Duke University Press History Catalog, Winter 2021

History

Winter 2021

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Contents 2

New Books New Journal Issues 22 Journals 24 Coming Soon 27 Also Available 18

NEW BOOKS Unfixed Photography and Decolonial Imagination in West Africa JENNIFER BAJOREK

Photography/African studies

February 2020

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In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographers based in Senegal and Benin, Bajorek draws on formal analyses of images and ethnographic fieldwork with photographers to show how photography not only reflected but also actively contributed to social and political change. The proliferation of photographic imagery—through studio portraiture, bureaucratic ID cards, political reportage and photojournalism, magazines, and more—provided the means for west Africans to express their experiences, shape public and political discourse, and reimagine their world.

In delineating how west Africans’ embrace of photography was associated with and helped spur the democratization of political participation and the development of labor and liberation movements, Bajorek tells a new history of photography in west Africa—one that theorizes photography’s capacity for doing decolonial work.

Jennifer Bajorek is Associate Professor of Comparative Literature and Visual Studies at Hampshire College and Research Associate in the VIAD Research Centre, in the Faculty of Art, Design, and Architecture at the University of Johannesburg.

Indigenous Textual Cultures Reading and Writing in the Age of Global Empire TONY BALLANTYNE , LACHY PATERSON , and ANGELA WANHALLA , editors

Indigenous and Native studies/ World history

September 2020

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As modern European empires expanded, written language was critical to articulations of imperial authority and justifications of conquest. For imperial administrators and thinkers, the non-literacy of “native” societies demonstrated their primitiveness and inability to change. Yet as the contributors to Indigenous Textual Cultures make clear through cases from the Pacific Islands, Australasia, North America, and Africa, indigenous communities were highly adaptive and created novel, dynamic literary practices that preserved indigenous knowledge traditions. The contributors illustrate how modern literacy operated alongside orality rather than replacing it. Reconstructing multiple traditions of indigenous literacy and textual production, the contributors focus attention on the often hidden, forgotten, neglected, and marginalized cultural innovators who read, wrote, and used texts in endlessly creative ways. This volume demonstrates how the work of these innovators played pivotal roles in reimagining indigenous epistemologies, challenging colonial domination, and envisioning radical new futures.

Tony Ballantyne is Pro-Vice-Chancellor in the Division of Humanities at the University of Otago in New Zealand.

Lachy Paterson is Professor at the University of Otago’s Te Tumu: School of Maori, Pacific and Indigenous Studies.

Angela Wanhalla is Associate Professor of History at the University of Otago.

History | new books

Elementary Aspects of the Political Histories from the Global South PRATHAMA BANERJEE In Elementary Aspects of the Political Prathama Banerjee moves beyond postcolonial and decolonial critiques of European political philosophy to rethink modern conceptions of “the political” from the perspective of the global South. Drawing on Indian and Bengali practices and philosophies from the late nineteenth and early twentieth centuries, Banerjee identifies four elements of the political: the self, action, the idea, and the people. She examines selfhood in light of precolonial Indic traditions of renunciation and realpolitik; action in the constitutive tension between traditional conceptions of karma and modern ideas of labor; the idea of equality as it emerges in the dialectic between spirituality and economics; and people in the friction between the structure of the political party and the atmospherics of fiction and theater. Throughout, Banerjee reasserts the historical specificity of political thought and challenges modern assumptions about the universality, primacy, and self-evidence of the political. In formulating a new theory of the political, Banerjee gestures toward a globally salient political philosophy that displaces prevailing Western notions of the political masquerading as universal.

Prathama Banerjee is Professor at the Centre for the Study of Developing Societies in Delhi, India.

Political theory/South Asian studies

December 2020

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Revolution and Disenchantment Arab Marxism and the Binds of Emancipation FADI A. BARDAWIL The Arab Revolutions that began in 2011 reignited interest in the question of theory and practice, imbuing it with a burning political urgency. In Revolution and Disenchantment Fadi A. Bardawil redescribes for our present how an earlier generation of revolutionaries, the 1960s Arab New Left, addressed this question. Bardawil excavates the long-lost archive of the Marxist organization Socialist Lebanon and its main theorist, Waddah Charara, who articulated answers in their political practice to fundamental issues confronting revolutionaries worldwide: intellectuals as vectors of revolutionary theory; political organizations as mediators of theory and praxis; and nonemancipatory attachments as impediments to revolutionary practice. Drawing on historical and ethnographic methods and moving beyond familiar reception narratives of Marxist thought in the postcolony, Bardawil engages in “fieldwork in theory” that analyzes how theory seduces intellectuals, cultivates sensibilities, and authorizes political practice. Throughout, Bardawil underscores the resonances and tensions between Arab intellectual traditions and Western critical theory and postcolonial theory, deftly placing intellectuals from those traditions into a much-needed conversation.

Fadi A. Bardawil is Assistant Professor of Asian and Middle East Studies at Duke University.

Middle East studies/Cultural Anthropology/Postcolonial Theory

April 2020

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History 4° Celsius Search for a Method in the Age of the Anthropocene IAN BAUCOM In History 4° Celsius Ian Baucom continues his inquiries into the place of the Black Atlantic in the making of the modern and postmodern world. Putting black studies into conversation with climate change, Baucom outlines how the ongoing concerns of critical race, diaspora, and postcolonial studies are crucial to understanding the Anthropocene. He draws on materialist and postmaterialist thought, Sartre, and the science of climate change to trace the ways in which evolving political, cultural, and natural history converge to shape a globally destructive force. Identifying the quest for limitless financial gain as the primary driving force behind both the slave trade and the continuing increase in global greenhouse gas emissions, Baucom demonstrates that climate change and the conditions of the Black Atlantic, colonialism, and the postcolony are fundamentally entwined. In so doing, he argues for the necessity of establishing a method of critical exchange between climate science, black studies, and the surrounding theoretical inquiries of humanism and posthumanism.

Ian Baucom is Dean of Arts and Sciences and Professor of English at the University of Virginia.

