Dukes 7th & 8th December 2017 by john holmes

Dukeâ&#x20AC;&#x2122;s Thursday, 7th December, Silver and Jewellery. Friday, 8th December, Furniture and Works of Art

Silver and Jewellery Thursday, 7th December

Furniture and Works of Art

Friday, 8th December

2017

PRINTED IN DORCHESTER BY EPIC PRINT

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) B31 47 and there are airports at Bournemouth and Exeter. The Saleroom has ample parking. If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith. MILL

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Cornwall Charles Cox (01288) 354100 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

22% plus VAT on the hammer price

Jewellery: The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA. Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements. Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges. 3

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

FINE WINES

An evening auction including the cellar of the late Sir Anthony Jay

Wednesday 6th December from 5pm

The evening to include a wine tasting with Morrish and Banham

A separate catalogue is available for this auction

For further information please contact Garry Batt on 01305 265080 or garry.batt@dukes-auctions.com

Duke’s AUCTIONEERS SINCE 1823

Thursday 7th December, 10.30am Lots 200 – 423

Silver

Lots 450 – 457

Carriage Clocks

Lots 465 – 523A

Gents and Ladies Watches

Lots 525 – 968

Jewellery

Friday 8th December, 10.30am Lots 1001 – 1056

Objets d’Art

Lots 1100 – 1148

Tin-plate Toy Trains and Accessories from a European Noble Family

Lots 1150 – 1177

Interiors

Lots 1180 – 1254

Works of Art

Lots 1265 – 1286

Clocks and Scientific Instruments

Lots 1300 – 1402

Furniture

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%.

VIEW IMAGES OF ALL LOTS AND BID LIVE ONLINE

Photography by JONATHAN GOODING www.jonathangooding.co.uk

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

VIEWING Saturday, 2nd December, 9.30am – 12noon Monday, 4th December, 9.30am – 5pm Tuesday, 5th December, 9.30am – 5pm Wednesday, 6th December, 9.30am – 5pm and on the morning of the auction days

Catalogues £20.00 (by post)

Find us on Facebook https://www.facebook.com/dukesauctions

THURSDAY, 7 t h DECEMBER, 10.30A M

SILVER

Lot 308 detail 7

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 200

Lot 211

SILVER PLATE AND RELATED ITEMS

SILVER AND RELATED ITEMS

200 ASPREY & CO: A NOVELTY ELECTROPLATED COCKTAIL SHAKER in the form of a dumbbell, with detachable top and strainer, the base engraved “Asprey, London” and numbered “3138, 10¾” high. See illustration

210 AN EDWARDIAN BOWL of circular form with a raised pierced border, presentation engraved, on four leaf-capped scroll feet, by Walker & Hall, Sheffield 1902, 9¾” dia. (c.26.6oz) £200-300 211 A SET OF FOUR GEORGE IV TELESCOPIC CANDLESTICKS with gadrooned borders, and cylindrical stems, on spreading circular bases, filled, by SC Younge & Co., Sheffield 1823, 9” high (not extended). See illustration

£100-200

201 A PAIR OF 19TH CENTURY PLATE ON COPPER THREE LIGHT CANDELABRA with detachable sections, circular sconces, on spreading circular bases with floral decoration, 18” high

£500-800

£80-160

212 A PAIR OF VICTORIAN CANDLESTICKS with swirl fluted decoration on filled bases, by William Henry Jackson, London 1885, 4½” high (2)

202 A PAIR OF PLATE ON COPPER THREE LIGHT CANDELABRA with shaped square sconces and detachable top sections, on shaped square bases, 18” high

£100-200

Lots 203-209 Spare Lots 8

£80-160

Lot 214

Lot 218

213 A HOT WATER POT of circular tapering form with a panelled body, wooden scroll handle, on a circular foot, makers mark rubbed, Birmingham 1926, 9” high, (c.20oz)

216 A VICTORIAN SWEETMEAT BASKET of circular form with swing handle, the centre embossed with a scene of St. Paul’s Cathedral, by Yapp & Woodward, Birmingham 1845, 6¾” dia. (c.5.7oz)

£100-200

214 A VICTORIAN TEAPOT of circular form, the lid surmounted by a model of a greyhound, with a scroll handle and reeded girdle, on a tucked-in circular foot, by J & A Savory, London 1845, 5¾” high (c.20.2oz). See illustration

217 A GEORGE I STYLE TAPER STICK with knopped stem and hexagonal base, by Thomas Bradbury & Sons Ltd, London 1912, 4½” high (c.5.4oz)

£100-200

218 A PAIR OF CONTINENTAL SILVER MOUNTED CUT-GLASS CLARET JUGS with tapering oval bodies and angular handles, each marked “J.V ”, 10¼” high. See illustration

£200-400

215 A THREE PIECE TEA SET of circular form with panelled decoration, scroll handle, on circular feet, by Viners, Sheffield 1932, the teapot 6¾” high (c.23oz)

£200-300

£100-200

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

219 A SWING-HANDLED SIPHON STAND of circular form with a pierced body, on three compressed ball feet, by Mappin & Webb, Sheffield 1926, 11” high (with handle extended) (c.26oz)

225 A VICTORIAN CHRISTENING MUG of circular form with scroll handle on a pedestal base, the body engraved with flowers, fruit and strapwork, by Martin, Hall & Co., Sheffield 1864, 5” high, (c. 5.7oz) £80-160

£400-600

226 A GEORGE IV TEAPOT of squat circular form, with leaf capped scroll handle and reeded girdle, the body engraved with strapwork, crested, marks rubbed, probably London 1828, 4½” high (c.15.2oz)

220 A THREE PIECE TEA SET of tapering circular form with scroll handles, reeded girdle, on tucked-in circular feet, by Deakin & Francis Ltd, Birmingham 1913/14, the teapot 5¼” high (c.23.9oz)

£150-250

221 A PAIR OF EDWARDIAN CANDLESTICKS of column form with detachable shaped square sconces, the stems applied with trailing leaves, on stepped square bases, filled, by Fordham & Faulkner, Sheffield 1903, 12” high. See illustration

227 A CAST PEDESTAL DISH of shaped circular form with raised and pierced grape and leaf border, on a tucked-in circular foot, by James Dixon & Sons, Sheffield 1937, 7¾” dia. (c.10oz)

£150-250

224 AN EDWARDIAN FOUR PIECE TEA SET comprising a kettle on stand, teapot, sugar bowl and cream jug, of shaped oval form, with scroll handles, on stylised feet, by Walker & Hall, Sheffield 1903/1904, the kettle on stand 13” high (c.78.9oz). See illustration

£150-250

229 AN EDWARDIAN VASE with wirework body, London 1908, a small christening mug, a porringer and a pair of electroplated chocolate pots, mixed makers and dates (c.13.5oz weighable silver) (a lot)

223 A VICTORIAN SAUCEBOAT with leaf capped flying scroll handle, London 1893, one with stylised borders, by Mappin & Webb and another, mixed makers and dates (c.24.8oz weighable silver) (3)

£80-160

228 A VICTORIAN TEAPOT of spreading circular form with leaf capped scroll handle, the finial surmounted with an eagle, the body embossed with foliate scrolls, crested, on shell-capped hoof feet, by William Robert Smily, London 1856, 6¾” high (c.18oz) See illustration

£300-500

222 A PAIR OF CAFE AU LAIT POTS of pear form with straight spouts, wooden scroll handles and finials, initialled, by Atkin Bros., Sheffield 1927, 6¾” high (c.28.4oz)

£150-250

£80-160

230 AN EDWARDIAN PEDESTAL BASKET of shaped oval form with swing handle, Birmingham 1903, a mug and a pedestal dish with pierced border, mixed makers and dates (c.12.7oz weighable silver) (3)

£100-200

231 A KETTLE ON STAND of circular form, the flush hinged lid with wooden finial, wicker bound carrying handle and engraved strapwork decoration, the whole on a hinged stand with lamp beneath, on extended pad feet, by AS, London 1911, 12” high (c.43.9oz). See illustration

£600-800

£300-600

Lot 221

Lot 224

Lot 228

Lot 231

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

232 A VICTORIAN TEAPOT of tapering circular form with a pineapple finial, scroll handle and cast spout, the body chased with flowerheads amongst trailing scrollwork, on a circular base, by Derry & Jones, Birmingham 1865, 10” high (c.24.4oz). See illustration

239 A SALVER of shaped square form with a raised border, the whole on scrolling feet, by Viners, Sheffield 1961, 7½” wide, (c.10oz) £100-200

£200-400

240 A SUGAR CASTOR of oval form engraved with urns and swags and a vacant shield-shaped cartouche, London 1911, 7” high, and a waiter with pie-crust border, Birmingham 1933, 6” dia. (c.12oz weighable silver) (2)

233 AN ART DECO SALVER of shaped circular form with a stylised raised border on bracket feet, by The Goldsmiths & Silversmiths Co. Ltd, London 1940, 12” dia. (c.29oz)

£250-350

241 CHRISTOPHER NIGEL LAWRENCE: A CIRCULAR WAITER with raised border textured to the interior, with a castellated surround, the whole on crown capped paw feet, initialled, London 1987, 7½” dia. (c.10.7oz)

234 A PAIR OF CHINESE VASES of trumpet form, each engraved with birds in flight amongst branches, on circular feet, each bearing single character marks to the foot, circa 1910, 7½” high, (c.7oz) See illustration

£200-300

£100-200

236 A GERMAN TEA CADDY of oval form with a domed hinged lid, with foliate scroll borders and gilded interior, the base stamped with a crown and crescent standard mark, also stamped 800, early 20th century, 5” high (c.9oz)

The crest is possibly that of Fletcher.

£1,000-1,500

£200-300

238 A CONTINENTAL TEA CADDY of ribbed oval form, the hinged cover with ball finial, the whole on four shell-capped bracket feet, late 19th/early 20th century, 5” high (c.9.9oz)

243 OMAR RAMSDEN: AN ARTS AND CRAFTS INKWELL of spreading circular form with a domed hinged cover, the body applied with a wavy stylised frieze and planished finish, the underside engraved “Omar Ramsden Me Fecit”, London 1923, 3½” high, (c.6.5oz). See illustration

£100-200

237 AN EDWARDIAN TABLE CIGARETTE BOX of rectangular form, the hinged cover with applied stiff leaf decoration, the whole on leaf capped pineapple feet, cedar-lined interior, by Wakely & Wheeler, 8” long x 2½” high

£200-300

242 OMAR RAMSDEN: AN ARTS AND CRAFTS BOWL of hexagonal form with a pierced scroll and leaf border, the hammered body engraved with a coat of arms above the motto “Dieu Pour Nous”, the other side monogrammed “GHBP/1910 & 1935” also monogrammed “MH”, the whole on six stylised bracket feet, the underside engraved “Omar Ramsden Me Fecit”, London 1934, also with additional Jubilee hallmark, 4½” wide x 2¾” high (c.6.9oz). See illustration

235 A VICTORIAN CREAM JUG of tapering oval form, decorated in the Irish manner with embossed animals and birds, the whole on lions mask capped hoof feet, by James Wakely & Frank Wheeler, 4¼” high (c.4.9oz), and a Continental silver mounted model of a swan, on a glass base, 5” (2)

£80-160

£100-200 12

£1,000-1,500

Lot 232

Lot 234

Lot 242

Lot 243

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 249

247 A PAIR OF VICTORIAN CANDLESTICKS with pull-off circular sconces and fluted baluster stems, on shaped circular bases, loaded, by T.B. & S, Sheffield 1843, 10” high

244 OMAR RAMSDEN: AN ARTS AND CRAFTS SILVER MOUNTED SHAGREEN TABLE CIGARETTE BOX of rectangular form, the cover with medieval style strapwork hinges and stylised trellis decoration, the body raised on a graduating rectangular foot with chevron, rope-work and castellated decoration, the underside engraved Omar Ramsden Me Fecit”, London 1927, 3¾” high x 7” long. See illustration

248 AN EDWARDIAN THREE PIECE TEA SET of oval form with part fluted decoration and angular handles, by W.E.T., Birmingham 1903, the teapot 5” high, (c.18.4oz)

£1,800-2,500

245 TIFFANY & CO.: A PAIR OF CANDLESTICKS of plain cylindrical form with circular sconces, on circular bases, the undersides bearing German standard and import marks, also stamped “Sterling”, 20th century, 7” high (c.13.4oz)

£100-200

249 A SET OF FOUR GEORGE II STYLE VICTORIAN CANDLESTICKS with detachable shaped square sconces and knopped stems on shaped square bases, with acanthus decoration, filled, by Henry Wilkinson & Co., Sheffield 1893, 6¾” high. See illustration

£150-250

246 TIFFANY & CO: A MATCHED PART CONDIMENT SET comprising a pair of mustard pots and a pair of pepper pots, the mustards of circular tapering form with scroll handles, each marked “Tiffany & Co.” to the underside, also “Sterling Silver” with a serial number, with gilded interiors, the lids bearing import marks, and a similar pair of pepper pots, initialled “LMR”, with import marks for 1912, (c.16.1oz weighable silver) (4)

£200-300

£200-300 14

£200-400

Lot 244

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

250 AN EDWARDIAN BOWL of tapering circular form, embossed with flowerheads and swags, on a spreading circular foot, by M.J., Birmingham 1909, 5¾” dia., and a small salver, Sheffield 1958, 8” dia. (c.18.1oz weighable silver) (2)

257 A GEORGE II TWO HANDLED IRISH CUP of circular form, with leaf-capped scroll handles and reeded girdle, the body embossed with flowers and leaves, on a circular foot, with a later crest and presentation inscription to each side, one side engraved with the crest of the Perthshire Volunteers, the other side engraved with the inscription “Presented by Mr Savory to the Mess of the 90th Light Infantry on their leaving England for foreign service, March 1857”, possibly by James Whitthorne, Dublin 1749, 7½” high (c.42.1oz). See illustration

£150-250

251 A TABLE CIGARETTE BOX of rectangular form with presentation inscription and cedar wood interior, London 1941, and a smaller cigarette box with engine-turned cover and a sauceboat (c.3.3oz weighable silver) (3)

258 A GEORGE II IRISH FOOTED WAITER of circular form, the plain raised border on a spreading circular foot, the underside scratch initialled S*G., possibly Samuel Walker, Dublin circa 1730, 5” dia. x 1½” high (c.3.9oz), See illustration

252 A PAIR OF CANDLESTICKS with detachable sconces and tapering oval stems, reeded borders, on oval feet, filled, one by T & S, the other by HE Ltd, Sheffield 1911/13, 9½” high (2)

£100-200

253 A GEORGE III WAITER of plain circular form with a raised border, crested, by John Crouch I and Thomas Hannam, London 1784, 7½” dia. (c.11.7oz)

£100-200

261 A GEORGE III TEAPOT with associated stand, the teapot of oval form with a reeded girdle and wooden scroll handle, by WV, London 1790, the stand initialled by a different maker WS, London 1790, 6” high, (c.19.4oz) (2)

£150-250

256 A GEORGE IV IRISH WINE FUNNEL of conventional form with a reeded border, the detachable strainer with side clip, possibly by William Nolan, Dublin 1827, 6¼” high (c.5.2oz)

£200-400

260 A GEORGE III SUGAR BASKET of oval form with a reeded swing handle and reeded border, by Robert Hennell, London 1788, 6½” high (with handle extended) and a cream jug (c.10.9oz weighable silver) (2)

255 A VICTORIAN BEAKER of tapering circular form with a raised border, the upper body engraved “To a jolly good fellow called Snape M.D. from his grateful friends Ethel & George Elam. Jan 1895”, makers mark struck twice, Stephen Smith, London 1865, 8½” high, (c.3.8oz)

£1,000-2,000

259 A GEORGE II MUG of baluster form with a leaf-capped scroll handle and gilt interior, the body later embossed with flowers and scrolls, monogrammed and crested, the base bearing a presentation inscription “Newman Lessingham Bailey from his father’s best friend, Newman Smith, Esq. 1836”, by William Shaw and William Priest, London 1759, 5” high (c.11.3oz)

254 A GEORGE III TWO HANDLED CUP of circular form with leaf capped scroll handles and reeded girdle, on a circular foot, one side engraved with a later monogram and date, possibly by Simeon Coley, London 1763, 5” high (c.10.8oz)

£1,100-1,500

£80-160

£250-350

£200-400

Lot 257

Lot 258

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 266

Lot 267

262 A VICTORIAN CREAM JUG of baluster form with a scroll handle and beaded borders, the body engraved with cherubs amongst foliage, on a circular beaded foot, by AB Savory & Sons, London 1864, 6½” high (c.8.4oz)

265 A VICTORIAN INKWELL of circular form with reeded borders and embossed body, by J. Grinsell & Sons, Birmingham 1890, and a dish with shaped border (c.6.8oz weighable silver) (2) £100-200

£80-160

266 RAF INTEREST: A COCKTAIL SHAKER of tapering circular form with egg and dart border, the front engraved with the RAF crest beneath a presentation inscription “Presented to Squadron Leader WH Park MC, DFC, by the officers, no.25, (F) Squadron Royal Air Force on the occasion of his marriage June 8th 1927”, by Alexander Clarke & Co. Ltd, Birmingham 1926, 8” high (c.11.5oz). See illustration

263 A PAIR OF EDWARDIAN SUGAR CASTORS of octagonal form with high pierced pull-off covers, on octagonal feet, by W.B. Ltd, Birmingham 1903, 9½” high (c.12.5oz)

£100-200

264 A VICTORIAN VASE of circular form with swirl fluted decoration, by William Comyns, London 1891, 3¾” high, and a bowl with fluted decoration (c.11.8oz weighable silver) (2)

£200-400

267 A CONTINENTAL COW CREAMER of conventional form, the hinged cover surmounted by a bee, by Berthold Muller, the underside bearing Chester import marks for 1898, 3” high x 4” long (c.3.6oz). See illustration

£80-160

£200-400

Lot 269

268 A GEORGE III WAITER of shaped circular form with a raised shell and gadrooned border, the centre engraved with a coat of arms, on three claw and ball feet, possibly by WT, London 1768, 7” dia. (c.8oz)

271 A PAIR OF LATE VICTORIAN CANDLESTICKS of Corinthian form with detachable beaded sconces on spreading square bases with beaded borders, by Charles Boyton, London 1896, filled, 7” high

£100-200

269 A VICTORIAN TWO HANDLED TRAY with a raised gadrooned border and reeded carrying handles terminating in leaves, the centre engraved with a crest and coat of arms by James Dixon & Sons, Sheffield 1894, the reverse bearing a retailers mark of Rowell of Oxford, 29” long (handle to handle) (c.162oz). See illustration

The crest is that of Adderley.

£1,200-1,800

272 A NOVELTY CONDIMENT SET modelled in the form of lidded tankards surmounted by recumbent lions, by Charles Boyton & Sons, London 1930, the mustard 3” high, (c.10.8oz)

£250-350

273 A DUTCH CHAMBERSTICK of shaped circular form with a pierced border and loop carrying handle, 5½” dia. (c.3.7oz)

270 A PAIR OF CANDLESTICKS of Corinthian form with detachable beaded sconces, the columns decorated with swags and bows, on square feet, by B.C. & Co., Birmingham, 1932, 12” high (c.25.4oz)

£200-400

£100-200

274 A GEORGE III GOBLET of circular tapering form with a gilt interior, monogrammed, on a reeded foot, by Samuel Meriton II, London 1790, 6” high (c.7.5oz)

£500-800

£300-500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

281 A PAIR OF EDWARDIAN SILVER MOUNTED CANDLESTICKS with glass stems and square bases, makers mark rubbed, Birmingham 1905, 6½” high

275 ROWING INTEREST: A GEORGE III PRESENTATION TROPHY CUP of circular tapering form with reeded handles and gilt interior, the body later embossed with foliate scrolls, one side engraved with a presentation inscription relating to the Warrington Regatta of 1840, by EW/IB, London 1807, 11” high (weighted).

282 A GEORGE III WARWICK CRUET of conventional form, the frame with central carrying handle, the whole on extended shell feet, the frame housing five different silver and glass mounted condiment pots and castors, the frame engraved with a coat of arms, possibly by Walter Tweedie, London 1767, 9¼” high (c.38.7oz). See illustration

£250-450

276 A PAIR OF GEORGE III BUTTER DISHES of scallop shell form, with gadrooned borders, on coiled feet, makers mark lacking, London 1797, 5” wide, (c.1.8oz)

£250-450

£450-650

£80-160

£500-800

286 A GEORGE III MUFFINEER of circular tapering form with a high pierced pull-off cover and ball finial, possibly by IM, London 1799, 5” high (c.3.6oz)

280 A GEORGE III WARMING/ VEGETABLE DISH of circular form with a wooden disc finial and gadrooned borders, with chased foliate decoration, and wickerwork handles, the whole on an associated plated stand, possibly by William Turton, London 1770, 14” wide (handle to handle) x 7¾” high, (c.25oz)

£100-200

285 A GEORGE III PROVINCIAL TEAPOT of circular form with wooden scroll handle and part fluted decoration, the pull-off cover with wooden disc finial, the whole on ball feet, by Prince & Cattles, York 1804 (with town mark), 5¾” high (c.19.7oz). See illustration

£150-250

279 A PAIR OF EDWARDIAN BON BON DISHES of oval form with gadrooned borders and pierced decoration, on paw feet, by Goldsmiths & Silversmiths Co. Ltd, London 1901, 11½” long (c.10.5oz)

£450-650

284 A GEORGE III PAP BOAT of oval form with a gadrooned border, monogrammed, by Thomas James, London 1807, 5¼” long (c.1.7oz)

278 A VICTORIAN COFFEE POT of baluster form with a scroll handle, crested, on a circular foot, by Robert Garrard II, London 1843, 9” high, (c.25.5oz)

£600-1,200

283 A GEORGE III SNUFFER TRAY of waisted rectangular form with gadrooned border, the carrying handle crested with a stag’s head, on extended hoof feet, possibly by Elizabeth Cook, London 1764, 7½” long, (c.7.5oz). See illustration

277 A GEORGE III SWING HANDLED CAKE BASKET of oval form with wire-work body, the centre engraved with a monogram, on an oval foot with slat pierced decoration, by Richard Morton & Co. Sheffield 1791, 10” high (with handle extended) x 13” long, (c.18oz). See illustration

£80-160

286A A SET OF TWELVE CONTINENTAL WHITE METAL BOWLS, with raised wavy reeded rims, stamped ‘900’, 12cm dia. (c.67oz)

£200-400

£400 - £800

Lot 277

Lot 282

Lot 283

Lot 285

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

287 A GEORGE III CASTOR of baluster form with a high pierced pull-off cover, knop finial and reeded girdle, by PC, London 1807, 7” high, (c.4.2oz)

294 AN 18TH CENTURY DUTCH TEAPOT of tapering circular form with part fluted decoration and wicker-work handle, the fluted pull-off cover with disc finial, Haarlem, probably 1744, 5” high (c.10.3oz). See illustration

£100-200

288 A GEORGE III MUG of circular form with reeded decoration and angular handle, with monogram, gilt interior, by Peter & William Bateman, London 1811, 3” high (c.4oz)

295 A GERMAN SUGAR BOX/TEA CADDY of shaped oval form, with hinged cover, the whole on scrolling feet, the base stamped with a German standard mark, also 835 and BTB, circa 1900, 4” high (c.8.6oz)

£100-200

290 A MATCHED PAIR OF VICTORIAN CANDLESTICKS with detachable circular sconces, applied shell and scroll decoration and knopped stems, on shaped circular bases, by John Waterhouse and Edward Hadfield & Co., Sheffield 1837/possibly 1841 (marks rubbed), filled, 10½”, and a late Victorian cream jug (3)

£200-400

296 A CONTINENTAL DOUBLE SALT, the central loop carrying handle applied with a bird on a perch, with two cut-glass reservoirs, on a circular stand, the underside scratch initialled, circa 1900, 6¼” high

£200-400

£100-200

291 A CHINESE PEDESTAL BOWL of shaped circular form with lobed borders, on a spreading circular foot, the underside stamped “SHINGHAI”, 7” dia. x 3½” high (c.1.4oz) See illustration

£200-400

297 A CONTINENTAL WAGER CUP of conventional form with a hinged upper section, the lower section bearing, probably Hanau, circa 1900, 7” high (c. 7.1oz). See illustration

£250-450

292 A CHINESE MUG of circular form with reeded borders, tubular handle, the body engraved with dragons and characters, single character mark to the underside, circa 1900, 3½” high, (c. 3.6oz)

298 AN EDWARDIAN THREE PIECE TEA SET of oval form with angular handles and part fluted decoration, by Goldsmiths & Silversmiths Co., London 1906, the teapot 7” high, (c.27.7oz)

£100-200

293 A SALVER of shaped circular form with a raised gadrooned border, on scroll feet, by S. Ltd, Birmingham 1940, 12” dia. (c.30oz), in an associated case

299 A VICTORIAN TEAPOT of bellied form with urn finial and leaf capped scroll handle, the body richly embossed with foliate scrolls and birds, on down-curving feet, monogrammed, by Thomas Hughes-Headland, London 1846, 7” high, (c.26oz). See illustration

£200-400

£200-300

£200-400

Lot 291

Lot 294

Lot 297

Lot 299

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

300 A GEORGE III CRUET STAND of oval form, with central loop carrying handle, housing five glass condiment bottles and jars with silver mounts, makers mark rubbed, London 1806, 9¾” high See illustration

Lot 300

£200-400

301 AN EDWARDIAN SILVER MOUNTED LEATHER STATIONERY BOX of rectangular form, the hinged lid opening to reveal silk-lined compartments for envelopes etc., the cover embossed with foliate scrolls, Birmingham 1909, 7” high x 7½” long

£80-160

302 A FRENCH BEAKER of circular form, on a raised base with gadrooned border, the body scratch engraved 160 above ALB, the underside bearing a standard mark for 1819-1838, traces of gilding, 4½” high (c.3.5oz) See illustration

Lot 302

£150-250

303 A GEORGE IV SILVER MOUNTED HORN BEAKER with oval cartouche and reeded border, by SN, London 1827, 3¾” high

£150-250

304 A VICTORIAN AND LATER MATCHED THREE PIECE TEA SET of oval form with part fluted decoration and angular handles, the teapot by William Hutton & Sons Ltd, London 1894, the cream and sugar Sheffield Assay, 1894/1901, the teapot 5” high, (c.16.3oz)

Lot 305A

£100-200 305 A PAIR OF PEDESTAL DISHES of circular form with pierced decoration, by Mappin & Webb, Birmingham 1939, and a George IV pepperpot with embossed decoration (c.8.2oz weighable silver) (3) £80-160 305A A SET OF TWELVE CONTINENTAL WHITE METAL PLATES, with pie crust boarder and engraved crest, stamped ‘900’, 22cm dia, (c.149oz). See illustration 24

£800 - £1,500

Lot 308

306 A COMMEMORATIVE TAZZA of circular form with hammered finish, with a leaf and berry frieze, on a flared foot, the underside engraved “Presented by the Grocers Company to Commemorate the Silver Jubilee of King George V”, by L.S. & Co. Ltd, London 1935, with additional Jubilee hallmark, 6” dia. x 3” high (c.1.7oz)

308 A VICTORIAN EPERGNE, the stem modelled as two putti, one standing and one seated, both holding laurel wreaths, the two long leaf supports holding a detachable wire-work basket issuing leaves and grapes, with an associated glass reservoir, the whole on a cast scroll and shell border, by Stephen Smith and William Nicholson, London 1859/66, 9½” high (c.45.6oz). See illustration

£80-160

307 A HOT WATER POT of baluster form with wicker-work scroll handle and flame finial, on a spreading circular foot, by RP, London 1913, 7” high, (c.8.7oz)

£60-120

£500-1,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

309 A WILLIAM AND MARY LIDDED TANKARD of tapering circular form with scroll thumbpiece and handle, on a reeded circular foot, the handle scratch engraved P/IA amongst engraved stars, by Anthony Nelme, London 1693, 7” high (c.23.3oz). See illustration

£4,000-6,000

310 A PAIR OF CONTINENTAL BAROQUE STYLE TWO LIGHT WALL SCONCES of shaped oval form, each embossed with putti and classical figures surrounding a central cartouche engraved with a coat of arms, with ring hanging attachments, above a crown and fleur de lis symbol amongst scrolling strapwork, the reverse of each marked with Scottish import marks for Edinburgh, 1983, stamped also 925 and EAO, possibly for the Edinburgh Assay Office, 14½” high x 11” wide (c.74oz). See illustration

£1,500-2,500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 312

Lot 316

314 A VICTORIAN SUGAR BOWL of oval form with angular handles and embossed decoration, by Charles Stewart Harris, London 1897, 4” high, (c.6.6oz)

311 A PAIR OF THREE LIGHT CANDELABRA with detachable top sections and waisted circular columns, on filled circular bases, Birmingham 1956, 9¼” high

£150-250

315 A CONTINENTAL EQUELLE of circular form, the pull-off cover with disc finial, embossed with a classical bust, the cover chased with leaves and scrollwork, with two lug handles applied with classical busts, egg and dart border, on a circular base, probably by Ludig Neresheimer & Co. Hanau, late 19th century, 11” wide (handle to handle) x 3¼” high (c.26.1oz)

312 A PAIR OF VICTORIAN LIGHTHOUSE SUGAR CASTORS, the pull-off pierced covers with ropework borders and knop finials, each engraved with a mallard crest, with a reeded girdle, on pierced circular feet, by James Garrard, London 1893, 7½” high (c.24.8oz) See illustration

£300-500

£300-400

316 A GEORGE II COFFEE POT of lobed baluster form, the domed cover with knop finial, wooden scroll handle and fluted decoration, cast, crested spout, on a circular foot, by John Swift, London 1759, 11½” high (c.33.8oz). See illustration

313 A SET OF FOUR EDWARDIAN CANDLESTICKS with detachable oval sconces and tapering fluted stems with ribbon and swag decoration, on fluted oval bases, filled, by Holland, Aldwinckle & Slater, London 1906/1907, 12” high.

