Eastside: February 2014

Page 1

www.eastside-online.org

Vol. 48 No. 5

Cherry Hill High School East: 1750 Kresson Road, Cherry Hill, NJ 08003

February 2014

Thespians prepare for spring musical, “Aida” ■ By Kaitlyn Boyle (‘17)

Eastside Staff

The East Theater Department is taking students on a trip back to ancient Egypt with this year’s spring musical, “Aida”. The show follows the tragic Romeo and Juliet-like story with a historical twist. It opens at a history museum, where a young man and woman walk in and glance at each other. They read the inscription on an Egyptian tomb, and suddenly the story travels back 3,000-4,000 years to ancient Egypt. Aida, a Nubian princess, is enslaved by Radames, the man next in line to become pharaoh. Radames is betrothed to the current pharaoh’s daughter; however, he begins to fall in love with Aida. “It’s a forbidden love story,” said Mr. Tom Weaver, head of the Theater Department. Despite many tragic events, the couple eventually finds a way to be together for all of eternity—although not in the way they had hoped. The end of the play returns to the museum, where the young man and woman once again lock eyes. “You can see there’s an attraction,” said Weaver. “Then, that’s it. Blackout.” Although the Theater Department performed “Aida” nine years ago, students and staff had no difficulty in bringing it back once again, thanks to a suggestion from the vocal director, Ms. Cindy Persichetti. “[The choice] was a combination of it fits our students, student reaction, and Cindy Persichetti,” said Weaver. The students were extremely excited when they heard that “Aida” was being considered for the spring musical. “The story is so breathtaking,” said Max Hoffman (‘14), Red Cast Radames, “and I am so excited to be able to share it with an audience.” Chelsea Campbell (‘14), White Cast Aida, has loved the play from a very young age. “Ever since I was seven, it’s been my dream to sing these amazing songs and play this part of Aida,” said Campbell. “Each song portrays the mood of each scene so well, and all the songs are just so much fun to sing. The music will make the overall experience of ‘Aida’ incredible.”

The 90’s pop rock music was composed by Elton John, and the lyrics were written by Tim Rice. The musical won numerous Tony awards, including one for best score. “Elton John is an amazing composer,” said Elisabeth Siegel (‘14), Red Cast Aida, “and there really is no weak spot in any of the songs.” Of the ninety-plus students who auditioned for the play, Weaver said that the students chosen as the leads truly excelled in their acting and vocal skills. “The people playing Radames and Aida have got to be extremely passionate onstage. We have got to believe they fall in love,” said Weaver. In addition to incredible acting and amazing songs, another unique aspect of “Aida” is the lighting and the costumes. The manipulative stage lighting will give the audience the idea that they are actually in Egypt, and the costumes present the idea of a truly timeless love story. Stage crew has also managed to tie in a major symbol of the show, the eye of Horus, meaning healing, wholeness, strength and perfection. In the middle kingdom, it was said that the dead put this in their coffin facing east so they could see out to the rising sun. This common symbol in Egyptian artwork can also be found all around Weaver’s office, anywhere from the pages of numerous textbooks to intricate blue prints rolled up across his desk. The stage crew has constructed a giant 3D mobile of the eye, and certain pieces will fly in and out of the stage at different scenes. “This will have a rear projection screen in it,” said Weaver, “and [English Teacher] Mr. Gambino is going to project certain film and certain pictures in there during certain scenes in the show.” Additionally, the backdrop for the show is a giant eye of Horus. Weaver, along with many of the actors and actresses participating in the play, believes that the East community will thoroughly enjoy this production. “This show is unique because it speaks to anyone who has ever wanted to follow their heart or go against societal expectations,” said Evan Brody (‘14),White Cast Radames. “Aida” will be performed on February 28 and March 1,7 and 8 at 7:30 p.m. and March 2 and 9 at 2:00 p.m. Tickets are $12 for adults and $10 for students and seniors.

East Theater practices colorblind casting for “Aida” ■ By Kayla Schorr (‘14)

Eastside Editor-in-Chief

Having a blonde Dorothy in “The Wizard of Oz” would not thwart the understanding of the show’s plot. A man plays the leading player in “Pippin” just as well as a woman. Although the audience often perceives an African American to fulfill the role of Aida, the protagonist’s race truly does not influence the plot of this musical. “It is the classic tale of forbidden love that we see in all sorts of movies and books today,” said Mr. Tom Weaver, “Aida” director. “It is not about skin color. It is about two opposing cultures.” “Aida” highlights a love affair between Aida, an enslaved Nubian princess, and Radames, an Egyptian military commander. Like Romeo and

Juliet, Aida and Radames determine to love each other despite the hatred they are expected to possess for each other. “At the end of the day, it comes down to who is right for the part,” said Chelsea Campbell (‘14), White Cast Aida. Weaver has a theory of colorblind casting, in which role fulfillment is not selected due to race or ethnic background; it is associated with who can play the role the best. “Although most people think that Aida should be black and Radames should be white because that’s the way they did it on Broadway, and historically, that would make some sense, but in this day and age, we are doing everything we can to avoid race issues,” said Weaver. Elisabeth Siegel (‘14), Red Cast Aida, said that productions are currently modifying their typical

roles to suit other races because there aren’t many roles intended for non-white ethnicities. She said that Javert in “Les Miserables” is an ideal example of colorblind casting since he is now typically played by an African American man although the role is written for a white French man. “The world is becoming more accepting of all races, and colorblind casting definitely shows that,” Siegel said. The concept here is that anyone can play a role despite his or her appearance. The audience ultimately grasps the actors’ portrayals of their characters and the storyline of the production, not their skin color. For more information on the spring musical, “Aida,” refer to Pg. 2

Background art by Helena Sirken (‘15)/ Eastside Art Director

Photos by Jordan Stein (‘14)/ Eastside Photo Editor

The East Theater Department has been hard at work during rehearsals for the upcoming spring musical, “Aida.”

Inside This Issue

Marzano Method comes into play News/Features, Pg. 3

Students watch shows on Netflix Entertainment, Pg. 12

East alum continues to play soccer Sports, Pg. 19


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