Dukes Affordable Art Sale, 12th April 2017 by john holmes

Dukeâ&#x20AC;&#x2122;s Wednesday, 12th and Thursday, 13th April. Affordable Art, Paintings, Books and Furniture.

Affordable Art: An Evening Sale Wednesday, 12th April

2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) B31 47 and there are airports at Bournemouth and Exeter. The Saleroom has ample parking. If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith. MILL

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Cornwall Charles Cox (01288) 354100 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

22% plus VAT on the hammer price.

From mid February 2006 living artists are entitled by law to receive a resale Artist’s Resale Right: royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements. Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room

and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

MASTERWORKS BY WU GUANZHONG 吴冠中名作

Auction: 18th May 2017 This auction will include another painting by Wu Guanzhong from the same private collection. Wu Guanzhong (1919-2010) ‘White Birches on Mount Chang Bai’ Hanging scroll, ink and colour on paper Two seals of the artist, 136cm x 67½cm

Duke’s

Provenance: Christie’s Swire Hong Kong, 7th October 1990, Lot 205.

AUCTIONEERS SINCE 1823

Acquired from Plum Blossoms (Intl) Ltd, Hong Kong, 2nd February 1991.

Tel: +44 (0) 1305 265080. guy.schwinge@dukes-auctions.com dukes-auctions.com

Estimate: £500,000-£1,000,000 4

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 8th April, 9.30am – 12noon Monday, 10th April, 9.30am – 5pm Tuesday, 11th April, 9.30am – 7pm Wednesday, 12th April, 9.30am – 5pm and on the morning of the auction day

Catalogues £20.00 (by post)

Find us on Facebook https://www.facebook.com/dukesauctions

FINE JEWELLERY 8th June 2017

Featured in this sale: A black opal and seed pearl necklace, made by Herr Schmidt, Lausanne, Switzerland for his daughter, circa 1890’s, 15” long. Provenance: Private Collection, Dorset.

Entries are now being invited. Please contact the Saleroom on 01305 265080 or email enquiries@dukes-auctions.com.

Duke’s AUCTIONEERS SINCE 1823

Wednesday 12th April, 7.00pm Lots 1 – 166

Affordable Art: The Evening Sale

Thursday 13th April, 10.30am Lots 200 – 213B

Prints and Engravings

Lots 214 – 289

Watercolours and Drawings

Lots 399 – 506

Oil Paintings

Lots 669 – 675

Maps to include the Beaton Collection

Lots 680 – 716 An Archive of Photographs & Negatives for London Feature International Lots 723 – 877

Books

Lots 800 – 887

A Private Collection of Miniature Furniture

Lots 888 – 916

Sculpture and Works of Art

Lots 935 – 961

Clocks

Lots 970 – 890

Rugs and Carpets

Lots 990 – 1087

English and Continental Furniture

Lots 1088 – 1100

A Private Collection of Robert Thompson “Mouseman” Furniture

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

View images of all lots and bid live online

Photography by

JONATHAN GOODING www.jonathangooding.co.uk

Wednesday 12TH APRIL, 7.00PM AFFORDABLE ART: THE E VENING SALE

Detail of lot 81 9

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

The first 160 lots of this catalogue will be sold on 12th April 2017 forming an evening sale of Affordable Art. This exciting new evening sale format provides the opportunity to secure a Modern British or Contemporary work of art at an affordable price, ideal for those establishing or building a collection. The majority of the lots available have been consigned by The Art House Gallery, Bournemouth and are to be sold as part of their retirement dispersal sale. The gallery proprietor, Paul Watts, has invaluable experience in the art world, successfully running his own gallery for the past thirty years. He has used this knowledge and understanding to carefully curate the selection of works he has sold through the gallery and which are now on offer in this sale. Many of the artists he supported during their early careers have gone on to become significant names on the contemporary art market. The sale includes work by a number of notable artists from the West Country such as Peter Joyce, Robert Woolner and George Dannatt in addition to important Modern British artists such as Sir Terry Frost and Graham Sutherland. With estimates starting at ÂŁ50 and mediums ranging from lino-cuts to oils and sculpture, there is something for every taste. Unless otherwise stated, all lots are framed and ready to be displayed. Measurements given refer to the visual area of the work of art in the mount or frame and not the overall frame dimensions.