£50-100

£500-800

Lots 317-319 Spare Lots 28

Lots 320 - 324

SMALL SILVER AND VERTU

322 AN AIDE MEMOIRE of rectangular form, the hinged cover depicting a hound catching a stag, with leather interior, by Henry Clifford Davis, Birmingham 1910, 4” long. See illustration

320 A VICTORIAN CARD CASE of shaped rectangular form, the centre engraved with a view of the Scotts Monument, amongst foliate scrolls, the reverse initialled and dated, by Frederick Marson, Birmingham 1864, 4” long (c.2oz). See illustration

323 AN AMERICAN CARD CASE of shaped rectangular form, engraved with a floral sprig and initialled, marked Sterling, with attachment chain, 3½” long, and an engine turned card case (c.1.9oz) (2). See illustration

£100-200

321 AN EDWARDIAN CARD CASE of rectangular form, the cover embossed with a scene of a stag on a rocky outcrop, with foliate scrolls, the reverse initialled, by Robert Pringle & Sons, Birmingham 1903, 4” long (c.2oz). See illustration

£100-200

£80-160

324 A NOVELTY CARD CASE modelled in the form of an envelope, monogrammed, with chain attachment and gilt interior, Chester 1913, 4” long, and a small Edwardian card case with chased foliate decoration (c.4.4oz) (2). See illustration

£100-200

£80-160

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

325 A PAIR OF CASED ART NOUVEAU BUTTONS modelled as stylised flowers, by Marples & Co., Birmingham 1897, a cased set of six buttons by Levi & Saloman, Birmingham 1899, and six metalware buttons pierced with maidens heads (3 sets)

331 A VICTORIAN CASTLE TOP VINAIGRETTE of rectangular form, the cover depicting a scene of Abbotsford House, with floral and scroll pierced grille, by Gervaise Wheeler, Birmingham 1838, 1.8” long. See illustration

£80-160

326 A COLLECTION OF CASED BUTTONS AND DRESS STUDS with enamelled decoration, on base and gilt metal, including a set marked “Queensway, Sterling Silver” (a quantity)

332 A VICTORIAN VESTA CASE of rectangular form, the cover depicting an enamelled scene of the Changing of the Guard, the reverse engraved “Heathlands 1900” by Sampson, Mordan & Co., London 1897, 2” long. See illustration

£50-100

327 A MIXED COLLECTION OF BUTTONS AND DRESS STUDS in silver and base metal, including a Liberty & Co. example with green and blue enamel, Birmingham 1909, and some pierced examples (a lot)

£50-100

£200-400

335 A GEORGE III NUTMEG GRATER of barrel form with detachable cover and ribbed body, with steel grater, by Samuel Meriton II, London 1794, 2” long. See illustration

£100-200

330 HUNTING INTEREST: A VICTORIAN SNUFF BOX of rectangular form, the cover embossed and chased with a fox hunting scene, with engine-turned base and gilt interior, by Neustadt & Barnett, 3” long (c.3.8oz). See illustration

£150-250

334 A WILLIAM IV NUTMEG GRATER of rectangular form with engine-turned decoration and reeded borders, with steel grater, initialled, by Nathaniel Mills, Birmingham 1836, 1½” long. See illustration

329 A VICTORIAN SNUFF BOX of rectangular form with engine-turned decoration, the cover presentation inscribed, with a gilt interior, by Nathaniel Mills, Birmingham 1847, 2.9” wide, (c.1.9oz). See illustration

£400-600

333 A VICTORIAN SEWING COMPENDIUM of egg form, with suspension ring, the hinged cover opening to reveal a pierced interior, by George Unite, Birmingham 1872, 2” long. See illustration

328 A CASED SET OF BLUE AND WHITE GUILLOCHE ENAMEL BUTTONS with a matching buckle, the buckle by Levi & Saloman, Birmingham 1910, the buttons marked “Sterling”, and others (a lot)

£200-300

£450-550

336 A LATE 17TH CENTURY NUTMEG GRATER of teardrop form, the hinged cover revealing a steel grater, unmarked, circa 1690, 1¼” long. See illustration

£550-750

£350-450

Lots 329 - 336

337 AN AMERICAN SILVER AND GUILLOCHE ENAMEL LADIES COMPACT of circular form, the cover depicting boats on a lake, stamped Sterling, by Birks, 2¼” dia., and an engine-turned compact also by Birks (2)

340 A RUSSIAN CIGARETTE CASE of rectangular form, the cover engraved with sinuous flowers and leaves, and applied with a name in gilt, the interior bearing a Kokoshnik mark, circa 1900, also stamped AUAM3, 4” long (c.5.6oz)

£100-200

341 A RUSSIAN CIGARETTE CASE of rectangular form, the cover with engraved Cyrillic decoration, also engraved with a double headed eagle, the reverse engraved 200000, Kokoshnik mark circa 1900, 3” long (c.2.7oz)

338 A CONTINENTAL SILVER AND ENAMELLED SNUFF BOX of rectangular form, the cover depicting a dogs profile, with gilt interior, monogrammed and stamped 800, 20th century, 3” long (c.1.9oz)

£200-400

£250-350

342 A VICTORIAN HIP FLASK of oval form with a pull-off cup, monogrammed, by Thomas Johnson, London 1877, 5¼” long (c.6.2oz)

339 A CONTINENTAL SILVER AND ENAMELLED SNUFF BOX of rectangular form, the cover decorated with a spaniels head in profile, with gilt interior, stamped 800, 20th century, 3” long (c.1.5oz)

£250-350

£200-400 31

£80-160

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

348 A CONTINENTAL MODEL OF A SHOE, the body embossed with cherubs amongst an arcadian landscape, gilt interior, the underside stamped with pseudo, Hanau marks, circa 1900, 6” long x 2¾” high (c.3.7oz)

343 A CONTINENTAL PILL BOX of rectangular form, the hinged cover depicting two figures in an arcadian setting, the sides decorated with scrolls, gilt interior, the interior bearing import marks for Chester 1910, 2” long, (c.1.7oz)

£100-200

344 A RUSSIAN KOVSH, the body decorated in polychrome enamels with geometric motifs, flowerheads and scrolls, with a gilt interior, the base stamped with a Kokoshnik mark, circa 1900, 3½” long (c.1.7oz). See illustration

349 A CONTINENTAL NOVELTY PEPPER POT modelled in the form of a bird, with pull-off cover, marks rubbed, possibly German, circa 1900, 2¼” high (c.2.1oz)

£800-1,200

£200-400

£200-300

£250-350

353 A VICTORIAN CIGARETTE/VESTA CASE of rectangular form, the gilt interior with a separate compartment for matches with a striker, by Sampson, Mordan & Co. London 1883, 3½” long (c.3.8oz)

£200-400

347A A SILVER GILT VINIAGARETTE, with scrolled thumb piece and engraved initials, the hinged lid enclosing a pierced and engraved floral cover, by Nathaniel Mills, c.1835, 5.2cm wide, and one other Victorian silver vinaigrette with engraved decoration, 1.5” wide (2)

£50-100

352 A PAPERWEIGHT modelled in the form of the Ripon Hornblower, on a spreading square base, by Wakely and Wheeler, London 1981, 6” high (c.17.7oz)

347 A CONTINENTAL MODEL OF A SHOE with pierced front and upturned toe, decorated in trailing flowers, with gilt interior, the underside bearing pseudo Hanau marks, circa 1900, 6” long x 3” high (c.3.1oz)

£100-200

351 AN EDWARDIAN SILVER AND TORTOISESHELL PIQUE-WORK DRESSING TABLE BOX of rectangular form, the lid decorated with a basket issuing flowers, by William Comyns, London 1907, 3” long

346 A CONTINENTAL SILVER AND ENAMEL PHOTOGRAPH FRAME in the form of a four leaf clover, with green guilloche enamel leaves inset with oval portrait apertures, the wirework strut stamped “AA A.S”, the remaining marks illegible, 4½” high

£150-250

350 A VICTORIAN SILVER GILT TABLE BELL of circular tapering form, with stylised border and arched handle, by SW, London 1881, 3¼” high (c.7oz)

345 A RUSSIAN SILVER GILT AND ENAMELLED BEAKER, the body decorated in polychrome enamels with flowerhead scrolls and geometric motifs, on a tucked-in circular foot and rope-work border, St. Petersburg, 1896, 2½” high (c.2.4oz). See illustration

£200-300

£200-400

354 A CIGAR CASE of rectangular form, Birmingham 1917, 5” long (c.7.4oz)

£100-£200

£50-100

Lots 344 and 345

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

355 AN ART DECO CIGARETTE CASE with engine-turned decoration, Birmingham 1934, a cigarette case and a match case, (c.1.9oz weighable silver) (3)

361 A DUTCH PEPPERMINT BOX of cylindrical form, decorated with animals in woods, probably 19th century, and another (2). See illustration

£50-100

356 A GEORGE III NEEDLECASE of rectangular form with pull-off cover, the body with bright-cut leaf decoration, makers mark rubbed, Birmingham, possibly 1797, 3¾” long

362 A NOVELTY PIG PIN CUSHION, Birmingham 1918, a pepper pot and a caddy spoon (3)

£80-160

£100-200

£80-160

359 A NOVELTY PIN CUSHION in the form of a standing pig, Birmingham 1909, a heart shaped scent bottle, a novelty pepper pot in the form of a chocolate pot, and a small novelty kitchen pepper pot (4). See illustration

£100-200

365 A SET OF THREE DRESSING TABLE BOTTLES with silver and yellow guilloche enamel tops, London 1940, 5” high

£100-200

366 AN EDWARDIAN SILVER AND ENAMEL TRINKET BOX of oval form, the cover decorated in white and blue guilloche enamel, with gilt interior, Chester 1909, 2”, and a compact, London 1923 (2)

360 A SMALL COLLECTION OF CONTINENTAL MINIATURES comprising a model of a shoe, stamped 930 to the base, a small goblet and a model of a pig in a pen (3). See illustration

£100-200

364 A 19TH CENTURY SNUFF BOX of rectangular form with engine-turned decoration and gilt interior, presentation inscription, by Nathaniel Mills, Birmingham, date letter illegible, 3” long, and a Continental pill box, with import marks for London 1927 (2)

358 A VICTORIAN MODEL OF A RUNNING FOX by Edward Hutton, London 1890, 3¾” long (13oz). See illustration

£50-100

363 A 19TH CENTURY SILVER MOUNTED HORN SNUFF MULL of conventional form, the horn section applied with a shield-shaped cartouche, the ball hinged cover centred with a gemstone surrounded by a rope-work border, initialled, 3¾” long

357 AN EDWARDIAN NOVELTY PIN CUSHION modelled in the form of a hatching chick, by S. Mordan & Co., Chester 1906, and a pincushion in the form of a pig, Birmingham 1902, 2” long (2). See illustration

£80-160

Lot 357 - 361

367 A VICTORIAN SILVER MOUNTED TORTOISESHELL DRESSING TABLE BOX of oval form with foliate strapwork decoration, on claw and ball feet, London 1890, 5” long x 2” high, and a Dutch metalware ashtray (2)

370 A PAIR OF SILVER MOUNTED JAM POTS in the form of apples, with pull-off covers, by Hukin & Heath, Birmingham 1947, 3½” high

£80-160

371 A PAIR OF LATE VICTORIAN PEPPERETTES of cylindrical form with pull-off covers, the bodies with pierced foliate decoration and blue glass liners, in a fitted case, by George Fox, London 1900, 3¼” high, cased, and a Victorian mustard pot (2)

368 A DANISH TEA STRAINER of circular form, the handle with applied leaf and bud decoration, by C.F. Heise, Copenhagen 1929, 5½” long (c.1.8z)

£80-160

369 GEORG JENSEN: A PAIR OF SALTS of tapering circular form with stylised pierced borders, on spreading circular feet, also bearing C.F. Heise’s mark, Copenhagen 1922, 2” dia. x 1½” high, and a pair of associated spoons, (c.2.2oz)

372 A SET OF FOUR SALTS with matching spoons in a fitted case, the salts of oval form with shell and scroll borders, by Goldsmiths & Silversmiths Co. London 1922, the spoons Sheffield 1919, length of salts 3”

£100-200

£80-160

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

373 A SALVER of shaped circular form with a raised border, presentation engraved, by Viners, Sheffield 1967, 8” dia. (c.8.1oz)

380 A PAIR OF EDWARDIAN SALTS of oval form, on hoof feet, with blue glass liners, by Daniel and John Wellby, London 1902, two christening mugs, a mustard and a collection of napkin rings, mixed makers and dates (c.23.3oz weighable silver) (a lot)

£60-120

374 A PAIR OF GEORGE II SALTS of circular form with hoof feet, later blue glass liners, marks partially rubbed, London 1758, 2¼” dia. (c.3oz)

381 A PAIR OF SMALL MUSTARD POTS by William Hutton & Sons, Birmingham 1912, and a collection of condiments, mixed makers and dates (c.6.3oz weighable silver) (a lot)

£50-100

375 AN EDWARDIAN TABLE CIGARETTE BOX of shaped rectangular form with domed hinged cover, on bracket feet, by GU, Birmingham 1908, 7” long

£80-160 382 AN EDWARDIAN SUGAR CASTOR, Sheffield 1900, a cigarette case, a Vesta case, a small knife, a thimble and a bowl (c.8.6oz weighable silver) (a lot)

£80-160

376 ASPREY & CO: A PHOTOGRAPH FRAME of rectangular panoramic form with engine-turned decoration, leather back and strut, London 1965, 10½” high x 15” long

£150-250

£60-120

378 A PAIR OF PHOTOGRAPH FRAMES of rectangular form with oval apertures and wooden backs, by Charles Boyton & Sons, Birmingham 1919, 7” long, and a large modern frame (3)

£80-160

385 A PEPPER GRINDER of waisted circular form, by Mappin & Webb, Birmingham 1939, a cream jug, a vase and a collection of condiments, (c.6oz) (a lot)

£60-120

379 A COLLECTION OF DRESSING TABLE BRUSHES, MIRRORS AND CONTAINERS of mixed makers and dates (a lot)

£50-100

384 AN EDWARDIAN SQUEEZE ACTION TOBACCO BOX of oval form with gilt interior, Birmingham 1909, a vesta case, a napkin ring and a novelty model of a bowler hat, mixed makers and dates (4)

£50-100

383 A LARGE QUANTITY OF DRESSING TABLE ITEMS, mixed makers and dates (a lot)

377 A PHOTOGRAPH FRAME of upright rectangular form with wooden back, by Carrs, 12” high, and another (2)

£150-250

£50-100

£150-250

386 FOUR WINE LABELS, a quantity of condiments, a caddy spoon, a pair of cast sugar tongs and other items, mixed makers and dates (a lot)

390 A SUGAR CASTOR of baluster form with a high pierced pull-off cover by Asprey and Co., London 1913, a christening mug, a cylindrical scent bottle and two silver mounted condiment pots (c.9oz weighable silver) (a lot)

£80-160

387 A GEORGE III CREAM JUG of tapering circular form with a reeded border on a square base, by Henry Chawner, London 1791, 5” high; a Continental cream jug and a cylindrical box and cover (c.6.6oz weighable silver) (3)

391 A PIERCED PEPPER POT, a cream jug, a christening mug, a mustard and three peppers, mixed makers and dates (a lot)

£50-100

393 A PAIR OF VICTORIAN SCOTTISH MUSTARD POTS of oval form with reeded borders and urn finials, Edinburgh 1894, 3” high, a pair of pepper pots and a pair of cauldron salts, mixed makers and dates, (c.17.4oz)

389 A RECTANGULAR INKWELL by Asprey & Co., Birmingham 1921, a cased napkin ring, a cigarette box and two dressing table jars, mixed makers and dates

£50-100

392 A PAIR OF SILVER ASH TRAYS, Birmingham 1939, two toast racks, a quantity of napkin rings, a sauceboat and a brush, mixed makers and dates, (c.9.2oz weighable silver)

388 AN EDWARDIAN NOVELTY RATTLE in the form of a seated bear with mother of pearl handle, by Richard Pringle & Sons, Birmingham 1908, 3” long, and another of circular form (2)

£80-160

£50-100

£150-250

Lots 394 – 401 Spare Lots

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

FLATWARE 402 A PAIR OF VICTORIAN FISH SERVERS with ivory handles and carved floral terminals, the blades engraved with trailing leaves, by HH, Sheffield 1882, 12” long

£100-200

403 A VICTORIAN MARROW SCOOP of conventional double-ended form, by Elizabeth Eaton, London 1847, 9” long

£50-100

408 A PART CANTEEN OF HANOVERIAN PATTERN CUTLERY for six place settings. Comprising: 6 tablespoons, 6 soup spoons, 6 dessert spoons, 6 dessert forks and 6 table forks, by Charles Boyton & Sons, Sheffield, predominantly 1928, one piece 1927, in a wooden canteen box with two tiers, (c.60oz weighable silver)

409 A SMALL COLLECTION OF CADDY SPOONS comprising a George III silver-gilt example with wide fluted bowl, by Urquhart & Hart, London 1809, an Old English and thread pattern example and another (3)

404 A RUSSIAN SPOON, the bowl and stem decorated in polychrome enamels with floral scrolls and geometric motifs, gilt bowl, Kokoshnik mark circa 1900, also marked 84 for fineness, 6” long (c.1.6oz)

£200-400

£80-160

406 A SET OF SEVEN VICTORIAN FIDDLE PATTERN DESSERT FORKS, monogrammed, by Mary Chawner, London 1839, six dessert spoons, also by Mary Chawner, London 1839, and four fiddle pattern tableforks, engraved with a crest, three Mary Chawner 1839 and one 1838 (c.27.6oz) (a lot)

£200-300

407 AN EDWARDIAN AND LATER CANTEEN OF HANOVERIAN PATTERY CUTLERY for eight place settings, comprising 8 three-prong tableforks, 8 three-pronged dessert forks, 8 dessert spoons, 8 tablespoons, 8 silver handled table knives with stainless steel blades and 8 silver handled dessert knives with stainless steel blades, all by Francis Higgins & Sons Ltd, London 1909, and a set of later teaspoons by CJ Vander, London 1974, (c.70oz). See illustration

Provenance: The Countess of Malmesbury

£800-1,200

£80-160

410 A VICTORIAN CASED CHRISTENING SET by Elizabeth Eaton, London 1852, another cased set and a small quantity of loose flatwear, mixed makers and dates (c.8.8oz weighable silver) (a lot)

405 A GEORGE III FISH SLICE of fiddle and shell pattern, by EF, London 1818, two Scottish tablespoons, an Irish tablespoon, a butter spreader, a pair of Birmingham salt shovels and a small silver gilt anointing spoon, mixed makers and dates (c.13.2oz) (a lot)

£400-600

£50-100

411 A SET OF SIX VICTORIAN SCOTTISH TEASPOONS of fiddle pattern, monogrammed, Glasgow 1850, 6” long, and a matched set of William IV Irish fiddle pattern egg spoons, Dublin 1831 (c.6.8oz) (a lot)

£50-100

412 A SET OF SIX WILLIAM IV CAST NATURALISTIC TEASPOONS, the stems modelled in the form of leaves, with fluted bowls, crested, by WB, London 1832/1834, 4” long, (c.2.9oz) £80-160 413 A PAIR OF SCOTTISH PROVINCIAL SUGAR TONGS of wishbone form, by William Robb of Ballater, Edinburgh 1898, 4” long, a silver gilt fruit serving spoon, and two sifting spoons, mixed makers and dates (4)

£80-160

414 A PART CANTEEN OF RIBBON AND REED PATTERN WARE by Walker & Hall, initialled. Comprising: 6 tablespoons, 9 soup spoons, a pair of sauce ladles, 12 table forks, 12 dessert spoons, Sheffield 1924/1925, (c.92oz). See illustration 38

£800-1,200

Lot 407

Lot 414

415 A LARGE QUANTITY OF FISH CUTLERY comprising knives, forks and servers with bone handles, predominantly by Viners, Sheffield 1930 (a lot)

417 A COLLECTED PART CANTEEN of William IV and later fiddle and thread pattern cutlery, London Assay, of mixed makers and dates, some pieces crested and monogrammed, 1836-1912, (c.57oz weighable silver)

£250-350

416 A SET OF SIX VICTORIAN DESSERT SPOONS of fiddle pattern, initialled “B”, by Elizabeth Eaton, London 1836, and a matched set of six dessert forks, and five various fiddle pattern table forks, mixed makers and dates, (c.30oz weighable silver)

£400-600

418 A QUANTITY OF GEORGE III AND LATER CUTLERY including tablespoons, dessert spoons and condiment spoons, mixed makers and dates and a pair of electroplated salad servers (c.29oz) (a lot)

£200-300

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 419

Lot 423

419 STUART DEVLIN: A PAIR OF PARCEL GILT FISH SERVERS with textured handles, London, 1968, 12” long. See illustration

422 A QUANTITY OF CASED SETS comprising a cased pickle fork, Sheffield 1971, a set of six tea knives with silver handles, a cased christening set and a pair of Victorian sugar tongs by George Adams (4)

£300-500

420 A SET OF SIX APOSTLE TEASPOONS, Sheffield 1908, and a toddy ladle with twisted baleen handle, a pair of George III sugar tongs, a teaspoon and a condiment spoon, mised makers and dates, (c.4.1oz weighable silver) (a lot)

£50-100

423 A CONTINENTAL PART CANTEEN OF CUTLERY comprising 12 table forks, 12 dessert forks, 12 dessert spoons, 12 tablespoons, 12 teaspoons, 12 dessert knives and 12 table knives with stainless steel blades, stamped 800, in an oak and brass bound fitted canteen box, (c.121oz). See illustration

£50-100

421 A SET OF SIX FRUIT KNIVES AND FORKS with mother of pearl handles and silver blades, by Mappin & Webb, Sheffield 1932, in a fitted case, a cased set of six cake forks and three other cased sets (a lot)

£80-160

£500-1,000

CARRIAGE CLOCK S POCKET WATCHES GENTS AND L ADIES WRIST WATCHES

Lot 495 detail 41

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lots 453, 454, 455 and 456

CARRIAGE CLOCKS

454 A FRENCH BRASS CASED REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals and outer Arabic numerals, inscribed “Leroy & Fils, Paris, 211 Regent St. London”, with subsidiary hour alarm dial, surrounded by a gilt mask, striking on a coiled gong, the case with corinthian columns and swing handle, 8” high. See illustration

450 A FRENCH BRASS CASED CARRIAGE CLOCK, the cream dial with Arabic numerals, in a plain brass case with swing handle, 6” high including the handle, in a fitted leatherette case, and a later stand and glass dome

£100-200

451 A FRENCH BRASS CASED CARRIAGE CLOCK, the white enamel dial with Roman numerals, in an oval case with ball feet and swing handle, 6½” high, including the handle

455 A FRENCH BRASS CASE STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, striking on a coiled gong, in a plain case with swing handle, 7¼” high. See illustration

£100-200

452 A FRENCH HAMMERED SILVER CARRIAGE CLOCK, the round dial with Arabic numerals, indistinctly inscribed, the case back initialled “J.B.C.M.E.C. 19191944”, with swing handle, 4” high to include the handle

£300-500

456 A FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, inscribed “Mappin & Webb Ltd, 220 Regent Street, London”, striking on a coiled gong, the case with corinthian columns, the architectural top with swing handle, 6” high, in a fitted leatherette travelling case. See illustration

£100-200

453 A FRENCH GILT BRASS REPEATING CARRIAGE CLOCK, the white enamel dial with Roman numerals, striking on a bell, in a gorge case, 6½” high including the handle, in a fitted presentation case. See illustration

£300-500

£200-400

457 A FRENCH BRASS CASE CARRIAGE CLOCK, the white enamel dial with Roman numerals, in an oval case with swing handle, 6” high including the handle.

£200-400

£80-150

Lots 458-464 Spare Lots 42

POCKET WATCHES

Lot 465

465 A GENTLEMANS 9CT YELLOW GOLD REPEATING POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement inscribed “Brevet no. 34984”, repeating on a coiled gong. See illustration

£500-1,000

466 A GENTLEMANS 9CT YELLOW GOLD OPEN FACED POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial, the movement inscribed “Rolex Lever”

£300-500 Lot 468

467 ROLEX: A GENTLEMANS YELLOW GOLD PLATED OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed “Rolex”.

£150-300

468 A GENTLEMANS 18K YELLOW GOLD HUNTING CASED POCKET WATCH, the cream dial with Arabic numerals and subsidiary seconds dial, the case front initialled “RS”, attached to a 9ct yellow gold fine link fob chain, 42cm long (c.10grams). See illustration

£400-800

469 A GENTLEMANS 18CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white enamelled sunken dial with Roman numerals, outer Arabic seconds numerals and sweep seconds hand, inscribed “Russels Ltd, 18 Church Street, Liverpool”, the movement cover also inscribed, the case cover with blue Roman numerals, attached to an unmarked yellow metal fob chain, 36cm long, with attached hardstone locket and George III guinea, (c.32grams). See illustration

Lot 469

£800-1,600

470 AN 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the gilt engraved dial with Roman numerals, in an engraved case, fitted in a presentation case.

£200-400 43

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 472

471 A LADIES 14K YELLOW GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals, the centre with foliate engraving, in a foliate engraved case.

474 A GENTLEMANS SILVER OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed “JW Benson, London”

£60-120

472 A GENTLEMANS 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the engraved gilt dial with Roman numerals and subsidiary seconds dial, key-wind movement, in a foliate engraved case. See illustration

475 A LADIES SILVER HALF HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, the outer cover with blue Roman numerals, in a fitted foliate engraved case, attached to a silver fob chain, 180cm long, (c.43grams), and a fine link white metal chain with attached tassel

£400-800

473 A GENTLEMAN’S 14K YELLOW GOLD OPEN FACED POCKET WATCH, the gilt dial with Roman numerals and subsidiary seconds dial, and a white metal pocket watch (2)

£40-80

£60-120

476 A GENTLEMANS SILVER OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed “X. Ganz & Co., Swansea”, the key wind movement also inscribed.

£100-200

£50-100

Lots 477-482 Spare Lots 44

GENTS AND LADIES

Lot 485

WRISTWATCHES 483 MAPPIN & WEBB: A GENTLEMAN’S YELLOW METAL WRISTWATCH, the round dial with baton numerals, inscribed “Mappin & Webb” attached to a brown leather strap, in a fitted presentation case

£200-400

485 OMEGA: A GENTLEMAN’S 18CT YELLOW GOLD WRISTWATCH, the gilt dial with baton numerals and date aperture, inscribed “Omega Automatic De Ville”, surrounded by a square bezel with shaped corners, the case back inscribed “P.J. Lange, 29.1.1974 Love Mummy & Daddy”, attached to a brown leather strap. See illustration

£1,000-1,500

486 OMEGA: A GENTLEMANS STEEL AND GOLD FILLED WRISTWATCH, the gilt dial with raised baton numerals and date aperture, inscribed “Constellation Automatic Omega Chronometer”, the movement numbered ‘1021’, circa 1968

£400-600 Lot 489

487 ROLEX: A GENTLEMANS YELLOW GOLD WRISTWATCH, the round dial with Arabic and baton numerals, sweep seconds hand, inscribed “Rolex Precision”, attached to a brown leather strap. See illustration

£200-400

488 LONGINES: A GENTLEMANS YELLOW METAL AND STAINLESS STEEL WRISTWATCH, the gilt dial with baton numerals and date aperture, inscribed “Longines”, attached to a yellow metal bracelet inscribed “Longines” with folding clasp

£100-200

489 PIAGET: A GENTLEMANS 18CT YELLOW GOLD TANK WRISTWATCH, the square dial with Roman numerals, inscribed “Piaget Quartz”, the case back with winding crown, numbered “70802” “284899”, attached to a black leather strap. See illustration

£600-1,200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

490 J.W. BENSON: A GENTLEMANS 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, inscribed “J.W. Benson, London”, circa 1950/51, attached to a black leather strap

496 OMEGA: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the round dial with baton numerals, sweep seconds hand and date aperture, inscribed “Omega Seemaster”, with a stainless steel bracelet

£150-300

491 TUDOR: A GENTLEMANS WHITE METAL WRISTWATCH, the round dial with Arabic and baton numerals, sweep seconds hand, inscribed “Tudor Oyster-Prince” attached to a black leather strap

497 ROLEX: A GENTLEMANS STAINLESS STEEL WRISTWATCH, the round dial with baton and crown numerals, date aperture and sweep seconds hand, inscribed “Rolex Oyster Date”, attached to a stainless steel bracelet with folding clasp, (including two repair receipts)

£200-400

492 A GENTLEMANS YELLOW METAL WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, attached to a brown leather strap

£50-100

£200-400

£80-160

500 A LADIES YELLOW GOLD WRISTWATCH, the round dial with baton and Arabic numerals, inscribed “Certina”, attached to a 9ct yellow gold bracelet with folding clasp

£80-160

495 ROLEX: A GENTLEMANS STAINLESS STEEL SUPERLATIVE CHRONOMETER WRISTWATCH, the round dial with baton and crown numerals, sweep seconds hand and date aperture, inscribed “Rolex Oyster Perpetual Date”, the twenty five jewel movement numbered “D27366” and “1560”. See illustration

£800-1,600

499 ROTARY: A LADIES YELLOW GOLD WRISTWATCH, the dial with Arabic numerals and subsidiary seconds dial, attached to a corded strap and two other similar (3)

494 A GENTLEMANS YELLOW GOLD WRISTWATCH, the black dial with Arabic numerals and subsidiary seconds dial, inscribed “CYMA”, attached to a black leather strap

£200-400

498 ROLEX: A GENTLEMANS WHITE METAL WRISTWATCH, the dial with raised baton and crown numerals, inscribed “Rolex Geneve”, the case back numbered “2538977”, attached to a brown leather strap. See illustration

493 ROLEX: A GENTLEMAN’S WHITE METAL WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, inscribed “Rolex Oyster” attached to a brown leather strap

£100-200

£150-250

501 ROY KING: A SILVER GILT LADIES WRISTWATCH, the oval dial inscribed “Roy King”, circa 1973-74, attached to a double solid bar bracelet, with a ring clip clasp

£1,200-1,500

£150-250

Lot 495

Lot 498

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

508 A LADIES YELLOW GOLD WRISTWATCH, the round dial with baton numerals, inscribed “Rotary”, on a 9ct yellow gold bracelet with folding clasp

502 JAEGAR LE COULTRE: A LADIES WHITE METAL PURSE WATCH, the dial with baton and Arabic numerals, sweep seconds hand, inscribed “Jaegar le Coultre” and a ladies Clyda Paris wristwatch (2)

£50-100

509 DUNHILL: A LADIES BLACK ENAMEL PURSE WATCH, the push open case revealing a square dial with Arabic numerals, inscribed “Dunhill Chronometer Tavannes”, in a fitted presentation case

503 OMEGA: A LADIES YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals, attached to a 9ct yellow gold mesh bracelet with folding clasp