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Social theory/Political theory

August 2020

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The CIA in Ecuador MARC BECKER

In The CIA in Ecuador Marc Becker draws on recently released US government surveillance documents on the Ecuadorian left to chart social movement organizing efforts during the 1950s. Emphasizing the competing roles of the domestic ruling class and grassroots social movements, Becker details the struggles and difficulties that activists, organizers, and political parties confronted. He shows how leftist groups, including the Communist Party of Ecuador, navigated disagreements over tactics and ideology, and how these influenced shifting strategies in support of rural Indigenous communities and urban labor movements. He outlines the CIA’s failure to understand that the Ecuadorian left was rooted in local social struggles rather than bankrolled by the Soviet Union. By decentering US-Soviet power struggles, Becker shows that the local patterns and dynamics that shaped the development of the Ecuadorian left could be found throughout Latin America during the cold war.

Latin American studies/ International relations/History

Marc Becker is Professor of History at Truman State University.

January 2021

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Militarized Global Apartheid CATHERINE BESTEMAN

In Militarized Global Apartheid Catherine Besteman offers a sweeping theorization of the ways in which countries from the global north are reproducing South Africa’s apartheid system on a worldwide scale to control the mobility and labor of people from the global south. Exploring the different manifestations of global apartheid, Besteman traces how militarization and securitization reconfigure older forms of white supremacy and deploy them in new contexts to maintain this racialized global order. Whether using the language of security, military intervention, surveillance technologies, or detention centers and other forms of incarceration, these projects reinforce and consolidate the global north’s political and economic interests at the expense of the poor, migrants, refugees, Indigenous populations, and people of color. By drawing out how this new form of apartheid functions and pointing to areas of resistance, Besteman opens up new space to theorize potential sources of liberatory politics.

Neoliberalism and globalization/ Social theory

Catherine Besteman is Francis F. Bartlett and Ruth K. Bartlett Professor of Anthropology at Colby College.

November 2020

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Peripheral Nerve Health and Medicine in Cold War Latin America ANNE-EMANUELLE BIRN and RAÚL NECOCHEA LÓPEZ , editors

Latin American studies/Cold War history/Public heath and medicine

August 2020

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Buenos Aires psychoanalysts resisting imperialism. Brazilian parasitologists embracing communism as an antidote to rural misery. Nicaraguan revolutionaries welcoming Cuban health cooperation. Chilean public health reformers gauging domestic approaches against their Soviet and Western counterparts. As explored in Peripheral Nerve, these and accompanying accounts problematize existing understandings of how the Cold War unfolded in Latin America generally and in the health and medical realms more specifically. Bringing together scholars from across the Americas, this volume chronicles the experiences of Latin American physicians, nurses, medical scientists, and reformers who interacted with dominant U.S. and European players and sought alternative channels of health and medical solidarity with the Soviet Union and via South-South cooperation. Throughout, Peripheral Nerve highlights how Latin American health professionals accepted, rejected, and adapted foreign involvement; manipulated the rivalry between the United States and the USSR; and forged local variants that they projected internationally. In so doing, this collection reveals the multivalent nature of Latin American health politics, offering a significant contribution to Cold War history.

Anne-Emanuelle Birn is Professor of Critical Development Studies and Global Health at the University of Toronto.

Raúl Necochea López is Associate Professor in the Department of Social Medicine at the University of North Carolina, Chapel Hill.

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History | new books

Claiming Union Widowhood Race, Respectability, and Poverty in the Post-Emancipation South BRANDI CLAY BRIMMER In Claiming Union Widowhood, Brandi Clay Brimmer analyzes the US pension system from the perspective of poor black women during and after the Civil War. Reconstructing the grassroots pension network in New Bern, North Carolina, through a broad range of historical sources, she outlines how the mothers, wives, and widows of black Union soldiers struggled to claim pensions in the face of evidentiary obstacles and personal scrutiny. Brimmer exposes and examines the numerous attempts by the federal government to exclude black women from receiving the federal pensions that they had been promised. Her analyses illustrate the complexities of social policy and law administration and the interconnectedness of race, gender, and class formation. Expanding on previous analyses of pension records, Brimmer offers an interpretive framework of emancipation and the freedom narrative that places black women at the forefront of demands for black citizenship.

Brandi Clay Brimmer is Associate Professor of History at Spelman College.

US history/African American history/Women’s studies

December 2020

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Animalia An Anti-Imperial Bestiary for Our Times ANTOINETTE BURTON and RENISA MAWANI , editors From yaks and vultures to whales and platypuses, animals have played central roles in the history of British imperial control. The contributors to Animalia analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism. Victorian imperial authorities, adventurers, and colonists used animals as companions, military transportation, agricultural laborers, food sources, and status symbols. They also overhunted and destroyed ecosystems, laying the groundwork for what has come to be known as climate change. At the same time, animals such as lions, tigers, and mosquitoes interfered in the empire’s racial, gendered, and political aspirations by challenging the imperial project’s sense of inevitability. Unconventional and innovative in form and approach, Animalia invites new ways to consider the consequences of imperial power by demonstrating how the politics of empire—in its racial, gendered, and sexualized forms—played out in multispecies relations across jurisdictions under British imperial control.

Antoinette Burton is Professor of History and Swanlund Endowed Chair at the University of Illinois at Urbana-Champaign. Renisa Mawani is Professor of Sociology at the University of British Columbia.

World history/Postcolonial studies/Animal studies

November 2020

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AIDS and the Distribution of Crises

JIH-FEI CHENG , ALEXANDRA JUHASZ , and NISHANT SHAHANI , editors AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical, overlapping, and ongoing crises born of global capitalism and colonial, racialized, gendered, and sexual violence. Drawing on their investments in activism, media, anticolonialism, feminism, and queer and trans of color critiques, the scholars, activists, and artists in this volume outline how the neoliberal logic of “crisis” structures how AIDS is aesthetically, institutionally, and politically reproduced and experienced. Among other topics, the authors examine the writing of the history of AIDS; settler colonial narratives and laws impacting risk in Indigenous communities; the early internet regulation of both content and online AIDS activism; the Black gendered and sexual politics of pleasure, desire, and (in)visibility; and how persistent attention to white men has shaped AIDS as intrinsic to multiple, unremarkable crises among people of color and in the Global South.

