Duke University Press Literature and Literary Studies Catalog Winter 2022

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Contents 2

New Books New Journal Issues 41 Journals 44 Coming Soon 50 Also Available 32

NEW BOOKS The Surrendered Reflections by a Son of Shining Path JOSÉ CARLOS AGÜERO Edited and Translated by MICHAEL J. LAZZARA with CHARLES F. WALKER

Latin American studies/Human rights

March 2021

List: $23.95 Discount: $14.37

When Peruvian public intellectual José Carlos Agüero was a child, the government imprisoned and executed his parents, who were members of Shining Path. In The Surrendered—originally published in Spanish in 2015 and appearing here in English for the first time—Agüero reflects on his parents’ militancy and the violence and aftermath of Peru’s internal armed conflict. He examines his parents’ radicalization, their lives as guerrillas, and his tumultuous childhood, which was spent in fear of being captured or killed, while grappling with the complexities of public memory, ethics and responsibility, human rights, and reconciliation. Much more than a memoir, The Surrendered is a disarming and moving consideration of what forgiveness and justice might mean in the face of hate. This edition includes an editors’ introduction, a timeline of the Peruvian conflict, and an extensive interview with the author.

José Carlos Agüero is an essayist, poet, and public intellectual as well as the author and coeditor of several books in Spanish. Michael J. Lazzara is Professor of Latin American Literature and Cultural Studies at the University of California, Davis. Charles F. Walker is Professor of History and Director of the Hemispheric Institute on the Americas at the University of California, Davis.

Complaint!

SARA AHMED

Feminism/Activism/Cultural studies

September 2021

List: $29.95 Discount: $17.97

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In Complaint! Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors—to get complaints through, keep them going, or keep them alive—Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.

Sara Ahmed is an independent scholar and author of What’s the Use?, Living a Feminist Life, and other books also published by Duke University Press.

Literature and Literary Studies | new books

The Life and Times of Louis Lomax The Art of Deliberate Disunity THOMAS AIELLO Syndicated television and radio host. Serial liar. Pioneering journalist. Convicted criminal. Close ally of Malcolm X and Martin Luther King Jr. Publicity-seeking provocateur. Louis Lomax’s life was a study in contradiction. In this biography, Thomas Aiello traces the complicated and fascinating arc of Lomax’s life and career, showing how the contradictions, tumult, and inconsistencies that marked his life reflected those of 1960s America. Aiello takes readers from Lomax’s childhood in the Deep South to his early confidence schemes to his emergence as one of the loudest and most influential voices of the civil rights movement. Regardless of what political position he happened to take at any given moment, Lomax preached “the art of deliberate disunity,” in which the path to democracy could only be achieved through a diversity of opinions. Engaging and broad in scope, The Life and Times of Louis Lomax is the definitive study of one of the civil rights era’s most complicated, important, and overlooked figures.

Thomas Aiello is Associate Professor of History at Valdosta State University.

US history/African American studies/Biography

April 2021

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Beyond Man Race, Coloniality, and Philosophy of Religion AN YOUNTAE and ELEANOR CRAIG , editors Beyond Man reimagines the meaning and potential of a philosophy of religion that better attends to the inextricable links among religion, racism, and colonialism. An Yountae, Eleanor Craig, and the contributors reckon with the colonial and racial implications of the field’s history by staging a conversation with Black, Indigenous, and decolonial studies. In their introduction, An and Craig point out that European-descended Christianity has historically defined itself by its relation to the other while paradoxically claiming to represent and speak to humanity in its totality. The topics include secularism, the Eucharist’s relation to Blackness, and sixteenth-century Brazilian cannibalism rituals as well as an analysis of how Mircea Eliade’s conception of the sacred underwrites settler colonial projects and imaginaries. Throughout, the contributors also highlight the theorizing of Afro-Caribbean thinkers such as Sylvia Wynter, C. L. R. James, Frantz Fanon, and Aimé Césaire whose work disrupts the normative Western categories of religion and philosophy.

An Yountae is Assistant Professor of Religious Studies at California State University, Northridge. Eleanor Craig is Program Director and Lecturer, Committee on Ethnicity, Migration, and Rights, Harvard University.

Religion/Black studies/ Decolonial theory

June 2021

List: $27.95 Discount: $16.77

Ugly Freedoms

ELISABETH R. ANKER In Ugly Freedoms Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These “ugly freedoms” legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker’s sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism’s violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination.

Elisabeth R. Anker is Associate Professor of American Studies and Political Science at George Washington University.

dukeupress.edu

Political theory/American studies

January 2022

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Amkoullel, the Fula Boy AMADOU HAMPÂTÉ BÂ

Translated by JEANNE GARANE

Memoir/African studies

August 2021

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Born in 1900 in French West Africa, Malian writer Amadou Hampâté Bâ was one of the towering figures in the literature of twentieth-century Francophone Africa. In Amkoullel, the Fula Boy, Bâ tells in striking detail the story of his youth, which was set against the aftermath of war between the Fula and Toucouleur peoples and the installation of French colonialism. A master storyteller, Bâ recounts pivotal moments of his life, and the lives of his powerful and large family, from his first encounter with the white commandant through the torturous imprisonment of his stepfather and to his forced attendance at French school. He also charts a larger story of life prior to and at the height of French colonialism: interethnic conflicts, the clash between colonial schools and Islamic education, and the central role indigenous African intermediaries and interpreters played in the functioning of the colonial administration.

Engrossing and novelistic, Amkoullel, the Fula Boy is an unparalleled rendering of an individual and society under transition as they face the upheavals of colonialism.

Amadou Hampâté Bâ (1900–1991) was one of the major intellectual and literary figures of twentieth-century Africa as well as a colonial official and postcolonial diplomat. He is the author of the novel The Fortunes of Wangrin and numerous books in French. Jeanne Garane is Professor of French and Comparative Literature at the University of South Carolina.

In the Event of Women TANI BARLOW

Critical theory/Gender studies/ China

January 2022

In the Event of Women outlines the stakes of what Tani Barlow calls “the event of women.” Focusing on the era of the late nineteenth century through the mid-twentieth century’s Cultural Revolution, Barlow shows that an event is a politically inspired action to install a newly discovered truth, in this case the mammal origins of human social evolution. Highbrow and lowbrow social theory circulating in Chinese urban print media placed humanity’s origin story in relation to commercial capital’s modern advertising industry and the conclusion that women’s liberation involved selling, buying, and advertising industrial commodities. The political struggle over how the truth of women in China would be performed and understood, Barlow shows, means in part that an event of women was likely global because its truth is vested in biology and physiology. In so doing, she reveals the ways in which historical universals are effected in places where truth claims are not usually sought. This book reconsiders Alain Badiou’s concept of the event; particularly the question of whose political moment marks newly discovered truths.

Tani Barlow is George and Nancy Rupp Professor of Humanities and Professor of History at Rice University.

List: $27.95 Discount: $16.77

The World Computer Derivative Conditions of Racial Capitalism JONATHAN BELLER

Marxist theory/Media and communications/Critical Race theory

February 2021

List: $28.95 Discount: $17.37

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In The World Computer Jonathan Beller forcefully demonstrates that the history of commodification generates information itself. Out of the omnipresent calculus imposed by commodification, information emerges historically as a new money form. Investigating its subsequent financialization of daily life and colonization of semiotics, Beller situates the development of myriad systems for quantifying the value of people, objects, and affects as endemic to racial capitalism and computation. Built on oppression and genocide, capital and its technical result as computation manifest as racial formations, as do the machines and software of social mediation that feed racial capitalism and run on social difference. Algorithms, derived from for-profit management strategies, conscript all forms of expression—language, image, music, communication—into the calculus of capital such that even protest may turn a profit.

Computational media function for the purpose of extraction rather than ameliorating global crises, and financialize every expressive act, converting each utterance into a wager. Repairing this ecology of exploitation, Beller contends, requires decolonizing information and money, and the scripting of futures wagered by the cultural legacies and claims of those in struggle.

Jonathan Beller is Professor in the Department of Humanities and Media Studies at the Pratt Institute.

Literature and Literary Studies | new books

A Fictional Commons Natsume Soseki and the Properties of Modern Literature MICHAEL K. BOURDAGHS Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan’s greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.

Michael K. Bourdaghs is Robert S. Ingersoll Professor of East Asian Languages and Civilizations at the University of Chicago.

Japanese Literature/ Modernism

September 2021

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Sound Alignments Popular Music in Asia’s Cold Wars MICHAEL K. BOURDAGHS , PAOLA IOVENE , and KALEY MASON , editors In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War’s legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it.

Michael K. Bourdaghs is Robert S. Ingersoll Professor of East Asian Languages and Civilizations at the University of Chicago. Paola Iovene is Associate Professor in East Asian Languages and Civilizations at the University of Chicago.

Kaley Mason is Assistant Professor of Music at Lewis and Clark College.

Asian studies/Cold War/ Popular music

June 2021

List: $27.95 Discount: $16.77

The Powers of Dignity The Black Political Philosophy of Frederick Douglass NICK BROMELL In The Powers of Dignity Nick Bromell unpacks Frederick Douglass’s 1867 claim that he had “elaborated a political philosophy” from his own “slave experience.” Bromell shows that Douglass devised his philosophy because he found that antebellum Americans’ liberal-republican understanding of democracy did not provide a sufficient principled basis on which to fight anti-Black racism. To remedy this deficiency, Douglass deployed insights from his distinctively Black experience and developed a Black philosophy of democracy. He began by contesting the founders’ racist assumptions about humanity and advancing instead a more robust theory of “the human” as a collection of human “powers.” He asserted further that the conscious exercise of those powers is what confirms human dignity and that human rights and democracy come into being as ways to affirm and protect that dignity. Thus, by emphasizing the powers and the dignity of all citizens, deriving democratic rights from these, and promoting a remarkably activist, power-oriented model of citizenship, Douglass’s Black political philosophy aimed to rectify two major failings of US democracy in his time and ours: its complacence and its racism.

Nick Bromell is Professor of English at the University of Massachusetts, Amherst.

dukeupress.edu

Political theory/African American studies

February 2021

List: $26.95 Discount: $16.17

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Black Utopias Speculative Life and the Music of Other Worlds JAYNA BROWN

Black studies/Queer studies/ Utopian studies

February 2021

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In Black Utopias Jayna Brown takes up the concept of utopia as a way of exploring alternative states of being, doing, and imagining in Black culture. Musical, literary, and mystic practices become utopian enclaves in which Black people engage in modes of creative worldmaking. Brown explores the lives and work of Black women mystics Sojourner Truth and Rebecca Cox Jackson, musicians Alice Coltrane and Sun Ra, and the work of speculative fiction writers Samuel Delany and Octavia Butler as they decenter and destabilize the human, radically refusing liberal humanist ideas of subjectivity and species. Brown demonstrates that engaging in utopian practices Black subjects imagine and manifest new genres of existence and forms of collectivity. For Brown, utopia consists of those moments in the here and now when those excluded from the category human jump into other onto-epistemological realms.

Black people—untethered from the hope of rights, recognition, or redress—celebrate themselves as elements in a cosmic effluvium.