PROPERTY FROM THE ART HOUSE GALLERY, BOURNEMOUTH WORKS ON PAPER 1 JOHN LIDDELL (1924-2005) "Swanage, Dorset", titled, signed, dated 1984 and numbered 12/20 in pencil to the margin, lino-cut, 16" x 24" See illustration

Lot 1

£120-180

2 PETER DAVIES (1953-) "German Tower, Guernsey", titled, signed, dated '10 and labelled artists proof in pencil to the margin, lino-cut, 15" x 20" (page) (unframed)

£120-180

3 PETER DAVIES (1953-) "Wooden Seagull, St. Ives", signed, dated '10, titled and numbered 3/12 in pencil to the margin, lino-cut, 9" x 7" (unframed)

Lots 4 and 5

£60-120

4 MARTYN BREWSTER (1952-) "Composition no. 2", titled, signed and dated '93 to the margin, monoprint lino-cut, 4½" x 4½" See illustration

£200-400

5 MARTYN BREWSTER (1952-) "Composition no. 9", titled, signed and dated '93 in pencil to the margin, mono-print, lino-cut, 4½" x 4½" See illustration

Lot 6

£200-400 6 JOAN MIRO (1893-1983) "LE LEZARD AUX PLUMES D'OR IV", unsigned but apparently published by Louis Border, printed in Paris at Mourlot, November 1971, proof aside from the edition of 100, colour lithograph, 13¼" x 19¼" See illustration

£1,200-1,800

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

13 CLARE SHERVIN (contemporary) "A Light Within The Ocean", signed, titled and numbered 1/15 to the mount, hand embellished giclee print on Hahnemuhle fine paper, 11¼" x 7¾"

7 JOHN LIDDELL (1924-2005) "Abstract 4", signed, dated '65 and numbered 3/10 in pencil to the margin, artists impression, lino-cut, 12½" x 12" (mounted)

£100-200

14 JOHN LIDDELL (1924-2005) "SS Sirius", signed in pencil, titled and dated '60 with artists coding in pencil verso, artist's proof, lino-cut, 13¼" x 21½", (mounted)

8 CLARE SHERVIN (contemporary) "The Moon Weeps", signed, titled and numbered 1/5 to the mount, giclee print on Hahnemuhle paper, 26¾" x 19"

£200-400

£50-100

10 AFTER MARC CHAGALL (1887-1985) "Paradise II - The Green Donkey", apparently unsigned but believed to be 1960, coloured lithograph, 13½" x 10"

£100-200

16 MARTYN BREWSTER (1953-) "Beauty & Sadness no.70", titled, signed and dated '96 in pencil to the margin, silk screen mono-print, 18¾" x 18¾" See illustration

£500-1,000

11 SIR WILLIAM NICHOLSON (1872-1949) "U for Urchin", from the series "An Alphabet", first published 1898, lithograph, 10" x 8"

£400-800 17 MARTYN BREWSTER (1953-) "Beauty & Sadness no.71", titled, signed and dated '96 to the margin, silk screen mono-print, 18¾" x 18¾" See illustration

£60-120 12 CLARE SHERVIN (contemporary) "Evolution", signed, titled and numbered 1/15 to the mount, hand embellished giclee print on Hahnemuhle fine paper, 7¾" x 11¼"

£100-200

15 JOHN LIDDELL (1924-2005) "Spring in the Studio", dated 1993, numbered, titled in pencil to the margin, monochrome lino-cut with yellow, 22¼" x 15¼" (page) (mounted) See illustration

9 JOHN LIDDELL (1924-2005) "Madonna & Child", signed to the margin and numbered 3000.040.01, monochrome wood engraving, 7½" x 5¼" (page) (mounted)

£80-150

£400-800

18 JOHN LIDDELL (1924-2005) "Toledo", signed, dated '86, titled and numbered 4/10 in pencil to the margin, coloured lino-cut, 22" x 16¾" (page) (mounted)

£80-150

£100-200

Lot 15

Lot 17

Lot 16

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

25 MICHAEL GOUGH (contemporary) "Sunlight Woodland", signed verso, watercolour over conte crayon, 11½" x 17¼"

19 AFTER JOAN MIRO (1893-1983) "Le Lezard aux Plumes d'Or no. 1", apparently unsigned, but proof aside from the edition of 100, 1971, coloured lithograph, 13½" x 19½"

26 JOHN WELLS (1907-2000) "Spatial Study 1", circa 1947, embossed studio stamp lower right, sepia, pen and ink, 6" x 7½"

20 AFTER JOAN MIRO (1893-1983 ) "Le Lizard aux Plumes d'Or no.2", apparently unsigned but proof aside from the edition of 100, 1971, coloured lithograph, 13½" x 19½"

£1,200-1,800

£50-100

£80-150

£100-200

29 MICHAEL GOUGH (contemporary) "Hill Farm 1", signed to the mount, titled verso, watercolour and gouache, 9" x 12" (image)

23 JOHN LIDDELL (1924-2005) "Fish 3", signed in pencil and dated '87 within the image, with printed initials and further pencil artists numbering to margin, mono-print, lino-cut, on recycled paper, 18½" x 25" (unframed)

