Alberto Posadas
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
la lumière du noir pour ensemble
commande du Klangforum Wien
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Création : le 24 septembre 2011 à l’Église St Martin, Klangspuren Schwaz, Autriche par Klangforum Wien, sous la direction de Johannes Kalitzke
© 2012 Éditions DURAND Tous droits réservés pour tous pays All rights reserved édition du 2 avril 2012 D & F 16044
La lumière du noir INSTRUMENTATION // INSTRUMENTACIÓN
Flute (muta in alto flute and piccolo) Oboe (muta in english horn) Clarinet Bb (muta in bass clarinet Bb) Bassoon (muta in contrabassoon) Saxophone (soprano, tenor and baritone)
Percussion I:
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Horn Trumpet in C Trombone
Lion’s roar Thunder sheet (70” / 180 cm) Güiro (as big as possible) Tam-tam medium (28” / 70 cm) Sandpaper Cymbal on timpani (25” / 64 cm) Sizzle cymbal 3 suspended cymbals Cowbell Steel
drums
Tunned gongs
Percussion II:
Vibraslap Vibraphone Tam-tam prepared with magnets and tunning fork (Paiste) (22” / 56 cm) Tam-tam low (40” / 100 cm) Thunder sheet (58” / 150 cm) Cowbell
Steel drums
Cymbal on tom Cymbal on timpani Timpani (28”) Tunning fork A = 440 Hz 2 magnets (4 x 2 x 1 cm)
Accordion Violin I Violin II Viola Violoncello Double Bass
REMARKS //NOTES
Las alteraciones accidentales sólo afectan a las notas a las que preceden. Becuadro es utilizado solo como alteración de precaución Accidentals only apply to the notes they precede and to tied notes.
is used just as caution accidental.
Los instrumentos transpositores están escritos con sus respectivas transposiciones.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Transposing instruments are scored already transposed.
Los ornamentos se interpretarán lo más rápidamente posible, uniéndoles a la nota siguiente que podrá ser anticipada. Ornaments must be played as fast as possible, joining them to the next note that can be anticipated.
Trinos dobles. Trinar alternando con las dos notas entre paréntesis. Double trills. Trilling alternating with the notes within brackets.
WOODS // MADERAS
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr SAXOPHONE
CLARINET / BOEHM SYSTEM
OBOE FLUTE
BRASSES // METALES La trompa utilizará sordina. Trompeta y trombón utilizarán sordina cup, plunger y metal straight. Horn uses mute. Trumpet and trombone use cup, plunger and metal straight mutes..
PERCUSSION // PERCUSIÓN Percussion I and II:
Superball
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Baqueta metálica estriada Striated metal stick
Baquetas blandas, medias, duras. Soft, medium , hard beaters.
Maza Mallet
Varilla de triángulo Triangle stick
Cymbal on timpani:
Colocar el plato en la membrana del timbal con la cúpula para abajo. Sujetar el plato con la mano por su centro (sin cortar la vibración) cuando se toca con arco. To lean the dome of the cymbal on timpani´s membrane, holding its center with the hand (without dampening vibration) when it is played with bow.
Extraer un armónico lo más agudo posible. Outstand a hamonic as high as possible.
Sonido complejo sin destacar ningún armónico concreto.
Sound complex of several tones, without standing out a particular harmonic.
Sonido metálico complejo: Sonido complejo sin destacar ningún armónico particular y con resonancia metálica. En este caso la cúpula del plato se apoyará sobre la membrana, pero inclinándolo para que roce el aro del timbal. Complex metallic sound: Complex sound with several tones and a metallic resonance. In this case the cymbal dome will be lean on the membrane, but tilting the cymbal in order to lean its edge on metallic rim of timpani at the same time.
Percussion II:
Cymbal on tom: Colocar el plato sobre el tom con la cúpula hacia arriba, apoyándolo sobre el parche y sobre el aro al mismo tiempo. El plato sobresaldrá de tom para tocarlo con el arco. Sujetarlo con la mano por su cúpula. Obtener sonido grave y vibración metálica. Lean the edge of cymbal (dome up) on membrane and metal rim of tom, overhanging outside part of the cymbal. Get with the bow low sounds and metallic vibration between cymbal and metal rim.
Tam- tam prepared with magnets and tunning fork: Tam-tam preparado: Tam-tam paiste de 56 cm (22”). Se le colocan dos imanes (4 x 2 x 1cm) cerca del borde, uno por delante y otro por detrás. De este último pende un diapasón que rozará con la superficie del tam-tam para producir una vibración metálica. (ver foto) Tam-tam prepared: Tam-tam PAISTE 70 cm (28 "). To place two magnets (4 x 2 x 1 cm) near the edge, one on the front and the other on the back. From this one hangs a tuning fork that will touch the surface of the tam-tam to produce a metallic vibration. (See photo)
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
STRINGS // CUERDAS
Sobrepresión en la cuerda indicada, tapándola con la mano si fuese necesario. Ruido sin altura precisa. Overpressure on indicated string, stopping it if necessary. Crushed noise without defined pitch.
Vl I – Vl II – Vla –Vlc utilizan sordina de ébano. Vl I – Vl II – Vla and Vlc use ebony mute
VIOLONCELLO: Ebony sord on string (bar 10):
Colocar la sordina de ébano directamente sobre la cuarta cuerda, descansando sobre la tercera. La afinación se elevará muy ligeramente y se producirá una vibración al golpear la madera de la sordina con la cuerda. Sujetar la sordina ligeramente con la mano izquierda para evitar que salga despedida. Put the ebony mute straight on the fourth string, resting on the third one. The tunning will rise slightly up and a vibration will be produced when hitting the wood of the mute with the string. Hold slightly the mute with the left hand in order to avoid to be ejected.
VIOLONCELLO AND DOUBLE BASS:
Coloca un dedal metálico (con superficie estriada) en el dedo índice. Colocar este rozando ligeramente la cuerda para obtener una vibración metálica. El dedo puede rozar la cuerda al final de la tastiera o junto al puente.
To put a metallic thimble in the forefinger (surface not smooth). To place this finger resting lightly on the string in order to get a metallic vibration. The finger can rest approximately at the end of the fingerboard bottom or closed to the bridge.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
à Carlos Satué
La lumière du noir
a Carlos Satué LA LUMIÈRE DU NOIR
Commissioned by Klangforum Wien
Alberto Posadas
pour ensemble
Partition transposée
Alto Flute
Alberto Posadas
= 60
d
Tenor Saxophone
Bassoon
Trumpet in C
Trombone
Clarinet in B
Horn in F
Percussion I
= 60
b
Lion's Roar
� seco
Violin II
Viola
Timpani
s (rubbing)
seco
seco
seco
Contrabass
D & F 16044
Violoncello
© 2012 Éditions DURAND Paris, France
b
(exact pitch notation) seco
Violin I
– —
Percussion II
Accordion
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Oboe
Tous droits réservés pour tous pays
2
G. Fl. gliss.
B 1 Jet whistle —— p mf
8
Cl.
b§ B bb 4bb b§ B
p
B 2
mp
Trb.
Perc.I
Perc.II
s /0 mp
8
f
Thunder Sheet
pp
s
f
mf
mf
f
Vla.
Vc.
psub
seco
s.p. I
mp
p
f
mf
II
loco
fsub
mf
II
loco
mp
mp
ff
mp
III
III
mp
II s.p.
(see remarks page)
ebony sord on string
fp
Cb.
ff
f
s.p.
f
pp mp
mp
f
Vl. II
mf
Bellows shake
mp
p
f
mp
Acc.
Vl. I
mp
(Lion's Roar) (Timpani)
mp
B 3
mf
mp
mf
p
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
pp
c B 3 B — — 3
mf
Bas.
3
3
T. Sax.
e = 180
13 G. Fl.
Ob.
Cl.
T. Sax.
( K e=e)
mf
mf
mf
mp
p
mf
Adding harmonics
mf
B 2
mf
Trb.
mf
(Thunder Sheet) s
/ 0 Perc.I
f
Tam-Tam with Magnets
arco
f
mp
p
I s.p.
mf
p
mf
mf
p
mf
mf
bisbigliando
mf
p
mf
s
f
f
f
p
Timpani
mf
mf
mf
B.Sh.
( K e=e)
p
s.p.
s.p.
f
f
mp
mp
f
II
f
Cb.
f
Vc.
p
2
e = 180
Vl. I
Vla.
mf
mp
mf
mf
p
mp
mf
p
pp
13
Vl. II
f
p
f
Perc.II
Acc.
mp
mf
-B
p
mf
C Trp.
mf
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
mf
Bas.
f
B 3
3
p
p
f
p
mp
mp
mp
f
ord.
ord.
— — — p
mf
s.p.
— — p
mf
mp
f
mp
f
f
mp
f
mp
f
mp
f
ord.
f
s.p.
4 20
G. Fl.
mp
Ob.
Cl.
Muta in Flute in C
f
mp
mp
mf
B
- 3
T. Sax.
Bas.
C Trp.
Trb.
p
p
Perc.I
Güiro
f
20
Vl. I
Vl. II
Vla.
f
f
ff
f
Cb.
mp
mp
f
f
s.p.
f
f
f
s.p.
ord.
f
ff
— ——
— —
p
p
p
mf
mp
mp
f
f
f
f B. Sh.
f
sfz f
mp
mp
mp
mp
mp
f
ord.
f
f
ord.
ord.
f
f
s.p.
f
mp
mf
mf
ff
mp
mf
ord.
f
s.p.
mp
p
f
mf
mp
mp
ord.
f
f B. Sh.
mf
p
p
Vibraslap
mf
mp
p
f
p
f
mp
mp
p
p
mp
Vc.
mp
f
p
f
/s 0
(Timpani)
mf
mf
mf
mp
mf
p
f
Perc.II
Acc.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
p
f
-B2
ff
mp
ff
q = 60
27
Fl.
Ob.
mp
p
Perc. II
(Vibraslap) f
Vl. II
1 44
f
pp
C
(rolling notes)
p
mf
5
6
p
mf
p
mf
p
5 p
mf
pp
mf
ff
q = 60
arco
p
Lion's Roar
p
Tam-tam with Magnets
27
p
mf
Vl. I
mp
3
B 6
p
Thunder Sheet
s Perc.I
Acc.
3 3
F5/Bb5
C# B
p
p
mp
Hn.
Trb.
f
C Trp.
mp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
p
B 2
—F
B 3
T. Sax.
Cl.
Bas.
5
[d/d#]
fposs.
pp
s.p.
pp
— — —— —— — —
pp
f
mf
mf
s.p.
I
Vla.
Vc.
p
Cb.
sfz mp
f
mp
pp
mf
mp
mf
p
f
mp
— loco
f
—
p
f
f
6 33
Fl.
[d/d#]
p
mf
C
—F
Ob.
p
f
Hn.
f
3
C Trp.
mf
Trb.
p.n.
III IV p.n.
—
3
f
gliss.
ff
p
Vla.
5
p
mp
3
gliss.
ff
p
ff
p.n.
gliss.
mf
pp
f
mf
mp
f
33
5 3
3
Vl. I
Vl. II
6
mf
5
p
f
3
p
p
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
mp
p
mf
p
p
mf
p
mf
p
mf
p
mf
mf
remove sord at end of resonance
Vc.
pp
mp
f
37
Fl.
(h)
Ob.
p
mf
Cl.
B c#
mp
mf
Bas.
Hn.
C Trp.
f
B 2
B 3
3
2 B B 6
1 44
p
mf
p
mf
3 6
f
5
6
mf
mp
3
3
f
mf
mp
p
3 3 5
mp
mf
mp
f
7
mp
B c#
mf
f
1 44
mf
f
mp
B 2
mf
mf
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
T. Sax.
p
B 3
f
3
3
5 3 6
mp
Bb4/F4
Trb.
p
mf
3
mp Ped sost >
Acc.