£150-250

£200-400

£100-200

511 ENICAR WATCH COMPANY: A SWISS ART DECO COCKTAIL WATCH, the rectangular dial with Arabic numerals, surrounded by a diamond bezel, with diamond scrollwork lugs, attached to an expanding 18ct white gold bracelet with safety clasp

505 OMEGA: A LADIES STEEL & 18CT ROSE GOLD WRISTWATCH, the round black sunburst dial with diamond numerals, inscribed “Omega Constellation”, with outer diamond bezel, attached to a steel and rose gold bracelet with concealed clasp, in original felt pouch, presentation case and outer box, and with original warranties, certificate and operating instructions. See illustration

£150-300

507 A LADIES YELLOW GOLD WRISTWATCH, the rectangular dial with baton numerals, inscribed “Incabloc 17 jewels”, attached to a 9ct yellow gold bracelet with folding clasp

£250-450

512 MOVADO: A LADIES 18CT WHITE GOLD WRISTWATCH, the round dial with Roman numerals, with outer diamond bezel, attached to an 18ct white gold bracelet with folding clasp, in a fitted Movado presentation case

£1,000-2,000

506 TISSOT: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with baton numerals, inscribed “Tissot”, attached to a 9ct yellow gold mesh bracelet with folding clasp

£80-160

510 A LADIES 9CT WHITE GOLD AND DIAMOND COCKTAIL WATCH, the round dial with baton numerals, inscribed “Vertex”, surrounded by a diamond bezel with diamond lugs, attached to a white gold bracelet with folding clasp

504 GUCCI: A LADIES YELLOW METAL WRISTWATCH, the dial with no numerals, inscribed “Gucci”, attached to a yellow metal bracelet with folding clasp, in a fitted Gucci presentation case, with interchangeable coloured bezels

£60-120

£100-200

£250-450

Lot 505

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 513

Lot 514

515 OMEGA: A LADIES 18K YELLOW GOLD WRISTWATCH, the square gilt dial with baton numerals, inscribed “Omega”, the inner case back numbered “8406” and “8144”, the movement numbered “26467071”, attached to a mesh bracelet with folding clasp. See illustration

513 ROLEX: A LADIES STAINLESS STEEL AND UNMARKED YELLOW METAL WRISTWATCH, the gilt dial with diamond numerals and date aperture, inscribed “Rolex Oyster Perpetual Date Just”, attached to a stainless steel and yellow metal bracelet with folding clasp. See illustration

£800-1,600

£400-800

516 OMEGA: A LADIES YELLOW GOLD COCKTAIL WATCH, the round dial with baton numerals, inscribed “Omega”, attached to an 18ct yellow gold mesh bracelet with diamond ribbon style lugs and folding Omega clasp

514 VACHERON CONSTANTIN: A LADIES 18CT YELLOW GOLD WRISTWATCH, the rectangular gilt dial with baton numerals, inscribed “Vacheron Constantin Geneve”, attached to an articulated yellow gold bracelet with folding clasp. See illustration

Lot 515

£500-1,000

£250-450

Lot 517

Lot 518

519 CARTIER: A LADIES YELLOW GOLD TANK WRISTWATCH, the square dial with Roman numerals, inscribed “Cartier”, with blue sapphire winding crown, attached to a brown leather strap with an 18ct yellow gold Cartier folding clasp, in a fitted presentation case. See illustration

517 A LADIES 18CT YELLOW GOLD WRISTWATCH, the round dial with baton numerals, inscribed “Wofs”, set in a tri-coloured mesh bracelet with concealed clasp. See illustration

£800-1,500

£800-1,600

518 ROLEX: A LADIES STAINLESS STEEL WRISTWATCH, the round dial with raised baton and crown numerals, date aperture and sweep seconds hand, inscribed “Rolex Oyster Perpetual Date Just”, attached to a white and yellow stainless steel bracelet with folding clasp, in original Rolex presentation case. See illustration

Lot 519

520 LONGINES: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals, inscribed “Longines”, attached to a 9ct yellow gold bracelet with folding clasp, in a fitted Longines presentation case

£800-1,600

£80-160

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 522

Lot 523

523 OMEGA: A LADIES 18CT YELLOW GOLD WRISTWATCH, the gilt dial with raised baton numerals, inscribed “Omega” on an 18ct yellow gold mesh bracelet with folding clasp, in a fitted presentation case. See illustration

521 A LADIES YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals surrounded by a pale blue guilloche enamel bezel, attached to an unmarked yellow metal expanding bracelet, in a fitted presentation case

£100-200

£500-1,000

523A AN OMEGA “TANK” WATCH within a rectangular yellow gold case and a conforming dial with Roman numerals incorporating a subsidiary seconds dial, inscribed “Omega Fab: Suisse” See illustration

522 A LADIES 18K YELLOW GOLD AND DIAMOND COCKTAIL WATCH, the black diamond-shaped dial with “diamond” numerals, inscribed “Corum”, surrounded by a diamond bezel, attached to an unmarked yellow gold bracelet set with diamonds, in a fitted presentation case. See illustration

Lot 523A

£1,000-2,000

£500-£1,000

JE WELLERY

Lot 796 detail 53

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

525 A DOUBLE STRAND CULTURED PEARL NECKLACE, each pearl knotted and terminating in a white gold clasp, decorated with pearls and green gemstones, c.41cm long, and one other single strand, c.83cm long (2)

531 A DOUBLE STRAND CULTURED PEARL BRACELET terminating in a white gold clasp stamped “750”, set with pink gemstones. See illustration

£200-400

526 A DOUBLE STRAND CULTURED PEARL NECKLACE, the graduated knotted pearls terminating in a diamond-set clasp, c.42cm long

532 CARTIER: A MALACHITE AND DIAMOND CHOKER set on a yellow gold “wire-work” band with three ribbed collars of malachite separated by gold collars, set with brilliant-cut diamonds, signed “Cartier” and stamped 18k. See illustration

£150-300

£1,500-3,000

527 A DOUBLE STRAND CULTURED PEARL NECKLACE, each graduated knotted pearl terminating in a 9ct yellow gold clasp, set with pearls and gemstone, c.57cm long

533 AN ART DECO EMERALD AND SAPPHIRE BEAD BRACELET with five strands set with seed pearls at intervals, on a diamond-set stylised padlock clasp. See illustration

£100-200

528 GARRARD, LONDON: A PAIR OF YELLOW GOLD AND CULTURED PEARL EAR CLIPS, the white tone pearls set in yellow gold marked “750”, also inscribed “Garrard”, in a fitted Garrards presentation case. See illustration

£600-1,200 534 A JADEITE AND SEED PEARL NECKLACE, each graduating jadeite bead divided by a single seed pearl, terminating in an unmarked ring clasp, c.44cm long

£200-400

529 A SINGLE STRAND CULTURED PEARL NECKLACE, each pearl knotted and terminating in a yellow metal clasp set with a single pearl and diamonds, c.90cm long. See illustration

£200-400

535 A PAIR OF CULTURED PEARL DRESS STUDS, each white tone pearl attached to an 18ct yellow gold stud, in a fitted presentation case

£150-300

530 A TRIPLE STRAND CULTURED PEARL NECKLACE, each graduated knotted pearl terminating in a sapphire and diamond-set clasp, c.42cm long. See illustration

£150-300

£100-200

536 A GRADUATED CULTURED PEARL NECKLACE with a plain 9ct yellow gold clasp, c.50cm long

£200-400

£50-100

537 A GRADUATED CULTURED PEARL NECKLACE with a 9ct white gold clasp set with diamonds, 42cm long, and a knotted pearl necklace, c.39cm long (2)

£100-200

Lot 529 Lot 530

Lot 531

Lot 533

Lot 528

Lot 540

Lot 532

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

538 A GRADUATED CULTURED PEARL NECKLACE with a 9ct yellow gold open-work clasp with central pearl, c.46cm long

545 A GRADUATED CULTURED PEARL NECKLACE, the largest pearl c.5mm wide, the smallest c.1.9mm wide, knotted, united by an oval old-cut and rose-cut diamond clasp with triangular-shaped sapphires, in unmarked yellow and white gold with safety catch, 47.5cms long

£100-200

539 A DOUBLE STRAND CULTURED PEARL NECKLACE terminating in a yellow metal flowerhead clasp decorated with pearls and turquoise, c.42cm long

546 A PERIDOT AND SEED PEARL BROOCH/PENDANT in the form of a starburst, with central peridot set in unmarked yellow metal

£150-300

540 A CARTIER WHITE ENAMEL AND DIAMOND FLOWER BROOCH in the form of a chrysanthemum with petals radiating from a central baguette-cut diamond, the yellow gold back signed “Cartier, Paris” and numbered. See illustration

£3,000-5,000

£300-600

549 A CULTURED PEARL AND DIAMOND PENDANT and chain, the white tone cultured pearl surrounded by a border of diamonds, channel-set in 18ct yellow gold, c.10mm dia., attached to a 9ct yellow gold fine link chain, c.45cm long

£400-800

£50-100

£250-500

550 A SEED PEARL NECKLACE, each graduated pearl knotted, terminating in an unmarked yellow metal clasp inlaid with three further seed pearls and a safety chain, c.40cm long, and a pair of seed pearl drop earrings (2)

543 A SINGLE STRAND CULTURED PEARL NECKLACE, each pearl knotted, with a magnetic clasp, c.35cm long

£100-200

548 AN EDWARDIAN PENDANT, the open-work frame decorated throughout with sprays of flowers set with seed pearls and peridots, c.11cm wide x c.6cm long, attached to an unmarked fine-link chain with ring clasp, c.43cm long

542 A SINGLE STRAND CULTURED PEARL NECKLACE terminating in a 9ct yellow gold clasp set with sapphire and diamonds

£50-100

547 A PERIDOT, PEARL AND DIAMOND BANGLE set in 15ct yellow gold, with safety chain

541 A CULTURED PEARL NECKLACE, formed from sixty-seven knotted Akoya pearls, c.7.57.8mm wide, united by a 14ct yellow gold oval clasp with safety catch, collet-set to the centre with an oval green jadeite cabochon, c. 11.5 x 10mm and surrounded by a rub-over border of round-cut diamonds and four larger round-cut diamonds (total diamond weight c.0.36cts), the reverse stamped ‘14K 585’, c.57.7cms long.

£80-150

£50-100

544 SPARE LOT

£100-200

551 A PORTRAIT BROOCH of lozenge form, the hand-painted portrait of a lady, head and shoulders, surrounded by a border of seed pearls, set in unmarked yellow metal

557 A VICTORIAN CAMEO BROOCH, the oval rotating cameo depicting a classical scene within a scrollwork border, with safety chain, c.65mm wide including the frame

£150-250

£100-200

552 A 19TH CENTURY BLACK ENAMEL, AMETHYST AND SEED PEARL MOURNING BROOCH, the central oval-cut amethyst surrounded by a border of seed pearls, on a black enamelled background, set in unmarked yellow metal, with locket back

558 A CAMEO BROOCH of a lady, head and shoulders, in an unmarked yellow metal frame, c.37mm x 32mm

559 A VICTORIAN UNMARKED YELLOW METAL MOURNING BROOCH/ PENDANT of oval form, the central front and back with family photographs, within an open-work frame

£100-200

553 A WEDGWOOD BASALT CAMEO BROOCH depicting two maidens, set in 9ct yellow gold with safety chain, c.5cm long

£50-100

560 A YELLOW METAL SNAKE BROOCH, the twisted body with red stone eye, the reverse stamped “ORIA”

554 A BLUE ENAMEL AND YELLOW METAL BROOCH decorated with a bouquet of flowers inlaid with seed pearls, with vacant locket back

£40-60

561 A CARTIER YELLOW GOLD ZODIAC PENDANT of hexagonal form, signed “Cartier”, stamped 750 and numbered 155061

£150-250

£80-160

555 A FINE GEORGE III OVAL CAMEO BROOCH carved with cupid approaching a partially draped maiden sitting on rockwork within a yellow-gold engraved border

£500-1,000

555a A REGENCY ‘TOPAZ’ CROSS set in yellow gold with simple suspension loop

562 A YELLOW AND WHITE GOLD PANELLED BRACELET, each hinged engraved panel with open-work white gold centre, interspersed with jadeite panels, the concealed clasp marked “585”, with safety chain

£100-200

£300-500

556 A VICTORIAN MOURNING BROOCH, the oval black hardstone decorated with foliage, claw-set on scrollwork yellow metal, the locket back with enclosed hair

£100-200

£300-500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

570 A BAROQUE PEARL AND YELLOW GOLD NECKLACE with four strands, the inner two with gold bead spacers and the outer three with irregular spaces imitating pearls at intervals, with a ribbed oval yellow gold box clasp, stamped 14k

563 A CAMEO BROOCH depicting the Three Graces, set in 9ct yellow gold, and another cameo brooch set in unmarked yellow metal (2)

£100-200

564 AN EDWARDIAN PERIDOT AND DIAMOND PENDANT, the open-work frame decorated throughout with nine round and pear-shaped cut peridots, interspersed with round-cut diamonds, attached to a fine 15ct yellow gold chain, c.45cm long. See illustration

571 A SAPPHIRE AND DIAMOND-SET BANGLE, the central oval claw-set sapphire surrounded by a border of thirteen diamonds, flanked to both sides with openwork pave-set diamonds, on an unmarked white metal triple bangle, with enclosed clasp and safety chain. See illustration

£300-500

565 A CARTIER STYLE ENAMEL FLOWER BROOCH set with a central cluster of rubies and diamonds enclosed by six curling leaves covered in enamel of a pale pink hue, 1940’s See illustration

566 A SCARAB BEETLE BROOCH, the green enamel body overlaid with unmarked yellow metal wings, legs and head, with red stone eyes, attached to an unmarked yellow metal safety chain, in a fitted African presentation case. See illustration

£200-400

£800-1,600 574 AN EDWARDIAN YELLOW GOLD BRANCH BROOCH set with coloured pearls and old-cut diamonds in heartshaped leaf panels. See illustration

£500-1,000 568 AN OLD-CUT DIAMOND BROOCH of floral form, the old-cut diamonds set on unmarked white and yellow metal, the yellow metal pin with push fastener. See illustration

£300-600 575 A 19TH CENTURY OLD-CUT DIAMOND PENDANT NECKLACE, the open scrollwork pendant c.42mm long, with a later oval-cut ruby set in unmarked yellow metal, attached to a short old-cut diamond necklace, set in unmarked yellow metal, with a later fine-link yellow metal chain, c.42cm long.

£200-400

569 A VAN CLEEF AND ARPELS YELLOW GOLD PENDANT of openwork design, designed as a cherub riding on the back of a lion set with sapphires, diamonds and rubies, signed on the suspension loop See illustration £1,000-2,000

£1,000-2,000

573 A DIAMOND BRANCH BROOCH set with numerous old-cut diamonds and a principal teardrop shaped stone, late 18th/early 19th century . See illustration

567 A FRENCH YELLOW GOLD CROSS set with baroque pearls and old-cut diamonds on an onyx ground, with yellow flowerhead terminals, on a fine twisted herringbone link chain. See illustration

£1,000-2,000

572 AN ART DECO SAPPHIRE AND DIAMOND BROOCH, the three rows of pave-set diamonds with a single brilliantcut diamond to the centre, divided by two rows of princess-cut sapphires and sided by two further princesscut sapphires and pave-set diamonds, set in unmarked white metal. See illustration

£500-1,000

£200-400

£500-1,000

Lot 568 Lot 574

Lot 567

Lot 572 Lot 573

Lot 569

Lot 565

Lot 566 Lot 571

Lot 564

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

577 MAPPIN & WEBB: A DIAMOND AND WHITE GOLD NECKLACE with eighteen graduated collet-set diamonds, on a bar and ball chain, with a suspended drop of thirteen further graduated diamonds, circa 3.65cts in total, the concealed clasp stamped “750”, c.44cm long, in original fitted presentation case. See illustration

Lot 576

£4,000-6,000

578 A LATE VICTORIAN DIAMOND-SET CRESCENT BROOCH with 27 graduating round-cut diamonds, grain-set in yellow gold, the hinged gold pin with safety clasp, c.35mm dia., in an “Edward Diamond Merchant Glasgow” presentation case. See illustration

£800-1,600

579 BULGARI: A suite of diamond ear clips and a brooch each modelled as a spray of flowers set with numerous brilliant and baguette-cut diamonds, signed, 1950’s (3). See illustration £12,000-18,000 580 A DIAMOND FLORAL SPRAY BROOCH set in unmarked yellow metal, c.50mm wide. See illustration

581 A DIAMOND NECKLACE with 53 graduated brilliant-cut diamonds interspersed with two twisted white metal bars, each set with three baguette-cut diamonds, attached to a white metal chainlink necklace, c.44cm long. See illustration

576 A BELLE EPOQUE OPAL AND DIAMOND PENDANT, the oval cabochon claw-set opal, c.16mm x 11mm, surrounded by an open scrollwork frame, collet-set with eight diamonds, and surmounted with a graduated oval opal, three suspensions, two with a claw-set circular cabochon opal and a further diamond, the central short suspension set with a graduated oval opal, attached to a fine white metal chain with ring clasp, c.46cm long, in original “Goldsmith & Silversmith Co. Ltd, London” presentation case. See illustration

£800-1,600

£1,000-2,000

582 A DIAMOND WING BROOCH, the diamond encrusted wings set on white and yellow precious metal, the reverse of each wing screw fitted onto a yellow metal pin, with safety clip, c.8cm wide x 3.5cm deep, in a fitted “Garrard & Co. Ltd” presentation case. See illustration

£3,000-5,000

£1,000-2,000

Lot 577

Lot 582

Lot 580

Lot 578

Lot 581

Lot 579 61

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

583 A GREEN CABOCHON HARDSTONE AND DIAMOND DRESS RING, the “hardstone” surrounded by a border of twelve roundcut diamonds in a raised setting, on an 18ct yellow gold shank (ring size M)

589 A DIAMOND SOLITAIRE RING, the brilliant-cut diamond c.2.25cts, claw-set in white metal, on an 18ct yellow gold shank (ring size O). See illustration

£300-600

590 A DIAMOND DRESS RING, the brilliant-cut diamond c.4cts, on an unmarked white metal shank with open-work diamond-set shoulders, (ring size K). See illustration

584 A GEORGE III MOURNING RING, the oval plaited hair surrounded by a serpent, the reverse inscribed “Sarah Pearson OBT 9 Marc ... 1809 AT39”, on an open-work yellow metal shank (ring size M)

£200-400

585 A SAPPHIRE ETERNITY RING with a band of calibre-cut sapphires set in 18 carat white gold

£10,000-15,000

591 A DIAMOND CLUSTER RING of navette form, set with 27 round-cut diamonds, the largest c.0.15cts, on an unmarked yellow metal shank with twisted shoulders (ring size P-R). See illustration

£600-1,000

586 A SMOKY QUARTZ DRESS RING, the emerald-cut quartz in a raised claw setting with twisted gold supports, on an 18k yellow gold shank (ring size O-P)

£3,000-5,000

£400-800

592 AN ART DECO DIAMOND COCKTAIL RING of geometric design with a large central oval-cut diamond on a ground of numerous old brilliant-cut diamonds, on a platinum shank See illustration

£100-200

587 A 1950’S DIAMOND AND PEARL COCKTAIL RING with a central pearl in a crossover setting with brilliant and baguette-cut diamonds, on a white metal shank. See illustration

£2,000-4,000

593 A DIAMOND AND RUBY CLUSTER RING, the central diamond c.0.15cts with a border of eight oldcut diamonds, in a raised setting of old-cut diamonds and rubies, on a double yellow metal shank, (ring size O-P). See illustration

£500-1,000 588 TIFFANY & CO: A DIAMOND AND PLATINUM RING, the emerald-cut natural diamond c.1.16cts, Colour Grade D, Clarity Grade VS1, in a fitted Tiffany & Co. presentation case with an International Gemmological Laboratories Certificate. See illustration

£300-500

594 AN ART DECO DIAMOND AND SAPPHIRE DRESS RING, the central diamond c.3.0cts, claw-set in a raised openwork setting of round-cut diamonds and princess-cut sapphires, on an unmarked white metal shank, (ring size P). See illustration

£8,000-10,000

£5,000-10,000

Lot 587

Lot 588

Lot 589

Lot 590

Lot 591

Lot 592

Lot 593

Lot 594

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

595 AN ART DECO STYLE DIAMOND RING, c.1.60cts, on an unmarked white metal shank (ring size P)

602 A DIAMOND SOLITAIRE RING, the round-cut light brown/yellow tone diamond c.3.8cts, claw-set on a platinum shank, with open-work shoulders, (ring size M). See illustration

£1,500-2,500

596 AN AQUAMARINE DRESS RING, the central emerald-cut aquamarine flanked to each side by three princess-cut aquamarines collet-set in white gold on a white gold shank (ring size 0). See illustration

603 A DIAMOND CLUSTER DRESS RING, the central round-cut diamond c.0.40ct in a raised setting, surrounded by six further diamonds, each claw-set, on an 18ct yellow gold shank (ring size N). See illustration

£500-1,000

597 A TANZANITE AND DIAMOND DRESS RING, the central collet-set tanzanite c.1.35cts surrounded by a border of brilliant-cut diamonds, c.2.50cts, on an 18ct white gold shank (ring size P). See illustration

£1,500-2,500

£2,000-4,000

£400-800 607 A RUBY AND DIAMOND THREE STONE DRESS RING, the central ruby c.1.12cts, flanked by two diamonds totalling c.1.60cts, on an unmarked yellow metal shank, with a gemological certficate. See illustration

£6,000-8,000

601 A SAPPHIRE AND DIAMOND FLOWERHEAD RING, the round-cut sapphire surrounded by two rows of paveset diamonds, on an unmarked white metal shank, (ring size I). See illustration

£700-1,400

£6,000-12,000

606 A GEM-SET AND DIAMOND CHUNKY DRESS RING, the round-cut gemstone collet-set in white metal, surrounded by pave-set diamonds, in open-work white metal, on an unmarked white metal shank, with added yellow metal (ring size X)

600 A THREE STONE RUBY AND DIAMOND DRESS RING, the three cushion-cut rubies c.2.04cts (total) with a border of brilliant-cut diamonds, c.1.28ct, on a platinum shank with diamond shoulders, (ring size M-N), including a Gemmological certificate. See illustration

£4,000-6,000

605 AN EMERALD AND DIAMOND DRESS RING, the central collet-set emerald c.6.67cts, on a platinum shank of brilliant-cut diamonds (ring size P). See illustration

£500-1,000

599 AN EDWARDIAN DIAMOND CLUSTER RING, the central cushion-set “light pink/brown” diamond c.2.21cts, set in a millegrain white metal setting, surrounded by a border of twelve white diamonds, also millegrain-set, on an 18ct yellow gold shank (ring size R-S), in an “S.J. Phillips Ltd, London” presentation case. See illustration

£500-1,000

604 AN ALEXANDRITE AND DIAMOND DRESS RING, the oval mixed-cut alexandrite c.1.41cts, flanked by two tapering baguette-cut diamonds channel-set in platinum, on a platinum shank (ring size O), including a Jewellery Portfolio insurance valuation. See illustration

598 AN AMETHYST COCKTAIL RING set with a large oval amethyst of good colour in a border of old-cut diamonds, on a yellow-gold shank

£3,000-5,000

£8,000-12,000

Lot 596

Lot 597

Lot 599

Lot 600

Lot 601

Lot 602

Lot 603

Lot 604

Lot 605

Lot 607

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

608 A MODERN DIAMOND DRESS RING with three rows of baguette and round-cut channel-set diamonds entwined over matt and clear metal, on an 18ct white gold shank (ring size N)

614 AN “AMETHYST” DRESS RING, the central oval-cut “amethyst” collet-set with a surrounding twisted gold border, on an 18ct yellow gold double shank (ring size N)

£200-400

615 A GEM-SET DRESS RING, the square-cut gemstone claw-set in a raised setting, on an unmarked yellow metal shank (ring size K)

609 A DIAMOND HALF ETERNITY RING with nine brilliant-cut diamonds set in a “V”, on an 18ct yellow gold shank (ring size M)

£150-300

£200-400

611 AN EMERALD AND DIAMOND HALF ETERNITY RING, the five rectangular trap-cut emeralds claw-set with a pair of dividing diamonds, claw-cut down grain-set, the claws rising directly from a solid cast base plate, on an 18ct white gold shank (ring size O)

£100-200

617 A DIAMOND SOLITAIRE RING claw-set in an open-work flower setting, on a 9ct yellow gold shank (ring size Q)

£80-160

618 A SAPPHIRE AND DIAMOND THREE STONE DRESS RING, the central round-cut sapphire flanked by two brilliant-cut diamonds, on an 18ct yellow gold shank with open-work shoulders (ring size N)

£300-500 612 A CULTURED PEARL AND DIAMOND DRESS RING, the white tone cultured pearl surrounded by a border of diamonds channel-set in 18ct yellow gold on a yellow gold shank (ring size Q)

£400-800

619 A PINK SAPPHIRE DRESS RING, the square-cut sapphire claw-set on a white gold shank marked “750” (ring size K)

£150-250 613 A GARNET DRESS RING, the oval garnet surrounded by a border of garnets, in a raised open-work setting, attached to a 9ct yellow gold shank (ring size N)

£100-200

616 A SAPPHIRE AND DIAMOND CLUSTER RING, the central sapphire in a raised setting within a border of diamonds and outer border of sapphires, on an 18ct yellow gold shank (ring size N)

610 A DIAMOND CLUSTER RING, the central diamond surrounded by a border of six further diamonds, claw-set on an 18ct yellow gold shank with open-work shoulders (ring size L-M)

£100-200

£50-100

£100-200

620 A SAPPHIRE AND DIAMOND THREE STONE DRESS RING, the central princess-cut sapphire flanked by two brilliantcut diamonds, on an 18ct white gold shank with openwork shoulders (ring size J)

626 A THREE STONE DIAMOND RING, the central brilliant-cut diamond c.0.50cts, flanked by two smaller diamonds, claw-set in platinum on a platinum shank (ring size N)

£300-600

627 A FIVE STONE DIAMOND DRESS RING, each diamond c.0.05ts, claw-set in white metal, on an 18ct yellow gold shank (ring size P)

621 AN EMERALD AND DIAMOND CLUSTER RING, the central round-cut emerald surrounded by a border of eight brilliant-cut diamonds, on an 18ct rose-gold ribbed shank with open-work shoulders

£200-400

£100-200

631 A CORAL AND DIAMOND DRESS RING, the oval-cut coral flanked to either side by two small diamonds set on scrollwork unmarked yellow metal, on a double yellow metal shank

£100-200

625 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire flanked to either side by a cluster of brilliant-cut diamonds, on an 18ct yellow gold shank (ring size L)

£200-400

630 A THREE STONE DIAMOND DRESS RING claw-set on white metal, between a split 18ct yellow gold shank (ring size O)

624 A CHUNKY GEM-SET AND DIAMOND DRESS RING, the chunky ribbed shank set with a single diamond and three red gemstones, on an unmarked yellow metal shank (ring size M-N)

£100-200

629 A GEMSTONE AND DIAMOND DRESS RING, the oval-cut gemstone surrounded by a border of sixteen brilliant-cut diamonds, on a yellow gold shank (ring size M)

£100-200

623 A TURQUOISE AND PEARL THREE STONE DRESS RING, the oval-cut turquoise flanked by two cultured pearls, on an engraved setting, on an 18ct yellow gold shank (ring size K)

£300-500

628 AN EMERALD DRESS RING, the baguette-cut emerald claw-set on an 18ct yellow gold shank (ring size M)

622 A SAPPHIRE AND DIAMOND GYPSY STYLE DRESS RING, the three round-cut sapphires interspersed with two round-cut diamonds, on an 18ct yellow gold shank (ring size M)

£600-800

£100-200

£60-120

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

632 A DIAMOND SOLITAIRE RING, the brilliant-cut diamond c.2.22cts claw-set in platinum, on a platinum shank (ring size J), including original insurance valuation and paperwork dated 07/04/2017. See illustration

638 A DIAMOND SOLITAIRE DRESS RING, the brilliant-cut diamond c.0.50cts in a raised setting, in a triple yellow metal ringed setting, on a yellow metal shank with open-work ribbed shoulders (ring size S). See illustration

£8,000-10,000

633 AN AQUAMARINE AND DIAMOND DRESS RING, the emerald-cut aquamarine c.4.30cts, claw-set with a border of sixteen brilliant-cut diamonds c.1.60cts total, on a yellow metal shank with open-work shoulders (ring size L-M). See illustration

639 A DIAMOND SOLITAIRE RING, the brilliant-cut diamond c.2.25cts, claw-set in unmarked white metal with open-work shoulders (ring size O) (sized with arthritic balls to the shank). See illustration

£2,000-4,000

634 A CHUNKY GEM-SET DRESS RING, the red and clear gemstone in a raised setting, on a double circular disc, on an unmarked yellow metal shank (ring size N) See illustration

£700-1,400

635 A 1940’S SAPPHIRE AND DIAMOND COCKTAIL RING of crossover design, set on one side with an oval-cut sapphire and on the other with a shaped panel pave-set with numerous diamonds, on a yellow gold shank. See illustration

£500-1,000

641 A DIAMOND SOLITAIRE RING (pique), the round-cut diamond claw-set in a raised setting, attached to an 18ct yellow gold shank with open-work shoulders (ring size R)

£2,000-4000

£400-800

642 AN OPAL AND DIAMOND DRESS RING, the central oval-cut opal flanked to each side by two smaller opals interspersed with diamonds, on an unmarked yellow gold shank (ring size N). See illustration

636 A SAPPHIRE AND DIAMOND DRESS RING, the claw-set sapphire c.2.65cts, flanked to either side by three brilliant-cut diamonds c.0.12cts total, on an unmarked white metal shank (ring size O) £800-1,600

637 AN AQUAMARINE AND DIAMOND CLUSTER DRESS RING, the oval collet-set aquamarine c.1.30cts, surrounded by a border of ten round-cut and two baguette-cut diamonds c.1.70cts (ring size N-O). See illustration

£1,500-2,500

640 A RUBY AND DIAMOND CLUSTER RING, the oval-cut ruby c.0.75cts surrounded by a cluster of brilliant-cut and pave-set diamonds, c.1cts in total, on an 18ct yellow gold shank with open-work shoulders (ring size J)

£500-1,000

£300-500

643 A YELLOW SAPPHIRE AND DIAMOND CLUSTER RING, the princess-cut sapphire c.0.80cts collet-set and surrounded by a border of twelve round-cut and two baguette-cut diamonds, c.1.70cts, on a yellow metal shank (ring size P-Q). See illustration