Jayna Brown is Professor in the Graduate Program in Media Studies at the Pratt Institute.

Indirect Subjects Nollywood’s Local Address MATTHEW H. BROWN

African studies/Media studies/ Postcolonial theory

November 2021

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In Indirect Subjects, Matthew H. Brown analyzes the content of the prolific Nigerian film industry’s mostly direct-tovideo movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire’s practice of indirect rule, Brown contends that culture industries like Nollywood can sustain capitalism by isolating ordinary African people, whose labor and consumption fuel it, from its exclusive privileges.

Matthew H. Brown is Assistant Professor of African Cultural Studies at the University of Wisconsin–Madison.

How to Go Mad without Losing Your Mind Madness and Black Radical Creativity LA MARR JURELLE BRUCE

Black studies/Cultural studies/ Disability studies

June 2021

List: $28.95 Discount: $17.37

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“Hold tight. The way to go mad without losing your mind is sometimes unruly.” So begins La Marr Jurelle Bruce’s urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.

La Marr Jurelle Bruce is Associate Professor of American Studies at the University of Maryland, College Park.

Literature and Literary Studies | new books

Black Gathering Art, Ecology, Ungiven Life SARAH JANE CERVENAK In Black Gathering Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.

Sarah Jane Cervenak is Associate Professor of Women’s, Gender, and Sexuality Studies and of African American and African Diaspora Studies at the University of North Carolina, Greensboro.

Black Feminist Theory/Art/ Literary studies

September 2021

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Meat!

A Transnational Analysis SUSHMITA CHATTERJEE and BANU SUBRAMANIAM , editors What is meat? Is it simply food to consume, or a metaphor for our own bodies? Can “bloody” vegan burgers, petri dish beef, live animals, or human milk be categorized as meat? In pursuing these questions, the contributors to Meat! trace the shifting boundaries of the meanings of meat across time, geography, and cultures. In studies of chicken, fish, milk, barbecue, fake meat, animal sacrifice, cannibalism, exotic meat, frozen meat, and other manifestations of meat, they highlight meat’s entanglements with race, gender, sexuality, and disability. From the imperial politics embedded in labeling canned white tuna as “the chicken of the sea” to the relationship between beef bans, yoga, and bodily purity in Hindu nationalist politics, the contributors demonstrate how meat is an ideal vantage point from which to better understand transnational circuits of power and ideology as well as the histories of colonialism, ableism, and sexism.

Sushmita Chatterjee is Associate Professor of Gender, Women’s, and Sexuality Studies at Appalachian State University. Banu Subramaniam is Professor of Women, Gender, and Sexuality Studies at the University of Massachusetts, Amherst.

Cultural studies/Critical race studies/Postcolonial studies

March 2021

List: $27.95 Discount: $16.77

Roadrunner

JOSHUA CLOVER Jonathan Richman and the Modern Lovers’ 1972 song “Roadrunner” captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston’s beltway, its significance reaches far beyond Richman’s deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song’s emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates “Roadrunner” at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place—the American era that rock & roll signifies—that becomes a story about love and the modern world.

Joshua Clover is Professor of English and Comparative Literature at the University of California, Davis.

dukeupress.edu

Music/American studies/ Popular Culture

September 2021

List: $19.95 Discount: $11.97

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Newborn Socialist Things Materiality in Maoist China LAURENCE CODERRE

Cultural studies/Asian studies

July 2021

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Contemporary China is seen as a place of widespread commodification and consumerism, while the preceeding Maoist Cultural Revolution is typically understood as a time when goods were scarce and the state criticized what little consumption was possible. Indeed, with the exception of the likeness and words of Mao Zedong, both the media and material culture of the Cultural Revolution are often characterized as a void out of which the postsocialist world of commodity consumption miraculously sprang fully formed. In Newborn Socialist Things, Laurence Coderre explores the material culture of the Cultural Revolution to show how it paved the way for commodification in contemporary China. Examining objects ranging from retail counters and porcelain statuettes to textbooks and vanity mirrors, she shows how the project of building socialism in China has always been intimately bound up with consumption. By focusing on these objects—or “newborn socialist things”—along with the Cultural Revolution’s media environment, discourses of materiality, and political economy, Coderre reconfigures understandings of the origins of present-day China.

Laurence Coderre is Assistant Professor of East Asian Studies at New York University.

Words and Worlds A Lexicon for Dark Times VEENA DAS and DIDIER FASSIN , editors

Social and political theory/ Anthropology

June 2021

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Born in a time of anxiety, Words and Worlds examines some of the disquieting challenges that societies now face.

Through an inquiry into a political lexicon of commonsense words, ranging from democracy and revolution to knowledge and authority, from inequality and toleration to war and power, the contributors to this book trouble the self-evidence of these terms, bringing into view the hidden transcripts and unexpected trajectories of many settled ideas, such as the human sense of belonging or the call for openness and transparency in research and public life.

The case studies conducted over five continents with the tools of eight different disciplines challenge the ethnocentric assumptions, false moralism, and cultural prejudices that underlie much discussion on corruption or even the virtue invested in resilience. The critique of the ubiquitous use of crisis to characterize our times shows how this framing obscures the unjust conditions of existence and the violence of everyday life. Together the essays in this volume offer a fresh look at the deeply connected worlds we inhabit in solidarity and in discord.

Veena Das is Krieger-Eisenhower Professor of Anthropology at Johns Hopkins University and a Corresponding Fellow of the British Academy. Didier Fassin is James D. Wolfensohn Professor at the Institute for Advanced Study, Professor to the Annual Chair in Public Health at the Collège de France.

Bigger Than Life The Close-Up and Scale in the Cinema MARY ANN DOANE

Film and media studies/Cultural Theory

February 2022

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In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator’s sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close-up, particularly of the face, as grotesque and often horrifying, even as it sought to expose a character’s interiority through its magnification of detail and expression. Today, large-scale technologies such as imax and surround sound strive to dissolve the cinematic frame and invade the spectator’s space, “immersing” them in image and sound. The notion of immersion, Doane contends, is symptomatic of a crisis of location in technologically mediated space and a reconceptualization of position, scale, and distance. In this way, cinematic scale and its modes of spatialization and despatialization have shaped the modern subject, interpolating them into the incessant expansion of commodification.

Mary Ann Doane is Class of 1937 Professor of Film and Media at the University of California, Berkeley.

Literature and Literary Studies | new books

Mapping Abundance for a Planetary Future Kanaka Maoli and Critical Settler Cartographies in Hawai’i CANDACE FUJIKANE In Mapping Abundance for a Planetary Future, Candace Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital’s fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing “wastelands” claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who swim into the mountains, the navigator Maui who fishes up the islands, the deities of snow and mists on Mauna Kea. The laws of these elements are now being violated by toxic waste dumping, leaking military jet fuel tanks, and astronomical-industrial complexes. As Kanaka Maoli and their allies stand as land and water protectors, Fujikane calls for a profound attunement to the elemental forms in order to transform climate events into renewed possibilities for planetary abundance.

Candace Fujikane is Professor of English at the University of Hawai‘i.

Hawai’i/Indigenous studies/ Environmental justice

March 2021

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Empire’s Mistress, Starring Isabel Rosario Cooper VERNADETTE VICUÑA GONZALEZ

In Empire’s Mistress Vernadette Vicuña Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur’s biography—a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism. In this way, Gonzalez uses Cooper’s life as a means to explore the contours of empire as experienced on the scale of personal relationships. Along the way, Gonzalez fills in the archival gaps of Cooper’s life with speculative fictional interludes that both unsettle the authority of “official” archives and dislodge the established one-dimensional characterizations of her. By presenting Cooper as a complex historical subject who lived at the crossroads of American colonialism in the Philippines, Gonzalez demonstrates how intimacy and love are woven into the infrastructure of empire.

Vernadette Vicuña Gonzalez is Professor of American Studies at the University of Hawai‘i at Mānoa.

Asian and Asian American studies/Postcolonial studies/ Life Writing

February 2021

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Nature’s Wild Love, Sex, and Law in the Caribbean ANDIL GOSINE In Nature’s Wild, Andil Gosine engages with questions of humanism, queer theory, and animality to examine and revise understandings of queer desire in the Caribbean. Surveying colonial law, visual art practices, and contemporary activism, Gosine shows how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially influenced human/animal divide. Gosine refutes this presupposed binary and embraces animality through a series of case studies: a homoerotic game called puhngah, the institution of gender-based dress codes in Guyana, and efforts toward the decriminalization of sodomy in Trinidad and Tobago— including the work of famed activist Colin Robinson, paintings of human animality by Guadeloupean artist Kelly Sinnapah Mary, and Gosine’s own artistic practice. In so doing, he troubles the ways in which individual and collective anxieties about “wild natures” have shaped the existence of Caribbean people while calling for a reassessment of what political liberation might look like.

Andil Gosine is Professor of Environmental Arts and Justice at York University.

dukeupress.edu

Queer studies/Caribbean studies/Art

October 2021

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Archiving Mexican Masculinities in Diaspora NICOLE M. GUIDOTTI-HERNÁNDEZ

Latinx studies/Gender and sexuality

June 2021

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In Archiving Mexican Masculinities in Diaspora, Nicole M. Guidotti-Hernández challenges machismo—a shorthand for racialized and heteronormative Latinx men’s misogyny—with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border. Guidotti-Hernández foregrounds Mexican men’s emotional vulnerabilities and intimacies in their diasporic communities. Highlighting how Enrique Flores Magón, an anarchist political leader and journalist, upended gender norms through sentimentality and emotional vulnerability that he performed publicly and expressed privately, Guidotti-Hernández documents compelling continuities between his expressions and those of men enrolled in the Bracero program. Braceros—more than 4.5 million Mexican men who traveled to the United States to work in temporary agricultural jobs from 1942 to 1964—forged domesticity and intimacy, sharing affection but also physical violence. Through these case studies that reexamine the diasporic male private sphere, Guidotti-Hernández formulates a theory of transnational Mexican masculinities rooted in emotional and physical intimacy that emerged from the experiences of being racial, political, and social outsiders in the United States.

Nicole M. Guidotti-Hernández is Professor of English at Emory University.

Moving Home Gender, Place, and Travel Writing in the Early Black Atlantic SANDRA GUNNING

Caribbean studies/American studies/Black diaspora

October 2021

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In Moving Home, Sandra Gunning examines nineteenth-century African diasporic travel writing to expand and complicate understandings of the Black Atlantic. Gunning draws on the writing of missionaries, abolitionists, entrepreneurs, and explorers whose work challenges the assumptions that travel writing is primarily associated with leisure or scientific research. For instance, Yoruba ex-slave turned Anglican bishop Samuel Ajayi Crowther played a role in the Christianization of colonial Nigeria. Sarah Forbes Bonetta, a formerly enslaved girl “gifted” to Queen Victoria, traveled the African colonies as the wife of a prominent colonial figure and under the protection of her benefactress. Alongside Nancy Gardiner Prince, Martin R. Delany, Robert Campbell, and others, these writers used their mobility as African diasporic and colonial subjects to explore the Atlantic world and beyond while they negotiated the complex intersections between nation and empire. Rather than categorizing them as merely precursors of Pan-Africanist traditions, Gunning traces their successes and frustrations to capture a sense of the historical and geographical specificities that shaped their careers.