Cb.
p
p
f
p
f
f
p
– —
0 /
37
Vc.
f
Vl. I
Vla.
5
mp
p
f
mp
mp
mp
p
f
p
mp
3
f
f
mf
p
p
Vl. II
5 5 —
f
Vibraphone object lourd sur la pédal heavy object on pedal
Perc.II
3
f
mp
f
mp
f
p
mp (senza sord.)
(p.n.)
mp
mp
mf
mf
mf
mf
mf
f
f
f
f
f
8
q = 40 A tempo (q = 60)
rit.
d E
41
Fl.
Ob.
—
f
—F
C
p
f
f
mf
— G
e
Cl.
TC— Tf
C
T. Sax.
f
p
mf
f
C1 B
p
f
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
f
p
( ) f
Hn.
f
f
C Trp.
Trb.
p
f
(Vibraphone)
ff/mp
– —
Vl. I
Vl. II
Vla.
mp
p
f
mp
p
mf
mf
f
(Vibraphone)
Vc.
ff
Cb.
ff
avec un liteau de bois (sans couvrir de feutre) with wood slat (not couvered with felt)
ff
ff
mp
mp ff
mp
p
f
p
f
q = 40 A tempo (q = 60) alla corda
ff
3
3
alla corda *nerveux
—
3
ff
3
3 alla corda *nerveux
ff
ff
p
ff
mf
mp
p
ff
ff/mp
rit. 41
f
p
(Ped. sost.>)
ff/mp
(Ped sost>)
Acc.
f
avec un liteau de bois couvert de feutre with wood slat covered with felt
f
Perc.II
p
f
Tunned Gong
Perc.I
mp
f
f
mp
mp
f
f
mp
p
mf
ff
f
p
3
mf
p
3
3
mf
ff
(*) los tr 1/2 tono alto si no se indica la contrario (*) trills always semitone above except if something different is scored
44
Bas.
( )
Ob.
Cl.
T. Sax.
Perc.I
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Fl.
9
ff
Tam-tam low
Perc.II
f
Acc.
Vl. I
3
3
3
3
3
3
3
3
(*) los tr 1/2 tono alto si no se indica lo contrario (*) trills always semitone above except if something different is scored
ff
3
3
3
mf
3
3
3
3
3
3
alla corda *nerveux
3
Cb.
mp
3
Vc.
— 3 3 3 3
Vla.
– —
alla corda *nerveux
44
Vl. II
mp
f
f
3
3
10
47
Fl.
Ob.
Cl.
T. Sax.
mpsub
mpsub
mp
3
3
mpsub
mpsub
( )
mp
mp
mp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
( )
mp
Perc.I
(Tunned Gong)
ff
Thunder Sheet
Perc.II
Acc.
mf
ff
(remove heavy object from vibraphone's pedal)
mp
f
47
Vl. I
3
3 s.p.
3
3
mpsub
3
3
3
3
3 3 3 3 3 3 3 mpsub s.p.
Vl. II
Vla.
3
3 3 3 3 mpsub 3 3 s.p.
3
Vc.
3
Cb.
mf
s.p. p.n. 3 3 3 3 mp 3 mpsub f s.p.
3
ff
s.p.
mp
p.n.
11
51
Fl.
Ob.
f
mf
mf
f
mf
mf
T. Sax.
mf
mf
mp
ff mp
ff mp
ff
( )
f mp
ff
mp
ff
mpsub
ff
f
mf
3
mp
f
f
mp
ff f
3
mp
f
f
mp
p.n.
f
s.p.
3
( )
mp
s.p. 3 mp
p.n. s.p. 3 3 f
mp
s.p. — 3
mp
p.n.
f
ff
3
mpsub
3 3
mp
f
mf
3
3
s.p. 3 f
3
3
p.n. s.p. p.n. — — — 3 3 3
mf
Vc.
mp
f
3 3 3 3 3
Vla.
mp
f
mf
Cb.
f
mp
f
f
mf
Vl. II
p.n. — — —
51
Vl. I
f
mf
f
mf
Bas.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Cl.
s.p. mp
f
12
55
Fl.
Ob.
Cl.
p
mf
mf
p
mf
p
mf
p
mf
mf
p
mf
p
mf
p
mf
mf
mf
mp
T. Sax.
Bas.
— —
p
mf
p
—— p
mf
mf
Bb 1(VIII)/0(VIII)
p
p
— — F4/Bb4
Trb.
—
p
p
Acc.
mf
3
p – ) ( —
55
p.n.
p.n.
f
mp
3 3
Vla.
f
Vc.
3
s.p.
p.n.
mp
mp
p.n.
f
f
p.n.
f
s.p.
Cb.
3
mp
3
3
p
— 3 ff
mf
ff
mp
mp
p
———
mf
ff
f
mp mf
mp
p
mp mf
mf
mp
3
mp
mf
s.p. p.n. ff
mf
mf
p.n. s.p. 3 3 3 mp f
p.n.
s.p.
p
mf
p
p.n.
mf
f
s.p. 3
Vl. II
s.p.
mp
p
3 Vl. I f
mf
p
mf
mp
mf
mf
—
—
p
mf
— —
——
mf
mp
mf
mf
p
mf
p
mf
——
mf
p
mf
( ) mf
Hn.
C Trp.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
f
— C F
ff
mf
ff
s.p. 3 ff 3
f
mp
ff
3
p.n.
mf 3
ff
mf
mf
58
Fl.
13
ff
Ob.
— 3
mp
Cl.
B 2
— — — —
f
T. Sax.
mf
f
f
f
mp
mp
f
Trb.
f
mp
mp
mp
f
mf
mp
mf
f
f
Acc.
f
3
f
s.p.
3
Vla.
Vc.
f
s.p.
ff
3
f
mf
ff
ff
mp
mf
s.p.
ff
mf
p
mp
ff
f
ff
3
mp
ff
ff
mf
ff
ff
mf
III IV
mf
ff
3
3
p.n.
3
3
3
3
ff
f
mp
———
ff
p.n.
ff
p.n.
ff
mp
ff
ff
ff
mf
mf
mf
p.n.
f
——
s.p.
p
f
mp
3 3 f
Vl. II
f
Vl. I 58
Cb.
mp
Lion's Roar
ff
ff
ffposs.
f
f
mf
Perc.I
mp
f
C Trp.
mp
— —
Hn. f
f
ff
C
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
f
mp
B — E
—— —— — —
mf
3
f
Bas.
f
3
ff
mf
— f
mp
— f
mf
ff
mf
ff
14
60
Fl.
flatt
(balance woods and strings)
3
ff
mf
flatt
Ob.
3
ff
mf
(balance woods and strings)
flatt
Cl.
3
ff
mf (balance woods and strings)
flatt
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
T. Sax.
3
ff
mf
(balance woods and strings)
——
flatt
Bas.
Hn.
3
p
Vl. II
mf
5
3
0
5
mf
6
3
3
3
mp
3
mf
mf
III
s.p.
3
p
— 3 s.p.
3
p.n. III
IV
ff
mf
ff
—
mf
s.p.
ff
II p.n.
p.n.
B4/F4
mp
III
II p.n.
ff
mf
III
II
mf
3
p.n.
mf
Vc.
mf
ff
mf
3
mp
3
s.p.
s.p.
mf
mf
s.p.
III
p
ff
Vla.
mf
II
Steel Drum
Perc. II
Vl. I
3
mf
60
mf
3
p
Trb.
ff
p
C Trp.
— s.p.
3
p.n.
—
flatt
62
Fl.
(no flatt)
3
ff
mf
ff
(no flatt)
Ob.
f
mf
ff
mf
f
mp
Cl.
3
ff
3
mp
f
ff
ff
mf
— —
3
Bas.
3
C Trp.
Trb.
Vl. I
f
3
p
p.n. I
II
ff
mf
3
3
Vc.
I
II
ff
—
3
mf
ff
mf
B — E
C
mf
mf
F3/Bb3
—
ff
II
I
ff
mf
mp
3
mp 3
— —— — mf
f
3
mf
II
5
mf
– —
I
ff
mf
(Steel drum)
II
mp
ff I
f
3
Vla.
Vl. II
62
3
mp
mp
f
Perc. II
Acc.
6
mf
f
Hn.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
ff
ff
(no flatt)
T. Sax.
3
mf
ff
C
— — G
F
(no flatt)
flatt
mp
—
15
f
f
mf
ff
mf
— — —
f
16
64 —— Fl.
fff
Ob.
Hn.
mf
B G# — —— 5 A
3
f
— — ff
mf
5
6
3
ffposs.
mf
5 A
mf
f
p
B Tc —— — — 5 A
f
ffposs.
mf
B —
f
—
3
p
p
ffposs.
p
mp
Trb.
Perc. I
Perc. II
f
p
sord. cup
f
sord. cup
p
Tam-tam Medium
p
p
ffposs.
e
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
ff
C Trp.
f
ff
Bas.
B G# — 5 —— A
—
3
ffposs.
mf
——
T. Sax.
3
/
f
fff
Cl.
— — —— 5 A
d — C
f
Acc.
3
Vl. I
II
fff
Vc.
—
f
fff
3
II
ff
3
—
s.p.
p
p
mp p
3
3
mf p
p
3
p
ff
s.p.
IV
f
mf
s.p.
mf
s.t. III
ff
ff
pp
s.p.
3
f
ff
ff
f
III
II
fff
mf
f
I
Vla.
—
fff
I
Vl. II
II
imperceptible change of bellows (if necessary)
f
3
I
Cb.
64
66
Fl.
Ob.
T. Sax.
Bas.
Hn.
C Trp.
Trb.
Acc.
Vl. I
mf
p
s.p.
mf
s.t. II
Vc.
mp
I f
s.p.
mp
mf
mf
f
mp
3
3
p
f
mp
p
3
mp
f
p
II
mf p
s.p.
mf p
p
s.t.
p
Cb.
3
p
3
mf p
s.p.
III
f
mf
mf
Vla.
s.t.
66
p
Vl. II
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Cl.
17 ——
mf
p
18
G
Fl. 68
mf
—
ff
ff
f
mf
— d
mf
R
— — /
Ob.
mf
ff
Cl.
mf
ff
T. Sax.
5
10
non vib.
68
mp
f
III
II
mp
f
f
f
mp
p.n.
f
p.n.
mp
mp
Cb.
f
p.n.
ff
f
mf
—
mf
ff
ff
f
f
mf
mp
p.n.
Vc.
mf
Vl. I
Vla.
mf
ff
Vl. II
ff
f
Vibraphone
Acc.
mf
mf
e)
mf
Perc. II
mf
mf
Trb.
ff
f
mf
B 3
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
mf
C Trp.
mf
Bas.
b — (q. 2 G B
mf
mf
Hn.
f
mf
ff
mp
mf
mf
ff
mf
ff
3
19
70
Fl.
f
C
C
f
mp
3
ff
mp
3
3
mp
mp
ff
mf
mf
mp
ff
3
3
ff
—— —— —— — —— —— — — — — fff
mf
– —
— —— — — — —— — 3
3
70
ff
ff
ff
ff
mf
ff
mf
ff
ff
f
mf
ff
mf
ff f
3
mf
3 Vl. I
— —
senza sord.
3
— —
5:6
ff
f
3
mp
Vc.
f
Vla.
mf
5:6
senza sord.
Vl. II
f
mf
Acc.
3
——— —— ——— — —— —— — —
(Vibraphone)
Perc. II
3
ff
— —— —— —— —— — —
ff
Hn.
C Trp.
mf
ff
3
3
Bas.
3
mf
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
mf
mf
—— — — —— —
3
mf
ff
3
mf
3
— — —— —
—F
T. Sax.
3
ff
— (rolling notes)
Cl.
Trb.
mf
F
Ob.
