Hutker Portfolio 2012

Page 1

Evan Hutker Portfolio eahutker@gmail.com 508.274.4445


Earbud

Hygienic Travel Earbuds

This project began by deconstructing and analyzing a pair of Apple速 earbuds to understand standard construction. I moved beyond the initial assignment to analyze the existing earbud market and develop an appropriate design response. 2 // Hutker


Existing Part Analysis

The main housing is injection molded in a four part tool; knockthroughs shell out the complex interior, which sandwiches the speaker with the lower casing. The gray injection molded insert in the back of the main casing hides the gate, while the speaker wire is threaded through the back of the main casing and is tied in a knot to act as a strain relief for the contacts. Hutker // 3


Earbuds in Transit

User Experience

Earbuds appeal to commuters or casual listeners as they are discreate and portable. I encountered multiple ‘fixes’ users developed to protect their earbuds from dirt and damage while in transit.

Target users are commuters on public transportation and people who use their earbuds in public places. Every weekday 35 million people board public transportation in the US. There aren’t many current products that address this issue directly.

Brief

-publictransportation.org

4 // Hutker


Current Earbud Market

Market Development

Fashion

Audiophile

Ergonomics

Utility Sport

Children

Travel

Hygiene BASIC

Earbuds have become more and more specialized to distinguish themselves from competitors. Mature markets have become saturated with a wide variety of designs. For example, the ‘fashion’ market has already been saturated with competitors, leaving little room for products to distinguish themselves.

SPECIFIC

This is an area of potential opportunity as there are few solutions for keeping earbuds clean and hygienic in travel or storage situations. Hutker // 5


6 // Hutker


My concept began to focus around an elastomer cover that would protect the tip of the bud, the part that is inserted into the ear, while not in use. This ‘hood’ can flip back and reveal the tip allowing it to be inserted into the ear canal.

Open

Closed

Hutker // 7


Earbud In use

Protected Eartips

Elastomer Cover Casing Cap Speaker Tension Relief Knot Contacts

Control Drawing 8 // Hutker


The rubber tips protect the speakers and ear canal from damage and dirt. They can be molded in a variety of colors and textured patterns for users who are interested in the ‘fashion’ aspect of listening in public.

Design Solution Hutker // 9


Paring Knife

Redesign of the Traditional Pairing Knife

PAIN POINTS This knife is a submission for the Syracuse University Junior Prize Design Competition. Traditional paring knives are not designed to perform the rolls that contemporary users need them for.

10 // Hutker

If the blade and handle are flush with each other, the user’s hand will hit the counter before finishing the cut.

Thin paring knife blades do not allow condiments to be scooped or spread well.

Wet cuts or ones that require a lot of force can be dangerous if the user’s hand is not protected from the blade.

Bob, a professional blade sharpener, uses only one knife in his kitchen.


Existing Knife Market

User goals

There is a wide range of paring knife designs for a variety of specific tasks. There are few contemporary-looking designs. I drew inspiration from the elegant offset handles of the Christofle Recto Verso tableware.

“Sometimes I just use one knife to make a sandwich; I don’t want to keep switching knives.” -Carla

“I don’t like to keep on switching between knives. You end up having to clean too many of them.” -Bob

Contemporary cooks are using paring knives as omni-knives, they are no longer confined to their intended purposes. When using only one knife there’s less for the user to and deal with; it’s a smaller cognitive commitment to use and clean.

Brief

“A simple knife that is easy to use, quick to clean, and can make almost any cut.” Hutker // 11


20º

The offset blade to the inside of the handle emphasizes the simplicity of the knife being composed of only a blade and a handle.

12 // Hutker

The angle between the user’s hand and the cutting edge allows a more powerful cut, while also preventing the user’s knuckles from hitting the cutting surface.


Form Development

Hutker // 13


Further Development

I continued to develop two of my designs further: the conservative blue version and the bolder orange one with a handle long bevel that carried through the blade.