Sandra Gunning is Professor of American Studies and Afroamerican and African Studies at the University of Michigan, Ann Arbor.

Selected Writings on Marxism STUART HALL

Edited, Introduced, and with Commentary by GREGOR MCLENNAN

Cultural studies/Marxism/ Sociology

April 2021

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Throughout his career Stuart Hall engaged with Marxism in varying ways, actively rethinking it to address the political and cultural exigencies of the moment. This collection of Hall’s key writings on Marxism surveys the questions central to his interpretations of and investments in Marxist theory and practice. It includes Hall’s readings of canonical texts by Marx and Engels, Gramsci, and Althusser; his exchanges with other prominent thinkers about Marxism; his use of Marxist frameworks to theorize specific cultural phenomena and discourses; and some of his later work in which he distanced himself from his earlier attachments to Marxism. In addition, editor Gregor McLennan’s introduction and commentary offer in-depth context and fresh interpretations of Hall’s thought. Selected Writings on Marxism demonstrates that grasping Hall’s complex relationship to Marxism is central to understanding the corpus of his work.

Stuart Hall (1932–2014) was one of the most prominent and influential scholars and public intellectuals of his generation. Hall taught at the University of Birmingham and the Open University, was the founding editor of New Left Review, and was the author of Cultural Studies 1983: A Theoretical History, Familiar Stranger: A Life Between Two Islands, and other books also published by Duke University Press. Gregor McLennan is Professor of Sociology at the University of Bristol and author of several books on Marxism, pluralism, and social theory.

Literature and Literary Studies | new books

Selected Writings on Race and Difference STUART HALL

Edited by PAUL GILROY and RUTH WILSON GILMORE

In Selected Writings on Race and Difference, editors Paul Gilroy and Ruth Wilson Gilmore gather more than twenty essays by Stuart Hall that highlight his extensive and groundbreaking engagement with race, representation, identity, difference, and diaspora. Spanning the whole of his career, this collection includes classic theoretical essays such as “The Whites of Their Eyes” (1981) and “Race, the Floating Signifier” (1997). It also features public lectures, political articles, and popular pieces that circulated in periodicals and newspapers, which demonstrate the breadth and depth of Hall’s contribution to public discourses of race. Foregrounding how and why the analysis of race and difference should be concrete and not merely descriptive, this collection gives organizers and students of social theory ways to approach the interconnections of race with culture and consciousness, state and society, policing and freedom.

Stuart Hall (1932–2014) was one of the most prominent and influential scholars and public intellectuals of his generation. Hall taught at the University of Birmingham and the Open University, was the founding editor of New Left Review.

Paul Gilroy is Professor of the Humanities, Institute of Advanced Studies at University College London. Ruth Wilson Gilmore is Professor of Earth and Environmental Sciences and of American Studies at the Graduate Center, City University of New York.

Cultural studies/Race theory

April 2021

List: $31.95 Discount: $19.17

Writings on Media History of the Present STUART HALL Edited by CHARLOTTE BRUNSDON

Writings on Media gathers more than twenty of Stuart Hall’s media analyses, from scholarly essays such as “Encoding and Decoding in the Television Discourse” (1973) to other writings addressed to wider publics. Hall explores the practices of news photography, the development of media and cultural studies, the changing role of television, and how the nation imagines itself through popular media. He attends to Britain’s imperial history and the politics of race and cultural identity as well as the media’s relationship to the political project of the state. Testifying to the range and agility of Hall’s critical and pedagogic engagement with contemporary media culture—and also to his collaborative mode of working—this volume reaffirms his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.

Stuart Hall (1932–2014) was one of the most prominent and influential scholars and public intellectuals of his gener-

Cultural studies/Media studies/ Television studies

ation. Hall taught at the University of Birmingham and the Open University, was the founding editor of New Left Review.

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick.

List: $28.95 Discount: $17.37

November 2021

Right Here, Right Now Life Stories from America’s Death Row LYNDEN HARRIS , editor

With a Foreword by HENDERSON HILL and an Afterword by TIMOTHY B. TYSON

Upon receiving his execution date, one of the thousands of men living on death row in the United States had an epiphany: “All there ever is, is this moment. You, me, all of us, right here, right now, this minute, that’s love.” Right Here, Right Now collects the powerful, first-person stories of dozens of men on death rows across the country. From childhood experiences living with poverty, hunger, and violence to mental illness and police misconduct to coming to terms with their executions, these men outline their struggle to maintain their connection to society and sustain the humanity that incarceration and its daily insults attempt to extinguish. By offering their hopes, dreams, aspirations, fears, failures, and wounds, the men challenge us to reconsider whether our current justice system offers actual justice or simply perpetuates the social injustices that obscure our shared humanity.

Lynden Harris is the founder and director of Hidden Voices, an arts collective that collaborates with underrepresented communities to create performances, exhibits, and media that explore difficult social issues. Henderson Hill is Senior Counsel at the ACLU Capital Punishment Project. Timothy B. Tyson is Senior Research Scholar at the Center

Social justice/Mass incarceration

April 2021

List: $22.95 Discount: $13.77

for Documentary Studies at Duke University.

dukeupress.edu

11

Long Term Essays on Queer Commitment SCOTT HERRING and LEE WALLACE , editors With a foreword by E. PATRICK JOHNSON

Queer studies/Disability studies

August 2021

List: $26.95 Discount: $16.17

The contributors to Long Term use the tension between the popular embrace and legalization of same-sex marriage and the queer critique of homonormativity as an opportunity to examine the myriad forms of queer commitments and their durational aspect. They consider commitment in all its guises, particularly relationships beyond and aside from monogamous partnering. These include chosen and involuntary long-term commitments to families, friends, pets, and coworkers; to the care of others and care of self; and to financial, psychiatric, and carceral institutions.

Whether considering the enduring challenges of chronic illnesses and disability, including HIV and chronic fatigue syndrome; theorizing the queer family as a scene of racialized commitment; or relating the grief and loss that comes with caring for pets, the contributors demonstrate that attending to the long term offers a fuller understanding of queer engagements with intimacy, mortality, change, dependence, and care.

Scott Herring is Professor of American Studies and Women’s, Gender, and Sexuality Studies at Yale University. Lee Wallace is Associate Professor of Gender and Cultural Studies at the University of Sydney. E. Patrick Johnson is Annenberg University Professor of Performance Studies and African American Studies at Northwestern University.

See How We Roll Enduring Exile between Desert and Urban Australia MELINDA HINKSON

Anthropology/Indigenous studies

October 2021

In See How We Roll Melinda Hinkson follows the experiences of Nungarrayi, a Warlpiri woman from the Central Australian desert, as she struggles to establish a new life for herself in the city of Adelaide. Banished from her hometown, Nungarrayi energetically navigates promises of transformation as well as sedimented racialized expectations on the urban streets. Drawing on a decades-long friendship, Hinkson explores these circumstances through Nungarrayi’s relationships: those between her country and kin that sustain and confound life beyond the desert, those that regulate her marginalized citizenship, and the new friendships called out by displacement and metropolitan life. An intimate ethnography, See How We Roll provides great insight into the enduring violence of the settler colonial state while illuminating the efforts of Indigenous people to create lives of dignity and shared purpose in the face of turbulence, grief, and tightening governmental controls.

Melinda Hinkson is Associate Professor of Anthropology at Deakin University.

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Becoming Palestine Toward an Archival Imagination of the Future GIL Z. HOCHBERG In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine’s future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history’s repository, Hochberg presents a fundamental reconceptualization of the archive’s liberatory potential.

Middle East studies/Art and visual culture

December 2021

Gil Z. Hochberg is Ransford Professor of Hebrew and Visual Studies, Comparative Literature, and Middle East Studies at Columbia University.

List: $24.95 Discount: $14.97

12

Literature and Literary Studies | new books

Assembly Codes The Logistics of Media MATTHEW HOCKENBERRY, NICOLE STAROSIELSKI , and SUSAN ZIEGER , editors With a Foreword by JOHN DURHAM PETERS

The contributors to Assembly Codes examine how media and logistics set the conditions for the circulation of information and culture. They document how logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—has substantially impacted the production, distribution, and consumption of media. At the same time, physical media, such as paperwork, along with media technologies ranging from phone systems to software are central to the operations of logistics. The contributors interrogate topics ranging from the logistics of film production and the construction of internet infrastructure to the environmental impact of the creation, distribution, and sale of vinyl records. They also reveal how logistical technologies have generated new aesthetic and performative practices. In charting the specific points of contact, dependence, and friction between media and logistics, Assembly Codes demonstrates that media and logistics are co-constitutive and that one cannot be understood apart from the other.

Matthew Hockenberry is Assistant Professor of Communication and Media Studies at Fordham University. Nicole Starosielski is Associate Professor of Media, Culture, and Communication at New York University. Susan Zieger is Professor of English at the University of California, Riverside. John Durham Peters is Maria Rosa Menocal Professor

Media studies/Science and technology studies/Cultural studies

September 2021

List: $26.95 Discount: $16.17

of English and of Film and Media Studies at Yale University.

On Living with Television AMY HOLDSWORTH

In On Living with Television, Amy Holdsworth examines the characteristics of intimacy, familiarity, repetition, and duration that have come to exemplify the medium of television. Drawing on feminist television studies, queer theory, and disability studies as well as autobiographical life-writing practices, Holdsworth shows how television shapes everyday activities, from eating and sleeping to driving and homemaking. Recounting her own life with television, she offers a sense of the joys and pleasures Disney videos brought to her disabled sister, traces how bedtime television becomes part of a daily routine between child and caregiver, explores her own relationship to binge-eating and binge-viewing, and considers the idea of home through the BBC family drama Last Tango in Halifax. By foregrounding the ways in which television structures our relationships, daily routines, and sense of time, Holdsworth demonstrates how television emerges as a potent vehicle for writing about life.

Amy Holdsworth is Senior Lecturer in Film and Television Studies at the University of Glasgow.

TV studies/Memoir/Disability studies

December 2021

List: $24.95 Discount: $14.97

Magical Habits MONICA HUERTA

In Magical Habits Monica Huerta draws on her experiences growing up in her family’s Mexican restaurants and her life as a scholar of literature and culture to meditate on how relationships among self, place, race, and storytelling contend with both the afterlives of history and racial capitalism. Whether dwelling on mundane aspects of everyday life, such as the smell of old kitchen grease, or grappling with the thorny, unsatisfying question of authenticity, Huerta stages a dynamic conversation among genres, voices, and archives: personal and critical essays exist alongside a fairy tale; photographs and restaurant menus complement fictional monologues based on her family’s history.

Developing a new mode of criticism through storytelling, Huerta takes readers through Cook County courtrooms, the Cristero Rebellion (in which her great-grandfather was martyred by the Mexican government), Japanese baths in San Francisco—and a little bit about Chaucer too. Ultimately, Huerta sketches out habits of living while thinking that allow us to consider what it means to live with and try to peer beyond history even as we are caught up in the middle of it.