£200-400

30 RENE LE FORESTIER (1903-1972) Harbour scene, signed lower right, watercolour over charcoal heightened with gouache, 12" x 8½" (page)

£100-200

24 GRAHAM SUTHERLAND (1903-1980) "Rams Head (rocks and skeletons)", 1968, signed in pencil and titled within the image, apparently an unnumbered proof (there were ten proofs before the addition of 70) printed by Mourlot, Paris, published by Marlborough Fine Art, lithograph, 25½" x 19½" (page) See illustration £1,000-2,000

£80-150

28 ABI KREMER (contemporary) "Treescape 7" , signed in pencil to the margin, watercolour, 9¼" x 12"

22 JOHN LIDDELL (1924-2005) "Fish 2", titled with artists numbered to margin, lino-cut on recycled paper, 15" x 22¼" (unframed)

£800-1,500

27 ABI KREMER (contemporary) "Treescape 6", signed to the margin, handwritten title verso, watercolour, 13¾" x 10"

21 JOHN LIDDELL (1924-2005) Self-portrait, numbered, dated 1991 with artists pencil annotations to the page, sepia lino-cut, 8" x 6", (unframed)

£200-400

£1,200-1,800

£120-180

31 MARTIN PIERCE (contemporary) "The Spanish Guitar Player", signed, watercolour heightened with crayon, 6¾" x 5" 14

£50-100

Lot 24 15

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

32 MARTIN PIERCE (contemporary) "The Trumpeters", signed lower right, gouache, 8" x 9½"

Lot 33

£50-100

33 PADRAIG MACMIADHACHAIN (1929-2017) "Fornaluty Mallorca", signed lower left and dated '58, inscribed "Spent winter months here painting in 1958" signed and dated II-VII-08, watercolour, 9" x 12¾" See illustration

£300-600

34 JOHN WELLS (1907-2000) "Flight Study 1" circa 1975, Belgrave Gallery, St. Ives label verso, embossed studio stamp, lino-cut, 3½" x 4½" See illustration

Lot 34

£700-1,400

35 ALAN CARTER (1920-2009) "Pirouette en dehours en attitude", 1978, mixed media on a black ground, titled, signed and dated '78 lower right, artists estate label verso, 30¾" x 20¾"

£300-600

36 GEORGE DANNATT (1915-2009) Abstract rectangle circle study, initialled lower left and dated '02, bodycolour and pencil, 3" x 4¾" See illustration

Lot 36

Provenance: Purchased by the Art House Gallery, Bournemouth, directly from The George Dannatt Trust.

£600-1,200

37 ALAN CARTER (1920-2009) "Tour en l'Air Cambrai", signed, titled and dated 1981 lower right, artists estate label verso, gouache on brown paper, 30" x 20"

£300-600

38 ALAN CARTER (1920-2009) "Earth Dances", signed, titled and dated 1991 lower right, artists estate label verso, gouache, 18½" x 28" 39 SVEN BERLIN (1911-1999) Self-portrait in red cap, watercolour and gouache on card, painted on the back of a sketch book cover (visible to the back), artist studio label verso, 20" x 14½" See illustration

Lot 40

£300-600

Lot 39

40 SIR TERRY FROST RA (1915-2003) "Three Graces", 1964, signed and dated lower right, Belgrave, St. Ives Gallery label verso, sepia pen and ink, 7¾" x 9¾" See illustration

Provenance: The artists estate. Belgrave, St. Ives Gallery

£800-1,600

41 SIR TERRY FROST RA (1915-2003) "Untitled Composition" 1962, signed and dated in pencil lower right, Belgrave St. Ives Gallery label and Austin Desmond Fine Art label verso, oil on paper, 9" x 11½", See illustration

Exhibited: Austin Desmond Fine Art "Terry Frost Works on Paper 25 Years 1947-1972", 1989, no. 51., illustrated page 12.

Published: "Terry Frost: Act and Image: Works on Paper through Six Decades, no.55

£1,200-1,800

Lot 41

42 BONNIE BROWN (contemporary) "Entering I", signed in pencil with title back of mount verso, oil and collage on paper, 10" x 10" (page)(mounted)

£70-140

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

43 ROBERT FREAME (contemporary) "Before the Storm", signed lower left, titled verso, oil on canvas board, 4¾" x 6¾"

Lot 45

£120-180

44 ROBERT FREAME (contemporary) "Aqua Sea", signed lower left, titled verso, oil on canvas board, 4¾" x 6¾" £120-180 45 LAUREN BISSELL (contemporary) "Herring", initialled lower left, oil on board, 6" x 12" (mounted) See illustration

Lot 46

£80-150

46 TERESA LAWTON (contemporary) "The Mount", signed lower right, titled verso, oil on canvas, 10" x 11¾" See illustration