5”

1.5”

4.25”

0.75”

0.5”

14 // Hutker


Gray Anodized Stainless Steel

Wood Handle

Black Anodized Rivets

Design Solution

The design is a direct response to the users’ pain points of paring knives in contemporary kitchens. The thick blade scoops and spreads condiments easily, while the back curve of the blade prevents the user’s fingers from sliding down the handle onto the cutting edge. Hutker // 15


RETREAT HOUSE Sustainable Summer Retreat

0’

16 // Hutker

40’

80’

120’

Win 2010 ner: B Unb SA u ilt Arch itect Awa ure rd

The retreat house is a competition entry for Hutker Architects in the Progressive Architecture Design Awards. This was a ‘concept 3’ pitch to a client that was never developed. I took the concept, developed it, and created a submission from it. We won one of the four top awards.


The site is located on the northern shore of Cape Cod; it looks out from atop a 160 foot drop to the sea. This summer house is built at the edge of the precipice. As Atlantic waves eat away at the bluff the house retreats inland.

Hutker // 17


The program of the house is a summer retreat for a retired businessman and his large extended family. My design focuses on flexibility in living spaces, allowing both immediate family and relatives to fill the program comfortably; the built-in furniture in the reclaimed boxcars can be reconfigured as family needs change over generations.

Boxcar Inserts

42

35

26

19

8

0

retirement

first grandchild born

empty nest

youngest child enters middle school

youngest child born

construction

0’ 18 // Hutker

50’

100’

150’


Closed for Winter

Open in Summer

As the house is pulled back from the bluff by large winches, the foundation materials are recycled backward to continue support of the house. Brise soleils and shutters double as decking in the summer months, and are designed to maximize passive solar gains as well as protect the summer retreat in the harsh winter months.

Hutker // 19


Emissions

Direction

Design Research

The Syracuse metropolitan area produces more CO2 percapita than two thirds of the nation’s largest 100 cities and is one of the 25 worst areas for transportation in America. We chose to look at this issue from a systematic approach by examining the interactions between the current economic, residential, and infrastructural systems in Syracuse.

This assignment charged our small team with creating background research and direction for a hypothetical design firm that would design a solution to reduce vehicle emissions in Syracuse, NY.

PROFILE OF NTY, NY ONONDAGA COU

IZEDʼ LAND AMOUNT OF ʻURBAN SINCE 1970, THE EXPANSION OF BY 92%; WITH AN HAS INCREASED IN AND NO GROW TH 50 SQUARE MILES POPUL ATION. WALKABLE OF THE TOP 25 LEAST SYRACUSE IS ONE MAJOR CITIES.

TRAVELED GE VEHICLE MILES IN 2005, THE AVERA WAS 12,000 DAGA RESIDENT (VMT) PER ONON MILES. MORE CO2 CES PRODU DAGA AS A WHOLE, ONON THIRDS OF THE NATIONʼS TWO PER CAPITA THAN LARGEST 100 CITIES. 419 TONS 1,263, PRODUCES TONS PER OVERALL ONONDAGA FUELS; THATʼS 2.76 OF CO2 FROM FOSSIL CAPITA .