Memoir/Latinx studies

Monica Huerta is Assistant Professor of English and American Studies at Princeton University.

List: $24.95 Discount: $14.97

dukeupress.edu

August 2021

13

Maroon Choreography FAHIMA IFE

In Maroon Choreography fahima ife speculates on the long (im)material, ecological, and aesthetic afterlives of black fugitivity. In three long-form poems and a lyrical essay, they examine black fugitivity as an ongoing phenomenon we know little about beyond what history tells us. As both poet and scholar, ife unsettles the history and idea of black fugitivity, troubling senses of historic knowing while moving inside the continuing afterlives of those people who disappeared themselves into rural spaces beyond the reach of slavery. At the same time, they interrogate how writing itself can be a fugitive practice and a means to find a way out of ongoing containment, indebtedness, surveillance, and ecological ruin. Offering a philosophical performance in black study, ife prompts us to consider how we—in our study, in our mutual refusal, in our belatedness, in our habitual assemblage—linger beside the unknown. fahima ife is Assistant Professor of English at Louisiana State University.

Poetry/Black studies

August 2021

List: $21.95 Discount: $13.17

African Ecomedia Network Forms, Planetary Politics CAJETAN IHEKA

African studies/Media studies/ Environmental humanities

December 2021

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In African Ecomedia, Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo’s photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai’s documentary on the deleterious consequences of uranium mining in Niger. These works highlight not only the exploitation of African workers and the vast scope of environmental degradation but also the resourcefulness and creativity of African media makers. They point to the unsustainability of current practices while acknowledging our planet’s finite natural resources. In foregrounding Africa’s centrality to the production and disposal of media technology, Iheka shows the important place visual media has in raising awareness of and documenting ecological disaster even as it remains complicit in it.

Cajetan Iheka is Associate Professor of English at Yale University.

The Genealogical Imagination Two Studies of Life over Time MICHAEL JACKSON

Anthropology/Creative nonfiction

May 2021

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14

In The Genealogical Imagination Michael Jackson juxtaposes ethnographic and imaginative writing to explore intergenerational trauma and temporality. Drawing on over fifty years of fieldwork, Jackson recounts the 150-year history of a Sierra Leone family through its periods of prosperity and powerlessness, war and peace, jihad and migration.

Jackson also offers a fictionalized narrative loosely based on his family history and fieldwork in northeastern Australia that traces how the trauma of wartime in one generation can reverberate into the next. In both stories Jackson reflects on different modes of being-in-time, demonstrating how genealogical time flows in stops and starts—linear at times, discontinuous at others—as current generations reckon with their relationships to their ancestors. Genealogy, Jackson demonstrates, becomes a powerful model for understanding our experience of being-in-the-world, as nobody can escape kinship and the pull of the past. Unconventional and evocative, The Genealogical Imagination offers a nuanced account of how lives are lived, while it pushes the bounds of the forms that scholarship can take.

Michael Jackson is Distinguished Visiting Professor of World Religions at Harvard Divinity School, Harvard University.

Literature and Literary Studies | new books

The Work of Rape RANA M. JALEEL

In The Work of Rape Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States.

Rana M. Jaleel is Assistant Professor in the Department of Gender, Sexuality, and Women’s Studies at the University of California, Davis.

Gender studies/Critical ethnic studies/American studies

October 2021

List: $26.95 Discount: $16.17

Decolonizing Memory Algeria and the Politics of Testimony JILL JARVIS The magnitude of the legal violence exercised by the French to colonize and occupy Algeria (1830–1962) is such that only aesthetic works have been able to register its enduring effects. In Decolonizing Memory Jill Jarvis examines the power of literature to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for this destruction. Taking up the unfinished work of decolonization since 1962, Algerian writers have played a crucial role in forging historical memory and nurturing political resistance—their work helps to make possible what state violence has rendered almost unthinkable. Drawing together readings of multilingual texts by Yamina Mechakra, Waciny Laredj, Zahia Rahmani, Fadhma Aïth Mansour Amrouche, Assia Djebar, and Samira Negrouche alongside theoretical, juridical, visual, and activist texts from both Algeria’s national liberation war (1954–1962) and war on civilians (1988–1999), this book challenges temporal and geographical frameworks that have implicitly organized studies of cultural memory around Euro-American reference points. Jarvis shows how this literature rewrites history, disputes state authority to arbitrate justice, and cultivates a multilingual archive for imagining decolonized futures.

Jill Jarvis is Assistant Professor of French at Yale University.

Postcolonial theory/North Africa and the Middle East/ Literary Criticism

June 2021

List: $26.95 Discount: $16.17

Saturation An Elemental Politics MELODY JUE and RAFICO RUIZ , editors Bringing together media studies and environmental humanities, the contributors to Saturation develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be maximally dissolved or absorbed in a solution. Contributors to this collection expand notions of saturation beyond water to consider saturation in sound, infrastructure, media, Big Data, capitalism, and visual culture. Essays include analyses of the thresholds of HIV detectability in bloodwork, militarism’s saturation of oceans, and the deleterious effects of the saturation of cellphone and wi-fi signals into the human body. By channeling saturation to explore the relationship between media, the environment, technology, capital, and the legacies of settler colonialism, Saturation illuminates how elements, the natural world, and anthropogenic infrastructures, politics, and processes exist in and through each other.

Melody Jue is Associate Professor of English at the University of California, Santa Barbara. Rafico Ruiz is currently

Media/Environment

October 2021

List: $28.95 Discount: $17.37

the Associate Director of Research at the Canadian Centre for Architecture.

dukeupress.edu

15

Antiblackness

MOON-KIE JUNG and JOÃO H. COSTA VARGAS , editors Antiblackness investigates the ways in which the dehumanization of Black people has been foundational to the establishment of modernity. Drawing on Black feminism, Afropessimism, and critical race theory, the book’s contributors trace forms of antiblackness across time and space, from nineteenth-century slavery to the categorization of Latinx in the 2020 census, from South Africa and Palestine to the Chickasaw homelands, from the White House to convict lease camps, prisons, and schools. Among other topics, they examine the centrality of antiblackness in the introduction of Carolina rice to colonial India, the presence of Black people and Native Americans in the public discourse of precolonial Korea, and the practices of denial that obscure antiblackness in contemporary France. Throughout, the contributors demonstrate that any analysis of white supremacy—indeed, of the world—that does not contend with antiblackness is incomplete.

Black studies/Critical ethnic studies/Social theory

April 2021

Moon-Kie Jung is Professor of Sociology at the University of Massachusetts, Amherst. João H. Costa Vargas is Professor of Anthropology at the University of California, Riverside.

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A Black Intellectual’s Odyssey From a Pennsylvania Milltown to the Ivy League MARTIN KILSON With a foreword by CORNEL WEST and an afterword by STEFANO HARNEY and FRED MOTEN

Memoir/African American studies

August 2021

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In 1969, Martin Kilson became the first tenured African American professor at Harvard University, where he taught African and African American politics for over thirty years. In A Black Intellectual’s Odyssey, Kilson takes readers on a fascinating journey from his upbringing in the small Pennsylvania mill town of Ambler to his experiences attending Lincoln University—the country’s oldest HBCU—to pursuing graduate study at Harvard before becoming a faculty member there. He gives a sweeping sociological tour of Ambler as a multiethnic, working-class company town while sketching the social, economic, and racial elements that marked everyday life. While at Lincoln and during his graduate work at Harvard, Kilson observed how class, political, and racial dynamics influenced his peers’ political engagement, diverse career paths, and relationships with whites. Throughout his career, Kilson engaged in pioneering scholarship while mentoring countless students. This is as much a story of his travels from the racist margins of twentieth-century America to one of the nation’s most prestigious institutions as it is a portrait of the places that shaped him.

Martin Kilson (1931–2019) was Frank G. Thomson Professor of Government Emeritus at Harvard University. Cornel West is Dietrich Bonhoeffer Professor at Union Theological Seminary. Stefano Harney and Fred Moten are two of Martin Kilson’s many students.

Hegemonic Mimicry Korean Popular Culture of the Twenty-First Century KYUNG HYUN KIM

Asian studies/Cultural studies/ Film and Media studies

November 2021

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16

In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture—the Korean wave of pop music, cinema, and television, which is also known as hallyu—from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu’s adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-tominor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly “minor” culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity.

Kyung Hyun Kim is Professor in East Asian Studies at the University of California, Irvine.

Literature and Literary Studies | new books

Operation Valhalla Writings on War, Weapons, and Media FRIEDRICH KITTLER Edited and translated by ILINCA IURASCU, GEOFFREY WINTHROP-YOUNG, and MICHAEL WUTZ

Operation Valhalla collects eighteen texts by German media theorist Friedrich Kittler on the close connections between war and media technology. In these essays, public lectures, interviews, literary analyses, and autobiographical musings, Kittler outlines how war has been a central driver of media’s evolution, from Prussia’s wars against Napoleon to the so-called War on Terror. Covering an eclectic array of topics, he charts the intertwined military and theatrical histories of the searchlight and the stage lamp, traces the microprocessor’s genealogy back to the tank, shows how rapid-fire guns brought about new standards for optics and acoustics, and reads Thomas Pynchon’s Gravity’s Rainbow to upset established claims about the relationship between war, technology, and history in the twentieth century. Throughout, Operation Valhalla foregrounds the outsize role of war in media history as well as Kittler’s importance as a daring and original thinker.

Friedrich Kittler (1943–2011) was a Professor of Media Aesthetics and History at Humboldt University in Berlin.

Ilinca Iurascu is Associate Professor of German at the University of British Columbia. Geoffrey Winthrop-Young is Professor of German at the University of British Columbia. Michael Wutz is Rodney H. Brady Presidential Distin-

Media theory/Cultural theory

April 2021

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guished Professor of English at Weber State University.

Millennials Killed the Video Star MTV’s Transition to Reality Programming AMANDA ANN KLEIN Between 1995 and 2000, the number of music videos airing on MTV dropped by 36 percent. As an alternative to the twenty-four-hour video jukebox the channel had offered during its early years, MTV created an original cycle of scripted reality shows, including Laguna Beach, The Hills, The City, Catfish, and Jersey Shore, which were aimed at predominantly white youth audiences. In Millennials Killed the Video Star Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV’s shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.

Amanda Ann Klein is Associate Professor of Film Studies at East Carolina University.

TV/Gender studies/Popular culture

February 2021

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The Stone and the Wireless Mediating China, 1861–1906 SHAOLING MA In the final decades of the Manchu Qing dynasty in China, technologies such as the phonograph, telephone, telegraph, and photography were both new and foreign. In The Stone and the Wireless Shaoling Ma analyzes diplomatic diaries, early science fiction, feminist poetry, photography, telegrams, and other archival texts, and shows how writers, intellectuals, reformers, and revolutionaries theorized what media does despite lacking a vocabulary to do so. Media defines the dynamics between technologies and their social or cultural forms, between devices or communicative processes and their representations in texts and images. More than simply reexamining late Qing China’s political upheavals and modernizing energies through the lens of media, Ma shows that a new culture of mediation was helping to shape the very distinctions between politics, gender dynamics, economics, and science and technology. Ma contends that mediation lies not only at the heart of Chinese media history but of media history writ large.

