th century Shipping in the channel with two frigates and land in the distance, oil on canvas, 19¼" x 23¼". See illustration

£400-800

Lot 177

176 ENGLISH SCHOOL, 19th century "Ship John Fielden of Liverpool. Capt. R. Roberts. Passing the Lizard in 1854", a three masted ship at full sail on choppy waters, reverse painting on glass, 21½" x 28". See illustration

Lot 176

£300-600

177 NAIVE SCHOOL, 19th century A steam ship in coastal waters with cliffs and boats in the background, oil on panel, apparently retaining the original grained wood frame, 23½" x 51½". See illustration

£800-1,500

178



£200-400

Lot 178

GORDON B. WRIGHT 19th century style, A dutch winter landscape with figures walking beside a frozen river and cottages, with a church in the distance, signed lower right "GB Wright 73", oil on board, 19¾" x 23½". See illustration

179

Lot 182

GORDON B WRIGHT 19th century style, "A Dutch winter landscape", with figures walking on a frozen lake beside a church with a windmill in the distance, signed lower left "GB Wright", oil on board, 17½" x 23½"



This painting was reproduced as a Christmas card for Christmas 1974

£100-200 180



£100-200

181



£100-200

Lot 183

GORDON B WRIGHT 19th century style, "A winter scene near Arnhem", with figures skating on a frozen lake beside a windmill, with a city in the distance signed lower right "GB Wright 73", oil on board, 11½" x 17½"

GORDON B WRIGHT 19th century style, "A view near Enkhuizen on the Zuider Zee", with boats moored beside an inn on the shore with fishermen, signed lower left "GB Wright", oil on panel, 13½" x 19½"

182 ENGLISH SCHOOL, 19th century A horse watering in a river beside figures in a wooded landscape with fields beyond, oil on canvas, 11½" x 13½". See illustration

Lot 184

£200-400

183 CONTINENTAL SCHOOL, 19th century Cows crossing a river beside classical ruins with a courting couple seated below a tree on the river bank, oil on panel, 8" x 9½". See illustration

£150-250

184 ABRAHAM HULK JUNIOR (1851-1922) Two figures harvesting beside a river, signed lower left, oil on canvas, 9" x 11½". See illustration 54

£200-400

185 EDWARD FREDERICK BREWTNALL RWS, RBS (1846-1902) A shepherd and his flock in a winter landscape, with a farm in the background, signed and dated 1886 lower left, oil on canvas, 29¾" x 23¾". See illustration

Apparently listed in the RA records as "Farmer Dick blows his nose".

Exhibited: Apparently the RA in 1886

£1,000-2,000

Lot 185

186 PAUL JONES (fl. 1855-1888) "Duck Shooting", signed and dated 1858 lower right and lower left, oil on canvas, both paintings 7½" x 9¼" (2). See illustration

£1,000-2,000

187 ARTHUR REDGATE (1860-1906) Ducks beside a stream with figures on a bridge beyond, signed lower left, oil on paper, 4¾" x 3¾"

Lot 186

£300-600

188 ENGLISH SCHOOL, 19th century A mountainous landscape with a cottage beside a stream with figures and trees to the foreground, oil on canvas, 9½" x 13¾"

£100-200

189 CONTINENTAL SCHOOL, 19th century Figures fishing on a bridge beside a cottage in a mountainous landscape, oil on board, 5¾" x 7½"

Lot 186

£100-200

190 ENGLISH SCHOOL, 19th century A young lady walking with her dog through a forest, oil on canvas, apparently in the original gilt gesso frame, 13¼" x 19¼",

£200-400

191 S. B. ROSSELL, ENGLISH SCHOOL, 19th century, a wooded landscape with figures walking through trees beside a stream, signed and dated lower right 1895, oil on canvas, 27½" x 35"

Lot 192

£50-100

192 DUTCH SCHOOL, 17th/18th century Figures with horse and carriage in an extensive landscape with a city beyond, oil on panel, 4¾" x 6.8". See illustration

Lot 194

£500-1,000 193 FRIEDRICH DORN (1861-1901) A cornfield landscape with trees beyond, oil on panel, signed lower left, 8½" x 12½"

Lot 195

This painting was sold at Christie's, London, January 19th, 1973. Lot 30.

£200-400

194 FRIDRICH DORN (1861-1901) A shepherd with his flock of sheep on the heath, with trees and an extensive landscape, signed lower right, oil on panel, 8.6" x 12.7"

See illustration.

£200-400 195 ITALIAN SCHOOL, early 20th century A lady reclining against an artist table with pallets and wine bottles, oval, oil on board, 7¾" x 10¾" See illustration.

£100-200

196 DUTCH SCHOOL, 19th century A coastal landscape with figures standing on a beach, with windmill in the distance, oil on board, 7" x 10" 56

£100-200

197 ARTHUR DE BREANSKI (1879-1928) A river scene at sunset, signed lower right, oil on canvas, 19½" x 29½"

£150-250

198

 HARRY HUGHES-WILLIAMS (1892-1953) 'Moel Hebog and Llyn Dinas. Snowdonia.', signed lower left, oil on canvas, 11¾" x 17½"

£100-200

Lot 198

Lot 199

199 ENGLISH SCHOOL, 19th century A rural landscape with cows resting amongst trees, with figures and mountains in the background, oil on canvas, 15" x 21". See illustration

£400-600

200 HARRY PERCY HAIN FRISWELL (1857-1941) 'The Meeting on the Bridge', signed lower right, oil on canvas, 17" x 21¾". See illustration.

Provenance: Purchased by the vendor from Waterhouse and Dodd

£400-800

Lot 200

201 HERBERT M. JONES (1870-1939) Highland cattle and a collie in a mountainous landscape, signed lower right and dated 1921, oil on canvas, 13¼" x 21½"

£250-500

202 CONTINENTAL SCHOOL, 19th century Fishing boats and figures on a seashore with buildings and cliffs in the background, oval, 13" x 16" reverse painted oil glass panel in apparently the original gilt frame

£100-200 57

203 LOUIS BARNABA, FRENCH, 19th century Boats in heavy seas, one craft being pulled in from the jetty whilst other figures row towards the shore, signed lower right and dated 1866, oil on canvas, 30½" x 50½"

Lot 205

£250-500

204 JAMES H. MILLER (fl.1884-1903) A view of a cliff top castle above rough seas and misty skies, signed lower right, oil on canvas, 31¼" x 47¾"

£500-1,000

205 FRANZ STEGMANN (1831-1892) A town street scene with figures beside houses and a church with a spire, signed lower right and dated '54, oil on canvas, 26½" x 20¾"

Lot 206

See illustration.

£1,000-2,000

206 CIRCLE OF WILLIAM SHAYER (1787-1879) A figure, a dog and a working horse at rest in a farm landscape, oil on canvas, 24" x 32", in a gilt gesso frame See illustration.

Provenance: Private collection, West Dorset

£400-800

207 DUTCH SCHOOL, 19TH CENTURY, an interior scene with gentlemen playing around a small table, with a view to the right through a doorway with a lady reading by a fire, oil on canvas laid on board, 18¾" x 29½"

Lot 208

£200-400

208 THOMAS WILLIAM EARL (1815-1885), 'Left in Charge', a child sleeping in a bed being watched by a dog, oil on board, 10" x 13", in original gilt gesso frame. See illustration. 58

£800-1,600

Lot 210

209 ROBERT HENRY ROE (1822-1905), 'Winter in the Highlands, Ptarmigan', oil on panel, inscribed on reverse 'Robert Henry Roe' and dated '87, with the wax crest of Robert Henry Roe, 6¾" x 9¾". See illustration.

Lot 209

£100-200

210 ENGLISH NAIVE SCHOOL, 19th century, Prize cows in byres, pair, inscribed and dated 1882 with W.R.P monogram on the bottom right, oil on board, 11½" x 15½". See illustration.

Lot 211

£1,000-2,000 211 RICHARD WHITFORD (1821-1890), a prize cow in a landscape with a lake and city in the distance, indistinctly signed, dated 1873, oil on canvas, 21" x 27¼"

See illustration.

£500-1,000

Lot 212

Lot 213

212 H. CARY, English school, 19th century a prize chestnut horse in a stable 'Mrs Pike', signed lower left, oil on canvas, 23½" x 35½"

Lot 214

£150-250

213 ENGLISH SCHOOL, 19th century a chestnut thoroughbred horse in a field with trees beyond, oil on canvas, 23½" x 32" See illustration.

Lot 214

£300-600

214 COLIN GRAEME ROE 19th century setters in a landscape, signed lower left and dated '98, oil on canvas, and the companion painting of otter hounds, apparently retaining the original gilt gesso frame, 15¼" x 23½" See illustration.