£1,200-1,800

£1,000-1,500

Lot 632

Lot 633

Lot 634

Lot 635

Lot 637

Lot 638

Lot 639

Lot 642

Lot 643

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

649 A SAPPHIRE AND DIAMOND CLUSTER RING, the oval-cut sapphire claw-set and surrounded by a border of ten brilliant-cut diamonds, claw-set on an 18ct yellow gold shank, with shaped shoulders (ring size S). See illustration

644 A “RUBY” AND DIAMOND DRESS RING, the emerald-cut “ruby” in a yellow gold collet setting, surrounded by 14 rub-over set diamonds on an 18ct yellow gold shank (ring size M-N). See illustration

£500-1,000

650 A YELLOW DIAMOND AND PLATINUM DRESS RING, the princess-cut diamond c.0.63cts flanked to either side by a marcasite-cut diamond, on a platinum shank (ring size I). See illustration

645 AN ART DECO STYLE PERIDOT AND DIAMOND RING, the princess-cut peridot flanked to each side with three rows of pave-set diamonds, on an 18ct yellow gold shank (ring size L-M). See illustration

£500-1,000

£300-600

652 AN OPAL AND DIAMOND DRESS RING of lozenge form, the opal c.1.06cts, surrounded by a border of pave-set diamonds, on an unmarked white metal ribbed shank with diamond shoulders c.0.50cts (ring size O). See illustration

647 A SAPPHIRE AND DIAMOND DRESS RING, the three oval-cut sapphires interspersed with a double row of diamonds, on an unmarked yellow gold shank (ring size R-S). See illustration

£800-1,500

£800-1,600

653 A DIAMOND CLUSTER RING, the central brilliant-cut diamond c.0.33cts, surrounded by a border of eight brilliant-cut diamonds, on a platinum and 18ct white gold shank with open-work shoulders (ring size Q). See illustration

648 A JADEITE AND DIAMOND DRESS RING, the lozenge-shaped jadeite surrounded by a border of round-cut diamonds, on a white metal shank with diamond shoulders (ring size J-K). See illustration

£1,000-2,000

651 A LARGE AQUAMARINE DRESS RING claw-set on an unmarked white metal shank (ring size N). See illustration

646 A 1950’S DIAMOND SOLITAIRE COCKTAIL RING set with an old brilliant-cut diamond in a fluted crossover setting continuing to form the shank. See illustration

£1,000-2,000

£600-1,200

£800-1,600

Lot 644

Lot 645

Lot 646

Lot 647

Lot 648

Lot 649

Lot 650

Lot 651

Lot 652

Lot 653

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

654 AN ART DECO STYLE DIAMOND DRESS RING, the three rows of graduated diamonds flanked by three further diamonds c.1.10cts, on an 18ct white gold shank (ring size P). See illustration

660 AN AQUAMARINE AND DIAMOND DRESS RING, the collet-set aquamarine c.0.40cts, surrounded by a border of brilliant and baguette-cut diamonds, c.1.60cts on an unmarked white metal shank (ring size N). See illustration

£1,000-2,000

655 AN ART DECO STYLE SAPPHIRE AND DIAMOND RING set with princess-cut sapphires and brilliant-cut diamonds, on an 18ct white gold shank with diamond shoulders (ring size O). See illustration

661 A VAN CLEEF AND ARPELS YELLOW GOLD RING of ribbed design, stamped, VCA 750. See illustration £300-600

£450-650

662 A DIAMOND DRESS RING, the emerald-cut diamond c.1.51cts flanked to either side by two graduating baguette diamonds c.1.82cts (total) set in platinum on a platinum shank (ring size N). See illustration

656 A DIAMOND CLUSTER RING of five collet-set diamonds interspersed with four pave-set diamonds c.0.70cts, on an 18ct white gold shank (ring size O). See illustration

£500-1,000

£1,000-1,500

£600-1,200

659 A DIAMOND DRESS RING, the two brilliant-cut diamonds flanked by two smaller diamonds, surrounded by an open-work border of twenty brilliant-cut diamonds, c..0.80cts (total) on an 18ct white gold shank (ring size N). See illustration

£600-1,200

664 AN EMERALD AND DIAMOND DRESS RING, the centre oval-cut emerald surrounded by a border of brilliant-cut diamonds and flanked to each side by two oval-cut emeralds, also surrounded by brilliant-cut diamonds, the emeralds c.1.28cts, on an 18k white gold shank with open-work diamond-set shoulders. See illustration

658 AN ART DECO STYLE SAPPHIRE AND DIAMOND DRESS RING set with princess-cut sapphires and brilliant-cut diamonds, on an 18ct yellow gold shank (ring size P). See illustration

£4,000-6,000

663 A DIAMOND DRESS RING, the seven brilliant-cut diamonds c.0.90cts (total) set on an 18ct white gold band (ring size O). See illustration

657 A DIAMOND CLUSTER RING collet-set forming a flowerhead, c.1.20cts, on an 18ct yellow gold shank with open-work shoulders (ring size O). See illustration

£600-1,200

£800-1,600

665 A SAPPHIRE AND DIAMOND CLUSTER RING, the oval-cut sapphire surrounded by ten brilliant-cut diamonds, claw-set in 18ct yellow gold (ring size M-N) £100-200

£800-1,600

Lot 654

Lot 655

Lot 656

Lot 657

Lot 658

Lot 659

Lot 660

Lot 661

Lot 662

Lot 663

Lot 664 73

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

666 A JADEITE AND DIAMOND DRESS RING, the oval-cut jadeite surrounded by a border of twelve rubover set diamonds on a yellow gold shank. See illustration

672 AN ONYX AND DIAMOND PLAQUE RING, the rectangular onyx set to the centre with rub-over set diamonds forming a cross, on a white gold shank (ring size S). See illustration

£200-400

673 AN AMETHYST AND DIAMOND CLUSTER RING attached to an 18ct yellow gold shank with open-work shoulders (ring size L). See illustration

667 A DIAMOND SOLITAIRE RING, the round-cut diamond c.0.50cts, on an 18ct yellow gold shank with open-work diamond shoulders (ring size J). See illustration

£400-800

668 A DIAMOND DRESS RING, the central diamond c.0.85cts, set to the top and bottom with three pave-set diamonds twisted on to an 18ct yellow gold shank (ring size S). See illustration

674 A SAPPHIRE AND DIAMOND DRESS RING, the three oval-cut sapphires interspersed with rose-cut diamonds, on an 18ct yellow gold shank. See illustration

£800-1,600

669 A SAPPHIRE AND DIAMOND CLUSTER RING attached to an unmarked yellow metal shank (one diamond missing)

£300-500

675 A DIAMOND-SET ETERNITY BAND on unmarked white metal (ring size O)

£80-160

£100-200 676 A DIAMOND SOLITAIRE RING, the brilliant-cut diamond c.0.50cts, claw-set in platinum on an 18ct yellow gold shank (ring size R). See illustration

670 A FIVE STONE OPAL DRESS RING claw-set on an unmarked yellow metal shank (ring size Q)

£300-500

£100-200

671 A GENTLEMANS SAPPHIRE AND DIAMOND DRESS RING, the crossover yellow gold band stamped 750, set with four oval sapphires, with a diamond centre and diamond shoulders (ring size P). See illustration

£400-800

677 A DIAMOND RING, the brilliant-cut diamond c.0.85cts, on a yellow gold shank with diamond shoulders, circa 1930 (ring size K-L). See illustration

£200-400

£500-1,000

Lot 666

Lot 667

Lot 668

Lot 671

Lot 672

Lot 673

Lot 674

Lot 676

Lot 677

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

678 A DIAMOND HALF ETERNITY RING, the princess-cut diamonds rub-over set on an 18ct white gold band. See illustration

684 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire surrounded by a border of channelset diamonds, on an 18k white gold shank (ring size J). See illustration

£600-800

679 GRIMA STYLE: AN “EMERALD” CLUSTER DRESS RING, the seven round-cut emeralds in a raised, on an unmarked bark-effect shank (ring size O). See illustration

685 A DIAMOND-SET RING, the brilliant-cut diamonds entwined on an 18k yellow gold shank (ring size Q). See illustration

£300-500

£200-400

£100-200

687 A DIAMOND CLUSTER RING, the central round-cut diamond c.0.20cts, in a raised setting surrounded by six smaller diamonds, each claw-set, on an 18ct yellow gold shank (ring size K-L). See illustration

681 A DIAMOND DRESS RING, the central emerald-cut diamond flanked to either side by a tapered baguette-cut diamond, on an 18ct yellow gold shank (ring size O). See illustration

£300-600

£300-500

688 A GENTLEMAN’S 9CT ROSE-GOLD DRESS RING claw-set with a red gemstone (ring size W-X)

682 A PINK GEMSTONE AND DIAMOND DRESS RING, the central pear-cut gemstone flanked to either side by a rub-over set diamond, on a white gold band (ring size S). See illustration

£50-100

689 A THREE STONE DIAMOND RING claw-set on an unmarked white metal shank (ring size M). See illustration

£200-400

683 A GEM-SET DRESS RING, the multi-coloured gems in a raised open-work frame, on a 14k yellow gold shank (ring size M)

£200-400

686 A DIAMOND SOLITAIRE RING, the claw-set diamond c.0.33cts, on an 18ct white gold shank (ring size N)

680 A RUBY DRESS RING claw-set in white metal on an 18k yellow gold band (ring size N). See illustration

£100-200

Lot 678

Lot 679

Lot 680

Lot 681

Lot 682

Lot 684

Lot 685

Lot 687

Lot 689

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

690 A SAPPHIRE AND DIAMOND HALF ETERNITY RING with a row of sapphires and a row of diamonds, on a white gold shank (ring size M)

£100-200

691 A DIAMOND DRESS RING with two rows of pave-set diamonds, on an 18ct yellow gold shank (ring size O). See illustration

Lot 691

£400-600

692 A DIAMOND “STIRRUP” RING set with a single old brilliant-cut diamond in a broad yellow gold setting tapering into the 18k yellow gold shank. See illustration £500-1,000 693 A 9CT YELLOW GOLD DRESS RING, the rectangular large semi-precious stone in a raised claw setting, on a 9ct yellow gold shank (ring size Q) Lot 692

£80-150

694 A DIAMOND DRESS RING, the nine baguette-cut diamonds diagonally set in white gold stamped 750 (ring size I-J)

£100-200

695 AN OPAL AND GEM STONE DRESS RING, the three gemstones interspersed with two opals, on a yellow gold shank with shaped shoulders

Lot 698

£50-100

696 A RUBY AND DIAMOND DRESS RING, the oval-cut ruby flanked to either side by two pave-set diamonds, on an 18ct yellow gold shank (ring size N-O)

£100-200

697 A FIVE STONE SAPPHIRE DRESS RING claw-set on an 18ct white gold shank (ring size I)

Lot 699

£100-200

698 A SAPPHIRE AND DIAMOND DRESS RING, the three oval sapphires interspersed with brilliant-cut diamonds, on an 18k yellow gold shank (ring size I). See illustration

£300-500

699 AN EMERALD AND DIAMOND DRESS RING, the three oval-cut emeralds surrounded by a border of brilliant-cut diamonds, on an 18ct yellow gold shank (ring size N). See illustration

Lot 700

£400-800

700 A FIVE STONE GARNET AND DIAMOND DRESS RING, each graduated round-cut garnet interspersed with old-cut diamonds, on an unmarked yellow metal shank (ring size O). See illustration £150-250 701 A SAPPHIRE AND DIAMOND DRESS RING, the oval-cut sapphire flanked to each side with a roundcut diamond, claw-set in platinum and yellow gold, on an 18ct yellow gold shank (ring size P). See illustration

Lot 701

£300-500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

707 INDIAN INFLUENCE: A GOLD AND DIAMOND DRESS RING, the open-work gold frame of crown form, interspersed with tiny diamonds, on an 18k yellow gold shank stamped “c in a circle FM85”, in a fitted presentation case (ring size S). See illustration

702 A SAPPHIRE AND DIAMOND DRESS RING, the oval cabochon sapphire channel-set to the centre of a divided wide band, surrounded by rub-over set brilliantcut diamonds, narrowing to an 18k yellow gold shank (ring size T). See illustration

£400-800

708 A SEED PEARL AND DIAMOND DRESS RING, the band of open-work tiara form, set with four claw-set seed pearls and three brilliant-cut diamonds, the 18k yellow gold shank marked “c in a circle MF85” (ring size W). See illustration

703 A DIAMOND AND GEMSTONE DRESS RING, the round-cut green gemstone centred in an open-work oval frame set with brilliant-cut diamonds, on a yellow gold shank stamped “585” (ring size P). See illustration

£200-400

£300-500

£800-1,500

£500-1,000

711 A FIVE STONE DIAMOND DRESS RING claw-set in platinum, on an 18ct yellow gold shank (ring size P). See illustration

706 A GUILLOCHE ENAMEL AND DIAMOND CHUNKY DRESS RING with seven red guilloche enamel leaves set in yellow metal, interspersed with six round-cut diamonds, on an unmarked yellow metal bark-effect shank, with open-work shoulders (ring size N-O). See illustration

£200-400

710 A FRENCH DIAMOND CLUSTER RING, the nineteen brilliant-cut diamonds in a raised setting in white gold, on a white gold shank (ring size M). See illustration

705 AN EMERALD AND DIAMOND DRESS RING, the princess-cut emerald c.1.0cts flanked to either side by a baguette-cut diamond, claw-set on an 18ct white gold shank (ring size O). See illustration

£300-500

709 A GOLD AND GEMSTONE DRESS RING, the purple cabochon gemstone channel-set between rugged yellow metal bark-form shank (ring size M). See illustration

704 AN EMERALD THREE STONE DRESS RING, the three oval-cut cabochon emeralds set in a yellow gold twisted setting, on an 18ct yellow gold shank (ring size M). See illustration

£300-500

£400-600

£500-1,000

Lot 702

Lot 703

Lot 704

Lot 705

Lot 706

Lot 707

Lot 708

Lot 709

Lot 710

Lot 711

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

712 A DIAMOND AND PEARL DRESS RING, the central white tone pearl surrounded by a border of brilliant-cut diamonds, on an unmarked rose metal shank (ring size L). See illustration

718 A PEARL AND DIAMOND DRESS RING, the white tone pearl sided by a single brilliant-cut diamond, on a shaped unmarked yellow metal shank (ring size M)

£250-450

719 AN OPAL DRESS RING, the oval sliced opal channel-set in unmarked yellow metal, on a unmarked yellow metal shank (ring size O). See illustration

713 A SAPPHIRE AND DIAMOND DRESS RING claw-set in a raised open-work frame, on a 14k yellow gold shank (ring size M). See illustration

£150-250

£300-600

£100-200

723 A DIAMOND CLUSTER RING, the central brilliant-cut diamond surrounded by a border of six claw-set diamonds, on an 18k white gold shank with open-work shoulders (ring size O). See illustration

£200-400

717 A PEARL AND DIAMOND DRESS RING, the white tone pearl in a raised setting within a border of brilliant-cut diamonds and white gold, on a double white gold shank (ring size L). See illustration

£150-250

722 AN EMERALD AND DIAMOND DRESS RING, the princess-cut emerald flanked to either side by a brilliant-cut diamond, on an unmarked yellow metal shank (ring size I)

£100-200

716 A TOPAZ AND DIAMOND DRESS RING, the oval-cut and channel-set topaz flanked to either side with a single brilliant-cut diamond, on a yellow gold shank stamped “585” (ring size P). See illustration

£250-450

721 A CORAL DRESS RING, the oval coral set in unmarked yellow metal, on an unmarked yellow metal shank (ring size L)

715 A YELLOW GOLD AND DIAMOND DRESS RING, the shaped band with a protruding single diamond, the shank stamped “Lapponia” (ring size L)

£200-400

720 AN EMERALD AND DIAMOND DRESS RING with four rub-over set emeralds surrounded by a border of brilliant-cut diamonds, on an 18k white gold shank (ring size X). See illustration

714 A PEARL AND DIAMOND DRESS RING, the pearl in a raised setting in unmarked white metal, on an unmarked white triple metal shank with a single-sided diamond-encrusted open-work bow (ring size J). See illustration

£150-250

£200-400

724 A FIVE STONE DIAMOND RING claw-set in platinum, on an 18ct yellow gold shank (ring size P), in a fitted presentation case. See illustration

£300-500

Lot 712

Lot 713

Lot 714

Lot 716

Lot 717

Lot 719

Lot 720

Lot 723

Lot 724

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

725 A DIAMOND DRESS RING with two illusion-set diamonds on a twisted 18ct yellow gold shank, and a sapphire and diamond dress ring (both ring size K) (2)

731 A 22CT YELLOW GOLD WEDDING BAND and another (c.8grams) (2)

£100-200

732 A 9CT YELLOW GOLD BANGLE, the inner diameter c. 7cm (c.17grams)

726 TWO 22CT YELLOW GOLD WEDDING BANDS (c.10grams) (2)

£100-200

£80-160

£100-200

£200-400

735 A 9CT ROSE GOLD CHAIN LINK BRACELET, 18cm long (c.11grams)

729 THREE 22CT YELLOW GOLD WEDDING BANDS (c11grams) and an 18k wedding band (c.7grams) (4)

£100-200 730 AN 18CT YELLOW GOLD GYPSY STYLE DIAMOND-SET RING, a 22ct yellow gold wedding band and a 9ct yellow gold signet ring (c.13grams total weight) (3)

£150-250

734 THREE 9CT ROSE GOLD BANGLES (c.32.5 grams)

728 A DIAMOND RING, the single stone set in platinum on a yellow gold shank with platinum shoulders, and another diamond ring (2)

£100-200

733 A ROSE-GOLD BANGLE stamped “15, 0.625” (c.16.50grams)

727 A DIAMOND FLOWERHEAD RING on an 18ct yellow gold shank (ring size P)

£50-100

£200-400

£60-120

736 AN EDWARDIAN SAPPHIRE AND DIAMOND BAR BROOCH, the princess-cut sapphires and brilliant-cut diamonds set in white and yellow metal, with pearl terminals, in a fitted “E. Lloyd Lawrence South Molton Street, London” presentation case. See illustration

Lot 736

737 A PAIR OF SAPPHIRE AND DIAMOND EAR CLIPS in the form of flowerheads, each set with a central circular-cut sapphire from which radiate eight baguette-cut diamonds, circa 1950 (2). See illustration

£500-1,000

Lot 737

£2,000-3,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

744 A PAIR OF DIAMOND CLUSTER EAR STUDS, each cluster suspended from two brilliant-cut diamonds. See illustration

738 A DIAMOND BRACELET, the seven brilliant-cut graduated collet-set diamonds (c.1.05cts) interspersed with double rows of brilliantcut diamonds, terminating in an unmarked white metal expanding bracelet with concealed clasp, in a fitted presentation case. See illustration

745 A PAIR OF SAPPHIRE AND DIAMOND EAR STUDS, the oval-cut sapphires c.6.58cts (total) surrounded by a border of eight brilliant-cut diamonds c.0.80cts. See illustration

£800-1,600

739 AN EDWARDIAN PEARL AND DIAMOND CIRCLET BROOCH set with five pearls, on an openwork ground of undulating scrolls set with old-cut diamonds. See illustration

£1,600-2,000 746 A PAIR OF DIAMOND ENCRUSTED EARRINGS, each pear-shaped drop with diamond encrusted front and polished white metal backs, attached to a horseshoeshaped fitment with diamond encrusted fronts c.2.80ct (total). See illustration

£300-600 740 A PAIR OF CULTURED PEARL AND DIAMOND EAR STUDS, the white tone pearl with a border of six brilliant-cut diamond c.0.60cts (total). See illustration

£500-1,000

£700-1,400

742 A SAPPHIRE AND DIAMOND BANGLE, the oval-cut sapphires c.3.08cts, interspersed with diamonds c.0.65cts, set on a white metal bangle with safety chain stamped “HG & S Ltd). See illustration

£1,800-2,500

747 BUCELLATI: A ROSE-CUT DIAMOND AND SAPPHIRE BROOCH AND EARRING SUITE, the brooch modelled as four flowerheads, the petals set overall with rose-cut diamonds, the centre of each with a cushion-cut blue/green sapphire within a rub-over heavily engraved setting, against a backdrop of unmarked yellow gold leaves, the safety catch inscribed “Bucellati, Italy 96750”, c.55mm long, and a pair of matching ear clips, each signed and numbered 94 and 96 (2). See illustration

741 A PAIR OF CULTURED PEARL AND DIAMOND EARRINGS, the blue/grey pearl attached to a white metal cone set with a single diamond and two further diamonds, on a fish-hook fastener. See illustration

£500-1,000

£1,400-1,800

743 A TWO-COLOUR GOLD AND DIAMOND BRACELET set with eight brilliant-cut diamonds between rectangular yellow gold panels with diagonal lines in white gold. See illustration £500-1,000

£400-600

Lot 740

Lot 741

Lot 743

Lot 740

Lot 744

Lot 746

Lot 745 Lot 738

Lot 742 87

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

748 CARTIER: A CITRINE, EMERALD AND DIAMOND OWL BROOCH, the body set with a large cushion-set citrine and the eyes with square-cut emeralds, perching on a branch with a brilliant-cut diamond accent, with engraved feather detail, the reverse double-pin hinge signed “Cartier, London” and numbered “K3129”, c.62mm long, in original Cartier presentation case. See illustration

£6,000-12,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

749 A PAIR OF DIAMOND EAR STUDS, each yellow tone brilliant-cut diamond set in a diamondencrusted crown setting c.2.66cts (total weight). See illustration

Lot 749

£3,000-5,000

Side view

Top view

750 A DIAMOND CRESCENT BROOCH, the largest diamond c.0.065, flanked by graduating diamonds c.3.25cts (total). See illustration

Lot 750

£1,500-3,000

751 A NATURAL SALT WATER PEARL, DIAMOND AND EMERALD PENDANT NECKLACE, the oval pearl c.6.74cts, surrounded by a border of princess-cut emeralds and outer border of brilliant-cut diamonds, the round-cut pearl c.3.79cts, surrounded by a border of princess-cut emeralds and outer border of brilliant-cut diamonds, interspersed by a single diamond, terminating in a single pearl topped with princess-cut emeralds, suspended from a fine white precious metal chain with six further diamonds, in a “D.S. Lavender” presentation case, with a pearl report from the Gem and Pearl Laboratory. See illustration

£9,000-£15,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

752 A DIAMOND PENDANT NECKLACE, the three round-cut, marquise-cut and pear-cut diamonds collet-set in white metal, c.2.29cts (total weight) attached to an unmarked white metal fine-link chain, in a “Tessier, New Bond Street, London” presentation case. See illustration

758 VAN CLEEF & ARPELS: AN EMERALD AND DIAMOND BROOCH in the form of two birds perched on a branch, the birds bodies set with cabochon emeralds, c.28.82cts surrounded by a border of brilliant-cut diamonds, the white metal double clip to the reverse stamped “Van Cleef & Arpels”, in a “Van Cleef & Arpels” presentation case. See illustration

£5,000-10,000

753 A DIAMOND EAGLE BROOCH, the bird with displayed wings and perched on a curved rockwork base set with numerous old-cut diamonds and a cabochon ruby eye. See illustration

759 AN HISPANIC PENDANT of foliate design set with four yellow stones and numerous old-cut diamonds, 18th century. See illustration

£400-700

£500-1,000

754 A SAPPHIRE AND DIAMOND CRESCENT BROOCH claw-set in unmarked yellow metal, c.28mm dia. See illustration

760 A DIAMOND AND EMERALD BROOCH, the diamond encrusted circle with four round-cut cabochon emeralds, c.4.9cts, set in white precious metal, suspended from a diamond encrusted suspension, with pin-push fastener, in a fitted Van Cleef and Arpels presentation case. See illustration

£200-400 755 A DIAMOND AND PEARL BROOCH with eight brilliant-cut diamonds interspersed with coloured pearls, set in unmarked yellow metal. See illustration

£80-160

£400-600

762 A PAIR OF DIAMOND AND RUBY EARRINGS, each pave-set circle with two princess-cut rubies flanked by pave-set leaves beneath five round-cut rubies, set in unmarked yellow metal

£200-400 757 A YELLOW METAL AND EMERALD BROOCH PENDANT in the form of an South American figure set with ten princess-cut emeralds. See illustration

£300-500

763 A PAIR OF DIAMOND AND TURQUOISE EARRINGS, each earring with five oval turquoise set in white gold, with a central brilliant-cut diamond forming a half-flower with diamond-set tips, the back stamped “585” with clip fasteners. See illustration

£500-1,000

757A A VICTORIAN BLUE ENAMEL CROSS PENDANT set with opals and a diamond circa .20ct to the centre, attached to the original chain with enamel, opal and diamond mount, the chain c.44cm

£24,000-30,000

761 A PAIR OF DIAMOND EARRINGS, each earring set with fifteen brilliant-cut diamonds on three graduated suspensions, with butterfly backs, c.0.90cts (total weight) c.5cm long

756 A PAIR OF LAPIS LAZULI EARRINGS, each ringed lapis lazuli attached to unmarked rose metal drops with ball terminals and fish-hook fasteners, in a “Jays, 56 Kings Road, Brighton” presentation case. See illustration

£12,000-16,000

£400-600

£800-1,600

Lot 757

Lot 755 Lot 756

Lot 754

Lot 763

Lot 753

Lot 760 Lot 758

Lot 759

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

764 AN ART DECO CARVED JADEITE AND DIAMOND BROOCH, the tapering oblong green jadeite pendant carved and pierced with birds and flowers, c.48mm long, mounted in an Art Deco unmarked white metal as a brooch, with stylised diamond mounts at either end (c.0.6cts total diamond weight)

770 A THREE STRAND JADE AND DIAMOND NECKLACE, each jade c.1.52cts (c.313cts total), (c.74.6grams) terminating in a diamond openwork clasp, set with old-cut diamonds c.3.70cts. See illustration

£300-600

771 A JADEITE PENDANT carved and pierced with fruits and foliage, c.50mm long, with a diamond encrusted suspension. See illustration

765 A JADEITE BRACELET, each oval-shaped jadeite claw-set in yellow gold, the concealed clasp stamped “14k”, c.17.5cm long, in a fitted presentation case, including a jadeite guarantee card.

£60-120

£40-80

£50-100

773 A JADEITE AND GEMSTONE-SET PENDANT, the shaped and pierced jadeite overlaid with unmarked yellow metal and set with gemstones, c.40mm long, with an unmarked yellow metal suspension. See illustration

767 A JADEITE PENDANT carved with a horse, c.35mm long, claw-set in unmarked yellow metal with ring suspension

£150-250

768 A PAIR OF JADEITE EARRINGS, each carved and pierced jadeite suspended in an unmarked yellow metal frame, attached to a pear-shaped cut jadeite within a border of unmarked yellow metal and two diamond mounts, with butterfly backs, (jadeite c.4.5grams). See illustration

£50-100

774 A YELLOW GOLD AND JADEITE BROOCH decorated with a bird perched on an open-work leaf, with ball jadeite terminals, c.60mm long. See illustration

£300-600

£150-300

775 A JADEITE PENDANT carved with a buddha, c.40mm long, with an 18k yellow gold suspension

769 A JADEITE PENDANT carved with a cockerel and foliage, c.58mm long, with an unmarked yellow metal suspension, and one other similar (hardstone) (2). See illustration

£800-1,200

772 A JADEITE PENDANT pierced and carved with foliage, c.35mm long, with a yellow gold suspension with leaf scroll decoration

766 A PAIR OF JADEITE EARRINGS set in yellow gold, the clip-backs stamped “14k”, 2cm long, in a fitted presentation case, including a guaranteed jadeite card

£3,000-6,000

£100-200

£150-300

Lot 774

Lot 768

Lot 773

Lot 769

Lot 771 Lot 770

Lot 769

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

776 A JADEITE BANGLE carved with a phoenix, bird and foliage, dia.c.60mm (inner)

783 AN “ITALIAN” ENAMEL AND GEMSTONE PENDANT, the open-work enamelled frame with cabochon gemstone drops, attached to a 9ct yellow gold chain, the chain c.58cm long. See illustration

£200-400

777 A HARDSTONE BRACELET composed of seven oval hardstones carved as scarab beetles, including tiger’s eye, cornelian, bloodstone and banded agate

784 A HOLBEINESQUE GEM SET AND ENAMEL NECKLACE set with rubies and diamonds interspersed with panels of scroll work picked out in cream, blue and green enamel. See illustration

£250-450

778 A COLLECTION OF BELT BUCKLES including examples set with coloured paste and others of Art Nouveau and Art Deco design (a collection)

£2,000-4,000

£80-150

785 A RUBY AND DIAMOND PENDANT, the carved bead ruby c.18.18cts, the top and bottom with diamond-encrusted white metal mounts, with a ruby terminal c.1.76cts, attached to a fine link white gold chain, c.42.cm long, including a Gemmological certificate. See illustration

779 AN UNMARKED YELLOW GOLD PENDANT, the rectangular frame with “diamond”-set “F” insert.

£150-300

£5,000-8,000

780 A LAPIS LAZULI AND YELLOW GOLD NECKLACE, the fine-link chain interspersed with nine oval-cut lapis lazuli stones, the clasp stamped “585”, c.70cm long

786 A RUBY AND DIAMOND BROOCH, the claw-set and pave-set diamonds c.5.10cts, with an outer border of eleven pear-cut natural corundum rubies c.4.70cts (total) in a fitted “Tessier, New Bond Street, London” presentation case, including a Gemmological certificate. See illustration

£80-160

781 A YELLOW GOLD CHAIN-LINK NECKLACE interspersed with blue and white enamelled bows and tubes, c.127cm long

£3,500-5,000

787 AN UNMARKED YELLOW GOLD GUARD CHAIN c.178cm long, (c.30grams), with an attached 9ct yellow gold pendant set with a cabochon fire opal

£200-400

782 A 19TH CENTURY GARNET NECKLACE, the 24 oval-cut garnets foil-backed, c.40cms long. See illustration

£100-200

£200-400

£400-800

Lot 784

Lot 785

Lot 783

Lot 786

Lot 782

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

788 THE NELSON-HALLOWELL RING:

finally confirmed in his rank on 25 April 1783. Hallowell was promoted commander on 22 November 1790. He commanded the ‘Scorpion’ on the Africa coast and then went to the Mediterranean in the storeship ‘Camel’. He was made post captain on 30 August 1793 in temporary command of the ‘Robust’, 74 guns. He served as a volunteer in the sieges of Bastia and Calvi and was noticed by Nelson, who acknowledged his zeal in action. He was appointed to the frigate ‘Lowestoft’ and then to the ‘Courageux’, which he commanded in the action off the Hyères Islands on 13 July 1795. Temporarily in the ‘Victory’, he was present at the Battle of Cape St Vincent on 14 February 1797. He returned to Britain but was again to the Mediterranean, this time in the ‘Lively’ before being transferred to the 74-gun ‘Swiftsure’ off Cadiz and part Captain Troubridge’s squadron. Hallowell was reported to have been a giant of man and immensely strong, apparently quelling signs of mutiny in the ‘Swiftsure’ by use of his fists. In May 1798 the ‘Swiftsure’ was attached to Nelson’s fleet and saw action at the Battle of the Nile. Hallowell commanded HMS Swiftsure during the battle, a 74-gun ship of the line that bombarded the French flagship L’Orient at close quarters and played a major role in her destruction. He later joined Nelson off Palermo on 20 March 1799, having remained off the Egyptian coast after the battle. It was here that Hallowell, intent on responding to the flattery received by his commander, surprised the fleet by sending Nelson a coffin made of wood and iron from the mainmast of the ‘L’Orient’, the French flagship destroyed in the battle of the Nile, with the following note dated 23rd May 1799:

A YELLOW GOLD MEMORIAL RING “carved” with scrolling foliage, rocaille-work and flowers, the glazed rounded rectangular containing a woven lock of the hero’s hair, the interior of the shank engraved “Lord Nelson OBT. 21st Oct. 1805 A47”, in a Garrard’s ring box containing a loose piece of paper inscribed in ink “Ring with Adl. Lord Nelson’s hair from Adl. Sir Arthur Farquhar KCB”, 22mm dia.