—— —— —— ——— —— — — —
mf
fff
f
ff
mf
f
fff
fff
f
fff
fff
f
f
3
fff
f
3
fff
fff
fff
f
f
3
f
——
f
fff
fff
3
f
fff
f
fff
f
fff
f
fff
f
ff
ff
mf ff
fff
ff
mf
f
3
fff
f
3
fff
f fff
fff
f
2
1
f
fff
3
f
20
—— — —
73
Fl.
3
mf
—
Ob.
—— —— — — 3
mf
5:6
mf
mf
mp
f
Trb.
mp
f
mp
mf
3
mf
f
f ff
fff
f
f
fff
fff
ff
f
ff
ff
—— — 3
5 IIIII A
ff
mf
3
ff mf
ff
ff
mf
3
3
ff
*= irregular speed for trill, not synchonized with staccato (that will be always as fast as possible)
— — —
mf
ff
f
mf
sfz ff
sfz ff f
f 3
mf
fff
f
mf
fff
Cb.
*
3
fff
f
Vc.
ff
—— — —— —
Acc.
f
Vla.
Vl. II
*
f
mf
mf
ff
3 3 3 3
Perc. II
Vl. I
(Vibraphone)
73
mf
f
ff
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
mf
C Trp.
ff
5:6
3 3 Bas.
Hn.
3
— — —— —— —— — —— — — — —
T. Sax.
ff
mf
Cl.
ff
sfz ff
sfz ff
ff
sfz ff
3
3
sfz ff
sfz ff
sfz ff
f
sfz ff
sfz ff
sfz ff
sfz ff
[ d/d# ] B d —— ——
75
Fl.
Ob.
Cl.
T. Sax.
Hn.
C Trp.
Trb.
Perc. I
pp
pp
pp
pp
pp
pp
pp
Steel Drum
pp
Vl. I
Vla.
Vc.
ff
ff
0
mp
p
mp
p
mp
b§ b§ 4 bb B
f
f mpsub
mp
bisb.
p
mp
mf
mp
f
f mpsub
mp
mf
mf
slide gliss within the indicated range, avoiding repetitions
mp
f
p
11
p
pp
mf
f
sost
mp
mp
p
mp
– —
3 mp f
(s.p.)
3 3 p sfz fp (s.p.)
—
sfz ffp
mf
[ C 3 ] — ——
3 p
s.p.
B b§
mp
mp
(s.p.)
sfz ffp
Cb.
f
mp
s.p.
f
mf
f
(s.p.)
s.p.
s.p.
ff
Vl. II
mp
75
p
p
p
p
pp
Acc.
pp
(Vibraphone)
pp
Perc. II
p
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
21
mp
3 s.p. — —
mp
sfz fmp
3 mf
mp
f
3 3 mp
— —
mp
—
sfz mp
mp
— — —
f mp
—
mp
— —— 3
f
sfz mp
3
sfz fp
sfz fmp
mp
f
(s.p.)
2
p.n.
mf
f
3
—— —— — — — — — mp
f
mp
22 Fl.
—— —— —— —
79
—— —
3
—
3
mp
mp
f
Perc. II f Tam-tam Low
f
ff
..
. .
ff
Acc.
. .
1 Vl. I
79
. .
3
ff
Vl. II
Vla.
(II)
mf
mp
mf
mf
ff
—
ff mf
mf
ff
ff
ff 3
f
mf
ff
mf
Cb.
sffz
mf
—— —
sffz
ff mf
—
ff
sffz ff
3
3
sffz ff
ff
3
sffz ff
—
ff
—
———— G f
—
ff
ff
f
f
3
————
ff
— —
ff mf
ff mf
3
mf
ff
3
f
3
mf
ff mf
ff
Vc.
3
mf
—
6
mf
B.sh.
Ricochets à 3
mp
mp
f
smorzato
f
B —
ff
6
f
f
mp
f
—
ff
f
Trb.
ff
mf
Hn.
C Trp.
—— — — 3
——
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
3
f
mf
Bas.
—
—— —— — — —
——
— —
ff
mf
smorzato
f
T. Sax.
3
mf
Cl.
ff
mf
Ob.
— —
— —
3
3
—
3
IV
ff
ff
III
81
Fl.
ff
Ob.
ff
T. Sax.
mf
Perc. I
f
Perc. II f
Ricochets à 3
. .
ff
Vla.
p.n.
f f ff
ff
Vc.
ff
Cb.
f
3
3
3
3
3
ff
f
fff
3
p.n.
f
f
p.n.
ff f
p.n.
ff
fff
ff
f
ff
3
mf
s.p.
—
3
s.p.
ff
s.p.
p.n.
ff
ff
s.p.
mf
f
f sfz f
ff
ff
sfz f
3 3
ff
G — — — — —
f
3
3
f
— —
f
s.p.
ff
3
p.n.
ff
ff
f
— — —
p.n.
(e)
ff
f
ff
f sfz f
ff
s.p.
ff
fff
Vl. II
B T
mf
ff
mf
. .
Vl. I
Thunder Sheet
mf
ff
81
mf
ff
Acc.
ff
Trb.
mf
Hn.
C Trp.
f
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
mf
ff
3
f
mf
23
ff
f
ff
Cl.
mf
f
f
p.n.
ff f
f
ff
ff
—
f
f
f
fff
3
f
fff
— f
24
Fl.
9
mf
3
mf
Cl.
3
3
f
B T
3
9
f
fff
ff
f
9
f
Ob.
83
— d d
mf
3
C Trp.
Trb.
mf
—
ff
mf
mp
83
Vl. I
— —
ff
ff
s.p.
ff
p.n.
ff f
f
3
p.n.
mf
5
—
— —
fff
—
— — —
s.p.
fff
—
s.p.
ff
ff
3
3
—
fff f
0
fff
fff
fff
fff
— —
ff
s.p.
fff
s.p.
fff
ff
— — —
— — — —
fff
fff
p.n.
ff
p.n.
3
3
ff
f
G s.p.
p.n.
fff
ff
s.p.
—
fff
ff
s.p. p.n. p.n. G
fff
p.n.
3
ff
fff
ff
3
3
p.n.
ff
3
G — —
f
fff f
ff
3
3
3
3
ff
f
f
ff sffz f
Cb.
s.p.
Vc.
ff
s.p.
Vla.
f
f
Vl. II
mf
f
ff
— —— Acc.
f
mf
ff
Hn. mf f
f
mf
3
ff
F 46 —— 5 A
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
f
f
mf
F
f X
T. Sax.
9
f
—
— G
fff
mf
3
ff
p.n.
f
fff
fff
S d— T d 85
B B§
Fl.
fff
Ob.
Cl.
f C —
mf
Trb.
gliss f
Timpani
Perc.II
Acc.
Ric. à 3
f
s.p.
Vl. I
Vl. II
f
fff
fff
Cb.
0
f
s.p.
fff
p
p
p
3
3
f
f
p.n.
mp
p.n.
p.n. 3 3 s.p.
fff f
s.p.
mf
mp
f 3
mp
f
3
mp
fff
p.n.
s.p.
3 3
s.p.
p.n.
I II
f
p.n.
f
—— 3
3 p.n.
3
3 — s.p.
f
fff
fff
s
mp
mp
p
f
3
s.p.
s.p. p.n.
p.n.
3
f
f
fff
s.p. p.n.
3
s.p.
3
fff
s.p. p.n.
f
s.p.
s.p.
p.n.
s.p.
3
fff
f
3
fff
s.p. — — p.n.
s.p.
p.n.
fff f
f
fff
f
f
s.p./p.n.
sffz
mp
p.n.
f
fff
fff
f
f
f
s.p.
fff
fff
fff
0
s.p.
p.n.
s.p. Vc.
p.n.
p
f
fff
f
f
s.p.
Vla.
f
fff
. . p.n.
fff s.p.
fff
85
. .
f
mp
mf
f
f
arco complex sound (not outstand any particular harmonic)
mp
mp
ff
mf
mp
(Thunder sheet)
Perc. I
mp
mp
ff
f
gliss
C Trp.
mf
mf
ff
f
mp
p
mf
mp
gliss
simile
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
f
Hn.
mp
mf
f
mf
C
B —
Bas.
mp
f
T. Sax.
f
25
f
p
26
88
Fl.
mf
Ob.
mp
Cl.
mp
T. Sax.
mp
mp
Hn.
Trb.
p
(Thunder Sheet)
mp
( s )
mf
mp
mf
mf
mp
mf
3
mp
f
fff
sfz f
s.p.
Cb.
sffz
p.n.
3
f
mf
3
f
p
3
3
—
Tunned Gong
mp
fff
f
fff
f
fff
f
fff
s.p.
sffz
p sempre
fff
—
fff
p.n.
mf
s.p. II
fff
—
f
p sempre
fff
3 3
p.n.
fff
f
fff
f
fff
p.n.
s.p.
f
fff
s.p.
p.n.
mp
mp
f
—
fff
Tam-tam Low
p.n.
fff
s.p. — —
ff
fff
f
s.p.
p.n.
p
f
s.p.
f
fff
p.n.
mp
3
f
s.p.
—
C
mp
mf
s.p.
f
p.n.3 3 p.n.
Vc.
p.n.
fff
f
Vla.
3
3 s.p.
Vl. II
3
B —
f
s.p. p.n.
p.n.
f
3 3 3 Vl. I fff f sfz f fff fff f
88
mp
mp
f
mp
mf
mp
mp
f
Acc.
mf
mf
simile
(Timpani)
mp
mf
p
Perc. I
Perc.II
p
mf
mf
C Trp.
mp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
mf
— G
ff
3
mf
f
27 91
Picc.
Muta in Bass Clarinet en Sib
Muta in Baritone Saxophone
(only air)
Bass. Cl
Bari. Sax.
Bas.
Muta in Picc.
Muta in contrabassoon
Hn.
C Trp.
ff
Trb.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
ff
(only air)
pp
ff
p
mf
(only air)
p
mf
p
mp
mf
Sandpaper
circular movement
Perc. I
Perc. II
Acc.
Vl. I
91
Vc.
fff
mp
(air valve)
mp
pp
mp
flaut msp
pp
Cb.
pp
mp
pp
Vla.
pp
Vl. II
— —
mp
pp
— —
Thunder Sheet
seco
Timpani
s (rubbing) sfz
f
mp
p
p
– — f
mp
f
28 98
Picc.
Ob.
Bass. Cl
p
f
Bari. Sax.
(Bari. Sax.)
mp
pp
C Trp.
Trb.
p
Perc. I
Perc. II
seco
f
(Timpani)
p
Acc.
98
Vl. I
mp
pp
sfz
mp
Vc.
msp / s.p.
ff mp
Cb.
III II I
3
mf
p
mf
pp
p
mf
mf
pp
mp
mp
I
p.n.
s.p.
f
mf
Ricochet
s.p. 3 3 p
p
pp
mp
mf
mp
flaut msp
3 3 p
p
Ricochet
mf
mf
Tunned Gong
pp
f
III II
mf
sfz mf
s.p.
pp
mp
f
p.n.
mf
mp
pp
mf
mp
mf
pp
bisb.
f
pp
mp
pp
mp
pp
f
pp
flaut msp Vla.
mf
pp
mp
Vl. II
pp
/s 0 sfz mp
mf
5
mf
mp
pp
(Thunder Sheet)
smorzato
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Cbasson.
(Cbassoon)
mp
pp
bisb.
pp
pp
(Bass. Cl)
(Picc)
mp
III II I
mf
mp
3
pp
mf
104
Picc.
Bass. Cl
p
Bari. Sax.
p
mf
p
mf
p
mf
pp
pp
mf
pp
pp
mf
p
p
mf
p
mf
mf
Perc. I
p
p
mf
mf
mf
p
p
mf
p
mf
mf
pp
p
mf
p
Trb.
p
mf
Muta in flute in C
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
29
5
mf
p
Hn.
p
Cbasson.
smorzato
mf
mf
pp
Steel Drum
p
ppp
Perc. II
(Timpani)
p
pp
Acc.
p
mf
p
mf
Vl. I
Vla.