Shaoling Ma is Assistant Professor of Humanities at Yale-NUS College, Singapore.

Media and technology studies/ Asian studies/Literary theory

June 2021

List: $27.95 Discount: $16.77

dukeupress.edu

17

Media Crossroads Intersections of Space and Identity in Screen Cultures PAULA J. MASSOOD, ANGEL DANIEL MATOS , and PAMELA ROBERTSON WOJCIK , editors

Media studies/Urban studies/ Critical Race studies

March 2021

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The contributors to Media Crossroads examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability. Considering a wide range of film, television, video games, and other media, the authors show how spaces—from the large and fantastical to the intimate and virtual—are shaped by the social interactions and intersections staged within them. The highly teachable essays include analyses of media representations of urban life and gentrification, the ways video games allow users to adopt an experiential understanding of space, the intersection of the regulation of bodies and spaces, and how style and aesthetics can influence intersectional thinking.

Whether interrogating the construction of Portland as a white utopia in Portlandia or the link between queerness and the spatial design and gaming mechanics in the Legend of Zelda video game series, the contributors deepen understanding of screen cultures in ways that redefine conversations around space studies in film and media.

Paula J. Massood is Professor, Feirstein Graduate School of Cinema, City University of New York. Angel Daniel Matos is Assistant Professor of Gender, Sexuality, and Women’s Studies at Bowdoin College. Pamela Robertson Wojcik is Professor of Film, Television, and Theatre at the University of Notre Dame.

Couplets Travels in Speculative Pragmatism BRIAN MASSUMI

Theory and philosophy

October 2021

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In Couplets, Brian Massumi presents twenty-four essays that represent the full spectrum of his work during the past thirty years. Conceived as a companion volume to Parables for the Virtual, Couplets addresses the key concepts of Parables from different angles and contextualizes them, allowing their stakes to be more fully felt. Rather than organizing the essays chronologically or by topic, Massumi pairs them into couplets to encourage readers to make connections across conventional subject matter categories, to encounter disjunctions, and to link different phases in the evolution of his work. In his analyses of topics ranging from art, affect, and architecture to media theory, political theory, and the philosophy of experience, Massumi charts a field on which a family of conceptual problems plays out in ways that bear on the potentials for acting and perceiving the world. As an essential guide to Massumi’s oeuvre, Couplets is both a primer for his new readers and a supplemental resource for those already engaged with his thought.

Brian Massumi is a Canadian philosopher and social theorist, and, until recently, Professor of Communication at the University of Montreal.

Parables for the Virtual Movement, Affect, Sensation BRIAN MASSUMI Twentieth Anniversary Edition with a new preface

Theory and philosophy

October 2021

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Since its publication twenty years ago, Brian Massumi’s pioneering Parables for the Virtual has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James’s radical empiricism and Henri Bergson’s philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan’s acting career.

The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, “Keywords for Affect” and “Missed Conceptions about Affect,” in which Massumi explicates his approach to affect in ways that emphasize the book’s political and philosophical stakes.

Brian Massumi is a Canadian philosopher and social theorist, and until recently, was Professor of Communication at the University of Montreal.

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Literature and Literary Studies | new books

To Make Negro Literature Writing, Literary Practice, and African American Authorship ELIZABETH MCHENRY In To Make Negro Literature Elizabeth McHenry traces African American authorship in the decade following the 1896 legalization of segregation. She shifts critical focus from the published texts of acclaimed writers to unfamiliar practitioners whose works reflect the unsettledness of African American letters in this period. Analyzing literary projects that were unpublished, unsuccessful, or only partially achieved, McHenry recovers a hidden genealogy of Black literature as having emerged tentatively, laboriously, and unevenly. She locates this history in books sold by subscription, in lists and bibliographies of African American authors and books assembled at the turn of the century, in the act of ghostwriting, and in manuscripts submitted to publishers for consideration and the letters of introduction that accompanied them. By attending to these sites and prioritizing overlooked archives, McHenry reveals a radically different literary landscape, revising concepts of Black authorship and offering a fresh account of the development of “Negro literature” focused on the never published, the barely read, and the unconventional.

Elizabeth McHenry is Professor of English at New York University.

African American studies/ Literary criticism

October 2021

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Religion, Secularism, and Political Belonging LEEROM MEDOVOI and ELIZABETH BENTLEY, editors

Working in four scholarly teams focused on different global regions—North America, the European Union, the Middle East, and China—the contributors to Religion, Secularism, and Political Belonging examine how new political worlds intersect with locally specific articulations of religion and secularism. The chapters address many topics, including the changing relationship between Islam and politics in Tunisia after the 2010 revolution, the influence of religion on the sharp turn to the political right in Western Europe, understandings of Confucianism as a form of secularism, and the alliance between evangelical Christians and neoliberal business elites in the United States since the 1970s. This volume also provides a methodological template for how humanities scholars around the world can collaboratively engage with sweeping issues of global significance.

Leerom Medovoi is Professor of English at the University of Arizona. Elizabeth Bentley is a PhD candidate in English at the University of Arizona.

Religion and secularism/Global humanities/Cultural studies

April 2021

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The Politics of Decolonial Investigations WALTER D. MIGNOLO

In The Politics of Decolonial Investigations Walter D. Mignolo provides a sweeping examination of how coloniality has operated around the world in its myriad forms from the sixteenth century to the twenty-first. Decolonial border thinking allows Mignolo to outline how the combination of the self-fashioned narratives of Western civilization and the hegemony of Eurocentric thought served to eradicate all knowledges in non-European languages and praxes of living and being. Mignolo also traces the geopolitical origins of racialized and gendered classifications, modernity, globalization, and cosmopolitanism, placing them all within the framework of coloniality. Drawing on the work of theorists and decolonial practitioners from the Global South and the Global East, Mignolo shows how coloniality has provoked the emergence of decolonial politics initiated by delinking from all forms of Western knowledge and subjectivities. The urgent task, Mignolo stresses, is the epistemic reconstitution of categories of thought and praxes of living destituted in the very process of building Western civilization and the idea of modernity. The overcoming of the long-lasting hegemony of the West and its distorted legacies is already underway in all areas of human existence.

Mignolo underscores the relevance of the politics of decolonial investigations, in and outside the academy, to liberate ourselves from canonized knowledge, ways of knowing, and praxes of living.

Decolonial theory/Globalization/ Latin American History

August 2021

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Walter D. Mignolo is William H. Wannamaker Professor of Romance Studies in the Trinity College of Arts and Sciences and Professor of Literature at Duke University.

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Eating in Theory ANNEMARIE MOL

Feminist science studies/ Anthropology/Philosophy

April 2021

As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate—and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence.

Annemarie Mol is Professor of Anthropology of the Body at the University of Amsterdam.

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Reckoning with Slavery Gender, Kinship, and Capitalism in the Early Black Atlantic JENNIFER L. MORGAN

Black Atlantic/Women’s history/ American history

June 2021

In Reckoning with Slavery Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth and seventeenth centuries to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic. From capture to transport to sale to childbirth, these women were demographically counted as commodities during the Middle Passage, vulnerable to rape, separated from their kin at slave markets, and subject to laws that enslaved their children upon birth. In this way, they were central to the binding of reproductive labor with kinship, racial hierarchy, and the economics of slavery. Throughout this groundbreaking study, Morgan demonstrates that the development of Western notions of value and race occurred simultaneously. In so doing, she illustrates how racial capitalism denied the enslaved their kinship and affective ties while simultaneously relying on kinship to reproduce and enforce slavery through enslaved female bodies.

Jennifer L. Morgan is Professor of Social and Cultural Analysis and History at New York University.

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The Deconstruction of Sex

JEAN-LUC NANCY and IRVING GOH With an Afterword by CLAIRE COLEBROOK

In The Deconstruction of Sex, Jean-Luc Nancy and Irving Goh discuss how a deconstructive approach to sex helps us negotiate discourses about sex and foster a better understanding of how sex complicates our everyday existence in the age of #MeToo. Throughout their conversation, Nancy and Goh engage with topics ranging from relation, penetration, and subjection to touch, erotics, and jouissance. They show how despite its entrenchment in social norms and centrality to our being-in-the-world, sex lacks a clearly defined essence. At the same time, they point to the potentiality of literature to inscribe the senses of sex. In so doing, Nancy and Goh prompt us to reconsider our relations with ourselves and others through sex in more sensitive, respectful, and humble ways without bracketing the troubling aspects of sex.

Philosophy/Sex and sexuality

November 2021

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Jean-Luc Nancy (1940-2021) was Emeritus Professor of Philosophy at the University of Strasbourg. Irving Goh is President’s Assistant Professor of Literature at the National University of Singapore. Claire Colebrook is Edwin Erle Sparks Professor of English, Philosophy, and Women’s, Gender, and Sexuality Studies at Pennsylvania State University.

Literature and Literary Studies | new books

Birthing Black Mothers JENNIFER C. NASH

In Birthing Black Mothers Black feminist theorist Jennifer C. Nash examines how the figure of the “Black mother” has become a powerful political category. “Mothering while Black” has become synonymous with crisis as well as a site of cultural interest, empathy, fascination, and support. Cast as suffering and traumatized by their proximity to Black death—especially through medical racism and state-sanctioned police violence—Black mothers are often rendered as one-dimensional symbols of tragic heroism. In contrast, Nash examines Black mothers’ self-representations and public performances of motherhood—including Black doulas and breastfeeding advocates alongside celebrities such as Beyoncé, Serena Williams, and Michelle Obama—that are not rooted in loss. Through cultural critique and in-depth interviews, Nash acknowledges the complexities of Black motherhood outside its use as political currency.

Throughout, Nash imagines a Black feminist project that refuses the lure of locating the precarity of Black life in women and instead invites readers to theorize, organize, and dream into being new modes of Black motherhood.

Jennifer C. Nash is Jean Fox O’Barr Professor of Gender, Sexuality, and Feminist Studies at Duke University.

Black feminist studies

August 2021

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Tropical Aesthetics of Black Modernism SAMANTHA A. NOËL

In Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls “tropical aesthetics”—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists’ identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.

Samantha A. Noël is Assistant Professor in Art History at Wayne State University.

Art history/Black Diaspora/ Modernism

February 2021

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Loss and Wonder at the World’s End LAURA A. OGDEN

In Loss and Wonder at the World’s End, Laura A. Ogden brings together animals, people, and things—from beavers, stolen photographs, lichen, American explorers, and birdsong—to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina. Repeated algal blooms have closed fisheries in the archipelago. Glaciers are in retreat. Extractive industries such as commercial forestry, natural gas production, and salmon farming along with the introduction of nonnative species are rapidly transforming assemblages of life. Ogden archives forms of loss—including territory, language, sovereignty, and life itself—as well as forms of wonder, or moments when life continues to flourish even in the ruins of these devastations. Her account draws on long-term ethnographic research with settler and Indigenous communities; archival photographs; explorer journals; and experiments in natural history and performance studies. Loss and Wonder at the World’s End frames environmental change as imperialism’s shadow, a darkness cast over the earth in the wake of other losses.