HTTP://WWW.CLIM VULCAN PROJECT

ONONDAGA CO UNTY, NEW YO RK

GA CITIZENʼS LEAGUE. TO BE GREEN? ONONDA WHAT DOES IT MEAN

FEDERAL HIGHWA YS

2.HTM OCLIP/COUNTYCO

ATEATLAS.ORG/GE

CURDATA A COMMUTE RENTLY USED RAIL 2000 ONONDAG WAYS

IBUTION POPULATION DISTR 22,000 12,000

6,000

33,000 17,000

HERE WORK HERE & LIVE

23,000

7,000

4,000

7,000

2,000 2,000

2,000

19%

12,500 ELSEWHERE LIVE HERE & WORK 6% COMMUTING OUT RESIDENT WORKERS ES MINUT 19.3 TO WORK MEAN TRAVEL TIME

25,000 6,000

47,500

ELSEWHERE WORK HERE & LIVE UTING IN WORKFORCE COMM

33,000

140,000

23,000

RESEDEN 246,50 TIAL0 CON ECONOMIC CON CENTRATIONS CENTRATIONS 199,000

WORK HERE

31,000

60,000

2,000

U.S. CENSUS BUREAU

CENSUS DATA 2009 COMMUTE PEOPLE WHO: PERCENTAGE OF

SECTOR 80%

DROVE ALONE

IC DEVELOPMENT OFFICE OF ECONOM ONONDAGA COUNTY

CENSUS DATA 2007 ECONOMIC

CARPOOLED TION PUBLIC TRANSPORTA WALKED

EMPLOYEES

WHOLESALE TRADE

9%

MANUFACTURING

3%

RETAIL TRADE

4%

HEALTH CARE OLOGY SCIENCE & TECHN

12,000

SALES (BILLIONS) $17.1 $7.2

23,000 29,000 34,000 16,000

$6.3 $3.4 $2.4

U.S. CENSUS BUREAU

U.S. CENSUS BUREAU

A DEMOGRAPHICS 2009 ONONDAG

AGES 25-54. ATION IS BETWEEN 43% OF THE POPUL 85% WHITE, 9% BLACK 181,000 HOUSEHOLDS FORCE (65%) 234,500 IN THE LABOR ATION 453,000 TOTAL POPUL 8% UNEMPLOYED TY LEVEL 14% BELOW POVER

20 // Hutker

T E A M J E LY U.S. CENSUS BUREAU


Mapping

C OMMU NIT Y S TRUCT URES

To examine the interconnected systems of infrastructure we combined existing data, our own observations, and responses from our cultural probe to create maps of the county. We mapped solutions and precedents of communities harnessing existing infrastructures to encourage alternate forms of transportation between areas of high density (where most travel occurs).

are two distinc t comm unity In Onon daga Count y there center ed aroun d living system s: a reside ntial system system center ed aroun d spaces and an econo mic activit ies. Most perso nal asing purch and yment emplo s, s betwe en these two system travel in the count y occur t, geogr aphica lly distinc t. The which are, for the most par the densit ies of jobs. from t distan are s home densit ies of increa se the conne ction Our resear ch will look to econo mic system s. We want betwe en the reside ntial and of both system s as well ies densit al to centra lize the physic produ ced by perso nal travel as reduc e the CO2 emissi ons densit y and centra lity home and job As them. betwe en to transp or tation drops . increa ses, CO2 usage due

E CONO MIC ure F IG . 1 Separ ated system struct

R ESIDE NTIAL E CONO MIC

S Y STEM A

S YSTEM B

R ESIDE NTIAL

S Y STEM B

F IG . 2 Mixed system struct ure

S Y STEM A R ESIDE NTIAL E CONO MIC

J UNCTION

S YSTEM A

J UNCTION

S YSTEM A

S YSTEM A

S Y STEM B

F IG . 1 Free for all between multiple systems

E U RO P E A N S T RU C T U R E

S YS TEM M OVEMEN T

C IT Y P L ANNIN G C ONS These structure s diagram moveme nt between the These structures diagram two residenti al and economi c systems a given tocommun organizing ity. approaches disparate in F IG . 1 resemble s the current F IG . 1 is structure suburban space. urban and of Ononda ga County; while there are many the city of Syracuse and to analogous highways and efficient dense Several towns. its outlying routes to get between systems, TEAM there is ver mesh a y by little connected Density System settlements F IG . 2areHierarchical structure for travelers to utilize. of suburban roadways. F IG . 2 and F IG . 3 are example s of potentia l alternati ves to Ononda ga’s structure that would more directly connect these systems to each other. These B ENSITY D structure s are more conducti ve to alternati Dves E N Sto I T Yprivate B vehicle use, such as direct busses, light rail, or carpooli ng. TRUCTS

D ENSITY C

D ENSITY A

D ENSITY C

T E A M J E LY

F I G . 2 diagrams the structure of many smaller cities in Germany. The hierarchy of densities are directly A connectedS to each other, with rural Y STEM areas and farmland in between. This linear structure allows for sensible alternatives to personal vehicle use.

F I G . 3 Multiple systems connected by cumulative junctions

D ENSITY B

ure F IG . 3 Integr ated system struct

S Y STEM A

J UNCTION

S Y STEM B

J UNCTION

S Y STEM A

S Y STEM B J E LY

D ENSITY B

D ENSITY A

S Y STEM

A

F IG . 2 Multiple systems connected by a central junction

T E A M J E LY

D ENSITY B

D ENSITY C

TEAM JE

D ENSITY B

T r av e l Personal r HunT s c av e n g e

T E A M J E LY

F IG . 1 Densities connected by in-fill

InsTrucTIons

ns about follow ing questio Please answe r the y, in the in Onond aga Count a pen person al travel For questio ns with spaces provid ed. r on the map, draw the answe symbo l ( ) also n next to it. questio the of r and put the numbe