£3,000-5,000

215 RICHARD WHITFORD, 19th century three prize ewes in a landscape with lake and tree beyond, indistinctly signed and dated, oil on canvas, in maple frame, 20¼" x 26¼" See illustration.

Lot 215

£2,000-4,000

216 ENGLISH SCHOOL, 19th century a prize horse beside a dog in an open landscape, indistinctly inscribed and signed, dated '87, oil on canvas, 19¾" x 26½" See illustration.

Lot 216

£200-400 217 ENGLISH SCHOOL, 18th century a portrait of William III, head and shoulders, oil on canvas, 12½" x 10¼" See illustration.

£100-200

218 ENGLISH SCHOOL, 19th century a portrait of a young girl, head and shoulders, oil on canvas, 18¾" x 15"

Lot 217

£100-200

219 ENGLISH SCHOOL, early 20th century a portrait of a young lady standing in a white dress holding flowers, entitled 'Eva Greene 1901', signed with a monogram in the bottom left hand corner, oil on canvas, 23½" x 13½"

£200-400

220 ENGLISH SCHOOL, early 20th century, a portrait of a young boy, indistinctly signed lower right, oil on board, 7¼" x 6½"

£100-200

Lot 221

221 ENGLISH SCHOOL, 19TH CENTURY, a portrait of Frederick Frederickson, half length, wearing a black coat and collar, oil on canvas, 26" x 22", and the companion of his wife, Salange Frederickson See illustration.

Lot 222

222 ASCRIBED TO WILHELM CORRODI (Swiss 1826-1885) A portrait of a gentleman seated in a high back chair holding papers in his hand, oil on board, oval, 10½" x 8½", and the companion of a lady in a similar seated pose wearing jewellery. See illustration

Lot 222

£450-850

223 ENGLISH SCHOOL, 19th century A half-length portrait of an elderly lady and wearing a lace bonnet and ruff, oil on canvas, 19½" x 15½"

£200-400

Lot 224

Lot 225

224 AMERICAN SCHOOL, 17th century style A portrait of a lady wearing a brown tunic, oil on canvas, 21½" x 18½". See illustration

Lot 226

£200-400

225 AFTER THOMAS GAINSBOROUGH, 18th century A portrait of a seated gentleman wearing a red tunic and white waistcoat with floral embroidery, oil on canvas, 29½" x 24". See illustration

£300-600

226 ENGLISH SCHOOL, early 18th century A half-length portrait of a woman wearing a white dress with blue shawl, her hair falling over her right shoulder, oil on canvas, 31" x 24". See illustration

£400-800

227 IN THE CIRCLE OF SIR PETER LELY (1618-1680) A portrait of a lady in a yellow silk gown, wearing a string of pearls and standing beside a column with a blue curtain behind, oil on canvas, 48" x 39½". See illustration

£2,000-4,000 64

228 CIRCLE SIR PETER LELY, (1618-1680) 17th century A full-length portrait of James II standing beside a column with an orange curtain behind, oil on canvas, 28" x 19½", and the companion portrait of Charles II. See illustration

Lot 228

£3,000-5,000

229 AFTER ANTHONY VAN DYCK (1599-1641) A portrait of the three children of Charles I as infants, with two spaniels, full-length, oil on canvas, 25" x 28". See illustration

£300-600

230 ENGLISH SCHOOL, 18th century A family portrait, standing and seated, full length, oil on canvas, 29" x 22"

£300-600

Lot 229

Lot 228

231



£150-250

232



£200-400

RICHARD BERTRAM OGLE (1889-1976) A profile portrait of a young lady wearing a purple dress with lace collar, signed lower right and dated 1911, oil on canvas, 23½" x 19". See illustration

Lot 231

RICHARD B. OGLE (1889-1976) A portrait of the artist's daughter, Sylvia, reclining naked on a bed with a book to her side, signed and dated top left 1934, oil on canvas, 39½" x 49½". See illustration

233 SPARE LOT

Lot 232

234 ATTRIBUTED TO TURNHAM BURTON, 19th century A portrait of Reverend Joseph Kirkman Miller, M.A., Vicar of Walkeringham, Nottinghamshire, seated with a red curtain behind and a church in the distance, oil on panel, 11¼" x 9¾", and the companion portrait of his wife, Mrs J.K. Miller, both in apparently the original gilt gesso frames, both paintings inscribed on the reverse "T. Burton, Pinxt 1840" and two pencil portrait studies of T.E. Miller and John Miller, both in glazed maple frames, included with the lot are family documents and research. See illustration

£500-1,000

Lot 235 Lot 236

235 ENGLISH SCHOOL, 19th century A portrait of a seated lady wearing a hat and black dress, with lace collar and ruff, red curtain behind, oil on canvas, 35½" x 27¼", the gilt gesso frame bearing nameplate "Mrs Douglas". See illustration

Lot 237

£200-400

236 FRANK W. CARTER, early 20th century A portrait of a seated lady wearing a bonnet and a cream dress, seated with her hands around her knees, with a landscape in the distance, signed lower right, oil on canvas, 40" x 35". See illustration

£1,500-2,500

237 PRE-RAPHAELITE SCHOOL, 19th century A portrait of a young girl gazing down, bust-length, oil on canvas, 7¼" x 7¾". See illustration

Provenance: Apparently originally in the collection at Chatsworth House, Derbyshire.

£400-800

238 CIRCLE OF THOMAS GAINSBOROUGH R.A. (1727-1788) A portrait of John Parke (1745-1829), seated at a table beside an oboe and holding sheet music, three-quarter length, oil on canvas, 48" x 37Â˝", in a gilt gesso frame bearing namepiece "John Parke. Thomas Gainsborough. R.A." See illustration

John Parke (1745-1829) oboist, who studied the oboe under Simpson and musical theory under Baumgarten. John Parke was appointed principal oboe at the opera, and in the same year he played at the first Birmingham Festival, and also at the Three Choirs Festival at Hereford. He continued to perform at The Three Choirs Festival for 35 years. During his career he was also a concerto player at Vauxhall Gardens, first oboe at Drury Lane Theatre, and a chamber musician employed by the Prince of Wales.

ÂŁ2,000-4,000

Lot 239

239 ATTRIBUTED TO FRANS BREYDEL (1679-1750) A classical scene of figures dining around a table, in an arcadian interior, oil on canvas, 21" x 18", and the companion painting of classical figures gathered around a woman playing a musical instrument. See illustration

Lot 240

£4,000-6,000 240 CONTINENTAL SCHOOL, 19th century Two men seated beside a table in a tavern drinking, with an open fire, oil on canvas, 21½" x 26½" See illustration

£200-400

241

SEPTIMUS SCOTT (1879-1962) A view on the Thames with trees in the distance, signed lower right, oil on canvas laid to board, 10" x 13". See illustration

£200-400

Lot 241



242



£200-400

DEREK MIDDLETON (1928-2002) A view of Battersea Bridge, signed with monogram "DM" and dated 1954 lower right, oil on canvas, 23" x 19½". See illustration

Lot 242

243 ENGLISH SCHOOL, mid-20th century Cliffs with boats moored in a cove, signed with monogram JB and dated 1952 lower right, oil on canvas, 15½" x 19½". See illustration

£150-250

244 JOHN FREDERICK PETTINGER (1877-1939) Boats moored on a beach with fields and hills in the distance, signed and dated 1920 lower left, oil on board, 13" x 18". See illustration

£300-600

245

GEORGE HANN (1900-1979) "Strand on the Green", signed lower right, oil on board, 17" x 24¾"

£100-200

246

 PATRICK SYMONDS (1925-1993) "Barn at Easter", signed lower right, oil on canvas, 20" x 25½"

£100-200

Lot 243



Lot 244

247 DUTCH SCHOOL, 20th century A market scene with figures walking past and buildings in the distance, signed lower right, oil on canvas, 17½" x 25½"

£100-200

248

Lot 248

JOHN MILLER (1931-2002) "Cornish Winter Landscape", a view to St. Michael's Mount, signed lower right, oil on canvas, 11¼" x 17¼". See illustration



£1,000-2,000

Lot 249

249



£200-400

HUGH CHEVINS (1931-2003) A view of a windmill with boats moored, signed lower left, oil on board, 9½" x 13". See illustration

250 ENGLISH SCHOOL, 20th century A still life study of tulips and iris in a vase, indistinctly signed lower right, oil on board, 17½" x 13½". See illustration

£100-200

251



Lot 250

MELITA DENARO (Irish, born 1950) "Trawbreaga Bay II", monogram lower right, oil on canvas board, 5¾" x 7¾"

Provenance: Purchased from Oliver Swann Galleries in 1992

£100-200

252



£100-200

BERNARD FLEETWOOD-WALKER (1893-1965) A profile portrait of a lady with two boys by her side, signed lower left, oil on canvas board, 19½" x 15½"

253 IN THE MANNER OF HENRIETTA RONNER-KNIP (1821-1909) Kittens watching a butterfly, initialled and dated '06 lower right, oil on board, 4¾" x 9¼"

£50-100

254

 SIR WILLIAM OLIPHANT HUTCHINSON (1889-1970) A still life study of flowers beside a candle, signed lower right, oil on board, 17½" x 14½". See illustration

Provenance: Private collection, West Dorset.