Laura A. Ogden is Associate Professor of Anthropology at Dartmouth College.

Anthropology/Environmental studies

November 2021

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The Jamaica Reader History, Culture, Politics DIANA PATON and MATTHEW J. SMITH , editors

Jamaica/Travel

June 2021

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From Miss Lou to Bob Marley and Usain Bolt to Kamala Harris, Jamaica has had an outsized reach in global mainstream culture. Yet many of its most important historical, cultural, and political events and aspects are largely unknown beyond the island. The Jamaica Reader presents a panoramic history of the country, from its precontact indigenous origins to the present. Combining more than one hundred classic and lesser-known texts that include journalism, lyrics, memoir, and poetry, the Reader showcases myriad voices from over the centuries: the earliest published black writer in the English-speaking world; contemporary dancehall artists; Marcus Garvey; and anonymous migrant workers. It illuminates the complexities of Jamaica’s past, addressing topics such as resistance to slavery, the modern tourist industry, the realities of urban life, and the struggle to find a national identity following independence in 1962. Throughout, it sketches how its residents and visitors have experienced and shaped its place in the world. Providing an unparalleled look at Jamaica’s history, culture, and politics, this volume is an ideal companion for anyone interested in learning about this magnetic and dynamic nation.

Diana Paton is William Robertson Professor of History at the University of Edinburgh. Matthew J. Smith is Professor of History and Director of The Centre for the Study of Legacies of British Slave-Ownership, University College London.

Atmospheric Noise The Indefinite Urbanism of Los Angeles MARINA PETERSON

Anthropology/Sound studies/ Urban studies

February 2021

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In Atmospheric Noise, Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise since the 1960s. Exploring spaces shaped by noise around Los Angeles International Airport (LAX), she shows how noise is a way of attuning toward the atmospheric: through noise we learn to listen to the sky and imagine the permeability of bodies and matter, sensing and conceiving that which is diffuse, indefinite, vague, and unformed. In her account, the “atmospheric” encompasses the physicality of the ephemeral, dynamic assemblages of matter as well as a logic of indeterminacy. It is audible as well as visible, heard as much as breathed. Peterson develops a theory of “indefinite urbanism” to refer to marginalized spaces of the city where concrete meets sky, windows resonate with the whine of departing planes, and endangered butterflies live under flight paths. Offering a conceptualization of sound as immanent and non-objectified, she demonstrates ways in which noise is central to how we know, feel, and think atmospherically.

Marina Peterson is Associate Professor of Anthropology at the University of Texas at Austin.

Warring Visions Photography and Vietnam THY PHU

Photography/Vietnam

December 2021

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In Warring Visions, Thy Phu explores photography from dispersed communities throughout Vietnam and the Vietnamese diaspora, both during and after the Vietnam War, to complicate narratives of conflict and memory. While the visual history of the Vietnam War has been dominated by American documentaries and war photography, Phu turns to photographs circulated by the Vietnamese themselves, capturing a range of subjects, occasions, and perspectives.

Phu’s concept of warring visions refers to contrasts in the use of war photos in North Vietnam, which highlighted national liberation and aligned themselves with an international audience, and those in South Vietnam, which focused on family and everyday survival. Phu also uses warring visions to enlarge the category of war photography, a genre that usually consists of images illustrating the immediacy of combat and the spectacle of violence, pain, and wounded bodies. She pushes this genre beyond such definitions by analyzing pictures of family life, weddings, and other quotidian scenes of life during the war. Phu thus expands our understanding of how war is waged, experienced, and resolved.

Thy Phu is Professor of Media Studies at the University of Toronto.

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Literature and Literary Studies | new books

Interplay of Things Religion, Art, and Presence Together ANTHONY B. PINN In Interplay of Things Anthony B. Pinn theorizes religion as a technology for interrogating human experiences and the boundaries between people and other things. Rather than considering religion in terms of institutions, doctrines, and creeds, Pinn shows how religion exposes the openness and porousness of all things and how they are always involved in processes of exchange and interplay. Pinn examines work by Nella Larsen and Richard Wright that illustrates an openness between things, and he traces how pop art and readymades point to the multidirectional nature of influence. He also shows how Ron Athey’s and Clifford Owens’s performance art draws out inherent interconnectedness to various cultural codes in ways that reveal the symbiotic relationship between art and religion as a technology.

Theorizing that antiblack racism and gender- and class-based hostility constitute efforts to close off the porous nature of certain bodies, Pinn shows how many artists have rebelled against these attempts to counter openness. His analyses offer a means by which to understand the porous, unbounded, and open nature of humans and things.

Anthony B. Pinn is Agnes Cullen Arnold Professor of Humanities and Professor of Religion at Rice University.

Religious studies/African American studies/Art

November 2021

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Another Aesthetics Is Possible Arts of Rebellion in the Fourth World War JENNIFER PONCE DE LEÓN In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina’s human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.

Jennifer Ponce de León is Assistant Professor of English at the University of Pennsylvania.

Latin American studies/Chicanx and Latinx studies/Art Theory and Criticism

April 2021

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Between Gaia and Ground Four Axioms of Existence and the Ancestral Catastrophe of Late Liberalism ELIZABETH A. POVINELLI In Between Gaia and Ground Elizabeth A. Povinelli theorizes the climatic, environmental, viral, and social catastrophe present as an ancestral catastrophe through which that Indigenous and colonized peoples have been suffering for centuries. In this way, the violence and philosophies the West relies on now threaten the West itself. Engaging with the work of Glissant, Deleuze and Guattari, Césaire, and Arendt, Povinelli highlights four axioms of existence— the entanglement of existence, the unequal distribution of power, the collapse of the event as essential to political thought, and the legacies of racial and colonial histories. She traces these axioms’ inspiration in anticolonial struggles against the dispossession and extraction that have ruined the lived conditions for many on the planet. By examining the dynamic and unfolding forms of late liberal violence, Povinelli attends to a vital set of questions about changing environmental conditions, the legacies of violence, and the limits of inherited Western social theory. Between Gaia and Ground also includes a glossary of the keywords and concepts that Povinelli has developed throughout her work.

Elizabeth A. Povinelli is Franz Boas Professor of Anthropology and Gender Studies at Columbia University and

Anthropology/Social theory

September 2021

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founding member of the Karrabing Film Collective.

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The Inheritance

ELIZABETH A. POVINELLI

Memoir/Anthropology

March 2021

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Elizabeth A. Povinelli’s inheritance was passed down not through blood or soil but through a framed map of Trentino, Alto Adige—the region where family’s ancestral alpine village is found. Far more than a map hanging above the family television, the image featured colors and lines that held in place the memories and values fueling the Povinelli family’s fraught relationships with the village and with each other. In her graphic memoir The Inheritance, Povinelli explores the events, traumas, and powers that divide and define our individual and collective pasts and futures.

Weaving together stories of her grandparents’ flight from their village in the early twentieth century to the fortunes of their knife-grinding business in Buffalo, New York, and her own Catholic childhood in a shrinking Louisiana woodlands of the 1960s and 1970s, Povinelli describes the serial patterns of violence, dislocation, racism and structural inequality that have shaped not only her life but the American story. Plumbing the messy relationships among nationality, ethnicity, kinship, religion, and belonging, The Inheritance takes us into the gulf between the facts of history and the stories we tell ourselves to survive and justify them.

Elizabeth A. Povinelli is Franz Boas Professor of Anthropology and Gender Studies at Columbia University and a founding member of the Karrabing Film Collective.

Black Aliveness, or A Poetics of Being KEVIN QUASHIE

Black studies/Literary studies

February 2021

In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world.

Kevin Quashie is Professor of English at Brown University.

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Speaking for the People Native Writing and the Question of Political Form MARK RIFKIN

Native and Indigenous studies/ Literary studies

September 2021

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In Speaking for the People Mark Rifkin examines nineteenth-century Native writings to reframe contemporary debates around Indigenous recognition, refusal, and resurgence. Rifkin shows how works by Native authors (William Apess, Elias Boudinot, Sarah Winnemucca, and Zitkala-Ša) illustrate the intellectual labor involved in representing modes of Indigenous political identity and placemaking. These writers highlight the complex processes involved in negotiating the character, contours, and scope of Indigenous sovereignties under ongoing colonial occupation.

Rifkin argues that attending to these writers’ engagements with non-native publics helps provide further analytical tools for addressing the complexities of Indigenous governance on the ground—both then and now. Thinking about Native peoplehood and politics as a matter of form opens possibilities for addressing the difficult work involved in navigating among varied possibilities for conceptualizing and enacting peoplehood in the context of continuing settler intervention. As Rifkin demonstrates, attending to writings by these Indigenous intellectuals provides ways of understanding Native governance as a matter of deliberation, discussion, and debate, emphasizing the open-ended unfinishedness of self-determination.

Mark Rifkin is Professor of English and Women’s, Gender, and Sexuality Studies at the University of North Carolina, Greensboro.

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Literature and Literary Studies | new books

Borderwaters Amid the Archipelagic States of America BRIAN RUSSELL ROBERTS Conventional narratives describe the United States as a continental country bordered by Canada and Mexico. Yet, since the late twentieth century the United States has claimed more water space than land space, and more water space than perhaps any other country in the world. This watery version of the United States borders some twenty-one countries, particularly in the archipelagoes of the Pacific and the Caribbean. In Borderwaters Brian Russell Roberts dispels continental national mythologies to advance an alternative image of the United States as an archipelagic nation. Drawing on literature, visual art, and other expressive forms that range from novels by Mark Twain and Zora Neale Hurston to Indigenous testimonies against nuclear testing and Miguel Covarrubias’s visual representations of Indonesia and the Caribbean, Roberts remaps both the fundamentals of US geography and the foundations of how we discuss US culture.

Brian Russell Roberts is Professor of English at Brigham Young University.

American studies/Ocean studies/Island studies

May 2021

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Toward Camden MERCY ROMERO

In Toward Camden, Mercy Romero writes about the relationships that make and sustain the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up. She walks the city and writes outdoors to think about the collapse and transformation of property. She revisits lost and empty houses—her family’s house, the Walt Whitman House, and the landscape of a vacant lot. Throughout, Romero engages with the aesthetics of fragment and ruin; her writing juts against idioms of redevelopment. She resists narratives of the city that are inextricable from crime and decline and witnesses everyday lives lived at the intersection of spatial and Puerto Rican diasporic memory. Toward Camden travels between what official reports say and what the city’s vacant lots withhold.

Mercy Romero is Associate Professor of American Literature and American Studies at Sonoma State University.

Memoir/Ethnic studies

December 2021

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How Do We Look?

Resisting Visual Biopolitics FATIMAH TOBING RONY In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics—the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin’s 1893 portrait of Annah la Javanaise—a trafficked thirteen-year-old girl found wandering the streets of Paris—as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati’s The Dance that Makes You Vanish, Vincent Monnikendam’s Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.