£800-1,500

47 CHRIS BILLINGTON (b.1955) "The Emerald Tablet", 2012, titled and signed verso, mixed media on canvas, 31" x 23½"

Lot 48

£200-400

48 PETER JOYCE (1964-) "Portrait of the Marais", signed lower left and dated '12, further titled and signed in pen with original artists label verso, acrylic and collage on wood panel, 18" x 25" See illustration

£800-1,500

49 LAUREN BISSELL (contemporary) Study of a pear, initialled lower right, oil on panel, 4" x 2¾"

Lot 51

£150-200

50 RICHARD PRICE ROI (1962-) "Sunlit figure", signed, oil on board, 9½" x 7½"

£200-400

51 CHRIS BILLINGTON (1955-) "World of the 5th Sun", 2012, titled, dated and signed verso, mixed media on canvas, 19¼" x 27¼" See illustration

Lot 52

£500-1,000

52 GEORGE DANNATT (1915-2009) "Post and Blue Horizon", 1993, titled, signed and dated verso with artists label, oil on prepared card, 7½" x 5¼". See illustration

Provenance: Purchased by the Art House Gallery, Bournemouth, directly from the George Dannatt Trust.

£700-1,400

53 LAUREN BISSELL (contemporary) "Sasha" artist copyright stamp to canvas verso, oil on canvas, 20" x 16" (unframed) See illustration

Lot 53

£350-650

54 CLAIRE WILTSHER (Contemporary) "Autumn Birch", oil on canvas, 23½" x 23½" (unframed)

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

56 B. MCDONALD (20th century) "Harvest Scene", signed lower left, oil on canvas, 24½" x 29½"

55 RICHARD PRICE ROI (1962-) "Reclining Redhead", signed lower right, titled in pencil verso, oil on board, 9½" x 11½"

£100-200

£200-400 57 MARTYN BREWSTER (1952-) "Pale Light", 2010, signed and titled verso, oil on canvas, 16" x 16" See illustration

Lot 57

£1,000-2,000

58 RICHARD PRICE ROI (1962-) "Drawing The Curtains", signed lower left, titled verso, oil on board, 9½" x 7½" See illustration

£200-400

59 MARTYN BREWSTER (1952-) "Nature Painting no.253", signed, titled and dated 2004 verso, oil on canvas, 10" x 10" (unframed) Lot 58

£400-800

59A LAUREN BISSELL (contemporary) "One Small Step", initialled lower left, oil on canvas, 24" x 18" (unframed)

£450-650

60 MARTIN BREWSTER (1952-) "Nature Painting no.256", signed, titled and dated 2004 verso, oil on canvas, 10" x 10" (unframed)

£400-800

Lot 62

61 MARTYN BREWSTER (1952-) "Nature Painting Series Red Sky", signed, titled and dated 2007 verso, oil on canvas, 10" x 10" (unframed)

Lot 65

£400-800

62 GEORGE DANNATT (1915-2009) "Two Point Painting", signed, titled and dated 2005 verso, oil and pencil with collage on hardwood, 4" x 15" See illustration

Provenance: Purchased directly from the George Dannatt Trust by the Art House Gallery, Bournemouth

£1,200-1,800

Lot 66

63 RICHARD PRICE ROI (1962-) "The Line of Beauty", signed lower left, titled in pencil verso, oil on board, 15½" x 11½"

£400-800 66 MARTYN BREWSTER (1952-) "Hengistbury Head Study 2", signed, titled and dated 2012 verso, acrylic on canvas with collage, 8" x 15" (unframed) See illustration

64 ROGER STEPPENS (1956-) "Man's Best Friend", signed, oil on board, 13½" x 13½"

£80-150

65 PADRAIG MACMIADHACHAIN (1929-2017) "Two Boats Moored", signed lower right, further signed and titled to painted verso, 7½" x 9¼" See illustration

£400-800

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

67 MARTYN BREWSTER (1952-) "Hengistbury Head Study 1", signed, titled and dated 2012 verso, acrylic on canvas, 15" x 8" (unframed)

Lot 72

£300-600

68 GEOFFREY ROBINSON (1945-) "England Cathedral 2", titled verso, acrylic painted relief construction, 9" x 6"

£250-500

69 GEOFFREY ROBINSON (1945-) "England Cathedral 3", titled verso, acrylic painted relief construction, 9" x 6"

Lot 73

£250-500

70 GEOFFREY ROBINSON (1945-) "England Cathedral 4", titled verso, acrylic painted relief construction £250-500 71 RICHARD PRICE ROI (1962-) "In Between", signed lower right with title label verso, oil on board, 15½" x 11½" Lot 74

£400-800

72 PETER JOYCE (1964-) "Exposed Seams", signed and dated '07 lower right, further signed, titled and dated verso, with artists label, acrylic and collage on wood panel, 9" x 22" See illustration