T E A M J E LY

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Cultural Probe

We developed and deployed a cultural probe in the community to get a groundwork understanding for people’s impressions of travelling in the county.

s

10

s

ion’ from other ‘insider informat Do you have any suggesti ons? the county? Any

traveling in

81

InsTrucTIons

issues in top ten applica ble ing; Please star the when you are travell impor tance to you impor tant. cirlce the most _Safety _Efficie ncy _Speed _Time _Cost _Taxes _Kids _Distan ce _Proxim ity _Scene r y

_Stoplig hts orhood _‘Good ’ Neighb _‘Bad’ Neighb orhood ption _Fuel Consum _Schoo ls _Urban _Suburb an _Rur al _Air Quality _Foliage

_Family _Histor ic _Tr affic _New _Direct _Habit _Exerci se _On time _Slow _Topog r aphy T e a m J e ly

Hutker // 21


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22 // Hutker

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We interviewed members of the community, researched precedents, and took many field trips throughout the county to get a more complete understanding of the systematic issues and existing solutions. , .

n yC h i g h l i n e

The design brief we generated for the hypothetical design firm proposed reviving the abandoned railways, canals, and factories of the area to support and challenge the county’s existing infrastructure.


“Connect Economic and residential centers by revitalizing disused infrastructure with current technology.� Design Tool

Or research and analysis was organized in a box that we would give to the hypothetical design firm. The material is organized into progressively smaller envelopes, enabling multiple designers to access it at the same time. The envelopes also allow the research to be used as a mind mapping tool; they can be pinned up, re-organized, consolidated or cross-pollinated.

Hutker // 23


GreaseWick

Kitchen Grease Lamp

Small Scale Cooking Oil Waste

This project looked at upcycling the man-made resource of waste kitchen grease; most of it generated at a small scale is thrown out. My concept centered around creating an easily adaptable way to upcycle this waste product.

Waste oils produced at a large scale in factories or restaurants are often recycled and used to feed livestock, make soap, detergents, or bio-diesel fuel.

Domestic Uses (candles or fireplace starters) Reuse in Kitchen (lubricant or seasoning)

Waste

“I save bacon grease in a can to season my popcorn, but I end up throwing a lot of it away.� -Larry, 75

What do users do with waste kitchen greases and oils? 24 // Hutker

They throw them away. In the US alone, annual brown grease food waste is thought to be billions of gallons. In a 2009 study, the city of San Francisco found it produces 10 million gallons of grease per year. San Francisco Chronicle, February 5, 2009


$12.50

Current Waste System ‘Common Knowledge’ recommends collecting waste grease in a disposable container until it cools, then throwing it in the trash.

? How can we disrupt this system by creating value within it? Alternate Systems

Our simple and elegant candle will fill your home with warm light and soothing scent. The FURTHER candle base is crafted from purified waste grease and features the same signature of bergamot, olive and exotic grasses found in our hand soap.

Further soaps and candles made from upscale restaurant waste. FURTHER HAND SOAP will not only leave your hands

Design a countertop vessel, which collects waste grease that it can use as fuel for light.

Page 2 of 2

There are few standards for repurposing waste kitchen grease.

Traditional Kerosene lamps only work with fuels that are more purified than waste grease. Hutker // 25


26 // Hutker


Hutker // 27


Alpha and Solidworks Models

Kitchen grease is thicker than kerosine so the wick must be as close to the fuel as possible; a ‘boat’ that floated on the surface of the liquid sustained a flame. The original prototype was made from a Miller bottlecap. Mylar or similar semi-

opaque Sheet Paper Pulp Molded

5"

Lid

2.65

Top

4.47

Ceramic Vessel

4.73 1 32" 3.44 3 24" Front

5" Float and Wick

NAME

DIMENSIONS ARE IN INCHES TOLERANCES: FRACTIONAL BEND ANGULAR: MACH TWO PLACE DECIMAL THREE PLACE DECIMAL

Bottom

28 // Hutker

NTIAL PROPRIETARY AND CONFIDE ED IN THIS THE INFORMATION CONTAIN PROPERTY OF DRAWING IS THE SOLE HERE>. ANY <INSERT COMPANY NAME A WHOLE AS OR PART IN REPRODUCTION PERMISSION OF WITHOUT THE WRITTEN HERE> IS <INSERT COMPANY NAME PROHIBITED.