£5,000-10,000

Provenance: Admiral Sir Benjamin Hallowell Carew G.C.B (Boston, Mass. 1760 -1834 Surrey, England); by whom gifted to Rear-Admiral of the White, Sir Arthur Farquhar, K.C.B., K.C.H (1772-1843);

By descent to Admiral Sir Arthur Farquhar, K.C.B. (18151908);

Thence by descent.

Exhibited: Chelsea Royal Naval Exhibition, 2nd May, 1891, no. 2989, ‘Ring, with Nelson’s hair, formerly belonging to Mr. Benjamin H. Carew. Lent by Admiral Sir Arthur Farquar, K.C.B.’ Literature: Notes and Queries, 11th ser., No. 311, December 11, 1915, p. 469. Seven Nelson memorial rings were shown at the 1891 Royal Naval Exhibition at Chelsea, including this ring, which was loaned by Admiral Sir Arthur Farquhar, K.C.B.

‘Sir, I have taken the liberty of presenting you a coffin made from the main mast of L’ORIENT, that when you have finished your military career in this world you may be buried in one of your trophies. But that that period may be far distant is the earnest wish of your sincere friend, Benjamin Hallowell.’

This ring is unique; not only by having unbroken provenance from one of Nelson’s ‘Band of Brothers’, Admiral Sir Benjamin Hallowell (Carew), connecting with Hallowell’s extraordinary naval career spanning the American Revolutionary War, the French Revolutionary Wars and the Napoleonic Wars, including the Battle of the Nile in 1798, but also the form, which is deeply carved with sea-shells and scrolls. This pattern differs dramatically from the better-known group of 58 enamelled rings by John Salter, which were commissioned by Nelson’s brother for family, friends, and every Admiral and post-captain who fought at the battle of Trafalgar.

Nelson is said to have been pleased with the gift, keeping it propped against the wall of his cabin, behind the chair in which he sat for dinner, taking it with him to his next command. After he was killed in 1805 during the Battle of Trafalgar, Nelson was buried in Hallowell’s coffin. After time on the coast of Italy, Hallowell and the ‘Swiftsure’ were attached to Duckworth’s fleet at Minorca and later at Lisbon and off Cadiz. The ship was captured by the French off the North African coast on 24 June 1801; Hallowell was absolved of blame at a court martial. He then commanded the ‘Argo’ and saw action in the capture of St Lucia and Tobago in June 1803. He was then in command of the ‘Tigre’ and detached to Gibraltar on 3 October 1805. He achieved flag rank on 1 August 1811, and was in the Mediterranean in the ‘Malta’ from 1812 until the end of the war. Hallowell was made KCB in January 1815, was commander-in-chief on the coast of Ireland, 1816–18, and promoted vice-admiral on 19 August 1819. He was finally commander-in-chief at the Nore, from 1821 to 1824, with his flag in the ‘Prince Regent’. He attained the rank of admiral on 22 July 1830.

This ring underscores the intimacy that Nelson’s family felt towards Hallowell, a close comrade and the only American-born member of Admiral Lord Horatio Nelson’s ‘Band of Brothers’. BENJAMIN HALLOWELL This officer, who was born in the Hallowell Homestead, Jamaica Plain, Boston, Massachusetts, was known throughout his naval career as Hallowell, taking the name of Carew in 1828. On 31 August 1781, Sir Samuel Hood appointed Benjamin Hallowell acting lieutenant of the ‘Aclide’; he saw action off the Chespeake in early September that year. He was then in the ‘Alfred’ and was

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

795 A BULGARI SAPPHIRE AND DIAMOND NECKLACE with a large tear-drop shaped sapphire suspended from a geometric herringbone panel set with brilliant and baguette-cut diamonds, on a yellow gold chain link necklace, signed and stamped 750. See illustration

789 A PAIR OF 19TH CENTURY OLDCUT DIAMOND PENDANT EARRINGS, each pear-shaped open-work pendant set with graduated diamonds with a central diamond suspension, suspended from a diamond cluster, set in unmarked yellow and white metal with a fish-hook fitment, c.30mm long, in a fitted “Jay. Attenborough Ltd, 142 Oxford Street, London” presentation case. See illustration

£6,000-12,000 796 A BULGARI EMERALD AND DIAMOND NECKLACE with a wing-shaped panel set with a large cabochon emerald on a ground of brilliant-cut diamonds enclosing a central line of tapering baguette-cut diamonds, on a yellow gold chain link necklace, signed and stamped 750. See illustration

£300-500

790 AN ART DECO DIAMOND AND GEM-SET BROOCH of open-work navette form, the diamond encrusted brooch with a yellow tone gemstone centre, flanked to either side by two cushion-set diamonds, c.8cm long. See illustration

£8,000-12,000

£1,000-2,000

797 A PAIR OF NATURAL SALT WATER PEARL AND DIAMOND EARRINGS, the natural pearls set above diamond-encrusted leaves with gold clip backs, in a fitted “Tessier, New Bond Street, London” presentation case, including a Gemmological certificate. See illustration

791 A PAIR OF CULTURED PEARL AND DIAMOND EARRINGS, the white tone pearl attached to a brilliant-cut collet-set diamond, c.0.85cts (total). See illustration

£600-1,200

798 A PAIR OF RUBY AND DIAMOND EARRINGS, the rubies surrounded by a border of old-cut diamonds c.1.20cts (total), on unmarked yellow metal with butterfly clips, including a Gemmological certificate. See illustration

792 A PAIR OF DIAMOND EAR STUDS, each diamond c.1.0cts, claw-set in unmarked white metal, with butterfly clips, in a fitted “Asprey & Birch & Gaydon” fitted presentation case. See illustration

£5,000-8,000

£2,500-3,500

£1,000-1,500

800 A 1920’S DIAMOND AND SAPPHIRE LINE BRACELET collet-set to the centre with three graduated oval-cut blue sapphires with ten round collet-set diamonds totalling 0.7cts in between, on a white metal bracelet with scroll chasing to the side, the concealed clasp with safety catch. See illustration

794 A PAIR OF ART DECO STYLE DIAMOND EARRINGS of circular form, each with a single collet-set diamond to the centre, c.1.0cts (total). See illustration

£2,000-4,000

799 AN AQUAMARINE AND DIAMOND PENDANT, the aquamarine c.1.20cts collet-set with a border of twelve diamonds, c.1.30cts (total) in white gold, attached to a fine-link white gold chain. See illustration

793 A PAIR OF PENDANT DROP EARRINGS, each pear-cut diamond suspended from a diamond cluster and single diamond, c.2.0cts (total), in a fitted “J.H. Weekes, 18 Darley Street, Bradford” presentation case. See illustration

£5,000-8,000

£800-1,200

100

£400-600

Lot 797

Lot 796

Lot 793

Lot 791 Lot 795 Lot 799 Lot 798 Lot 792

Lot 800

Lot 789

Lot 794 Lot 790 101

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 801

Lot 803

804 A VICTORIAN GARNET AND PEARL BROOCH of open-work foliate and flower form, set in unmarked yellow metal, in original fitted “Pollard Jeweller, Worthing” presentation case

801 AN EDWARDIAN EMERALD BOW BROOCH set with a central cabochon emerald on a ribbon set with further rectangular and circular-cut stones. See illustration

£800-1,500

£150-300

802 A BOUCHERON EMERALD, SAPPHIRE, RUBY AND DIAMOND BRACELET set on an engraved yellow gold articulated panel with numerous cabochon sapphires, emeralds and rubies with pave-set diamond terminals at either end attached to a double yellow gold rope twist, signed “Boucheron, Paris”, 1950’s. See illustration

805 AN EDWARDIAN AMETHYST AND PEARL PENDANT, the 15ct yellow gold open-work frame with an amethyst to the centre and five seed pearls to the top, with an amethyst terminal, attached to an unmarked yellow metal fine-link chain, 50cm long

£15,000-25,000

806 AN UNMARKED WHITE AND YELLOW METAL DIAMOND BAR BROOCH set to the centre with a diamond flowerhead, in a fitted presentation case

£100-200

803 A SUITE OF AMETHYST AND PEARL JEWELLERY comprising a necklace with nine graduated tear-drop shaped amethysts suspended from pearls on a looped and garlanded close herringbone link gold necklace with further pearls at intervals, and a pair of earrings en suite (3). See illustration

£1,000-2,000

102

£100-200

Lot 802

103

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

807 A DIAMOND AND PEARL ARROW BROOCH set with old-cut diamonds, with a central diamond and cultured pearl flowerhead, in unmarked yellow metal

813 A GEM-SET YELLOW GOLD BRACELET with a clover leaf set with a cabochon ruby, a cabochon sapphire and a cushion-shaped diamond, with a fine safety link .

£100-200

808 A PAIR OF INDIAN STYLE 14K YELLOW GOLD CHANDELIER EARRINGS, each set throughout with coloured gemstones and drop seed pearls

814 AN OPAL AND 9K YELLOW GOLD DOUBLE CHAIN NECKLACE with ten opals, c.48cm long, and a similar bar brooch (2)

£80-160

£50-100

810 AN ETRUSCAN STYLE UNMARKED YELLOW METAL BROOCH set with seed pearls and coral

£100-200

£50-100

817 A 9CT YELLOW GOLD BAR BROOCH, the centre open-work circular frame set with a square-cut sapphire and seed pearls, in a fitted presentation case

£200-400

812 A SUITE OF GOLD AND GEM-SET JEWELLERY comprising a necklace, bracelet and earrings, stamped 14k

£80-160

816 AN EDWARDIAN PERIDOT AND SEED PEARL PENDANT, the 9ct yellow gold open-work frame with an oval-cut peridot flanked to either side by a seed pearl, with a peridot drop

811 A YELLOW METAL STICK PIN, the terminal with a hand-painted ivory panel of an “Indian Temple”, in a fitted “Dreicer & Co. New York” presentation case, and a loose ivory panel (2)

£100-200

815 AN EDWARDIAN AQUAMARINE AND SEED PEARL PENDANT/ BROOCH, the yellow gold scrollwork frame set with seed pearls, with an oval-cut aquamarine to the centre and a smaller aquamarine drop, attached to a suspension loop decorated with seed pearls, the reverse with white metal pin

809 A HOLBEINESQUE ENAMELLED PENDANT with George and the Dragon, suspended from a chain of pearls, and a similar brooch (2)

£300-600

£80-160

£50-100

818 A 15CT YELLOW GOLD BAR BROOCH, the centre open-work frame set with four pink gemstones and three seed pearls, in a fitted presentation case

104

£80-160

819 A 15CT YELLOW GOLD BAR BROOCH set with an aquamarine and seed pearls, in a fitted presentation case

825 A “SAPPHIRE” BUTTERFLY PENDANT, the wings claw-set with “sapphires”, on white gold, the reverse stamped “750”, on a fine link chain, 43cm long

£80-160

826 A GREEN HARDSTONE AND GOLD NECKLACE, the 9ct yellow gold fine-link chain interspersed with seven green hardstones, c.41cm long

820 “NAPIERS RIFLE”: A SWEETHEART BAR BROOCH with attached safety chain, in a fitted presentation case

£80-160

821 AN OLD-CUT DIAMOND BAR BROOCH of waisted form

£80-160

£150-300

828 A DIAMOND-SET BAR BROOCH on a yellow gold frame, with fine-link safety chain and a gold metal necklace set with pearls (2)

£200-400

£80-160

829 A TURQUOISE AND SEED PEARL BROOCH set in 15ct yellow gold, with attached safety chain

823 A VICTORIAN AMETHYST BROOCH, the oval amethyst in an unmarked yellow metal openwork frame of oval form, with a pear-shaped amethyst drop in unmarked yellow metal

£50-100

827 AN UNMARKED YELLOW METAL, ENAMEL AND PEARL NECKLACE, the three circular drops decorated with criss-cross blue enamel and interspersed with seed pearls, on an unmarked yellow metal fine-link chain, 37cm long

822 AN EDWARDIAN 9CT YELLOW GOLD PENDANT, the heart-shaped open-work frame set with garnets, peridots and seed pearls, with a single peridot drop, attached to a short double fine-link chain, set with gold balls and garnets, linked to a single fine-link chain with concealed clasp, c.45cm long

£200-400

£100-200

830 A YELLOW GOLD PENDANT, the twisted frame with three tiny diamonds and an aquamarine terminal, the reverse stamped “585”

£100-200

824 AN EDWARDIAN AMETHYST AND SEED PEARL BROOCH/PENDANT, the heart-shaped amethyst surrounded by a border of seed pearls centred in an open-work foliate frame set with seed pearls and an oval pearl drop

£150-300

105

£80-160

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

831 A 9CT YELLOW GOLD BAR BROOCH set with a gemstone, and another brooch (2)

837 A SAPPHIRE AND DIAMOND BAR BROOCH, the oval-cut sapphire flanked to either side by three rubover set diamonds, on an 18ct yellow gold shank, with safety chain

£40-80

832 A 15CT YELLOW GOLD BAR BROOCH set with three collet-set diamonds, c.0.30cts

838 AN 18CT YELLOW GOLD BROOCH of leaf form decorated with seven red gemstones, c.6.5cm long

£100-200

833 A DIAMOND AND PEARL CRESCENT BROOCH with eight diamonds set in unmarked white metal interspersed with seven seed pearls

£80-160

£60-120

841 AN UNMARKED YELLOW METAL BEE BAR BROOCH decorated with seed pearls and a gemstone, and a 9ct yellow gold cluster bar brooch, in fitted presentation cases (2)

£100-200

836 AN UNMARKED WHITE AND YELLOW METAL BROOCH of abstract form, c.12cm long

£100-200

840 A 9CT YELLOW GOLD BAR BROOCH set to the centre with a gemstone, and two other gem-set brooches (3)

835 A “SAPPHIRE” AND DIAMOND BAR BROOCH set in unmarked yellow metal, with safety chain

£250-450

839 A YELLOW AND WHITE GOLD BOW BROOCH of open-work form, with attached safety chain, the white gold pin stamped “750”

834 A 15CT YELLOW GOLD BAR BROOCH set to the centre with three aquamarines and a seed pearl crescent brooch (2)

£150-300

£80-160

842 A VICTORIAN YELLOW METAL MOURNING BROOCH decorated with blue enamel and a single seed pearl, with a vacant locket back

106

£80-160

843 A 15CT YELLOW GOLD BROOCH, the three graduating leaves decorated to the centre with a seed pearl, c.4.5cm long, in a fitted presentation case, and three others (4)

849 AN UNMARKED YELLOW METAL BROOCH in the form of a revolver, in a fitted presentation case

£60-120

850 AN EASTERN STYLE FILIGREE WHITE AND YELLOW METAL BROOCH

844 A 9CT YELLOW GOLD SNAKE BROOCH, the head decorated with clear and red pastes, in a fitted presentation case

£40-80

£50-100

£60-120

854 A GOLD AND ENAMEL LOCKET of heart-shape, decorated with a single diamond and another locket (2)

£50-100

848 A WILLIAM IV BLACK ENAMEL AND PEARL MOURNING BROOCH of circular form, the reverse inscribed “Benj Crosland OBT 25 Mar 1833 at 61”, and an oval mourning brooch (2)

£80-160

853 AN UNMARKED YELLOW METAL AND SEED PEARL BAR BROOCH of arrow form, c.5.5cm long, in a fitted presentation case

£50-100

847 A 19TH CENTURY YELLOW METAL BROOCH of oval form, decorated with blue enamel and gem stones, c.4cm wide

£80-160

852 A PAIR OF GEM-SET EARRINGS, each yellow tone gemstone set in an open-work unmarked yellow metal frame, with yellow metal suspensions

846 A 9CT YELLOW GOLD AND ENAMELLED SCOTTISH REGIMENTAL SWEETHEART BROOCH

£50-100

851 A PAIR OF CULTURED PEARL EARRINGS, each decorated with nine graduating white tone cultured pearls set in 14k yellow gold open-work foliage

845 A BLACK ENAMELLED MOURNING BROOCH decorated with seed pearl flowers, the unmarked rose metal back with plaited hair, inscribed “Clara Porter died May 5th 1885 aged 63 years”

£50-100

107

£100-200

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

855 AN ENAMEL AND PEARL BUCKLE BROOCH, the blue enamel set with seven seed pearls, with gilt metal buckle and drape, set on unmarked yellow metal, in a presentation case

861 AN ETRUSCAN STYLE UNMARKED YELLOW METAL NECKLACE with a hand concealed clasp, c.115cm long

£100-200

862 A PERIDOT BRACELET comprising 19 oval-cut peridots linked in unmarked yellow metal

856 A SET OF FOUR YELLOW GOLD DRESS CLIPS, each one engine-turned with a central cabochon blue stone, the reverse marked “14 karat” (c.7grams total weight including the stones)

£80-160 863 AN EDWARDIAN 9CT YELLOW GOLD AMETHYST AND SEED PEARL PENDANT, c.25mm long, attached to an unmarked yellow metal chain and bar-link necklace, c.80cm long

£80-160

857 A 15CT YELLOW GOLD BAR BROOCH decorated with seed pearls and diamonds, and a miniature bee brooch (2)

£50-100

866 A MICRO-MOSAIC AND YELLOW METAL BROOCH decorated with “pax” symbol, in the manner of Castellani

£50-100

860 AN “EMERALD” BROOCH, the seven oval open-work yellow gold links each set with three round-cut “emeralds” joined to form a circle, c.3.7cm dia., with a pair of matching earrings

£200-400

865 A PAIR OF UNMARKED YELLOW METAL EAR CLIPS of oval hinged form

£80-160

859 AN UNMARKED YELLOW METAL BROOCH of floral form, the centre set with a round-cut sapphire and diamond-set petals

£150-250

864 A 9CT YELLOW GOLD ROPE-LINK NECKLACE interspersed with ten lozenge-shaped “tigers eyes”, c.62cm long

£100-200

858 A SINGLE STRAND CULTURED PEARL NECKLACE, each graduated pearl terminating in a white gold clasp, c.48cm long

£100-200

£200-400

867 A MODERNIST STERLING SILVER FISH BROOCH signed Ed Wiener with a cabochon amethyst eye and a pair of earrings en suite (3)

£80-160

108

£100-200

868 A YELLOW GOLD AND DIAMOND NECKLACE with earrings ensuite, the triple gold links interspersed with diamond-set links, the concealed clasp stamped “750”, c.46cm long, the hinged earrings with four diamond-set links, also stamped “750”. See illustration

Lot 868

869 CARTIER: A PAIR OF DIAMOND ENCRUSTED LOOPS set in white gold with a black onyx marking to the top, marked “Cartier 750” and “92901A”, with screw backs. See illustration

£1,000-2,000

Lot 869

£5,000-8,000

109

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

875 A RUBY, DIAMOND AND ONYX PENDANT, the oval-cut collet-set ruby c.5.75cts with a border of princess-cut diamonds and outer border of onyx, of octagonal form, the yellow gold suspension set with three princess-cut diamonds, the reverse stamped “Van Cleef & Arpels. Made in France 23820”. See illustration

870 A DIAMOND AND EMERALD FLORAL SPRAY BROOCH c.4.50ct diamond weight and c.2.20ct emerald weight, in a fitted “S.J. Phillips Ltd, 139 New Bond Street, London” presentation case. See illustration

£2,500-5,000

871 A SEED PEARL AND CITRINE-SET NECKLACE, the three strands of seed pearls interspersed with yellow metal pierced beads and fifteen graduated oval-cut citrines, c.40cm long See illustration

876 A GEM-SET PENDANT in the form of a four-leaf clover with a diamond to the centre, in an outer yellow metal openwork frame, attached to a yellow gold fine-link chain, c.38cm long See illustration

£800-1,600

872 AN OPAL, DIAMOND AND EMERALD PEACOCK BROOCH, the “fire opal” c.14.4grams total, in the form of a peacock, standing on yellow gold foliage set with diamonds and emeralds. See illustration

£1,500-2,500

£8,000-10,000

878 AN EMERALD AND DIAMOND PENDANT, the pear-cut emerald c.4.3cts, surrounded by a double border of brilliant-cut diamonds attached by a single princess-cut diamond c.0.25cts and a cushion-set emerald c.0.7cts surrounded by a border of brilliant-cut diamonds, attached to a white gold bar and collet-set diamond chain, c.3.0cts total diamond weight, c.38cm long, with a Gemmological certificate. See illustration

£300-500

874 A DIAMOND, SEED PEARL AND GUILLOCHE ENAMELLED PENDANT, the dark blue guilloche enamel decorated with entwined diamond hearts, surrounded by a border of seed pearls, set in unmarked yellow metal

£500-1,000

877 “VAN CLEEF & ARPELS” STYLE: A DIAMOND AND BLACK ENAMELLED NECKLACE, each oval yellow metal diamond-set link c.3.25cts (total) interspersed with black enamelled octagonal links, 39cm long

873 A SAPPHIRE AND DIAMOND BROOCH, the five oval claw-set sapphires interspersed with eight round-cut diamonds and scrolls of pave-set diamonds, set in unmarked white metal, c.26mm wide. See illustration

£15,000-25,000

£1,000-2,000

110

£12,000-18,000

Lot 870

Lot 872

Lot 876

Lot 875

Lot 878

Lot 877

Lot 871 Lot 873 Lot 874 111

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

884 A SINGLE STRAND GRADUATED PEARL NECKLACE terminating in an Art Deco style barrel-shaped clasp, c.42cm long

879 AN ELIZABETHAN GOLD FEDE RING with clasped hands holding a heart highlighted in red, white and blue enamel, the shoulders with cuffs and strapwork, the back of the ring inscribed “E*G*V*B” and dated “1601” See illustration

885 A PEARL AND DIAMOND CHUNKY DRESS RING, the three white tone half-pearls claw-set on a diamond scrollwork frame set with brilliant and baguette-cut diamonds, on a reeded shank (ring size M-N). See illustration

Provenance: The 6th Marquess of Bath and thence by descent. £3,000-5,000

880 A CONTINENTAL RUBY AND DIAMOND RING designed as a bird with a polished cabochon ruby body and diamond-set wings, on diamond-set bifurcated shoulders. See illustration

Provenance: The 6th Marquess of Bath and thence by descent

£2,000-3,000

£300-500

£1,000-2,000 888 A DIAMOND LINE BRACELET, forty four brilliant cut diamonds set in 14k yellow gold with safety clasp.

£200-400

883 A DOUBLE STRAND CULTURED PEARL NECKLACE, each “champagne” pearl knotted, terminating in a 9ct yellow gold clasp, the longest strand c.49cm long

£200-400

887 A GEM-SET AND DIAMOND CLUSTER RING, the central blue stone surrounded by a border of brilliantcut diamonds (ring size N-O)

882 A TRIPLE STRAND CULTURED PEARL NECKLACE, the graduated pearls terminating in a 9ct yellow gold clasp decorated with a garnet and seed pearls, the longest strand c.43cm long

£500-1,000

886 MIKIMOTO: A SINGLE STRAND PEARL NECKLACE, each pearl knotted and terminating in a 14k white gold clasp set with a single pearl, c.35.8grams, 83cm long, in a fitted fabric presentation case with Mikimoto booklets

881 CARTIER: A PAIR OF NATURAL SALT WATER PEARL DRESS STUDS, each pearl in a raised setting on an unmarked yellow gold push fastener bar stamped “Cartier”, in a fitted Cartier presentation case. Certificate to follow. See illustration

£60-120

£100-200

112

£1,000-2,000

Lot 879

Lot 880

Lot 881

Lot 885

Lot 888

113

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

900 A YELLOW GOLD CHARM BRACELET with attached gold and unmarked yellow metal charms including a US dollar 1861 and a padlock fastener, (c.55grams). See illustration

907 A 9CT ROSE GOLD ALBERT WATCH CHAIN (c.30grams), c.40cm long overall. See illustration

£400-800

908 A 9CT ROSE GOLD WATCH CHAIN with central “T”-bar (c.37grams), c.40cm long overall. See illustration

901 A 9CT YELLOW GOLD CHARM BRACELET with attached 9ct gold charms and a padlock fastener (c.43grams). See illustration

£600-1,000

912 AN 18CT YELLOW GOLD ARTICULATED NECKLACE, one other yellow gold necklace and other gold and yellow metal jewellery (c.30grams all in). See illustration

£200-400 905 A 9CT YELLOW GOLD CURB LINK CHARM BRACELET with attached gold and yellow metal charms, and a padlock fastener (c.38grams all in). See illustration

£250-350

913 A 14CT YELLOW GOLD ARTICULATED CHUNKY TWISTED LINK NECKLACE stamped “585” (c.52grams). See illustration

£100-200

906 A 9CT YELLOW GOLD CURB LINK BRACELET with a padlock clasp (c.14grams). See illustration

£800-1,500

911 AN 18CT YELLOW GOLD ARTICULATED CHUNKY TWISTED LINK NECKLACE (c.52grams). See illustration

£250-350

904 A 1982 GOLD SOVEREIGN contained in a 9ct yellow gold pendant mount, on a 9ct yellow gold chain (c.18grams all in). See illustration

£100-200

910 AN 18CT YELLOW GOLD FANCY LINK NECKLACE (c.60grams), c.90cm long overall. See illustration

£300-500

903 A 1978 GOLD SOVEREIGN contained in a 9ct gold pendant mount on a 9ct yellow gold chain (c.20grams all in). See illustration

£300-400

909 A 9CT YELLOW GOLD CHARM in the form of a witch riding her broomstick, and two other yellow metal charms, (c.19grams all in) (3). See illustration

£250-350

902 A YELLOW GOLD CHARM BRACELET with attached gold and unmarked yellow metal charms and ring fastener (c.48grams). See illustration

£200-400

£80-150

114

£500-1,000

Lots 900-913

115

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

914 A 14CT YELLOW GOLD GRADUATED ROPE-TWIST NECKLACE (c.28grams) c.43cm long overall

922 A 9CT ROSE GOLD ALBERT WATCH CHAIN with a “T”-bar and a 9ct bloodstone and red stone swivel fob (c.46grams all in) c.39.5cm long, contained in a J.W. Benson Ltd leather box

£200-400

915 A 1970’S CONTINENTAL YELLOW GOLD 18CT MESH BRACLET formed of stars (c.77grams), 18.6cm long overall

923 A VICTORIAN STYLE 9CT YELLOW GOLD FOB SEAL with a bloodstone matrix, and a 19th century yellow metal seal with engraved matrix (c.26grams all in) (2)

916 A 9CT YELLOW GOLD THIN-LINK GUARD CHAIN, a smaller 9ct yellow gold necklace and a 9ct yellow gold necklace in two pieces (c.26grams all in) (3)

£100-200

928 A VICTORIAN HALF SOVEREIGN 1838, young head, crowned shield on reverse

£150-250

921 A 9CT YELLOW GOLD GUARD CHAIN with an attached yellow metal clip (c.29grams)

£150-250

927 AN EDWARDIAN BAR BROOCH formed from two Edward VII half sovereigns, 1906 and 1907, with an attached yellow metal pin and safety chain (c.9grams)

£150-250

920 A 9CT YELLOW GOLD FANCY GATELINK BRACELET with a heart-shaped clip fastener (c.18grams)

£100-200

926 A GEORGE III GUINEA 1798 mounted as a pendant with two attached yellow metal links (c.8grams)

£200-400

919 A YELLOW METAL FRINGE NECKLACE with two rows of circular links and star and ball drops (c.27grams) c.43cm long overall

£60-100

925 A GEORGE V HALF SOVEREIGN, 1911, in a 9ct yellow gold pendant mount, with a yellow metal chain (c.6grams all in)

918 AN ETRUSCAN STYLE YELLOW METAL NECKLACE with pierced hollow and entwined links, and a matching bracelet (c.32grams all in)

£80-150

924 A 9CT ROSE GOLD MASONIC BALL PENDANT/FOB opening to form a cross engraved with Masonic symbols (c.7grams)

£150-250

917 A 9CT YELLOW GOLD GATE-LINK BRACELET with a heart-shaped clip fastener (c.19grams).

£200-400

£100-200

929 AN EDWARD VII SOVEREIGN 1903, and an Edwardian half sovereign, 1910, in a 9ct yellow gold pendant mount with flower decoration (c.14grams all in)

£200-400

116

£250-350

Lot 935A

930 A GERMAN STATES PRUSSIAN 20 MARK 1888 contained in a 14ct yellow gold pendant mount stamped “585”, (c.12grams all in)

933 A 15CT YELLOW GOLD BANGLE, the front centre with Etruscan style decoration, stamped “JT” with an 18ct yellow gold concealed clasp (c.22grams)

£200-400

934 A YELLOW GOLD 15CT BANGLE, the front centre with Etruscan style decoration stamped “15”, with inscription and dated 1894, (c.10grams)

931 A YELLOW METAL GERMAN MEDAL depicting Mary and the baby Jesus, 1960, contained in a yellow metal pendant mount (c.14grams all in)

£200-400

935 A 9CT YELLOW GOLD BANGLE with engraved feather decoration and safety chain (c.13grams)

932 A YELLOW GOLD 9CT GUARD CHAIN with an attached 9ct yellow gold clip, (c.34grams)

£100-200

£80-160

£250-350

935A A CARTIER YELLOW GOLD NECKLACE, the articulated band becoming broader towards the centre, the clasp stamped “Cartier, Paris” 117

£1,500-£2,500

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

936 THREE FINE GOLD INGOTS, Union Bank of Switzerland, 10grams, 5grams and 1 gram, serial no’s 108244, 102488 and 40206 (3).