£1,000-2,000

255

 MARY MORRIS (fl.1919-1950) "A view of a bay, Iona", signed and dated lower right 1911, oil on canvas, 17½" x 23½". See illustration

£300-600

256

 JOHN PAWLE (1915-2010) A still life study of a rose beside a glass spirit decanter, signed upper right, oil on canvas, 17½" x 23¾". See illustration

£200-400

257

 MIKE BOWMAN (b. 1943) A view of Lyme Regis harbour with boats, signed lower left, oil on canvas, 13½" x 18½"

£80-150

Lot 254

Lot 255

258 CONTINENTAL SCHOOL, 20th century A garden view with cottage in the background, indistinctly signed and dated 1962 lower left, oil on canvas, 16" x 19½"

£80-150

259

JOHN WEBSTER (b.1932) "Mountains of the Cevennes - after rain", signed lower left, oil on board, 5½" x 8¼"

£200-400

Lot 256



260

MARCEL DYF (1899-1985) "Fleurs", a still life study of flowers in a vase, signed lower right, oil on canvas, 21" x 17½". See illustration

£4,000-8,000



261

 FRED YATES (1922-2008) "Place House, Fowey", oil on board, 15" x 18". See illustration

Provenance: Purchased from Artworld circa 2007

£500-1,000

262

THOMAS BROWN YATES (1882-1968) Study of Menton, France, oil on panel, 12½" x 15½". See illustration

£800-1,500

Lot 261



263 ATTRIBUTED TO WINIFRED GEORGE (1908-1936) A portrait of a young girl wearing a hat, oil on panel, 7½" x 6½"

£100-200

264

OWEN BOWEN (1873-1967) Cows grazing in a field, signed lower left, oil on board, 9¼" x 13¼"

£100-200

265



£100-200

266

 ARABELLA BOUETTI (?) Italian school, 20th century A beach view with a city in the distance, signed lower right, oil on panel, 14¾" x 18¾". See illustration

£200-400

Lot 262



TREVOR CHAMBERLAIN (b.1933) "Back Street in Cairo", signed lower left and dated '93, oil on board, 7½" x 5½"

Lot 266

Lot 267

Lot 268

FRANCIS LYMBURNER (1916-1972) "Noreen", a portrait of a young girl with a bow in her hair, oil on board, 14½" x 11½". See illustration

267



£200-400

268



£300-600

Lot 269

HERBERT JAMES GUNN (1893-1964) A portrait study of Eda Harvey, signed lower right, oil on board, 13½" x 9½". See illustration.

269 DION CLAYTON CALTHROP (1875-1937) A medieval maiden in a landscape with a city beyond, signed lower right, oil on panel, 13¾" x 8¾", inscribed on verso 'Originally painted to illustrate 'Guide to Fairyland' by Dion Clayton Calthrop (1905) but not used' See illustration.

Lot 270

£150-300

270 EDWARD WILKINS WAITE (1854-1924) A cottage beside a pond with chickens and ducks in a landscape, signed lower right, oil on canvas laid to board, 11¾" x 17¼" See illustration. 76

£400-600

271

 PAUL DEFAU (1898-1982) 'Promenade Du Matin', signed and dated '68 lower right, mixed media study, 17" x 13" and one other similar mixed media study 'Blonde a la Rosi', signed and dated 68' lower left, 11½" x 8"

£100-200

272

 MARKEY ROBINSON (1918-1999) Figures approaching a church, signed lower right, oil on board, 31" x 38¾". See illustration.

Provenance: Private collection East Sussex.

Acquired from the artist by the vendor's mother.

£2,000-4,000

273

SUSAN L. CRAWFORD (b.1941) 'Foster with Altesse Royale', signed lower right, oil on board, 11¼" x 9¼". See illustration.

£2,000-4,000

274

 JACK SIMCOCK (1929-2012) 'Landscape and figures', signed and dated '60 lower left, oil on board, 14½" x 18½". See illustration.

£200-400

275

 MONTAGUE LEDER (1900-1972) A still life study of flowers in a vase, signed lower right, oil on canvas, unframed, 30" x 25", and three other unframed still life studies attributed to Montague Leder (4)

£150-250

Lot 272

Lot 273



Lot 274

Lot 277

Lot 278

276



£150-250

277



£800-1,600

278



£300-500

279



£400-700

Lot 279

MONTAGUE LEDER (1900-1972) A coastal landscape with cliffs, signed lower right, oil on canvas, unframed, 20" x 23" and four other still life studies, unframed and attributed to Montague Leder (5)

LAURENCE ISHERWOOD (1917-1988) An industrial landscape at sunset, signed lower left, oil on board, 24½" x 34½". See illustration.

LAURENCE ISHERWOOD (1917-1988) "Horse racing", signed lower right, oil on board, 13½" x 17½". See illustration.

LAURENCE ISHERWOOD (1917-1988) "A colliery", signed lower left, oil on board, 16½" x 19¼". See illustration.

Lot 280

280

JACK CLARKSON (1906-1986) An industrial landscape with a steam train and factories, signed lower right, oil on board, 15½" x 29¾". See illustration.

£300-600



Lot 281

281 20TH CENTURY SCHOOL Fishing boats in a harbour with a bridge between houses in the distance, signed with initials E.B and dated '91 lower left, oil on board, 17½" x 23½". See illustration.

£200-400

282

GILL WATKISS (b.1938) 'A Winter's Day, Porthaleven', signed and dated '99 lower left, oil on board, 14½" x 19½". See illustration.

£300-600

Lot 282



Lot 283

Lot 284



£2,000-4,000

284



£800-1,500

285



£1,000-2,000

286



£1,500-3,000

Lot 285

PETER HOWSON (b.1958) 'Power and Steam', signed lower right, oil on canvas, 24" x 36". See illustration.

283

PETER HOWSON (b.1958) A portrait of a man in a vest, signed lower right, oil on canvas, 17½" x 13¼". See illustration.

PETER HOWSON (b.1958) A profile portrait of a man, with a church spire in the background, signed lower right, oil on canvas, 13¼" x 17¼". See illustration.

PETER HOWSON (b.1958) A man standing with his dog, signed lower right, oil on canvas, 23" x 15". See illustration.

Lot 287

287

MICHAEL QUANNE (b.1941) 'Father and Son', signed and dated lower left '89, oil on canvas board, 19½" x 23½". See illustration.

£500-1,000

288

 MICHAEL QUANNE (b.1941) 'Tiny Dancers in Black and Grey', signed and dated lower left 2001, oil on canvas, 28" x 35½". See illustration.

£800-1,500

289

 MICHAEL QUANNE (b.1941) A nun with a pram and baby, buildings behind, signed and dated lower left 2000, oil on canvas, 28" x 38", unframed. See illustration.

Lot 288



Lot 289

Lot 290

£500-1,000 290

 MICHAEL QUANNE (b.1941) "A woman offering flowers to a dog", signed and dated left hand side 1999, oil on canvas, 23½" x 33½". See illustration.

£600-1,200

Lot 291

Lot 292

Lot 293

291

 MICHAEL QUANNE (b.1941) "Young Man with Frightened Dog", signed and dated lower right 2003, oil on canvas, 35½" x 27½". See illustration.

£800-1,500

292

 MICHAEL QUANNE (b.1941) "Boy Soldiers", signed and dated lower left, 2003 oil on canvas, 28" x 21". See illustration.

£600-1,200

293

MICHAEL QUANNE (b.1941) "Family", signed and dated lower left '99, oil on canvas, 28" x 23". See illustration.

£500-1,000



Lot 295

Lot 294 294

 MICHAEL QUANNE (b.1941) "Give me the Boy and I will give you the Man", oil on canvas board, 23¼" x 17½". See illustration.

£500-1,000

295

MICHAEL QUANN, (b.1941) "The School Gate", signed and dated lower left '78, oil on canvas/board, 23¼" x 19¼". See illustration.