NEXT ASSY

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APPLICATION

MATERIAL

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MFG APPR. Q.A. COMMENTS:

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SCALE:1:5

WEIGHT:

SHEET 1 OF 1


Prototype Construction

Going beyond the initial assignment, I enlisted the help of a ceramics student to help me make a mold and cast prototypes. Hutker // 29


The GreaseWick lives in the kitchen, gradually collecting waste oils and greases. A lid covers the top to prevent any smells or drops from getting out. At any point the GreaseWick can turn into a lamp, a mylar light screen rests on the outer rim. The floating wick will burn until the fuel is exhausted.

KITCHEN

OUTDOORS 30 // Hutker


Hutker // 31


Manufactured Stories

Senior Thesis

My research explores the value created in the relationship between object stories and their users.

How can we design unique, meaningful, and personal stories into manufactured products? can these stories affect the way users interact with products? 32 // Hutker


Substances can be duplicated but history can not. We will always value and desire to be in contact with the essence of an original. The stories and provenance of an object create its essence, which consumes the physical nature of the object embodying those intangible concepts.

There are several spectra that can describe an object story; an object story can exist anywhere on these three axes. I’m interested in exploring how we can encourage, preserve, and celebrate these rich narratives through design. Hutker // 33


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I encasing packaging plastic open or off ribbon for my me had flagged flight.aThey boardtoatravel especially good at birthday parties when somebody has to get a t I was going through security I lost it.toI used lot and always my pocket knife with me. After On weekend mornings, I make9-11, home-made chai, with packs with it. I carry my wormer Indy’s fresh cut open Dinah’s and lemon usually grass and a contraband the into knife the toss choices: two had I me told and knife pocket ribbon off or open heat-sealed plastic packaging encasing a prese 9-11, I was going through security to board a flight. They flagged me for my special mixture of spices I brought back from my last trip secure with a knife in bit moreand little Dinah’s a open to feel just They night and I alwaysusually at were would keys place that some find and terminal main theIndia. box and lose it. Or go back to cut Indy’s wormer packs with it. I carry pocket knife and told me I had two choices: toss the knife into the contraband ground by my Indian mother (I was an exchange student in highnot need be. I haven’t been able I find some fashion who Ninja knife. Soand myterminal whip around I can simply handthat myplace imagine could me. Ibox let me mail it back to andschool), lose it. Or go backdiscarding to the main would keys at night andifI always feel just a little bit more secure with a passed away last year at the age of 90. I wasthe fortunate to have been small discarding toto shop, sharpened this one a few a Imail find to long time. happened main terminal, the blades to find dashed back to let me mail itable back me. could notbought imaginea simply my knife. So I for it for mya hand I can Dad whip around Ninja fashion if need be. I haven’t be see her the year before. So tea brings back thoughts home, caring, it. I just made onhappened ample putof and to it,back in of on working for me. And put theofknife just keeps blade padded envelope, be rusty, buttothe It may times. dashed the mainpostage terminal, to find a mail shop, bought a small deep personal contact. And tea find the blades for it for a long time. Dad sharpened this one a is very differentlater, coffee; you have to make empty. and put open slit in Croton, in arrived envelope got a knife?” my flight. A week thanthe “Anybody asks, somebody when by close padded envelope, put the knife it, and ample postage on it. I just made always it’s it, then let it steep. It makes you times. It may be rusty, but the blade just keeps on working for me wait. Sit. Be patient. Then you drink. The my flight. A week later, the envelope arrived in Croton, slit open and empty. Japanese have a phrase for impatient, irascible people. Of such a man, it’s always close by when somebody asks, “Anybody got a knife?” theythat I have not lost now for quite Without a word, Julie gifted me this new one, will say “he has no tea in him.” bottles wine opening from well things so manyalittle a few years. Second, it doesWithout word, Julie gifted me this new one, that I have not lost now for quite fishing. at picnics to trimming knotsa while few years. Second, it does so many little things well from opening wine bottles huTker Thesis at picnics to trimming knots while fishing. huTker Thesis Thesis Thesis

Object Stories are about Relationships

34 // Hutker

huTker

Thesis

huTker

Thesis

huTker

I’ve collected personal stories about possessions with sentimental value; the kind of objects that give users joy when they use them or look at them. Although there has been a wide range of responses, all of these stories seem to describe a relationship with ourselves or another person. These possessions connect us to who we were and who we want ourselves to be. They embody the bond we share with another person through the provenance of that object. The provenance of a possession consumes its physical properties and existence.