942 A CONTINENTAL YELLOW METAL NECKLACE of classical influence, with panels of pierced decoration joined by oval links, the concealed clasp bearing marks (c.83grams) c.48cm overall length, contained in a “Liberty of London” box. See illustration

£500-1,000

937 A YELLOW METAL BANGLE with repoussé rose decoration within a banded border (c.47grams). See illustration

943 A VICTORIAN YELLOW METAL OVAL LOCKET containing two photographs, the front engraved with initials suspended from a yellow metal chain, (c.29grams) with a receipt of purchase dated March 26th 1878

£1,500-2,500

938 A CARTIER STYLE YELLOW METAL BANGLE in the form of two leopards heads, with elongated necks, enamelled with black stylised spots and set with green gemstone eyes, (c.71grams) See illustration

£4,000-6,000

£1,000-2,000

£50-100

946 A PAIR OF SILVER AND BLUE ENAMEL MASONIC CUFFLINKS, one side decorated with the compass and square

£200-400

£50-100

947 A PAIR OF SILVER HOLLAND & HOLLAND CUFFLINKS in the form of cartridges

941 A 9CT YELLOW GOLD FRINGE NECKLACE with articulated links (c.22grams) c.40cm overall length. See illustration

£80-160

945 A PAIR OF GENTLEMANS SILVER CUFFLINKS in the form of ship’s propellers, c.2.6cm wide

940 A YELLOW GOLD 9CT FRINGE NECKLACE with articulated links, (c.22grams), overall length c.40cms. See illustration

£80-150

944 A PAIR OF VINTAGE 18CT YELLOW GOLD EARRINGS in the form of stylised wings, c.2.5cm wide, and a pair of yellow metal earrings (c.14grams all in) (2 pairs)

939 AN 18CT YELLOW GOLD CHOKER NECKLACE, the graduating bars edged and terminating in a snake chain, the concealed clasp marked “750”, (c.59grams) with a certificate dated 12/12/68. See illustration

£3,500-5,500

£50-100

£150-300

118

Lot 938

Lot 940

Lot 941

Lot 937

Lot 939

Lot 942 119

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

948 A PAIR OF SILVER BARETTA CUFFLINKS in the form of cartridges

956 A YELLOW GOLD 9CT NAVAL SWEETHEART BROOCH, an Edwardian 9ct yellow gold red stone and pearl brooch in the form of a heart, a rose gold swivel fob, a yellow metal “book” charm and a 9ct yellow gold and turquoise brooch (c.14grams all in) (5)

£50-100

949 A PAIR OF GENTLEMANS GOLD AND PLATINUM CUFFLINKS, the circular platinum and 18ct fronts with engine-turned decoration, the oval backs marked 9ct, (c.6grams)

957 A CHRISTIAN DIOR SUITE OF COSTUME JEWELLERY comprising a necklace and earrings, with diamond style and black enamel decoration, contained in a Christian Dior box

£50-100

950 A PAIR OF FROSTED GLASS, YELLOW METAL AND DIAMOND STUD CUFFLINKS

£200-400

£150-300

960 A VINTAGE SILVER DRESS RING set with coloured stones, an “amber” and silver dress ring, other silver costume jewellery, a silver fob watch and a silver pill box (a lot)

£100-200

962 A VINTAGE YELLOW METAL AND TIGERS EYE DRESS RING stamped “90%”, a 14ct yellow gold and citrine dress ring stamped “14k” and two other yellow gold dress rings (c.27grams all in)

£80-160

955 A VINTAGE 9CT YELLOW GOLD AND SMOKY QUARTZ DRESS RING and three other yellow gold and yellow metal dress rings (c.20grams all in) (4)

£80-150

961 A 15CT YELLOW GOLD SCARF CLIP, a 9ct gold bar brooch in a fitted presentation case and an unmarked yellow metal locket in the form of a clover leaf, (c.17grams all in) (3)

954 AN ART NOUVEAU WHITE METAL BUCKLE, the scroll open-work frame set with mauve gemstones, the reverse inscribed “Jeanne Selmersheim”, a silver buckle and a clear paste buckle (3)

£80-150

£50-100

953 TWO 18CT YELLOW GOLD DIAMOND DRESS RINGS, a cameo bracelet, a silver and enamel half hunter pocket watch, the inside case showing the impression of a four leaf clover, and a 9ct yellow gold bar brooch (5)

£80-150

959 A YELLOW GOLD 9CT AND CARVED CORAL DRESS RING, a matching pendant, two coral necklaces and a pair of earrings, contained in a “Daria Paris” velvet bag

952 A VICTORIAN 9CT YELLOW GOLD BROOCH and an agate brooch with a yellow metal mount (2)

£50-100

958 A LATE VICTORIAN CARVED SHELL CAMEO BROOCH set in yellow metal and carved with a classical scene, c.7.5cm wide, an “amber” necklace, a pair of “amber” earrings and other costume jewellery

951 A PAIR OF JORG JENSEN SILVER CUFFLINKS of simple block design, with a matching tie clip, stamped, and another pair of Jensen silver cufflinks with granulated decoration (5)

£100-200

£150-250 120

£100-200

963 A 9CT YELLOW GOLD SUITE OF ARTICULATED JEWELLERY comprising necklace and earrings, and a similar 9ct yellow gold dress ring (c.21grams all in)

£50-100

964 A SET OF ART NOUVEAU SILVER BUTTONS decorated with the head of a lady wearing flowers in her hair, a yellow metal and turquoise dress ring, a silver and enamel Norwegian bracelet, a yellow and white metal diamond and cabochon sapphire bar brooch and other costume jewellery

£150-250

965 A VICTORIAN YELLOW METAL “TARGET” BROOCH set with turquoise and a pearl, a pair of 9ct yellow gold cufflinks and a yellow and white metal ring (c.37grams all in) (4)

£80-160

966 A NORWEGIAN SILVER AND ENAMEL BROOCH, a yellow metal and onyx bar brooch, a white metal brooch in the form of an owl, and other costume jewellery (a lot)

£50-100

967 A 18CT YELLOW GOLD OPAL AND BLUE STONE DRESS RING marked “18k”, a yellow gold 9ct opal and green stone dress ring, other yellow metal and gold dress rings, a gold and blue stone cross pendant and a silver mesh bracelet (a lot)

£100-200

968 A YELLOW GOLD 9CT SCARF CLIP, a yellow metal onyx and seed pearl brooch and other costume jewellery, contained in a leather jewellery box (a lot)

£50-100

121

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

122

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Lot 1041 detail 123

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1001 ENGLISH SCHOOL, 19th century A portrait miniature of a gentleman wearing a blue coat and white cravat, in an ebonised frame with gilt metal slip, 6cm high. See illustration

Lot 1001

£80-150

1002 ENGLISH SCHOOL, 19th century A painted portrait miniature of a lady wearing a white gown, in an ebonised frame with gilt metal slip, 7.5cm. See illustration

£80-150

1003 ENGLISH SCHOOL, 19th century A painted portrait miniature of a gentleman wearing a red double breasted coat with gilt buttons and a white cravat, in an ebonised frame with gilt metal slip, 6cm high. See illustration

Lot 1002

£80-150

1004 A FAMILY GROUP OF PAINTED PORTRAIT MINIATURES 19th century, depicting three ladies and a gentleman dressed in period costumes, set in turned wooden frames, the portrait 4.5cm high (4)

£150-250

1005 ENGLISH SCHOOL, 19th century A portrait miniature family group depicting five ladies, in a wooden ebonised frame with gilt metal slip, and a four similar portraits, 19th century (5) Lot 1003

£100-200

1006 DUTCH SCHOOL, 16th/17th century A painted portrait miniature of a lady, bust-length, wearing a wide ruff and a black dress, oval on copper, in a Dutch octagonal black frame, the portrait 6cm high

124

£300-600

1007 ENGLISH SCHOOL, 19th century An oval painted portrait miniature of a lady, wearing a white bonnet and a red velvet jacket with white laced and frilled gown, in a gilt metal slip, signed, 9cm high. See illustration

Lot 1007

£150-250

1008 CIRCLE OF JEAN BAPTISTE ISABEY (1767-1855) An oval painted portrait miniature of Lady Isabey, wearing a white frilled dress and hat, in a gilt metal engine-turned frame, 15.5cm high

Provenance: Estate of the Late Jane Abdy

£400-600

1009 MANNER OF RICHARD COSWAY (1742-1821) An oval painted portrait miniature of Lady Elizabeth Townshend, wife of General Loftus, wearing a white frilled dress and gold necklace, in a glazed frame with ornate gilt slip, 9.5cm high. See illustration

Lot 1009

£300-500

1010 ENGLISH SCHOOL, 19th century, An oval porcelain painted portrait miniature of a young girl with open white blouse and green jacket, in glazed black frame, 19cm high. See illustration

£200-400

1011 CONTINENTAL SCHOOL 19th/20th century, A miniature study of Peter Paul Rubens, indistinctly signed, in a gilt metal slip, 10.5cm high

Provenance: A Noble European family.

£50-100

Lot 1010

1012 CONTINENTAL SCHOOL, 19th century A miniature study of a lady, in a wood frame with gilt metal slip, 8.5cm high

Provenance: A Noble European family.

£100-200

125

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1013 ENGLISH SCHOOL, 19th century A miniature study of a gentleman wearing a black gown with a white cravat, in an ebonised wooden frame with gilt metal slip, 7.5cm high

Lot 1015

£50-100

1014 ENGLISH SCHOOL, 19th century A pair of miniature studies of a lady and Gentleman, he wearing a blue jacket and white collar, the lady wearing a bonnet and gown, in wooden maple frames, 9.5cm high

£50-100

1015 ENGLISH SCHOOL, 19th century An oval painted miniature study of Captain Carlton RN in profile, wearing a blue double breasted jacket with white cravat, in an ebonised wooden frame with gilt metal slip, 19th century, 6cm high. See illustration

Lot 1016

£200-400

1016 AN OVAL PAINTED MINIATURE PORTRAIT ON COPPER OF A GENTLEMAN with long brown hair, wearing a white collar, in black ebonised wooden frame, with gilt metal slip, 6.5cm high. See illustration

£100-200

1017 AN OVAL PAINTED PORTRAIT MINIATURE of a Wesleyan Preacher, wearing a black gown with white collar, in a turned wooden frame, 5cm high Lot 1018

£100-200

1018 ENGLISH SCHOOL, 19th century A miniature study of a young man, wearing a blue jacket and blue cravat, in ebonised wooden frame, with gilt metal slip, paper label to verso, 8cm high. See illustration

126

£80-150

1019 ENGLISH SCHOOL, 19th century A miniature study of the Duchess of Somerset, in an ebonised wooden frame with gilt metal slip, 8cm high, one depicting Winifred Sandys and another, (3). See illustration

Lot 1019

£60-100

1020 ENGLISH SCHOOL, 19th century, A miniature study of a lady wearing a black gown with a long gold necklace, watercolour, in a wooden ebonised frame with gilt metal slip, 12cm and three others (4). See illustration

£60-100

1021 ENGLISH SCHOOL, 19th century A miniature study of a young boy, in profile, wearing a blue jacket with frilled collar, in an ebonised wooden frame with gilt metal slips, 8cm high, another of a naval officer wearing a blue double breasted jackets with epaulettes, and three others (5). See illustration

Lot 1020

£80-150

1022 ENGLISH SCHOOL, 19th century A miniature study of William Thomas Roberts wearing a blue gown, in wooden frame, a Regency silhouette of a gentleman, and three others (5)

£60-100

1023 A REGENCY NEEDLEWORK depicting a maiden in a landscape and three similar needleworks, 19th century (4)

£80-150

1024 SOTHEBY’S REFERENCE CATALOGUES in the subjects of silhouettes, miniatures, gold boxes and objects of virtue, including the McKechnie collection of silhouettes, c.1970’s (12)

Lot 1021

£50-100

1025 A PAIR OF MINIATURE WATERCOLOUR STUDIES depicting Continental harbour scenes with architecture, in tortoiseshell and ebonised frames, 19th century, 17cm x 19.5cm including frames (2)

£80-150

127

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1026 AN OVAL HAND PAINTED MINIATURE depicting a scene of the Taj Mahal by the riverside, Agra, and a scene of the Red Fort, Delhi, 19th century, 5cm long. See illustration

Lot 1026

£80-150

1026A A PAIR OF ENAMEL CANDLESTICKS, with polychrome flowers on within gilt cartouche, on blue ground, 18/19th century. 9” high.

£100-£200

1027 A LYNTON PORCELAIN COMPANY HAND PAINTED BONE CHINA SCENT BOTTLE decorated with a galleon at sea, on white and cobalt ground, with gilt and jewelled borders, the top with a silver finial modelled as a rampant lion, and an ovalshaped painted scent bottle decorated with a gentleman and brass gilt stopper and chain, the tallest 8cm high (2) See illustration

Lot 1027

£80-150

1028 A VENETIAN GLASS SCENT BOTTLE decorated in polychrome with stopper, a Bristol green tinted scent bottle and five others, 19th/early 20th century (7)

£80-150

1029 AN ART NOUVEAU SILVER CASED SCENT BOTTLE embossed with a maiden’s head, with gilt interior, Chester 1904, and another similar (2)

Lot 1031

£80-150

1030 A 19TH CENTURY BRISTOL GREEN DOUBLE ENDED SILVER TOPPED SCENT BOTTLE facet-cut and and amber tinted scent bottle, with embossed floral stopper, 19th century(2)

£80-150

1031 A 19TH CENTURY YELLOW METAL EYE GLASS with floral decoration, tests as gold, 19th century. 7.6cm See illustration £60-120 128

1032 A 9CT YELLOW GOLD MESH EVENING PURSE retailed by Asprey, London (c.163grams), 14.5cm wide, and a ladies 9ct rose gold mesh small evening purse, Smart Asprey, London, (c.26grams), 5.5cm wide (2). See illustration

Lot 1032

£1,000-2,000 1033 A TORTOISESHELL AND LEATHER PURSE in the shape of a sporran, each side decorated with a pressed panel of flora and fruit, the red leather cover fastened with a steel catch and mounted with steel chains, the purse expanding to show a silk-lined interior, early 19th century, 17.5cm wide. See illustration

£100-200 Lot 1033

1034 AN IVORY FAN the paper leaf painted with a cartouche of a couple in a park, flanked by ribbon suspended vignettes, the parcel gilt staves with three mother of pearl backed pierced Watteaesque cartouches, 11 1/4” radius

£300-500

1035 CARTIER: A SIMULATED BLACK ONYX EVENING BAG, with a rectangular button clasp set with old-cut diamonds, the fitted interior with a mirror to the underside of the lid, the outer black velvet case signed “Cartier Ltd. London”, 1920’/30’s

£250-450

1036 A PAIR OF CONTINENTAL MOTHER OF PEARL AND GILT METAL OPERA GLASSES with a telescopic handle, late 19th/early 20th century

Lot 1038

£50-100

1037 AN ASPREY & CO. GOLD MOUNTED BLACK SILK PURSE, 17.5cm wide

£50-100

1038 A TORTOISESHELL SNUFF BOX of oval form, the hinged lid inlaid with a white metal anchor, 19th century, 6cm wide. See illustration

129

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1041

1042 AN ART NOUVEAU CARVED IVORY FIGURE OF A NAKED LADY standing with her hands on her head, on a wooden stand, early 20th century, 15.5cm high including stand

1039 A RUSSIAN LACQUERED PAPIER MACHE POT AND COVER painted with a courting scene, printed mark on underside of lid, 19th/early 20th century, 6.5cm dia.

£50-100

1043 A CANTONESE CARVED IVORY CARD CASE decorated with figures in a landscape with buildings and trees, a Japanese shibyama card case, another ivory card case and a carved ivory pendant, 19th century (4)

1040 A NOVELTY CARVED WOOD TOOTHPICK HOLDER in the form of a caddy holding a bag of golf clubs, 10.5cm high, and a Trifari brooch in the form of golf clubs with a pearl ball (2)

£50-100 1044 A HELLENISTIC STYLE WHITE METAL FINIAL decorated with figures, 13.5cm high, and an Edward VII coronation medal, 1902 (2)

1041 A COLLECTION OF BEATRICE HINDLEY COLD PAINTED METAL POT PLANTS including tulips, daffodils, lilies and other flowers (4 in pots), the four plants contained in plant pots signed to base, 8.5cm high and smaller (6). See illustration

£50-100

£500-1,000 130

£50-100

Lot 1045

1045 A MONT BLANC MEISTERSTUCK L139 FOUNTAIN PEN with 14ct gold nib “Nib No. 4810”, 13.5cm long. See illustration

Provenance: A European Noble family.

1049 A COLLECTION OF VINTAGE FOUNTAIN PENS including a Parker 51 fountain pen and pencil set, a Conway Stuart no. 388, a silver Liberty & Co. ballpoint pen, Parker and others (6)

£300-600

£80-150

Provenance: A European noble family.

1050 A SAMPSON MORDAN & CO. SILVER PAPER KNIFE AND PENCIL, London 1899, and a silver Sampson Mordan & Co. bullet-shaped propelling pencil, reg. no. 550693, London 1910 (2)

£80-150

Provenance: A European noble family.

£50-100

1046 A WATERMANS 18 IDEAL FOUNTAIN PEN with no. 8 nib, pattern 231899, c.1903, 14.5cm long

1047 A PARKER DUOFOLD LUCKY CURVE FOUNTAIN PEN, lapis lazuli coloured body with double band clip, 14ct gold nib, 14cm long

Provenance: A European noble family.

£50-100

1051 A SHAGREEN PROPELLING PENCIL HOLDER with silver mounts, a Continental silver and enamel pencil holder set with blue and red enamel, and a blue enamel and yellow metal pencil holder, 19th/early 20th century (3)

1048 A COLLECTION OF VINTAGE FOUNTAIN PENS including a Pkan 400, a Pelikan 120, a Watermans Ideal Safety (no.1884), Parkers and others (7)

Provenance: A European noble family.

£50-100

Provenance: A European noble family.

£80-150

1052 A COLLECTION OF CONTINENTAL WHITE METAL PROPELLING PENCILS AND DIP PENS, 19th/early 20th century (8)

131

Provenance: A European noble family.

£80-150

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1053

1053 A CONTINENTAL 18CT GOLD AND ENAMEL COMPACT on a pink ground with two blue bands, set with a six stone diamond clasp, 8.5cm long. See illustration

Lots 1055 and 1056

£6,000-10,000

1054 A CONTINENTAL WHITE METAL AND ENAMEL SEAL modelled as a cat with green stone-set eyes, 19th/early 20th century, 5.5cm high

£50-100

1055 A PAIR OF JAPANESE YELLOW METAL MENUKI decorated with raised and engraved floral and leaf decoration, (each c.6grams), c.3.5cm and 3.7cm wide, contained in a fitted wooden box. See illustration

£500-1,000

1056 A PAIR OF JAPANESE YELLOW METAL MENUKI formed as scrolls with a ribbon and engraved leaves, Meiji, (each c.5grams) c.3.5cm and c.3.8cm, contained in a fitted wooden box. See illustration

£500-1,000

1057-1099 Spare Lots

132

TIN-PL ATE TOY TR AINS, AND ACCESSORIES FR OM A EUR OPEAN NOBLE FA MILY.

Lot 1112 detail 133

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

An Important and untouched collection of early 20th century Marklin and similar trains, buildings and accessories from a European Noble Family. The gauge 1 toy railway items on offer must have formed part of an early working electric layout and were recently rediscovered in the attic of a grand European house and would appear to have been stored there since 1921 as many of the items were wrapped in newspaper from that year. From the dating evidence of the carriage couplings there are no pieces made prior to 1909 and it is unlikely that any of the gauge 1 items were made later than 1921. Several of the carriages have on their bases a label from the famous toy store ‘ Il Paradiso dei Bambini ‘ Via Orefici Milano, an Italian toy store equivalent to, in its day, Gamages in London or the present day Hamleys. The majority of the collection were made by the leading tinplate railway manufacturer Marklin (Maerklin) of Goppingen, Germany and included in the highlights are lot 1108, an 8 wheel hospital car ( 1909 catalogue # 1848/1 ) with it’s very detailed fitted interior and a full complement of casualties resting on the 8 removable stretchers. This railroad car was originally produced at the time of the Boer war however it was still being made in slightly modified form in the years just prior to World war1. Undoubtedly the most glamorous item is lot 1122, the very elaborate Blue Girder bridge ( 1909 catalogue # 2505/1 ) which still retains its full complement of original flags as well as the four ornate lamp brackets albeit missing some parts of the lamps themselves which fortunately are relatively easy to replace with identical parts from period Marklin street lights. Virgin finds like this which have lain dormant and unloved for many years yet still have survived for the most part in good original condition always excite collectors, when offered for auction, more than the sale of a known established collection as there is always a sense of potential discovery of unknown minor variations. A good example of this is on the magnificent main station hall (lot 1130 - 1914 catalogue # 2071/1 ) with its special order, hanging, ‘MILANO’ name boards at each end.

134

Lot 1100

1100 A MARKLIN (MAERKLIN) G1 4-6-2 ELECTRIC PACIFIC PLM TYPE LOCOMOTIVE with eight-wheel tender, motor not tested, pick up modified otherwise good original condition. See illustration

1101 A BING G1 4-6-2 ELECTRIC PACIFIC LOCOMOTIVE with eight-wheel tender - good original condition, motor not tested. See illustration

£1,500-2,500

£800-1,200

Lot 1101

135

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1102

1103 A MARKLIN (MAERKLIN) G1 EIGHT-WHEEL DINING CAR with ten original figures, with four original sign boards - Paris Marseille - Catalogue No. 1932/1 - Condition Very fine original condition, in need of cleaning - with fully fitted interior. See illustration

1102 A MARKLIN (MAERKLIN) G1 ELECTRIC OUTLINE EIGHT-WHEEL LOCOMOTIVE, similar to Cat CL3021, in brown / black with red lining, good original condition - untested, pick up probably modified - In old, probably non- original box. See illustration

£2,500-3,500

£800-1,200

Lot 1103

136

Lot 1103 detail 137

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1105

Lot 1106

1104 MARKLIN (MAERKLIN) G1 LNWR LITHOGRAPHED EIGHT-WHEEL ENGLISH OUTLINE ROLLING STOCK. One passenger car and one guards van - Condition original but lithography damaged in places with original style boxes. Electric lighting added (2)

Lot 1107

£200-300

1105 A MARKLIN (MAERKLIN) G1 EIGHT-WHEEL SLEEPING CAR with five original sleeping figures (one headless) with four original sign boards - Paris Nancy - Cat. No. 1933/1 - Condition - Fine original condition other than one rust mark on roof, with full interior - In original box. See illustration

£800-1,200

1106 A MARKLIN (MAERKLIN) G1 AMERICAN OUTLINE PULLMAN COMBINATION CAR named Jefferson with electric lighting added and five original figures - Ref Catalogue No. 2967/1 - Very good original condition, full interior with an original box. See illustration

Lot 1107 detail

£800-1,200

1107 A MARKLIN (MAERKLIN) G1 EIGHT-WHEEL GREEN PASSENGER CAR Cat No. 1931/1 - with full interior and nine seated passengers, two concertinas, in original box - Good original condition. See illustration

138

£1,000-1,500

1108 A MARKLIN (MAERKLIN) G1 EARLY EIGHT-WHEEL HOSPITAL CAR with fully fitted interior including eight bunks, medicine cabinet and eight wounded recumbent casualties and one seated orderly - in original box - basically fine original condition but, some rust marks on inside of roof, Cat no. 1848/1.

ÂŁ4,000-6,000

139

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1109 A MARKLIN (MAERKLIN) G1 EIGHT-WHEEL CATTLE TRANSPORT WAGON, Cat No. 1871/1, in original box - very good original condition. See illustration

Lot 1109

£250-350

1110 A MARKLIN (MAERKLIN) G1 GNR FOUR-WHEEL HORSE BOX for the UK market with four original horses as shown in Marklin catalogue and two seated figures, in original box - near MINT original condition - Cat No. 2865/1. Superb example. See illustration

Lot 1111

£1,500-2,500

1111 A MARKLIN (MAERKLIN) G1 EIGHT-WHEEL SEA FISH TRANSPORT WAGON, one side dirty but should clean, one step broken off but present, remains of original box - Cat No. 1849/1. See illustration

£500-800

1112 A MARKLIN (MAERKLIN) G1 FOURWHEEL CRANE - 10,000 KG Cat No. 1859/1 - Very fine original condition, in an original box. See illustration

Lot 1112

£400-600

1113 A MARKLIN (MAERKLIN) G1 FLAT CAR WITH BLERIOT AEROPLANE very good original condition with original box - Pilot missing - Cat No. 1881/1. See illustration Lot 1113

£400-600

1114 A MARKLIN (MAERKLIN) G1 NEW YORK CENTRAL AND HUDSON RIVER RAIL ROAD, eight-wheel gondola, in original box Cat No. 2930/1 together with Marklin G1 eight-wheel Log Carrier for PRR “Pennsylvania Rail Road” Cat No. 2933/1 “both in original boxes”

140

£200-400

Lot 1110

141

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1115 A MARKLIN (MAERKLIN) G1 EIGHT-WHEEL WOOD LOG CARRIER, Cat No. 1814G/1 - Good original condition with load and box.

Lot 1116

£150-250

1116 A MARKLIN (MAERKLIN) G1 DIEGO & ARIZONA RAILWAYS OIL CAR, good but dusty original condition, Cat No. 2928/1. See illustration

Lot 1117

£200-400

1117 A MARKLIN (MAERKLIN) G1 FOURWHEEL BULK WINE CARRIER, missing one barrel top, otherwise dusty but in good condition - Cat No. 2994/1. See illustration

£400-600

1118 A MARKLIN (MAERKLIN) EIGHTWHEEL OPEN GONDOLA WITH CANVAS TOP, complete with original hoops to support canvas - Cat No. 1910/1. See illustration

Lot 1118

£150-250

1119 A MARKLIN (MAERKLIN) G1 OPEN FOUR-WHEEL GONDOLA with open platform at each end, very good original condition

£80-120

1120 A BING RAKE OF THREE G1 LONG 8 WHEEL CARS including rare conversation car with nine original figures, sleeping car with pillows, mattresses and several original figures and baggage car - Condition very mixed with much paint flaking, all with original boxes. Note: The figures and internal accessories are in good overall condition and may be considered more valuable than the coaches themselves. See illustration

Lot 1120

£200-300

1121 A CARETTE G1 LITHOGRAPHED CONTINENTAL EIGHT-WHEEL PASSENGER CAR, boxed but lithography flaking, with detailed interior marked with number 132D48

142

£80-120

Lot 1122 detail

143

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

144

1122 A MARKLIN (MAERKLIN) G1 THREE RAIL COVERED GIRDER BRIDGE in remarkably complete and original condition with all original flags and the four lamp brackets, paint all original in need of cleaning. Cat No. 2505/1 - Two lamps complete other two incomplete

Â£18,000-25,000

145

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1123 A MARKLIN (MAERKLIN) TWO BRANCH ENGLISH STYLE SIGNAL TOWER, Cat no. 2323 - appears complete in good original condition

Lot 1125

£150-250

1124 TWENTY FIVE BING TELEGRAPH POLES home modified with a screw base as used on the original layout Lot 1126

£50-80

1125 A MARKLIN (MAERKLIN) G1 FREIGHT STATION, in good original condition with part of original box, Cat No. 2105/1

£600-800

1126 A BING G1 LITHOGRAPHED DOUBLE ENGINE SHED, good original condition. See illustration Lot 1127

£150-250

1127 A BING ELECTRIC RHEOSTAT HOUSE, Original but dirty condition. See illustration

£200-300

1128 A MARKLIN (MAERKLIN) GUARD HOUSE, electrified - Paint condition good but dirty £80-120 1129 EIGHT BASSETT - LOWKE ADVERTISING SIGNS, including Vim, Whitbreads, MacFarlane Lang & Co, together with three lithographed carriage boards for continental boat express etc. See illustration

Lot 1129

146

£120-180

1130 A MARKLIN (MAERKLIN) G1 CENTRAL STATION HALL, with interesting hanging MILANO station boards at each end. Unfortunately the central platform although still retaining the detachable accessories has been cut for use on the period layout - see pictures. Some minor distortion of the main frame but paint original - Cat No. 2071/1.