£500-1,000

296

 MICHAEL QUANN, (b.1941) "The Rite of Spring", signed and dated lower right '79, oil on canvas board, 19½" x 23½". See illustration.

Lot 296



£500-1,000

297

 REG GAMMON (1894-1997) "Vineyard", signed lower right, oil on board, 8" x 15½". See illustration.

Provenance: Purchased from Royal West England Academy

£500-1,000

Lot 296

DAVID SHEPHERD, (b.1931) A lion in the bush, signed lower right, oil on canvas, 19½" x 20½".

298



Provenance: Private collection, West Dorset

£20,000-30,000

Lot 299

299

 JOHN BERRY (1920-2010) A portrait of a Major General in the British Army c.1815, signed lower left, oil on canvas, 13¾" x 9¾", and four other similar military portraits by John Berry (5) See illustration.

£400-800

Lot 299

Lot 300

300 JAN E. VOLSCHENK (South African, 1853-1936) “Approach of Day: Valley and Mountains, Stellenbosch”, signed and dated lower right 1928, oil on canvas, 11¾” x 7½” See illustration

£1,000-2,000

301



£800-1,000

Lot 301

SVEN BERLIN (1911-2000) A still life study, signed and dated on verso 1954, oil on board, 24½” x 19” See illustration

302

 SVEN BERLIN (1911-2000) A self-portrait with crutches beside trees, signed and dated lower right ’95, 36” x 24” See illustration

£1,200-1,600

303

 SVEN BERLIN (1911-2000) A study of two figures harvesting potatoes, tractor in the distance, signed “Sven” on verso, 36” x 24” See illustration

£1,200-1,600

304

 SVEN BERLIN (1911-2000) “Pink Forest House with Horses”, signed and dated lower right ’61, oil on canvas, 23½” x 35½” See illustration

£1,500-2,500

305

 SVEN BERLIN (1911-2000) A self-portrait holding a kestrel, signed and dated upper left ’68, oil on board, 24” x 20” See illustration

£600-1,200

Lot 302

Lot 303

Lot 305

Lot 304

Lot 306

Lot 307

306



£600-1,200

307



£450-850

308



£700-1,100

309



£750-950

SVEN BERLIN (1911-2000) A portrait of a lady in Egyptian dress, unsigned, oil on board, 20” x 16”

SVEN BERLIN (1911-2000) “Young Warrior Samurai”, signed and dated upper right 1955, oil on canvas, 17½” x 15½”

SVEN BERLIN (1911-2000) “Amanita Phalloides – Nein Forest”, signed and dated on verso 1954, oil on board, 13½” x 20½”

SVEN BERLIN (1911-2000) A study of dragonflies mating, signed and dated upper right ’78, 36” x 18”

310-380 Spare lots Lot 309

Lot 308

SCULPTURE and WORK S OF ART

Detil of Lot 447 89

Lot 385

383 A MR PUNCH CHARACTER, the composition head with beaky nose, pointed chin and glass eyes, in a costume of multi-coloured strands with lace edging and bells, on a painted wooden pole, 22" high

380 IN THE MANNER OF JENNENS AND BETTRIDGE: A PAPIER MACHE TRAY of wavy cartouche design, all over decorated with swags of flowers and gilt scrolling foliate decoration, all against a deep red ground, 31" x 24"

£200-400

381 A PAIR OF CASED PARIANWARE ROUNDELS OF QUEEN VICTORIA AND PRINCE ALBERT, mounted in gilt with convex glass fronts, in a rectangular hinged yew wood presentation box, 11¼" wide

Provenance: By repute this Punch character belonged to the Thomas Hardy Players.

£100-200

384 YOLE TRAVASSOS: A BRASS SCULPTURE in three parts, possibly Christ leaving the tomb, stamped to the reverse "09/30" and with cast signature to the side, 4¾" high

£150-250

382 A PAIR OF SILVER PLATED CANDLESTICKS with deep sconces and broad drip pans mounted on a cornucopia held aloft by a naked man and woman, on broad spreading circular bases, 14¾" high

£100-200

385 P.H. MUEREYA: PAIR OF 19TH CENTURY SILVERED BRONZE STATUES of Louis XIV and Francoise I of France on horseback wearing armour and ceremonial robes, on stepped slate bases, wit all over silvered finish with gilt and coppered details, 16½" high (2). See illustration.

£100-200

£2,000-3,000

Lot 394

394 A GEORGE III STYLE CARVED LION with flowing mane and front legs outstretched, 30" wide. See illustration

386 A 19TH CENTURY FRENCH TERRACOTTA SCULPTURE of a tearful revolutionary French woman wearing a broad bow and rosette in her hair, on a socle base, dated 1871, signed and stamped to the reverse "Susse Freres", 17¾" high

395 A DELLA ROBBIA STYLE PLASTER PANEL depicting the Virgin Mary and infant Jesus with cherubs in the heavens above, within an arched frame, 34" high x 22½" wide

£800-1,500

390 A PAIR OF SERPENTINE BRONZE AND GILT BRONZE VASE-SHAPED MANTELPIECE ORNAMENTS with reversible lids fitted with a detachable sconce to one side, the vase shape supported on three horns, 9½" high (2)

£250-450

£300-600

£150-250

398 A 19TH CENTURY GRAND TOUR TYPE ORNAMENT of a bronze rotunda on a stepped marble base, 5" wide

£100-200

393 A POLYCHROME PAINTED FIGURE of a man praying, signed "C. Sn Miguel", 10¾" high

£100-200

397 A VICTORIAN LEATHER AND GILT BRASS TRAVELLING CASE with a hinged writing surface and well-fitted selection of compartments, notebooks, inkwell and other accessories, with a bramah lock, 15" wide

392 A LATE VICTORIAN OR EDWARDIAN SQUIRREL-FROM INKWELL, the body a polished coconut shell with brass mounts, the squirrel holding a nut between his paws, 7½" high

£100-200

396 A CAST IRON PORTRAIT BUST OF QUEEN VICTORIA on a tapering stepped base with cast initials, 14" high

391 A PIETRA DURA PANEL of a parakeet standing on a branch eating cherries, against a polished slate ground, 5" x 7¾"

£150-300

£100-200

399 A 19TH CENTURY GRAND TOUR TYPE ORNAMENT, A PALE YELLOW MARBLE BASIN of oval lobed form, on a rectangular base, 8½" wide

£150-250

£100-200

Lot 403

403 A CARVED IVORY OLIPHANT OR CHIEFS HORN, probably from Liberia or Sierra Leone in West Africa, of tapering flared form with all over carved decoration including characters which appear to be from the SIL Vai language, 19½" long. See illustration

400 IN THE MANNER OF JENNENS AND BETTRIDGE: A PAPIER MACHE, LACQUER AND MOTHER OF PEARL FOLDING TRAVELLING CHESS BOARD with rounded corners and all over decorated gilt borders, 12" x 9" (folded)

Provenance: A gift to the vendor from Elizabeth Hanley, the niece of Charles and Fern Bedoux of Chateau Conde in France, a property used as the venue of the Duke of Windsor's wedding to Mrs Wallis Simpson.

404 A HORN WALKING STICK with shaped handle, in the form of a stylised animal on a sectional horn shaft with silver feral, 33" high

£200-400

401 A LATE 18TH/EARLY 19TH CENTURY FRENCH PRISONER OF WAR BONE DOMINO SET with dice and dominoes contained in a carved box with hinged and pierced lid, 2½" high x 7¼" wide

£100-200

405 A COGSWELL AND HARRISON LTD DOUBLE BARREL 12 BORE SHOTGUN with engraved scroll decoration and serial number on trigger guard 28145, 43½" long

£100-200

402 A CARVED AND POLISHED COCO DE MER in the form of a two division basket with pierced handle and decorative border, 12½" wide

£500-1,000

£100-200 92

£100-200

Lot 406

409 AN ELECTROPLATED CORINTHIAN COLUMN LAMP BASE of traditional column form with stop fluted column and beaded stepped base, converted for electricity, 18" high

406 AN EXTINCT ICE AGE CAVE BEAR SKULL "Ursus Spelaeus", one of the great animals of the last Ice Age, the skull with six teeth on upper jaw, 6¾" high x 16" long See illustration

£1,000-2,000

410 A PAIR OF CARVED LIMEWOOD SPHINX-TYPE CREATURES with female torsos and lion bodies, resting on scrolling bases, 11¾" high

407 A BETJEMANN'S PATENT SELFCLOSING BOOK SLIDE all over veneered in well-figured coromandel, with gilt metal and pietra dura panels, the mechanism numbered 15686, 16½" wide

£200-400

408 A WILLIAM IV NEEDLEWORK SAMPLER worked by Elizebeth Poole, with central motto "Although my house be not so with God ....", surrounded by trees, animals and cherubs, dated 1832, 16¼" x 12"

£100-200

Provenance: The Estate of Philip S. Rawson (19241995), author, scholar and founding Curator of the Gulbenkian Museum, Durham.