Ricochet
Cb.
3
p.n.
mf
p
p
mf
p
— —
simile
—
mf
p
mf
p
simile
3
mf
mf
pp
simile
s.p. II
3
3
3
3
(mp)
Vc.
3
3
mf
3
p
mf
Vl. II
p
mf
mf
104
p
mf
III
— 3
3
3
3
3
pp
– —
3
3
mf
— —
— — —
30 108
Fl.
— E
mp
—
(dolce)
mp —
C
Bari. Sax.
Perc. I
(Steel Drum)
mf
pp
mp
Acc.
108
Vl. I
Vl. II
Vla.
3
mf
3
sim.
mp
Vc.
3
3
*
3
3
mp
sim.
mp * = trino y ricochet asincrónicos asynchronous trill and ricochet
5:6
p
mp
p
p
mf
mf
— —
sim.
3
3
mp
I
*
——
sim.
mp
mf
mp
mp
mf
——
3
3
reduce cromatelly cluster
B.sh.
mf
II
Ricochet
mp
(s.p.)
mf
3 3 ——
mf
mp
pp
p
mf
mf
*
3
3
p
3
mp
p
sord. metal straight
B.Sh.
mp
mp
mp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
mp
Cb.
(dolce)
—
mp
C Trp.
Trb.
— G
C
mp
Hn.
(dolce)
mp
Cbasson.
mp
(dolce)
Bass. Cl
3
— E
111
Fl.
mp
Ob.
31
mp
— G
(dolce)
Bass. Cl
Hn.
C Trp.
Trb.
3
mf
Acc.
Vl. II
Vla.
Vc.
3
3
3
Muta in Bassoon
mp
pp
*
arco
3
B.Sh.
msp
msp
(segue)
molto vibrato
pp
mp
3
3
msp
f
mp
3
3
msp f
f mp
f
(segue)
mp
f
— —
f
p
mf
p
mp
3
mp
3
mp
f
3
f
(segue)
msp
msp
f
Cb.
mf
Cymbal on Tom
3
Muta in Tenor Saxophone
pp
mp
mp
mp
111
Vl. I
mp
pp
p
mp
mp
Perc. I
()
mp
(steel drum)
Perc. II
C
B —
mp
Muta in Clarinet Bb
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bari. Sax.
Cbasson.
*= edges of cymbal placed on head and metallic rim of tom (at the same time). Dome of cymbal up.
32
— C
114
Fl.
(dolce) C — F
p
(Ten. Sax.)
Ten. Sax.
p
Hn.
(Bas..)
p
mp
p
C Trp.
Trb.
Acc.
f
114 3
Vl. I
3
mp
f
Vc.
mf
p
mp
f
(segue)
pp
mp
senza sord.
pp
pp
mp
f
mf
msp 3
s.p.
3
f mp
mp
f
(segue)
3
3
mp
3
mp
p
s.p.
mp
f
mp
(segue)
mp
pp
f mp
f
II III
pp
p
msp
3
(II)
f
s.p.* f mp
Cb.
mp
Vla.
(segue)
msp
mp
mp
mp
B — E
s.p.
s.p. III *
mp
pp
II III *
msp
3
p
f
Vl. II
mp
C — F
pp
(dolce)
mp
p
mp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
pp
p
mp
B — E
(Cl. Bb)
Cl. Bb
mp
p
Ob.
pp
mp
(segue)
3
3
mp *= pressure for harmonics are tu be used even when no usual natural harmonics is associated with the fingering. Sul ponticello (almost molto sul ponticello) will aid to get higher partials.
3
f
II
(s.p.)
f
(s.p.)
I
mp
(II) (s.p.)
f
s.p.
mp
mp
Fl.
117
mp
pp
p
mf
mp
—
mf
R
—
Ob.
mp
p
pp
Cl. Bb
pp
C — F
p
mf
—
C
Bas.
Hn.
pp
p
pp
p
pp
p
p
Vl. II
p
pp
117
Vl. I
Acc.
pp
mp
Trb.
p
C Trp.
3
(s.p.)
3
Vla.
(I)
— —
mf
p
Vc.
f
Cb.
mf
p
mp
f
s.p. p.n.
f mp
mf
f
p.n.
f
mp
p
— — —
f
mf
mf
3
mf
p
f
p.n.
p.n.
p
p
f
p
ff
f
mp
f
mp
mf
s.p. II ffposs.
s.p. 3
f
mf
ffposs. ff
p
f
p
p.n.
3
p
mp
f
mp
mp
I s.p. 3
f
mp
p
mp
mf
s.p.
p.n.
mp
ffposs. ff
s.p. f
mf
p
—
mf
p
— —
mf
mp
mp
—
mf
p
mp
p
p
p
mf
mf
mp
—
p.n.
C
mp
mf
f mp
mp
— —
f mp
mp
C —
f
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
e —
mp
mf
C —
Ten. Sax.
mp
mf
33
mf
s.p.
— —
mf
p.n.
f
34
120
Fl.
mp
—
F
C
Ob.
— —
p
f
p
mp sub
Perc. I
f
mp sub
Trb.
p
p
p
mf
Acc.
p
p
Vl. I 120
f ff
Vl. II
( )
f
Vla.
s.p.
mp
f
G f
p
p
p
mf
mf p
mf mp
s.p.
p.n.
mf
s.p.
—
p.n.
p.n.
mf
ff
mf
mf
f
p.n.
mf
ff
s.p.
(tunning for timpani) arco
(tunning for timpani)
mf
f
s.p.
ff
p.n.
s.p.
s.p.
ff f
s.p. — —
ff mf
f
ff f
ff mf
3
mf
ff mf
mf
arco
ff mf
mf
ff
s.p.
f
ff
f
— —
p.n.
p.n.
f
f
f
f /mp
Cymbal on Timpani *
ff
ff
ff
f
mp
—
mf
ff
p.n.
Cb.
mf
ff mf
Vc.
p
mf
f /mp
5 A
f /mp
mp
p
mf
f
mp
f
f /mp
mp
f
bisb.
p
f
p
mf
B B§
f /mp
Cymbal on Timpani *
Perc. II
mp
f
p
p
mp sub
C Trp.
mp
C1 C2 C4 — C5
—— —
— —
f /mp
p
C —
f
mp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
— F f /mp
—
mp
Bas.
p
mf
p
Tf
— —
mp
f
c —
Ten. Sax.
mp
e — G
Cl. Bb
d# 4d
— E
ff
— mf
ff
*= See remark at page of notes
mf
f
mp
f
35
123
Fl.
Hn.
Muta in Piccolo
mp sub
C Trp.
mp sub
mp sub
(Cymbal on Timpani)
Perc. I
f
Perc. II
Vl. I
s.p.
Vl. II
mf
Vla.
mf
p.n.
ff
mf
f
III
p.n.
s.p.
s.p.
mf
mf
ff
mp
mp
ff
mp
mp
– —
s.p.
p.n.
ff
p.n.
ff
ff
ff
mf
p.n.
p.n.
ff
s.p.
ff
mp
s.p.
p.n.
mf
(s.p.)
mp
mf
mf
Cb.
ff
Vc.
f
mf
p.n.
mf
123
gliss on resonance
Acc.
(Cymbal on Timpani)
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Trb.
mf
ff
mp
ff
ff
36
126
(Cymbal on timpani)
f
mp
M
mf
mp
Perc. I
(Cymbal on timpani)
mp
M
Perc. II f
126
Vl. I
—
— — —
mf
3
p.n.
Vla.
mf
mp
— —
p.n.
Cb.
mp
mp
mp
mf
p.n.
mf
p.n.
s.p.
— —
Vc.
s.p.
mp
msp
—— s.p.
f p
mp
ff
—
p.n.
mf
p
mp
s.p.
s.p.
msp
mp
ff mp
mf
3
p
mf
s.p.
s.p.
mp
msp
s.p.
mp
s.p.
f
mp
mp
p.n.
s.p.
mp
Vl. II
p
f
Acc.
gliss on resonance
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
— — s.p.
mf
mp
3 3 — — — — —— — — — — — —— — —— — — — — — — mf
mp
msp
p
sf mp
— — — — —— — — — — — — — — s.p.
mp
pp
II s.p. III mp
37
Picc.
bisb. bisb.
129
pp
mp
pp
(teeth note)
Cl. Bb
p
(teeth note) Ten. Sax.
Perc. I
(Cymbal on timpani)
Perc. II
mf
Acc.
p
msp
129
Vl. I
s.p.
p
p
msp s.p.
sf mp
Cb.
pp
sf mp
msp
pp
mf
mp
p
3 3
s.p. msp 3 flaut
mf
s.p.
p.n.
3 nerveux flaut 3
s.p.
3
3
s.p.
mf
p.n. flaut nerveux
msp
msp — —
msp
s.p.
s.p.
mf
p.n.
3
s.p.
msp
s.p.
s.p. 3
p.n.
p
mf
msp — — —
s.p.
p
Vc.
mf
msp
3 s.p.
msp
Vla.
M
p
Vl. II
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
(Cymbal on timpani)
3
I II
I II
38
Picc.
p
mf
p
mf
Perc. I
Perc. II
mf
Vl. I
3
3
Vc.
3
p.n.
p
Cb.
mp
f
mf
msp
mp
3
p.n.
p
mp
mp
f
3
3
f
3
mf
p
mp
mp
flaut
3
f
mp
3
3
f
mp
3
flaut nerveux p.n.
mf
f
mp
3
3
mp
f
msp
f
mp
3
3
flaut nerveux p.n.
msp
p.n.
mp
3
flaut msp
msp
3 3
p.n. flaut nerveux
flaut nerveux
f
msp
mp
f
mf
mp
flaut nerveux
mp
mp
M
f
3
3 mf p
mp
f
f
flaut nerveux
mf
Vla.
mp
p
p.n. Vl. II
3
M
f
132
mf
mp
Acc.
M
p
mf
(Cymbal on timpani)
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
(Cymbal on timpani)
bisb
p
mf
Ten. Sax.
p
Cl. Bb
bisb bisb —— —
132
mp
f
mp
mp
f
f
mp
bisb —— —
39
135
Picc.
f
Ob.
Muta in flute in C
flatt
flatt
f
Cl. Bb
Ten. Sax.
f
(always semitone above) 3
ff
flatt
3
flatt
f
Perc. I
(Cymbal on timpani)
f
(Cymbal on timpani)
Perc. II
Vl. I
mf
mp
– —
3
135
msp
p.n. flaut nerveux
Vla.
3
3 p.n. flaut nerveux
3 msp
f
Cb.
—
f
3
mf
f
mf
remove cymbal after end of resonance
tune timpani in C
mp
f
f
mf
f
3
3
3
p.n. flaut nerveux
f
mp
f
mp
f
mf
ff
mf
ff
mp
3
3
3
ff
ff
3
3
——— ——
—
alla corda nerveux
3
3
3
3
alla corda
nerveux alla corda nerveux
ff
ff
alla corda
3
3
3
alla corda
3
3
3
3
(ff)
alla corda nerveux
ff
ff
3
3
ff
mf
3
(ff)
mf
alla corda
(always semitone above)
(ff)
mf
3
msp
ff
p.n.
— — — —
ff
msp
— —
ff
3
mf
Vc.
3
B.Sh.
ff
mf
Vl. II
ff poss.
—
Acc.
3
ff poss.
3
f
f
nerveux
ff
flatt
3
f
f
3
3
(always semitone above)
3
flatt
flatt
f
Trb.
3
f
Hn.
C Trp.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
f flatt
Bas.
mf
f
f
nerveux
sffz ff
3
sffz
sffz
alla corda 3
stacc (as fast as possible)
3
(always semitone above)
—
ff
sffz
sffz
5:6
ff
40
138
Ob.
ff
Ten. Sax.
mf
3
p
———
3 Vl. I
138
Vla.
mf
Vc.
p
mf
mp
mf
I
ff
ff
mf
3
mf
mf
s.p.
f
flatt
3
f
mf
B.Sh.
flatt
3
f
flatt
3
f
3
f
—
ff
3
— — —
ff
sffz
3
sffz
s.p.
ff
3
3
— — — —
ff
ff
ff
mf
p.n.