Jih-Fei Cheng is Assistant Professor of Feminist, Gender, and Sexuality Studies at Scripps College. Alexandra Juhasz is Distinguished Professor of Film at Brooklyn College, City University of New York. Nishant Shahani is Associate Professor of Women’s, Gender, and Sexuality Studies at the Department of English at Washington State University.

Feminism/Queer studies/Critical Race Theory

April 2020

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Orozco’s American Epic Myth, History, and the Melancholy of Race MARY K. COFFEY

Art and Visual Culture/ American studies/Latinx and Latin American studies

February 2020

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Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College’s Baker-Berry Library. An artifact of Orozco’s migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco’s American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic’s power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco’s work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.

Mary K. Coffey is Associate Professor of Art History at Dartmouth College.

Naked Agency Genital Cursing and Biopolitics in Africa NAMINATA DIABATE

African studies/Feminism and Women’s studies/Politics

March 2020

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Across Africa, mature women have for decades mobilized the power of their nakedness in political protest to shame and punish male adversaries. This insurrectionary nakedness, often called genital cursing, owes its cultural potency to the religious belief that spirits residing in women’s bodies can be unleashed to cause misfortune in their targets, including impotence, disease, and death. In Naked Agency, Naminata Diabate analyzes these collective female naked protests in Africa and beyond to broaden understandings of agency and vulnerability. Drawing on myriad cultural texts from social media and film to journalism and fiction, Diabate uncovers how women create spaces of resistance during socio-political duress, including such events as the 2011 protests by Ivoirian women in Côte d’Ivoire and Paris as well as women’s disrobing in Soweto to prevent the destruction of their homes. Through the concept of naked agency, Diabate explores fluctuating narratives of power and victimhood to challenge simplistic accounts of African women’s helplessness and to show how they exercise political power in the biopolitical era.

Naminata Diabate is Assistant Professor of Comparative Literature at Cornell University.

The Whites Are Enemies of Heaven Climate Caucasianism and Asian Ecological Protection MARK W. DRISCOLL

Asian studies/Histories of Imperialism/Anthropocene

January 2021

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In The Whites Are Enemies of Heaven Mark W. Driscoll examines nineteenth-century Western imperialism in Asia and the devastating effects of “climate caucasianism”—the white West’s pursuit of rapacious extraction at the expense of natural environments and people of color conflated with them. Drawing on an array of primary sources in Chinese, Japanese, and French, Driscoll reframes the Opium Wars as “wars for drugs” and demonstrates that these wars to unleash narco- and human traffickers kickstarted the most important event of the Anthropocene: the military substitution of Qing China’s world-leading carbon-neutral economy for an unsustainable Anglo-American capitalism powered by coal. Driscoll also reveals how subaltern actors, including outlaw societies and dispossessed samurai groups, became ecological protectors, defending their locales while driving decolonization in Japan and overthrowing a millennia of dynastic rule in China. Driscoll contends that the methods of these protectors resonate with contemporary Indigenous-led movements for environmental justice.

Mark W. Driscoll is Professor of East Asian Studies at the University of North Carolina, Chapel Hill.

History | new books

Beijing from Below Stories of Marginal Lives in the Capital’s Center HARRIET EVANS Between the early 1950s and the accelerated demolition and construction of Beijing’s “old city” in preparation for the 2008 Olympics, the residents of Dashalar—one of the capital city’s poorest neighborhoods and only a stone’s throw from Tian’anmen Square—lived in dilapidated conditions without sanitation. Few had stable employment. Today, most of Dashalar’s original inhabitants have been relocated, displaced by gentrification. In Beijing from Below Harriet Evans captures the last gasps of subaltern life in Dashalar. Drawing on oral histories that reveal memories and experiences of several neighborhood families, she reflects on the relationships between individual, family, neighborhood, and the state; poverty and precarity; gender politics and ethical living; and resistance to and accommodation of party-state authority. Evans contends that residents’ assertion of belonging to their neighborhood signifies not a nostalgic clinging to the past, but a rejection of their marginalization and a desire for recognition. Foregrounding the experiences of the last of Dashalar’s older denizens as key to understanding Beijing’s recent history, Evans complicates official narratives of China’s economic success while raising crucial questions about the place of the subaltern in history.

Asian history/Urban studies

May 2020

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Harriet Evans is Emeritus Professor of Chinese Cultural Studies at the University of Westminster and Visiting Professor in Anthropology at the London School of Economics.

The Birth of Solidarity The History of the French Welfare State FRANÇOIS EWALD François Ewald’s landmark The Birth of Solidarity—first published in French in 1986, revised in 1996, with the revised edition appearing here in English for the first time—is one of the most important historical and philosophical studies of the rise of the welfare state. Theorizing the origins of social insurance, Ewald shows how the growing problem of industrial accidents in France throughout the nineteenth century tested the limits of classical liberalism and its notions of individual responsibility. As workers and capitalists confronted each other over the problem of workplace accidents, they transformed the older practice of commercial insurance into an instrument of state intervention, thereby creating an entirely new conception of law, the state, and social solidarity. What emerged was a new system of social insurance guaranteed by the state. The Birth of Solidarity is a classic work of social and political theory that will appeal to all those interested in labor power, the making and dismantling of the welfare state, and Foucauldian notions of governmentality, security, risk, and the limits of liberalism.

François Ewald is International Research Fellow at the University of Connecticut School of Law, chair of the Scien-

Social theory/Labor history

May 2020

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tific Committee of the Université de l’Assurance, and the author and coeditor of several books in French.

The Cuban Hustle Culture, Politics, Everyday Life SUJATHA FERNANDES In The Cuban Hustle, Sujatha Fernandes explores the multitudinous ways artists, activists, and ordinary Cubans have hustled to survive and express themselves in the aftermath of the Soviet Union’s collapse. Whether circulating information on flash drives as a substitute for the internet or building homemade antennas to listen to Miami’s hip hop radio stations, Cubans improvise alternative strategies and workarounds to contend with ongoing isolation.