£800-1,500

73 PETER JOYCE (1964-) "Quarry Hut", signed and dated '07 lower right, further signed, titled and dated with artists label verso, acrylic and collage on board, 10" x 24" See illustration 22

£800-1,500

74 TERESA LAWTON (contemporary) "Fallen Star", signed lower right, further signed with title label verso, oil on canvas, 34" x 30" See illustration

Lot 75

£1,000-2,000

75 CLAIRE WILTSHER (contemporary) "Manifestation", signed lower left, with artists label verso, oil on canvas, 35½" x 35½" (unframed) See illustration

£700-1,400

76 DAVID CARTWRIGHT (contemporary) "Grand Prix", signed lower right, oil on canvas, 23½" x 35½"

Lot 77

£800-1,500

77 GEORGE DANNATT (1915-2009) "Chalklands Quarry no.3", signed, dated 1987 and titled verso, artists label and exhibition label for Osborne Samuel & New Art Centre, mixed media on board, 11" x 15½" See illustration

Provenance: Purchased directly from the George Dannatt Trust by the Art House Gallery, Bournemouth

Exhibited: Paintings, Drawings and Constructions: A Retrospective at Osborne Samuel LLP, September 13th-October 1st 2005

£2,500-3,000

Lot 78

78 STEPHEN BISHOP (contemporary) "Flight-The End Game", signed lower right, further signed, titled and dated 2008 in pencil verso, oil on canvas, 42" x 42" See illustration

£800-1,500

79 MARTYN BREWSTER (1952-) "Lakeside Vertical 1989", signed, titled and dated verso with some gallery label, oil on canvas, 70" x 34"

£1,800-2,500 23

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

80 SVEN BERLIN (1911-1999) "Hare Leaping", signed and dated 78/79 lower right, oil on board, 23" x 35"

Lot 82

£2,000-3,000

81 PADRAIG MACMIADHACHAIN (1929-2017) "The Green Fishing Boat, St. Ive's", signed lower left, titled and signed verso, oil on linen canvas, 7½" x 9½" See illustration on title page

£600-1,200

82 GERRY DUDGEON (1952-) "Ajmer Pinks", signed, titled and dated 2008 verso, acrylic on canvas, 43½" x 39½" (unframed) See illustration

Lot 84

£1,800-2,500

83 TERESA LAWTON (contemporary) "Out of Bounds", signed lower right, further signed and titled verso, oil on canvas, 48" x 35½" See illustration £4,000-6,000 Lot 85

84 SVEN BERLIN (1911-1999) "Shepherd and Ram", signed lower left and dated '99, oil on board, 23" x 34½" See illustration

£1,400-1,800

85 MARTYN BREWSTER (1952-) "Coastal Light no. 8 (Sunset)", signed, titled and dated 2011 verso, oil on canvas, 59½" x 59½" (unframed) See illustration 24

£5,000-10,000

Lot 83 25

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

86 GEORGE DANNATT (1915-2009) "Verona", signed verso, titled and dated 1979, with artists label verso, painting and collage on wood, 7½" x 5¼" See illustration

Lot 86

£600-1,200

87 PETER JOYCE (1964-) "East of Tyneham", signed, titled and dated 2005 verso with artists label, acrylic on canvas, 52½" x 42¼" See illustration

£4,500-6,500

88 JAMES LAWRENCE ISHERWOOD (1917-1989) "Miner", signed lower left, titled with price verso, oil on board, 17½" x 13½" See illustration

Lot 87

£700-1,400

Lot 88

89 ROBERT LENKIEWICZ (1941-2002) "Karen Ciambriello Flash Study, St. Antony Daemon Series", signed twice verso with title and details "Painter with women observations on the theme of the 'Double' project 18 Relationship Series", oil on panel, 19¼" x 12¼" See illustration

Lot 89

£6,000-8,000

90 TERESA LAWTON (contemporary) "Bird Song", signed lower right, titled and signed verso, 60" x 48" (unframed) See illustration

£4,000-6,000

91 HANS VAN BEMMELEN (contemporary) "Metal Sculpture CH2", coloured and polished steel mounted on wood, in a wooden perspex case, 19¾" x 23½" x 8½" (overall measurements)

£200-400

92 ROGER STEPHENS (contemporary) "Plus Ca Change", carrera marble on a blue lias limestone square base, 53½" high

Lot 90

£800-1,500

Other properties:

Prints and works on paper

92A RONALD BROOKES KITAJ (19322007) "Marie Ann, 1980", signed lower left and numbered 60/150 in pencil to the margin, colour lithograph. 20½" x 15"