3
mf
s.p.
ff
mf
p.n.
mf
ff
3
mf
3
ff mf
mf
s.p.
sffz
f
3
3
3
ff
mf
3
ff
flatt
3
3
3
ff
Cb.
mf
3
ff
p.n.
flatt
3
3
ff
3
3
mp
flatt
ff
mf
mf
Vl. II
f
ff
Acc.
mp
mf
flatt
mf
3
ff
mp
mp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
ff
f
Trb.
mf
mf
ff
Hn.
C Trp.
mf
3
Cl. Bb
Bas.
flatt
p.n.
mf
5:6
sffz mf
f
41 140
Fl.
3 nerveux (always semitone above)
Ob.
mf
nerveux
Cl. Bb
mf
mf
6
3
f
3
3
mf
f
Trb.
3
f
Acc.
ff
. .
mf
..
Ric à 3
mf
mf
3
mf
3
ff
ff
Vla.
ff
3
sffz
3
sffz
sffz
mf
..
sffz
mf
sffz ff sffz
mf
ff ff mf
s.p. 3
ff ff
ff
Cb.
sffz mf
s.p.
ff
—
mf
3
sffz sffz
mf
—
p.n.
3
ff
mf
sffz ff sffzsffz
ff
mf
f
—
sffz
ff
f
mfsub
ff
mf
ff
ff
ff
mf
p.n. 3 ff
mf sffz
3
sffz sffz
p.n.
s.p.
sffz ff
ff
p.n.
mf
p.n.
s.p.
sffz sffz
s.p.
ff
sffz
3
sffz ff
3
f
3
sffz mf
3
s.p.
ff
ff
3
3
3
mf
— — —
p.n.
mf
f
f
3
stacc as fast as possible p.n. s.p.
3
sffz mf
mp
mp
—
3
. .
ff
mf
mp
Ric
ff
mp
3
stacc (as fast as possible)
Vc.
f
3
ff
mf
f
sffz ff sffz
mf
3
f
f
3
mf
3
3
3
———
Vl. I
3 3 3 f
3
140
Vl. II
3
mf
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
mf
mf
Bas.
C Trp.
Ten. Sax.
(Flute in C)
sffz ff sffz
3
mf
3 sffz
sffz
s.p.
ff
42 143
Fl.
3
ff
Cl. Bb
ff
f
3
flatt
3
gliss
ff
ff
flatt
ff
ff
ff
3
flatt
flatt
3
flatt
3
flatt 3
ff
— —
gliss
ff
f
ff
flatt
flatt
3
ff
Trb.
3
ff
Thunder Sheet
Perc. I
ff
mf
Perc. II
Timpani
gliss f
ff
—
ff
3
— —
—
3
6
— . .
Ric à 3
ff
f
6
sffz ff
sffz ff
3
fff
f
sffz
..
— —
sffz
sffz
— —
f
6
6
6
fff
ff
6
4 2 F6 5 gliss 3
— —
sffz ff
mf
ff
— —
—
ff
s.p.
f
stacc as fast as possible
Vl. I
— F2/Bb2
f
3
143
3
—
3
—
ff
Acc.
3
3
—
ff
mf
3
ff
3
mp
B.sh.
3
5
f
Bb3/F3
Bb6
3
ff
ff
gliss
flatt
f
9
ff
fff
ff
3
flatt
ff
ff
C Trp.
flatt
flatt
flatt
flatt
ff
flatt
3
flatt
ff
ff
Hn.
flatt
ff
flatt
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
fff
3
Bas.
ff
f flatt
f
ff
smorzato
f
ff
f
flatt
f
— —
ff
Ten. Sax.
f
flatt
ff
f
Ob.
ff
f
stacc as fast as possible
s.p.
Vl. II
3
sffz
sffz sffz
s.p.
Vla.
3
sffz
sffz
Vc.
sffz ff
p.n.
sffz ff
sffz sffz
p.n.
fff sffz
3
3
sffz
sffz
ff
sffz
Cb.
(ff)
sffz
f
s.p.
p.n.
fff
f
sffz ff
s.p.
sffz
sffz ff
p.n.
ff
sffz ff
sffz
sffz
sffz
p.n.
— — — — —
p.n.
s.p.
sffz
sffz
s.p.
sffz
s.p.
— — —
—
sffz ff
sffz
s.p.
p.n.
sffz
sffz
sffz
s.p.
sffz
—
— d d
145
Fl.
fff
3
9
f
ff
fff
f
flatt
Ob.
43
Cl. Bb
3
flatt
— G
flatt
f
C1 B
flatt
ff
e
ff flatt
Muta in English Horn
ff flatt
fff
ff
ff
Ten. Sax.
9
ff
f
ff
Bas.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
flatt
ff
( ) f
gliss
3
Hn.
f
gliss
C Trp.
Trb.
Perc. I
3
flatt
F5
gliss 3
4
2
ff
3
flatt
—
ff
mf
mf
mp
complex sound, without outstanding high harmonic
ff poss.
3
ff
3
arco
(Thunder Sheet)
ff
mf
ff
3
3 ——— f
ff
3
flatt
flatt
ff
f
3
outstanding harmonic as high as possible
Perc.
3
— — — — —
sffz p.n.
Cb.
sffz
f
sffz
3
sffz
sffz
3
fff
— —
sffz
— —
3
p.n.
3
3
sfz fff p.n.
f
p.n.
sfz fff s.p.
— f
— — —
sfz fff
3
3
fff
3
3
sfz fff
fff
s.p.
sfz fff
sffz
p.n.
18:12
fff
—
sffz
sffz
3
— — — — —
3
fff
Vc.
—
— — —
3
—
ff
3
Vla.
sffz
ff
s.p.
3
s.p.
145
Vl. I
Vl. II
— — — —
— — —
B Sh.
arco
Acc.
Tam-tam with magnets
sfz fff
3
s.p.
3
fff
f
3
s.p. — p.n.
sffz
ff
— —
—
44 147
Fl.
f
3
mf
Perc. I
(Thunder Sheet)
Perc.II
simile
3
Vl. I
— — — — —
—
— —
3
p.n.
— — —
18:12
f
fff
— — — — —
3
3
fff
p.n.
3
3
3
fff
sfz fff
ff poss.
—
3
— —
ff
mf ff
s.p.
3
3
fff
fff
3
f
sfz fff
sfz
sfz fff
sfz fff
fff
sfz fff
ff
3
3
s.p.
sfz fff
fff
beatign on gliss on edge edge
f
18:12
ff
sfz fff
sfz fff
Tam-tam Low
3
mf ff
mf
—
fff
sffz
3
ff
3
sfz fff p.n.
f
f
mf
mf
fff
mf
mf
s.p.
sfz fff
sfz fff
3
p.n.
sffzff
Cb.
Vc.
3
ff
sfz fff
f
( )
mf
fff
s.p.
Vla.
sffz
Vl. II
ff
147
mf
—
Acc.
f
—
Timpani
ff
f
ff
mf
Trb.
mf
lle s t rtie pa erp c me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de itio d té rié of E op Pr erty op Pr
Hn.
C Trp.
Ten. Sax.
Cl. Bb
Bas.
sfz fff
—
—
ff
mf ff
mf ff
(semitone above) ff
3
mf
45 149
Fl.
Muta in Alto Flute
mp
f
Cl. Bb
Bas.
3
3
Perc. I
3
sfz fff p.n.
3
sfz fff
p.n.
3
sfz fff
f
sfz fff
3
3
f
6
fff
fff
f
fff
3
3
3 ff
mf
mf
Timpani
s.p.
3
ff
3
sfz fff
p.n.
—
sfz
fff
f
ff
sfz fff
3
fff
5
fff
f
p.n.
s.p.
—
sffz ff
f
fff
fff
sffz ff
ff
6
5
p.n.
3 fff
— — 6
3
f
sffz fff f
fff f
—
mf
fff
p.n.
fff
6
f
s.p.
s.p.
6
f
—
— f
mf
6
p.n.
ff
mp
s.p.
3
sfz fff
sfz fff
ff
ff
ff
fff
ff
mf
—
sfz fff
f
5
18:12
5
fff
f
ff
fff
f
fff
Cb.
ff
f
ff poss.
f
f
6
3
f
3
sfz fff
sfz
gliss on edge
sfz fff
Vc.
fff
mf
3
fff
sfz fff
Vla.
sfz fff
on centre
—
3
Vl. II
fff
149
Vl. I
18:12
beatign on edge
mf
f
mf
mf
f
Acc.
—
ff
(Thunder Sheet)
Perc.II
3
ff
3
mf
mf
ff
Trb.
( )
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
ff
C Trp.
f
f
Hn.
fff
fff
f
Ten. Sax.
fff
46
notes within brackets only as resonance achieve beating with G and A 152
E.hn.
c
—
p
Cl. Bb
6
fff
Perc.II
ff
ff
mf
ff
ff
mf
p
mp
mf
1 C C2 E
—
p
mp
f
ff
ff
mf
ff
p
sord. cup
ff
f
ff
mf
f
ff
fff
mf
Cowbell
—
arco
p
mp
p
p
Put cymbal on timpani
p
mp
mp
seco
Acc.
fff
Muta in Bass Clarinet
fff
mf
(thunder sheet)
Perc. I
ff
3
ff
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Trb.
fff
mf
3
Hn. ff mf
fff
fff f
6
f
3
mf
Bas.
C Trp.
3
fff
Ten. Sax.
152
Vl. I
seco
fff
fff
Vl. II
Vla.
seco
fff
Vc.
6
f
Cb.
6
fff
f
6
fff
fff
f
sffz fff
seco
ffff
p
III IV
p
mp
p
f
f
47 M**
161
G fl
E.hn.
3
mf
sffz
(fast smorzato)
p
f
mf
Cl. Bajo
mf
(bass clarinet)
mf p
Hn.
Trb.
mf
Perc. I
Perc.II
Acc.
p
p
mf
mf
mf
pp
p
Sizzle Cymbal
mf
(tremolo on cymbal)
mp
mf
p
p
p
arco
Cymbal on Timpani
mf
p
mf
mp
Tam-tam with Magnets
mp
metallic resonance with thimble
p
– —
*= note within brackets only as resonance M= Mura iki (Shakuhachi: technique= explosive and violent over-blowing)
seco
p
ff
mp
f
p
p
mf
p
mf
mf
p
mf
p
mp
mf
p
p
f
p
arco
mp
change to straight metal sord.
pp
*
p
mf
p
p
pp
f
Cb.
p
p
Vc.
C Trp.
p
mp
beatings
voice:
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
f
mf
Bas.
smorzato
II
mp
p
f
mf
p
f
mp
mp
f
f
p
mf
mp
mf
p
48 M
168
G fl
E.hn.
Cl. Bajo
sffz
p
Bas.
168
(ebony mute)
*
mp (ma sonoro)
(ebony mute) *
f
*
mp (ma sonoro)
ff mp
(metallic resonance)
mp
highest harmonic
fposs.
sim
3
ff
*= To play directly on the top of the mute. Bowing transverse
fp
ff
metallic resonance with thimble
p
3 fp
f
f
f
fposs.
f
f p
f
fposs.
mp
mp sub
(ebony mute)
f
f
f
mp (ma sonoro)
mp
f
Vln. I
Cb.
beatings
sim
(not outstanded high harmonic)
Vc.
f
Vla.