ÂŁ2,500-3,500

147

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1131 A BOX OF PERIOD FIGURES in various conditions ranging from very good to very poor. See illustration

Lot 1131

£250-350

1132 FOUR MARKLIN (MAERKLIN) TELEGRAPH POLES NO. 2403 In good original condition - bases have all a small rectangular cut out which looks to be original by Marklin. See illustration

£300-400

Lot 1132 1133 FOUR MARKLIN (MAERKLIN) TELEGRAPH POLES No. 2402 in good original condition. See illustration

£300-400

1134 FOUR MARKLIN (MAERKLIN) STREET LAMPS no. 3549 - Good original condition, no bulbs - untested. See illustration

£400-600

Lot 1133 1135 A MARKLIN (MAERKLIN) G1 PORTERS TRUCK/BARROW good original condition - Cat No. 2691/1

Lot 1134

148

£50-80

Lot 1136

1136 A MARKLIN (MAERKLIN) G1 SIGNAL BRIDGE Cat No. 2392/1 with two double signals and two single signals, one small base detached but present otherwise remarkably complete and original. See illustration

1139 REMAINS OF BING SIGNAL BRIDGES and a small Bing Gauge 0 three rail bridge together with part of a Bing street light

£400-600

1140 A BOX OF BING AND MARKLIN (MAERKLIN) BUFFER STOPS

1137 A LARGE SCALE ZINC SIGNAL BOX very interesting and impressive but unknown make, in need of careful conservation

1138 BASSETT - LOWKE WATER TOWER, ladder detached £100-200

£80-120

1141 A BOX OF 0 GAUGE RAIL

£200-300

£80-120

149

£80-120

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1143

1142 BASSETT LOWKE WOODEN SIGNAL CABIN (roof partially detached) together with a box of sacks,small wooden crates and other small layout accessories

1145 AN INGAP (ITALIAN MADE) CLOCKWORK GAUGE 0 ARTICULATED RAIL CAR untested - used condition

£120-180

1146 A BING G0 BODY ONLY OF EARLY HAND PAINTED STEEPLE CAB still retaining good original paint together with a BING rail crossing

1143 A LARGE MARKLIN G1 (MAERKLIN) THREE BAY ENGINE ROUND HOUSE in pebble dash finish together with associated turn table - Poor Condition. See illustration

£80-120

1147 A BASSETT - LOWKE G1 RAILROAD HEIGHT GAUGE together with assorted signal lamps and ladder

£200-300

1144 ISSMAYER OR CARETTE: A CROSSING HOUSE with a combined signal together with a signal on its own - poor condition

£80-120

£50-80

1148 A QUANTITY OF MAINLY MARKLIN (MAERKLIN) G1 POINTS and associated track

£80-120

£200-400

Lots 1149-1179 Spare Lots

150

INTERIORS

Lot 1174 detail 151

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

INTERIORS

Lot 1150

1150 A BIRDSEYE MAPLE VENEERED CENTRE TABLE, the rectangular top above a frieze with central flushfitting drawer, on turned legs, 19th century, the top 27½” x 47½” x 30½” high. See illustration £200-400 1151 A SET OF SIX “CHIPPENDALE” STYLE ARMCHAIRS with carved and pierced splats and toprails, the scrolling arms with leaf-carved supports, on cabriole legs with carved knees and ball and claw feet, 39½” high (6) See illustration

£1,200-1,800

Lot 1151 1152 A WHITE PAINTED CONSOLE TABLE in the manner of William Kent, the rectangular top with carved frieze, on twin scrolling carved and pierced legs with platform stretcher and animal paw feet, 19th century, 29” high x 35½” wide.

£300-500

1153 A PAIR OF FRENCH STYLE HESSIAN UPHOLSTERED OTTOMANS with brass nail upholstery, on scrolling and legs and stretchers, 44½” wide x 21” deep x 16” high (2). See illustration

£2,000-3,000

1154 A MODERNIST METAL FRAMED TWO SEATER SETTEE with swept arms and loose cushions, 26” high x 51” wide

Lot 1153

Provenance: Purportedly originally the property of Maurice Chevalier at his house at Marnes-la-Coquette.

£200-300

1155 A PAIR OF INDIAN STYLE CLOISONNÉ ENAMEL FRAMED WALL MIRRORS, the rectangular plates within narrow borders with scrolling foliage and floral motifs, each 31” x 24” (2)

152

£300-600

1156 A PAIR OF TRIBAL STYLE POUFFES of cylindrical form worked with geometric motifs against a natural pale brown ground, each 14½” high x 17½” wide (2)

Lot 1157

£100-150

1157 A CHINESE CARVED AND EBONISED FLOOR-STANDING MIRROR, the rectangular part-bevelled plate within a rectangular frame with pierced and carved cresting, the frame carved with bamboo leaves and flowering peach, on a conforming base, 79” high x 32” wide. See illustration

£600-800

1158 AN INDIAN CIRCULAR MARBLE TOP CENTRE TABLE, the veined marble top on a leaf-carved frieze and central triform base with scrolling outswept legs with foliate feet, 19th century, 30” high x 48” wide. See illustration

Lot 1158

£1,200-1,800

1159 AN INDIAN BONE AND EBONY INLAID TRAVELLING CHEST, the rectangular top inlaid with radiating leaf motifs, within chequered borders, the front and sides similarly decorated, with carrying handles and lock, 13” high x 24” wide See illustration

£400-800

1160 AN ANGLO-INDIAN DESK, the rectangular top with moulded border and rounded corners above three frieze drawers, on bobbin-turned legs, 19th century, 66” wide x 30” high

Lot 1159

£500-1,000

153

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1161 AN OCTAGONAL METAL TURBAN BOX, the raised lid decorated with gilt symbols and floral motifs, the sides similarly decorated, 19th century, 14” high x 16” wide. See illustration

Lot 1161

£400-600

1162 A PAIR OF INDIAN WALL MIRRORS, the rectangular plates within brightly coloured leaf and foliate decorated borders and conforming cresting, 24” high x 18” wide (2)

£100-200

1163 A COLLECTION OF TEN BRIGHTLY GLAZED POTTERY VASES of ovoid form with straight-sided necks, the vases glazed in blue, green and yellow tones, 15” high and similar (10)

Lot 1164

£200-400

1164 A PAIR OF CORINTHIAN COLUMN STYLE TABLE LAMPS with chamfered tapering columns, on square stepped bases with leaf-carved capitals, 18” high x 6” wide See illustration

£300-500

1164A A PAIR OF EBONISED FRAME BERGERE ARM CHAIRS with caned backs and side panels, upholstered seats and short turned legs with wavy stretchers, 20th century, 29” high x 33” wide See illustration

Lot 1164A

154

£1,200-1,800

1165 TWO PAIRS OF DECORATIVE LANTERNS with pinnacle tops and shaped bodies with glazed front and sides, two in dark blue, two in light blue, 23” high x 10½” wide (4)

Lot 1168

£400-600

1166 A “TOLE PEINTRE” OVAL TRAY with gilt and black scrolling border against a brown ground, with raised border and twin pierced carrying handles, 23” x 30”, and a similar brass tray (2)

£100-150

1167 A PAIR OF CREAM GLAZED TWIN HANDLED PORTUGUESE POTTERY VASES with narrow necks and bellied bodies, 17” high

£200-300

Lot 1170

1168 FOUR SIMILAR PAINTED METAL LANTERNS with raised tops and glazed fronts and sides, the lanterns painted blue, green, brown and black, 20” high x 9” wide, and similar (4). See illustration

£400-600

1169 A CYLINDRICAL METAL LANTERN with green “verdigris” finish, with raised domed top and glazed sides, 25” high x 10” wide

£200-300

1170 A GREEN FINISHED METAL AND GLASS HALL LANTERN with raised domed top above eight glass panels and tapering body, 29” high x 13½” wide. See illustration

Lot 1170A

£200-300

1170a A N INDIAN EBONISED SERVING TABLE the rectangular top with moulded border above two frieze drawers with lion mask handles, on cabriole legs with pad feet and shelf stretcher, Calcutta, c.1920, 37½” high x 42” wide

£400-800

155

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1174

1171 PAUL AYSHFORD, LORD METHUEN R.A. (1886-194) A view of Corsham Court, indistinctly signed and dated 1957, oil on board, 9” x 11”

Lot 1171

£200-400

1172 PAUL AYSHFORD, LORD METHEUN, R.A. (1886-1974) A view of Corsham Court, oil on board, 11½” x 15¾”. See illustration Lot 1172

£300-500

1173 ENGLISH SCHOOL, 19th century A male nude, charcoal on paper, 23” x 9½”, and another similar (2)

£100-200

1174 CONTINENTAL SCHOOL, 19th century A classical style capriccio with figures amidst classical ruins, watercolour, indistinctly signed, 18” x 21½” 156

£400-600

Lot 1175

1175 A PAIR OF UNUSUAL WIRE MESH GARDEN LOUNGERS in the style of Vladimir Kagan of reclining form and triform base with two front legs and rear wheel, one finished in white, 20th century, 37½” high x 74” long. See illustration

Lot 1176

£800-1,200

1176 A NAPOLEON III EBONISED AND UPHOLSTERED SETTEE, the carved and moulded show-frame with upholstered back, seat and armrest, on conforming seat rail and short legs, 42” high x 72” wide

£600-800

1176a A N EBONISED AND UPHOLSTERED LOW CHAIR with leaf carved frame and upholstered back and seat, on turned and carved legs, 19th century, 36” high

Lot 1176A

£500-700

157

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1177

1177 AN ART DECO STYLE HARDWOOD DESK, the rectangular top on twin pedestals with rounded uprights, open shelf and short drawers in satinwood veneered compartments, 30” high x 65” wide. See illustration

£600-800

Lots 1178-1179 Spare Lot

158

WORK S OF ART CLOCK S AND SCIENTIFIC INSRUMENTS

Lot 1197 159

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1180 A JAPANESE BRONZE SCULPTURE OF AN ELEPHANT, the trunk raised and mouth open, with two character signature to rear foot, 16” high x19½” wide. See illustration

Lot 1180

£200-400

1181 FRANZ BERGMANN: A CAST AND COLOURED BRONZE OF AN ARAB AT PRAYER kneeling on a decorative rug with his staff and shoes to one side, stamped to the underside with the Bergmann marks and “Geschulzt”, 5” high x 6” wide

£200-400

1182 ANN PILLSCHER, LONDON: A STUDENT’S MICROSCOPE in fitted case, signed and numbered 1753, with a volume “Common Objects of the Microscope” by the Reverend J.G. Wood

Lot 1185

£50-100

1183 A MINIATURE GEORGE I STYLE CHEST OF DRAWERS, the rectangular top with walnut veneers with broad crossbanding, above two short and three long drawers, on ogee bracket feet, 19th century, 8” high x 7½” wide

£80-150

1184 SMITH, BECK & BECK: A BRASS AND LEATHER COVERED TWO DRAWER TELESCOPE signed “Smith, Beck & Beck, 31 Cornhill, London”, in fitted case, and a game “The Royal Game of Bézique” (2)

Lot 1186

£80-150

1185 A REGENCY IVORY AND SANDALWOOD “VIZAGAPATAM” WORKBOX with raised lid and pen work border, conforming fitted interior and drawer, with gilt metal carrying handles and animal paw feet, 6½” high x 9¼” wide. See illustration

£100-200

1186 A DIEPPE IVORY CARVING OF A CRUCIFIXION with Christ flanked by five figures and trees, the central figure seated wearing a crown pointing at an open book, 8¾” high x 5”. See illustration

160

£200-400

1187 A GRAND TOUR TYPE IVORY DESK ORNAMENT in the form of a campana-shaped urn with flared and beaded rim, on narrow column and square base, 19th century, 3” high x 3¾” wide

Lot 1189

£200-400

1188 A FOLK ART WALKING STICK carved and coloured with various comic faces, the uppermost with mouth open and tongue extended, 38” high

£200-400

1189 A CANDLESTICK in the form of a lighthouse with a turned sconce resting on a tapering lighthouse with six pierced windows and stepped circular base, 9” high. See illustration

Lot 1190

£80-150

1190 A.M. CHAPLIN: A CAST AND PATINATED BRONZE STUDY OF A MOTHER CAT and two playful kittens, on a naturalistic base with cast signature, 2½” high x 6½” wide. See illustration

£80-150

1191 AFTER GIAMBOLOGNA: A CARVED IVORY SCULPTURE “The Rape of the Sabin Woman” on a turned wooden base, 11½” high. See illustration

£300-500 Lot 1191

1192 A GENTLEMAN’S SILVER TOP WALKING CANE with engraved terminal and tapering shaft, 36” long, and another similar with birds head terminal (2)

£80-150

1193 A CONTINENTAL WHITE METAL AND NIELLO CRUCIFIX, the Christ figure mounted on an elaborate crucifix with scrolling niello decoration, beneath a tablet “Il Nonno Giovanni, 24.V.94”, 13” x 7½”

Provenance: From a Noble European Family

£100-200 161

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lots 1194, 1195 and 1196

1194 SCRIMSHAW: A LARGE WHALES TOOTH decorated with a lady and gentleman in early 19th century dress to either side, the gentleman wearing a sword and skull and crossbones flag, with traces of original colouring, 19th century, 6¾” high. See illustration

1196 SCRIMSHAW: A WHALES TOOTH decorated to one side with a three-masted ship beneath a sun with a landscape to the distance, 19th century, 5½” high. See illustration

Provenance: According to family tradition originally the property of a Great Aunt whose relative was a sea captain.

Private family collection, East Dorset.

£8,00-1,500

Provenance: According to family tradition originally the property of a Great Aunt whose relative was a sea captain.

Private family collection, East Dorset.

£800-1,500

Provenance: According to family tradition originally the property of a Great Aunt whose relative was a sea captain.

Private family collection, East Dorset.

£300-500

1197 A NORTH EUROPEAN IVORY TANKARD, the body carved in relief with a Bacchanalian procession of cavorting figures including a centaur playing a harp, another blowing a trumpet, with silver mounts with rubbed marks and scrolling ivory handle, 8¾” high x 7” wide. See illustration

1195 SCRIMSHAW: A PAIR OF WHALES TEETH engraved to either side with ladies in fashionable dress, with red and blue colouring, 19th century, 6¼” and 6” high (2). See illustration

£1,000-2,000

Lots 1198-1199 Spare Lots

162

Lot 1197

163

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1200

1203 A GEORGE III TORTOISESHELL BOW-FRONTED TEA CADDY with silver stringing, the hinged lid enclosing twin compartments lined with ivory, standing on four ball feet, 5¼” high x 6¾” wide

1200 A SWISS CYLINDER “BELLS IN SIGHT” MUSICAL BOX with seven graduated bells with decorated bee hammers and two drums, in a walnut and marquetry case inlaid with a central musical trophy within crossbanding and stringing, with ebonised borders, on stepped feet, 11½” high x 33” wide See illustration

1204 JOHN HUTCHINS: “THE HISTORY AND ANTIQUITIES OF THE COUNTY OF DORSET compiled from the Best and Most Ancient Historians...” third edition by William Shipp & James Whitworth Hodson, Westminster 1861. Three of four volumes bound in leather with gilt tooled spines (3)

£1,000-2,000

1201 A “TUNBRIDGEWARE” MARQUETRY SEWING BOX with a rectangular rising lid, all-over decorated with micro mosaic marquetry in geometric patterns, opening to reveal a mirror and twin pivoting compartments flanked by similar short drawers with all-over conforming marquetry, 5” high x 15” wide

£400-600

1205 FOUR CASED SETS OF BUTTERFLIES, each containing numerous brightly coloured specimens, 10” x 15¼” and smaller (4)

£200-400

1202 THE FRONT PANELS OF AN EARLY 19TH CENTURY SILK AND NEEDLEWORK WAISTCOAT worked with flowering foliage and repeated foliate motifs, with six buttons, framed, waistcoat maximum dimensions, 28½” high x 27” wide

£500-1,000

£50-100

1205A A MEDIEVAL STYLE STONE CORBEL carved with an angel with hands joined in prayer, 17” high x 20” wide

£100-200

164

£200-400

1206 A SET OF THREE GILT AND POLISHED STEEL FIRE IRONS comprising: shovel, tongs and poker, each with decorative foliate and acorn cast handles and long knopped shafts, the shovel 33½” long (3). See illustration

Lot 1206

£200-400

1207 LOUIS VUITTON: A LEATHER COVERED TRAVELLING JEWELLERY OR MAKE-UP CASE of trunk form with bound edges, brass corners and central carrying handle, stamped Louis Vuitton, with allover LV motifs, the interior fitted with a removable tray and mirror with label “Louis Vuitton 940282 Avenue Marceau 78 vis. Paris, 8.24” high x 16” wide. See illustration

£500-1,000 Los 1207 and 1208

1208 LOUIS VUITTON: A VINTAGE TRAVELLING TRUNK with metal bound edges and wooden batons with woven fabric covering with LV motifs, the interior with paper label and numbered 124926, with internal tray and fitted compartments, 16½” high x 25” wide. See illustration

£800-1,500

1209 A FRENCH AMBOYNA TABLE TOP JARDINIERE of serpentine rectangular form, Kingwood crossbanding and with ormolu mounts, 19th century, 14¾” wide

£100-200

1210 A PAIR OF EARLY 18TH CENTURY STYLE BRASS CANDLESTICKS with straight stems with narrow flared candle holders and broad drip pans on spreading circular feet, (2) each 5½” high

Lot 1211

£100-200

1211 A LARGE POLISHED ALABASTER VASE of classical form with flared circular rim, twin carrying handles and lobed body on a spreading circular foot, 19” high x 14” wide

£100-200

165

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1212 A FINELY CARVED FIGURE OF THE MADONNA AND CHILD, the Virgin standing wearing a crown and a veil and with a contemplative face, her gown elegantly draped across her right hand and falling in rhythmic folds, possibly French, 14th/15th century, 8¼” high, on a later turned wood base.

Lot 1215

Provenance: Property of a European Nobleman.

1213 A COLLECTION OF NOVELTY CERAMIC HARDSTONE AND GLASS FRUIT including pears, peaches, grapes and others, on a ceramic leaf-shaped dish, the dish 10” wide

£80-150

1214 AN OAK CARTRIDGE BOX, the interior with a lift-out twin divided compartment, the front carved 1912 in the Arts and Crafts style, 26” wide x 4¼” high x 4¾” deep

Lot 1216

£500-1,000

1215 A MARBLE PORTRAIT OF WELLINGTON carved in low relief in a circular surround beneath a crown, 13¼” x 11” . See illustration

£200-400

1216 AN ITALIAN MINIATURE MARQUETRY COMMODE, in the manner of Magginini, with a rectangular breakfront top with a central marquetry panel of doves in a basket above a fall-front tripart panel similarly decorated with a female figure in a landscape between marquetry panels, enclosing two short drawers, on short legs, 9½” high x 15” wide. See illustration

Lot 1217

£500-1,000

1217 AFTER A.W.N. PUGIN: (1812-1852) A set of three polished steel fire irons, comprising shovel, poker and tongs with decorative Gothic revival handles, 33”. See illustration

Footnote: A similar set of fire irons is believed to be at Chir Castle, near Wrexham

£500-1,000

1218 A SET OF THREE POLISHED STEEL FIRE IRONS comprising shovel, tongs and poker with elongated octagonal handles, 18th/19th century, 29½” long

166

£300-500

1219 TWO POLISHED STEEL FIRE IRONS a shovel and tongs, the shovel with pierced blade, spiral shaft and elongated octagonal handle, 19th century, 33½”

Lot 1221

£200-300

1220 A CHINESE TURQUOISE MONOCHROME VASE of bulbous form with slender neck mounted as a table lamp with neo-classical style gilt metal mounts, 17” high £100-200

1221 A VENETIAN “LACQUER POVERA” BOX of cartouche form, the lid decorated with a finely dressed couple in a landscape, the shaped sides similarly decorated, on short legs, 18th century, 4” x 10½” wide £200-400

Lot 1223

1222 AN ITALIAN “DERUTA” MAJOLICA LOW TAZZA decorated with exotic birds and cherubs against a cream ground, with a wavey border and raised foot, 17th century, 9½” wide £200-400

1223 TRIBAL ART: A COLLECTION OF AFRICAN TRIBAL ARTEFACTS comprising two stylised Ghanaian Akan Akua’Ba fertility type figures with beads, a small maternity group bangle and figure clasping a bird, the largest 12” high. See illustration

Provenance: Acquired in the Ashanti Campaign by General Alban Crofton-Atkins

£200-£400

1224 THREE AFRICAN BRASS ITEMS comprising a pierced and engraved cuff, bangle and square section bell, decorated with a mask within geometric borders, 5” and smaller (3)

Provenance: Acquired in the Ashanti Campaign by General Alban Crofton-Atkins

£100-200

Lot 1225

1225 TRIBAL ART: A dome top lidded stool or food preparation vessel of “mushroom” form, on a spreading circular foot, 25” high x 20” wide, and two similar stools (3). See illustration

Provenance: Apparently collected by the vendor’s family form the Sudan.

£300-500

167

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1226

1226 A PAIR OF EARLY 19TH CENTURY FRENCH BRONZE AND ORMOLU CANDLESTICKS in the form of young satyrs holding gilt floral baskets above their heads and standing on gilt tambourines, on square porphyry bases, 11” high (2). See illustration

1229 ENGLISH SCHOOL, early 20th century “A New Sculpture” style maquette of a kneeling loosely draped lady, on oval base, 7½” high x 5½” wide

1230 A BRONZE SCULPTURE OF NAPOLEON standing with arms folded by a plinth, on a square base and white marble stand, 19th century, 12½” high

£1,000-2,000

1227 A PERSIAN BLUE AND WHITE VASE of circular bulbous form with multiple openings, decorated with storks amongst foliage, 17th century, 8½” high

£80-150

1231 OLIVER MUSGRAVE (b.1958) A CAST AND PATINATED BRONZE OF A ROTUND GENTLEMAN on a sheep, with cast signature, on a wooden base, 13” high

£200-400

1228 AFTER BALTARD & DUTERTRE: “Vue des Deux Colosses” from “Thebes Memnonium”, plate 20, vol.II, a black and white engraving and four similar works (5)

£200-400

168

£200-400

1232 R.S: A CAST AND PATINATED BRONZE SCULPTURE A head and shoulders portrait of a young girl wearing a bonnet, monogrammed to the reverse, on a tapering serpentine type stand, late 19th/early 20th century, 11” high

Lot 1233

£200-400

1233 KOSSOWSKI: A CAST AND PATINATED BRONZE SCULPTURE OF A LIFEBOATMAN throwing a life belt, signed to the base “Kossowski, Thalon 1907” and with an applied plaque “From a grateful Russian patient, October 16 Nicolas Rieu Lieut. Commander I.R.N.”, 17” high. See illustration

£500-1,000

1234 A CAST AND PATINATED BRONZE STUDY OF A LOOSELY CLAD FEMALE holding a winged cherub in one arm and a flower on the other, on a naturalistic base and slate plinth, 19th century, 9” high x 7½” wide

Lot 1237

£200-400

1235 A BRONZE ART DECO STYLE FIGURE OF A NAKED WOMAN dancing with a garland of flowers, with cast signature to the base and mounted on a stepped plinth, 20½” high

£150-250

1236 A BRONZE EFFECT AND PATINATED SCULPTURE OF A WOMAN in a windy pose, on a stepped wooden base, 16” high

Lot 1238

£50-100

1237 BOFILL: “ARABE EN PRIERE” A cast and patinated bronze of a standing figure with shoes removed and head bowed in the act of prayer, with cast signature to the base, 20” high. See illustration

£500-1,000

1238 AFTER LOUIS FRANCOIS ROUBILIAC: “LAUGHING CHILD” A cast and patinated bronze sculpture, on circular socle base, 18th/19th century, 12” high. See illustration

£800-1,500

169

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1239 AFTER HUMPHREY HOPPER: A BRONZE EFFECT PLASTER SCULPTURE of a loosely clad classical maiden standing with one arm outstretched and one foot resting on an urn, signed to the reverse, “Nov 1 1815 H. Hopper, London”, 42” high. See illustration

Lot 1239

£700-1,000

1240 AFTER BRUCCIANI: A PAINTED COMPOSITION CLASSICAL STYLE STUDY OF FLORA, head and shoulders, with flowers in her hair, on a socle base, with indistinct signature to the reverse, 19th century, 24” high

£500-800

1241 AFTER THE ANTIQUE: A CLASSICAL STYLE MARBLE BUST OF A YOUNG APOLLO, head and shoulders, looking to his left, possibly 18th century, 21” high. See illustration

Lot 1241

£2,000-4,000

1242 ENGLISH SCHOOL, 19th century A portrait roundel in white marble of a gentleman wearing a bow tie and jacket, 21” wide. See illustration £300-500 1243 AFTER HENRI BARGAS: A PLASTER SCULPTURE of an Art Deco style reclining female on a rectangular base, with signature “H. Bargas”, 27” wide

Lot 1242

£100-200

1244 A REGENCY ROSEWOOD WRITING SLOPE with scrolling vine leaf printed borders, with a fitted interior, 12” wide

£100-200

1245 A MARBLE EFFECT COMPOSITION SCULPTURE OF A CLASSICAL MAIDEN loosely draped, standing with a small dog jumping to her side, 19th century, 53½” high 170

£500-1,000

1246 AFTER JOHN GIBSON: A MARBLE EFFECT COMPOSITION STUDY OF NARCISSUS, head and shoulders, on a circular socle base, 18” high. See illustration

Lot 1246

£400-600

1247 A SET OF FOUR CARVED MARBLE ROUNDELS of the Popes Gregory XII, Alexander VIII, Paolos II and Evgenivs IV, the largest 13½” dia. (4). See illustration

Provenance: From a Noble European Family

£800-1,500

1248 SANTIAGO RODRIGUEZ BONOME (1901-1995) A TERRACOTTA STUDY OF A MOTHER AND CHILD, head and shoulders, signed to the front and inscribed to the side “Epreuve d’Artiste”, 14” high. See illustration

£300-500

1249 A FLEMISH WALL MIRROR, the square bevelled plate within a tortoiseshell and wirework border decorated with fleur de lis to each corner and ebonised surround, with loop suspension, 12” x 12”, 17th century

Lot 1247

£200-400

1250 A PAIR OF CARVED GILTWOOD WALL BRACKETS, the leaf-shaped shelves supported by bird and foliate decoration, 19th century, 7½” high x 7½” wide

£80-150

Lot 1248 1251 A PAIR OF CONTINENTAL BAROQUE STYLE GILTWOOD WALL MIRRORS with oval plates, within scrolling surrounds, each 10½” x 7” (2)

Provenance: From a Noble European Family

£50-100

1252 A PAIR OF CONTINENTAL ROCOCO STYLE GILTWOOD FRAMES, the small rectangular frames within elaborate scrolling foliate surrounds, each 16” x 12”

Provenance: From a Noble European Family

£100-200

171

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1253

1254 A PAIR OF 19TH CENTURY CONTINENTAL TABLE LAMPS of tiered glass bead mounted design, the lower tier with five candle sconces, fitted for electricity, on a stepped base with dolphin and shell mounts, 25” high (2)

1253 A CONTINENTAL CARVED FRUITWOOD FIGURE OF A SERVING BOY holding a dish in one hand and wearing a tabard with central armorial, the figure rotating on a later square section column base with all over carved decoration, 70” high. See illustration

Provenance: Apparently purchased from Le Petit Chateau, Route de Chateau, Chancy, Northern France.

£300-500

Provenance: From a Noble European Family

£150-250

Lots 1255-1264 Spare Lots

172

CLOCKS AND

Lot 1269

SCIENTIFIC INSTRUMENTS 1265 A FRENCH BOULEWORK AND EBONY MANTEL CLOCK, the gilt dial with raised Roman numerals, the eight day movement striking on a bell, in a rococo style case, with gilt metal mounts, 15” high

£100-200

1266 A REGENCY ROSEWOOD WHEEL BAROMETER, the circular silvered dial signed “Logan, Dorchester”, the dial beneath a mercury filled barometer, the rosewood case with scrolling borders, 41” high

£200-400

1267 AN EDWARDIAN ANEROID BAROMETER, the circular dial signed “Benetfink & Co. Cheapside, London”, the barometer dial beneath a mercury filled barometer and clock, within a carved oak surround, 26”

Lot 1270

£80-150

1268 AN ADMIRAL FITZROY TYPE BAROMETER of traditional design with printed backing and barometer atmosphere and temperature tubes, in a cross-jointed frame, 40¾” high

£100-200

1269 A MARINE BAROGRAPH in a fitted case, the mechanism bearing a label “Cassella London 275”, 9” high x 12½” wide. See illustration

£80-150

Lot 1271

1270 CAMERER KUSS & CO., LONDON: A George III style mahogany cased bracket clock with convex silvered dial and two train eight-day movement chiming on five coiled gongs, the arch topped case with gilt carrying handle, 14” high. See illustration

£200-400

1271 A 19TH CENTURY FRENCH WHITE MARBLE AND GILT METAL MANTEL CLOCK, the convex dial with arabic numerals and gilt hands, with a two-train “Japy” type movement striking on a bell, the architectural case with stop fluted columns and arch with central drum case, with all-over gilt metal mounts and surmounted by an eagle with wings outstretched, 23” high x 16” wide. See illustration

£300-500

173

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1272 A 19TH CENTURY FRENCH GILT BRONZE CASED MANTEL CLOCK, the convex white enamel dial signed Gille L’Aine with an eight day two-train movement striking on a bell, the case in the form of a fluted column surmounted by a classical draped urn, on a square base, 14” high. See illustration

Lot 1272

£500-1,000

1273 A VICTORIAN OAK MOUNTED STICK BAROMETER, the ivory scale signed Browns Universal Barometer, registered December 21 1850, 35½” high

£100-200

1274 A VICTORIAN MAHOGANY CASED SHIPS BAROMETER, the ivory scale signed Gray & Keen, Strand, Liverpool, the case with foliate carving and ebony stringing, with wall mounting gimbal, the barometer 37” high

Lot 1276

£300-600 1275 A GEORGE II MAHOGANY EIGHT DAY LONGCASE CLOCK BY “SAMUEL GREEN, TENBURY”, the arched dial with silvered chapter ring engraved with Roman and Arabic numerals, silvered subsidiary dial, the cartouche engraved “Samuel Green, Tenbury”, the eight day movement striking on a bell, in a fitted mahogany case, 85” high

£250-450

1276 A VICTORIAN SLATE CASED MANTEL CLOCK, the silvered dial signed Arnold, London, with up/ down gauge and seconds dial within a chapter ring with Roman numerals, with a single chain fusee movement with platform escapement, inscribed Arnold, London, no. 385, the dial in circular surround rotating on a square stepped base with low relief decoration of a maiden pouring water, 15½” high. See illustration

Lot 1278

£500-1,000

1277 A GEORGE III STYLE STICK BAROMETER, the engraved silvered dial mark “Comitti, Holborn”, the case with architectural pediment and boxwood stringing, 20th century, 38½” high 174

£200-400

Lot 1280

1280 A FRENCH ORMOLU MOUNTED MANTEL CLOCK, the convex circular enamel dial with Roman numerals and Arabic minutes with an eight day two-train movement striking on a bell, the case surmounted by crossed quiver and flambeau motif, on a shaped base with hunting motifs and dead game, 14½” high. See illustration

1278 A FRENCH GILT METAL “PENDULE D’ OFFICER” with broad convex circular dial with Arabic numerals, the case with snake form carrying handle and wreath mounted case, on short turned feet, 8” high. See illustration

£500-1,000

1279 A GILT METAL AND SEVRES STYLE CLOCK GARNITURE, the clock with decorated dial with Roman numerals and an eight day two-train “Japy” type movement striking on a bell, the case surmounted by a pale blue and gilt urn finial, the dial flanked by lion masks, the clock flanked by twin two-branch candelabra, each 11½” high

£500-1,000

1281 A MAHOGANY CASED SHIPS BAROMETER bearing a label “Blachford & Co., 79 Leadenhall St, London, the enclosed barometer with a small door fitted with a thermometer and revealing the barometer, 38” high. See illustration