£300-600

411 A NEAR PAIR OF GEORGE II STYLE BRASS CANDLESTICKS with rounded octagonal stems, on broad drip pans with cherub's head cast corners and similar spreading bases, 9" high and smaller

£200-400

£100-200

Lot 415

412 A SAW-FISH ROSTRUM with surrounding triangular blades, 52"

A CITES licence has been obtained for this lot.

£100-200

415 AFTER J. DURHAM "Go To Sleep", a Parian sculpture of a young girl cradling a small dog in her arms, with impressed marks to the reverse "J. Durham Sc. 1862 Our Union of London. Copeland. Copyright Reserved", 17½" high See illustration. £200-400

413 A SAW-FISH ROSTRUM surrounded by triangular blades, 44"

A CITES certificate has been obtained for this item.

£200-400

416 "LALARGE" A PAIR OF MINTON PARIAN SCULPTURES of female figures loosely dressed clasping a floral wreath, with stamped marks, Minton, with impressed date marks, possibly 1866 and similar, 18" high (2)

414 A MINTON PARIAN SCULPTURE OF PANDORA, a semi-naked classical figure holding a box, on a naturalistic base, stamped "Minton" with date mark for 1865

£200-400

417 T. BROCK: A VICTORIAN PARIAN SCULPTURE of a naked woman wearing loose robes standing by a tree, impressed to the reverse "T. Brock Sc. London 1868", 26" high

£100-200

£250-450

Lot 419

Lot 421

420 POLYCHROME PAINTED AND CARVED SCULPTURE, of a Catholic altar boy wearing robes and carrying an associated censer, 35" high

418 A VICTORIAN CARVED MARBLE LIBRARY BUST, of a gentleman with whiskers, wearing a loose fitting robe, on a socle base, 26" high x 18" wide

£250-450

421 A CARVED OAK SCULPTURE OF A SEATED SCHOLAR, working at an open book at a desk, the scholar wearing hat and loose fitting cloak, possibly Netherlandish, 13½" high

419 FELIX VEIHS DE WELDON (1907-2003), a carved marble portrait bust of a woman, head and torso with arms crossed emerging from a rough bust of marble, signed and dated 'New York 1941', 27" high x 21" wide

See illustration.

Felix Veihs de weldon, an Austrian-born American sculptor, is best known for his Marine Corps Memorial at Arlington, Virginia, which depicts five US Marines and one sailor raising the flag of the United States on Ewi Gima during the Second World War.

£200-400

See illustration.

£300-600

421A MANNER OF AUGUSTE RODIN (1840-1917), a small bronze study of a seated figure, 2¾” high

£400-800

£100-200

Lot 422

Lot 423

423 A CARVED AND POLYCHROME SCULPTURE OF A FEMALE FIGURE, probably Stanne, with two children, one leaning across an open book, decorated in colours and gold, on a stepped base, 13½" high

422 A CARVED POLYCHROME FIGURE OF MADONNA AND CHILD, the Madonna with broad halo standing in red, blue and gilt robes, holding the Christ child in the right hand, the figure carved in lime wood with a hollow back and on a stepped base, the figure possible Hispanic, 16th century, 15½" high, with a previous collectors seal to the reverse

£400-800

424 AN EARLY STYLISED POLYCHROME PAINTED FIGURE OF A WOMAN, with curled hair and long dress, standing by a child, possibly 15th century, 23" high ÂŁ500-1,000

Lot 425

425 A POLYCHROME AND CARVED FIGURE OF MADONNA AND CHILD, Madonna wearing a crown and wearing flowing regal robes, holding the child in her left arm, the figures standing beneath a baroque style niche, mounted in an arched topped and moulded wall cabinet, with all over polychrome decoration, probably Flemish, 17th century, 29" high, with a paper label attributing the piece to the 'Thompson Collection'

See illustration.

ÂŁ800-1,500 98

CLOCK S and scientific instruments

426 A 19TH CENTURY FRENCH ORMOLU MANTEL CLOCK, the circular enamelled dial signed "Henry Marc, Paris", with a two train "Japy" type movement striking on a bell, the clock within a scrolling mount flanked by a seated shepherd holding a lamb in his arms, on a moulded and scrolling base with short turned feet, 13" high x 18½" wide

430 JAMES MACABE OF LONDON: AN EBONISED MUSICAL BRACKET CLOCK, the arch painted dial with 'strike/silent' dial above a painted chapter ring, with a three train chain fusee movement striking on a bell and chiming on ten graduated bells, the back plate signed 'James McCabe, London', with bob pendulum and pull repeat, the arch topped case with brass carrying handles and fish scale side panels, on bracket feet, 18th century and later, 18" high See illustration.

£500-1,000

£800-1,500

438 A 19TH CENTURY PORCELAIN CASED MANTLE CLOCK, the circular dial with twin winding holes and Arabic numerals, within an elaborate scrolling and cherub mounted porcelain case with all-over fishscale and Rococo style decoration, with a Japy style movement striking on a bell, 15" high

431 A 19TH CENTURY SCOTTISH LONGCASE CLOCK, the arched hood above a painted dial with subsidiary seconds and date apertures, the spandrels painted with representations of the seasons, with a two train movement striking on a bell, 89½" high

£400-600

432 A VICTORIAN OAK FRAMED STICK BAROMETER, with twin ivory scales and mercury filled thermometer, on a carved oak mount, 38½"

439 A 19TH CENTURY FRENCH GILT BRASS CASED CARRIAGE CLOCK, the circular convex dial indistinctly signed, with a two train 'Japy' type movement, within a Neo Classical style case with twin columns and urn shaped finial, 12½" high

£250-450

433 A GEORGE III WHEEL BAROMETER BY L. BALERNA, HALIFAX, with a broad silvered dial beneath a dry/damp gauge, thermometer and above a signed level, 42"

£200-400

441 A 19TH CENTURY MAHOGANY WAYWISER OR HODOMETER, with iron bound six-spoke 32" wheel, the brass scale marked in poles, furlongs and miles, signed R. Gynne Fecit

£300-500

£150-250

442 A 19TH CENTURY SCOTTISH ROSEWOOD CASED LONG CASE CLOCK, the circular enamelled dial signed Thomas Dobbie, Glasgow, with subsidiary seconds and date dials, with a two-train movement striking on a bell, the case with an architectural pediment aperture, flanked by heart-shaped piercing's, above a tapering panel door and rectangular base, on turned feet, 80" high

436 A MAHOGANY CASED BAROGRAPH BY SHORT AND MASON OF LONDON, within a glazed case with bevelled edges, on a moulded platform, 15" wide

£300-500

£200-400

435 A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the arched dial with painted Roman Numerals and subsidiary seconds and date dials, with a two train movement striking on a bell, the North Country case with short door and broad base, 90" high

£200-400

440 A 19TH CENTURY FRENCH ROUGE MARBLE AND GILT BRASS 'FOUR GLASS' MANTLE CLOCK, the dial signed J. Sewill, 30 Cornhill, London, with pierced decorative centre and two-train movement, with mercury filled compensating pendulum, the case with architectural marble top with tapering and reeded gilt columns with conforming marble base, 13½" high

434 A REGENCY MAHOGANY STICK BAROMETER, the silvered scale signed C. Carabelli, with an arched top hood and domed reservoir cover, 39" high

£250-450

£200-400

437 AN EARLY 20TH CENTURY BRASS SKELETON CLOCK, with a silvered dial with Roman numerals, with twin scrolling plates and exposed fusee movement, beneath a glass dome, 16½" high £100-200

100

£700-900

Lot 444 Lot 443

See illustration.

444 A MUSICAL LONGCASE CLOCK BY WILLIAM. CUFF OF SHEPTON MALLET, the silvered dial with subsidiary seconds dial and engraved decoration within a silvered chapter ring with Roman numerals and pierced spandrels, beneath a tablet, 'Tempus Fuget', the eight-day three-train movement striking on a bell and eight graduated bells, in an oak case with all-over later carved decoration, 79" high

£1,500-2,500

See illustration.