Fatimah Tobing Rony is Professor of Film and Media Studies at the University of California, Irvine.

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Film and visual culture/Gender studies/Southeast Asian studies

January 2022

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Sissy Insurgencies A Racial Anatomy of Unfit Manliness MARLON B. ROSS

Black Queer studies/American studies/African American studies

March 2022

In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington’s practice of cleaning as an iteration of sissiness, Baldwin’s self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.

Marlon B. Ross is Professor of English at the University of Virginia.

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Spatial and Discursive Violence in the US Southwest ROSAURA SÁNCHEZ and BEATRICE PITA

Chicanx and Latinx studies/ American studies

April 2021

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In Spatial and Discursive Violence in the US Southwest Rosaura Sánchez and Beatrice Pita examine literary representations of settler colonial land enclosure and dispossession in the history of New Mexico, Texas, and Oklahoma.

Sánchez and Pita analyze a range of Chicano/a and Native American novels, films, short stories, and other cultural artifacts from the eighteenth century to the present, showing how Chicano/a works often celebrate an idealized colonial Spanish past as a way to counter stereotypes of Mexican and Indigenous racial and ethnic inferiority. As they demonstrate, these texts often erase the participation of Spanish and Mexican settlers in the dispossession of Indigenous lands. Foregrounding the relationship between literature and settler colonialism, they consider how literary representations of land are manipulated and redefined in ways that point to the changing practices of dispossession.

In so doing, Sánchez and Pita prompt critics to reconsider the role of settler colonialism in the deep history of the United States and how spatial and discursive violence are always correlated.

Rosaura Sánchez is Professor Emeritus of Literature at the University of California, San Diego. Beatrice Pita is Retired Lecturer of Literature at the University of California, San Diego.

Around the Day in Eighty Worlds Politics of the Pluriverse MARTIN SAVRANSKY

Philosophy/Anthropology/ Postcolonial studies

June 2021

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In Around the Day in Eighty Worlds Martin Savransky calls for a radical politics of the pluriverse amid the ongoing devastation of the present. Responding to an epoch marked by the history of colonialism and ecological devastation, Savransky draws on the pragmatic pluralism of William James to develop what Savransky calls a “pluralistic realism”—an understanding of the world as simultaneously one and many, ongoing and unfinished, underway and yet to be made. Savransky explores the radical multifariousness of reality by weaving key aspects of James’s thought together with divergent worlds and stories: of Magellan’s circumnavigation, sorcery in Mozambique, God’s felt presence among a group of evangelicals in California, visible spirits in Zambia, and ghosts in the wake of the 2011 tsunami in Japan. Throughout, he experiments with these storied worlds to dramatize new ways of approaching the politics of radical difference and the possibility of transforming reality. By exploring and constructing relations between James’s pluralism and the ontological turn in anthropology, Savransky offers a new conceptualization of the pluriverse that fosters modes of thinking and living otherwise.

Martin Savransky is Senior Lecturer in the Department of Sociology at Goldsmiths, University of London.

Literature and Literary Studies | new books

Atmospheres of Violence Structuring Antagonism and the Trans/Queer Ungovernable ERIC A. STANLEY Advances in LGBTQ rights in the recent past—marriage equality, the repeal of Don’t Ask, Don’t Tell, and the expansion of hate crimes legislation—have been accompanied by a rise in attacks against trans, queer and/or gender-nonconforming people of color. In Atmospheres of Violence, theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans/queer violence in which inclusion and recognition are forms of harm rather than remedies to it. In calling for trans/queer organizing and worldmaking beyond these forms, Stanley points to abolitionist ways of life that might offer livable futures.

Eric A. Stanley is Associate Professor of Gender and Women’s Studies at the University of California, Berkeley.

Trans studies/Queer theory/ Critical Ethnic studies

October 2021

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Stories That Make History Mexico through Elena Poniatowska’s Crónicas LYNN STEPHEN From covering the massacre of students at Tlatelolco in 1968 and the 1985 earthquake to the Zapatista rebellion in 1994 and the disappearance of forty-three students in 2014, Elena Poniatowska has been one of the most important chroniclers of Mexican social, cultural, and political life. In Stories That Make History, Lynn Stephen examines Poniatowska’s writing, activism, and political participation, using them as a lens through which to understand critical moments in contemporary Mexican history. In her crónicas—narrative journalism written in a literary style featuring firsthand testimonies—Poniatowska told the stories of Mexico’s most marginalized people. Throughout, Stephen shows how Poniatowska helped shape Mexican politics and forge a multigenerational political community committed to social justice. In so doing, she presents a biographical and intellectual history of one of Mexico’s most cherished writers and a unique history of modern Mexico.

Lynn Stephen is Philip H. Knight Chair, Distinguished Professor of Arts and Sciences, Professor of Anthropology, and graduate faculty in Indigenous, Race, and Ethnic Studies at the University of Oregon.

Latin American studies/Social Movements/Mexican History

November 2021

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Diminished Faculties A Political Phenomenology of Impairment JONATHAN STERNE In Diminished Faculties Jonathan Sterne offers a sweeping cultural study and theorization of impairment. Drawing on his personal history with thyroid cancer and a paralyzed vocal cord, Sterne undertakes a political phenomenology of impairment in which experience is understood from the standpoint of a subject that is not fully able to account for itself. He conceives of impairment as a fundamental dimension of human experience, examining it as both political and physical. While some impairments are enshrined as normal in international standards, others are treated as causes or effects of illness or disability. Alongside his fractured account of experience, Sterne provides a tour of alternative vocal technologies and practices; a study of “normal” hearing loss as a cultural practice rather than a medical problem; and an intertwined history and phenomenology of fatigue that follows the concept as it careens from people to materials science to industrial management to spoons. Sterne demonstrates how impairment is a problem, opportunity, and occasion for approaching larger questions about disability, subjectivity, power, technology, and experience in new ways. Diminished Faculties ends with a practical user’s guide to impairment theory.

Jonathan Sterne is James McGill Professor, Department of Art History and Communication Studies at McGill

Disability studies/Sound studies/Cultural theory

January 2022

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University.

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The Ruse of Repair US Neoliberal Empire and the Turn from Critique PATRICIA STUELKE

American studies

September 2021 List: $27.95 Discount: $16.77

Since the 1990s, literary and queer studies scholars have eschewed Marxist and Foucauldian critique and hailed the reparative mode of criticism as a more humane and humble way of approaching literature and culture. The reparative turn has traveled far beyond the academy, influencing how people imagine justice, solidarity, and social change.

In The Ruse of Repair, Patricia Stuelke locates the reparative turn’s hidden history in the failed struggle against US empire and neoliberal capitalism in the 1970s and 1980s. She shows how feminist, antiracist, and anti-imperialist liberation movements’ visions of connection across difference, practices of self care, and other reparative modes of artistic and cultural production have unintentionally reinforced forms of neoliberal governance. At the same time, the US government and military, universities, and other institutions have appropriated and depoliticized these same techniques to sidestep addressing structural racism and imperialism in more substantive ways. In tracing the reparative turn’s complicated and fraught genealogy, Stuelke questions reparative criticism’s efficacy in ways that will prompt critics to reevaluate their own reading practices.

Patricia Stuelke is Assistant Professor of English at Dartmouth College.

Multisituated Ethnography as Diasporic Praxis KAUSHIK SUNDER RAJAN

Anthropology/Theory and methods/Postcolonial studies

December 2021

List: $26.95 Discount: $16.17

In Multisituated Kaushik Sunder Rajan evaluates the promises and potentials of multisited ethnography with regard to contemporary debates around decolonizing anthropology and the university. He observes that at the current moment, anthropology is increasingly peopled by diasporic students and researchers, all of whom are accountable to multiple communities beyond the discipline. In this light, Sunder Rajan draws on his pedagogical experience and dialogues to reconceptualize ethnography as a multisituated practice of knowledge production, ethical interlocution, and political intervention. Such a multisituated ethnography responds to contemporary anthropology’s myriad commitments as it privileges attention to questions of scale, comparison, and the politics of ethnographic encounters.

Foregrounding the conditions of possibility and difficulty for those doing and teaching ethnography in the twenty-first-century, Sunder Rajan gestures toward an ethos and praxis of ethnography that would open new forms of engagement and research.

Kaushik Sunder Rajan is Professor of Anthropology at the University of Chicago.

Trouillot Remixed The Michel-Rolph Trouillot Reader MICHEL-ROLPH TROUILLOT Edited by YARIMAR BONILLA , GREG BECKETT, and MAYANTHI L. FERNANDO

Black studies/Anthropology/ History

December 2021

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Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing. Trouillot Remixed offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot’s scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly.

Michel-Rolph Trouillot (1949–2012) was Professor of Anthropology and Social Sciences at the University of Chicago.

Yarimar Bonilla is Professor of Africana, Puerto Rican, and Latino Studies at Hunter College, and Professor of Anthropology at The Graduate Center at the City University of New York. Greg Beckett is Associate Professor in the Department of Anthropology at Western University. Mayanthi L. Fernando is Associate Professor of Anthropology at the University of California, Santa Cruz.

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Literature and Literary Studies | new books

The Long Emancipation Moving toward Black Freedom RINALDO WALCOTT In The Long Emancipation Rinaldo Walcott posits that Black people globally live in the time of emancipation and that emancipation is definitely not freedom. Taking examples from across the globe, he argues that wherever Black people have been emancipated from slavery and colonization, a potential freedom has been thwarted. Walcott names this condition the long emancipation—the ongoing interdiction of potential Black freedom and the continuation of the juridical and legislative status of Black nonbeing. Stating that Black people have yet to experience freedom, Walcott shows that being Black in the world is to exist in the time of emancipation in which Black people must constantly fashion alternate conceptions of freedom and reality through expressive culture. Given that Black unfreedom lies at the center of the making of the modern world, the attainment of freedom for Black people, Walcott contends, will transform the human experience worldwide. With The Long Emancipation, Walcott offers a new humanism that begins by acknowledging that present conceptions of what it means to be human do not currently include Black people.

Black studies

April 2021

List: $23.95 Discount: $14.37

Rinaldo Walcott is a Professor in the Women and Gender Studies Institute, University of Toronto.

Philosophy for Spiders On the Low Theory of Kathy Acker MCKENZIE WARK It’s time to recognize Kathy Acker as one of the great postwar American writers. Over the decades readers have found a punk Acker, a feminist Acker, a queer Acker, a kink Acker, and an avant-garde Acker. In Philosophy for Spiders, McKenzie Wark adds a trans Acker. Wark recounts her memories of Acker (with whom she had a passionate affair) and gives a comprehensive reading of her published and archived works. Wark finds not just an inventive writer of fiction who pressed against the boundaries of gender but a theorist whose comprehensive philosophy of life brings a conceptual intelligence to the everyday life of those usually excluded from philosophy’s purview. As Wark shows, Acker’s engagement with topics such as masturbation, sadism, body-building, and penetrative sex are central to her distinct phenomenology of the body that theorizes the body’s relation to others, the city, and technology.