(not outstanded high harmonic)
(Tam-tam with magnets)
Vln. II
mf
f
mf
Perc. I
Acc.
p
mf
(Sizzle Cymbal)
Perc. II
mp
beatings
mf
3
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
beatings
voice
sffz
beatings
p
f
p
Ten. Sax.
mf
M
3
f
mp
p
mp
mp
p
mp
174
G fl
Cl. Bajo
— dolce
p
mp
— d — B dolce C E mp p
— G
p
B C3 —
Ten. Sax.
p
mp
C
—
p
C
p
Acc.
174
Vl. I
p
mp
mp pp
pp
mp
Cymbals on Timpani
p
pp
Perc. II
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
C1 G
mp
Suspended Cymbals
Perc. I
mp
49
mp
pp
(tuning from flute)
(ebony sord)
p
(ebony sord)
Vl. II
(tuning from Bass clarinet multiphonic)
p
(ebony sord)
Vla.
Vc.
Cb.
p
III
mp
p
(tuning from vl II)
IV
mp
p
mp
p
p
I
pp
mp
II
III
IV
5
5
6
6
6
— — —
— —
50
182
G fl
Cl. Bajo
Ten. Sax.
p
a — F
mp
(suspened cymbals)
pp
(cymbal on timpani)
mp
mp
p
Acc.
M II> >
182
Vl. I
mf
mf
Vla.
mf
Cb.
mf
p
B d# B 1
3
Cymbal on Timpani
pp
p
p
6 6
p
5 A
— —
p
ff
p
5
5
—
6
p
ff
ff
—
—
Suspended Cymbals
— —
ff
6
b§ B 3 B 2 4bb
mf
ff
6
p
mf
Vc.
pp
B C
—
Cymbal on Timpani
mp pp
Perc. II
Vl. II
p
d — E
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Perc. I
— d E 3
6
5
5
3
3
q B 1 B d B d# 3
187
G fl
e
mp
B d B d#
3
q
e
51
eB 1 bisb. B 1
Muta in Flute in C
—
C
E.hn.
B 2 B 5
Cl. Bajo
p
— —
—
— —
5
mp
—
E
Suspended Cymbals
mp
(Cymbal on Timpani)
Perc. II
(Cymbal on Timpani)
mp
mp
B 3
p
Perc.
1 45 B 3 — —
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
3
(mp)
B C B C B 2 3 3
Ten. Sax.
mp
B 3 B 4
mp
Bas.
— —
Muta in Soprano Saxophone
Sizzle Cymbal
mf
p sub
mp
mf
/ 0
B bb B 3
mp
Acc.
– 0 — /
M II >
187
Vl. I
p
Vl. II
Vla.
p
p
mf
p
p
mf
mp
mf
p
mf
mf
mf
p
mf
mp
mp
f
f
f
52
M
191 Fl.
sffz
circular breathing * [d/d#]
(smorzato and trill asynchronous)
3
f
mp
—
E.hn.
mf
Cl. Bajo
mf
Muta in Oboe
Muta in Clarinet. in Sib
b§ 4bb B bb
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Sop. Sax.
Bas.
Perc. I
Cowbell
arco
p
Perc. II
f
191
Vl. I
Vl. II
p
mp
Vla.
Vc.
Cb.
mf
(ebony sord.)
(ebony sord.)
p
(ebony sord.)
I
mf
pp
mp
II III
mf
pp
mp
pp
p
p
mf
III
II
mf
mf
p
p
mp
mf
p
mp
IV
– —
p
p
p
p
*=if flutist is not used to circular breating, try to breath with minimum interruption of the phrase.
p
mf
p
p
mf
mp
p
3
f poss.
Acc.
f poss.
Vibraphone
arco
Muta in Contrafagot
B C3 —
B —
3
mp
mf
CC12
1 8 BC3 B C5 B C3 B 3 42 3 B C2
3
3
mp
mf
mf
p
mf
mf
p
—— —
195 Fl.
b§ bb 4
Cl. en Sib
3
Sop. Sax.
p
— — —— —
Perc. I
/
C
()
p
straight metal sord. p
straight metal sord.
Trb.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
C1
3
R —
53
p
— B 1 B 3 B C2 B 5 C
p
3
—
Hn.
C Trp.
— C F b§ 4bb
B 1
B 1
p
Tunned Gongs
remove sord.
mf
(Vibraphone)
Perc. II
Acc.
Vl. II
(remove sord)
III
II
II
I
mf
p
mf
> (Ped sost)
(remove sord)
(remove sord)
p sub
Cb.
p
(remove cymbal from timpani)
p
mf
p
Vc.
p
Vla.
195
Vl. I
p sub
54
M
Fl.
3
199
sffz
Ob.
circular breathing (legato sempre) — — [d/d#] d— [ ] d/d# B d# —— —— — — —A 5 — 3
f
mp
— c
— c
ord
ord
6
mf
Sop. Sax.
ff
Perc. I
Tunned Gongs
mp
Perc. II
p
– —
ff
mf
msp
p
mf
mf sub
msp
p.n. ord
ff
mf sub
3
mf
p
p
ff
msp
p
ff
(remove cymbal from timpani)
p
mf
ff
mf
msp
p.n. ord
mf sub
p
p.n. ord
mf sub
p
C1
mp
p
p
p.n. ord
ff
3
C
—
Cb.
p
f (Ped sost)>
f
Vc.
mp
(sord.)
Acc.
ff
Trb.
—B
mp
mf
Cbasson.
— / —
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Cl. en Sib
c
R
—
p
— — R
—
mp
f
R —
R — — c
p
55
G — — 202 — [d/d#] [d/d#] d— d# [ ] [ ] d/d# — — — — — — — — 5 — A Fl.
2 B — [ 2/5] — —— —— — — — 5 — A d
mf
— d G R
— >c B R
Ob.
mf
— G
Cl. en Sib
E
R
B — — /
mp
f
7
mp
— B
[ G# ] 5 —— A —
3
f
Sop. Sax.
mp
Cbasson.
senza sord
Trb.
Acc.
mf
p
ff
mf
p
senza sord.
6
mf
msp
Vl. II
senza sord.
mf
Vla.
senza sord.
Cb.
II
5
3
5
6
5
mf
mp
p
mf
mp
mp
3
3
5
mp
— —
mp
mp
B. Sh
f
f
f
f
mf
ff
mf
ff
mp
f
mf
f
f
f
3
p
mf
Vc.
mp
p
msp
C1
ff
C
B. Sh
f
9
ff
msp
Vl. I
— —
[ a/6 ] —— —
—
mf
f
mf
202
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
mf
3
mf
[5/6 ] G —— ——
mp
56
2 [ 2 / 4] — — B E 205 E —— — — — — Fl. ff
—
—
Ob.
f
Cl. en Sib
—
ff
[F# ] smorzato
R E —
—
e
bisb
5
f
ff
seco
fff
6
5
p.n.
R —
Muta in Tenor Saxophone
sfz
mp
mf
3
p.n.
3
f
mf
f
mf
arco
f
mp
f
f
mp
f
mp
metallic resonance
f
mf
—
f
ff
mf p.n.
mf
ff
5
mp
mf
s (rubbing)
Cymbal on Timpani
ff
fff
f
seco
f
Timpani
mf
f
Cb.
ff
Muta in English Horn
mp
ff
Vc.
—
mf
f
Vla.
ff
f
Lion's Roar
f
Vl. II
ff
f
Vl. I
205
5
—— ——
f
Acc.
— — — —
f
R
Ta C
Perc. II
— — — —
[d/d#] ————
ff
Perc. I
— — — —
[d/d#] smorzato
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Trb.
b — G [2/3 ] — —
B —
f
Cbasson.
9
f
Sop. Sax.
— —
3
ff
metallic resonance
ff poss.
ff poss.
208
Fl.
smorzato
5
ff
R —
5
smorzato
5
e = 180
smorzato
5
5
q = 60
g —
5
(Englis Horn)
g —
mf
ff
Trb.
——
Perc. I
(Timpani)
Perc. II
Acc.
208
f
ff
ff
f
C C
mf
ff
ff
mf
f
mf
Muta in Basson
ff
ff
f
f
mf
mf
f
ff
ff
mf
M
mf
mp
mf
f
f
Vl. I
mp
mp
mp
3
(Cymbal on Timpani)
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Cbasson.
f
R
—
—B
Ten. Sax.
II
Vla.
II
mp
f
mp
Cb.
mp
f
mp
f
mf
ff
mf
ff
mf
ff
f
I
I
mp
q = 60
e = 180
III
Vl. II
57
sffz
smorzato
smorzato
R
Cl. en Sib
E.hn.
[d/d#] smorzato ————— —— ——
— —
mp
mp
II
f
mp
58
E.hn.
Cl. en Sib
q = 50
e = 180
213
3 3 3
3
3
mf
ff
Ten. Sax.
ff
Bas.
3
3
3
3
senza sord.
3
mf
Trb.
3
mf
3
mf
C Trp.
3
3
3
3
Steel Drum
Perc. II
Tam-tam medium with Magnets
Vla.
Vc.
213 II
mp
f
II
mp
f
I
II
mp
f
I
— —
e = 180
mp
mp
3
ff
mf
ff
q = 50
mf
ff
mf
ff
ff
ff
mf
ff
f
f
f
ff
mf
ff
3
3
3
3
ff
mp
III IV
mp
mp
Cb.
— – M II >
III
Vl. II
mf f
mp
Vl. I
f
0 /
Acc.
mp
Tam-tam Low
3
mf
Perc. I
3
3
3
3
3 3
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
3
3
3
3 3
(balance dynamique with clarinet) (always semitone above)
3
(always semitone above)
3
q = 60
Fl.
3
mp
E.hn.
Muta in Oboe
3
3
Acc.
218
mf
Vl. II
mf
Vla.
Vc.
mf
mf
3
3
3
3
3
Vl. I
Cb.
3
3
3
3
mf
(Steel Drum)
3
mp
3
3
mp sub
C Trp.
Perc. I
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
3
Trb.
3
B 1 3 3
simile [ C3 ] [ C3 ] 3 3
Ten. Sax.
Hn.
3
simile B 1
3
Bas.
[ d ]
3
3
3
ff
ff
mf
p
ff
III IV
p
3
s.p.
mf
p.n.
p
s.p. p.n.
mf
p
p.n.
s.p.
mf
3
p.n.
p
p
mf p
s.p. p.n.
p
mf
3
s.p. p.n.
mf
s.p. p.n.
mf p
s.p. p.n.
mf
s.p. p.n.
s.p.
mf
3
p.n.
mf p
p
mf mf
mf
s.p. p.n.
mf p
s.p. p.n.
p s.p.
3
p.n.
p
p
3
ff
p
s.p. p.n.
p
3
mf
3
3
s.p. p.n.
p
3
[ C3 ]
q = 60
ff
59
(balanced with Sax. and Cl.)
3
Cl. en Sib
[ d ] 3
simile B 2
218
[d/d#]
p
p
p
60
q = 50
222
Fl.
Ob.
mf
3
mf
3 3
ff
mf
Trb.
C Trp.
3
3
f ff
(Tam-tam medium with magnets)
Acc.
222
Vl. I
ff
Vl. II
Cb.
3
mf
ff
mf
ff
mf
ff
mf
ff
ff
ff
ff
ff
mp
mf
3
(Steel Drum)
3
mf
3
3 3 3
3
3
Vc.
3
ff
Vla.
q = 50
3
3
mf
(Tam-tam low)
Perc. II
mf
Perc. I
mf
3
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
3 3
ff
Bas.
(semitone above) 3 3
Ten. Sax.
(semitone above)
Cl. en Sib
mf
mf
ff
ff
mf
ff
mf
ff
ff
q = 60
225
Fl.
d# B B§ B 3 B 3
[d/d#] 3
61
[d/d#] 1 B B§ B 3
mp
B bb 3
Cl. en Sib
3
mp sub
3
B 1 3 3
[ C3 ] 3
Ten. Sax.
f
3
b§ 1 B bb bb 4 B 3 f
[ C3 ] 3
3
3
f
mpsub
Hn.