£1,500-2,500

443 A MONTH GOING LONGCASE CLOCK BY JON. INKPEN OF HORSHAM, the 9½" dial with silvered chaptering and engraved with a dove, within pierced gilt spandrels, the month going movement striking on a bell, with a flat topped hood above a trunk with tall cross-banded door and conforming base, 76" high

101

Lot 447

448 A GEORGE III MAHOGANY BRACKET CLOCK, by J. Purnell, the white-painted dial with Roman numerals, signed 'J. Purnell, 13 Seymour Street, Custom Square', with a two-train movement striking on a bell, in a mahogany case with gilt-metal pineapple finials and resting on ball-feet, 21" high

445 A 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with an enamelled dial indistinctly signed, with a landscape painting to the arch, with a thirty-hour movement striking on a bell in an oak case with scroll top hood and short trunk door, 87" high

£300-500

449 A 19TH CENTURY FRENCH MARBLE AND GILT BRONZE MANTEL CLOCK, the convex white enamelled dial with decorative pierced gilt hands, with an eight day two train Japy-type movement striking on a bell, the clock resting on a fluted column flanked by two cherubs, on platform base with gilt feet, 13" high, and a pair of matching two branch candelabra

446 A 19TH CENTURY SCOTTISH MAHOGANY CASED LONGCASE CLOCK, the enamelled dial with subsidiary seconds and date dial, the arch inscribed W.M. Robb Montrose, with an eightday two-train movement striking on a bell, the hood with scrolling pediment and central ball and eagle finial, the dial flanked by gilt-capped columns, 90" high

£500-800

447 A TERRESTRIAL GLOBE ON STAND, the globe surface with a number of later applied patches, within a graduated brass ring, on a cast stand, 20" wide See illustration.

£600-800

£400-800 102

£300-500

Lot 450

451 A GEORGE III LONGCASE CLOCK, the white enamelled dial signed Jno. Bennett, Norwich, with subsidiary seconds and date dials, and gilt decorated arch, with a two train movement striking on a bell, the arched top hood with three ball and pinnacle finials, the trunk with a long arch topped door, 85" high

450 A GEORGE III MAHOGANY LONGCASE CLOCK, the white painted dial signed "Rivers & Son, Cornhill, London" with subsidiary strike/silent dial and seconds dial, with an eight day two train five pillar movement striking on a bell, the arch top hood above a conforming tall trunk door between canted corners, on a conforming base with bracket feet, 83" high. See illustration

ÂŁ400-600

452-459 Spare lots

ÂŁ3,000-5,000 103

104

ENGLISH AND CONTINENTAL FURNITURE

Detail of Lot 525 105

464 A GEORGE I OAK BUREAU, the sloping fall enclosing a fitted interior above two short and two long graduated drawers, on bracket feet, 34" wide

Lot 460

£250-450

465 A REGENCY MAHOGANY BOOKCASE, the scrolling cornice above twin arch top doors enclosing a shelved interior, 19th century and later, 24½" wide

£100-200

466 A GEORGE III MAHOGANY HALL CHAIR with shield-shaped back and central painted roundel decorated with an armorial, above a solid seat, on tapering fluted legs with spade feet, 25½" high

£80-150

467 A CHARLES II OAK CHEST OF DRAWERS, the rectangular top with an applied moulded border above three long drawers with moulded fronts and brass handles and key escutcheons, on block feet, 45" wide £400-600

460 A VICTORIAN MAHOGANY BIJOUTERIE CABINET, with a shaped triangular top enclosing a lined interior, on scrolling legs with a central shelf, 22¼" wide See illustration

468 A VICTORIAN MAHOGANY CYLINDER FRONTED BUREAU BOOKCASE, the upper section with a moulded cornice above twin glazed doors, the base with a cylinder fronted desk with leather-lined writing surface and an arrangement of short drawers with pigeonholes, all above twin panelled doors, on a plinth base, 48" high

£200-400

461 A GEORGE III MAHOGANY LOWBOY, the rectangular moulded top above three small drawers and a wavy frieze, on cabriole legs with pad feet, 34" wide

£200-400

469 A GEORGE III OAK SIDE TABLE, the rectangular moulded top above a single frieze drawer and wavy frieze, on tapering legs with pad feet, 33" wide

462 A REGENCY MAHOGANY FOLD-TOP CARD TABLE, the 'D' shaped top on a turned column with four downswept legs with brass capped casters, 36" wide

£100-200

470 A SET OF SIX REGENCY MAHOGANY BAR BACK DINING CHAIRS with curved shaped backs above a carved crossrail, with drop-in seats on sabre front legs, 34" high (6)

£180-250

463 A GEORGE II MAHOGANY BACHELORS CHEST, the rectangular top above a brushing slide, four long graduated drawers and tall bracket feet, 32"high x 30½"wide

£400-800

£300-600 106

£300-500

471 A REGENCY ROSEWOOD AND SATINWOOD CROSSBANDED BREAKFAST TABLE, the circular tip-top on four downswept legs with a central platform stretcher, with brass foliate capped castors, 45" wide. See illustration

ÂŁ400-600

107

Lot 475

474 A PAIR OF EDWARDIAN CYLINDRICAL POT CUPBOARDS, the circular tops above flush fitting doors with lion mask handles, on square tapering legs with splayed feet, 14" wide (2)

472 A VICTORIAN ROSEWOOD DROP FLAP "SUTHERLAND" TABLE with twin broad flaps with moulded border, on four turned legs with conforming stretcher, 36" wide

£200-400

473 A SET OF SIX CHARLES II STYLE OAK DINING CHAIRS, the raised backs with scrolling top rails and caned centre panels above caned seats, on turned legs and stretchers, 17th century and later, (one a reproduction)

£200-400

475 A HARLEQUIN SET OF EIGHT CHARLES II STYLE WALNUT DINING CHAIRS, each with carved top rails with 'boys and crown' or similar motifs, above caned backs between carved and spiral turned uprights, above caned seats, within carved seat rails and conforming front stretchers and spiral turned legs, comprising two armchairs and six standard chairs, 45" high and smaller (8)

£250-500

108

See illustration.

£3,000-5,000

Lot 476

478 AN ART DECO WROUGHT IRON AND MARBLE SIDE TABLE, the veined marble top with canted corners and moulded border on a base with applied gilt leaf decoration and tapering geometric legs, 36" high x 39" wide

476 A GEORGE III SHERATON STYLE MAHOGANY SIDEBOARD, the shaped top with broad satinwood crossbanding and a central inlaid fan motif above a central bowed drawer with ebony stringing, flanked by a short and deep drawer and a conforming drawer with brass ring handles and elaborate key escutcheons on six square moulded tapering legs with carved foliate decoration and block feet, 66" wide

See illustration.

£2,000-4,000

479 A PAIR OF REGENCY STYLE GILT WOOD GIRANDOLE MIRRORS, with oval back plates with tied rope effect borders, each with twin candle branches, 24" high x 18" wide (2)

477 A REGENCY ROSEWOOD SEWING AND CARD TABLE, the rectangular fold-top with a baize-lined playing surface above a flush fitting frieze drawer and basket, with upholstered sides, on lyre shaped supports with turned stretcher and carved seat with recessed casters, 24" wide

£500-1,000

£300-500

109

£300-500

Lot 480

482 A GEORGE I OAK CROSSBANDED CHEST OF DRAWERS, the rectangular top above moulded border above two short and three long graduated drawers with brass handles, on bracket feet, 38" wide

480 A SET OF SIX WILLIAM AND MARY STYLE HIGH-BACKED DINING CHAIRS, with ebonised moulded frames, the rectangular backs with upholstered pads, the conforming seats with moulded seat-rails, on turned legs with arched front rails and turned stretchers, 51" high (6)

See illustration.

£800-1,500

483 A CHARLES II OAK DROP-FLAP DINING TABLE, the shaped top with twin drop-flaps above a single frieze drawer on turned legs with moulded stretchers, 42" wide

481 GEORGE JUDD: A LARGE CONTEMPORARY AMERICAN WALNUT AND MARQUETRY REFRACTORY DINING TABLE, the broad rectangular top with marquetry decorated border on turned legs with wavy 'X' form stretcher, 1 19½" x 42¾"

Provenance: Made for the vendor by George Judd in 1998

£1,000-2,000

£200-400

110

£150-250

Lot 484

486 A GEORGE III OAK MULE CHEST, the rectangular rising top with a moulded border above a three panel front and single long drawer with brass handles, 45½" wide

484 AN EARLY VICTORIAN GILT FRAMED OVER MANTLE MIRROR, the arched topped bevel edged plate within a gilt surround with spiral turned and leaf carved uprights, surmounted by a moulded rail with applied ball decoration and surmounted by a winged eagle amongst oak leaves, 61" high x 50" wide See illustration

487 A REGENCY CONVEX WALL MIRROR, the circular convex plate within an ebonised reeded border within a broad gilt frame surmounted by a seahorse on a rocky outcrop flanked by dolphins with scrolling tails, 40" high x 21" wide

£400-600

485 A CHARLES II OAK GATELEG OCCASIONAL TABLE, the shaped top with twin drop-flap sides on slender turned legs and moulded stretchers, with a single small frieze drawer, 27" wide

£200-400

£200-400 111

£300-500

Lot 491

490 A PAIR OF REGENCY STYLE PAINTED AND EBONISED SALON CHAIRS, with rectangular dished backs with 'X' form rails, with down swept arms, cane seats and turned legs, with all-over gilt painted decoration, 34" high (2)

488 A LOUIS XV STYLE OPEN ARMCHAIR, with a moulded and shaped frame with upholstered back, arms and seat, on cabriole legs with pointed feet, 37" high

£100-200

489 A LOUIS XVI STYLE UPHOLSTERED TUB CHAIR, the moulded frame with foliate carved cresting and a deep rail, on short cabriole legs, 37" high and a similarly upholstered footstool (2)

£100-200

491 A REGENCY ROSEWOOD AND BRASS CHIFFONIER, the shaped top above twin doors with brass mesh fronts and silk panels, flanked by conforming silk lined quarter round doors, on moulded base and bun feet, 42" wide

£200-400

112

See illustration.