Throughout these essays, Fernandes examines the emergence of dynamic youth cultures and social movements as Cuba grappled with economic collapse, new digital technologies, the normalization of diplomatic ties with the United States during the Obama administration, and the regression of US-Cuban relations in the Trump era. From reflections on feminism, new Cuban cinema, and public art to urban slums, the Afro-Cuban movement, and rumba and hip hop, Fernandes reveals Cuba to be a world of vibrant cultures grounded in an ethos of invention and everyday hustle.

Sujatha Fernandes is Professor of Political Economy and Sociology at the University of Sydney.

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Cuba/Cultural studies/Latin American studies

October 2020

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Dub Finding Ceremony ALEXIS PAULINE GUMBS The concluding volume in a poetic trilogy, Alexis Pauline Gumbs’s Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.

Poetry/Black feminism/ Caribbean Theory

February 2020

Alexis Pauline Gumbs is a poet, independent scholar, and activist. She is the author of Spill and M Archive, both also published by Duke University Press.

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Queer Korea

TODD A. HENRY, editor

Asian studies/LGBTQ studies/ History

February 2020

Since the end of the nineteenth century, the Korean people have faced successive waves of foreign domination, authoritarian regimes, forced dispersal, and divided development. Throughout these turbulent times, “queer” Koreans were ignored, minimized, and erased in narratives of their modern nation, East Asia, and the wider world.

This interdisciplinary volume challenges such marginalization through critical analyses of non-normative sexuality and gender variance. Considering both personal and collective forces, contributors extend individualized notions of queer neoliberalism beyond those typically set in Western queer theory. Along the way, they recount a range of illuminating topics, from shamanic rituals during the colonial era and B-grade comedy films under Cold War dictatorship to toxic masculinity in today’s South Korean military and transgender confrontations with the resident registration system. More broadly, Queer Korea offers readers new ways of understanding the limits and possibilities of human liberation under exclusionary conditions of modernity in Asia and beyond.

Todd A. Henry is Associate Professor of History at the University of California, San Diego.

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Negative Exposures Knowing What Not to Know in Contemporary China MARGARET HILLENBRAND

Asian studies/Visual culture

March 2020

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When nations decide to disown their troubled pasts, how does this strategic disavowal harden into social fact? In Negative Exposures, Margaret Hillenbrand investigates the erasure of key aspects of such momentous events as the Nanjing Massacre, the Cultural Revolution, and the Tiananmen Square protests from the Chinese historical consciousness, not due to amnesia or censorship but through the operations of public secrecy. Knowing what not to know, she argues, has many stakeholders, willing and otherwise, who keep quiet to protect themselves or their families out of shame, pragmatism, or the palliative effects of silence. Hillenbrand shows how secrecy works as a powerful structuring force in Chinese society, one hiding in plain sight, and identifies aesthetic artifacts that serve as modes of reckoning against this phenomenon. She analyses the proliferation of photo-forms—remediations of well-known photographs of troubling historical events rendered in such media as paint, celluloid, fabric, digital imagery, and tattoos—as imaginative spaces in which the shadows of secrecy are provocatively outlined.

Margaret Hillenbrand is Associate Professor of Modern Chinese Literature and Culture at the University of Oxford.

History | new books

A People’s History of Detroit MARK JAY and PHILIP CONKLIN

Recent bouts of gentrification and investment in Detroit have led some to call it the greatest turnaround story in American history. Meanwhile, activists point to the city’s cuts to public services, water shutoffs, mass foreclosures, and violent police raids. In A People’s History of Detroit, Mark Jay and Philip Conklin use a class framework to tell a sweeping story of Detroit from 1913 to the present, embedding Motown’s history in a global economic context.

Attending to the struggle between corporate elites and radical working-class organizations, Jay and Conklin outline the complex sociopolitical dynamics underlying major events in Detroit’s past, from the rise of Fordism and the formation of labor unions, to deindustrialization and the city’s recent bankruptcy. They demonstrate that Detroit’s history is not a tale of two cities—one of wealth and development and another racked by poverty and racial violence; rather it is the story of a single Detroit that operates according to capitalism’s mandates.

Mark Jay is a PhD candidate in sociology at the University of California, Santa Barbara. Philip Conklin is a PhD student in the History of Consciousness at the University of California, Santa Cruz.

Sociology/Urban studies/History

May 2020

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Traffic in Asian Women LAURA HYUN YI KANG

In Traffic in Asian Women Laura Hyun Yi Kang demonstrates that the figure of “Asian women” functions as an analytic with which to understand the emergence, decline, and permutation of U.S. power/knowledge at the nexus of capitalism, state power, global governance, and knowledge production throughout the twentieth century. Kang analyzes the establishment, suppression, forgetting, and illegibility of the Japanese military “comfort system” (1932–1945) within that broader geohistorical arc. Although many have upheld the “comfort women” case as exemplary of both the past violation and the contemporary empowerment of Asian women, Kang argues that it has profoundly destabilized the imaginary unity and conceptual demarcation of the category. Kang traces how “Asian women” have been alternately distinguished and effaced as subjects of the traffic in women, sexual slavery, and violence against women.

She also explores how specific modes of redress and justice were determined by several overlapping geopolitical and economic changes ranging from U.S.-guided movements of capital across Asia and the end of the Cold War to the emergence of new media technologies that facilitated the global circulation of “comfort women” stories.

Laura Hyun Yi Kang is a Professor in the Department of Gender and Sexuality Studies at the University of California, Irvine.

Women’s studies/American studies/Asian studies

September 2020

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Every Day I Write the Book Notes on Style AMITAVA KUMAR Amitava Kumar’s Every Day I Write the Book is for academic writers what Annie Dillard’s The Writing Life and Stephen King’s On Writing are for creative writers. Alongside Kumar’s interviews with an array of scholars whose distinct writing offers inspiring examples for students and academics alike, the book’s pages are full of practical advice about everything from how to write criticism to making use of a kitchen timer. Communication, engagement, honesty: these are the aims and sources of good writing. Storytelling, attention to organization, solid work habits: these are its tools. Kumar’s own voice is present in his essays about the writing process and in his perceptive and witty observations on the academic world. A writing manual as well as a manifesto, Every Day I Write the Book will interest and guide aspiring writers everywhere.

