Vol. 49 No. 2
Cherry Hill High School East: 1750 Kresson Road, Cherry Hill, NJ 08003
December 2015
Photo by Liz Lee (‘17)/ Eastside Staff. Curtain art by Sydney Steele (‘16)/ Eastside Art Director
Cast members of The Tempest anticipate their opening performance on December 4.
Shakespeare’s The Tempest takes the East stage ■ By Jenn Pacitti (‘17)
Eastside News/Features Editor
The Tempest will be sweeping the East stage this fall as the Theatre Department performs its adaptation of Shakespeare’s last, and possibly most creative, play. A production team, consisting of Director/ Producer Mr. Tom Weaver, Film and Projection Designer Mr. Peter Gambino, Assistant Director/ Choreographer Mrs. Sandi Makofsky and retired English teacher Mr. Matthew Carr, is working together to create a production that will grab the audience’s attention. The Tempest is certainly not East’s first Shakespearean production, with performances of Midsummer Night’s Dream in 2009 and Romeo and Juliet in 2006, but The Tempest is bringing completely new elements to the East stage. “The play as a whole has a little bit of everything. It has a little bit of comedy, a little bit of drama, a little bit of action, a little bit of tension... I think this play is very interesting because it builds upon itself by combining all those elements,” said Ben Levy (‘16), who plays Gonzalo in the White Cast. The play begins with a shipwreck due to a mighty storm called The Tempest, which was orchestrated by Prospero as an act of revenge for the wrong done to him in the past. On the ship is his family that dethroned him as Duke of Milan and left him and his daughter on an island. The plot follows the characters through a story of magic, revenge, forgiveness and love. The choice of this play for the fall production allows for a lot of creative freedom in several respects, including easy gender switching. “We did a lot of gender switching... It can take care of my actors here, our two leading ladies would have traditionally been two leading men. Our Prosperos are now Prosperas... That’s the main way we adapted it to the East stage,” said Weaver. The other adaptation was to cut down the four-hour version of the original play. Deciding to cut the play makes the production more audience-friendly. The adapted version is shorter and full of special effects. Also, the play will be set in the 1800s even though it would originally take
place in the 1600s. “Matt Carr wrote and basically cut the play in such a way that you can still tell the story very nicely,” said Weaver. “I would dare say the play will be less than two hours, making it approachable for our kids [and] making memorizing all the lines and performing it much easier.” Performing Shakespeare differs from performing any other play, especially in the language of the script, for blank verse requires a lot of research and practice from the actors. Cedric Middleton (‘17), playing Caliban in the Red and White Cast, said, “There is kind of a language barrier like trying to learn any other language, but as you look into it and begin to understand what you are saying, it just flows naturally.”
magic through the elements and the characters,” said Gambino. “I am working with a team of students and we produced a film for the intro shipwreck as well as projections throughout that will help with the visual style.” Although this is not the first time a movie has been incorporated into an East play, it has never been implemented on this scale with its own set and green screens, said Gambino. It is only until Scene 2 in which the audience will see the actors on stage, but they will see them closer than ever before. “We are out in the audience, the back wall of our set is the beginning of the stage. We are totally right there in the audience’s face... There is distance in the other shows, but here we are right in the audience’s laps just like Shakespeare intended with the Globe Theatre,” said Weaver. During rehearsals, actors are also given the creative freedom to act out the scenes the way they envision them in their head. Weaver then fine-tunes the scenes for the show. “In this production we have had the opportunity to work with Weaver as creators. We have a general read-through on stage, but then we actually get to block it ourselves. Weaver sees what we want to do naturally and then cleans it up. It is really new and really effective,” said Jean-Louis. Choreography will also make its appearance in the form of the character Ariel. Allison Shapiro (‘17) will play Ariel for the Red Cast and Katie Aylesworth (‘16) will play Ariel for the White Cast. “The character of Ariel was definitely cast based on the actor’s ability to move with grace and agility. The two actresses playing the role are strong physical actors and are doing a fantastic job,” said Makofsky. The Tempest will open on December 4 at 7:30 p.m. with additional shows on December 5, 11 and 12. Weaver said, “This is the place to take chances, this is the place to teach actors to take chances, and they are. Every single one of the kids has done something to create something special for their characters and I am so excited about that.”
“This is the place to take chances, this is the place to teach actors to take chances.” - Mr. Tom Weaver
Inside This Issue
Many of the actors enjoy performing Shakespeare’s blank verse and have learned to adapt to the pattern and complex vocabulary coming from the different time period. “I first struggled, of course, but it’s not just reading it, it’s breathing it and speaking it at the same time. The language is so beautiful,” said Bethelly Jean-Louis (‘17), playing Miranda in the Red Cast. “You have to take your time to say each phrase, which is so different than anything I have ever done. It is beautiful how the actors can connect to it and makes the audience connect to it.” Included in the playbill will be a list of unknown vocabulary in order to help the audience follow the conversations between characters. Other creative elements include the special effects with film. Gambino and a team of students have created a film for Act 1 Scene 1. “We are experimenting with three projection screens, which is something we have never done before... We are going to try to visualize some
Hacking up a storm Community, Pg. 6
Record Guru makes musical whirlwind Underground, Pg. 11
Lu storms the icy stage Sports, Pg. 18