McKenzie Wark is Professor of Media and Culture at Eugene Lang College at The New School.

Literature and theory/Queer theory/Trans studies

September 2021

List: $21.95 Discount: $13.17

Songbooks The Literature of American Popular Music ERIC WEISBARD In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings’s 1770 New-England Psalm-Singer to Jay-Z’s 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.

Music

May 2021 List: $27.95 Discount: $16.77

Eric Weisbard is Associate Professor of American Studies at the University of Alabama.

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Fighting and Writing The Rhodesian Army at War and Postwar LUISE WHITE

African history/Military history/ Colonial and postcolonial studies

March 2021

In Fighting and Writing Luise White brings the force of her historical insight to bear on the many war memoirs published by white soldiers who fought for Rhodesia during the 1964–1979 Zimbabwean liberation struggle. In the memoirs of white soldiers fighting to defend white minority rule in Africa long after other countries were independent, White finds a robust and contentious conversation about race, difference, and the war itself. These are writings by men who were ambivalent conscripts, generally aware of the futility of their fight—not brutal pawns flawlessly executing the orders and parroting the rhetoric of a racist regime. Moreover, most of these men insisted that the most important aspects of fighting a guerrilla war—tracking and hunting, knowledge of the land and of the ways of African society—were learned from black playmates in idealized rural childhoods. In these memoirs, African guerrillas never lost their association with the wild, even as white soldiers boasted of bringing Africans into the intimate spaces of regiment and regime.

Luise White is Professor Emerita of History at the University of Florida.

List: $27.95 Discount: $16.77

Disaffected The Cultural Politics of Unfeeling in Nineteenth-Century America XINE YAO

American studies/Affect theory/ Critical ethnic studies

November 2021

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In Disaffected Xine Yao explores the racial and sexual politics of unfeeling—affects that are not recognized as feeling—as a means of survival and refusal in nineteenth-century America. She positions unfeeling beyond sentimentalism’s paradigm of universal feeling. Yao traces how works by Herman Melville, Martin R. Delany, Elizabeth Stuart Phelps, Frances Ellen Watkins Harper, and Sui Sin Far engaged major sociopolitical issues in ways that resisted the weaponization of white sentimentalism against the lives of people of color. Exploring variously pathologized, racialized, queer, and gendered affective modes like unsympathetic Blackness, queer female frigidity, and Oriental inscrutability, these authors departed from the values that undergird the politics of recognition and the liberal project of inclusion. By theorizing feeling otherwise as an antisocial affect, form of dissent, and mode of care, Yao suggests that unfeeling can serve as a contemporary political strategy for people of color to survive in the face of continuing racism and white fragility.

Xine Yao is Lecturer in American Literature to 1900 at University College London.

Minor China Method, Materialisms, and the Aesthetic HENTYLE YAPP

Art and visual culture/ Transnational Asian studies/ Affect theory

April 2021

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In Minor China Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state.

These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures.

Hentyle Yapp is Assistant Professor of Art and Public Policy at New York University.

Literature and Literary Studies | new books

Colonial Debts The Case of Puerto Rico ROCÍO ZAMBRANA With the largest municipal debt in US history and a major hurricane that destroyed much of the archipelago’s infrastructure, Puerto Rico has emerged as a key site for the exploration of neoliberalism and disaster capitalism. In Colonial Debts Rocío Zambrana develops the concept of neoliberal coloniality in light of Puerto Rico’s debt crisis.

Drawing on decolonial thought and praxis, Zambrana shows how debt functions as an apparatus of predation that transforms how neoliberalism operates. Debt functions as a form of coloniality, intensifying race, gender, and class hierarchies in ways that strengthen the colonial relationship between Puerto Rico and the United States. Zambrana also examines the transformation of protest in Puerto Rico. From La Colectiva Feminista en Construcción’s actions, long-standing land rescue/occupation in the territory, to the July 2019 protests that ousted former governor Ricardo “Ricky” Rosselló, protests pursue variations of decolonial praxis that subvert the positions of power that debt installs.

As Zambrana demonstrates, debt reinstalls the colonial condition and adapts the racial/gender order essential to it, thereby emerging as a key site for political-economic subversion and social rearticulation.

Rocío Zambrana is Associate Professor of Philosophy at Emory University.

Decolonial theory/Caribbean studies

June 2021

List: $24.95 Discount: $14.97

No One’s Witness A Monstrous Poetics RACHEL ZOLF In No One’s Witness Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“No one / bears witness for the / witness”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One’s Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory’s notions of entangled swarm, field, plenum, chorus, No One’s Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.

Rachel Zolf is Artist in Residence at the Center for Programs in Contemporary Writing at the University of

Poetics/Black critical theory/ Genocide and Holocaust studies

August 2021

List: $24.95 Discount: $14.97

Pennsylvania.

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The Infrastructure of Emergency

STEPHANIE FOOTE , JOHN LEVI BARNARD, JESSICA HURLEY, and JEFFREY INSKO , issue editors An issue of American Literature (93:3) September 2021

Charles Bernstein The Poetry of Idiomatic Insistences PAUL A. BOVÉ , issue editor An issue of boundary 2: an international journal of literature and culture (48:4) November 2021

The Legacies of the Spanish Crisis

BÉCQUER SEGUÍN , issue editor An issue of boundary 2: an international journal of literature and culture (48:3) August 2021

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Does Attention to Language Matter Anymore?

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The Undead in Literary Theory

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Narratives of Debt

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Spaces of Enlightenment Selected Papers from the Sixteenth David Nichol Smith Seminar PETER DENNEY and LISA O’CONNELL , issue editors An issue of Eighteenth-Century Life (45:3) September 2021

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Trauma and Horror

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Transhistoricizing Claude McKay’s Romance in Marseille

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Big, Ambitious Novels

by Twenty-First-Century Women, Part 1

April 2021

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Big, Ambitious Novels

by Twenty-First-Century Women, Part 2

Cuir/Queer Américas

Queer Political Theologies

July 2021

Translation, Decoloniality, and the Incommensurable JOSEPH M. PIERCE , MARÍA AMELIA VITERI , DIEGO FALCONÍ TRÁVEZ , SALVADOR VIDAL-ORTIZ , and LOURDES MARTÍNEZ-ECHAZÁBAL ,

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The Protean World of Sanqu Songs

Reconsidering North Korea

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Methods, Frameworks, and Sources GREGG A. BRAZINSKY, issue editor October 2021

Performance beyond Drama

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Pilgrimage and Textual Culture in Late Medieval and Early Modern Europe Production, Exchange, Reception ANTHONY BALE and KATHRYNE BEEBE , issue editors

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October 2021

ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER,

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VOLUME 54

NUMBER 3

NOVEMBER 2021

The Problem Novel Edited by Nancy Armstrong

NANCY AMSTRONG | Introduction JENNIFER WENZEL | An African Origin for the African Novel DAVID SPURR | Unfolding Finnegan MICHAELA BRONSTEIN | Anglo-modernism’s Russian Conspiracy DEREK ATTRIDGE | Novelizing the Story of Jesus TIMOTHY DONAHUE | A Cervantine Fish Story SAMANTHA PURVIS | Writing the Now

Reviews Bruce Robbins, miriam cooke, Deirdre Lynch, Stuart Burrows, Hamish Dalley, Andrew Franta, David James, Annabel Kim, Sheila Liming, Steven Nathaniel, Julianne Werlin

The Problem Novel 20th Anniversary Reader GINETTA E. B. CANDELARIO , editor An issue of Meridians: feminism, race, transnationalism (19:3) November 2020

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Adorno’s Aesthetic Theory at Fifty PETER E. GORDON , issue editor

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Victorian Subjects, Victorian Forms

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Undergraduate Research as a Future of English Studies KRISTINE JOHNSON and J. MICHAEL RIFENBURG , issue editors An issue of Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture (22:1)

Reading and Writing in the Era of Fake News

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The Legacy of Ricoeur’s Time and Narrative (1983–85) From Plot to Experientiality RAPHAËL BARONI and ADRIEN PASCHOUD , issue editors

Modes of Reading

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Derrida’s Classroom

ADAM ROSS ROSENTHAL , issue editor An issue of Poetics Today: International Journal for Theory and Analysis of Literature and Communication (42:1) March 2021

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the maoism of prc history

productive encounters

against dominant trends in anglophone academia AMINDA SMITH and FABIO LANZA , issue editors

kinship, gender, and family laws in east asia SEUNG-KYUNG KIM and SARA L. FRIEDMAN , issue editors

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Chinese Literature across the Borderlands

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Networks of Belief

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DAVID DER-WEI WANG , MIYA QIONG XIE , and KYLE SHERNUK , An issue of Prism: Theory and Modern Chinese Literature (18:2)

August 2021

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the politics of storytelling in imperial island formations

ILEANA M. RODRÍGUEZ-SILVA and LAURIE J. SEARS , issue editors An issue of positions: asia critique (29:1) February 2021

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October 2021

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The Fergusonian Field Essays in Memory of Priscilla Parkhurst Ferguson (1940–2018) MASHA BELENKY, CAROLYN BETENSKY, and SUSAN HINER , issue editors An issue of Romanic Review (112:2) September 2021

The Pleasure of Dante’s Text / Il piacere del testo dantesco H. WAYNE STOREY, issue editor

Proust 2020

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December 2020

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Sexology and Its Afterlives

Educational Undergrowth

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An issue of Social Text (145)

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JOAN LUBIN and JEANNE VACCARO , issue editors September 2021

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NATHAN SNAZA and JULIETTA SINGH , issue editors March 2021

DAVID L. ENG and JASBIR K. PUAR , issue editors December 2020

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Platformization and Its Discontents

CARLOTTA BENVEGNÙ, NICCOLÒ CUPPINI , MATTIA FRAPPORTI , FLORIANO MILESI , and MAURILIO PIRONE ,

Reading Sex Work

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Crip Temporalities

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Solarity

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The Europa Issue

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Trans in a Time of HIV/AIDS

CHE GOSSETT and EVA S. HAYWARD, issue editors An issue of TSQ: Transgender Studies Quarterly (7:4) November 2020

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boundary 2 an international journal of literature and culture PAUL A. BOVÉ, editor

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Camera Obscura Feminism, Culture, and Media Studies

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Interventions in Global Critical Theory

Genre

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differences

Forms of Discourse and Culture

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liquid blackness

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journal of aesthetics and black studies

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feminism, race, transnationalism

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edited by NGC EDITORIAL COLLECTIVE

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a journal of creative and critical writing JANELL WATSON, editor

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SocialText •

SocialText

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Transgender Studies Quarterly Sexology and Its Afterlives

Volume 9 * Number 1 * February 2022

The t4t Issue Special Issue Editors

Urban Climate Insurgency Edited by Ashley Dawson, Marco Armiero,

Cameron Awkward-Rich and Hil Malatino

Ethemcan Turhan, and Roberta Biasillo

Poetics Today

Qui Parle

International Journal for Theory and Analysis of Literature and Communication

Critical Humanities and Social Sciences

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Romanic Review

positions

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asia critique

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OF QUI PARLE Two issues annually | view online

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Small Axe

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Trans Asia Photography

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