Amitava Kumar is Helen D. Lockwood Professor of English at Vassar College.

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March 2020 List: $24.95 Discount: $17.47

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Utopian Ruins A Memorial Museum of the Mao Era JIE LI

Asian studies/Museum studies/ Media studies

December 2020

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In Utopian Ruins Jie Li traces the creation, preservation, and elision of memories about China’s Mao era by envisioning a virtual museum that reckons with both its utopian yearnings and its cataclysmic reverberations. Li proposes a critical framework for understanding the documentation and transmission of the socialist past that mediates between nostalgia and trauma, anticipation and retrospection, propaganda and testimony. Assembling each chapter like a memorial exhibit, Li explores how corporeal traces, archival documents, camera images, and material relics serve as commemorative media. Prison writings and police files reveal the infrastructure of state surveillance and testify to revolutionary ideals and violence, victimhood and complicity. Photojournalism from the Great Leap Forward and documentaries from the Cultural Revolution promoted faith in communist miracles while excluding darker realities, whereas Mao memorabilia collections, factory ruins, and memorials at trauma sites remind audiences of the Chinese Revolution’s unrealized dreams and staggering losses.

Jie Li is Loeb Associate Professor of the Humanities in the Department of East Asian Languages and Civilizations at Harvard University.

The Future of Fallout, and Other Episodes in Radioactive World-Making JOSEPH MASCO

American studies/Science studies/Anthropology

January 2021

In The Future of Fallout, and Other Episodes in Radioactive World-Making Joseph Masco examines the strange American intimacy with and commitment to existential danger. Tracking the simultaneous production of nuclear emergency and climate disruption since 1945, he focuses on the psychosocial accommodations as well as the technological revolutions that have produced these linked planetary-scale disasters. Masco assesses the memory practices, visual culture, concepts of danger, and toxic practices that, in combination, have generated a U.S. national security culture that promises ever more safety and comfort in everyday life but does so only by generating and deferring a vast range of violences into the collective future. Interrogating how this existential lag (i.e., the material and conceptual fallout of the twentieth century in the form of nuclear weapons and petrochemical capitalism) informs life in the twenty-first century, Masco identifies key moments when other futures were still possible and seeks to activate an alternative, postnational security political imaginary in support of collective life today.

Joseph Masco is Professor of Anthropology at the University of Chicago.

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A Primer for Teaching Pacific Histories Ten Design Principles MATT K. MATSUDA

History/Pacific histories/ Pedagogy

May 2020

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A Primer for Teaching Pacific Histories is a guide for college and high school teachers who are teaching Pacific histories for the first time or for experienced teachers who want to reinvigorate their courses. It can also serve those who are training future teachers to prepare their own syllabi, as well as teachers who want to incorporate Pacific histories into their world history courses. Matt K. Matsuda offers design principles for creating syllabi that will help students navigate a wide range of topics, from settler colonialism, national liberation, and warfare to tourism, popular culture, and identity. He also discusses practical pedagogical techniques and tips, project-based assignments, digital resources, and how Pacific approaches to teaching history differ from customary Western practices. Placing the Pacific Islands at the center of analysis, Matsuda draws readers into the process of strategically designing courses that will challenge students to think critically about the interconnected histories of East Asia, Southeast Asia, Australia, the Pacific Islands, and the Americas within a global framework.

Matt K. Matsuda is Professor of History and Academic Dean of the Honors College at Rutgers University-New Brunswick.

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History | new books

Writing Anthropology Essays on Craft and Commitment CAROLE MCGRANAHAN , editor In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it— to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities.

Carole McGranahan is Professor of Anthropology at the University of Colorado.

Anthropology/Writing/ Ethnography

May 2020

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Information Activism A Queer History of Lesbian Media Technologies CAIT MCKINNEY For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn’t want them. In Information Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work.

Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge.

Cait McKinney is Assistant Professor of Communication at Simon Fraser University.

LGBTQ studies/Media studies

August 2020

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Infamous Bodies Early Black Women’s Celebrity and the Afterlives of Rights SAMANTHA PINTO The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley’s fame in relation to conceptions of race and freedom, notions of consent in Hemings’s relationship with Thomas Jefferson, or Baartman’s ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women’s vulnerable embodiment can be the starting point for future progressive political projects.

Samantha Pinto is Associate Professor of English at the University of Texas at Austin.

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Black studies/Gender and sexuality

August 2020

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11

I Never Left Home Poet, Feminist, Revolutionary MARGARET RANDALL

Memoir

March 2020 List: $29.95 Discount: $20.97

In I Never Left Home, poet and revolutionary Margaret Randall tells the moving, captivating, and astonishing story of her life, from her childhood in New York to joining the Sandanista movement in Nicaragua, from escaping political repression in Mexico to raising a family and teaching college. Along the way, she edited a bilingual literary journal in Mexico City, befriended Cuban revolutionaries, raised a family, came out as a lesbian, taught college, and wrote over 150 books. Throughout it all, Randall never wavered from her devotion to social justice. As much as I Never Left Home is Randall’s story, it is also the story of the communities of artists, writers, and radicals she belonged to. Randall brings to life scores of creative and courageous people on the front lines of creating a more just world. She also weaves political and social analyses and poetry into the narrative of her life. Moving, captivating, and astonishing, I Never Left Home is a remarkable story of a remarkable woman.

Margaret Randall is a poet, essayist, oral historian, translator, memoirist, and photographer who has published over 150 books of poetry and prose.

Cowards Don’t Make History Orlando Fals Borda and the Origins of Participatory Action Research JOANNE RAPPAPORT

Latin American studies/ Sociology/Activism

October 2020

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In the early 1970s, a group of Colombian intellectuals led by the pioneering sociologist Orlando Fals Borda created a research-activist collective called La Rosca de Investigación y Acción Social (Circle of Research and Social Action).