Perc. I
(Steel Drum)
Perc. II
3
mp
s.p.
(
)
mp sub
s.p.
Vl. II
(
)
mp sub
5 s.p.
Vla.
mp sub
Vc.
s.p.
(
mp sub
s.p.
Cb.
mp sub
)
A
3
3
3
f
p
p
f
q = 60 Vl. I
p sub
225
Steel Drum
Acc.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
3
3
f
f
q = 50
62 228
Fl.
d E
—
3 3 3
ff
(semitone above)
Ten. Sax.
3
3
3
ff
f
3
mf
3
—
mf
Trb.
3
molto vibrato
3
3
mf
Perc. I
3 3
3 3
Hn.
C Trp.
B b§
3] [ C5 ] [C 3
3
f
Acc.
228
Vl. I
q = 50 p.n.
ff
mf
3
ff
3
Vl. II
ff
Vla.
p.n.
ff
Vc.
p.n.
f
Cb.
mf
mf
ff
ff
mf
Steel Drums
5 —— A
ff
mp sub
mp sub
ff mf
ff mf
ff
ff
msp * flaut 5 A 5
ff
mf
ff
mf
5 A
ff
ff
ff
mp sub
mp sub
mp sub
ff mf
ff mf
ff mf
p
ff
p
3
p
msp * flaut — 5 A —
mf
msp * flaut 3 5 A —
mf
p.n.
5 —— A
ff
3
q = 60
ff
mf
5 A —
5 A —
3
p
mf
mp p
mp p
mp
5 A
ff
mp
p.n.
3
mf
Suspended Cymbals
3
p
3
mp sub
3
3
3
mp sub
p
Perc. II
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
[d/d#]
(semitone above)
Cl. en Sib
q = 60
mp
—F
Ob.
3
3
5
s.p.
I
p
ff
ff
*= trying to get the highest partial possible(different than the conventional harmonic)
232
— — B 1 B 1 d — simile E
Fl.
B b§ 1 B 3
Cl. en Sib
3
pp
sord. plunger
C Trp.
pp
pp
sord. plunger
Trb.
Perc. I
Perc. II Acc.
3
mp
p
(Steel Drums)
3
mp
p
3
p
Vl. I
Vl. II
Vla.
3
3
5
Vc.
3
— C
(h)
5
(q)
3
3
3
mf
p
mf
mf
p
p
p
mf
p
mp
3
3
3
5
mp
mf
5
(w)
p
3
f
p
3
mf
232
p
mp
(w)
p
(Suspended Cymbals)
—
3
f
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
3
(h.)
3
3
/
b
b§ 4 bb
3] 1] 1] [C3 ] 3] [ C [C [C [C Ten. Sax. 3 3
B 1 d —— B 1 simile — E
/
63
mf
mf
mf
mf
64
6
236
Fl.
f
—
Ob.
ff
f sub
ff
ff
ff
f
f
ff
f
6
6
5
Cl. en Sib
mf
ff
ff
ff
mf sub
ff
Muta in Baritono Saxophone
Bari. Sax.
6
6
mf
f
( )
()
f
Hn. ff
Trb.
ff
Tam-tam Medium
Perc. I
mp
mf
ff
ff
Acc.
ff
mf
—
– —
ff
mf
Vl. II
mf
Vla.
mf
ff
ff
ff
3
mf fff ff
mf
mf
ff fff
mf
mf fff ff
simile (always semitone above)
Vc.
ff
(p.n.) ff
mf
ff
mf
mf
ff fff
f
mf
mf
ff
fff
mf
ff
ff
mf
ff fff
fff
mf fff ff
fff
mf fff
simile (always semitone above)
fff
ff fff
mf
ff
ff
3
3— 3 ff
— —
3
— p.n.
— —
simile (always tone above)
ff
— 3 — 3 p.n.
mf
ff
ff
mf
simile (always tone above)
ff
f
p.n.
Cb.
simile (always tone above)
p.n.
mf
Vl. I 236
f
mf
mf
3
mf
ff
f
ff
fff (Timpani)
Perc. II
f
senza sord.
5 ( )
mp
ff
C Trp.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
mf
ff fff
3
mf
ff
fff
— mf
ff
mf
ff
65 239
ff
mf
6
ff
ff
mf
senza sord.
(Tam-tam medium)
Perc. I
fff
mf Acc. – —
3
ff
fffmf
p.n.
mf
f
mf ff
3 ff
mf
mf
f
ff
ff
ff
fff
mf
—
ff
martelé s.p.
fff
7
p.n.
ff
p.n.
fff
mf
ff
martelé s.p.
p.n.
ff fff 7
p.n. s.p. 7 7 — mf ff mf fff mf ff fff
martelé s.p.
martelé
ff
mf
ff
7 s.p.
ff
Cb.
martelé
Vc.
f
mf
martelé s.p. 7 Vl. I mf ff fff
Vla.
mf
239
Vl. II
f
3
6
ff
ff
mp
(Timpani)
Perc. II
5
5
f
mf
mf
ff
mf
— — —
6
ff
mp
mf
—— — — — —
f
mp
f
ff
C — G
mf
ff
mp
ff
Trb.
6
ff
f
ff
ff
f
mf
ff
—
— — — — —
mf
6
mf
ff
3
( )
C Trp.
6
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
mf
ff
ff
Bas.
6
mf
ff
Bari. Sax.
ff
6
Cl. en Sib
ff
f
Ob.
Fl.
mf fff
martelé s.p.
3
mf
ff
3
mf
ff
fff
3 mf
ff
fff
ff
p.n.
mf
ff
3
fff
3
mf
66
B 1 — —— — Fl.
ff poss.
mf
241
d E
mf
Ob.
ff
—— —— — — 6
ff
Cl. en Sib
f
ff
— —
6
ff
ff
ff
(
mf
C Trp.
ff
Trb.
mf
mf
)
3
f
mf
mf
3
f
f
mf
f
— — —
ff
mf
mf
f
(Tam-tam medium)
Perc. I
f
mf
3
mf
f
(e)
mp
ff poss.
f
Hn.
f
fff
( )
mf
f
3
f
ff
f
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
mf
Bari. Sax.
f
mf
ff
mp 3
mf
mf
fff (sempre)
Perc. II
(Timpani)
fff (sempre)
mf
Acc.
ff
f
ff
mf B.sh
3
241
Vl. I
fff
Vla.
Cb.
fff
ff
ff
martelé s.p.
fff
6
fff
ff
fff
6
mf
ff
mf
3
ff
martelé s.p.
p.n.
ff
fff
— — —
ff
s.p. martelé
fff
— —
3
ff
mf
mf
martelé s.p.
— —
— 3
mf
7
fff
ff
—
—
mf
p.n.
7
mf martelé s.p.
p.n.
3
f
mf
p.n.
mf
7
martelé s.p.
3
p.n.
3
— — — —
martelé s.p.
fff
7
martelé s.p.
ff
p.n.
3
fff mf
mf
martelé s.p.
fff
7
—
Vc.
—
3
ff
Vl. II
—
ff
G
fff
mf
3
sffz ff
p.n.
—
243
Fl.
3
f
3
mf
f
3
f
67
d C
ff
f
—
Ob.
3
f
Cl. en Sib
Bari. Sax.
3
mf
f
f
mp
f
Acc.
ff
p.n.
martelé s.p.
ff
Cb.
3
ff
fff
3
— —
—
—
fff
mf
p.n.
3
ff
3
—
3
mf
ff
sffz ff
ff
3
fff
martelé s.p.
martelé s.p.
3
ff
p.n.
3
mf
7 —
fff
ff
fff
martelé s.p.
p.n.
7
fff
—
mf
ff
ff
—— —
6
fff
7
martelé s.p.
7
fff
—
—
martelé s.p.
6
fff
— G
3
ff
mf
ff
mf
ff
6
ff
ff
ff
martelé s.p.
mf
— —
— —
martelé s.p.
f
7
mf
fff
ff
—
7
mf
ff
3
f
p.n.
Vc.
ff
(e)
3
3
mf
ff
fff
— —
3
mp
mf
3
Vla.
— —
f
mf
p.n.
p.n. Vl. I
3
martelé s.p.
7
martelé s.p.
f
243
3
mp
mf
f
mf
f
mp
e
3
6
mp
Vl. II
f — G
ff
mf
3
f
Hn.
Trb.
f
f
C Trp.
f mf
mf
f
f
mf
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
— — — — —
mf
ff
G — — —
s.p.
sffz ff
— C 3
68
Fl. 245
ff poss.
Ob.
mp
ff
mf
ff
ffmf
(Tam-tam medium)
fff
fff
Vl. I
Vla.
3
p.n.
ff
ff
f
—
6
f
mf
ff
3
7
—
fff
mf
——
3
martelé s.p.
mf fff
fff
— —
p.n.
ff
fff
mf
p.n.
fff
mf
fff
mf
ff
f
fff
— — —
ff
mf
martelé s.p.
—
—
7
ff fff
p.n.
Cb.
ff
mf
3
fff
G
ff
sffz
fff
s.p. martelé
fff
6
martelé s.p.
3
3
fff
s.p.
p.n.
f
mf
f
3
7
ff
fff
martelé s.p. 6
fff
mf
ff
mf
ff
ff
— —
ff fff
p.n.
— —
mf
3
p.n.
fff
ff
fff
—
martelé s.p.
f
f
mf
f
ff
mf
p.n. mf
f
3
mf
mf
3
mf
f
mf
ff
mf
f
mf
ff
f
3
f
ff
mf
mf
f
ff
f
ff
f
ff
f
ff
—
e
[ T ]
f
mf
Vc.
mf
p.n.
fff
3
p.n.
7
martelé s.p.
3
martelé s.p.
fff
Vl. II
f
245
3
ff
(Timpani) Perc. II
Acc.
mf
Perc. I
f
f
3
Hn.
Trb.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
mp
C Trp.
3
ff poss.
Bas.
mp
Bari. Sax.
mp
ff poss.
Cl. en Sib
mf ff
ff
247
Fl.
ff
Ob.
ff
f
ff
f
Cl. en Sib
ff
f
Bari. Sax.
ff
ff
f
e — G
ff
C Trp.
Trb.
ff
mf
f
ff
247
mf
fff
martelé s.p.
Vl. II
mf
Vla.
ff 7
mf
fff
Vc.
6
Cb.
mf
G
sffz
3
ff
p.n.
mf
mf
s.p.
6
mf
ff
ff
mf
fff
mf
6
ff
f
ff
ff
7
martelé
7
(s.p.)
f
fff
martelé s.p.
7 p.n.
p.n.
—s.p. — —
mf
fff
3 3 p.n. — mf mf fff martelé s.p.
6
s.p.
fff
6
fff
s.p.
ff p.n.
fff
s.p.
p.n.
ff
ff
7
ff
mf
3
3
ff
f
fff
f
fff
ff
fff
fff
ff
f
fff
f
R — B
mf 3
ff
ff
p.n.
f
ff
p.n.
f
mf
f
ff
fff
fff
ff
6 7 6 Vl. I p.n.
3
ff poss. f
(s.p.)
fff
f
ff
ff
fff
f
mf
martelé s.p.
fff
3
f
3
ff
ff
f
(Timpani)
B T
f
ff
ffmf sub
(Tam-tam medium)
f
mf
Perc. II
Acc.
f
Perc. I
f
mf
ff
mf
69
f
ff
—
ff
ff
f
3
f
ff
Hn.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
ff 3
f
ff 3
3
3
G d— E
ff f
— — — — —
ff
—
fff
7
(s.p.) 3 3
mf
martelé s.p.
—
ff
s.p.
— — —
ff fff
f
70
Fl.
249
f
Ob.
ff 3
fff
ff poss.
( )
f
3
fff
mf
mf
3
Acc.
— — —
249
Vl. I
f
ff
f
fff
flatt
— — —
6
Vl. II
martelé
fff
Vla.
7
Vc.