£200-400

175

£300-600

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1282 A LIBRARY GLOBE with the label “Carys New Terrestrial Globe Delineated From The Best Authorities Extant; Exhibiting the different tracks of Captain Cook and the new discoveries made by him and other circumnavigators. London, sold by M. Berge, Late Ramsden, Piccadilly, January 1801”, on a mahogany stand with three downswept legs, 24” high x 16” wide. See illustration

Lot 1282

£1,500-2,500

1283 A POCKET GLOBE BY LANE OF LONDON with a small globe in a leather case with rotating points, the globe 1½” wide

£300-500

1284 A LARGE LATE VICTORIAN OAK AND GILT METAL MOUNTED BRACKET CLOCK, the circular dial with central sunburst surrounded by Arabic numerals on raised silvered roundels, with a three-train twin fusee movement chiming on eight graduated bells and striking on five coiled gongs, the elaborate case with all over gilt metal mounts and a winged cherub, on a matching bracket with conforming mounts with an applied label to the reverse David Munsey, 19 Market Hill, Cambridge, October 1891, the clock 26” high x 16” wide, the bracket 24” high x 19½” wide. See illustration

Lot 1284

£2,000-4,000

1285 JAEGER-LE COULTRE: A GILT BRASS CASED ATMOS CLOCK of traditional design with white finished chapter ring and glazed gilt brass case, 9¼” high x 8½” wide

Lot 1286

£200-400

1286 A GEORGE III MAHOGANY LONGCASE CLOCK the dial with an arch with tablet “John Smithyes, London” with silvered chapter ring and subsidiary seconds dial, with an eight day two train movement striking on a bell, the trunk with an arch topped door, 99” high

£800-1,500

Lots 1287 – 1299 Spare Lots

176

FURNITURE

Lot 1332 detail 177

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1300 A GEORGE III MAHOGANY BRASS BOUND WINE COOLER, the oval top enclosing a lined interior, with twin carrying handles and brass bound body, on splayed legs with brass castors, 27” high x 24” wide. See illustration

Lot 1300

£200-400

1301 AN EDWARDIAN MAHOGANY AND SATINWOOD INLAID BIJOUTERIE CABINET, the square top with serpentine sides enclosing a velvet lined interior, stamped Edwards & Roberts, on square tapering legs with a shelf stretcher below, 30½” high x 18” wide

£200-400

1302 A GEORGE III MAHOGANY COMMODE, the rectangular top with wavey border with pierced hand holds above twin cupboards and drawer with ring handles, 32” high x 21” wide

Lot 1304

£200-400

1303 A 19TH CENTURY OAK DRESSER BASE, the front with an arrangement of six drawers and two cupboards, on bracket feet, 69” wide x 35” high x 18½” deep

£200-400

1304 A GEORGE II WALNUT BUREAU BOOKCASE in three parts, the upper section with twin cupboard doors enclosing a shelved interior, with a fall front enclosing an arrangement of drawers, cupboards and pigeon holes, the lower section with two and two long drawers on bracket feet, 40½” wide x 67” short. See illustration

Lot 1306

£1,500-2,500

1305 A NEST OF FOUR VERNIS MARTIN TYPE OCCASIONAL TABLES, each with a rectangular top, painted with a Watteau style couple or landscape, on slender turned legs, the largest 21½” wide

£200-400

1306 GILLOWS OF LANCASTER: A BURR WALNUT CENTRE TABLE, the wavy edged top above a single frieze drawer stamped “Gillow & Co.” and numbered, on four slender cabriole legs, 42½” wide. See illustration

178

£500-1,000

1307 A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS, with wavy ladder-backs above drop-in seats, on square tapering legs with H formed stretchers (6), 37” high

Lot 1308

£300-500

1308 A CHARLES II OAK CHEST OF DRAWERS with a rectangular top with moulded border above an arrangement of two short and three long graduated drawers with moulded fronts and “Mulberry” veneered centres, with brass key escutcheons and handles, on bracket feet, 17th century and later, 38” high x 38” wide. See illustration

£400-800

1309 A QUEEN ANNE STYLE OAK COFFER with a rectangular top above a three panelled front, the central panel dated 1706 and carved with initials M W E, the flanking panels with lozenge and foliate decoration, 53” wide, 18th century and later

Lot 1310

£200-400

1310 A CHARLES II OAK “COURT” CUPBOARD, the upper section with a carved frieze above two recessed panelled doors with carved decoration, the lower section with two twin panelled doors between moulded uprights, 17th century and later, 49” wide x 60” high. See illustration £500-800 1311 A VICTORIAN WALNUT VENEERED ROLL-FRONTED DAVENPORT with a “pop up” stationary compartment above a shaped pull forward writing slope and an arrangement of short drawers, all above four small graduated drawers with panels of conforming dummy drawers, 37” high x 22½” wide

Lot 1311

£600-900

1312 A GEORGE III MAHOGANY TRIPOD TABLE, with a circular tip top, on a vase turned column with three outswept cabriole legs with pad feet, 28” high x 32½” wide

£150-300

1313 A GILLOWS STYLE MAHOGANY WORK TABLE with a folding top opening to reveal a baize-lined surface above a single small frieze drawer with turned knob handles and conforming dummy drawer, on spiral turned legs and brass castors, 33” high x17¾” wide

£300-500

179

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1314 A BRASS AND STEEL NURSERY SPARK GUARD with a rounded top rail, 19th century, 23½” high x 28” wide

Lot 1315

£100-200

1315 A CHARLES II LEATHER

TRAVELLING TRUNK

with brass floral stud work decoration, ornate pierced iron lockplate and side brackets and with wrought iron carrying handles, c.1660, 26” high x 52” wide.

See illustration

Cf: The Dictionary of English Furniture by Ralph Edwards, Vol. II. Page 119, number 36 and 37 are two similar chests from Rushbrook Hall, Suffolk and Hardwick Hall, Derbyshire.

£300-500

1316 A GEORGE I FOLD TOP TEA TABLE, the “D”-shaped top opening twice to a polished surface and shallow well, on a moulded frieze and four slender cabriole legs with pointed pad feet, 28½” high x 30” wide

Lot 1318

£300-500

1317 A GEORGE III MAHOGANY BEDSIDE COMMODE, the rectangular top with raised border and pierced hand holds above a tambour front and single drawer modelled as two, on square moulded legs, 30” high x 20½” wide

£350-500

1318 A SMALL GEORGE III OAK CHEST OF DRAWERS with a flush fitting rectangular top above a brushing slide and two short and two long graduated drawers with brass handles, on bracket feet, 29½” high x 30” wide. See illustration

£550-750

1319 A GILLOWS STYLE MAHOGANY AND ROSEWOOD CROSSBANDED WORK TABLE, the rectangular top with rounded corners and rosewood crossbanding above a single fitted drawer with ebony stringing and gilt metal mounts above an upholstered needlework basket, on single reeded legs with brass castors, 29” high x 21” wide. See illustration

Lot 1319

£300-500

1320 A NORFOLK TYPE WALNUT CHEST OF DRAWERS with a rectangular top with rounded corners and broad crossbanding with quarter matched veneers above an arched frieze and three small and three long graduated drawers with brass handles and key escutcheons, on bracket feet, 39” high x 32” wide

180

£550-750

1321 A CHINESE HARDWOOD AND MARBLE STAND, the square top with moulded border inset with a marble panel on a carved and pierced frieze with shelf stretcher and moulded legs with shaped feet, 32” high x 16½” wide

Lot 1322

£50-100

1322 A LOUIS XVI STYLE LADY’S WRITING DESK, the upper section with a central glazed door flanked by cupboards and four small drawers with all over foliate and geometric marquetry, the base with a cylinder fronted desk with marquetry inlaid slide and arrangement of short drawers, above three shaped frieze drawers on slender cabriole legs with gilt metal mounts, 19th century, 60”high x 33” wide. See illustration

£400-800

1323 A VICTORIAN MAHOGANY SERVING TABLE, the rectangular top with indented front corners with raised brass gallery and central frieze drawer between floral patera, on tapering fluted and carved legs, 36” high x 66” wide

Lot 1324

£200-400

1324 A ROCOCO STYLE GILTWOOD AND MARBLE CONSOLE TABLE, the serpentine fronted white marble top with moulded border, on two scrolling leaf carved and moulded legs with raised stretcher and conforming frieze, 41” high x 57” wide. See illustration

£400-600

1325 A LATE GEORGE III MAHOGANY BREAKFAST TABLE, the rectangular tip top with rounded corners on a ringturned column and four down-swept legs with brass capped castors, the top 34½” x 48”, 28” high

Lot 1327

£250-350

1326 A VICTORIAN MAHOGANY OPEN FRONTED BOOKCASE with adjustable shelves, 48¼” wide x 53¾” high

£180-250

1327 A GEORGE III MAHOGANY KNEEHOLE DESK, the rectangular top above a single frieze drawer and eight pedestal drawers, the recessed central cupboard below a single small drawer, 28¾” high x 34” wide. See illustration

£600-800

181

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1328 AN OAK DRESSER BASE, the rectangular top above two short drawers with block moulded fronts and brass handles and key escutcheons, on turned legs and stretchers, 18th century and later, 29¼” x 48”

Lot 1330

£150-250

1329 A REGENCY MAHOGANY TEA TABLE with canted rectangular top, on four column supports and down-swept sabre legs ending in brass claw castors, 29” high x 34” wide

£300-400

1330 A GEORGE II WALNUT TALLBOY, the upper section with three short and three long drawers flanked by fluted and canted angles, the base with three further long graduated drawers, on bracket feet, 71” high. See illustration

Lot 1331

£1,000-2,000

1331 A CREAM PAINTED DRESSING TABLE with a “D”-shaped top with an arrangement of drawers painted with flowers surrounding a central kneehole, 30½” high x 56” wide, with a folding three plate mirror. See illustration

£200-400

1332 A DUTCH WALNUT AND MARQUETRY TIP TOP OCCASIONAL TABLE, the shaped top with a central marquetry vase of flowers flanked by exotic birds within scrolling and foliate surround with chequered border, on a conforming vase shaped hexagonal column with three scrolling downswept legs, 33” high x 31” wide. See illustration

Lot 1332

£200-400

1333 A LARGE RECTANGULAR BEVEL EDGED MIRROR in an elaborate rococo style gilt frame, 40” x 49”

£300-500

1334 A REGENCY MAHOGANY AND BRASS INLAID FOLD TOP CARD TABLE with a rectangular top with broad crossbanding and rounded corners above a frieze with central brass inlaid tablet, on a flat sided column and platform base with four scrolling legs with decorative brass capped castors, 29” high x 36”

182

£150-250

1335 A PAIR OF ROCOCO STYLE GILTWOOD MIRRORS with slender rectangular plates within carved surrounds surmounted by exotic pagodas, ho-ho birds and rococo “icicles”, 26” high x 11” wide (2). See illustration

Lot 1335

£200-400

1336 A WELSH OAK AND MARQUETRY MULE CHEST, the rectangular rising top above a three panelled front, with scrolling foliate and flower inlay, with a central arched panel above a date “1756” and two short drawers, on shaped bracket feet, 57” wide

£250-450

1337 A PAIR OF ITALIANATE GILTWOOD AND MIRROR MOUNTED GIRANDOLE, the shaped plates etched with figures and birds within a scrolling surround within a carved frame with shell motif flanked by two exotic figures, with one two-branch light fitting, 47” high x 25” wide (2). See illustration

Provenance: From a Noble European Family

£300-500

Lot 1337

1338 A SET OF FOUR CONTINENTAL GILTWOOD MIRROR MOUNTED GIRANDOLE, each with tapering arched topped plates with etched borders within shell capped frames with all-over C-scroll decoration and twin gilt metal candelabra, 29” x 14½” wide (4). See illustration

Provenance: From a Noble European Family

£600-800

1339 A PAIR OF WALL MIRRORS WITH SHAPED PLATES, within carved surrounds surmounted by stylised flowers and scrolls, above stylised faces, each 28” x 13”, 18th century and later

Lot 1338

£400-600

1340 A CARVED GILTWOOD TWOBRANCH WALL SCONCE with a rococo style foliate bracket and twin naturalistic candle branches, the bracket 9” x 6½”, 19th century

Provenance: From a Noble European Family

£80-150

1341 A CONTINENTAL WHITE METAL FRAMED OVERMANTEL MIRROR with an arched and shaped plate within a leaf decorated surround, 27½” x 30” wide

Provenance: From a Noble European Family

£100-200

183

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1342

1342 AN HISPANIC EMBOSSED LEATHER TRAVELLING TRUNK of rectangular form, all-over covered in foliate and bird decoration with strap hinges and lock, with traces of original colouring, on two associated carved feet, probably South American, 17th/18th century, the trunk 16” high x 33” wide. See illustration

£500-1,000

1343 A GEORGE III MAHOGANY SIDE TABLE the rectangular top above a single frieze drawer above a wavy frieze on square legs, 28” high x 33” wide

Lot 1346

£80-150

1344 A GEORGE III MAHOGANY PILLAR TABLE the oval top on a turned tapering column and three down-swept cabriole legs with pad feet, 28” high x 21½” wide

£50-100

1345 A GEORGE III STYLE MAHOGANY ARMCHAIR with a circular back with scrolling lattice decoration, outswept arms and shaped drop-in seat, on square tapering legs with spayed feet, 36” high x 23” wide

£100-200

1346 A GEORGE III GILT FRAMED WALL MIRROR with an oval plate within a ribbon and leaf border, with scrolling foliate surround with leaf cresting, 18th century and later, 43” high x 34” wide. See illustration Lot 1347

£1,000-2,000

1347 A GEORGE IV ROSEWOOD CONSOLE TABLE with a rectangular grey marble top, fitted with a panelled frieze drawer set with gilt metal anthemion mounts, on stiff leaf carved spiral baluster legs joined a concave stretcher shelf, 35” high x 37¾” wide. See illustration

£300-500

1348 A GEORGE II STYLE BRASS CHANDELIER, the central column with foliate carved details and seven scrolling candle branches, fitted for electricity, 26” high x 24” wide 184

£200-400

1349 A WHITE MARBLE WINE COOLER of oval form with half-lobed body and twin carrying handles, 11” high x 28” wide. See illustration

Lot 1349

£700-1,000

1350 A PAIR OF BRONZE AND GILT BRONZE CLASSICAL REVIVAL WALL SCONCES, the back plates with cast vases with entwined snakes, with twin scrolling candle branches, fitted for electricity, early 20th century, 14½” high x 13” wide (2). See illustration

£500-1,000

1351 A PAIR OF NEOCLASSICAL WALL LIGHTS, each of square section tapering column form surmounted by foliate draped urns, with three scrolling candle branches, 19th century, 21” high x 12” wide

Lot 1350

£400-800

1352 A PAIR OF FRENCH GILT METAL NEO-CLASSICAL STYLE WALL SCONCES of tapering fluted column form surmounted by a flaming urn, with twin scrolling candle branches with cast sconces and drip trays, 19th century, 17” high x 11½” wide

£400-800

1353 A CONTINENTAL WALL MIRROR, the rectangular plate within a swept and leaf cast giltwood surround, possibly Peruvian, 20” high x 17” wide

£200-400

Lot 1355

1354 A PAIR OF ROCOCO STYLE GILT METAL THREE BRANCH WALL LIGHTS with staggered foliate cast sconces, on scrolling branches and supports, 14” high x 12” wide (2) Provenance: A European noble family.

£200-400

1355 A GEORGE II IRISH MAHOGANY JARDINIERE, the detachable rectangular top with moulded border revealing a metal-lined jardiniere, with a wavy shell centred frieze, on four elaborate outswept cabriole legs with leaf carved knees and ball and claw feet, possibly converted, 34” high x 31” wide. See illustration

£800-1,600

185

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1356 A CHARLES II OAK HANGING WALL CUPBOARD with a single panel door with shaped fielded panel enclosing a fitted interior with wavy frieze and five small drawers, 24” high x 21” wide. See illustration

Lot 1356

£250-450

1357 A CHARLES II OAK MULE CHEST with a rectangular top with a moulded border above a plain fronted and long frieze drawer, on bun feet, 17th century and later, 42” wide. See illustration

£300-500

1358 A GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS with a shaped top above two short and three long graduate drawers with brass handles, on bracket feet, 41” high x 42” wide

Lot 1357

£100-200

1359 A REGENCY MAHOGANY AND EBONY STRUNG FOLD TOP CARD TABLE, the rectangular top with rounded corners and ebony and brass stringing, on four outswept legs with turned feet and brass capped castors, 28½” high x 36” wide

£100-200

1360 A GEORGE III STYLE MAHOGANY LIBRARY CABINET, the upper section with a moulded cornice and satinwood crossbanding above twin astragal glazed doors enclosing a shelved interior, the base similarly decorated with twin panelled doors, on a plinth base, 85” high x 44” wide

Lot 1361

£150-250

1361 A SET OF FOUR LOUIS XVI STYLE SALON CHAIRS, comprising two armchairs and two standard chairs with moulded and leaf carved frames with “aubusson” style needlework seat covers, with serpentine seat rails and conforming legs with brass sabots, the armchairs 40” high x 28” wide. See illustration

£400-600

1362 A REGENCY MAHOGANY CHEVAL MIRROR, the tall rectangular plate within a turned frame with down-swept legs and brass cap castors, 77” high x 26” wide 186

£180-250

1363 A PAIR OF GEORGE III STYLE WALL MIRRORS, each of narrow escutcheon shape, the plate super imposed by pierced acanthus foliage and surmounted by an urn, 40½” high x 14¾” wide. See illustration

Lot 1363

£100-200

1364 AN 18TH CENTURY OAK “CWPWRDD DEUDDARN” with arched fielded panels, the top with turned pendant drops and with a secret central panel enclosing two banks of small drawers with hidden compartments, between opposing cupboard doors, the base with three frieze drawers and a pair of cupboards below, with panelled sides, probably North Wales, 58” high x 54” wide. See illustration

£800-1,500

1365 A SET OF FIVE TWIN BRANCH WALL SCONCES with foliate supports with all over gilt leaf and cut drop decoration with conforming candle branches, fitted for electricity (5), 19th century, 17” high x 13” wide

Lot 1364

£200-400

1366 GILLOWS OF LANCASTER: A MAHOGANY WORK TABLE with rising rectangular leather lined top above three small drawers and a single dummy drawer, one with fitted compartments, on square tapering legs with X form stretcher, 19th century and later, 32” high x 24½” wide. See illustration

£1,000-2,000

1367 HEAL & SON, LONDON. A VICTORIAN MAHOGANY TWIN PEDESTAL DESK, the rectangular top with inverted breakfront and a frieze of three short drawers with turned knob handles on two columns of three further short graduated drawers on plinth bases, 29½” high x 48” wide

Lot 1366

£200-400

1368 A VICTORIAN MAHOGANY EXTENDING DINING TABLE, the rectangular top with D shaped ends and moulded border, on turned tapering reeded legs and brass capped castors, the top 47” x 90” x 30” high £300-600 1369 A GEORGE IV MAHOGANY CARD TABLE, the fold-over top with rounded corners enclosing a baize-lined playing surface, on a turned pillar and four downswept reeded legs, 29¼” high x 36” wide

£50-100

187

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1370 A CHINESE EXPORT CABINET, the rectangular top above twin Japanned doors with central panels decorated with birds amongst foliage, within grape and leaf borders, on a later base, 31” high x 38” wide. See illustration

Lot 1370

£100-200

1371 A PAIR OF GEORGE III MAHOGANY DINING CHAIRS with “Chippendale” style pierced and leaf-carved back splats, above overstuffed seats, on moulded and carved square section legs with “H”-for stretchers, 38½” high (2). See illustration

£200-400

1372 A SET OF FOUR GEORGE III MAHOGANY DINING CHAIRS with “Chippendale” style pierced back splats, above drop-in seats, on square legs with “H”-form stretchers, 37” high

Lot 1371

£300-400

1373 A REGENCY MAHOGANY PILLAR TABLE, the rectangular top with shaped corners and narrow crossbanding, on a bulbous spiral-turned column with three downswept legs, 27” high x 24” wide

£50-100

1374 A REGENCY PAINTED PINE CHIFFONIER with a white marble top above a single frieze drawer and twin cupboard doors with vacant centres, all between gilt spiral and fluted columns, 33” high x 40” wide Lot 1376

£300-500

1375 A REGENCY ROSEWOOD BREAKFRONT SIDE CABINET with a green marble top, the concave centre with two doors flanked by doors with silk panels, inlaid with brass stringing, 36” high x 59” wide

£600-800

1376 A VICTORIAN MAHOGANY TWIN PEDESTAL DESK, the rectangular top with moulded border and divided writing surface, above a frieze of three drawers with turned knob handles, on twin pedestals of three further short graduated drawers, on plinth bases and castors, 30½” high x 60” wide. See illustration 188

£1,500-2,500

1377 A QUEEN ANNE WALNUT AND MARQUETRY CHEST OF DRAWERS, the rectangular top with moulded border and central oval panel of scrolling foliate marquetry with conforming corner panels, above two short and three long graduated drawers with semicircular drawer dividers and marquetry fronts, on turned bun feet, 17th century and later, 38” high x 37½” wide. See illustration

Lot 1377

£300-500 1378 A GEORGE II WALNUT CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers with cockbeading and feathered crossbanding, the base with two further long graduated drawers, with brass handles and key escutcheons throughout, on bracket feet, 63” high x 41” wide. See illustration

£2,000-4,000

1379 A GEORGE I WALNUT VENEERED CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers between reeded corners, the lower section with three further long drawers, all with cockbeading and crossbanding, with brass handles and key escutcheons, on bracket feet, 18th century and later, 64½” x 40”. See illustration

Lot 1378

£500-1,000

1380 A GEORGE III MAHOGANY FRAMED DRESSING TABLE MIRROR, the shield-shaped plate within shaped uprights and downswept legs, 27½” high x 19” wide

£80-150

1381 A REGENCY LION MONOPODIA CONSOLE TABLE, the composition marble effect “D”-shaped top on a lion head stand and platform base, 30” high x 22” wide

Lot 1379

£100-200

1382 AN EARLY 20TH CENTURY “MAPLES” STYLE CHINOISERIE BEDROOM SUITE comprising a triple wardrobe with pagoda-effect painted and gilt cornice, above three doors with central lacquer panels enclosing a fitted interior, with matching dressing table and stool, single bed, bedside cabinet and occasional chair, the wardrobe 77” high x 64” wide

£400-800

1383 GIOVANNI ERBA: AN ITALIAN WHITE LEATHER MODERNIST CORNER SOFA with flared arms and low back, with three loose cushions, c.136” x 72” (maximum dimensions)

£300-600

189

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1384 A GEORGE I WALNUT SIDE TABLE, the rectangular top with quarter matched veneers and moulded border with reentrant corners above a single frieze drawer with brass handles, above a wavy frieze, on slender cabriole legs with shell carved knees and pad feet, 18th century and later, 30” high x 33” wide. See illustration

Lot 1384

£500-700

1385 A REGENCY MAHOGANY BREAKFAST TABLE, the rectangular top with rounded corners and broad crossbanding, on a shaped square column with ebony stringing, on four downswept legs with animal paw cap castors, the top 35¼” x 63”, 28” high

£500-700

1386 A LATE GEORGE III MAHOGANY JARDINIERE, the oval metal-lined jardiniere with turned three-quarter gallery, with downswept rail and slender uprights, on a spiral-turned column and platform base with shaped downswept legs, 52” high x 24½” wide. See illustration

Lot 1386

£1,500-2,000

1387 A REGENCY MAHOGANY AND SATINWOOD CROSSBANDED BREAKFAST TABLE, the rectangular top with shaped corners and satinwood crossbanding, with ebony and box stringing, on a turned column with four downswept reeded legs with brass capped castors, the top 37” x 51½”, 28” high Lot 1388

£400-600

1388 A QUEEN ANNE OYSTER VENEERED CHEST ON STAND, the rectangular top with swept border and radiating oyster veneers with boxwood stringing, above two short and two long graduated drawers with brass drop handles and key escutcheons, with semi-circular drawer dividers, the base with swept mouldings above a further long drawer, on short spiral-turned legs with wavy platform stretcher and bun feet, 17th century and later, 41” high x 35” wide. See illustration

190

£800-1,500

Lot 1394

1392 A GEORGE I WALNUT CHEST OF DRAWERS, the rectangular top with quarter matched veneers and broad crossbanding, above two short and three long graduated drawers with conforming decoration, with drop handles and pierced escutcheons, on bracket feet, 38” high x 37½” wide

1389 A VICTORIAN MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top above two short and three long graduated drawers with turned knob handles, on turned feet, 41” high x 42” wide

£150-250

1390 A GEORGE I WALNUT VENEERED CHEST OF DRAWERS, the rectangular top with a moulded border and geometric veneers with box and ebony stringing, above two short and two long graduated drawers with conforming stringing and crossbanding, with gilt metal key escutcheons and drop handles, with bun feet, 18th century and later, 33” high x 36½” wide

1393 A REGENCY ROSEWOOD AND SATINWOOD STRUNG CARD TABLE, the rectangular top with rounded corners enclosing a baize-lined playing surface, on a turned column and four scrolling downswept legs with all over gilt mounts and animal paw cap castors, 28½” high x 36” wide

£300-500

1391 A 17TH CENTURY OAK SIX PLANK COFFER, the rectangular top with notched ends above a front board with repeated scrolling low relief carved decoration against a matted ground, on trestle end supports, 17th century and later, 25” high x 47” wide

£100-200

£500-1,000

£200-400

1394 A BOULE-WORK BRASS AND TORTOISESHELL DESK, the rectangular top decorated with an elborate scene with a female musician playing a stringed instrument beneath an arch and scrolling borders decorated with further figures, above a frieze with a single long drawer modelled as three short drawers with boulle fronts, on cabriole legs with all over gilt metal mounts, 31½” high x 45½” wide. See illustration

1391A A GEORGE II WALNUT VENEERED BUREAU with all-over feather banding and broad crossbanding, the sloping fall enclosing a well fitted interior, with short drawers and pigeon holes above two short and two long drawers with brass handles and brass side carrying handles, on bracket feet, 39” high x 36” wide

£200-400

191

Provenance: Private collection, West Dorset.

£1,000-2,000

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Lot 1398

1397 AN OVAL IRISH BEVEL EDGED MIRROR, the overall plate within a “jewelled” surround, 17½” x 27”

1395 A REGENCY ROSEWOOD AND BRASS INLAID CHIFFONIER BOOKCASE in the manner of George Oakley or John McLean, the raised back with a three-quarter gilt gallery and graduated shelves with brass inlaid fronts and cast supports, the base with two mirror-mounted doors between carved and gilt scrolling uprights with giltwood animal paw front feet and turned rear legs, 52½” high x 36” wide. See illustration

1398 EDWARD BARNSLEY (1900-1987): A BARNSLEY WORKSHOPS WALNUT DINING TABLE, the shaped rectangular top with central fold-out extending leaf set with a boxwood strung border supported on four tapering legs, stamped “Barnsley” to the underside, 86” long (extended) x 39” deep x 28½” high. See illustration

£7,000-10,000

1396 AN ONYX TOPPED TABLE, the rectangular top on a Spanish style trestle type base, with wavy legs and stretchers, the top 90” x 30”, 29¾” high

£400-600

£500-1,000

192

£1,000-2,000

Lot 1395

193

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1399 A GOANESE EBONY ELBOW CHAIR, 17th century, with adaptations, the back inlaid with an ivory panel bearing the date 1521, with carved arms and drop-in seat, above conforming relief-carved rails, stretchers and turned uprights, 40” high x 21” wide.

Provenance: Longleat, Wiltshire.

Acquired by the vendor from 6th Marquess of Bath.

£1,000-2,000

This chair relates to the celebrated suite of ebony seat furniture from the ancestral seat of the Thynne family. Recorded in the 1740 inventory of Longleat

194

1400 A 19TH CENTURY CONTINENTAL BURR WALNUT AND MARQUETRY CENTRE TABLE, the shaped hexagonal top with shaped border decorated with a central collar of foliate marquetry within geometric banding, on a vase-shaped column and three downswept legs decorated with three small turned vase ornaments, 30½” high x 42” wide.

£3,000-5,000

195

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

1401 A PAIR OF GEORGE III MAHOGANY SECRETAIRE LIBRARY BOOKCASES, the upper sections with domed dentil moulded cornices above astragal glazed doors enclosing shelved interiors above double drawer fronted fall fronts enclosing fitted interiors with an arrangement of short drawers and pigeonholes, above three further graduated drawers, all with brass handles, on bracket feet, 89” high x 33” wide, 18th century and later.

£1,000-2,000

196

1402 A CHARLES I OAK COURT CUPBOARD of tri-part form, the upper section with a moulded cornice above a panelled back with a central panel with an armorial of three stags heads, flanked by marquetry and further carved panels beneath a inlaid inscription “Ye XXV Daye of Januarie 1640”, the panels all between chequered stringing, the central section with an inlaid frieze “Unto Us a Childe is Borne” above a recessed central panel with scrolling floral marquetry within stepped carved borders, flanked by twin cupboard doors with central foliate panels, all between conforming stringing, the base with two three-panel doors with further conforming carving and a central moulded upright, 17th century and later, 59” wide.

197

Provenance: Purportedly the Cavendish family.

George Donaldson.

Purchased at auction in 1988 in the West of England.

Private collection, West Dorset.

Literature: This impressive oak court cupboard features as fig. 128 in Percy MacQuoid’s seminal volume “The Age of Oak”, first published in 1904 and re-published many times since.

In this ground-breaking work the cupboard is described as being “exceptionally fine” and “no doubt made to commemorate a birth in the Cavendish family”. The author draws a link between the “Cavendish scrolled bordure” that separates the two cupboard doors with a table which remains the property of the Duke of Devonshire and was originally part of the furnishings of Hardwick House.

Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

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Each lot is subject to a buyer's premium of 26.4% inclusive of VAT @ 20%

Duke’s AUCTIONEERS SINCE 1823

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable. Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

PAINTINGS, DRAWINGS AND PRINTS A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist. Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence.

Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt. The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style. A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700. All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

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CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) The Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Duke’s opinion (given on behalf of the seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller. (2) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions.

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Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance). CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items. IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

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The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

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The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Dukeâ&#x20AC;&#x2122;s Thursday, 7th December, Silver and Jewellery. Friday, 8th December, Furniture and Works of Art

Silver and Jewellery Thursday, 7th December

Furniture and Works of Art

Friday, 8th December

2017

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