Combining sociological and historical research with a firm commitment to grassroots social movements, Fals Borda and his colleagues collaborated with indigenous and peasant organizations throughout Colombia. In Cowards Don’t Make History Joanne Rappaport examines the development of participatory action research on the Caribbean coast, highlighting Fals Borda’s rejection of traditional positivist research frameworks in favor of sharing his own authority as a researcher with peasant activists. Fals Borda and his colleagues inserted themselves as researcher-activists into the activities of the National Association of Peasant Users, coordinated research priorities with its leaders, studied the history of peasant struggles, and, in collaboration with peasant researchers, prepared accessible materials for an organizational readership, thereby transforming research into a political organizing tool. Rappaport shows how the fundamental concepts of participatory action research as they were framed by Fals Borda continue to be relevant to engaged social scientists and other researchers in Latin America and beyond.

Joanne Rappaport is Professor of Latin American Literature and Cultural Studies at Georgetown University.

Putting the Humanities PhD to Work Thriving in and beyond the Classroom KATINA L. ROGERS

Higher education/Careers

August 2020

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In Putting the Humanities PhD to Work Katina L. Rogers grounds practical career advice in a nuanced consideration of the current landscape of the academic workforce. Drawing on surveys, interviews, and personal experience, Rogers explores the evolving rhetoric and practices regarding career preparation and how those changes intersect with admissions practices, scholarly reward structures, and academic labor practices—especially the increasing reliance on contingent labor. Rogers invites readers to consider how graduate training can lead to meaningful and significant careers beyond the academy. She provides graduate students with context and analysis to inform the ways they discern their own potential career paths while taking an activist perspective that moves toward individual success and systemic change. For those in positions to make decisions in humanities departments or programs, Rogers outlines the circumstances and pressures that students face and gives examples of programmatic reform that address career matters in structural ways. Throughout, Rogers highlights the important possibility that different kinds of careers offer engaging, fulfilling, and even unexpected pathways for students who seek them out.

Katina L. Rogers is Co-Director of the Futures Initiative and Director of Programs and Administration of HASTAC at The Graduate Center, City University of New York.

12

History | new books

Cultural Revolution and Revolutionary Culture ALESSANDRO RUSSO

In Cultural Revolution and Revolutionary Culture, Alessandro Russo presents a dramatic new reading of China’s Cultural Revolution as a mass political experiment aimed at thoroughly reexamining the tenets of communism.

Russo explores four critical phases of the Cultural Revolution, each with its own reworking of communist political subjectivity: the historical-theatrical “prologue” of 1965; Mao’s attempts to shape the Cultural Revolution in 1965 and 1966; the movements and organizing between 1966 and 1968 and the factional divides that ended them; and the mass study campaigns from 1973 to 1976 and the unfinished attempt to evaluate the inadequacies of the political decade that brought the Revolution to a close. Among other topics, Russo shows how the dispute around the play Hai Rui Dismissed from Office was not the result of a Maoist conspiracy, but rather a series of intense and unresolved political and intellectual controversies. He also examines the Shanghai January Storm and the problematic foundation of the short-lived Shanghai Commune. By exploring these and other political-cultural moments of Chinese confrontations with communist principles, Russo overturns conventional wisdom about the Cultural Revolution.

Alessandro Russo has taught sociology at the University of Bologna and has been visiting professor at the University of Washington and at Qinghua University.

Marxist theory/China/Mao Zedong

September 2020

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Point of Reckoning The Fight for Racial Justice at Duke University THEODORE D. SEGAL On the morning of February 13, 1969, members of Duke University’s Afro-American Society barricaded themselves inside the Allen administration building. That evening, police were summoned to clear the building, firing tear gas at students in the melee that followed. When it was over, nearly twenty people were taken to the hospital, and many more injured. In Point of Reckoning, Theodore D. Segal narrates the contested fight for racial justice at Duke from the enrollment of the first Black undergraduates in 1963 to the events that led to the Allen Building takeover and beyond.

Segal shows that Duke’s first Black students quickly recognized that the university was unwilling to acknowledge their presence or fully address its segregationist past. By exposing the tortuous dynamics that played out as racial progress stalled at Duke, Segal tells both a local and national story about the challenges that historically white colleges and universities throughout the country have faced and continue to face.

Theodore D. Segal is a lawyer and member of the board of directors for the Center for Documentary Studies at Duke University. He received his undergraduate degree from Duke in 1977.

US history/African American History/Higher Education

February 2021

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Home Rule National Sovereignty and the Separation of Natives and Migrants NANDITA SHARMA In Home Rule Nandita Sharma traces the historical formation and political separation of Natives and Migrants from the nineteenth century to the present to theorize the portrayal of Migrants as “colonial invaders.” The imperial-state category of Native, initially a mark of colonized status, has been revitalized in what Sharma terms the Postcolonial New World Order of nation-states. Under postcolonial rule, claims to autochthony—being the Native “people of a place”—are mobilized to define true national belonging. Consequently, Migrants—the quintessential “people out of place”—increasingly face exclusion, expulsion, or even extermination. This turn to autochthony has led to a hardening of nationalism(s). Criteria for political membership have shrunk, immigration controls have intensified, all while practices of expropriation and exploitation have expanded. Such politics exemplify the postcolonial politics of national sovereignty, a politics that Sharma sees as containing our dreams of decolonization. Home Rule rejects nationalisms and calls for the dissolution of the ruling categories of Native and Migrant so we can build a common, worldly place where our fundamental liberty to stay and move is realized.

Nandita Sharma is Professor of Sociology at the University of Hawai‘i at Manoa.

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Social theory/International Migration/Race

February 2020

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13

Rebel Imaginaries Labor, Culture, and Politics in Depression-Era California ELIZABETH E. SINE

US history/Labor history

January 2021

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During the Great Depression, California became a wellspring for some of the era’s most inventive and imaginative political movements. In response to the global catastrophe, the multiracial laboring populations who formed the basis of California’s economy gave rise to an oppositional culture that challenged the modes of racialism, nationalism, and rationalism that had guided modernization during preceding decades. In Rebel Imaginaries Elizabeth E. Sine tells the story of that oppositional culture’s emergence, revealing how aggrieved Californians asserted political visions that embraced difference, fostered a sense of shared vulnerability, and underscored the interconnectedness and interdependence of global struggles for human dignity. From the Imperial Valley’s agricultural fields to Hollywood, seemingly disparate communities of African American, Native American, Mexican, Filipinx, Asian, and White working-class people were linked by their myriad struggles against Depression-era capitalism and patterns of inequality and marginalization. In tracing the diverse coalition of those involved in labor strikes, citizenship and immigration reform, and articulating and imagining freedom through artistic practice, Sine demonstrates that the era’s social movements were far more heterogeneous, multivalent, and contested than previously understood.