£300-500

Lot 495

494 A 19TH CENTURY MAHOGANY LEATHER LINED WRITING DESK, the rectangular top with gilt tooled writing surface above an arrangement of five small drawers with brass ring handles on turned tapering legs, 39" wide

492 A SHERATON STYLE MAHOGANY AND MARQUETRY WRITING DESK, with a raised top with three-quarter pierced brass gallery above an arrangement of two short, and two long drawers, flanked by cupboards, all with hanging husk and flower marquetry decoration, above a folding leather lined writing surface and frieze drawer with conforming decoration, on square tapering legs, 33" wide

495 A GEORGE II STYLE MAHOGANY GATELEG DINING TABLE, the rectangular top with twin drop-flap sides, on cabriole legs with leaf carved knees and ball and claw feet, 42" wide

£180-250

493 A SET OF SIX REGENCY ROSEWOOD SALON CHAIRS, with broad dished backs above turned and carved rails, above overstuffed seats, on turned tapering legs and stretchers, 33½" high (6)

£100-200

£200-400

113

See illustration.

£200-400

Lot 499

498 A GEORGE I WALNUT CHEST OF DRAWERS, the rectangular top with a moulded border above four long graduated drawers with brass handles and key escutcheons, with engraved back plates, on bracket feet, 30" high x 30" wide

496 A VICTORIAN MARBLE COLUMN, with a square rotating top on a veined tapering marble column and square base, 45½" high

£200-400

£500-1,000

497 A REGENCY STYLE MARBLE TOPPED SIDEBOARD, the breakfront marble top above a brass inlaid frieze and central pair of brass grill mounted doors flanked by gilt capped columns, flanked by conforming cupboards, on a plinth base, 66" wide

499 A VICTORIAN MAHOGANY LIBRARY TABLE, the rectangular top with moulded border with gilt tooled leather-lined writing surface, above two frieze drawers with twin knob handles, on turned tapering legs with brass castors, 60" x 48". See illustration

£100-200

114

£1,500-3,000

Lot 503

502 A REGENCY MAHOGANY PEMBROKE TABLE, the rectangular top with twin drop flaps with rounded corners above a single frieze drawer and conforming dummy drawer, on a central column and pedestal base with four downswept legs with brass cap castors, 44" wide

500 A REGENCY MAHOGANY DROPFLAP DINING TABLE, the rectangular top with twin drop-flap sides with rounded corners and reeded borders above two frieze drawers with brass knob handles, on tapering reeded legs with brass castors, 48" wide

£250-450

503 A GEORGE III STYLE MAHOGANY TWIN PEDESTAL PARTNERS DESK, the broad rectangular top with leather-lined writing surface and moulded border, on twin pedestals with four short graduated drawers with brass ring handles to either side, on plinth bases, 60" x 75". See illustration

501 A GEORGE III MAHOGANY ARCHITECTS TABLE, the rising top with easel support and candle stand above a fitted drawer with compartments and rotating inkwell, on separating front legs with internal columns and conforming rear legs, 34" high x 36" wide

Provenance: The Batten family, Church Farm, Ryme Intrinseca, Dorset.

£400-800

£300-600

115

£1,500-3,000

Lot 507

506 A 19TH CENTURY MAHOGANY THREE-FOLD SCREEN of turned construction, with turned finials, 64" high x 77" wide

504 A 19TH CENTURY MAHOGANY SOFA TABLE, the rectangular top with ebony stringing with twin drop flap ends, above two short and conforming dummy drawers, with brass handles, on a turned column and platform base with four downswept legs with brass cap castors, 33½" wide

507 A REGENCY MAHOGANY METAMORPHIC PEMBROKE AND DINING TABLE, the top with twin drop flap sides with moulded border and two additional leaves, on a rotating extending base with tapering octagonal column, with platform base and four downswept legs with brass cap castors, the top 44" x 70". See illustration

£200-400

505 A PAIR OF WALNUT AND EBONISED FRAMED WALL MIRRORS in the manner of George Bullock, each with rectangular plates within flat fronted burr walnut veneered surrounds with applied roundels to each corner, beneath a scrolling cornice with leaf-carved decoration, 33" high (2)

Provenance: The collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.

£300-500

£150-250

116

£600-1,200

Lot 508

510 A 19TH CENTURY FRENCH JARDINIÈRE, the circular body with metal liner on three tapering fluted legs with brass ball feet, with a single short drawer with bow front, 12" wide

508 A GEORGE II MAHOGANY TRIPOD TABLE, the circular tip-top on a tapering column and three elaborately carved cabriole legs with leaf-carved knees and animal paw feet, 28" high x 31½" wide. See illustration

£800-1,500

511 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers with brass handles, above a base with three further long drawers, on splayed bracket feet, 43" wide

509 A REGENCY MAHOGANY POT CUPBOARD, the rectangular top with a bow front and three-quarter gallery above a single bow front drawer, on tapering reeded legs, 15½" wide

£100-200

117

£300-500

Lot 515

514 A PAIR OF REGENCY STYLE CREAM PAINTED ARMCHAIRS, each with cane-work oval backs with a central panel painted with a floral bouquet, with downswept arms, caned seats and squab cushions, with ring-turned splayed legs, with all over foliate and swag decoration, 33" high

512 A 19TH CENTURY FRENCH MAHOGANY WRITING DESK, the top with a raised superstructure with four short drawers with turned knob handles, above a serpentine fall enclosing a fitted interior with writing surface and short drawers, all resting on twin pillars, each with three short drawers, on compressed bun feet, 68" high

£400-800

515 A LATE 18TH CENTURY ITALIAN MARQUETRY AND WALNUT COMMODE, the rectangular top with a central foliate motif within quarter matched veneers and broad crossbanding, the front with three long drawers decorated with scenes of a man and woman, flanked by scrolling foliage, with brass ring handles, on square tapering feet, 49" wide

513 IN THE MANNER OF VIARDOT: A CHINESE STYLE SIDE TABLE, the rectangular top with shallow incised decoration of flowers and foliage, on shaped legs with a pierced frieze and conforming under-stretcher, on animal paw feet, 24" wide

£100-200

£200-400

118

£800-1,500

Lot 517

518 A CHINESE REVIVAL COFFEE TABLE, the glass top mounted with a Chinese print, the table with gilt Chinese fret decoration, on square tapering legs with squared scroll feet, 51" wide

516 A LATE 18TH CENTURY ITALIAN WALNUT AND MARQUETRY COMMODE, the rectangular top with quarter matched veneers within broad crossbanding, above a flush fitting frieze drawer with marquetry swag decoration, and two further long drawers with brass ring handles and central panel of landscape decoration, on square tapering feet, 46" wide

519 A LARGE 18TH CENTURY FRENCH OAK COFFER, the rectangular top with moulded border above an elaborately decorated front with a central panel of two figures in a landscape, flanked by columns decorated with further figures, heroic warriors and other motifs, within lobed and foliate carved borders, with similarly decorated twin panel sides, 33" high x 58" wide

£400-600

517 A PAIR OF NORTH EUROPEAN WALNUT AND MARQUETRY BOMBE MINIATURE COMMODES, the shaped tops with radiating veneers within broad crossbanding above three serpentine fronted drawers with gilt metal handles and key escutcheons, the sides with similar radiating walnut veneers, on splayed legs with gilt metal caps, 27" wide. See illustration

£100-200

£800-1,500

Removed from Chateau De Magnanne, Loire valley, France. Propety of the Marquis De Magnanne.