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

94 ANTHONY FROST (1951-) "First Frost of the Season" - poster for the Forefront Gallery University College Suffolk 1997, signed in pencil to the margin, dated 30.7.98, colour lithograph, 23¼" x 33", and an identical poster signed in black ink and dated 2000 (2)

Lot 95

£80-150

95 SIR SIDNEY NOLAN (1917-1992) "Kelly V", signed in pencil and numbered 12/65 in pencil to the margin, inscribed "Nicki Dal Pozzo 1973" verso, screen print in colours, 27½" x 21". See illustration

£150-300

96 ROBERT HEINDEL (1938-2005) "Jumping Dancers", signed lower right black ink and numbered lower left 10/125, coloured print on giclee paper, 32½" x 41" See illustration

Lot 96

£100-200

97 AFTER MARIE LAURENCIN (18831956) Winged girl with guitar, printed signature within the image, dry point etching with hand colouring, 7¾" x 6¾" (plate) (unframed) 93 ROSA SEPPLE ROI (contemporary) "Footballers Wives", titled within the image, marked AP2 in silver ink lower right, D'Art Gallery label verso, coloured lithograph, 19¾" x 28¼"

98 A FOLIO of seven original lino-cuts by the Porthmeor Printmakers produced to raise funds to refurbish the print workshop in the Penwith Gallery & Studio Complex St. Ives. Artists include John Charles Clark, Stephen Dove, John Emmanuel, Naomi Freers, Sheila Oliner, Roy Ray and Roy Walker, each signed and dated 1992 lower right by the artist and numbered 40 of a limited edition of 50, each 18" x 19¼", in the original folio

£100-200

93A ALEXANDER TISCHLER "Drawings", A book folio with loose leaf lithograph prints, text by Flora Sirkin, pub. Sovetsky Khudozhnik

£50-100

£150-300

99-100 spare lots

101 JOHN TENNENT (1926-) Study of water birds, signed lower right, pastel on paper mounted on board, 32½" x 24" (unframed) See illustration

£80-150

102 ROSA SEPPLE ROI (contemporary) "Footballers Wives", gouache, pastel and fabric collage, titled lower right, signed lower left, 20¾" x 29". See illustration

Lot 101

£600-1,200

103 K. VIRGILS (20th century) "By the light of the moon Pechhavais", 1987, signed in pencil and dated 1987 to the margin, some gallery label verso, mixed media, collage, 35" x 34" (including mounts)

£80-150

104 DAVID GENTLEMAN (1930-) "Piazza Dellerbe, Verona", signed lower right, watercolour, pen and ink, 14" x 19", and the companion book David Gentleman's Italy published 1997 by Hodder & Staunton (2)

This watercolour in reproduced in the book on page 34

£150-300

Lot 102

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lots 105-116 have come directly from the estate of the artist 105 SVEN BERLIN (1911-1999) "Number 5 Cat", signed in pencil and dated '66 lower right, watercolour over pencil, 15½" x 10". (unframed) See illustration

£300-600

106 SVEN BERLIN (1911-1999) "Number 3 - Horse", titled lower right, signed and dated '66 in pencil, watercolour and pencil, 11¾" x 15¾". See illustration

111 SVEN BERLIN (19911-1999) "Number 19 Crab", double titled lower left, signed and dated '66, watercolour pencil heightened with white, 11½" x 15½". See illustration

£300-600

112 SVEN BERLIN (1911-1999) "Number 15 Fowl", titled lower right, signed and dated '66 lower left, pencil watercolour heightened with white, 14¼" x 15½". See illustration

107 SVEN BERLIN (1911-1999) "Number 9 Sheep", titled lower left, signed and dated 1966 in pencil lower right, pencil and watercolour heightened with white, 11¾" x 15". See illustration 108 SVEN BERLIN (1911-1999) "Number 22 Serpent", titled lower right, signed and dated '66 in pencil, pencil and watercolour heightened with white, 11" x 16½". See illustration

£300-600

109 SVEN BERLIN (1911-1999) "Number 12 Swan", titled lower right, signed and dated '66 in pencil, watercolour pencil heightened with white, 12¼" x 19¼". See illustration

£300-600

110 SVEN BERLIN (1911-1999) "Number 6 Ox", titled lower right, signed and dated in pencil, pencil and watercolour, 11½" x 15¾". See illustration £300-600

£300-600

113 SVEN BERLIN (1911-1999) "Number 20 Earthworm", titled lower right, signed and dated '66, pencil and watercolour, 11¾" x 16". See illustration

£300-600

114 SVEN BERLIN (1911-1999) "Number 21 Snail", titled lower right, signed and dated '66, pencil watercolour heightened with white, 11½" x 15¾". See illustration

£300-600

115 SVEN BERLIN (1911-1999) "Number 11 Fox", titled lower right, signed and dated '66, watercolour pencil heightened with white, 12" x 15". See illustration