Elizabeth E. Sine is Lecturer of History at California Polytechnic State University, San Luis Obispo.

Paris in the Dark Going to the Movies in the City of Light, 1930–1950 ERIC SMOODIN

Film studies

March 2020 List: $25.95 Discount: $18.17

In Paris in the Dark Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s. Drawing on a wealth of journalistic sources, Smoodin recounts the ways films moved through the city, the favored stars, and what it was like to go to the movies in a city with hundreds of cinemas. In a single week in the early 1930s, moviegoers might see Hollywood features like King Kong and Frankenstein, the new Marlene Dietrich and Maurice Chevalier movies, and any number of films from Italy, Germany, and Russia. Or they could frequent the city’s ciné-clubs, which were hosts to the cinéphile subcultures of Paris. At other times, a night at the movies might result in an evening of fascist violence, even before the German Occupation of Paris, while after the war the city’s cinemas formed the space for reconsolidating French film culture. In mapping the cinematic geography of Paris, Smoodin expands understandings of local film exhibition and the relationships of movies to urban space.

Eric Smoodin is Professor of American Studies at the University of California, Davis.

Demanding Images Democracy, Mediation, and the Image-Event in Indonesia KAREN STRASSLER

Anthropology/Southeast Asia/ Visual culture

March 2020

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The end of authoritarian rule in 1998 ushered in an exhilarating but unsettled period of democratization in Indonesia. A more open political climate converged with a rapidly changing media landscape, yielding a vibrant and volatile public sphere within which Indonesians grappled with the possibilities and limits of democracy amid entrenched corruption, state violence, and rising forms of intolerance. In Demanding Images Karen Strassler theorizes imageevents as political processes in which publicly circulating images become the material ground of struggles over the nation’s past, present, and future. Considering photographs, posters, contemporary art, graffiti, selfies, memes, and other visual media, she argues that people increasingly engage with politics through acts of making, circulating, manipulating, and scrutinizing images. Demanding Images is both a closely observed account of Indonesia’s turbulent democratic transition and a globally salient analysis of the work of images in the era of digital media and neoliberal democracy. Strassler reveals politics today to be an unruly enterprise profoundly shaped by the affective and evidentiary force of images.

Karen Strassler is Associate Professor of Anthropology at Queens College and The Graduate Center, City University of New York.

14

History | new books

Genetic Afterlives Black Jewish Indigeneity in South Africa NOAH TAMARKIN In 1997, M. E. R. Mathivha, an elder of the black Jewish Lemba people of South Africa, announced to the Lemba Cultural Association that a recent DNA study substantiated their ancestral connections to Jews. Lemba people subsequently leveraged their genetic test results to seek recognition from the post-apartheid government as indigenous Africans with rights to traditional leadership and land, retheorizing genetic ancestry in the process. In Genetic Afterlives, Noah Tamarkin illustrates how Lemba people give their own meanings to the results of DNA tests and employ them to manage competing claims of Jewish ethnic and religious identity, African indigeneity, and South African citizenship. Tamarkin turns away from genetics researchers’ results that defined a single story of Lemba peoples’ “true” origins and toward Lemba understandings of their own genealogy as multivalent. Guided by Lemba people’s negotiations of their belonging as diasporic Jews, South African citizens, and indigenous Africans, Tamarkin considers new ways to think about belonging that can acknowledge the importance of historical and sacred ties to land without valorizing autochthony, borders, or other technologies of exclusion.

Noah Tamarkin is Assistant Professor of Anthropology and Science and Technology Studies at Cornell University and

Anthropology/African studies/ Science and Technology studies

October 2020

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Research Associate at the Wits Institute for Social and Economic Research.

Visualizing Fascism The Twentieth-Century Rise of the Global Right JULIA ADENEY THOMAS and GEOFF ELEY, editors Visualizing Fascism argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism’s populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film—rather than written documents alone—produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago—and today.

Julia Adeney Thomas is Associate Professor of History at the University of Notre Dame. Geoff Eley is Karl Pohrt Distinguished University Professor of Contemporary History at the University of Michigan.

History/Visual culture

February 2020

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The Wombs of Women Race, Capital, Feminism FRANÇOISE VERGÈS In the 1960s thousands of poor women of color on the (post)colonial French island of Reunion had their pregnancies forcefully terminated by white doctors; the doctors operated under the pretext of performing benign surgeries, for which they sought government compensation. When the scandal broke in 1970, the doctors claimed to have been encouraged to perform these abortions by French politicians who sought to curtail reproduction on the island, even though abortion was illegal in France. In The Wombs of Women—first published in French and appearing here in English for the first time—Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics. She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color. Ultimately, Vergès demonstrates how the forced abortions on Reunion were manifestations of the legacies of the racialized violence of slavery and colonialism.

Françoise Vergès is an antiracist feminist activist, a public educator, an independent curator, and the cofounder of the

Feminist theory/Postcolonial studies

August 2020

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collective Decolonize the Arts and of the free and open university Decolonizing the Arts.

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15

The Aesthetics of Resistance, Volume II A Novel PETER WEISS Translated from the German by JOEL SCOTT, with an afterword by JÜRGEN SCHUTTE.

A major literary event, the publication of the second volume of Peter Weiss’s three-volume novel The Aesthetics of Resistance makes one of the towering works of twentieth-century German literature available to English-speaking readers for the first time. The crowning achievement of Peter Weiss, the internationally renowned writer best known for his play Marat/Sade, The Aesthetics of Resistance spans the period from the late 1930s to World War II, dramatizing antifascist resistance and the rise and fall of proletarian political parties in Europe.