£400-800

519A AN ART NOUVEAU BRASS AND LACQUER FIRESCREEN with brass banded border and painted panel decorated with grapes, vine leaves and other details against a red ground, 29½” x 28½” high 119

£300-500

520 A MID-17TH CENTURY CYPRESS WOOD CHEST, the rectangular top with a single plank within a mitred surround, the front with three panels with moulded arched decoration with turned semi-circular detailing between, on block feet with moulded border, 27" high x 45" wide. See illustration Provenance: From the disposal sale of the contents of The Croft Castle, Herefordshire, now in the care of the National Trust.

ÂŁ3,500-5,500

120

521 A PAIR OF EARLY 19TH CENTURY FRENCH "EMPIRE" STYLE ARMCHAIRS, each with rectangular backs with shallow moulded frames and scrolling arm supports with all over carved and gilt decoration, the bow front seat rail with gilt metal mount, on carved and gilt legs with reeded outswept front feet and recessed castors, 38" high. (2) See illustration Provenance: Sothebys, London.

ÂŁ2,000-4,000

121

522 A 17TH CENTURY JOINT STOOL, the rectangular top with a moulded border above a flat-fronted and wavy edge frieze, on turned legs with rectangular section stretcher, 22Â˝" high x 19" wide

ÂŁ1,000-2,000

122

523 A SET OF FOUR LOUIS XV UPHOLSTERED AND BEECH FRAMED ARMCHAIRS, the arched top backs with all over green upholstery, with outswept arms with leaf-carved terminals, on short cabriole legs with wavy friezes, 42½" high (4). See illustration Provenance: Sothebys Paris, where sold for €24,000. The Chateau de Magnanne, Loire Valley, France. The Property of Marquis de Magnanne. £4,000-6,000

123

524 A 19TH CENTURY FRENCH CENTRE TABLE, the three plank top with canted corners above a broad frieze drawer with knob handle, on 17th century style turned legs with wavy "X"-form stretcher, with a central turned finial, on bun feet, 28" high x 47" wide. See illustration Provenance: Removed from Chateau de Magnanne, Loire Valley, France.

ÂŁ800-1,500

124

525 A 19TH CENTURY FRENCH "REGENCE" STYLE CENTRE TABLE with a rectangular panel of grey marble within a gilt border, on a gilt and grey painted frieze and four conforming legs with pierced and gilt decorated detailing tapering to a wavy "X"-form stretcher, with gilt leaf decoration, on short fluted and foliate carved legs, 32" high x 29" wide. See illustration Provenance: Sothebys Amsterdam Auction "Of Royal Noble Descent" February 2003 at which time the provenance was 'The Majorits Palace, Vienna'.

Laterly The Chateau de Magnanne, Loire Valley, France, The property of Marquis de Magnanne.

ÂŁ1,500-3,000

125

526 A LARGE FRENCH REFECTORY STYLE TAVERN OR HALL TABLE, the broad single plank top with applied border, on later square section chamfered uprights, 28" high x 146" x 34", possibly 17th century and later. See illustration Provenance: From the Chateau de Magnanne, Loire Valley, France. The Property of Marquis de Magnanne.

ÂŁ3,000-5,000

126

527 A LARGE ITALIAN WALNUT CENTRE TABLE, the rectangular top with two central planks within a bordered surround, on a fluted frieze, on twelve tapering stop fluted legs and square section stretchers, possibly Venetian, 17th century, 34Â˝" high x 108" x 57". See illustration Provenance: From the Chateau de Magnanne, Loire Valley, France. The Property of Marquis de Magnanne.

ÂŁ6,000-12,000

127

Lot 533

531 A GEORGE III CABINET with a dental moulded cornice above twin panelled doors enclosing a well fitted interior with central cupboard within an architectural surround, flanked by pigeonholes, folio divisions, and short drawers, 18th century and later, 52½" x 46"

528 A SET OF EIGHT REGENCY SIMULATED ROSEWOOD DINING CHAIRS with scrolling foliate carved backs above drop-in seats, on turned seat rails and sabre legs, 33" high, 19th century and later (8)

£200-400

532 A GEORGE III MAHOGANY SUPPER TABLE, the rectangular top with twin drop-flap sides above a single frieze drawer, with brass handle, above a concave fronted wire grill mounted cupboard, on square legs and casters, 28½" high x 23" wide (closed)

529 A SET OF FOUR REGENCY ROSEWOOD EFFECT DINING CHAIRS, each with foliate carved backs, drop-in seats and sabre legs, comprising two armchairs and two standard chairs, 19th century and later

£100-200

£200-400

533 A REPRODUCTION 'MID SIZED JUPE' EXPANDING DINING TABLE, the broad top in eight sections, on a heavy turned central column and quadriform base, with heavy Regency style animal paw feet, the eight additional leaves stored in a fitted stand, the table 29½" high x 73" wide (closed)

530 A VICTORIAN MAHOGANY "GOTHIC" LIBRARY BOOKCASE, the upper section with a crenulated cornice above twin glazed doors with arched glazing bars enclosing a shelved interior, above a base with twin panelled doors on plinth base, 92" high x 48" wide

£100-200

£300-500

128

See illustration.

£1,000-2,000

534 ATTRIBUTED TO GILLOWS OF LANCASTER: A GEORGE III MAHOGANY SECRETAIRE CABINET, the upper section with a scrolling cornice above a central glazed door with arched glazing bars enclosing a shelved interior, flanked by shelved cupboards, the lower section with a broad secretaire drawer enclosing a fitted interior with short drawers, central cupboard and pigeon holes, above a further three long graduated drawers with brass handles, on splayed bracket feet, 89" high x 45" wide. See illustration.

Provenance: The Barton family, Wharton Grange, Carnforth, Lancaster. And thence by descent.

ÂŁ1,000-2,000

129

Lot 535

537 A GEORGE III MAHOGANY FOLDTOP TEA TABLE with pronounced square corners, the fold-top on cabriole legs with pointed pad feet, 29” high x 30½” wide

535 A FRENCH “AUBUSSON” STYLE TAPESTRY OF EUROPA THE BULL wearing ribbons of flowers, surrounded by three scantily clad women and a cherub in a landscape of trees and birds, signed to the tapestry lower left, 103” x 142”. See illustration

£800-1,500

£200-400

536 A REGENCY BRASS HANGING WALL LANTERN with foliate cast mounts and of hexagonal glazed form, 26½” high x 12” wide

538 A GEORGE I WALNUT VENEERED CHEST ON STAND, the quarter veneered top with broad crossbanding above two short and three long graduated drawers, the base with a single frieze drawer, on short cabriole legs, 18th century and later, 46” high x 38” wide

£500-1,000

130

£400-600

Lot 539

539 AN EARLY 18TH CENTURY FRENCH “AUBUSSON” HISTORICAL TAPESTRY depicting Godefroy de Bouillon wounded by an arrow outside the walls of Jerusalem, 112” x 178”

Sotheby’s Amsterdam: “Of Royal and Noble Descent” Auction, February 2003, at which time sold as the property of a European nobleman.

Removed from Chateau de Magnanne, Loire Valley, France, property of the Marquis de Magnanne.

£10,000-20,000

Lot 540

540 A “JUPE” STYLE EXTENDING DINING TABLE with a rounded octagonal top with brass centre opening to accommodate eight shaped leaves, on a central column and four smaller columns and a platform base with brass mounted feet, 27½” high x 61” wide

£2,000-£4,000

131

Lot 541

542 A PAIR OF VICTORIAN GILT METAL AND PAINTED WALL MIRRORS of tapering rounded form, the shaped plates in leaf-cast and ribbon-tied surrounds, 46” x 20½”, with a paper label to the reverse “Bought at Christie’s, 8 November 1962, 100 guineas the pair”.

541 A GEORGE II KETTLE STAND with a triangular top with pierced gallery on a tapering wrythen turned column with three downswept cabriole legs with leaf carved knees and scrolling feet, 26” high. See illustration

Provenance: The Churchill Family £500-1000

132

543 A SET OF TWELVE GEORGE III STYLE ARMCHAIRS with all-over painted finish, with railed drapery backs, downswept arms, rush seats and square tapering legs, 36â&#x20AC;? high (12)

END OF SALE

133

NOTES

134

NOTES

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Duke’s A UCTIONEERS SINCE 1 8 2 3

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence. Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist. Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt. The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style. A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700. All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted 136 for import by the USA.

Duke’s A UCTIONEERS SINCE 1 8 2 3

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4 THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law. 5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 139

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 140

Dukeâ&#x20AC;&#x2122;s Thursday, 16th April. Paintings and Furniture.

Paintings and Furniture 2015

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 16th April