—
fff
Cb.
3
— —
3
f
f
fff
fff
3
7
— — — — — —
fff
— — —
7
—
f
fff
ff
f
fff
f
— — —
7
fff
— — — — — —
mf
flatt
fff
f
ff
mf
flatt
ff
fff
fff
fff
3
ff
flatt
f
ff
fff
flatt
3
3
ff
f
f
flatt
3
f
ff
fff
flatt
ff
3
flatt
ff
fff
fff
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
( )
ff poss.
Trb.
ff
Bas.
C Trp.
ff
f
ff
Hn.
3
Bari. Sax.
fff
3
f
f
fff
ff
Cl. en Sib
fff
fff
— —
3
f
fff
— fff
f
f
— — —
—
fff
— — — —
fff
— — — fff
250
Fl.
71
9
f
Hn.
3
f
(Timpani)
ff
ff
Acc.
stacc 250
Vl. I
ff
sffz
stacc (s.p.)
ff
stacc (s.p.)
stacc (s.p.)
f
3
—
ff
3
f
mf
ff
— —
flatt
ff
ff
mf
f
ff
f
f
ff
3
flatt
ff
flatt
3
ff
f
f
9
— — —
ff
f
ff
3
— —
— — — —
—
ff
3
—
6
— —
f
ff
—
ff
3
f
f
6
fff
*= Tutti register is not a mistake. High fingered notes above C5 will not be affected by 4' register
sffz ff
fff f
fff
— —
fff
f
fff
s.p.
ff
sffz ff
f
— — —
p.n.
fff sffz ff
s.p.
f
p.n.
sffz ff
— fff
fff
f
s.p.
p.n.
f
sffz
fff f
—
—
6 —
—
sffz
6
fff f
—
sffz
fff f
ff
—— — —
p.n.
3
f
ff
flatt
ff
—
3
f
ff
ff
9
f
(s.p.)
—
B.sh.
9
3
*
ff
3
3
f
Perc. II
Cb.
3
f
9
3
3
(Tam-tam medium)
Vc.
f
ff
Perc. I
Vla.
f
3
flatt
ff
Vl. II
ff
ff
ff
Trb.
—
f
C Trp.
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
3
3
9
ff
ff
f
f
9
fff
Bas.
ff
f
Bari. Sax.
9
Cl. en Sib
9
ff
f
sffz
Ob.
9
9
fff
sffz
sffz
—
f
fff
f
fff
72 252
Fl.
9
9
Ob.
f
Cl. en Sib
4 S 56 T
9
9
9
—
ff
ff
ff
f
(Timpani)
Perc. II
f
Acc.
fff
252
Vl. I
s.p.
—
Vl. II
Vc.
sffz ff
f
f
f
ff
ff
3
f
ff
f
f
ff
ff
— —
B.sh.
—
— — — — —
—
3
— —
— — — —
—
f
f
fff
f
fff
p.n.
fff
f
fff
f
f
sffz
— — — —
sffz
6 fff fff fff
f
s.p.
fff
f
ff
f
fff
f
fff
sffz
p.n.
ff
sffz
sffz
f
ff
ff
sffz
fff
—
3
ff
f
— — — —
ff
flatt
f
ff
f
f
Cb.
— —
fff
f
sffz
Vla.
ff
—
ff
sffz
ff
ff
3
3
(asynchronous)
18:12
—— —— ——
f
flatt
ff
f
(Tam-tam medium)
ff
ff
Perc. I
3 —
f
f
ff
3
ff
Trb.
3
f
flatt
C Trp.
3
flatt
Hn.
9
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
f
ff
f
Bari. Sax.
ff
ff
f
sffz
9
3
— — —
sffz
sffz
fff
f
—
—
— — — fff
254
Fl.
Ob.
3
9
f
sffz
3
Cl. en Sib
9
ff
flatt
Trb.
flatt
f
(Tam-tam medium)
Perc. I
Acc.
6 6
ff
Vl. I
p.n.
f
fff
s.p.
Vl. II
Vla.
3
— —
— — — — —
sffz
f
— — —
flatt
f
fff
ff/mf
— —
f
fff
f
ff
B.sh.
— — —
f
fff
f
fff
f
f
ff
mf
— —
3
fff
3
sffz
sffz ff
sffz ff
sffz
f
ff
(s.p.)
—
p.n.
fff
(s.p.)
sffz
3
p.n.
f
3
sffz
ff
ff
— —
ff
— — — —
f
f
f
fff
(p.n.)
sffzff
sffz
sffz
s.p.
fff
fff
— — —
fff f
fff
3
— — —
ff
mf
3
3
3
fff
— — —
3
fff
— — — — —
fff f
fff f
fff f
—
f
sffz
fff f
mf
p.n.
s.p.
sffz
fff
ff
f
6
6
f
ff
ff
—
9
9
ff
fff
6
sffz
—
ff
Cb.
f
f
ff
3
9
f
mf
ff
— —
ff
Vc.
f
fff f
f
sffz
ff
ff
3
f
ff
f
f
—
254
—
ff mf
ff
3
(Timpani)
Perc. II
mf
ff
f
ff
3
mf
ff
3
f
3
3
mf
ff
f
C Trp.
3
9
f
ff
—
ff
ff
f
f
ff
Hn.
f
f
9
9
9
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
—
—
ff
f
Bari. Sax.
73
sffz
9
R
9
ff
9
f
sffz
3
sffz
ff
sffz
3
sffz
— —
sffz
f
fff f
fff f
fff
74 256
Fl.
Ob.
Cl. en Sib
9
9
f
sffz
ff
9
3
Bari. Sax.
Hn. fff
C Trp.
f
(Tam-tam medium)
(Timpani) Perc. II
Acc.
1
ff
9
flatt
3
— —
f
f
ff
ff
ff
3
f
ff
f
f
ff
3
sffz
p.n.
Vl. II
sffz
f
3
sffz
f
(ff)
sffz
s.p.
sffz
sffz
sffz
s.p.
sffz
3
p.n.
sffz
sffz
sffz
3
fff f
sffz
sffz
sffz
fff
sffz
ff
ff
ff
s.p.
sffz
sffz
—
3
(ff)
s.p.
p.n.
fff
f
fff
ff
s.p.
sffz
sffz
—
f
fff
ff
sffz ff
3
fff
sffz
fff
3
Cb.
f
p.n.
Vc.
p.n.
fff
s.p.
f
gliss.
Vla.
Vl. I
s.p. 256
3
ff
f
ff
ff
f
ff
ff
fff
f
fff
3
f
ff
ff
fff
f
3
f
ff
ff
3
ff
f
ff 3
3
f
f
f
fff
Perc. I
flatt
fff
Trb.
flatt
3
9
f
ff
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
9
ff
f
ff
9
9
ff
ff
f
f
sffz 9
p.n.
3
sffz
f
fff
sffz
sffz
sffz
fff
fff
3
sffz
f
fff
258
Fl.
f
sffz
Ob.
Bari. Sax.
C Trp.
Trb.
fff
gliss.
f
mf
gliss.
Perc. II
258
Vla.
sffz
sffz
6
6
6
6
sffz ff
sffz
3
sffz
sffz
6
s.p.
sffz
sffz ff
sffz
sffz
sffz
ff
s.p.
3
sffz
6 6
6
3
sffz
fff
sffz
sffz
sffz
sffz
s.p.
sffz
sffz
f
3
p.n.
ff
f
mf
sffz
gliss.
gliss.
sffz
sffz
(Tam-tam medium)
sffz
(ff)
ff
3
3
sffz
f
ff
p.n.
ff
(Timpani)
6
Cb.
sffz
sffz
sffz
sffz
sffz
Vc.
s.p. 3
mf
ff
sffz ff
6
gliss.
f
6
Vl. II
ff
Vl. I
mf
ff
ff
gliss.
f
Acc.
3
f
f
gliss.
3
4
mf
Bbb5
3
ff
3
9
f
ff
9
ff
f
Perc. I
f
ff
f
ff
3
75
9
9
ff
mf
fff
ff
9
f
ff
9
f
sffz
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
fff
ff
3
f
f
Hn.
f
f
ff
sffz
9
Bas.
ff
f
ff
9
Cl. en Sib
f
fff
6
f
fff
fff
76 261
Fl.
Ob.
ff
ff
9
f
9
f
ff
9
Bari. Sax.
f
gliss.
ff
f
C Trp.
Trb.
Perc. I
Perc. II
Acc.
Vl. I
f
3
sffz
Cb.
— — —
ff
fff
3
f
fff pp sub
(s.p.)
— —
p.n.
sffz
3
— — — —
—
sffz
p.n.
sffz
p.n.
3
sffz
sffz
sffz
I II
fff
3
fff
sffz
I II
sffz
I II
sffz
sffz
ff
gliss.
fff
ff
f
f
3
3
gliss.
fff
f
sfz f
gliss.
fff
fff
fff poss.
ff
sffz
—
sffz
—
3
3
f
gliss.
fff
fff
ff
3
f
9
sffz
sffz
ff
Vc.
— — —
ff
s.p. Vla.
sffz
sffz
ff
ff
sffz
gliss.
— —
sffz
Vl. II
261
mf
ff
3
fff
gliss.
ff
sfz f
ff
3
9
9
fff
ff
f
ff
f
Hn.
sffz
fff
9
ff
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bas.
9
ff
sffz
ff 3
3
9
f
ff
f
sffz
ff
ff
sffz
9
Cl. en Sib
f
sffz
— d d
264
Fl.
77
Muta in Piccolo
(Piccolo)
Bas.
Hn.
pp
sffz
Ob.
fff
Cl. en Sib
Muta in Contrabassoon
ff poss.
C Trp.
fff
Trb.
fff
Perc. I
Perc. II
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Bari. Sax.
Muta in Tenor Saxophone
sord. straight metal
gliss on rim
(Timpani)
Vl. I
264
(remove cymbal from timpani)
f
Timpani
s
p
Tam-tam Low
p
pp
fff
ffff
Vl. II
(Tam-tam medium)
mp
Acc.
pp
fff
ffff
Vla.
fff
ffff
Vc.
ffff (resonance on IV)
Cb.
fff
(prepare
)
fff
fff
78
270
Fl.
Cl. en Sib
Ten. Sax.
Cbas.
3
pp
Perc.
Tunned Gongs
p
Perc. II
Timpani
s mp
270
ebony mute
Vl.I
pp
pp
mp
pp
Tam-tam Low
pp
s
pp
3
sord.
sord. straight metal
(Tunned Gongs)
mp
Acc.
pp
pp
C Trp.
Trb.
pp
pp
pp
– —
seco
mp
pp
pp
pp
pp
mp
s
Timpani
Tam-tam with Magnets
arco
mf
mp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
Muta in Flute
p
mf
p
p
mf
mf
mf
ebony mute
Vl.I
pp
pp
mp
mf
p
mf
ebony mute
Vla.
pp
Vc.
pp
mp
mf
p
pp
p
mf
mf
p
sempre
mf
79 278
Fl.
Cl. en Sib
Ten. Sax.
Cbas.
pp
pp
pp
mp
C Trp.
Trb.
Perc.
pp
pp
pp
Perc. II
Timpani
s
mp
Vl.I
mp
Vla.
mp
Vc.
Cb.
pp
mp
mf
mp
pp
s
mf
pp
mf/p sub
mf /pp sub
278
Vl.I
Tam-tam Low
mf /pp sub
p
Acc.
p
mp
pp
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr
Hn.
mf
(bend)
— —
pp
mp/pp
– —
mf
mf
mf
pp
mp
pp
mf
pp
mp
non vibrato
pp
mp
pp
Madrid, 19 de Diciembre de 2010 Duración: 18' 21''
lle rtie ts pa cerp me ex mê as ite ven erd e int den pie bid co for oto on Ph cti --- du nd pro ura --re sD dion ran dit Du s E ns de ditio té rié of E op Pr erty op Pr