Fiction/German literature

February 2020

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Volume II, initially published in 1978, opens with the unnamed narrator in Paris after having retreated from the front lines of the Spanish Civil War. From there, he moves on to Stockholm, where he works in a factory, becomes involved with the Communist Party, and meets Bertolt Brecht. Featuring the narrator’s extended meditations on paintings, sculpture, and literature, the novel teems with characters, almost all of whom are based on historical figures. Throughout, the narrator explores the affinity between political resistance and art—the connection at the heart of Weiss’s novel. Weiss suggests that meaning lies in embracing resistance, no matter how intense the oppression, and that we must look to art for new models of political action and social understanding. The Aesthetics of Resistance is one of the truly great works of postwar German literature and an essential resource for understanding twentieth-century German history.

Peter Weiss (1916–1982) was a German playwright, novelist, filmmaker, and painter. He received West Germany’s most important literary award, the Georg Büchner Prize, posthumously in 1982. Joel Scott is a freelance translator, editor, and writer. He is the author of two poetry chapbooks: Bildverbot and Diary Farm.

Disordering the Establishment Participatory Art and Institutional Critique in France, 1958–1981 LILY WOODRUFF

Art history

June 2020 List: $28.95 Discount: $20.27

In the decades following World War II, France experienced both a period of affluence and a wave of political, artistic, and philosophical discontent that culminated in the countrywide protests of 1968. In Disordering the Establishment Lily Woodruff examines the development of artistic strategies of political resistance in France in this era. Drawing on interviews with artists, curators, and cultural figures of the time, Woodruff analyzes the formal and rhetorical methods that artists used to counter establishment ideology, appeal to direct political engagement, and grapple with French intellectuals’ modeling of society. Artists and collectives such as Daniel Buren, André Cadere, the Groupe de Recherche d’Art Visuel, and the Collectif d’Art Sociologique shared an opposition to institutional hegemony by adapting their works to unconventional spaces and audiences, asserting artistic autonomy from art institutions, and embracing interdisciplinarity. In showing how these artists used art to question what art should be and where it should be seen, Woodruff demonstrates how artists challenged and redefined the art establishment and their historical moment.

Lily Woodruff is Associate Professor of Art History and Visual Culture at Michigan State University.

16

History | new books

The Last Good Neighbor Mexico in the Global Sixties ERIC ZOLOV In The Last Good Neighbor Eric Zolov presents a revisionist account of Mexican domestic politics and international relations during the long 1960s, tracing how Mexico emerged from the shadow of FDR’s Good Neighbor policy to become a geopolitical player in its own right during the Cold War. Zolov shows how President Adolfo López Mateos (1958–1964) leveraged Mexico’s historical ties with the United States while harnessing the left’s passionate calls for solidarity with developing nations in a bold attempt to alter the course of global politics. During this period, Mexico forged relationships with the Soviet Bloc, took positions at odds with US interests, and entered the scene of Third World internationalism. Drawing on archival research from Mexico, the United States, and Britain, Zolov gives a broad perspective on the multitudinous, transnational forces that shaped Mexican political culture in ways that challenge standard histories of the period.

Eric Zolov is Professor of History at Stony Brook University.

Latin American history/Cold War/Global Sixties

May 2020

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17

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Eighteenth-Century War Representation

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Selected Papers from the Symposium on Eighteenth-Century War Representation, Singapore, April 2018 ANNE M. THELL , issue editor

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An issue of Eighteenth-Century Life (44:3)

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issue editors An issue of GLQ: A Journal of Lesbian and Gay Studies (26:3) June 2020

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The Cultural Dynamics of Reception in Early Modern Europe

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The Ideology Issue

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Getting Back the Land

Trans Pornography

Anticolonial and Indigenous Strategies of Reclamation SHIRI PASTERNAK and DAYNA NADINE SCOTT,

An issue of TSQ: Transgender Studies Quarterly (7:2)

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1968 Decentered

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Trans* Studies Now

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History | new journal issues

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COMING SOON

The Surrendered José Carlos AGÜERO March

The Life and Times of Louis Lomax Thomas AIELLO

The Powers of Dignity Nick BROMELL

Mao’s Bestiary Liz P. Y. CHEE

February

Millennials Killed the Video Star Amanda Ann KLEIN February

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Black Bodies, White Gold Anna ARABINDAN-KESSON May

April

May

The Inheritance Elizabeth A. POVINELLI March

Empire’s Mistress, Starring Isabel Rosario Cooper Vernadette Vicuña GONZALEZ

Universal Tonality Cisco BRADLEY February

February

Archiving Mexican Masculinities in Diaspora Nicole M. GUIDOTTIHERNÁNDEZ

Borderwaters Brian Russell ROBERTS

Coed Revolution Chelsea Szendi SCHIEDER

May

June

February

History

COMING SOON

Chosen Peoples Christopher TOUNSEL May

Experiments in Skin Thuy Linh Nguyen TU March

Fighting and Writing Luise WHITE March

October

Tani BARLOW

In the Event of Women

Critical theory/Gender studies/ China

June

Michael K. BOURDAGHS, Paola IOVENE, and Kaley MASON, editors

Sound Alignments: Popular Music in Asia’s Cold Wars (view online)

Asian studies/Cold War/Popular music

October

Nahum Dimitri CHANDLER

“Beyond This Narrow Now”: Or, Delimitations, of W. E. B. Du Bois

African American studies// Philosophy/Social theory

August

Joshua CLOVER

Roadrunner

Music

July

Laurence CODERRE

Newborn Socialist Things: Materiality in Maoist China

Cultural studies/Asian studies

June

Veena DAS and Didier FASSIN, editors

Words and Worlds: A Lexicon for Dark Times (view online)

Social and political theory/ Anthropology

October

Joshua GRACE

African Motors: Technology, Gender, and the History of Development

African studies/History of Technology

October

Sandra GUNNING

Moving Home: Gender, Place, and Travel Writing in the Early Black Atlantic

Caribbean studies/American studies/Black diaspora

October

Stuart HALL

Writings on Media: History of the Present

Cultural studies/Media studies

August

Priya KANDASWAMY

Domestic Contradictions: Race and Gendered Citizenship from Reconstruction to Welfare Reform

Women’s studies/U.S. History/ African American studies

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COMING SOON

Martin KILSON

A Black Intellectual’s Odyssey: From a Pennsylvania Milltown to the Ivy League

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