£300-600

116 SVEN BERLIN (1911-1999) "Number 18 Toad", titled lower right, pencil and watercolour, 11½" x 15". See illustration

£300-600

Lots 105-116

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

117 JOHN SCARLAND (contemporary) King with crown in red with princess at banquet, signed in pencil lower left, gouache and conte crayon, 18" x 11½" (arch top mount)

123 JOHN SCARLAND (contemporary) Landscape, signed lower right, charcoal and gouache, 8½" x 8½"

£100-200

118 LESLEY FULLER (contemporary) "Sailing the Grasses", signed lower left, titled to artist label verso, pen and wash, 13¼" x 21¾"

124 AMANDA J. HOSKINS (contemporary) "Devon Wall and Sea Pinks", initialled lower left, signed, titled and dated 08 in pencil verso with D'Art Gallery label, acrylic on canvas, 13½" x 16"

£40-80

£80-150

120 LIONEL JEANS (1956-) Man in rowing boat with ginger and white terrier, signed lower right, D'Art Gallery label verso, gouache, 9½" x 17¾"

126 COLIN KENT RI (1934-) "Number 59 Sunlight and Shadow", signed lower right with artists label verso, watercolour with ink, 13½" x 26"

£80-150

121 JOHN SCARLAND (contemporary) Monochrome study of lilies, signed, charcoal, chalk and gouache, 24" x 8¾"

£150-300

127 COLIN KENT RI (1934-) "Number 97 Receded Tide", signed lower right, artists label verso, watercolour, 11" x 25½"

£40-80

122 ROBERT FREAME (contemporary) "The Cobb, Lyme Regis", signed lower left, artists label and Minstrels Gallery Bridport stamp verso, oil on canvas board, 9" x 14"

£200-400

125 JOHN SCARLAND (contemporary) "Estuary Boats", signed lower right, further titled and signed verso with presentation inscription, gouache, 9" x 12½"

119 LIONEL JEANS (1956-) Man and dog in a rowing boat, signed lower right, bearing D'Art Gallery label verso, gouache, 9¾" x 17¼"

£40-80

£150-300

128 HENRI EDION (1905-1987) "Two in a Boat", signed and dated 1968 lower right, gouache, pastel and charcoal, 14½" x 20½"

£200-400

£100-200

129 TREVOR WILLOUGHBY (1926-1995) Study of a girl lying down, signed and dated '67, charcoal, 21" x 14"

Lot 130

£50-100

130 JACK MARLOWE WISE RCS (1926-1996) "Mad-Ave Moon-Rite", signed lower right with Bau-Xi Gallery Vancouver label verso, mixed media, 7¼" x 5½" See illustration £150-300 131 TREVOR WILLOUGHBY (1926-1995) A study of two nudes from behind, signed lower right with artists signature and title "Two Girls" and price of £40 verso, pencil, 19" x 12"

Lot 132

£50-100

132 COLIN KENT RI (1934-) Cottages and boats, signed lower right with artists title label verso, watercolour, 9½" x 9½". See illustration

£100-200

133 GIUSEPPI SERAFINI (1915-1987) "Amanti", signed, titled with artist details verso, mixed media on board, 19" x 27". See illustration

£200-400

Lot 133

134 JOSEF HERMAN RA (1911-2000) full frontal nude, artists sketchbook stamp, 1986-88 frame verso, 7½" x 4¾". See illustration

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

OILS AND ACRYLICS

Lot 136

135 ANTONY ROBERT KLITZ (1917-2000) A view of the Houses of Parliament 1967, signed lower right, with artists printed copyright stamp to canvas structure, oil on linen canvas, 11½" x 19½"

£100-200

136 ALAN COTTON (b.1938) A pair of figures walking down a road in Sidmouth, Devon, signed lower left, oil on board, 7½" x 13½". See illustration Provenance: A gift from the artist to the vendor's mother.

Lot 138

£500-1000

137 ATTRIBUTED TO PAUL LUCIEN DESSAU (b. 1909) Adult and child harlequin carrying balloons, signed lower right, oil on board, 15½" x 12½"

£50-100

138 SUSAN HEARSON (contemporary) The Eliza at West Bay, monogrammed lower left, oil on board, 7¾" x 16¾". See illustration 139 ALAN COTTON (1938-) "Woodland Interior", signed lower right, artist's handwritten label verso, oil on board, 5¼" x 10½"

Lot 140

£300-600

140 ALAN COTTON (1938-) "Barley Lane 1984", signed lower right, further inscribed to canvas stretcher and dated 1984, 9½" x 11½". See illustration 34

£300-600

142 FRANCIS RUSSEL FLINT (1915-1977) "The Sleeping Fishermen", signed lower right, further titled and marked to the frame, oil on canvas, 21" x 24". See illustration