OBJECT STORY ANALYSIS Ana

Dawn

Mark

Leo

Larry

Janet

Harly

Carla

Evan

Eric

Dawn

Tim

Nancy

Mark

John

d W oo

ck Du

d W oo

l ar Pe

ra m Ce

ic ra m Ce

s

al Gl as

et d/ M

al

W oo

M et

al

M

et

es in al /R et

al

Design Direction

M

M et

ld Go

M et al

al M et

M

at

er ia

l

Inflection Point Owned for a Long Time Used Frequently

ic

Owned by Another Given by Another

This research will inform my design solutions, which will involve creating a suite of objects that expose and enhance our relationships with ourselves and with others. Hutker // 35


Thesis

Everyday Souvenirs

This design experiment is based on my thesis. While looking to give stories to objects, I decided create objects from experiences.

1 These objects are be generated from stories and relationships, becoming souvenirs of everyday happenings. An array of sensors are attached to various objects, surfaces, and people; they record sound, vibration, movement, temperature, light, or any other data.

Mock up of Recording Device 36 // Hutker


The collected data is wirelessly transferred to a computer, which runs it through an algorithm, which generates a 3D shape.

2

3 4

This model can be sent away to be printed or milled from a variety of materials. The examples below have been sent in and milled from a piece of Chestnut that the user found on a hiking trip.

5

Family dinner Soccer practice

Raking leaves Pizza party Rainy day by the fire First game of the season

Coffee date

Birthday sleep over Hutker // 37


EVAN HUTKER I want to create things

that people care about.

eahutker@gmail.com 508.274.4445

I’m a driven designer who loves the process of collaborating with others to create pure, elegant and meaningful designs. I come from a family of designers and I’m fueled by a desire to surround myself with good things and good people. 16 Sippewissett Rd. Falmouth, MA 02540

Education Work EXPERIENCE

Syracuse University Honors Program Tool. Inc. // Design Co-Op

Bachelors of Industrial and Interaction Design, 2012 (expected) Minor in Entrepreneurship GPA: 3.9

Practical Skills

Adobe Creative Suite Microsoft Office Suite Solidworks Photoview 360 Rhino Google Sketchup

Hand sketching Model making Woodworking Wacom Tablet Sketchbook Pro Corel Painter

About Me

Art & Design College Scholar (highest academic honor 2012) Dean’s List (2007-2011) 2 time winner of the Golden Gnome Design Award Outstanding Designer in Industrial Design (2009) Syracuse University Abroad London Program (2011) BSA Unbuilt Architecture Award (2010) SU IDSA student chapter treasurer (2008-2012) Peer advisor (2009-2010) 4th place international ROV competition (2007) Recovering Lego addict Born on Martha’s Vineyard 1 kg steak challenge (26 mins) Cheese fanatic Avid snow and water skier

Summer 2011: Product Design Consultancy, Marblehead, MA Designed a wide range of consumer products and point of purchase displays in a small team of designers for firms such as Staples and Wilson. Worked mainly on a Wacom tablet to generate concepts and develop them into final renderings.

Mechtronics Corp. // Design Co-Op

Summer 2010: Point of Purchase Display Design Consultancy, White Plains, NY Generated concepts and renderings for point of purchase displays for products made by Gillette, Duracell, Dr. Scholls, and P&G.

Rylaxing LCC // Design Consultant

2009 - 2011: Consumer Product Development, Syracuse, NY Redesigned the Rylaxing bed cushion to improve comfort and reduce production and shipping costs.

Hutker Architects // Design Co-Op

Summer 2009: Residential Architects, Falmouth, MA Developed content for HA’s book as well as designed and submitted a project to the BSA national design competition, and won one of four top awards.

Entrepreneurship in South // Consultant Summer 2009: Syracuse University Business Program, Capetown, South Africa Consulted disadvantaged entrepreneurs in the townships of South Africa with other students by developing bookkeeping, operational, marketing, and business strategies.


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