Lot 142

£300-600

143 FRANCIS RUSSEL FLINT (1915-1977) "First Clouds", signed lower right, titled and signed to frame verso, oil on canvas, 21" x 24". See illustration

£300-600 Lot 143

144 GLYNN MACEY (contemporary) Crew on a yacht with sea spray, signed lower left, oil on canvas, 24" x 24". See illustration

£150-300

145 JOHN 18 Woodland harbour scene, possibly Poole? signed lower right with artists inscribed details verso, oil on board, 20¼" x 47½"

£100-200 Lot 144

146 ALAN LOWNDES (1921-1978) A portrait study of a young man resting in an armchair wearing glasses, signed lower left and dated 1954, oil on board, 32¾" x 26"

£400-800

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

147 GUY CAMBIER (French b.1923) Study of two nude women, signed lower left, oil on canvas, 13¼" x 8¼". See illustration

Lot 147

£200-400

148 RONALD COPPING (contemporary) "Offloading Newlyn", signed lower left and dated '91, title label verso, oil on board, 8" x 10"

£50-100

149 PACO GOROSPE (1939-2002) Study of faces, signed lower left, oil on canvas mounted on board, 11¼" x 15¼". See illustration

£200-400

150 DAWSON MURRAY (b.1944) "Flutter", 1982, signed lower left, titled, signed and inscribed verso, oil on canvas, 30" x 40". See illustration

Lot 149

£200-400

151 GUY RODDON (contemporary) "Wrecked Boats Brittany", signed lower left, signed and titled frame verso, oil on canvas, 19¼" x 27¼"

£40-80

152 JACKIE SPURRIER (contemporary) Study of three cows faces, signed lower right, oil on canvas, 23½" x 47½". See illustration

£300-600

Lot 150

Lot 152

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

159 ROBERT WOOLNER (contemporary) "Jump up", signed and dated 2006 lower right, further inscribed with Alpha House Gallery label, verso, mixed media on board, 14¼" x 13"

153 ANTONY FREEMAN (contemporary) "Grass Patch", signed and titled with artists address to New English Art Club label verso, further inscribed to reverse "Antony Freeman, Kingston School of Art, Knight Park, Kingston on Thames" oil on canvas

£100-200

160 ROBERT WOOLNER (Contemporary) Landscape, initialled lower right, mixed media, 6½ x 7½"

154 PRINGLE (20th century) Abstract landscape in grey, signed lower right and dated '66, oil or acrylic on canvas, 27¾" x 33¾"

£50-100

161 ROBERT WOOLNER (Contemporary) Abstract, signed lower right, mixed media on canvas, 24 x 16"

155 GIL IMANA GARRON (Mexican, b.1933) "Sueno Petreo" 1966, signed lower left with artists label verso, acrylic on canvas, 34½" x 23¼"

SCULPTURE 162 RAFAEL (RANDY) KLEIN (1949-) A group of four abstract figures holding masks, each signed with foundry stamp for Fiorini, London, and numbered 1/9, bronze, the largest 16" high, the smallest 10¾" high (4).

£400-800

157 ATTRIBUTED TO JOHN KING (20th century) Pink-white buddleia in a bottle, apparently unsigned, oil on board, 15 x 13¼",

163 20th Century School "Stone Face", carved boulder of grey stone, mounted on a slate cube base, 36" high. See illustration

£100-200

158 ROBERT WOOLNER (contemporary) "All Alona" signed and dated 04 lower right, mixed media on board, 4 x 12"

£100-200

156 PHILIP D HAWKINS (contemporary) "Footplate", signed lower right, titled with inscriptions, verso, oil on canvas, 15¼" x 19¼" See illustration

£50-100

£200-400

Lot 156

Lot 163

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

PHOTOGRAPHY

Lot 164

THE 3 LOTS BELOW HAVE BEEN CONSIGNED DIRECTLY FROM THE ARTIST

164 TOR EIGELAND (contemporary) "Dayak Children", 1966, limited edition of 6, photograph printed on canvas, 22¾" x 35" See illustration. £500-700 165 TOR EIGELAND (contemporary) "Timeless", 1967, limited edition of 12, photograph printed on HD acrylic, 20" x 30" See illustration.

Lot 165

£250-500 166 TOR EIGELAND (contemporary) "Dutch Tulips", 1985, photograph fine art print, 21¾" x 19¼" See illustration. £100-200

Lot 166

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence. Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist. Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt. The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style. A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700. All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted 172 for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 175

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

176

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Dukeâ&#x20AC;&#x2122;s Wednesday, 12th and Thursday, 13th April. Affordable Art, Paintings, Books and Furniture.

Affordable Art: An Evening Sale Wednesday, 12th April

2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT